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A  CATALOGUE  OF  THE 

ALLEN  A.  BROWN  COLLECTION 

OF  BOOKS  RELATING  TO 

THE    STAGE 

IN   THE   PUBLIC   LIBRARY   OF  THE 
CITY  OF   BOSTON 


BOSTON 

PUBLISHED   BY  THE  TRUSTEES 

1919 


BOOKS  RELATING  TO  THE  STAGE 


A  CATALOGUE  OF  THE 

ALLEN  A.  BROWN  COLLECTION 

OF  BOOKS  RELATING  TO 

THE    STAGE 

IN   THE    PUBLIC    LIBRARY   OF   THE 
CITY   OF   BOSTON 


BOSTON 

PUBLISHED   BY  THE   TRUSTEES 

1919 


«ri»,  I. I*. It.  4C. 


i  PREFACE. 

■^  Among  the  benefactors   of   the    Boston   Public    Library, 

3  Allen  A.   Brown  holds  a  unique  place.     Many  have  enriched 
.y  the  Library  by  gifts  of  money  or  books ;  he  gave  both  money 
and  books,  but  he  gave  more  —  through  more  than  twenty  years, 
from  the  date  of  his  first  gift  until  a  few  weeks  before  his  death, 
he  gave  himself  to  the   Library  without  stint,  spending  time, 
thought,  strength,  and  money  to  perfect  and  complete  the  col- 
co  lections  which  he  had  bestowed  on  the  people  of  Boston. 
2  Born  in  Boston,  July  26,  1835,  Mr.  Brown  was  typical  of 

the  best  traditions  of  his  native  city.     In  his  Harvard  days  he 
'~  developed  an  intimate  devotion  to  music  and  the  stage,  which 
1"  became  a  central  interest  in  his  life.     He  early  began  the  ac- 
"-^   cumulation  of  books  in  his  favorite  fields,  and  in  fifty  years  of 
collecting  he  formed  libraries  of  music  and  the  drama  which 
were  finely  rounded  and  in  many  features  unique.     On  October 
13,  1894,  he  presented  to  the  Public  Library  his  great  collection 
,^  of  music  and  musical  literature,  which  was  housed  in  a  special 
^  room,  known  as  the  Allen  A.  Brown   Music   Library,  on  the 
.«  upper  floor  of  the  new  building  in  Copley  Square ;  his  books  on 
^  the  history  of  the  stage  remained  in  his  home  until  December, 
1909,  when  they  also  were  given  to  the  Library,  and  assigned  to 
V  a  location  among  the  treasures  of  the  Barton-Ticknor  Room. 
Mr.  Brown  continued  to  live  with  his  books,  devoting  many 
\\  hours  each  week  to  the  arrangement  of  material,  to  the  enrich- 
ment of  the  volumes  with  illustrative  matter  of  all  sorts,  and  to 
the  enlargement  of  the  collection;  before  his  death  he  had  more 
than  doubled   the  original   Music    Library,   which   grew  under 
his  hands  from  5,500  volumes  in  1894  to  more  than  1 1,000  in  1916. 
He  died  October  2,  1916,  deeply  mourned  by  the  Library  staff 
and  by  the  music-lovers  of  Boston ;  his  will  contained  provision 
for  maintaining  the  steady  growth  of  his  collections. 

It  was  Mr.  Brown's  wish  that  his  two  gifts  to  the  Library 
should  be  adequately  catalogued,  and  the  catalogues  published. 
The  catalogue  of  the  Brown  Music  Collection  was  issued  by  the 
Library  during  the  years  1908-16,  in  four  volumes,  the  contents 
of  which  were  limited  to  material  actually  belonging  to  the 
Collection.  The  present  catalogue  of  the  Brown  Dramatic  Col- 
lection includes  with  it  all  the  other  books  in  the  Library 
concerning  the  history  of  the  stage. 

The  Brown  Dramatic  Collection  consists  of  about  3500  vol- 
umes relating  to  the  drama  and  the  stage,  with  special  emphasis 

[vii] 


on  the  history  of  the  theatre.  It  includes  biographies  of  actors, 
criticisms  of  plays,  a  large  mass  of  American  and  foreign  play- 
bills, including  those  of  the  earliest  Boston  theatres,  files  of 
rare  dramatic  periodicals,  autograph  letters  of  actors,  photo- 
graphic and  other  portraits,  and  a  great  collection  of  newspaper 
and  !  ■   clippings  on  theatrical  affars,  obituaries  of  actors, 

etc..  ,.  i  in  scrap-books,  and  fully  indexed. 

i  he  body  of  the  present  catalogue  includes  the  titles  of 
■iH  fhc  books  in  the  Library  which  deal  with  the  history  of  the 
r.  This  is  followed  by  two  shorter  lists,  of  which  the  first 
c.i.iains  that  portion  of  the  Brown  Dramatic  Collection  relating 
to  the  drama  rather  than  to  the  stage;  the  second  is  a  supple- 
ment containing  all  material  added  to  the  collection  during 
the  printing  of  the  catalogue. 

The  main  catalogue  —  books  on  the  history  of  the  stage  — 
is  arranged  in  dictionary  form,  containing  authors,  titles,  and 
subjects  in  a  single  alphabet,  with  sub-alphabets  under  the 
various  subject  headings.  Full  entries  have  been  made  under 
the  name  of  the  author;  these  include  the  place  of  publication, 
the  publisher,  the  date,  and  the  number  of  pages.  Under  cross 
references  the  titles  have  frequently  been  shortened,  and  only 
the  place  and  date  of  publication  have  been  retained.  In  the 
supplements  at  the  end  of  the  volume,  the  books  are  entered 
under  authors  only,  in  alphabetical  order. 

Theatres  are  entered  under  the  names  of  the  places  in 
which  they  are  situated,  as  London.    Covent  Garden. 

The  following  rule  has  been  adopted  in  the  treatment  of 
shelf-numbers:  If  the  Library  possesses  two  copies  of  a  book, 
one  in  the  Brown  Collection,  and  the  other  for  circulation,  the 
shelf-numbers  of  both  copies  follow  the  title  wherever  it  ap- 
pears in  the  catalogue.  In  the  main  entry  any  additional  copies 
are  listed  in  a  note  immediately  below  the  title,  but  in  subject 
or  title  entries,  these  copies  are  indicated  by  "etc.",  following 
the  shelf-number.  The  letter  T,  prefixed  to  the  shelf-number, 
is  the  distinj^uishing  mark  of  the  Brown  Dramatic  Collection, 
and  indicates  that  the  book  belongs  to  that  collection.  An 
asterisk  before  a  number  indicates  that  the  book  is  not  for  un- 
restricted circulation ;  two  asterisks  show  that  the  book  is  in 
a  special  collection,  and  may  not  be  taken  from  the  Library 
under  any  circumstances.  The  latter  restriction  applies  to  all 
of  Mr.  Brown's  gifts  to  the  Library,  as  at  was  his  intention  that 
they  should  form  permanent  reference  collections. 

It  shoul'l  be  added  that  the  Library  is  rich  in  material 
on  the  drama  and  its  history,  which  is  only  slightly  represented 
in  the  i)rescnt  catalogue  ;  this  material,  including  the  important 
Barton  collection  of  Shakesi)eareana  and  other  Elizabethan 
literal urt-.  is  fully  indexed  in  the  card  catalogue  of  the  Library. 

April    I.    ujKj 


THE  ALLEN  A.  BROWN  COLLECTION 

OF  BOOKS  RELATING  TO 

THE  STAGE. 


A  *  *  *,  editor. 

Indicateur,  L',  general  des  spectacles  de  Paris,  des  departemens  de 
la  France  et  des  principales  villes  etrangeres.  Par  A***etD*** 
Annee  3.     Paris.     1821/22.  **T.28.i 

A!  A!  A!,  pseud.     See  Malitourne,  Armand,  and  others. 
A,  B.  C,  pseud.    See  C,  A.  B.,  pseud. 

A-B-C  of  motion  pictures.     Welsh,  R.  E.  80393.46 

A  bas  Rigolboche.     [Anon.]     See  Charnal,  Stanislas  de,  and  E.  Moreau 

de  Bauviere. 
A  Beckett,  Arthur  William. 

Green-room  recollections.     Bristol.     Arrowsmith.      [i8g6.]      296  pp. 

**T.77.96 

William  Shakespeare  behind  the  scenes  of  the  Globe  Theatre.     From 

a  rare  M.S.     Edited  by  Bertie  Vyse  [pseud.].     London.     Nichols. 

1864.     8  pp.  **T.96.268 

A  Beckett,  Gilbert  Abbott. 

The  quizziology  of  the  British  drama.  Comprising  I. — Stage  passions. 
II. — Stage  characters.  III. — Stage  plays.  London.  The  Punch 
office.     1846.    iv,  87  pp.     Illus.  **T.48.3 

Illustrations  by  John  Leech. 
Abbot,  William. 

Posthumous  papers.  Edited  by  J.  B.  Buckstone.  (In  Chapman's 
magazine.    Pp.  213-221,  280-288,  330-335,  396-404.    London.     1844.) 

**T.26.37 
Abbott,  Emma. 

LiPPiNCOTT,  S.  J.     Emma  Abbott,  prima   donna.      By  Grace   Green- 
wood  [pseud.     New  York.     1879].  No.  i  in  *6242.59 
Martin,  S.  E.     The  life  and  professional  career  of   Emma  Abbott. 
Minneapolis.     1891.                                                     4344.145;  **M.i43.25 
Aberdeen,  Scotland.    Theatres.    Theatre  Royal,  Marischal  Street. 

Angus,  J.  Keith.    A  Scotch  play-house.    Aberdeen.     1878.    **T.77.i68 
Abguerbe,  Godin  d'. 

Dictionnaire  des  theatres  de   Paris,  contenant  toutes  les  pieces  qui 

ont  ete  representees  jusqu'a  present,  des  faits  anecdotes  sur  les 

auteurs,  acteurs,  danseurs,  &c.     [Par  Francois  et  Claude  Parfaict 

et  Godin  d'Abguerbe.]     A  Paris.     1756.     7  v.  in  6.  **T.48.i3 

Abington,  Frances. 

Life,  The,  of  Mrs.  Abington  (formerly  Miss  Barton),  celebrated 
comic  actress,  with  accounts  of  her  performances  in  London  and 
Dublin.  Also  notes  upon  the  history  of  the  Irish  stage  and  her 
theatrical   contemporaries.     London.     1888,     Portrait. 

4549.121;  **T.57.i33 

[1] 


THE   PUBLIC  LIBRARY   OF   THE    CITY   OF  BOSTON 


M 


About,  Edmond  Frangois  Valentin. 

PeJntures  decoratives  executees  pour  le  foyer  public  de  I'Opera  par 
Paul  Baudry.  Notice.  Paris.  1874.  54  PP-  Portrait.  [Associa- 
tion des  artistes,  peintres,  sculpteurs,  architectes,  graveurs  et 
dcssinateurs.]  4079-i92 

About  I^ndon.     Ritchie,  J.  E.  24993.111;  **T.97.2i2 

About  btage  folks.     Horton,  W.  E.  **T.58.2I 

About  the  ballet.     Matthews.  J.  B.  **T.i2.ii 

Abraham,  fimile. 

Lcs  acteurs  et  les  actrices  de  Paris.  Biographic  complete.  Paris. 
1S58.     108  pp.  **T.57.4io 

Abus,  Les,  du  theatre.     Lemonnier,  A.  **T.98.i9 

Academy  of  Music,  Boston.  (Name  of  Boston  Theatre,  1860-63.)  See 
Boston,     i  heatrcs.     Boston  Theatre,  Washungton  Street. 

Account,  .\n.  of  Chang  and  Eng.  the  world  renowned  Siamese  twins. 
New  York.     Strong.     1853.     91  pp.     Plates.     Portraits.  6246.24 

Account,  An,  of  the  life  of  that  celebrated  actress,  Mrs.  Susannah  Maria 
Cibhcr  with  anecdotes.  Also  the  two  remarkable  and  romantic 
trials  between  Theophilus  Gibber  and  William  Sloper.  London. 
1887.     56  pp.     Portrait.  **T.57.i57 

Same.     Reader.  45493.102 

Account,  .\n,  of  the  life  of  that  celebrated  tragedian  Mr.  Thomas  Better- 
ton.  With  an  account  of  tiie  English  theatre  during  his  time. 
London:  Printed  for  J.  Robinson.     1749.     36  pp.  **T.56.238 

Another  copy  is  on  shelf  number  No.  8  in  ••6.3823.11. 

Account  of  the  terrific  and  fatal  riot  at  the  New-York  Astor  Place  Opera 
House,  May  loth,  1849;  with  the  quarrels  of  Forrest  and  Mac- 
ready,  including  all  the  causes  which  led  to  that  awful  tragedy. 
New- York.     Ranney.     1849.     32  pp.     Plate.        4374.27;  **T.56.ii6 

.Xnothcr  copy   is   on   shelf-number   No.  5  in  •7686.52. 

Account,  An,  of  the  third  and  fourth  theatrical  tour  made  by  Miss 
Foote,  in  1826  and  1827,  to  Liverpool,  Bath,  Edinburgh,  &c.  Lon- 
don.    Smith.     1827.    91,  (i)  pp.  **T.56.i68 

.\  collection  of  criticisms  from  the  local  papers. 

Ackcrmann,  C  liarlotte.     See  Ackermann,  Marie  Magdalene  Charlotte. 
Ackermann,  Marie  Magdalene  Charlotte. 

McELLER,  O.  Charlotte  Ackcrmann.  Ein  Hamburger  Theater- 
Roman  aus  dem  vorigen  Jahrhundert.  Frankfurt  a.  M.  1854.  2873.58 

Same.     Charlotte  Ackermann.     Souvenirs  du  theatre  de  Ham- 

bourg  au  dixhuitieme  siecle.  Traduction  de  J.-Jacques  Porchat. 
Paris.     1854.  **T.86.2 

Same.      Charlotte   Ackerman:    a    theatrical    romance,    founded 

upon  interesting  facts  in  the  life  of  a  young  artist  of  the  last 
century.  Translated  from  the  German,  by  Mrs.  Chai)man  Coleman 
and  her  daughters.     Philadelphia.     [1871.]  2873.85;  **T.87.33 

Aclocque,  filisa. 

.Si.ii\  t-nirs  anccdotiqucs  sur  Mademoiselle  Mars.  Paris.  Chaumerot. 
1^47-     .31   pp.  **T.96.i44 

Acolastus. 

McCo.nauuhv,  J.  L.  The  school  drama,  including  Palsgrave's  intro- 
Hnrtion  to  Acolastus.     New  York.     1913.  *3592. 220.57 

AcouHtics.     See  Theatre.    Construction. 
Acrobats. 

Sec  also  Circus. 

Basvii.ij'.,  T.   F.  i»k.     Les  jjauvres  saltimbanqucs.     Paris.     1853. 

**T.98.i3i 
[2] 


BROWN   COLLECTION   OF  BOOKS   ON    THE  STAGE 


Acrobats.     (Continued.) 

Le  Roux,  H.  R.  C.  H.  Les  jeux  du  cirque  et  la  vie  foraine.  Paris. 
[1889.]     Colored  illus.  and  portraits.  **T.93.a 

Same.      Acrobats    and    mountebanks.      Translated    by    A.    P. 

Morton.     London.     1890.     Illus.     Portraits.  4001.100;  **T.95. 85 

Paciaudi,  p.  M.     De  athletarvm  KuPioxrioei  in  Palaestra  Graecorvm 

commentariolvm.     Romae.     1756.  *40o3.i35 

Across  my  path.     Pickett,  L.  C.  22493.113 

Acteurs  et  actrices.    Monselet,  C.  **T.99.3i;  etc. 

Acteurs   et   actrices    d'aujourd'hui. 

Alexandre,  A.  P.  U.  Suzanne  Reichenberg.  Les  ingenues  au  theatre. 
Paris.      [1898.]      Illus.     Portraits.  **T.93.i3 

Germain,  A.  Albert  Brasseur.  Paris.  [1898.}  Portraits.  **T.93.i2 
Acteurs  el  actrices  d'autrefois.  Paroisse-Pougin,  F.  A.  A.  **T.56.269 
Acteurs  &  actrices  du  temps  passe.     Gueullette,  C.  **T.55.i2 

Acteurs,  Les,  et  les  pretres.    Arnal,  £.  **T.96.i49 

Acting. 

See  also  Gesture;  Stage-fright. 

Actor,  The;  or,  guide  to  the  stage;  exemplifying  the  whole  art  of 

acting.     London.     1821.  **T.77.io3;  etc. 

Archer,  W.     Masks  or  faces?    A  study  in  the  psychology  of  acting. 

London.     1888.  3595-77;  **T.76.i55 

Art,  The,  of  acting,  or,  guide  to  the  stage:  in  which  the  dramatic 

passions  are   defined,   analyzed,   and   made   easy   of   acquirement. 

New  York.     [187-?]  4578.150;  **T.77.53 

Audubert,  J.     L'art  du  chant.     Suivi  d'un  traite  de  mantien  theatral. 

Paris.     1876.    Illus.  **M. 122.7;  etc. 

Bercer,  a.  M.  J.,  Freihcrr  von.     Studien  und  Kritiken.     Wien.     1896. 

4877-35 

Bernier,  F.  Theorie  de  l'art  du  comedien  ou  manuel  theatral.  Paris. 
1826.  **T.76.i59;  etc. 

Betterton,  T.    The  duty  of  a  player.     [London?     170-?]       **T.78.38 

Birch,  J.  F.  Stage  secrets  and  tricks  of  the  trade.  Being  the  con- 
fessions of  an  actor.     [New  York.]     1913.  **T.77.2i6 

Cailhava  d'Estandoux,  J.  F.  Essai  sur  la  tradition  theatrale.  Paris. 
(1798.)  **T.97.7i 

Calvert,  L.     Problems  of  the  actor.     New  York.     1918.  6257.29 

Chambrun,  C.  a.  de  p..  Marquis  de.  Quelques  reflexions  sur  l'art 
dramatique.     M™^  Rachel,  ses  succes,  ses  defauts.     Paris.     1853. 

**T.97.2i8 

Clairon,  C.  J.  H.  L.  de  La  T.  Memoires  d'Hyppolite  Clairon,  et 
reflexions  sur  l'art  dramatique.     A  Paris.     [1798.]      Portrait. 

**T.57.449;etc. 

Same.     Memoires.     Nouvelle  edition  .  .  .  Le  tout  accompagne 

de  notes  et  precede  d'une  notice  sur  la  vie  de  Mile  Clairon   [par 
Andrieux].     Paris.     1822.  **T.56.i ;  etc. 

Same.     Memoirs  of  Hippolyte  Clairon,  the  celebrated  French 

actress:  with  reflections  upon  the  dramatic  art.     Translated  from 
the  French.     London.     1800.     2  v.  in   i.  **T.57.ioo 

Comedian,  A.,  pssud.  An  essay  on  the  stage;  or,  the  art  of  acting.  A 
poem.     Edinburgh.     1754.  **T.97.6i ;  etc. 

Cook,  W.  The  elements  of  dramatic  criticism.  Containing  an 
analysis  of  the  stage.  With  a  sketch  of  the  education  of  the 
Greek  and  Roman  actors.  With  some  general  instructions  for 
succeeding  in  the  art  of  acting.     London.     1775.     Portraits. 

**T.46.44 

[3] 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 


Acting.     (Ccyntinued.) 

Same,     filemens  de  critique  dramatique;  contenant  une  analyse 

du  theatre.  Avec  un  coup  d'ceil  sur  I'education^des  acteurs  grecs 
et  romains,  pour  en  conclure  quelques  principcs  generaux  et  neces- 
saires  a  I'instruction  de  I'art  theatral.  Ouvrage  traduit  de  I'An- 
glais  par  P.-F.  Aubin.     [Paris.     1800.]  **T.46.45 

CoQUELiN,  B.  C.     L'art  du  comedien.     Paris.     1894.  26793.138 

Same.    Art  and  the  actor.    Translated  by  Abby  Langdon  Alger. 

With  an  introduction  by  Henry  James.     New  York.     19 15. 

**T.46.6i,2 

L'art  et  le  comedien.     Paris.     1880.         46693.75;  **T.78.32;  etc. 

Same.     The  actor  and  his  art.     Translated  from  the   French 

by  Abby  Langdon  Alger.     Boston.     1881.  **T.78.55 

Dechman.n    G.     Histrions  and  the  histrionic  art.     London.     [1880?] 

**T.77.i54 

Destaville, ,  Abbe.     Le  secret  du  celebre  Roscius,  acteur  romain, 

devoile;  ou,  cours  d'action  oratoire  fondee  sur  les  principes  de 
science  mimique.     Paris.     1866.  **T.77.92 

Diderot,  D.  Paradoxe  sur  le  comedien.  Edition  critique  avec  intro- 
duction, notes  par  Ernest  Dupuy.     Paris.     1902.  4672.111 

Same.     The  paradox  of  acting.     Translated  with  annotations 

by  Walter  Merries  Pollock.  With  a  preface  by  Henry  Irving. 
London.     1883.  **T.77.i8i;  etc. 

D1EB01.D,  B.  Das  Rollenfach  im  deutschen  Theaterbetrieb  des  18. 
Jalirhunderts.     Leipzig.     1913-  6872.68 

DoRAT,  C.  J.  La  declamation  theatrale.  Poeme  didactique  en  quatre 
chants,  precede  et  suivi  de  queUiues  niorceaux  de  prose.  A  Paris. 
1771.     Plates.  **T.77.i44;  etc. 

DowsoN,  R.  F.     Hints  to  speakers  and  players.     New   York.      191 1. 

5599;i67 

DuBRocA,  J.  F.  A  men  fils  an  monicnl  de  ses  debuts  dans  la  carriere 
theatrale,  sur  les  lois,  les  convenances  et  les  conditions  de  son 
art;  et  sur  les  bienseances  d'honneur  et  de  morale  qui  doivent  le 
gnider  dans  sa  profession.     Paris.     [1823.]  ♦*T.76.49 

DucLOS,  C.  P.  Memoire  sur  l'art  de  partager  Taction  theatrale,  et 
sur  celui  de  noter  la  declamation  qu'on  pretend  avoir  ete  en  usage 
chez  les  Romains.  (/«  Duclos.  C.  P.  Oeuvres  completes.  Vol. 
8,  pp.  345-372.     Paris.     1821.)  *27o6.i.8 

Essay,  An,  on  acting:  in  which  will  be  considered  the  mimical  be- 
haviour of  a  certain  fashionable  faulty  actor  [Garrick]:  to  which 
will  be  added  a  short  criticism  on  his  acting  Macbeth.  London. 
174^  **G.3925.20 

Estimate,  An,  of  the  theatrical  merits  of  the  two  tragedians  nf  Crow 
Sticci  (Barry  and  Mossop].     Dublin.     1760.  **T.57.i42 

Faillv,  E.  J.  Sur  l'art  du  comedien.  Lcttre  a  M""^  Euphrasie  Poin- 
sot.     Paris.     1852.  **T.95.6i 

FiKMi.N'.  J.  F".  H.  Paralit"-Ie  cntrc  Talma  ct  Lekain.  Suivi  de  quel- 
ques reflexions  sur  l'art  dramatique.     Paris.     1826.  **T.57.34 

Fitzgerald,  P.  H.  The  art  of  acting  in  connection  with  the  study 
of  character,  the  spirit  of  comedy  and  stage  illusion.  London. 
1892.     Portrait.  45793.148 

Shakespearean   representation:    its   laws   and   limits.      London. 

190&.  4593.228 

FtxjTK.  .S.  A  treatise  on  the  |)assions,  so  far  as  they  regard  the  stage; 
with  a  critical  enquiry  into  the  theatrical  merit  of  Mr.  G k, 

[4] 


BROWN   COLLECTION   OF  BOOKS   ON   THE   STAGE 


Acting.     (Continued.) 

Mr.  Q n,  and  Mr.   B y.     The  first  considered  in  the  part 

of  Lear,  the  two  last  opposed  in  Othello.     London.     [1747.] 

**T.77.27;  etc. 

Frobisher,  J.  E.     Acting-  and  oratory.     New  York.     1879.         3597-76 

Garcia,  G.  The  actors'  art:  a  practical  treatise  on  stage  declamation, 
public  speaking  and  deportment,  for  the  use  of  artists,  students 
and  amateurs.     2d  edition.     London.     t888.     Illus.     **T.77.7g;  etc, 

Gillette,  W.  The  illusion  of  the  first  time  in  acting.  With  an 
introduction  by  George  Arliss.     New  York.     1915.        **T.46.6i.i 

Grant,  G.    An  essay  on  the  art  of  acting.     London.     1828.     Portrait. 

**T.77.i29;  etc. 

Graves,  H.  M.  An  essay  on  the  genius  of  Shakespeare,  with  critical 
remarks  on  the  characters  of  Romeo,  Hamlet,  Juliet,  and  Ophelia. 

Annexed,  a  letter  to   Lord ,  containing  a   critique   on   taste, 

judgment  and  rhetorical   expression,  and   remarks  on  the  leading 
actors  of  the  day.     London.     1826.  **T.57.i38;  etc. 

Hammerton,  J.  A.,  editor.  The  actor's  art.  Theatrical  reminiscences, 
methods  of  study  and  advice  to  aspirants.  Specially  contributed 
by  leading  actors  of  the  day.     London.     1897.  **T.77.63;  etc. 

Hannetaire,  J.  N.  S.  Observations  sur  I'art  du  comedien.  ct  sur 
d'autres  objets   concernant   cette  profession.      [Paris.]      1774. 

**T.76.i4o;  etc. 

Hill,  Sir  J.  The  actor:  a  treatise  on  the  art  of  playing.  London. 
1750.  **T.78.7i ;  etc. 

HoRNELOW,  A.  Training  for  the  stage.  Some  hints  for  those  about 
to  choose  the  player's  career.  With  a  foreword  by  David  Belasco. 
Philadelphia.      [1916.]      Portraits.     Plates.  5597-250 

Irving,  Sir  H.     The  art  of  acting.     Chicago.     [1887.]  2552.36 

The  drama.     Addresses.     New  York.     [1892.]     Portrait. 

**T.77.ii9;  etc. 

Irving,  H.  B.  Occasional  papers,  dramatic  and  historical.  Boston. 
1907.  2552.37 

Janin,  J.  G.  De  I'enseignement  de  la  comedie.  (In  Tisserant,  J.  H. 
Plaidoyer  pour  ma  maison.     Pp.  145-166.     Paris.     1866.) 

No.  4  in  **M. 138.15 

Kembles,  The.  [A  review  of  Percy  Fitzgerald's  book.  London. 
1872.]  No.  10  in  **G.62.5 

La  Boutraye,  J.  de.  Essai  sur  I'art  dramatique.  fipitre  a  Victor 
Sanson.      [Vers.]      Avranches.     1849.  **T.46.57;  etc. 

Lamb,  C.  The  art  of  the  stage  as  set  out  in  Lamb's  dramatic  essays. 
With  a  commentary  by  Percy  Fitzgerald.  London.  1885.  Por- 
trait. 4577-"7;**T.77-75 

Larive,  J.  M.  be.     "Reflexions  sur  I'art  theatral.     Paris.     [t8oi.] 

**T.96.3o6;  etc. 

Lekain,  H.  L.  C.  Memoires.  Precedes  de  reflexions  sur  cet  acteur 
et  sur  I'art  theatral,  par  F.  Talma.     Paris.     1825.       **T.56.io;  etc. 

Lelion-Damiens.   L.  fi.     Le  breviaire   des  comediens.     Paris.     1858. 

**T.77.23i;  etc. 

Lewes,  G.  H.     On  actors  and  the  art  of  acting.     London.     1875. 

2575.70;  **T.57.6;  etc. 

Leymarie,  L  de,  and  A.  J.  Bernheim.  L'enseignement  dramatique 
au  Conservatoire.     Paris.     1883.  **T.77.i3i 

Lloyd,  R.  The  actor.  [Poem.]  Addressed  to  Bonnell  Thornton, 
Esq.     London.     1764.  No.  7  in  **G.3820.ii 

[5] 


THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 


Acting.     (Confinued.) 

Lynn,  N.  The  Thespian  papers,  being  a  series  of  humorous  essays 
on  subjects  of  professional  and  amateur  dramatic  interest.  Lon- 
don.    1887.  **T.97.264 

M  ,  G.    An  essay  on  the  profession  of  a  player.  &c.     York.     1816. 

**T.96.36 

Manning,  P.  Idealismus  und  Realismus  in  der  deutschen  Schauspiel- 
kvinst  wahrend  deren  Bliithezeit,  1760-1840.     Basel.     1892.     6874.52 

Martersteig,  M.  Der  Schauspieler:  ein  kiinstlerisches  Problem. 
Leipzig.     1900.  **T.77.22S 

Matthews,  J.  B.    On  acting.     New  York.     1914-  5599-i63 

Meyer.  R.  M.  Goethe's  ..Regeln  fiir  Schauspieler."  (In  Goethe-Jahr- 
buch.     Band  31,  pp.  Ii7-i35-     Frankfurt  a/M.     1910.)       *284oa.54.3 

Michel,  C.  Lessing  und  die  heutigen  Schauspieler.  Hamburg. 
1888.  No.  2  in  *52i6.5o.N.F.3 

_\  Oldys.  W.  The  history  of  the  English  stage,  from  the  Rcstauration. 
With  instructions  for  public  speaking.  By  Mr.  Thomas  Better- 
ton.     London.     1741.     Portraits.  **T.56.3i4;  etc. 

Parker,  H.  W.,  editor.  ^Tusic  and  drama.  Boston.  [iQn.l  Por- 
traits.    Colored  plates.  Z.40C  22.1.9 

Phillips,  E.     The  players:  a  satire,     f Verse.]     London.     ^7^^- 

No.  4  in  **G.3823.3 

Possart,  E..  Rittcr  VON.  Der  Lehrgang  des  Schauspielers.  Stuttgart. 
[1902.]      Portrait.  **T.76.i9i 

Rede,  L.  T.  The  road  to  the  stage,  contains  instructions  for  obtain- 
ing theatrical  engagements;  with  a  list  of  the  provincial  theatres, 
an  account  of  things  necessary  and  a  clear  elucidation  of  all  the 
technicalities  of  the  histrionic  art.     London.     1835.     Portrait. 

**T.79.io;  etc. 

Reflections  upon  theatrical  expression  in  tragedy.  With  a  proper 
introduction,  and  appendix.     London.      1755.       No.  2  in  **G.3823.8 

Regnault-Warin.  J.  B.  J.  L  P.  Memoires  historiques  et  critiques 
sur  F.-J.  Talma,  et  sur  Tart  theatral.     Paris.     1827.    **T.56.i76;  etc. 

Remond  de  Sainte  Albine,  p.     Le  comedien.     A  Paris.     1748. 

**T.77.64;etc. 

Retired  performer.  .A.,  psrud.  The  amateur,  or  guide  to  the  stage. 
Philadelphia.     [185-?]     Plate.  No.  i  in  **T.99.6i 

RiccoBONi,  L.  Deir  arte  rappresentativa  capitoli  sei.  (In  Engel,  J. 
J.  Letterc  intorno  alia  mimica.  Tomo  2,  pp.  183-229.  Milano. 
1819.)  **T.76.i36 

RoETscHER,  H.  T.  Die  Kunst  der  dramatischen  Darstellung.  In 
ihrem  organischcn  Zusammcnhange  wissenschaftlicb  entwickelt. 
Berlin.     1841.  **T.76.78;  etc. 

Samson.  J.  L  L'art  thcatral.  [Vers.]  Partie  i.  Paris.  1863.  Por- 
traits. **T.75.i4;  etc. 

ScHEuiNG.  F.  M.  Motion  picture  acting:  how  to  prepare  for  photo- 
playing,  what  qualifications  are  necessary,  how  to  secure  an  en- 
gagement, salaries  paid  to  photoplayers.  New  York.  [1013.1 
Portraits.     Plates.  80393.63 

Shea,  G.  E.  Acting  in  opera:  its  A-B-C.  With  descriptive  examples, 
practical  hints,  and  numerous  illustrations.  New  York.  [lOiSl 
Plates.  40493.286 

Smith.  C.  W.  The  actor's  art:  its  rcriuisitcs.  and  how  to  obtain  them; 
its  defects,  and  how  to  remove  them.    London.     [187-?]     **T. 77.52 

Soi.lv,  J.  R.  .Acting  and  the  art  of  speech,  at  the  Paris  Conserva- 
toire.    London.     1891.  3599-126 

16] 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 

Acting.     (Continued.) 

Stebbins,  G.     Delsarte  system  of  dramatic  expression.     New  York. 
y^lS86.     Illus.  3591.60;  etc. 

\/^TicoTTi,  A.  F.     Garrick,  ou  les  acteurs  anglois.     Ouvrage  contenant 
des  observations  sur  I'art  dramatique,  sur  I'art  de  la  representa- 
tion, &  le  jeu  des  acteurs.     A  Paris.     T769.  **T.58.ii6 
Talma,  F.  J.     Reflexions  sur  Lekain  et  I'art  theatral.     Paris.     1856. 

467ob.52;  etc. 

Same.     Reflexions  on  the  actor's  art.     With   an  introduction 

by  Sir  Henry  Irving,  and  a  review  by   H.   C.   Fleeming  Jenkin. 
New  York.    1915.  **T.46.6i.4 

Same.    Talma  on  the  actor's  art,  with  preface  by  Henry  Irving. 

London.     [1883.]  4673.77;  **T.76.i42 

Theatrical  examiner,  The:  an  enquiry  into  the  merits  and  demerits 
of  the  present  English  performers  in  general.     London.     1757. 

**T.96.8i  ;  etc. 
Theatrical  speaker.  The;  or  an  elucidation  of  the  whole  science  of 
acting.     London.     1807.     Plate.  **T.77.ioo 

Theinert-Mickley,     E.       Die    Schauspiel-Kunst:     ein     Kapitel     der 
Seelenkunde.     Briefe  an  eine  Dame.     Miinchen.     1889.     **T.96.354 
Thespian  oracle.  The;  or,  a  new  key  to  theatrical  amusements.    Con- 
taining an  introduction  on  oratory  and  acting.     London.     1791. 
^y^  No.  2  in  **G.382i.5 

^N^XHESPiAN  preceptor.  The;  or,  a  full  display  of  the  scenic  art.     Bos- 
ton.    1810.  **T.78.53 
Tisserant,  J.  H.     Plaidoyer  pour  ma  maison.     Avec  une  post-face 
de  Jules  Janin.     Paris.     1S66.                                   No.  4  in  **M. 138.15 
TouRON, .     L'art  du  comedien,  vu  dans  ses  orincipes.    A  Amster- 
dam, et  a  Paris.     1782.  **T.79.5 
Tree,  Sir  H.  B.    The  imaginative  faculty.    A  lecture  delivered  at  the 
Royal  Institution.     London.     1893.     Portrait.            **T.77.207;  etc. 
Vanhove,    C.    C.    C.      fitudes   sur   l'art   theatral,    suivies    d'anecdotes 
inedites  sur  Talma,   et   de  la  correspondance   de   Ducis  avec   cet 
artiste.     Paris.     1836.                                                                     **T.76.54 
Wagner,  L.     How  to  get  on  the  stage,  and  how  to  succeed  there. 
London.     1899.                                                                                 *2576.i57 
Wilson,  F.    Address  to  graduates  of  American  Academy  of  Dramatic 
Arts,  Empire  Theater.     [New  York.     1907-]       4395-199;  **T. 75.66 
Wonderful  secrets,  The,  of  stage  trick;  or  a  peep  behind  the  curtain. 
[London.     1793-]                                                                           **T,56.304 
Acting.      Periodicals. 

Dramatic  studies.     [Quarterly.]     Vol.  i  (no.  1-4).     Oct.,  1893 -.Tune, 
1894.  **T.93.io 

Acting  and   actors,   elocution   and   elocutionists.     Osmun,   T.    E. 

35993.101  ;**T.78.6i 
Actor,  An,  pseud.     See  Wagner,  Leopold. 

Actor,  The.     Poem.     Lloyd,  R.  No.  7  in  **G.382o.ii 

Actor,  The,  and  his  art.     Coquelin,  B.  C.  **T.78.55 

Jones,  S.  **T.77.2I4 

Actor,  The,  and  other  speeches.     Winter,  W.  **T.95.ii;  etc. 

Actor,  The;  or,  a  peep  behind  the  curtain.     Passages   in   the  lives  of 

Booth  and    some   of  his   contemporaries.     New   York.      Graham. 

1846.    xi,  180  pp.  **T.58.4i 

Portraits  are  inserted. 

Actor,  The:  or,  a  treatise  on  the  art  of  playing.     [Anon.]     See  Hill,  .S";V 

John. 

[7] 


THE  PUBLIC  LIBRARY  OF  THE   CITY  OF  BOSTON 

Actor,  The;  or.  guide  to  the  stage;  exemplifying  the  whole  art  of  acting: 
in  which  the  dramatic  passions  are  defined,  analyzed,  and  made 
easy  of  acquirement.  London.  Lowndes.  1821.  (5),  29,  (i)  pp. 
Plate.  **T.77.i03 

Same.     New  York.     The  Circulating  Library  and  Dramatic  Reposi- 
tory.    1823.     32  pp.  No.  3  in  **G.3822.3 
This  edition  lacks  the  plate. 
Actor,  An.  abroad.     Leathes,  E.  **T.56.223 
Actor's  art.  The.     Hammerton,  J.  A.                                 2576.155;  **T.77.63 

See  also  Actors'  art.  The. 
Actor's  budget.  The.    Oxberrv,  W.,  com/)i7er.  **T.97.334;  etc. 

Actor's  life,  An.     Anderson,  J.  R.  45493.193 

Actor's  notebook.  An.    Archer.  F.  **T.46.55 

Actor's  reminiscences.  An.     Barlow,  G.  **T.97.io9 

Actor's  story,  An.     Williams,    B  4549.154;  **T.57.ii8 

Actor's  tour.  An.     Bandmann.  D.  E.  6268.29;  **T.57.99 

Actor's  wife.  The.     Leathes,  E.  **T.87.29 

Actor's  wooing.  An.    Miln,  L.  J.  **T.88.ii 

Actors. 

See  also  Actors  abroad;  Anecdotes;  Children.  As  actors;  Circus; 
Clowns  and  fools;  Garrick  Club,  London;  Moving  pictures;  Shake- 
speare. Representation  of  his  plays;  Strolling  players;  Travelling  com- 
panions; Vaudeville. 
Actor.  The;  or,  a  peep  behind  the  curtain.  Passages  in  the  lives 
of  Booth  and  some  of  his  contemporaries.     New  York.     1846. 

**T.58.4i 
Actors  as  they  are;  a  series  of  sketches  of  the  most  eminent  per- 
formers now  on  the  stage.     New- York.     1856.  **T.56.ii5;  etc. 
Aicveberre.    T.    B.    du    M.    d'.      Seconde    lettre    du    souffleur    dc    la 
Comedie  de  Roiien  au  gargon  de  caffe  ou  entretien  sur  les  defauts 
de  la  declamation.     Paris.     1730.     Plates.                No.  2  in  **T.58.64 
[Album,  containing  autographs  of  Anna  Cora  Mowatt,  William  C. 
Forbes,   Charlotte   Cushman,   Isaac   C.   Pray,   Gustavus^  Vaughan 
Brooke,  Celeste.  Julia  Dean,   Lola  Montez,  and  others.     Provid- 
ence, R.  T.     1852-57.]  **T.57.456 
.American  Theatrical  Fund.  New  York.    Rules  and  regulations.    New 
York.     1848.  **T.75.75 
Anecdotes    of    actors.  —  Incledon's    madeira  —  Cooke    in    Shylock. 
[London.     1842.]                                                        No.  2  in  **G.393o.i3.i 

Apology,  An,  for  the  life  of  Mr.  T C comedian.     A 

proper    sequel    to    the    Apology    for   the    life    of    Colley    Cibber, 

comedian.     With  an  historical  view  of  the  stage  to  the  present 

year.     London.     1740.  **T.56.i95;  etc. 

Araco.   J.    £.   V.     Foyers   et   coulisses.      Panorama   des   theatres    de 

Paris.     Paris.     1852.  **T.57.382 

Association  de  secours  mutuels  des  artistes  dramatiques.     Annuaire. 

Annee  30.  37-30,  41,  42.     Paris.     i86q-8i.  **T.25.i9 

Audibert,    L.    F.    H.      Indiscretions    et    confidences.      Souvenirs    du 

theatre  et  de  la  litterature.     Paris.     1S58.  **T.58.i20 

Bach,    S.    F.      Femmes    de    theatre.      Prologue    de    Yvette    Gnill)ert. 

Paris.     [1896.]     <'20)  colored  plates.  **T.5i.i6 

Bahr.  H.     Studien  zur  Kritik  dcr  Moderne.     Frankfurt  a/M.      i!^04. 

Portrait.  2874.116 

Baisser,  Le.  du  ridcau.     Anecdotes  theatrales  ancicnnes  et  modcrnes, 

tiroes  des  mcmoircs  des  temps.     Paris.     1837.  **T. 58.141 

[81 


BROWN   COLLECTION   OF  BOOKS   ON    THE   STAGE 


Actors.     (Continued.) 

Baker,  H.  B.  History  of  the  London  stage  and  its  famous  players. 
1576-1903.     London.     1904.  4578.175 

Baker,  R.  Remarks  on  the  English  language,  in  the  manner  of  those 
of  Vaugelas  on  the  French.  [With  some  remarks  on  the  speech 
and  manners  of  the  London  actors.]     London.     1779.    4588.22;  etc. 

Banville,  T.  F.  de.     Mes  souvenirs.     Paris.     1882.     Plate.        4646.67 

Barba,  J.  N.     Souvenirs.     Paris.     1846.     Portraits.  **T.56.6i 

Barbey  d'Aurevilly,  J.  A.  Les  vieilles  actrices.  Le  mnseo  dcs 
antiques.     Paris.     1884.  **T.57.27i 

Barnabee,  H.  C.  Reminiscences.  Being  an  attempt  to  account  for 
his  life,  with  some  excuses  for  his  professional  career.  Boston. 
1913.     Portraits.     Plates.  4045.163;  **T.56.3-?i;  etc. 

Battle,  The,  of  the  players.  In  imitation  of  Dean  Swift's  Battle 
of  the  books.  In  which  are  introduced  the  characters  of  all  the 
actors  and  actresses  on  the  English  stage.  With  an  impartial 
estimate  of  their  respective  merits.     London.     1762.        **T.97.i23 

Bauer,  C.  Caroline  Bauer.  (Grafin  Broel-Plater.)  Ein  Lebensliild 
aus  ihren  Briefen  von  Ludwig  Brunier.     Bremen.     1879.        2847.56 

Beerbohm,  M.    More.     [2d  edition.]     London.     1907.  2579.135;  etc. 

Bellamy,  T.     The  London  theatres:  a  poem.     London.     I7'^5- 

No.  3  in  **T. 96.228. 2 

Birch,  J.  F.  Stage  secrets  and  tricks  of  the  trade.  Being  the  con- 
fessions of  an  actor.     [New  York.]     1913.  **T. 77.216 

BouiLLY,  J.  N.  Soixante  ans  du  Theatre-frangais.  Par  un  amateur. 
ne  en  1769.    Paris.     1842.  **T.g8.48 

Brewer,  J.  N.  Histrionic  topography:  or,  the  birth-places,  residences, 
and  funeral  monuments  of  the  most  distinguished  actors.  Illus- 
trated by  engravings  by  J.  &  H.  Storer.     London.     1818. 

**T.96.229 ;  etc. 

Brouc,  M.  Hygiene  philosophique  des  artistes  dramatiques,  ou  traite 
des  causes  physiques,  intellectuelles  et  morales,  qui  engendrees  ou 
favorisees  par  I'exercice  de  I'art  dramatique,  peuvent  compromettre 
la  sante  des  artistes  qui  cultivent  cet  art  .  .  .     Paris.     1836.     2  v. 

**M.i4i.io 

Brown,  J.  The  stage:  a  poem  [relating  to  the  actors  at  the  London 
theatres].     London.     1819.  No.  13  in  **G.3823.i8 

Brown,  T.  A.  A  history  of  the  New  York  stage  from  the  first 
performance  in  1732  to  iQOi.     New  York.     1903.    3  v.         *4395-i76 

Brownsmith,  T.  The  rescue:  or.  Thespian  scourge.  Being  a  critical 
enquiry  into  the  merit  of  a  poem,  intituled,  Thespis.  Written  in 
Hudibrastic  verse.     London.     1767.  **T.54.27 

Buck,  L.  W.  B.  Some  players.  Personal  sketches.  Chicago.  1899. 
Portraits.  **T.55.6;  etc. 

Burnand,  Sir  F.  C.  Records  and  reminiscences,  personal  and 
general.     London.      1904.     2  v.     Portraits.      Plates. 

4543-74;  **T.55-97 

Burton,  J.  G.  The  critic's  budget,  or,  a  peep  into  the  amateur 
green  room.    London.     [1819.]  **T.56.i7 

C,  H.  An  answer  to  some  strictures  on  the  profession  of  an  actor, 
published  in  the  Morning  Post  by  a  gentleman,  under  the  signa- 
ture of  Crito,  with  Crito's  letter  annexed.     London.     18^5. 

No.  7  in  **G.3824.4 

C  *  *  *  *  u,  Ch.  R.  Le  tribunal  volatile,  ou  nouveau  jugement  porte 
sur  les  acteurs,  auteurs,  et  sur  divers  endroits  publics  de  Paris. 
Paris.    An  XL  [1803?]  **T.79-i9 

[9] 
1^ 


THE  PUBLIC  LIBRARY  OF  THE   CITY  OF  BOSTON 


Actors.     (Continued.) 

Calvert    A.    H.     Sixtv-eight  years  on  the  stage.     London.      |iQii.I 

Portraits.     Plates.'  **T.56.34 

C.\MnRiDCE   Garrick    Club.     The   album   of    the    Cambridge    Garnck 

Club:   containing  original  and   select  papers   on   the   drama,   and 

the  proceedings  of  that  society.     Cambridge.     1836.     Portraits. 

**T.58.i43 
Candid   and    impartial    strictures   on    the    performers    belonging   to 

Drury-Lane,  Covent-Garden,  and  the  Haymarket  theatres.     Lon- 
don.    1795.  No.  3in**G.3823.i7;etc. 
Cavailhon.     £.       Contes     et    portraits     rabelaisiens.       50    portraits 

d'actrices  [en  vers].    Paris.     [1885.]  **T.97.322 

Chardon.    E.    H.      La    troupe    du    roman    comique    devoilee    et    les 

comediens  de  campagne  au  xviie  siecle.    Le  Mans.    1876.    **T.54.20 
Churchill,  C.     The  Rosciad  and  The  apology.     Edited  by  R.   W. 

Lowe.     London.     i8gi.     Portraits.  **T.52.7 

CiBDER,  C.    An  apology  for  the  life  of  Mr.  Colley  Gibber,  comedian, 

and  late  patentee  of  the  Theatre-Royal.    With  an  historical  view 

of  the  stage  during  his  own  time.     London.     1740.  2455.14 

Gibber,    T.      A    serio-comic    apology    for    part    of    the    life    of    Mr. 

Theophilus  Gibber,  comedian.     (In  Shakespeare,  W.     Romeo  and 

Juliet,  a  tragedy.     Pp.  69-108.     London.     [1748])       **T.96.77;  etc. 
Clapp,  H.  a.     Reminiscences  of  a  dramatic  critic.     With  an  essay 

on  the  art  of  Henry  Irving.     Boston.     1902.     Portraits. 

4395.168;  etc. 
Clapp,  J.  B.,  and  E.  F.  Edgett.     Plays  of  the  present.     New-York. 

1902.     Portraits.  **T.95.27;  etc. 

Cohen.  A.  J.     Familiar  chats  with  the  queens  of  the  stage.     New 

York.     1890.     Portraits.  **T.55.24;  etc. 

Coleman,  J.     Fifty  years  of  an  actor's  life.     New  York.     1904.     2  v. 

Portraits.  4544.190 

Collins,  C.  W.     Great  love  stories  of  the  theatre.     A   record  of 

theatrical  romance.     New  York.     1911.     Portraits.  6252.79 

CoouELiN,   B.   C.     Les  comediens.     Reponse  a  M.   Octave   Mirbeau. 

Paris.     1883.  **T.58.48 

Costetti,  G.     La  compagnia  reale  Sarda,  e  il  teatro  italiano  dal  1821 

al    1855      Milano.     1893.     Portraits.  2768.142 

CouAiLHAC,  V.     La  vie  de  theatre.     Grandes  et  petites  aventures  de 

M"<:  Montansier.  —  Esquisses.  —  Anecdotes.  —  Le  Theatre  a  Bade. 

Paris.     [J863.]  '  **T.57.202 

Cousin    d'Avalon,    C.    Y.      Comcdiana,    ou    recueil    d'anecdotes    dra- 

matiques,   bon   mots  des  comediens,    et   reparties   spirituelles,    de 

bonhomie  et  de  naivete  du  parterre.     Paris.     An  IX.-1801. 

**T.59.28 
Cressv.    W.    M.      Continuous    vaudeville.      Boston.      [1914.]      Tllus. 

Portraits.  **T.97.349 

Critique  des  actcurs  et  actrices  des  diffcrens  theatres  de  Paris.     A 

Paris.     1797.  **T.59.52 

Croker,  J.  W.    The  familiar  epistles.    Addressed  to  Frederick  Jones, 

patentee   of   the    Dublin   Theatre,   on    the    inefficiency   of    actors. 

Walter    Donaldson    presents    them    to    the    public,    with    remarks 

from  personal  knowledge.    London.     [1875.]     Portrait.    **T.57.429 
Familiar  epistles  (in  verse]  to  Frederick  J s  [Jones],  Esq., 

on   the   present   state   of   the    Irish    stage.     Dublin,      180.4. 

*4575-36;etc. 
[10] 


BROWN   COLLECTION    OF  BOOKS    ON   THE   STAGE 


Actors.    (Continued.) 

Cumberland,  R.  Memoirs  written  by  himself.  Interspersed  with 
anecdotes  and  characters  of  distinguished  persons  of  his  time. 
London.      1807.     2  v.     Portrait.  **T.56.243;  etc. 

Deschanel.  fi.  A.  £.  M.     La  vie  des  comediens.     Paris.     [i86-?j 

**T.57.343 

Diary,  The,  of  an  actress;  or,  realities  of  stage  life.  Edited  by  H. 
C.  Shuttleworth.     London.     1885.  **T.58.iio 

Diaz  de  Escovar,  N.  Apuntes  escenicos  cervantinos,  6  sea  un  estudio 
historico,  bibliografico  y  biografico  de  las  comedias  y  entremeses 
escritos  por  Miguel  de  Cervantes  Saavedra,  con  varias  de  sus 
opiuiones  sobre  las  comedias  y  los  comicos  y  noticias  de  los 
comediantes  que  debio  conocer  6  menciono  en  sus  libros  in- 
mortales.     Madrid.     1905.  **D. 146.14 

DiGUET,  C.  Statuettes  parisiennes.  Illustrees  par  Ed.  Morin  et  J. 
Massieu.     Pans.     1876.     Portraits.  **T.57.334 

DiPROSE,  J.  Diprose's  Book  of  the  stage  and  the  players.  [London. 
1877.]     Illus.     Portraits.  **T.77.i56 

Donaldson,  W.  A.  Fifty  years  of  an  actor's  life;  or,  Thespian  glean- 
ings.    London,     1858.  **T.96.i6i 

Theatrical  portraits:   or,  the  days  of  Shakespeare,   Betterton, 

Garrick,  and  Kcmble.     London.     1870.     Portrait.        **T.58.34;  etc. 

Doran,  J.  "Their  majesties'  servants."  Annals  of  the  English  stage, 
from  Thomas  Betterton  to  Edmund  Kean.  London.  1864.  2  v. 
Portraits.  4572.97;  etc. 

Downman,   H.     The  drama,  a  poem.     London.     1775. 

No.  I  in  **G.3820.ii 
Dramaticus,  pseud.     The  profits  of  old  actors.     (In  Shakespeare  So- 
ciety, London.     Papers.     Vol.  i,  pp.  21-23.     London.     1844.) 

*4596,ii.i;  etc. 

The   stage   as   it   is.      London.      1847.  6257.59;  **T.78.76 

Dreyfous,  M.     Les  comediens  et  la  Legion  d'honneur.     Paris.     1863. 

**T.95.89 

Druriad,  The:  or  strictures  on  the  principal  performers  of  Drury- 
Lane  Theatre:  a  satirical  poem:  with  notes  critical  and  explana- 
tory.   London.    1798.  **T.74.8 

Du  Bled,  V.     La  comedie  de  societe  au  xviiie  siecle.     Paris.     1893. 

2668.1  II 

Dubois,  A.,  and  E.  C.  Chabot.  Le  Gil  Bias  du  theatre.  Paris.  1833. 
2  V.     Plates.  **T.76.i54 

DuMONT, .     Le  vol  plus  haut,  ou  I'espion  des  principaux  theatres 

de  la  capitale;  contenant  une  histoire  abregee  des  acteurs  &  actrices 
de  ces  memes  theatres.      [Paris.]      1784.  **T.97.65;  etc. 

Duval,  G.    Artistes  et  cabotins.    Paris.    1878.  **T.58.40 

Eaton,  W.  P.  Plays  and  players.  Leaves  from  a  critic's  scrap-book. 
Preface  by  Barrett  H.  Clark.     Cincinnati.     1916.     Plates. 

6257.301  ;**T.46.7o 

Espion,  L',  des  coulisses,  ou  nouvelle  critique  sur  les  acteurs  des 
principaux  theatres  de  Paris.    A  Paris.     [1799/1800.]  **T.59.20 

Fanfernot,  E.,  and  Saint-Vital.     De  I'organisation  des  artistes 

dramatiques.    A  S.  Ex.  le  Ministre  d'fitat.     Paris.     1863.     **T.95.62 

Faure,  E.  V.  C.  Grands  seigneurs  et  comediennes.  Serie  i.  Paris. 
1887.  **T,57.337 

Finlay,  J.  Dramatic  criticism.  (In  his  Miscellanies.  Pp.  206-282. 
Dublin.     1835.)  **T.98.42 

[11] 


THE  PUBLIC  LIBRARY  OF   THE   CITY   OF  BOSTON 


Actors.     (Continued.) 

Fitzgerald,  P.  H.  The  romance  of  the  English  stage.  London. 
iS;4.     2  V.  2572.55;  **T.56.2i3;  etc. 

Fo.NTANE,  T.     Causerien  iiber  Theater.     Berlin.     1905.  6252.75 

FooTE,  S.  The  Roman  and  English  comedy  consider'd  and  compar'd. 
And  an  exanien  into  the  merit  of  the  present  comic  actors. 
London      1747.  **T.46.38;  etc. 

Fritz,  A.  Die  Kiinstierfamilie  Lortzing  an  rheinischen  Biihnen.  {In 
Archiv  fur  Theatergeschichte.    Vol.  i,  pp.  160-168.     Berlin.     1904.) 

*6go7.i2.i 

Frohman,  D.  Memories  of  a  manager.  Reminiscences  of  the  old 
Lyceum  and  of  some  players  of  the  last  quarter  century.  Garden 
City,  New  York.     1911.     Portraits.     Plates.         6257.65;  **T.57.44i 

Gakrick,  D.  The  theatres.  A  poetical  dissection.  London.  1772. 
IIlus.  **T.54.25;etc. 

Gensichen,  O.  F.  Berliner  Hofschauspieler.  Silhouetten.  Berlin. 
1872.  **T.96.35i 

Germain,  A.  Les  dessous  du  theatre.  Les  agences  dramatiques  et 
lyriques.     Paris.     1891.  **T.77.90 

Germo.nt,  L.,  pseud.     Loges  d'artistes.    Paris.     1889.    Illus.     Portraits. 

**T.54.i3 

GiLLiLA.ND,  T.  A  dramatic  synopsis,  containing  an  essay  on  the 
political  and  moral  use  of  a  theatre;  involving  remarks  on  the 
dramatic  writers  of  the  present  day,  and  strictures  on  the  per- 
formers of  the  two  theatres.     London.     1804.  **T.76.59;  etc. 

GiN'isTV,  P.    Choses  et  gens  de  theatre.    Paris.     1892.  **T.77.77 

.    Grau,  R.     Forty  years  observation  of  music  and  the  drama.     New 

York.     1909.     Portraits.  4045.172 

Graves,  H.  M.  An  essay  on  the  genius  of  Shakespeare,  with  critical 
remarks  on  the  characters  of  Romeo,  Hamlet,  Juliet,  and  Ophelia. 
Annexed  .  .  .  remarks  on  the  leading  actors  of  the  day.  London. 
1826.  **T.57.i38;etc. 

Great  Britain.  Public  Record  Office.  Royal  patents  for  players.  {In 
Malone  Society.  Collections.  Vol.  i,  part  3,  pp.  260-284.  [Ox- 
ford.]     1909.)  **G.4077.i5.i.Part  3 

Green-room  mirror.  The.  Chiefly  delineating  our  present  theatrical 
performers,  by  a  genuine  reflection.    London.    1786.   **T.56.2C)9;  etc. 

Green  room  yarns      New  York.     1876.     Illus.  **T.93.9 

Gribble,  F.  H.  Romances  of  the  French  theatre.  New  York.  1913. 
Portraits.  **T,56.70 

Hackhtt.  J.  H.  Notes  and  comments  upon  certain  plays  and  actors 
of  Shakespeare,  with  criticisms  and  correspondence.  New  York. 
1863.     Portrait.  **T.57.i78;  etc. 

Hamm.  M.  a.  Eminent  actors  in  their  homes.  Personal  descriptions 
and  interviews.     New  York.     1902.     Portraits.     Plates.    **T.57.259 

Harrai^  T.  a  monody  on  the  death  of  Mr.  John  Palmer,  the 
comedian.  Prefixed,  a  review  of  his  theatrical  powers;  with 
observations  on  the  most  eminent  performers  on  the  London 
stage.     London.     1798.  **T.56.i3i ;  etc. 

Haslewood,  j.,  compiler.  Green  room  gossip;  or,  gravity  gallinipt: 
a  gallimaniry;  consisting  of  theatrical  anecdotes  —  bon-mots  .  .  . 
(London.)     1800.  **T.58.ii 

Hawkins,  W.  Miscellanies  in  prose  and  verse.  Containing  observa- 
tions on  the  principal  performers  belonging  to  the  two  theatres- 
royal;  from  January  1773,  to  May  1775.     London.     1775. 

**T.58.io3;  etc. 
[12] 


BROWN   COLLECTION   OF  BOOKS   ON   THE  STAGE 


Actors.     (Continued.) 

Hazlitt,  W.     a  view  of  the  English  stage;  or,  a  series  of  dramatic 

criticisms.     London.     1818.  2555.19;  etc. 

Hedouin,    p.      Mosa'iqiie:    peintres,    musiciens,    litterateurs,    artistes 

dramatiques,  a  partir  du  15*^  siecle  jusqu'a  nos  jours.     Paris.     1856. 

Portrait.  **M.37i.6 

Hknin  dk  Cuvillers,  ]5.  F.,  Baro>t  »'.     Des  comediens,  et  du  cler^^e; 

suivi  de  reflexions  sur  le  mandement  de  Monseigneur  I'archeveque 

de  Rouen.     Paris.     1825.  **T.57.387 
Encore  des  comediens  et  du  clerge,  accompagne  d'unc  notice 

sur  le  ministere  frangais  en  1825.    Paris.     1825.  **T.97.i4 

Heywood,  T.    An  apology  for  actors.    Containing  three  brief  treatises: 

I.  Their  antiquity;  2.  their  ancient  dignity;  3.  the  true  use  of  their 

quality.     London.     1612.  **G.i77.io;  etc. 

HiBCLRT,  H.  G.     Fifty  years  of  a  Londoner's  life.     With  a  preface 

by  T    J'   O'Connor.     London.     1916.     Portraits.     Plates.      4545.151 
Hicks,  E.  S.     Seymour  Hicks:  twenty-four  years  of  an  actor's  life. 

By  himself.     London.     1910.     Portrait.  4549.161;  **T.57. 225 

HoRTON,  '^.  E.    About  stage  folks.     Detroit,  Mich.     1902.     Portraits. 

**T.58.2i 
HousSAYE,   A.      Galerie   de   portraits   du   dix-huitieme   siecle.      Paris. 

1854.     2  V.  2670.8 

Hubert.  E.,  and  C.  de  Trogoff.     Les  actrices  de  Paris.     Quatrains. 

Paris.     1872.  **T.57.427 

Hunt,  J.  H.  L.     Critical  essays  on  the  performers  of  the  London 

theatres,    including    general    observations    on    the    practise    and 

genius  of  the  stage.     London.     1807.  **T.58.96;  etc. 

Huret,  J.     Loges  et  coulisses.     Paris.     1901.  **T.77.7i 

Indiscret,  L',  des  coulisses  ou  biographic  des  artistes  dramatiques 

de  Paris.     Paris.     1841.  **T.59.3 

Infernal  congress.  The:  or  news  from  below.     Being  a  letter  from 

Dick  Estcourt,  the  late  famous  comedian  to  the  Spectator.     Lon- 
don.    1713.  No.  4  in  **G.3823.i4 
Irving,    Sir    H.      English    actors:    their    characteristics    and    their 

methods.      A    discourse    in    the    University    schools,    at    Oxford. 

Oxford.      1886.  4557.79;  **T.98.3;  etc. 

Jackson,  S.  P.     Garrick's  looking-glass:  or,  the  art  of  rising  on  the 

stage.    A  poem.     Dublin.     1776.  **T.98.53 

Jacobs,    M.,    compiler.      Deutsche    Schauspielkunst.      Zeugnisse    zur 

Biihnengeschichte  klassischer  Rollen.     Leipzig.     1913.     Portraits. 

6257.114 
Jenkins,  R.     Memoirs  of  the  Bristol  stage,  from  the  period  of  the 

theatre  at  Jacob's  Well,  down  to  the  present  time.     Bristol.     1826. 

**T.77,i8o;etc. 
Jerome,    J.    K.      Stage-land:    curious   habits   and   customs   of   its    in- 
habitants, described  by  Jerome  K.  Jerome,  drawn  by  J.  Bernard 

Partridge.     London.      1890.     IIlus.  **T.46.33;  etc. 

Jones,    S.      The    actor    and    his    art.      Some    considerations    of    the 

present  condition  of  the  stage.     London.     1899.  **T.77.2i4 

Kelly,  H.     Thespis:  or,  a  critical  examination  into  the  merits  of  all 

the  principal  performers.     London.     1766,  67.  **T. 54.26;  etc. 

Kendal,  M.     Some  pros  and  cons  of  theatrical  life.     (In  Woman's 

library.  The.    Vol.  i,  pp.  223-253.     London.     1903.)  5589a-35i 

KiRCHBACH,  W.     Deutsche  Schauspieler  und  Schauspielkunst.     Kiel. 

1892.  4875-40 

[13] 


THE  PUBLIC  LIBRARY  OF  THE   CITY  OF  BOSTON 


Actors.     (Continued.) 

Knispeu  H.  Bunte  Bilder  aus  dem  Kunst-  und  Theaterleben.  Darm- 
stadt.    1901.     Portraits.     Plates.  4876.37 

KoBBi,  G.  Famous  actors  &  actresses  and  their  homes.  Boston. 
1903.     Ulus.     Portraits.     Plates.  4343-235 

KossMANN,  E.  F.  Nieuwe  bidragen  tot  de  geschiedenis  van  het 
Nederlandsche   tooneel   in   de    lye   en    i8e   eeuw.     's-Gravenhage. 

1915.  Portrait.  Plates.  **T.75.78 
Laglaize,    J.    B.      Figurines    dramatiques.      Portraits    d'acteurs    et 

d'actrices.      Roses    &    epines    de    la    vie    theatrale.      Anecdotes 

inedites.     [Paris.]     1882.  **T.57.285 

La   JouAKUiKHE,    M.    UE,    pscud.      M.    de    La    Jobardiere    aux    acteurs, 

actrices  et  critiques  du  Theatre  frangais.  Paris.  1815.  **T.76.i2o 
La  Rounat,  a.  N.  C.  R.  de.     Lettre  a  M.  T.  .  .  .  sur  les  decorations 

des  comediens.     {Jn  his  Souvenirs  et  poesies  diverses.     Pp.  71-80. 

Paris.      1 1886.])  467ob.i;**T.57.246 

Lalrent.  J.  B.  £.     L'esprit  au  theatre.     Paris,     [i860.]  **T.57.34i 

Lazarovich-Hrebelianovich,     E.,    Princess.      Pleasures    and    palaces. 

New  York.     1915.     Portraits.     Plates.  ,         6252.119 

Legouve,  G.  J.  B.  E.  W.     La  croix  d'honneur  et  les  comediens.     Paris. 

1863.  **T.95.88 

Sixty  years  of  recollections.     London.     1893.     2  v. 

2644.100;  **T.56.203 

Lema.n,  W.  ^L  Memories  of  an  old  actor.  San  Francisco.  1886. 
Portrait.  4348.159;  **T.57.43 

Len.nox,  Lord  W.  P.  Celebrities  I  have  known;  with  episodes,  po- 
litical, social,  sporting,  and  theatrical,  [ist,]  2d  series.  London. 
1876,  77-    4  V.  2573.61 

Lewes,  G.  H.     On  actors  and  the  art  of  acting.     London.     1875. 

**T.57.6;etc. 

LEWiNbKY,  J.,  editor.  Vor  den  Coulissen.  Original-Blatter  von  Cele- 
britaten  des  deutschen  Theaters  und  der  Musik.  Berlin.  1881. 
82.    2  v.  in  I.     Portraits.     Music.  **T.56.302 

LoGA.N,  O.  Before  the  footlights  and  behind  the  scenes.  Phila- 
delphia.    1870.     Illus.     Portraits.     Plates.  *4504.9 

Same.    The  mimic  world  and  public  exhibitions.     Philadelphia. 

1871.     Portraits.     Plates.  4504.8;  **T.76.22 

Logan,    W.    H.     The    Edinburgh    rosciad;    for   the    summer    season. 

[Verses.    Edinburgh.]     1834.  **T.77.i97 

Loire,  L.,  compiler.    Anecdotes  de  theatre.     Comediens  —  comediennes 

—  bons  mots  des  coulisses  et  du  parterre.  Paris.  1875.  **T.77.i33 
Lyden.  £.  F.  AL  UE.     Le  theatre  d'autrefois  et  d'aujourd'hui.     Can- 

tatriccs  et  comediens.     1532-1882.     Paris.     1882.  **M. 127.29 

McCann,  W.  E.  Actors'  memories.  [Philadelphia.  1869.]  7608.128 
Mahalin,  p.    Au  bout  de  la  lorgnette.     Paris.     1883.  **T.57.23 

Ces  petites  dames  du  theatre.     Paris.     1862.     Plate.     **T. 59.18 

Les   jolics    actrices    de    Paris.      Serie    [i-]5.      Paris.      186S-89. 

5  V.     Illus.     Portraits.  **T.57.24 

Marcosson,  I.  F.,  and  D.  Froiiman.     Charles  Frohman:  manager  and 

man.      With   an   appreciation    by   James    M.    Barric.      New    York. 

1916.  Illus.    Portraits.  4343.270;  **T.56.337 
Margaret,  pseud.     Theatrical  sketches.     Here  and  there  with  promi- 
nent actors.     New  York.     [1894.]     Portraits.    43493.244;  **T.58.iii 

Mariam,  a.  Figures  contemporaines  tirees  dc  I'Album  Mariani. 
Paris.    1894,  96.    2  V,     Portraits.  **T.53.i4 

[14] 


BROWN   COLLECTION   OF  BOOKS   ON    THE   STAGE 

Actors.     (Continued.) 

Marston,  J.  W.  Our  recent  actors:  being  recollections  critical,  and 
in  many  cases,  personal,  of  late  distinguished  performers  of  both 
sexes.  With  some  incidental  notices  of  living  actors.  London. 
i88S.     2  V.  4547.119;  **T.S7.292 

Martin,  Sir  T.     Essays  on  the  drama.     London.     1874.  **T.76.53 

Mathews,  A.  Anecdotes  of  actors:  with  other  desultory  recollec- 
tions, etc.     London.     1844.  4543.66;  **T.S5. 64 

Tea-table    talk,    ennobled    actresses,    and    other    miscellanies. 

London.     1857.     2  v.  2578.52;  **T. 56. 316 

Matthews,  J.  B.    On  acting.    New  York.    1914.  5599-163 

Maugny.  a.,  Comte  de.  Le  demi-monde  sous  le  Second  Empire. 
Souvenirs  d'un  sybarite.     Paris.     [1892.]     Portraits.        **T.97.247 

Maugras,  C.  G.     Les  comediens  hors  la  loi.     Paris.     1887. 

**T.55.ioi ;  etc. 

Mayeur  de  Saint  Paul,  F.  M.  Le  chroniqueur  desceuvre,  ou  I'cspion 
du  Boulevard  du  Temple,  contenant  les  annales  scandaleuses  & 
veridiques  des  directeurs,  acteurs  &  saltinbanques  [sic]  du  Boule- 
vard, avec  un  resume  de  leur  vie  &  moeurs  par  ordre  chronologique. 
Londres.     1782.  **T.76.38 

Same.     Le  desceuvre,  ou  I'espion  du  Boulevard  du  Temple.     A 

Londres.     1782.  **T.77.2oi 

Mirbeau,  O.  Le  comedien.  Suivi  de  I'entrefilet  de  M.  Vitu,  —  la 
lettre  de  M.  Mirbeau  a  M.  Magnard,  —  I'ordre  du  jour  du  theatre 
du  Chateau-d'Eau.     Paris.     1883.  **T.58.47 

MoNSELET,  C.  Acteurs  et  actrices.  Dessins  par  E.  Lorsay.  Paris. 
1867.     Plates.  **T.99.4o;etc. 

MoRTEMAR,  J.  DE.  Folly's  quccns;  or,  women  whose  loves  have  ruled 
the  world.     N.  Y.     [1882.]     Portraits.     Plates.  **T.55.i9 

MouHY,  C.  DE  P.,  Chevalier  de.  Tablettes  dramatiques,  contenant 
I'abrege  de  I'histoire  du  Theatre  frangois,  I'etablissement  des 
theatres  a  Paris,  et  I'abrege  de  I'histoire  des  auteurs  &  des  acteurs. 
A  Paris.     1752-58.  **T.78.27;etc. 

MuLLETT,  A.  E.,  compiler.  A  dramatic  scrap-book  .  .  .  devoted  to 
sketches  of  actors  &.  to  criticisms  of  plays  and  acting.  [Boston. 
1894-99.]     7  v.     Illus.     Portraits.  **T.ii.9 

MuNDAY,  L.  A  chronicle  of  friendships.  New  York.  [i9i.3-l  Por- 
traits.    Plates.  4545-177 

MuNDUs  dramaticus.  (The  new  Rosciad.)  A  satire  [in  verse]. 
London.     1852.  **T.99.5 

Murdoch,  J.  E.     Reminiscences  of  the  stage.     [Boston.     1874.] 

No.  37  in  **G.3822.3 

The    stage;    or,    recollections    of   actors    and    acting    from    an 

experience  of  fifty  years.     Philadelphia.     1880.     Portrait. 

**T.55-3;etc. 

Myrtle,  M.,  E-sq.,  pseud.  The  histrionade:  or,  theatric  tribunal;  a 
poem,  descriptive  of  the  principal  performers  at  both  houses 
[Drury  Lane  and  Covent  Garden].    London.    1802.    **T.56.i9o;  etc. 

New  York  Dramatic  Mirror.  [Cuttings  from  the  New  York 
Dramatic  Mirror  describing  the  Edwin  Forrest  Home  for  retired 
actors,  with  accounts  of  some  of  its  occupants.  New  York,  1800?] 
Illus.     Portraits.  *4340.i40 

O'Connor,  J.  B.  Chapters  in  the  history  of  actors  and  acting  in 
ancient  Greece,  together  with  a  Prosopographia  histrionum 
Graccorum.  A  dissertation,  Princeton  University.  Chicago. 
1908.  2965.105 

[IS] 


THE  PUBLIC  LIBRARY  OF  THE   CITY   OF  BOSTON 


Actors.     (Continued.)  -r.       „     .•  u-  n 

Old  stager,  An.  fsrud.     Stage  reminiscences.     Recollections,  chiefly 

nersonal   of  performers   during   the   last   forty  years.     Glasgow. 

W  .  ,    **T.585;etc. 

Olivier.   1.   1.     Voltaire  et  Ics  comediens  interpretes  de  son  theatre. 

£tude  sur  I'art  theatral  et  les  comediens  au  xviiie  siecle.     Paris. 

looo.     Plate.  ,  .      .4676.23 

OsMUN.  T.   E.     Acting  and  actors,  elocution  and  elocutionists.     A 

book    about    theater    folk    and    theater    art.      New    York.      1894. 

Portraits.  35993.101 ;  **T.78.6i 

OxBERRY   W     Oxberry's  Anecdotes  of  the  stage,  &c.    London.     1827. 

'  Portrait.  **T.57.278 

Paccvrd,    T.    E.     Le   petit   homme   noir   aux   acteurs    et   actrices    du 

Theatre  frangais.     Paris.     181 5.  **T.57.368 

Paroisse-Pougin,  F.  A.  A.    Acteurs  et  actrices  d'autrefois.     Histoire 

anecdotique  des  theatres  a   Paris   depuis  trois   cents  ans.     Paris. 

[1897.]     Illus.     Portraits.  **T.56.269 

Pattee.  C.  H.     Recollections  of  old  play-bills.     (In  Bostonian,  The. 

Vol.  2.  pp.  254-258.     Portraits.     Boston.     1895.)  *530i.45.2 

Petites  verites  au  grand  jour,  sur  les  acteurs,  Ics  peintres,  les  jour- 

nalistcs.  etc.     [Paris.l     An  VIII.     [1800.]  **T.57.399 

Phelps.  H.  P.     Players  of  a  centurj'.    A  record  of  the  Albany  stage. 

Including   notices   of   prominent   actors    who    have    appeared    in 

America.     Albany..    1880.  **T.77.7 

The  stage  history  of  famous  plays.     Hamlet  from  the  actors' 

standpoint.  Its  representatives,  and  a  comparison  of  their  per- 
form.anccs.     New  York-     1890.     Portraits.  4597.116;  **T.57.4i 

Pillet,  F.  Verites  a  I'ordre  du  jour,  ou  nouvelle  critique  raisonnee, 
tant  des  acteurs,  des  theatres  de  Paris,  que  des  pieces  qui  y  ont 
ete  representees  pendant  le  cours  de  I'annee  derniere.  A  Paris. 
179S.     Plate.  **T.79.7 

Same.     2^  annee.     Melpomene  et  Thalie  vengees,  ou  nouvelle 

critique  impartiale  et  raisonnee  tant  des  differens  theatres  de 
Paris,  que  des  pieces  qui  y  ont  ete  representees  pendant  le  cours 
de  I'annee  derniere.     A  Paris.     [1799]     Plate.  **T.79.6 

PiLLET,  F.,  and  others.  La  lorgnette  de  spectacle  ou  la  revue  des 
acteurs.    A  Paris.     [1798/99.]  **T.59-45 

PiTOU.  A.  Masters  of  the  show  as  seen  in  retrospection  by  one  who 
has  been  associated  with  the  American  stage  for  nearly  fifty  years. 
New   York.      [1914.]      Portraits.  6257.369 

Poetical  review,   The,   a   poem.      Being  a   satirical    display   of   the 
■   literal   characters  of  Mr.   G*rr*ck   fGarrick],   Mr.   C*lm*n    [Col- 
man],  Mr.  Sh*r***n  [Sheridan],  Genl.  B**rg***e  [Burgovne],  Mr. 
M*-ckl*n  [Macklin],  Dr.  K*nr**k  [Kenrick].     London.     [1780'] 

No.  13  in  **G.382o.ii 

PoiiX)w  DE  Saint-Mars,  G.  A.  de  C.  de  C.,  Vicomtesse  de.  Portraits  con- 
temporains  [contenant  notices  des  actrices  Rosina  Stoltz.  Adelaide 
Ristori,  Rose  Cheri  (M"^^  Montigny)].     Paris.     1864.       **T.57.423 

Pollock.  W.  J-I.  The  modern  French  theatre,  with  critical  notes  on 
some  of  the  principal  French  actors.     Paris.     1878.  4672.57 

Pond,  J.  B.  Eccentricities  of  genius.  Memories  of  famous  men  and 
women  of  the  platform  and  stage.  New  York.  [iQoo.]  Portraits. 
Plate.  2246.76;  **T.56.75 

Portfolio,  A.  of  players  [Augustin  Daly's  company].  With  a  packet 
of  notes  thi-ro'in  liy  H.  C.  Bninicr,  K.  A.  Dithmar,  Laurence  Hu* 

[16] 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 

Actors.     (Continued.) 

ton,  Brander  Matthews  and  William  Winter.     New  York.     188H. 

Portraits.     Plates.  **T.52.i2 

Present  state,  The,  of  the  stage  in  Great  Britain  and  Ireland.     And 

the   theatrical    characters   of   the   principal    performers,    in    both 

kingdoms,  impartially  considered.     London.     1753.    **T.77.i5i ;  etc. 
R.,  G.  F.     The  actress  of  the  day.     A  poem.     London.     [iS — ?] 

**T,58.29 
Regnier,  F.  J.  P.  T.     Souvenirs  et  etudes  de  theatre.     Paris.     1887. 

Portrait.  **T.57.384 

Reiffenberg,  F.  G.  fi.  C.  M.,  Baron  de.     Ce  que  c'est  qu'une  actricc. 

Paris.     1861.  ^  **T.98.i36 

Remond  de  Sainte-Albine,  p.     Le  comedien.     A  Paris.     1748. 

**T.77.64;  etc. 
Robins,  E.     Echoes  of  the  playhouse.     Reminiscences  of  some  past 

glories  of  the  English  stage.    New  York.     1895.    Portraits.     Plate. 

**T.57.8i ;  etc. 
RoBSON,  W.  The  old  play-goer.  London.  1846.  4575.18;  **T.76.i43 
Rooueplan,  L.  V.  N.     Les  coulisses  de  I'Opera.     Paris.     1855. 

No.  2  in  **M.i29a.33 
Rosenberg,  C.  G.    You  have  heard  of  them.     [Containing  sketches  of 

Fanny    Cerito,    Giulia    Grisi,    Lablache,    Lola    Montez,    Ronconi, 

Catharine  Hayes,  Carlotta  Grisi,  Charles  Kean,  Dion  Bourcicault 

[sic],  Jeiiny   Lind  and   Charlotte   Cushman.]      New   York.      1854. 

Portraits.  2248.85;  **T.57.i98 

Rowlands,  W.     Among  the  great  masters  of  drama.     Scenes  in  the 

lives  of  famous  actors.     Boston.      [1903.]      Portraits.     Plates. 

22493.29 
Rub,  O.,  compiler.     Das  Burgtheater:  statistischer  Riickblick  auf  die 

Tatigkeit  und  die  Personalverhaltnisse  wahrend  der  Zeit  vom  8. 

April    1776    bis    i.    Januar    1913.      Ein    theaterhistorisches    Nach- 

schlagebuch.     Wien.     1913.  6252.117 

Russell,  Sir  E.  R.     That  reminds  me.     London.     1899.     Portrait. 

4543.149;  etc. 
Ryan,  Kate.     Old  Boston  Museum  days.     Boston.     1915-     Portraits. 

Plates.  6257.50;  **T.76.i94 

Ryan,    R.,   compiler.      Dramatic   table   talk;    or,   scenes,    situations,    & 

adventures,  serious   &  comic,  in   theatrical  history   &  iMOgraphy. 

London.     1825-30.     3  v.     Portraits.     Plates.  22593.57;  **T.78.i3 

Sadler,  L.  R.     Theatrical  anecdotes;  or,  fun  and  curiosities  of  the 

play,  the  playhouse,  and  the  players.     London.     1882. 

2554.61 ;  **T.58.8o 
Saltartno,    Signor,   pseud.      Das    Artistentum    und    seine    Geschichle. 

Leipzig.     1910.     Illus.     Portraits.  2243.87 

Santley,  S:r  C.     Reminiscences  of  my  life.     London.     1909.     Por- 
traits.    Plates.  4047.289 
Sartine.  A.  R.  J.  G.  G.  de,  Comte  d'Alby.     Documents  inedits  sur  le 

regne    de    Louis    xv;    ou,    anecdotes    galantes    sur    les    actrices, 

demoiselles  entretenues,  grisettes,  etc.     Bruxelles.     1863. 

**T.57.268 
Savard,    F.      Les  petits   mysteres   de    I'ficoie   lyrique.     Paris.      1862. 

Portrait.  **T.59.i7 

Schiessler,    S.    W.      Coulissen-Blitze    in    Anekdoten,     Schwanken. 

Schnurren  und  witzigen  Einfallen,  auf  Theater  und  Schauspieler 

geschleudert.      Schleuder    1-6.      Meissen.      1828,    29.      6    v.    in    i. 

Colored  plates.  **T.59-53 

[17] 

2 


THE  PUBLIC  LIBRARY  OF  THE   CITY  OF  BOSTON 

Actors.     (Continued.) 

Schmidt,  F.  L.  Dcnkwiirdigkeiten  des  Schauspielers,  Schauspiel- 
dichtcrs  und  Schauspieldircctors  Friedrich  Ludwig-  Schmidt  (1772- 
1841).  Nach  hinterlasscnen  Entwiirfen  zusammengestellt  und 
herausgegeben  von   Hermann  Uhde.     Hamburg.     1875.     2  v. 

**T.58.52 

Shakespearean  actors.     Scrap-book.     [18 — ?]     2  v.  **G.393o.i3 

Skewtsall,  Peter,  pseud.  A  catalogue  of  curiosities,  chiefly  theatrical, 
which  are  to  be  sold  by  auction;  being  part  of  the  effects  of  a 
virtuoso,  lately  deceas'd.  [A  list  of  imaginary  articles  satirizing 
the  leading  actors  of  the  day.]     London.     1748.       **T,57.i4i;  etc. 

Squabble.  The.  of  the  Richmond  players.  Including  some  choice 
hints,  and  curious  theatrical  remarks.  With  a  criticism,  on  a 
remarkable  Twickenham  play-bill.     London.     [17 — ?]     **T.57.i34 

Stage  gossip  or  theatrical  tit-bits,  ancient  and  modern.  London. 
[188-?]  **T.55.46 

Stamma,  L.  The  Kellyad:  or  a  critical  examination  into  the  merits 
of  Thespis.  f\'^erse.]     London.     1767.  No.  8  in  **G.3947.2 

Stapleaux,  L.  L.  L  Les  courtisanes  du  Second  Empire.  [Anon.] 
Partie  3:  Les  actrices.     Serie  i.     Bruxelles.     1871.  **T.g6.5 

Stone,  H.  D.  Personal  recollections  of  the  drama  or  theatrical 
reminiscences,  embracing  sketches  of  prominent  actors,  Albany, 
N.  Y.     1873.     Portraits.  **T.56.i94 

Strang,  L.  C.  Players  and  plays  of  the  last  quarter  century.  An 
historical  summar}--  of  causes  and  a  critical  review  of  conditions 
as  existing  in  the  American  theatre  at  the  close  of  the  nineteenth 
century.      Boston.     1903.     2  v.      Portraits.     Plates. 

4343-215;  **T.77-i8 

Stl:dies  of  old  actors.  1:  Garrick  in  "Lord  Hastings."  11:  Mossop 
in  "Cardinal  Wolsey."  in:  Henderson  in  "Jacques."  [Dublin. 
1863.]  '       No.  4  in  **G.62.5 

Svmons,  a.     Plays,  acting  and  music.     London.     1903.     Portraits. 

6252,68 

T.,  J.  A  letter  of  compliment  to  the  ingenious  author  of  A  treatise 
on  the  passions,  so  far  as  they  regard  the  stage;  with  a  critical 

enquiry  into  the  theatrical  merit  of  M.  G k,  Mr.  Q n,  and 

Mr.    B y,    &c.     Wih    some    further    remarks   on    Mr.    M n. 

And  a  few  hints  on  our  modern  actresses,  particularly  Mrs. 
C r  and  Mrs.  P d.     London.     [1747.]  **T.77.3o;  etc. 

Tavi.or,    .      Theatrical    portraits,    epigramatically     delineated; 

wherein  the  merit  and  demerit  of  most  of  our  stage  heroes  and 
heroines  arc  excellently  painted  by  some  of  the  best  masters. 
London.     [1774]  No.  13  in  **G.3820.9 

Taylor.  J.     Records  of  my  life.     London.     1832.     2  v.     Portrait. 

**T.55.i03;  etc. 

Tavi>or,  T.     The  great  actors  of  1775.     [London.     1863.] 

No.  3  in  **G.62.5 

Terrv,  E.  The  story  of  my  life.  Recollections  and  reflections. 
New  York.     1908.     Portraits.     Plates.  4545.179 

Theatrical  correspondence  in  death.  An  epistle  from  Mrs.  Old- 
field,  in  the  shades,  to  Mrs.  Br.  .ceg. .  .  rdle,  upon  earth:  con- 
taining a  dialogue  between  the  most  eminent  players  in  the  shades, 
upon  the  late  stage  desertion.     London.     1743.  **T.57.346;  etc. 

TiiEATKifAi.  examiner.  The:  an  enquiry  into  the  merits  and  demerits 
of  the  present  English  performers  in  general.     London.     1757. 

**T.96.8i ;  etc, 
[18] 


BROWN   COLLECTION   OF   BOOKS   ON    THE   STAGE 

Actors.     (Continued.) 

Theatrical  jester,  The:  or  green-room  witticisms.  Being  a  collection 
of  entertaining  and  original  anecdotes,  bon  mots,  repartees,  &c., 
relating  to  the  stage.    London.     [1795.]  **T.58.i8 

Theatrical  Mission,  London.  "Stars,"  a  year's  work  in  the  Theatrical 
Mission,  with  list  of  contributors,  1891-1892.  London.  [1892.] 
Plates.  *7578.ii5 

Theatrical  portraits.     [Verses.    London.     1795?]  **T.93.5 

Theatrical  Review,  The:  for  the  year  1757,  and  beginning  of  1758. 
Containing  critical  remarks  on  the  principal  performers  of  both 
the  theatres   [Drury  Lane  and  Covent  Garden].     London.     1758. 

**T.96.85;etc. 

Thespiad,  The.  [Criticisms  in  verse  of  English  actors.]  London. 
1809.  **T.96.3i9 

ToMLiNS,  Sir  T.  E.  Three  new  privy  seals  for  players  in  the  time  of 
Shakespeare.  (In  Shakespeare  Society,  London.  Papers.  Vol.  4. 
pp.  41-49.     London.     1849.)  *4596.ii.4;  etc. 

TowsE,  J.  R.  Sixty  years  of  the  theater.  An  old  critic's  memories. 
New  York.     1916.     Portraits.     Plate.  6257,109 

Trip,  A,  to  Parnassus;  or,  the  judgment  of  Apollo  on  dramatic 
authors  and  performers.     A  poem.     London.     1788.  **T.93.6 

Vandenhoff,  G.  Leaves  from  an  actor's  note-book;  with  remi- 
niscences and  chit-chat  of  the  green-room  and  the  stage  in  Eng- 
land and  America.     New  York.     i860.  4398.135;  **T.57.77;  etc. 

Same.     Dramatic   reminiscences;    or,  actors   and   actresses   in 

England  and  America.     London,     i860.  **T.57.i4 

Van  Dyk,  H.  S.  Theatrical  portraits;  with  other  poems.  London. 
1822.     Portraits.  **T.58.55 

Various  English  actors  —  newspaper  clippings.     N.  p.     [1850?] 

No.  23  in  **G.3930.i3.2 

VoELKER,  F.  Beriihmte  Schauspieler  im  griechischen  Alterthum. 
Hamburg.     1899.     Illus.  *59i4.50.N.F.Ser.i4 

Wagner,  L.     The  stage,  with  the  curtain  raised.     London.     [1881.] 

**T.77.2o8;etc. 

Waldron,  F.  G..  editor.  The  Shakspearean  miscellany:  containing 
.  .  .  biographical  anecdotes  of  theatrical  performers;  with  por- 
traits of  ancient  and  modern  actors.  A  concise  history  of  the  early 
English  stage.     London.     1802.  2595.2;  etc. 

Walkley.  a.  B.     Playhouse  impressions.     London.     1892. 

4577.141  ;**T.47.io7 

Wallack,  J.  J.  Memories  of  fifty  years.  New-York.  1889.  Por- 
traits.    Plates.  4342.88 ;**T.57.io7;  etc. 

Wedmore,  Sir  F.     Memories.     London.     [1912.]  4544.218 

Wem\  ss.  F.  C.  Twenty-six  years  of  the  life  of  an  actor  and  manager. 
With  sketches,  anecdotes  and  opinions  of  the  professional  merits  of 
the  most  celebrated  actors  of  our  day.    New  York.    1847.    **T.57.i23 

Wewitzer,  R.  Dramatic  reminiscences,  anecdotes,  comical  sayings 
and  doings.     London.     [185-?]     Portrait.  **T.59.33;  etc. 

Whyte,  F.  Actors  of  the  century.  A  play-lover's  gleanings  from 
theatrical    annals.      London.      1898.      Portraits.  **T.53.8;  etc. 

Wichers  von  Gogh,  O.  Das  Elend  der  deutschen  Schauspieler. 
Ziirich.     1893.  **T.96.352 

Wilkinson,  T.     Memoirs  of  his  own  life.     York.     1790.     4  v. 

**T.58.53;etc. 

Williams,  J.  The  children  of  Thespis.  A  poem.  13th  edition,  with 
additional  characters.     London.     1792.  **T.47.iio;  etc. 

[19] 


THE  PUBLIC  LIBRARY  OF   THE   CITY  OF  BOSTON 


Actors.     (Continued.) 

The  pin-basket  to  the  children  of  Thespis.     With   notes  his- 
torical, critical  and  biographical.     London.     1797.  **T,58.38 

Wilson.   F.     Recollections  of  a  player.      New   York.     1897.     Illus. 

Portraits.     Plates.  **T.54.i7 

Wilson.  M.   B.     Memoirs  of  Miss   Mellon,  afterwards   Duchess  of 

St.  Albans.     London.     1886.     2  v.  2541.109 

WiNCVTE,  C.  E.  L.     Shakespeare's  heroes  on  the  stage.     New  York. 

1896.     Portraits.  4596.135;  **T.47.90 

Shakespeare's    heroines    on    the    stage.      New    York.      [1895.] 

Portraits.  4595.134;  **T.47.89 

WiNSLow.  C.  M.     Yesterdays  with  actors.     Boston.     1887.     Portraits. 

2245.64;  **T.56.3i3 

Winter.  W.     The  actor  and  other  speeches;   chiefly  on   theatrical 

subjects  and  occasions.    New- York.    1891.    Portrait.   **T.95.ii;  etc. 

Life  and  art  of  Joseph  Jefferson.     New  York.      1894.     Por- 
traits.    Plates.  4346.163 

Other  days.    Being  chronicles  and  memories  of  the  stage.    New 

York.     1908.     Portraits.  4343.271 

Shadows  of  the  stage.     New  York.     1892-95.     3  v. 

2409.130;  **T.49.8 

Shakespeare  on  the  stage.    New  York.    1911-16.    3  v.    Portraits. 

4597.165;  **T.56.57 

Vagrant  memories.     Being  further  recollections  of  other  days. 

New  York.     1915.     Portraits.     Plates.  4343.272 

WooLCOTT.  A.     Mrs.   Fiske.     Her  views  on  actors,  acting  and  the 

problems  of  production.     New  York.     1917.     (8),  229  pp.     Por- 
traits,  one   colored.      Plates.      Facsimiles.  6257.307 
Wright,  J.     The  second  generation  of  English  professional  actors, 

1625-1670.     (In  Arber,  E.,  editor.     An  English  garner.     Vol.  2,  pp. 

272-282.     London.     1879.)  *4557.62.2 

Actors.    Biography.    Collections. 

See  also  Actors.    Portraits:  Singers. 

Abraham,    fi.      Les   acteurs    et    les    actriccs    de    Paris.      Biographic 

complete.     Paris.     1858.  **T.57.4io 

Alhoy,    p.    M.      Grande   biographic    dramatique,    ou    silhouette    des 

acteurs,  chanteurs,  danseurs,  etc.,  de   Paris   et  des  departemens. 

Paris      1824.  **T.5g.7 

Annuaire  dramatique.     Histoire  des  theatres,  biographic  des  acteurs 

de  Paris  et  de  la  banlieuc.    Annee  i.     Paris.     1845.      **T.99.24;  etc. 
Armstrong,  C.  F.     A  century  of  great  actors.     1750-1850.     London. 

[1912.]     Portraits.  4545.165 

Aston.  A.     A  brief   supplement   to   Colley   Gibber,    Esq.;    his   lives 

of  the  late  famous  actors  and  actresses.     Printed  for  the  author. 

{In  Gibber,  Colley.    An  apology  for  the  life  of  Mr.  Golley  Gibber. 

Vol.  2,  pp.  297-318.     London.     1889.)  **T.54.7.2;  etc. 

Authentic  memoirs  of  the  green-room;   involving  sketches  of  the 

performers  of  the  Theatres   Royal,   Drury-Lane,   Govent-Garden, 

and  the  Hay-Market.     London.     1801-03.     Portraits.        **T.29.i9 
Authentic  memoirs  of  the  green-room;   including  sketches  of  the 

performers  of  the  Theatres  Royal,  Drury-Lane,  Govent-Garden. 

and  the  Haymarkct.     London.     [1814?]     Portrait.       **T.29.22;  etc. 
Hakrr,  H.  B.     English  actors  from  Shakespeare  to  Macrcady.     New 

York.     1879.     2  V.  **T.57.i88;etc. 

Our  old  actors.     London.     1878.     2  v.     Portraits.       2453.53;  etc. 

120] 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 


Actors.    Biography.     Collections.     (Continued.) 

Barnes,  J.  H.     Forty  years  on  the  stage.     Others   (principally)  and 

myself.     Nev/  York.     1915.     Portraits.  4545.i69 

Barriere,   J.    F.,  editor.     Memoires   de    M'le   Clairon,    de    Lekain,   cle 

Treville,  de  Dazincourt,  de  Mole,  de  Garrick,  de  Goldoni.     Paris. 

1846.  **T.57.28o;etc. 

Same.    Vor  und  auf  den  Brctern.     Schauspieler-Memoiren  nach 

F.  Barriere's   Bibliothcque  des  memoires,  teutsch  bearbeitet  von 
Ida  Frick.     Dresden.     1848,  49.     2  v.  46793.67 

Bartoli,  F.  Notizie  istoriche  de'  comici  italiani  che  fiorirono  intorno 
air  anno  mdl.    Padova.     [1781.]  *474Qa.6 

Berton,  P.  F.  S.  M.  Souvenirs  de  la  vie  de  theatre.  Paris.  [1914?] 
Portrait.  4677.117 

BiERBAUM,  O.  J.  Fiinfundzwanzig  Jahre  Miinchner  Hoftheatcr- 
Geschichte.  Ein  Riickblick  auf  die  fiinfundzwanzigjahrige  Amts- 
fiihrung  des  Freiherrn  Karl  von  Perfall  als  Leiter  der  Miinchner 
Hofbiihnen.     Miinchen.     1892.     Portraits.  **T.76.25 

Biography,  The,  of  the  British  stage.  With  anecdotes  and  poetry. 
New  York.     1824.  **T.57.352;  etc. 

Black,  H.  C.  Pen,  pencil,  baton  and  mask.  Biographical  sketches. 
London.     1896.     Portraits.  2543.153;  **T.56.29 

BoRGFELDT,  G.  Genies  der  Biihne.  Charakteristiken.  Leipzig. 
[  1899.]  No.  4  in  4896.50.402 

Brown,  A.  A.,  compiler.  Dramatic  and  musical  personals.  [Boston. 
1903-1913.]      10  V.     Illus.     Portraits.  **T.i4.4 

Theatrical    biographies.      [Boston.      1901-13.]      20    v.      Illus. 

Portraits.  **T.i4.2 

Brown,  T.  A.  History  of  the  American  stage.  Containing  bio- 
graphical sketches  of  nearly  every  member  of  the  profession 
that  has  appeared  on  the  American  stage,  from  1733  to  1870.  New 
York.     [1870.]     Portraits.  **T.56.256;  etc. 

Burat  DE  GuRGY,  E.     Biographic  des  acteurs  de  Paris.     Paris.     1837. 

**T.59.5o 

BuRTAL,  A.  Dictionnaire  universel  du  theatre  en  France  et  du 
theatre  frangais  a  I'etranger,  par  J.  Goizet.  Avec  biographies  de 
tons  les  auteurs  et  des  principaux  artistes  de  toutes  les  epoques, 
par  A.  Burtal.    Paris.     [1867,  68.]     3  parts  in  i  v.         **T.44.3;  etc. 

Campardon,  L.  £.  Les  comediens  du  roi  de  la  troupe  frangaise 
pendant  les  deux  derniers  siecles.  Documents  inedits  recueillis 
aux  Archives  nationales.     Paris.     1879.  **T.55.37 

Les  comediens  du  roi  de  la  troupe  italienne  pendant  les  deux 

derniers  siecles.    Documents  inedits  recueillis  aux  Archives  natio- 
nales.   Paris.     1880.    2  v.  **T.55.32 

Les  spectacles  de  la  foire.    Depuis  1595  jusqu'a  1791.    Docun\ents 

inedits  recueillis  aux  Archives  nationales.   Paris.   1877.  2  v    ""''T.75.6 

Chaulin,  N.  p.  Biographic  dramatique  des  principaux  artistes  anglais 
venus  a  Paris;  precedee  de  souvenirs  historiques  du  theatre  anglais 
a  Paris,  en  1827  et  1828.    Paris.    1828.  **T,59.io 

Chetwood,  W.  R.  a  general  history  of  the  stage,  from  its  origin  in 
Greece  down  to  the  present  time.  With  the  memoirs  of  most 
of  the  principal  performers  that  have  appeared  on  the  English 
and  Irish  stage  for  these  last  fifty  years.     London.     1749. 

4578.3;  **T.78.io;  etc. 

Clapp,  J.  B.,  and  E.  F.  Edgett.  Players  of  the  present.  New  York. 
1899-1901.    3  v.    Portraits.  **T.95.22 


[21] 


THE  PUBLIC  LIBRARY  OF   THE   CITY   OF  BOSTON 


Actors.    Piograt>hy.     Collections.     (Continued.) 

Claqueur  patente,  Un,  pseud.   Nouvelle  grande  biographic  dramatique, 

ou  silhouette  des  acteurs,  chanteurs,  danseurs,  de  1825  a  1830,  de 

Paris  et  des  departemens,  suivie  des  adresses  des  acteurs.     Paris. 

1851.  **T.59.26 

Claretie,  J.  A.  A.    Profils  de  theatre.    Paris.     [1902.]     **T.57.7o;  etc. 

CliImext,  J.  M.  B.,  and  J.  de  La  Porte.     Anecdotes  dramatiques.     A 

Paris.     1775-    3  v.  **T.58.3;  etc. 

Coleman    T      Players  and  playwrights  I  have  known.     London.     1888. 

2  V.       ■  4541.106;  **T.56.232 

Collier,   J.    P.      Memoirs   of   the   principal   actors    in   the   plays   of 

Shakespeare.     London.     1846.  **T.55.i3o;  etc. 

Cook    E.  D.     Hours  with  the  players.     London.     1881.     2  v. 

2476.65;  **T.57.i3 

CoPiN,  A.     Histoire  des  comediens  de  la  troupe  de  Moliere.     Paris. 

1886.  4671.76;  **T.56.3i 

Crosby,  B.     Crosby's  Pocket  companion  to  the  playhouses.     Being 

the  lives  of  all  the  principal  London  performers.     London.     1796. 

Portrait.  **T.58.i39 

CuisiN.  J.  P.  R.     Bouquet  offert  a  M^e  Rachel,  actrice  tragique  aux 

frangais.       Suivi     de     notices     biographiques     sur     cette     grande 

tragedienne  et  autres  acteurs   celebres.     Paris.      1839.     Plate. 

**T.55.26 

D.,  H.   N.     Fifty  years  of  a  play-goer's  journal;   or,  annals  of  the 

New  York  stage,   1798-1848.     With  biographical  sketches  of  the 

principal  performers.     New  York,     [i860.]  **T.77.i82 

Darthenay,   V.     Les   acteurs   et   les   actrices   de    Paris.      Biographic 

complete.     Paris.     1853.  **T.57.4og 

Dawe,  M.     Miscellanies,  in  prose  and  verse.     Added,  some  private 

memoirs    of    Mrs.    W n    and    Miss    R ns,    of    Drury-Lane 

Theatre.     London.     1776.  **T.97.23i 

Donaldson,  W.  A.     Recollections  of  an  actor.     London.     1865.     viii, 

360  pp.  4549a.243;**T.58.84 

Same.     Fifty  years  of  green-room  gossip;  or,  recollections  of 

an  actor.     London.     [1881.]  4549a.244;  ^^*T.58.39 

Dram.\tic  memoirs  and  criticisms.     N.  p.     N.  d.  **T.i5.6 

Dramatic  peerage.  The,  1891.  Personal  notes  and  professional 
sketches  of  the  actors  and  actresses  of  the  London  stage.  Com- 
piled by  E.  Reid  and  H.  Compton.  London.  [1891.]  **T.28.6 
Drew,  L.  L.  Autobiographical  sketches  of  Mrs.  John  Drew.  With 
an  introduction  by  her  son  John  Drew.  With  biographical  notes 
by  D.  Taylor.     New  York.     1899.     Illus.     Portraits. 

4343.212;  **T.56.253 
Edwards,  H.  S.     Idols  of  the  French  stage.     London.     1889.     2  v. 

**T.55.87;etc. 
EiSENBERG,  L.  J.    Ludwig  Eisenberg's  Grosses  biographisches  Lexikon 
dcr  deutschen  Biihne  im  xix.  Jahrhundert.     Leipzig.     1903.     Por- 
traits. *2842.4i 
European   Magazine,  The.      Biographical   memoirs   of   noted   actors 
and  actresses.     1783-1815.     [Cuttings.]  **T.i6.2 
Febvre,    F.   A.,  and   T.   Johnson.     Album    de    la    Comedie-frangaise. 
Paris.     1880.     Portraits.                                                                 **T.7i.7 
FooTLiGHT     favorites.       A     collection     of     popular     American     and 
European  actresses  in  the  various  roles  in  which  they  have  be- 
come famous,  with  biographical   sketches.     New  York.      [188-?] 
Portraits.  **T.55.4 

[22] 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 


Actors.    Biography.     Collections.     (Contitiued.) 

Fyvie,  J.  Comedy  queens  of  the  Georgian 'era.  London.  1006.  Por- 
t'-aits.  **T.55.85;etc. 

Tragedy  queens  of  the  Georgian  era.  New  York.  190'j.  Por- 
traits.    Plates.  4545.183 

Gaboriau,  £.  Les  comediennes  adorees.  3e  edition.  Paris.  1873. 
Portraits.  **T.57.3i9;  etc! 

Gallerie  von  teutschen  Schauspielern  und  Schauspielerinnen,  nebst 
Johann  Friedrich  Schinks  Zusatze,  und  Berichtigungen.  Heraus- 
gegeben  von  R.  M.  Werner.     Berlin,     rgio.  6907.23 

Gallois,  L.  J.  U.  N.  Biographie  contemporaine  des  artistes  dii 
Theatre-frangais.  Precedee  d'une  notice  historique  sur  la  Comedie- 
frangaise.     Paris.     1867.  **T.56.263 

Galt,  J.     The  lives  of  the  players.     London.     1831.     2  v. 

45793.219;  **T.56.30o 

Gereon,  L.  de.  La  rampe  et  les  coulisses.  Esquisses  biographiqucs 
des  directeurs,  acteurs  et  actrices  de  tous  les  theatres.  Paris. 
1832.  **T.57.36 

Gilbert,  F.,  and  E.  Coulon.  Photographies  a  la  plume.  Les  theatres 
en  robe  de  chambre.    Paris.     1866.    Plate.  **T.57.379 

GiLLiLAND,  T.  The  dramatic  mirror:  containing  the  history  of  the 
stage  to  the  present  time.  A  biographical  and  critical  account  of 
.  .  .  the  most  distinguished  performers  from  the  days  of  Shak- 
speare  to  1807:  and  a  historj^  of  the  country  theatres  in  England, 
Ireland,  and  Scotland.     London.     1808.     2  v.     Portraits.     Plates. 

**T.77.i38;etc. 

GoDDARD,  A.  Players  of  the  period.  A  series  of  anecdotal,  bio- 
graphical, and  critical  monographs  of  the  leading  English  actors 
of  the  day.     London.     1891.     2  v.     Portraits.      2546.114;  **T.56.i6 

Green  Room  Book,  The.  or,  Who's  who  on  the  stage.  New  York 
[&  London.     1906-09].     4  v.     Portraits.  **T.27.i5 

Grimoi>  de  La  Reyniere,  A.  B.  L.,  and  F.  Pillet.  Revue  des 
comediens.  ou  critique  raisonnee  de  tous  les  acteurs,  danseurs  et 
mimes  de  la  capitale.    Paris.     1808.  **T.5g.32 

GuEULLETTE,  C.  Actcurs  &  actriccs  du  temps  passe.  La  Co'medie 
frangaise.     Serie  i.     Paris.     1881.     Portraits.  **T.55.i2 

Haslewood,  J.  The  secret  history  of  the  green  room:  containing 
memoirs  of  the  actors  in  the  three  theatres  royal.  London.  1792. 
2  V.  **T.57.2i9;etc. 

Hervey,  C.  The  theatres  of  Paris,  with  portraits  of  eminent  living 
actresses  by  Alexandre  Lacauchie.     Paris.     1846.     Portraits. 

**T.74.4 

Hillemacher,  F.  Galerie  historique  des  portraits  des  corwediens 
de  la  troupe  de  Moliere.  Avec  des  details  biographiqucs  succincts. 
Lyon.     1869.     Portraits.  **T.56.i26 

HoussAYE,  A.  Les  comediennes  de  Moliere.  Paris.  1879.  Por- 
traits. 4645-54;  **T.56.68 

Les  comediennes  d'autrefois.     Bruxelles.     1855.  **T.59.48 

Princesses  de  comedie  et  deesses  d'opera.    Paris,     i860.     Plate. 

4693.1.5;  **T.56.iio;  etc. 
Izard,  F.     Heroines  of  the  modern  stage.     New  York.     1915.     Por- 
traits. 22493.71 
Keese,  W.  L.    a  group  of  comedians.     New  York.     1901.     Portraits. 

**T.95.26 

Lafitte,  J.   B.   P.     Memoires   de    Fleury   de   la    Comedie    frangaise. 

Paris.     1844.     2  V.  ■-T.s8.44;  etc. 

L23] 


THE  PUBLIC  LIBRARY  OF   THE   CITY   OF  BOSTON 


Actors.    Biographw     Collections.     (Continued.) 

Same     The  French  stage  and  the  French  people,  as  illustrated 

in  the  Memoirs  of  M.  Fleury.     London.     1841.     2  v.        **T.57.i03 
Same.     Adventures  of  an  actor:  comprising  a  picture  of  the 

French  stage  during  a  period  of  fifty  years.    2d  edition.     London. 

1842.     2^.  **T.57.7i;etc. 

Laroque.  A.   Acteursetactricesde  Paris.    Paris.    1888.    **T.56.262;  etc. 

I  K  RoLNVT    \    K    C    R.  DE.     l^tudcs  dramatiques.     i.     Paris.     1884. 

■  Portrait."  **T.95.75 

L.\UGiER,  A.,  and  A.   Mottet.     Galene  biographique  des  artistes  des 

theatres  royaux.     [Anon.]     Livraison  3:  Theatre-frangais.     Paris. 

1827.  **T.96.3io 

Lecomte.   L.   H.     Un  comedien  au   xixe  siecle:   Frederick-Lemaitre. 

litude   biographique    et    critique    d'apres    des    documents    inedits. 

Paris.    1888.    2v.  **T.55.ii8 

Lee,  W.  H.,  compiler.    Deaths  in  the  dramatic  and  musical  professions. 

i'qci  to  1907.     [Cuttings.]     Boston.     1907.     Portraits.  **T.i2.7 

Lemazl-rier.  p.  D.    Galerie  historique  des  acteurs  du  Theatre  frangais, 

depuis  lOoo  jusqu'a  nos  jours.     Paris.     1810.     2  v.     **T.56.297;  etc. 
Lekis.    a.    de.      Dictionnaire    portatif    historique    et    litteraire    des 

theatres,  contenant  I'origine  des  differens  theatres  de  Paris.     A 

Paris.     1763.  **T.78.25;etc. 

Lewinsky,    T.      Theatralische    Carrieren.      Biographische    Skizzen. 

Leipzig.  "1881.    Portraits.  **T.57.i73 

Lights  of  the  old  English  stage.     New  York.     1881.    **T.58.i02;  etc. 
Loydreau,  fi.     Les  jolies  actrices   de   Paris   en   I'an   de  grace    1843. 

Esquisses   biographiques.     Paris.      1843.  **T.58.i28 

LvoNNET,    H.      Histoire    du    theatre.      Dictionjiaire    des    comediens 

frangais.     (Ceux  d'hier.)     Biographic,  bibliographic,  iconographie. 

Paris.     [1902-12.]     2  V.     Portraits.  **T.53.2i 

McKay,   F.    E.,  and   C.    E.   L.   Wingate,   editors.      Famous   American 

actors   of   to-day.     New   York.      [1896.]      2   v.      Portraits. 

**T.57.68;  etc. 
Manager's  note-book.     No.  1-14.     November,  1837- December,  1838. 

**<j.3822.7;  etc. 
Manne.  a.  E.  D.  de.     Galerie  historique  des  comediens  de  la  troupe 

de  Talma.     Notices  sur  les  principaux  societaires  de  la  Comedie 

frangoise  depuis   1789  jusqu'  aux  trente  premieres  annees   de  ce 

siecle.     (Ouvrage  faisant  suite  a  La  troupe  de  Voltaire.)     Lyon. 

1866.     Portraits.  **T.56.93 
Galerie  historique  des  comediens  frangois  de  la  troupe  de  Vol- 
taire.    Graves  par  Henri  Lefort.     Avec  des  details  biographiques 

inedits.     Lyon.     1877.     Portraits.  4644.51;  **T.56.92 

Manne,  A.   E.'  U.  de,  and   C.    Menetrier.     Calcrie  historique   de   la 

Comedie  frangaise.     Pour  servir  de  complement  a  La  troupe  de 

Talma.     Depuis  le  commencement  du  siecle  jusqu'a  I'annee  1853. 

Lyon.     1876.     Portraits.  2656.66;  **T.56.94 

Galerie   historique   des   acteurs   frangais,   mimes   et   paradistes 

qui  sc  sent  rcndus  celebres  dans  les  annales  des  scenes  secondaires 
depuis  1760  jusqu'a  nos  jours.  Pour  servir  de  complement  a  La 
troupe  (k-  Nicolet.     Lyon.     1877.     Portraits.  2653.68;  **T.56.95 

Galerie    historique    des    comediens    de    la    troupe    de    Nicolet. 

Lyon.     1869.     lllus.     Portraits.  **T.56.340 

Mahiani,    a.      Figures    cuntemporaines    tirees    de    I'Album    Mariani. 
Paris.     1894,  96.    2  v.    Portraits.  **T.53.i4 

|24| 


BROWN   COLLECTION   OF  BOOKS    ON   THE   STAGE 

Actors.    Biography.     Collections.     (Continued.) 

Marshall,  T.  Lives  of  the  most  celebrated  actors  and  actresses. 
London.     [1848?]     Portraits.  **T.57.78 

Martin,  J.  Nos  artistes.  Portraits  et  biographies  suivis  d'une  notice 
sur  les  droits  d'auteurs.     Paris.     1895.     Portraits.  **T.59.47 

Martin,  Sir  T.  Monographs:  Garrick,  Macready,  Rachel  and  Baron 
Stockmar.     London.     1906.     Portraits.  **T.55.75;  etc, 

Matthews,  J.  P..,  and  L.  Hutton.  editors.  Actors  and  actresses  of 
Great  Britain  and  the  United  States  from  the  days  of  David  Gar- 
rick to  the  present  time.     New  York.     [1886.]     5  v.  2244.72 

Mayer,  M.  L.  The  Gaiety  French  plays.  Short  biographies  of  the 
actors  &  actresses  of  the  Comedie  frangaise,  Vaudeville,  Palais- 
Royal,  and  other  theatres,  &c.     London.     1880.  **T.97.igo 

Monval,  G.  H.  M.  Comedie-frangaise.  (1658-1900.)  Liste  alpha- 
betique  des  societaires  depuis  Moliere  jusqu'a  nos  jours.  Paris. 
1900.  4671.87 

Moses,  M.  J.  Famous  actor-families  in  America.  New  York. 
[1906.]      Portraits.  4343.269 

MouHY,  C.  DE  F.,  Chevalier  de.  Abrege  de  I'histoire  du  Theatre  fran- 
gois,  jusqu'au  premier  juin,  1780.  Precede  du  .  .  .  dictionnaire  des 
acteurs.    A  Paris.     1780.    3  v.     Portrait.  **T.76.ii9 

New  Monthly  Belle  Assemblee,  The.  Biographical  sketches  of 
illustrious  and  distinguished  ladies.  [Cuttings.]  N.  p.  N.  d.  **T.i5.io 

Notes  on  earlj"-  French  actors.     [London.     1838.]     No.  27  in  **G.3822.3 

Oldys,  W.  The  history  of  the  English  stage,  from  the  Restauration 
to  the  present  time.  Including  the  lives,  characters  and  amours, 
of  the  most  eminent  actors.     London.     1741.     Portraits. 

**T.56.3i4;  etc. 

Oxberry,  W.  Memoirs  of  celebrated  performers.  New  York. 
[1827.]  6549.38 

Oxberry',  W.  H.  Oxberry's  Dramatic  chronology.  Containing  the 
names,  dates  of  births,  first  appearances  and  deaths,  of  most  of 
the  principal  London  actors  and  actresses,  up  to  1849.  [London. 
1850.]  **T.98.24 

Oxberry's  Dramatic  biography,  or  the  green-room  spy.  Vol.  1-6; 
new  series,  vol.  i,  2.     London.     1825-27.     8  v.  in  7.     Portraits. 

**T.59-54;etc. 

Oxberry''s  Dramatic  mirror;  containing  the  biography  of  eminent 
performers.     London.     1827.     Portraits.  **T.57.430 

Parfaict,  C,  and  F.  Parfaict.  Histoire  de  I'ancien  theatre  italien 
depuis  son  origine  en  France  jusqu'a  sa  suppression  en  1697. 
Paris.     1753.  **M.io9b.3i 

Paris-portrait.  Collection  de  Paris-portrait:  ancien  Paris-theatre. 
[Hebdomadaire.]  Publication  litteraire  et  artistique  contenant 
les  portraits  &  les  biographies  des  celebrites  contemporaines. 
Annee  1-7.     Paris.     1873-80.     7  v.  in  4.     Portraits.  **T.2i.5 

Pascoe,  C.  E.  The  dramatic  list:  a  record  of  the  principal  perform- 
ances of  living  actors  of  the  British  stage.     London.     1879. 

**T.57.309;  etc. 

Paul,  G.  H.  H.,  and  G.  Gebbie,  editors.  The  stage  and  its  stars,  past 
and  present.    Philadelphia.    [1895?]    2  v.   Illus.     Portraits.   **T.5i.3 

Pellicer,  C.  Tratado  historico  sobre  el  origen  y  progresos  de  la 
comedia  y  del  histrionismo  en  Espana:  y  con  la  noticia  d  algunos 
celebres  comediantes  y  comediantas  asi  antiguos  como  modernos. 
Madrid.     1804.     Portraits.  **D,i7ob.3i;  etc 

[25] 


THE  PUBLIC  LIBRARY  OF  THE   CITY   OF  BOSTON 

Actors.    Biography.     Collections.     (Continued.) 

Petite  biographic  des  acteurs  et  actrices  des  theatres  de  Paris,  avec 
I'age  de  ces  dames.     Paris.     1831,  1832.  **T,79.22 

Petite  biographie  dramatique,  faite  avec  adressc  par  un  moucheur 
de  chandelles   f pseud.].     Paris.     1826.  **T.99.56 

Philipp,  a.,  editor.  Hamburger  Theater-Dckamerone.  Hamburg. 
1881.  **T.57.252 

Pillet,  F.,  and  others.  La  nouvelle  lorgnette  de  spectacles.  Paris. 
An  IX.     (1 80 1.)  **T.59.46 

Prompter,  The;  a  weekly  miscellany,  devoted  to  public  amusements. 
[June  I,  1850- Aug.  5,  1850.]  Edited  by  Cornelius  Mathews.  [New 
York.]     1850.     Portraits.  **T.27.35 

Prompter's  whistle,  The.  A  weekly  miscellany,  devoted  to  public 
amusements.  Edited  by  the  man  behind  the  curtain  [Cornelius 
Mathews].     Aug.  31,  1850 -Sept.  28,  1850.  **T.27,36;  etc. 

Reed,   I.     Theatrical  obituary.     Manuscript.      [London?]      1799. 

**T.57.73 

Richter,  H.    Schauspieler-Charakteristiken.    Leipzig.     1914.    6872.70 

RicoRD,  A.  Les  fastes  de  la  Comedie-frangaise,  et  portraits  des  plus 
celebres  acteurs.     Paris.     1821,  22.     2  v.  **T.77.8 

Roach,  J.  Roach's  Authentic  memoirs  of  the  green  room,  containing 
the  lives  of  all  the  performers  of  the  Theatres  Royal,  Drury 
Lane,  Covent  Garden  and  the  Haymarket,  with  poetic  criticisms 
to  each  and  characteristics  of  the  patentees.     London.     1796. 

**T.59.23 

Roberts,  J.  An  answer  to  Mr.  Pope's  Preface  to  Shakespear.  In 
a  letter  to  a  friend.  Being  a  vindication  of  the  old  actors  who 
were  the  publishers  and  performers  of  that  author's  plays.  Lon- 
don.    1729.  No.  2  in  **G.3944.3 

Robins,  E.    Twelve  great  actors.    New  York.    1900.    Portraits.    Plate. 

2245.79;  **T.56.309 

Twelve  great  actresses.     New   York.     1900.     Portraits. 

2245,77;  **T.56.3io 

Russell,  W.  C.  Representative  actors.  Criticisms,  anecdotes,  per- 
sonal descriptions,  etc.,  referring  to  British  actors  from  the  six- 
teenth to  the  present  century.     London.     [1872.]     Portraits. 

4548.50;  **T.57-374;  etc. 

Saint  Hilaire,  A.  V.  de.  Petite  biographie  dramatique,  silhouette 
des  acteurs,  chanteurs,  directeurs,  etc.,  des  theatres  de  la  Capitale. 
Paris.     1821.  **T.57.389;etc. 

Sarcev,  F.  Comediens  et  comediennes.  Notices  par  F.  Sarcey.  Por- 
traits par  L.  Gaucherel  &  Ad.  Lalauzc.     Paris.     1876-84.     2  v. 

**T.55.i3;etc. 

Satlkdan  Programme,  The,  and  sketch-book.  [Weekly.]  (With 
which  is  incorporated  the  Figaro-Programme.)  London.  1874-76. 
5  v.     Illus.     Portraits.  **T.25.i4 

Savard,  F.    Les  actrices  de  Paris.    Paris.     1867.  **T.57.302 

ScBiNK,  J.  F.  Zusatze  und  Berichtigungen  zu  der  Gallerie  der 
tcutschen  Schauspieler  und  Schauspielerinnen.  (In  Gallerie  von 
tcutschcn  Schauspiclcrn  und  Schauspielerinnen.  Pp.  169-255. 
Berlin.     1910.)  6907.23 

Seiluamer.  G.  O.  An  interviewer's  album:  comprising  a  series  of 
chats  with  eminent  players  and  playwrights.  New  York.  iS^i, 
82.     Portraits.  **T.53.i3 

SoLEiRou  H.  A.     Molierc  et  sa  troupe.     Paris.     1858.     Portraits. 

**T.54.i4 
126] 


BROWN   COLLECTION   OF  BOOKS   ON    THE   STAGE 


Actors.    Biography.     Collections.     (Continued.) 

SoREL,  J.,  and  C.  Mosont,  pseud.    Les  reines  de  la  rampe.    Paris.     1863. 

**T.57.353 

SoTHERN,  E.  H.     The  melancholy  tale  of  "Me."     My  remembrances. 

New  York.     igi6.     Portraits.     Plates.  4545-157 

Souvenirs,  Les,  et  les  regrets  du  Vieil  amateur  dramatique  [pseud.], 

ou  lettres   d'un  oncle  a  son   neveu   sur  I'ancien   theatre   frangais, 

depuis  Bellecour,  Lekain,  Preville,  jusqu'a  Mole,  Larive,  Monvel, 

Vestris.     Paris.     1829.    Colored  plates.  **T.58.i45 

Storms,  A.  D.     The  players  blue  book.     Worcester,  Mass.     [1901.] 

Portraits.  **T.55.56 

Strang,   L.    C.      Celebrated   comedians   of    light  opera   and   musical 

comedy  in  America.  Boston.  1901.  Portraits.  4343.208;  **T.58.25 
Famous  actors  of  the  day  in  America.     Boston.     1900,  02.    2  v. 

Portraits.  4343-209;  **T.58.23 

Famous  actresses  of  the  day  in  America.     Boston.     1899,  1902. 

2  V.     Portraits.  4343-210 ;  **T.58.24;  etc. 

Tallis's  Shakspere  gallery  of  engravings.  London.  [1850-53.]  3  v. 
in  I.  .Portraits.     Plates.  **T.23,i2;  etc. 

Taylor,  D.  Biographical  notes  [of  actors],  (In  Drew,  Louisa  L. 
Autobiographical  sketch.  Pp.  149-200.  Portraits.  Plates.  New 
York.     1899-)  4343.212 

Theatres,  acteurs  et  actrices  de  Paris.  Biographic  des  artistes 
dramatiques,  et  notices  sur  les  theatres  de  Paris,  leur  origine, 
leur  administration,  etc.    Paris.     1842.  **T.78.42 

Theatrical  biography:  or,  memoirs  of  the  principal  performers  of 
the  three  Theatres  Royal.     London.     1772.     2  v.      **T.58.i29;  etc. 

Thespian  dictionary.  The;  or,  dramatic  biography  of  the  eighteenth 
century.      London.      1802.      Portraits.  **T.58.i25;  etc. 

Vieil  amateur  dramatique,  pseud.  Les  souvenirs  et  les  regrets  du 
Vieil  amateur  dramatique  [pseud.],  ou  lettres  d'un  oncle  a  son 
neveu  sur  I'ancien  theatre  frangais,  depuis  Bellecour,  Lekain, 
Brizard,  Preville  .  .  .  Dumesnil,  Clairon  .  .  .  jusqu'a  Mole, 
Larive,   Monvel  .  .  .  Vestris  .  .  .      Paris.      1829.      Colored  plates. 

**T.58.i45 

Waldron,  F.  G.,  and  others.  A  compendious  history  of  the  English 
stage.  Containing  a  liberal  and  impartial  criticism  on  the  merits 
of  theatrical  performers,  and  a  sketch  of  the  lives  of  such  as  have 
been  eminent  in  their  profession.     London.     1800.     **T.7g.i7;  etc. 

Wemyss,  F.  C.  Wemyss'  Chronology  of  the  American  stage,  1752- 
1852.     New-York.     [1852.]  **T.57.i77 

Wewitzer,  R.  a  theatrical  pocket  book,  or  brief  dramatic  chro- 
nology: with  a  list  of  British  dramatists,  and  of  actors,  &c.,  on 
the  London  stage,  from  the  introduction  of  theatrical  entertain- 
ments into  England.     London.     1814.  **T.98.i33 

Same.     A   brief   dramatic    chronology    of   actors,    &c.   on   the 

London  stage,  from  the  introduction  of  theatrical  entertainments 
into  England,  to  the  present  time.     London.     1817.     **T.78.26;  etc. 

Who's  who  in  the  theatre.     Compiled  and  edited  by  John   Parker. 

With  a  foreword  by  Sir  Herbert  Beerbohm  Tree.     London.     1914. 

Plans.  *6252.77 

Williams,  H.  N.     Queens  of  the  French  stage.     New  York.     1905. 

Portraits.  4674-46 

Wilson,  M.  B.     Our  actresses;  or,  glances  at  stage  favourites,  past 

and  present.    London.     1844.     Portraits.  **T.56.2S4 

[27] 


THE  PUBLIC  LIBRARY  OF   THE   CITY   OF  BOSTON 


Actors.    Biographw     Collections.     (Continued.) 

Winter.  W.    Brief  chronicles.     New-York.    1889.    Portrait.    **T.95.7 

The  Jeffersons.     Boston.     1881.     Portraits.     Plate. 

4348.118;  **T.57.i  12 

The    wallet    of    time,    containing    personal,    biographical,    and 

critical  reminiscences  of  the  American  theatre.     New  York.     1913. 
2  V.    Portraits.    Plates.  4395.220 

\VisME<,  H.  O.  B.,  Baron  de.  Un  portrait  dc  Moliere  en  Bretagne. 
Etude  sur  quelques  comediens,  farceurs  et  bouffons  frangais  et 
italiens  au  xvuc  siecle.     Nantes.     [1875.]  **T.56.i03;  etc. 

Actors.     lUogniphy,  Individual.     (Arranged  by  subjects.) 

Abbot.  VV'illiam.  Abbot,  W.  Posthumous  papers.  {In  Chapman's 
MagTizine.    Pp.  213-221,  280-288,  330-335.  396-414-    London.     1844.) 

**T.26.37 

Abington,  Frances.  Like,  The,  of  Mrs.  Abington  (formerly  Miss 
Barton).     London.     1888.     Portrait.  4549.121;  **T.57. 133 

Adams,  Maude.  Maude  Adams  in  The  little  minister.  With  draw- 
ings by  Allan  Gilbert.     New  York.     1898.  **T.52.i4 

Alberg.  Albert.  Anson,  W.  S.  W.  Life  of  Albert  Albqrg.  [Lon- 
don.    1883?]  **T.57.376 

Aldridgc,  Ira.  Aldridge,  L  Memoir  and  theatrical  career  of  Ira 
.\ldridge,  the  African  Roscius.     London.     [185-?]     **T.96.9;  etc. 

Alleyn,  Edward.     Alleyn,   E.     The  Alleyn  papers.     London.     1843. 

4596.53;  etc. 

Anderson,  James  Robertson.  Anderson,  J.  R.  An  actor's  life.  Lon- 
don.    1902.     Portraits.     Plates.  45493.193 

Anderson,  Mary  Antoinette.  Anderson,  M.  A.  A  few  memories. 
London.     1896.     Portrait.  **T.56.77;  etc. 

Farrar,  J.  M.  Mary  Anderson:  the  story  of  her  life  and  pro- 
fessional career.     London.     1884.  **T.54.i9;  etc. 

Winter,  W.     The  stage  life  ©f  Mary  Anderson.     New-York. 

1886.     Portrait.  42493.64;  **T.57.404 

Araldi,  Marie  Louise  Bettoni.  Cceuret,  P.  Biographie  de  M'le 
Araldi,   i^r  role  tragique  du  Theatre-frangais.     Lyon.     1845. 

**T.56.26i 

.■\rchcr,  Frank.  Archer,  F.  An  actor's  notebooks.  London.  1913. 
Portraits.     Plates.  **T.46.55 

Arnould,  Madeleine  Sophie.  Arnould,  M.  S.  Memoires.  Paris. 
1837.  **G.3525.5 

Douglas,  R.  B.    Sophie  Arnould,  actress  and  wit.    Paris.     1898. 

Plates.  **M.37i.57 

Goncourt,  E.  L.  a.  H.  de,  and  J.  A.  H.  de  Goncourt.     Sophie 

Arnould  d'apres  sa  correspondance  et  ses  memoires  inedits.    Paris. 
1877.     Portraits.  2652.72 

Arnould-Plessy,  Jeanne  Sylvanic.  Jacquot,  C.  J.  B.  M«»e  Arnould- 
I'lessy.  (In  his  Portraits  et  silhouettes.  Vol.  i,  pp.  53-76.  Pari.s. 
1867.)  4641.54.1 

PoiNSOT,  A.   E.     Madame  Arnould-Plessy   (1834-1876).     Paris. 

1876.  **T.97.273 

Baddcley,  Sophia.     Steele,  E.     The  memoirs  of   Mrs.  Sophia   Bad- 

dolcy.     London.     1787.     6  v.  **T.s8.i;  etc. 

Bancroft,  Sir  S(|uire,  and  Marie  Effie,  Lady  Bancroft.     Bancroft,  Sir 

S..  and  M.   E.,  Lady  Bancroft.     The  Bancrofts.     London.     1909. 

Portraits.  Plates.  4545-153 
Mr.  and   Mrs.   Bancroft  on  and  off  the  stage.     London. 

188R.     2  V.     Portraits.  **T.56.226;  etc. 

[28] 


BROWN   COLLECTION    OF   BOOKS    ON    THE   STAGE 

Actors.     Biography,  Individual.     (Continued.)      (Arranged  by  subjects.) 

Bandman,  Daniel  Edward.  Bandman,  D.  E.  An  actor's  tour;  or 
seventy  thousand  miles  with  Shakespeare.  Boston.  1885.  Por- 
trait. 6268.29;  **T.57.99 

Bannister,  John.  Adolphus.  J.  Life  of  John  Bannister,  comedian. 
London.     1839.     2  v.     Portrait.  **T.55.io8;  etc. 

P>arnabee,  Henry  Clay.  Barnabee,  H.  C.  Reminiscences.  Boston. 
1913.     Portraits.     Plates.  **T.56.33i ;  etc. 

Barnay,  Ludwig.     Barnay,  L.     Erinnerungen.     Berlin.     1903.     2  v. 

2877.137 

Gellert,    G.      Ludwig    Barnay.      Ein    Kiinstlerleben.      Berlin. 

1890.     Portrait.  **T.96.35o 

Barrett,    Lawrence.      Barron,    E.   A.      Lawrence    Barrett.      Chicago. 

1889.     Portraits.  **T.56.327 

Barrington,  Rutland.     Barrington,  R.    Rutland  Barrington.    London. 

1908.    Portraits.  **T.56.328 

More  Rutland  Barrington.     London.     191 1.     Portraits. 

**T.56.25o 

Barry,   Richard,   7th  Earl  of  Barrymore.     Robinson,   J.    R.     The    last 

Earls  of  Barrymore.    1769-1824.    London.    1894.   Portraits.    Plates. 

**T.56.90 

Williams,  J.  The  life  of  the  late  Earl  of  Barrymore.  Includ- 
ing a  history  of  the  Wargrave  theatricals,  and  original  anecdotes 
of  eminent  persons.     London.     1793.     Portrait.  **T.76.i85 

Barry,  Spranger.  Estimate,  An,  of  the  theatrical  merits  of  the  two 
tragedians  of  Crow-Street.     Dublin.     1760.  **T.57.i42 

FooTE,  S.    A  treatise  on  the  passions,  so  far  as  they  regard  the 

stage;  with  a  critical  enquiry  into  the  theatrical  merit  of  Mr. 
G k,  Mr.  Q n  and  Mr.  B y.     London.     [1747.] 

**T.77.27;  etc. 

Gentleman,  A,  of  the  Inner  Temple,  pseud.    An  examen  of  the 

historical  play  of  Edward,  the  Black  Prince.  With  a  critical 
review  of  Mr.  Barry  in  the  character  of  Ribemont.  London. 
1750.  No.  3  in  **G.3925.3;  etc. 

Pursuit  after  happiness:  a  poem.    To  which  is  added,  an  Ode 

to  Mr.  Garrick.  Also,  an  elegy  on  the  death  of  Mr.  Barry.  Lon- 
don.    1777.  **657i.3 

Bateman,  Kate  Josephine.  Kenney,  C.  L.  The  new  actress  and  the 
new  play  at  the  Adelphi  theatre.     London.     1863.  **T.55.28 

Bauer,  Caroline.  Bauer,  C.  Aus  dem  Leben  einer  Verstorbenen. 
Berlin.     1880,  81.     4  v..  in  2.  2845.67 

Same.     Memoirs  of  Karoline  Bauer.     London.     1884,  85. 

4  V.  2851.61;  etc. 

Caroline  Bauer.     (Grafin  Broel-Plater.)     Ein  Lebenshild 

aus  ihren  Briefen  von  Lucjwig  Brunier.     Bremen.     1879.        2847.56 

Caroline  Bauer  and  the  Coburgs.    Translated  and  edited 

from  Nachgelassene  Memoiren  von  Karoline  Bauer.  By  Charles 
Nisbet.     London.     1885.     Portraits.  2858.58 

Les  confessions  d'une  comedienne.     Pul)liees  par  Louis 

de  Hessem.     Paris.     [1886.]  **T.57.3i6 

Baumeister,  Bernhard.  Schlenther,  P.  Bernhard  Baumeister. 
Fiinfzig  Jahre  Burgtheater.     1852-1902.    Wien.     1902.    Portraits. 

**T.73.8 

Becher,  Eliza,  Lady.  Jones,  C.  T.  Memoirs  of  Miss  O'Neill.  Lon- 
don.    1816.     Colored  portrait.  **T.55.67 

[29] 


THE  PUBLIC  LIBRARY  OF  THE   CITY  OF  BOSTON 


Actors.     Biography,  hidkidual.     (Continued.)      (Arranged  by  subjects.) 

Descriptive   portrait   of    Miss    O'Neill,    in   a    critique   on   her 

cxhibirion  of  the  characters  of  Mrs.  Haller  and  Jane  Shore.    Lon- 
don.   1815.  **T.56.i69 

Beck.  Heinrich.  Knudsen,  H.  Heinrich  Beck,  ein  Schauspieler  aus 
der  Bliitezeit  des  Mannheimer  Theaters  im  18.  Jahrhundert.  Leip- 
zig.    1912.     Portraits.  6872.67 

Bedford,  Paul.  Bedford,  P.  Recollections  and  wanderings.  Lon- 
don.    1864.    Portrait.  *4549a.93;  **T.57.247 

Bejart.  Madeleine.  Chardon,  E.  H.  Nouveaux  documents  sur  la  vie 
de  Moliere.  M.  de  Modene,  ses  deux  femmes  et  Madeleine  Bejart. 
Paris.     1886.  **T.54.i8 

Bellaniy,  George  Anne.  Bellamy,  G.  A.  An  apology  for  the  life 
of  George  Anne  Bellamy.     London.     1785.    6  v.        **T.57.4ii;  etc. 

Memoirs  of  George  Anne  Bellamy.     London.     1785.     **T.58.58 

WiLLETT,  E.     Letters  addressed  to  Mrs.  Bellamy,  occasioned 

by  her  Apology.     London.     [1785.]  **T.56.i77;  etC; 

Bernhardt,  Sarah.  Affaire  Marie  Colombier  —  Sarah  Bernhardt. 
Pieces  a  conviction.     Paris.     1884.     Portrait.  6645.85 

.Amours,  The,  of  Sarah  the  eccentric.     Boston.     [1880.] 

**T.57.452 ;  e'tc. 

Bernhardt,  S.  Memories  of  my  life.  New  York.  1907.  Por- 
traits.    Plates.  2647.161 

Brown,  A.  A.,  compiler.  Sarah  Bernhardt.  [Newspaper  clip- 
pings, programmes,  prospectuses,  etc.  Boston.  1910.]  Illus. 
Portraits.  **T.i4.8 

Clament,     C.       Esquisses     d'aujourd'hui.       Sarah     Bernhardt. 

Paris.     1879.     Portrait.  **T.58.86 

Colombier,  M.    Les  memoires  de  Sarah  Barnum.   Paris.    [1884.] 

**T.57.289;etc. 

Le   voyage    de    Sarah    Bernhardt    en   Amerique.      Paris. 

[1881.]     Portraits.  2363.82;  **T.57.38o 

Gaillet,  E.,  and  Liebold.     La  vie  de  Marie  Pigeonnier 

par  un  de  ses  *  *  *  .     Paris.     1884.  **T.57.365;  etc. 

Hiiret,  J.    Sarah  Bernhardt.     Paris.     [1899.]     IHus.     Portraits. 

**T.53.io;  etc. 

Renner,    a.    L.     Sarah    Bernhardt:    artist   and   woman.      New 

York.     [1896.]     Illus.     Portraits.     20  plates.  **T.53.ii 

^  Sarcev,  F.  Sarah  Bernhardt.  (In  his  Comediens  et  come- 
diennes. La  Comedie  frangaise.  [Serie  i.  fasc.  5.]  Portrait. 
Paris.     1876.)  No.  5  in  *464oa.5o.i ;  etc. 

Schuermann,  J.  J.    Les  etoiles  en  voyage.    Paris.    1893.    2255.67 

ScoTT,   C.   W.     Some  notable   Hamlets   of   the   present   time. 

London.    1900.    Portraits.  45493.191 

R<.-ttcrton.  Thomas.  Account,  An,  of  the  life  of  that  celebrated 
tragedian,  Sir  Thomas  Betterton.    London.    1749.     **T.56.238;  etc. 

Gildon.    C.      The    life    of    Mr.    Thomas    Betterton,    the    late 

eminent  tragedian.     London.     1710.  **T.57.223;  etc. 

Life.  The,  and  times  of  that   excellent  and   renowned   actor 

Thomas  Betterton.    London.     1888.    Portrait.    45493.100;  **T.57. 56 

Lowe,  R.  W.     Thomas  Betterton.     London.     1891. 

2546.115;  **T.57.2oi 

Betty.    Henry.      Memoirs   of    Mr.    W.    H.    W-    Betty,    the    English 

Roscius.     Affixed,  a  sketch  of  the  theatrical  career  of  his  son, 

Mr.  Henry  Betty.    London.     [1848?]  **T.54.28 

130] 


BROWN   COLLECTION   OF  BOOKS   ON    THE   STAGE 

Actors.     Biography,  Individual.     (Continued.)      (Arranged  by  subjects.) 

Betty,  William  Henry  West.  Animadversions  on  Mr.  J.  Jackson's 
Dramatic  strictures  upon  the  merits  of  Young  Roscius.  Glasgow. 
1804.  **T.56.i52 

Authentic  memoirs   of  the   Young  Roscius.     London.     1804. 

Portrait.  **T.57.388 

BissET,  J.,  compiler.  Critical  essays  on  the  dramatic  excellen- 
cies of  the  Young  Roscius.     Birmingham.     [1804.]     Portrait. 

No.  5  in  **G.3824.8 

Critique  on  [his]  first  performance  at  Covent  Garden  theatre. 

[London.]     1804.  **T.57.426;  etc. 

Harley,  G.  D.     An  authentic  biographical  sketch  of  the  life, 

education  and  personal  character  of  William  Henry  West  Betty. 
London.     1804.  **T.96.337;  etc. 

— r-     Harral,  T.    The  Infant  Roscius.     London.     [1804.]     **T.56.i39 

Impartial  observer,  An,  pseud.  The  wonderful  theatrical  prog- 
ress of  W.  Hen.  West  Betty,  the  infant  Roscius,  in  Ireland,  Scot- 
land and  England.     London.     [1804.]  **T.g9.4;  etc. 

Jackson,   J.     Strictures   upon   the   merits   of   Young   Roscius. 

London.     1804.     Portrait.  **T.56.205;  etc. 

Life,   The,   of   Wm.   Henry   West    Betty,   the   celebrated   and 

v\'onderful  Young  Roscius.    London.    [1804.]     Portrait.    **T.57.42i 

Memoirs  of  Mr.  W.  H.  W.  Betty,  the  English  Roscius.  Lon- 
don.    [1848?]  **T.54.28 

Merritt,  T.     Memoirs  of  the  life  of  Wm.  Henry  West  Betty, 

known  by  the  name  of  the  Young  Roscius.     Liverpool.     1804. 

**T.58.36 

Pangloss,  p.,  pseud.    The  Young  Rosciad,  an  admonitory  poem, 

well-seasoned  with  Attic  salt,  cum  notis  variorum.     London.     1805. 

**T.55.i33;etc. 

Progress   of   the   Young   Roscius    from   his    first   appearance. 

[London.     1804.]  No.  8  in  **G.3824.8 

Roscius  in  London.     Biographical  memoirs  of  William  Hen. 

West  Betty.     London.     1805.     Portrait.  **T.56.i93;  etc. 

Same.    Young  Roscius,  The.    Biographical  memoirs  of  William 

Henry  West  Betty.     New-York.     1806.     Portrait.  **T.57.243 

Booth,  Edwin  Thomas.  Booth,  E.  T.  Edwin  Booth.  Recollections 
by  his  daughter.     New  York.     1894.     Portraits.     Plates. 

4343.164;  **T.55.84 

Clarke,  A.   B.     The  elder  and  the  younger   Booth.     Boston. 

1882.     Portrait.  4348.131;  **T.57.i  11 

Hutton,  L.     Edwin  Booth.     New  York.     1893.     Portraits. 

2349a.io2;  **T.59.4i 

Moray,  J.  S.     Booth's  Richelieu  reviewed.     New  York.     1871. 

**T.96.7 

Winter,    W.      Edwin    Booth    in   twelve    dramatic    characters. 

Boston.     1872.     Portraits.  *2490.5i 

Life  and  art  of  Edwin  Booth.  New  York.  1893.  Por- 
traits   Plates.  4347.220;  **T.57.i28;  etc. 

Booth,  Junius  Brutus.  Actor,  The;  or,  a  peep  behind  the  curtain. 
Passages  in  the  lives  of  Booth  and  some  of  his  contemporaries. 
New  York.     1846.  **T.58.4i 

Clarke,   A.    B.      Booth    memorials.      Passages,    incidents   and 

anecdotes  in  the  life  of  Junius  Brutus  Booth.     New  York.     1866. 

4349.19s;  **T.57.276;  etc. 

[31] 


THE  PUBLIC  LIBRARY  OF  THE   CITY  OF  BOSTON 


Actors.     Biography,  Individual.     (Continued.)      (Arranged  by  subjects.) 

The  elder  and  the  younger  Booth.     Boston.     1882.     Por- 
trait. 4348.131;  **T.57.i II 

G0UI.D,  T.  R.    The  tragedian:  an  essay  on  the  histrionic  genius 

of  Junius  Brutus  Booth.     New  York.     1868.     Portrait. 

4509.11  ;**T.57.3i  2 

Junius  Brutus  Booth.     [Scrap-book.]     Portrait.  **T.i3.G 

Old  .^ctor,  An.     Memoirs  of  the  life  of  Mr.  Booth,  containing 

a  true  statement  of  all  the  circumstances  attending  his  engage- 
ments at  the  rival  theatres.    London.     [1817.]     No.  6  in  **G.3824.i3 
Boucicault,  Dion.    Walsh,  T.    The  career  of  Dion  Boucicault.     New 
York.     1915.     Portraits.  **T.95.i5i 

Bouffe,  Hugnes  Desire  Marie.     Bouffe,   H.  D.  M.     Mes  souvenirs, 
1800-1880.     Paris.     1880.     Portraits.  **T.57.327 

Jacqi.'OT,  C.  J.  B.     Bouffe.     Paris.     1867.     Portrait. 

No.  6  in  **M.i29a.36 

Lecomte,  L.  H.     Bouffe.    fitude  biographique.     Paris.     1867. 

**T.57.i5 

Brandes.  Johann  Christian.     Brandes,  J.  C.     Memoires.     Paris.     1823. 

2  V.  **T.56.9;etc. 

PiCARD,  L.  B.     Notice  sur  Iffland  et  sur  Brandes.     (In  Iffland. 

A.  W.     Memoires.     Pp.  i-lv.     Paris.     1823.)  **T.56.8;etc. 

Bressant.  Tean  Baptiste  Prosper.    Poinsot,  A.  E.    Comedie-frangaise. 

Bressant  (1833-1877).    Paris.     1877.     Portrait.  **T.57.432 

Brie.  Edme  Villequin,  called  De  Brie.     Constant,  C.  F.     Moliere  a 

Fontainebleau.     Simple  note  historique,   suivie   de   la   biographic 

du  comedien  De  Brie.     Meaux.     1873.  **T.55.34 

Brindeau,  Louis  Paul  fidouard.    Poinsot,  A.  E.    Brindeau.    Societaire 

retire  de  la  Comedie  frangaise    (1814-1882).     Paris.      1882.     Por- 
trait. **T.57.i7 
Brockmann,    Johann    Franz    Hieronymus.      Schink,    J.    F.      Ueber 

Brockmann's  Hamlet.     Berlin.     1778.  **G.39i6.5 

Brooke,  Gustavus  Vaughan.     Lawrence,  W.  J.     The  life  of  Gustavus 

Vaughan    Brooke,   tragedian.      Belfast.      1892.      Portrait. 

2541.129;  **T.55.i5 
Burke,  Joseph.     Biography  of  Master  Burke,  the  Irish  Roscius ;  the 

wonder  of  the  world;  and  the  paragon  of  actors.     Philadelphia. 

[  1830.1  **T.97.20i ;  etc. 

Calvert.  Adelaide  Helen.     Calvert,  A.  H.     Sixty-eight  years  on  the 

stage.    London.     [191 1.]     Portraits.     Plates.  **T.56.34 

Champmesle,    Marie    Desmares.      Noury,    J.    M"c    de    Champmesle, 

comedienne  du  roy.     Rouen.     1892.  **T.54.2i 

Charke,  Charlotte.     Charke,  C.     A  narrative  of  [her]  life.     London. 

1755.  **T.58.i2i;  etc. 

Ch^ri,  Rose  Marie.     Jacquot,  C.  J.  B.     Rose  Cheri  (Madame  Mon- 

tigny).     Paris.     1855.     Portrait.  No.  3  in  *6649.66 

Cibbcr.  Susannah  Maria.    Account,  An,  of  the  life  of  that  celebrated 

actress.     London.     1887.  4549a.i02;  **T.57.i57 

Clairon,  Claire  Josephe  Hippolyte  Lcris  de  La  Tudc,  called  Hippo- 

lytc    Clairon.      Clairon,    C.      Memoires    d'Hyppolite    Clairon.      .\ 

Paris,     f  1798.1     Portrait.  **T.57.449;  etc. 

Coste  n'ARNOBAT,  C.  P.   Memoires  de  Ml'e  Dumesnil,  en  reponse 

aux  Memoires  d'Hippolyte  Clairon.     Paris.     1823.        **T.56.7;  etc. 

. Gaillard  de   !.a    Bataille,   p.   a.     Histoire   de    Mademoiselle 

CroncI,  ditc    Fretillon,   actrice   de   la    Comedie   de    Roiien.      .A.   la 
Hayc.     1741.     Portrait.  **T.58.i38 

[32] 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 

Actors.     Biugraphy,  Individual.     (Continued.)      (Arranged  by  subjects.) 

GoNCOURT,  E.  L.  A.  H.  de.     Mademoiselle  Clairon  d'apres  ses 

correspondances  et  les  rapports  de  police  du  temps.     Paris.     1890. 

2657.109;  **T.57.324 

Clivc,   Catherine.     Cuve,   C.     The   case  of   Mrs.   Clive   sulnnitted   to 

the  publick.     London.     1744.  **T.97.324 

Fitzgerald,  P.  H.    The  life  of  Mrs.  Catherine  Clive.     London. 

1888.      Portraits.  4549a.i03;  **T.57.57 

Coleman,  John.  Coleman,  J.  Fifty  years  of  an  actor's  life.  Xew 
York.     1904.     2  V.     Portraits.  4544.190 

Compton,  Henry.  Compton,  C.  and  E.  Compton.  Memoir  of  Henry 
Compton.     London.     1870.     Portrait.  **T.56.45 

Cooke,  George  Frederick.  Dunlap,  W.  Memoirs  of  the  life  of 
George   Frederick  Cooke.     London.     1813.     2  v.     Portrait. 

**T.56.i9i;  etc. 

Kemble  &  Cooke:  or,  a  critical  review  of  a  pamphlet  pub- 
lished under  the  title  of  Remarks  on  the  character  of  Richard 
the  Third  as  played  by  Cooke  &  Kemble.     London.     [1801.] 

**T.96.3i3;  etc. 

Life,  The,  of  George  Frederic  Cooke.    London.     18 13.    C'olored 

plate.  No.  7  in  **G.3824.i3;  etc. 

Remarks  on  the  character  of  Richard  the  Third:  as  played  by 

Cooke  and   Kemble.     London.      1801.  **T.96.3i4;  etc. 

Cooper,  Thomas  Abthorpe.  Ireland,  J.  N.  A  memoir  of  the  pro- 
fessional life  of  Thomas  Abthorpe  Cooper.  New  York.  1888. 
Portrait.  **T.95.5 

Costenoble,  Carl  Ludwng.  Costenoble,  C.  L.  Tagebiicher  von  seiner 
Jugend  bis  zur  Ubersiedlung  nach  Wien  (1818).  Berlin.  1912. 
2  V.  6907.28 

Cushman,  Charlotte  Saunders.  Barrett,  L.  Charlotte  Cushman. 
New  York.     1889.    Portrait.  **T.95.8 

Cushman,  C.  S.     Charlotte  Cushman:  her  letters  and  memories 

of  her  life.     Boston.     1878.     Portrait.  4345.53 ;  **T.56.28o 

Clement,  C.  E.  Charlotte  Cushman.  Boston.  1882.  Por- 
traits.   Plate.  4348.128;  **T.57. 107;  etc. 

-^ —  Price,  W.  T.  A  life  of  Charlotte  Cushman.  New  York. 
[1894.]      Portrait.  **T.59.39 

Walker.   Mrs.   Dr.   .      Reminiscences    of   the    life   of   the 

world-renowned     Charlotte     Cushman,    compiled    from    various 
records  by  her  chosen  medium.     Boston.     1876.     Portraits. 

**T.97.24i ;  etc. 

Davenport,  Edward  Loomis.  Edgett,  E.  F.  Edward  Loomis 
Davenport.    A  biography.    New-York.    1901.    Portraits.    **T.95.25 

Dazincourt.  Joseph  Jean  Baptiste  Albouy.  Cahaisse,  H.  A.  Memoires 
de  Joseph-Jean-Baptiste-Albouy-Dazincourt.  Paris.  1809.  Por- 
trait. **T.57.44 

jDeburau,  Jean  Baptiste  Gaspard.  Janin,  J.  G.  Deburau.  Histoire 
du  theatre  a  quatre  sous.     Bruxelles.     1832.  **T.59.22 

Dejazet,  Pauline  Virginie.  Duval,  G.  Virginie  Dejazet,  1707-1875. 
Paris.     1876.     Portrait.  **T.57.36i 

Faure.  a.    Dejazet.    Paris.    1859.    Portrait.    No.  i  in  **M.i47.i6 

Jacquot.    C.    J.    B.      Dejazet.      Paris.      1854.      Portrait. 

**T.98.i34 

Lecomte,  L.  H.    Virginie  Dejazet.    fitude  biographique.     Paris. 

1866.  **T.98.i3 

\33] 


THE  PUBLIC  LIBRARY  OF  THE   CITY   OF  BOSTON 


Actors.     Biography.  Individual.     (Continued.)      (Arranged  by  subjects.)^ 

Same.    Une  comedienne  au  xixe  siecle:  Virginia  Dejazet. 

Etude  biographique  et  critique.     Paris.     1892.  **T.55.i;etc. 

PiERRON.  E.  A.     Virginia  Dejazet.     Paris.     1856.     Portrait. 

**T.57.4i3 
Delaunay,   Louis  Arsene.     Delaunay,   L.  A.     Souvenirs  de   M.    Dc- 

launay  de  la  Comcdie-franQaise.    Paris.    [1901.]    Portrait.    26493.26 
PoiNSOT.  A.  E.     Delaunay:  societaire  de  la  Comedie-fraiK^aisc. 

Paris.     i88.^     Portraits.  **T.57.i8 

Desclee.  Aimee  Olympe.     MoLiiNES,  E.  de.     Desclee.     Biographic  et 

souvenirs.     Paris.     1874.     Portrait.  **T.57.43i 

Doggctt.   Thomas.     Cook,   T.   A.     Thomas    Doggett,    deceased.     A 

famous  comedian.     London.     1908.     Portraits.     Plates.      **T.54,3o 

Old  Irish  actor.  An.  and  his  times.     [Dublin.     1864.] 

No.  5  in  **G.62.5 

Dorval.  Marie  Thomase  Amelie  Delaunay.     Coupy,  fi.     Marie  Dorval. 

Paris.     1868.  **T.57.234 

Dumas,   A..    1802-1870.      La   derniere   annee   de    Marie    Dorval. 

Paris.     1855.  No.  3  in  **M. 129a. 33;  etc. 

Duff.  Mary  Ann.  Ireland,  J.  N.  Mrs.  Duff.  Boston.  1882.  Por- 
traits.    Plate.  4348.134;  **T.57.ii3 

Dupuis,  Adclphe.  Adolphe  Dupuis.  fitude  biographique.  Paris. 
1893.  **T,g4.i2 

Duse,  Eleonora.     Bracco,  A.     Eleonora  Duse.     [New  York.     1896.I 

No.  3  in  **T.55.i38 

Hansson,  L.  M.     The  modern  woman  on  the  stage:  Eleonora 

Duse.     Boston.     1896.  5588.107 

Mapes.  V.     Duse  and  the  French.     With  an   introduction  by 

Daniel  Frohman.     New  York.     1899.     Portrait.  **T.95.i9 

Edwin.  John.  Life.  The,  of  Mr.  John  Edwin.  [London.  179-?] 
Portrait.  **T.58.88 

Old  crony.  An,  pseud.    The  life  and  adventures  of  John  Edwin, 

cotnedian.     London.     1791.  **T.58.89 ;  etc. 

Williams,  J.     The   eccentricities  of  John    Edwin,   comedian. 

Collected    from   his    manuscripts    and    enriched    with    anecdotes. 
London.     [1791.]      2  v.  **T.57.8;  etc. 

Elliston,  Robert  William.  Raymond,  G.  Memoirs  of  Robert  William 
Elliston,  comedian.     London.     1844,  45.     2  v.     Portrait.     Plates. 

**T.56.2i6;  etc. 

Everard.  Edward  Cape.  Everard,  E.  C.  Memoirs  of  an  unfortunate 
son  of  Thespis.     Edinburgh.     1818.  **T.58.82 

Eytinge.  Rose.  Eytince,  R.  The  memories  of  Rose  Eytinge.  Being 
recollections  &  observations  of  men,  women,  and  events,  during 
half  a  century.     New  York.     1905.  4343.255 

Farren,  I-'lizabeth,  Countess  of  Derby.  Petronius  Arbiter,  Bsq..  pseud. 
Memoirs  of  the  present  Countess  of  Derby  (late  Miss  Farren). 
London,     (i  797-1  **T.55.2 

Testimony,  The,  of  truth  to  exalted  merit:  or,  a  biographical 
sketch  of  the  Right  Honourable  the  Countess  of  Derby:  in 
refutation  of  a  false  and  scandalous  libel.     London.     1797. 

**T.57.347 

Fcchtcr.  Claries  Albert.  Dickens.  C.  Charles  Dickens  on  Fechter's 
acting.     Leeds.     [1867.]  No.  6  in  **G.3940.i3 

Fk  iniw  in    Hamlet  and  Othello.     [Edinburgh.     iS6i.1 

No.  2  in  **G.3940.i3 

[34] 


BROWN   COLLECTION   OF  BOOKS   ON   THE  STAGE 

Actors.     Biography,  Individual.     (Continued.)      (Arranged  by  subjects.) 

Field,  M.  K.  K.     Charles  Albert  Fechter.     Boston.     1882. 

4348.137;  **T.57.i  14 

Hanley,  Sir  E.  B.  Mr.  Fechter's  Othello.  (In  his  Shake- 
speare's funeral  and  other  papers.    Pp.  170-179.    Edinburgh.    18S9.) 

4599.136;  **T.97.36 

Mr.  Fechter's  Othello.     [London.     1861.] 

No.  7  in  **G.3940.i3;  etc. 

■ Ottley,  H.     Fechter's  version  of  Othello  critically  analyzed. 

London.     1861.  No.  4  in  **G.3940.i3 

Shakespeare  and  his  latest  stage  interpreters.    [London.    1861.] 

*5i86.i.64;  etc. 

Shakespeare  travestied.     [Dublin.     1862.]     No.  3  in  **G.394o.i3 

WiLMOT, .    A  retrospective  glance  at  Mr.  Fechter's  I  ago, 

and  acting  edition  of  Othello.    London.    1862.    No.  5  in  **G.394o.i3 

Felix,    filisabeth    Rachel.      B ,    Madame    de,    pseud.      Memoirs    of 

Rachel.     London.     1858.     2  v.     Portrait.  **T.57.8o;  etc. 

— —  Beauvallet,  L.  Rachel  and  the  New  World.  New  York. 
1856.  2369.57;  **T.57.3i I ;  etc. 

BioGRAPHiE   anecdotique    de    MUe    Rachel.      Bruxelles.      1858. 

Portrait.  **T.98.i6 

BoT.OT,  A.    Mademoiselle  Rachel  et  I'avenir  du  theatre  frangais. 

Paris.     1839.  **T.46.5 

Chambrun,  C.  a.  de  p.,  Marquis  de.     Quelques  reflexions  sur 

I'art   dramatique.     M"ie   Rachel:   ses   succes,   ses    defauts.      Paris. 
1853.  **T.97.2i8 

CuisiN,  J.  p.  R.     Bouquet  offert  a  M^e  Rachel.     Paris.     1839. 

**T.55.'26 

Descombes,  J.  C.   F.   M.     La  Verite-Rachel.     Paris.     1850. 

**'r.96.i7l 

Faucigny-Lucinge,  a.  de  C.-G.     Rachel  et  son  temps.     Paris. 

1910.  4679.172 

Felix,  £.  R.     Rachel  d'apres  sa  correspondance.     Paris.     1882. 

**T.55.7 

Gribble,  F.  H.     Rachel:  her  stage  life  and  her  real  life.     New 

York.     igii.     Portraits.  46403.76 

Janin,  J.  G.    Mile  Rachel.    Role  d'Hermione  dans  Andromaquc. 

[Paris.     1838.]      Portrait.  No.  i  in  **K.34.2 

Rachel  et  la  tragedie.     Paris.     1859.     Portraits.     **T.54.6 

Kennard,  N.  H.     Rachel.     London.     1885.              **T.57.338;  etc. 

Lamothe-Langon,  £.  L.  de.    Rachel.     Paris.     1838.        **T.56.265 

Mantel,  A.  P.    Rachel.    Details  inedits.    Parig.    1858.    **T.99.32 

Rachel.     [New  York.     1870.]                        No.  14  in  **G.3930.i3.2 

Samson,  J.  L     Lettre  a  Monsieur  Jules  Janin.     [Paris.     1850.! 

**T.9S.i05 

Samson,    Madame    J.    L      Rachel    et    Samson.      Souvenirs    de 

theatre  par  la  veuve  de  Samson.     Paris.     1898.  **T.57.336 

Smith,  G.  B.     Rachel.     (In  his  Women  of  renown.     Pp.  377- 

420.     London.     1893.)  2255.68 

Vedel,  .     Notice  sur  Rachel.     Paris.     1859.         **T.95.i09 

Fennell,   James.      Fennell,   J.     An   apology   for   the   life   of   James 

Fennell.     Philadelphia.     1814.     Portrait.  **T.55.i2o;  etc. 

Field,  Mary  Katherine  Kemble     Whiting,  L.    Kate  Field.    A  record. 

Boston.     1809.     Illus.     Portraits.  4348-233 

[35] 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 


Actors.     Biin/rathy,  Individual.     (Cantinued.)      (Arranged  by  subjects.) 

Fiorilli,  Tiberio  (Scaramouche).     Constantini,  A.     La  vie  de  Scara- 

mouche.    A  Paris.     1698.  **T.59.i;  etc. 

Fiske.  Minnie  Maddern.     Griffith.  F.  C.     Mrs.  Fiske.     New  York. 

1912.     Portraits.     Plates.  4395.200 

Fleck,  Johann    Friedrich    Ferdinand.      Gross,    E.     Johann    Friedrich 

Flecic.     Ein    Beitrag   zur    Entwicklungsgeschichte    des    deutschen 

Theaters.     Berlin.     1914.     Portraits.  6907.32 

Fleury,  Al)rahani  Joseph   Benard.     Bourgogne.  J.  de.     Un  comedien 

d'autrefois.     Paris.     1914.     Portraits.  4677.116 

L.AFiTTE,  J.    B.   P.      Menioires   de   Fleury,   de   la   Comedie   fran- 

caise.     Paris.     1844.     2  v.  **T.58.44;  etc. 

Flore,  Flore  Corvee,  called  Mademoiselle  Flore.  Dumersan,  T.  M., 
and  J.  J.  G.  de  Lurieu.  Memoires  de  M^e  Flore,  artiste  du 
Theatre  des  varietes.     Paris.     1847.     3  v.  **T.56.2o8 

Foote,  Maria,  .///i  Countess  of  Harrington.  Account,  An,  of  the  third 
and  fourth  theatrical  tour  made  by  Miss  Foote,  in  1826  and  1827, 
to  Liverpool,  Bath,  Edinburgh,  &c.     London.     1827.  **T'.56.i68 

Facts  illustrative  of  the  evidence  on  the  late  trial  of  Foote 

v.  Hayne.     London.     1825.  **T.56.78 

Full  report  of  the  trial  between  Miss  Foote  and  J.  Hayne  for 

a  breach  of  promise  of  marriage.    London.     [1825?]     Colored  por- 
traits. **T.58.i9 

.    M'MoRAL,  A.,  pseud.     Second-sight;  or,  the  consequences  of 

the   reception  given  to   Miss   Foote,  on   the  5th   February,    1825. 
London.     1825.     Portrait.  **T.56.26o 

S..  H.  T.     An  account  of  Miss   Foote's  re-appearance  at  the 

Theatre-Royal,  Covent   Garden,  on  the  fifth  of  February,   1825. 
[Edinburgh?     1826?]  **T.56.305 

Foote,  Samuel.  Cook.  W.  Memoirs  of  Samuel  Foote.  London. 
1805.     3  V.     Portrait.  65493.31;  **T. 58.98 

Memoirs    of    the    life    and    writings    of    Samuel    Foote,    Esq. 

.\dded.  the  bon-mots.  repartees,  and  good  things  said  of  that  great 
wit  and  excentrical  genius.     [London.     1778.]  **T.57.i47 

Forrest.  Edwin.  .\l(,er,  \V.  R.  Life  of  Edwin  Forrest,  the  Ameri- 
can tragedian.     Philadelphia.     1877.     2  v.     Portraits. 

2341.76;  **T.55.io 

Barrett.  L.     Edwin  Forrest.     Boston.     1881.     Portraits.     Plate. 

Facsimiles.  4348.114;  **T.57.io9;  etc. 

Harrison,  G.  Edwin  Forrest:  the  actor  and  the  man.  Brook- 
lyn.    1889.     Portraits.  *434i.i87 

Hkstorv.    The.    of    Edwin    Forrest,    the    celebrated    American 

tragedian.     New  York.     1837.  **T.56.323 

Rees,  J.     The  life  of   Edwin  Forrest.     Philadelphia.      11874.] 

4347.152;  **T.57.i69 
Fusil,  Louise.    Flsii..  L.    Souvenirs  d'une  actrice.     Paris.     1841.    2  v. 

**T.56.207 ;  etc. 

Gardiner,  J.     Gardi.ner,   J.     Twenty-five  years   on   the   stage.     The 

CJirecr  of  an  Australian  actor.     Adelaide.     [iSR-?]  **T.57.348 

Garrick.   David.     Anderson,    T.   W.     Garrick's  mode  of   reading  the 

Liturgy  of  the  Church  of  England.     London.     1840.  **T.76.i 

Davils.  T.     Memoirs  of  the  life  of  David  Garrick.     London. 

1780.    2  v.     Portrait.  **G.3765.8;  etc. 

Fitzgerald,  P.  H.    The  life  of  David  Garrick.     London.     1868. 

2  V.     Portraits.  2545.18;  **T.56.i27 

[36] 


BROWN   COLLECTION    OF   BOOKS    ON    THE   STAGE 

Actors.     Biography,  Individual.     (Continued.)      (Arranged  by  subjects.) 

H.,  j.  F.    David  Garrick.     [London.     1864.]       No.  7  in  **G.62.s 

Hedgcock.  F.  a.     Un  acteur  cosmopolite.     David   Garrick  ct 

ses  amis  frangais.     Paris.     191 1.     Portraits.     Plate.      4579.240;  etc. 

Knight,  J.     David  Garrick.     London.     1894.     Portrait. 

45403.147;  **T.55.59 

Murphy,  A.     The  life  of  David  Garrick.     London.     1801.     2  v. 

Portrait.  4545-25;  **T.56.i43;  etc. 

Parsons,   F.    M.     Garrick   and   his   circle.      New    York.      IQ06. 

Portraits.     Plates.  4544.221 

Smyth,  J.     David  Garrick.     London.     [1807.]  **T.59.i6 

WiNSOR,  J.     Stage-struck.     [Boston.     1868.] 

No.  15  in  **G.393o.i3.i 

Gilbert,   John    Gibbs.      Wiggin,    J.    H.      .A.n    actor's    birthhouse    and 

•  birthright.      (In    Bostonian,    The.      Vol.    i,    pp.    530-541.      Illus. 

Portraits.     Boston.     1895.)  '  *530i.45.i 

The   flood  tide  of  an   actor's   fortunes.      (In   Bostonian, 

The.     Vol.  2,  pp.  62-71.     Portraits.     Facsimiles.     Boston.     1895.) 

*530i.45-2 

Winter,  W.    A  sketch  of  the  life  of  John  Gilbert.    New- York. 

1890.     Portrait.     Plate.  **T.95.9;  etc. 

Got,  Frangois  Jules  Edmond.  C.\rel,  A.  Got.  (In  his  Histoire 
anecdotique  des  contemporains.  Pp.  155-183.  Paris.  1885.  Por- 
trait.) **T.55.50 

Got,  F.  J.  E.  Journal,  1822-1901.  Paris.  1910.  2  v.  Por- 
trait.    Plate.  26493.148 

Grain,  Richard  Corney.  Grain,  R.  C.  Corney  Grain.  By  himself. 
London.      1888.  **T.57.4i8 

Williamson,    D.      The    German    Reeds    and    Corney    Grain: 

records  and  reminiscences.     London.     1895.     Portraits.     **T.58.9 

Grimaldi,  Joseph.  Dickens,  C.  Joseph  Grimaldi.  Philadelphia. 
[185-?]  **T.55.8i ;  etc. 

Grossmith,  George.  Grossmith,  G.  A  society  clown.  Reminiscences. 
Bristol.      1888.  45793.113;  **T.98.9i 

Grossmith,  Weedon.  Grossmith,  W.  From  studio  to  stage.  Remi- 
niscences.    New  York.     IQ13.     Portraits.     Plates.  4545-173 

Grossmith,  William  Robert.  Life,  The,  and  theatrical  excursions  of 
William  Robert  Grossmith,  the  juvenile  actor.     Reading.     1829. 

**T.55.73 

Gwyn,  Eleanor.  Adams,  W.  H.  D.  Nell  Gwynne.  (/;;  his  Famous 
beauties  and  historic  women.     Vol.  i,  pp.  1-32.     London.     1865.) 

2249.57.1;  etc. 

Cunningham,  P.     The  story  of   Nell  Gwyn;  and  the  sayings 

of  Charles  the  Second.     London.     1891.     Portraits.     **T.54.2;  etc. 

Hazelton,  G.  C,  Ir.     Mistress  Nell.     A  merry  tale  of  a  merry 

time.     ('Twixt  fact  and  fancy.)     New  York.     1901.     Portrait. 

**T.87.3 

Seymour,  J.     Memoirs  of  the  life  of  Eleanor  Gwinn.     London. 

1652.  No.  6  in  **G.3823.2i 

Haase,  Friedrich.     Haase,  F.     Was  ich  erlebte.     1846-1896.     Berlin. 

[1897.]      Illus.     Portraits.     Plates.  **T.55.35 

Hackett,  James  Henry.     Memoir  of  James  H.  Hackett.     [New  York. 

1847.]  43493.293;  etc. 

Hare,  John.     Pemberton,  T.   E.     John   Hare,  comedian.     1865-1895. 

A  biography.     London.     1895.     Portraits.  **T.57.297;  etc. 

[37] 


THE  PUBLIC  LIBRARY  OF  THE   CITY   OF  BOSTON 


Actors.     Bioorafyhy,  Individual.     (Continued.)      (Arranged  by  subjects.) 

Harvey.  John  Martin.     Edgar,  G.     Martin  Harvey.     Some  pages  of 

his  life.     London.     [1912.]     Portraits.     Plates.  **T.56.324 

Hayns,  Joseph.     Brown.  T.     The  life  of  the  late  famous  comedian, 

Jo.  Hayns.     London.     1701.  **T.58.i46 

Hill,  George  Handel.     Northall,  W.  K.,  editor.     Life  and  recollec- 
tions of  Yankee  Hill.     New  York.     1850.     Illus.  **T.57.287 
Hilton,  .     Cole,  J.     A  critique  on  the  performance  of  Juliana. 

in  "The  honey  moon,"  by  Miss  Hilton.     ScarI)orough.     183 1. 

No.  4  in  **G.3924.i7 
Holland,  George.     Morrell,  T.  H.     Holland  memorial.     Sketch  of 

the  .life  of  George  Holland,  the  veteran  comedian.     New  York. 

1871.     Portrait.  **T.53.i9 

Honey,    Laura    Bell.     Annals,   The.   of   the    green    room.      London. 

[1842.]      Colored  portrait.  No.  4in  **K.48.i6 

Memoirs  of  Mrs. •  C[harles]  M[athews].  Added,  the  extra- 
ordinary and  secret  amours  of  Mrs.  Honey.  London.  [183-?] 
Colored  plate.  No.  4  in  **G.3822.4.2 

Iffland.  August  Wilhelm.  Iffland,  A.  W.  Memoires.  [Avec  unc  notice 
sur  Hfland  et  sur  Brandes  par  Picard.]     Paris.    1823.    **T.56.8;  etc. 

Ungern-Sternberg,  P.  A., /-mV/frr  VON.   Iffland.    (/w  his  Kiinstler- 

bilder.     Band  3,  pp.  67-171.     Leipzig.     1861.)  6898.144.3 

Irving.  Sir  Henry.  Archer.  W.  Henry  Irving,  actor  and  manager. 
London.     [1883.]     Portrait.  254ob.65;  **T.59.2i;  etc. 

.Archer,  \V..  and  R.  W.  Lowe.     The  fashionable  tragedian.     A 

criticism  [of  Sir  Henry  Irving].     Edinburgh.     [1877?]      Portraits. 

**T.57-363 

AfSTiN.  L.  F.  Henry  Irving  in  England  and  America.  Lon- 
don.    1884.  4547-74;  **T.57.339 

Sir   Henry   Irving.     London.      igo6.  2559.114 

Brereton,  a.     Henry  Irving.    A  biographical  sketch.     London. 

1883.     Portraits.  2440,69;  **T.54.22 

The  life  of  Henry  Irving.     London.     1908.  2  v.     Illus. 

Portraits.  2440.80 

The  Lyceum  and  Henry  Irving.     London.  1903.     Illus. 

Portraits.  2571. no 

Clapp,  H.  a.     Reminiscences  of  a  dramatic  critic.     With  an 

essay  on  the  art  of  Henry  Irving.     Boston.     1902.     Portraits. 

4395.168;  etc. 

Craig,    E.   G.      Henry    Irving,    Ellen   Terry,    etc.     A    I)ook   of 

portraits.     [Chicago.     1899.]  **T.52.8 

Fitzgerald,  P.  H.     Henry  Irving.     London.     1893.     Portrait. 

2543.118;  **T.55.94 

Sir    Henry    Irving.      Philadelphia.       [1906.]       Portraits. 

Plates.  4544.219 

Henrv  Irving.    .\  short  account  of  his  public  life.     New  York. 

1R83.     Portraits.  254ob.72;  **T.58.ii3 

Hiatt,    C.      Henry    Irving.     A    record    and    review.      London. 

1890.     Illus.     Portraits.     Plates.  4545.168;  **T.57.90 

Maci-ali.,  H,     Sir  Henry  Irving.     Edinburgh.     1906.     Portraits. 

4549a.  195 
^    Marshall,  F.  A.     Henry  Irving,  actor  and  manager.     .\  criti- 
cism of  a  critic's  criticism.     London.     1883.        254ob.76;  **T.58.72 

Menpes,  M.     Henry  Irving.     London.     1906.     Colored  portraits. 

**T.58.ii4 

[381 


BROWN   COLLECTION    OF   BOOKS    ON    THE   STAGE 

Actors.     Biography,  Individual.     (Cofitinucd.)      (Arranged  by  subjects.) 

Pollock,   W.   H.     Impressions   of   Henry   Irving  gatliered    in 

public  and  private.     London.     1908.  4545.161 

Russell,  Sir  E.  R.    Irving  as  Hamlet.    London.    1875.    **G.76.2 

Scott,  C.  W.     From  "The  bells"  to  "King  Arthur."     A  critical 

record  of  the  first-night  productions  at  the  Lyceum  theatre,  187 1- 
1895.     London.     1896.     Portraits.     Plates.  4545-i5o;  **T.76.i9 

Stoker,  A.     Personal   reminiscences  of   Henry    Irving.     New 

York.     1906.     2  V.     Portraits,  one  colored.     Plates.  4544.223 

Winter,  W.     Henry  Irving.     New- York.     1885.     Portraits. 

254ob.87;**T.57.4o8 

YoRicK,  psciid.  A  letter  concerning  Mr.  Henry  Irving  ad- 
dressed to  E.  R.  H.     Edinburgh.     1877.  **T.98.33 

Jefferson,  Joseph.  Jefferson,  E.  P.  Intimate  recollections  of 
Joseph  Jefferson.     New  York.     1909.     Portraits,     folates.    4343.277 

Jefferson,  J.     The  autobiography  of  Joseph  Jefferson.     New 

York.     [1890.]     Portraits.     Plates.  4343.107;  etc. 

Wilson,    F.     Joseph   Jefferson.      Reminiscences   of   a    fellow 

player.     New  York.     1906.     Portraits.     Plates.  4343.265 

Winter,  W.     Life  and  art  of  Joseph  Jefferson.     New  York. 

1894.     Portraits.     Plates.  4346.*i63 

Jolly,  Marie  filisabeth.  Dulomboy,  N.  F.  R.  F.,  editor.  Aux  manes  de 
Marie-£lisabeth  Joly,  artiste  celebre  du  Theatre  frangais.  Paris. 
[1798.]     Plates.  **T.59.43 

Jordan,  Dorothy.  Boaden,  J.  The  life  of  Mrs.  Jordan.  London. 
1831.    2  V.     Portrait.  '  **T.56.2io 

F.ss.w,  An,  on  the  pre-eminence  of  comic  genius  with  observa- 
tions on  the  several  characters  Mrs.  Jordan  has  appeared  in. 
London.     1786.  **T.58.56;  etc. 

Great   illegitimate,   The!!      Public   and   private   life   of   that 

celebrated   actress    Miss    Bland,   otherwise    Mrs.   Ford,   or,   Mrs. 
Jordan.     London.     [183-?]     Portraits.  **T.57.340;  etc, 

Judic,  Anna   Marie   Louise   Damiens.     Mme   Judic.     A  biographical 

sketch.     New  York.     1885.  **T.59.i5 

Judith,  Julie  Bernat.  called  Mademoiselle  Judith.     Banville,  T.  F.  de. 

Mme  Judith  de  la  Comedie  frangaise.    [Toulouse.]    1867.    **T.54.i5 
Junkermann,  August.    Junkermann,  A.     Memoiren  eines  Hof-Schau- 

spielers.    Stuttgart.     [1889.]     Illus.    Portraits.    Plates.    **T.56.240 
Kainz,  Josef.     Richter,  H.     Josef  Kainz  als  Torquato  Tasso.     {In 

Goethe-Jahrbuch.     Band  30,  pp.  180-186.     Frankfurt  a/M.     1909.) 

♦2840a.54.30 
Kean,    Charles   John.      [Charles    Kean.      A    collection   of    clippings 

relating  to  him.     Boston.     1873.]  No.  19  in  **G.3930.i3.i 

Charles  Kean  and  the  modern  stage.     [Edinburgh.     1868.] 

No.  9  in  **G.62.5 

Cole,  J.  W.     The  life  and  theatrical  times  of  Charles  Kean. 

London.     1859.     2  v.  6543.30;  **T.56.28i 

Kean,  Edmund.     Cooke  sleeps!  —  Kean  lives!     London.     [1814?] 

No.  21  in  **G.3930.i3.i 

Critical  examination.  A,  of  the   respective  performances  of 

Mr.  Kean  &  Mr.  Macready,  in  Gibber's  alteration  of  King  Richard 
the  Third.     London.     1819.  **G.3937.33;  etc. 

Dana,  R.  H.    Kean's  acting.     {In  his  Poems  and  ])r<)se  writings. 

Pp.  420-437.     Philadelphia.     1833.)  **A. 2127.3 

Defence,  A,  of  Edmund  Kean.   London.    [1819.]    **T.96.i8;  etc. 

139] 


THE  PUBLIC  LIBRARY  OF  THE  CITY  OF  BOSTON 


Actors.     Biographx,  Individual.     (Continued.)      (Arranged  by  subjects.) 

I  Edmund   Kean  —  a   collection  of   clippings   and   manuscripts 

relating  to  him.     Boston.     1873.]     •  No.  22  in  **G.3930.i3.i 

EvRU-iDEN  pseud.    A  brief  essay  towards  an  apology  for  a  play 

actor.      [Albany.]      1825.  6544.35 

Fkie.n-d,  a.  to  justice,  pseud.    A  reply  to  the  Defence  of  Edmund 

Kean.    London.     1819.  **T.96.i9 

H.wvKiNs,  F.  \V.     The  life  of  Edmund  Kean.     London.     1869. 

2  V.  4545,171  ;**T.56.32i 

M.\(.ALLEV.  E.  W.  Theatric  revolution,  or  plain  truth  ad- 
dressed to  common  sense.     London.     1819.  **T.96.2o;  etc. 

MoLLOY,   J.   F.     The   life  and   adventures   of    Edmund    Kean. 

tragedian.     1787-1833.     London.     1888.     2  v.        4547.115;  **T.57.ii 

Procter,   B.  W.     The  life  of   Edmund   Kean.     London.     1835. 

2  V.     Portrait.  6540.75;  **T.57-299;  etc. 

Keene,  Laura.  Creahan,  J.  The  life  of  Laura  Keene.  Philadelphia. 
1897.     Portraits.     Plates.  4343.225 ;  **T.55.6o 

Kellerd.  John  E.  Frost,  J.  B.  The  greatest  Hamlet.  An  apprecia- 
tive review  of  Hamlet  as  presented  by  John  E.  Kellerd.  Atlanta. 
[1915.]      Illus.     Portraits.     Plates.  *4590.i25 

^emblc.  Frances  Anne.  Kemble,  F.  A.  Journal.  Philadelphia. 
1835.     2  V.  4369.21;  **T.57.304;  etc. 

On  the  stage.     London.     1863.  No.  26  in  **G.3822.3 

Record  of  a  girlhood.    London.     1878.    3  V.    2457.55;  etc. 

L.,  S.  D.     Memoir  of  the  dramatic  life  of  Miss  Fanny  Kemble. 

N.  p.     [18—?]  **T.56.i64 

Kemble.  John  Philip.  Authentic  narrative,, An,  of  Mr.  Kemble's 
retirement  from  the  stage.     London.     1817.  **T.96.23i ;  etc. 

BoADEN,  J.  Memoirs  of  the  life  of  John  Philip  Kemble.  Lon- 
don.    1825.     2  V.     Portrait.  65403.62;  **T.56.242 

FCemble  &  Cooke:  or,  a  critical  review  of  a  pamphlet  published 

under  the  title  of  Remarks  on  the  character  of  Richard  the  Third, 
as  played  by  Cooke  &  Kemble.  With  other  critical  remarks  on 
the  performances  of  these  two  gentlemen.     London.     [1810.] 

**T.96.3i3;  etc. 

Kembliana:  being  a  collection  of  the  jeu  d'esprits,  &c.,  that 

have  appeared  respecting  King  John.     London.     1804.      **T.56.89 

Martin,  H.     Remarks  on  Air.  John  Kemble's  performance  of 

Hamlet  and  Richard  the  Third.     London.     1802.       **T.96.2i4;  etc. 

Observations    on    Mr.    Kemble    in    the    characters    of    Cato, 

Wolsey  and  Coriolanus:  with  every  particular  connected  with  his 
retirement  from  the  stage.    London.    1817.    No.  5  in  **G.3824.3;  etc. 

Remapks  on  the  character  of  Richard  the  Third;  as  played  by 

Cooke  and   Ken.ible.     London.      1801.  **T.96.3i4;  etc. 

Scott,  .SjV  W.,  Baronet.     The  life  of  John   Philip  Kemble.     [A 

review  of  the  Reminiscences  of  Michael   Kelly.     London.     1826.] 

No.  2,  3  in  **G.3930.i3.2 

Short  criticism,  A.   on    the   performance   of    Hamlet   by    Mr. 

Kemble.     London.     1789.  No.  5  in  **G.3937.ii 

Wn.UAMs.  J.  A.     Memoirs  of  John   Philip  Kemble.     With  an 

original  critique  on  his  performance.     London.     1817.     Portraits. 

**T.59.27 ;  etc. 

Kracpelin.   Carl   Wilhelm.      Mueller,    C.    F.      Karl    Kraepelin.      Zur 

Erinncrung   an    sein    Leben    und    seine    kiinstlerische    Thatigkeit. 

Hamburg.     1884.     Portraits.  **T.97.86 

r4oi 


BROWN   COLLECTION    OF  BOOKS    ON    THE   STAGE 

Actors.     Biography,  Individual.     (Continued.)      (Arranged  by  subjects.) 

Krone,   Charles  A.     "Rrone,   C.  A.     Recollections   of  an   old   actor. 

Read  October  20,  1905.    Portrait.     (In  Missouri  Historical  Society. 

Collections.    Vol.  2,  no.  7,  pp.  25-43.    St.  Louis.    1906.)     **4462.5i.2 
Laferriere,  Adolphe.    LAFERRiiJRE,  A.    Memoircs  de  Laferrierc.    Paris. 

1876.     2  V.  **T.57.3i8 

Souvenirs  d'un  jeune  premier.     Paris.     1884.     **T.57.32i 

Lafon,  Pierre.     Dujarric-Descombes,  L.  A.     £tude  sur  Pierre  Lafon 

de  la  Comedie  frangaise.    (1773-1846.)    Bergerac.    [1882.]    **T.57.65 
Lagrange,   Charles   Varlet,  Sieur  de.     Thierry,    E.     Charles   Varlet 
de  La  Grange  et  son  registre.     Paris.     1876.  **T.55.8 

Lecouvreur*  Adrienne.     Lecouvreur,  A.     Letters.     Paris.     1892.     Por- 
trait. 2669.109 
Lekain,  Henri  Louis  Cain,  called  Lekain.     Chevalier,  P.  M.  F.     Le 
Kain  in  the  character  of  Vendome.     [New  York?     1847.] 

No.  6  in  **G.3930.i3.2 

FiRMiN,  J.  F.  B.     Parallele  entre  Talma  et  Lekain.     Esquisse. 

Paris.     1826.  •  **T.57.34 

Lekain,  H.  L.   Memoires.   Precedes  de  reflexions  sur  cet  acteur 

et  sur  I'art  theatral  par  F.  Talma.     Paris.     1825.  **T.56.io;  etc. 

Lemaitre,  Frederick.  Basset,  S.  Une  aventure  de  Frederick  Lemaitre 
(1854).     [Paris.     1908.]     Plates.  6671.299 

Duval,  G.    Frederick  Lemaitre  et  son  temps.    1800-1876.    Paris. 

1876.  2654.55;**T.58.i3 

Jacquot,  C.  J.  B.     Lemaitre.     (In  his  Portraits  et  silhouettes. 

Vol.  3,  pp.  267-299.     Paris.      1868.)  4641.54.3 

Lecomte,  L.  H.  Un  comedian  au  xix«'  siecle:  Frederick  Le- 
maitre. Paris.  1888.  2  V.  **T.55.ii8 
—     Lemaitre,  F.     Souvenirs.     Paris.     1880.        4649a.62;  **T.57.3i4 

TuLON,  F.     Frederick-Lemaitre.     Souvenirs,  documents  inedits 

.  .  .     Paris.     1876.  No.  2  in  **M. 125.7 

Leman,  Walter  W.  Leman,  W.  W.  Memories  of  an  old  actor.  San 
Francisco.      1886.      Portrait.  4348.159;  **T.57.43 

Leno,  Dan.  Wood,  J.  H.  Dan  Leno.  London.  [1905.]  Illus.  Por- 
traits. **T.57.82 

Leslie,  Frederick.  Vincent,  W.  T.  Recollections  of  Fred  Leslie. 
London.     1894.    2  v.    Illus.     Portraits.     Plates.    4543.121;  **T.56.62 

Logan,  Eliza.  Marston,  J.  W.  Memoir  of  Miss  E.  Logan.  (In  his 
The  patrician's  daughter.   Pp.  3,  4.    Boston.    [1856.])    6259b.548;  etc. 

McCullough,  John.  Winter,  W.,  editor.  In  memory  of  John  Mc- 
Cullough.    New  York.     1889.    Portrait.    Plate.  **T.55.62;  etc. 

Macklin,  Charles.  Apology,  An,  for  the  conduct  of  Mr.  Charles 
Macklin,  comedian.     London.     1773.  **T.56.326;  etc. 

Case,    Mr.    Macklin    late    of    Covent-Garden    theatre,    against 

Mess.  Clarke,  Aldys,  Lee,  James  and  Miles.     Edinburgh.     [1775.] 

**T.56.225 

Citizen  of  the  world,  A,  pseud.    The  genuine  arguments  of  the 

council,  with  the  opinion  of  the  Court  of  King's  Bench,  on  cause 
shewn,  why  an  information  should  not  be  exhibited  against  John 
Stephen  James,  Joseph  Clarke,  for  a  riotous  conspiracy  founded 
to  deprive  Charles  Macklin  of  his  livelihood.     London.     1774. 

No.  3  in  **G.3824.4 

Congreve,  F.  a.     Authentic  memoirs  of  the  late  Mr.  Charles 

Macklin,  comedian.     London.     1798.  **T.56.287;  etc. 

Cook,  W.     Memoirs  of  Charles  Macklin,  comedian.     London. 

1804.     Portrait.  **T.56.i99;  etc. 

[411 


THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 


Actors.    Biography,  Individual.     (Continued.)      (Arranged  by  subjects.) 

KiRKMAN.   J.   T.      Memoirs   of   the    life    of    Charles    Macklin. 

London.     1799.    2  v.     Portrait.  **T.56.20i 

Same.       Memoires    de     Charles     Macklin,     traduits     dc 

I'Anglais.     (ht  Despres,  J.  B.,  editor.     Memoires  sur  Garrick  et  sur 
Macklin.     Pp.   253-3^7-     Paris.      1822.)  **T.56.3 

Parky.  E.  A.   Charles  Macklin.   New  York.   1891.   **T.57.3;  etc. 

Macready.  Mary.     Macready,  M.     Memoir  of  Mrs.  Macready.     New 

York.     1857.     Portrait.  4444-88 

Macready.  William  Charles.  Archer,  W.  William  Charles  Mac- 
ready.     London.     1890.  2546.100;  **T.57.2 

Brief  memoir,  A,  of  Mr.  Macready.    London.    1845.    **T.56.289 

Fox,  W.  J.     A  biographical  sketch  of  William  C.   Macready. 

Portrait.     (In  Shakespeare,   W.     Complete   works.     Part  iv,   pp. 
1-16.     London.     [1851.])  **G.40io.ii 

Littleton,   R.   H.     The  biography   of   William   C.    Macready, 

tragedian.    London.     [1851?]     Portrait.  **T.56.290 

Pollock,  J.,  Ladv.     Macready  as 'I  knew  him.     London.     1884. 

254ob.86;**T.57.2o8 

Price,   W.  T.     A   life  of   William   Charles   Macready.     New 

York.     [1894.]     Portrait.  **T.59.40 

Wallace,   E.     Sketches  of   Mr.   Macready's  attitudes   in    Ion. 

N.  p.     1 183-?]     12  portraits.  **T.53.20 

Maeder,  Clara  Fisher.     Maeder,  C.  F.     Autobiography.     New-York. 

1897.     Portraits.  **T.95.i6 

Mansfield,   Richard.     Wilstach,   P.     Richard   Mansfield.     The  man 

and  the  actor.     New  York.     1908.     Portraits.  4343-273 

Winter,  W.     Life  and  art  of  Richard  Mansfield.     New  York. 

1910.     2  V.     Portraits.     Plate.  4343-275 

Marble,  Danforth.     Kelly,  J.  F.     Dan  Marble:  a  biographical  sketch. 

New  York.     [1851.]  **T.58.35 

Marlowe,  Julia.     Barry,    T.    D.     Julia   Marlowe.      Boston.      [1899.] 

Portraits.  4343.219;  **T.57.386 

Mars,  Anne  Franqoise  Hippolite  Boutet-Monvel,  called  Mademoiselle 

Mars.     Aci.ocQUE,  E.     Souvenirs  anecdotiques  sur  Mademoiselle 

Mars.     Paris.     1847.  **T.96.I44 

Bully,  E.  A.  R.  de.     Memoires  de  Mademoiselle  Mars.     Paris. 

1847.  **T,96.i44 

Mli.e  Mars.     Notice  biographique.     Paris.     1847.         **T.58.95 

Mars,  M"e.     Confidences.     Paris.     1855.  **T.58.94 

Mathews.  Charles.    Arnold,  S.  J.    Forgotten  facts  in  the  memoirs  of 

Charles  Mathews,  comedian.     London.     [1839.]  **T.56.259 

Mathews,  A.  Memoirs  of  Charles  Mathews,  comedian.  Lon- 
don.    1838,39.     4  V.     Portraits.  65403.61 ;  **T.55.io5 

Mathews,  C.  The  life  and  correspondence  of  Charles  Mathews 

the  elder,  comedian.    London,    i860.    Portraits.    6549.23;  **T.57.4i7 

Memoirs  of  the  youthful  days  of  Mr.  Mathews,  the  celebrated 

comedian.     Philadelphia.     1822.     Colored  portraits.         **T.57.294 

Mathews  Lucia  Elizabeth.  English  gentleman,  An,  fseud.  Memoirs 
of  the  public  and  private  life  of  Madame  Vestris.  New  York. 
('^38]  No.  4a  in  **G.3822.4.2 

Memoirs  of  Mrs.  C.  M..  late  Mad.  V.  of  the  Royal  Olympic 

theatre.     London.     [183-?]     Colored  plate.       No.  4  in  **G.3822.4.2 

Memoirs  f.f  the  life  of  Madame  Vestris  of  the  Theatres  Royal. 

Drury  Lane  and  Covent  Garden.     [London?]     1830.       **T.57.2i6 

1421 


BROWN   COLLECTION    OF  BOOKS    ON    THE   STAGE 

Actors.     Biography,  IndividuaJ.     (Continued.)      (Arranged  by  subjects.) 

Memoirs  of  the  public  and  private  life,  amorous  adventures 

and  wonderful  exploits  of  Madame  V London.      [1839?] 

Portrait.     Plate.  **T.56.io6 

Mellon,  Harriot,  Duchess  of  St.  Albans.  Pearce,  C.  E.  The  jolly 
duchess.  Harriot  Mellon,  afterwards  Mrs.  Coutts  and  the 
Duchess  of  St.  Alljans.  A  sixty  years'  gossipping  record  of  the 
stage  and  society  (1777-1837).  New  York.  [1915-]  Portraits. 
Plates.  2548.85 

Wilson,  M.  B.     Memoirs  of  Harriot,  Duchess  of  St.  Albans. 

London.     1839.    2  v.    Portrait.  **T.57.256;  etc. 

Wyndham,    p.      Strictures    on    an    imposter,    and    old    actress 

[Harriot  Mellon  and  Thomas  Coutts].     London.     [1822.]     Illus. 

**T.56.244 

Menken,   Adah    Isaacs.      Barclay,   G.    L.     The   life   and    remarkable 

career  of  Adah   Isaacs  Menken.     Philadelphia.     1868.     Portraits. 

**T.96.8 

Notice  biographique   sur   Miss  Adah   Isaacs   Menken,   artiste 

americaine.     Paris.     1867.  2344.56 

Modjeska,  Helena.  Altemus,  J.  T.  Helena  Modjeska.  New  York. 
[1883.]     Portrait.  3067.38 

Cook,    M.    C.      The    story    of    Helena    Modjeska     (Madame 

Chlapowska).     London.     1883.  5069.24;  **T.57. 194 

Modjeska,  H.     Memories  and  impressions.    An  autobiography. 

New  York.     1910.     Illus.     Portraits.  3067.56 

Mole,  Frangois  Rene.  £tienne,  C.  G.,  and  C.  Gaugiran-Nanteuil. 
Vie  de  Frangois-Rene  Mole.     Paris.     1803.     Portrait.  **T.58.87 

Mole,  F.  R.     Memoires.     Paris.     1825.  **T.56.ii;  etc. 

Moliere.     Consult  the  titles  under  that  heading. 

Montez,  Lola.  Auvergne,  E.  B.  d'.  Lola  Montez,  an  adventuress  of 
the  'forties.     New  York.     1909.     Portraits.  2544.216 

Jacquot,  C.  J.  B.     Lola  Montes.     Paris.     1857.     Portrait. 

**T.59.44;  etc, 

Lola    Montes:     or,    a    reply    to    the    "Private    history    and 

memoirs"    of    that    celebrated    lady,    recently    published    by    the 
Marquis  Papon.     New  York.     185 1.     Portrait.  **T.97.239 

Morris,  Clara.     Morris,  C.     The  life  of  a  star.     New  York.     1906. 

4343.267 

Life  on  the  stage.  My  personal  experiences  and  recol- 
lections.    New   York.      1901.    Portrait.  4343.229;  **T.57.39 

Morris,  Felix.  Morris,  F.  Reminiscences.  New  York.  [1892.] 
Portrait.  **T.58.2o 

Morton,  Charles.  Morton.  W.  H..  and  H.  C.  Newton.  Sixty  years' 
stage  service,  being  a  record  of  the  life  of  Charles  Morton,  "the 
Father  of  Halls."     London.     1905.     Illus.     Portraits.     Plates. 

**T.56.i63 

Murphy,  Arthur.  Foot,  J.  The  life  of  Arthur  Murphy.  London. 
181 1.     Portraits.  **T.53.i7 

Murray,  Alma.  Alma  Murray.  Portrait  as  Beatrice  Cenci.  With 
critical  notice  containing  four  letters  from  Robert  Browning. 
London.     1891.  **T.96.32 ;  etc. 

Wilson,  F.     Miss  Alma  Murray  as  Juliet.     London.     1887. 

4595-II2 

Neilson,  Lilian  Adelaide.    De  Leine,  M.  A.    Lilian  Adelaide  Neilson. 

London.     1881.  24593.61 ;  **T.57.440 

[43] 


THE  PUBLIC  LIBRARY  OF  THE   CITY   OF  BOSTON 


Actors.     Biography,  Individual.     (Continued.)      (Arranged  by  subjeets.) 

tloi-LOWAY,  L.  C.     Adelaide  Neilson:  a  souvenir.     New  York. 

1885.     Portraits.     Plate.  255ob.56;  **T.57.457 

Ncubor.  Friederike  Karoline.  Reden-Esbeck,  F.  J.,  Freiherr  von. 
Caroline  Neuber  und  ihre  Zeitgenossen.  Leipzig.  1881.  Por- 
trait.   Plate.  **T.55.66 

O'Keeffe,  John.  O'Keeffe,  J.  Recollections  of  the  life  of  John 
O'Keeffe  .  London.     1826.    2  v.     Portrait.     6545.55;  **T.55.i29;  etc. 

Oldfield,  Anne.  Althentick  memoirs  of  the  life  of  that  celebrated 
actress.     London.     1730.  No.  11  in  **G.3930.i3.2 

Egerton,    W.      Faithful    memoirs    of    the    life,    amours    and 

performances  of  M^s  Anne  Oldfield.     London.     1731.     Portrait. 

**T.57.22i 

Oldvs,  \V.     Memoirs  of  Miss  Anne  Oldfield.     London.     1741. 

Portrait.  **T.56.3i5;  etc. 

Robins.    E.      The    palmy    days    of    Nance    Oldfield.      London. 

1898.     Portraits.  4545.166;  **T.55.93 

Owens,  John  Edmond.  Owens.  M.  C.  Memories  of  the  professional 
and  social  life  of  John  E.  Owens.  Baltimore.  1892.  Portraits. 
Plates.  4344.148;  **T.56.26 

Palmer.  John.  Harr.\l,  T.  A  monody  on  the  death  of  Mr.  John 
Palmer,  the  comedian.  Prefixed,  a  review  of  his  theatrical 
powers.     London.     1798.  **T.56.i3i;  etc. 

Sketch,  A,  of  the  theatrical  life  of  John   Palmer.     London. 

1798.  **T.97.58;  etc. 

Palmer,  Minnie.  Blvth,  H.  My  sweetheart!  The  life  and  adven- 
tures of  Minnie  Palmer.     London.     [189-?]     Portraits.     **T.95.78 

Parsons,  William.  Bellamy,  T.  The  life  of  William  Parsons, 
comedian.     London.     1795.  No.  2  in  **T.96.228 

Payne,  John  Howard.  Brainard,  C.  H.  John  Howard  Payne:  a 
biographical  sketch.    Washington,  D.  C.    1885.     Portraits.     Plates. 

**T.55.i35;etc. 

Hanson,  W.  T.,  //-.     The   early  life  of  John   Howard   Payne. 

Boston.     1913.     Portrait.  *A.6770.3 

Harrison,    G.     John    Howard    Payne,    dramatist,    poet,    actor. 

Philadelphia.     1885.     Illus.     Portrait.  4242.67 

Memoirs  of  John  Howard  Payne,  the  .\mcrican  Roscius.  Lon- 
don.    1815.     Portrait.  **T.96.23o;  etc. 

Sketch  of  the  life  of  John  Howard  Payne.     Boston.     1833. 

**T.56.i75 

Pemberton,   Charles    Reece.      Pemberton,    C.    R.      Life   and    literary 

remains.     London.     1843.     Portrait.  **T.56.i65;  etc. 

Person,  Beatrix.     Hounau,  J.     Mile  Person  (Beatrix).     Paris.     1854. 

**T.95.65 

Phelps,  Samuel.     Coleman.  J.,  and  E.  Coleman.     Memoirs  of  Samuel 

Phelps.     London.     1886.     Portrait.  **T.56.2i9 

Phelps,  W.   M..  and  Sir  J.   Forbes-Robertson.     The  life  and 

work  of  Samuel  Phelps.     London.     1886.     Portraits. 

^  4550.54;  **T.56.64 

Power,  Tyrone.     Winter.   W.  Tyrone    Power.     New   York.      1913. 

Portraits.     Plate.  4343.262 

Previllc.  Pierre  Louis  Dubus-.  Cahaisse.  H.  A.     Mcmoires  de  Pre- 

villc.     Paris.     1812.  **T.56.i3;  etc. 

Dazincourt,   J.   J.    B.   A.  Notice   historique   sur    Preville.     A 

Paris.     [1800.]  **T.56.ia 

[44] 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 

Actors.     Biography,  Individual.     (Continued.)      (Arranged  by  subjects.) 

Quin,  James.  Life,  The,  of  Mr.  James  Quin,  comedian.  London. 
1767.  **T.57.53;etc. 

Quinault,  Marie  Anne  Catherine.  Quinault,  M.  A.  C.  Memoires 
de  Mademoiselle  Quinault  ainee  de  1715  a  1793.    Paris.    1836.    2  v. 

**T.56.2i5 

Racovitza-Schwenitsch,  Helene,  Baronin  von.  Racovitza-Schwenitsch, 
H.,  Baronin  von.  Princess  Helene  von  Racowitza.  An  auto- 
biography.    New  York.     1910.     Portrait.  2845.109 

Raucourt,  Franqoise  Marie  Antoinette  Saucerotte.  called  Mile  Rau- 
court.  Notice  sur  I'enterrement  de  Ml'e  Raucourt,  actrice  du 
Theatre  frangais,  morte  le   15  Janvier   1815.     Paris.     1821.     Plate. 

**T.54.24 

Reeve,  John.  Banister,  D.  Life  of  Mr.  John  Reeve.  London. 
[1838.]  **T.56.86;etc. 

Rede,  W.  L.     The  late  John  Reeve.     [London.     1838.I 

No.  13  in  **G.393o.i3.2 
Reeve,  Wybert.     Reeve.  W.     From  life.     Lgndon.     1892.     Portrait. 

**T.57.i84 

Regnier,  Frangois  Joseph  Pierre  Tousez.     Poinsot,  A.  E.     Regnier, 

societaire    de    la    Comedie-frangaise.      (1831-1872.)      Paris.      1872. 

Portrait.  **T.98.5o 

Rfgnier,  F.  J.  P.  T.     Souvenirs  et  etudes  de  theatre.     Paris. 

1887.    Portrait.  **T.57.384 

Rehan,  Ada.  Winter,  W.  Ada  Rehan:  a  study.  Nevi^  York.  1891. 
Portraits.  **A.9768.6 

Reichenberg,  Suzanne  Angelique  Charlotte.  Alexandre,  A.  P.  U. 
Suzanne  Reichenberg.  Les  ingenues  au  theatre.  Paris.  [1898.] 
Portraits.  **T.93.i3 

Ristori.  Adelaide.  Adelaide  Ristori.  [Newspaper  clippings,  pro- 
grammes, circulars,   etc.,   relating  to  her.     Boston.      1866-68.] 

**T.i2.9 

CuRTi,  P.  A.     Adelaide  Ristori.     Milano.     1855.     Portrait. 

**T.55.88 

Field,  M.  K.  K.     Adelaide  Ristori.    A  biography.     New- York. 

1867.  **T.59.9;etc. 

Ristori  as  Marie  Antoinette.     [Philadelphia.     1868.] 

No.  16  in  **G.3930.i3.2 

HiNGSTON,    E.    P.     The    Siddons   of   modern    Italy.     Adelaide 

Ristori   (Marquise.  Capranica  del   Grello).     London.     1856.     Por- 
trait. "  **T.56.292 

Memoir  of  Adelaide  Ristori.     New  York.     [1863.] 

**T.56.293;  etc. 

Opinion    de    la    presse    frangaise    sur    Madame    Ristori    dans 

Beatrix,  drame  par  E.  Legouve.     Paris.     1867.  **T.55.20 

Ristori,  A.     Adelaide   Ristori.     fitudes   et   souvenirs.     Paris. 

1887.     Portrait.  2749.72;  etc. 

Same.  Adelaide  Ristori.  Studies  and  memoirs.  Lon- 
don.     1888.  2749.71;  **T.57. 155;  etc. 

— —     Ristori  —  clippings   relating  to   her.      [1863.] 

No.  15  in  **G.3930.i3.2 

Ritchie,  Anna  Cora.     Ritchie,  A.  C.     Autobiography  of  an  actress. 

Boston.     1854.     Portrait.  4447.242 ;  etc. 

Robertson,   Thomas    William.    Leighton,   Sir   B.,  Baronet.     The   late 

Thomas   William   Robertson   and   the   modern   theatre.     London. 

1875.  **T.96.34 

[45] 


THE  PUBLIC  LIBRARY  OF  THE   CITY   OF  BOSTON 


Actors.     Biograf'hy.  Individual.     (Continued.)      (Arranged  by  subjects.) 

Pembektox,  T.  E.     The  life  and  writings  of  T.  W.  Robertson. 

London.     1893.     Portrait.     Plates.  2543.115;  **T.55.79 

Robinson.    Mary.      Robinson,     M.      Memoirs    of    Mary    Robinson. 

"Perdita."     London.      1804.     Portraits.  *P.ii.7525;  etc. 

Rossi.  Ernesto.     Ernesto  Rossi.     A  biographical  and  critical  sketch. 

New  York.     1881.  **T.57.72 

luGEMENT  de  la  presse  parisienne  sur  Ernesto  Rossi.     Paris. 

1866.  **T.98.i7 

Samson.  Joseph  Isidore.  Jacquot,  C.  J.  B.  Samson.  Paris.  1854. 
Portrait.  66493.1 1 

Legocve    G.  J.    B.   E.   W.      M.   Samson   et   ses   eleves.      Paris. 

[1875.]  **T.96.i57 

Samson,  J.  I.    Memoires.    Paris.    1882.    Portrait.    **T.57.326;  etc. 

SAMi^oa.  Madame].  I.   Rachel  et  Samson.   Paris.    1898.  **T.57.336 

Schneider.  Louis.    Schneider.  L.    Aus  meinem  Leben.     Berlin.     1879, 

80.    3v.  **T.56.247 

Schoene.  Hermann.     Schoene.  H.     Aus  den  Lehr-  und  Flegeljahren 

eines  alten   Schauspielers.     Mit   einem   biographischen   Vorwort 

von  Hugo  Thimig.  Leipzig.  [1903.]  Portraits.  No.  i  in  4896,50.453 
Schroedcr,  .\ntoinette  Sophie.     Schroeder,  A.  S.     Briefe  von  Sophie 

Schroder  (1813-1868).     Berlin.     1910.     Portraits.  6907.26 

Schroeder.  Friedrich  Ulrich  Ludewig.     Brunier,  L.     Friedrich  Lud- 

wig  Schroder.     Leipzig.     1864.  28493.53;  **T.57.383 

LiTZMANN,  B.     Friedrich  Ludwig  Schroder.     Hamburg.     1890, 

94.     2  V.     Portraits.  4845.68 

Meyer,    F.    L.    W.      Friedrich    Ludwig    Schroder.      Hamburg. 

1 819.    2  V.  2847.9;  etc. 

Schroeder,  F.  U.   L.     Schroder  und   Gotten     Briefe  Friedrich 

Ludwig  Schroders  an  Friedrich  Wilhelm  Gotter,  1777  und  1778. 
Hamburg.     1887.  2873.91 

Uhde,   H.     Friedrich   Ludwig  Schroder  in   seinen    Briefen   an 

K.  A.  Bottiger,  1794-1816.  (In  Historisches  Taschenbuch.  Jahr- 
gang  45,  pp.  245-320.     Leipzig.     1875.)  *2309.i.45 

Scydelmann,  Carl.  Roetscher,  H.  T.  Seydelmann's  Leben  und 
Wirken.     Berlin.     1845.  **T.55.38 

Siddons.  Sarah  Kemble.  Boaden,  J.  Memoirs  of  Mrs.  Siddons. 
London.     1827.     2  v.     Portraits.  **T.56.2ii;  etc. 

Same.      Mrs.    Sarah    Siddons.      London.      [190-?!      2   v. 

Portraits.     Plates.  *2545.252 

Campbell,  T.     Life  of   Mrs.   Si.ddons.     London.     1834.     2  v. 

Portrait.  **T.55.iio;  etc. 

Galindo,  C.     Mrs.  Galindo's  Letter  to  Mrs.  Siddons;  being  a 

circumstantial  detail  of  Mrs.  Siddons's  life  for  the  last  seven 
years.    London.    1809.  '  **T.96.338 

Hicks  J-     Performances  in  London  of  Mrs.  Siddons  and  Mr. 

John  Philip  Kemble.     Manuscript.     N.  p.     [1821.]  **T.52.6 

Jknkin.  H.  C.  F.    Mrs.  Siddons  as  Lady  Macbeth  and  as  Queen 

Katharine.    New  York.    1915.  **T.46.6i.3 

Kennard,  N.  H.     Mrs.  Siddons.     Boston.     1S87.       255ob.79;  etc. 

Observations  on   Mrs.  Siddons,   in   the  following  characters: 

Margaret  of  Anjpu,  Belvidera,  Jane  Shore,  Lady  Randolph. 
Isabella,  and  Zara.     Dublin.     1784.  **T.57.i35 

Same.     Reatities.  The.  of  Mrs.   Siddons;  or,  a  review  of  her 

performance  of  the  characters  of  Belvidera.  Zara.  Isabella.  Mar- 

[461 


BROWN   COLLECTION   OF   BOOKS    ON    THE   STAGE 

Actors.     Biography,  Indh'idual.     (Continued.)      (Arranged  by  subjects.) 

garet  of  Anjou,  Jane  Shore,  and  Lady  Randolph.     London.     1786. 

**T.56.i55;etc. 

Parsons,  F.  M.    The  incomparable  Siddons.     London.     [1909.] 

Portrait.     Plates.  **T.56.i07;  etc. 

Soldene,  Emily.  Soldene,  E.  My  theatrical  and  musical  recollec- 
tions.    London.     1897.     Portraits.  **T.56.32S 

Sonnenthal.  Adolf,  Ritter  von.  Eisenkerg,  L.  J.  Adolf  Sonnenthal. 
Eine  Kiinstlerlaufbahn  als  Beitrag  zur  Geschichte  des  modernen 
Burgtheaters.     Dresden.     1900.     Portrait.  **T.57.io6 

Sonnenthal,   H.  von,  editor.     Adolph   von   Sonnenthals    Brief- 

wechsel.     Stuttgart.     1912.     2  v.     Portraits.     Plates.  eSgga.iyo 

Schlenther,    p.      .A.dolf    von    Sonnenthal.      Fiinzig    Jahre    im 

Wiener  Burgtheater.    1856-1906.   Wien.    1906.   Portraits.  **T.77.227 

Sothern,  Edward  Askewr.  De  Fontaine,  F.  G.,  editor.  Birds  of  a 
feather  flock  together;  or,  talks  with  Sothern.  New  York.  1S78. 
Portraits.  45493.192;  **T.57.428 

Pemberton,  T.  E.  a  memoir  of  Edward  Askew  Sothern.  Lon- 
don.    1889.     Portraits.  4540.100;  **T.55.96 

Sala,    G.    a.    H.      On    a    remarkable    dramatic    performance 

[Sothern's  Lord  Dundreary].     {In  his  Breakfast  in  bed.     Pp.  7-32. 
Boston.     1863.)  **T.97.i87;etc. 

Sothern,  Edward  Hugh.  Sothern,  E.  H.  The  melancholy  tale  of  "Me." 
My  remembrances.    New  York.    1916.    Portraits.    Plates.    4545.157 

Spiller,  James.  Akerby,  G.  Spiller's  jests:  or  the  life  and  pleasant 
adventures  of  Mr.  James  Spiller.     London.     1729.     Portrait. 

No.  5  in  **G.3823.3 

Stegmann,  Carl  David.  Mentzel,  E.  Karl  David  Stegmann.  Aus 
dem  Leben  eines  Biihnenkiinstlers  des  18.  Jahrhunderts.  (In 
Archiv  fiir  Theatergeschichte.    Vol.  i,  pp.  129-159.     Berlin.     1904.) 

6907.12.1 

Sullivan,  Barry.  Lawrence,  W.  J.  Barry  Sullivan:  a  biographical 
sketch.     London.     1893.     Portrait.  **T.57.450 

SiLLARD,  R.  M.  Barry  Sullivan  and  his  contemporaries.  Lon- 
don.    1901.    2  V.    Portraits.  4545^176;  **T.56.30 

Taconet,  Gaspard  Toussaint.    Artaud,  T.  B.    Taconet.    A  Amsterdam. 

1775.  "  **T.57.i8i 

Talma,  Frangois  Joseph.     Copin,  A.     fitudes  dramatiques:  Talma  et 

I'Empire.     Paris.     1887.  **T.57,20o 

fitudes    dramatiques:    Talma    et    la    Revolution.      Paris. 

1887.  **T.57.269 

Duval,  E.     Talma.     Precis  historique  sur  sa  vie,  ses  derniers 

momens  et  sa  mort.     Paris.     1826.     Portrait.  **T.59.38 

Firmin,    J.    F.      Parallele    entre    Talma    et    Lekain:    esquisse. 

Paris.     1826.  **T.57.34 

Lafon,  p.     Discours  prononce  sur  la  tombe  de  Talma.     Paris. 

1S26.  **T.97.i7 

Laugier,  a.     Notice  sur  Talma.     Paris.     1827.     Plate. 

No.  5  in  **M.i47.i6 

Mejanel,   a.      Memoires   de   Talma.     Londres.      1817.      Plate. 

No.  6  in  **M.i25.7 

Moreau,   C.   F.    T.   B.     Memoires  historiques  et  litteraires  sur 

F.  J.  Talma.     Paris.     1826.  **T.57.32 

Regnault-Warin,    J.    B.    J.    I.    P.      Memoires    historiques    et 

critiques  sur  F.-J.  Talma,  et  sur  I'art  theatral.     Paris.     1827. 

**T.56.i76;etc 
[471 


THE  PUBLIC  LIBRARY  OF  THE   CITY   OF  BOSTON 


Actors.     Biography,  Individual.     (Continued.)      (Arranged  by  subjects.) 

Talma,  F.  J.     Memoires.     Paris.     1849,  50.     4  v.  in  2. 

*4646.55 ;  etc. 

TissuT,  p.  F.     Souvenirs  historiques  sur  la  vie  et  la  mort  de 

F.  Talma.     Paris.     1826.     Portrait.  No.  5  in  **M. 125.7 

Vanhove.  C.  C.  C.    fitudes  sur  I'art  theatral  suivies  d'anecdotes 

inedites  sur  Talma,   et  de  la  correspondance   de   Ducis  avec   cet 
artiste,  depuis  1792  jusqu'  en  1815.     Paris.     1836.  **T.76.54 

Tarlton.  Richard.  Nicholson,  B.  Kemp  and  the  play  of  Hamlet  — 
Vor  rick  and  Tarlton.  (/h  New  Shakspere  Society.  Transactions.  No. 
8.    1880-6.   Part  I.  pp.  57-66.   London.    1881.)    *6552.io.i88o-86.i ;  etc. 

Tarlton.   R.     Tarlton's  Jests   [with   notices  of  Tarlton].     {In 

Hazlitt.  W.  C,  editor.     Shakespeare  jest-books.     Vol.  2,  pp.   189- 
260.     London.     1864.)  4598.1 1.2;  etc. 

Same.     With  some  account  of  the  life  of  Tarlton  by  J. 

O.   Halliwell.     London.     1844.  4596.57 

Telbin.  Rose.  D.,  J.  M.  Memoir  of  the  late  Miss  Rose  Telbin. 
(New   York.      185-?]      Portrait.  **T.98.ii4;  etc. 

Terriss.  William.  Smvth'e,  A.  J.  The  life  of  William  Terriss,  actor. 
Westminster.     1898.     Portraits.     Plates.  **T.55.57 

Terry.  Ellen.  Craig,  E.  G.  Henry  Irving,  Ellen  Terry,  etc.  [Chi- 
cago.    1899-]     Portraits.     Plate.  **T.52.8 

Hiatt,    C.      Ellen    Terry    and    her    impersonations.      London. 

1898.     Portraits.  2549.149;  **T.57.205 

Marshall.  C.    Ellen  Terry.    London.    1907.    Portraits.    Plates. 

45493.196 

Pemberton,  T.  E.     Ellen  Terrj'  and  her  sisters.     New  York. 

1902.     Portraits.     Plates.  4545.178;  **T.56.i  12 

Scott,  C.  W.     Ellen  Terry.     New  York.     [1900.] 

45493.189;  **T.58.i44 

Terry,  E.    The  story  of  my  life.     New  York.     1908.      4545.179 

Thomas,  Emil.     Thomas,   E.     40  Jahre  Schauspieler.     Erinnerungen 

aus  meinem  Leben.  Berlin.  1895.  2  v.  in  i.  Portrait.  **T.57.2i7 
Thompson,    Denman.      Brady,    J.    J.      Life    of    Denman    Thompson 

(Joshua  Whitcomb).  New  York.  [1888.]  Portrait.  **T.57.372 
Thome,  Charles  R.     Thorne,  C.  R.     Memoirs.     By  himself.     N.  p. 

N.  d.     Portrait.  **T.i3.7 

Toole,  John   Laurence.     Hatton,  J.     Reminiscences  of  J.  L.  Toole. 

London.     1889.     2  v.     Illus.     Portraits.  4545.104;  **T.56.22i 

Tree,   .ViV   Herbert    Beerbohm.      Cran,   Mrs.    G.      Herbert    Beerbohm 

Tree.     London.     1907.     Portraits.     Plate.  45493.197 

Uhlich,  Adam   Gottfried.     Heitmueller,   F.   F.     i.   Adam   Gottfried 

Uhlich.     II.    HoUandische    Komodianten    in    Hamburg    (1740  und 

1741).      Hamburg.      1894.  6872.49 

Villeneuve,   Olga   de.     Villeneuve,   O.   de.      Mademoiselle    Olga   de 

Villeneuvc  dans  la  tragedie.  Paris.  1862.  Portrait.  **T.55.i24 
Vincent,    Mary    Ann.      Richardson,   J.    B.      Mrs.   James    R.    Vincent. 

[Cambridge,  Mass.     191 1.]     Portrait.  **T.56.334 

Wallack.  James  William.     Morrell,  T.  H.     A  sketch  of  the  life  of 

James  William  Wallack.  New  York.  1865.  Portrait.  **T.55.2i 
Wallack,    John    Johnstone.       (Lester    Wallack.)       Wallack,    J.     J. 

Memories  of  fifty  years.     New-York.     1889.     Portraits.     Plates. 

4342.88;  **T.57.207;  etc. 
Wallett.  William  Frederick.     Wallett,  W.  F.    The  pu1)lic  life  of  W. 

F.  Wallett.  the  Queen's  jester.   London.    1870.    Portrait.   **T.57.30i 

[48] 


BROWN   COLLECTION   OF   BOOKS    ON    THE   STAGE 

Actors.     Biography,  Individual.     (Continued.)      (Arranged  by  subjects.) 

Ward,  Genevieve.  Gustafson,  Z.  B.  Genevieve  Ward.  A  bio!^raphic;il 
sketch.     Boston.     1882.     Portrait.  4349-97 ;  **T.58.37 

Memoir  of  Genevra  Guerrabclla   [pseud.].     New  York.     1X0,5. 

Portrait.  No.  2  in  **M. 148.7 

Warren,  William.  Ball,  W.  T.  W.  Life  and  memoirs  of  William 
Warren.     [Boston.     1888.]     Portraits.  4343.217;  **T.58.8;  etc. 

[William  Warren.  Clippings,  magazine  articles,  etc.  Bos- 
ton.    19 — ?]     Illus.     Portraits.  **T.55.i39 

Wells,    Mary.     Wells,   M.      Memoirs   of  the   life   of    Mrs.   Sumbel, 

late   Wells.     London.     1811.     3  v.  in    1.  **T.57.4oi 

Wemyss,  Francis  Courtney.     Wemyss,  F.  C.     Twenty-six  years  of 

the  life  of  an  actor  and  manager.  New  York.  1847.  **T.57.i23 
Wessely,     Josephine.       Meiche,     L.       Erinnerungen     an     Josephine 

Wessely       Leipzig.      1887.      Portrait.  **T.57.369 

Weston,  Thomas.     Memoirs.     London.     1776.  **T.56.i47;  etc. 

Wilks,  Robert.    Curll,  E.    The  life  of  that  eminent  comedian  Robert 

Wilks.     London.     1733.     Portrait.  **T.57.i9i 

Memoirs  of  the  life  of  Robert  Wilks,  Esq.     London.     1732. 

No.  20,  21  in  **G.3930.i3.2 

O'Eryan,   D.     Authentic  memoirs   or,   the   life  and  character 

of  Robert  Wilks.     London.     1732.  **T.57.i92 

Williams,  Bransby.    Williams,  B.    An  actor's  story.    London.     1909. 

Portraits.      Plates.  4549.154;  **T.57.ii8 

Woffington,   Margaret.     Daly,  J.   A.     Woffington.      [Philadelphia.] 

1888.      Portraits.  **T.Cab.i.2o;  etc. 

HooLE,    J.      A    monody:    to    the    memory    of    Mrs.    Margaret 

Woffington.      [Verse.]      London.     1760.  No.  7  in  **G.3820.9 

MoLLOY,  J.  F.     The  life  and  adventures  of  Peg  Woffington. 

London.     1884.    2  v.     Portrait.  **T.57,i95;  etc. 

Worthing,  Frank.  Winter,  W.  J.,  editor.  In  memory  of  Frank 
Worthing,  actor.     New  York.     191 1.     Portraits.  **T.55.3i 

Wrighten,  Mary.  Wrighten,  M.  An  apology  for  the  life  and 
conduct  of  Mrs.  Mary  Wrighten.     London.     [17 — ?]         **T.56.i56 

Young,  Charles  Mayne.  Timothy,  pseud.  The  first  play  of  the 
season.     [Charles  Mayne  Young  in  Hamlet.     Edinburgh.     1S28.] 

No.  16  in  **G.3937.ii 

Young,  J.  C.     A  memoir  of  Charles  Mayne  Young,  tragedian, 

with  extracts  from  his  son's  journal.     London.     1871.     2  v.     Por- 
traits. 6547.31 ;  **T.57.358 

Ziegler,  Clara.    Mayerhofer,  J.    Clara  Ziegler.    Biographische  Skizzc. 

Bamberg.     1887.     Portrait.  No.  11  in  **M.2i5.4 

Actors.     Dictionaries.     See  Actors.  Biography. 
Actors.    Portraits. 

See  also  Actors.  Biography.  Collections ;  Caricatures. 

Actors'  Fund  of  America.     Souvenir  and  programme  of  the  Actors' 

Fund  fair.     New  York.     1892.  **T.75.8 

AcTRiCES,   Les,  de   Paris.     Portraits   de    E.   de   Liphart.     Texte  par 

Emile  Bergerat— Daniel  Bernard.  Paris.  1882.  Illus.  **T.53.i6 
Almanack  de  "La  Rampe."     Actrices  parisiennes.     [Paris.     1901.] 

**T,26.2I 

Art  ALBUM  of  footlight  favorites.     [New  York?    190-?]     60  portraits. 

**T.Cab.i.24 

Barnaeee,  H.  C,  compiler.     [A  collection  of  portraits,  principally  of 

Henry  Clay  Barnabee  as  an  actor;  views  of  Oberammergau  and 

[49] 


THE  PUBLIC  LIBRARY  OF  THE   CITY   OF  BOSTON 


Actors.    Portrails.     (Continued.) 

photographs  of  the  actors  in  the  Passion  Play  of  1900.     Boston. 
191-?]  .      **T.53.24 

Beauties  of  the  stage.    New  York.     fuS;-?]  **T.53.6 

Bkown,  a.  K.,  compiler  Dramatic  and  musical  photographs.  [Bos- 
ton.     1911-13.]      10  V.  **T.I2.I 

r Collection  of  63  character  portraits,  mostly  English.    With  index.] 

**K.i75.6 

Costumes  of  the  modern  stage.  Part  1-5.  Edited  by  M.  Mobisson. 
Illustrations  bv  MM.  Lebegue,  Mesples,  etc.     [London.     1889-90.] 

**T.92.i 

Craig,  E.  G.  Henrv  Irving,  Ellen  Terry,  etc.  A  book  of  portraits. 
[Chicago.     1899.]  **T.52.8 

Dramatic  souvenirs      [Boston.     1910-13.]     6  v.  **T.i2.4 

51  portraits  of  actors,  mostly  English  and  of  the  early  nineteenth 
century.     N.  p.     N.  d.  **K.26o.5 

Galerie  des  artistes  dramatiques  de  Paris.  Portraits  par  Al. 
Lacauchie,  et  accompagnes  de  portraits  litteraires.  Paris. 
i84i[-43].     2  V.     Portraits.  **T.52.ii 

Galerie  dramatique.  ou  acteurs  celebres  qui  se  sont  illustres  sur  les 
trois  grands  theatres  de  Paris.     Paris.     1809.     Colored  portraits. 

**T.59.49 

Galerie  theatrale  ou  collection  des  portraits  en  pied  des  principaux 
acteurs  des  premiers  theatres  de  la  capitale.     Paris.     [1842?]     3  v. 

**T.5i.i4;  etc. 

Gallery  of  players.  [Quarterly.]  No.  1-9,  11.  From  The  Illustrated 
American.     New  York.     i894[-97].  **T.52.9 

Geoffroy,  C.  M.  Nouvelle  galerie  des  artistes  dramatiques  vivants. 
Contcnant  40  portraits  des  principaux  artistes  dramatic|ues  de 
Paris.  Chaque  portrait  est  accompagne  d'une  notice  biographique 
et  d'une  appreciation  litteraire  par  Alex.  Dumas,  Albert  Cler, 
Arnould.     Paris.     1855.     2  v.     Portraits.  **T.53.9 

Guillaumut,  A.,  fils.  Costumes  des  ballets  du  roy.  Archives  de 
rOpera,  xviiie  siecle.   20  planches  en  couleur.    Paris.    1885.   **T.92.7 

HiCHENS,  H.,  editor.  American  actors  and  actresses  of  today  — 
particularly  those  favorite  to  Cleveland,  with  lists  of  their  prin- 
cipal appearances.     [Cleveland.     1913.]  4349a.289 

HoussAVE,  A.  La  Comedie  frangaise,  1680-1880.  [31  portraits.  Paris.] 
1880.  **Cab.26,29.4 

Illustrated  American  stage,  The.  A  pictorial  review  of  the  most 
notable  recent  theatrical  successes.     New  York.     1901.       **T.53.2 

Lawrence,  B.  Celebrities  of  the  stage.  London.  [190-?]  Colored 
portraits.  **T.5i.i3 

Lee,  VV.  H.,  compiler.  Dramatic  &  musical  programs.  [Accompanied 
by  portraits  of  the  performers  and  in  many  cases,  by  scenes  from 
the  plays.  Boston.  1897-1913.]  13  v.  Illus.,  some  colored.  Por- 
traits, some  colored.  **T.io.68 

L<iLifti;.  F.  A.  La  Comedie-frangaise.  Histoire  de  la  maison  de 
Moliere  de   1658  a   1907.     Paris.     1907.     Illus.     Portraits.     Plates. 

♦4671.31 

Marie  Burroughs  art  portfolio,  The,  of  stage  celebrities.  A  collec- 
tion of  photographs  of  the  leaders  of  dramatic  and  lyric  art. 
Chicago.     1894.  **T.54.i2;  etc. 

Mavai.l.  J.  E.  Mayall's  Cclel>rities  of  the  London  stage:  a  scrits 
of  photographic  portraits  in  character.  [In  18  nos.]  Nos.  1-8. 
London.     (1867.)  **T.54.3i 

I  5(1] 


BROWN   COLLECTION   OF  BOOKS   ON   THE   STAGE 


Actors.    Portraits.     (Continued.) 

MiRoiR  draniatique,  Le.  Biographic  des  acteurs  et  actrices  dc  Paris. 
No.  2.     Paris.     [1878.]  **T.53.i 

New  York,  City.  Theatres.  Raymond  Hitchcock's  44Th  Stkkkt 
THEATRE.  Souvcnir  programme.  Edward  E.  Rice's  testimonial  in 
celebration  of  his  forty  years  in  management,  1877-1917,  tendered 
by  members  of  his  companies  and  other  friends.  [New  York. 
The  Kane  Press.     1917.]     Portraits.     Plates.  **T.i2.i3 

Operatic  &  dramatic  album,  The.  [Containing  53  portraits.  London. 
1877?]  **T.si.io 

Pearson,  C.  A.,  publisher.  Pearson's  Photographic  portfolio  of  foot- 
light  favourites.     London.     [189-?]  **T.52.2 

Players  of  the  day.  A  series  of  [48]  portraits  in  colour  of  theatrical 
celebrities  of  the  present  time.     London.     [1903.]  **T.5i.ii 

Portraits  des  artistes  des  theatres  de  Paris.  [Paris.  18 — ?]  70 
portraits.  **T.5i.5 

Portraits  of  actors  and  actresses.     [Boston.     1912.]     2  v.      **T.i4.io 

Portraits  of  dramatic  celebrities.     N.  p.     N.  d.     (60)   portraits. 

**T,I2.2 

Portraits  of  English  actors  of  the  eighteenth  and  early  nineteenth 

centuries,  130  in  number.     N.  p.    N.  d.  **K.i2oa.4 

Portraits  of  favorite  actors  and  actresses.     N.  p.     N.  d.  **T.ii.3 

Reference,  La,  des  Portraits  contemporains  pour  1897-1900.     Annee 

1-4.     Paris.     1897-1900.     4  V.     Portraits.  **T.25.27 

Reutlinger, .    Le  panorama.    Nos  jolies  actrices.    Paris.     [189-?] 

**T.52.5 
Saturday    Programme,    The,    and    sketch-book.      [Weekly.]      (With 

which  is  incorporated  the  Figaro-Programme.)      London.     1874- 

76.    5  V.  **T.25.i4 

Scrap-book  of  scenes  and  views.     [Illustrations,  portraits  and  plates 

cut  from  various  books.     Boston.     187-?]  *626o.i3 

Shakespeare,    W.     The    complete   works   of    Shakespeare,    from    the 

original  text.     Illustrated  with  steel  engravings,  chiefly  portraits 

in  character  of  celebrated  American  actors.     New  York.     [  1856.] 

3  V.  *459i-4 

Smith,  H.  B.     Stage  lyrics.     [With  forty-one  character  portraits  of 

stage  favorites.]     New  York.     1900.  *4396.i75 

Stars  of  the  photoplay.     Chicago.     1916.  8061.253 

Stein,  P.     Deutsche  Schauspieler.     Berlin.     1907,  08.     2  v.       *6907.i9 
Stephens,   R.  N.     Queens  of  the  drama.     Portraits  by  F.   L.   Kirk- 

patrick  and  C.  A.  Worrall.     Biograplfies  by  Robert  N.  Stephens. 

Troy,  N.  Y.     [189-?]  **T.5i.i2 

Tallis,  John,  &  Co.,  publishers.     70  engravings  from  photographs  of 

living  actors,  illustrative  of  Shakespeare's  plays.     [London.     185 1  ?] 

**G.Cab.i.8 
Tallis's  Shakspere  gallery  of  engravings.     London.     [1850-53.] 

**T.23.i2;  etc. 
Terry,  D.     British  theatrical  gallery.     A  collection  of  whole  length 

portraits,    with    biographical    notices.      [London.]       1825. 

**T.52.i;etc. 
Theatres,    Les,    de    Paris.      Notices    et    portraits.      Texte    par    une 

societe  de  gens  de  lettres.     Dessins  par  Eustache  Lorsay.     Paris. 

[1854.]      Colored  portraits.  **T.53.i2;  etc. 

Theatrical  portraits.     London.     [190-?]     8  portraits  in  ])orttolio. 

**T.Cab.i.22 

[51] 


THE  PUBLIC  LIBRARY  OF   THE   CITY   OF  BOSTON 


Actors.    Portraits.     (Continued.) 

Trumble,    a.      Great    artists    of    the    American    stage.      A    portrait 
gallery   of    the   leading  actors   of   America.      With    critical    bio- 
graphies.    Part  I.    N.  Y.     1882.  **T.55.5 
Actors.    Portraits.    Catalogues. 

Club  of  Odd  Volumes.  Boston.  Exhibition  of  prints  and  playbills 
to  illustrate  the  history  of  the  Boston  stage  (1825  to  1850),  from 
the  collection  of  Robert  Gould  Shaw.  [Boston.  1915.]  **Q. 17.31 
FiLiPPi,  J.  DE.  Catalogue  des  estampes  &  dessins,  architecture 
thea'trale.  scenes  theatralcs,  decorations,  costumes  et  portraits, 
dont  la  vcnte  aura  lieu  23-25  mai  1861.     Paris.     1861.  **T.66.6 

Garrick.  D.  a  catalogue  of  a  collection  of  engravings,  consisting 
chiefly  of  English  and  foreign  portraits,  the  property  of  the  late 
David  Garrick.    Which  will  be  sold  by  auction.     [London.     1825. 1 

No.  I  in  **G.395i.i7 
Grolier  Club,  .W;.'  York.     Catalogue  of  engraved  portraits  of  actors 
of   olden    time.      [Exhibited    at]    the    Grolier    Club.      New    York. 
[1907.]  **T.58.i47;etc. 

H.\LLE,  T.  Portrait-Katalog  zur  Geschichte  des  Theaters  und  der 
Musik.     Katalog  XL     Munchen.     [188-?]     2  v.  **T.65.i4 

Lacy,  T.  H.  Catalogue  of  [his]  extensive  and  valuable  collection 
of  portraits,  comprising  theatrical  performers,  dramatists,  com- 
posers and  others  connected  with  the  stage,  which  will  be  sold 
by  auction.     [London.]     1873.  **T.66.9 

Mann,  C.  N.  The  private  library  and  collection  of  portraits  of 
Charles   N.   Mann.     For  sale  at   auction.     New   York.     1907. 

**T.65.3o 
Mathews,    C.      Catalogue    raisonnee    of    Mr.    Mathews's    gallery    of 
theatrical   portraits,   forming  a  nearly  complete   dramatic  record 
from  the  year  1659  down  to  the  present  time.     London.     1833. 

**T.65.46;etc. 
Merwin-Clavton    Sales    Company,    auctioneers.      The    library    of    a 
dramatic  author  and  critic  consisting  of  dramatic  literature,  por- 
traits, etc.    To  be  sold  at  auction.    New  York.     1906.  **T.65.34 
Nebe,  H.    Catalogue  of  the  collection  of  prints  (including  pamphlets, 
etc.)  formed  by  the  late  Harvey  Nebe.     Including  original  draw- 
ings, rare  portraits  and  play  bills.    For  sale  at  auction.    New  York. 
1 1902.]  **T.66.26 
Players,  The,  New  York  City.    The  pictures  of  The  Players.     [Cata- 
logue.    New  York.     1895.]  8077.55 
Robins.  Messrs,  auctioneers.     Extensive  and  uncommon  collection   of 
theatrical  portraits.     A  catalogue  of  a  very  curious  collection  of 
engravings  of  actors  and  actresses,   from  the   earliest  period   to 
the  present  day,  which  will  be  sold  by  auction.     London.     1825. 

No.  2  in  **G.39Si.i7 
SoLEiRou  H.  A.     Catalogue  de  la  galeric  theatrale  recueillie  par  feu 
M.  H.  A.  Soleirol.     Portraits  d'artistes  dramatiques  dont  la  ventc 
aura  lieu  les  29  avril  -  2  mai.     Paris.     1861.  **T.66.20 

Theatre  d'application,  Paris.  Auteurs  et  acteurs.  Catalogue  de 
I'cxposition  de  portraits  installee  dans  les  galeries  du  Theatre 
d'application.  Paris.  1889.  Portraits.  Plates.  **T.66.i4;  etc. 
TiioRNBER,  H.  Catalogue  of  engravings  of  theatrical  scenes  and  por- 
traits. London.  (  1888.]  Portraits.  **T.65.i5 
Toole,  J.  L.  Catalogue  of  an  interesting  collection  of  books  and 
portraits  relating  to  the  drama.     London.     1906.  **T.66.23 

I52J 


BROWN   COLLECTION    OF   BOOKS    ON    THE   STAGE 

Actors.    Portraits.    Catalogues.     (Confirmed.) 

Wylie,  C.  J.  Catalogue  of  [his]  collection  of  theatrical  portraits, 
comprising  mezzotint  and  other  engravings,  water-colour  draw- 
ings, which  will  be  sold  by  auction.     London.     1901.        **T.65.45 

Actors.     Shakespearian.     See  Shakespeare.     Representation  of  his  plays. 

Actors    abroad. 

This  heading  includes  accounts  of  performances  by  companies  of  actors  settled 
temporarily  in  a  foreign  country. 

See  also  Commedia  dell'  arte;   Italian  players  in   France;   Strolling 

players;  Travelling  companies. 
Baschet,  a.     Les  comediens  italiens  a  la  cour  de  France  sous  Charles 

IX,  Henri  III,  Henri  IV  et  Louis  XIII.   Paris.   1882.  2662.73;  **T. 76.146 
Chaulin,    N.    p.      Biographic    dramatique    des    principaux    artistes 

anglais    venus    a    Paris;    precedee    de    souvenirs    historiques    du 

theatre  anglais  a  Paris,  en  1827  et  1828.     Paris.     1828.        **T.59,io 
CoHN,  A.    Shakespeare  in  Germany  in  the  sixteenth  and  seventeenth 

centuries:    an    account    of    English    actors    in    Germany    and    the 

Netherlands.     London.     1865.  *459i-3 

Delius,  N.     Die  englischen  Comodianten  in  Deutschland  zu   Shak- 

spere's  Zeit.     Ein  Vortrag.     Bremen.     1865.  No.  4  in  **G.6oa.24 

Daly,  J.  F.    The  life  of  Augustin  Daly  [including  an  account  of  the 

visit  of  Mr.  Daly's  company  to  Europe.]     New  York.     1917.     Por- 
traits. 6257.146 
English  analyses   of   the   French  plays   represented  at  the   Gaiety 

Theatre,  London,  June  and  July,  1879,  by  the  Comedie  frangaise. 

London.      [1879.]  **T.95.93 

FouRNiER,  E.     L'Espagne  et  ses  comediens  en  France  au  xviie  sieclc. 

Paris.     1864.  **T.95.64 

Harkensee,    C.    H.    T.      Das    franzosische    Theater    [in    Hamburg]. 

Hamburg.     1S96.  4670.3? 

Heitmueller,    F.   F.     I.   Adam   Gottfried    Uhlich.     11.    Hollandiscl'.e 

Komodianten  in  Hamburg.    (1740,  I74i-)    Hamburg.    1894.    6872.49 
Herz,    E.      Englische    Schauspieler    und    englisches    Schauspicl    zur 

Zeit   Shakespeares   in    Deutschland.      Hamburg.      1903.  6872.60 

London.     Theatres.     Gaiety  theatre.     The  Gaiety  programme.     [The 

performances  of  the  Comedie  frangaise.    London.    1879.)    *-=T.i5.i3 
Mayer,    M.    L.      The    Gaiety    French    plays.      Season,    1880.      Short 

biographies  of  the  actors  &  actresses.     London.     1880.    **T.97.i9o 
Meissner,  J.     Die  englischen  Comoedianten  zur  Zeit  Shakespeares 

in  Oesterreich.     Wien.     1884.  2590.3 

Olivier,  J.  J.     Les  comediens  frangais  dans  les  cours  d'Allemagne  au 

xviiie  siecle.     Paris.     1901-05.    4  v.     Portraits.     Plates.     **T.74.io 
Paris.    Theatres.    Comedie  franqaise.    La  comedie  frangaise  a  Londres 

(1871-1879).      Paris.      1880.  2676.156;  **T.78.i2 

Paris.     Theatres.     Theatre   du    Vaudeville.     La   troupe   americaine 

d' Augustin  Daly  donnera  une  serie  de  representations  au  Theatre 

du  Vaudeville.     [Programmes  et  resumes.    Paris.]     1886.    **T.ii.8 
Some  considerations  on  the  establishment  of  the  French  strolers; 

the    behaviour   of  Iheir   bully-champions,    and   other   seasonable 

matters.     [London.     1749.]  **T.97.5o 

Zimmermann.  p.     Englische  Komodianten  in  Wolfenbiittel.     (In  Ger- 

manische  Abhandlungen.  Pp.  215-224.  Strassburg.  1902.)  6875.58 
Actors  and  editors.  Poem.  Under  graduate,  An.  No.  10  in  **G.3824.i3 
Actors  as  they  are;  a  series  of  sketches  of  the  most  eminent  performers 

now  on  the  stage.     New- York.     Roorbach.     1856.     3-85  pp. 

Another  copy  is  on  shelf-number  *4343-233-  ■  ^••T.56.115 

[531 


THE  PUBLIC  LIBRARY  OF  THE   CITY   OF  BOSTON 


Actors  by  daylight;   or,  pencilings  in  the  pit.     [Weekly.]      Containing 

memoirs  of  the  most  celebrated  London  performers.     Vol.  i   (no. 

1-40,42-51).    London.    Pattie.     [1838,39-]     Portraits.        **T.26.27 

Actors  by  gaslight,  or  "Boz"  in  the  boxes.     [Weekly.]     No.  1-37.    Apr. 

'1  -  Dec    -^g    1S38      [London.     1838.]     296  pp.     Portraits.     Plates. 

**T.26.i4 
Actors  of  the  century.     Whyte,   F.  **T.53.8;  etc. 

Actors'  art.  The.    Garcia,  G.  **T.77.79;  etc. 

Sec  also  Actor's  art,  The. 
Actors'  children. 

Dorothea   Dix    Hall   Association,   Boston.     A   home   and    school   for 
stage  children  and  children  of  actors.     [Organization,  history,  and 
treasurer's  report  for  1907.]    Boston.    1908.    Illus.    Plates.    5577-145 
Actors'  Church  Alliance. 

Siii.NN,  G.  W.     The  Actors'  Church  Alliance.     [New  York.     1902.] 

5549-38 
Actors'  Church  Alliance  of  America.    Boston  Chapter. 

Annual  report  [ist].     Boston.     1901.  *5579a.i90 

Actors'  fete,  The. 

H.,  A.  The  actors'  fete  [at  the  Crystal  Palace,  London.  London. 
187-?].  No.  21  in  **G.3822.3 

Actors'  Fund  of  America. 

.\ct  of  incorporation  and  by-laws.     New  York.     1896.     29  pp. 

*4479a.i8i 
Annual  report,  5th-ioth,  i4tli-25th,  27th-32d.     New  York.     1886-1913. 
23  V.  in  4  and  unbound  parts.     Plate.  **T.i5.i5 

Complimentary  souvenir  programme.  Benefit  performance,  Boston 
Theatre.  April  21st,  1910.  [Boston.  The  Mudge  Press.  1910.] 
21  pp.  **T.i5.2i 

Souvenir  and  programme  of  the  Actors'  Fund  fair.  Madison  Square 
Garden,  May  2d  -  7th,  1892.  New  York.  1892.  212  pp.  Portraits. 
Plates.    Autograph  facsimile.  **T.75.8 

Actors*  remonstrance.  The,  or  complaint,  for  the  silencing  of  their 
profession,  and  banishment  from  their  severall  playhouses.  Lon- 
don. Printed  for  Edw.  Nickson.  1643.  [London.]  Marshall. 
1822.    7  pp.  **T.95.3i 

Refers  to  the  closing  of  the  theatres  by  Act   of   Parliament   in    1642. 
Other   copies   on    **T.95.35  ;    No.  2  in  **G. 3823. 53. 

Same.     London.     1869.     8  pp.      [Mr.  Ashbee's   Occasional   facsimile 

reprints.    4.]  No.  4  in  *2423.5o.i 

No.  6  of  an  edition  of  100  copies. 

Same.    London.   Printed  for  Edw.  Nickson.    1643.    [London.    Reeves  & 

Turner.     1873.]     (2),  10  pp.     [The  old  book  collector's  miscellany.] 

No.  19  in  *4555-52.3 

Actress,  The.  in  high  life:  an  episode  in  winter  quarters.     New  York. 

Derby  &  Jackson,     i860.     7-416  pp.  **T.87.43 

Actress,  The,  of  the  day.    Poem.     R.,  G.  F.  **T.58.29 

Actresses.    See  Actors. 

« 

Actricc.  t'lK',  d'un  jour.    Jacouot,  C.  J.  B.  No.  11  in  *667i.2.6 

Actrices,  Lcs.     Gonxourt,  E.  L.  A.  H.  de,  and  J.  A.  H.  de  Goncourt. 

.          ,  **T.99.55 

Actrices,  Lcs,  de  Paris.     Portraits  de  E.  de  Liphart.  Texte  par  fimile 

lUrgcrat  — Daniel    Bernard.      Paris.      Launette.  1882.      (3),    128, 

(3>  PP-     Illus.     Portraits.  **T.53.i6 

Actrices,  Lcs,  dc  Paris.     Savard,  F.  **T.57.302 

154] 


BROWN   COLLECTION   OF   BOOKS   ON    THE   STAGE 


Actrices,  Les,  du  xviii^  siecle. 

GoNcouRT,  E.  L.  A.  H.  de.  La  Guimard  d'apres  les  registres  des 
menus-plaisirs  de  la  bibliothequc  de  I'Opcra,  etc.     Paris.      1S93. 

**T.57.227;  etc, 
Mademoiselle  Clairon  d'apres  ses  correspondances  et  les  rap- 
ports de  police  du  temps.     Paris.     1890.  2657.109;  **T.57. 324 
Adam,  J.  R. 

"A  word"  with  Bunn,  after  Burns's  "Address  to  the  Deil."  London. 
Brittain.     [1847.]      12  pp.  **T.57.303 

Adams,  Florence  A.  Fowle. 

Gesture  and  pantomimic  action.  New  York.  Werner.  1891.  (3), 
iv,  7-221  pp.     lUus.     Music.  3596.106 

Same.    2d  edition.  **T.7S.2i 

Adams,  J.  Davenport. 

Catalogue  of  dramatic  literature  including  memoirs,  autobiographies, 
works  of  famous  dramatists,  early  playbills,  Shakespeareana,  etc. 
Also  a  few  books  on  music,  books  on  costume,  etc.,  etc.  From  the 
library  of  the  late  J.  Davenport  Adams,  and  other  collections. 
Offered  by  Francis  Edwards,  bookseller.  London.  [Flower.] 
1905.    28  pp.  **T.66.25 

Relates  to  the  English  stage. 

Adams,   Joseph   Quincy. 

The  conventual  buildings  of  Blackfriars,  London,  and  the  playhouses 
constructed  therein.  [London?  191-?]  25  pp.  Plans.  **T.75.8o 
Shakespearean  playhouses.  A  history  of  English  theatres  from  the 
beginnings  to  the  Restoration.  Boston.  Houghton  Mifflin  Com- 
pany. [1917.]  xiv,  (i),  473  pp.  lUus.  Portraits.  Plates.  Maps.  Plans. 
A  few  pages  are  devoted  to  Ogilby's  Dublin  Theatre.  4594. 156 

Adams,  Joseph  Quincy,  editor. 

Herbert,  Sir  H.  The  dramatic  records  of  Sir  Henry  Herbert.  Master 
of  the  Revels,  1623-1673.    New  Haven.    1917.    Portrait.    Facsimile. 

*2552.215 

Adams,  Maude. 

Maude  Adams  in  The  little  minister.  [By  J.  M.  Barrie.]  Edition- 
de-luxe  souvenir  published  by  arrangement  with  Mr.  Charles 
Frohman.  With  drawings  by  Allan  Gilbert.  New  York.  Russell. 
1898.  (2)  pp.  Portraits.  Plates.  Autograph  facsimile.  **T.52.i4 
Adams,  William  Davenport. 

A  book  of  burlesque.  Sketches  of  English  stage  travestie  and  parody. 
London.  Henry  &  Co.  1891.  vi,  (i),  220  pp.  Portraits.  [The 
Whitefriars  library  of  wit  and  humour.]  4573-i3o;  **T.47-63 

A  dictionary  of  the  drama.  A  guide  to  the  plays,  playwrights,  players, 
and  playhouses  of  the  United  Kingdom  and  America  from  the 
earliest  times  to  the  present.  Vol.  i:  A-G.  Philadelphia.  J.  B. 
Lippincott  Co.     1904.  *6252.76 

No  more  was  published. 

With  poet  and  player.  Essays  on  literature  and  the  stage.  London. 
Stock.     1891.'    viii,  228  pp.  4578.141 ;  **T.98.28 

Adams,  William  Henry  Davenport. 

The  Merry  Monarch:  or,  England  under  Charles  IL  Its  art.  litera- 
ture, and  society.     London.     Remington  &  Co.     1885.     2  v. 

2570.23;  **T.56.228 

Nell  Gwynne.  (In  his  Famous  beauties  and  historic  women.  Vol. 
I,  pp.  1-32.     London.     1865.)  2249.57.1 

Another  copy  is  on  shelf-number  **K.284.6. 1. 


[55] 


THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 


Adderley,  Hon.  James  Granville. 

Thu  fiyht  for  the  drama  at  Oxford.  Some  plain  facts.  With  a  pre- 
face bv  W    L.  Courtney.     Oxford.     Blackwell.     iS88.     xiv,  35  pp. 

**T.98.29 
Adderley,  Hon.  James  Granville,  prefacer. 

M.vlKI.n.nox.  a.  The  Oxford  amateurs.  A  short  history  of  theatricals 
at  the  University.     London.     1910.     Portrait.     Plates.  2497.183 

Address,  An.  to  persons  of  fashion.     Hill,  Sir  R.,  Baronet. 

**T.76,85;etc. 

Address    An.  to  tiie  inhabitants  of  Manchester,  on  theatricals.     Verse. 

Watson.  J.  **T.77.29 

Address,  An.  to  the  ladies  on  the  indecency  of  appearing  at  nnmodcst 

plays.     London:   Printed  for  R.  Griffiths.      1756.     (i),  22  pp. 

No.  5  in  **G.3824.i6 
Address,  An.  to  the  public.    Edinburgh.    Printed  in  the  year  1767.    24  pp. 

**T.96.i82 
KiLites  to  tbc  claims  of   David   Ross   to   the  Theatre   Royal,   Edinburgh. 
Address,  An.  to  the  public,  on  the  immorality  of  theatrical  amusements. 
N.  p.     [18—?]     8  pp.  **T.76.i33 

Adelgonda,  of  Bavaria,  consort  of  Francis  V.,  Duke  of  Modena. 

Brl-.n'i.  G.,  and  others.  Albo  pittorico  di  alcune  feste  modenesi  nella 
fausta  occasione  delle  nozze  auguste  tra  I'A.  R.  dell'  Arciduca 
Francesco  Ferdinando,  Principe  Ereditario  di  Modena  e  S.  A.  R. 
la  Principessa  Adelgonda  di  Baviera.     Modena.     1842.     Plates. 

**T.92.3 
Adelphi,  London. 

P.ki;ret(>n.  A.  The  literary  history  of  the  Adelphi  and  its  neighbour- 
hood.   With  a  new  introduction.    New  York.    1909.    Plates.     Map. 

2493.164 
Ademollo,  Agostino. 

Gil  spettacoli  dell'  antica  Roma.  Descrizionc  istorica.  Firenze.  A 
spese  deir  autore.     1837.    403  pp.  *2950.i3 

Ademollo,  Alessandro. 

1  tcatri  di  Roma  nel  secolo  decimosettimo.  Roma.  L.  Pasqualucci. 
1W8.     xxviii,  283  pp.  2762.74 

I'.ibliografia  della  cronistoria  teatrale  italiana,   pp.   ix-xv. 

Ader,  Jean  Joseph. 

Traite  du  melodrame,  par  MM.  A!  A!  A!  [pseud,  de  Armand  Mali- 
tourne.  Juste  Abel  Hugo  et  Jean  Joseph  Ader].  Paris.  Delaunay. 
1817.     viij,  79,  (i)  pp.  **T.96.307 

Adice,  G.  Leopold. 

Theoric  de  la  gymnastiquc  de  la  danse  theatrale.  Paris.  Chaix  & 
cic.      1859.     202  pp.  **M. 121.29 

Adolphus,  John. 

Memoirs  of  John  Bannister,  comedian.  London.  Bentley.  1830. 
2  v.     Portrait.  **T.55.io8 

Same.     [1839.]     2  v.  in   i.  **K.33.io 

Adventures  of  an  actor.     Lafitte,  J.  B.  P.  4565.3;  **T.57. 71 

Adventures,  The,  of  an  actor,  in  the  characters  of  a  merry-Andrew,  a 
.Mttliodist-preacher,  and  a  fortune-teller.    Founded  on  facts.    Lon- 
don: Printed  for  the  author.     [17—?]     (i),  334  pp.  **T.88.io 
Adventures,  Tlie,  of   Billy  Shakespoke  before  and   behind  the  curtain. 

Sec  Farrar,  C.  A.  J.     AuKiteur  and  professional  stage  life. 
Adventures,  TIic,  of  a  dramatist,  on  a  journey  to  the  London  managers. 
[Anon.]     See  Frere,  Benjamin. 

1561 


BROWN   COLLECTION    OF  BOOKS    ON    THE   STAGE 


Adventures,  The,  of  a  strolling  player.     Tomkins,  Simon,  pseud. 

**T.58.r27 
Adventures  of  a  ventriloquist.     Monciueff,  W.  T.  No.  2  in  **T. 57.373 

Adventures,  The,  of  the  strange  man  Dr.  H.  S.  Lynn.     Lynn,  H.  S. 

**T.98.8 
Advertising. 

Johnson,  F.  G.  The  press-agents  handbook.  How  to  advertise  a 
play.     Chicago.     [1916.]  6197.128 

Aeschylus.    Eumenides.    Illustrations. 

Farren,  R.    The  Eumenides  of  Aeschylus  as  performed  by  members 

of  the  University  at  the  Theatre  Royal,  Cambridge,   December, 

1885.     Cambridge.     1886.     (6)  plates.  **T.42.4 

Affaire  ]\Iarie  Colombier  —  Sarah  Bernhardt.     Pieces  a  conviction.     [5c 

edition.]     Paris.     1884.     71  pp.     Portrait.  6645.85 

Aflalo,  Frederick  George. 

Round  the  world  with  "A  Gaiety  girl."  By  Granville  Bantock  and 
F.  G.  Aflalo.  Illustrated  from  photographs.  London.  Macqueen. 
1896.     172  pp.     Portraits.  **T.57.i48 

A  Gaiety  girl  was  composed  by  Sidney  Jones. 

African  Roscius,  The,  pseud.     See  Aldridge,  Ira. 

Age,  The,  Theatrical,   Musical,   &  Sporting.     Sec   Sporting   Pilot,   The, 

and  the  Age,  Theatrical,   Musical,  and  Sporting. 
Agen,  France.    Theatres. 

Magen,    a.      La   troupe    de    Moliere    a   Agen    d'apres   un    document 

inedit.     Paris.     1877.  **T.56.i44 

Agnel,  fimile. 

Code-manuel    des    artistes    dramatiques    et    des    artistes    musiciens. 

Paris.     Mansut.      [1851.]      viii,   260  pp.  **T.78.7 

Agnew,  Frances,  pseud.     See   Scheuing,  Frances   May. 
Aguecheek.     Fairbanks,  C.  B.  6264.59;  **T.97. 106 

Ah!  comme  ils  mentent!     [Paris.     1892.]     9  pp.  No.  4in  **G.i57.io 

Upon  the  cost  of  representing   tlie   plays   of  Oedipe  a   Colone  and   Semiramis  at 
the  Paris  Opera.     The  title-page  is  missing. 

Aicard,  Jean  Frangois  Victor,  prefacer. 

Darzens,  R.     Le  Theatre  libre  illustre.     Paris.     1890.     Illus.     Por- 
traits. **T.74.i4 
Aigueberre,  Jean  Baptiste  du  Mas  d'. 

Seconde  lettre  du  souffleur  de  la  Comedie  de  Roiien  au  gargon  de 
caffe  ou  entretien  sur  les  defauts  de  la  declamation.  [Anon.]  A 
Paris,  Chez  Tabarie.     1730.     86  pp.     Plates.  No.  2  in  **T.58.64 

Aiken,  Samuel  Clark. 

Theatrical  exhibitions,  a  sermon.   Cleveland.    Penniman.    1836.    19  pp. 

Pp.  3-6  are  missing.  **T.76.8l 

Aikin,  Arthur. 

Styles,  J.  A  defence  of  An  essay  on  the  immoral  and  anti-Christian 
tendency  of  the  stage,  against  the  animadversions  of  a  critique 
[by  Arthur  Aikin]  in  the  Annual  Review.   London.    1807.  **T.96.i09 

An  essay  on  the  character  and  influence  of  the  stage  on  morals 

and  happiness.     2d  edition,  with  an  appendix   [containing  Stric- 
tures on  an  article  by  Arthur  Aikin].     London.     1807.     **T.77.i57 
Aikin,  Samuel  Clark.     See  Aiken,  Samuel  Clark. 

Airs  varies.     Jullien,  J.  L.  A.  4057-35;  **M. 127.40 

Aix,  France.     Theatres. 

JoLY,  A.  Note  sur  Benoet  du  Lac;  ou,  le  theatre  et  la  Bazoche  a 
Aix  a  la  fin  du  xvie  siecle.    Lyon.    1862.  **T.76.44 

[57] 


THE  PUBLIC  LIBRARY  OF  THE   CITY  OF  BOSTON 


Akerby,  George. 

Spiller's  jests:  or  the  life  and  pleasant  adventures  of  the  late  cele- 
brated comedian  Mr.  James  Spiller.  [Anon.]  London:  Cook. 
[1729.]     48  pp.     Portrait.  No.  5  in  **G.3823.3 

Siiiller    was    f.ir    many    years   comedian    at    the    theatre    in    Lincohi's    Inn    Fields, 
London. 

Albanes,  A.  d',  pseud.     See  Havard,  Jean  Alexandre. 
Albany,  N.  Y.    Theatres. 

Phei.ps,  H.  p.  Players  of  a  century.  A  record  of  the  Albany  stage. 
Including  notices  of  prominent  actors  who  have  appeared  in 
America.     Albany.     1880.  **T.77.7;  etc. 

Alberg,  Albert. 

Anson,  W.  S.  W.  Life  of  Albert  Alberg  (actor-author).  [London. 
1883?]  **T.57.376 

Albert,  Motistcur,  pseud.     See  Decombe,  Ferdinand  Albert. 
Albert,  Georges.     (Georges  Bertal.) 

Auguste  Vacquerie:  sa  vie  et  son  cruvre.     Lettre-preface  de  Henri  de 
Lapommeraye.     Paris.     Andreol.     1889.     (4),  xvii,   112  pp.      Por- 
trait. **T.56.47 
Albert,  Maurice. 

Les  theatres  de  la  foire.     (1660-1789.)     Paris.     Hachette  &  c'e.     igoo. 

(7).  312  pp.     lUus.     Plates.  4676.104;  **T,97.254 

Les  theatres  des  Boulevards,     (i 789-1848.)     Paris.     Societe  frangaise 

d'imprimerie  et  de  librairie.    1902.    (3),  381  pp.   4676.134;  **T.77.ii2 

Alberti,  Conrad,  pseud.     See  Sittenfeld,  Conrad. 

Albouis   d'Azincourt,   Joseph    Jean    Baptiste.      See    Dazincourt,   Joseph 

Jean  Baptiste  Albouy. 
Albright,  Victor  Emanuel. 

Tile  Shakspcrian  stage.  New  York.  The  Columbia  University  Press. 
1912.  xii,  194  pp.  Plates.  Plans.  [Columbia  University.  Studies 
in   English.]  4558-43 

Album  de  I'opera.  Principales  scenes  des  meilleurs  ouvrages  repre- 
scntes  sur  la  scene  de  I'Academie  royale  de  musique.  Paris. 
Challamel.     [184-?]     44  pp.     Portraits.     Plates.  **M.i2i.i9 

Another  copy  is  on  shelf-number  **M.i22.  i8. 

Album  der   Biihnen-Costiime.     Bloch,   E.  *6252.9 

Album  des  theatres,  par  Guyot  et  A.  Debacq.  Tome  i.  Annee  i.  Paris. 
Guyot.     1837.     (2),  246,  8  pp.     Plates.  **T.24.8 

Alden,  Raymond  Mac  Donald,  editor. 

The  trve  historic  of  the  Knyght  of  the  Bvrning  Pestle,  by  Francis 
Beavmont  and  lohn  Fletcher.  Bookc  of  the  play  as  presented 
by  the  English  Clvb  of  the  Stanford  University;  including  a  com- 
pendiovs  discourse  on  seeing  an  Elizabethan  play,  the  words  & 
mvsick  of  manie  pleasaunt  songes  as  sung  in  the  plaie,  and  a 
notable  accovnt  of  how  a  young  gallant  shovld  behave  himselfe 
in  a  play-house,  reprinted  from  the  Gvlls  horne-book  by  T. 
Deckar.     San   Francisco.     1903.     Portraits.     Plates.  25593.109 

Alden,  William  Livingston. 

Among  the  freaks.  With  illustrations  by  J.  F.  Sullivan  and  Florence 
K.  U|)ton.  London.  Longmans,  Green,  &  Co.  1896.  viii,  195  pp. 
Ilhis.     Plates.  4009.359;  **T.97. 185 

Storici  of  life  in  a  dime  museum. 
Aldrich,  Thomas  Bailey. 

Paul  I'yne;  actor  and  gentleman.  (In  Gary,  Alice,  and  Phoebe  Gary, 
rdiior^     Til.  Josephine  gallery.     Pp.  219-227.     Philadelphia.     1858.) 

■A.  1 503.4 
[58] 


BROWN   COLLECTION   OF  BOOKS   ON    THE  STAGE 

Aldridge,  F.  W.  Keene.    See  Aldridge,  Ira. 
Aldridge,  Ira. 

Cole,  J.  A  critique  on  the  performance  of  Othello  by-F.  VV.  Keenc 
Aldridge,  the  African  Roscius.     Scarborough.     1831. 

No.  3  in  **G.3924.i7 
Leben    und    Kiinstler-Laufbahn    des    Negers    Ira    Aldridge.      Berlin. 
1853.  **T.57.47;etc. 

London.  Covent  Garden  Theatre.  Theater  Royal.  [Poster  represent- 
ing] Mr.  Aldridge,  the  African  tragedian,  as  Othello.  W.  Earle. 
sc.     [1833?]  **G.5o.i3 

Memoir  and  theatrical  career  of  Ira  Aldridge,  the  African  Roscius. 
London.      [185-?]      Portrait.  **T.96.9;  etc. 

Alembert,  Jean  Le  Rond  d'. 

Laval,  P.  A.  P.  A.  Laval  comedicn,  a  J.  J.  Rousseau  sur  les  raisons 
qu'il  expose  pour  refuter  M.  d'Alembert,  qui  dans  le  vii.  volume 
de  I'Encyclopedie,  article  Geneve,  prouve  que  I'etablissement  d'une 
comedie  dans  cette  ville  y  feroit  reunir  la  sagesse  de  Lacedemone 
a  la  politesse  d'Athenes.     A  la  Haye.     1758.  **T.77.87 

Rousseau,  J.  J.  A  letter  from  M.  Rousseau,  of  Geneva,  to  M.  d'Alem- 
bert, of  Paris,  concerning  the  effects  of  theatrical  entertainments 
on  the  manners  of  mankind.    Translated  from  the  French.     [Lon- 
don.]    1759.  **T.76.3;etc. 
AletiQon,  France.    Theatres. 

Despierres,   Mme    G.      Le    theatre    et   les    comediens   a    Alengon    au 
seizieme  et  au  dix-septieme  siecle.     Paris.     1892.     Plan.     **T.75.i7 
Alexander,  Anne  Tuke. 

Remarks  on  the  theatre,  and  on  the  late  fire  at  Richmond,  in  Virginia. 
[Anon.]     York.     The  Author.     1812.     32  pp.  **T.76.87 

An  attack  on  the  theatre. 

Alexander,  Archibald. 

A  discourse  occasioned  by  the  burning  of  the  theatre  in  the  city  of 
Richmond,  Virginia,  on  the  twenty-sixth  of  December,  eighteen 
hundred  and  eleven.  Delivered  in  Philadelphia,  eighth  of  Janu- 
ary, 1812  Philadelphia.  Farrand,  Hopkins,  tZantzinger,  &  Co. 
18 12.     s-24  pp.  **T.76.i98 

In  opposition  to  the  theatre. 

Alexander,  John  Henry. 

Review  of  the  late  correspondence  between  Mr.  John  Henry  Alex- 
ander, manager  and  proprietor  of  the  Glasgow  Theatre,  and  Mr. 
Lloyd  of  the  Theatre-Royal,  Edinburgh  [relative  to  the  latter's 
appearance  at  the   Dunlop   Street  Theatre.     Glasgow.     1843]. 

**T.  76.40 
Alexandre,  Monsinir,  pseud.  See  Vattemare,  Nicholas  Marie  Alexandre. 
Alexandre,  Arsene  Pierre  Urbain. 

The  decorative  art  of  Leon  Bakst.  Appreciation  by  Arsene  Alex- 
andre. Notes  on  the  ballets  by  Jean  Cocteau.  Translated  from 
the  French  by  H.  Melvill.  London.  1913.  Illus.  Portrait.  77 
plates.  *Cab.8o.i39.2i 

Suzanne  Reichenberg.  Les  ingenues  au  theatre.  Preface  de  Jules 
Claretic.  Paris.  Juven.  [1898.]  96  pp.  Illus.  Portraits.  Music. 
Manuscript   facsimile.      [Acteurs   et   actrices   d'  aujourd'hui.] 

Pages  91-94  are  missing.  T.93'^3 

Alexandre,  Nicholas  Marie.     See  Vattemare,  Nicholas  Marie  Alexandre. 
Alfred,  Baron,  pseud. 

Monaco-roulette.     Paris.     Pigeon.     1886.     28,   (i)   pp.  **T.96.238 

[59] 


THE  PUBLIC  LIBRARY  OF   THE   CITY  OF  BOSTON 


Alger,  Abbv  Langdon,  translator. 

CoQUELiN.  B.  C.    The  actor  and  his  art.     Boston.     1881.        **T.78.55 

Art  .and   the  actor.     With   an  introduction  by   Henry  James. 

\ew  York.     igiS-  **T.46.6i.2 

Alger,  William  Rounseville. 

Catalogue  uf  the  valuable  private  library  of  the  late  Rev.  William 
Rousevillc  [sic]  Alger,  including  many  first  editions  of  American 
authors,  presentation  copies,  Americana,  bibliography,  dramatic 
liicrature.  With  his  collection  of  autograph  letters.  To  be  sold 
at  auction,  May  loth  and   nth.     Boston.     1905.     (2),   123  pp. 

**T.65.2i 

Life  of  Edwin  Forrest,  the  American  tragedian.  Philadelphia.  Lip- 
pincott  &  Co.     1877.    2  V.    Portraits.    Autograph  facsimile. 

2341.76;  **T.55,io 
Alhoy,  Philadclphe  Maurice.     (L'Ermite  du  Luxembourg.) 

Dictionnairc  theatral,  ou  douze  cent  trcnte-trois  verites  sur  les  di- 
recteurs,  acteurs  et  employes  des  divers  theatres;  confidences  sur 
les  precedes  de  I'illusion;  examen  du  vocabulaire  dramatique,  etc. 
[Anon.]     Paris.     Barba.     1824.     (3),  318  pp.  **T.78.i7 

By  F.  A.  Harel,  Maurice  Alhoy,  and  Auguste  Jal. 

Grande  biographic  dramatique  ou  silhouette  des  acteurs,  chanteurs, 
danseurs,  etc.  de  Paris  et  des  departemens.  Paris.  1824.  (3),  iij, 
(i),  315  PP-  **T.59.7 

Allacci,  Leone. 

Drammatvrgia  di  Leone  Allacci  diuisa  in  sette  indici.  In  Roma, 
per  il  Mascardi.     1666.     (24),  816  pp.  **T.69.i 

A  bibliography  of  Italian  drama. 

Same.     Accresciuta   e   continuata   fino  all'  anno    1755.     In   Venezia. 
1755.     Presso  Giambattista  Pasquali.     (8)  pp.     1016  col.     **T.65.7 
Allainval,  Lconor  Jean  Christine  Soulas,  Abbe  d'. 

Lcilre  a  Mylord  *  *  *  sur  Baron  et  la  Dlle  Le  Couvreur,  par  George 
Wink  (I'Abbe  d'Allainval).  Lettre  du  souffleur  de  la  Comedie  de 
Roi'icn  au  gargon  de  caffe  (par  Du  Mas  d'  Aiguebcrre).  Publiees 
par  Jules  Bannassies.  Paris.  Willem.  1870.  (3),  87,  86  pp. 
Plates.  **T.58,64 

Another  edition   of  the  Lettre  is  in  Mcmoircs  sur  Moliere,   edited  by  J.    B.    D. 
Desprcs  in   1822    [**T.56.4;  •*G.224.2.5]. 

Allart.  L.  F. 

Ode  a  Moliere.     Paris.    Claye.     1880.     13  pp.     Portrait.  **T.95.68 

Allegories. 

Mackenzie,  W.  R.  The  English  moralities  from  the  point  of  view 
of  allegory.     Boston.     1914.  4579'237 

Allen,  Edward  Heron-. 

A   manual  of  cheirosophy.     A  complete  practical   handbook  of   the 

twin  sciences  of  cheirognomy  and  cheiromancy.     Illustrations  by 

Rosamund  lirunel  Horsley.     London.     Ward,  Lock,  &  Co.     1885. 

319  pp.     Illus.     Plates.  **T.97.i53 

Snnu-.     3d   edition.     1887.  35803.54 

Allen,  Edward  Heron-,  translator. 

Ari'K.nticnv.  C.  S.  d'.  The  science  of  the  hand,  or  the  art  of 
rtcof,'nizing  the  tendencies  of  the  human  mind  by  the  observation 
<<i  the  formation  of  the  hands.     London.     1886.  36003.31 

Alleyn,  Edward. 

The  Allcyn  papers.  A  collection  of  original  documents  illustrative 
of  the  life  and  times  of  JCdward  Alleyn,  and  of  the  early  English 

('•"1 


BROWN   COLLECTION   OF  BOOKS   ON    THE   STAGE 

AUeyn,  Edward.     (Continued.) 

stage  and  drama.  With  an  introduction  by  J.  Payne  Collier. 
London.  Printed  for  the  Shakespeare  Society.  1843.  xxxi,  no 
pp.     Facsimiles.  4596-53 

Other  copies  are  on  No.  2  in  4596.7;  **G.3927.4. 

Alleyn,  Edward.     Works  about. 

Collier,  J.  P.  Memoirs  of  Edward  Alleyn,  founder  of  Dulwich 
College:  including  some  new  particulars  respecting  Shakespeare, 
Ben  Jonson,  Massinger,  Marston,  Dekker,  &c.     London.     1841. 

**T.55-77 ;  etc. 

Henslowe  papers,   being  documents   supplementary    to    Henslowe's 

Diary,  edited  by  W.  W.  Greg.     London.     1907.  **G.3927.39 

Herbert,    J.    F.      Additions    to    "The    Alleyn    papers."      From    the 

originals   in   the  possession   of  J.   F.   Herbert.      (In  Shakespeare 

Society.     London.     Papers.     Vol.   i,  pp.   16-20.     London.     1844.) 

*4596.ii.i 

Young,  W.     The  history  of  Dulwich  College.     With  a  life  of  the 

founder,  Edward  Alleyn,  and  an  accurate  transcript  of  his  Diary, 

1617-1622.      London.      1889.  '^2490.126 

Allgemeines  Theater-Lexikon.     Blum,  R.,  and  others,  editors.    **T.78.69 

Almanacco  de'  reali  teatri  S.  Carlo  e  Fondo.  del  annata  teatrale   1834. 

Napoli.      Tipografia    Flautina.      1835.      125    pp.      Portraits. 

Programmes  and  arguments.  **M.I09b.45 

Almanach  de  la  litterature,  du  theatre  et  des  beaux-arts.  Annee  \i-]i7. 
Precede  d'une  histoire  litteraire  et  dramatique  de  I'annee  par 
Jules  Janin.  Paris.  Pagnerre.  1853-69.  17  v.  in  3.  lUus.  Por- 
traits.    Plates.  **T.27.8 

Almanach  de  "La  Rampe."  Actrices  parisiennes.  1901.  [Paris.  1901.] 
(42)   pp.     Portraits.  **T.26.2i 

Directeur:    Emmanuel  Vidal.     Texte  d'fidouard   Gauthier. 

Almanach  des  coulisses  (Annuaire  des  theatres)  pour  1843.  f Paris. 1 
Chamerot.      [1843.]      180  pp.     Illus.  *T.29.8 

Almanach  des  Konigl.  Hof-  und  National-Theaters  und  des  Konigl. 
Residenz-Theaters  zu  Miinchen  fiir  das  Jahr  1883.  Herausgegeben 
von  Anton  Hagen.     Miinchen.     1884.     Wolf.    52  pp.     Portrait. 

No.  I  in  **M.ii5.i2 

Almanach  des  spectacles  de  Paris.  Partie  [i-]46.  1751-94,  an  viii,  ix 
de  la  Republique  [1800,  01],  1815.  [Paris.  Cailleau  &  Duchesne. 
I75i-]i8i5.    50  V.  in  27.     Plates.  **G.3568.i 

There  are  supplements   to    Parties  41,   4-'.   and  45.      The   title   varies.      The  issue 

for    1752    is    counted   as    Partie    i.      From    1751-1778    the    editor    was,    the    Abbe 

Joseph  de  La  Porte.     A  continuation  of  this  almanac  by  Albert  Soubies  may  be 

found   on   shelf-numbers   *4699a.55  ;    **T.29.2.      The   issues   for    1792-94   relate   to 

France    as    well   as    Paris.      The    issue    for    1751    lacks    its    own    title-page.      The 

title-page  for   1753  is  substituted.     Le  tableau  des  theatres  is  bound  with   Parties 

I  and  2. 

Same.     Partie  18,  30,  35,  42.     1769-93.    4  v.  **T.29.i 

Same.     Partie  34.     1785.     1  v.  ** Adams  175.11 

Almanach  des  spectacles  par  K.  Y.  Z.   [pseud.].     Annee   [i-]8.     Paris. 

Janet.     [1818-25.]     8  v.     Colored  portraits.  **T.29.i8 

In  the  first  volume  the  pseudonym  is  given  as  K.  et  Z.  According  to  De 
Ivlanne,   the  author  was   Charles   Malo ;    according  to   Filippi,    Loeve-Veimars. 

Almanach  des  spectacles  de  1822-30,  31/34,  35,  37-  Annee  [i-]i2.  Paris. 
Barba.      [i822-]i837.     12  v.  **T.29.5 

The  title  varies  slightly. 

Almanach  des  spectacles  pour  1852.  Sous  la  direction  de  M.  Palianti. 
Annee  1.    Paris.    Briere.    1852.     143,  (i)  pp.    Diagrams.    **T.27.2i 

.  [61] ■ 


THE  PUBLIC  LIBRARY  OF  THE   CITY  OF  BOSTON 

Almanach  des  spectacles.  Continuant  I'ancien  Almanach  des  spectacles 
(1752  a  1S15).  [Public  par]  Albert  Soubies.  Annee  1874-gi,  93- 
191 1.  Paris.  Librairie  des  bibliophiles.  1875-1912.  37  v.  Por- 
traits.    Plates.  **T,29.2 

Notwithstandingr  its  title,  this  publication  is  a  year-book  and  not  an  almanac. 

Same.  Table.  [1874/91],  1892/1901.  Paris.  Librairie  des  bibliophiles. 
1802,  1902.    2  V.     Portrait.     Plate.  **T.29.3 

Almanach  des  theatres.  Pieces  nouvelles.  —  Reprises.  —  Debuts.  —  Bio- 
graphies.—  Theatres  de  la  province  et  de  I'etranger.  —  Nouvelles 
dramatiques.  —  Anecdotes,  etc.  No.  i.  —  Octobre  1851.  Paris. 
Levy.     1851.     128  pp.  **T.29.i2 

Almanach    historique    et    chronologique    de    tons    les    spectacles.      See 

Almanach  des  spectacles  de  Paris. 
Almanacs. 

Almanacco  de'  reali  teatri  S.  Carlo  e  Fondo,  del  annata  teatrale 
1834.  **M.i09b.45 

Almanach  de  la  litterature.  du  theatre  et  des  beaux-arts.  Annee 
[i-]i7.     1853-69.  **T.27.8 

Almanach  de  "La  Rampc."    Actrices  parisiennes.     1901.        **T.26.2i 

Alman.\ch  des  coulisses  (.Xnnuaire  des  theatres)  pour  1843.    **T.29.8 

Almanach  des  Konigl.  Hof-  und  National-Theaters  und  des  Konigl. 
Residenz-Thcaters    zu    Miinchen    fur   das   Jahr    1883. 

No.  I  in  **M.ii5.i2 

Almanack  des  spectacles  de  Paris.  Partie  [i-]46.  1751-94,  an  viii, 
IX  de  la  Republique  [1800.  01],  1815.     Plates.  **G.3568.i;  etc. 

Almanach  des  spectacles  par  K.  Y.  Z.  [pseud.].  Annee  [i-]8. 
Paris.     [1818-25.]      Colored  portraits.  **T,29,i8 

Almanack  des  spectacles  de  1822-30,  31/34,  35,  37-    Annee  [i-]i2. 

**T.29.5 

Almanack  des  spectacles  pour  1852.    Annee  i.  **T.27.2i 

Annee  theatrale.  Almanach  pour  I'an  x  [1801].  Contenant  une  notice 
sur  chacun  des  theatres  de  Paris,  les  acteurs,  les  pieces  nouvelles 
et  les  debuts.  **T.29.io 

Annuaire  dramatique.     Annee  7-10,  13.     1811-1817.     5  v.     Portraits. 

**T.29.i7 

Deutscher   Biihnen-Almanach.     Jahrgang-  38.     1874.  **T.29.6 

Dramatic  almanack  for   1871.  **T.29.i5 

fir.vr  actuel  de  la  musique  du  roi,  et  des  trois  spectacles  de  Paris. 
[1775]  **T.29.i6 

Indicateur  dramatique  ou  almanach  des  theatres  de  Paris,  con- 
tenant  les  noms  et  demeures  des  administrateurs,  artistes,  mu- 
siciens,  etc.  L'analyse  des  pieces  nouvelles  et  les  debuts  qui  ont 
eu  lieu  pendant  I'an  VI    [1797/98].  **T.29.i3 

MEMORIAL  dramatique,  ou  almanach  theatral  pour  I'an  1807-1812. 
Annee  1-6.  **T.29.i4;  etc. 

Mii-AN,  Italy.  I.  R.  Teatro  alia  Scala.  Almanacco.  1826.  Milano. 
[1825.]     Colored  plates.    Colored  portraits.  **T.29.24 

New  York  Clipper  Annual  for  1875-99,  iQOi.  Containing  theatrical, 
musical,  and  sporting  chronologies,  aquatic  and  athletic  perform- 
ances, etc.    New  York.     1874-1901.    7  v.     Illus.     Portraits.     Plates. 

*8oo7.ii 

Tabi,eau,    Le.   des   theatres,   almanach    nouveau.     Pour   I'annee    1750. 

No.  I  in  **G.3568.i.i 
Almeida  Carvalhaes,  Manoel  Pereiro  Peixoto  d'. 

Incs  de  Castrcj  na  opera  e  na  choregraphia  italianas.     Separata  da 

[62]    . 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 

Almeida  Carvalhaes,  Maiioel  Pereiro  Peixoto  d'.     (Continued.) 

obra  em  maniiscripto  intitulada:  Sul)sidios  a  historia  da  opera  e 
da  choregraphia  italiaiias,  no  seculo  xviii,  em  Portugal.  Lisboa. 
Castro.     1908.     273,  (2)  pp.     Portraits.  *4X)4oa.i42 

Alsace.     Theatres. 

ScHOEN,  H.  Le  theatre  alsacien.  Bibliographic  complete  du  tlioatre 
alsacien.  Biographie  des  auteurs.  Stra.sbourg.  1903.  Illus.  Por- 
traits.    Plates.  4676.148 

Le  theatre  populaire  en  Alsace.     Paris.      1903.  4671.43 

Alt,  Heinrich. 

Theater  und   Kirche   in    ihrem  gegenseitigen   Verhaltniss   historisch 
dargestellt.     Berlin.     Plahn.     1846.     vi,  (2),  704,  vii  pp.    **T.77.235 
Altemus,  Jameson  Torr. 

Helena  Modjeska.  New  York.  Ogilvie  &  Co.  [1883.]  217  pp. 
Portrait.  3067.38 

Altmann,  Friedrich. 

Die  Maske  des  Schauspielers.  Practische  Anleitung  in  der  Kunst, 
sich  zu  schminken.  2.  Auflage.  Neu  bearbeitet  von  Ludwig 
Menzel.     Berlin.     Bloch.     [1875.]     vi,  (i),  95  pp.  **T.97.9i 

Altmann,  Wilhelm.  ' 

Ifflands  Rechtfertigung  seiner  Theaterverwaltung  vom  27.  Juli, 
18x3.  (In  Archiv  fiir  Theatergeschichte.  Vol.  t,  pp.  86-94.  Berlin 
1904.)  *6907.i2.i 

Die  Konigliche  Bibliothek  in  Berlin  in  ihren  Beziehungen  zum 
Koniglichen  Opernhaus,  1788-1843.  (In  Beitrage  August  Wilmanns 
gewidmet.     Pp.   51-56.     Leipzig.     1903.)  2164.67 

Alvino,  Francesco. 

Anfiteatro  campano,  illustrato  e  restaurato.   3a  edizione,  col  paragone 
di  tutti  gli  anfiteatri  d'ltalia  ed  un  cenno  sugli  antichi  moiuimenti 
di  Capua.    Napoli.    1842.    20  pp.    16  plates  and  plans.    *Cab.27.i6.4 
Amat,  Adolphe,  editor. 

TouRRET,  G.  Manuel  du  vaudevillistc.  Maniere  de  faire  une  piece 
de  theatre,  de  la  faire  recevoir,  jouer,  reussir  et  proner  par  les 
journaux.     Paris.     1861.  **T.99.3o 

Amateur,  Un.     See  Grille,  Frangois  Joseph. 

Amateur  and  professional  stage  life.     Farrar,  C.  A.  J.        **T.57.396;  etc. 
Amateur  clubs  &  actors.     Elliot,  W.  G.,  editor.  T.96.141 

Amateur  comedy  club,  The.     Twenty-sixth  season  of  the  subscription. 
[List  of  officers,  constitution,  membership  list  and  past  perform- 
ances of  the  club.     New  York.     1909?]     116,  (i)  pp.        *4479a.327 
Amateur,  Un,  de  I'harmonie.     See  Gabriel,  Joseph, 
Amateur  Dramatic  Club.     University  of  Cambridge. 

Burnand,  Sir  F.  C.  The  "A.  D.  C."  Being  personal  reminiscences. 
London.     1880.  2494.61;  **T.96.i42 

Amateur,  Un,  ne  en  1769.     See  Bouilly,  Jean  Nicolas. 
Amateur,  The,  or  guide  to  the  stage.     Retired  performer.  A,  pseud. 

No.  I  in  **T.99.6i 

Amateur  performance.  The,  on  behalf  of  the  family  of  the  late  C.  H. 

Bennett,  at  the  Theatre  Royal,  Adelphi,  May  ji,  1867.     [London.] 

1867.     (4),  69  pp.  **T.38.4 

A  programme  with  the  texts  of  the  plays  performed. 

Amateur  series.    Holt. 

Baker,  H.  B.     English  actors  from  Shakespeare  to  Macready.     New 

York.     1879.    2  V.  2458.68;  **T.57.i88;  etc. 

Lewes,  G.  H.     On  actors  and  the  art  of  acting.     New  York.     1878. 

2575-77 
[63] 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 


Amateur  series.    Lacy. 

SoRRELi..  \V.  J.  The  amateur's  hand-book  and  guide  to  home  draw- 
ing room  theatricals.  How  to  get  them  up  and  how  to  act  in 
them.     London.     [1866.]  **T.77.i36 

Amateur  theatricals. 

See  also  Programmes.  Theatre.  Amateur:  Student  theatricals. 

Amateur's-  guide.  The,  to  home  theatricals,  how  to  get  them  up  and 
how  to  act  in  them.  Added,  How  to  "get  up"  theatricals  in  a 
country  house    [etc.].     New  York.      [1866.]  No.  4  i"  *4409-io6 

Angus.  J.  K.  Amateur  acting.  London.  [1880.]  Illus.  Colored 
plates.     Plans.  **T.97.329 

BouTEiLLER,  J.  £.     Lcs  theatres  de  societe  de  Rouen.     Rouen.     1877. 

**T.76.5 

Burton,  J.  G.  The  critic's  budget,  or,  a  peep  into  the  amateur  green 
room.  Pourtraying  a  view  of  the  most  popular  and  well-known 
private  actors!!!  of  the  present  day.  Subjoined,  a  list  of  the 
several  amateur  theatres,  reading  and  concert  rooms.  Also  the 
original  members,  &c.,  composing  the  late  Black  Tye  Committee. 
London.     [1819.]  **T.56.i7 

Buskin,  Captain  Sock,  pseud.  How  to  "get  up"  theatricals  in  a 
country  house.  (In  Sorrell,  W.  J.  The  amateur's  hand-book. 
Pp.  45-66.     London.      [1866.])  **T.77.i36 

Capon,  G..  and  R.  Yve-Plessis.  Paris  galant  au  dix-huitieme  siecle. 
Lcs  theatres  clandestins.     Paris.     1905.     Plates.  **T.75.42 

Claretie,  L.  Histoire  des  theatres  de  societe.  Paris.  [1905-]  Illus. 
Portraits.  4677-96 

Clark,  B.  H.  How  to  produce  amateur  plays:  a  practical  manual. 
Boston.     1917.     Plates.     Plans.  6257.304 

Craig,  A.  A.  T.  The  dramatic  festival.  A  consideration  of  the  lyrical 
method  as  a  factor  in  preparatory  education.  With  a  foreword 
by  Percival  Chubb  and  an  introduction  by  Peter  W.  Dykema. 
New   York.     1.912.  6257.73 

Daki.n,  H.  J.  The  stage  in  the  drawing  room;  or,  the  theatre  at 
home.  Practical  hints  on  amateur  acting.  London.  [1882.]  Hlus. 
Diagrams.  6003.52 

Ue  Witt's  How  to  manage  amateur  theatricals.  Showing  the  easiest 
way  for  arranging  drawing  room  performances;  and  giving  plain 
directions  for  making  scenery,  getting  up  dresses,  giving  out 
parts,  attending  rehearsals,  making  up  the  face,  and  properly 
adapting  wigs,  mustaches,  and  beards.  New  York.  1880.  Colored 
plates.  **T.77.54 

DiECLAFXjY,  J.  P.  R.,  and  M.  A.  Dieulafoy.  Le  theatre  dans 
I'intimite.    Paris.    1900.    Illus.    Plates.  **T.37.i4i 

Elmot,  W.  G.,  editor.  Amateur  clubs  &  actors.  London.  1898.  Por- 
traits.    Plates.  **T.96.i4i 

Houson,  J.  S  Private  theatricals:  being  a  practical  guide  for  the 
home  stage.    With  pictorial  suggestions  for  scenes.    London.    1881. 

6003.53;  **T.97.i93 

How  we  managecl  our  private  theatricals;  or,  a  guide  to  the  amateur 
stage.     New   York.     [1872.]     Illus.  4409b. 127 

Jli.uen,  J.  L.  A.  La  comedie  a  la  cour.  Les  theatres  de  societe 
royalc  pendant  Ic  sicclc  dernier.    Paris.    1 1883.]     Portraits.    Plates. 

**T.73.4 

Lcs  grandes  nuits  de  Sccaux.     Lc  theatre  de  la  Duchesse  du 

Maine.     Paris.     1876.  **T.95.5i 

[64] 


BROWN    COLLECTION   OF   BOOKS    ON    THE   STAGE 

Amateur  theatricals.     (Continued.) 

Mackay,  C.  D.  Costumes  and  scenery  for  amateurs.  A  practical 
working  handbook.     New  York.     1915.     Plates.  8076.214 

Manuel,  R.,  pseud.  La  comedie  de  salon.  Comment  on  la  inontc 
et  comment  on  la  joue.     Paris.     [1892.]     Illus.  26798.115 

Metcalfe,  H.  C.  Amateur  entertainments.  How  to  produce  and 
how  to  act  them.     London.     [1916.]      Illus.  6257.25 

Pelletier.  M.  C.  The  winter's  tale.  As  performed  by  the  Saturday 
Morning  Club.  (In  Bostonian,  The.  Vol.  2,  pp.  1-16.  Plates. 
Boston.     1895.)  *530i.45.2 

PoLLorK,  W.  H.,  and  Juliet,  Lady  Pollock.  Amateur  theatricals. 
London.      1879.     Illus.     Plates.  2576.177;  **T.97.3oi 

Private  theatre,  The,  of  Kilkenny,  with  introductory  oljservations 
on  other  private  theatres  in  Ireland,  before  it  was  opened.  [Kil- 
kenny?"]     1825.      Portraits.  **T.74.2 

Smith,  J.  T.  The  parish  theatre:  a  brief  account  of  its  rise,  its 
present  condition,  and  its  prospects.     New  York.     1917.      6257.145 

SoRRELL,  W.  J.  The  amateur's  hand-book  and  guide  to  home  drawing 
room  theatricals.  How  to  get  them  up  and  how  to  act  in  them. 
London.     [1866.]  **T.77.i36 

Stebbins,  O.  B.  A  famous  Boston  amateur  dramatic  club  [the 
Aurora  Club].  {In  Bostonian,  The.  Vol.  2,  pp.  131-140.  Fac- 
similes.    Boston.     1895.)  *530i.45.2 

Taylor,  E.  Practical  stage  directing  for  amateurs.  A  handbook 
for  amateur  managers  and  actors.  New  York.  [1916.]  Dia- 
gram 6257.106 

Williams,  J.  The  life  of  the  late  Earl  of  Barrymore.  Including  a 
history  of  the  Wargrave  theatricals,  and  original  anecdotes  of 
eminent  persons.     London.     1793.     Portrait.  **T.76.i85;  etc. 

Amateur  theatricals.    Bibliography. 

Drama  League,  The,  of  America,  Boston.  A  selected  list  of  plays 
for  amateurs.  Prepared  by  the  Drama  Study  Committee  [Alice 
Howard   Spaulding,    Chairman].      Boston.      1914.  *2i75.69 

A  selective  list  of  plays  for  amateurs.     Arranged  by  Richard 

J.  Davis.     Boston.     1915.  *2i75,64 

McFadden,  E.  a.,  and  L.  E.  Davis.  A  selected  list  of  plays  for 
amateurs  and  students  of  dramatic  expression  in  schools  and 
colleges.  With  an  introduction  by  Ludella  L.  Peck.  Cincinnati. 
1908.  *2i75.6i 

Amateur  theatricals.  Programmes.  See  Programmes.  Theatre.  Amateur. 
Amateur's  guide.  The,  to  home  theatricals,  how  to  get  them  up  and 
bow  to  act  in  them.  Added,  How  to  "get  up"  theatricals  in  a 
country  house    [etc.].     New   York.      S.   French.      [1866.]      93   pp. 

No.  4  in  *44og.io6 
Amateurs,  The,  Brookline. 

[Programmes.]  2d  season,  2d,  3d  play;  3d  season,  ist  play.  1909. 
Brookline.     1909.     3  playbills,  **T.i5.i9 

Ambross,  Miss . 

The  life  and  memoirs  of  the  late  Miss  Ann  Catlcy,  the  celebrated 
actress:  with  biographical  sketches  of  Sir  Francis  Blake  Delaval, 
and  the  Hon.  Isabella  Pawlet.  London:  Printed  for  J.  Bird. 
[1790?]     56  pp.     Portrait.  **T.56.i79 

Another  copy,  which  lacks  the  portrait,  is  on  shelf-number  No.  9  in  **G.3823. 1 1. 

[65] 


THE  PUBLIC  LIBRARY  OF  THE   CITY   OF  BOSTON 


American  Academy  of  Dramatic  Arts  and   Emi)irc  Theatre   Dramatic 

School,  -Vf7C'  York  City. 

The  "Prompt  Book."    9th  year.     1892/93.     Containing  the  catalogue 

of  the   American  Academy  of  Dramatic  Arts.     New  York  City. 

[189:?.]     49.   (i)   pp.     Plates.  **T,97.99 

Dramatic  studies.     [Quarterly.]     Vol.  i  (no.  1-4)-     Oct.,  1893 -June, 

1894.     New  York.     1893,  94.    4  nos.  in  i  v.     Illus.  **T.93.io 

Xos.     1-3    w'crc    puhlished    monthly.      There    is    no    title-page. 

American  Academy  of  Dramatic  Arts   and   Empire   Theatre   Dramatic 
School,  Nni.'  York  City.    Addresses. 
Wilson.   F.     Address   to  graduates,    March    19,    1907.      [New    York. 
1907.]  4395-199;  **T.75-66 

American  actor  series. 

B.\RKETT.  L.  Edwin  Forrest.  Boston.  1881.  Portraits.  Plate. 
Facsimiles.  4348.114;  **T.57.i09;  etc. 

Clarke,  A.  B.  The  elder  and  the  younger  Booth.  Boston.  1882. 
Portrait.     Facsimiles.  4348.131;  **T.57.i  11 

Clement.  C.  E.  Charlotte  Cushman.  Boston.  1882.  Portraits. 
Plate.     Facsimiles.  4348.128;  **T.57,io7;  etc. 

Field.  M.  K.  K.  Charles  Albert  Fechtcr.  I'oston.  1882.  Portraits. 
Manuscript  facsimile.  4348.137;  **T.57.i  14;  etc. 

Ireland,  J.  N.     Mrs.  Duff.     Boston.     1882.     Portraits.     Plate.     Fac- 
simile. 4348.134;  **T.57,ii3;  etc. 
Winter,  W.     The  leffersons.     Boston.     1881.     Portraits.     Plate. 

4348.118;  **T.57.ii2 
American  actors  and  actresses  of  today.  Hichens,  H.,  editor.  43493.289 
American  citizen,  An,  pseud. 

.\  rejoinder  to  "The  replies  from  England,  etc.,  to  certain  statements 
circulated  in  this  country  respecting  Mr.  Macready."  With  an 
impartial  history  and  review  of  the  lamentable  occurrences  at 
the  Astor  Place  Opera  House, -lOth  of  May,  1849.  New  York. 
Stringer  &  Townsend.     1849.     119  pp.  4374.72;  **T.56.i  17 

Another  copy  is  on  shelf-number  No.  6  in  *7686.52. 

The  replies  from  England  may  be  found  on  shelf-numbers  No.  8  in  **G.3g3o.i3.2  ; 

"■T.56  124. 

Relates  to  the  quarrel  between  Forrest  and  Macready  and  the  riot  at  the  Astor 

Place   Opera   House. 

American  Dramatic  Fund  Association. 

Rules  and  regulations.     New  York.     Bell.     1848.     24  pp.        *4395.i9i 
Same.      Rules   and    regulations    of   the    American    Theatrical    Fund. 
New  York.     Bell.     1848.     16  pp.  **T.75.75 

American  Dramatic  Fund  Association.    Addresses. 

Bkllow.-.  \{.  W.  \n  address  upon  the  claims  of  the  drama.  Intro- 
duction by  J.   B.    Buckstone.     London.      [1857?]  **T.76.33 

Same.     The  relation  of  public  amusements  to  public  morality, 

especially   of  the    theatre   to   the   highest   interests   of   humanity. 

New  York.     1857.  **T.77.226;  etc. 

O'GoRMAN,  R.     Dramatic  Fund  dinner.     Splendid  oration  on  Shakc- 

s|)care  by  Richard  O'Gorman.     Rev.  Mr.  Bellows  on  the  dramatic 

I)r.ifession.     |NewYork.     1857.]  No.  3  in  **G.3822.i 

American  dramatist,  The.     Moses.   M.  J.  4395.181;  **T.46.37 

American  Dramatists  Club. 

'i  he  .\nierican  Dramatists  Club  list.  A  standard  of  reference  for 
the  protection  of  dramatic  property.  A  catalogue  of  plays  and 
operas  that  liavc  been  produced  in  the  United  States  and  are 
entitled  to  protectioiL     New  York.     1902.  4395-170 

1661 


BROWN   COLLECTION   OF  BOOKS   ON    THE   STAGE 

American  Dramatists  Club.     (Continued.) 

In  memoriam  Bronson  Howard,  1842-1908,  founder  and  president 
of  the  American  Dramatists  Club.  Addresses  delivered  at  the 
memorial  meeting,  October  18,  1Q08,  at  the  Lyceum  Theatre,  New 
York.  With  a  brief  biography  and  other  appreciations  and 
records  of  his  dramatic  works,  including  a  list  of  his  plays  with 
the  original  casts.    New  York.    1910.    Portraits.    4445.472;  "*T. 55.90 

Petition  to  the  Senate  and  House  of  Representatives  of  the  United 
States,  for  the  amendment  of  copyright  law,  relating  to  the 
fraudulent  production  of  plays.  From  the  dramatists,  theatrical 
managers  and  other  members  of  the  dramatic  profession  of  the 
United  States.     [New  York.     1891.]     28  pp.  **T.97.36o 

Signed  by  lironson  Howard  and  2355  others. 

American  Roscius,  The.    See  Payne,  John  Howard. 

American  Theatrical  Fund,  New  York.     See  American   Dramatic   Fund 

Association. 
Americana  Germanica. 

Baker,  L.  C.    The  German  drama  in  English  on  the  New  York  stage 

to   1830.     [Philadelphia.]      1917.  4393.227 

Nolle,  A.  H.     The  German  drama  on  the  St.  Louis  stage.     A  thesis. 

[Philadelphia.]      1917.  4393.228 

Amhurst,  Nicholas.     (Caleb  D'Anvers.) 

CiEBER,  C.     C y  C 's  Letter  to  the  Craftsman  [regarding  the 

censorship  of  the  stage  in  England].  To  Caleb  D'Anvers,  Esq. 
[pseud.].  (In  New  miscellany.  A,  for  the  year  1737.  Pp.  22-29. 
London.     1737.)  No.  i  in  **G.3823.i5 

Ami,  L',  de  I'ordre. 

Charneux,  a.,  editor.  Un  proces  de  presse  a  propos  du  theatre. 
[Affaire  Judic  &  Humbert,  directeur  de  I'Alcazar  de  Bruxelles, 
contre  L'Ami  de  I'ordre.]     Namur.     1878.  **T.77.234 

Amiens,  France.     Theatres. 

Dubois,   A.     Les   mysteres   a  Amiens   dans  les   xve    et   xvie   siecles. 

Amiens.     1878.  2678.262 

Lecocq,  G.     Moliere  et  la  comedie  en  province.     Paris.     1880.    4671.62 

Amitie,  L',  de  deux  jolies  femmes.     £pinay,  L.  F.  P.  de  T.  d'E.  de  la 

Live  d'.  **T.98.39 

Among  the  freaks.    Alden,  W.  L.  4009'359;  **T.97-i85 

Among  the  great  masters  of  drama.     Rowlands,  W.  2249a. 29 

Amours,  Les,  de  theatre.     Scholl,  A.  **T.87.93 

Amours,  The,  of  Sarah,  the  eccentric.     Boston.     Barton.     [1880.]     43  pp. 

*2647.i39;**T.57.452 
Amphitheatres. 

Alvino,  F.  Anfiteatro  campano,  illustrato  e  restaurato.  3a  edizione, 
col  paragone  di  tutti  gli  anfiteatri  d'ltalia  ed  uu  cenno  sugli 
antichi  monumenti  di  Capua.     Napoli.     1842.     16  plates  and  plans. 

*Cab.27.i6.4 
Auge  de  Lassus,  L.     Les  spectacles  antiques.     Paris.     1888.     Illus. 

29693.73 

Gardner,  E.  A.,  and  others.     Excavations  at  Megalopolis,   1890-1891. 

With    an    architectural    description    by  .R.   W.    Schultz.      London. 

1892.     Illus.  *296o.8i.i 

Jacquemin.    L.      Monographic    du    theatre    antique    d'Arles.      Arks. 

1862,  63.     2  v.  4673-104 

Lipsius,  J.     Ivsti  Lipsi  De  amphitheatris  qvae  extra  Romam  liliellvs. 

In  quo  forma;  corum  aliquot  &  typi.     Antverpise.     1598.     Plates. 

No.  2  in  *292i.22;  etc. 
[67] 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 


Amphitheatres.     (Continued.) 

Ivsti    Lipsi    De   ainphitheatro   liber.      In   quo    forma   ipsa   loci 

expressa,  &  ratio  spectandi.     Antverpise.     1598.     Illus. 

No.  I  in  *2g2i.22;  etc. 
Maffei,  F.  S.,  Marchesc.     A  compleat  history  of  the  ancient  amphi- 
theatres.     More    peculiarly    regarding    the    architecture    of    those 
buildings,  and  in  particular  tliat  of  Verona.    London.    1730.    Plates. 

**T.77.i4;  etc. 

Manni,  D.   M.     Notizie  istoriche   intorno  al   Parlagio  ovvero  anfi- 

teatro  di  Firenze.     In  Bologna.     1746.  **T.74.20 

Pelet,  a.     Description  de  I'amphitheatre  de  Nimes.     Nimes.     1853. 

Plates.  4094.102 

Ricci,    S.      II    teatro    romano    di    Verona    studiato    sotto    il    rispetto 

storico   ed  archeologico  con   la   biografia   di   Andrea   Monga   suo 

scopritore.     Venezia.      1895.      Portrait.      Plates. 

No.  I  in  *27ioa.5o.Ser.2,Vol.3 

RuccA,  G.     Capua  vetere  o  sia  descrizione  di  tutti  i  monumenti  di 

Capua  antica,  e  particolarmente  del   suo  nobilissimo  anfiteatro. 

Napoli.     1828.     Plate.     Plan.  2738.25 

Stancovitch,  p.     Dello  anfiteatro  di  Pola.     Venezia.     1822.     Portrait. 

Plates.  *2758.68 

Wells,  C.  L.    The  amphitheatres  of  ancient  Rome.     Boston.     [1883.] 

**T.95.79;  etc. 
Amsterdam,  Holland.     German  theatre. 

Atkins,  H.  H.  A  letter  addressed  to  B.  S.  Nayler,  teacher  of  elocu- 
tion—  on  his  review  of  the  English  performances.  [Amsterdam. 
1826.]  **T.76.i57 

Amunategui,  Miguel  Luis. 

Las   primeras    representaciones    dramaticas    en    Chile.      Santiago    de 

Chile.     Imprenta  nacional.     1888.     398  pp.  **D. 261.2 

Amusemens    serieux    et    comiques.      [Anon.]      See    Dufresny,    Charles 

Riviere. 
Amusements. 

Anderson,  Rev.  G.    The  use  and  abuse  of  diversions.     A  sermon  .  .  . 

with    an    appendix,    shewing-   that    the    stage    in    particular    is    an 

unchristian   diversion.     Edinburgh.      1733.  **T.96.74;  etc. 

Apology,  An.  for  secular  recreations:  a  letter  to  the   Rev.   Francis 

Close.     London.     1855.  **T.96.68 

AsPiN,  J.     Ancient  customs,  sports,  and  pastimes,  of  the   English; 

explained  from  authentic  sources.  &  in  a  familiar  manner.     Lon- 

/\  don.     1832.     Illus.     Plates.  **T.99.27 

""N^y^ouLTON,  W.  B.     The  amusements  of  old  London.     Being  a  survey 

of   the   sports  and   pastimes,   tea  gardens  and   parks,   playhouses 

and  other  diversions  of  the  people  of  London  from  the    17th  to 

the  beginning  of  the  iglh  century.     London.     1901.     2  v.     Colored 

plates.  **T.95.ii2;  etc. 

Bullock,  C.     Popular  recreation.     (A  church  congress  paper.)     The 

theatre  as  it  is;  and  the  Ober-Ammergau  play.     London.     [1S80.] 

**T.97.i6o 
Bludek,  G.     Lawful  amwsements;  a  sermon.     London.     1805. 

**T.96.49;etc. 
Charles  I.,  of  England.     The  kings  maiesties  DeclaVaticm  fo  his  suIj- 
iects,  concerning  lawfull  sports  to  bee  vsed.     London.     1633. 

**H. 26.251;  etc. 
Clarke,  \V.      Every  night  book;  or,  life  after  dark.     London.      1827. 

**T.98.ii 
[68] 


BROWN   COLLECTION   OF   BOOKS    ON    THE   STAGE 

Amusements.     (Continued.) 

CoRDERov,  E.  Popular  amusements.  A  lecture  before  the  Young 
Men's  Christian  Association.     [London.     1857.]       **'F.97.226;  etc. 

Cros-Mayrevieille,  G.  Le  droit  des  pauvres  sur  les  spectacles  en 
Europe.    Origine,  legislation,  jurisprudence.     Paris.     1889.    Tal)ks. 

3661.56 

Curtis,  E.  W.    The  dramatic  instinct  in  education.     Boston.     [1914.] 

3599a.6i 

Cuyler,  T.  L.  Sermon  on  Christian  recreation  and  unciiristian 
amusement.     New-York.     1858.  **T.97.io7 

Davis,  M.  M.,  Jr.  The  exploitation  of  pleasure.  A  study  of  com- 
mercial recreations  in  New  York  City.     New  York  City.     191 1. 

5577-229 

Donne,  W.  B.     Essays  on  the  drama.     London.     1863. 

2609.4;  **T.47.i5;  etc. 

Geere,  J.  Serious  considerations  on  plays,  games,  and  other 
fashionable  diversions.  Shewing  the  sinfulness,  and  dangerous 
tendency  thereof.     Guildford.     1763.  **T.96.7i 

Hill,  R.  A  warning  to  professors;  containing  aphoristic  observa- 
tions on  the  nature  and  tendency  of  public  amusements.  London. 
1805.  **T.96.ii3;etc. 

Hume,  S.  A  short  appeal  to  men  and  women  of  reason:  distinguished 
by  titles  of  worldly  honour;  or  by  riches  exclusive  of  titles;  who 
may  be  walking  according  to  the  course  of  this  evil  world,  living 
in  the  pleasures  thereof,  and  frequenting  theatres,  balls,  &c. 
Bristol.     1765.  **T.96.54 

Jebb,  J.     Bishop  Jebb  on  fashionable  amusements.     London.     1S49. 

**T.96.64 

Johnson,  O.  Amusements:  their  uses  and  abuses.  [Anon.]  Testi- 
mony of  Progressive  Friends.  New  York.  [1856.]  7442.42 
vy^KELLY,  W.  Notices  illustrative  of  the  drama,  and  other  popular 
amusements,  chiefly  in  the  sixteenth  and  seventeenth  centuries, 
incidentally  illustrating  Shakespeare  and  his  contemporaries.  Lon- 
don.    1865.     Plate.                                                 4578.10;  **T.76.i66;  etc. 

Letter,  A,  to  the  Rev.  George  Burder,  occasioned  by  his  sermon 
on  lawful  amusements.     London.     [1805.]  **T.96.6i;  etc. 

Same.  Postcript  to  the  Letter  to  the  Rev.  G.  Burder,  occa- 
sioned by  his  appendix  to  his  sermon  on  lawful  amusements. 
London.      1805.  **T.96.62;  etc. 

MoRisoN,  J.  Fashionable  amusements  the  bane  of  youth:  a  sermon. 
London.      1825.  **T.96.ii4 

Murray,  L.,  compiler.  Sentiments  of  pious  and  eminent  persons,  on 
the  pernicious  tendency  of  dramatic  entertainments  and  other 
vain  amusements.     London.     1817.  **T.96.io8 

Northbrooke,  J.  A  treatise  against  dicing,  dancing,  plays,  and  inter- 
ludes. With  other  idle  pastimes.  From  the  earliest  edition, 
about  A.D.   1577.     London.     1843.  4596.62;  **T.96. 14;  etc. 

Perronet,  V.    An  essay  on  recreations.     London.     1745. 

No.  2  in  **G.3823.4.2 

Pilgrim,  A,  pseud.  An  essay  on  some  of  the  fashionable  amusements 
of  the  world,  as  cards,  balls,  and  plays.     High  Wycombe.     [1801.] 

**T.96.55 

Pure,  M.  de.     Idee  des  spectacles  anciens  et  novveaux.     Paris.     r668. 

**G.35374 

[6q] 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 


Amusements.     (Continued.) 

R.,  C,  of  C.  C.  C.  Oxford.  The  danger  of  masquerades  and  raree- 
shows,  or  the  complaints  of  the  stage,  against  masquerades, 
opera's,  assemblies  and  other  irrational  entertainments,  as  being 
the  ground  and  occasion  of  the  late  decay  of  wit  in  Great 
Britain.     London.     1718.  **T.97.343 

Ralph,  J.  The  taste  of  the  town:  or,  a  guide  to  all  publick  diver- 
sions.    [Anon.]     London.     1731.  **T.78.54 

The  touch-stone:  or,  historical,  critical,  political,  philosophical, 

and   theological   essays  on   the   reigning   diversions   of   the    town. 
London.     1728.  **T.98.89 

Review  of  Burder's  Sermon  on  amusements,  and  a  reply  to  it.  [Lon- 
don.]    1805.  No.  12  in  **G.3824.9 

RuGGiERi.  C.  F.  .Precis  historique  sur  les  fetes,  les  spectacles  et  les 
rejouissances  publiques.     Paris.     1830.  **T.96.272;  etc. 

Sinks,  P.  W.  Popular  amusements  and  the  Christian  life.  New 
York.     [1896.]  3589-143 

Smith,  H.  Festivals,  games,  and  amusements.  Ancient  and  modern. 
London.     1831.     Plates.  **T.98.8o;  etc. 

Swift,  J.,  alleged  author.  A  ])roject  for  the  advancement  of  religion, 
and  the  reformation  of  manners.     London.     1709. 

No.  3  in  **G.3823.i4 

Thoma.'-on,  D.  R.  Fashionable  amusements;  with  a  review  of  Rev. 
Df.  Bellows'  lecture  on  the  theatre.     New  York.     1857. 

5589a.248;  **T.97.ii3 

Yates,  E.   H.     The  business  of  pleasure.     London.     1865.     2  v. 

**T.97.26 
Amusements.     Scientific.     See  Scientific  amusements. 

Anales  del  teatro. 

CrItica  dramatica  y  musical,  y  biografias  de  autores,  compositores 

y  artistas.     Madrid.     1884.  **T.26.22 

Ancient  and  modern  miscellany,  The.     [Anon.]  See  Waldron,  Francis 

Godolphin,  compiler. 

Ancient  mysteries  described.     Hone,  W.  2575.24;  **T.45. 8;  etc. 

Ancona,  Alessandro  d'. 

Origini  del  teatro  in  Italia.  Studj  sullc  sacre  rappresentazioni  seguiti 
da  un'  appendice  sulle  rappresentazioni  del  contado  toscano. 
Firenze.     Le   Monnier.     1877.     2  v.  4775-50 

Same.  Origini  del  teatro  italiano.  Libri  tre,  con  due  appendici  sulla 
rappresentazione  drammatica  del  contado  toscano  e  sul  teatro 
mantovano  nel  sec.  xvi.  2a  edizione  .  .  .  accresciuta.  Torino. 
Loescher.     1891.     2  v.  4772.21 

Anderson,  Rev.  George. 

A  reinforcement  of  the  reasons  proving  that  the  stage  is  an  un- 
christian diversion.  Or,  a  vindication  of  the  appendix  to  The 
uuse  [sic]  and  abuse  of  diversions.  In  answer  to  the  Remarks  of 
an  anonymous  author.  Edinburgh:  Printed  l)y  R.  Fleming,  for 
J.  M'Euen.     1733.     (2),  150  pp.  **T.77.67 

Otlu-r  copies   are  on   shelf-numbers    No.  2  in  '  "G.3824.18 ;  No.  3  in  **3823.2o. 

The  use  and  abuse  of  diversions.  A  sermon  with  an  appendix, 
shewing  that  the  stage  in  particular  is  an  unchristian  diversion. 
Edinburgh:  Printed  !>y  R.  Fleming  and  Company,  and  sold  at 
Mr.  James   M'Euen's  shop.      1733.     59  pp.  **T.96.74 

Another  copy  is  on  shelf-nunil)er  No.  i  in  **G.3824.i8. 

[70] 


BROWN   COLLECTION    OF  BOOKS    ON    THE   STAGE 

Anderson,  Rev.  George.     JVorks  about. 

Some  remarks  upon  the  Rev''  Mr.  Anderson's  positions  concerning 
the  unlawfuhiess  of  stage-plays.     In  a  letter  to  the  author.     Edin- 
burgh.    1733.  No.  3  in  **G.382i.i9 
Anderson,  J.  W. 

Garrick's  mode  of  reading  the  Liturgy  of  the  Church  of  England. 

New  edition,   with   notes,  and   a  preliminary   discourse   on   public 

reading,  by  Richard  Cull.     London.     Parker.     1840.     xiv,  (i),   143 

pp.  5591.26;  **T.76.i 

Anderson,  James  Robertson. 

An  actor's  life.  With  an  introduction  by  W.  E.  Adams.  'London. 
The  Walter  Scott  Publishing  Co.  1902.  xxvi,  356  pp.  Portraits. 
Plates.  45493.193 

Anderson,  John  Parker. 

Sanders,  L.  C.  Life  of  Richard  Brinsley  Sheridan  [with  bildiograidiy 
by  J.  P.  Anderson].     London.     [i8qo.]  45403.128 

Anderson,  Mary  Antoinette. 

A  few  memories.    New  York.    Harper.     i8g6.     (7),  262  pp.    Portraits. 

2343.117;  *P.ii. 195 
Same.     2d  edition.     London.     Osgood,  Mcllvaine  &  Co.     1896.     (7), 
267  pp.  **T.56.77 

Anderson,  Mary  Antoinette.     Works  about. 

Farkar,   J.    M.      Mary   Anderson.     The   story   of   her   life   and   pro- 
fessional career.     London.     1884.     Portrait.  **T.54.i9;  etc. 
Winter,  W.     The  stage  life  of  Mary  Anderson.     New-York.     1886. 
Portrait.                                                                         42493.64;  **T.57.404 
Anderson,  Percy,  illustrator. 

Aria,  E.  Costume:  fanciful,  historical,  and  theatrical.  London.  1906. 
Illus.     Plates.    .  2239.99 

Anderson  Auction  Company. 

Catalogue  of  books,  comprising  Americana,  dramatic,  Dunlap  So- 
ciety publications,  etc.  A  choice  selection  of  standard  music  and 
a  collection  of  portraits  .  .  .  For  sale  at  auction,  June  21.  New 
York.     1907.     28  pp.     [No.  571.]  **T.65.32 

Catalogue  of  interesting  books  from  private  sources,  including  a 
small  dramatic  library,  some  portraits  and  autograph  letters. 
For  sale  at  auction,  Dec.  29.  New  York.  1903.  31  pp.  [No. 
251.]     .  **T.65.39 

Andre,  Alexandre. 

La  litterature  dramatique  et  le  theatre  libre.  Conference.  Marseille. 
Doucet.     1893.     (i),  9  pp.  4674.78 

Andre-Murville,  Pierre  Nicolas. 

Les  infiniment  petits,  ou  precis  anecdotique  des  evenemens   qui  se 

sont  passes  au  Theatre  de  I'Odeon  les  22  et  29  novembre  1812,  et 

details  sur  les  vices  d'administration  de  ce  theatre,  qui  sont  cause 

de  tons  ces  desordres.    Paris.    Delaunay.     1813.    40  pp.    **T.96.277 

Andrewes,  Amelia. 

Little  notes  on  Shakespeare's  England.  London.  Swan  Sonnen- 
schein  &  Co.,  Ltd.     1903.     124  pp.  **T.57.2i4 

Andrews,  Charles  W.,  and  others. 

On  the  incompatibility  of  theater-going  and  dancing  with  member- 
ship in  the  Christian  Church.  An  address  of  the  clergy  of  the 
Convocation  of  the  Valley  of  Virginia,  to  the  people  of  their 
respective  parishes.  Philadelphia.  Office  of  Leighton  publica- 
tions.   1872.    31  pp.  **T.97.340 

[711 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 

Andrieux,  Fram;ois  Guillaume  Jean  Stanislas,  editor. 

Clairon,  C.  J.  H.  Leris  de  La  Tude.     Memoires.     Nouvelle  edition. 
.  .  .  Le  tout  accompagne  de  notes  et  precede  d'une  notice  sur  la 
vie  de  Mile  Clairon  [par  Andrieux].     Paris.     1822.       **T.s6.i;etc. 
Anecdotes. 

Angelo,  H.  Angelo's  Pic  nic;  or,  table  talk,  including  recollections 
of  public  characters.     London.     1834.  **T.95.i33 

Reminiscences   of    Henrj^    Angelo,    with    memoirs    of  his    late 

father  and  friends,  including  numerous  original  anecdotes.     Lon- 
don.    1828,  30.     2  V.     Portrait.  4546.9;  **T.56.i5i 

Same.     With   an    introduction    by    Lord    Howard   de    Walden, 

and  notes  and  memoir  by  H.  Lavers  Smith.     Philadelphia.     1904. 
2  V.     Portraits.     Plates.  *254i.i44 

Baisser,  Lc,  du  rideau.  Anecdotes  theatrales  anciennes  et  modernes, 
tirees  des  memoires  des  temps.     Paris.     1837.  **T.58.i4i 

Beverley,  E.  The  book  of  variety;  containing  laughable  anecdotes, 
entertaining  poetry,  and  various  other  pieces  of  interest  and 
amusement.     London.     1824.  **T.97.i78 

Comedian's  tales,  The:  or  jests,  songs,  and  pleasant  adventures  of 
several  famous  players.     London.     1729.  **T.98.i48 

Courier  lyrique  et  amusant,  ou  passe-temps  des  toilettes.  Par 
Mme  Dufrenoy.  [Bimensuel.]  Juin  i,  1786 -sept,  i,  oct.  i- 
dec.  15,  1787.  **T.27.i3 

Cousin  d'Avalon,  C.  Y.  Comediana,  ou  recueil  d'anecdotes 
dramatiques,  bon  mots  des  comediens,  et  reparties  spirituelles,  de 
bonhomie  et  de  naivete  du  parterre.    Paris.    An  IX.-1801.    **T.59.28 

Cressy,  W.  M.  Continuous  vaudeville.  With  illustrations  by  Hal 
Merritt.     Boston.     [1914.]  **T.97.349 

Descombes,  J.  C.  F.  M.  fipaves.  Theatre  —  histoire  —  anecdotes  — 
mots.     Paris.     1865.  **T.96.i74 

Diprose,  J.  Diprose's  Book  of  the  stage  and  the  players.  [London. 
1877.]     Illus.     Portraits.  **T.77.i56 

Duval,  G.     Artistes  et  cabotins.     Paris.     1878.  **T.58.40 

EnwARDS,  H.  S.  History  of  the  opera,  from  its  origin  in  Italy  to 
the  present  time.  W'ith  anecdotes  of  the  most  celel)rated  com- 
posers and  vocalists  of  Europe.     London.     1862.     **M.io3.2i;  etc. 

Green  room  yarns.     New  York.     1876.     Illus.  **T.93.g 

Haslewood,  J.,  compiler.  Green  room  gossip;  or,  gravity  gallinipt: 
consisting  of  theatrical  anecdotes  —  bon-mots.     [ London. 1      1809. 

**T.58.ii 

Havi'kins,  L.  M.  Memoirs,  anecdotes,  facts,  and  opinions,  collected 
and  preserved  by  L.  M.  Hawkins.    London.    1824.    2  v.    **T.56.268 

Hazlitt,  W.  C,  compiler.  Jests,  old  and  new.  Containing  anecdotes 
of   celebrities,   living   and    deceased.      London.      [1886.] 

62593.7 ;  **T.56.49 

Hill,  B.  E.  Playing  about;  or  theatrical  anecdotes  and  adventures, 
with  scenes  of  general  nature,  from  the  life  in  England,  Scotland, 
and  Ireland.     London.     1840.     2  v.  **T.56.i5 

Jerrold,  W.  C,  compiler.  Bon-mots  of  Samuel  Foote  and  Theodore 
Hook.     London.     1894.     Illus.     Plates.     Portraits.  45593.125 

Laurent,  J.  B.  £.     L'esprit  au  theatre.     Paris,     [i860.]  **T.57.34i 

Lennox,  Lord  W.  P.  Celebrities  I  have  known;  with  episodes,  po- 
litical, social,  sporting,  and  theatrical.  London.  1876,77.  4  v.  2573.61 

Loire,  L.,  compiler.  Anecdotes  de  theatre.  Comediens  —  comediennes 
—  bons  mots  des  coulisses  et  du  parterre.    Paris.    1875.    **T.77.i33 

[72] 


BROWN   COLLECTION   OF  BOOKS    ON    THE  STAGE 

Anecdotes.     (Continued.) 

Mathews,  A.    Anecdotes  of  actors:  with  other  desultory  recollections, 

etc.     London.     1844.  4543-66;  **T.S5.64 

OxBERRY,  W.,  compiler.    The  actor's  budget;  consisting  of  monologues, 

prologues,    epilogues,    and    tales,    serious    and    comic:    theatrical 

anecdotes  and  comic  songs.     London.     1820.  **T.97.334;  etc. 

Oxberry's  Anecdotes  of  the  stage,  &c.  London.  1827.  Por- 
trait. **T.57.278 

Personal  reminiscences  by  Chorley,  Planche  and  Young.  .Vcw 
York.     1874.  45593.173 

Personal  reminiscences  by  O'Keeffe,  Kelly  and  Taylor.  New  York. 
1875.      Portraits.  6549.129 

Quick,  J.  Quick's  Whim;  or,  the  merry  medley:  containing  a  collec- 
tion of  jests  and  repartees.     London.     [1795.]     Portrait.    **T.98.88 

Recueil  d'anecdotes  &  curiosites  de  toutes  sortes  sur  la  litterature, 
le  theatre,  la  galanterie,  etc.     Paris.     1871.  **T.96.348 

Sadler,  L.  R.   Theatrical  anecdotes.    London.    1882.   2554.61;  **T. 58. 80 

ScHiEssLER,  S.  W.  Coulissen-Blitze  in  Anekdoten,  Schwiinken, 
Schnurren  und  witzigen  Einfallen,  auf  Theater  und  Schauspicler 
geschleudert.  Meissen.   1828,29.  6v.ini.   Colored  plates.  **T.59.53 

Smith,  S.  F.  Theatrical  management  in  the  West  and  South  for 
thirty  years.  With  anecdotical  sketches.  New  York.  1868. 
Illus.     Portrait.  4395-i87;  **T.55.39 

Stage  gossip  or  theatrical  tit-bits,  ancient  and  modern.  London. 
[188-?]      _  _  **T.55.46 

Theatrical  jester,  The:  or  green-room  witticisms.  Being  a  collec- 
tion of  entertaining  and  original  anecdotes,  bon  mots,  repartees, 
&c.,  relating  to  the  stage.    London.     [1795.]  **T.58.i8 

Wewitzer,  R.  Dramatic  reminiscences,  anecdotes,  comical  sayings 
and  doings.     London.      [185-?]      Portrait.  **T.59.33;  etc. 

Wilder,  M.  P.  The  sunny  side  of  the  street.  New  York.  1905. 
Illus.     Portrait.  4408.234 

Williams,  J.  The  life  of  the  late  Earl  of  Barrymore.  Including  a 
history  of  the  Wargrave  theatricals,  and  original  anecdotes  of 
eminent  persons.     London.     1793.  **T.76.i85;  etc. 

The  eccentricities  of  John  Edwin,  comedian.     Collected  from 

his  manuscripts,  and  enriched  wnth  anecdotes.     London.     [1791.] 
2  V.  **T.57.8;etc. 

Anecdotes  curieuses  et  inedites  de  la  vie  de  Valentin   dit  I'Homme  a 
la  poupee.     Marseille.     Arnaud  &  c'e.     1858.     16  pp.     Portrait. 

Valentin  Dewaegiicnaei-e  was  a  famous  ventriloquist.  **X.g8.I4 

Anecdotes  dramatiques.      [Anon.]      See  Clement,  Jean  Marie   Bernard, 

and  Joseph  de  La  Porte. 
Angelo,  Henry. 

Angelo's  Pic  nic;  or,  table  talk,  including  recollections  of  public 
characters.     London.    Ebers.     1834.     Colored  plate.  **T.95.i33 

Reminiscences  of  Henry  Angelo,  \vith  memoirs  of  his  late  father 
and  friends,  including  numerous  original  anecdotes  and  curious 
traits  of  the  most  celebrated  characters  that  have  flourished  during 
the  last  eighty  years.    London.    Colburn.     1828,  30.    2  v.    Portrait. 

4546.9;  **T.56.i5i 

Same.    With  an  introduction  by  Lord  Howard  de  Walden,  and  notes 

and   memoir  by   H.   Lavers   Smith.     Illustrated  from  originals   in 

the   collection   of  Joseph   Gregs.     Philadelphia.     J.    H.   Lippincott 

Co.     1904.     2  V.     Portraits.     Plates.  '*254i.i44 

[73] 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 


Angiolini,  Gasparo. 

Lettere  a  Monsieur  Noverre  sopra  i  balli  pantomimi.  [Milano. 
Bianchi.     1773.]      112  pp.  4057.11 

Angus,  J.  Keith. 

Amateur  acting.  London.  Routledge.  [1880.]  171  pp.  Illus. 
Colored  plates.     Plans.  **T.97.239 

A  Scotch  play-house;  being  the  historical  records  of  the  old  Theatre 
Royal,  Marischal  Street,  Aberdeen.  Aberdeen.  Wyllie.  1878. 
69,   (i)  pp.  **T.77.i68 

Animadversions  on  Mr.  Colman's  True  state,  &c.  With  some  remarks 
on  his  little  serious  piece  called  The  Oxonian  in  town.  London: 
Printed  for  Walter.     1768.     (3),  20  pp.  No.  14  in  **G.3824.2 

Coleman's  A  true  state  of  the  differences   subsisting  between   the  proprietors   of 

Covcnt-Garden    Theatre  may    be    found    en    shelf-numbers    **T.95.ii6;    No.  12  in 

**G.3824.2.       His     The  Oxonian     in     town     may     be     found     on     shelf-number 
**G.38i6.7.4. 

Animadversions  on  Mr.  Congreve's  late  answer  to  Mr.  Collier.  In  a 
dialogue  and  some  offers  towards  new-modeling  the  stage.  Lon- 
don.    Printed   for  John    Nutt.      1698.      (29),   88  pp. 

No.  12  in  **G.382i.5 
Animadversions  on  Mr.  J.  Jackson's  Dramatic  strictures  upon  the  merits 
of  Young  Roscius.     By  the  Editor  of  "The  Glasgow  Theatrical 
Register."     Glasgow.     Cameron  &  Co.     1804.     (i),  70  pp. 

**T.56.i52 

Jackson's  .Strictures  upon   the  merits  of  Yoiing   Roscius   may  be  found   on   shelf- 
numbers  **T.56.205  ;  No.  4  Jn  **G.3824.8. 

Animals.     Training. 

BiDEL,  J.  B.  F.     Les  memoires  d'un  dompteur.     Paris.     1888.     Illus. 

**T.97.i67 
Animated  photography.     Hepworth,  C.  M.  80393.96 

Annales,  Les.  du  theatre  et  de  la  musique.  Annee  1-40.  1875-1914/15. 
Paris.     Charpentier  &  c'e  [etc.].     1876-1916.     40  v.     Portrait. 

**T.27.i 

Refers   principally    to    Paris.      Annees    i— 21    were    edited    by    fidouard    Noel    and 
Edmond  Stoullig;   annee  22-37,  by  Edmond  Stoullig. 

Annales  dramatiques.     R.\eault, ,  and  others.  **T.77.ii 

Annals  of  the  French  stage.     Hawkins,  F.  W.  4671.69;  **T.56.224 

Annals,  The,  of  the  green  room,  and  biography  of  the  stage!  Com- 
prising the  lives  of  the  most  eminent  London  performers.  [Part 
I.]  Memoirs  of  Mrs.  Honey.  London.  Smith.  [1842.]  24  pp. 
Colored  portrait.  No.  4  in  **K.48.i6 

Annee  dramatique,  L'.     1911-12.     Bidou,  H.  L.  A.  4677.95 

Annee  litteraire  et  dramatique,  L'.  Revue  annuelle.  Par  G.  Vapereau. 
Annee  i-ii.     1858-68.    Paris.    Hachette  &  cie.     1859-69.    **T.27.i4 

Xo  more  was  published. 

Annee  theatrale.  Almanach  pour  I'an  X.  Contenant  une  notice  sur 
chacun  des  theatres  de  Paris,  les  acteurs,  les  pieces  nouvelles  et 
les  debuts.     Paris.     Courcier.    An  X.=:i8oi.    270  pp.  **T.29.io 

Annee  theatrale,  L'.  Nouvelles,  bruits  de  coulisses,  indiscretions, 
comptes  rendus,  racontars,  etc.  Par  J.  Georges  Duval.  Annee 
1-3.     Paris.     Tresse.      1875-77.  **T.27.4 

Annees,  Les,  de  gaiete.     Monselet,  C.  2666.55 

Anninos,  Charalambos. 

Les  jeux  olympiques,  776  av.  J.-C. — 1896.  Trad,  frangaise  par  Leon 
Olivier.  Athenes.  Beck.  1896.  2  parts  in  i  v.  Illus.  Plates. 
Modern  Greek  text  and  French  translation.  *4000.I04 

[74] 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 


Annuaire  des  lettres,  des  arts  et  des  theatres.  [1845/46.]  Paris.  La- 
crampe  &  comp.  1846-1847.  (3),  498,  (2)  pp.  Colored  portraits. 
Plates.  **T.26.i3 

Another  copy,  with  slightly  differing  title,  is  on  shelf-number  ••M. 373. 32. 

Annuaire  dramatique.  Annee  7-10,  13.  Paris.  Cavanagh  [&  Dclaunay]. 
1811-1817.    5  V.    Portraits.  **T.29.i7 

Annuaire  drainatique.  Histoire  des  theatres  depuis  leur  foiulation 
jusqu'  a  nos  jours,  biographic  des  acteurs  de  Paris  ct  de  la 
banlieue.  Par  Adolphe  Breant  de  Fontenay  et  fiticnne  de  Cham- 
peaux.     Annee  i,  1844/45.     Paris.     L'editeur.     1845.     (3),  220  pp. 

Another  copy  is  on  shelf-number  **T.99.24.  **T.SQ.IQ 

Annuals.     See  Periodicals. 

Another  essence  of  Malonc.     [Anon.]      See   Hardinge,   George. 

Anson,  John  W.,  editor. 

Dramatic  Almanack  for  1871.  **T.29.i5 

Anson,  W.  S.  W. 

Life    of   Albert    Alberg    (actor-author).      [London.      1883?]      ;i7   pp. 

A  photograph  is  inserted.  **T.57.376 

Anspach,  Elizabeth  Berkeley  Craven,  Markgrdfin  von. 

Memoirs  of  the  Margravine  of  Anspach.  Written  by  herself.  Lon- 
don.    Colburn.     1826.     2  v.     Portrait.  2542.5 

Other    copies     are     on     shelf-numbers     **K.29i.4     (which     is     in     one    volume), 

**K.237.2,    **P.1I.224. 

Answer,  An,  to  Henry  Woodward,  comedian.  With  some  occasional 
remarks  on  the  Greek  and  Roman  stage.  By  the  Rt.  Hon.  the 
Earl  of  -x  *  *  *  *  *  *  [pseud.].  London:  Printed  for  M.  Cooper. 
1753.     (i),  25  pp.  **T.57.ioi 

A  mock  defense  of  Dr.  John  Hill.     Woodward's   Letter  to  Dr.  John  Hill  may  be 

found   on   shelf-numbers   **T.96.359;    No.  2  in  **G.3823.i5  ;    No.  10  in '4574. 103. 

Answer,  An,  to  that  important  question  whether  it  is  lawful  to  go  to 
plays?     [Anon.]     See  Lobb,  Theophilus. 

Answer,  An,  to  the  Memoirs  of  Mrs.  Billington.  With  the  life  and 
adventures  of  Richard  Daly,  Esq.,  and  an  account  of  the  present 
state  of  the  Irish  theatre.  Written  by  a  gentleman,  well-acquainted 
with  several  curious  anecdotes  of  all  parties.  London:  printed 
for  the  author.     1792.     (5),  71  pp.  **M.Cab.2.3;  **T,56.338 

Followed  by  an  ode  addressed  to  Mrs.  Billington.  Another  copy  is  on  shelf- 
number  **M.Cab.2.3. 

Anthony,  Luther  B.,  editor. 

Dram.atist,  The.  A  journal  of  dramatic  technology.  Quarterly. 
Vol.  1-3.     Oct.  1909 -Jul.  1912.  **T.26.8;  etc. 

Antient  and  modern  stages,  Tlige,  survey'd.     [Anon.]     See  Drake,  James. 
Anti-Profanus,  pseud.    See  Madan,  Martin. 
Antiquary,  An. 

The  dance.  Historic  illustrations  of  dancing  from  3300  B.C.  to  191 1 
A.  D.  London.  John  Bale,  Sons  &  Danielsson,  Ltd.  191 1.  viii, 
68  pp.     Illus.     Portraits.  4043.87 

Bibliography,  p.   68. 

Antique  Greek  dance,  The.     Emmanuel,  M.  ,  40403.166 

Anti-Scriblerus   Histrionicus,  pseud.     See  Roberts,  John. 
Anti-theatre,  The.     [No.  1-15,  February  15 -April  4,  1720.     By  Sir  John 
Falstaffe,  pseud.]    (In  The  Theatre.    Pp.  217-299.    London.    1791.) 

Another  copy  is  on  shelf-number  ,**G.3824.7.  **'J"  26.23 

Anzeiger  fiir  die  Koniglichen  Theater,  i.  Januar-31.  Dezembcr,  1874. 
Miinchen.     Wolf.     1874.     350  nos.  in  i  v.  **M. 236.27 

Apology,  The.     See  Churchill,  C.     The  Rosciad  and  The  apology. 

[75] 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 


Apology,  An,  for  actors.     Heywood,  T.  **G.i77.io;  etc. 

Apology,  An,  for  the  conduct  of  Mr.  Charles  Macklin,  comedian;  which, 
it  is  hoped,  will  have  some  effect  in  favour  of  an  aged  player,  by 
whom  the  public  at  large  have  for  many  years  been  uncommonly 
gratified.    London.    Sold  by  T.  Axtcll.    1773.    (i),38pp.    **T.56.326 

Other  copies  are  on  shelf-numbers  No.  1 1  in  **G.3823.3  ;  No.  7  in  **G.3824.i  ; 
No.  I  in  ''G. 3824.4. 

Apology,  An,  for  the  life  of  Mr.  T C ,  comedian.    A  proper 

sequel  to  the  Apology  for  the  life  of  Colley  Gibber,  comedian. 
With  an  historical  view  of  the  stage  to  the  present  year.  Sup- 
posed to  be  written  by  himself.  In  the  stile  and  manner  of  the 
poet  laureat.     London:  Printed  for  J.  Mechell.     1740.     viii,  144  pp. 

**T.56.i95 

Another  copy  is  on  shelf-number  No.  15  in  **G. 3824. 16.  Erroneously  ascribed  to 
Henry   Fielding. 

Same.      Dublin:    Re-printed    by    and    for    George    Faulkner.      1741. 

xi,  178  pp.  **T.58.ioi 

Apology,  An,  for  secular  recreations:  a  letter  to  the  Rev.  Francis  Close. 

London.     Rivingtons.      1855.     32  pp.  **T.96.68 

Appia,  Adolphe. 

La  mise  en  scene  du  drame  wagnerien.     Paris.     Ghailley.     1895.     51, 

(i)  pp.  No.  4  in  **M.372.39 

Die    Musik   und    die    Inscenicrung.      Miinchen.      Uruckmann.      1899. 

xvi,  278  pp.     Plates.  4044.141 

Translated  from  the   French  by   Princess    Elsa   Cantacuzene. 

Appia,  Adolphe.     Works  about. 

Van  Vechten,  G.  Music  after  the  great  war,  and  other  studies. 
New  York.     1915.  40493.157 

Applin,  Arthur. 

The  stories  of  the  Russian  ]iallct.  New  York.  John  Lane  Go.  [191 1.] 
96  pp.     Portraits.     Plates.     Autograph  facsimiles.  **T.93.i 

Contents.  —  Foreword.  —  I^e  carnaval.  —  Cleopatre.  —  Ee  spectre  de  la  rose.  — 
Le  pavilion  d'Armide.  —  Scheherazade.  —  L'oiseau  de  feu.  —  Prince  Igor.  — 
L'automne  bacchanale.  —  Les  sylphides. 

Apropos  of  women  and  theatres.  Logan,  O.         5585.74;  **T.97. 258;  etc. 
Arabia.     Iheatres.    History. 

Kahle,    p.    E.      Zur    Geschichte  des   arabischen    Schattenthesters    in 

F.gypten.     Leipzig.     1909.  6252.113 
Arago,  Jacques  fitienne  Victor. 

Foyers  et  coulisses.     Panorama  des  theatres  de  Paris.     Paris.     L'au- 

teur.     1852.     107  pp.  **T.57.382 

Relates  to  the  actors. 

Memoires   d'un  petit  banc   de   I'Opei^.     Paris.      Ebrard.      1844.     vii, 

315  pp.  **M.i29a.i6 

Physiologic  des  foyers  de  tons  les  theatres  de  Paris.     Paris.     1841. 

144,   (3)  PP-  **T.79-8 

Araldi,  Marie  Louise  Bettoni. 

CoJURET,  P.  Biographic  de  Ml'*^  Araldi,  ler  role  tragiquc  du  Thcatre- 
frangais.     Lyon.     1845.  **T.56.26i 

Aram,  Eugene. 

Hood,    T.      The    Henry    Irving    Dream    of    Eugene    Aram.      [Anon. 
Illustrated]   By  F.  Drummond  Niblctt.    |  London.    1887.]    **T.95.54 
Arbiter,  Pctronius,  Esq..  pseud.     See  Petronius  Arbiter,  Esq.,  pseud. 
Arbroath,  Scotland.     Theatres. 

Cakkagher,  p.  G.  'Red-liglit'  recollections:  representing  the  hitherto 
unwritten  story  of  forty  years  of  Fairport  from  the  footlights. 
Arbroath.     1906.     Portraits.     I'lates.  2576.175 


[76] 


BROWN   COLLECTION    OF  BOOKS   ON   THE   STAGE 


Arcadian,  The.     [Monthly.]     Vol.  i   (no.  i).  March   i,  1820.     [London. 

1820.]     108  pp.  **T.26.6i 

There  is  no  title-page.     Edited  by  Rodney  Birch  [pseud.].     Contains  a  Theatrical 
review. 

Archer,  Frank. 

An  actor's  notebooks.     Being  some  memories,  friendships,  criticisms 

and  experiences.     London.     Stanley  Paul  &  Co.     1913.     345,   Ci) 

pp.     Portraits.     Plates.    Facsimiles.  **T.46.55 

How  to  write- a  good  play.    London.    Sampson  Low,  Marston  &  Co., 

Ltd.     1892.     xi,  224  pp.  6257.373;  **T.47. 46 

Archer,  William. 

About   the   theatre.      Essays   and    studies.      London.     Unwiii.      1886. 
(?)•  350  pp.  45703.76;  **T.77.i7 

Contents.   —  Are  we  advancing?      (i8S2-t8S6.)    —   The  censorship   of   the   stapre. 

—  The  ethics  of  theatrical  criticism.  —  Critics'  English.  —  A  storm  in  .Stapceland. 

—  Shakespeare  and  the  public.  —  The  stage  of  Greater  Britain.  —  The  plays  of 
Victor  Hugo.  —  Hugo  and   Wagner.  —  The  realist's  dilemma. 

Drama.     {In  The  mind  of  the  century.     Pp.  14-24.    London.     [1901.]) 

4559-172 
Henry  Irving,  actor  and  manager.    A  critical  study.     London.     Field 

&  Tuer.     [1883.]     108  pp.     Portrait.     Autograph  facsimile. 

254ob.65;**T.59.2i 
Same.     2d  edition.      [1884.]  254ob.84 

Masks  or  faces?     A   study   in   the   psychology   of  acting.      London. 

Longmans,  Green,  &  Co.     1888.     (5),  232  pp.      3595-77;  **T.76.i55 
Play-making.     A   manual   of  craftsmanship.     London.     Chapman   & 

Hall,  Ltd.     1912.     X,  322  pp.  6257  374 

Same.     Boston.     Small,  Maynard  &  Co.     [1912.]     x,  419  pp.     6257.375 
Same.     [1913-]  6257.376 

Same.     [i9i5-]  6257.377 

The    theatrical    'world'    of    1893-97.      London.      Walter    Scott,    Ltd. 

[i894-]i898.     5  V.  **T.27.33 

Criticisms   of  performances   at   London   theatres. 

William  Charles  Macready.     London.     Kegan  Paul,  Trench,  Triibncr 
&  Co.,  Ltd.     1890.     vii,   (i),  224  pp.     [Eminent  actors.] 

2546.100;  **T.57.2 
Archer,  William,  editor. 

Eminent  actors.    For  the  separate  volumes  of  this  series  sec  Eminent 
actors. 
Archer,  William,  prefacer. 

Gilbert,  Sir  W.  S.     A  stage  play.     New  York.     1916.  **T.46.63.3 

Mantzius,   C.     a  history  of  theatrical  art   in  ancient  and   modern 
times.     London.     1903-09.     5  v.     Portraits.     Plates.  6252.66 

Archer,  William.     Works  about. 

Marshall,  F.  A.     Henrj'  Irving,  actor  and  manager.     ;\  criticism  of 
a  critic's  criticism.     London.     1883.  2540b. 76;  **T.58.72 

Archer,  William,  and  Harley  Granville  Barker. 

Scheme  &  estimates  for  a  national  theatre.     New  York.     Duffield  & 
Co.     1908.     (6),  xxxii,  177  pp.  6252.73 

Relates  to  Great  Britain. 
Archer,  William,  and  Robert  William  Lowe. 

The  fashionable  tragedian.   A  criticism  [of  Sir  Henry  Irving.   Anon.]. 

Edinburgh.    Gray  &  Co.     [1877?]     24  pp.    Portraits.         **T.57.363 

Architecture  theatrale.     N.  p.     N.  d.     Unpaged.     Illus.     Plates.     Plans. 

Diagrams.  **T.ii.6 

Composed   of  plans   of  theatres,   stage   machinery,   etc. 

[77] 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 


Archiv  fiir  Theaterocschichte.  Im  Auftrage  der  Gesellschaft  fiir 
Theatergeschichte  herausgegeben  von  Hans  Devrient.  Mit  dem 
Jahresbericht  der  Gesellschaft.  I>and  i,  2.  Berlin.  Fleischel  & 
Co.     1904,  05.    2  V.     Plate.  *6907.i2 

This     publication     was     continued     in     the     Gesellschaft     fiir     Theatergeschichte. 
Kleine   Schriften    [*6907.ii]. 

Archives  thcatrales.    Meyan,  P.  **T.77.igi 

Argentina.     Theatres. 

Matheu.  V.  F.  Ensayos  de  critica.  i:  Estado  actual  de  nucstro 
teatro.     Buenos  Aires.     1906.  4396.339 

Argus;  or,  the  theatrical  observer:  containing  critical,  yet  impartial 
strictures,  on  the  merits  and  demerits  of  the  principal  performers, 
of  the  Theatre  Royal,  Manchester.  To  be  continued  every  fort- 
night. No.  1-6.  Nov.  24,  1804- Feb.  9,  1805.  Manchester.  Dean 
&  Co.     1804,  05.    6  nos.  in  i  v.  **T.98.64 

The   earlier    numbers   were    issued   at   varying   intervals. 

Aria,  E. 

Costume:  fanciful,  historical,  and  theatrical.  Illustrated  by  Percy 
Anderson.  London.  Macmillan  &  Co.  1906.  xiii,  259  pp.  Illus. 
Plates,  some  colored.  2239.99 

Aristophanes.    Birds. 

Farkex,  R.     The  birds  of  Aristophanes  as  performed  by  members 

of  the  Universit}^  at  the  Theatre   Royal,  Cambridge,   November, 

1883.     [Cambridge.     1884.]      (11)  plates.  **T.42.5 

Harvard   Classical   Club.      Scenes   from   The   birds   of  Aristophanes 

translated  into  English  verse  by  Benjamin  Hall  Kennedy.     [With 

a  programme  of  the  performances  of  these  scenes  by  the  Harvard 

Classical  Club,  May  8  and  10,  1901.]     Cambridge.     The  LTniv'^rsity 

Press.     1901.     43  pp.  2977.27;  **T.36.29 

Aristippe,  pseud.     See  Bernier,.  Felix. 

Aries,  Albert,  and  others. 

Vorschlago  von  Theaterfreundcn  zur  Besserung  der  Zustande  beim 
Leipziger  Theater.    Leipzig.    Kreysing.     [1867?]    8  pp.    **T.96.225 

Signed  by  Albert  Aries,  P.  Bartke  and  15  others. 

Aries,  France.    Amphitheatre. 

Caristie,   a.    N.     Notice   sur  I'ctat   actuel   de   Tare   d'Orange   et   des 

theatres    antiques    d'Orange    et    d'Arles.      Paris.      1839.      Plates. 

Plans.  2632.76 

Jacquemin,  L.    Monographic  du  theatre  antique  d'Arles.    Aries.     1862, 

63.     2  V.  4673.104 

Arliss,  George,  prefaccr. 

Gillette,  W.  The  illusion  of  the  first  time  in  acting.  New  York. 
191.S.  **T.46.6i.i 

Armade,  Francisque  d'. 

Le  theatre  frangais  des  origines  a  nos  jours.  Extraits  et  analyses. 
Notices  biographiques.  Preface  par  Jean  Richepin.  Paris.  Dela- 
grave.      [1910.]      vi,    (2),   760  pp.  4676.169 

Armin,  Robert. 

Fools  and  jesters:  with  a  reprint  of  Robert  Armin's  Nest  of  ninnies. 
1608.  With  an  introduction  and  notes  fl)y  J.  P.  Collier].  London. 
The  Shakespeare  Society.     1842.     xx,  67  pp.  4596.67 

Other   copies  are   on   shelf-numbers   No.  2  in  4596.4 ;    **G.3927.9. 

Armstrong,  Archibald. 

Cutter,  A.  E.,  compiler.  William  Sommcrs  and  Archibald  Arm- 
strong, jesters  to  Henry  the  Eiglith  and  Charles  First,  Kings  of 
England.     Boston.     1887.     Portraits.  **T.i3.9 


178] 


BROWN   COLLECTION   OF  BOOKS   ON   THE   STAGE 

Armstrong,  Cecil  Ferard. 

A  century  of  great  actors.  1750-1850.  London.  Mills  &  Boon,  Ltd. 
[1Q12.]      (7),  412  pp.     Portraits.  4545.165 

Con  frills.  —  Introductory.  —  Tragedy:  David  Gan-ick ;  Sprangcr  Harry;  John 
HendfTSon ;  George  Frederick  Cooke:  John  Philip  Kcmble;  Rdmiind  Kian ; 
William  Charles  Macready :  Charles  John  Kean.  —  Prodigy:  William  Henry 
West  Betty.  —  Comedy:  Charles  Macklin;  Joseph  Shepherd  Munden ;  Joseph 
Grinialdi;   Charles  James  Mathcw^.  —  Comedy  and  tragedy:   Frederick  Robson. 

Armstrong,  W.  G. 

A  record  of  the  opera  in  Philadelphia.  Philadelphia.  Porter  & 
Coates.     1884.    274  pp.  4044.82 

Arnal,  Etienne. 

Les  acteurs  et  les  pretres,  boutade  en  vers,  suivie  de  notes.  Paris. 
1830.     39  pp.  **T.96.i49 

Arnaud,  Charles. 

Les  theories  dramatiques  au  xviie  siecle.  fitude  sur  la  vie  et  les 
ceuvres  de  I'Abbe  d'Aubignac.     Paris.     Picard.     1888.     (3),  364  pp. 

**f.55.ii6 
Arnold,  John  Harvey  Vincent. 

[Catalogue  of  his]  Library.  New  York.  Leavitt  &  Co.  1879.  6, 
3-394  PP-  **M.ii3.2 

Particularly    rich    in    dramatic     literature.      Another    copy    is    on     shelf-number 

*2i63.iS. 

Arnold,  Robert  Franz. 

Bibliographie  der  deutschen  Biihnen  seit  1830.  2.  vermehrte  Auflage. 
Strassburg.     Triibner.     1909.      (2),   57  pp.  *2i75.62 

Arnold,  Samuel  James. 

Forgotten  facts  in  the  memoirs  of  Charles  Mathews,  comedian,  re- 
called in  a  letter  to  Mrs.  Mathews,  his  biographer.  London. 
Ridgway.      [1839.]      3-52  pp.  **T.56.259 

A  letter  to  all  the  proprietors  of  Drury-Lane  Theatre,  being  a  com- 
mentary on  certain  parts  of  an  anonymous  pamphlet,  called  "A 
brief  review  of  the  season  1817-18  at  the  Theatre  Royal,  Drury- 
Lane,"  &c.,  and  a  conclusive  detection  of  the  author.  Also,  a 
letter,  relative  to  the  subject,  from  the  late  Samuel  Whitbread. 
London.     Fearman.      1818.      (2),  86  pp.  **T.76.i27 

Other  copies  are  on  shelf-numbers  No.  5  in  **G.3823.i7 ;  No.  8  in  **G. 3824. 3. 
Facts  are  stubborn  things!  Being  a  brief  review  of  the  season  1817-18,  at  the 
Theatre  Royal,  Drury-Lane,  may  I)e  found  on  shelf-numbers  **T.76.i29;  No.  4  in 
**G.3823.i7.      Arnold   claims   that    Peter    Moore   was   its    author. 

Arnold,  Thomas  Kerchever,  editor. 

WiTZscHEL,  A.    The  Athenian  stage;  a  handbook  for  students.     Lon- 
don.    1850.     Plan.  49693.7;  **T.78. 1 
Arnould,  Madeleine  Sophie. 

Memoires.     Recueillis  et  publics  par  le  Baron  de  Lamolhe-Langon. 

Paris.     Allardin.     1837.     2  v.  in  i.  **G.3525.5 

Sophie  Arnould  d'apres  sa  correspondance  et  ses  memoires  inodii.s. 

Par  Ed.  et  J.  de   Goncourt.      [2^  edition.]      Paris.     Dentu.      1877. 

viii,  224,  (3)  pp.     Illus.     Portrait.     Facsimile.  2652.72 

Arnould,  Madeleine  Sophie.     Works  about. 

Deville,  P.  F.  A.     Arnoldiana,  ou  Sophie  Arnould  et  ses  contem- 

poraines.     Paris.     1813.     Portrait.  **M.377.2i 

Douglas,    R.    B.      Sophie   Arnould,    actress    and    wit.      Paris.      1898. 

Plates.  **M.37i.57 

Arnould-Plessy,  Jeanne  Sylvanie. 

Jacquot,  C.  J.  B.  Mme  Arnould-Plessy.  {In  his  Portraits  et  silliou- 
ettes.     Vol.  I,  pp  53-76.     Paris.     1867.)  4641.54.1 

[79] 


THE  PUBLIC  LIBRARY  OF  THE   CITY  OF  BOSTON 

Arnould-Plessy,  Jeanne  Sylvanie.     (Continued.) 

PoiNsoT,  A.  E.     Madame  Arnould-Plessy  (1834-1876).     Paris.     1876. 

**T.97.273 
Aronson,  Rudolph. 

Theatrical  and  musical  memoirs.  New  York.  McBride,  Nast  &  Co. 
1913.     (12),  283  pp.     Portraits.     Plates.     Manuscript  facsimiles. 

4045.142 
Arpentigny,  Casimir  Stanislas  d'. 

La  science  de  la  main  ou  I'art  de  reconnaitre  les  tendances  de  I'in- 
telliffence  d'apres  les  formes  de  la  main.  2e  edition.  Paris. 
Coulon-Pineau.     [1856.I     348  pp.  **T.96.20i 

Same.  The  science  of  the  hand,  or  the  art  of  recognizing  the 
tendencies  of  the  human  miad  l)y  the  observation  of  the  forma- 
tion of  the  hands.  Translated  and  edited  with  an  introduction, 
appendices  and  a  commentary  by  Ed.  Heron-Allen.  With  original 
plates  and  explanatory  diagrams  by  Rosamund  Brunei  Horsley. 
London.     Ward,  Lock  &  Co.     1886.    444  pp.  36003.31 

Appendix  B,  pp.  42X-431,  contains  a  Bibliographia  chcirosophica. 
Art  album  of  footlight   favorites.      [New   York?      190-?]      (3)    pp.     60 
portraits.  **T.Cab.i.24 

Portraits  of  actresses. 
Art  and  the  actor.    Coquelin,  B.  C.  **T.46.6i.2 

Art,  L',  au  theatre.     Mendes,  C.  A.  **T.47.5 

Art,  L',  de  cabaler  dans  les  spectacles.     Poeme  didactique,  en  prose  et 
en  trois  chants.     Paris.     Garnier.     181 1.     3-28,   (2)   pp. 

A  satire  on  the  spectators  at  theatres.  No.  9  in  **G.3562.2 

Art,  L',  du  comedien.     Coquelin,  B.   C.  26793.138 

Art,  L',  du  comedien,  vu  dans  ses  principes.     [Anon.]     See  Touron, . 

Art,   L',   du   theatre.     Revue  mensuelle.     Annee   i,  2.     Paris.     Schmid. 

1901,  02.    2  V.    Illus.    Portraits.    Plates.    Plans.     Music.    **T.2i.io 
Art,  L',  et  le  comedien.     Coquelin,  B.  C.  46693.75;  **T.78.32;  etc. 

Art,   The,    of   acting,   or,    guide    to   the    stage:    in    which    the    dramatic 

passions  are   defined,   analyzed,   and   made   easy   of  acquirement. 

New  York.     French.     [187-?]     24  pp.  4578.150;  **T.77.53 

Art,  The,  of  ballet.     Perugini,  M.  E.  40493.376 

Art,  The,  of  playwriting.     Hennequin,  A.  L.   F.  6257.381 

Art,  The,  of  the  stage.     Lamb,  C.  **T.77.75;  etc. 

Art,  L',  theatral.    See  Congres  international  de  I'art  theatral,  Paris,  1900. 
Art,   L',   theatral.     Poem.     Samson,   J.    1.  **T.75,i4;  etc. 

Art,  L',  theatral   moderne.     Rouche,  J.  6252.83 

Art  theatre,  The.     Cheney,  S.  6257.144 

Art  Workers'  Guild,  London. 

Beauty's  awakening.     A   masque  of  winter  and  of   spring,   written, 

designed  &  contrived  by  the  members  of  the  Art  Workers'  Guild, 

and   finally   presented    by   them   in   the   Guildhall   of   the    City   of 

London.     [London.     1899.]     44,  (5)  pp.     59  plates,  some  colored. 

[The  Studio.    Summer  number,  1899.]  *8o8o3.6o 

Art3ud,  Jean  Baptiste. 

Taconet;  ou  memoires  historiques  pour  scrvir  a  la  vie  de  cet  honime 

celebre.     [Anon.]     Article  oublie  dans  le  Necrologe  de   1775.     A 

Amsterdam,   1775.     53  pp.  **T.57.i8i 

Artis,  William. 

Tales   from   the   note-book  of  an   ex-actor.      [Fiction.]      By    Dudley 

Fleck  and  William  Artis.     West  Cowes.    Joyce.     1865.     56  pp. 

**T.87.90 
[80] 


BROWN   COLLECTION    OF  BOOKS    ON    THE   STAGE 


Artist's  love  story,  An.     Knapp,  O.  G.,  editor.  4545-i9o;  **T.56.335 

Artistes  et  cabotins.     Duval,   G.  **T.58.40 

Arts  Club,  Manchester,  England. 

Thornber,  H.  Catalogue  of  engravings  of  theatrical  scenes  and 
portraits.  Lent  and  arranged  by  Harry  Thornber.  London. 
[1888.]      Portraits.  **T.65.i5 

Ashbee,  Charles  Robert. 

The  masque  of  the  Edwards  of  England:  being  a  coronation  pageant 

to  celebrate  the  crowning  of  the  King  [Edward  VII].     Illustrated 

by  Edith  Harwood.     [London.     Essex  House  Press.     1902.]     45, 

(2)   pp.     Colored  plates.  *Cab. 24.37.1 

Aspects  of  modern  drama.     Chandler,  F.  W.  6257.97 

Aspin,  Jehoshaphat. 

Ancient  customs,  sports,  and  pastimes,  of  the  English;  explained 
from  authentic  sources,  &  in  a  familiar  manner.  London.  Harris. 
1832.     viii,  256  pp.     Illus.     Plates.  **T.99.27 

Association  de  secours  mutuels  des  artistes  dramatiques. 

Annuaire.     Annee  30,  37-39,  41,  42.     Paris.     1869-81.     6  v.  in  2. 

**T.25.i9 
Association  des  artistes  dramatiques. 

Annuaire.     Annee  [i-]6.     Paris.     i84o[-45].     6  v.  in  i.  **T.29.20 

Association  of  the  Bar  of  the  City  of  New  York. 

Proceedings   on   a   publication   in    the    New   York   Times   of   March 

26th,  1876,  censuring  the  counsel   for  the  plaintiff  in  the  Forrest 

divorce  case   [Charles  O'Conor].     New  York.     Polhemus.     1876. 

(3),  75  pp.  No.  2  in  *7686.52 

Astley,  Philip. 

Humphreys,  D.     The  memoirs  of  J.  Decastro,  comedian,  anecdotes, 
an  analysis  of  the  life  of  the  late  Philip  Astley,  history  of  the 
Royal    Circus,   now   the    Surrey   Theatre.     London.      1824.     Por- 
trait. **T.57.295 
Aston,  Anthony. 

A  brief  supplement  to  Colley  Cibber,  Esc^.;  his  lives  of  the  late 
famous  actors  and  actresses.  (In  Cibber,  Colley.  An  apology  for 
the  life  of  Mr.  Colley  Cibbey.  Vol.  2,  pp.  297-318.  London.  1889.) 
Another  copy  is  on  shelf-number  *4S45. 106.2.  **T.54.7.2 

Astruc,  Joseph. 

Le    droit    prive    du    theatre;    ou,    rapports  des    directeurs    avec    les 

auteurs,  les  acteurs  et  le  public.    Paris.  Stock.    1897.    xvi,  328  pp. 

Bibliographie,  pp.  v-viii.  **T.74.l8 

Athens.     Theatres. 

Du  Meril,  fi.  P.  Si  les  Atheniennes  assistaient  a  la  representation 
des  comedies.     Paris.     1863.  **T.94.i4 

Haigh,  a.  E.  The  Attic  theatre.  A  description  of  the  stage  and 
theatre  of  the  Athenians,  and  of  the  dramatic  performances  at 
Athens.      Oxford.      1889.      Illus.  **T.75.48;  etc. 

Madvig,  J.  N.  Bemerkungen  iiber  die  Fruchtbarkeit  der  dramatischen 
Poesie  bei  den  Athenaern  und  ihre  Bedingungen.  (In  his  Kleine 
philologische  Schriften.     Pp.  421-476.     Leipzig.     1875.)       3605.79 

Navarre,  O.  Dionysos.  fitude  sur  I'organisation  materielle  du 
theatre   athenien.     Paris.      1895.      Illus.  **T.76.i56;  etc. 

Oehmichen,  G,  tJber  die  Anfange  der  dramatischen  Weltkiimpfe 
in  Athen.  (In  Koeniglich-bayerische  Akademie  der  Wissen- 
schaften,  Munich.  Philosophisch-philologische  und  historische 
Classe.  Sitzungsberichte.  1889,  Band  2,  pp.  103-167.  Miinchen. 
1889.)  *3266.50.i889 

[81] 
6 


THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 

Athens.     Theatres.     (Continued.) 

Wagner,  G.  P.  E.  Die  griechische  Tragodie  und  das  Theater  zu 
Athen.     Dresden.     1844.     Plan.  2960.13 

WiTZSCHEi.,  A.    The  Athenian  stage;  a  handbook  for  students.     Lon- 
don.    1850.     Plan.  49693.7;  **T.78. 1 
Athens.    Theatres.    Theatre  of  Dionysos. 

DoERPFELD,  W.  Zum  Dionysos  Theater  in  Athen.  Plates.  (In 
Kaiserlich  deutsches  archaologisches  Institut.  Jahrbuch.  Vol. 
24,  pp.  224-226.     Berlin.     1910.)  *22ioa.55.24 

DoERPFELD,  W.,  and  E.  Reisch.  Das  griechische  Theater.  Beitrage 
zur  Geschichte  des  Dionysos-Theaters  in  Athen  und  anderer 
griechischer  Theater.     Athen.      1896.     Illus.     Plates.     Plans. 

4090.43 

M.,  G.  An  essay  on  the  profession  of  a  player,  &c.  To  which  is 
added  a  description  of  the  first  theatre  that  was  ever  built,  called 
the  theatre  of  Bacchus,  at  Athens.     York.     1816.  **T.96.36 

Versakis,  Fr.  Das  Skenengebaude  des  Dionysos-Theaters.  Illus. 
Plans.  (In  Kaiserlich  deutsches  archaologisches  Institut.  Jahr- 
buch.   Vol.  24,  pp.  194-224.     Berlin.     1910.)  *22ioa.55.24 

Wheeler,    J.    R.      The    Theatre    of    Dionysus.      Plates.      Plan.      (In 
Archaeological    Institute    of    America.      Papers    of   the    American 
School  of  Classical  Studies  at  Athens.     Vol.  i,  pp.  121-179.     Bos- 
ton.    1885.)  *2963.62.i 
Athens.     Viczus. 

Barker,  H.  A.,  and  J.  Burford.  Description  of  the  view  of  Athens, 
and  surrounding  country;  now  exhibiting  in  [their]  panorama, 
Strand:  with  an  improved  explanation.     London.     1818.     Plate. 

**T.96.2g5;  etc. 
Atkins,  H.  H. 

A  letter  addressed  to  B.  S.  Nayler,  teacher  of  elocution  —  ort  his 
review  of  the  English  performances  [of  the  German  Theatre, 
Amsterdam.     Am%terdam.     1826].  **T.76.i57 

Attalus,  pseud. 

Justice  and  generosity  against  malice,  ignorance,  and  poverty:  or, 
an  attempt  to  shew  the  equity  of  the  new  prices  at  the  Theatre 
Royal,  Covent  Garden.  London.  Sherwood,  Neely  &  Jones.  1809. 
16  pp.  No.  4  in  **G.3824.i4 

Relates  to  the  O.  P.  (Old  Prices)  Riots,  1809. 

Attitude,  The,  of  society  to  the  stage,  past  and  present.     Davis,  J. 

**T.77.i95 
Aubignac,  Frangois  Hedelin,  Abbe  d'. 

La  pratique  du  theatre.  Ouvrage  tres-neces«aire  a  ceux  qui  veulent 
s'appliquer  a  la  composition  des  poemes  dramatiques.  A  Amster- 
dam, chez  Jean  Frederic  Bernard.  1715.  3  v.  Plates.  **T.47.4i 
Another  copy  is  on  shelf-number  **G.3s62.4. 
Same.  The  whole  art  of  the  stage,  containing  not  only  the  rules 
of  the  dramatick  art,  but  many  curious  observations  about  it. 
With  much  critical  learning  about  the  stage  and  plays  of  the 
antients.  Written  in  French  and  now  made  English.  London, 
Printed  for  the  author,  and  sold  by  William  Cadman.  1684.  (8), 
135.    176  pp.  **T.46.27 

Aubignac,  Frangois  Hedelin,  Abbe  d'.     Works  about. 

Arnaud,  C.  Les  theories  dramatitjucs  au  xvii^  siecle.  fitudc  sur 
la  vie  et  les  oeuvres  de  I'Abbc  d'Aubignac.    Paris.    1888.    **T.55.ii6 

[82] 


BROWN   COLLECTION   OF  BOOKS   ON   THE   STAGE 

Aubin,  Noel,  translator. 

Cook,  W.  filemens  de  critique  dramatique;  contenant  unc  analyse 
du  theatre.     [Paris.]      An  VIII.     [1800.]  **T.46.45 

Aubin,  P.-F.    See  Aubin,  Noel. 

Aubrey,  John. 

Chambers,   E.   K.     A  jotting  by  John   Aubrey.     Two    early   player 

lists.      Commissions   for   the   Chapel.      Plays   of   the   King's   Men 

in  1641.     (In  Malone  Society.     Collections.     Vol.  i,  parts  4  and  5, 

pp.  341-369.     [Oxford.]     igii-)  **G.4077.i5.i. Part  4,5 

Auction  sales. 

See  also  Actors.  Portraits.  Catalogues;  Bibliography;  Theatre.  Costume 
and  properties.  Catalogues. 

Alger,  W.  R.  Catalogue  of  [his]  valuable  private  library,  including 
many  first  editions  of  American  authors,  presentation  copies, 
Americana,  bibliography,  dramatic  literature.  With  his  collection 
of  autograph  letters.     Boston.     1905.  **T.65.2i 

Anderson  Auction  Company,  auctioneers.  Catalogue  of  books,  com- 
prising Americana,  dramatic,  Dunlap  Society  publications,  etc. 
A  choice  selection  of  standard  music  and  a  collection  of  portraits. 
New  York.     1907.  **T.65.32 

Catalogue  of  interesting  books  from  private  sources,  including 

a   small   dramatic  library,    some  portraits   and  autograph  letters. 
New  York.     1903.  **T,65.39 

Bangs  &  Co.,  auctioneers.  Catalogue  of  a  collection  of  books.  General 
literature,  dramatic  works,  theatre  bills,  portraits  of  actors.  New 
York.     1901.  **T.65.38 

Catalogue    of    valuable    books    and    engravings.      New    York. 

1885.  **T.65.i2 

Barker  collection.  The,  of  autographs:  literary;  dramatic;  political; 
military,  etc.     [New  York.     1887.]  6117.20 

Barry,  E.  Rare  and  fine  books  and  autographs.  The  choice  private 
library  of  Miss  Eleanor  Barry,  with  additions.  New  York. 
[1906.]  **T.65.27 

Becks,  G.  Catalogue  of  [his]  dramatic  collection;  also  autograph 
letters  and  documents.     New  York.     1905.  **T.65.22 

Catalogue  of  the  remaining  portion  of  [his]  library.  Com- 
prising dramatic  biographies,  scarce  dramatic  catalogues  and 
photographs.     New  York.     1905.  **T.65.35 

Bellows,  W.  C.  Catalogue  of  [his]  dramatic  library.  [New  York. 
1893.]  **T.95.42 

Booth,  E.  T.  Catalogue  of  [his]  valuable  collection.  Containing 
the  theatrical  wardrobe,  also  his  former  household  effects.  Sold 
December  4th,  1908.     New  York.     1908.     Portrait.  **T.57.455 

BouciCAULT,  D.  Antique  and  modern  furniture,  collection  of  oil 
paintings,  rare  books,  plays,  stage  costumes,  etc.  [New  York. 
1894.]  **T.95.4i 

Brown,  J.  H.  Catalogue  of  [his]  extensive  dramatic  collection. 
Boston.     1898.     3  V.  in  i.     Portrait.  **T.65,9 

Burton,  W.  E.  Bibliotheca  dramatica.  Catalogue  of  the  theatrical 
and  miscellaneous  library  of  the  late  William  E.  Burton.  New 
York.     i860.     Portrait.  **T.64.i;  etc. 

Catalogue  of  books,  comprising  Americana,  dramatic,  Dunlap  So- 
ciety publications,  etc.  A  choice  selection  of  standard  music  and 
a  collection  of  portraits.     New  York.     1907.  **T.65.32 

[83] 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 

Auction  sales.     (Continued.) 

Catalogue,  A,  of  the  valuable  and  interesting  collection  of  pictures, 
water-color  drawings  and  prints,  books,  manuscript  plays  and  a 
variety  of  items  connected  with  the  drama.  The  property  of  the 
Trustees  of  the  Royal  Dramatic  College,  and  others.  [London.] 
1881.  **T.95.97 

Daly,  J.  A.  Catalogue  of  a  valuable  and  interesting  collection  of 
books  [on  the  drama]  formed  by  a  prominent  American  play- 
wright.    New  York.     [1878.]  **T.65.5 

Catalogue  of  the  valuable  literary  and  art  property  gathered 

by  the  late  Augustin  Daly.     Part  2.     Books.     New  York.      1900. 

**T.64.2;etc. 

Daniel,  G.  Catalogue  of  [his]  library.  With  his  collection  of  original 
drawings  and  engraved  portraits  of  actors,  water-colour  drawings, 
miscellaneous   objects   of  art.      [London.]      1864.         **T.65.3;  etc. 

DoDD,  J.  W.  A  catalogue  of  [his]  very  curious  and  valuable  library. 
Consisting  of  a  fine  collection  of  old  plays,  old  poetry,  romances, 
history,  belles  lettres,  miscellanies,  comic  and  huinorous  books, 
&c.     [London.]     1797.  **T.66.22 

Donebauer,  F.  Aus  der  Musik-  und  Theaterwelt.  Beschreibendes 
Verzeichnis  der  Autographen-Sammlung  Fritz  Donebauer  in  Prag. 
Prag.     1894.  **T.96.265;  etc. 

Dramatic  Fine  Art  Gallery,  London.  A  catalogue  of  the  valuable 
and  interesting  collection  of  pictures,  water-color  drawings  and 
prints  .  .  .  old  play  bills  and  a  variety  of  items  connected  with 
the  drama.     London.      [1880.]  **T.95.96 

Farebrother,  Lye  &  Palmer,  auctioneers.  A  catalogue  of  the  valuable 
and  interesting  collection  of  pictures,  water-color  drawings  and 
prints,  books,  manuscript  plays  and  a  variety  of  items  connected 
with  the  drama.  The  property  of  the  Trustees  of  the  Royal 
Dramatic  College,  and  others.     [London.]      1881.  **T.95.97 

Felix,  fi.  R.  Succession  de  M'le  Rachel.  Catalogue  des  objets 
mobiliers  [etc.]  dependant  de  la  succession  de  Ml'e  Rachel.  Paris. 
1858.  '  **T.66.4 

Field,  J.  Bibliotheca  histrionica.  A  catalogue  of  the  theatrical 
and  miscellaneous  library  of  Mr.  John  Field,  collected  with  a 
view  to  forming  materials  for  a  complete  history  of  the  British 
stage.     [London.     1827.]  **T.66.i9 

FiLiPPi,  J.  DE.    Catalogue  de  [sa]  bibliotheque  theatrale.    Paris.     1861. 

**T.66.5 

FiLLiNGHAM,  W.  A  catalogue  of  a  portion  of  [his]  library,  con- 
sisting of  old  quarto  plays,  early  English  poetry,  and  a  few  scarce 
tracts.     [London.     1805.]  *2i38.44 

French,  F.  W.  Catalogue  of  [his]  valuable  private  library.  [Vol. 
1-3.]     Boston.     iQoi.    Portrait.     Plates.  **T.65.8;  etc. 

Garrick,  D.  a  catalogue  of  [his]  library,  splendid  books  of  prints, 
poetical  and  historical  tracts.     [London.     1823.]  **T.65.24;  etc. 

Hall,  A.   O.     Catalogue  of    [his]   library.     New   York.      1881. 

**T.65.6;  etc. 

Harris,  C.  F.  Original  editions  of  English  dramatic  literature  and 
English  poetry.  Catalogue  of  the  first  portion  of  the  library  of 
the  late  C.  Fiske  Harris.     [New  York.     1883.]         No.  i  in  *2i42.82 

Henderson,  J.  A  catalogue  of  [his]  library.  The  completest 
assemblage  of  English  dramatic  authors  ever  exhibited  for  sale  in 
this  country.     [London.     1786.]  **T.66.2i;  etc. 

[84] 


BROWN    COLLECTION    OF   BOOKS    ON    THE   STAGE 

Auction  sales.     (Continued.) 

Herman,  H.  Catalogue  of  a  portion  of  [his]  dramatic  library. 
[London.]      1885.  **T.65.ii;  etc. 

Keene,  T.  W.  Books,  letters  and  portraits.  The  library  of  the 
late  Thomas  W.  Keene  (tragedian)  with  some  additions  from 
other  sources.    New  York.     1904.  **T.65.4i 

KissAM,  W.  H.  The  library,  prints  and  autographs  of  the  late 
William  Henry  Kissam,  Esq.,  with  addenda  from  other  collec- 
tions.    New  York.     1885.  No.  3  in  *6i54.53 

Lacy,  T.  H.  Catalogue  of  [his]  valuable  theatrical  &  miscellaiicf)us 
library.     [London.]     1873.  **T.66.8 

Lemazurier,  p.  D.  Catalogue  de  [sa]  bibliotheque  dramatique. 
Paris.     1837.  **T.66.i5 

Le  Moyne,  W.  J.  Catalogue  of  [his]  library,  comprising  drama  and 
dramatic  biography;  old  plays  and  playbills  and  other  rare 
dramatic  items,  etc.     New  York.     [1905.]  **T.65.42 

Libbie,  C.  F.,  &  Co.,  auctioneers.  Auction  sale,  November  12th  and 
13th.  Catalogue  of  dramatic  books,  first  editions  of  American 
authors.     Boston.     1901.  **T.65.37 

Mackenzie,  J.  M.  Catalogue  of  [his]  very  choice  dramatic  &  general 
library.     London.     1889.  **T.65.i8 

Macready,  W.  C.  Catalogue  of  [his]  library.  Also  the  collection 
of  pictures   [etc.     London.     1873].  No.  3  in  **M. 151. 29 

Mann,  C.  N.  The  private  library  and  collection  of  portraits  of  C. 
N.  Mann.     New  York.     1907.    2  v.  in  1.  **T.65.30 

Mathews,  C.  Catalogue  of  [his]  miscellaneous  and  dramatic  library, 
theatrical  portraits,  dramatic  and  literary  autograph  letters,  and  the- 
atrical relics.  Added,  the  unpublished  writings  and  literary  produc- 
tions of  the  late  William  Henry  Ireland.    [London.]    1835.  **T.56.i6 

Merwin-Clayton  Sales  Company,  auctioneers.  The  library  of  a 
dramatic  author  and  critic,  consisting  of  dramatic  literature, 
portraits,  etc.  Also  first  and  rare  editions  of  American  and 
English  authors.  Added,  a  small  dramatic  collection.  New  York. 
1906.  **T.65.34 

MoRRELL,  T.  H.  Catalogue  of  [his]  valuable  collection  of  books  on 
the  drama;  comprising  biographies  of  eminent  actors  &  actresses, 
dramatists,  and  others.  Also,  a  collection  of  rare  and  valuable 
dramatic  portraits.     New  York.     1869.  *6i47.ii2 

Nebe.  H.  Catalogue  of  [his]  collection  of  prints  (including  pamph- 
lets, etc.)  Including  original  drawings,  rare  portraits  and  play 
bills.  New  York  City  views,  etc.     New  York.     [1902.]  **T.66.26 

New  York,  City.  Public  Library.  Duplicates  from  the  New  York 
Public  Library  including  some  rare  Shakespeareana,  works  of  the 
Elizabethan  and  Restoration  dramatists,  etc.     New  York.     1906. 

**T.65.26 

Palmer,  A.  M.  Catalogue  of  [his]  library.  Including  Shakespeare 
and  Shakespeariana,  costumes,  biographies,  stage  histories,  rare 
dramatic  magazines  and  tracts,  old  plays;  works  of  the  dramatists. 
History  of  the  Union  Square  Theatre.  Part  i.  New  York.  1906. 
Portraits.  **T.65.3i 

Pericaud,  J.  L.  Bibliotheque  de  Louis  Pericaud.  Ouvrages  sur  le 
theatre.     Partie  i.     Paris.     1907.  **T.65.33 

Pick,  R.  F.  The  private  library  of  Robert  Freeman  Pick  (with 
some  additions).     New  York.     [1907.]  **T.65.29 

Poole,  L.  Catalogue  of  [his]  dramatic  collection.  Boston.  1905. 
Portrait.  **T.65.23 


THE  PUBLIC  LIBRARY  OF   THE   CITY   OF  BOSTON 


Auction  sales.     (Continued.) 

Reed,  I.  Bibliotheca  Reediana.  A  catalogue  of  the  curious  & 
extensive  library  of  the  late  Isaac  Reed,  particularly  relating  to 
the  English  drama,  and  poetry.     [London.]      1807.  **T.66.3 

Taylor,  I.  J.  S.,  Baron.  Catalogue  de  la  bibliotheque  dramatique  de 
feu  le   Baron  Taylor.     Paris.     1893.  **T.64.4 

Terry,  W.  H.  Catalogue  of  [his]  valuable  dramatic  and  American 
historical  library.     New  York.     1906.     2  v.  in  i.  **T.65.28 

ToEDTEBERG,  A.  A  particularly  interesting  collection  of  English  and 
American  playbills  mainly  formed  by  Augustus  Toedteberg. 
New  York.     1907.  **T.65.36 

ViTU,  A.  C.  J.  Catalogue  des  livres  anciens  et  modernes.  Beaux- 
arts,  litterature,  theatre,  histoire  .  .  .  composant  [sa]  bibliotheque. 
Paris.     1891.  **T.65.i9 

Winston,  J.  Bibliotheca  dramatica  et  histrionica.  Catalogue  of  the 
printed  and  manuscript  library  of  Mr.  James  Winston.  [Lon- 
don. 1849.]  **T.62.i;etc. 
Audebrand,  Philibert. 

Un  foyer  de  theatre  d'il  y  a  50  ans.  (Le  foyer  du  Vaudeville  de  la 
rue  de  Chartres.)  (/»  Petits  memoires  du  xixe  siecle.  2e  edition. 
Pp-  293-321.     Paris.     1892.)  2646.105 

Lauriers  et  cypres.  Pages  d'histoire  contemporaine.  Paris.  Levy. 
[1903-]     (3),  .340  pp.  4679a.i09 

Reminiscences  of  French  writers  and  actors. 
Petits  memoires  d'une  stalle  d'orchestre.     (Acteurs,  auteurs.  journa- 
listes.)    Paris.    Levy.    1885.    (3),  366  pp.    [Bibliotheque  moderne.] 

**T.77.i25 
Audibert,  H.     See  Audibert,  Louis  Francois  Hilarion. 
Audibert,  Louis  Frangois  Hilarion. 

Indiscretions   et   confidences.     Souvenirs   du   theatre   et    de   la   litte- 
rature.    Paris.     Dentu.     1858.    xii,  204  pp.  **T.58.i20 
Audubert,  Jules. 

L'art  du  chant.  Suivi  d'un  traitc  de  mantien  theatral.  Paris.  Brandus 
&  cie.     1876.      (14),  vi,  299  pp.     Illus.     Diagrams.  **M.i22.7 

Another  copy  is  on  shelf-number  *4042.62. 

Auffenberg,  Joseph,  Freiherr  von. 

Stahl,  E.  L.  Joseph  von  Auffenberg  und  das  Schauspiel  der 
Schillerepigonen.     Hamburg.      1910.  6872.63 

Auge  de  Lassus,  Lucien. 

Les  spectacles  antiques.  Paris.  Hachette  &  cie.  1888.  (8),  296, 
(3)  PP-  Illus.  Plates.  [Bibliotheque  des  merveilles.]  29693.73 
Contents.  —  Le  theatre.  —  Athenes.  —  Lc  stade.  —  Isthmia.  —  L'amphitheatre. 
Rome.  —  Le  cirque.  —  Constantinople. 

Auger,  Hippolyte  Nicolas  Juste. 

Memoires  d'Auger   (1810-1859).     Publics  pour  la  premiere  fois  par 

Paul  Cottin.     Paris.     La  Revue  retrospective.  1891.     xxvii,   (2), 

689,  (i)   pp.  **T.57.i39 

Another  copy  is  on  shelf-number  '"M. 370.5. 
Physiologic  du  theatre.     Paris.     Didot.     1839,  40.     3  v.         **T.76.27 
Same.     Tome  i,  2.     Bruxelles.     Meline,  Cans  &  cie.     1840.     2  v. 

**T.78.62 
Auger,  Louis  Simon. 

Discours  sur  la  comedie,  et  vie  de  Moliere.  Paris.  Firniin  Didot. 
1827.     (3),  145  pp.     Genealogical  chart.  No.  2  in  *47o6.i4 

Also  to  be  found  in  Oiuvres  de  Moliere,  tome   i    [**47o6.4.  i]. 

[86] 


BROWN   COLLECTION   OF   BOOKS    ON    THE   STAGE 

Auriac,  Philippe  Eugene  Jean  Marie  d',  editor. 

Theatre  de  la  foire.     Rccueil  de  pieces  representees  aux  foires  Saint- 
Germain  et  Saint-Laurent.     Precede  d'un  essai  historiquc  sur  les 
spectacles  forains.  Paris.  Garnier.  1878.   (3),  492,  (i)  pp.  **T.37.i46 
Aurora  Club,  Boston. 

Stebbins,    O.    B.     a    famous    Boston    amateur    dramatic    club.      (In 
Bostonian,  The.    Vol.  2,  pp.  131-140.     Facsimiles.     Boston.     1895.) 

*530i.45.2 
Aus  dem  Leben  einer  Verstorbenen.     Bauer,  C.  2845.67 

Aus  dem  Tagebuche  eincr  deutschen  Schauspielerin.  Scharfen .stein, 
H.,  pseud.  **T.47.iog 

Aus  der  Musik-  und  Theaterwelt.     Donebauer,  F.  **T.96.265 ;  etc. 

Austin,  Henry,  editor. 

Gallery     of    players.       [Quarterly.]       No.     1-9,     11.       New     York. 
i894[-97].     Portraits.  **T.52.9 

Austin,  Louis  Frederic.     (Frederic  Da,ly.) 

Henry  Irving  in  England  and  America.     i83&«-84.     London.     Unwin. 

1884.     viii,  300  pp.     Portrait.  4547-74;  **T.57.339 

Same.     New  York.     Worthington.  4547-77 

Sir  Henry  Irving.     (/;;  his  Points  of  view.    Pp.  1-20.    London.     1906.) 

2559-114 

Austria.    Theatres. 

Meissner,  J.     Die  englischen  Comoedianten  zur  Zeit  Shakespeare's 
in  Oesterreich.     Wien.     1884.  2590.30 

Authentic  account  of  the  fire  which  reduced  that  extensive  building  of 
the  Theatre-Royal,  Drury-Lane,  to  a  pile  of  ruins.  [Anon.]  See 
Lemoine,  Henry. 

Authentic  account,  An,  of  the  late  Mr.  Whitbread.  With  the  genuine 
report  of  the  inquest  taken  in  short-hand  by  Francis  Phippen.  3d 
edition.     London.     Hone.     1815.    vii,  5-42  pp.  **T.96.3i8 

Authentic  memoirs  of  the  green-room;  (for  1801-03:)  involving  sketches 
of  the  performers  of  the  Theatres  Royal,  Drury-Lane,  Covent- 
Garden,  and  the  Hay-Market.  London.  Roach.  1801-03.  3  v. 
in  2.     Portraits.  **T.29.i9 

Authentic  memoirs  of  the  green-room;  including  sketches  of  the  per- 
formers of  the  Theatres  Royal,  Drury-Lane,  Covent  Garden,  and 
the    Haymarket.      London.      Roach.      [1S14?]      252   pp.      Portrait. 

**T.29.22 

Appended  is  List  of  theatres  and   tlieir  managers    [in   England,   Wales,  Scotland, 
Ireland  and  America] . 
Same.     [1815?]     269.  256-258  pp.  **T.29.23 

Authentic  memoirs  of  the  Young  Roscius;  including  his  birth,  family, 
and  education.  With  critical  remarks  on  his  theatrical  abilities, 
&c.    London.    Springsguth.     1804.    23  pp.     Portrait.         **T.57.388 

Authentic  narrative.  An,  of  Mr.  Kemble's  retirement  from  the  stage. 
With  an  account  of  the  dinner  given  June  27,  1817.  Prefixed,  an 
essay  biographical  and  critical.  London.  Miller.  1817.  xxvii, 
78  pp.     Portrait.     Plates.     Manuscript  facsimile.  **T96.23i 

Other    copies    are    on    shelf-numbers    No.  i  in '*G.3824.i3  ;     No.  8  in  **G.3824.5  : 

No.  I  in  **G.3924.28. 
Authentic  sketch.  An,  of  the  life  of  William  Henry  West  Betty,  .  .  . 

[Anon.]     See  Harley,  George  Davies. 
Authentick  memoirs   of   the   life   of   that   celebrated  actress    Mrs.  Ann 

Oldfield.    The  third  edition,  with  large  additions  and  amendments. 

London.      Printed,   and   sold   by   the   booksellers   of   London    and 

Westminster.     1730.     (i),  44  pp.  No.  11  in  **G.3930.i3.2 

[87] 


THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 


Author  of  nothing  else,  psciid. 

The  "Old  Price"  -iad;  or,  Thespian  bear-garden:  an  epic  poem,  in 
two  parts.     [Part  i.]     London.     Ryan.     [1809.]     (i),  36,  (i)  pp. 

No.  3  in  **G.382o.ii 

Relates  to  the  contest  over  the  prices  of  admission  to   Covent   Garden   Theatre 

in   1809. 

Authorities  on  the  sin  and  danger  of  frequenting  the  theatre.     London. 

Hatchard.     1828.     iv,  18  pp.  **T.96.i20 

Autobiography  of  an  actress.     Ritchie,  A.  C.  **T.57.33o;  etc. 

Autobiography,  The,  of  an  artisan.    Thomson,  C.  **T.57.28i 

Autobiography,  The,  of  a  play.     Howard,   B.  **T,46.6o.2 

Autocrat,  The,  in  the  greenroom.    Spink,  W.  **T.47.ioo 

Autographs.    Collections. 

[Album,  containing  autographs  of  Anna  Cora  Mowatt,  William  C. 
Forbes,   Charlotte   Cushman.   Isaac    C.   Pray,   Gustavus   Vaughan 
Brooke,   Celeste,   Julia   Dean,    Lola    Montez,   and   others.      Provi- 
dence, R.  L     1852-57.]  **T.57.456 
Autographs.    Facsimiles. 

William  Winter  testimonial,  The.  Century  Theatre,  March  four- 
teenth.    [Programme  and  tributes.     New  York.]     1916.     Portraits. 

**T.52.i3 
Autrefois  —  aujourd'hui.     Gilbert,  fi.  **T.97.i- 

Auvergne,  Edmund  B.  d'. 

Lola  Montez,  an  adventuress  of  the  'forties.  New  York.  John  Lane 
Co.     1909.     xi,  375,   (i)   pp.     Portraits.  2544.216 

Sources  of  information,  p.   372. 

AvaL..,  C...  d',  pseud.     See  Cousin  d'Avalon,  Charles  Yves. 
Aventures,   Les,   de    Mademoiselle    Mariette.      Fleury,   J.   F.   F.    H. 

**T.88.3;etc. 
Aventures,  Les.  d'un  comedien.     Fournier,  M.  J.  L.  **T.87.59 

Avonianus,  pseud.    See  Hessen,  Robert. 
Avril,  Augusta. 

Saltimbanques  et  marionnettes.  Impressions,  digressions  et  recits. 
Paris.     Levy.     1867.     (3),  330,  (i)  pp.  **T.77.i26 

Relates   to   music   and    the    theatre   in   a    typical    French   provincial    city. 

Ayres,  Alfred,  pseud.     See  Osmun,  Thomas  Enibley. 

Azincourt,  Joseph  Jean  Baptiste.    See  Dazincourt,  Joseph  Jean  Baptiste 
Albouy. 

Aztec  children. 

Illustrated  memoir  of  an  eventful  expedition  into  Central  America 
resulting  in  the  discovery  of  the  idolatrous  city  of  Iximaya  and 
the  possession  of  two  remarkable  Aztec  children,  Maximo  & 
Bartola.     [London.     1853?]      Illus.     Portraits.  **T.98.36 

B 

B ,  Madame  de,  pseud. 

Memoirs  of  Rachel.  London.  Hurst  &  Blackett.  1858.  2  v.  Por- 
trait. **T.57.8o 

Same.     New  York.     Harper,     (i),  376  pp.  4648.10 

This  edition  lacks  the  portrait. 
B  *  *  ,  M»«^,  nee  de  V  *  ♦  ,  pseud. 

Le  Cirque  Olympique,  ou  les  exercices  des  chevaux  de  Franconi, 
du  cerf  Coco,  ou  petits  paralleles  de  I'instinct  perfectionne  des 
animaux,  et  de  la  raison  naissante  des  enfans.  Paris.  Nepveu. 
1817.     174  pp.     Plates.  **T.99.59 

188] 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 

B ,  Riight  Honourable  the  Lord,  pseud. 

See  ancl  seem  blind:  or,  a  critical  dissertation  on  the  publick  diver- 
sions, &c.,  of  persons  and  things,  and  things  and  persons,  and 
what  not.  In  a  letter  to  A  .  .  .  H  .  .  .,  Esq.  London:  Printed 
for  H.  Whitridge.     [i733-]     30  pp.  **T.77.55 

Another  copy  is  on  shelf-number  No.  14  in  **G.3824.i4. 

B.,  A.    See  Bolot,  Auguste. 

B.,  G.  S. 

A  study  of  the  prologue  and  epilogue  in  English  literature  from 
Shakespeare  to  Drydcn.  London.  Kegan  Paul,  Trench  &  Co. 
1884.     xi,  187  pp.  2553.69;  **T.47.48 

B.,  L  D. 

Essai  sur  I'etat  actuel  des  theatres  de  Paris  et  des  principales  villes 
de  I'empire,  leurs  administrations,  leurs  acteurs,  leur  repertoire, 
etc.     Paris.     L'Huillier.     1813.     142,  (i)  pp.  **T.77.9 

B.,  J.  E.    See  Bouteiller,  Jules  fidouard. 

B.,  J.  M. 

L'eleve  de  Melpomene.  A  M.  Talma.  [Vers.]  Paris.  Giguet  & 
Michaud.     1808.    40  pp.  **T,97.i36 

B.,  M.  L.  J.  D.    See  Mesle,  le  jeune,  de  BesanQon. 

B n,  B t. 

The  stage:  or  coronation  of  King  Tom.  A  satyr.  Dublin:  Printed 
for  the  author.     1753.     16  pp.  No.  8  in  **G.3824.i7 

Relates  to  Thomas  Sheridan. 

Babault, ,  and  others. 

Annales  dramatiques,  ou  dictionnaire  general  des  theatres,  contenant 
i".  L'analyse  de  tons  les  ouvrages  dramatiques.  2°.  Les  regies 
et  observations  des  grands  maitres  sur  I'art  dramatique.  3°.  Les 
notices  sur  les  auteurs,  compositeurs,  acteurs,  danseurs,  avec  des 
anecdotes.  Par  une  societe  de  gens  de  lettres  [Babault,  A.  F.  F. 
Menegault.   et  autres].     Paris.     Babault    [etc.].     1808-1812.     9  v. 

**T.77.ii 
Contents.  —  i.  A-Beaumenil.     2.   Beaumont-Coriolan.      3.   Corisandre-E.     4.  F- 
Homme  en.     5.   Homme   et-L.      6.   M.      7.   N-P.      8.   Q-S.     9.   T-Z. 
Bac,  Ferdinand.     See  Bach,  Sigismond  Ferdinand. 

Baccini,  Giuseppe. 

Notizie  di  alcune  commedie  sacre  rappresentate  in  Firenze  nel  secolo 
XVII.     Firenze.     Libreria  Dante.     1889.     20  pp.  2772.70 

Bach,  Sigismond  Ferdinand. 

Femmes  de  theatre.  Album  absolument  inedit.  Prologue  de  Yvette 
Guilbert.     Paris.     Empis.     [1896.]     (8)  pp.     (20)  colored  plates. 

**T.5i.i6 
Bachaumont,  Louis  Petit  de. 

Memoires.  (In  Barriere,  J.  F.,  editor.  Bibliotheque  des  memoires 
relatifs  a  I'histoire  de  France  pendant  le  i8me  siecle.  Vol.  3,  pp. 
215-524.     Paris.     1846.)  *4667.2.3 

Contains  material  relating  to  the  stage  in  Paris. 
Memoires  historiques,  litteraires,  politiques,  anecdotiques  et  critiques. 
26  edition,  augmentee.     Paris.     Collin.     1809.     3  v.  **T.57.9i 

Contents.  —  i.   1762-1772.     2.  1773-1782.     3.   1783-1787. 

Extrait   des   Memoires   secrets   de   la   republique  des  lettres    l*22og.i;    '"Adams. 

165.8]. 

Bachmann,  Wilhelm. 

Catinka  Antalani,  die  Sangerin,  ihre  Leiden  und  Freuden.  Ein 
Lebensroman.     Dobeln.     Lehmann  &  Comp.     1845.     2  v.  in  i. 

**T.88.7 

[89] 


THE  PUBLIC  LIBRARY  OF  THE   CITY  OF  BOSTON 


Badajoz,  Spain.    Panorama. 

Barker,  H.  A.  A  short  description  of  Badajoz,  and  the  silrrounding 
country,  with  extracts  from  the  London  Gazette:  explanatory  of 
the  picture  exhibiting  in  the  panorama,  Leicester  Square,  repre- 
senting  the    siege    in    1812.      [London.]      1813.      Plate. 

**T.96.30i ;  etc. 
Baddeley,  Sophia. 

Steklf.,  E.  The  memoirs  of  Mrs.  Sophia  Baddeley.  London.  1787. 
6  V.  **T.58.i;etc. 

Badeau,  Adam. 

The  vagabond.     New  York.     Rudd  &  Carleton.     1859.     368  pp. 

**T.97,335 

A  collection  of  short  articles  originally  published  in  a  weekly  periodical. 

Baden,  Austria.    Theatres. 

Mayer,   F.   A.     Zensurakten   aus    Baden   bei   Wien.      (In  Archiv   fiir 
Theatergeschichte.     Vol.  i,  pp.  17-42.     Berlin.     1904.)       *6907.i2.i 
Baden,  Germany.     TIteaires.     Das  Theater. 

CouAiLHAC,  V.  La  vie  de  theatre.  Grandes  et  petites  aventures  de 
Ml'e  Montansier.  —  Esquisses.  —  Anecdotes.  —  Le  Theatre  a  Bade. 
Paris.     [1863.]  ■  **T.57.202 

Badin,  Adolphe,  editor. 

Sechan,  p.  C.  Souvenirs  d'un  homme  de  theatre.  1831-1855.  Paris. 
1883.  4660.75;  **T.57.322 

Baes,  Jean. 

Theatre  flamand  a  Bruxelles.  Bruxelles.  Lyon-Claesen.  [1893.] 
12  pp.     Plates,  one  colored.     Plans.  *Cab.6o.7o.5 

Bahlmann,  Paul. 

Jcsuiten-Dramen  der  niederrheinischen  Ordensprovinz.  Leipzig. 
Harrassowitz.  i8q6.  iv,  351  pp.  [Centralblatt  fiir  Bibliotheks- 
wesen.     Beihefte.     15.]  *2i42.25.i5 

Bahr,  Hermann. 

Glosscn  zum  Wiener  Theater  (1903-1906).  Berlin.  Fischer.  1907. 
3-487,  (i)  pp.  6899a.3i7 

Essays  on  plays  performed  at  the  Burgtheater. 

Rezensionen,  Wiener  Theater,  1901  bis  1903.  Berlin.  Fischer.  1903. 
(8),  479,  (I)  pp.  **T.77.2i9 

Studien  zur  Kritik  der  Moderne.  Frankfurt  a/M.  Riiiten  &  Loening. 
1894.     (8),  325  pp.     Portrait.  2874.116 

Pp.    251-325    deal    with    the    actors    Duse,    Mounet    Sully,    Gabillon,    and    Der 
neue  Stil. 

Theater.  Ein  Wiener  Roman.  3.  Auflage.  Berlin.  Fischer.  1904. 
231  pp.  68993.316 

Wiener  Theater   (1892-1898).     Berlin.     Fischer.     1899.     (7).  509  PP- 

6257.115 
Baillie,  Alexander  Dundas  Ross  Wishart  Cochrane-,  rst  Baron  Lamington. 
See  Cochrane-Baillie,  Alexander  Dundas  Ross  Wishart,  ist  Baron 
Lamington. 
Baine,  James. 

The  theatre  licentious  and  perverted.  Or,  a  sermon  for  reformation 
of  manners.  Partly  occasioned  by  the  acting  of  a  comedy,  en- 
titled. The  minor,  in  the  licensed  theatre  of  Edinburgh.  Edin- 
burgh: Printed  by  J.  Reid;  and  sold  at  his  printing-house.  1770. 
40  pp.  **T.97.57 

Baireuth,  Germany.     Buhnenfcstspicl. 

Lavign'ac,  a.  J.  A.  Le  voyage  artistique  a  Bayreuth.  Paris.  1897. 
Illus.     Portrait.      Plan.  4049.155;  **M.370.22 

[90] 


BROWN   COLLECTION   OF  BOOKS   ON    THE   STAGE 

Baireuth,  Germany.    Biihnenfestspicl.     (Continued.) 

Wagner,  W.  R.  Letters  to  Emil  Heckel:  with  a  brief  history  of  the 
Bayreuth  festivals.     London.     1899.  40493.65 

Wild,  C,  compiler.  Bayreuth  1894.  Manuel  pour  les  visiteurs  de 
Bayreuth.     Leipzig.     [1894.]      Illus.     Portraits.     Plan. 

No.  I  in  **M.37o.7i 

Same.      Bayreuth.      1894.      Manual    for    visitors    to    Bayreuth. 

Leipsic.     [1894.]     Portraits.     Plates.     Plan.  *Artz  Cab. 17.15 

Bayreuth.     1897.     Praktisches  Handbuch  fiir  Festspielbesucher. 

Leipzig.     [1897.]     Illus.     Portraits.     Plan.  **M. 370.34 

Baisser,  Le,  du  rideau.  Anecdotes  theatrales  anciennes  et  modernes, 
tirees  des  memoires  des  temps.  Paris.  Librairie  musicale.  1837. 
(3),  99  pp.  **T.58.i4i 

;^-^akeT,  David  Erskine. 

The  companion  to  the  play-house:  or,  an  historical  account  of  all 
the  dramatic  writers  (and  their  works)  that  have  appeared  in 
Great  Britain  and  Ireland.  Composed  in  the  form  of  a  dictionary. 
[Anon.]  London:  Printed  for  T.  Becket  and  P.  A.  Dehondt. 
1764.     2  v.  **T.58.22 

Another  copy,  on  shelf-number  **G.3923.ii,  is  bound  in  4  volumes. 

Same.  New  edition.  Biographia  dramatica,  or,  a  companion  to  the 
playhouse:  containing  historical  and  critical  memoirs,  and  original 
anecdotes,  of  British  and  Irish  dramatic  writers.  Also  an  account 
of  their  works.  With  an  introductory  view  of  the  rise  and 
progress  of  the  British  stage.  Continued  from  1764  to  1782  [by 
Isaac  Reed].  Dublin:  Printed  by  T.  Henshall,  for  W.  and  H. 
Whitestone.     1782.     2  v.  *2i75.i5 

Same.  Continued  to  1782,  by  Isaac  Reed,  and  to  November  181 1 
by  Stephen  Jones.  London.  Longman,  Hurst,  Rees,  Orme,  & 
Brown.     1812.     3  v.  in  4.  *2i75.3;  **T.46,7 

Other  copies   are   on   shelf-numbers   **G.43.7 ;  **K.34.i2. 

Baker,  George  Pierce. 

Dramatic  technique  in  Marlowe.  (In  Essays  and  studies  by  members 
of  the  English  Association.     Vol.  4,  pp.  172-182.     Oxford.     1913-) 

*4558.250.4 
Baker,  George  Pierce,  editor. 

Garrick,  D.  Some  unpublished  correspondence  of  David  Garrick. 
Boston.     1907.     Portraits.     Plates.  *454S,i85 

1^  Baker,  Henry  Barton. 

The  Italian  opera  in  England.     [London.     1877.]     415-428  pp. 

Relates  to  the  London  theatres.  No.  9  in  **M.I25.8 

Our  old  actors.     London.     Bentley  &  Son.     1878.     2  v.  2453.53 

Same.     Popular  edition.     1881.    viii,  460  pp.     Portrait.  **K.264.i7 

Same.  English  actors  from  Shakespeare  to  Macready.  New  York. 
Holt  &  Co.     1879.     2  v.     [Amateur  series.     Holt.] 

Another  copy  is  on  shelf-number  **K.36.i.  2458.68;       X.57-^88 

The   London   stage:   its   history   and   traditions    from    1576   to    1888. 

London.     Allen  &  Co.     1889.     2  v.     Plates.  4578.134;  **T.77.50 

Same.     [2d  edition.]     History  of  the  London  stage  and  its  famous 

players,  1576-1903.     London.     Routledge  &  Sons,  Ltd.     1904.    xiv, 

(I),  5,57,  (0  pp.  4578.175 

Baker,  Louis  Charles. 

The   German    drama   in   English   on   the    New   York   stage   to    1830. 

[Philadelphia.]      University  of  Pennsylvania.     1917.      (8),   168  pp. 

[Americana  Germanica.    New  series.    No.  31.]  4393-227 

[91] 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 


Baker,  Sir  Richard. 

Theatrum  redivivum,  or  the  theatre  vindicated  by  Sir  Richard  Barer 
[sic].  In  answer  to  Mr.  Pryn's  Histrio-mastix.  London,  Printed 
by  T.  R.  for  Francis  Eglesfield.     1662.     (7),  141  pp.        **G.382i.i2 

Prynnc's  Histrio-mastix  may  be  found  on  shelf-numbers   **T. 77. ig;   **G.407S.i6. 

Baker,  Robert. 

Remarks  on  the  English  language,  in  the  manner  of  those  of  Vauge- 
las  on  the  French;  being  a  detection  of  many  improper  expres- 
sions used  in  conversation,  and  of  many  others  to  be  found  in 
authors.  2d  edition.  London;  From  the  Press  of  the  Ethering- 
tons;  for  John  Belol.     1779.     (O.  xxiv,  115  pp.  4588.22 

Contains  remarks  on    the   speech   and   manners   of   the   London   actors.      Another 
copy  is  on  shelf-number  No.  8  in  **G.3823.2i. 

Bakst,  Leon. 

Le  ballet  contemporain.  Ouvrage  edite  [par]  V.  Svetlow  avec  la 
collaboration  de  L.  Bakst.  [Paris.]  1912.  lUus.  Portraits. 
Plates,  many  colored.  *404oa.i40 

The  decorative  art  of  Leon  Bakst.  Appreciation  by  Arsene  Alex- 
andre. Notes  on  the  ballets  by  Jean  Cocteau.  Translated  from 
the  French  by  Harry  Melvill.  London.  The  Fine  Art  Society. 
1913-  (9).  5i>  (i)  PP-  Illus.  Portrait.  77  plates,  mostly  colored. 
Autograph    facsimile.  *Cab.8o.i39.2i 

Many  of  the  plates  contain  designs  for  the  scenery  and  costuming  of  the  Russian 
ballet. 

Bakst,  Leon,  illustrator. 

Metropolitan  Ballet  Company,  Inc.,  New  York.  Souvenir.  Serge 
de  Diaghileff's  Ballet  russe.  With  originals  by  Leon  Bakst  and 
others.     New  York.     [1916.]      Portraits.     Plates,  mostly  colored. 

4040a.  1 70 

Same.      [1916-17   programme.]  404oa.i7i 

Bal  Mabille,  Paris. 

Mahalin,  p.     Les  memoires  du  Bal  Mabille.     [Anon.]     Paris.     1864. 

Portrait.  **T.99.46 

Vitu,  a.  C.  J.     Paris  I'ete.     Le  Jardin  Mabille.     Paris.     1847.     Illus. 

**T.98.i4i 
Vitu,  A.   C.   J.,  and    T.   Frey.     Physiologic   du    Bal   Mabille.      Paris. 
[185-?]  **T.99.49 

Baldassarii,  Benedetto. 

A  letter  from  Sig.  Benedetto  Baldassari  of  the  Hay-Market,  to  Sir 

R d  S e  of  Drury-Lane.    London:  Printed  for  W.  Boreham. 

1720.     (3),   14  pp.  No.  2  in  **G.3823.i8  ' 

A  reply  to  Steele's  essay  in  The  Theatre,  No.  21,  March   12,   1720    [••G. 3824. 7; 
••T.26.23]. 

BaU,  Edward.     (Edward  Fitzball.) 

Thirty-five  years  of  a  dramatic  author's  life.  London.  Newby. 
1859.     2  V.     Portrait.     Autograph  facsimile.  **T.57.48 

Another  copy,  on  shelf-number  **K. 34.24,  is  bound  in  one  volume. 

Ball,  Eustace  Hale. 

The  art  of  the  photoplay.     2d  edition.     New  York.     G.  W.  Dilling- 
ham Co.     [1913.]     124  pp.  8o39a.65 
Photoplay    scenarios:    how    to    write    and    sell    them.      New    York. 
Hearst's   International   Library   Co.      1915.     xvi,    (i),   186  pp. 

8o39a.69 
Ball,  William  Thomas  Winsborough. 

Life  and  memoirs  of  William  Warren,  Boston's  favorite  comedian. 
With   a    full    account   of   his   golden   jubilee.      Fifty   years   of   an 

192] 


BROWN  COLLECTION  OF  BOOKS   ON   THE  STAGE 

Ball,  William  Thomas  Winsborough.     (Continued.) 

actor's  life.  [Anon.  Boston.  1888.]  70  pp.  Portraits.  Manu- 
script facsimiles.  4343.217;  **T.58.8 
Another  copy  is  on  shelf-number  **K.36. 18. 

Same.      Extra-illustrated   by   Lucius    Poole.  **T.54.33 

To  this  copy  are  appended :  The  Warren  family ;  The  passing  of  the  Boston 
Museum,  by  Howard  M.  Ticknor;  History  of  the  Boston  Museum;  and  30 
programmes  of  the  Boston  Museum. 

The  old  Federal  Street  Theatre.     [Boston.     1911.]     41-92  pp.     Por- 
trait.    Plate.  **T.75.i8 

Cut  from  the  Publications  of  the  Bostonian   Society.     Vol.  8   ['4452. 93. 8]. 

Ballads  in  black.     Chase,  E.  F.  40093.75 ;  **T.99.6o 

Ballein,  Johannes. 

Jeremy  Collier's  Angriff  auf  die  englischc  Biihne.     Ein  Beitrag  zur 

Geschichte    des    englischen    Dramas.      Marburg.      Elwert.      1910. 

X,  251,  (i)   pp.  2557.173 

Literatur,  pp.  ix,  x. 

Ballet. 

See  also  Bedlet  de  cour;  Dancing. 

Adice,  G.  L.    Theorie  de  la  gymnastique  de  la  danse  theatrale.    Paris. 

1859.  **M.I2I.29 

Angiolini,  G.     Lettere  a  Monsieur  Noverre  sopra  i  balli  pantomimi. 

[Milano.     1773.]  4057-" 

Bernay,  B.  J.     La  danse  au  theatre.     Paris.     1890.     Illus.     Portraits. 

**T.97.4;  etc. 
Blaze,   F.   H.  J.     La   danse   et   les   ballets   depuis    Bacchus   jusqu'a 

Mademoiselle  Taglioni.     Paris.     1832.  **M.i2g.26 

Blum,   E.,  and  L.   Huart.     Memoires  de   Rigolboche.     Paris,     i860. 

Portraits.  **T.9g.25 

Caffin,  C,  and  C.  H.  Caffin.     Dancing  and  dancers  of  today:  the 

modern  revival  of  dancing  as  an  art.    New  York.     1912.     Portraits. 

Plates.  *404oa.i38 

Campardon,  L.  fi.     L'Academie  royale   de  musique  au  xviiie  siecle. 

Documents    inedits    decouverts    aux   Archives   nationales.      Paris. 

1884.    2  v.  **M.372.i6 

Curtis,  E.  W.     A  timely  art.     Boston.     1907.  40093.287 

Dacier,  E.     Une  danseuse  de  I'Opera  sous  Louis  xv.   [Marie  Salle]. 

Paris.     1909.     Portrait.  **T.57.3io 

Despreaux,  J.  fi.     Souvenirs.     Issoudun.     1894.  **T.97.ii6 

Duval,    G.      Terpsichore.      Petit    guide    a    I'usage    des    amateurs    de 

ballet.     Paris.     1875.  60093.80 

Ehrhard,  M.  J.     Une  vie  de  danseuse  [Fannie  Elssler].     Paris.     1909. 

Portrait.  4845.85 

Elssler,  F.     The  letters  and  journal  of  Fanny  Ellsler  [sic],  written 

before  and  after  her  operatic  campaign  in  the  United  States.     New 

York.     1845.  4845.19;  **M.453.89 

Emmanuel,    M.      The    antique    Greek    dance    after    sculptured    and 

painted   figures.      New   York.      1916.      Illus.      Plates.      Plans. 

40403.166 
FouRCAUD,  L.  de  B.  de.   Figures  d'artistes:  Leontine  Beaugrand.   Paris. 

1881.     Portrait.  **T.95.99 

GoNcouRT,   E.   L.  A.    H.  de.     La   Guimard   d'apres   les  registres   des 

menus-plaisirs   de   la  bibliotheque   de   I'Opera,   etc.     Paris.      1893. 

2657.105;  **T.57.227 
GuiLLAUMOT,   A.,  fils.      Costumes   des   ballets   du   roy.      Archives   de 

I'Opera,  xviiie  siecle.    Paris.     1885.    20  colored  portraits.    **T.92.7 

[93] 


THE  PUBLIC  LIBRARY  OF  THE   CITY   OF  BOSTON 

Ballet.     (Continued.) 

Lancaster,  H.  C.     Relations  between  French  plays  and  ballets  from 

1581    to    1650.      (In    Modern    Languag-e    Association    of    America. 

Publications.    Vol.  31,  pp.  379-394-     Baltimore.     1916.)     *295o.56.3i 
Makower,   S.  V.     The  art  of  pantomime   ballet.      (In   Grey,    Robin, 

pseud.     Studies  in  music  by  various  authors.     Pp.  274-291.     New 

York.     1901.)  4046.110 

Matthews.  J.  B.     About  the  ballet.     New  York.     1891.     Portraits. 

**T.I2.II 

Memoir  of  Fanny  Elssler.     Boston.     1840.     Portrait.  **T.57.67 

Menestrier,  C.  F.     Des  ballets  ancicns  et  modernes  selon  les  regies 

du  theatre.     A  Paris.     1682.  **T.98,i03 

NovERRE,  J.  G.     Lettres  sur  les  arts  imitateurs  en  general,  et  sur  la 

danse  en  particulier.     Paris.     1807.     2  v.     Portrait.  **T.97.53 

Lettres   sur  la   danse,   ct   sur  les   ballets.     A   Stutgard.      1760. 

**T.98.7i 

Pepita.  Sciiora.  Memoires  de  la  Scnora  Pepita.  Aveux  et  confidences 
d'une  danseuse.     Tome   i.     Liege.     1855.  **T.99.47 

Perukini,  M.  E.  The  art  of  ballet.  Philadelphia.  [1915.]  Portraits. 
Plates.  40493.376 

Pindar,  P.  A  short  and  correct  sketch  of  the  life  of  Mad'lle  Fanny 
Elssler.     Philadelphia.      [1841.]  No.  3  in  **G.3822.4.2 

Ramirez,  J.  Carmencita,  the  Pearl  of  Seville.  New  York.  1890. 
Portraits.  **T.57.4i9 

Reyher,  p.  Les  masques  anglais,  fitude  sur  les  ballets  et  la  vie  de 
cour  en  Angleterre  (1512-1640.)     Paris.     1909.     Plans.  4551.122 

Reznicek,  F.  von.  Der  Tanz.  Album.  Miinchen.  1908.  30  colored 
plates.  *Cab.8o.i39,io 

Smith.  A.  R.  Sketches  of  the  day.  Series  2,  part  2:  The  ballet  girl. 
Illustrated  by  Henning,  Gavarni,  and  Gilbert.     London.      [1856.] 

No.  2  in  **T.99.48 

Sveti.off.  v..  and  L.  Bakst.  Le  ballet  contemporain.  Traduction 
frangaise  de  M.-D.  Calvocoressi.  [Paris.]  1912.  Illus.  Por- 
traits.    Plates,  many  colored.  40403.140 

Vieil  abonne,  Un,  pseud.     Ces  demoiselles  de  I'Opera.     Paris.     1887. 

,  **M.i  27.60 

v^'V/Weaver,  J.  The  history  of  the  mimes  and  pantomimes,  with  an 
historical  account  of  several  performers  in  dancing,  living  in  the 
time  of  the  Roman  emperors.  To  which  will  be  added,  a  list  of 
the  modern  entertainments  that  have  been  exhibited  on  the  Eng- 
lish stage.  London.  1728.  No.  7  in  **G.3824.i7 
Ballet.    Russian. 

Applin,  a.  The  stories  of  the  Russian  ballet.  New  York.  [1911.] 
Portraits.     Plates.  **T.93.i 

Bakst,  L.  The  decorative  art  of  Leon  Bakst.  London.  1913.  Illus. 
Portrait.    77  plates,  mostly  colored.  *Cab.8o.i39.2i 

Johnson,  A.  E.     The  Russian  ballet.     Boston.     1913.     Illus.     Plates. 

♦40403.146 

Mlle  Anna  Pavi.owa.  [With  programme.  New  York.  1913-]  Illus. 
Portraits.  40403.145 

Metropolitan  Ballet  Company,  Inc.,  New  York.  Souvenir.  Serge 
de  Diaghileff's  Ballet  russe.  With  originals  by  Leon  Bakst  and 
others.     New  York.     [1916.]     Portraits.     Plates,  mostly  colored. 

40403.170 

Same.     [1916-17  programme.]  40403.171 

[94] 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 


Ballet.    Russian.     (Continued.) 

Terry,  E.     The  Russian  ballet.  New  York.     [1913-]     IHus.     Portrait. 

Plates.  **T.97.344 

Van  Vechten,   C.      Music   after   the   great   war,   and   other   studies. 

New  York.     19 15.  40493.157 

Ballet.    Russian.     Bibliography. 

Kreiner,  H.  p.  Russian  ballet.  Notes  for  a  bibliography.  Newark, 
N.  J.     1915-  **T.93.2i 

Ballet  dancer's  husband.  The.     Feydeau,  E.  A.  **T.87.72 

Ballet  de  cour. 

Prunieres,  H.  Le  ballet  de  cour  en  France  avant  Benserade  et 
Lully,  suivi  du  Ballet  de  la  delivrance  de  Renaud.  Paris.  1914. 
Plates.  *404oa.i69 

Baluffe,  Auguste. 

Autour  de    Moliere.     Paris.     Plon,   Nourrit   &   c»«.     1889.      (3),   287, 

(3)  pp.  **T.57.320 

Moliere  inconnu.     Sa  vie.     Tome  i:  1622-1646.     Paris.     Perrin  &  c'^. 

1886.     (8),  323,   (i)  pp.  4659.70;  **T.57.2o6 

Bancel,  Fran(;ois  Desire. 

Les  mysteres:  etudes  litteraires  et  philosophiques.  Paris.  1872. 
187,   (i)  pp.     [Bibliotheque  democratique.]  76093.91 

Banck,  Otto  Alexander. 

Aus  der  deutschen  Biihnenwelt.  Dramaturgische  Studien  iiber 
Theater  und  Theaterdichtung,  Schauspielkunst  und  Schauspieler, 
mit  Hinblick  auf  die  Bliithezeit  der  Dresdener  Hofbiihne.  Leip- 
zig. Diirr.  1865.  xvi,  443,  (i)  pp.  [Kritische  Wanderungen  in 
drei  Kunstgebieten.     Band  i.]  **T.46.35 

Bancroft,  Sir  Squire,  and  Marie  Effie,  Lady  Bancroft. 

The -Bancrofts.     Recollections  of  sixty  years.     [By]   Marie  Bancroft 

[and]    Squire    Bancroft.      London.      Murray.      1909.     xii,   462   pp. 

Portraits.     Plates.     Manuscript  facsimiles.  4545-153 

Mr.  &  Mrs.  Bancroft  on  and  off  the  stage.     Written  by  themselves. 

London.     Bentley.     1888.     2  v.     Portraits.     Manuscript  facsimiles. 

4545.103;  **T.56.226 
Same.     4th  edition.  *4545.i20 

Bandmann,  Daniel  Edward. 

An  actor's  tour;  or,  seventy  thousand  miles  with  Shakespeare.  Edited 
by  Barnard  Gisby.  With  portrait  after  W.  M.  Hunt.  Boston. 
Cupples,   Upham    &    Co.      1885.     xviii,   303,    (i)    pp. 

6268.29;  **T.57.99 
Bangbar,  Barnaby,  pseud,  editor. 

Thespian  Monitor,  The,  and  dramatick  miscellany.  Vol.  i  (no.  1-4). 
Nov.  25 -Dec.  16,  1809.     Philadelphia.     1809.  **T.28.i8 

Bangs,  John  Kendrick. 

From  pillar  to  post:  leaves  from  a  lecturer's  note-book.  With  illus- 
trations by  Jno.  R.  Neill.  New  York.  The  Century  Co.  1916. 
(12),  339  pp.  24093.349 

Banister,  Douglas. 

Life  of  Mr.  John  Reeve,  with  original  anecdotes.  London.  Richard- 
son. [1838.]  16  pp.  Portrait.  **T.56.86 
Another  copy  is  on  shelf -number  **T.96. 155. 

Bsnk  Officers'  Association  of  Boston. 

Coreopsis,  or  the  king's  amulet:  an  Egyptian  comic  opera  in  three 
acts.  Presented  at  Keith's  Bijou  Opera  House  Jan.  26-29,  1898. 
[Programme.     Boston.     1898.]     92  pp.     Illus.     Portraits.     4454.301 

[95] 


THE  PUBLIC  LIBRARY  OF  THE   CITY   OF  BOSTON 


Bank  Officers'  Association  of  Boston.     (Continued.) 

Miss  Simplicity.  An  original  musical  comedy.  [Presented  at  the] 
Tremont  Theatre,  one  week,  commencing  February  25,  1901. 
[Programme.  Boston.]  1901.  140  pp.  Ulus.  Portraits.  **T.32.9 
Pinafore  on  the  half  shell.  A  nautical  vaudeville  presented  at  Keith's 
Bijou  Opera  House,  Jan.  22,  23,  1897.  [Programme.  Boston. 
1897.]     84  pp.     Portraits.     Plates.  **T.95.8i 

Banks,  George  Linnasus. 

Blondin:  his  life  and  performances.     Edited  by  G.  Linnaeus   Banks. 
London.     Routledge,  Warne,  &  Routledge.     1862.     128  pp.     Por- 
traits. **T.57.393 
Bannister,  John. 

Adolphup,  J.    Memoirs  of  John  Bannister,  comedian.     London.     1839. 
2  V.     Portraits.  **T.55.io8;  etc. 

Bantock,  Granville,  and  Frederick  George  Aflalo, 

Round    the   world    with    "A    Gaiety    girl."      Illustrated    from    photo- 
graphs.     London.      Macqueen.      1896.      172    pp.      Portraits. 

**T.57.i48 
Banville,  Theodore  Faullain  de. 

La  Comedie  frangaise  par  un  temoin  de  ses  fautes.     1680-1863.     Avec 
une  preface  et  un  epilogue  en  vers.     Paris.     Albert.     1863.     72  pp. 

**T.77.io2 

La    lanterne    magique.      Camees    parisiens.      La    Comedie    frangaise. 

Avec   un    dessin    de   Georges    Rochegrosse.      Paris.      Charpentier. 

1883.     xii,  516  pp.     Plate.     [Petites  etudes.]  **T.97.279 

Mme  Judith  de  la  Comedie  frangaise.     [Toulouse.]      1867.     4  pp. 

**T.54.i5 

Mes    souvenirs.      Paris.      Charpentier.      1882.      (3),    466    pp.      Plate. 

[Petites  etudes.]  4646.67 

A  collection  of  essays  on  dramatists  and  actors. 

Les    pauvres    saltimbanques.       Paris.       Levy.       1853.      94,     (i)     pp. 

[Bibliotheque  des  voyageurs.]  **T.98.i3i 

La  vie  d'une  comedienne,   Minette.     Paris.     Levy.      1855.      (3),    137, 

(i)  pp.  **T.98.i32 

Contents.  - —   La  vie   d'une  comedienne,   Minette.   —   Le  festin  des  titans. 
Stories  of  theatrical  life. 

Banville,  Theodore  Faullain  de,  prefaccr. 

Memoires  et  pantomimes  des   freres   Hanlon   Lees.     Paris.      [1880.] 

Portraits.  **T.58.69 

Bapst,  Constant  Germain. 

Essai   sur   I'histoire   des   panoramas   et   des    dioramas.      Extrait    des 

rapports  du  jury  international  de  I'Exposition  Univcrselle  de  1889. 

Avec  illustrations  incdites  de  fidouard  Detaille.   Paris.    Imprimerie 

nationale.     1891.     30  pp.     Plates.     Plans.  **T.93.8 

Essai    sur    I'histoire    du    theatre.      La    mise    en    scene,    le    decor,    le 

costume,  I'architecture,  I'eclairage,  I'hygiene.     Paris.     Hachette  & 

cie.      1893.      (4),    ii,    (i),   693,    (i)    pp.      Illus.      Portraits.      Plates. 

Plan.  **T.73.i 

Relates  largely  to  France, 
fitude  sur  les  mysteres  au  moyen  age.     Paris.     Leroux,     1892.    65  pp. 
Plate.  2671.141 

Contents.  —  La  mise  en  scene,  i.  Les  origines  des  mysteres.  2.  Les  mysteres  a 
leur  apogee.  3.  La  disposition  du  theatre.  4.  La  scene.  5.  La  plantation  du 
decor  et  la  machinerie.  6.  Costumes,  diables,  sots,  fous,  jeux  de  mise  en  scene. 
7.  Les  fenimes  sur  le  theatre.  8.  La  pcinture  decoiative,  les  peintres  decorateura. 
9.   Les  pieces  profanes  et  les  confrdries.      10.   Fin  des  mysteres. 

[96] 


BROWN   COLLECTION   OF  BOOKS    ON   THE   STAGE 


Barba,  Jean  Nicolas. 

Souvenirs.  Paris.  Ledoyen  &  Giret.  1846.  (3),  iv,  292  pp.  Por- 
traits. **T.56.6i 

Reminiscences  of  the  Paris  stage. 

Barbey  d'Aurevilly,  Jules  Amedee. 

Theatre    contemporain.       [Premiere]     Nouvelle    et    dernicre    serie. 

Paris.     Frinzine  [etc.],     1887-96.     3  v.  **T.47.68 

Les  vieilles  actrices.     Le  musee  des  antiques.     Paris.     Librairie  des 

auteurs  modernes.      1884.      (3),  ii,  222  pp.  **T.57.27i 

Contents.    —    Les    vieilles    actrices.    —    Le    inusee    des    antiques.    —    Antiques    et 

bleues.  —  Une  jeune  antique:   Prevost-Paradol. 

Sketches  of  various  French  celebrities. 

Barbier,  Jules.    See  Barbier,  Paul  Jules. 
Barbier,  Paul  Jules,  prefacer.   ■ 

Raphanel,  J.,  and  C.  Legrand.  Histoire  anecdotique  des  theatres 
de  Paris  (ecrite  au  jour  le  jour).  Vol.  i:  i  Janvier -31  mars  1806. 
Paris.     1896.     Portraits.  **T.77.i27 

Barbieri,  Gaetano. 

Notizie  hiografiche  di  M.  F.  Malibran.  [Anche  Cenni  biografici  di 
C.  A.  de  Beriot.]     Milano.     Stella.     1836.     54  pp.     Portrait. 

No.  3-in  **M.i25.7 
Barclay,  G.  Lippard. 

The  life  and  remarkable  career  of  Adah  Isaacs  Menken,  the  cele- 
brated actress.  Philadelphia.  Barclay  &  Co.  [1868.]  17-63  pp. 
Portraits.  **T.96.8 

Appended   are   brief   biographical    sketches    of   a    few    other    actors. 

Bards. 

La  Rue,  G.  de.  Essais  historiques  sur  les  bardes,  les  jongleurs  et 
les  trouveres  normands  et  anglo-normands.     Caen.     1834.     3  v. 

**M.i36.i5;  etc. 
Barham,  Richard  Harris. 

The  Garrick  Club.  Notices  of  one  hundred  and  thirty-five  of  its 
former  members.  [New  York.]  Privately  printed.  1896.  viii, 
58  pp.     Manuscript   facsimile.  **T.55.i26 

Barker,  Granville.     See  Barker,  Harley  Granville. 
Barker,  Harley  Granville. 

Scheme  &  estimates  for  a  national  theatre.  By  William  Archer  and 
Granville  Barker.  New  York.  Duffield  &  Co.  1908.  (6),  xxxii, 
177  PP-  6252.73 

Relates  to  Great  Britain. 

Barker,  Harley  Granville.     Works  about. 

MacCarthy,  D.  The  Court  Theatre,  1904-1907:  a  commentary  and 
criticism.  With  an  appendix  contaming  reprinted  programmes 
of   the   "Vedrenne-Barker   performances."      London.      1907. 

**T.78.73 
Barker,  Henry  Aston. 

Description  of  a  view  of  the  north  coast  of  Spitzbergen,  now 
exhibiting  in  Henry  Aston  Barker's  Panorama,  Leicester-Square. 
Painted  from  drawings  by  Lieut.  Beechey,  who  accompanied  the 
polar  expedition  in  1818.     London.     Adlard.     1819.     12  pp.     Plate. 

**T.96.299 
Description  of  the  field  of  battle,  and  disposition  of  the  troops 
engaged  in  the  action,  fought  on  the  i8th  of  June,  1815,  near 
Waterloo;  illustrative  of  the  representation  of  that  great  event 
in  the  panorama,  Leicester-Square.  [London.]  1816.  12  pp. 
Plate.  **T.96.296 

[97] 
7 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 


Barker,  Henry  Aston.     (Continued.) 

Description  of  the  procession  on  the  coronation  of  His  Majesty 
George  the  Fourth:  July  19,  1821.  Now  represented  and  exhibiting 
in  Henry  Aston  Barker's  Panorama,  Leicester-Square.  London. 
Adlard.     1823.     12  pp.  **T.96.205 

Description  of  the  view  of  the  Battle  of  Vittoria  .  .  .  now  exhibiting 
in  Henry  Aston  Barker's  Panorama,  Leicester  Square.  [London.] 
Adlard.     1814.     12  pp.    Plate.  **T.96.302 

Ahother  copy  is  on  shelf-number  No.  6  in  *6628.55. 

A  short  account  of  the  view  of  Lisbon,  now  exhibiting  in  Henry 
Aston  Barker's  Panorama,  Leicester  Square.  [London.]  Adlard. 
1812.     12  pp.     Plate.  **T.96.298 

A  short  description  of  Badajoz,  and  the  surrounding  country,  with 
extracts  from  the  London  Gazette:  explanatory  of  the  picture 
exhibiting  in  the  panorama,  Leicester  Square,  representing  the 
siege  in  1812.     [London.]     Adlard.     1813.    12  pp.    Plate.    **T.96.30i 

.\nother  copy  is  on  shelf-number  No.  5  in  '6628.5s. 

Barker,  Henry  Aston,  and  John  Burford. 

Description  of  the  view  of  Athens,  and  surrounding  country;  now 
exhibiting  in  Henry  Aston  Barker  and  John  Burford's  panorama. 
Strand:  with  an  improved  explanation.  London.  Adlard.  1818. 
12  pp.     Plate.  **T.96.295 

Other  editions  are  on  shelf-numbers  No.  1 1  in  **E.22oa.29  ;   5077.77;   5077.85. 

Description  of  the  view  of  Venice;  taken,  and  painted  by  Messrs. 
Barker  and  Burford,  now  exhibiting  in  their  panorama.  Strand. 
London.     Adlard.     1819.     12  pp.     Plate.  **T.96.300 

An  explanation  of  the  view  of  Rome,  taken  from  the  tower  of  the 
Capitol.  Now  exhibiting  at  H.  A.  Barker  and  J.  Burford's  pano- 
rama. Strand.     [London.]      i8r8.     24  pp.     Plate.  **T.96.294 

Explanation  of  the  view  of  the  interior  of  the  city  of  Paris,  now 
exhibiting  in  Henry  Aston  Barker  and  John  Burford's  pano- 
rama. Strand.  [London.]  Adlard.  1816.  12  pp.  Plate.  **T.96.297 
Barker,  J.,  /publisher. 

Barker's  Complete  list  of  plays,  exhibiting  at  one  view  the  title,  size, 
date,  and  author,  from  the  commencement  of  theatrical  perform- 
ances, to  1803.  Added,  a  continuation  to  The  theatrical  remem- 
brancer.    [By  W.  C.  Oulton.]     London.     [1804.]         **T.67.6;  etc. 

The  drama  recorded;  or,  Barker's  List  of  plays,  from  the  earliest 
period,  to  1814.  Added,  Notitia  dramatica,  or.  a  chronological 
account  of  events  relative  to  the  English  stage.  London.  Barker. 
1814.     (4),  212  pp.  **T.67.2 

Another    copy    is    on    shelf-number    No.  10  in  **G.3823.4. 

Barker  and  Son,  booksellers. 

A  catalogue  of  ancient  and  modern  plays,  many  of  which  are  first 
cditi(jns,  and   very  scarce.      [London.      1806?]      136-194  pp. 

No.  6  in  **G.3823.i9 

Barker    collection.    The,    of    autographs:    literary;    dramatic;    political; 

military,  etc.     To  be  sold  at  auction  by  Bangs  &  Co.,  New  York, 

on  April  i8th  and  19th,  1887.     [New  York.     1887.]     36  pp.    6117.20 

Barlow,  George. 

An  actor's  reminiscences  and  other  poems.  London.  Remington  & 
Co.     1883.    xiv,  (i),  332  pp.  **T,97.i09 

Barnabee,  Henry  Clay. 

Reminiscences.  Being  an  attempt  to  account  for  his  life,  with  some 
excuses    for    his    professional    career.      Edited    by    George    Leon 

[98] 


BROWN    COLLECTION    OF   BOOKS    ON    THE   STAGE 

Barnabee,  Henry  Clay.     (Continued.) 

Varney.  Boston.  Chappie  Publishing  Co.,  Ltd.  1913.  (9),  461 
pp.    Portraits.    Plates.    Autograph  facsimiles.    4045.163;  **T.56.33i 

Recollections  of  the  stage  and  stage  people,  especially  relating  to  the  Boston 
Museum  and  the  Boston  Theatre,  and  to  the  author's  experiences  with  the 
Bostonians.      Another  copy  is  on   shelf-number   **M.433.ii. 

Barnabee,  Henry  Clay,  compiler. 

The  characters  of  Charles  Dickens  pourtrayed  in  a  series  of  original 
water  colour  sketches  by  "Kyd"  [pseud,  of  J.  Clayton  Clarke. 
With  additional  typewritten  quotations  by  H.  C.  Barnabee]. 
London.     Tuck.     [i88g.]     103  pp.     Portrait.     Colored  plates. 

No.  I  in  **T.53.23 

[A  collection  of  portraits,  principally  of  Henry  Clay  Barnabee,  as  an 
actor;  views  of  Oberammergau  and  photographs  of  the  actors  in 
the  Passion  Play  of  iQOO;  two  articles  on  the  Passion  Plav  cut 
from  The  Metropolitan  Magazine  for  December,  1900;  and  concert 
programmes  of  Ole  Bull,  1852,  and  Madame  Henriette  Sontag, 
1853.    Boston.    191-?]     151  pp.    Illus.    Portraits.    Plates.    **T.53.24 

Pen  photographs  of  Charles   Dickens's  readings.     Taken   from   life. 
By  Kate  Field.     [Each  leaf  inset  on  large  paper  by  Henry  Clay 
Barnabee.]     Boston.     Loring.     [1868.]     38  pp.       No.  2  in  **T.53.23 
Barnay,  Ludwig. 

Erinnerungen.  2.  Auflage.  Berlin.  Fleischel  &  Co.  1903.  2  v. 
Portraits.     Plates.  2877.137 

Relates  principally  to  German  theatres  and  drama. 
Bamay,  Ludwig.     Works  about. 

Gellert,  G.  Ludwig  Barnay.  Ein  Kiinstlerlebcn.  Berlin.  1890. 
Portrait.  **T.96.35o 

Barnes,  John  H. 

Essays  on  the  current  drama.  London.  "The  Era,"  Ltd.  1910. 
20  pp.  **T.46.58 

Contents.  —  The  drama  of  to-day  and  the  public's  attitude  thereto.  —  An  actor's 
views  on  plays  and  playwriting.   —  The  drama   and   the   dramatic   press. 

Forty  years  on  the  stage.  Others  (principally)  and  myself.  New 
York.     Dutton  &  Co.     1915.    vi,  320  pp.     Portraits.  4545.169 

Relates  to  the  British  stage. 

Barnes,  Joshua. 

Tractatus  de  tragcedia  veterum  Graecorum,  item  de  theatro,  et  scena, 
et  illius  apparatu,  nee  non  de  musica  theatrica,  deque  versuum 
tragicorum  legibus.  {In  Euripides.  EvQimSou  "Ajtavta.  Vol.  i, 
pp.   Ixxvii-civ.      Glasguae.      1821.)  4975.20 

Other    copies    are    on    shelf-numbers    *B.i68.i.i;    **G. 284. 67.1. 

Barnum,  Phineas  Taylor. 

The   life   of   P.   T.   Barnum.     New- York.      Redfield.      1855.     404   pp. 

Illus.    Portraits.    Plates.    Autograph  facsimiles.    4249.53;  **T.57.i83 

Struggles    and    triumphs;    or,    forty    years'    recollections    of    P.    T. 

Barnum.       Author's    edition.       Revised    up     to     February,     1873. 

Buffalo,    N.   Y.     Warren,  Johnson   &   Co.     1873.     vii,    12-838  pp. 

Portraits.     Plates.     Autograph   facsimile.  4442.77 

Same.     Revised  up  to   March,   1874.     vii,   12-870  pp.  4442.137 

Same.   Revised  up  to  April,  1875.    vii,  12-876  pp.  Autograph  facsimile. 

**T.57.74 
Barnum,  Phineas  Taylor.     Works  about. 

Banquet  to  welcome  the  Hon.  P.  T.  Barnum,  to  England.  Hotel 
Victoria,  London,  8th  November,  1889.  Under  the  presidency  of 
the  Earl  of  Kilmorey.      [London.     1889.]      Portrait.     Plan. 

**T.56.333 
[99] 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 

Barnum,  Phineas  Taylor.     IVorks  about.     (Continued.) 

Bunkum,  Petite,  pseud.  The  autobiography  of  Petite  Bunkum,  the 
showman;  written  by  himself.  [A  satire.]  New  York.  1856. 
64,  (i)  pp.     Illus.  **T.97.262 

Barnum,  Sarah.     See  Bernhardt,  Sarah. 
Baron,  Auguste  Alexis  Floreal. 

Histoire   de  I'art   dramatique.     Bruxelles.     Jamar.      [1853-55.]      3   v. 

in  I.     Portraits.  4679.65;  **T.47.6i 

Lettres    et    entretiens    sur    la    danse    ancienne,    moderne,    religieuse, 

civile,  et  theatrale.    Paris.     Dondey-Dupre.     1824.    344  pp.     Chart. 

**T.96.329 
Baron,  Michel  Boyron,  called  Baron. 

Allainval,  L.  J.  C.  S.,  Abbe  d'.  Lettre  a  Mylord  *  *  *  sur  Baron 
et  la  Dlle  Le  Couvreur.    Paris.     1870.     Plates.  **T.58.64 ;  etc. 

Barrera  y  Leirado,  Cayetano  Alberto  de  la. 

Catalogo  bibliografico  y  biografico  del  teatro  antiguo  espanol,  desde 
sus  origenes  hasta  mediados  del  siglo  xviii.  Madrid.  Riva- 
deneyra.     i860,     xiii,  724,  (i)  pp.  **2i7o.3i 

Other  copies  arc  on  shelf-numbers  **D.i8i.i4;   **D.i8i.i5. 

Barrett,  Lawrence. 

Charlotte  Cushman.  A  lecture.  With  an  appendix  containing  a 
letter  from  Joseph  N.  Ireland.  New-York.  1889.  (9),  44  pp. 
Portrait.      [Dunlap   Society.     Publications.     No.  9.]  **T.95.8 

Edwin  Forrest.  Boston.  Osgood  &  Co.  1881.  (7),  171  pp.  Por- 
traits.    Plate.     Facsimiles.     [American  actor  series.] 

4348.114;  **T.57. 109 
Same.  London.     Bogue.     [1881.]  **T.57.iio 

Barrett,  Lawrence.     Works  about. 

Barron,  E.  A.     Lawrence  Barrett.     A  professional  sketch.     Chicago. 

1889.     Portraits.  **T.56.327 

Verbatim  report  of  the  reception  of  Lawrence  Barrett,  by  Wilson 

Barrett.      Langham    Hotel,    London,    England,    April    2nd,    1884. 

[London.     1884.]  **T.57.38i ;  etc. 

Winter,  W.     Essay  upon  the  great  play  entitled  Harebell;  or,  the 

man  o'  Airlie,  produced  by  Mr.  Lawrence   Barrett.     [Philadelphia. 

1871?]  **T.97.235 

Barrett,  Wilson. 

Souvenir  of  the  Daughters  of  Babylon.  [London.  Unwin.  1897?] 
(24)   pp.     Illus.     Portraits.     Plates.  6560.127 

Barrett,  Wilson.     Works  about. 

Scott,  C.  W.     Some  notable  Hamlets  of  the  present  time.     London. 

1900.     Portraits.  4549a.i9i 

Verbatim  report  of  the  reception  to  Lawrence  Barrett,  by  Wilson 

Barrett.      Langham    Hotel,    London,    England,    April    2nd,    1884. 

[London.     1884.]  **T.57.38i ;  etc. 

Barrie,  Sir  James  Matthew,  Baronet,  prefaccr. 

Marcosson,  I.  F.,  and  D.  Frohman.  Charles  Frohman:  manager  and 
man.     New  York.     1916.     Illus.     Portraits.  4343-270;  **T.56.337 

Barriere,  Fran(;ois.    See  Barriere,  Jean  Frangois. 
Barriere,  Jean  Frangois,  editor. 

Memoires  de  M"*-"  Clairon,  de  Lekain,  de  Preville,  de  Dazincourt, 
de  Mole,  de  Garrick,  de  Goldoni.  Paris.  Firmin-Didot  freres. 
1846.  (3),  468  pp.  [  Bibliotheque  des  memoires  rclatifs  a  I'histoire 
de  France  pendant  le   i8mc  siecle.     Tome  6.]  **T.57.28o 

Another  copy  is  on  shelf-number  *4667.2.6. 

[100] 


BROWN   COLLECTION   OF  BOOKS   ON    THE   STAGE 

Barriere,  Jean  Frangois,  editor.     (Continued.) 

Same.  Vor  und  auf  den  Bretern.  Schauspieler-Memoiren  nach  F. 
Barriere's  Bibliotheque  des  memoires,  teutsch  bearbeitet  von  Ida 
Frick.     Dresden.     Arnold.     1848,  49.     2  v.  4679a.67 

Contents.   —   1.    P'inleitung.   —   Mademoiselle   Clairon.    —   Lckain.   —   Bruchstiick 
aus    Lekain's    Memoiren.   —   Aus    Mole's    Memoiren.   —   Von    Dcbus-Preville.    — 
,  Dazincourt.     2.  Goldoni.  —  Garrick. 

Barrington,  Rutland. 

Rutland  Barrington.  A  record  of  thirty-five  years'  experience  on  the 
English  stage.  By  himself.  With  a  preface  by  Sir  William  S.  Gilbert. 
London.    Richards.    1908.   270  pp.    Portraits.    Manuscript  facsimile. 

Mr.   Barrington  played  in  all  the  Gilbert-Sullivan  operas.  **T.56.328 

More   Rutland    Barrington.      London.      Grant    Richards,    Ltd.      191 1. 
^33^  (i)  PP-     Portraits.     Plate.     Autograph  facsimile.        **T.56.25o 
Barrington-FIeet,  George  Rutland.     See  Barrington,  Rutland. 
Barron,  Elw^yn  Alfred. 

Lawrence  Barrett.  A  professional  sketch.  Chicago.  Knight  & 
Leonard  Co.     1889.    98  pp.     Portraits.  **T.56.327 

Barry,  Ann  Spranger. 

Granny's  prediction  revealed  to  the  Widow  Brady,  of  Drury-Lane 
Theatre.  By  her  relashion  Mrs.  Sharp-set  O'Blunder.  London, 
Printed  for  the  Authoress.     1773.     iv,  53  pp.        No.  3  in  **G.3820.9 

The  printed  notice  —  "None  are  genuine  but  those  signed  by  the  authoress," 
bears  the  autograph  signature  of  Eliz.  de  Franchetti.  The  Widow  Brady  here 
addressed  is  the  actress,  Ann  Spranger  Barry. 

Barry,  Eleanor. 

Rare  and  fine  books  and  autographs.  The  choice  private  library  of 
Miss  Eleanor  Barry  with  additions.  For  sale  at  auction.  New 
York.     [1906.]      no  pp.  **T.65.27 

Barry,  John  Daniel. 

Julia  Marlowe.  Boston.  Badger  &  Co.  [1899.]  (4),  87,  (i)  pp. 
Portraits.      [Sock   &  buskin  biographies.]  4343.219;  **T.57.386 

Mademoiselle  Blanche.  A  novel  [of  circus  life].  New  York.  Stone 
&  Kimball.     1896.     (4),  330,   (i)  pp.  **T.87.i5 

Barry,  Richard,  yth  Earl  of  Barrymorc. 

Robinson,  J.  R.  The  last  Earls  of  Barrymore.  1769-1824.  London. 
1894.      Portraits.'    Plates.  2543.124;  **T.56.90 

Williams,  J.  The  life  of  the  late  Earl  of  Barrymore.  Including  a 
history  of  the  Wargrave  theatricals,  and  original  anecdotes  of 
eminent  persons.     London.      1793.     Portrait.  **T.76.i85;  etc. 

Barry,  Spranger. 

Estimate,  An,  of  the  theatrical  merits  of  the  two  tragedians  of 
Crow-Street  [Barry  and  Mossop].  In  a  letter  from  a  gentleman 
in  Dublin  to  his  friend  in  London.     Dublin.     1760.  **T.57.i42 

FooTE,  S.  A  treatise  on  the  passions,  so  far  as  they  regard  the 
stage;   with   a   critical    enquiry   into    the   theatrical    merit   of   Mr. 

G k,    Mr.   Q n,   and   Mr.   B y.     The   first  considered  in 

the  part  of  Lear,  the  two  last  opposed  in  Othello.  [Anon.]  Lon- 
don.    [1747.]  **T.77.27;etc. 

Gentleman,  A,  of  the  Inner  Temple,  pseud.  An  examen  of  the 
historical  play  of  Edward,  the  Black  Prince.  With  a  critical 
review  of  Mr.  Barry,  in  the  character  of  Ribemont.  London. 
1750.  No.  3  in  **G.3925.3;  etc. 

Pursuit  after  happiness:  a  poem.  To  which  is  added,  an  Ode  to 
Mr.  Garrick,  on  his  quitting  the  stage.  Also  An  elegy  on  the 
death  of  Mr.   Barry.     London.     1777.  *657i.3 

[1011 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 


Barry,  Thomas. 

P.osTox.     NationaJ  Theatre,  Portland  Street.     Return  book.     1851.     [Com- 
piled by  T.  Barry.]  **T.72.i3 
Barrymore,   Richard   Barry,  7th  Earl  of.     See   Barry,   Richard,  /tli   Earl 

of  Barrymore. 
Bartels,  Adolf. 

Chronik  des  weimarischen  Hoftheaters,  1817-1907.  Festschrift  zur' 
Einwcihung  des  neuen  Hoftheater-Gebaudes.  Weimar.  Bohlau. 
1908.     xxxvi,  375,  (i)  pp.  2878.187 

Barthelemy,  fidouard  Marie,  Comte  de,  editor. 

Nouvelles  de   la  cour  et  de  la  ville   concernant  le  monde,  les  arts, 

les    theatres    et    les   lettres,    1734-1738.      Publiees    d'apres    corres- 

pondancc   inedite   conservee   a   la    Bibliotheque   nationale.      Paris. 

Rouveyre.     1879.      (3),   163  pp.  **T.95.52 

Bartholomew  Fair. 

Dillon,  R.  C.  A  sermon  on  the  evils  of  fairs  in  general,  and  of 
Bartholomew  Fair  in  particular:  preached  at  Pimlico.  London. 
1830.  **T.96.66;etc. 

Historical  account.  An,  of  Bartholomew  Fair;  containing  a  view 
of  its  origin,  and  the  purposes  it  was  first  instituted  for.  With 
the  changes  it  hath  undergone  in  its  traffic,  amusements,  &c. 
London.     [1810.]     Plate.  **T.98.27 

MoRLEY,  H.  Memoirs  of  Bartholomew  Fair.  With  facsimile  draw- 
ings, engraved  upon  wood,  by  the  brothers  Dalziel.  London. 
1859.     Illus.  2469.47;  **T.95.48;  etc. 

Bartlett,  William  Henry. 

PiLGKiM.\GE,  A,  through  the  Holy  Land,  explanatory  of  the  Diorama 
of  Jerusalem  and  the  Holy  Land  painted  from  original  sketches 
made  by  W.  H.   Bartlett.      [London.     185-?]  3048,252;  etc. 

Bartoli,  Francesco. 

Notizie  istoriche  de'  comici  italiani  che  fiorirono  intorno  all'  anno 
MDL.     Padova.     Lorenzo.     [1781.]     2  v.  in  I.  *4749a.6 

Barton,  R.,  translator. 

Blasis,  C.     The  art  of  dancing.     London.     1831.     Plates.     Music. 

**T.96.i95 

Same.     Manuel  complet  de  la  danse,  comprenant  la  theorie,  la 

pratique  et  I'histoire  de  cet  art.     Trad,  de  I'anglais  de  M.  Barton, 
sur  I'edition  de   1830,  par   Paul   Vergnaud.     Paris.     1830.     Plates. 

4001.25 
Barton,  Thomas  Pennant. 

A  general  index  to  Hazlewood's  [sic]  tracts  on  the  drama.  In  three 
parts.     Manuscript.     [Philadelphia?]      vi,  229  pp.  **G.3824.ii 

Contents.  —  Part  1.  A  list  of  the  tracts  in  chionological  order.     Part   2.  Alpha- 
betical   list.      Part   3.    Names   of  authors,   etc. 

The  tracts  referred  to  form  part  of  the  Barton  Colkction,  and  each  is  catalogued 
separately. 

Baschet,  Armand. 

Les  coniddiens  italiens  a  la  cour  de  France  sous  Charles  ix,  Henri 
III,  Henri  iv  et  Louis  xiii.  D'apres  les  lettres  royales,  la 
correspondance  originale  des  comcdiens,  les  registres  de  la  Tre- 
sorerie  de  I'fipargne  et  autres  documents.  Paris.  Plon  &  c>''. 
1882.     XV,  367  pp.  2663.73;  **T.76.i46 

Basoa,  Stella  de. 

RiCAULT.  C.  J.  DE.  Une  reine  de  theatre.  Souvenirs  de  jeunesse,  de 
theatre  et  de  cour.     Paris.     1891.  **T.87.64' 

1102] 


BROWN   COLLECTION    OF   BOOKS    ON    THE   STAGE 

Basoche. 

Fabre,  L.  a.     Les  clcrcs  du  Palais.     Recherches  historiques  sur  les 

Bazoches  des  Parlcments  &  les  societes  dramatiques  des   P>azo- 

chiens  &  des  Enfants-sans-Souci.     Lyon.     1875.     Illus.      **T.76.50 

JoLY,  A.    Note  sur  Benoet  du  Lac;  ou,  le  theatre  et  la  Bazoche  a  Aix 

a  la  fin  du  xvie  siecle.     Lyon.     1862.  **T,76.44 

Basset,  Serge. 

Une  aventure  de  Frederick  Lemaitre  (1854).  [Paris.  1908.]  30  pp. 
Plates.  6671.299 

Bassett,  James.     (Charles  Bertram.) 

A  magician  in  many  lands.  With  an  introduction  by  Professor  Hoff- 
mann [pseud.].  London.  George  Routledge  &  Son,  Ltd.  1911. 
XX,  315  pp.     Illus.     Portraits.     Plates.     Autograph  facsimile. 

3015.78 
Bate,  Henry.     See  Bate-Dudley,  Sir  Henry,  Baronet. 
Bate-Dudley,  Sir  Henry,  Baronet. 

Vauxhall  affray,  The;  or,  the  macaronies  defeated.    A  compilation 
of  all  the  letters,  squibs,  &c.,  on  both  sides  of  that  dispute.     Lon- 
don.     1773.  **T.97.337 
Bateman,  Kate  Josephine. 

Kenney,  C.  L.  The  new  actress  and  the  new  play  at  the  Adelphi 
Theatre.     London.     1863.  **T.55,28 

Bateman,  Victory. 

By  the  stage  door.  By  Ada  Patterson  &  Victory  Bateman.  New 
York.     The  Grafton   Press.      [1902.]     x,  (i),  217  pp..         **T.86.9 

Contents.  —  The  story  of  a  friendship.  —  Autobiography  of  an  actress.  —  The 
passing  of  the  leading  lady.  —  Her  one  superstition.  —  Grimston's  school  of 
acting.  —  A  triumph  of  temperament.  —  He  married  an  actress.  —  Three  friends. 
—  The  understudy.  —  Heard  at  the   Managers'   Club.   —  An  early  jump. 

Bates,  Alfred,  and  others,  editors. 

The  drama.  Its  history,  literature  and  influence  on  civilization. 
Victorian  edition.  London.  The  Athenian  Society.  1903.  20  v. 
Portraits.     Plates.  **T.45.i 

Contents.  —  1.   Greek  drama.     2.   Greek  and  Roman  drama.     3.  Oriental  drama. 
4.  Religious  drama.     5.  Italian  drama.     6.   Spanish  and   Portuguese  drama.      7—9. 
French  drama.   >io— 12.   German  drama.      13-16.  British  drama.      17.   Scandinavian 
drama.     18.  Russian  drama.     19,  20.  American  drama. 
Associated  with  Alfred   Bates  were  James   P.    Boyd  and  John   P.   Lamberton. 

Bates,  Katharine  Lee. 

The  English  religious  drama.  New  York.  Macmillan  &  Co.  1893. 
(7),  254  pp.  4557.134;  **T.47.96 

Bates,  Katharine  Lee,  compiler. 

The  nevv  Irish  drama.  Yeats,  Synge.  Lady  Gregory  and  others. 
[Chicago.]     The  Drama  League  of  America.     1911.     12  pp.    2175.75 

An  outline  of  the  Irish  dramatic  movement  and  a  bibliographical  list  of  Irish 
drama. 

Bates,  Katharine  Lee,  and  Lydia   Boker  Godfrey. 

English  drama.     A  working  basis.     [Boston.     Robinson.]     1896.     151 

pp.  *2I75.22 

Bath,  England.     Theatres. 

East,  J.  The  pulpit  justified,  and  the  theatre  condemned:  in  a 
letter  to  some  members  of  the  Association  for  increasing  the 
attractions  and  promoting  the  improvement  of  Bath.  [A  reply 
to  The  Bath  Theatre  vindicated.]     London.     1844.  **T.76.99 

Lee,  J.  An  address  to  the  judges  and  the  public,  on  a  decision 
lately  made  in  one  of  our  courts  of  judicature  [regarding  a 
project  for  the  building  of  a  theatre  in  Bath].     London.     1772. 

No.  6  in  **G.3823.i5 
1103] 


THE  PUBLIC  LIBRARY  OF  THE   CITY   OF  BOSTON 

Bath,  England.     Theatres.     (Continued.) 

Observer,    An.    pseud.     The    theatre,    as    it    is:    or,    remarks    upon    a 

pamphlet,  entitled  "The  Bath  Theatre  vindicated."    London.     1844. 

r  **T.76.98 

VvTenley,   B.  S.     The   Bath   stage:  a  history  of  dramatic  representa- 

^^         tions  in  Bath.    London.    1892.    Portraits.    Plate.    2552.27;  **T.77. 74 

Resident,  A.     The  Bath  Theatre  vindicated  from  the  aspersions  of 

the  Rev.  John  East.     Bath.     1844.  **T.76.g7 

Bath  Roscius,  The,  pseud.     See  Henderson,  John. 

Batka,  Richard,  compiler. 

Aus  der  Musik-  und  Theaterwelt.     Beschreibendes  Verzeichnis  der 
Autographen-Sammlung  Fritz  Donebauer  in  Prag.     Prag.     Lowit 
,         &  Lamberg.     1894.     Ixxx,  150,  Ci)  pp.  **T.96.265;  etc. 

xn  \ /battle,  The,  of  the  authors  lately  fought  in  Covent-Garden,  between 
Sir  John  Edgar  [pseud,  of  Sir  Richard  Steele],  generalissimo  on 
one  side,  and  Horatius  Truewit,  on  the  other.  [Anon.]  Lon- 
don :  Printed  for  J.  Roberts.  1720.  xvi,  44  pp.  No.  4  in  **G.3823.i8 
Battle,  The,  of  the  music  halls.  Charrington,  F.  N.  No.  3  in  *6562.69 
Battle,  The,  of  the  players.  In  imitation  of  Dean  Swift's  Battle  of  ihe 
books.  In  which  are  introduced  the  characters  of  all  the  actors 
and  actresses  on  the  English  stage.  With  an  impartial  estimate 
of  their  respective  merits.  By  the  author.  3d  edition.  London: 
Printed  for  R.  Richards.     1762.     (i),  52  pp.  **T.97.i23 

Baubet,  Pierre  Toussaint. 

MoGETA,  C.  O.  Aventures  et  biographic  d'un  impresario:  Toussaint 
Baubet.     Rouen.     1864.     Portrait.  **T.57.35i 

Baubet,  Toussaint.     See  Baubet,  Pierre  Toussaint. 
Baudelaire,  Charles  Pierre. 

Charavay,  M.  E.     a.  de  Vigny  et   Charles    Baudelaire,  candidats  a 
I'Academie  frangaise.     Paris.     1879.     Illus.     Portraits.       **T.57.i24 
Baudrais,  Jean. 

Essais  historiques  sur  I'origine  et  les  progres  de  I'art  dramatique  en 
France  [Anon.]  A  Paris,  Au  bureau  de  la  Petite  bibliotheque 
des  theatres.     1784-86.     3  v.  **T.49.3 

Same.     Au  Bureau  general  des  chef-d'ixuvres  dramatiques.     1791. 

**M.i09b.5 
Baudry,  Paul  Jacques  Aime. 

Peintures  decoratives  du  grand  foyer  de  I'Opera.  Notice  par  E. 
About.    Paris.    Goupil  &  cie.    1876.    43  pp.    ;i;i  plates.    *Cab.8o.i43.3 

A   separate  copy   of  About's   Notice   is   on   shelf-number  4079.192. 

Baudry,  Paul  Jacques  Aime.     Works  about. 

Bergerat,  a.  £.  Peintures  decoratives  de  Paul  Baudry  au  grand 
foyer  de  I'Opera.  Etude  critique  avec  preface  de  Theophilc 
Gautier.     Paris.     1875.  **M.ii8.i4 

Bauer,  Caroline. 

Aus   dem   Leben  einer  Verstorbenen.      Berlin.     Gerschel.      1880,   81. 

4  V.  in  2.  2845.67 

Same.     Memoirs  of  Karoline   Bauer.     From  the   German.     London. 

Remington  &  Co.     1884,  85.     4  v.  2851.61 

Vols.    I    and    2   have   the    title    Posthumous    memoirs. 

Same.    2d  edition.    1885.  **T,56.227 

Vols.  3  and  4  are  not  of  the  2d  edition. 

Same.     Boston.     Roberts.     544  pp.  2558.59;  **K. 177.3 

Caroline   Bauer.      (Grafin    Broel-Plater.)      Ein   Lebensbild  aus   ihrcn 

Briefen  von  Ludwig  l'>runier.     Bremen.     Kiihtmann.     1879.     (i), 

xi,  189,  (i)  pp.  2847.56 

[104] 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 

Bauer,  Caroline.     (Continued.) 

Caroline  Bauer  and  the  Coburgs.  Translated  and  edited  from  Nach- 
gelassene  Memoiren  von  Karoline  Bauer.  By  Charles  Nishct. 
London.     Vizetelly  &  Co.     1885.     404  pp.     Portraits.  2858.58 

Her   Nachgelassene    Memoiren    may   be    found    on    shelf-number   2845.67.4. 

Les  confessions  d'une  comedienne.     Publiees  par  Louis  de  Hessem. 
Paris.    Librairie  illustree.     [1886.]     (3),  vi,  326,  (i)  pp.    **T.57.3i6 
Bauer,  Constantin,  translator. 

Cohen,   G.     Geschichte  der  Inszenierung  im  geistlichen  Schauspicle 
des  Mittelalters  in  Frankreich.     Leipzig.     1907.     Plates.      4676.165 
Bauer,  Henry. 

Une  comedienne.  Scenes  de  la  vie  de  theatre.  Paris.  Charpcntier 
&  cie.     1889.     (3),  319  pp.  **T.87.47 

A  novel. 

Bauer,  Henry,  pre  facer. 

BoucHERON,  M.  La  divine  Comedie-frangaise.  Dessins  de  Job  et  G. 
Taverne.     Paris.      [1888.]  ■  **T.77.i32 

Baughan,  Rosa. 

Chirognomancy;  or.  indications  of  temperament  and  aptitudes  mani- 
fested by  the  form  and  texture  of  the  thumb  and  fingers.     Lon- 
don.    Redway.     [1884.]      32  pp.     Plates.  3605.73 
A  handbook  of  palmistry  after  the  ancient  methods.     6th   (revised) 
edition.     London.     Redway.     1895.     32  pp.     Plates.  5600.89 
Baumeister,  Bernhard. 

ScHLENTHER,  P.  Bernhard  Baumeister.  Fiinfzig  Jahre  Burgtheater. 
1852-TO02.     Wien.     1902.     Portraits.  **T.73.8 

Bauviere,  E.  Moreau  de. 

A  bas  Rigolboche.  [Anon.  Par  S.  de  Charnal  et  E.  Moreau  de 
Bauviere.]  Sans  portrait  ni  vignette.  2e  edition.  Paris,  i860. 
96  pp.  **T.59.35 

Bauwens,  Maurice. 

Les  affiches  etrangeres  illustrees,  par  M.  Bauwens,  T.  Hayashi,  La 
Forgue,  Meier-Graefe,  J.  Pennell.  Paris.  Boudet.  1897.  (3),  iii, 
2c6,   (i)  pp.     Illus.     Plates,  some  colored.  *4072.i8 

Bayer,  Josef. 

Das  neue  k.  k.  Hofburgtheater  als  Bauwerk  mil  seinem  Sculpturen- 

und    Bilderschmuck.      Wien.      Gesellschaft    fiir    vervielfaltigende 

Kunst.     1894.     (9),  180  pp.    Illus.    Portraits.    Plates.    Plans.     [Die 

Theater  Wiens.     Band  3.]  *Cab.28.27.2.3 

Bayley,  Frederick  W.  N. 

The  souvenir  of  the  season.  The  wake  of  extacy,  a  memory  of  Jenny 
Lind.  With  illustrations  by  Kenny  Meadows.  London.  Willougliby 
&  Co.     1848.     67,  (i)  pp.  **M.i22.33 

Bayly,  Ada  Ellen.     (Edna  Lyall.) 

Wayfaring  men.  A  novel.  New  York.  Longmans,  Green,  &  Co. 
1897.     (4),  452  pp.  **T.87.42 

A  story  of  stage  life. 

Bayne, ,  artist. 

Description  of  Bayne's  gigantic  panorama  of  a  voyage  to  Europe 
from  original  sketches  taken  by  the  artist  himself.  Boston.  Chad- 
wick.     1848.     32  pp.  6268.24 

Another  copy  is  on  shelf-number  No.  8  in  *6262. 61. 

Baynham,  Walter. 

The  Glasgow  stage.  Glasgow.  Forrester.  1892.  (7),  221,  viii  pp. 
Plate.  4572.122;  **T.76.8o 

[105] 


THE  PUBLIC  LIBRARY  OF  THE   CITY  OF  BOSTON 

Bays  in  council.     Poem.     Rambler,  Harry,  pseud.       No.  13  in  **G.3824.i4 
Bazin,  Anais  de  Raucou,  called  Bazin. 

Les  commencemens  do  la  vie  de  Moliere.     [Paris.     1847.]     269-287  pp. 

**T.55.29 
Les  dernieres  annees  de  Moliere.     [Paris.     1848.]     185-215  pp. 

**T.55.30 

This  and  the  preceding  article  were  cut  from  the  Revue  des  deux  mondes,   1847, 
tome  3    [*33i5-i-i847-3]- 

Notes  historiques  sur  la  vie  de  Moliere.  2e  edition  augmentee.  Paris. 
Techener.     1851.     ix,   179  pp.  *4695.28;  **T.57.2i 

Bazoche.    See  Basoche. 
Beale,  Thomas  Willert.     (Walter  Maynard.) 

The  enterprising  impresario.  London.  Bradbury,  Evans,  &  Co. 
1867.     (3),  407  pp.  **M.i46.26 

Beamish,  Richard. 

Tlie  psychonomy  of  the  hand;  or,  the  hand  an  index  of  mental  de- 
velopment, according  to  MM.  D'Arpentigny  and  Desbarrolles. 
2d  edition.     London.     Pitman.     [1865.]     x,   (i),  94  pp.     31  plates. 

5600.2 
Beardsley,  Aubrey  Vincent,  illustrator. 

Jerrold,  W.  C,  compiler.  Bon-mots  of  Samuel  Foote  and  Theodore 
Hook.     London.     1894.  45593.125 

Beauchamp,  Alphonse  de. 

Lafitte,  J.  B.  P.  Memoires  de  Fleury  de  la  Comedie  frangaise. 
[Redige  sous  le  nom  de  Fleury  et  sur  les  notes  d'Alph.  de  Beau- 
champ.]     Paris.     1844.     2  V.  **T.58.44 

Same.    The  French  stage  and  the  French  people,  as  illustrated 

in  the  Memoirs  of  M.  Fleury.     Edited  by  Theodore  Hook.     Lon- 
don.    1841.     2  V.  **T.57.i03 

Same.  2d  [English]  edition.  Adventures  of  an  actor.  Lon- 
don.    1842.     2  V.  4565.3;  **T.57.7i 

Beauchamps,  Pierre  Frangois  Godart  de. 

Recherches   sur   les    theatres    de   France,  depuis    I'annee    onze    cens 

soixante   &  un,   iusques  a  present.     A  Paris,    Chez   Prault,   pere. 

1735-     3  V.  **T.48.i4 

Another  copy,  bound  in  one  volume,  is  on   shelf-number  **G.  190.51. 

Beaufort,  A.  A.    See  Beaufort  d'Auberval,  Alphonse  Aime. 
Beaufort  d'Auberval,  Alphonse  Aime. 

L'enfant  du  trou  du  souffleur  ou  I'autre  Figaro.  Bruxelles.  Gay. 
1883.    2  V.  in  I.     Plates.  **T.87.40 

.\  novel  of  theatrical  life. 

Beaugrand,  Leontine. 

FouRCAiTD,  L.  DE  B.  DE.  Figures  d'artistes.  Leontine  Beaugrand. 
Paris.     1881.     Portrait.  **T.95.99 

Beauley,  Harriet  Jean,  translator. 

Emmanuel,  M.  The  antique  Greek  dance  after  sculptured  and  painted 
figures.     New  York.     1916.     Illus.  40403.166 

Beaumont,  Francis. 

Gayley,  C.  M.  Beaumont  the  dramatist.  With  some  account  of  his 
circle,  and  of  his  association  with  John  Fletcher.  New  York.  1914. 
Portraits.     Plates.  4579.238 

Macaulay,  G.  C.  Francis  Beaumont.  A  critical  study.  London. 
1883.  2553.66;  **T.57. 122 

Potter,  A.  C.  A  bibliography  of  Beaumont  and  Fletcher.  Cambridge. 
1890.  6194.12.39 

[106] 


BROWN   COLLECTION   OF  BOOKS   ON    THE   STAGE 

Beaumont,  Thomas. 

Foot,  J.  F.  A  general  review  of  the  management  of  Thomas  Beau- 
mont, lessee  of  the  Theatre-Royal,  Glasgow.     Glasgow.     [1809.] 

**T.56.65 

Beauties,  The,  of  Mrs.  Siddons;  or,  a  review  of  her  performance  of  the 
characters  of  Belvidera,  Zara,  Isabella,  Margaret  of  Anjou.  Jane 
Shore,  and  Ladj'  Randolph;  in  letters  from  a  lady  of  distinction, 
to  her  friend  in  the  country.  London:  Printed  for  John  Strahan. 
1786.     (i),  65  pp.  **T.56.i55 

Another    copy    is    on    shelf-ncmber    No.  i  in  **G.3824. 17.       An    earlier    edition 
entitled    Observations    on    Mrs.    Siddons    is   on    shelf-number   **T.57. 135. 

Beauties  of  the  stage.     N.   Y.     I  vers.      [187-?]     32  pp.     Portraits. 

-       -    -  -  '   **x.53.6 

Beauty's  awakening.     Masque.     Art  Workers'  Guild,  London.     *8o8oa.6o 
Beauvallet,  Leon. 

Rachel  and  the  New  World.  A  trip  to  the  United  States  and  Cuba. 
Translated  from  the  French.  New  York.  Dix,  Edwards  &  Co. 
1856.     (i),  xiv,  404  pp.  2369.57;  **T.57.3i I 

Another  copy  is  on  shelf-number  **K.46.8. 
Beauvoir,  Roger  de.     See  Bully,  Eugene  Auguste  Roger  de. 
Beaux  &  belles  of  England. 

BoADEN.  J.     Mrs.  Sarah  Siddons.     London.     [190-?]     2  v.     Portraits. 

Plates.  *2545.252 

Cunningham,  P.     Nell  Gwyn.     Together  with  Mrs.  Jameson's  lives 

of  the  Duchesses  of  Portsmouth  and  Cleveland.    London.     [190-?] 

Portraits.     Plates.  *2545.25o 

Fitzgerald,  P.  H.    The  Sheridans.     London.     [190-?]     2  v.    Portraits.- 

Plates.  *2545.25i 

Becher,  Alfred  Julius. 

Jenny  Lind.  Eine  Skizze  ihres  Lebens  und  ihrer  Laufbahn  bis  auf 
die  neueste  Zeit.  2.  vermehrte  Auflage.  Wien.  Jaspar.  '1847. 
48  pp.     Portrait.     Music.  No.  7  in  **M.372.i8 

Becher,  Eliza,  Lady. 

Descriptive  portrait,  A,  of  Miss  O'Neill,  in  a  critique  on  her 
exhibition  of  the  characters  of  Mrs.  Haller.  and  Jane  Shore. 
London.     Williams.     1815.  **T.56.i69 

Jones,  C.  L  Memoirs  of  Miss  O'Neill;  containing  her  public  character, 
private  life,  and  dramatic  progress.     London.     1816.     Colored  por- 
trait. **T.55.67 
Rival  roses.  The.     A  poem.     Addressed  to   Miss   O'Neil  and  Miss 
Somerville,  of  the  Theatre  Royal,  Covent  Garden.     London.     1819. 

No.  9  in  **G.3824.3 
Beck,  Heinrich. 

Knudsen,  H.     Heinrich  Beck,  ein  Schauspieler  aus  der  Bliitezeit  des 
Mannheimer  Theaters  im  18.  Jahrhundert.     Leipzig.     1912.     Por- 
traits. 6872.67 
Becker,  George,  prefacer. 

Vander   Straeten,   E.      Le   theatre   villageois   en    Flandre.      Histoire, 

litterature,  musique,  religion,  politique,  moeurs.     2e  edition  avec 

lettre-preface   de  George   Becker.     Bruxelles.      1881.     2  v.     Illus. 

Plates.  **T.76.7 

Becker,  J.  A. 

Giesenberg,  E.  Das  Opernhaus  zu  Frankfurt  a  M.  erbaut  von  Richard 
Lucae,  J.  A.  Becker  und  E.  Giesenberg.     Berlin.     1883.     13  plates. 

*Cab.6o.96.7 

[107] 


THE  PUBLIC  LIBRARY  OF   THE    CITY   OF  BOSTON 

Becker,  Marie  Luise. 

Der  Tanz.  Leipzig.  Secmann.  [1901.]  (8),  210  pp.  Illus.  Plates. 
Portraits.     Music.  4045.184 

Becks,  George. 

Catalogue  of  [his]  dramatic  collection;  also  autograph  letters  and 
documents.  To  be  sold  at  auction  March  28-30,  by  The  Merwin- 
Clayton   Sales   Company.     New   York.     1905.     (2),  78  pp. 

**T.65.22 

Catalogue   of   the    remaining   portion   of    [his]    library.      Comprising 

dramatic  biographies,  scarce  dramatic  catalogues  and  photographs. 

Which    will    be    sold   at   auction    November    15    by    the    Merwin- 

Clayton  Sales  Company,     New  York.     1905.     27  pp.  **T.65.35 

Becq  de  Fouquieres,  Louis  Aime  Victor. 

L'art  de  la  mise  en  scene.  Essai  d'esthetique  theatrale.  Paris. 
Charpentier  &  c'e.     1884.     (.3),  xi,  285  pp.  4673.86;  **T.77.i47 

Becque,  Henri  Francois. 

Querelles  litteraires.     Paris.     E.   Dentu.     1890.     (5),  280,    (i)    pp. 

Continued  in  the  following.  2676.IO4 

Souvenirs  d'un  auteur  dramatique.  Paris.  Bibliotheque  artistique 
et  litteraire.     1805.     (4),  230,  (3)  pp.  **T.57.i36 

Becque,  Henri  Frangois.     Works  about. 

DuBois,  F.  Henry  P.ecque.  L'homme  —  le  critique  —  I'auteur 
dramatique.     Paris.     1888.     Portrait.  **T.58.i3i 

~\f   Bedford,  Arthur. 
^^  The  evil  and  danger  of  stage-plays:  showing  their  natural  tendency 

to  destroy  religion  and  introduce  a  general  corruption  of  manners. 
Printed  and  sold  by  W.  Bonny.  London.  1706.  (7),  227,  (i)  pp. 
Another  copy  is  on  shelf-number  *745oa.58.  **T.'J'J.'j6 

Serious  reflections  on  the  scandalous  abuse  and  effects  of  the  stage: 
Jn  a  sermon  preach'd  at  Bristol.     Bristol,  Printed  and  sold  by  W. 
Bonny.     1705.     (25),  44  pp.  **T.96.i04 

Another   copy   is    on    shelf-number   No.  2  in  **G.382i.i9. 

A  serious  remonstrance  in  behalf  of  the  Christian  religion,  against 

the  horrid  blasphemies  and  impieties  which  are   still  used  in  the 

English  play-houses.     London:  Printed  by  John  Darfjy,  for  Henry 

Hammond.     1719.     383  pp.  **G.382i.i8 

Bedford,  Paul. 

Recollections  and  wanderings.  Facts,  not  fancies.  London.  Rout- 
ledge,  Warne,  &  Routledge.  1864.  (7),  160  pp.  Portrait.  Auto- 
graph facsimile.  *4549a.93;  **T.57.247 
Beerbohm,  Max. 

More.     London.     Lane.     1899.     (7),  201  pp.  2579.131 

Contents.  —  Some  words  on  royalty.  —  "Punch. "^ —  Actors.  —  Madame  Tussaud's. 
—  Groups  of  myrmidons.  —  Pretending.  —  An  infamous  brigade.  —  The  sea-side 
in   winter.   —  If  I   were   a?dilc.  —   Sign-boards.   —  Ouida.   —  The   blight   on   the 

music    halls.    —    Prangley    Valley.    —    Arise,    Sir 1    —    Fashion    and    her 

bicycle.  —  Going  back  to  school.  —  "A.  B."  —  A  cloud  of  pinafores.  —  At 
Covcnt  Garden.  —  The  case  of  Prometheus. 

Same.     [2d  edition.]      1907.  2579.135 
Beetschen,  Alfred. 

Flegeljahre    der    Liebe.      Leipzig.  Reclam.       [1896.]      89,    (i)     pp. 

[Universal-Bibliothek.]  No.  6  in  4896.50.368 

Content.^.  —  Hermance.  —  Die  Patrizierin.  —  Miinchner-Kindl.  —  Die  Polin  in 
Sammet.  —  Das  Appenzeller  Zischgcli.  —  „]5rcttl"-Mignon.  —  Die  schwarze 
Bertha    —  Eine  Dichtcrin  vom   Ballet. 

Das  Theaterwesen  in  der  Schweiz.     Berlin.     Harrwitz.     1897.    41  pp. 

**T.96.25 

[108] 


BROWN   COLLECTION   OF  BOOKS   ON   THE  STAGE 

Beffara,  Louis  Frangois. 

Dissertation  sur  J.-B.  Poquelin-Moliere,  sur  ses  ancetres,  I'epoque  de 
sa  naissance  qui  avait  ete  inconnue  jusqu'  a  present.  Paris.  1821. 
(2),  28  pp.  **T.56.245 

Other  copies   are   on    shelf-numbers   **4695.29  ;  No.  3  in  **47o6.i4. 

Before  and  behind  tlie  curtain.     Northall,  W.  K.  **T.77.i3o 

Before  1  forget.     Chevalier,  A.  4544.225 

Before  the  footlights  and  behind  the  scenes.     Logan,  O.  *4504.9 

Behind  the  footlights.     Day,  W.  C.  **T.97.285 

TwEEDiE,    E.    B.  **T.76.6;  etc. 

Behind  the  scenes.    Wright,  E.  M.  4509.49;  **T.88,5 

Behind  the   scenes:   being  thirty-two   stories   by   actors   and   actresses. 

Illustrated  by  Judy's  artists.     [London.]     Dalziel.     [iSgi.]     96  pp. 

Illus.     Vignette.     Autograph  facsimiles.  **T.85.2 

Bejart,    Armande    Gresinde    Claire    Elisabeth.      See    Guerin    d'Estriche, 

Armande   Gresinde   Claire  Elisabeth. 
Bejart,  Madeleine. 

Chardon,  E.  H.  Nouveaux  documents  sur  la  vie  de  Moliere.  M.  de 
Modene,  ses  deux  femmes  et  Madeleine  Bejart.     Paris.     1886. 

**T.54.i8 
Bekenntnisse  eines  Hoftheater-Direktors.     Waldstein,  M.  **T.87.i6 

Belasco,  David,  prefacer. 

Hornblow,  a.     Training  for  the  stage.     Philadelphia.     [1916.]     Por- 
traits.    Plates.  5597-250 
Belgium.     Theatres.     History. 

Faber,  F.  J.  Histoire  du  theatre  frangais  en  Belgique  d'apres  des 
documents  inedits.     Bruxelles.     1878-80.     5  v.     Plate.  **T.74.6 

Bell,  Mrs.  Arthur.     See  Bell,  Nancy  Regina  Emily. 
Bell,  Clara,  translator. 

J^ger,  H.  B.    The  life  of  Henrik  Ibsen.     London.     1890. 

2856.76;  **T.57.i2i 
Bell,  Georges,  pseud.    See  Hounau,  Joachim. 
Bell,  Nancy  Regina  Emily,  translator. 

Judith,  Julie  Bernat,  called  Mademoiselle  Judith.  My  autobiography. 
London.     1912.     Portrait.  2646.233 

Bell,  Robert. 

Privileges  of  the  stage.     [London.     1861.]     319-327  pp. 

Relates  to  the   London  theatres.  No.  30  in  **G.3822.3 

The  rights  of  dramatic  literature.     [London.     1865.]     92-106  pp. 

No.  2  in  **G.62.5 

Relates   to  the   London   theatres   and   the   censorship  of  the   stage. 

Bellamy,  B.  P. 

A  letter  to  the  dramatic  censor  of  the  Suffolk  Chronicle;  by  B.  P. 
Bellamy,  of  the  Theatre  Royal,  Norwich.  Ipswich.  Battely. 
[1813.]      (I),  38  pp.  **T.56.249 

Bellamy,  George  Anne. 

An  apology  for  the  life  of  George  Anne  Bellamy.  3d  edition.  Lon- 
don: Printed  for  the  author,  and  sold  by  J.  Bell.     1785.     6  v. 

Vol.  6  is  not  of  the  3d  edition.  **T.57.4II 

Same.     4th  edition.  1786.     5  v.     Portraits.                                 *6549a.9i 

Same.     Memoires.  Avec  une  notice  sur  sa  vie,  par  Thiers.     Paris. 

Ponthieu.     1822.  2  v.     [Collection  des  memoires  sur  I'art  drama- 

tique.]  **T.56.2 

Translated    by    Pierre    Vincent    Benoist.       Other    copies    are    on    shelf-numbers 
*P.ii.707;  **G.224.2.2,3. 

[109] 


THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 


Bellamy,  George  Anne.     Works  about. 

Memoirs  of  George  Anne  Bellamy,  including  all  her  intrigues;  with 
genuine  anecdotes  of  all  her  public  and  private  connections.  By 
a  gentleman   of  Covent-Garden   Theatre.     London.      1785. 

**T.58.58 
WiLLETT.  E.     Letters  addressed  to  Mrs.  Bellamy,  occasioned  by  her 
Apology.     London.      [1785.]  **T.56.i77;  etc. 

Bellamy,  Thomas. 

The  life  of  William  Parsons,  comedian.  Added,  his  Dramatic 
character,  by  John  Litchfield,  and  A  letter  of  intelligence,  from 
Charles  Dibdin.     London:  Printed  for  the  author.     1795.     76  pp. 

No.  2  in  **T.96.228 

The    London   theatres;    a   poem.      London:    Printed   for  the   author. 

1795.    ss  PP-  No.  3  in  **T.96.228.2 

Mainly  composed  of  brief  sketches  of  actors. 

Bellanger,  Justin. 

Entre  deux  spectacles.  Esquisses  theatrales.  Paris.  Dentu.  1879. 
316  pp.  **T.77.98 

Contents.  —  Questions  d'art  et  questions  de  metier.  —  Notes  et  paradoxes  a 
propos  de  theatre.  —  Types  et  portraits,  croquis  d'apres  nature.  —  Anecdotes 
de  la  vie  theatrale. 

Bellart,  Nicolas  Francois. 

Henin  de  Cuvillers,  E.  F.,  Baron  d'.  Encore  des  comediens  et  du 
clerge,  accompagne  d'une  notice  sur  le  ministere  frangais  en  1825; 
et  de  quelques  reflexions  politiques  et  religieuses,  au  sujet  des 
journaux  le  Constitutionnel  et  le  Courier,  attaques  par  le  requisi- 
toire  de  M.  le  procureur-general  Bellart.  Paris.  1825.  **T.97.i4 
Bellasis,  Edward. 

The  money  jar  of  Plautus  at  the  Oratory  School:  an  account  of  the 
recent  representation.  2d  edition.  London.  Kegan  Paul,  Trench, 
&  Co.     1885.    46  pp.     Illus.     Plate.  **T.56.i35 

The  new  Terence  at  Edgbaston:  being  notices  of  the  performances 
in  1880  and  1881.  3d  issue.  London.  Kegan  Paul,  Trench,  &  Co. 
1885.     54  pp.  ^  **T.56.i67 

Bellchambers,  Edmund,  editor. 

CiBBER,  C.    An  apology  for  the  life  of  Colley  Cibber.    With  characters 

and    anecdotes    of   his    theatrical    contemporaries.      New    edition. 

London.     1822.     Portrait.  2455.35;  **T.56.2i4;  etc. 

Belle  Assemblee,  La.     See  New  Monthly  Belle  Assemblee,  The. 

"Belles  of  the  ballet."     [Poem.]     By  the  author  of  "Worthy  a  crown," 

&c.     London.     Head.      [1888.]      64  pp.     Plates.  **T.85.3 

Belli,  Onorio. 

Falkener,  E.  a  description  of  some  important  theatres  and  other 
remains  in  Crete  from  a  MS.  history  of  Candia  by  Onorio  Belli 
in  1586.     London.     1854.     Illus.     Plans.  *2962.4a 

Bellows,  Henry  Whitney. 

An  address  upon  the  claims  of  the  drama,  delivered  before  the 
American  Dramatic  Fund  Society,  1857.  Introduction  by  J.  B. 
Buckstone.     London.    Anson.     [1857?]     (i),  29  pp.  **T.76.33 

Same.  The  relation  of  public  amusements  to  public  morality, 
especially  of  the  theatre  to  the  highest  interests  of  humanity.  An 
address  delivered  before  "The  American  Dramatic  Fund  Society." 
Nevv   York.     C.  S.  Francis  &  Co.     1857.     53  pp.  **T.77.226 

Another  copy  is  on  shelf-number  *B.  160b. 66;  and  one  cut  from  the  New  York 
Herald  is  on  shelf-number  No.  2a  in  **G. 3822.1. 

[1101 


BROWN   COLLECTION   OF  BOOKS   ON    THE   STAGE 

Bellows,  Henry  Whitney.     (Continued.) 

Dramatic  Fund  dinner.  Splendid  oration  on  Shakespeare  by  Richard 
O'Gorman.  Rev.  Mr.  Bellows  on  the  dramatic  profession.  [New 
York.      1857.]      (i)    p.  No.  3  in  **G.3822.i 

Bellows,  Henry  Whitney.     Works  about. 

Thomason,  D.  R.  Fashionable  amusements;  with  a  review  of  Rev. 
Dr.  Bellows' lecture.     New  York.     1857.  55893.248;  **T.97.H3 

Bellows,  Walter  C. 

Catalogue  of  [his]  dramatic  library  to  be  sold  at  auction,  March  14th. 
By  Bangs  &  Co.     [New  York.     1893.]     29  pp.  **T.95.42 

Belocca,  Anna  de. 

Berlioz,  V.     Anna  de  Belocca:  a  biographical  sketch.     [New  York. 

1876.]  4048.76;  **M.ii5.4 

Belshazzar*s    feast.      Description    of    the    picture,    Belshazzar's    feast, 

painted   on   near  2,000  feet  of  canvas.     Open  at   the   diorama  at 

Niblo's  Garden,  Broadway.     [New  York.     185-?]  80793.99 

Beltaine.      The    organ    of    the    Irish    literary    theatre.      An    occasional 

publication.     Edited   by   W.   B.   Yeats.     The    ist  annual   volume. 

No.  1-3.     London.     1899,  1900.  *2552.32 

Belton,  Fred. 

Random  recollections  of  an  old  actor.  London.  Tinsley.  1880. 
(3),  248  pp.  **T.56.i7o 

Benedict,  Sir  Julius. 

Jenny  Lind.     [New  York.     1881.]      Portrait.     120-132  pp. 

No.  4in**M.372.i8 
Benefit  societies. 

Actors'  Fund  of  America.  Act  of  incorporation  and  by-laws.  New 
York.     1896.  4479a.i8i 

Annual   report,  5th-ioth,    14th -25th,  27th -32d.     New   York. 

1886-1913.     23  V.  in  4  and  unbound  parts.  **T,i5.i5 

American  Dramatist  Fund  Association.  Rules  and  regulations. 
New  York.     1848.  4395-i9i  i  etc. 

Fund,   The,    for   the    relief    of    indigent   persons    belonging   to,   His 
Majesty's  company   of  comedians  of  the  Theatre  Royal,   Drury 
Lane.     Established,  endowed,  and   incorporated,  by   David   Gar- 
rick,  Esq.     1777.     London.     1806.  No.  9  in  **G.3824.6 
Benevolent  and  Protective  Order  of  Elks.     Boston  Lodge.     No.  10. 

[Programmes  of  annual  benefits.]  2d,  17th.  Boston.  1880,  94.  2  v. 
Illus.     Portraits.     Plate.     Facsimiles.  **T.i4.i3 

Benger,  Elizabeth  Ogilvy. 

Memoirs  of  Mr.  John  Tobin.  With  a  selection  from  his  unpublished 
writings.  London.  Longman,  Hurst,  Rees,  Orme,  &  Brown. 
1820.    xiii,  (i),  444  pp.  2542.21;  **T.57.io 

Another  copy  is  on  shelf-number  **D.i7ob.40. 

Benjamin,  Edmond,  editor. 

Miroir  dramatique,  Le.  Biographic  des  acteurs  et  actrices  de  Paris. 
No.  2.     Paris.     [1878.]     Portraits.  **T.53.i 

Benjamin,  Edmond,  and  Henry  Buguet. 

Coulisses  de  bourse   et   de  theatre.      Paris.     Ollendorf.      1882.     viii, 
■  273  pp.     Illus.  **T.97.223 

Relates  to  Paris. 

Bennett,  Charles  Henry. 

Amateur  performance,  The,  on  behalf  of  the  family  of  the  late  C. 
H.  Bennett,  at  the  Theatre  Royal,  Adelphi.  [A  programme  with 
the  texts  of  the  plays  performed.     London.]     1867.  **T.38.4 

[111] 


THE  PUBLIC  LIBRARY  OF   THE   CITY   OF  BOSTON 


Bennett,  Enoch  Arnold. 

Cupid  and  commonsense.  A  play  in  four  acts.  With  a  preface  on 
the  crisis  in  the  theatre.  New  York.  Hodder  &  Stoughton. 
[1908.]     176  pp.  45793.304 

The  preface  relates  to  the  London  stage. 

Bennett,  John  B. 

The  evil  of  theatrical  amusements,  stated  and  illustrated  in  a  sermon. 
Dublin.    Fannin  &  Co.    1838.    48  pp.  **T.96.6o 

Bennett,  John  B.     Works  about. 

Cole,  J.  W.  A  defence  of  the  stage.  A  reply  to  a  sermon  entitled 
"The  evil  of  theatrical  amusements  stated  and  illustrated"  by 
John   B.    Bennett.     Dublin.      1839.  **T.75.43 

Benoist,  Pierre  Vincent,  Comic,  translator. 

Bell.-kmv,  G.  a.  Memoires.  Avec  une  notice  sur  sa  vie,  par  Thiers. 
Paris.     1822.     2  V.  **T.56.2;  etc. 

Bequet,  C.  M.  Edmond. 

Encyclopedic  de  I'art  dramatique.  Paris.  Dalou.  1888.  (5),  iii, 
428  pp.  **T,77.iog 

Bequet,  Edmond.     See  Bequet,  C.  M.  Edmond. 
Berchoux,  Joseph  de. 

La  danse  ou  les  dieux  de  I'opera.  Poeme.  Paris.  Giguet  &  Michaud. 
1806.     (2),  246  pp.     Plate.  **M. 128.50 

The  notes  which  comprise  one-third  of  the  work  concern  the  history  of  dancing. 

Same.     2^^  edition.     1808     xvi,  (4),  261  pp.  **M.i09b.24 

The  titles  of  the  two  editions  vary. 
Berger,  Alfred  M.  J.,  Freiherr  von. 

Studien  und  Kritiken.    Wien.     Literarische  Gesellschaft.     1896.     (11), 

284  pp.  4877-35 

Contents.  —  Von  Homer.  —  Das  tragisclie  Drama  des  Aeschylus.  —  Dante.  — 
Shakespeare.  —  Das  Weib  auf  der  Buhne  Shakespeare's.  —  Shakespeare's  Julius 
Casar.  —  Der  Hamletcharakter  ein  Erzeugniss  der  Schauspielkunst.  —  Der 
Hamlet  Mounet-Sully's.   —  Otto   Ludwig  und   Friedrich   Schiller.  —   Fiakerideen. 

—  Burgtheater.  —  Henrik  Ibsen.  . —  Ibsen's  Rosmersholm.  —  Florian  Geyer, 
von  Gerhart  Hauptmann.  —  Uehcr  den  Monolog.  —  Ueber  Schauspielkunst.  — 
Zur   Philosophic  der   Duse.   —   Von   italienischer   und   deutscher    Schauspielkunst. 

tjber  Drama  und  Theater.  Fiinf  Vortrage.  2.  Auflage.  Leipzig. 
Avenarius.     1900.     107,   (i)   pp.  **T.77.6o 

Bergerac,  Cyrano  dc.     See  Cyrano  de  Bergerac,  Savinien  Hercule. 
Bergerat,  Auguste  Emile. 

Ours  et  fours.  Theatre  en  chambre.  Prefaces  et  etudes  dramatiques. 
Paris.     Dentu.     1886.    2  v.  **T.36.9i 

Contents.  —  1.  Une  amie.  —  Pere  et  mari.  —  Ange  Bosani.  —  Separes  de  corps. 

—  Le  nam.  2.  Herminie.  —  L'accent.  —  Le  Baron  de  Carabasse.  —  Flore  de 
Frileuse.  —  La  cle  des  songes. 

Peintures  decoratives  de  Paul  Baudry  au  grand  foyer  de  I'Opera. 
fitude  critique  avec  preface  de  Theophile  Gauticr.  Paris.  Levy. 
1875.     (3),  ii,  T50  pp.  **M.ii8.i4 

Bergerat,  Auguste  fimile,  and  others. 

Les  actrices  de  Paris.  Portraits  de  E.  de  Liphart.  Texte  par 
l^^mile  Bergerat  —  Daniel  Bernard.  Paris.  Launctte.  1882.  (3), 
128,  (3)  pp.     lUus.     Portraits.  **T.53.i6 

Bergerat,  Auguste  £mile,  prefacer. 

Gp:i<.main,  a.  Les  dessous  du  theatre.  Les  agences  dramatiques  et 
lyriques.     Paris.     1891.  **T.77.9o 

Bergerat,  fimile.     See  Bergerat,  Auguste  £mile. 

Berkeley,   Ludy   Elizabeth.      See   Anspach,    l"21izal)eth    Berkeley    Craven, 
Markgrdfin  von. 

[112] 


BROWN   COLLECTION    OF   BOOKS    ON    THE   STAGE 


Berlin.    E.vliibitions.    Deutsche  Theaterausstelliing,  1910. 

Stuemcke,  H.  C.  a.     Die  Deutsche  Theaterausstellung,  Berlin,   1910. 

Berlin.     191 1.     45  plates.     Portraits.  6907.27 

Berlin.     Theatres. 

Berliner  Theaterreise,   Eine.     Berlin.      [1893?]  6874.56.8 

Brachvogel,  a.  E.     Geschichte  des  koniglichen  Theaters  zu   Berlin. 

Nach  Archivalien  des  Konigl.  Geh.  Staats-Archivs  und  des  Konigl. 

Theaters.     Berlin.     1877,  78.     2  v.  **T.76.i38 

Geiger,   E.   L.     Ein   Berliner  Theaterskandal,   1810.      {In   Archiv  fijr 

Theaterg-eschichte.     Vol.  i,  pp.  65-85.     Berlin.     1904.)       *6go7.i2.i 
Milliners    Bcziehungen    zu    Berlin.      {In    Archiv    fiir    Theater- 

geschichte.     Vol.  2,  pp.  151-168.     Berlin.     1905.)  *6907.i2.2 

Genee,  R.     Hundert   Jahre   des   Koniglichen    Schauspiels   in    Berlin. 

Nach   den   Quellen  geschildert.     Berlin.      1886.      Illus.     Portraits. 

4837.19 
Jacobsohn,   S.     Max   Reinhardt.     Berlin.      [1914.]      Portrait.     Plates. 

6873-54 

Theater,  Die,  in  Berlin.  Die  innere  Ansicht,  die  Eintheilung,  Ein- 
richtung  und  Preise  sammtlicher  Platze.    Berlin.     [188-?]     7  plans. 

*4839a.37 
Berlin.     Theatres.     Deutsches  Theater. 

Carter,  H.  The  theatre  of  Max  Reinhardt.  New  York.  1914.  Por- 
traits. Plates.  Plan.  6252.118 
Berlin.     Theatres.     Koenigliches  Opernhaus. 

Altmann,  W.  Die  Konigliche  Bibliothek  in  Berlin  in  ihren  Bezieh- 
ungen  zum  Koniglichen  Opernhaus,  1788-1843.  {In  Beitrage 
August  Wilmanns  gewidmet.    Pp.  51-56.     Leipzig.     1903.)     2164.67 

Deppe,  L.  Zwei  Jahre  Kapellmeister  an  der  Koniglichen  Oper  zu 
Berlin.     Bielefeld.     1890.  40493.72 

Heim,  L.,  and  G.  Buss.  Das  Konigliche  Opernhaus  fiir  Berlin. 
Berlin.     1910.     Plan.  40493.49 

ScHLiEPMANN,  H.  C.  G.  Die  neuen  Entwitrfe  zum  Berliner  Konig- 
lichen  Opernhaus.     Berlin.     1913.     Illus.      131    plates.     Plans. 

4091.135 

Schneiher,  L.  Geschichte  der  Oper  und  des  Koniglichen  Opernhauses 
in  Berlin.     Berlin.     1852.     Illus.  **M.2i5.i9;  etc. 

Berlin.     Theatres.     Koenigliches  Schauspielhaus. 

Schlenther,  p.    Botho  von  Hiilsen  und  seine  Leute.    Eine  Jubilaums- 
kritik  iiber  das  Berliner  Hofschauspiel.     Berlin.     1883.     **T.76.i92 
Berlin.     Theatres.     Neues  Operntheater  (Kroll's  Theater). 

Kaemmerling,    H.      Das    KroUsche    Etablissement    zu    Berlin.      Ent- 

worfen    und    ausgefiihrt    von    E.    Titz.      Gezeichnet    und    heraus- 

gegeben    von    H.    Kaemmerling.      Berlin.      1862.      Plates,    some 

colored.     Plans.  **T.7i.2 

Berlin.     Theatres.    Victoria-Theater. 

Kaemmerling,    H.     Das   neue   Victoria-Theater   zu    Berlin.      [Berlin. 

186-?]      Plates,  some  colored.     Plans.  *Cab.6o.i44.6 

Langhans,    C.    F.     Das   Victoria   Theater   in    Berlin.      Berlin,      i860. 

Diagrams.     4  plates.  **T.7i.i 

Berlin.     Theatres.     Wallner-Theater. 

Kaemmerling,  H.     Das  Wallner-Theater  zu  Berlin.     [Berlin.     1868.] 

Plates.     Plans.  *Cab.6o.i44.7 

Berliner  Theaterreise,  Eine.     Berlin.     Eckstein.     [1893?]     22  pp.     [Neue 

litterarische  Volkshefte.]  6874.56.8 

[113] 


THE  PUBLIC  LIBRARY   OF   THE    CITY   OF  BOSTON 


Berlioz,  \'^ictor. 

Anna  de  Belocca:  a  biographical  sketch.     [New  York.     1876.]     8  pp. 

4048.36;  **M.ii5.4 
Bernard,  Mrs.   Baj'lc.      See  Bernard,  Mrs.   William   Bayle. 
Bernard,  John. 

Retrospections  of  America.  1 797-181 1.  Edited  from  the  manuscript 
by  Mrs.  Bayle  Bernard.  With  an  introduction,  notes,  and  index 
by  Laurence  Hutton  and  Brander  Matthews.  Xew  York.  Harper. 
1887.    xiii,  (i),  380  pp.    Portraits.     Plate.  4247.76;  **T. 57. 211 

Theatrical   reminiscences. 
Retrospections  of  the  stage.    [Edited  bj'  W.  Bayle  Bernard.]     London. 
Colburn  &  Bentley.     1830.     2  v.     Portrait.  **T.56.303 

Same.     Boston.     Sarter  &  Hendee.     1832.     2  v.  in   i.  *2588.i3 

This  edition  lacks  the  portrait. 
Bernard,  Rosine.     See  Bernhardt,  Rosine  Bernard,  called   Sarah    Bern- 
hardt. 
Bernard,  William  Bayle,  editor. 

Bernard,  J.     Retrospections  of  the  stage.     London.     1830.    2  v.     Por- 
trait. **T.56.303 ;  etc. 
Bernard,  Mrs.  William  Bayle,  editor. 

Bernard,  J.  Retrospections  of  America,  1797-1811.  New  York.  1887. 
Portraits.     Plate.  4247.76;  **T.57. 211 

Bernardin,  Napoleon  Maurice. 

La   comedie   italienne   en    France   et    les   theatres   de   la   foire    et   du 

boulevard  (1570-1791).     Paris.     Editions  de  la  Revue  bleue.     1902. 

(3).  235,  (i)  pp.    Illus.    Portraits.    Plates.     [Bibliotheque  theatrale 

illustree.     i.]  2679.277 

Bernat,  Julie,  called  Mademoiselle  Judith.     See  Judith,  J.ulie  Bernat,  called 

Mademoiselle  Judith. 
Bernay,  Berthe  Josephine. 

La  danse  au  theatre.  Illustrations  par  E.  Dousdebes.  Paris.  Dentu. 
1890.     (5).  XX,  194.  (2)  pp.     Illus.     Portraits.  4008.110;  **T.97.4 

Bernhardt,  Sarah. 

The  Bernhardt  "souvenir."  [Portraits,  programmes,  etc.,  with  alter- 
nate pages  of  advertising  matter.]  New  York.  Hazzard.  [1880?] 
(38)   pp.     Portraits.     Facsimiles.  4649a.85 

Memories  of  my  life.  Being  my  personal,  professional,  and  social 
recollections  as  woman  and  artist.  New  York.  Appleton  &  Co. 
1907.     xvi,  456  pp.     Portraits.     Plates.  2647.161 

Same.  My  double  life.  Memoirs  of  Sarah  Bernhardt.  London. 
Heinemann.  1907.  viii,  .^53  pp.  Portraits.  Plates.  Manuscript 
facsimile.  **T.56.io8 

Bernhardt,  Sarah.     Works  about. 

.■\kiaire  Marie  Colombier  —  Sarah  Bernhardt.  Pieces  a  conviction. 
Paris.      1884.     Portrait.  6645.85 

Amours.   The.  of   Sarah,   tiie   eccentric.      Boston.      [1880.I 

**T.57.452;  etc. 

Brown,  A.  A.,  com/^iler.     Sarah    Bernhardt.      [Boston.     1910.]      Illus. 

Portraits.  **T.i4.8 

Clament,    C.      Esquisses    d'aujourd'hui.      Sarah    Bernhardt.      Paris. 

1879.     Portrait.  **T.58.86 

Colombier,  M.     Les  memoires  de  Sarah  Barnum.     .A.vec  une  preface 

par  Paul  Bonnetain.     Paris.     [1884.]  **T.57.289 

Same.     The  life  and   memoirs  of   Sarah    15arnum.     Edited   by 

Henry  Llewellyn  Williams.    London.     [1883.]  **T.58.50 

[114] 


BROWN   COLLECTION   OF  BOOKS   ON    THE   STAGE 

Bernhardt,  Sarah.     Works  about.     (Continued.) 

Same.     The  memoirs  of  Sarah  Barnum.     Translated  under  the 

management  of  Ferdinand  C.  \'alentine  and  Leigh  H.  Hunt.  New 
York.     [1884.]  **T.97.259 

Le  voyage  de  Sarah  Bernhardt  en  Amerique.     Avec  preface  par 

Arsene  Houssaye.     Paris.     [1881.]     Portraits.       2363.82;  **T.57.38o 

Gaillet,  E.,  and Liebold.    La  vie  de  Marie  Pigeonnier  par  un  de 

ses  ***.     Preface  de  J.  Michepin.     Paris.     1884.  **T.57.365;  etc. 

Same.     Sarah   Barnum's  reply.     The  life  of  Marie  Colombier. 

[Anon.]     New  York.     1884.     Illus.  **T.54.i 

HuRET,  J.  Sarah  Bernhardt.  Preface  de  Edmond  Rostand.  Paris. 
[t809.1      IHus.     Portraits.  **T.53.io 

Same.  Sarah  Bernhardt.  Translated  by  G.  A.  Raper.  Lon- 
don.    1899.     Illus.     Portraits.     Plates.  2647.170;  **T.56.283 

Renner,  a.  L.  Sarah  Bernhardt:  artist  and  woman.  With  auto- 
graph pages  by  Sarah  Bernhardt.  New  York.  [1896.]  Illus. 
Portraits.      (20)   plates.  **T.53.ii 

Sarcey.  F.  Sarah  Bernhardt.  Portrait.  {In  his  Comediens  et 
comediennes.     Paris.     1876.)  No.  5  in  *464oa.50.i;  etc. 

Schuermann,  J.  J.     Les  etoiles  en  voyage.     Paris.     1893.  2255.67 

Scott,  C.  W.  Some  notable  Hamlets  of  the  present  time.  London. 
1900.     Portraits.  4549a.igi 

Bernheim,  Adrien  Jacques. 

L'enseignement  dramatique  au  Conservatoire,  [Par]  Leo  de  Ley- 
marie  et  Adrien  Bernheim.     Paris.     Ollendorff.     1883.     (3).  86  pp. 

**T.77.i3i 

Trente  ans  de  theatre.  Preface  de  Henrj^  Roujon.  Serie  [i,]  2.  Paris. 
Charpentier.     1903.  04.    2  v.  **T.77.iio 

Same.     [Serie   i.]      1903.  4676.135 

Contains  notes  on  the  early  history  of  the  society  called  CEuvre  fran?aise  des 
trente  ans  de  theatre. 

Bemier,  Felix. 

Theorie  de  I'art  du  comedien  ou  manuel  theatral.  Par  Aristippe 
[pseud.].     Paris.    Leroux.     1826.    viii,  594  pp.  **T.76.i59 

Another  copy  is  on  shelf-number  **G.3562.7. 

Bernstein,  Nikolai  Davidovitch. 

Russlands  Theater  und  Musik  zur  Zeit  Peters  des  Grossen.  Riga. 
Gizycki.      [1903.]      60  pp.  4046.198 

Berselli,  Giovanni. 

Albo  pittorico  di  alcune  feste  modenesi  nella  fausta  occasione  delle 
nozze  auguste  tra  I'A.  R.  dell'  Arciduca  Francesco  Ferdinando 
Principe  Ereditario  di  Modena  e  S.  A.  R.  la  Principessa  Adelgonda 
di  Baviera.     Modena.     Soliani.     1842.     (16)   ff.     Plates.       **T.92.3 

The   preface   is   signed :    Bruni    Geminiano,    Cappelli   Agostino,    Berselli    Giovanni. 

Bertal,  Georges,  pseud.    See  Albert,  Georges. 

Berton,  Pierre   Frangois   Samuel  Montan,  called  Barton. 

Souvenirs  de  la  vie  de  theatre.  Paris.  Lafitte  &  cie.  [1914?]  (3), 
309,  (4)  pp.     Portrait.     Autograph  facsimile.  4677.117 

Contenl.';.  —  Avant-propos.  —  Mademoiselle  George.  —  Frederick  Lemaitre.  — 
£mile  Perrin.  —  Albert  Glatigny.  —  Le  Comte  de  Paris  au  chateau  de  Ferrieres. 
—  Georges  Rizet.  —  Le  tsarevitch  a  I'felysee.  —  Bianchini. — Alphonse  Duvernoy. 

Bertram,  Adolf. 

Theater-Wespen.  Enthiillungen.  Skizzen,  Bilder  und  Chargen  aus 
dem  Theaterleben.  Als  Beitrag  zur  Eledigung  der  Reorganisi- 
rungsfrage  des  Theaterwesens.  Berlin.  Schlingmann.  1863.  81, 
(2)  pp.  **T.97.i97 

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THE  PUBLIC  LIBRARY   OF   THE    CITY   OF  BOSTON 

Bertrand,  Jean  fidouard  Gustave. 

Etudes  d'economie  theatrale.  Les  theatres  lyriques  de  Paris.  [Paris. 
18C6.I     20,  31  pp.  No.  2,  3  in  **M,372.20 

Bertrand,  Jules. 

La  Malibran.  Anecdotes.  Paris.  Librairie  du  Petit  Journal.  1864. 
22  pp.     Portrait.  **M. 128.59 

Bertrand,  Victor,  effendi. 

Les  silhouettes  animees  a  la  main.  Paris.  Mendel.  1892.  192  pp. 
Illus.  4003.73 

Besant,  Sir  Walter. 

Dorothy  Wallis.  An  autobiography.  London.  Longmans,  Green, 
&  Co.     1892.     xi,  319  pp.  **T.57.2i3 

A    fictitious    autobiography    of    an    actress.      Another    copy    is    on    shelf-number 
*2547.i20. 

Besemeres,  John  Daly. 

No  actress.  A  stage  door-keeper's  story.  London.  Wilson.  1870. 
109  pp.  **T.88.2o 

Best,  Mrs.  A.  Starr.     See  Best,  Marjorie  Ayres. 

Best,  Marjorie  Ayres. 

The  Drama  League  of  America.  Its  inception,  purposes,  wonderful 
growth  and  future.  Garden  City,  N.  Y.  Doubleday,  Page  &  Co. 
[1914.]      (16)   pp.     lUus.  6257.119 

Best,  Rev.  Thomas. 

Sermons  on  theatrical  amusements  [preached  1832-37,  39-42,  46,  47, 
49-51]-  Edited  by  R.  E.  Roberts.  London.  Seeley,  Jackson,  & 
Halliday.     1865.     ix,  293  pp.  **T.77.i46 

These   sermons   were   preached    annually    for   forty-seven    successive   years,    with 
one  exception,  from  i8i8  to  1855. 

Theatrical  amusements.     A  sermon  preached  September  26th,   1830. 

Sheffield.     Ridge.     1830.     16  pp.  **T.96.i25 

Theatrical  amusements.     A  sermon  preached  at  Sheffield,  Oct.  20th, 

1850.     Sheffield.     Ridge  &  Jackson.     1850.     16  pp.  **T.96.i26 

Theatrical  amusements.     A   sermon   preached    November  6th,    1853. 

Sheffield.     Ridge  &  Jackson.     [1853.]     M  PP-  **T.96.i27 

Theatrical  amusements.    A  sermon  as  it  was  intended  to  be  preached 

at  Sheffield,   November  5th,   1854.     Sheffield.     Ridge   &  Jackson. 

[1854.]     16  pp.  **T.96.i28 

Theatrical  amusements.    A  sermon  preached  at  Sheffield,  November 

4th,  1855.     Sheffield.     Algar  &  Robertschau.     [1855.]      16  pp. 

These  sermons   were   all   in   opposition    to   the   theatre.  **T.96.I29 

Best,  Rev.  Thomas.     Works  about. 

Calvert,  F.  B.  A  defence  of  the  acted  drama,  in  a  letter  addressed 
to  the  Rev.  Thomas  Best.     Hull.     1822.  **T.96.4o;  etc. 

Theatre  versus  conventicle;  or,  the  drama  attacked  and  de- 
fended: containing  Mr.  Calvert's  letters  in  defence  of  the  stage,  to 
the  Rev.  T.  Best,  of  Sheffield;  with  the  subsequent  controversy, 
in  the  Leeds  Independent  of  1824.     Hull.     1826.        **T.96.4i ;  etc. 

Lacy,  T.  H.  The  theatre  defended,  chiefly  in  reference  to  the  last 
annual  sermon  of  the  Rev  Thomas  Best  against  theatrical  amuse- 
ments.    Sheffield.     1840.  **T,96.i23 

Three  letters  in  reference  to  the  last  annual  sermon  of  the  Rev. 

Thomas  Best.     [Sheffield.     1841.]  **T.96.i24 

Mansel,  R.  a  short  struggle  for  stage  or  no  stage;  originating  in  a 
sermon,  preached  by  Thomas  Best  in  St.  James's  Church,  Sheffield. 
Sheffield.     |i8i8.]  **T.96.63;  etc. 

[116] 


BROWN   COLLECTION    OF   BOOKS    ON    THE   STAGE 

Bestow,  William. 

Watkins,  B.  W.     Outlines  of  the  life  of  William  Bestow,  editor  and 

proprietor  of  the  "Theatrical  Journal."    With  occasional  reference 

to  contemporary  theatrical  events  and  personages.    London.     1864. 

Portrait.  **T.58.28 

Bethe,  Erich  J.  A. 

Prolegomena   zur   Geschichte  des   Theaters   im   Alterthum.      Unter- 
suchungen    iiber    die    Entwicklung   des    Dramas,    der    Buhne,    des 
Theaters.    Leipzig.    Hirzel.    1896.    xiv,  (i),  350  pp.    Illus.    2968.76 
Betson,  A. 

Miscellaneous  dissertations  on  the  origin  and  antiquity  of  masquer- 
ades, plays,  poetry,  &c.  With  an  enquiry  whether  plays  conduce 
more  to  the  improvement  or  corruption  of  morals.  London: 
Printed  for  T.  Meighan.     [1751.]      105  pp.  No.  10  in  **G.382i.5 

In  opposition  to  the  theatre. 

Bettelheim,  Anton. 

Die  Zukunft  unseres  Volkstheaters.  Zehn  Aufsatze  aus  den  Jahren 
1882-1892.     Berlin.     Fontane  &  Co.     1892.     (1),  vi,  94.  (i)  pp. 

**T.96.264 
Betterton,  Thomas. 

The  duty  of  a  player.     [London?     170-?]      (20)   pp.  **T.78.38 

The  history  of  the  English  stage.     See  Oldys,  William.    The  history 
^  .  of  the  English  stage. 

VvBetterton,  Thomas.     IVorks  about. 
pv'V        Account,  An,  of  the  life  of  that  celebrated  tragedian  Mr.  Thomas 
Betterton.     With  an  account  of  the   English  theatre  during  his 
time.     London.     1749.  **T.56.238;  etc. 

GiLDON,  C.  The  life  of  Mr.  Thomas  Betterton,  the  late  eminent 
tragedian.  [Anon.]  Wherein  the  action  and  utterance  of  the 
stage,  bar,  and  pulpit  are  consider'd.     London.     1710.     Portrait. 

**T.57.223;  etc. 
Life,  The,  and  times  of  that  excellent  and  renowned  actor  Thomas 
Betterton.     With  such  notices  of  the  stage  and  English  history, 
as  illustrate  the  subject.     London.     1888.     Portrait. 

45493.100;  **T.57.56 
Lowe,   R.   W.     Thomas    Betterton.     London.      1891. 

2546.115;  **T.57.20i 
Betty,  Henry. 

Memoirs  of  Mr.  W.  H.  W'.  Betty,  the  English  Roscius.  Affixed,  a 
sketch  of  the  theatrical  career  of  his  son.  Mr.  Henry  Betty. 
London.     Cousins.     [1848?]     (i),  22  pp.  **T.54.28 

Betty,  William  Henry  West. 

Animadversions  on  Mr.  J.  Jackson's  Dramatic  strictures  upon  the 
merits  of  Young  Roscius.     Glasgow.     1804.  **T.56.i52 

Authentic  memoirs  of  the  Young  Roscius;  including  his  birth, 
family,  and  education.  With  critical  remarks  on  his  theatrical 
abilities,  &c.    London.    1804.    Portrait.  **T.57.388 

BissET,  J.,  compiler.  Critical  essays  on  the  dramatic  excellencies  of 
the  Young  Roscius,  opposed  to  the  hypercriticisms  of  anonymous 
writers,  who  assume  the  signatures  of  Justus,  Ennius,  &  Crito. 
Birmingham.     [1804.]     Portrait.  No.  5  in  **G.3824.8 

Critique  on  the  first  performance  of  Young  Roscius  at  Covent 
Garden  Theatre,  Dec.  i,  as  it  appeared  in  the  British  Press  (news- 
paper), Dec.  3,  1804.     [London.]     1804.  **T.57.426;  etc. 

[1171 


THE  PUBLIC  LIBRARY  OF  THE   CITY  OF  BOSTON 

Betty,  William  Henry  West.     (Continued.) 

Harley,  G.  D.  An  authentic  biographical  sketch  of  the  life,  educa- 
tion and  personal  character  of  William  Henry  West  Betty,  the 
celebrated    Young    Roscius.      London.      1804.      Portrait. 

**T.56.i8;  etc. 

Same.    An  authentic  sketch  of  the  life  of  William  Henry  West 

Betty,  the  celebrated  Young  Roscius:  with  a  critique  of  his 
performances  at  Covent  Garden  Theatre.  London.  1804.  Por- 
trait. No.  3  in  **G.3824.8 
Harral,  T.  The  Infant  Roscius;  or,  an  inquiry  into  the  requisites  of 
an  actor:  comprising  a  critical  analysis  of  young  Betty's  acting,  on 
the  London  boards;  a  complete  sketch  of  his  life,  &c.  London. 
[1804.]  **T.56.i39;etc. 
Impartial  observer.  An,  pseud.  The  wonderful  theatrical  progress 
of  W.  Hen.  West  Betty,  the  Infant  Roscius,  in  Ireland,  Scotland, 
and  England;  with  an  accurate  sketch  of  his  life.    London.     [1804.] 

**T.99.4;  etc. 
Jackson,  J.     Strictures  upon  the  merits  of  Young  Roscius.     London. 
1804.     Portrait.  **T.56.205;  etc. 

Life,  The,  of  Wm.  Henry  West  Betty,  the  celebrated  and  wonderful 
Young    Roscius:    with    an    impartial    account    of    his    astonishing 
performances  on   the   London   theatres.      London.      [1804.]      Por- 
trait. **T.57.42i 
Memoirs  of  Mr.  W.  H.  W.  Betty,  the  English  Roscius.     Affixed,  a 
sketch   of    the    theatrical    career   of   his    son,    Mr.    Henry    Betty. 
London.     [1848?]  **T.54.28 
Merritt,  J.     Memoirs  of  the  life  of  Wm.  Henry  West  Betty,  known 
by  the  name  of  the  Young  Roscius,  with  a  general  estimate  of  his 
talents,  and   a   critique  on   his  principal   characters.      Liverpool. 
1804.  **T.58.36 
Pangloss,  P.,  pseud.    The  Young  Rosciad,  an  admonitory  poem,  well- 
seasoned  with  Attic  salt,  cum  notis  variorum.     London.     1805. 

**T.55.i33;  etc. 
Progress  of  the  Young  Roscius  from  his  first  appearance.      [From 
the  Monthly  Mirror  and  the  morning  papers.     London.     1804.] 

No.  8  in  **G.3824.8 

Roscius  in  London.     Biographical  memoirs  of  William  Hen.  West 

Betty,  from  the  earliest  period  of  his  infancy.     With  analytical 

strictures  on  his  acting  at  the  London  theatres.     London.     1805. 

Portrait.  **T.56.i93;  etc. 

Same.     Young  Roscius,  The.     New-York.     1806.     Portrait. 

**T.57.243 
Beule,  Charles  Ernest. 

L'Opera  et  le  drame  lyrique.  Rcplique  a  I'Assemblee  nationale  a 
propos  des  subventions  theatrales.     Paris.     Levy.     1872.     16  pp. 

No.  4  in  **M. 206.19 
Bever,  Adolphe  van,  editor. 

CoLLE,  C.  Journal  historique  inedit  pour  les  annees  1761  et  1762. 
Paris,     ign.     Portraits.    Plates.  **T.55.i37 

Beverley,  Elizabeth. 

The  book  of  variety;  containing  laughable  anecdotes,  entertaining 
poetry,  and  various  other  pieces  of  interest  and  amusement.  3d 
edition.     London.     The  Authoress.     1824.     23  pp.  **T.97.i78 

Beverley,  Mrs.  R.    See  Beverley,  Elizabeth. 

[118] 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 

Beynet,  Agricol.     (B.  Saint-Marc.) 

Les  chroniques  du  Palais-Royal.  Par  B.  Saint-Marc  [pseud.]  et  le 
Marquis   de   Boubonne.     Paris.      Belin.      [1881.]      (5),  349   pp. 

2639.75  ;**T.97.229 
Bianchi,  Pietro. 

Fea,  C.  D.  F.  I.    Osservazioni  sull'  arena,  e  sul  podio  dell'  anfitcatro 

Flavio    fatte    dal    signer    Pietro    Bianchi    di    Lugano,    illustrate    e 

difese  dal  Sig.  Lorenzo  Re  Romano  .  .  .  discusse,  e  confutate  dall' 

avvocato  Carlo   Fea.     Roma.      1813.     Portrait.  2759.66 

Bibbiena,  Giuseppe  Galli  da. 

Theaterdecorationen,  Innenarchitektur  und  Perspectiven.  Pracht- 
volle  und  grossartige  Scenerien  aus  Opern  und  Schauspielen, 
welche  an  den  Fiirstenhofen  des  18.  Jahrhunderts  aufgefiihrt 
wurden.  Entwiirfe  im  Style  des  Barock.  Berlin.  Claesen  &  c'<^. 
[1888.1     26  plates.  *Cab.8o.87.3 

There  is  no  text. 

Bibbiena  family. 

Ricci,  C.     I  Bibiena,  architetti  teatrali.     Milano.     1915.     Illus.     Por- 
traits.    94  plates.  *409oa.5o 
Bibliographical  Society. 

Greg,  W.  W.  A  list  of  English  plays  written  before  1643,  and  printed 
before   1700.     London.     1900.  *2i74.2i 

A  list  of  masques,  pageants,  &c.     Supplementary  to  a  list  of 

English  plays.     London.     1902.  *2i74.2o 

Bibliography. 

See  also  Auction  sales. 

Adams,  J.  D.  Catalogue  of  dramatic  literature  including  memoirs, 
autobiographies,  works  of  famous  dramatists,  early  playbills, 
Shakespeareana,  etc.  Also  a  few  books  on  music,  books  on 
costume,  etc.  From  the  library  of  the  late  J.  Davenport  Adams, 
and  other  collections.  Offered  by  Francis  Edwards,  bookseller. 
London.     1905.  **T.66.25 

Allacci,  L.  Drammatvrgia  di  Leone  Allacci  diuisa  in  sette  indici. 
In  Roma.     1666.  **T.69.i ;  etc. 

American  Dramatists  Club.  The  American  Dramatists  Club  list. 
A  standard  of  reference  for  the  protection  of  dramatic  property. 
No.  6.  1902.  A  catalogue  of  plays  and  operas  that  have  been 
produced  in  the  United  States  and  are  entitled  to  protection  under 
state,  federal,  and  international  law.     New  York.     1902.      4395.170 

Arnold,  J.  H.  Y.     [Catalogue  of  his]   Library.     New  York.     1879. 

**M.ii3.2;  etc. 

Arnold,  R.  F.  Bibliographie  der  deutschen  Bijhnen  seit  1830.  Strass- 
burg.     1909.  *2i75.62 

Bahlmann,  p.  Jesuiten-Dramen  der  niederrheinischen  Ordens- 
provinz.    Leipzig.     1896.  *2i42.25.i5 

Baker,  D.  E.  The  companion  to  the  play-house:  or,  an  historical 
account  of  all  the  dramatic  writers  (and  their  works)  that  have 
appeared  in  Great  Britain  and  Ireland.  Composed  in  the  form  of 
a   dictionary.     London.      1764.     2  v.  **T.58.22;  etc. 

Barker,  J.  The  drama  recorded;  or.  Barker's  List  of  plays,  from 
the  earliest  period,  to  1814.  Added,  Notitia  dramatica,  or,  a 
chronological  account  of  events  relative  to  the  English  stage. 
London.     1814.  **T.67.2;etc 

Barker  and  Son.  A  catalogue  of  ancient  and  modern  plays,  many 
of  which  are  first  editions,  and  very  scarce.     [London.     1806?] 

No.  6  in  **G.3823,i9 
[119] 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 


Bibliography.     (Continued.) 

Barrera  y  Leirado,  C.  a.  de  la.  Catalogo  bibliografico  y  biografico 
del  teatro  antiguo  espaiiol.  desde  sus  origenes  hasta  mediados  del 
siglo  XVIII.     Madrid,     i860.  **2i7o.3i ;  etc. 

Barton,  T.  P.  A  general  index  to  Hazlewood's  [sic]  tracts  on  the 
drama.     Manuscript.  **G.3824.ii 

Bates,  K.  L.,"and  L.  B.  Godfrey.  English  drama.  A  working  basis. 
[Boston.]     1896.  *2i75.22 

Beauchamps,  p.  F.  G.  de.  Recherches  sur  les  theatres  de  France, 
depuis  I'annee  onze  cens  soixante  &  un,  jusques  a  present.  A 
Paris.     1735-    3  v.  **T.48.i4;  etc. 

Biblioteca  nacional,  Madrid.  Catalogo  de  las  piezas  de  teatro  que 
se  conservan  en  el  departamento  de  manuscritos.     Madrid.     1899. 

**D.i70.39 

Bibliotheque  du  Theatre  franqois,  depuis  son  origine;  contenant  un 
extrait  de  tous  les  ouvrages  composes  pour  ce  theatre  jusqu'aux 
pieces  de  Pierre  Corneille;  une  liste  chronologique  de  celles  com- 
posees  depuis  cette  derniere  epoque  jusqu'a  present;  avec  tables 
alphabetiques  des  auteurs  &  des  pieces.  A  Dresde.  1768.  3  v. 
Plates.  '  **T.68.3;etc. 

BoLTE,  J.  Die  lateinischen  Dramen  Frankreichs  aus  dem  16.  Jahr- 
hundert.  (.In  Festschrift  Johannes  Vahlen  .  .  .  gewidmet.  Pp. 
589-613.     Berlin.     1900).  2956.48 

Brown,  F.  C,  compiler.  A  selective  list  of  essays  and  books  about 
the  drama  and  the  theatre,  exclusive  of  biography.  [Chicago. 
1912.]  2175.74 

Brown.  M.  A.,  compiler.  Magazine  articles.  Drama.  Compiled  by 
Allen  A.  Brown.  General  index  to  Vol.  1-56;  N.S.  vol  1-23. 
Compiled  by  Mary  A.   Brown.     Manuscript.      [Boston.      191-?] 

**T.i5.iA 

BuECHTiNG,  A.,  compiler.  Bibliotheca  theatralis  oder  Verzeichniss  aller 
in  Bezug  auf  das  Theater  in  1847-1866  im  deutschen  Buchhandel 
erschienenen  Biicher  und  Zeitschriften.  Mit  einem  ausfiihrlichen 
Sachregister.     Nordhausen.     1867.  **T.68.2 

Catalog  der  in  den  Jahren  1850-69  in  deutscher  Sprache  erschie- 
nenen Theaterstiicke  in  Original  und  Uebersetzung.  Nordhausen. 
1860-70.     3  v.  in  I.  **T,67.4 

Burkhardt,  C.  a.  H.  Das  Repertoire  des  Weimarischen  Theaters 
unter  Goethes  Leitung,  1791-1817.     Hamburg.     1891.  6872.36 

Chetwood,  W.  R.  The  British  theatre.  Containing  the  lives  of  the 
English  dramatic  poets;  with  an  account  of  all  their  plays,  the 
lives  of  most  of  the  principal  actors,  as  well  as  poets.  Prefixed, 
a  short  view  of  the  rise  and  progress  of  the  English  stage.  [Anon.] 
Dublin.     1750.  **T.68.5;etc. 

Chicago,  111.  Public  Library.  Actable  one-act  plays.  Compiled  by 
Samuel  Kaplan  of  the  Library  staff.     [Chicago.]     1916.  2175.67 

— ■_ —  Finding  lists.  8th  edition.  Poetry  and  drama,  essays  and 
miscellanies,  collected  works.     Chicago.     1904.  *2i43.56 

Cincinnati,  Ohio.  Public  Library.  Catalogue  of  the  dramas  and 
dramatic  poems.     Cincinnati.     1879.  *6i92.i2 

Clarence,  R.  "The  Stage"  cyclopaedia.  \  bibliography  of  plays. 
With  descriptions,  authors'  names,  dates  and  places  of  production. 
London.     1909.  **T.66.i2 

CLtMENT,  J.  M.  B.,  and  J.  de  La  Porte.  Anecdotes  dramatiques; 
contenant  1°.     Toutes  les  pieces  de  theatre  joues  a  Paris  ou  en 

[120] 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 

Bibliography.     (Continued.) 

province.  2°.  Tous  les  ouvrages  dramatiques  qui  n'ont  ete  repre- 
sentes  sur  aucun  theatre,  mais  qui  sont  imprimes,  ou  conserves 
en  manuscrit.     .\  Paris.     1775.     3  v.  **T.58.3;  etc. 

Columbia  University.  Library.  List  of  books  chiefly  on  the  drama 
and  literary  criticism.     New  York.     1897.  *2i7i.ig.i 

Delandine,  a.  F.  Bibliographic  dramatique,  ou  tablettes  alpha- 
betiques  du  theatre  des  diverses  nations;  avec  des  .observations 
litteraires  et  bibliographiques.  Precedee  d'une  notice  sur  I'origine 
du  theatre  frangais.     Paris.      [1818?]  **T.66.i8 

DoDSLEY,  R.  Theatrical  records:  or,  an  account  of  English  dramatic 
authors,  and  their  works.     [Anon.]      London.     1756.  **T.68.6 

Drama  League  of  America,  Boston.  A  selected  list  of  plays  for 
amateurs.  Prepared  by  the  Drama  Study  Committee  [Alice 
Howard  Spaulding,  Chairman].     Boston.     1914.  *2i75.69 

A  selective  list  of  plays  for  amateurs.     Arranged-  by  Richard 

J.   Davis.     Boston.     1915.  *2i75.64 

Dramatic  catalogue  cuttings  [from  booksellers'  catalogues  relating 
to  English  drama,  and  arranged  alphabetically.     Boston.     189-?]. 

**T.i2.8 

Dramatic  Index,  The,  for  1909-17.  Covering  articles  and  illustrations 
concerning  the  stage  and  its  players  in  the  periodicals  of  America 
and  England:  with  a  record  of  books  on  the  drama  and  of  texts 
of  plays  published  during  [those  years].  Edited  by  F.  W.  Faxon. 
Boston.     1910-18.     9  V.  **T.65.47 ;  etc. 

Egerton,  J.  Egerton's  Theatrical  remembrancer.  A  complete  list  of 
all  the  dramatic  performances  in  the  English  language;  their  edi- 
tions and  the  theatres  where  they  were  originally  performed,  an 
account  of  those  which  are  unpublished,  and  a  catalogue  of  Latin 
plays  by  English  authors  to  the  end  of  1787.     London.     1788. 

**T.68.4 

Egerton,  T.  &  J.  A  catalogue  of  old  quarto  plays,  including  the 
greatest  part  of  those  printed  from  the  year  1566  to  the  beginning 
of  the  year  1700.  Also,  several  treatises  relating  to  the  stage;  and 
various  tracts  on  dramatic  criticism  and  biography;  which  are 
now  selling  by  Thomas  and  John  Egerton.     [London.]      1790. 

No.  9  in  **G.3823.5 

Elenco  alfabetico  di  tutte  le  produzioni  teatrali  contenute  nel  Flori- 
legio  drammatico,  nel  Nuovo  repertorio  e  nell'  Emporio  di  Trieste. 
Coir  aggiunta  del  Catalogo  del  Teatro  scelto  del  cav.  Paolo 
Giacometti,  delle  Opere  drammatiche  del  cav.  Paolo  Ferrari,  del 
Museo  drammatico,  del  Magazzeno  teatrale  e  della  Collana  di 
scelti  autori  drammatici.     Milano.     1863.  *6i68.is 

Fernbach,  L.,  Jr.  Der  wohl  unterrichtete  Theaterfreund.  Ein 
unentbehrliches   Handbuch.      Berlin.     1830.  *6i76.30 

Same.    Der  Theaterfreund.     Handbuch  fiir  Theater-Directoren, 

Schauspieler,  Theaterfreunde,  Buchhandler  und  Leihbibliotheken. 
Berlin,     i860.     2  v.  in   i.  *2i75.io 

FiLiPPi,  J.  de.  Essai  d'une  bibliographic  generale  du  theatre,  ou 
catalogue  raisonne  de  la  bibliotheque  d'un  amateur  completant  le 
Catalogue  Soleinne.     Paris.     1861.  **T.66.3 

Fleay,  F.  G.  a  biographical  chronicle  of  the  English  drama,  I559- 
1642.     London.     1891.     2  v.  2542.108;  **T.45.4 

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Bibliography.     (Continued.) 

Foley,  P.  K.  A  catalogue  of  choice  and  rare  books,  consisting  of 
first  editions  of  American  and  English  authors  in  original  bindings, 
dramatic  and  musical  literature,  Americana.  Boston.  1900.  **T.65.4o 

FoRRE-ST,  E.  Catalogue  of  the  lil^rary  of  Edwin  Forrest.  Compiled 
by  Joseph   Sabin.     Philadelphia.      1863.     Portrait.  *2202.4 

GoiZET,  J.  Dictionnaire  universel  du  theatre  en  France  et  du  theatre 
franQais  a  I'etranger,  alphabetique,  biographique  et  bibliographique, 
depuis  I'origine  du  theatre.     Paris.     [1867,  68.]  **T.44.3;  etc. 

GoLDSMiD,  E.  M.  A  chronological  table  of  the  principal  dramatic 
works  that  have  been  publicly  performed  in  France,  from  A.D. 
1200  to  A.D.  1800.  In  three  parts.  Part  i:  1200-1599.  Edinburgh. 
1883.  No.  7  in  *4552.50.2 

GoTTscHED,  J.  C.  Nothiger  Vorrath  zur  Geschichte  der  deutschen 
dramatischen  Dichtkunst,  oder  Verzeichniss  aller  deutschen 
Trauer-  Lust-  und  Singspiele,  die  im  Druck  erschienen,  von  1450 
bis  [zu  1760].     Leipzig.     1757,  65.     2  v.  in  i.     Plate.  *2i75.7 

Greg,  W.  W.  A  list  of  English  plays  written  before  1643,  and 
printed  before  1700.     London.     1900.  *2i74.2i 

A  list  of  masques,  pageants,  &c.     Supplementary  to  a  list  of 

English  plaj^s.     London.     1902.  *2i74.2o 

Notes  on  dramatic  bibliographers.  {In  Malone  Society.  Col- 
lections.    Vol.  I,  parts  4  and  5,  pp.  324-340.     [Oxford.]      1911.) 

**G.4077.i5.i.Parts  4,5 

Grolier  Club,  AVtc  1'ork.    Dramatic  folios  of  the  seventeenth  century. 

Exhibited  December  3d  to  I2th,  1903.    [New  York.    1903.]    **Q. 16.33 

H.,  W.     Guide  to  selecting  plays;  or  managers'  companion.     Giving  a 

complete  description  of  1500  pieces.     London.     1881.  *2i75.36 

H.'iLLIWell-Phillipps,    J.    O.      A    dictionary    of    old    English    plays, 

existing  either  in  print  or  in  manuscript,  from  the  earliest  times  to 

the  close  of  the  seventeenth  century.    Also  notices  of  Latin  plays 

written   by    English   authors   during  the   same   period.      London. 

i860.  **T.66.7;etc. 

A  list  of  works  illustrative  of  the  life  and  writings  of  Shake- 
speare, the  history  of  Stratford-on-Avon,  and  the  rise  and  prog- 
ress of  the  early  English  drama,  printed  for  private  circulation. 
London.     1867.  2153.7;  etc. 

Hazlitt,  W.  C.  Handbook  to  the  popular  poetical  and  dramatic 
literature  of  Great  Britain,  from  the  invention  of  printing  to  the 
Restoration.     London.     1867.  *2i53.i7 

Herbert,  Sir  H.  The  dramatic  records  of  Sir  Henry  Herbert,  Master 
of  the  Revels,  1623-1673.  Edited  by  Joseph  Quincy  Adams.  New 
Haven.     1917.     Portrait.  *2552.2i5 

International  descriptive  catalogue  of  plays,  and  dramatic  works. 
Boston.     [1884.]  6189.37 

Jacob,  G.  Die  wichtigsten  alteren  Nachrichten  iiber  das  arabische 
Schattenspiel.  Schattcnspiel-Bibliographie.  {In  Littmann,  Enno. 
Arabische  Schattenspiele.     Pp.  69-83.     Berlin.     1901.)  4003.47 

Kirkman,  F.  a  true,  perfect,  and  exact  catalogue  of  all  the  comedies, 
tragedies,  tragi-comedics,  pastorals,  masques,  and  interludes,  that 
were  ever  yet  printed  and  published,  till  1661  which  you  may  either 
buy  or  sell  at  the  shops  of  Nath.  Brook,  Francis  Kirkman,  Tho. 
Johnson,  and  Henry  Marsh.     [London.]      1661.  **T.67.3;  etc. 

Klemming,  G.  E.  Sveriges  dramatiska  litteratur  till  och  med  1875. 
Bibliografi.     Stockholm.     1863,  1879.  *2i64.48 

[122] 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 

Bibliography.     (Continued.) 

Knight,  J.  Catalogue  of  a  portion  of  [his]  library,  comprising  a 
valuable  collection  of  books  on  the  drama,  private  issues  of  plays, 
&c.  Also  French  dramatic  literature  and  miscellaneous  books  of 
reference.  &c.  Offered  by  Francis  Edwards,  bookseller.  London. 
1907.  **T.66.24 

Lacy,  T.  H.  Bibliotheca  histrionica.  Part  3:  Catalogue  of  dramatic 
literature,  comprising  ancient  and  modern  plays,  Shakesperiana, 
theatrical  biography  and  criticism,  controversial  w^orks,  history 
of  theatres,  play  bills,  now  on  sale.     London.     [186-?]     **T.96.333 

Langbaine,  G.  The  lives  and  characters  of  the  English  dramatick 
poets.  Also  an  exact  account  of  all  the  plays  printed  in  English. 
First  begun  by  Mr.  Langbain,  improv'd  and  continued  down  to 
this  time,  by  a  careful  hand   [Charles  Gildon].     London.     1699. 

**T.57-39i 

Momus  triumphans:   or,   the  plagiaries   of  the   English  stage; 

expos'd  in  a  catalogue  of  all  the  comedies,  tragi-comedies,  masques, 
tragedies,  operas,  pastorals,  interludes,  &c.,  that  were  ever  yet 
printed  in  English.  With  an  account  of  the  various  originals. 
London.     1688.  **T.66.ii;  etc. 

Laporte,  J.  DE,  and  S.  R.  N.  Chamfort.  Dictionnaire  dramatique, 
contenant  I'histoire  des  theatres,  les  regies  du  genre  dramatique, 
les  notices  des  meilleures  pieces,  le  catalogue  de  tons  les  drames, 
&  celui  des  auteurs  dramatiques.     [Anon.]     A  Paris.     1776.     3  v. 

**T.47.88 

Leris,  a.  de.  Dictionnaire  portatif  historique  et  litteraire  des  theatres 
contenant  I'origine  des  differens  theatres  de  Paris.    A  Paris.     1763. 

**T.78.25;etc. 

Lodge,  T.  Defence  of  poetry.  1579.  [Accompanied  by  a  list  of 
pamphlets  for  and  against  the  stage.]  {In  Smith,  G.  G.  Eliza- 
bethan critical  essays.    Vol.  i,  pp.  61-86.    Oxford.    1904.)    2558.131. i 

Lowe.  R.  W.  A  bibliographical  account  of  English  theatrical  litera- 
ture.   From  the  earliest  times  to  the  present  day.    London.     1888. 

*2i74-55 

Lowndes,  W.  Theatrical  list.  Containing  anecdotes,  ballets,  burlettas, 
comedies.  Annexed,  a  catalogue  of  books  and  tracts  principally 
consisting  of  dramatic  authors  and  treatises  relative  to  the  stage 
sold  by  W.  Lowndes.     [London.     18 — ?]  **T.65.20 

McFadden,  E.  a.,  and  L.  E.  Davis.  A  selected  list  of  plays  for 
amateurs  and  students  of  dramatic  expression  in  schools  and 
colleges.     Cincinnati.     1908.  *2i75.6i 

Maglione,  B.  Catalogue  de  la  bibliotheque  de  feu  M.  Benedetto 
Maglione.     Partie  i.    Paris.     1894.  **T.65.2 

Malone,  E.  Catalogue  of  early  English  poetry  and  other  miscel- 
laneous works  illustrating  the  British  drama,  preserved  in  the 
Bodleian  Library.     Oxford.     1836.  **G.5o.24 

Maupoint,  .  Biblioteque  [sic]  des  theatres,  contenant  le  cata- 
logue alphabetique  des  pieces  dramatiques,  opera,  parodies,  & 
opera  comiques;  &  les  terns  de  leurs  representations.  A  Paris. 
1733.     Plate.  **T.67.i 

Medel  del  Castillo,  F.,  Heredores  de.  Indice  general  alfabetico  de 
todos  los  titulos  de  comedias,  que  se  han  escrito  por  varios  autores, 
antiguos  y  rnodernos.  y  de  los  autos  sacramentales  y  alegoricos, 
assi  de  Don  Pedro  Calderon  de  la  Barca,  como  de  otros  autores 
clasicos.     Madrid.     1735.  **G.335i.8 

[123] 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 


Bibliography.     (Continued.) 

Merbach,  p.  a.,  compiler.     Bibliographic  fiir  Theatergeschichte,  1905- 

1910.  Berlin.     1913.  6907.31 
MiNiER,  H.     Le  theatre  a  Bordeaux,     fitude  historique.     Suivie  de  la 

nomenclature  des  auteurs  dramatiques  bordelais  et  de  leurs 
ou\  rages,  etablie  en  collaboration  avec  Jules  Delpit.  Bordeaux. 
1883.  **T.95.i38 

Modern  drama  and  opera.  A  reading  list  compiled  by  Clara  M. 
Norton,   Frank  Walter,   Fannie    Elsie   Marquand    [etc.].      Boston. 

1911,  15.     2  V.  *2i75.37 
MoRATiN,  L.  F.  DE.    Catalogo  historico  y  critico  de  piezas  dramaticas 

anteriores  a  Lope  de  Vega.  {In  Ochoa,  Eugenio  de.  Tesoro  del 
teatro  espaiiol.    Tomo  i,  pp.  57-220.     Paris.     1838.)     *3096.i.i;  etc. 

Morel-Fatio,  a.  p.  V.  and  L.  Rouanet.  Le  theatre  espagnol.  Paris. 
[1900.]  *2i62.68 

Mottley,  J.,  alleged  author.  A  compleat  list  of  all  the  English 
dramatic  poets,  and  of  all  the  plays  printed  in  English  to  1747. 
Portraits.  {In  Whincop,  T.  Scanderbeg.  Pp.  87-320.  London. 
I747-)  **T.37.2o6;  etc. 

MouHY,  C.  DE  F.,  Chevalier  de.  Abrege  de  I'histoire  du  Theatre 
frangois,  depuis  son  origine.  Precede  du  dictionnaire  de  toutes 
les  pieces  de  theatre  jouees  &  imprimees;  du  dictionnaire  des 
auteurs  dramatiques,  &  du  dictionnaire  des  acteurs.  A  Paris.  1780. 
3  V.     Portrait.  **T.76.ii9 

Tablettes    dramatiques,    contenant    I'abrege    de    I'histoire    du 

Theatre  frangois,  I'etablissement  des  theatres  a  Paris,  un  diction- 
naire des  pieces  et  I'abrege  de  I'histoire  des  auteurs  &  des  acteurs. 
A  Paris.     1 751-1758.  **T.78.67;etc. 

Muses  frangois,  Les.  Premiere  partie,  contenant  un  tableau  universe! 
par  alphabet  &  numero  des  theatres  de  France,  avec  les  noms  de 
leurs  auteurs  &  de  toutes  les  pieces  anonimes  de  ces  theatres, 
depuis  les  misteres  jusqu'en   I'annee    1764.     A   Paris.     1764. 

No.  2  in  **G.3563.i8 

Neville  &  George,  London.  A  catalogue  of  books  relating  to  the 
drarna  and  the  stage,  including  purchases  from  the  libraries  of 
the  late  "Charlie"  Warner,  Charles  Hiatt,  E.  L.  Blanchard,  Esq., 
and  others.     London.     1909.  **T.67.5 

New  theatrical  dictionary,  A,  containing  an  account  of  all  the 
dramatic  pieces.  Added,  an  alphabetical  catalogue  of  dramatic 
writers,  with  the  pieces  they  have  written  and  a  short  sketch  of 
the  English  stage.     London.     1792.  **T.68.i 

Newberry  Library,  Chicago.  Materials  for  the  study  of  the  English 
drama  (excluding  Shakespeare).  A  selected  "list  of  books  in  the 
Newberry  Librar3\     Chicago,  111.     [1912.]  *2i44.i07.i 

OuLTON,  W.  C.  Barker's  Complete  list  of  plays,  exliil)iting  at  one 
view  the  title,  size,  date,  and  author,  from  the  commencement 
of  theatrical  performances,  to  1803.  Added,  a  continuation  to 
The  theatrical  remembrancer.     London.     [1804.]         **T.67.6;  etc. 

Parfaict,  F.,  and  others.  Dictionnaire  des  theatres  de  Paris.  Paris. 
1756.  **T.48.i3;etc. 

Pence,  J.  H.  The  magazine  and  the  drama.  An  index.  New-York. 
1896.  **T.95.i5 

Petit  de  Julleville,  L.  Histoire  du  theatre  en  France.  Repertoire 
du  theatre  comique  en  France  au  moyen-age.    Paris.     1886.    4670.5 

[124] 


BROWN   COLLECTION   OF  BOOKS   ON   THE  STAGE 

Bibliography.     (Continued.) 

Playhouse  pocket-companion,  The,  or  theatrical  vade-mecum:  con- 
taining I.  A  catalogue  of  all  the  dramatic  authors  who  have  written 
for  the  English  stage.  II.  A  catalogue  of  anonymous  pieces.  III. 
An  index  of  plays  and  authors.     London.     1779.       **T.47.ioi;  etc. 

Pont  de  Veyle,  A.  de  F..  Conitc  de.  Bibliotheque  dramatique  de  Pont 
de  Vesle  augmentee  et  completee  par  les  soins  du  Bibliophile 
Jacob  [pseud.].  Catalogue  redige  d'apres  le  plan  du  catalogue 
Soleinne,  et  destine  a  servir  de  complement  a  ce  catalogue.  Paris. 
1846.  **T.66.i ;  etc. 

Rees,  J.     The  dramatic  authors  of  America.     Philadelphia.     1845. 

**T.27.37;  etc. 

RiccARDi,  A.  R.  Proprieta  artistica.  Catalogo  generale  (drammatica, 
vaudevilles,  opere,  operette,  pantomime).     Roma.     1910.    **T.66.29 

RiccoBONi,  L.  Histoire  du  theatre  italien  depuis  la  decadence  de  la 
comedie  latine;  avec  un  catalogue  des  tragedies  et  comedies 
italiennes  imprimees  depuis  I'an  1500,  jusqu'a  I'an  1660.  Et  une 
dissertation  sur  la  tragedie  moderne.     [Paris.     1728.]     Plates. 

**T.46.32 

RoDEN,  R.  F.  Later  American  plays.  1831-1900:  being  a  compilation 
of  the  titles  of  plays  by  American  authors  published  and  performed 
in  America  since  183 1.     New  York.     1900.  **T.95.24 

Rub.  O.,  compiler.  Das  Burgtheater:  statistischer  Riickblick  auf  die 
Tatigkeit  und  die  Personaiverhaltnisse  wahrend  der  Zeit  vom  8r 
April  1776  bis  i.  Januar  1913.  Ein  theaterhistorisches  Nachschlage- 
buch.     Wien.     1913.  6252.117 

Schuyler,  M.  A  bibliography  of  the  Sanskrit  drama,  with  an 
introductory  sketch  of  the  dramatic  literature  of  India.  New 
York.     1906.  *2954.i07 

SociETE  des  auteurs  et  compositeurs  dramatiques.  Catalogue 
general  des  oeuvres  dramatiques  et  lyriques  faisant  partie  du 
repertoire  de  la  Societe.  Catalogue  recapitulatif  contenant  tous 
les  ouvrages  representes  du  i^r  janvier  1879  au  31  decembre  1888. 
[Paris.     1891.]  **T.65.i 

Soleinne, de.    Bibliotheque  dramatique  de  Monsieur  de  Soleinne. 

Catalogue   redige   par   P.    L.   Jacob,    bibliophile    [pseud.].      Paris. 
1843-45.     9  V.  in  3.  .     **T.66.i3;  etc. 

Sutton,  A.  Shakespeare  and  the  drama.  A  catalogue  of  Shake- 
spearean and  dramatic  literature  offered  for  sale  bj^  Albert 
Sutton.      Manchester.      [189-?]      Portraits.  **T.65.43;  etc. 

TooLE,  J.  L.  Catalogue  of  an  interesting  collection  of  books  and 
portraits  relating  to  the  drama  from  the  library  of  the  late  J.  L. 
Toole.     Offered  for  sale  by  Myers  &  Co.     London.     1906. 

**T.66.23 

Tudor  facsimile  texts.  The.  A  hand  list  to  the  Tudor  facsimile  texts. 
Old  English  plays,  printed  &  MS.  rarities.  Exact  collotype  repro- 
ductions in  folio  &  quarto.  Under  the  general  editorship  of  John 
S.  Farmer.     [London.     1914.]  *Q. 58.150 

Walter,  F.  K.,  compiler.  The  modern  drama;  its  traits,  tendencies 
and  technique.  [Bibliographies.]  (In  Modern  drama  and  opera. 
Vol.  2,  pp.  15-32.     Boston.     1915.)  *2i75,37.2 

Wegelin,  O.  Early  American  plays,  1714-1830:  being  a  compilation 
of  the  titles  of  plays  by  American  authors  published  and  performed 
in  America  previous  to  1830.  Edited  by  John  Malone.  New  York. 
1900.  *T.95.23;  etc. 

[125] 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 

Bibliography.     (Coiifinucd.) 

W'eisstein.  G.  Theater:  Biihnengescliichte,  Gesellschaften,  Ballet. 
(1)1  Bibliothek  Weisstein.     Vol.  2.  pp.   119-288.     Leipzig.     1913.) 

*2I72. 250.2 

West.  j.  &  Co.  Catalogue  of  plays,  for  sale.   Boston.    [i8io?|   *6i49a.64 

Bibliophile  Jacob,  Le,  fseud.     See  Lacroix,  Louis  Paul  Benoit  Philippe. 

Biblioteca  nacional,  Madrid. 

Catalogo  de  las  piezas  de  teatro  que  se  conservan  en  el  departamento 
de  manuscritos.  Madrid.  Imp.  del  Colegio  nacional  de  sordo- 
mudos  y  de  ciegos.     1899.     724  pp.  **D. 170.39 

Biblioteque   [sic]    des   theatres.     [Anon.]      See   Maupoint,  . 

Bibliotheque  du  Theatre  frangois.  depuis  son  originc;  contenant  un 
extrait  de  tons  les  ouvrages  composes  pour  ce  theatre,  depuis 
les  mj'steres  jusqu'aux  pieces  de  Pierre  Corneille;  une  liste  chrono- 
logique  de  celles  composees  depuis  cette  derniere  epoque  jusqu'a 
present;  avec  tables  alphabetiques  des  auteurs  &  des  pieces.  A 
Dresde,  chez  Michel  Groell.     1768.     3  v.     Plates.  **T.68.3 

Other  copies  are  on   shelf-numbers  **4697.4;   **G.3562. 14. 

Querard  attributes  this  to  La  Valliere,  but  quotes  a  manuscript  note  written 
by  I'Abbe  de  Saint-Leger  in  his  copy,  as  follows:  "Le  Due  de  la  Valliere,  qui 
sc  croyait  auteur  de  cette  Bibliotheque,  faite  par  Marin,  Capperonnier,  moi  et 
autres  gens  dc  lettres  (parmi  lesques  il  faut  mettre  I'abbe  Boudot,  qui  fut 
bibliothecaire  du  due)   vendit  le  manuscrit  .  .  ." 

Bibliotheque  nationale,  Paris. 

■  Catalogue  de  dessins  relatifs  a  I'histoire  du  theatre  conserves  au 
Departement  des  estampes  de  la  Bibliotheque  nationale.  Avec 
la  description  d'estampes  rares  sur  le  meme  sujet,  recemment 
acquises  de  M.  Destailleur.     [Paris.     1895.]     82,  (i)  pp.    *8o64.2io 

Edited  by  Henri   Bouchot. 

Bickerdyke,  John,  pseud.    See  Cook,  Charles  Henry. 
Bickerstaffe,  Isaac. 

Kenrick,  W.  Love  in  the  suds;  a  town  eclogue.  Being  the  lamenta- 
tion of  Roscius  for  the  loss  of  his  Nyky.  [An  attack  on  Garrick 
and  Bickerstaffe,  published  anonymously  by  Kenrick  who  pre- 
tended merely  to  edit  it.]  With  annotations  and  an  appendix. 
London.     1772.  **T.55.i7 

Bidel,  Jean  Baptiste  Frangois. 

Les    memoires    d'un    dompteur.      Illustrations    par    Paul    Cousturier. 
Paris.  Librairie  del'Art.   1888.  (3),  228  pp.  Illus.   Plates.  '^=*T.97.i67 
Bidou,  Henry  Louis  Auguste. 

L'annee  dramatique.  1911-1912.  Preface  de  fimile  Faguet.  Paris. 
Hachette  &  cie.     1912.     xiii,   (3),  321,   (i)   pp.  4677.95 

Bie,  Oskar. 

Das  Theater.  Biihnenbilder  und  Kostiime  von  Karl  Walser.  Mit 
Text  von  Oskar  Bie.  Berlin.  Cassirer.  [1912.]  (3),  35,  (i)  pp. 
Colored  illus.     34  colored  plates.  **T.72.i 

Relates  to  various  operas. 

Bierbaum,  Otto  Julius. 

Fiinfundzwanzig  Jahre  Miinchner  Hoftheater-Geschichte.     Ein  Riick- 

blick  auf  die  fiinfundzwanzigjahrige   Amtsfiihrung  des   Freiherrn 

Karl  von  Perfall  als  Leiter  der  Miinchner  Hofbuhnen.     Miinchen. 

Albert  &  Co.     1892.     v,  90  pp.     Portraits.  **T.76.25 

Biez,  Jacques  de. 

Tamburini  et  la  musique  italiennc.     Paris.     Tresse.      1877.      (3),   iii, 

T28  pp.     Portrait.  27493.51;  No.  4  n  **M. 128.31 

Bill,  The,  of  the  play.     Tiiokkell,  J.  H.  **T.46.54;  etc 

[126] 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 


Billington,  Elizabeth. 

Answer,  An,  to  the  Memoirs  of  Mrs.  Billington.  With  the  life  and 
adventures  of  Richard  Daly,  Esq.,  and  an  account  of  the  present 
state  of  the   Irish  theatre.     London.     1792.  **T.56.338;  etc. 

[Biographical  notices,  portraits,  programmes,  etc.,  relating  to  Eliza- 
beth Billington.     London.     185-?]     47  ff.     Portraits.     **M.Cab.2.i 

Memoirs  of  Mrs.  Billington,  from  her  birth:  containing\a  variety  of 
matter,  ludicrous,  theatrical,  musical  and  —  with  copies  of  several 
original  letters,  written  by  Mrs.  Billington,  to  her  mother.  London: 
Printed  for  James  Ridgway.    1792.    (8),  78  pp.    Portrait.   **T. 56.332 

The  genuineness  of  the  letters  does  not  appear  to  he  established  beyond  question. 

Other  copies   are  on   shelf-numbers    No.  15  in  **G.3823.i2 ;    **M.Cab.2.2. 
Binettes,  Les,  du  cafe-concert.     Menetiere,  A.  **T.g9.22 

Bingham,  Frederick. 

A  celebrated  old  playhouse.     The  history  of  the  Richmond  Theatre 

(in  Surrey),  from  1765  to  1884.     London.     Vickers.     1886.     42  pp. 

Plates.  **T.96.236 

Binney,  Thomas. 

WiLKs,  T.  E.     Letter  to  the  Rev.  T.  Binney,  in  defence  of  the  drama. 

London.     1838.  **T,97.203 

Biographia  dramatica.     Baker,  D.  E.  *2I75.i5;  etc. 

Biographical  sketch,  words  of  the  songs,  ballads,  &c.,  of  the  composer 

and  vocalist,  Stephen  Massett,  "Jeems  Pipes,  of  Pipesville."    With 

opinions  of  the  press  on  his  entertainments.     New- York.     1858. 

52  pp.     Portrait.  **T,97.290 

Biographia  anecdotique  de  M^'e  Rachel.     Edition  augmentee  de  I'article 

de  M.  Alfred  de  Musset,  sur  les  debuts  de  la  celebre  tragedienne. 

Bruxelles.    Meline,  Cans  &  c'e.    1858.    70,  (i)  pp.    Portrait.    Manu- 
script facsimile.  **T.g8.i6 
Biographie  des  acteurs  de  Paris.    [Anon.]    See  Burat  de  Gurgy,  Edmond. 
Biography.     See  Actors.  Biography:  Anecdotes;  Ballet;  Circus;  Clowns 

and  fools;  Dramatists;  Singers;  Vaudeville. 
Biography,  The,  of  the   British   stage,   being  correct  narratives  of  the 

lives   of   all   the   principal   actors.     Added,    a   comic   poem,    "The 

actress."     London.     Sherwood,  Jones,  &  Co.     1824.     xii,  295  pp. 

Illus.     Plate.  **K.35.i4 

Relates  to  London  theatres. 

Same.     New-York.     Collins  &  Hannay.    viii,  267  pp.  **T.57.352 

This  edition  lacks  the  illustrations  and  the  plate. 

Birch,  Christian. 

Dramatik  oder  Darstellung  der  Biihnenkunst,  historisch,  theoretisch- 
praktisch,  fiir  Kiinstler  und  Freunde  der  Aesthetik.  2.  Ausgabe. 
Stuttgart.     Hallberger.     1856.     viii,  344  pp.  **T.97.88 

Birch,  John  Francis. 

Stage  secrets  and  tricks  of  the  trade.  Being  the  confessions  of  an 
actor.  [Anon.  New  York.  Ogilvie  Publishing  Co.]  1913.  (2), 
119  pp.  **T.77.2i6 

Birch,  Rodney,  pseud,  editor. 

Arcadian,  The.     [Monthly.]     Vol.  i   (no.  i).     March  i,  1820.     [Lon- 
don.     182c.]      T08   pp.  **T.26.6i 
Birds  of  a  feather  flock  together.     De  Fontaine,  F.  G.,  editor. 

45493.192;  **T.S7.428 
Birkmire,  William  Harvey. 

The  planning  and  construction  of  American  theatres,  ist  edition. 
New  York.     Wiley.     1896.     x,   117  pp.     Illus.     Plates.     Plans. 

8093.31 
[127] 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 


Birmingham,  England.     Theatres. 

Dissection,  The,  of  a  Bir — g — m  manager.     By  the  author  of  The 

summers  day,  a  poem.     London.     1796.  No.  9  in  **G.3823.4.a 

Pemberton,   T.    E.      The    Birmingham    theatres:    a    local    retrospect. 

Birmingham.     [1889.]  **T.78.9 

The.\trical  Tattler,  The.     Vol.   i,  no.  3.   .  Birmingham.     1830. 

No.  4  in  **G.3942.i5 ;  etc. 
Birmingham,  England.     Theatres.     Theatre  Royal. 

Birmingham  Reporter,  The;  and  Theatrical  Review.  [Weekly.] 
Vol.   I    (no.   1-12).     [Birmingham.     1823.]  **T. 28.11 

Birmingham  Spectator,  The:  a  miscellany  of  literature,  and  of 
dramatic  criticism.  [Weekly.  No.  1-24.  May  29  -  Nov.  6,  1824.] 
Birmingham.     1824.  **T.27.23 

Eloston,  R.  W.  Receipts  &  disbursements.  Birmingham  seasons. 
1815  &  1817.     [Birmingham.     1815-17.]  **T.77.i3 

Theatrical  John  Bull  The.  [Weekly.  Vol.  i.  May  29 -Oct.  16, 
1824.     Birmingham.]      1825.  **T.28.4 

Theatrical  Looker-On.  The.  [Weekly.]  Vol.  i  (no.  2-25);  2. 
Birmingham.     1822,  23.     2  v.     Plate.  **T. 28.13;  etc. 

Birmingham  Reporter,  The;  and  Theatrical  Review:  or  the  opinions, 
doubts,  &  perplexities  of  Humphrey  Digbeth,  manufacturer 
[pseud.],  and  others.  [Weekly.]  Vol.  i  (no.  1-12).  [Birming- 
ham. 1823.]  104  pp.  **T.28.ii 
Criticisms  of  performances  at  the  Theatre  Royal,  Birmingham. 
Birmingham  Spectator,  The;  a  miscellany  of  literature,  and  of  dramatic 
criticism.  [Weekly.  No.  1-24.  May  29- Nov.  6,  1824.]  Birming- 
ham. Drake.  1824.  (i),  382  pp.  **T.27.23 
Bishop,  Anna. 

Tour  in  the  U.  S.  &  Canadas,  from  Aug.  1847  to  Sept.  1848.  [Pro- 
grammes.]     New  York   [etc.].     Bell    [etc.].      1847-48.     56  sheets. 

**M.446.87 
Travels    of    Anna    Bishop    in    Mexico.      1849.      Philadelphia.      Deal. 
[1852.]     317  pp.     Portrait.     Plates.  **M. 103.25 

Bishop,  Anna.     Works  about. 

Foster,  G.  G.     Biography  of  Anna  Bishop,  the  celebrated  cantatrice, 
giving  accounts  of  her  professional  tour  in   England.  Denmark, 
Sweden  and  California.     [New  York.     1853.]     No.  2  in  **M. 373. 63 
Bishop,  Washington  Irving. 

The  enigma  of  the  19th  century.  Music  Hall,  November  30th,  1886. 
Farewell  reception  extraordinaire.  [Boston.  1886.]  8  pp.  Por- 
traits. 7600.27 
The  following  is  a  copy  of  a  letter  which  appeared  in  the  Boston 
daily  papers,  November  17,  1886.  Boston.  1886.  (3)  pp.  3607.143 
These  two  works  are  on  mind-reading. 

Bisset,  James,  compiler. 

Critical  essays  on  the  dramatic  excellencies  of  the  Young  Roscius, 
opposed  to  the  hypercriticisms  of  anonymous  writers,  who  assume 
the  signatures  of  Justus,  Ennius.  &  Crito.  Containing  also  an 
account  of  his  Irish,  Scotch,  and  English  provincial  and  metro- 
politan engagements,  &c.,  &c.  Birmingham.  The  Author.  [1804.] 
xii,  87  pp.     Portrait.  No.  5  in  **G.3824.8 

Relates  to  William  Henry  West  Betty. 

Black,  Helen  C. 

Pen,  pencil,  baton  and  mask.  Biographical  sketches.  London. 
Spottiswoode  &  Co.     1896.     x,   (i),  370  pp.     Portraits. 

2543-153;  **T.56.29 
[128] 


BROWN   COLLECTION    OF   BOOKS    ON    THE   STAGE 


Black,  John,  translator. 

GoLDONi,  C.  Memoirs  of  Goldoni  written  by  himself.  London. 
1829.     2  V.     Portrait.  62493.2.23,24:610. 

Black,  William. 

Letteis,  &c.,  anent  the  Adclphi  Theatre,  Edinburgh,  to  James  Maid- 
ment,  John, Reid,  and  James  Spence.  Edinburgh.  Brydone.  1851. 
7  PP-  **T.95.32 

Blackburn,  Henry. 

Art  in  the  mountains:  the  story  of  the  Passion  Play.  London. 
Sampson  Low  &  Marston.  1870.  (i).  167,  (i)  pp.  Illus.  Por- 
traits.    Plates.  2866.1  ;**T.46.i5 

The  Appendix  contains  a  programme  of  the  scenes  and   tableaux  in   the   Passion 
Play  and  a  list  of  the  performers  in  1S70. 

Blackfriars   records.     Feuillerat,   A.,   compiler  and  editor. 

**G.4077.i5.2.Part  i 
Blackton,  J.  Stuart,  prefacer. 

Phillips,  H.  A.    The  photodrama.     The  philosophy  of  its  principles, 

the  nature  of  its  plot,  its  dramatic  construction   and  technique, 

together  with  a  complete  photoplay  and  a  glossary.     Larchmont. 

N.  Y.     [1914]  80393.91 

Blackwood,  Frederick  Temple  Hamilton  Temple,  ist  Marquis  of  Dufferin 

and  Ava,  prefacer. 

Rae,    W.    F.      Sheridan.      A    biography.      With    an    introduction    by 

Sheridan's  great-grandson,   the   Marquess   of   Dufferin  and   Ava. 

London.     i8g6.     2  v.     Portraits.     Plates.  **T.56.53;  etc. 

Blsdes,  William. 

An  account  of  the  German  morality-play,  entitled  Depositio  Cornuti 
Typographici,  as  performed  in  the  17th  &  i8th  centuries.  With 
a  rhythmical  translation  of  the  German  version  of  1648.  Added, 
a  literal  reprint  of  the  unique  original  version,  written  partly  in 
Plaat-Deutsch  by  Paul  de  Vise,  and  printed  in  1621.  London. 
Triibner  &  Co.     1885.    xii,  113,  (2)  pp.    Illus.     Plates.     Facsimiles. 

P.ibliography,  pp.  75-90.     Another  copy  is  on  shelf-number  *6!i3.,).;.     **T.46.IO 

Blake,  Charles. 

An  historical  account  of  the   Providence  stage;  being  a  paper  read 
before  the   Rhode   Island   Historical  Society,   October  25th,    i860. 
(With  additions.^     Providence.     Whitney.     1868.     297  pp.     4487.15 
Blanc,  Marguerite,  pseud.     See  Curtis,  Elnora  Whitman. 
Blanch3rd,  Edward  Litt  Laman. 

The  life  and  reminiscences  of  E.  L.  Blanchard,  with  notes  from  the 

diary  of  Wm.  Blanchard.     By  Cleinent  Scott  and  Cecil  Howard. 

London.     Hutchinson  &  Co.     1891.     2  v.     Portraits.     Autograph 

facsimile.  **T.56.2i8 

Bl3sis,  Carlo. 

Theart  of  dancing.  Comprising  its  theory  and  practice  and  a  history 
of  its  rise  and  progress.  Translated  under  the  author's  immediate 
inspection  by  R.  Barton.  2d  edition.  London.  Bull.  1831.  vii, 
7-548,  22  pp.     Plates.     Music.  **T.96.i95 

Same.  Manuel  complet  de  la  danse,  comprenant  la  theorie,  la  pratique 
et  I'histoire  de  cet  art.  Trad,  de  I'anglais  de  M.  Barton,  sur  I'edition 
de  1830.  par  Paul  Vergnaud.  Paris.  Roret.  1830.  vi,  412,  24  pp. 
Plates.  4001.25 

The  last  24  pp.  contain  music  for  various  dances. 
Studi  sulle  arti  imitatrici.     Milano.     Chiusi.      1844.      (4),  93.    (i)   pp. 
Portrait.  **T.56.3i9 

On  expression  and  gesture. 

[129] 


THE  PUBLIC  LIBRARY   OF   THE    CITY   OF  BOSTON 

Blasis,  Carlo.     (Continued.) 

Same.    The  theory  of  theatrical  dancing.     With  a  chapter  on  panto- 
mime.     Edited   from    [parts    2   and  3   of]    Carlo    Blasis'   Code   of 
Terpsichore,'  with   the   original   plates,   by    Stewart    D.    Headlam. 
London.     Verinder.     t8(S8.     xvi,  92,   (3)    pp.     Plates.         **T.95.49 
Blasis,  Carlo,  compiler. 

Biografia  di  Virginia  Blasis  e  onori  poetici.  Milano.  Centenari  & 
comp.     1853.     T03  pp.     Portrait.     Plate.  **T.56.3i8 

.\  collection  of  eulogies  in  prose  and  verse. 

Blasis,  Virginia. 

Blasts,  C,  comfiler.  Biografia  di  \"irginia  Blasis  e  onori  poetici. 
Milano.     1853.     Portrait.      Plate.  **T.56.3i8 

Blast,  A,  upon  bays;  or,  a  new  lick  at  the  laureat.  Containing  remarks 
upon  a  late  tatling  performance,  entitled,  A  letter  from  Mr.  Cibber 
to  Mr.  Pope,  &c.  London:  Printed  for  T.  Robbins.  1742.  (i).  26 
pp.  No.  7  in  **G.3824.I4 

Blau,  Henry. 

Some  more  notes  on  the  stage,  and  its  influence  on  the  education  of 

the  masses,   players,  and   playgoers.     Read   at  a   meeting  of  the 

members  of  the   Society  of  Science.   Letters,  and  Art.     London. 

Triibner  &  Co.     [1885.]     32  pp.  **T.48.ii 

Blaze,  Frangois  Henri  Joseph.     (Castil-Blaze.) 

L'Academie  imperiale  de  musique:  histoire  litteraire,  musicale  .  .  . 
de  1645  a  1855.  Paris.  Castel-Blaze.  1855.  2  v.  [Theatres 
lyriques  de  Paris.]  4045.12;  **M,i  15.8 

La  danse  et  les  ballets  depuis  Bacchus  jusq'a  Mademoiselle  Taglioni. 
Paris.     Paulin.     1832.     (3),  37^  pp.  **M. 129.26 

De  I'opera  en  France.  Paris.  Janet  &  Cotelle.  1820.  2  v.  Table. 
Music.  8045.15 

Same.     2e  edition.     L'auteur.     1826.  **M.i45.i7 

Memorial  du  grand-opera.  fipilogue  de  I'Academie  royale  de 
musique.     Paris.     Castil-Blaze.     1847.     64  pp.     No.  2  in  **M. 115. 10 

L'opera-italien  de  1548  a  1856.  Paris.  Castil-Blaze.  1856.  543  pp. 
[Theatres   lyriques   de    Paris.]  8045.13;  **M. 115. 9 

Bleeker,  Sylvester. 

Gen.  Tom  Thumb's  three  years'  tour  around  the  world,  accompanied 

by  his  wife  —  Lavinia  Warren   Stratton,  Commodore   Nutt,   Miss 

Minnie   Warren,   and  party.      New  York.     Booth.      1872.      144  pj). 

lllus.     Plates.  6269.62;  **T.97.295 

Blitz,  Antonio. 

Fifty  years  in  the  magic  circle:  being  an  account  of  the  author's  pro- 
fessional life  [etc.].  Hartford,  Conn.  Belknap  &  Bliss.  1871. 
432  pp.     Illus.     Portrait.     Plates.  7600.40 

Bloch,  Eduard. 

Eduard  Bloch's  .-Xlbum  dcr  Biihnen-Costume.  Mit  erlauterndem 
Texte  von  F.  Tietr-:.  Firma.  Lassar.  [1859.]  2  v.  48  colored 
plates.  *6252.9 

Blondel,  Georges. 

Le  drame  de  la  Passion  a  Oberammergau.  fitude  historiquc  ct 
critique,  avec  des  renseignements  pratiques.  Paris.  Lecoffre. 
1900.     (3);  vi,  69,   Ci)   pp.     Maps.     Plan.  6868.5 

Blondin,  Jean  Francois  Gravelet. 

Banks,  G.  L.  Blondin:  his  life  and  performances.  London.  1862. 
Portraits.  **T.57.393 

[1.30] 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 

Bluemner,  Heinrich. 

Geschichte  des  Theaters  in  Leipzig.  [Anon.]  Leipzig.  Brockhaus. 
1818.     ix,   364,    (4)    pp.  **T.78.8 

Blum,  Ernest,  and  Louis  Huart. 

Memoires  de  Rigolboche.  [Anon.]  5?  edition.  Paris,  i860.  (3), 
188  pp.     Portraits.  **T.99!25 

Blum,  Robert,  and  others,  editors. 

Allgemeines  Theater-Lexikon  oder  Encyklopadie  alles  wissens- 
werthen  fiir  Biihnenkiinstler,  Dilettanten  und  Theaterfreunde, 
unter  Mitwirkung  der  fachkundigsten  Schriftsteller  Deutschlands 
herausgegeben  von  R.  Blum,  K.  Herlosssohn,  H.  Marggraff.  Neue 
Ausgabe.    Altenburg.     1846.    7  v.  in  3.     Plates.     Plan.        **T.78.6g 

Contents.  —  i.  A-Bouilly.  2.  Boulanger-Devise.  3.  Devrient-Garnitur.  '  4. 
Garrick-Ker.  5.  Kette-Niais.  6.  Niccolini-Sisyphus.  7.  Situation-Zwischenspiel. 
—  Nachtrage,  Zusatze  und  Berichtigungen. 

Blyth,  Harry. 

My  sweetheart!  The  life  and  adventures  of  Minnie  Palmer.  A 
tribute  to  grace  and  genius.  London.  The  Hansard  Publishing 
Union,  Ltd.     [189-?]     88,  (5)  pp.     Portraits.  **T,95.78 

Boaden,  James. 

The  life  of  Mrs.  Jordan;  including  original  private  correspondence, 
and  numerous  anecdotes  of  her  contemporaries.    2d  edition.    Lon- 
don.   Bull.    1831.    2  V.    Portrait.    Manuscript  facsimile.    **T. 56.210 
Same.    3d  edition.    2  v.  in  r.  4548.133 

The  portrait  is  lacking. 

Memoirs  of  Mrs.  Siddons.     Interspersed  with  anecdotes  of  authors 

and  actors.     London.     Colburn.     1827.     2  v.     Portrait.     **T.56.2ii 

Same.   Gibbings  &  Co.,  Ltd.    1893.   xv,  471,  (i)  pp.    Portraits.   *2547.i35 

Same.  1896.  *P.ii.82i7 

Same.     Mrs.  Sarah  Siddons.     London.    The  Grolier  Society,     figo-?) 

2  v.    Portraits.    Plates.     [Beaux  &  belles  of  England.]        *2545.252 

Memoirs  of  the  life  of  John  Philip  Kemble.     Including  a  history  of 

the  stage  from  the  time  of  Garrick.     London.     Longman,  Hurst, 

Rees,  Orme,   Brown,   &  Green.      1825.     2  v.     Portrait. 

Another  copy  is  on  shelf-number  **G.376s.9-  65403.62;  **T.56.242 

Same.     Philadelphia.     Small,     xxvii,  607  pp.  **K.33.i3 

Boaden,  James,  editor. 

Inchbald.  E.  Memoirs  of  Mrs.  Inchbald.  London.  1833.  2  v. 
Portrait.  4546.2;  **T.56.209;  etc. 

Boas,  Frederick  Samuel. 

University  drama  in  the  Tudor  age.  Oxford.  The  Clarendon  Press. 
1914.     X,   (i),  414  pp.     Facsimiles.  4574.196 

The  appendices  contain,  with  other  matter,  lists  of  university  plays  at  Oxford 
and  at  Cambridge,  and  the  names  of  actors  in  the  plays  performed  there  before 
Queen   Elizabeth. 

Boas,  Frederick  Samuel,  editor. 

University  of  Oxford.  Archives.  James  I.  at  Oxford  in  1605  [and  the 
plays  performed  before  him.  Edited  by  F.  S.  Boas  and  W.  \\'. 
Greg].  {In  Malone  Society.  Collections.  Vol.  i,  part  3,  pp.  247- 
259.     [Oxford.]     1909.)  **G.4077.i5.i.Part  3 

Bodensteiner,  Ernst. 

Das  antike  Theater.  Leipzig.  Koehler.  1902.  i  v.  and  2  colored 
plates.  Text:  39,  (i)  pp.  Illus.  Plates.  Plans;  Colored  plates: 
size  each,  30  X  2;^  inches.  Illus.  Plans.  [Tabulae  quibus  an- 
tiquitates  Graecae  et  Romanae  illustrantur.     Tafel  12,  13.] 

The  plates  are  of  the  2d  edition.  No.  12,  I3  in  *Cab.29.32.I 

[131] 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 


Boettiger,  Carl  August. 

Die  Furienmaske,  ini  Trauerspiele  und  auf  den  Bildwerken  der  alten 
Griechen.  Eine  archaologische  Untersuchung.  Weimar.  Hoff- 
mann. 1801.  (3),  145,  (i)  pp.  lUus.  3  plates,  2  colored.  8076.251 
Same.  Les  Furies,  d'apres  les  poetes  et  les  artistes  anciens.  Traduc- 
tion par  T.  F.  Winckler.  Paris.  Delalain.  An  x  (1802).  (3).  viii, 
126  pp.     Plates,  some  colored.  8076.252 

Boieldieu,  Marie  Jacques  Amand. 

De  I'influence  de  la  chaire,  du  theatre  et  du  barreau,  dans  la  societe 
civile,  et  de  I'importance  de  leur  retablissement  sur  des  bases  qui 
puissent  relever  en  France  leur  ancienne  et  veritable  splendeur. 
Ouvrage  politique  et  moral.  Paris.  Demonville.  An  XII.-1804. 
(3).  viii,    (3),   167  pp.  **T.46.34 

Boigne,  Charles  de. 

Petits  memoires  de  I'Opera.  Paris.  Librairie  nouvelle.  1857.  (3), 
iii,  368  pp.  **M.i39.i 

Boissy,  Charles  Desprez  de.     See  Desprez  de  Boissy,  Charles. 
Boissy,  G.,  editor. 

CoLLE,  C.  Journal  historique  inedit  pour  les  annees  1761  et  1762. 
Paris.      191 1.     Portraits.     Plates.  **T.55.i37 

Boiteau,  Dieudonne  Alexandre  Paul. 

Les  cartes  a  jouer  et  la  cartomancie.  Paris.  Hachette  &  cie.  1854. 
(3)-  ii.  390,  (i)  pp.     lllus.     Plates.  *4009a.266 

Boiteau,  Paul.     See  Boiteau,   Dieudonne  Alexandre   Paul. 
Bologna,  Italy.     Theatres. 

Ricci,  C.  I  teatri  di  Bologna  nei  secoli  xvii  e  xviii.  Storia  aned- 
dotica.  Bologna.  Successor!  Monti.  1888.  xxi,  736.  (i)  pp. 
Plates.     Tables.  2762.73 

Bolot,  Auguste. 

Mademoiselle  Rachel  et  I'avenir  du  Theatre  frangais,  par  A.  B.  Paris. 
Rousseau.     1839.     134,  (i)  pp.  **T.46.5 

Refers  particularly  to  the  Comedie  fran?aise. 

Bolte,  Johannes. 

Die  lateinischen  Dramcn  Frankreichs  aus  dem  16.  Jahrhundert.  (In 
Festschrift  Johannes  X'ahlen  .  .  .  gewidmet.  Pp.  589-613.  Berlin. 
1900.)  2956.48 

Bonhomme,  Honore.     See  Bonhomme,  Jean  Francois  Honore. 
Bonhomme,  Jean  Francois  Honore,  editor. 

CoLLE,  C.  Correspondance  inedite  faisant  suite  a  son  journal. 
Publiee  sur  les  manuscrits  autographes  originaux  avec  une  intro- 
duction et  des  notes.     Paris.     1864.     Portrait.  **T.55.53 

Journal  et  memoires  sur  les  hommes  de  lettres.  les  ouvrages 

dramatiques  et  les  evenements  les  plus  memorables  du  regne  de 
Louis  XV.  (1748-1772.)  Avec  une  introduction  et  des  notes.  Paris. 
1868.    3v.  **T.55.54 

Bonnassies,  Jules. 

Les  auteurs  dramatiques  et  la  Comedie-frangaise  a  Paris  aux  xvii^  et 
xvaiie  siecles.  D'apres  des  documents  inedits  extraits  des  archives 
du  Theatre-frangais.  Paris.  Willem.  1874.  (8),  137,  (2)  pp. 
[Collection  de  documents  rares  ou  inedits  relatifs  a  I'histoire  de 
Paris.  1  26693.75 ;  **T.78.48 

Les  auteurs  dramatiques  et  les  theatres  de  province  aux  xviie  et 
xvinc  siecles.     Paris.     Willem.     1875.     54,   (i)  pp.  **T.78.49 

La  Comedie-frangaise.  Histoire  administrative.  (1658-1 757.)  Paris. 
Didicr  &  cio.     1874.    xiv,  (i),  380  pp.    Table.  **T.77.i42 

[1321 


BROWN   COLLECTION    OF   BOOKS    ON    THE   STAGE 

Bonnassies,  Jules.     (Continued.) 

Comedie  frangaise.  Notice  historique  sur  les  anciens  batiments. 
Paris.    Aubry.     1868.    ^2  pp.  **T.96.i48 

Another  copy  is  on  shelf-number  **T.96.3ii. 

La    Comedie-fraiiQaise    et   les    comedians    de    province    aux    xviu'    ct 

xvaiie    siecles.      Contestations.      Debuts.      Paris.      Willem.      1875. 

60,    (i)   pp.  *4676.g6 

La  musique  a  la  Comedie-frangaise.     Paris.     Baur.     1874.     (4),  43  pp. 

No.  5  in  **M.i22.i 

Les  spectacles  forains  et  la  Comedie  frangaise.     Le  droit  des  pauvres 

avant  et  apres  1789.     Les  auteurs  dramatiques  et  la  Comedie  fran- 

gaise  au  dix-neuvieme  siecle  d'apres  des  documents  inedits.     Paris. 

Dentu.     1875.     (5),  298,   (i)   pp.     Plate.  2677.76;  **T.77. 113 

Le    theatre    et    le    peuple.      Esquisse    d'une    organisation    theatrale. 

Paris.     Le  Chevalier.     1872.     195  pp.  4679.50;  **T.77. 105 

Bonnassies,  Jules,  editor. 

Theatre,  Le.  Revue  bi-mensuelle.  No.  1-4.  Decembre  i,  1874- 
janvier  15.  1875.  Paris.  1874,  75.  4  nos.  in  i  v.  Illus.  Portrait. 
Plates.  **T.23.8 

Bonnefont,  Gaston. 

La  Comedie-frangaise.     Historique  —  statuts  —  biographies — notes  et 
renseignements.     Paris.     Monnier.     1884.     (3),  179  pp.       **T.78.4 
Bonnet,  Jacques. 

Histoire  generale  de  la  danse,  sacree  et  prophane;  ses  progres  8c 
ses  revolutions.  Avec  un  supplement.  A  Paris,  chez  d'Houry  fils. 
1724.     xl,  269  pp.  **T.98.i22 

Book,  A,  about  the  theater.     Matthews,  J.  B.  6257.92 

Book,  A,  of  the  play.     Cook,  E.  D.  2476.56;  **T.77.8i 

Book,  The,  of  variety.     Beverley,  E.  **T.97.i78 

Book-plates. 

Pope,  A.  W.  Theatrical  bookplates.  Kansas  City.  1914.  Plates.  *8o75.26o 
Boosey's  Musical  &  Dramatic  Review.    See  Musical  &  Dramatic  Review, 

The. 
Booth,  Barton. 

CiBBER,  T.     The  lives  and  characters  of  the  most  eminent  actors  of 

Great  Britain  and  Ireland,  from  Shakespear  to  the  present  time. 

Part  i:  Barton  Booth.     London.     1753.     Portrait.  **T,57.i63 

Victor,   B.     Memoirs  of  the  life  of   Barton   Booth,   Esq. ;   with  his 

character.     London.     1733.     Portrait.  **T.97.345;  etc. 

Booth,  Edwin  Thomas. 

Catalogue  of  Mr.  Edwin  Booth's  valuable  collection.  Containing  the 
theatrical  wardrobe,  also  his  former  household  effects.  Sold  De- 
cember 4th,  1908.  Henry  A.  Hartman,  auctioneer.  New  York. 
Fifth  Avenue  Auction  Rooms,  Inc.     1908.     (32)  pp.     Portrait. 

**T.57.455 
Edwin  Booth.     Recollections  by  his  daughter,  Edwina  Booth  Gross- 
mann,  and  letters  to  her  and  to   his   friends.     New   York.     The 
Century  Co.     1894.     vi,  (2),  292  pp.     Portraits.     Plates. 

4343.164;  **T.55.84 
Booth,  Edwin  Thomas.     Works  about. 

Clarke,  A.   B.     The  elder  and   the  younger  Booth.     Boston.     1882. 

Portrait.  4348.131 ;  **T.57.iii 

Excerpts  from  the  many  good   words   uttered  in  honor  of   Edwin 

Booth  at  a  supper  given  by  Augustin  Daly  and  A.   M.   Palmer. 

New  York.     1889.  **T.56.97;  etc. 

[133] 


THE  PUBLIC  LIBRARY  OF  THE   CITY   OF  BOSTON 

Booth,  Edwin  Thomas,     ll'orks  about.     (Continued. 

HuTTON,   L.     Edwin   Booth.     New    York.     1893.     Portraits. 

23493.102;  **T.59.4i 

Moray,  J.  S.    Booth's  Richelieu  reviewed.    New  York.     1871.    **T.96.7 

Parsons,   T.    W.     Address   to   the   assembly   at   the    opening   of   the 

Player's    Club    in    New    York.       [Verse.      Accompanied    by    the 

presentation  of  a  wreath  to  Edwin  Booth.     New  York.     1888.] 

*A.6728.4 
Players,  Tl>e,  New  York  City.     Memorial  celebration  of  the  sixtieth 
anniversary  of  the  birth   of   Edwin    Booth.      [New    York.]      1893. 
Portrait.     Plate.  **T.55.i34;  etc. 

Winter,  W.  Edwin  Booth  in  twelve  dramatic  characters.  The 
biographical  sketch  by  William  Winter.  [Illustrations]  by  W.  J. 
Hennessy  and  W.  J.  Linton.     Boston.     1872.  *2490.5i 

Life  and  art  of  Edwin   Booth.     New  York.     1893.     Portraits. 

Plates.  4347.220;  **T.57.i28;  etc. 

Booth,  Junius  Brutus. 

Actor,  The;  or,  a  peep  behind  the  curtain.     Passages  in  the  lives  of 
Booth  and  some  of  his  contemporaries.    New  York.    1846.   **T.58.4i 
Clarke,  A.  B.     Booth  memorials.     Passages,  incidents,  and  anecdotes 
in  the  life  of  Junius  Brutus  Booth.     New  York.     1866. 

4349.195;  **T.57.276;  etc. 

The  elder  and  the  younger  Booth.     Boston.     1882.     Portrait. 

Facsimile.  4348.131;  **T.57.i  11 

Gould,  T  R.  The.  tragedian ;  an  essay  on  the  histrionic  genius  of 
Junius    Brutus    Booth.      New    York.      1868.      Portrait. 

4509.11;  **T.57.3i2 
Junius  Brutus  Booth.     [Scrap-book  composed  principally  of  manu- 
script copies  of  programmes  with  a   few  letters,   etc.]      Portrait. 

**T.i3.6 
Old  actor,  An.    Memoirs  of  the  life  of  Mr.  Booth,  containing  a  true 
statement  of  all  the  circumstances  attending  his  engagements  at 
the  rival  theatres,  witth  a  few  remarks  upon  his  conduct.     Lon- 
don.    [1817.]  No.  6  in  **G.3824.i3 
Booth  family. 

The  Booths.     [A  collection  of  clippings.     Boston.     1873.]     ^7  ff. 

No.  7  in  **G.393o.i3.i 
Bordeaux,  Henry. 

La  vie  au  theatre.  [Serie  i-]3.  Paris.  Plon-Nourrit  &  cie.  1910-13. 
3  V.  4679-178 

Contents.  —  I.    1907-1909.      2.    1909-1911.     3. '  191 1-1913. 

Bordeaux,  France.     Theatres. 

Detcheverry,  a.  Histoire  des  theatres  de  Bordeaux  depuis  leur 
origine  dans  cette  ville  jusqu'a  nos  jours.     Bordeaux,     i860. 

**T.76.79 

Marionneau,  C.  C.     Victor  Louis,  architecte  du  theatre  de  Bordeaux. 

Sa  vie,  ses  travaux  et  sa  correspondance,    17JI-1800.     Bordeaux. 

1881.     Portrait.     Plate.     Plans.  4094.63 

MiNiER,  H.     Le  theatre  a  Bordeaux.     £tude  historique.     Suivie  de  la 

nomenclature    des    auteurs    dramatiques    bordelais    et    de    Icurs 

ouvrages.      Bordeaux.      1883.  **T.95.i38 

Boree,  Albert. 

litudes  physiognomiques.  Les  expressions  de  la  figure  humaine. 
119  fac-simile  d'apres  nature,  avec  texte  explicatif.  Paris. 
Laurens.      [1900.]      15   pp.  *76oo.48 

11341 


BROWN   COLLECTION    OF   BOOKS    ON    THE   STAGE 


Boree,  Albert.     (Continued.) 

Thalia  auf  der  Landstrasse.  Heiteres  und  Ernstes  aus  dem  Biihnen- 
leben.  2.  Auflage.  Strassburg  i.  E.  Schlesier  &  Schweikhardt. 
1898.     176  pp.     Portrait.     Autograph   facsimile.  **T.57.35o 

Borgfeldt,  Georg. 

Genies  der  Biihne.  Charakteristiken.  Leipzig.  Reclam.  [1899.] 
loi,  (i)  pp.     [Universal-Bibliothek.     3957.]  Xo.  4  in  4896.50.402 

Contents.  —  Edmund  Kean.  —  Ludwig  Devrient.  —  Wilhelmine  Schrodcr- 
Devrient.  —  Ludwig  Dessoir.  —  Theodor  Doring.  —  Moritz  Nott.  —  Auguste 
Crelinger.  —  Theodor  Liedtke.  —  Bogumil  Dawison.  —  Adelaide  Ristori.  — 
Ernesto  Rossi.  — Julie  Gley.  —  Charlotte  Wolter.  —  Eleonore  Duse.  —  Friedrich 
Mitterwurzer.  —  G.  C.  VVauer.  —  Philipp  Grobecker.  —  J.  N.  Nestroy.  — 
Wenzel  Scholz.  —  Karl  Helmerding.  —  Wilhelm  Klager.  —  Weibliche  Darstel- 
lerinnen  im  komischen  Fach. 

Born  player,  A.     West,  M.  **T.87.24 
Borsa,  Mario. 

The  English  stage  of  to-day.  Translated  from  the  Italian  by  Selwyn 

Brinton.    London.     Lane.  1908.    xi,  317  pp.         2556.142;  **T.46.i4 

Contents.  —  The  playgoers.  —  Realism  and  the  English  drama.  —  The  experi- 
mental theatre.  —  G.  B.  S.  —  From  Stratford-on-Avon  to  Drury  Lane.  —  The 
literary  drama.   —   The   critics  and   the   players.   —   The   Irish   National   Theatre. 

Bosch,  Mariano  G. 

Historia  de  la  opera  en  Buenos  Aires.  Origen  del  canto  i  la  mi'isica. 
Las  primeras  companias  i  los  primeros  cantantes.  Buenos  Aires. 
Imprenta  El  Coniercio.     1905.     (3),  252  pp.  40493.121 

Boschereccio,  pseud. 

An  elegy  on  the  death  of  Samuel  Foote,  Esq.  [A  poem.]  London: 
Printed  for  G.   Kearsly.     1778.     8  pp.  No.  9  in  **G.3820.ii 

Bossuet,  Jacques  Benigne.  Bishop  of  Meaux. 

Maxims  and  reflections  upon  plays.  (In  answer  to  a  discourse,  Of  the 
lawfuUness  and  unlawfullness  of  plays.  Printed  before  a  late  play 
entituled.  Beauty  in  distress.)  Written  in  French  by  the  Bp.  of 
Meaux.  And  now  made  English.  The  preface  by  another  hand.  Lon- 
don.   Printed  for  R.  Sare.    1699.    (18),  118  pp.    No.  2  in  **G.3823.20 

Caffaro's  Letter  upon  the  lawfulness  or  unlawfulness  of  the  stage  may  be  found 
on   shelf-numbers   **T.77.i7o  ;  etc. 

Bossuet,  Pierre. 

Histoire  des  theatres  nationaux.     Paris.    Jorel.     [1909.]     505,  (i)  pp. 

4674-33 

Contents.  —  Le  principe  de  I'intervention  de  I'fitat.  —  Historique  de  I'intervention 
de  I'fitatt.  —  Des  modalites  de  I'intervention  de  I'fitat.  —  L'Academie  nataonale 
de  niusique  et  de  danse.  (Theatre  de  I'Opera.)  —  La  Comedie-frangaise.  —  Le 
Theatre  national  de  I'Opera-comique.  —  Le  Theatre  national  de  I'Odeon.  (Second 
Theatre  frangais.)  ^-  Le  privilege  de  Paris.  —  L'fitat  et  le  theatre  en  province. 
—  Bibliographic. 

Boston.     Public  Library.     Catalogues. 

A  list  of  books  on  the  operas  announced  for  production  at  the  Boston 
Opera  House  during  the  season  of  1911-1912,  in  the  Public  Library 
of  the  City  of  Boston.  Boston.  191 1.  (5),  49  pp.  *4049a.402 
Boston.     Theatres. 

Barnabee,  H.  C.  Reminiscences.  Being  an  attempt  to  account  for 
his  life,  with  some  excuses  for  his  professional  career.  Edited  by 
G.  L.  Varney.     Boston.     1913.     Portraits.     Plates.  4045.163 

Boston  amusement  records.  [Newspaper  clippings  relating  to  attrac- 
tions at  Boston  theatres,  etc.     Boston.     1875-79.]  **T.i3.4 

Boston  stage,  The.  Its  history  from  1854  to  the  present  time.  [A 
series  of  articles  cut  from  the  Boston  Courier.  38  contempo- 
raneous playbills  are  inserted.     Boston.     1874-76.]  **T.io.9 

[1351 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 


Boston.     Theatres.     (Cmtinued.) 

Boston  theatricals.     Newspaper   cuttings.      [Boston.      189-?]      Illus. 

Portraits.  **T.i4.ii 

Brownell,  a.     Boston  theatres  of  today.     (In  Bostonian.  The.     \^ol. 

2,  pp.  655-673.    Illus.    Portraits.    Plates.    Boston.    1895.)    *53oi.45.2 
Cahill,   T.    H.,   compiler.     The   auditorium,   containing   the   plan   of 

seats  in  all  the  theatres  and  public  halls  in   Boston.     [Boston.] 

1875.  **T.79.3i 

Clapp,   H.  a.     Reminiscences  of  a  dramatic  critic.     With   an   essay 

on  .the   art   of    Henry    Irving.      Boston.      1902.      Portraits. 

4395,168;  etc. 
Clapp,  W.   W.     The   drama   in    Boston.      (/;?   Winsor,   Justin,   editor. 

The    memorial    history    of    Boston.      Vol.    4,    pp.    358-382.      Illus. 

Portraits.     Facsimiles.     Boston.     1881.)  *445i.5i.4;  etc. 

A  record  of  the   Boston   stage.     Boston.      1853. 

4459.42;  **T.77.i73 

Club  of  Odd  Volumes,  Boston.  Exhibition  of  prints  and  playbills 
to  illustrate  the  history  of  the  Boston  stage  (1825-1850),  from 
the  collection  of  Robert  Gould  Shaw.  [Catalogue  of  portraits 
of  British  and  American  actors,  with  biographical  notices;  also 
a   few  playbills.     Boston.      1915.]  **Q. 17.31 

Danforth,  C.  B.  Dramatic  reviews  [from  the  Boston  Daily  Herald]. 
1871-78.  "  **T.i5.4 

Eaton,  W.  O.  Stories  of  the  Boston  stage.  [Clippings  from  the 
Boston  Commercial  Bulletin,  1876,  77.]     By  an  old  timer.    **T.i5.7 

Ford,  T.  A  peep  behind  the  curtain,  by  a  supernumerary.  Boston. 
[1850.]     Plates.  **T.97.2oo;etc. 

Green,  S.  A.,  compiler.  [A  collection  of  letters,  circulars,  invitations, 
passes,  tickets,  etc.,  received  by  S.  A.  Green.     Boston.]      2  v. 

*4450.4i 

Haliburton,  W.  Effects  of  the  stage  on  the  manners  of  a  people: 
and  the  propriety  of  encouraging  and  establishing  a  virtuous 
theatre.     Boston.     1792.     Plan.  **T.76.i03 

Holden,  L.  L.  [Diary  of  plays,  concerts,  exhibitions  and  entertain- 
ments held  in   Boston   during   the  years   1879  and   1880.]      2  v. 

**T.77.i 

Lansing  &  Co.,  compilers.  Pictorial  diagrams  of  Boston,  New  York 
and    Philadelphia    theatres.      Boston.      [1881.]      Illus.      Plans. 

**T.78.86 

Pictorial  diagrams  of   Boston  theatres.     Boston.      [1880.] 

**T.78.78;etc. 

The  theatres  and  puljlic  halls  of  lioston.     [Philadelphia.     1879.] 

Plans.  **T.78.82 

Mullett,  a.  E.,  compiler.  A  dramatic  scrap-book;  or  a  book  devoted 
to  sketches  of  the  lives  of  actors  &  to  criticisms  of  plays  &  acting. 
[Boston.     1894-1899.]     7  v.     Illus.     Portraits.  **T.ii.9 

Pattee,  C.  H.  Recollections  of  old  play-l)ills.  (7«  Bostonian,  The. 
Vol.  2,  pp.  254-258.     Portraits.     Boston.     1895.)  *530i.45.2 

Through  the  stage-door.  A  complete  hand-l)ook  of  the  theatre. 
[Boston.     1896.]      Illus.     Portrait.     Plates.  **T.95.46 

Tuttle,  a.  C,  and  J.  A.  T.  Bird,  publishers.  The  diagram,  containing 
plans  of  theatres  and  other  places  of  amusement  in  Boston. 
Boston.     1869.  **T.78.85 

Twentieth  Century  Club,  Boston.  Drama  Committee.  The  amuse- 
ment situation  in  the  City  of  Boston.     Based  on  a  study  of  the 

[1361 


BROWN   COLLECTION    OF  BOOKS    ON    THE   STAGE 


Boston.     Theatres.     (Continued.) 

theatres  for  ten  weeks  from   November  28,   1909,   to   February  5. 

1910.     [Boston.     1910.]  **T.77.62 

Wyman,  H.  a.     The  theatres.     Summary  of  the  dramatic  season  of 

1886-87,  1887-88.     [Boston.     1887,  88.]     2  v.  *4452.48 

Boston.     Theatres.     Adelphi  theatre. 

Playbills.    Oct.  2,  1865  -  Feb.  4,  187 1.     Boston.     1865-71.      **T.io.36 

This  theatre  opened  Oct.  2,  1865,  as  the  "Theatre  comique."  From  Sept.  6  to 
Nov.  27,  1869,  it  was  called  the  "Adelphi  Theatre."  From  Nov.  30,  1869,  to 
May  28,  1870,  the  ".Adelphi  Theatre  Comique."  From  Aug.  29  to  Oct.  8,  1870, 
"Worrell  Sisters'  .Adelphi."  Oct.  24,  1870,  it  i-esumed  its  old  name  of  "Adelphi" 
and  continued   until   Feb.   4,    1871,   when   the  theatre  was  burned. 

Boston.     Theatres.     Bijou  theatre. 

Play  bills  and  programmes.  March  4,  1843 -April  5,  1865;  October 
15,  1878 -June  5,  1882;  Jan.  22,  1883 -June  8,  1885;  Season  of 
1885/6.      [Boston.     1843-86.]     4  V.  **T.io.4i 

This  theatre  opened  Jan.  11,  1835,  as  the  "Lion  Theatre."  Tn  1839  it  was 
converted  into  a  lecture  and  concert  hall  and  called  for  a  time  "Mechanics' 
Institute."  In  Dec.  1839,  it  was  opened  under  the  name  "Melodeon."  In  1857, 
for  a  short  time,  it  was  called  the  "Melodeon  Varieties,"  then  resumed  its 
former  name.  In  1859  it  was  rebuilt  and  called  the  "New  Melodeon."  On 
April  10,  i860,  it  resumed  its  old  name  the  "Melodeon."  In  1878  it  opened 
as    the    "Gaiety,"    and    in    1882    as   the    "Bijou." 

Boston.     Theatres.     Bijou  theatre.     Works  about. 

Skelton,  E.  O.    Historical  review  of  the  Boston  Bijou  Theatre,  with 

the  original  casts  of  all  the  operas  that  have  been  produced  at 

the  Bijou.    Boston.     1884.    Portraits.    Plates.  **T.95.53;  etc. 
Boston.     Theatres.     Boston  Museum,  1804-1822. 

Lambert,   holding  four  persons   at  arm's   length.  [Boston.      1805?] 

Size,  22^  X  18  inches.     Illus.  In**T.ii.3 

"Feb.  28th,  1804,  iust  opened  by  Philip  Woods,  at  the  large  five-story  building 
over  No.  6,  north  side  of  the  [Faneuil]  market."  In  1807  Mr.  Woods  was  at 
No.  8  Market  Square  with  his  Museum;  in  1809,  at  No.  5  Dock  Square.  This 
Museum  was  discontinued  in   1822. 

Boston.     Theatres.     Boston  Museum,   1804-1822.     Works,  about. 

Brayley,  a.  W.  Woods'  Boston  Museum.  What  the  razing  of  an 
old  landmark  disclosed.  (In  Bostonian,  The.  Vol.  2,  pp.  125-130. 
Plate.     Boston.     1895.)  *530i.45.2 

Boston.     Theatres.     Boston  Musetjm,  1843-1903. 

Boston  Museum.  An  interesting  retrospect,  and  an  account  of  the 
latest  alterations  and  improvements.  Issued  for  season  of 
1880-81.      [Boston.     Wood.      1880.]      40   pp.      Plate. 

4409.139;  **T.77.i  15 

History  of  the  Boston  Museum.     Boston.     1892.    9-35  pp.     Portraits. 

Facsimiles.  No.  4  in  **T,54.33 

The  running  title  is  Historical  review.  Chronological  record,  1843-1892,  pp. 
29,    31.      .'\ccompanied    by    30    programmes,    1855-1903. 

History  of  the  Boston  Museum,  with  a  description  of  the  alterations 
and  improvements.  Season  of  1873-74.  Boston.  Lincoln  &  Co. 
1873.     24  pp.     Illus.     Diagrams.  **T.77.i63 

Same.    Season  of  1874-5.     1875.  **T.77.i64 

.\nother  copy  is  on  shelf-number  No.  6  in  *44S9a.56. 

Performance  in  aid  of  The  Mrs.  J.  R.  Vincent  Hospital  Fund  at  the 
Boston  Museum,  April  24,  1890.  Presented  with  the  compliments 
of  the  Boston  Herald.  [Boston.  Robinson  &  Stephenson.]  1890. 
20  pp.  **T.IO.I2 

Contains  reminiscences  of  Mrs.  Vincent  and  a  list  of  parts  played  by  her  at 
The  Boston  Museum,  by  Max  Eliot.  The  proceeds  of  the  fund  established  The 
Vincent   Memorial   Hospital. 

[137] 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 


Boston.     Theatres.     Boston  Museum,  1843-1903.     (Continued.) 

Playbills  and  programmes.  [ist-62nd  dramatic  season.  1843-1903. 
Boston.     1843-1903.]     62  V.  in  47.  **T.io.io 

This  theatre  was  opened  June  14,  1S41,  as  the  "Boston  Museum  and  Gallery  of 
I'ine  Arts."  It  was  not  till  February,  1843,  that  dramatic  performances  were 
held  there.  The  stock  company  gave  its  first  performance  Sept.  4,  1843,  playing 
there  regularly  till  it  was  discontinued  with  the  season  of  1894-95.  The  last 
performance  was  on  Monday  evening,  June  ist,  1903,  after  which  the  theatre 
was  demolished. 

A  short  history  of  mermaids.  Also,  a  description  of  the  one  now 
exhibiting  at  the  Boston  Museum.  Boston.  Marden  &  Co.  1842. 
22  pp.     Plates.  **T.96.i96 

[Souvenir  programme  for]  Monday  evening,  June  i,  1903.  Last  night 
of  the  existence  of  the  Boston  Museum  as  a  theatre.  Charles 
Frohman's  Empire  Theatre  Company  presenting  Mrs.  Dane's 
defense.  Boston.  Lincoln  &  Co.  1903.  64  pp.  Portraits.  Plate. 
Facsimiles.  **T.i6.6 

Contains  a  historical  review  of  the  theatre.  A  ticket  for  the  performance  and 
three   numbers    taken    from    seats    of    the    Museum    are    inserted. 

[View  of  the  Boston  Museum.]  Boston.  Prentiss  &  Clark.  1847. 
Lithograph.  No.  15  in  *Cab.23.5o.4 

Boston.     Theatres.     Boston  Museum,  1843-1903.     Works  about. 

Barnabee,  H.  C.  Reminiscences.  Edited  by  G.  L.  Varney.  Boston. 
1913.     Portraits.     Plates.  4045.163;  **T.56.33i;  etc. 

Ryan,  K.  Old  Boston  Museum  days.  Boston.  1915.  Portraits. 
Plates.  6257.50;  **T.76.i94 

Stebbins.  O.  B.  The  oldest  theatre  now  in  Boston  [the  Boston 
Museum].  {In  Bostonian.  The.  Vol.  i,  pp.  1 13-130.  Illus.  Por- 
traits.    Plates.     Boston.     1894.)  *530i.45.i 

TicKNOR,  H.  M.  The  passing  of  the  Boston  Museum.  Boston.  1903. 
379-396   pp.      Portraits.      Plates.  No.  3  in  **T.54.33 

WiNSLOW,  C.  M.     Yesterdays  with  actors.     Boston.     1887.     Portraits. 

2245.64;  **T.56.3i3 
Boston.     Theatres.     Boston  Museum  Compa.w. 

[Suburban  play  bills  of  the  Boston  Museum  Company.]  Boston. 
Searle.     1870-83.  **T.io.i4 

An  incomplete  file. 

Boston.     Theatres.     Boston  Opera  House. 

Programs.  Season  of  grand  opera.  1909/10-1913/14.  Nov.  8,  1909- 
March   28,   1914.      Boston.     The   Sparrell   Print.     1909-1914. 

**M.Cab.2.i5 

The  first  program  in  each  volume  is  complete;  of  the  others  only  the  pages 
giving  the  name  and  date  of  the  performance  and  the  cast  of  characters  are 
retained.  Bound  with  the  19 13/ 14  edition  are  programmes  of  the  performances 
given  by  Anna   Pavlowa  and  company   on   Oct.    25,   29,    1913. 

Same.     1911-13.     8  v.     Portrait.  *4042.200 

Complete    programs.      Contain    sketches    and    portraits    of    composers. 

Boston.     Theatres.     Boston  Opera  House.     Works  about. 

Jackson,  F.  H.  Monograph  of  the  Boston  Opera  House.  Boston. 
1909.     Portraits.     Plates.     Plans.  *4042.i33 

A  list  of  books  on  the  operas  announced  for  production  at  the 
Boston  Opera  House  during  the  season  of  1911-1912,  in  the  Public 
Library  of  the  City  of  Boston.     Boston.     1911.  *4049a.402 

Mi.LE  Anna   Pavlowa.     [New   York.      1913.]      Illus.     Portrait.s. 

40403.145 

Militia  of  Mercy,  The.  Children's  Ambulance  Service.  Benefit  per- 
formance in  aid  of  the  children  of  Boston,  crippled  by  infantile 


[138] 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 


Boston.     Theatres.     Boston  Opera  House.     Works  about.     (Continued.) 

paralysis,  Boston  Opera  House,  Friday  afternoon,  November  3, 
1916,  under  the  auspices  of  The  Militia  of  Mercy.  [Boston.  1916.] 
Ilius.     Portraits.     Plans.  **T.i2.i2 

Boston.     Theatres.     Bosto.\  theatre.  Federal  Street. 

Boston  Theatre  records  [containing  the  original  manuscript  docu- 
ments of  wills,  leases,  accounts,  etc.,  relating  to  the  Federal  Street 
Theatre].  July  1776 -Sept.  181 1;  Sept.  181 1 -July  1829;  July  1829- 
Sept.  1835;  Sept.  1835 -May  1847;  May  1847 -May  1852.  6  v. 
Manuscripts.  **T.Cab.i.4 

The  sixth  volume  contains  certificates  of  stock  of  share-holders. 

[Records.]     Manuscript.     [Boston.     1793-1853.]     3  v.  **T.7i.6 

[Seal.  Obverse,  intaglio.  —  Branches  enclosing  goblet  and  crossed 
swords  above  comic  and  tragic  masks.  Inscription:  Boston 
Theatre  incorporated  1821.  Reverse  and  edges,  blank.  Boston. 
1821?]  Brass.  Size,  diameter,  i^^  inches;  thickness,  Y^  inch. 
Mounted  in  a  case.  **Cab.G.3.47 

Stock  ledger.     Commencing  January   ist,   1838.     Manuscript.     [Bos- 
ton.    1838.]      (is),  66  pp.  **T.75.2 
Boston.     Theatres.     Boston  theatre.  Federal  Street.     Works  about. 

Ball,  W.  T.  W.  The  old  Federal  Street  Theatre.  [Boston.  191 1.] 
41-92  pp.     Portrait.     Plate.  **T.75.i8 

KiLBURN,  S.  S.,  /;-.,  engraver.  [View  of  the  Federal  Street  theatre. 
Boston.     185-?]     Woodcut.  No.  14  in  *Map  38.12 

Paine,  R.  T.,  Jr.  Dedicatory  address:  spoken  by  Mr.  Hodgkinson, 
October  29,  1798,  at  the  opening  of  the  new  Federal  Theatre,  in 
Boston.  [Boston  Theatre,  Federal  Street.]  {In  Paine,  R.  T. 
Works  in  verse  and  prose.     Pp.    197-205.     Boston.      1812.) 

4405.24;  etc. 
Boston.     Theatres.     Boston  theatre,  Washington  Street. 

Act  of  incorporation  and  by-laws  of  the  Boston  Theatre.  Incor- 
porated May,  1852.     Boston.     Eastburn.     1855.     12  pp.       445g.10g 

Opened   1854. 

Aladdin,  or  the  wonderful  lamp.  [For  the  benefit  of  the  George 
Junior  Republic]  Boston  Theatre,  January  8-1 1,  1904.  [Pro- 
gramme.]    Boston.     1904.     Plan.  4455.296 

Entrance  to  the  new  Boston  Theatre,  Washington  Street.  [En- 
graving.    Boston.     185-?]  No.  I4in  *Map37.2 

First  season  of  opera  sung  by  Americans,  under  the  musical  direction 
of  Theodore  Thomas.     [Prospectus.     Boston.     1886.]      16  pp. 

**T.io.4 

National  Opera  Company.  Engagement  for  two  weeks.  Boston 
Theatre.     [New  York.     1887.]      (8)  pp.  **T.io.5 

Play-bills.  1854-90/91,93/94,95/96-99/1900.1901-06.  [Boston.  1854- 
1906.]     46  V.  **T.io.i 

These  volumes  vary  in  size.  During  the  years  1871-1885  programmes  were  also 
printed  in  magazine  form  and  called  The  Ray:  from  1885  to  1893  the  form  was 
continued  but  the  name  was  changed  to  the  Boston  Theatre  Programme. 
This  theatre  opened  Sept.  n,  1854.  From  i860  to  Nov.  24,  1862,  it  was  called 
the  Boston  Academy  of  Music.  Between  Nov.  24,  1862,  and  Feb.  9,  1863,  it 
was  called  the  Boston  Theatre,  and  from  Feb.  9,  1863  to  March  21,  1863,  it  was 
again  called  Academy  of  Music.  It  reopened  March  23,  1863,  under  its  old  name. 
This  theatre  has  no  connection  with  the  old  Boston  Theatre  on  Federal  Street, 
which  opened  in    1794,  and  was  sold  in  April,   1852. 

Souvenir  of  the  150  performance  in  Boston  of  The  Soudan  [at  the 
Boston  theatre].     April  30,   1891.      [Boston.     1891.]      (24)   plates. 

**T.49.i4 

[139] 


THE  PUBLIC  LIBRARY   OF   THE    CITY   OF  BOSTON 

Boston,     Theatres.     Boston  theatre,  Washington  Street.     Works  about. 
Barnabee,  H.  C.     Reminiscences.     Edited  by  G.  L.  Varney.     Boston. 
1913.     Portraits.    Plates.  4045.163;  **T.56.33i;  etc. 

Corbett,  a.,  Jr.  The  Boston  theatre.  (In  Bostonian,  The.  Vol.  i, 
pp.    3-18.      Portraits.      Plates.      Facsimile.      Boston.      1894.) 

*530i.45-i 
Tompkins,  E.,  and  J.  Q.  Kilby.     The  history  of  the  Boston  Theatre, 
1854-1901.     Boston.     1908.     Illus.     Portraits.         4045.170;  **T.74.23 
Boston.     Theatres.     Boston  Theatre  Company. 

[Suburban  play  bills  of  the  Boston  Theatre  Company.]  Boston. 
Searle.     1870-80.     i  v.  **T.io.3 

An  incomplete  file. 

Boston.     Theatres.     Boylston  Museum. 

Programmes.  Oct  5,  1874- July  30,  1881.  [Boston.  1874-1881.]  Un- 
paged. **T.io.43 

An  incomplete  file. 

Boston.     Theatres.     Castle  Square  theatre. 

The  Castle  Square  Program  Magazine.     Vol.  1-6.     1911-15/16.     Bos- 
ton.    1911-16.     6  V.     Illus.     Portraits.     Plans.  **T.i5.i4 
Boston.     Theatres.     Castle  Square  theatre.     IVorks  about. 

French,  C.  E.  Six  years  of  drama  at  the  Castle  Square  Theatre. 
With  portraits  of  the  members  of  the  company  and  complete 
programs  of  all  plays  produced.  May  3,  1897  -  May  3,  1903. 
[Anon.]      Boston.     1903.     Portraits.  4395.188;  **T.77.5 

A  year  of  opera  at  the  Castle  Square  Theatre,  from  May  6,  '95, 

to  May  6,  '96.  Containing  portraits  and  sketches  of  the  principal 
singers,  and  a  record  of  the  casts  of  characters  of  the  various 
operas  produced,  with  a  short  story  of  each.  [Anon.]  Boston. 
1896.     Portraits.  8048.69;  **M.375.8;  etc. 

Boston.     Theatres.     Columbian  Museum. 

[Broadsides    containing   lists    of    objects    on    view    in    the    museum. 

Boston.     1799-1816?]     6  broadsides.     Illus.  **T.ii.4 

Play-bills.    January  i,  1866 -March  6,  1869,  December  12,  1870.  April 

6 -June  3d,    1871.      [Boston.      1866-71.]      2  v.  **T.io.39 

This  theatre  opened  Jan.  i,  1866  under  the  above  name.  From  Aug  20,  1866 
to  July  4,  1867  it  was  called  "Whitman's  Continental  Theatre."  From  Sept.  2, 
1867  to  April  13,  1868  it  was  called  "Continental  Theatre."  From  Aug.  31  to 
Oct.  2,  1868  "Willard's  Theatre";  Oct.  21,  1868  the  name  was  changed  to  the 
"Olympic  Theatre."  From  i86g  to  1872  the  theatre  was  not  opened  regularly, 
but  was  used  for  occasional  variety  performances.  For  the  season  of  1871/2  it 
was  opened  under  the  name  of  the  "St.  James  Theatre."  It  was  closed  Nov., 
1872. 

Boston.     Theatres.     Continental  theatre. 

Play-bills.  [January  i,  1866- March  6,  1869;  Dec.  12,  1870,  April  6- 
June  3,  1871.     Boston.     1866-71.]     2  v.  **T.io.39 

Boston.     Theatres.     Globe  theatre. 

Complimentary  testimonial  to  Mr.  Arthur  Chene}',  Globe  Theatre. 
June  7th,  1872.     [Programme.     Boston.     1872.]     4  pp. 

No.  31a  in  **G.3822.3 

Play-bills.     Oct.  28,  1867 -April  10,  1873;  Dec.  3,  1874 -July  i,  1878: 

Jan.  6,  1879 -Dec.  25,  1893.     [Boston.     1868-1893.]     18  v.    **T.io.2i 

From  Oct.  28,  1867  to  July  4,  1870  this  was  called  "Selwyn's  Theatre."  It  was 
opened  Sept.  12,  1870  under  the  name  of  the  "Globe  Theatre."  The  theatre  was 
(kslroyofl  by  fire  Jan.   2,  1894. 

Boston.     Theatres.     Grand  Opera  House. 

Programmes.  January  9,  1888- May  29,  1893.  [Boston.  1888-1893.] 
2  v.  **T.io.45 

The  file  is  incomplete. 

[140] 


BROWN  COLLECTION   OF  BOOKS   ON   THE  STAGE 

Boston.     Theatres.     Hay  market  theatre. 

Robertson,  A.    The  Haymarket  theatre,  Boston.    Water  color.    Dated 
28  Sept.,  1798.   Size  9  X  13  inches.   Framed.   Librarian's  Room;  etc. 
Boston.     Theatres.     Hollis  Street  theatre. 

Programmes.    April  11,  1870- May  31,  1890;  August  31,  1891-June  6, 
1903.     [Boston.     1870 -1903.]      I  V.  and  10  boxes.  **T.io.33 

The  file  is  incomplete. 

Boston.     Theatres.     Howard  Athenaeum. 

Playbills.    October  20,  1845  -  February  11,  1884.  [Boston.     1845-84.] 

23  V.  **T.io.i8 

From  August  31,   1878  to  May  31,    1879,  the  play-bills  were  called  "The   Star." 

Boston.     Theatres.     Keith's  theatre. 

B.  F.  Keith's  new  theatre,  Boston.     [Boston.     Walker  &  Co.     1894?] 
(48)   pp.     Illus.     Portraits.     Plates.  4459,68 

Boston.     Theatres.     National  theatre. 

Conflagration    of    the    National    Theatre,    corner    of    Portland    and 
Traverse  Streets,  Boston.     [View.     Boston.     1852.] 

No.  3  in  *Map  38.12 
Play  bills.     July  5,  1832 -April  21,  i860.     Boston.     1832-60.]      11  v. 

**T.io.i5 

This  theatre  was  opened  July  3,  1832  under  the  name  of  the  "Warren  Theatre." 
It  was  reconstructed  in  1836,  and  re-opened  Aug-.  15  as  the  "Warren  National 
Theatre."  After  a  few  weeks  the  theatre  took  its  old  name.  April  22,  1852  it 
was  burned.  It  was  rebuilt  and  reopened  Nov.  i,  1852,  and  continued  under 
various  managements  until  Sept.  8,  1856,  when  it  was  opened  as  "Willard's 
National  Theatre."  Dec.  10,  1856,  the  name  was  changed  to  the  "People's 
National  Theatre,"  and  during  the  season  of  1860/61  its  old  name,  the  "National 
Theatre,"  was  resumed.  After  one  or  two  further  changes  the  theatre  was  burned, 
March  24,   1863. 

Property  book.     Manuscript.     [Boston.     1838,  46.]     2  v.  **T.72.ii 

Return   book.     Manuscript.      [Boston.      1843-1850.]  **T.72.i2 

Same.     1851.  **T.72.i3 

The  title  is  on  the  cover.  The  text  is  wholly  in  the  handwriting  of  Thomas  Barry. 
Manuscript  notes  in  another  hand  and  a  playhill  of  the  farewell  benefit  of  Mr. 
and    Mrs.    John    Gilbert,    June    13,     1851,    are    inserted. 

Boston.     Theatres.     National  theatre.     Works  about. 

Jones,  J.  S.    National  theatre,  Boston.    1837-1839.    Manuscript.     [Bos- 
ton.    1839.]  **T.77.24 
Boston.     Theatres.     Park  theatre. 

Programmes.     April    19,    1879 -June   29,    1889;    1890-1901;    1903/04- 
12/13.     [Boston.     1879-1913.]     20  V.  and  i  box>  **T.io.30 

TliLie  are  complete  files  for  the  years  1903-1913. 

The    talented    young    actress,    Minnie    Maddern.      Supported    by   an 
elegant  company  under  the  management  of  John  H.  Havlin.     [Bos- 
ton.    1882.]     8  pp.     Portrait.  **T.56.330 
A  compilation  of  criticisms  from  American  newspapers. 
Boston.     Theatres.     Theatre  comioue.     See  Boston.     Theatres.     Adelphi 

theatre. 
Boston.     Theatres.     Tremont  theatre,  1827-1843. 

The  act  of  incorporation,  and  by-laws  of  the  Tremont  theatre.     Bos- 
ton.    1827.     16  pp.  **T.78.45 
Blotter.     Manuscript.     [Boston.     1839-41.]  **T.72.8 
Copy  of  the  report  of  the  directors  to  the  stockholders,  at  the  annual 
meeting.  May  21,  1839.     Boston.     1839.     8  pp.                       *4454.288 
Journal   A.      Manuscript.      [Boston.      1839-41.]      loi   pp.           **T.7i.4 
Ledger  A.     Manuscript.     [Boston.     1839-41.]      104  pp.              **T.7i.5 
[Letters,  financial  statements,  reports,  applications  for  positions,  etc.] 
Manuscript.     [Boston.     1842/43.]                                           **T.Cab.i.8 

[141] 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 

Boston.     Theatres.     Tremont  theatre.     (Continued.) 

Play  bills.  February  t6.  1829 -June  15,  1843.  [Boston.  1829-43.] 
2  V.  **T.io.25 

The  file  is  incomplete. 

[Scrap-book  of  various  manuscripts  relating  to  the  Tremont  theatre. 
Boston.     1827-43.]  **T.72.io 

Boston.     Theatres.     Tremont  theatre,  1827-1843.     Works  about. 

Pelby.  W.  Letters  on  the  Tremont  theatre,  respectfully  addressed 
to  the  primitive  subscribers,  its  friends  and  patrons.     Boston.     1830. 

**T.76.46;etc. 
Boston.     Theatres.    Tremont  theatre,  1863-1865. 

Play  bills.  Feb.  26-28,  Nov.  30.  1863;  Oct.  31.  1864;  Jan.  2,  Feb.  3, 
Feb.  10,  April  3,  April  25,  1865.     [Boston.     1863-65.]  **T. 10.26 

^  This   theatre   opened   in   the    Studio   building,    February   9,    1863. 

Boston.     Theatres.     Tremont  theatre,  1889- 

ProKrammes.    October  14,  1889-.     [Boston.    1889-.]     i  v.  and  8  boxes. 

Very  fragmentary  after  1901.  **T.10.27 

Boston.     Theatres.     Windsor  theatre. 

Programmes.  September  10,  1881  -  February  28,  1887.  [Boston. 
1881-87.]     Unpaged.  *  **T.io.47 

An  incomplete  file. 

Boston  Academy  of  Music.  See  Boston.  Theatres.  Boston  theatre, 
Washington  Street. 

Boston  amusement  records.  [Newspaper  clippings  relating  to  attrac- 
tions at   Boston    theatres,   etc.     Boston.      1875-79.]      (^^)    PP- 

*T.i3.4 

Boston  Budget.  The.  Grand  opera  number,  1902,  1903.  Boston.  1902,  03. 
2  V.     Portraits.  *4040.42 

Contains  40  portraits  of  singers. 

Boston  Press  Club. 

Annual    entertainment,    ist.   3d.   6th-9th,    I3th-i4th.      [Programmes.] 
Boston.     1886-1890.     Portraits.     Plates.     Music.     Autograph   fac- 
similes. **T.33.7 
Same.     9th.     1894.                                                                                **T.95.8o 

Boston  stage,  The.  Its  history  from  1854  to  the  present  time.  [A 
series  of  articles  published  ,in  the  Boston  Courier,  1874-1876. 
Mounted  in  a  scrap-book.  38  contemporaneous  play-bills  are 
inserted.     Boston.     1874-76.]      Unpaged.  **T.io.9 

Boston  supernumerary.  A,  pseud.     See  Ford,  Tom. 

Boston  theatricals.  Newspaper  cuttings.  [Boston.  189-?]  (62)  pp. 
Tllus.     Portraits.  **T.i4.ii 

Bostonian,  A,  pseud.     See  Haliburton,  William. 

Bostonians,  The.     Theatrical  company. 

Bar.nahee,  H.  C.  Reminiscences.  Edited  by  G.  L.  Varney.  Boston. 
1913.     Portraits.     Plates.  4045.163;  **T.56.33i;  etc. 

Bottoms  up.     Nathan,  G.  J.  6257.306 

Bouchard,  Alfred. 

La  langue  theatrale.  Vocabulaire  historique,  descriptif  et  anec- 
dotique  des  termes  et  des  choses  du  theatre.  Suivi  d'un  appendice 
contenant  la  legislation  theatrale  en  vigeur.  Paris.  Arnaud  & 
Labat.     1878.     (3),  v,  (i),  378  pp.  **T.98.io6 

Boucheron,  Maxime. 

La  di\ine  Comedie-frauQaise.  Dessins  de  Job  et  G.  Taverne.  Pre- 
face de  Henry  Bauer.  Paris.  Librairic  illustree.  [1888.]  (6),  vi. 
316  pp.     Illus.  **T.77.i32 

1142] 


BROWN   COLLECTION   OF  BOOKS    ON   THE   STAGE 


Bouchot,  Henri  Frangois  Xavier  Marie,  editor. 

BiBLioTHEQUE  nationalc,  Paris.     Departement  des  estatnpcs.     Catalop^ue 

de   dessins   relatifs   a   I'histoire   du    theatre.     Avec   la   description 

d'estampes  rares  sur   le   meme  sujet,   recemment  acquises  de   M. 

Destailleur.     [Paris.     1895.]  *8o64.2io 

Boucicault,  Agnes  Robertson.     See  Robertson,  Agnes. 

Boucicault,  Dion. 

Antique  and  modern  furniture,  collection  of  oil  paintings,  rare  books, 
plays,  stage  costumes,  etc.    The  personal  property  of  Dion  Bouci- 
cault, to  be  sold  by  auction.     [New  York.    1894.]     28  pp.    **T.95.4i 
Boucicault,  Dion.     Works  about. 

Walsh,  T.    The  career  of  Dion  Boucicault.     New  York.     1915.     Por- 
traits. **T.95.i5i 
Boudot,  Pierre  Jean,  alleged  author. 

Bibliotheque  du  theatre  frangois,  depuis  son  origine.   Sec  Bibliotheque 
du  theatre  frangois  depuis  son  origine. 
Bouffe,  Hugues  Desire  Marie. 

Mes  souvenirs,  1800-1880.  Preface  par  Ernest  Legouve.  Paris. 
Dentu.     1880.     XX,  404  pp.     Portraits.     Manuscript  facsimile. 

**T.57.327 
Bouffe,  Hugues  Desire  Marie.     Works  about. 

Jacquot,  C.  J.  B.    Bouffe.    Paris.    1867.    Portrait.    No.  6  in  **M. 1293.36 
Lecomte,  L.  H.    Bouffe.    Etude  biographique.    Paris.    1867.    **T.57.i5 
Bouffe,  Marie.     See  Bouffe,  Hugues  Desire  Marie. 
Bouilly,  Jean  Nicolas. 

Mes  recapitulations.     Paris.     Janet.     [1836,  sy.]      3  v.     Portrait. 

Memoirs  and  recollections.  **T.56.2g5 

Soixante    ans    du    Theatre-frangais.      Par    un    amateur,    ne    en    1769 

[pseud.].     Paris.     Gosselin.     1842.     (3),  210  pp.  **T.98.48 

Sketches  of  actors. 

Bouis-bouis,  bastringues   et  caboulots  de   Paris.     Paris.     Tralin.      1861. 
191  pp.  **T.79.9 

Boullault,  Mathurin  Joseph. 

La  conjuration  de  M'le  Duchesnois,  contre  M^'e  Georges  Weymer. 
pour  lui  ravir  la  couronne;  avec  les  pieces  justificatives,  recueillies 
par  M.  J.  Boullault.  Paris.  Pillot.  An  XI.  =  1803.  (3),  84  pp. 
Portrait.  No.  6  in  **G.3562.2 

Boulton,  William  Biggs. 

The  amusements  of  old  London.  Being  a  survey  of  the  sports  and 
pastimes,  tea  gardens  and  parks,  playhouses  and  other  diversions 
of  the  people  of  London  from  the  17th  to  the  beginning  of  the 
19th  century.     London.     Nimmo.     1901.     2  v.     Colored  plates. 

Another  copy  is  on  shelf-number  *2493.i67.  **T.95.II2 

Bouquet,  Frangois. 

La  troupe  de  Moliere  et  les  deux  Corneille  a  Rouen  en  1658.  Paris. 
Claudin.     1880.     (4),  148,  (4)  pp.     Plates.     Manuscript  facsimile. 

**T.59.i2 
Bouquin  de  La  Souche,  J.  P.     See  Lassouche,  Bouquin  de. 
Bourbon,  Armand  de,  Prince  de  Conti.     See  Conti,  Armand  de  Bourbon. 

Prince  de. 
Bourcicault,  D.  L.    See  Boucicault,  Dion. 
Bourdon,  Georges. 

Les  theatres  anglais.  Avec  une  preface  de  Edwin  O.  Sachs.  Paris. 
Fasquelle.      1903.      (3),  329  pp.  2552.59 

Applies  especially  to  the  London  theatres. 

[143] 


THE  PUBLIC  LIBRARY  OF  THE   CITY  OF  BOSTON 


Bourgeois,  Maurice. 

John  Millington  Synge  and  the  Irish  theatre.  London.  Constable 
&  Co.,  Ltd.  1913.  xiv,  (i),  337,  (i)  pp.  Portraits.  Plates.  Auto- 
graph facsimile.     Genealogical  chart.  4579.244 

Bibliography,  pp.  251-296.  There  is  also  given  a  list  of  first  performances  of 
Synge's  plays  in  various  countries  and  places. 

Bourgogne,  Jean  de. 

L^n  comedien  d'autrefois  [Fleury]  —  1750- 1822.  Paris.  Grasset. 
1914.     (3),  295,  (i)  pp.     Portrait.  4677.116 

Bourgoin,  Marie  Therese  Etiennette. 

CosTE  d'Arnobat,  C.  p.  Lettre  d'un  comedien  du  Theatre  de  la 
republique,  aux  demoiselles  Gros  et  Bourguoin,  dont  les  debuts 
doivent  suivre  celui  de  mademoiselle  Volnay.  [Avec  une  Lettre 
du  citoyen  Palissot,  a  la  citoyenne  Bourguoin,  sur  ses  debuts  au 
Theatre  de  la  republique.     Anon.l      Paris.     An  ix   fiSoil. 

No.  5  in  **G.3562.2 
Bourguoin,  Mademoiselle.     See  Bourgoin,  Marie  Therese  fitiennette. 
Bourke,  John  Gregory. 

The  miracle  play  of  the   Rio   Grande.      [Boston.      1893. 1      89-95   PP- 

From  the  Journal  of  American  Folk-Lore   [*4402. 105.6] .  4365. 140 

Bouteiller,  Jules  fidouard. 

Histoire  complete  et  methodique  des  theatres  de  Rouen.  Rouen. 
Giroux  &  Renaux.      i860,  63.     2  v.     Illus.  **T.76.9 

Contents.  —  i.  Les  theatres  a  Rouen  avant  1776.  —  Theatre-des-arts.  2.  Theatre- 
des  arts.      1800  a   1887. 

Les  theatres  de  societe  de  Rouen.  Rouen.  Schneider.  1877.  (5), 
152  pp.  ,  **T.76.5 

Boutet  de  Monvel,  Etienne. 

Un  artiste  d'autrefois.  Adolphe  Nourrit:  sa  vie  et  sa  correspondance. 
Paris.     Plon-Nourrit  et  c'e.     1903.     (3),  ii,  319.  (i)  pp.     Portraits. 

40493.241 
Boutet  de  Monvel,  Roger. 

Les  Varietes.  1850-1870.  Paris.  Plon-Nourrit  &  c'e.  [1905.]  (5), 
187,   (3)  PP-  **T.77.i2i 

Boutron,  . 

Declarations  de  M.  Boutron,  machiniste  en  chef  de  I'Academie  im- 
periale  de  musique.     [Paris.     18 — ?]     11  pp.         No.  5  in  **G.i57.io 

Relates   to   the    Paris    Opera.      The   title-page   is   missing. 

Bowen,  Louise  de  Koven. 

Five  and  ten  cent  theatres.  Two  investigations  by  the  Juvenile 
Protective  Association  of  Chicago,  1909  and  191 1.  Text  by  Louise 
de  Koven  Bowen.     Chicago.     [1911?]      (12)  pp.  5576.283 

Chiefly  about  moving  picture  shows. 

Boyd,  Frank. 

Records  of  the  Dundee  stage,  from  the  earliest  times  to  the  present 
day.     Dundee.     Thomson.      1886.      (3),   ii,    (i),  96,    (2)    pp.     Por- 
traits.    Plate.     Autograph   facsimile.  **T.77.i04 
Boyd,  James  Penny,  editor. 

The  drama.  Its  history,  literature  and  influence  on  civilization. 
Victorian  edition.  [Edited  by  Alfred  Bates,  J.  P.  Boyd  and  J. 
P.  Lamberton.]  London.  The  Athenian  Society.  1903.  20  v. 
Portraits.     Plates,  some  colored.  **T.4S.i 

Contents.  —  I.  Greek  drama.  2.  Greek  and  Roman  drama.  3.  Oriental  drama. 
4.  Religious  drama.  5.  Italian  drama.  6.  Spanish  and  Portuguese  drama.  7-9. 
French  drama.  10-12.  German  drama.  13-16.  Piritisli  drama.  17.  Scandinavian 
drama.      18.    Russian   drama.      19,    20.    American   drama. 

[1441 


J 


BROWN   COLLECTION    OF   BOOKS    ON    THE   STAGE 

Boylan,  R.  Dillon,  translator. 

Goethe,  J.  W.  von.  Wilhelm  Meister's  apprenticeship.  London. 
1846.]  4876.89;  etc. 

Boyron,  Michel.     See  Baron,  Michel  Boyron,  called   Baron. 

Boysse,  Ernest. 

Les  abonnes  de  I'opera  (i 783-1 786).  Paris.  Quaiitin.  1881.  (.3),  x, 
356  pp.     Portraits.     Plate.  **M.ii3.5 

Le  theatre  des  Jesuites.     Paris.     Vaton.     1880.     (3),  iii,  370  pp. 

3519-75;  **T.77.95 
Boysse,  Ernest,  editor. 

Papillon  de  La  Ferte,  D.  P.  J.  L'administration  des  Menus.  Journal 
de  Papillon  de  La  Ferte,  intendant  et  controleur  de  I'argenterie, 
menus-plaisirs  et  affaires  de  la  chambre  du  roi.  (1756-1780.) 
Public  avec  une  introduction  et  des  notes  par  Ernest  Boysse. 
Paris.      1887.  **T.55.49 

Braci-.o,  Antonio. 

Eleonora  Duse.     [New  York.     McGrath.     1896.]     7  pp. 

No.  3  in  **T.55.i38 
Bracegirdle,  Anne. 

Theatrical  correspondence  in  death.  An  epistle  from  Mrs.  Old- 
field,  in  the  shades,  to  Mrs.  Br .  .ceg. .  .rdle,  upon  earth:  con- 
taining, a  dialogue  between  the  most  eminent  players  in  the 
shades,  upon   the  late  stage  desertion.      London.      1743. 

**T.57.346;etc. 
Brachvogel,  Albert  Emil. 

Geschichte  des  koniglichen  Theaters  zu  Berlin.  Nach  Archivalien 
des  Konigl.  Geh.  Staats-Archivs  und  des  Konigl.  Theaters.  Berlin. 
Janke.     1877,  78.     2  v.  **T.76.i38 

Contents.  —  I.  Das  alte   Berliner  Theater- Wesen.      2.   Die  konigliche   Oper   unter 
Freiherrn   von    der   Reck   und   das    National-Theater   bis    zu   Iffland. 

Brackel,  Ferdinande  Maria  Theresia,  Frciin  von. 

The  circus-rider's  daughter.  Translated  by  Mary  A.  Mitchell.  3d 
edition.     New  York.     Benziger.     [1896.]     317  pp.  6898.150 

Brady,  James  Jay. 

Life  of  Denman  Thompson  (Joshua  Whitcomb).  New  York.  Mc- 
Farland  &  Comstock.     [1888.]     83,  (3)  pp.     Portrait.  **T.57.372 

Braham,  John. 

GiLLiLAND,  T.     Jack  in  office;  containing  remarks  on  Mr.   Braham's 
address  to  the  public;  with  a  full  and  impartial  consideration  of 
Mr.  Kemble's  conduct  with  respect  to  the  above  gentleman.    Lon- 
don.    [1804.]  **T.96.28;etc. 
Brainard,  Charles  H. 

John  Howard  Payne:  a  biographical  sketch.  Boston.  Cupples, 
Upham  &  Co.     1885.     (9),  144  pp.     Portraits.     Plates.     Facsimile. 

4242.70;  **M.ii2.4 
Same.     Washington,  D.  C.     Coolidge.  **T.55.i35 

Brainerd,  Thomas. 

Influence  of  theatres.  A  lecture  on  the  nature  and  tendency  of  the 
stage.     Philadelphia.     1840.     16  pp.  **T.76.i79 

In  opposition  to  the  theatre. 
Brandes,  Johann  Christian. 

Memoires.  Avec  une  notice  concernant  cet  acteur,  et  placee  en  tete 
des  Memoires  d'lffland.  Paris.  Ponthieu.  1823.  2  v.  [Collec- 
tion  des  memoires  sur  I'art   dramatique.]  **T.56.9 

Another  copy  is  on  shelf-number  **G.224.2.i  1,12. 

[145] 
10 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 

Brandes,  Tohann  Christian.     Works  about. 

PiCARD,  L.  P).  Notice  sur  Iffland  et  sur  Pjrandes.  {In  Iffland,  A.  W. 
Memoires.     Pp.  i-lv.     Paris.     1823.)  **T.56.8;  etc. 

Brai.dl,  Alois,  editor. 

Deutschk   Shakespeare-Gesellschaft,   Weimar.     Jahrl)uch.     Jahrgang' 
T-50.     Berlin    [etc.].      1865-1914.     50  v.   in  49.  *4593.i;etc. 

Brandon,  James.  / 

O.  P.  Amateur,  An,  pseud.  A  plain  statement  of  facts  containing 
the  whole  of  the  particulars  relative  to  the  existing  differences 
between  the  present  management  of  Covent  Garden  Theatre  and 
Mr.  James  Brandon:  with  remarks  on  the  impolicy  of  again 
risking  another  theatrical  war,  alias  an  O.  P.  row!  London, 
1823.  **T.95.37 

Brasseur,  Albert. 

Germain,  A.     Albert  Brasseur.     Paris.     [1898.]     Portraits.     **T.93.i2 
Brayley,  Arthur  Wellington. 

Woods'  Boston  Museum.     What  the  razing  of  an  old  landmark  dis- 
closed.    (/;;  Bostonian,  The.     Vol.  2.  pp.  125-130.     Plate.     Boston. 
//  1895.)  *530i.45.2 

•v^/    Brayley,  Edward  Wedlake. 

Historical  and  descriptive  accounts  of  the  theatres  of  London. 
Illustrated  by  Daniel  Havell.  London.  Taylor.  1826.  vi,  2,  (i\ 
4,  92  pp.     Colored  plates.     Plans.  **T.72.7 

Brazier,  Nicolas. 

Histoire  des  petits   theatres  de  Paris  depuis  leur  origine.      Nouvelle 

edition,  augmentee.     Paris.     Allardin.     1838.     2  v.  **T.79.i3 

Same.     Chroniques  des  petits  theatres  de  Paris.     Reimprimees  avec 

notice,  variantes  et  notes  par  Georges  D'Heylli   [pseud.].     Paris. 

Rouveyre  &  Blond.     1883.     xxxiv,  390  (i)  pp.  **T. 78.63 

Contains   a    reproduction   of  the  title-page  of  the   edition   of    1837. 

Breant  de  Fontenay,  Adolphe,  editor. 

Annuaire  dramatique.     Histoire  des  theatres  depuis  leur  fondation, 

biographic  des  acteurs  de  Paris  et  de  la  banlieue.     Par  Adolphe 

Breant  de  Fontenay  et  ftticnne  de  Champeaux.     Annee  i.  1844/45. 

Paris.      1845.  **T.99.24;  etc. 

Brede,  Charles  Frederick. 

Schiller  on  the  Philadelphia  stage  to  the  year  1830.  (In  German 
American  Annals.     Vol.  7,  pp.  254-275.     Philadelphia.     1905.) 

Another   copy   \h   on    shelf-nwmber    No.  i  in  **H.Sn.iS8.2.  *722I.35.7 

Bremont,  Anna,  Comtesse  de. 

The  world  of  music.  Vol.  2:  Great  singers.  London.  Gibbings. 
1892.      (5).    227   pp.  8049,120;  **T. log. 27. 2 

Brereton,  Austin. 

Henry  Irving.     A  biographical  sketch.     London.     Bogue.     1883.     ix, 

(1),  136  pp.     Portraits.     Facsimiles.  2440.69;  **T.54.22 

The   life   of   Henry    Irving.     New   York.      Longmans,    Green    &   Co. 

1908.     2  V.     Portraits.     Plates.     Autograph  facsimiles.  2440.80 

bibliography  at  the  end  of  each  volume. 
The  literary  history  of  the  Adelphi  and  its  neighljourhood.     With  a 
new  introduction.     New  York.     Duffield  &  Co.     1909.    xi,  294,  (1) 
pp.     Plates.     Map.  2493.164 

Mentions  Garrick  and  his  contemporaries. 

The  Lyceum  and  Henry  Irving.  London.  Lawrence  &  Bullen,  Ltd. 
1903.     xvi,  351  i)p.     Illus.     Portraits,  some  colored.     Facsimiles. 

2571.no 

[146] 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 

Brereton,  Austin.     (Continued.) 

Shakespearean  scenes  and  characters:  with  descriptive  notes  on  the 

plays,  and  the  principal  Shakespearean  players,  from  Betterton  to 

Irving.     London.     Cassell  &  Co.     1886.    96  pp.     Portrait.     Plates. 

Autograph   facsimile.  **G.6i.7 

Some  famous  Hamlets  from  Burbage  to  Fechter.    With  an  appendix 

giving  extracts  from  the  criticisms  on  Hamlet.     London.     Bo,l;uc. 

1884.     viii,   (3),  74  pp.  66oob.ii;**T.97.96 

Contents.  —  Richard  Biirbape,  John  Lowin,  Joseph  Taylor,  and  Thomas  Betterton. 
—  David  Garrick,  John  Henderson,  George  Frederick  Cooke.  —  The  three 
Kembles,  and  Charles  Mayne  Young. — Edmund  Kean,  William  Charles  Macrcady. 
Junius  Brutus  Booth.  —  Charles  John  Kean,  Charles  Albert  Fechter. 

Brereton,  Austin,  editor. 

Dramatic   Notes.     A  year-book  of   the   stage.     1879,    1880/81-84/85, 

89-92.     London.     1879-92.    8  v.  in  5.     Ilius.     Portraits.      **T.26.38 

.Gallery  of  players.     [Quarterly.]     No.  1-9,  11.    From  The  Illustrated 

American.  New  York.  i894[-97].  10  parts  in  i  v.  Portraits.  **T.52.9 

Bressant,  Jean  Baptiste  Prosper. 

PoiNSOT,  A.  E.  Comedie-frangaise.  Bressant  (1833-1877).  Docu- 
ments recueillis  aux  archives  des  Varietes,  du  Theatre  imperial  de 
Saint-Petersbourg,  du  Gymnase  et  de  la  Coinedie-frangaise.  Paris. 
1877.     Portrait.  **T.57.432 

Breviaire,  Le,  des  comediens.     Lelion-Damiens,  L.  E.       **T.77.23i;  etc. 
Brewer,  George,  editor. 

Man,    The,    in    the    Moon.      [Weekly.]      Consisting    of    essays    and 

critiques    on    the    politics,    morals,    manners,    drama,    &c.,    of   the 

present   day.     No.    1-24.     Nov.    12,    1803 -Jan.  28,    1804.     London. 

1804.  **T.26.io 

Brewer,  James  Norris. 

Histrionic  topography:  or,  the  birth-places,  residences,  and  funeral 
monuments  of  the  most  distinguished  actors.  Illustrated  by  en- 
gravings by  J.  &  H.  Storer.  London.  Cole.  1818.  iv.  t,7,  (i)  pp. 
Plates.  **T.c)6.229 

Another  copy  is  on  shelf-number  **G.3923.i7. 

Brewster,  William  Tenney,  translator. 

Vega  Carpio.  L.  F.  de.  The  new  art  of  writing  plays.  New  York. 
1914.  **T.46.6o.i 

Bricauld  de  Verneuil,  Charles  fimile. 

Moliere  a  Poitiers  en  1648  et  les  comediens  dans  cette  ville,  de  T648 

a  1658.    Publie  par  Alfred  Richard.    Avec  une  notice  biographique 

sur  I'auteur.     Paris.     Lecene  &  Oudin.     1887.    60.  d)  pp.       4670.12 

Brichanteau,  actor.     Claretie.  J.  A.  A.  **T.87.i9 

Brichanteau,  comedien.     Claretie,  J.  A.  A.  6699a.27;  **T.87.26 

Bridgeman,  Cunningham. 

Gilbert  and  Sullivan  and  their  operas.  '  With  recollections  and 
anecdotes  of  D'Oyly  Carte  and  other  famous  Savoyards.  By 
Frangois  Cellier  and  Cunningham  Bridgeman.  Boston.  Little. 
Brown  &  Co.     1914.    xxiii,  443  pp.     Portraits.    Plates.    Facsimiles. 

The   second  part  of  the  book  is  by   Bridgeman   alone.  4047.135 

Brie,  Edme  Villequin,  called  De  Brie. 

Constant,  C.  F.     Moliere  a  Fontainebleau  (1661-1664).     Simple  note 

historique.    Suivie  de  la  biographic  du  comedien  De  Brie.     Meaux. 

1873.  **T.55.34 

Brief  chronicles     Winter,  W.  **T.95.7 

Briefe  aus  der  Bretterwelt.     Mueller-Palm,  A.  **T.76.i7i 

[147] 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 


Brieux,  Eugene,  prefacer. 

Clark,  B.  H.,  editor  and  translator.  Four  plays  of  the  Free  Theatre. 
Produced  at  the  Theatre  libre.     Cincinnati.     1915.  66993.289 

Brieux  Saint-Laurent, ,  Vkomte  de. 

Quelqucs  mots  sur  les  danses  modernes.  Paris.  Donniol.  1868. 
48  pp.  **T.96.i47 

Briggs,   John. 

The  history  of  Jim  Crow.  London.  Smallfield.  1839.  (7),  321,  ( i)  pp. 
A  novel  of  theatrical  life.  **T.87.6 

Bright,  Addison,  editor. 

Theatre,  The.  A  monthly  review  and  magazine.  .July  1877 -Dec. 
1897.     London.     1877-1897.    41  v.     Illus.     Portraits.  *='=T.25.i 

Bright,  Mynors,  editor. 

Pepys,  S.  Diary  and  correspondence,  from  his  MS.  cypher  in  the 
Pepysian  library,  with  a  life  and  notes  by  Richard,  Lord  Bray- 
brooke.     London.     1875-79.     6  v.     Portraits.     Plates.  2541.55 

Brighton,  England.     Tlieatres. 

Porter,  H.  C.  The  history  of  the  theatres  of  Brighton,  from  1774 
to  1885.     Brighton.     1886.  **T.76.48 

Brindeau,  Louis  Paul  fidouard. 

PoiNSOT,  A.  E.  Brindeau:  societaire  retire  de  la  Comedie-frangaise 
(1814-1882).     Paris.     1882.     Portrait.  **T.57.i7 

Brinton,  Selwyn  John  Curwyn,  translator. 

BoRSA,  M.     The  English  stage  of  to-day.     London.     190S. 

2556.142  ;**T.46.i4 
Brisson,  Adolphe,  editor. 

Sakcev,  F.  Quarante  ans  de  theatre.  (Feuilletons  dramatiques.) 
Paris.     1900-1902.    8  V.     Portraits.  4676.114;  **T.47.i 

Bristol,  England.     Theatres. 

Jenkins,  R.     Memoirs  of  the  Bristol  stage,  from  the  period  of  the 

theatre  at  Jacob's  Well,  down  to  the  present  time;  with  notices 

of   some   of   the   most   celebrated    comedians   who   have   appeared 

on  its  boards.     Bristol.     1826.  "**T.77.i8o;  etc. 

British  Fire  Prevention  Committee. 

The  fire  at  the  Iroquois  Theatre,  30th  December,  1903,  comprising  a 
descriptive  paper  by  Edwin  P.  Sachs.  The  new  theatre  regula- 
tions at  Chicago,  the  verdict  at  the  inquest,  with  some  construc- 
tional particulars  by  the  National  Fire  Protection  Association, 
U.  S.  A.  London.  1904.  46  pp.  Plates.  Plans.  [Publications. 
No.  81.]  4019.263 

Theatre  exits.  A  paper  by  Alfred  Darl)yshire.  With  a  description 
and  plan  of  Sir  Henry  Irving's  "safety  theatre."  London.  1898. 
14  pp.  *40i9.i43 

British    theatre.    The.      Containing    the    lives    of    the    English    dramatic 

poets.     [Anon.]      See  Chetwood,  William   Rufus. 
British   theatre.   The,   and   the    Church   of   England    contrasted;    or,    an 
attempt  to  shew  the  inconsistency  of  stage  entertainments  with 
the  profession  of  Christianitv.     Sheffield:   Sold   by  John   Smith. 
[177-?]  '  **T.96.ii9 

British  theatrical   gallery.     Terry,  D.  **T.52.i;etc. 

J  Broadbent,  R.  J. 
xj  A    history   of   pantomime.      London.      Simpkin,    Marsliall,    Hamilton, 

Kent  &  Co.,  Ltd.     [1901.]     226,  (r)  pj)  2576.179;  **T.97. 306 

Brockmann,  Johann  Franz  Hieronymus. 

Scin-\K.  J.  F.    Ueber  Brockmann's  Hamlet.    Berlin.    1778.    **G.39i6.5 

[1481 


BROWN   COLLECTION    OF   BOOKS    ON    THE   STAGE 

Brodmeier,  Cecil. 

Die  Shakespeare- Biihne  nach  den  altcn  Bulinenanweisungen.  Weimar. 
Huschke.     1904.     (3),   115,    (2)   pp.     Plans.  4594-155 

Brook,  Nathaniel. 

A  true,  perfect,  and  exact  catalogue  of  all  the  comedies,  tragedies, 
tragi-comedies,  pastorals,  masques,  and  interludes,  that  were 
ever  yet  printed  and  published,  till  1661,  which  you  may  either 
buy  or  sell  at  the  shops  of  Nath.  Brook,  Francis  Kirkman,  Tho. 
Johnson  and  Henry  Marsh.     [London.]     1661.     16  pp.        **T.67.3 

There  is  no  title-page.     Another  copy  is  on  shelf-number  No.  2  in  **G.38io.5  i. 

Brooke,  Gustavus  Vaughan. 

Lawrence,  W.  J.  The  life  of  Gustavus  Vaughan  Brooke,  tragedian. 
Belfast.     1892.     Portrait.  2541.129;  **T. 55. 15 

Brookfield,  Charles  Hallam  Elton. 

Random  reminiscences.     London.     Arnold.     1902.     xi,  305  pp.     Por- 
trait.    Autograph  facsimile.  **T.55.82 
Same.     4th  impression.     1903.  4545.182 
Brooklyn,  Nezv  York.    Fire  Marshal. 

The    fire    in    the    Brooklyn    Theatre    (December    5,    1876).      Special 

report  of  the  Fire  Marshall.     Official  list  of  those  who  lost  their 

lives  by  the  accident.     Evidence  taken  as  to  the  cause  of  the  fire. 

Brooklyn.     1876.     70  pp.  **T.95.4o 

Brooklyn,  New  York.     Theatres. 

Harrison,  G.    A  history  of  the  progress  of  the  drama,  music  and  the 
fine  arts  in  the  City  of  Brooklyn.     Brooklyn.     1884.     Illus.     Por- 
traits. **T.92.4 
Lansing  &   Co.,   publishers.      Interior   views    (with    seats    numbered). 
New    York    &    Brooklyn    theatres.      [New    York.]      1880.      Plans. 

**T.97.8i 
Brooklyn,  A^  Y.     Theatres.     Brooklyn  theatre. 

Holocaust,  The,  at  the  Brooklyn  theatre.  With  interment  and 
memorial  services,  and  official  list  of  the  dead  and  missing. 
Brooklyn.      1876.  No.  15  in  *4477.52 

Theatre  holocaust,  Brooklyn,  N.  Y.,  December  5,  1876.  [Newspaper 
clippings.]  Brooklyn.  1876.  Plates.  Portraits.  **T.Cab.i.i8 
Thrilling  personal  experience.  A!  Brooklyn's  horror.  Wholesale 
holocaust  at  the  Brooklyn,  New  York,  Theatre,  on  the  night  of 
December  5th,  1876.  Origin,  progress  and  devastation  of  the  fire. 
Philadelphia.     Barclay  &  Co.     [1877.]     62  pp.     Portraits.     Plates. 

**T.75.8i 
Brotanek,  Rudolf. 

Die  englischen  Maskenspiele.  Wien.  Braumiiller.  1902.  xiv,  (i), 
371  pp.  [Wiener  Beitrage  zur  englischen  Philologie.  Band  15.] 
Bihliographie,  pp.   339-366.  *4552.55'I5 

Brouc,  Martial. 

Hygiene  philosophique  des  artistes  dramatiques,  ou  traite  des  causes 
physiques,  intellectuelles  et  morales,  qui  engendrees  ou  favorisees 
par  I'exercice  de  I'art  dramatique,  peuvent  compromettre  la  sante 
des  artistes  qui  cultivent  cet  art.     Paris.     Trinquart.      1836.     2  v. 

**M.i4i.io 
Brouchoud,  Claude  Anne  Frangois. 

Les  origines  du  theatre  de  Lyon.  Mysteres,  farces  et  tragedies, 
troupes  ambulantes  - — Moliere,  avec  notes  et  documents.  Lyon. 
Scheuring.      1865.      (4),    88,    (i)    pp.      Manuscript    facsimiles. 

**T.7S,28 

[149] 


THE  PUBLIC  LIBRARY  OF   THE   CITY   OF  BOSTON 


Brough,  Robert  Barnabas. 

Marston  Lynch,  his  life  and  times.  A  personal  biography.  With  a 
memoir  of  the  author  by  George  Augustus  Sala.  London.  Ward 
&  Lock.     i860,     xi,  354  pp.     Portrait.  **T.58.i26 

Brougham,  John. 

Life,  stories,  and  poems.  Edited  by  William  Winter.  Boston.  Osgood 
&  Co.  1881.  461  pp.  Illus.  Portraits.  Plates.  Manuscript  fac- 
simile. 2454.51;  **T.57.i82 

Anotlnr  copy  is  on  shelf-number  *A.ii69. 

Brown,  Alexander  Menzies. 

Moliere  and  his  medical  associations.  Glimpses  of  the  court  and 
stage  —  The  faculties  and  physicians  of  the  Grand  siecle.  Lon- 
don.    The  Cotton  Press.     1897.     xxvii,  231,  (i)  pp.  **T.55.78 

Bibliography,  p.    Ci). 

Brown,  Allen  Augustus,  compiler. 

Dramatic  and  musical  personals.  [Boston.  1903-1914.]  13  v.  Illus. 
Portraits.  **T.i4.4 

Composed  of  clippinjrs  from  newspapers,  magazines,  etc.  Each  volume  has  an 
index. 

Magazine  articles.  Drama.  Vol.  1-63;  new  series,  vol.  1-33.  [Bos- 
ton. 1882-1916.]  96  V.  Illus.  Portraits.  Plates.  Map.  Music. 
Manuscript  facsimiles.  **T.i5.i 

Composed  of  articles  cut  from  magazines,  with  a  few  programmes,  prospectuses 
and  newspaper  clippings.  Each  volume  has  an  index.  A  general  index  to  vol. 
1-56,  and   N.   S.,  vol.    1-23,  is  on  shelf-number  **T.i5.ia. 

Magazine  articles.  Ibsen.  [Boston.  1906.]  i  v.  Illus.  Portraits. 
Autograph  facsimiles.  **T.i5.3 

Composed  of  magazine  articles,  newspaper  clippings,  programmes,  etc.  There 
is  an   index. 

The  matinee  girl.     (Boston.     1906,  12.]     2  v.     Illus.     Portrait. 

**T.i4.6 

Composed  of  clippings  from  The  matinee  girl  column  of  the  New  York  Dramatic 
Mirror,  conducted  by  Kate  Masterson,  and  relating  principally  to  the  American 
stage. 

Notices  of  plays.      [Boston.     1901-16.]      25  v.     Illus.     Portraits. 

**T.i4.3 

Composed    of    newspaper    and     magazine    clippings,    programmes,     prospectuses, 
etc.     Each  volume  has  an  index. 
Programmes,  musical  and  dramatic.     [Boston,  etc.     1887-94.]      2  v. 

There  is  an  index  in  each  volume.  **M.37I»I3 

Sarah  Bernhardt.  [Boston.  1910.]  (5),  239  pp.  Illus.  Portraits. 
Plans.     Facsimile.  **T.i4.8 

(Composed  of  clippings  from  newspapers,  programmes,  prospectuses,  etc.    Indexed. 

Theatres.     [Boston.     i90-?-i9i3.]     2  v.    Illus.     Portraits.  **T.i4.5 

Composed   of   clippings    from    newspapers.      Each    volume   has    an   index. 

Theatrical  biographies.     [Boston.     1901-14.]     22  v.     Illus.     Portraits. 

**T.i4.2 

Composed  of  clippings  from  newspapers  and  magazines,  relating  principally  to 
the  American  stage.     Each  volume  has  an  index. 

Theatrical  topics.  [Boston.  1900-16.]  26  v.  Illus.  Portraits.  Dia- 
grams.    Facsimile.     Autograph  facsimiles.  **T.i4.i 

Composed  of  clippings  from  newspapers,  magazines,  prospectuses,  programmes, 
etc.,  relating  principally  to  the  American   stage.      Each  volume  has  an   index. 

The  Usher.     1900-09.     Scrap-book.     [Boston.     1909.]      i  v.       **T.i4.7 

Composed  of  clippings  from  The  Usher  column  of  the  New  York  Dramatic 
Mirror,  relating  principally  to  the  .'\merican  stage. 

Brown,  Arthur  King,  compiler 

Dramatic  and  musical  photographs  [with  indexes.  Boston.  1911-14]. 
14  V.     Illus.     Portraits.     Plates.  **T.i2.i 

[150] 


BROWN   COLLECTION    OF  BOOKS    ON    THE   STAGE 

Brown,  .\rthur  King,  compiler.     (Continued.) 

[Engravings  made  from  drawings  by  Moreau  to  illustrate  Voltaire's 
plays  in  the  CEuvres  completes  edited  by  P.  A.  Caron  dc  Reau- 
marchais  and  others.]      1914.     29  plates.  **T.42.6 

Theatrical  miscellanies.  Vol.  1-5;  new  series,  vol.  1-3.  [Boston. 
1910-13.]  8  V.  Illus.  Portraits.  Plates.  Plans.  Manuscript 
facsimiles.  **T.i4.9 

Composed  of  theatrical  programmes,  prospectuses,  etc.  Many  of  the  pictures 
-ire  colored.     Each  volume  has  an  index. 

Brown,  Frank  Chouteau,  compiler. 

.\  selective  list  of  essays  and  books  about  the  drama  and  the  theatre, 
exclusive  of  biography.  [Chicago.]  The  Drama  League  of 
America.     [1912.]     27  pp.  2175.74 

Brown,  James  Hutchinson. 

Catalogue  of  [his]  extensive  dramatic  collection.  To  be  sold  by 
auction,  April  12 -June  16.  C.  F.  Libbie  &  Co.,  auctioneers. 
Boston.     1898.     3  V.  in  i.     Portrait.  **T.65.9 

Brown,  John. 

The  stage:  a  poem.     London.     Souter.     1819.     (i),  50  pp. 

Relates  to  the  actors  at  the  I^ondon  theatres.  No.  I3  in  **G.3823.l8 

Brown,  Mary  A.,  compiler. 

Magazine  articles.  Drama.  Compiled  by  Allen  A.  Brown.  General 
index  to  Vol.  1-56;  N.S.  vol.  1-23.  Compiled  by  Mary  A.  Brown. 
Manuscript.     [Boston.     191-?]     (122)  ff.  **T.i5.i.\ 

The   volumes   to   which   this   is   an   index   are  on   shelf-number   **T.  15.1. 

Brown,  Ray,  illustrator. 

Smith,  H.  B.  Stage  lyrics.  With  illustrations  by  Archie  Gunn, 
Ray   Brown  and  E.  VV.  Kemble.     New  York.     1900.  *4396.i75 

Brown,  Thomas. 

The  life  of  the  late  famous  comedian,  Jo.  Hayns.  Containing,  his 
comical  exploits  and  adventures,  both  at  home  and  abroad.  [Anon.] 
London,  Printed  for  J.  Nutt.  1701.  (8),  63,  (i)  pp.  **T.58.i46 
The  stage-beaux  toss'd  in  a  blanket:  or,  hypocrisie  alamode:  expos'd 
in  a  true  picture  of  Jerry,  a  pretending  scourge  to  the  English 
stage.  A  comedy.  With  a  prologue  on  occasional  conformity; 
being  a  full  explanation  of  the  Poussin  Doctor's  book;  and  an 
epilogue  on  the  reformers.  [Anon.]  London,  Printed,  and  sold 
by  J.  Nutt.     1704.     (12),  60,  (3)  pp.  **T.36.35 

A  satire  on  Jeremy  Collier's  attacks  on  the  stage. 

Wit  for  money:  or.  Poet  Stutter:  a  dialogue  between  Smith,  Johnson, 
and  Poet  Stutter.  Containing  reflections  on  some  late  plays;  and 
particularly  on  Love  for  money,  or,  the  boarding-school.  [Anon.] 
London:   Printed  for  S.   Burgis.      1691.     (6),  30  pp. 

No.  2  in  **G.3824.2 

Thomas  Durfey,  the  author  of  Love  for  money,  is  represented  in  the  character 
of  the  Poet  Stutter.  The  dedication  is  signed  Critick  Catcall.  This  work  is 
attributed    in    the    Dictionary    of    National    Biography   to   Thomas    Brown. 

Brown,  Thomas  Allston. 

History  of  the  American  stage.  Containing  biographical  sketches; 
of  nearly  every  member  of  the  profession  that  has  appeared  on 
the  American  stage,  from  1733  to  1870.  New  York.  Dick  & 
Fitzgerald.      [1870.]      421   pp.     Portraits.     Autograph   facsimile. 

4444.23  ;**T.56.256 

History  of  the  New  York  theatres.  [New  York.  1888.]  (90)  pp. 
Portrait.  **T.Cab.i.i3 

Consists  of  clippings  from  the  New  York  Clipper  for  1888;  it  was  reprinted 
under  the  following  title. 

[ISIJ 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 

Brown,  Thomas  AUston.     (Continued.) 

A  liistory  of  the  New  York  stage  from  the  first  performance  in  1732 
to  1901  New  York.  Dodd,  Mead  &  Co.  1903.  3  v.  *4395.i76 
The  showman's  guide.  Containing  the  names  of  all  the  principal 
halls  used  by  traveling  exhibitions  in  the  United  States  and 
British  Provinces.  3d  edition.  New  York.  Brown.  [1874.]  (4), 
75  pp.  **T.77.2oo 

Brown,  Thomas  Allston,  prcfaccr. 

Day,  C.  H.  Fun  in  black;  or,  sketches  of  minstrel  life.  With  The 
origin  of  minstrels)%  by  T.  Allston  Brown,  giving  a  history  of 
Ethiopian    minstrelsy    from    1799.      New    York.      1874.      Illus. 

**T.97,32i 
Browne,  Charles  Farrar.     (Artemus  Ward.) 

Artemus  Ward's  lecture  [on  the  Mormons.  Panorama].  (As  de- 
livered at  the  Egyptian  Hall,  London.)  Edited  by  his  executors, 
T.  W.  Robertson  &  E.  P.  Hingston.  London.  Hottcn.  1869. 
'97.   (4)   PP-     Illus.     Plates.     Autograph  facsimile.  4507.31 

Another  copy  is  on  shelf-number  *A.i  185.6. 

Same.  Artemus  Ward's  panorama.  (As  exhibited  at  the  Egyptian 
Hall,  London.)  Edited  by  his  executors,  T.  W.  Robertson  &  E.  P. 
Hingston.     New  York.     Carleton.     1869.     213  pp.     Illus.     Plates. 

Another  copy  is  on  shelf-number  *A.ii85.4.  4507-39 >  **'!'. 97. 257 

Browne,  Charles  Farrar.     Works  about. 

Hingston,  E.  P.  The  genial  showman.  Reminiscences  of  the  life 
of  Artemus  Ward  and  pictures  of  a  showman's  career  in  the 
western   world.     London.      [1870.!      2  v.     Colored  plates. 

4446.213;  **T.57.i67 

Same.     New  York.     1870.     Illus.     Plates.     4446.294;  **T.56.322 

Browne,  Edith  A. 

W.  S.  Gilbert.  London.  Lane.  1907.  x,  (i),  96  pp.  Portraits. 
Plates.     Autograph  facsimile.     [Stars  of  the  stage.]  45493.198 

Bibliography   of  the  plays  of  W.    S.    Gilbert,   pp.   95,   96. 

Browne,  Hablot  Knight  ("Phiz"),  illustrator. 

Raymond,  G.  Memoirs  of  Robert  William  Elliston,  comedian.  With 
illustrations  by  George  Cruikshank  [and]  "Phiz"  f  pseud,  of 
Hablot    Knight    Brown].      London.      1844,   45.      2   v. 

**T.56.2i6;etc. 
Brownell,  Atherton. 

Boston  theatres  of  today.  {In  Bostonian,  The.  \'ol.  2,  pp.  655-673. 
Illus.     Portraits.     Plates.     Boston.     1895.)  *53oi.45.2 

Brownrigg,  Henry. 

Some  account  of  a  stage  devil.     [London.     1838.]     242-250  pp. 

No.  II  in  **G.3822.3 

From   the   New   Monthly   Magazine    [Colburn's],    1835    [Periodical    Room    *.i3i7.- 
1.45].      Relates   to   George   Wieland's   impersonation   of   the   devil   in    the    London 
theatres. 
Brownsmith,  John. 

The  dramatic  time-piece:  or  perpetual  monitor.  A  calculation  of  the 
length  of  time  every  act  takes  in  the  performing  in  all  the  acting 
plays  at  the  Theatres-Royal  of  Drury-Lane,  Covent-Gardcn,  and 
Hay-Market.  London:  Printed  for  J.  Almon.  1767.  (4),  75,  14) 
pp.  **T.48.5 

The  rescue:  or,  Thespian  scourge.  Being  a  critical  enquiry  into  the 
merit  of  a  poem,  intituled,  Thespis.  With  some  candid  remarks 
on    the    modesty,    good-nature,    and    impartiality    of    that    piece. 

[152] 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 


Brownsmith,  John.     (Continued.) 

Written  in  Hudil)rastic  verse.     London:  Printed  for  J.  Williams. 
1767.     (3),  28  pp.  **T.54.27 

Kully's   Thespis    may   be   found    on    shclf-numhcrs    **T.94.5 ;    **T.54.26. 

Bruce,  John,  F.S.A. 

Who  was  "Will,  my  lord  of  Leycester's  jesting  player?"  {In  Shake- 
speare Society,  London.  Papers.  Vol.  i.  pp.  88-95.  London. 
1844.)  4596.11. 1 ;  **G.3927.37.i 

On   an   allusion   in   one   of   Sir   Philip   Sidney's   letters. 

Bruening,  Ida. 

Le  theatre  en  Allemagne.     Son  origine  et  ses  luttes.      (1200-1760.) 
Preface  de  Henri  de  Lapommeraye.     Paris.     Plon,   Xourrit  &  c'e. 
[1887.]     (3),  xii,  295,  (i)  pp.     Portraits.     Plate.     2860.68;  **T.77.93 
Brune,  Clare,  translator. 

Lauw,  L.     Fourteen  years  with  Adelina  Patti.     London.     1884. 

4049.96;  **M. 146.12 
Brunet,  Gustave.     See  Brunet,  Pierre  Gustave. 
Brunet,     Marguerite.       See     Montansier,     Marguerite     Brunet,     called 

Mademoiselle  Montansier. 
Brunet,  Pierre  Gustave,  editor. 

DiNAUX,  A.  M.  Les  societes  badines,  bachiques,  litteraircs  et 
chantantes.  Leur  histoire  et  leurs  travaux.  Paris.  1867.  2  v. 
Portrait.  **T.96.i5 

Brunetiere,  Ferdinand.     See  Brunetiere,  Marie  Ferdinand. 
Brunetiere,  Marie  Ferdinand. 

Les  epoques  du  theatre  frangais.  (1636-1850.)  Paris.  Levy.  1892. 
^S)-  .373.  (i)  PP-  [Conferences  de  I'Odeon.]  2694.93;  **T.47.76 
The  law  of  the  drama.  With  an  introduction  by  Henry  Arthur  Jones. 
New  York.  1914.  (5),  94,  (i)  pp.  [Columbia  University.  Dra- 
matic Museum.  Publications.  Series  i.  Papers  on  play-making. 
No.  3.]  **T.46.6o.3 

Bruni,  Geminiano,  and  others. 

Albo  pittorico  di  alcune  feste  raodenesi  nella  fausta  occasione  delle 
nozze  auguste  tra  I'A.  R.  dell'  Arciduca  Francesco  Ferdinando, 
Principe  Ereditario  di  Modena  e  S.  A.  R.  la  Principessa  Adelgonda 
di  Baviera.     Modena.     Soliani.     1842.     (16)  ff.     Plates.        **T.92.3 

The   preface   is   signed :    Bruni    Geminiano,    Cappelli   Agostino,    Berselli   Giovanni. 

Brunier,  Ludwig. 

Friedrich  Ludwig  Schroder.  Ein  Kiinstler-  und  Lebensbild.  Leipzig. 
Weber.     1864.     x,  (i),  388  pp.  28493.53;  **T.57.383 

Brunier,  Ludwig,  editor. 

Bauer,  C.  Caroline  Bauer.  (Grafin  Broel-Plater.)  Ein  Lebensbild 
aus  ihren  Briefen.     Bremen.     1879.  2847.56 

Brunsv/ick,  The:  a  poem.     [Anon.]     See  Thomson,  Charles. 
Brunswick,  Germany.     Theatres. 

Glaser,  a.  Geschichte  des  Theaters  zu  Braunschweig.  Eine  kunst- 
geschichtliche   Skizze.      Braimschweig.      1861.  28703.98 

Brunswick,  Germany.     Theatres.     Nationaltheater. 

Kopp,  H.  Die  Biihnenleitung  Aug.  Klingemanns  in  Braunschweig. 
Mit  einem  Anhang:  Die  Repertoire  des  Braunschweiger  National 
Theaters.     Hamburg.     1901,  6872.59 

Brussels,  Belgium.     Theatres.     Theatre  de  la  Monnaie. 

IsNARDON,  J.  Lc  Theatre  de  la  Monnaie  depuis  sa  fondation  jusqu'a 
nos  jours.     Bruxelles.     1890.     Portraits.     Plates.     Facsimiles. 

**T.74.5 

[1531 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 


Brussels,  Belgium.     Theatres.     Theatre  flamand. 

Baes,  J.  Theatre  flamand  a  Bruxelles.  Bruxelles.  [1893.]  Plates, 
one  colored.     Plans.  *Cab. 60.70.5 

Bryan,  Alfred,  illustrator. 

Entr'acte  Annual,  The.  1873,  76,  80-99.  Compiled  by  W.  H.  Combes. 
Illustrated  by  Alfred  Bryan.  London.  1873-99.  22  v.  in  6.  Illus. 
Portraits.     Plates.  **T.25.5 

Fit?gerald,  p.  H.  Music  Hall  land.  An  account  of  the  natives,  male 
and  female,  pastimes,  songs,  antics,  and  general  oddities  of  that 
strange  country.     London.      [1890.]      Illus.  **T.96.i99 

Hatton,  J.  Reminiscences  of  J.  L.  Toole.  Related  by  himself,  and 
chronicled  by  Joseph  Hatton.  Illustrations  by  Alfred  Bryan  and 
W.  H.  Margetson.  London,  1889.  2  v.  Illus.  Portraits.  Auto- 
graph facsimiles.  4545.104;  **T.56.22i 
Ross,  C.  H.  "Stage  whispers,"  and  "shouts  without."  A  book  about 
plays  and  playgoers,  actors  and  actresses.  With  colored  costumes 
by  Archibald  Chasemore,  heads  by  Alfred  Bryan,  comic  scenes 
by  Judy's  artists,  and  chatter  at  the  wing  by  Charles  H.  Ross. 
London.  [1881.]  Illus.  Portraits.  Plates.  **T.96.237 
Buc,  Sir  George. 

Cunningham,  P.  Sir  George  Buc  and  the  office  of  the  Revels.  (In 
Shakespeare  Society,  London.  Papers.  Vol.  4,  pp.  143,  144. 
London.     1849.)  *4596.ii.4;  etc. 

Buck,  Charles.     See  Bucke,  Charles. 
Buck,  Lillie  West  Brown.     (Amy  Leslie.) 

Some   players.      Personal   sketches.      Chicago.     Stone   &   Co.      1899. 
(7),  624,  (i)  pp.     Portraits.     Manuscript  facsimiles.  **T,55.6 

Another  copy  is  on  shelf-number  *2242.67. 

Bucke,  Charles. 

Defence,  A,  of  Edmund  Kean.  Being  a  reply  to  Mr.  Buck's  [sic] 
preface,  and  remarks  on  his  tragedy  of  the  "Italians."  London. 
[1819.]  **T.96,i8;  etc. 

Friend,  A,  to  justice,  pseud.  A  reply  to  the  Defence  of  Edmund 
Kean.  With  observations  in  answer  to  the  remarks  on  the 
tragedy  of  "The   Italians."     London.      1819.  **T.96.i9 

Macauley,  E.  W.  Theatric  revolution,  or  plain  truth  addressed  to 
common  sense.     London.     18x9.  **T.96.2o;  etc. 

Buckham,  Philip  Wentworth. 

The  theatre  of  the  Greeks,  or  the  history,  literature,  and  criticism  of 
the  Grecian  drama;  with  an  original  treatise  on  the  principal  tragic 
and  comic  metres.  2d  edition.  Cambridge.  Grant.  1827.  x.  (i), 
495  PP-  495oa.24 

Same.     3d  edition.     Dcighton.     1830.     viii,   (4),  572  pp.  **T.46.6 

Same.  4th  edition.  With  a  new  introduction  and  other  alterations. 
Cambridge.      1836.     viii,  598  pp.     Plan.     Tal)le.  2952.1 

Buckingham,  Joseph  Tinker,  editor. 

Comet,  The.  [Weekly.]  By  Walter  Wildfire  [pseud.].  No.  [i-]i3- 
Oct.  19,   iSii-Jan.  II,   1812.     [Boston.]     1811.   12.  **T. 26.40 

Buckle,  James  George. 

Theatre  construction  and  maintenance.  Hints  and  suggestions  on 
planning,  construction,  lighting,  fire  prevention,  and  the  general 
structural  arr^mgements  of  a  model  theatre.  Regulations  pre- 
pared by  the  Metropolitan  Board  of  Works  and  the  Lord  Chamber- 
lain.    London.     "The  Stage"  office.     1888.     157  pp.     Plate. 

8094.30;  **T.75.3 

[154] 


BROWN   COLLECTION    OF  BOOKS    ON    THE   STAGE 

Buckley,  James  Monroe. 

Christians  and  the  theater.  New  York.  Nelson  &  Phillips.  1876. 
(2),  156  pp.  ,  3450.80 ;**T.77.88 

In  opposition  to  the  theatre. 

Buckley,  Reginald  R. 

The  Shakespeare  revival  and  the  Stratford-upon-Avon  movement. 
With  chapters  on  folk-art  by  Mary  Neal,  a  Foreword  by  F.  R. 
Benson,  and  an  introduction  by  Arthur  Hutchinson.  London. 
Allen.     191 1.    XX,  237,  (i)  pp.    Portraits.     Plates.     Maps.    4598.50 

Hutchinson's    introduction    is    entitled:    The    Shakespeare    Memorial    Theatre    at 
Stratford-upon-Avon.     A  record  of  its  work.     Buckley's  part  of  the  book  has  the 

special  title,  The  nature  of  the  drama. 

Buckskin  Mose,  pseud.    See  Perrie,  George  W. 

Buckstone,  George  B.,  editor. 

CoLMAN,  G.,  the  Younger.  Broad  grins,  My  nightgown  &  slippers, 
and  other  humorous  works,  prose  and  poetical.  Now  first  col- 
lected. With  life  and  anecdotes  of  the  author.  London.  [1872.] 
Plate.  6568.159;  **T.97.89 

Buckstone,  John  Baldwin,  editor. 

Abbot,  W.  Posthumous  papers.  (In  Chapman's  Magazine.  Pp.  213- 
221,  280-288,  330-335,  396-414-     London.      1844.)  **T.26.37 

Buechting,  Adolph,  compiler. 

Bibliotheca  theatralis  oder  Verzeichniss  aller  in  Bezug  auf  das 
Theater  in  1847-1866  im  deutschen  Buchhandel  erschienenen 
Biicher  und  Zeitschriften.  Mit  Ausschluss  der  Theaterstiicke, 
aber  mit  Berucksichtigung  aller  Erlauterungsschriften  zu  densel- 
ben.  Mit  einem  ausfiihrlichen  Sachregister.  Nordhausen.  Biich- 
ting.     1867.     48  pp.  **T.68.2 

Catalog  der  in  den  Jahren  1850-69  in  deutscher  Sprache  erschienenen 
Theaterstiicke  in  Original  und  Uebersetzung.  Nordhausen. 
Biichting.     1860-70.     3  v.  in   i.  **T,67.4 

Buehne  und  Leben.     Loen,  A.,  Freiherr  von.  6898.203 

Buehne  und  Welt.  [Semi-monthly.]  Zeitschrift  fiir  Theaterwesen, 
Literatur  und  Musik.  Herausgegeben  und  geleitet  von  H. 
Stiimcke.  Jahrgang  1-17.  Berlin.  Eisner  [&  Wigand.  1898-] 
1915.    17  V.  in  33.    Illus.    Portraits.    Plates.    Manuscript  facsimiles. 

**T.24.i 

The   title   varies   slightly.      The    title-page   and    index   are   lacking   in    Tahrgang    i 
(Halbb.   I). 

Buehnenreform  und  Volkstheater.     Frey,   E    F.  **T.75.23 

Buehnensterne.     Freund,  J.  **T.88.i3 

Buenos  Ay  res,  Argentina. 

Bosch,  M.  G.  Historia  de  la  opera  en  Buenos  Aires.  Origen  del 
canto  i  la  musica.  Las  primeras  compaiiias  i  los  primeros  can- 
tantes.     Buenos  Aires.     1905.  40493.121 

Buffalo  Bill.     See  Cody,  William  Frederick. 

Buffoons.     See  Clowns  and  fools. 

Buguet,  Henry. 

Coulisses  de  bourse  et  de  theatre.  [Par]  Edmond  Benjamin  et  Henry 
Buguet.     Paris.     Ollendorf.     1882.     viii,  273  pp.     Illus.     **T.97.223 

Iv'elatei  'lO    Paris. 

Foyers  et  coulisses.  Histoire  anecdotique  des  theatres  de  Paris. 
Paris.     Tresse.     1873-S5.     14  v.  in  7.     Portraits.  **T.79.2 

Contents.  —  i.  Folies-Dramatiques.     2.   Bouffes-Parisiens.     3.  Varietes.     4.  Palais- 
Royal.     5.  Comedie-Frangaise.     6.  Vaudeville.     7.  Gaite.     8.  Opera.     9.  (Jymnase. 

[155] 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 


Buguet,  Henry.     (Continued.) 

10.  Poile-Saint-Martin.     ii.  Odeon.     12.  Ambigu-Comique.     13.  Renaissance.     14. 

Opera-Comique. 

Livraisons    1-4,   6,   7,    10-13   are  by   Henry   Buguet;    livraisons   s,   8   and    14,   by 

Antoine   Edmond    Poinsot.      Livraison   9   is   anonymous,   but   is   attributed   in   the 

catalogue   of    the    Ribliotheque   Nationale   to    Henry    Buguet. 

Bull,  John,  pseud. 

Covent  Garden  Theatre!!  Remarks  on  the  cause  of  the  dispute 
between  the  public  and  managers  of  the  Theatre  Royal,  Covent 
Garden.     London.     Fairburn.      [1809.]     45  pp.     Plate. 

No.  5  in  **G.382i.5 

Relates  to  Kemble  and  the  Old  Prices  Riot  in   1809.     The  plate  is  a  caricature  by 
I.  Cruikshank  of  The  house  that  Jack  built. 

Bull-fighting. 

Gautier.  T.     Militona.     Bruxelles.     1847.  **T.89.4 

Bullock,  Charles. 

Popular  recreation.  (A  church  congress  paper.)  The  theatre  as  it 
is;  and  the  Ober-Ammergau  play.  London.  "Hand  and  Heart" 
publishing  office.     [1880.]     80  pp.  **T.97.i6o 

Bully,  Eugene  Auguste  Roger  de.     (Roger  de  Beauvoir.) 

Memoires  de  Mademoiselle  Mars  (de  la  Comedie  frangaise).     Paris. 

Roux  &  Cassanet.     1849.     2  v.  **T.56.67 

L'Opera.     Dessin  par  J.  A.  Beauce.     Paris.     Havard.     1854.     96  pp. 

Plate.  **M.377.30 

Bully,  Leocadie  Aimee  de,  editor. 

Mars,  A.   F.   H.  B.-M.     Confidences   de   M'le  Mars.     Paris.      1855. 

**T.58.94 
Bunkum,  Petite,  pseud. 

The  autobiography  of  Petite  Bunkum,  the  showman:  written  by 
himself.     New  York.     The  Author.     1856.     64,    (i)    pp.     Illus. 

A  satirical  life  of  Phineas  T.   Barnuni.  **T.97.262 

Bunn,  Alfred. 

The  case  of  Biuin  versus  Lind,  with  a  series  of  letters  from  plaintiff 

and    defendant.      To    which    are    added    notes    explanatory    and 

critical.     London.     Johnson.     1848.     73  pp.  No.  9  in  **M. 149.8 

A  grand  commemoration  of  the  departed  genius  of  music!     Malihran. 

[Verses.]     London.    Wright.     [1836.]     7,  (i)  pp.    Plate.    **T.36.7i 

Another  copy   is   on   shelf-number   No.  2  in  **M.  147.34. 

A  letter  to  the   Rev.  J.  A.  James,  of  Carr'a   Lane   Meeting   House. 

With  notes,  critical,  religious  and  moral.    3d  edition.     Birmingham. 

The  Author.     1824.     (3),  34  pp.  **T.36.64 

Same.     7th  edition.  **T.96.203 

Same.     8th  edition.  **T.96.29 

The  stage:  both  before  and  behind  the  curtain,  from  "observations 

taken  on  the  spot."     London.     Bentley.     1840.     3  v. 

6574.15;  **T.76.i65 

The  title-page  is  missing  in  vol.    i   of  the  copy  on  shelf-nunibcr  6574.15.     Relates 
principally  to  the  London  stage 

Same.     Philadelphia.     Lea  &   P.lanchard.      1840.     2  v.  *6574.34 

Bunn,  Alfred,  translator. 

CoRALLi,  J.,  and  E.  Burat  de  Gurgv.  [The  devil  on  two  sticks.] 
Programme  of  the  story,  scenery,  and  dances.     London.     [1836.] 

**T.36.72 

Decombe,    F.    a.      [The    fairy    slipper.]      Programme    of    the    story. 

scenery,  and  dances.     London.     1 1834.]  **T.36.67 

Taglioni,  p.     [The  revolt  of  the  harem.]      Programme  of  the  story. 

scenery,   and   dances.     London.      [1834.]  **T.36.23;  etc. 


[156] 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 

Bunn,  Alfred.     Works  about. 

Adam,  J.  R.  "A  word"  with  Buiin,  after  Burns's  "Address  to  the 
Deil."     London.     [1847.]  **T.57.303 

Letter,  A,  to  Mr.  Alfred  Bunn,  Manager  of  the  Theatre  Royal, 
Birmingham;  being  a  review  of  his  epistle  to  the  Rev.  J.  A. 
James.  By  a  member  of  the  Church  of  England.  Birmingham. 
1824.  **T.76.55 

Bunn,  Margaret  Agnes. 

Rival  roses.  The.  A  poem.  Addressed  to  Miss  O'Neil  and  Miss 
Sommerville,  of  the  Theatre  Royal,  Covent  Garden.  London. 
i8iy.  No.  9  in  **G.3824.3 

Bunner,  Henry  Cuyler,  editor. 

Portfolio,   A,   of   players    [in   Augustin    Daly's   company].      With    a 

packet  of  notes  thereon  by  H.  C.  Bunner,  E.  A.  Dithmar,  Laurence 

Hutton,    Brander    Matthews    and    William    Winter.      New    York. 

1888.    89  pp.     Portraits.     Plates.  **T.52.i2 

Burat  de  Gurgy,  Edmond. 

Biographic  des  acteurs  de  Paris.  [Anon.]  Paris.  Les  editeurs. 
1837.     (2),  177,  (i)  pp.  **T.59.5o 

[The  devil  on  two  sticks.]  Programme  of  the  story,  scenery,  and 
dances,  in  the  new  grand  ballet.  The  devil  on  two  sticks  [by 
John  Coralli  and  Edmond  Burat  de  Gurgy]  :  founded  on  the 
romance  by  Le  Sage.  Translated,  and  adapted  to  the  English 
stage,   by   Alfred    Bunn.      London.     Wright.      [1836.]      24   pp. 

**T.36.72 
Burbage  family. 

Collier.  J.  P.  Original  history  of  "The  Theatre,"  in  Shoreditch,  and 
connexion  of  the  Burbadge  family  with  it.  (/;;  Shakespeare  So- 
ciety, London.     Papers.     Vol.  4,  pp.  63-70.     London.     1849.) 

*4596.ii.4;  etc. 
Burder,  George. 

Lawful  amusements;  a  sermon,  preached  January  10,  1805.  2d 
edition.  With  an  appendix.  London.  Williams.  1805.  (3).  47 
pp.  **T.96.49 

Another  copy  is  on  shelf-number  No.  2  in  **G. 3824.9. 

Burder,  George.     Works  about. 

Letter,  A.  to  the  Rev.  George  Burder,  occasioned  by  his  sermon 
on  lawful  amusements.     London.     [1805.]  **T.96.6i ;  etc. 

Same.     Postcript.  **T.96.62;  etc. 

Review  of  Burder's  Sermon  on  amusements,  and  of  a  reply  to  it. 
[London.]      1805.  No.  12  in  **G.3824.9 

Burdett,  Fanny,  and  Major  Burdett. 

Life  and  adventures  of  the  Burdett  twins.  (Fanny  and  Major.) 
New  York.     1881.  No.  3  in  6248.62 

Bureau,  Georges. 

Le  theatre  et  sa  legislation.     Paris.     Ollendorff.     i8g8.     (3),  440  pp. 

**T.74.i6 
Burford,  John. 

Description  [by  T.  L.  Donaldson]  of  a  view  of  the  ruins  of  the  city 
of  Pompeii,  and  surrounding  country,  now  exhibiting  in  the 
panorama,  Strand;  painted  from  drawings  taken  on  the  spot  by 
Mr.  Burford.  [London.]  Adlard.  1823.  12  pp.  Plate.  **T.96.292 
Description  [by  T.  L.  Donaldson]  of  a  second  view  of  Pompeii,  and 
surrounding    country:    representing    the    tragic    theatre,    covered 

[157] 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 

Burford,  John.     (Continued.) 

theatre,  temple  of  Isis,  small  forum,  now  exhibiting  in  the 
panorama,  Leicester-Square:  painted,  from  drawings  taken  on 
the  spot,  by  Mr.  Burford.  London.  Adlard.  1824.  12  pp.  Plate. 
Plan  **T.g6.293 

Description  of  the  view  of  Athens,  and  surrounding  country;  now 
exhibiting  in  Henry  Aston  Barker  and  John  Burford's  panorama, 
Strand:  with  an  improved  explanation.  London.  Adlard.  1818. 
12  pp.     Plate.  **T.96.295 

Same.     N.  p.     [182-?]  No.  11  in  **E.22oa.29 

The  plate  is  missing  in  this  copy. 

Same.     Boston.     Clapp.     1837.     Plates.  5077.77 

Same.    Cambridge.     Metcalf,  Keith  &  Nichols.     1842.     Plate.    5077.85 

Description  of  the  view  of  the  city  and  lake  of  Geneva,  and  surround- 
ing country,  now  exhibiting  in  the  Rotunda,  Chambers-Street. 
Painted  by  R.  Burford  .  .  .  1826.  New  York.  Conrad.  1829. 
16  pp.     Illus.     Plate.  4864.25 

Same.  Now  exhibiting  in  the  new  building  on  Seyle's  lot,  Meeting- 
Street.     Charleston.     Burges.      1835.  4864.21 

Description  of  the  view  of  Venice;  taken,  and  painted  by  Messrs. 
Barker  and  Burford.  now  exhilnting  in  their  panorama,  Strand. 
London.     Adlard.     1819.     12  pp.     Plate.  **T.96.300 

An  explanation  of  the  view  of  Rome,  taken  from  the  tower  of  the 
Capitol.  Now  exhibiting  at  H.  A.  Barker  and  J.  Burford's  pano- 
rama, Strand.     [London.]     1818.     24  pp.     Plate.  **T.96.294 

Explanation  of  the  view  of  the  interior  of  the  city  of  Paris,  now 
exhibiting  in  Henry  Aston  Barker  and  John  Burford's  panorama, 
Strand.     [London.]     Adlard.     1816.     12  pp.     Plate.  **T.96.297 

Burford,  Robert. 

Description    of    a    view    of    the    great    temple    of    Karnak,    and    the 

surrounding   city   of  Thebes,    now   exhibiting   at   the    Panorama. 

New  York.     Painted  from  drawings  taken  in  1834,  by  F.  Cather- 

wood.     New- York.     Osborn.     1839.     16  pp.     Plate.  3054.68 

Burgess,  Richard. 

Description  of  the  circus  on  the  Via  Appia  near  Rome;  with  some 
account  of  the  Circensian  games.  London.  Murray.  1828.  vii, 
III  pp.     Illus.     Plate.     Plans.  2736.12 

Burghall,  J.  E. 

A  statement  of  facts.  [London.  1797.]  r6  pp.  No.  6  in  **G.3824.6 
Copy  of  a  deposition  relating  to  Mr.  Burghall,  Mrs.  Booth  and  Miss  Granger  of 
Drury  Lane  Theatre.     The  title-page  is  missing. 

Burke,  Joseph. 

Biography  of  Master  Burke,  the  Irish  Roscius;  the  wonder  of  the 
world;   and   the  paragon   of   actors.      Philadelphia.      [1830.] 

**T.97.2oi ;  etc. 
Burkhardt,  Carl  August  Hugo. 

Das  Repertoire  des  Weimarischen  Theaters  unter  Goethes  Leitung, 
]79i-i8i7.  Hamburg.  Voss.  1891.  xl,  152  pp.  (Thcaterge- 
schichtliche  Forschungen.     i.]  6872.36 

Burleigh,  Louise. 

The  community  theatre  in  theory  and  practice.  Boston.  Little, 
Brown,  &  Co.     1917.     xxxvii,  188  pp.     Plates.  6257.148 

List   of  community  theatres  in  the  United   States,  pp.    163-182.      References,   pp 

185-1R8. 

Burlesques.    See  Parodies  and  burlesques. 

[158] 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 


Burlingame,  Hardin  J. 

Herrmann  the  magician:  his  life;  his  secrets.  Chicago.  Laird  &  Lee. 
[1897.]  (2),  298,  (i)  pp.  Illus.  Plates.  [Lcc's  Library  of  occult 
science.]  4448.269;  **T.56.296 

Leaves  from  conjurers'  scrap  books;  or,  modern  magicians  and 
their  works.  Chicago.  Donohue,  Henneberry  &  Co.  1891.  274 
pp.     Illus.     Portraits.  3608.114 

Tlie  title-page  is  missing. 

Burnand,  Sir  Francis  Cowley. 

The   "A.    D.    C."      Being   personal    remmiscences   of   the    L^niversity 

Amateur  Dramatic  Club,  Cambridge.     London.     Chapman  &  Hall. 

1880.     (i).  xix,  267,   (i)   pp.  2494.61 ;  **T.96.i42 

Records  and  reminiscences,  personal  and  general.    London.    Methuen 

&  Co.    1904.    2  V.    Portraits.    Plates.    Plan.    Manuscript  facsimiles. 

4543-74;  **T.55.97 
Burnt  cork.     Dumont,  F.  **T.97.255 

Burr  Mcintosh  Monthly,  The.  Vol.  1-22.  Apriri903  -  May  1910.  New 
York.  1903-1910.  22  V.  in  21.  Illus.  Portraits.  Plates.  Manu- 
script facsimiles.  **T.23.i 

No  more  was  published.  No  title-pages  or  indexes  were  issued.  Some  of  the 
portraits  and  plates  are  colored.  Contains  numerovis  theatrical  portraits  and 
pictures   and   some  notes   on   the   drama   in   the   United    States. 

Burroughs,  Marie. 

Marie  Burroughs  art  portfolio,  The.  of  stage  celebrities.  A  col- 
lection of  photographs  of  the  leaders  of  dramatic  and  lyric 
art.      Chicago.      1894.      14  parts   in    i    v.      Portraits. 

224Ga.6i;  **T.54.i2 
Bursian,  Conrad. 

Schauspieler  und  Schauspielkunst  im  griechischen  Alterthum.  (In 
Historisches  Taschenbuch.     Jahrg.  45,  pp.  1-34.     Leipzig.     1875.) 

*2309.i.45 
Burtal,  A. 

Dictionnaire  universel  du  theatre  en  France  et  du  theatre  frangais 
a  I'etranger,  alphabetique,  biographique  et  bibliographique,  depuis 
I'origine  du  theatre,  par  J.  Goizet.  Avec  biographies  de  tous  les 
auteurs  et  des  principaux  artistes  de  toutes  les  epoques,  par  A. 
Burtal.     Paris.     Les  auteurs.      [1867,  68.]      3  parts  in    i   v. 

**T.44.3 

Xo  more  was  published.  Only  the  letter  A  is  included  in  this  copy.  In  another 
copy,  on  shelf-number  *6i62.io,  the  bibliographical  part  by  Goizet,  includes  the 
letters  A  -  C. 

Burton,  Isabel,  Lady. 

The  Passion-Play  at  Ober-Ammergau.  Edited,  with  a  preface,  by 
W.  H.  Wilkins.  London.  Hutchinson  &  Co.  1900.  256  pp. 
Portrait.     Autograph  facsimile.  **T.47.65 

Burton,  J.  G. 

The  critic's  budget,  or,  a  peep  into  the  amateur  green  room.  Pour- 
traying  a  view  of  the  most  popular  and  well-known  private 
actors!!!  of  the  present  day.  Stibjoined,  a  list  of  the  several 
amateur  theatres,  reading  and  concert  rooms.  Also  the  original 
members,  &c.  composing  the  late  Black  Tye  Committee.  Lon- 
don. Onwhyn.  [1819.]  5-51  pp.  **T.56.i7 
Burton,  Richard  Eugene. 

How  to  see  a  play.  New  York.  The  Macmillan  Co.  1914-  ix,  (i), 
217  pp.  6257.85 

On    the    structural,    literary,    and    social    aspects    of    the    drama. 

[159] 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 


Burton,  Richard  Eugene.     (Contintied.) 

The  new  American  drama.  New  York.  Thomas  Y.  Crowell  Co. 
[1913.]      viii,  277  pp.  4395.207 

Contents.  —  The  word  before.  —  The  unfailing  lure.  —  The  theatre  and  the 
people.  —  The  tentative  period.  —  Truth.  —  Tcchnic.  —  Romance.  —  Poetry. 
Humor  and  the  social  note.  —  Fiction  and  the  drama.  —  Idea  in  drama.  — 
The  theatre  and  education.  —  The  word  after. 

Burton,  William  Evans. 

Bibliotheca  dramatica.  Catalogue  of  [his]  theatrical  and  miscellane- 
ous library.  To  be  sold  at  auction  by  J.  Sabin  &  Co.,  Oct.  8. 
New  York.     i860,    vi,  (i),  463  pp.     Portrait.    Autograph  facsimile. 

Another  copy  is  on  shelf-number  **G.3ii.4.  **T.64.I 

Burton,  William  Evans.     Works  about. 

Keese,  W.  L.  William  E.  Burton.  A  sketch  of  his  career  other 
than  that  of  actor,  with  glimpses  of  his  home  life,  and  extracts 
from  his  theatrical  journal.     New-York.     1891.     Portrait.     Plates. 

**T.95,i2 

William  E.  Burton,  actor,  author,  and  manager.     A  sketch  of 

his  career  with  recollections  of  his  performances.  New  York. 
1885.     Portraits.     Plates.  4246.58;  **T.56.22 

Business  man.  The,  in  the  amusement  world.  Grau,  R.              4045.168 

Business,  The,  of  pleasure.     Yates,  E.  H.  **T.97.26 
Busk,  Hans. 

The  Vestriad,  a  poem.     London.     Colburn.  1819.     xxi,  (i),  355,  (i) 

pp.     Plates.  **T.55.ii4 

The    subjects    of    this    poem    are    Augiistc    Armand    Vestris    and    his    wife,    later 
the  wife  of  Charles  James  Mathews. 
Buskin,  Captain  Sock,  pseud. 

How  to  "get  up"  theatricals  in  a  country  house.  (In  Sorrell,  William 
J.     The  amateur's  hand-book.     Pp.  45-66.     London.     [1866.]) 

**T.77.i36 
Buskin. 

Smith.  K.  K.     The  use  of  the  high-soled  shoe  or  buskin  in  Greek 

tragedy    of    the    fifth    and    fourth    centuries    B.C.      {In    Harvard 

studies  in   classical  philology.     \"ol.   16,  pp.   123-164.     Cambridge. 

1905.)  *4957.i5.i6 

Buskin  and  sock.  The.     Sheridan,  T.  No.  i  in  **G.3823.i6 

Buss,  Georg. 

Das    Konigliche    Opcrnhaus    fiir    Berlin.      Von    Ludwig    Heim    und 
Georg  Buss.    Berlin.    Weisc  &  Co.    1910.    (7),  88  pp.    Plan.   4049a.49 
Butler,  Frances  Anne.     See  Kemble,  Frances  Anne. 
Butier,  Henry. 

Henry  Butler's  Theatrical  directory  and  dramatic  almanack.  Edited 
by  John  A.  Heraud.  2d  edition.  London,  i860.  Map.  Fac- 
similes. **G.3945.20 

Same.     3d   edition.  **T,98.i09 

Butler,  William  Allen. 

Barnum's  I'arnassus;  being  confidential  disclosures  of  the  Prize 
Committee  on  the  Jenny  Lind  Song.  [Anon.]  2d  editi(Mi.  New 
York.     Appleton   &  Co.     1850.     52  pp.  No.  i  in  **M. 128.32 

Mostly  poems  about  Jenny  I.ind.  Other  copies  are  on  shelf-numbers  '4508. 177; 
No.  10  in  *4S09a.5S- 

Butler,  Mrs.  William  S. 

May  Festival,  Boslon.  Official  programme.  17th,  i8th  annual  May 
Festival  [given  under  the  direction  of  Mrs.  William  S.  Butler. 
Boston].     1905,  06.     2  v.  in   i.     Portraits.  **T.i4.i4 


[160] 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 


Biitt,  Edward  Northway. 

A  flying  visit  to   Ober-Ammergau   with  an  account  of  the   Passion 
Play.    2d  edition.     London.    The  Author.     1880.    64  pp.    **T.47.72 
Buxton,  Bertha  H. 

From  the  wings.  A  novel.  New  York.  Harper.  1880.  52  pp. 
[Franklin   Square   Library.]  **T.83.2 

By  the  stage  door.    Patterson,  A.,  and  V.  Bateman.  **T.86.9 

Byerley,  Thomas,  editor. 

Mirror,  The,  of  literature,  amusement,  and  instruction:  containing 
original  essays;  historical  narratives;  biographical  memoirs,  novels 
and  tales;  anecdotes,  &c.  [Weekly.]  Vol.  i-io  and  odd  numbers. 
1822-1837.     London.     1824-37.     11  v.     Illus.     Portraits.        **T.26.i 


C.  A.  B.,  pseud. 

The  drama,  the  press,  and  Mr.  Macready.  By  A.  B.  C.  London. 
Ward.     [1842.]      16  pp.  **T.56.288 

C,  E.    See  Curll,  Edmund. 
C,  H. 

An  answer  to  some  strictures  on  the  profession  of  an  actor,  published 
in  the  Morning  Post,  by  a  gentleman,  under  the  signature  of 
Crito,  with  Crito's  letter  annexed.  London.  Glendinning.  1805. 
(4),  23,  (i)  pp.  No.  7  in  **G.3824.4 

A  short  treatise  of  the  epidemical  diseases  of  these  times.  Com- 
municated by  a  loyal  pen,  in  a  letter.  London,  Printed,  and  are 
to  be  sold  by  R.  Vaughan.     [i66t.]     30  pp.        No.  3  in  **G.382i.23 

A  satire  on   the  politics,  religion,  theatres,   etc.,   of  London. 

Q***  ^  yi     ggg  Cochin,  Charles  Nicolas. 
C,  J.  P.     See  Collier,  John  Payne. 
C,  W.  C. 

Parody,  A,  and  answer  to  W.  C.  C.'s  essay  on  the  evil  tendency  of 
the  theatre.     By  "a  man  of  the  world";  but  not  a  "Macsycophant" 
[pseud.].     Edinburgh.    The  Author.     1834.     (i),  37  pp.      **T.95.34 
C  *  *  *  *  u,  Ch.  R. 

Le  tribunal  volatile,  ou  nouveau  jugement  porte  sur  les  acteurs, 
auteurs,  et  sur  divers  endroits  publics  de  Paris.  Paris.  Tiger. 
An   XL    [1803?]      144  pp.  **T.79.i9 

C f . .  .d,  E. .  .  of.     See  Stanhope,  Philip  Dormer,  4th  Earl  of  Chester- 
field. 
Cabinet,  The;  or,  monthly  report  of  polite  literature.     Feb.  1807 -Dec. 
1808.     London.     Mathews  &  Leigh.     1807,  08.     4  v.     Portraits. 
No  more  was  published.  **T.27.3I 

Same.     Feb.,    1807 -June,    1808.     3   v.  **K.35.7 

Same.    Vol.  2.    July- Dec,  1807.  **G.3933.io 

The  portraits  are  missing  in  this  and  the  preceding  copy. 

Cabotins,  Les.     Deligny,  E.  **T.87.57 

Cadol,  Edouard.     See  Cadol,  Victor  fidouard. 
Cadol,  Victor  Edouard. 

Rose.  Splendeurs  et  miseres  de  la  vie  theatrale.  3^  edition.  Paris. 
Dentu.     1875.     (3),  263  pp.  **T.87.8i 

Caen,  France.     Theatres. 

LoNGUEMARE,  P.  DE.  Le  theatre  a  Caen,  1628-1830.  Paris.  1895. 
Plates.  **T.77.94 

[161] 
11 


THE  PUBLIC  LIBRARY   OF   THE    CITY   OF  BOSTON 


Cafes-concerts. 

Bouis-Bouis,   bastringufs   et   caboulots   de    Paris.      Paris.      1861. 

**T.79.9 
Chadourne,  a.     Les  cafes-concerts.     Paris.     1880.  **M.i29.7 

CoNSTANTiN,   M.     Histoire   des   cafes-concerts   et   des   cafes   de    Paris. 

Paris.      1872.  **T.97.2i4;  etc. 

CoQuiOT,  G.    Les  cafes-concerts.     Paris.     [1896.]     Plate.        **T.95.iii 
Lebesque,   O.      Le   cafe   concert.     Illus.      {In   Les   demi-cabots.      Pp. 

1-88.     Paris.     1896.)  **T.97.230 

Lefevre,  M.     Les  gestes  de  la  chanson.     Illus.     (/;;  Les  demi-ca1)Ots 

Pp.  89-148.     Paris.     1896.)  **T.97.23o 

Menetiere,  a.     Les  binettes  du  cafe-concert.     Paris.     1869.     Photo 

graph.  **T.99.22 

Schwab,  F.  A.     Parisian  cafes-concerts.     Illus.     Portraits.     (/;;  The 

music   of   the   modern   world.      Vol.    i,   pp.    185-187.      New    York. 

[1895.])  ^  **M.i4.i.i 

Caffaro,  Francesco. 

Father  Caffaro's  Letter  upon  the  lawfulness  or  unlawfulness  of  the 

stage;  with  a  brief  introduction,     (hi  Mansel,  R.     Free  thoughts 

upon    Methodists,   actors,    and    the    influence    of   the    stage.      Pp. 

75-119.     Hull.     1814.)  **T.77.i7o 

Same.     (In  A  defence  of  the  drama.     Pp.  97-163.     New- York.     1826.) 

Another  copy  is  on  shelf-number  **K.37.i2.  **X.78.6 

Caffin,  Caroline. 

Vaudeville.     The  book  by  Caroline  Caffin.     The  pictures  by  Marius 
de  Zayas.     New  York.     Kennerley.     1914.     (4),  231  pp.     Portraits. 

Relates  to  the  American  theatre.     All  the  portraits  arc  caricatures.  6257.83 

Caffin,  Caroline,  and  Charles  Henry  Caffin. 

Dancing  and  dances  of  today:  the  modern  revival  of  dancing  as  an 
art.     New  York.     Dodd,  Mead  &  Co.     1912.     (10),  301  pp.     Por- 
traits.    Plates.  40403.138 
Cahaisse,  Henry  Alexis.     (H.  A.  K  *  *  *  S.) 

Memoires  de  Joseph-Jean-Baptiste-Albouy-Dazincourt.    Paris.    Favre. 

1809.     viii,   199  pp.     Portrait.  **T.57.44 

Same.     [Abridged.]      (In  Barriere,  Jean  F.,  editor.     Bibliotheque  des 

memoires  relatifs  a   I'histoire   de   France  pendant   le    i8iTie  siecle. 

Tome  6,  pp.  193-236.     [Paris.     1846.])  *4667.2.6 

Same.     (In  Same.     [1857.])  **T.57.28o 

Memoires  de  Preville.     Paris.     Guitel.     1812.     (4),  288  pp.     **T.56.i3 

Same.     [Abridged.]      (In  Barriere,  Jean  F.,  editor.     Bibliotheque  des 

memoires   relatifs   a  I'histoire   de   France  pendant  le    i8me   siecle. 

Tome  6,  pp.  143-192.     [Paris.     1846.])  *4667.2.6 

Same.     (In  Same.     [1857.])  **T.57,28o 

Memoires  de  Preville,  et  de  Dazincourt.     [Anon.]      Revus,  corriges, 

et  augmentes  d'une  notice  sur  ces  deux  comcdiens,  parM.  Ourry. 

•     Paris.     Baudouin.     1823.     (3),  384  pp.     [Collection  des  memoires 

sur  I'art  dramatique.]  **T.56.6 

.Another  copy  is  on   shelf-number  **G.224.2.8. 

Cahill,  Thomas  H..  compiler. 

The  auditorium,  containing  the  plan  of  seats  in  all  the  theatres  and 
public  halls  in   l!oston.      [Boston.]      Cahill.      1S75.     45  PP-     Plans. 

**T.79.3i 
Cahn,  Julius. 

Julius  Cahn's  Official  theatrical  guide,  containing  information  of  the 
theatres    and    attractions    in    the    United    States,    Canada,    Mexico 

[162j 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 

Cahn,  Julius.     (Continued.) 

and  Cuba.     New  York.     Empire  Theatre  Building.     1900,  09.     2  v. 

Portraits.     Maps.  **T.25.33 

Cahuet,  Alberic. 

La  liberte  du  theatre  en  France  et  a  I'etranger.     Histoire,  fonctionnt- 

ment  et  discussion  de  la  censure  dramatique.     Paris.     Dujarric  & 

cie.     1902.     (3),  383  pp.  4672.113 

Bibliographic,  pp.   379-383. 

Cahusac,  Louis  de. 

La  danse  ancienne  et  moderne  ou  traite  historique  de  la  danse.  A 
la  Haye,  chez  Jean   Neaulme.     1754.     3  v.  **T.99.i6 

Cailhava,  Jean  Frangois  de.     See  Cailhava  d'Estandoux,  Jean  Frangois. 
Cailhava  d'Estandoux,  Jean  Frangois. 

Les  causes  de  la  decadence  du  theatre,  et  les  moyens  de  le  faire 
refleurir;  memoire  presente  a  I'lnstitut  de  France.  Paris.  Moron- 
val.     1807.     (3),  38  pp.  No.  4  in  **G.3562.2 

Urges    the    establishment    of    two    national     theatres    in     Paris    and    a    national 
patronage  of  the  theatre.     Also  to  be  found  in  his  Theatre,  Tome  2  [**G. 3564. 1.2]. 

Essai  sur  la  tradition  theatrale.  Paris,  Charles  Pougens.  16  germinal, 
an  VL     (1798.)   .  15  pp.  **T.97.7i 

Relates  to  Moliere  and  his  views  on  acting. 

Cain,  Georges. 

Anciens  theatres  de  Paris.  Le  boulevard  du  Temple.  Les  theatres 
du  boulevard.  Paris.  Fasquelle.  1906.  xii,  390,  (i)  pp.  Illus. 
Portraits.     Facsimiles.  4677.107 

Caine,  Hall.     See  Caine,  Thomas  Henry  Hall. 

Caine,  Thomas  Henry  Hall. 

Richard  III  and  Macbeth:  the  spirit  of  romantic  play  in  relationship 
to  the  principles  of  Greek  and  of  Gothic  art,  and  to  the  pictur- 
esque interpretations  of  Henry  Irving:  a  dramatic  study.  Lon- 
don.    Simpkin,  Marshall  &  Co.     1877.     46  pp.       4594.11;  **T.97.95 

Calamity  at  Richmond,  being  a  narrative  of  the  affecting  circumstances 
attending  the  awful  conflagration  of  the  theatre  on  the  night  of 
the  26th  of  December,  181 1.  With  a  preface  containing  appro- 
priate reflections  ...  to  awaken  the  attention  of  the  public,  to 
the  frequency  of  the  destruction  of  theatrical  edifices.  3d  edition. 
Philadelphia,  Published  and  sold  by  John  F.  Watson.  1812.  (i). 
56  pp.     Illus.     Photographic  facsimile.  **T.77.229 

Calcraft,  John  William,  pscnd.     See  Cole,  John  William. 

Calderon  de  la  Barca,  Pedro. 

Lewes,  G.  H^  The  Spanish  drama:  Lope  de  Vega  and  Calderon. 
London.     1846.  **T.49.6;etc. 

Caleb   D'Anvers,  pseud.     See   Amhurst,   Nicholas. 

Calendrier  historique  des  theatres  de  I'Opera  et  des  Comedies  frangoise 
et  italienne  et  des  foires.     See  Almanach  des  spectacles  de  Paris. 

Calhoun,  Eleanor.    See  Lazarovich-Hrebelianovich,  Eleanor,  Princess. 

Callender,  E.  Romaine. 

Dr.  Thomson  on  the  stage.  A  reply.  Manchester.  Heywood. 
[187-?]     16  pp.  **T.77.72 

Calliachi,  Nicolas. 

Nicolai  Calliachii  De  ludis  scenicis  mimorum,  &  pantomimorum 
syntagma  posthumum.  Recensuit  Marcus  Antonius  Madero. 
Patavii.  1713.  Apud  Joannem  Manfre.  (30),  98,  (2)  pp.  Por- 
trait. **G.294.54 

On  the  Greek  and  Latin  theatre. 

[163] 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 


Calmour,  Alfred  C. 

Fact  and  fiction  about  Shakespeare.  With  some  account  of  the 
playhouses,  players,  and  playwrights  of  his  period.  Stratford-on- 
Avon.  Boyden.  [1894.]  (7),  112  pp.  Portraits.  Plates.  Maps. 
Facsimiles.  **T.55.22 

.\nother  copy,  which  varies  slightly  from  the  above,  is  on  shelf-number  *6590.5o. 

Calve,  Emma. 

Gallus,  a.  Emma  Calve.  Her  artistic  life  with  numerous  auto- 
graph pages  especially  written  by  Mile.  Calve.  Xew  York.  1902. 
Illus.     Portraits.  4041. 116 

Calvert,  Adelaide  Helen. 

Sixty-eight  years  on  the  stage.  By  Mrs.  Charles  Calvert.  London. 
Mills  &  Boon,  Ltd.  [191 1.]  vii,  (i),  273,  (i)  pp.  Portraits. 
Plates.     Manuscript  facsimiles.  **T.56.34 

Edited  by  Harold  Simpson. 

Calvert,  Frederick  Baltimore. 

A  defence  of  the  acted  drama,  in  a  letter  addressed  to  the  Rev. 
Thomas  Best.     Hull.     Topping.     1822.    29  pp.  **T.76.i23 

Another  copy  is  on  shelf-number  **T.96.40. 

Theatre  versus  conventicle;  or,  the  drama  attacked  and  defended: 
containing  Mr.  Calvert's  letters  in  defence  of  the  stage,  to  the 
Rev.  T.  Best,  of  Sheffield;  with  the  subsequent  controversy,  in 
the  Leeds  Independent  of  1824.    Hull.    Wilson.     1826.     iv,  112  pp. 

Another  copy  is  on   shelf-number   Xo.  i  in  **Ci.:i822.4.  **X,96.4I 

Calvert,  Louis. 

Problems  of  the  actor.  With  an  introduction  b}^  Clayton  Hamilton. 
New  York.     Holt  &  Co.     1918.  6257.29 

Cambiasi,  Pompeo. 

Rappresentazioni  date  nei  reali  teatri  di  Milano  1778-1872.  Opere 
in  musica,  nome  dei  maestri,  poeti  ed  esecutori  principali,  balli 
dati  nel  R.  teatro  alia  Scala,  nome  dei  coreografi,  maestri,  ballerini, 
elenco  dei  professori  componenti  I'orchestra,  elenco  degli  im- 
presarj.     2a  edizione.     Milano.     Ricordi.     1872.     (7),  120  pp. 

No.  I  in  **M. 123.4 
Cambridge,  Arthur  Wallace  Pickard-,  editor. 

Haigh,  a.  E.  The  Attic  theatre.  A  description  of  the  stage  and 
theatre  of  the  Athenians,  and  of  the  dramatic  performances  at 
Athens.     Oxford.     1907.     Illus.     Plates.     Plans.  2964.105 

Cambridge,  England.     Theatres. 

Cambridge  Garrick  Club.  The  album  of  the  Cambridge  Garrick 
Club:  containing  original  and  select  papers  on  the  drama,  and 
the  proceedings  of  that  society.     Cambridge.     1836.     Portraits. 

**T.58.i43 
Hai.l.  H.  T.     Cambridge  dramatic  album.     Cambridge.     1868.     2553.28 
Cambridge  Garrick  Club. 

The  album  of  the  Cambridge  Garrick  Club:  containing  original  and 
select  papers  on  the  drama,  and  the  proceedings  of  that  society. 
Edited  by  a  member  of  the  club.  Cambridge.  Smith.  1836.  xvi, 
(6),  287,   (i)    pp.     Portraits.     Facsimiles.  **T.58.i43 

Contains    some    memoirs    of    actors    and    a    chapter    on     theatres    in    and     near 
("anibridge. 

Cambridge  Social  Dramatic  Club. 

Fiftieth  performance  given  in  Brattle  Hall,  February  fourteenth, 
1903.  [With  list  of  plays  given  by  the  Club  since  its  formation 
in   1891.     Cambridge.     1903-]     34  pp.  445oa.i49;  **T.i3.8 


[1641 


BROWN   COLLECTION    OF  BOOKS    ON    THE   STAGE 

Cambridge  University.     See  University  of  Cambridge. 

Camees    artistiques.      Theatre,    litterature,    musique,    beaux-arts,    sport, 

finance.    Journal  hebdomadaire.     Redacteur  en  chef,  Felix  Jahyer. 

Portraits    et   biographies    des    celebrites    contemporaines.      Paris. 

[1880-83.]     3  V.  **T.2i.6 

Tome  3   is   incomplete.      A   list   of  the  numbers   included  in   it   is   prefixed   to   the 
volume.     All  the  portraits  are  photographs.     Relates  almost  entirely  to  the  stage. 

Camel,  Jean  Baptiste  Louis. 

De  I'influence  des  theatres  et  particulierement  des  theatres  secon- 
daires  sur  les  moeurs  du  peuple.     [Paris.     Nouzou.     1822.]     30  pp. 

No.  19  in  **G.3562.i 

In  opposition  to  the  theatre.     This  copy  has  only  a  half-title. 

Camera  actress,  A,  in  the  wilds  of  Togoland.     Gehrts,  M.  3057.239 

Campardon,  Eniile.     See  Campardon,  Louis  Emile. 

Campardon,  Louis  Emile. 

L'Academie  royale  de  musique  au  xviiie  siecle.  Documents  inedits 
decouverts  aux  Archives  natiouales.  Paris.  Berger-Levrault  & 
cie.     1884.     2  V.  **M.372.i6 

Short  biographies  of  musicians,  singers,  and  dancers. 

Les  comediens  du  roi  de  la  troupe  frangaise  pendant  les  deux  derniers 
siecles.  Documents  inedits  recueillis  aux  Archives  nationales. 
Paris.     Champion.     1879.     xvj,  336  pp.  **T.55.37 

Les  comediens  du  roi  de  la  troupe  italienne  pendant  les  deux  derniers 
siecles.  Documents  inedits  recueillis  aux  Archives  nationales. 
Paris.     Berger-Levrault  &  ci«^.     1880.     2  v.  **T.55.32 

Madame  de  Pompadour  et  la  cour  de  Louis  XV  au  milieu  du  dix- 
huitieme  siecle.  Ouvrage  suivi  de  documents  inedits  sur  le  theatre 
des  petits  cabinets.     Paris.     Plon.     1867.     (3),  iv,  515  pp.    Portrait. 

**T.56.5i 

Les  spectacles  de  la  foire  Depuis  1595  jusqu'a  1791.  Documents 
inedits  recueillis  aux  Archives  nationales.  Paris.  Berger-Levrault 
&  cie.     1877.     2  V.  **T.75.6 

In   dictionary   form.      T.argely   composed   of   sketches   of  actors,   etc. 

Campardon,  Louis  fimile,  editor. 

Documents  inedits  sur  J.  B.  Poquelin  Moliere  decouverts  et  publics 
avec  des  notes,  un  index  alphabetique  et  des  fac-simile.  Paris. 
Plon.     1871.      (3),   76,    (3)   pp.     Autograph    facsimiles. 

Another  copy  is  on  shelf-number  **T.58.i37.  2707.6;  **T.98.96 

Nouvelles  pieces  sur  Moliere  et  sur  quelques  comediens  da  sa  troupe. 

Recueillies  aux  Archives  nationales.     Paris.     Berger-Levrault   & 

cie.     1876.     xi,   (i),   191,   (2)   pp.  46793.76;  **T.97. 127 

Campbell,  Thomas. 

Life  of  Mrs.  Siddons.     London.     Wilson.     1834.     2  v.     Portraits. 

**T.55.iio 
Same.     New- York.     Harper.     5-260  pp.  6548.18 

Another  copy  is  on  shelf-number  **K.36.25. 

Canada.    Theatres. 

MiDDLETON,  J.  E.  Music  and  the  theatre  in  Canada.  {In  Canada  and 
its  provinces.  Vol.  12,  pp.  643-661.  Autograph  facsimile.  Toronto. 
1914-)  *43i4.356.i2 

Candid  and  impartial  strictures  on  the  performers  belonging  to  Drury- 
Lane,  Covent-Garden,  and  the  Haymarket  theatres.  [2d  edition.] 
London:  Printed  for  Martin  and  Bain.     1795.     vi,  (i),  71  PP- 

No.  3  in  **G.3823.i7 
Other  copies  are  on   shelf-numbers  No.  14  in  **G.3823.3  :    No.  8  in  **G. 3823. 8. 

[1651 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 


Candid  hearer,  A,  pseud. 

The  censor,  or  theatrical  review.  To  be  continued  occasionally. 
Manchester.     Hopper.     1807.     8  pp.  **T.76.i53 

Relates  to  the  Theatre  Royal,  Manchester. 

Candidus,  pseud. 

The  statement  of  a  few  facts,  and  an  impartial  appeal  on  the  subject 
at  issue  between  the  public  and  the  proprietors  of  the  Theatre- 
Royal,  Covent-Garden.  London.  Richards  &  Co.  [i8og.]  16  pp. 
Relates  to  the  O.  P.  Riots.  **T,96.I5I 

The  theatre;  or  the  letters  of  Candidus  [pseud.],  &c.  on  the  perform- 
ances of  the  Edinburgh  stage  in  1802.  With  additions  by  the 
author.      Edinburgh.     Buchanan.      1802.     xxxii,    (98),    (i)    pp. 

Relates  to  the  Theatre  Royal,   Edinburgh.  **T.77.l88 

Candour  versus  calumny.     Edwin,  J.   P.  **T.57.58 

Cannan,  Gilbert. 

The  joy  of  the  theatre.  London.  Batsford.  [1Q13.]  (2),  57,  (2)  pp. 
[Fellowship  books.]  **T.78.72 

Cannon,  Fanny. 

Writing  and  selling  a  play.  Practical  suggestions  for  the  beginner. 
New  York.     Holt  &  Co.     1915.     (7),  321  pp.  6257.93 

Cantacuzene,  Elsa,  translator. 

Appia,  a.    Die  Musik  und  die  Inscenierung.    Miinchen.     1899.     Plates. 

4044.141 
Cap,   The.      Wolcot,   J.  **T.93.4;etc. 

Cap,  A.   and   bells   for   those   whom   it   may   fit.      [Anon.]      See    Logan, 

William  Hugh. 
Capes,  Bernard  E.  J.,  editor. 

Theatre,  The.  A  monthly  review  and  magazine.  London.  1877- 
1897.     41  v.     Illus.     Portraits.     Plates.     Plans.  **T.25.i 

Capon,  Gaston,  and  Robert  Yve-Plessis. 

Paris  galant  au  dix-huitieme  siecle.  Les  theatres  clandestins.  Paris. 
Plessis.     1905.     (3),  284  pp.     Plates.  **T.75.42 

Capoul,  Joseph  Amedee  Victor. 

Grand,    G.      Victor    Capoul.      Paris.      1877.      Portrait. 

No.  3  in  **M. 128.31 
Cappelli,  Agostino. 

Albo  pittorico  di  alcune  feste  modenesi  nella  fausta  occasione  delle 
nozze  auguste  tra  I'A.  R.  dell'  Arciduca  Francesco  Ferdinando, 
Principe  Ereditario  di  Modena  e  S.  A.  R.  la  Principessa  Adelgonda 
di  Baviera.     Modena.     Soliani.     1842.     (16)   ff.     Plates.       **T.92.3 

The   preface   is   signed :    Bruni    Geminiano,    Cappelli   Agostino,    Berselli    Giovanni. 

Capper,  Alfred  Octavius. 

A  rambler's  recollections  and  reflections.  New  York.  Scribncr. 
[1915.]      (4),  330  pp.     Portraits.     Plates.  4545-155 

Recollections    of   the   professional    tours   of   a   thougtit-reader. 

Cappiello,  Leonetto. 

Nos  actrices.  Preface  de  Marcel  Prevost.  Paris.  La  Revue  blanche. 
1899.     C6)  pp.     (18)  portraits.  **T.5i.i 

Colored  caricatures  of  Parisian  actresses. 

Capperonnier,  Jean,  alleged  author. 

Bibliotheque  du  theatre  frangois,  depuis  son  origine.   See  Bibliotheque 
du  theatre  frangois,  depuis  son  origine. 
Capps,  Edward. 

The  Greek  stage  according  to  the  extant  dramas.  (In  American 
Philological  Association.  Transactions.  Vol.  22,  pp.  5-80.  Bos- 
ton.    1891.)  *536i.i.22 

[166] 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 

Capps,  Edward.     (Continued.) 

Vitruvius  and  the  Greek  stage.     Chicago.     1893.    23  pp.     Illus.     [Uni- 
versity of  Chicago.     Studies  in  classical  philology.]  8096.106 
Capua,  Italy.    Amphitheatre. 

Alvino,  F.    Anfiteatro  campano,  illustrate  e  restaurato.    3a  edizione, 

col   paragone   di    tutti   gli   anfiteatri   d'ltalia.     Napoli.      1842.      16 

plates.  *Cab.27.i6.4 

RuccA,  G.     Capua  vetere  o  sia  descrizione  di  tutti  i  monumcnti  di 

Capua  antica,  e  particolarmente  del   suo  nobilissimo  anfiteatro. 

Napoli.     1828.     Plate.     Plan.  2738.25 

Caravane  dramatique,  La,  ou  les  virtuoses  aventuriers.     Gallois,  C.  A. 

G.   L.  **T.87.87 

Garden,  Emile.     See  Cardon,  Theodore  Jules  fimile, 

Cardon,  Theodore  Jules  fimile. 

Les  theatres  de  Paris.  Histoire  des  Delassements-comiques.  Par 
deux  habitues  de  I'endroit  [Jules  Prevel  et  Emile  Cardon].  Paris. 
Vallee  &  ce.     1862.     (3),  105  pp.  **T.79.23 

Card,  Alfred. 

Got.  (In  his  Histoire  anecdotique  des  contemporains.  Pp.  155-183. 
Paris.     1885.     Portrait.)  **T.55.50 

Caricatures. 

Cappiello,  L.     Nos  actrices.     Paris.     1899.     (18)  colored  portraits. 

**T.5i.i 

Clark,  G.  F.  S.     The  "halls."     London.     [190-?]     Colored  portraits 

and  plates.  **T.53.i8 

Kelly,  F.  M.     Well  known  players  in  caricature  (with  autographs). 

[New  York.     1900.]      (32)   portraits.  **T.53.3 

Shipman,  L.  E.    a  group  of  theatrical  caricatures:  being  twelve  plates 

by  W.  J.  Gladding  with  an  introduction  and  biographical  sketches 

by  L.  E.  Shipman.     New  York.     1897.  **T.95.i7 

Carillon    theatral,    Le.      Le    pour    et    le    centre    de    la    critique    sur    les 

principales    pieces    de    I'annee.       [Par]     L.-P.     Laforet.      Saison 

theatrale,   1887/88.     No.    1-15.     Paris.     Librairie   des  bibliophiles. 

1889.     (4),  256  pp.  **T.95.6o 

It  was  originally  intenderl  to  publish  this  periodical  three  times  a  month  from 
October  to  May  and  once  a  month  from  June  to  September,  but  in  practice  it 
was  found  impossible  to  maintain  regular  intervals. 

Caristie,  Auguste  Nicolas. 

Monuments  antiques  a  Orange;  Arc  de  triomphe  et  theatre.     Paris. 

Didot.     1856.     (3),  vi,  89,  (3)  pp.     Illus.     54  plates.        *Cab.26.i6.4 

Notice  sur  I'etat  actuel  de  I'Arc  d'Orange  et  des  theatres  antiques 

d'Orange  et  d'Arles.     Paris.     Didot.     1839.     28  pp.     Plates.     Plans. 

2632.76 
Carleton,  Henry  Seymour,  editor. 

Vandenhoff,   G.     Dramatic  reminiscences;   or,  actors  and  actresses 

in  England  and  America.     London,     i860.  **T.57.i4 

Carlisle,   Frederick   Howard,  5th  Earl  of.     See   Howard,   Frederick,  5th 

Earl  of  Carlisle. 
Carlyle,  Thomas,  translator. 

Goethe,  J.  W.  von.  Wilhelm  Meister's  apprenticeship.  Edinburgh. 
1824.     3   V.  **K.76.i8 

Carmencita. 

Ramirez,  J.  Carmencita,  the  Pearl  of  Seville.  [A  novel  written  to 
advertise  her  dancing.  Appended,  a  sketch  of  her  life.]  New 
York.     1890.     Portraits.  **T.57.4i9 

[167] 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 


Carmouche,  Pierre  Francois  Adolphe. 

Le  theatre  en  province.    Paris.     Levy.     1859.     (3),  107  pp.    **T.77.ii6 
Carnival. 

Valextim,  F.  Trattato  su  la  commedia  dell'  arte,  ossia  improvvisa. 
Maschere  italiene,  ed  alcune  scene  del  carnevale  di  Roma.  Berlino. 
1826.     20  colored   plates.  No.  i  in  *277i.3;  etc. 

Carragher,  P.  Charles.     (Ray  Garrick.) 

■Red-lig-ht'  recollections:  representing  the  hitherto  unwritten  story 
of  forty  years  of  Fairport  from  the  footlights.  Arbroath.  Buncle 
&  Co.    1906.    XV,  123  pp.    Portraits.    Plates.    Autograph  facsimile. 

A  history  of  the  drama  in  Arbroath,  Stotland.  2576. 1 75 

Carson,  L.,  editor. 

Stage  year  book.  The.  London.  190S-11.  4  v.  Illus.  Portraits. 
Plates.  **T.26.9 

Carte,  Richard  D'Oyly. 

Cellier.  F.  a.,  and  C.  Bridgeman.  Gilbert  and  Sullivan  and  their 
operas.  With  recollections  and  anecdotes  of  D'Oyly  Carte  & 
other   famous   Savoyards.     Boston.      1914.     Portraits.      Plates. 

4047-135 
Carter,  Huntly. 

The  theatre  of  Max  Reinhardt.  New  York.  Kennerley.  1914.  (3), 
332  pp.     Portraits.     Plates.     Plan.  6252.118 

Relates   especially   to   the   Deutsches   Theater   in    Berlin. 

Cartomancy. 

Boiteau,  D.  a.  p.  Les  cartes  a  jouer  et  la  cartomancie.  Paris.  1854. 
Illus.     Plates.  *4oo9a.266 

Carus,  Paul,  prefacer. 

Evans,  H.  R.  The  old  and  the  new  magic.  Chicago.  1906.  Illus. 
Plates.  7605.77 

Carvalho,  Marie  Caroline  Felix  Miolan. 

Leprieur-Accoyer,    £.      (E.    A.    Spoil.)      M^c    Carvalho.      Notes    et 

souvenirs.     Paris.     1885.     Portrait.  **T.58.i33;  etc. 

Case,  The,  between  the  managers  of  the  two  theatres  [Covent  Garden 

and   Drury   Lane],  and   their  principal   actors,    fairly   stated,   and 

submitted  to  the  town.     London:   Printed  for  J.   Roberts.     1713. 

22,  pp.  **T.76.i50 

Case,  The.  of  American  drama.     Dickinson,  T.  H.  6257.118 

Case,   The,   of  our  present   theatrical   disputes,   fairly   stated.      [Anon.] 

See  Ralph,  James. 
Case,  The,  of  the  stage  in  Ireland;  containing  the  reasons  for  and 
against  a  bill  for  limiting  the  number  of  theatres  in  Dublin; 
wherein  the  qualifications  of  a  manager  are  considered,  and  the 
conduct  and  abilities  of  the  manager  of  the  Theatre  in  Smock- 
Alley  [Thomas  Sheridan]  are  examined.  Dublin:  Printed  by  H. 
Saunders.     1758.     51  pp.  **T.77.7o 

Same.  Dublin,  Printed:  London,  reprinted,  for  J.  Coote.  [1758?] 
48  pp.  No.  13  in  **G.3823.i2 

Cashin,  Charles  M.,  editor. 

Charles  M.  Cashin's  Amusement  guide,  with  theatre  diagrams.     For 

week  ending  April  26.     Boston.     [1884.]     24  pp.     Plans.     **T.97.79 

Casino  girl,  The,  in  London.     Dunham,  C.  **T.87.7i 

Casket,  The.     No.  58.     Mar.  5,  1828.     [London.]     1828.     73-80  pp.     Illus. 

**T.76.i75 

Relates  to  the  destruction   of  the  Royal   Brunswick  Theatre,   London. 

[168] 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 

Casket,  The,  of  literature,  science,  and  entertainment.  [Weekly.]  No. 
47,  50,  53-  Nov.  12,  26,  Dec.  17,  1836.  [London?  1836.]  3  nos. 
in  I  V.     Illus.  **T.26.55 

Contains     selections     from     I-amb's     Talcs     from     Shakespeare    and    material     on 
theatrical  topics. 

Casson,  Lewis. 

Steps  towards  a  civic  theater.     Boston,     igii.     (i),  212-222  pp. 

**T.75.74 
Castel,  Louis.     (Robert.) 

Memoires  d'un  claqueur.  Paris.  Constant-Chantpie.  1829.  (3),  iii, 
403  pp.     Plate.  **M.ii7.6 

Castelli,  Pierre. 

RiCHOMME,  C.    Album  Castelli.     Portraits  des  principaux  artistes  de 

la  troupe  enfantine-de  M.  Castelli,  avec  des  notices  sur  chaque 

petit  acteur,  precedees  d'un  essai  sur  les  theatres  d'enfants.    Paris. 

[1839?]      Colored  plates.  **T.56.339 

Catalani,  Angelica. 

Angelica  Catalan:.     (In  Courrier  des  fitats-Unis.     Semaine  litteraire. 

Vol.  7,  pp.  435-440.     New  York.     1849.)  No.  28  in  *667i.2.7 

Catalan!.     Ihre  Lobredner  und  Tadler,  oder  Cahle  und  Veit.     X.  p. 

[182-?!      8  pp.  No.  la  in  **M. 102.37 

S.      Signora    Angelica    Catalani.      Beschreibung    ihres    Lebcns    und 

Charakters,  nebst  einer  Beleuchtung  ihres  Gesange?.     Hamburg. 

1819.  No.  I  in  **M. 102.37 

Simpson,  A.     Secret  memoirs  of  Madame  Catalani.     Bath.     1811. 

No.  7  in  **M. 144.18 
Catcall,  Crkick,  ^send.    See  Brown,  Thomas. 

Catechisme  de  I'operateur  de  cinema.     Kress,   E.  80393.52 

Cately,  Ann.    See  Catley,  Ann. 
Catherwood,  Frederick. 

BuRFORD,  R.  Description  of  a  view  of  the  great  temple  of  Karnak, 
and  the  surrounding  citj'  of  Thebes,  now  exhibiting  at  the  Pano- 
rama, New  York.  Painted  from  drawings  taken  in  1834,  by  F. 
Catherwood.     New-York.      1839.      Plate.  3054.68 

Catholic  Theatre  Movement,  The.  [Monthly.]  Oct.  5,  Nov.  15,  1916- 
Jan.  15,  1917.     [New  York.     1916,  17.]     4  nos.  **T.75.79 

Contains  plots  and   criticisms  of  current  plays.     Unbound  parts  are   kepr   in   the 
IVI'.isic   Room. 

Catholic  theatre  movement.     Works  about. 

LuMMis,  E.  O'B.  The  Catholic  theatre  movement.  [New  York. 
1913-]     7  PP-  **T.75.73 

Catinka  Antalani.     Bachmann,   W.  '  **T.88.7 

Catley,  Ann. 

Ambross,  Aliss  .     The   life  and  memoirs   of  the   late   Miss   Ann 

Catley,  the  celebrated  actress:  with  biographical  sketches  of  Sir 

Francis  Blake  Delaval,  and  the   Hon.  Isabella   Pawlet.     London. 

[1790?]      Portrait.  **T,56.i79;  etc. 

Life,  The,  of  Miss  Anne  Catley.    London.    1888.    Porrrait.    **M  377.43 

Cattermole,  Charles,  illustrator. 

London.    Theatres.    Lyceum  theatre.    Souvenir  of  Macbeth  produced  by 
Henry  Irving,  29th  December.  1888.    Illustrated  by  Charles  Catter- 
mole &  J.  Bernard  Partridge.     London.     1888.     6594.26; ''^*T.58.i49 
Cattreux,  Louis. 

fitude  sur  le  droit  de  propriete  des  oeuvres  dramatiques  et  musicales. 
Bruxelles.     Larcier.     1883.      (3),  viii,  217  pp.  **T.95.i34 

Relates  principally  to  Belgium. 

[169] 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 

Causerien  iiber  Theater.     Fontane,  T.  6252.75 

Causes  de  la  decadence  du  gout  sur  le  theatre.    [Anon.]    See  Charpentier, 

Louis. 
Cavailhon,  fidouard. 

Contes  et  portraits  rabelaisiens.     50  portraits  d'actrices.     2c  edition. 

Paris.     Guerin  &  c'e.     [1885.]     320  pp.  **T.97.322 

.\  collection  of  poems. 

Cave,  Joseph  Arnold. 

A  jubilee  of  dramatic  life  and  incident  of  Joseph  A.  Cave,  author, 
manager,  actor,  and  vocalist.  Edited  by  Robert  Soutar.  London. 
Vernon.     [1892.]      (7),  218  pp.     Portraits.  **T.57.298 

Cavos,  Albert. 

Reconstruction  du  grand  theatre  de  Moscou,  dit  Petrovski.     Notice 

descriptive.     Paris.     Claye.     1859.     (i),  11,  (3)  pp.    Table.     Plates, 

some  colored.     Plans.  *Cab.6o.7i.2 

Traite  de  la  construction  des  theatres.     Paris.     Lacroix.     1847.     Text, 

XV,   (i),  112  pp.     Tables;  Atlas,  25  plates.  *8ogo.i24 

Ce  que  c'est  qu'uae  actrice.     Reiffenberg.  F.  G.  £.  C.  M.,  Baron  jie. 

**T.98.i36 
Cecial,  Tome,  pseud.    See  Fomer,  Juan  Pablo. 
Cedar  Rapids,  loi^'a.    Greene's  Opera  House. 

[Play  bills.     No.   1-69.     Cedar  Rapids,   1883,  84.]  **M.37i.5 

Celler,  Ludovic,  pseud.    See  Leclerc,  Ludovic. 
Cellier,  Frangois  Arsene,  and  Cunningham  Bridgeman. 

Gilbert  and  Sullivan  and  their  operas.  With  recollections  and 
anecdotes  of  D'Oyly  Carte  &  other  famous  Savoyards.  Boston. 
Little,  Brown  &  Co.  I0i4-  xxiii,  443  op.  Portraits.  Plates. 
Facsimiles.  4047.135 

The  second  part  of  the  book  is  by  Bridgeman  alone. 

Cenac-Moncaut,  Justin  fidouard  Mathieu. 

Histoire  des  chanteurs  et  des  artistes  ambulants.  Saint-Germain  en 
Laye.     Toinon  et  c'e.     1866.     30  pp.      4044.119;  No.  i  in  **M.372. 19 

Censeur,  Le,  dramatique.  Ou  journal  des  principaux  theatres  de  Paris 
et  des  departemens,  par  une  societe  de  gens-de-lettres;  rcdige 
par  A.  B.  L.  Grimod  de  la  Revniere.  Tome  1-3.  Paris.  1707- 
98.     3  V.  **G.3s62.5 

Issued  every  ten  days. 

Same.  Tome  i  (no.  1-6,  9);  2  (no.  10,  13,  15,  17);  3  (no.  19-22,  26,  27). 
3  V.  in  2.  **T.27.i8 

Censor  dramaticus,  pseud. 

A  complete  history  of  the  drama,  from  the  earliest  periods  to  the 
present  time.  London.  Printed  and  sold  by  T.  Wilkins.  I793- 
140  pp.  **T.96.27 

No  more  published,     .^nothcr  copy  is  on  shelf-number   No.  5  in  **G.3824.4,   from 
which  pp.  85-140  are  missing'. 

Censor,  The,  or  theatrical  review.     Candid  hearer.  A,  pseud.     **T.76.i53 
Censorship  of  the  stage. 

See  also  England.  Revels  Office;  Theatre,  Law. 

Bell,   R.     The   rights  of  dramatic   literature.      [London.      1865.] 

No.  2  in  **G.62.5 
Cahuet,  a.     La  liberte  du  theatre  en   France  et  a  I'etrangcr.     His- 
toire,   fonctionnement    et    discussion    dc    la    censure    dramatique. 
Paris.      1902.  4672.113 

Censure,  La,  sous  Napoleon  iil  Rapports  inedits  et  in  extenso 
(1852  a   1866).     Paris.     1892.  2678.187 

[1701 


BROWN   COLLECTION   OF   BOOKS    ON    THE   STAGE 

Censorship  of  the  stage.     (Continued.) 

CiBBER,    C.      C y    C 's    Letter    to    the    Craftsman.      To    Caleb 

D'Anvers,   Esq.    [pseud. 1.      (In  New  miscellany,  A,   for   the   year 

1737.     Pp.  22-29.     London.      I737-)  No.  i  in  **G.3823.i5 

[Documents    of    the    Metropolitan    Board    of    Works,    the    London 

County  Council,  and  Committees  of  the  House  of  Commons  and 

the  House  of  Lords,  relating  to  the  theatre.]     London.     1866-1909. 

7  V.  **T.72.i4 

FowELL,  F.,  and  F.  Palmer.    Censorship  in  England.    London.    [1913.] 

Portraits.  6257.86 

Gildersleeve,    v.    C.      Government    regulation    of    the    Elizabethan 

drama.     New  York.     1908.  4558.268 

Hallays-Dabot,  V.     La  censure  dramatique  et  le  theatre.     Histoirc 

des  vingt  dernieres  annees   (1850-1870).     Paris.     1S71.-    **T.77.i6i 

Histoire  de  la  censure  theatrale  en  France.     Paris.     1862. 

46793.48;  **T.78.68 

Hankin,  St.  J.  E.  C.  Puritanism  and  the  English  stage.  (In  his 
Dramatic  works.    Vol.  3,  pp.  131-148.    London.    1912.)    45795.320.3 

Jones,  H.  A.  The  foundations  of  a  national  drama.  A  collection 
of  lectures,  essays  and  speeches,  1896-1912.  (Revised,  with  addi- 
tions.)     New   York.      [1912.]      Portrait.  4574.183 

La  Harpe,  J.  F.  de.  Discours  sur  la  liberte  du  theatre;  prononce  le 
17  decembre  1790,  a  la  Societe  des  amis  de  la  constitution.  [A 
Paris.     I793-]  **T.76.i07 

Laya,  J.  L.  Un  mot  sur  M.  le  Directeur  de  I'imprimerie  et  de  la 
librairie  [Villemain],  ou  abus  de  la  censure  theatrale.    Paris.     1S19. 

**T.77.28 

Mayer,  F.  A.  Zensurakten  aus  Baden  bei  Wien.  (In  Archiv  fiir 
Theatergeschichte.     Vol.   i.  pp.  17-42.     Berlin.     1904.)     *6907.i2.i 

Metral,  a.  M.  T.  De  la  liberte  des  theatres,  dans  ses  rapports  avec 
la  liberte  de  la  presse,  a  I'occasion  de  I'analyse  de  La  demence  de 
Charles  vi,  tragedie  de  M.  Lemercier.    Paris.    1820.    **T.76.io6;  etc. 

Palmer,   J.    L.     The.  censor   and    the    theatres.      London.      1912. 

**T.77.228 

Stanhope,  P.  D.,  4th  Earl  of  Chesterfield.     The  E...   of  C f...d's 

Speech  in  the  H...se  of  L....ds,  against  the  bill  for  licencing- 
all  dramatic  performances.     Dublin.     1749.  **T.77.2i2;  etc. 

The  Lord  C d's  speech  against  the  play-bill,  in  the  House 

of  Peers.     (In  New  miscellany.  A,  for  the  year  1737.     Pp.   17-21. 
London.     I737-)  No.  i  in  **G.3823.i5 

Censorship  of  the  stage.    Bibliography. 

Cotarelo    \    Mori,    E.      Bibliografia    de    las    controversias    sobre    la 

licitud  del  teatro  en  Espaiia.     Madrid.     1904.  *6i63.79 

Censure,  La,  sous  Napoleon  iii.     Rapports  inedits  et  in  extenso   (1852 

a  1866).     Preface  de  ***  et  interview  de  Edmond  de  Goncourt. 

Paris.     Savine.     1892.     (3),  xliii,  275  pp.  2678.187 

Upon  the  censorship  of  the  drama. 

•Century,  A,  of  great  actors.     Armstrong,   C.  F.  4545.165 

Cercle  fran^ais  de  I'Universite  Harvard. 

Gofflot,  L.  V.     Le  theatre  au  college,  du  moyen  age  a  nos  jours, 
avec  bibliographie  et  appendices.     Le  Cercle  frangais  de  I'Univer- 
site Harvard.     Paris.     1907.     Plates.  4674.17 
Cercle-Saint-Simon. 

RoDOCANACHi,  E.  P.  Le  sifflet  du  theatre.  Conference  faite  au  Cercle 
Saint-Simon  le    19  mai.     Paris.      1896.  2671.171 

[171] 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 


Cervantes  Saavedra,  Miguel  de. 

Diaz  de  Escovar,  N.  Apuntes  escenicos  ccrvantinos,  6  sea  vin  estudio 
de  las  comedias  y  entremeses  escritos  por  Miguel  de  Cervantes 
Saavedra,  con  varias  de  sus  opiniones  sobre  las  comedias  y  los 
comicos  y  noticias  de  los  comediantes  que  debio  conocer  6 
menciono  en  sus  libros  immortales.     Madrid.     1905.        **D.i46.i4 

Ces  demoiselles  de  I'Opera.     Vteil  abonne,  Un,  pseud.  **M. 127.60 

Ces  petites  dames  du  theatre.     [Anon.]     See  Mahalin,  Paul. 

Ch d,  W.  R.     See  Chetv/ood,  William  Rufus. 

Chaalons  d'Arge,  Augustc  Philibert. 

Histoire  critique  et  litteraire  des  theatres  de  Paris.  Annee  1822. 
Paris.      Pollet.      1824.      viii,   644   pp.  **T.77.6 

Another  copy  is  on  shelf-number  **G.3562.8. 

Chabot,  E.  Charles. 

Le  Gil  Bias  du  theatre.  Par  Michel-Morin  |  pseud,  d'  Auguste  Du- 
bois et  E.  Charles  Chabot].  Paris.  Denain  &  Delamare.  1833. 
2  V.     Plates.  **T.76.i54 

Chabrol,  Wilbrod  Frangois. 

Le  Palais-Royal  et  le  Theatre  frangais.  Paris.  Plon  &  c'e.  1879. 
52  pp.  **T.93.7 

Chadourne,  Andre. 

Les  cafes-concerts.    3^  edition.     Paris.     Dentu.     1880.     (3),  386  pp. 

**M.i29.7 
Challamel,  Augustin.     See  Challamel,  Jean  Baptiste  Marie  Augustin. 
Challamel,  Jean  Baptiste  Marie  Augustin. 

Les  amuseurs  de  la  rue.     [Avec]   Compositions  par  fidouard  Debat- 
Ponsan.    Paris.   Ducrocq.    1875.    (3),  252,  (i)  pp.    Plates.   **T.97.28o 
Chambers,  Abraham  Henry. 

In  chancery.  The  King's  Theatre,  or  Opera  House.  Copy  of  the 
short-hand  writer's  notes,  taken  at  the  hearing  of  the  cause  before 
the  vice-chancellor;  in  w^hich  Abraham  Henry  Chambers,  and  his 
assignees  were  the  plaintiffs,  and  Edmund  Waters  and  the 
executors  of  the  late  William  Taylor  were  the  defendants.  Lon- 
don. [Brettell.]  1829.  333.  (i)  pp.  No.  5  in  **G.3822.4.2 
Chambers,  Edmund  Kerchever. 

A  jotting  by  John  Aubrey.     Two  early  player  lists.     Commissions 

for  the  Chapel.     Plays  of  the   King's   Men  in    1641.     Manuscript 

facsimiles.     (In  Malone  Society.     Collections.     Vol.  i,  parts  4  and 

5,  PP-  341-369.     [Oxford.]      191 1.)  **G.4077.i5.i.Part4,5 

The  mediaeval  stage.     Oxford.     Clarendon  Press.     1903.     2  v.     Plates. 

List  of  authorities,  vol.   t,  pp.  xiii-xliii.  6252.64 

Notes  on  the  history  of  the  Revels  Office  under  the  Tudors.  Lon- 
don.    Bullen.     1906.     (4),  80  pp.  2552.35 

The  stage  of  the  Globe,  (/n  Shakespeare,  William.  Works.  Vol. 
10,  pp.  351-362.     Stratford-on-Avon.     1907.)  **G.90.7.io 

Chambers,  Edmund  Kerchever,  editor. 

Great  Britain.  Privy  Council.  Dramatic  records  from  the  Privy  Council 
Register,  1603-1642.  (/«  Malone  Society.  Collections.  Vol.  i,  parts 
4  and  5,  pp.  370-395-     [Oxford.]     191 1.)  **G.407 7.1 5.1. Parts  4,5 

Public  Record  Office.     Royal  patents  for  players.     (In   Malone 

Society.    Collections.   Vol.  i,  part  3,  pp.  260-284.    [Oxford.]     1909.) 

**G.4077.i5.i.Part  3 

Lansdowne  Manuscripts.  Dramatic  records  from  the  Lansdowne 
Manuscripts.  Manuscript  facsimile.  (/;/  Malone  Society.  Col- 
lections.    Vol.    I,  part   2,  pp.   143-215.     [Oxford.]      1908.) 

**G.4077.i5.i.Part2 

11721 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 

Chambers,  Edmund  Kerchever,  editor.     (Continued.) 

London.  Corporation.  Dramatic  records  of  the  city  of  London.  The 
Remembrancia.  (In  Malone  Society.  Collections.  Vol.  r,  part  i, 
pp.  43-100.      [Oxford.]      1907-)  **G.4077.i5.i.Part  i 

Chambers,  Robert. 

Sketch   of  the   history  of  the    Edinburgh   Theatre-Royal.     Prepared 

fur  this  evening  of  its  final  closing,  May  25,  1859.     With  a  poetical 

address  delivered  on  the  occasion.     [Anon.]     Edinburgh.    Wood  & 

Co.     1859.     (2),  24,   (i)   pp.  **T.76.ii8 

Chambriere,  Une,  en  retraite,  pseud. 

Le  cirque  Franconi.  Details  historiques  sur  cet  etablissement  hip- 
pique  et  sur  ses  principaux  ecuyers.  Avec  portraits  par  Frederic 
Hillemacher.      Lyon.      Perrin    &    Marinet.      1875.     69,    (i)    pp. 

**T.96.239 
Chambrun,   Charles   Adolphe    de    Pineton,   Marquis   de. 

Quelques  reflexions  sur  I'art  dramatique.  M^n^  Rachel,  ses  succes, 
ses  defauts.     Paris.     Garnier.     1853.     45  pp.  **T.97.2i8 

Chamfort,  Sebastien  Roch  Nicolas. 

Dictionnaire  dramatique,  contenant  I'histoire  des  theatres,  les  regies 
du  genre  dramatique,  les  notices  des  meilleures  pieces,  le  cata- 
logue de  tons  les  drames.  &  celui  des  auteurs  dramatiques.  [Anon. 
Par  J.  de  Laporte  et  S.  R.  N.  Chamfort.]  A  Paris,  chez  Lacombe. 
1776.     3  V.  **T.47.88 

Precis  de  I'art  theatral  dramatique  des  anciens  et  des  modernes. 
Faisant  suite  aux  oeuvres  de  M.  de  Champfort.  Public  par  M. 
Lacombe.     Paris.     1808.     2  v.  **T.46.53 

Champeaux,  Etienne  Junien,  editor. 

Annuaire  dramatique.      Histoire  des  theatres   depuis  leur  fondation 

jusqu'  a  nos  jours,  biographic  des  acteurs  de  Paris  et  de  la  banlieue. 

Par    Adolphe    Breant    de    Fontenay    et    fitienne    de    Champeaux. 

Annee  I,  1844/45.     Paris.     1845.  **T.99.24;  etc. 

Champfleury,  pseud. '    See  Fleury,  Jules  Fran(;ois   Felix  Husson. 

Champfort,    Sebastien    Roch    Nicolas.      See   Chamfort,    Sebastien    Roch 

Nicolas. 
Champlieu,  Theatre  de,  France. 

Peignk-Dei.acgubt.  a.  Le  Theatre  de  Champlieu.  Noyon.  1858. 
viii  plates.     Plan.  No.  i  in  4098.118;  **T. 76.42 

Supplement  a  la  notice   sur  le  Theatre  de   Champlieu  publiee 

en  1858.     Noyon.     1859.     Colored  plan.     No.  2  in  4098.118;  **T.76.43 
Champmesle,  Marie  Desmares. 

NouRv,  J.     M"e  de  Champmesle.  comedienne  du  roy.     Rouen.     1892. 

**T.54.2i 
Champsaur,  Felicien. 

Entree  de  clowns.  [Contes.]  Paris.  Levy.  1885.  282,  (i)  pp.  Tllus. 
Portrait.      Plates.     Autograph   facsimile.  **T.87.4S 

Contents.  —  Flagrant  delit.  ■ —  La  lec-on  de  catecliisme  —  Le  petit-fils  de  Faust. 
—  L'execution.  —  Ballade  du  tramway.  —  La  toux.  —  Les  singes.  ■ —  Rose 
d'amour.  —  Les  groiseilles.   —  Le  perioquet   incredule.   —   La   mort   de   Canard. 

Lulu.     Roman  clownesque.     Paris.     Charpentier  &  Fasquelle.     looi. 

(4),  430,  (i)  pp.     lUus.     Portraits.     Plates.  **T.86.7 

Masques  modernes.     Frontispice  par  Felicien  Rops.     Paris.     Dentu. 

1889.     (3).  341  pp.     Plate.  **T.97.228 

Contents.  —  Peintres  et  graveurs.  —  Les  decors  de  Paris.  —  Croquis  anglais.  — 
Avant  la  premiere  representation.  —  Impressions  de  tlieatre.  —  Statues  a 
demolir.  —  Physiologies  parisiennes.  —  Les  fetes  cigalieres.  —  Zigzags.  — 
Impressions  litteraires. 

[173] 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 


Chancellor,  Louise  Beecher. 

The  players  of  London:  a  tale  of  an  Elizabethan  smart  set.  Decora- 
tions by  Harry  B.  Matthews.  New  York.  B.  W.  Dodge  Co. 
[1909.]     (2),  236  pp.     Plates.  *4574-i95 

Chandler,  Frank  Wadleigh. 

Aspects  of  modern  drama.  [New  York.]  The  Macmillan  Co.  1914. 
viii,   (i),  494  PP-  6257.97 

Bibliographical   appendix,  pp.   423-479. 

Chang,  Chinese  giant. 

The   autobiography    of   (rhang,    the   tall   man   of   Fychow,   the   great 

Chinese  giant,  including  his  celebrated  ode  on  the  Crystal  Palace, 

&c.     London.     Arliss  &  Co.     1866.     24  pp.  **T.56,i9 

The     life     of     Chang,     the     celebrated     Chinese     giant.       Liverj^ool. 

Matthews.      1882.     28  pp.  62493.56 

Chanvallon.     Monselet,  C.  **T.87.77 

Chapman,  John  Kemble. 

A  complete  history  of  theatrical  entertainments,  dramas,  masques, 
and  triumphs,  at  the  English  Court,  from  the  time  of  King  Henry 
the  Eighth,  including  the  series  of  plays  performed  before  Her 
Majesty,  at  Windsor  Castle,  Christmas.  1848-9.  With  engravings 
on  steel,  by  Finden.  London.  Mitchell.  [1850?]  (3),  86  pp. 
Plates.     Programmes.  **T.42.2 

Chappuzeau,  Samuel. 

Le  theatre  frangois  divise  en  trois  livres,  ou  il  est  traite:  I.  De  I'usage 

de  la  comedie;   IL  Des  autheurs  qui  soutiennent  le  theatre;   III. 

De   la   conduite   des   comcdiens.      [Anon.]      Lyon.      Chez    Michel 

Mayer.     1674.     (42),  284  pp.  **D.i7ob.78 

Same.      [Reprinted.     Bruxelles.     Mertens.      1867.]      (2),    180  pp. 

**T.78.59 

Contains   notes   hy    Edouard    Fournier   and   a   Notice    sur   Le  theatre   frangais   de 
Chappuzeau  by  L.  P.  B.  Lacroix. 

Same.  Accompagne  d'un  preface  et  de  notes  par  Georges  Monval. 
Paris.     Bonnassies.     1875.     (3),  xviii,   183  pp.  **M.2i8.3 

The  preface  contains  Ijibliographical  notes. 

Characters,  The,  and  conduct  of  Sir  John  Edgar  [pseud.     Anon.].     See 

Dennis,  John. 
Charavay,  Etienne.     See  Charavay,  Marin  Etienne. 
Charavay,  Marin  fitienne. 

A.  de  Vigny  ct  Charles  Baudelaire,  candidats  a  I'Academie  frauQaise. 
Paris.  Charavay.  1879.  xii,  152,  (2)  pp.  lUus.  Portraits.  Plate. 
Autograph  facsimiles.  **T.57.i24 

Chardon,  E.  Henri. 

Nouveaux  documents  sur  la  vie  de  Moliere.     M.  de  Modene,  ses  deux 

femmes  et  Madeleine  Bejart.     Paris.     Picard.     1886.     (4).  508,  (i) 

pp,  **T.54.i8 

La  troupe  du  roman  comique  devoilee  et  les  comediens  de  campagne  au 

xviie  siecle.    Le  Mans.    Monnoyer.    1876.    vii,  171,  (3)  pp.    **T.54.20 

La  vie  de  Rotrou  mieux  connue.     Documents  inedits  sur  la  societe 

polie  de  son  temps  et  la  querelle  du   Cid.     Paris.     Picard.      1884. 

268  pp.  **T.55.i4 

Chardon,  Henri.    See  Chardon,  E.  Henri. 

Charke,  Charlotte. 

A  narrative  of  the  life  of  Mrs.  Charlotte  Charke.  London:  Printed 

for  W.  Reeve.     1755.     (i),  277  pp.  **T.58.i2i 

Same.     Hunt  and  Clarke.     1827.     167  pp.  62493.2.7 

[174] 


BROWN   COLLECTION    OF   BOOKS   ON    THE   STAGE 

Charlemagne,  Jean  Arniand.      (Placide  Ic   vieux.) 

Le  melodrame  (i)  aux  boulevards  (2).  Facetie  litteraire,  historique 
et  dramatique.  Avec  des  notes.  Paris.  Imprimerie  de  la  rue 
Beaurepaire.     1809.     (3),  42  pp.  **T.97.i84 

The  numbers    (i),    fj)    in   the   title   apparently   refer   to   notes   at   the   end   of  the 
book.      Another  copy  is  on   shelf-number  No.  8  in  **G.3s62.2. 

Charles  I.,  of  England. 

The  kings  maiesties  Declaration  to  his  subiects,  concerning  lawful! 
sports  to  bee  vsed.  Imprinted  at  London  by  R.  Barker.  1633. 
(2),  17  pp.  **H.26.25i 

This   Declaration  concerning   Sunday   sports   was   first   issued  by   King  James   I., 
May   24,    i6t8,   and   re-enacted   by   Charles   1.,    October    i8,    1633. 

Same.  (In  Cardwell,  Edward,  editor.  Docuinentary  annals  of  the 
Reformed  Church  of  England.    Vol.  2,  pp.  240-245.    Oxford.     1844.) 

*352i.i6.2 

Same.     Reprinted.     Quaritch.     i860.     (3),  17  pp.  *5454-3 

Same.      [Abridged.]      The    book    of    sports,    as    set    forth    by    King 

Charles  the  1.     With  remarks  vipon  the  same.     London.     Printed 

in  the  year  1633.     (In  Govett,  L.  A.,  editor.     The  king's  book  of 

sports.     Pp.    100-116.     London.      1890.)  4008.106 

Charles  I.,  of  England.     Works  about. 

Stage,  The,  acquitted.  Being  a  full  answer  to  Mr.  Collier  and  the 
other  enemies  of  the  drama.  With  a  vindication  of  King  Charles 
the  martyr,  and  the  clergy  of  the  Church  of  England,  from  the 
abuses  of  a  scurrilous  book,  called.  The  stage  condemned.  Lon- 
don. 1699.  **G.382i.9 
Stage,  The,  condemn'd  and  the  encouragement  given  to  the  immorali- 
ties and  profaneness  of  the  theatre,  by  the  English  schools,  uni- 
versities and  pulpits,  censur'd.  King  'Charles  L  Sundays  mask 
and  declaration  for  sports  and  pastimes  on  the  Sabbath,  largely 
related  and  animadverted  upon.  The  arguments  writ  in  defence 
of  the  stage  against  Mr.  Collier,  consider'd.     London.     1698. 

No.  I  in  **G.3823.2o 
Charles  II.,  of  England. 

Cunningham,  P.  The  story  of  Nell  Gwyn:  and  the  sayings  of  Charles 
the    Second.      London.      18.S2.      lUus.      Portraits.      Plates. 

*6548.2 ;  etc. 
Charles  VI.,  of  France. 

Metral,  a.  M.  T.  De  la  liberte  des  theatres,  dans  ses  rapports  avec 
la  liberte  de  la  presse,  a  I'occasion  de  I'analyse  de  La  demence  de 
Charles  VI,  tragedie  de  M.  Lemercier.     Paris.     1820. 

**T.76.io6;  etc. 
Charlotte  Ackermann.    See  Mueller,  Otto. 
Charnace,  Guy  de. 

Les  etoiles  du  chant.     Paris.     Plon.     i860.     3  parts  in  i  v.     Portraits. 

Contorts.  —  I.  Patti.     2.  Nilsson.     3.  Grabrielle  Krauss.  **M.I96.I 

A  star  of  song!     The  life  of  Christina  Nilsson.     Translated  bj^  T.  C. 

M.  &  E.  C.     New  York.     Wynkoop  &  Hallenbeck.     1870.     39  pp. 

Portrait.     Facsimile.  4048.37;  No.  i  in  **M.207.26 

Charneux,  Alphonse,  editor. 

Un  proces  de  presse  a  propos  du  theatre.  [Affaire  Judic  &  Humbert, 
directeur  de  I'Alcazar  de  Bruxelles,  contre  L'Ami  de  I'ordre.l 
Namur.     Douxfils.     1878.     128  pp.  **T.77.234 

Followed  by  arguments  in  opposition  to  the  theatre. 

Chamois,  Jean  Charles  Levacher  de.    See  Le  Vacher  de  Chamois,  Jean 
Charles. 

[175] 


THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 


Charnal,  G.  de.    See  Charnal,  Stanislas  de. 
Charnal,  Stanislas  de,  and  E.  Moreau  de  Bauviere. 

A  bas  Rigolboche.  [Anon.]  Sans  portrait  ni  vignette.  2e  edition. 
Paris,     i860.     96  pp.  **T.59.35 

Charpentier,  Louis. 

Causes  de  la  decadence  du  goiit  sur  le  theatre,  ou  Ton  traite  des 
droits,  des  talens,  &  des  fautes  des  auteurs;  des  devoirs  des  come- 
diens,  de  ce  que  la  societe  leur  doit,  &  de  leurs  usurpations 
funestes  a  I'art  dramatique.  [Anon.]  Au  Parnasse  frangois,  &  se 
trouve  a  Paris,  chez  Dufour.     1768.     2  v.  in   1.  **T.78.29 

Charrin,  Pierre  Joseph,  editor. 

Memorial  dramatique,  ou  ahnanach  theatral.  Annee  1-6.  Paris. 
1807-1812.    6v.ini.     Portraits.  **T.29.i4;  etc. 

Chase,  Eugene  Frank. 

Ballads  in  black.  A  series  of  original  shadow  pantomimes,  with 
forty-eight  full-page  silhouette  illustrations  and  full  directions 
for  producing  shadow  pictures  with  novel  effects.  Illustrations 
by  J.  F.  Goodridge.  Boston.  Lee  &  Shepard.  1882.  8,  (i), 
12-154  pp.  40093.75;  **T.99.6o 

Chasles,  Philarete.     See  Chasles,  Victor  Euphemien  Philarete. 
Chasles,  Victor  Euphemien  Philarete. 

Etudes  contemporaines.  Theatre,  musique  et  voyages.  Paris. 
Amyot.     1867.     (4),  ii,   (i),  382  pp.  26793.88;  **T.77. 108 

Contents.  —  La  vieillesse  de  Goethe.  — -  La  jeuncsse  de  Shakspeare.  —  Shakspeare 
et  Moliere.  —  Sheridan.  —  Hamlet  et  Macbeth.  —  Charles  Mathews.  —  Origines 
du  theatre  en  France.  —  Histoire  de  I'opera.  —  Comment  I'opera  de  Don  Juan 
fut  cree.  —  Mozart,  Weber,  Gretry  et  la  musique  en  France.  —  Un  compositeur 
tyrolien.  —  Mon  education  musicale.  —  L'epouse  et  la  maitresse.  —  Une  repre- 
sentation theatrale  sous  Chilperic.  —  D'une  comedie  de  Voltaire  qui  n'est  pas 
de  Voltaire.  —  Le  triomphe  de  I'art. 

Chatterton,  F.  B. 

Kenney,  C.  L.  Poets  and  profits  at  Drury  Lane  Theatre.  A  theatrical 
narrative.  Suggested  by  F.  B.  Chatterton.  and  written  by  Charles 
Lamb  Kenney.     London.     1875.  **T.78.20 

Chauderlot, ,  and  F.  Festeau. 

Proyecto  de  casas  pertenecientes  al  S''  Don  Jose  de  Fontagud 
Gargollo:  Teatro  [Moratin].  Madrid.  1871.  23  plans.  .Auto- 
graph facsimiles.  *Cab.6o.82.5 

The  title  is  on  each  plan. 

Chaufour,  Louis. 

D'une  reforme  a  introduire  dans  I'organisation  actuelle  des  theatres 
et  de  son  urgence.     Paris.     Dupray  de  la  Maherie.     1862.     16  pp. 

**T.95.i39 
Chaulin,  N.  P. 

Biographic  dramatique  des  principaux  artistes  anglais  venus  a  Paris; 
precedee  de  souvenirs  h'istoriques  du  theatre  anglais  a  Paris,  en 
1827  et  1828.     Paris.     1828.     vij,   166  pp.  **T.59.io 

Chaumont, ,  Chevalier  de. 

Exposition  des  principes  qu'on  doit  suivre  dans  I'ordonnance  des 
theatres  modernes.  Par  M  *  *  *  Com'^^  des  guerres,  &  S""^  de  M 
le  D.  de  C.  A  Amsterdam.  Et  se  trouve  a  Paris,  chez  Charlcs- 
Antoine  Jombert.     1769.     xxiv,  (4),  122  pp.  **T,78.i5 

Cheirognomy.  See  Chiromancy. 
Cheiromancy.  See  Chiromancy. 
Cheirosophy.     See  Chiromancy. 

[176] 


f 


BROWN   COLLECTION   OF  BOOKS   ON    THE   STAGE 

Cheltnam,  Charles  Smith,  editor. 

Dramatic  Year  Book,  The,  for  the  year  ending  December  31st,  1891. 

An  annual  chronicle  of  the  drama  in  Great  Britain,  France,  United 

States  of  America  and  Australasia,   and  stage   directory  for   the 

United  Kingdom.     London.     1892.     Portraits.  **T.25.23 

Chenevier,  P. 

L'incendie  de  I'Opera-comique  de  Paris-  et  le  theatre  de  surete. 
Paris.     Baudry  &  cie.     1888.     66  pp.  No.  i  in  **M.i22.i 

Cheney,  Arthur. 

Complimentary  testimonial  to  Mr.  Arthur  Cheney,  Globe  Theatre, 
June  7th.     [Programme.     Boston.     1872.]  No.  3ra  in  **G.3822.3 

Cheney,  Sheldon. 

The  art  theatre.  A  discussion  of  its  ideals,  its  organization  and  its 
promise  as  a  corrective  for  present  evils  in  the  commercial  theatre. 
New  York.     Knopf.     1917.     249  pp.     Plates.     Plans.  6257.144 

Relates    to    the    theatre    in    the    United    States.      A    discursive    bibliography,    p]). 
232-239. 

The  new  movement  in  the  theatre.  New  York.  Kennerley.  1914. 
(i),  303  pp.     Plates.  6257.87 

Relates  particularly   to   the   theatre  in   England   and   in   the  United   States. 

Cheney,  Sheldon,  editor. 

Theatre  Arts  Magazine.  [Quarterly.!  November,  1916,  to  date. 
Detroit,  Mich.     1916-.I     Plates.  **T.25.35 

Chennevieres-Pointel,  Comtc  Henry  de. 

Les  menus-plaisirs  du  roi  et  leurs  artistes.  Paris.  Rouam.  1882. 
32  pp.  **T.92.5 

Cheramy,  Auguste  Paul  Arthur,  editor. 

George,  M.  J.  Weymer,  called  Mademoiselle  George.  A  favourite 
of  Napoleon.  Memoirs  of  Mademoiselle  George.  London.  1909. 
Portraits.  **T.56.72 

Cheramy,  Paul.     See  Cheramy,  Auguste  Paul  Arthur. 
Cheri,  Rose  Marie. 

Jacquot,   C.  J.    B.     Rose   Cheri    (Madame   Montigny).     Paris.      1855. 

Portrait.  No.  3  in  *6649.66;  etc. 

Chesterfield,  Philip  Dormer  Stanhope,  4th  Earl  of.     See  Stanhope,  Philip 

Dormer,  4th  Earl  of  Chesterfield. 
Chetwood,  William  Rufus. 

The  British  theatre.  Containing  the  lives  of  the  English  dramatic 
poets;  with  an  account  of  all  their  plays,  the  lives  of  most  of  the 
principal  actors,  as  well  as  poets.  Prefixed,  a  short  view  of  the 
rise  and  progress  of  the  English  stage.  [Anon.]  Dublin:  Printed 
for  Peter  Wilson.     1750.     (i),  xvi,  (6),  200,  (28)  pp.  **T.68.5 

Same.     London:  Printed  for  R.   Baldwin,  Jun.     1752.  **G.3923.8 

The  dramatic  congress.  A  short  state  of  the  stage  under  the  present 
management.  Concluding  with  a  dialogue  .  .  .  between  the  illus- 
trious Bashas  of  Dr-ry  Lane  and  Co-nt  Garden,  and  the  chiefs  of 
the  revolted  players.  London:  Printed  for  M.  Cooper.  1743.  27 
pp.  **T.76.i68 

Signed,  W.  R.   Ch d.     Another  copy  is  on  shelf-number   No.  5  in  **G.3823.2i. 

A  general  history  of  the  stage,  from  its  origin  in  Greece  down  to 
the  present  time.  With  the  memoirs  of  most  of  the  principal 
performers  that  have  appeared  on  the  English  and  Irish  stage 
for  these  last  fifty  years.  London:  Printed  for  W.  Owen.  1740. 
(10),  256  pp.  4578.3;  **T.78.io 

Other  copies  are  on   shelf-numbers   **G.38ji.28;    No.i  in  "'G. 3823. 7. 

[177] 
12 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 


Chevalier,  Albert. 

Albert    Chevalier.     A   record.     Biographical   and   other   chapters   by 
Brian  Daly.     London.     Macqueen.     1895.     xii,   (i),  295  pp.     Por- 
traits. **T.56.258 
Before  I  forget.    The  autobiography  of  a  chevalier  d'industrie.     Lon- 
don.    Unwin.     1902.     xvi,  257,   (i)  pp.     Portraits.  4544.225 
Chevalier,  Pierre  Michel  Frangois. 

Le  Kain  in  the  character  of  Vendome.  Translated  from  the  French 
of   Pitre   Chevalier.      [New   York?      1847.]      412-417   pp. 

No.  6  in  **G.3930.i3.2 
Chevalier,  Pitre.     See  Chevalier,  Pierre  Michel  Frangois. 
Chevallier,  Hippolyte  Guillaume  Sulpice.     (Gavarni.) 

Les  coulisses.     [Paris.     1838.]     31  plates.  **T.72.2 

Plates  no.  3,  13,  17,  18,  20,  22,  and  25  are  missing. 

Chevallier,  Hippolyte  Guillaume   Sulpice   (Gavarni),  illustrator. 

Second,  A.    Les  petits  mysteres  de  I'Opera.     Paris.     1844.    **M.i43.i7 
Chevriade,    La.    ou    I'observateur    des    enfers.      A    Paris.    Chez    N.    B. 
Duchesne.     1762.     (4),  96,   (3)  pp.  **T.28.23 

Chevrier,  Frangois  Antoine,  editor. 

Observateur  des  spectacles,  L',  ou  anecdotes  theatrales.    [Bimensuel.] 
Tome  I,  2,  3  (no.  13).    A  La  Haye.     1762.     2  v.    Plates.    **T.28.2i 
Suite    de    I'Observateur    des    spectacles.       [Hebdomadaire.]       Con- 
tinuee  par  Mr.  *  *  *     No.  1-13.     Jan.  4 -mars  29,  1763.     A  Amster- 
dam.      1764.  **T.28.22 

Chevrier,  Frangois  Antoine.     Works  about. 

CiiEVRiADE.  La,  ou  I'observateur  des  enfers.    A  Paris.    1762.    **T.28.23 
Chicago,  ///.    Public  Library. 

Actable  one-act  plays.  Compiled  by  Samuel  Kaplan  of  the  Library 
staff.     [Chicago.]      1916.     15  pp.  2175.67 

Finding  lists.     8th   edition.     Poetry  and   drama,,   essays  and   miscel- 
lanies, collected  works.    Chicago.     1904.     (i),  519-644  pp.    *2i43.56 
Chicago.     Celebrations. 

Drama  League  of  America,  The.     Shakespeare  festival  in  honor  of 
the  poet's  birthday,  April  23,  1912,  Lincoln  Park,  Chicago.     Chi- 
cago.    [1912.]     Plans.  8076.234 
Chicago.     Theatres. 

McVicker,  J.  H.  The  theatre;  its  early  days  in  Chicago.  A  paper  read 
before  the  Chicago  Historical  Society.     Chicago.     1884.     **T. 76.26 
Chicago.     Theatres.     Haverly  theatre. 

Mayo,   F.,  and   J.    G.   Wilson.     Nordeck.     A   new   romantic    drama. 

Produced   for  the   first  time  on  any  stage  at   Haverly  Theatre, 

week    beginning    May    25,    1884.       [Story    of    play    and    cast    of 

cliaracters.     Chicago.     1884.]     Plates.  **T.36.io5 

Chicago.     Theatres.     Hooley's  theatre.     See  Chicago.     Theatres.     Powers' 

theatre. 
Chicago.     Theatres.     Iroquois  theatre. 

Sachs,  E.  O.  The  Chicago  theatre  fire.  Plans.  {In  British  Fire 
IVevention  Committee.  The  fire  at  the  Irociuois  Theatre.  Pp. 
7-18.     London.     1904.)  4019.263 

Chicago.     Theatres.     Powers'  theatre. 

Glover,  L.  B.    The  story  of  a  theatre.     [Chicago.     1899.]     Illus.     Por- 
traits.    Plates.  **T.77.i94 
Chidley,  Sydney. 

Scene  painting  for  amateurs.  N.  j).  [1886.]  (26)  i>p.  illus.  Diagrams. 
Composed  of  clippings  from  The  Keynote.  **T.I3.5 

[178] 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 

Chien  de  metier!     Du  Casse,  H.  **T.87.68 

Child,  Theodore. 

The  ballet  in  Paris.     Illus.,  some  colored.     Portraits.     (In  Matthews, 
J.  B.   About  the  ballet.    Pp.  110-152).    New  York.    1891.)    **T.i2.ii 
Child  actors.    See  Children.    As  actors. 
Children.     As  actors. 

See  also  Betty,  William  Henry  West. 

Dorothea    Dix    Hall    Association,    Boston.     A    home   and    school    for 

stage  children  and  children  of  actors.     [Organization,  history  and 

treasurer's  report  for  1907. 1    Boston.    1908.    Illus.    Plates.    5577.145 

Life,  The,  and  theatrical  excursions  of  William  Robert   Grossmith, 

the  juvenile  actor.     Reading.     1827.  No.  16  in  **G.393o.i3.i 

Same.     4th  edition.     1829.     Portrait.  **T.55.73 

Lord,   E.  W.     Children   of  the   stage.      New   York.      1910. 

No.  I  in  5575-250 

Maas,  H.     Die   Kindertruppen:  ein   Kapitel  aus  der  Geschichte  der 

englischen  Theatergesellschaften  in  dem  Zeitraume  von   1559  bis 

1642.       Inaugxiral-Dissertation.       Bremen.       1901.  2552.121 

RiCHOMME,  C.    Album  Castelli.     Portraits  des  principaux  artistes  de 

la  troupe  enfantine  de  M.  Castelli,  avec  des  notices  sur  chaque 

petit  acteur,  precedees  d'un  essai  sur  les  theatres  d'enfants.     Paris. 

[1839?]     Colored  plates.  **T,56.339 

Wallace,  C.  W.     The  Children  of  the  Chapel  at   Blackfriars,  1597- 

1603.     Lincoln,  Neb.     1908.  3595.104.8 

Children.     Education. 

Curtis,  E.  W.  The  dramatic  instinct  in  education.  With  a  foreword 
by  G.  Stanley  Hall.     Boston.     [1914.]  35993.61 

Herts,  A.  M.  The  Children's  Educational  Theatre.  Witli  an  intro- 
duction by  Charles  W.  Eliot.     New  York.     191 1.     Portrait.     Plates. 

5598.186 
Lehrer-Vereinigung  fiir  die'  Pflege  der  kiinstlerischen  Bildung,  Ham- 
burg.    Unsere  Volksschiiler  im  Stadttheater.     Hamburg.     1808. 

7592.32 
Children,  The,  of  the  Chapel  at  Blackfriars,  1597-1603.     Wallace,  C.  W. 

3595.104.8 
Children  of  the  stage.    See  Children.    As  actors. 

Children,  The,  of  Thespis.     Williams,  J.  **G.3947.i8;  etc. 

Children's  plays. 

Mackay,  C.  D.  Costumes  and  scenery  for  amateurs.  A  practical 
working  handbook.    New  York.    1915.    Plates.    8076.214;  Z.4od  19.4 

How  to  produce  children's  plays.     New  York.     1915.      6257.105 

Chile.     Theatres. 

Amunategui,  M.  L.  Las  primeras  representaciones  dramaticas  en 
Chile.     Santiago   de   Chile.      1888.  **D.26i.2 

China.     Theatre. 

TcHENG-Ki-ToNG.  Les  Chinois  peints  par  eux-memes.  Le  theatre 
des  Chinois.     Etude  de  moeurs  comparees.     Paris.     1886. 

30193.56;  **T.47.26 
Chinois,   Les,   peints  par   eux-memes.     Tcheng-Ki-Tong. 

30193.56;  **T.47.26 
Chiromancy. 

Allen,  E.  H.  A  manual  of  cheirosophy.  A  complete  practical  hand- 
book of  the  twin  sciences  of  cheirognomy  and  cheiromancy.  Illus- 
trations by  Rosamund  Brunei  Horsley.  London.  1885.  Illus. 
Plates.  **T.97.i53;etc. 

[179] 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 

Chiromancy.     (Continued.) 

Arpentignv,  C  S.  d'.  La  science  de  la  main  ou  I'art  de  reconnaitre 
les  tendances  de  I'intelligence  d'apres  les  formes  de  la  main. 
Paris.     [1856.]  **T.96.2oi 

Same.    The  science  of  the  hand,  or  the  art  of  recognizing-  the 

tendencies  of  the  human  mind  by  the  observation  of  the  forma- 
tion of  the  hands.     London.     1886.     Plates.  36003.31 

Baughan,  R.  Chirognomancy;  or,  indications  of  temperament  and 
aptitudes  manifested  by  the  form  and  texture  of  the  thumb  and 
fingers.     London.      1 1884.]      Plates.  3605.73 

A  handbook  of  palmistry  after  the  ancient  methods.     London. 

1895.     Plates.  5600.89 

Beamish,  R.  The  psychonomy  of  the  hand;  or,  the  hand  an  index 
of  mental  development,  according  to  MM.  D'Arpentigny  and 
Desbarrolles,  with  illustrative  tracings  from  living  hands.  Lon- 
don. [1865.]  31  plates.  5600.2 
Desbarrolles,  A.  Les  mysteres  de  la  main  reveles  et  expliques. 
Paris.  [188-?]  Illus.  Plates.  **T.97.249;  etc. 
Henderson,  E.  E.     A  guide  to  palmistry.     Boston.     1895.     Illus. 

56oob.47 
Larsen,  L.  B.     Practical  hand-reading,  for  students  only.     Portland, 
Oregon.     [1900.]      Plates.  5607.33 

Chodzko,  Alexandre  Edmond  Boreyko. 

Le  theatre  en  Perse.      [Paris.     1844?]      161-208  pp.  **T.95.I42 

Choiseul-Gouffier,  Alix  de.     See   Faucigny-Lucinge,  Alix  de   Choiseul- 

Gouffier. 
Chorley,  Henry  Fothergill. 

Personal  reminiscences  by  Chorley,  Planche  and  Young.  New  York. 
Scribner.  Armstrong  &   Co.      1874.     xxiii,  297  pp.  45593-173 

Chorus. 

PiCKARD,    J.      Der    Standort    der    Schauspieler    und    des    Chors    im 

griechischen    Theater    des    5ten    Jahrhunderts.      Miinchen.      1892. 

Plates.  2972.27 

Christianity  and  popular  amusements.     Newton,  W.  W.  **T.76.i8i 

Christians  and  the  theatre.     Buckley,  J.  M.  3450.80;  **T.77.88 

Christmas. 

W  Christmas     entertainments.       Curious     memoirs     of     old      Father 

Christmas.     London.      [1883.]      Illus.     Plate.  **T.99.i9 

Creizexach,  W.  M.  a.  Zur  Geschichte  der  Weihnachtsspiele  und 
des  Weihnachtsfestes.  {In  Beitrage  zur  Volkskunde.  XII.  Heft. 
Pp.  i-io.     Breslau.     1896.)  2873.114 

Gray's  Inn,  London.  Gesta  Grayorum:  or,  the  history  of  the  high 
and  mighty  Prince.  Henry,  Prince  of  Purpoole,  who  reigned  and 
died.  A.D.  1594.  Together  with  a  masque,  as  it  was  presented  for 
the  entertainment  of  Q.  Elizabeth.  London.  1688.  **G.4076.i9 
HiGGS,  G.  An  account  of  The  Christmas  prince,  as  it  was  exhilnted 
in  the  University  of  Oxford  in  the  year  1607.  (^"  Miscellanea 
antiqua   Anglicana.     London.      1816.)  No.  3  in  *45i2.i42 

Christmas  entertainments:  wherein  is  described  abundance  of  fiddle- 
faddle-stuff,  raw-heads,  and'  such  like  bodies;  eating,  drinking, 
kissing  &  other  diversions;  conjurers,  and  their  merry  pranks; 
curious  memoirs  of  old  Father  Christmas.  London.  Field  &  Tucr. 
[1883.]     do),  vi.  58  pp.     Illus.     Plate.  **T.99.i9 

A  reprint  of  the  1740  edition. 

Christmas  kalends.  The,  of  Provence.     Janvier,  T.  A.  4668.32 

|18U] 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 

Christy  minstrels   (later  Moore  &  Burgess  minstrels). 

Programme.  [May  15,  1871  -  Dec.  31,  1891;  May  21,  Oct.  22,  1892; 
Dec.  26,  1893;  June  16,  1894.     London.     1871-91.]     41  v.     **T.i5.i2 

Almost  all  of  these  programmes  are  for  exhibitions  in  St.  James's  Hall,  Piccadilly. 
Before  May  8,  1872,  the  company  was  called  Christy  Minstrels.  Some  undated 
programmes  are  prefi.xed  to  the  volume  for  1871.  One  of  these  is  a  programme 
for  a  performance  by  The  Queen's  Minstrels. 

War  among  the  blacks.     A  full    report   of  the  celebrated  chancery 

suit,    Montague-  &   Wilsom   versus    Moore,    Crocker,    Ritter,    and 

Hamilton,    proprietors    and    managers    of   the    Christy    Minstrels. 

February  8th,  1865.     Liverpool.     Holme  &  Copley.     1865.     (4),  80 

pp.  **T.96.i76 

Chronicle,  A,  of  friendships.     Munday,  L.  4545.177 

Chroniques,  Les,  du  Palais-Royal.     Beynet,  A.  2639.75;  **T.97. 229 

Chroniqueur    desceuvre,    Le.      [Anon.]       See    Mayeur    de    Saint    Paul, 

Frangois  Marie. 
Chronological  list,  A,  of  the  dramatic  works  of   [List  A]    Steele  Mac- 
kaye,    [List   B]    Percy  Mackaye    (1917).      [Nevif  York?      1917.I     2 
broadsides.  **T.Cab.i.27 

Chubb,  Percival,  editor. 

Festivals  and  plays  in  schools  and  elsewhere.  By  Percival  Chubb, 
former  Director  of  Festivals  in  the  Ethical  Culture  School,  New 
York,  and  his  associates  of  the  school  staff.  New  York.  Harper. 
1912.    xxii,  403  pp.     Plates.     Music.  6257.80 

Contents.  —  The  festival  in  its  educational,  cultural,  and  recreational  aspects. 
By  Percival  Chubu.  —  Music  in  the  festival.  By  Peter  W.  Dykema.  —  Art  in 
the  festival.  By  James  Hall.  —  Costuming  in  the  festival.  By  Marie  R.  Perrin. 
—  Dancing  in  the  festival.  By  Mary  G.  Allerton.  —  First  steps  in  the  develop- 
ment of  festival  and  dramatic  activities.  By  Mabel  Ray  Goodlander. 
Bibliography,   pp.    355-392. 

Chubb,  Percival,  prefacer. 

Craig,  A.  A.  T.  The  dramatic  festival.  A  consideration  of  the  lyrical 
method  as  a  factor  in  preparatory  education.     New  York.     1912. 

6257.73 
Church  and  stage. 

This  heading  covers  only  modern  works  dealing  with  the  affilia- 
tion between  the  church  and  the  stage.  Controversial  works 
relating  to  the  theatre  are  to  be  found  under  the  headings: 
Theatre.  In  favor  of ;  Theatre.  In  opposition  to. 
Actors'  Church  Alliance  of  America,  Boston  Chapter.  Annual  report 
[ist].     Boston.     1901.  *5579a.i9o 

Maugras,  C.  G.   Les  comediens  hors  la  loi.   Paris.   1887.  **T.55.ioi;  etc. 
Newton,    W.    W.      Christianity    and    popular    amusements;    or,    the 
Church  and  the  theatre.     Boston.     1877.  **T.76.i8i 

Smith,   J.   T.     The  parish  theatre:   a   brief  account  of  its   rise,   its 
present  condition  and  its  prospects.     New  York.     1917.     6257.145 
Tryon,  G.  W.,  Jr.     Church  and  stage.     [Philadelphia?     1880?] 

No.  15  in  *754i.8 
Church  and  Stage  Guild.    Addresses. 

Davis,  J.     The  attitude  of  society  to  the  stage,  past  and  present.     A 

paper  read  before  the  monthly  meeting  of  the  Church  and  Stage 

Guild.     Oct.  7,   1879.     London.     1879.  **T.77.i95 

Church,  The,  and  the  drama.     Freckelton,  T.  W.  **T.96.i30 

Churchill,  Charles. 

The  Rosciad  and  The  apology.  Edited  by  Robert  W.  Lowe.  London. 
Lawrence  &  Bullen.  1891.  xviii,  (i),  78,  (i)  pp.  Portraits.  **T.52.7 
A  satire  on  the  actors  of  the  day.  Contains  a  facsimile  of  the  title-page  of  the 
first  edition. 

[181] 


THE  PUBLIC  LIBRARY  OF  THE   CITY  OF  BOSTON 

Churchman,  A,  pseud. 

More  remarks  on  the  theatre:  addressed  to  those  who  take  the 
trouble  to  read  them.     Leeds.     Wright.     1818.    36  pp.        **T.96.52 

/  .\nother  copy  is  on  shelf-number  **T.96.37. 

V/^Cibber,  Colley. 

V/  An  apology  for  the   life  of  Mr.   Colley  Cibber,   comedian,  and   late 

patentee  of  the  Theatre-Royal.  With  an  historical  view  of  the 
stage  during  his  own  time.  Written  by  hirnself.  The  2d  edition. 
London:  Printed  by  John  Watts.     1740.     (23),  488  pp.  2455.14 

Relates  principally  to  the  London  theatres. 

Same.     London.     Whittaker.  Treacher,  &  Arnot.     1829.     (8),  ii,  340 
pp.     [Autobiography.     A  collection  of  lives.     Vol.  i.]         62493.2.1 
Same.     1830.     (i),  ii,   (6),  340  pp.  **K.37.27 

Same.  With  characters  and  anecdotes  of  his  theatrical  contempo- 
raries; the  whole  forming  a  .  complete  history  of  the  stage  for 
forty  years.  New  edition,  with  notices  by  Edmund  Bellchambers. 
London.     Simpkin  &  Marshall.     1822.    xxiii,  514,  vii  pp.     Portrait. 

Another  copy  is  on  shelf-number  **r..3933.3.  2455.35;  **T.56.2I4 

Same.  A  new  edition  with  notes  and  supplement  by  Robert  W. 
Lowe.  With  mezzotint  portraits  by  R.  B.  Parkes,  and  etchings 
by  Adolphe  Lalauze.  London.  Nimnio.  1889.  2  v.  Illus.  Por- 
trait-s.  *4545.io6;**T.54.7 

Contains  also  Wright's  Historia  histrionica  and  Aston's  Brief  supplement  to 
Colley  Cibber,  Esq.  ;  his  lives  of  the  late  famous  actors  and  actresses.  Each 
work  has  a  fac-simile  of  the  original  title-page.     BibHography,  vol.  2,  pp.  289-296. 

C y  C 's  Letter  to  the  Craftsman.     To  Caleb  D'Anvers,  Esq. 

[pseud.].     (In  New  miscellany.  A,   for  the  year  1737.     Pp.  22-29. 

London.      1737.)  No.  i  in  **G.3823.i5 

Relates  to  the  censorship  of  the  stage  in  England. 
Statement  of  the  conduct  of  the  theatre  under  the  patent  granted  to 

Sir    Richard    Steele.  —  Dedication    to    "Ximenes,    or    the    heroic 

daughter."     {In  The  Theatre.     Pp.  300-302.     London.     1791.) 

Another  copy  is  on  shelf-number  **G.3824.7.  **T.26.23 

/V    Cibber,  Colley.     Works  about. 

Apology,  An,  for  the  life  of  Mr.  T C comedian.     A 

proper  sequel  to  the  Apology  for  the  life  of  Colley  Cibber, 
comedian.  With  an  historical  view  of  the  stage  to  the  present 
year.     London.     1740.  **T.56.i95;  etc. 

Blast,  A,  upon  bays;  or,  a  new  lick  at  the  laureat.  Containing 
remarks  upon  a  late  tatling  performance,  entitled,  A  letter 
from   Mr.  Cibber  to   Mr.   Pope,  &c.     London.     1742. 

No.  7  in  **G.3824.i4 

Egotist,  The;  or,  Colley  upon  Cibber.  Being  his  own  picture  re- 
touch'd,  to  so  plain  a  likeness,  that  no  one,  now.  would  have 
the  face  to  own  it,  but  himself.     London.     1743.       **T.57.i6o;  etc. 

Laureat,  The:  or,  the  right  side  of  Colley  Cibber,  Esq.;  containing, 
explanations,  amendments  and  observations,  on  a  book  intituled. 
An  apology  for  the  life,  and  writings  of  Mr.  Colley  Cibber.  Not 
written  by  himself.  Added,  The  history  of  the  life,  manners  and 
writings  of  .•Esopus  the  tragedian,  from  a  fragment  of  a  Greek 
manuscript  found  in  the  library  of  the  Vatican.     London.     1740. 

**T.57-437 

Talfouud.  Sir  T.  N.  An  apology  for  the  life  of  Mr.  Colley  Cibber, 
comedian.     [Review.    London.     1820.]  No.  8  in  **G.3930.i3.i 

Cibber,  Colley,  pseud.,  author  of  Tbe  life  of  Edwin  Forrest.     See  Rees, 
James. 

[1821 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 

Gibber,  Susannah  M^ria. 

Account,  An,  of  the  life  of  that  celebrated  actress,  Mrs.  Susannah 
Maria  Gibber.  Also  the  two  reniarkal)le  and  romantic  trials 
between  Theophilus  Ciblier  and  William  Slopcr.  London.  1RS7. 
Portrait.  4549a-i02;  **T.57.i57 

Gibber,  T.  Four  original  letters,  viz.  two  from  a  husband  to  a  gentle- 
man [William  Slopcr]  :  and  two  from  a  husl)and  to  a  wife.  [.4non.] 
London.     1739.  **T.57.i3o;  etc. 

y/^Xibber,  Theophilus. 

The  buskin  and  sock;  being  controversial  letters  between  Mr.  Thomas 
Sheridan,  tragedian,  and  Mr.  Theophilus  Gibber,  comedian,  just 
published  in  Dublin.  Dublin  printed;  London  reprinted  for  Jacob 
Robinson.     1743.     (i),  56  pp.  No.  i  in  **G.3823.i6 

Dissertations  on  theatrical  subjects.  See  his  Theophilus  Gil^ber  to 
David  Garrick;  Gibber's  Two  dissertations  on  the  theatres. 

An  epistle  from  Mr.  Theophilus  Gibber,  to  David  Garrick,  Esq. 
Prefixed,  some  occasional  verses,  petitions,  &c.  London:  Printed 
for  R.  Griffiths.     1755.     (i),  27  pp.  **T.56.3i2 

Another  copy   is   on    shelf-number    No.  ii  in  **G.3824. 15. 

Same.  Theophilus  Gibber  to  David  Garrick;  with  two  dissertations 
on  theatrical  subjects.  London:  Printed  for  W.  Reeves.  1759. 
(j),  76,  (3),  47,  112  pp.     Portrait.     Plates.  **G.3933.2 

Four  original  letters,  viz.  two  from  a  husband  to  a  gentleman  [Wil- 
liam Sloper] :  and  two  from  a  husband  to  a  wife.  [Anon.]  Lon- 
don: Printed  for  T.  Read.     1739-     (i),  iv,  38  pp.  **T.57.i3o 

Same.    3d  edition,    vi,  38  pp.  No.  12  in  **G.3824.i4 

The  lives  and  characters  of  the  most  eminent  actors  of  Great  Britain 
and  Ireland,  from  Shakespear  to  the  present  time.  Part  i:  Barton 
Booth.  Prefixed,  A  familiar  epistle  to  Mr.  William  Warburton. 
London:  Printed  for  R.  Griffiths.  1753.  xcix,  xiv,  89,  (i)  pp. 
Portrait.  **T.57.i63 

No  more  was  published. 
A  serio-comic  apology  for  part  of  the  life  of  Mr.  Theophilus  Gibber, 
comedian.  Written  by  himself.  [London.  1748.]  69-108  pp.  **T.96.77 
Relates  to  the  London  theatres  and  actors,  particularly  to  Gibber's  efforts  to 
obtain  a  license  for  the  Haymarket  Theatre.  Another  copy  is  on  shelf-number 
/"  No.  I  in  **G.40i3.32. 

V/bame.  Gibber's  Two  dissertations  on  the  theatres.  The  whole  con- 
taining a  general  view  of  the  stage;  with  anecdotes  relative  to  the 
English  theatres,  and  remarks  on  the  laws  concerning  the  theatres. 
London:  Printed  for  the  Author,  and  are  to  be  had  of  Mr.  Griffiths 
(the  publisher).  [1756.]  (5),  76,  (3),  47,  ii3,  (0  PP-  **T.76.i34 
The  second  dissertation  has  a  title-page  reading,  Dissertations  on  theatrical 
subjects. 

Gibber,  Theophilus.     Works  about. 

Account,  An,  of  the  life  of  that  celebrated  actress,  Mrs.  Susannah 
Maria  Gibber.  Also  the  two  remarkable  and  romantic  trials 
between  Theophilus  Gibber  and  William  Sloper.  London.  1887. 
Portrait.  45493.102;  **T.57.i57 

Apology,   A,   for  the   life   of   Mr.   T G ,   comedian.     A 

proper  sequel  to  the  Apology  for  the  life  of  Golley  Gibber, 
comedian.  With  an  historical  view  of  the  stage  to  the  present 
year.     Supposed  to  be  written  by  himself.     London.     1740. 

**T.56.i95;  etc. 

Tryal,  The,  of  a  cause  for  criminal  conversation,  between  Theophilus 

Gibber,  plaintiff,  and  William  Sloper,  defendant.     London.     1730. 

**T.57-i54;etc. 
[183] 


THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 

Cicero,  Marcus  Tullius,  pseud.     See  Foote,  SamueT. 

Cicerone,  The.  A  record  of  the  drama,  music  and  the  fine  arts. 
[Weekly.]  No.  1-24.  Sept.  30,  1843  -  March  9,  1844.  [London.] 
1843,  44.     216  pp.     Illus.     Plate.  **T.23.ii 

Cincinnati.    Public  Library. 

Catalogue  of  the  dramas  and  dramatic  poems.     Cincinnati.     Mills  & 

Co.       1879.       192   pp.  *6l92.I2 

Cincinnati.     Theatres. 

Dramatic  Festival  Association.  Official  hand-book  of  the  Dramatic 
Festival  held  in  Music  Hall.  Cincinnati,  April  30 -May  5,  1883. 
Edited  by  Montgomery  Phister.    Cincinnati.    1883.    Plates.     Plans. 

**T.94.7 
Cinematograph.     See  Moving  pictures. 
Circensian  games.     See  Circus.     Roman. 
Circus. 

Barnum,  P.  T.  Struggles  and  triumphs;  or,  forty  years'  recollections 
of  P.  T.  Barnum.  Revised  up  to  February,  1873.  Buffalo.  1873. 
Portraits.     Plates.  4442-77 

Same.     Revised  up  to   March,   1874.  4442.137 

Same.     Revised  up  to  April,  1875.  **T.57.74 

Campardon,  L.  £.     Les  spectacles  de  la  foire.     Depuis   1595  juscju'a 

1791.     Paris.     1877.     2  V.  **T.75.6 

Chambriere,  Unc,   en   retraite,  pseud.     Le  cirque   Franconi.     Details 

historiques  sur  cet   etablissement  hippique  et   sur  ses  principaux 

ecuyers.     Lyon.     1875.     Portraits.  **T.96.239 

Coup,  W.  C.     Sawdust  &  spangles.     Stories  &  secrets  of  the  circus. 

Chicago.      1901.      Plates.  4009.32;  **T.57. 150 

Dalseme,  a.  J.     Le  cirque  a  pied  et  a  cheval.     Paris.      [1888.] 

**T.97.227 
EscuDXER,   G.     Les    saltimbanques.      Leur  vie — leurs   mneurs.      i'aris. 

1875.     Illus.     Plates.  **T.94.ii 

Flaneur,  Un,  pseud.     Biographic  des  ecuyers  et  ecuyeres  du  Theatre 
.     national  du  Cirque-Olympique.     Paris.     1846.  **T. 59.51 

Frost,  T.     Circus  life  and  circus  celebrities.     London.     1875. 

4009.38;  **T.97.283 
Glenroy,   J.    H.      Ins    and    outs    of   circus    life;    or,    forty-two    years 

travel  through  United  States,  Canada,  South  America  and  Cuba. 

Boston.     1885.     Portrait.  **T.58.ii2 

Greenwood,   I.  J.     The  circus:   its  origin  and  growth   prior  to    1835. 

New-York.     1898.     Portraits.     Plates.  **T.95.i8 

Ieels,  A.  A.    Les  cirques.    Vers.    Illus.    Plates.     (/?;  Les  dcmi-cahots. 

Pp.  149-198.     Paris.     1896.)  **T.97.230 

Jennings,  J.  J.     Theatrical  and  circus  life.     St.  Louis.     1882.     Illus. 

Portraits.     Plates.  **T.76.i48 

Keith,    C.      Circus    life    &    amusements     (equestrian,    dramatic,    & 

musical),     in  all  nations.     Derby.     1879.  **T.96.i5o 

Le  Roux,  H.  R.  C.  H.  Les  jeux  du  cirque  et  la  vie  foraine.  Illustra- 
tions  de  Jules   Garnier.     Paris.      [1889.]      Colored   illus.     Colored 

portraits.  **T.93.2 

Same.      Acrobats    and    mountebanks.      London.      1890.      Illus. 

Portraits.     Plates.  4001.100;  **T.95.85 

Montague,  C.  W.     Recollections  of  an  ec|uestrian  manager.     London. 

1881.  4007.35;  **T.58.33 

Perrie,    G.   W.     Buckskin    Mose    [pseud.] ;   or,    life    from    the    Lakes 

to  the  Pacific,  as  actor,  circus-rider,  detective,  ranger,  gold-digger, 

1184] 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 


Circus.     (Continued.) 

Indian  scout  and  guide.     Written  by  himself.     New  York.     1S73. 

Plates.  *2349a.i49 

Saltarino,    Signer,   pseud.      Das    Artistentum    und    seine    Gescliichte. 

Leipzig.     1910.     Illus.     Portraits.  2243.87 

ScHMiTT,  E.    Zirkus- und  Hippodromgebaude.    Stuttgart.    1904.    Illus. 

Plates.     Plans.  *8og2.52.6.Heft  6 

Spangled  world.  A;   or,  life  with   the   circus.      New   York.      [i.982.] 

Portrait.     Plates.  **T.95.io2 

TuRNOUR,  J.     The   autobiography   of   a  clown.     As   told   by    Isaac   F. 

Marcosson.     New  York..    1910.     Portraits.  2249,91 

Vaux,  C.  M.,  Baron  de.     ficuyers  et  ecuyeres.     Histoire  des  circjues 

d'Europe    (1680-1801).     Avec   une   etude   sur  I'equitation   savante 

par  Maxinie  Gaussen.     Paris.     1893.     IHus.     Portraits.     Plates. 

**T.95.ii3 
Circus.    Roman. 

Burgess,  R.     Description  of  the  circus  on  the  Via  Appia  near  Rome; 

with  some  account  of  the  Circensian  games.    London.     1828.    Illus. 

Plate.     Plans.  2736.12 

Circus-rider's  daughter.  The.     Brackel,  F.  M.  T.,  Freiin  von.       6898.150 

Citateur  dramatique,   Le.     Gallois,  C.  A.   G.   L.  **T.49.4 

Citizen  of  the  world.  A,  pseud. 

The  genuine  arguments  of  the  council,  with  the  opinion  of  the  court 
of  King's  Bench,  on  cause  shewn,  why  an  information  should  not 
be  exhibited  against  John  Stephen  James,  Joseph  Clarke,  .  .  . 
for  a  riotous  conspiracy,  founded  to  deprive  Charles  Macklin, 
one  of  the  comedians,  belonging  to  the  Theatre  Royal  in  Covent 
Garden,  of  his  livelihood.  London:  Sold  by  J.  Williams.  1774. 
(8),  72  pp.  No.  3  in  **G.3824.4 

Citizenship.     ^ 

Mackaye,  p.  The  new  citizenship.  A  civic  ritual  devised  for  places 
of  public  meeting  in  America.     New  York.     1915.  4329.284 

Civic  theatres. 

Casson,  L.     Steps  towards  a  civic  theater.     Boston.     191 1.      **T.75.74 
Jones,  H.  A.     Municipal  and  repertory  theatres:  a  lecture  delivered 
to  the  Sheffield  Playgoers'  Society,  September  29th,  1913.     Lon- 
don.    1913.  **T.76.i86 
Mackaye,    P.     The   civic   theatre   in    relation    to    the    redemption    of 
leisure.     A  book  of  suggestions.     New  York.     1912.  6257.56 
Clairon,  Claire  Josephe  Hippolyte  Leris  de  La  Tude,  called  Hippolyte 
Clairon. 
Memoires   d'Hyppolite   Clairon,    et   reflexions   sur   I'art    dramatique; 
publics  par  elle-meme.    A  Paris,  Chez  F.  Buisson.    An  VII  |  1798]. 
(3),  ii,  361  pp.     Portrait.                                                             **T.57.449 
Same.     2e  edition  augmentee.     (i),  379  pp.                              **T.57.446 
Same.      Nouvelle    edition  .  .  .      Le    tout    accompagne    de    notes    ct 
precede  d'une  notice  sur  la  vie  de   Mile   Clairon    [par  Andrieux]. 
Paris.     Ponthieu.     1822.      (3),  Ixxx,  351,   (i)   pp.      [Collection  des 
memoires  sur  I'art  dramatique.]                                                     **T.56.i 
Another  copy  is  on  shelf-number  **G.224.2.  i.     This  may  also  be  found  in  vol.  6 
of   Rarriere's   Rihliotheque  des  memoires  relatifs   a   I'histoire  de   France  pendant 
le   i8e  siecle    [*4667.2.6;    **T.57.28ol. 
Same.     Memoirs  of  Hippolyte  Clairon,  the  celebrated  French  actress: 
with  reflections  upon  the  dramatic  art.    London.    Robinson.    1800. 
2  V.  in   I.     Portrait.                                                                         **T.57.ioo 

[185] 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 

Clairon,  Claire  Josephe  Hippolyte  Leris  de  La  Tude,  called  Hippolyte 
Clairon.     Works  about. 
CosTE  d'Arnobat,  C.  p.     Memoires  de  M^e  Dumesnil,  en  reponse  aux 
memoires  d'Hippolyte  Clairon;  revus,  corriges,  et  augmentes  d'une 
notice   sur  cette   comedienne   par   M.    Dussault.      Paris.      1823. 

**T.56.7;etc. 
£piNAY,  L.  F.  P.  DE  T.  d'E.  de  la  L.  d'.   L'amitie  de  deux  jolies  femmes. 
Suivie  de  Un  reve  de  Mademoiselle  Clairon.     Publics  par  Maurice 
Tourneux.     Paris.     1885.     Plate.  **T.98.39 

Gaillard  de  la  Bataille,  p.  a.  Histoire  de  Mademoiselle  Cronel 
dite  Fretillon,  actrice  de  la  Comedie  de  Roiien  [Claire  Josephe 
Hippolyte  Leris  de  La  Tude].     A  la  Haye.     1741.     Portrait. 

**T.58.i38 

GoNcouRT,   E.  L.  A.   H.  de.     Mademoiselle   Clairon  d'apres  scs  cor- 

respondances  et  les   rapports  de   police   du   temps.     Paris.      1890. 

2657.iog;**T.57.324 
Clairon,   Hippolyte.     See   Clairon,   Claire   Josephe    Hippolyte    Leris   de 

La  Tude,  called  Hippolyte  Clairon. 
Clairvoyance  and  second  sight. 

BiSHOP,  W.   I.     Second  sight  explained.     A  complete  exposition  of 

clairvoyance   or   second    sight,  as   exhibited   by   the   late   Robert 

tioudin  and  Robert  Heller,  showing  how  the  supposed  phenomena 

ma}'  be  produced.     Edinburgh.     1880.  **T.97.26i 

Clament,  Clement. 

Esquisses  d'aujourd'hui.  Sarah  Bernhardt.  Avec  un  portrait  par 
Ingomard.     Paris.     Derveaux.     1879.     72  pp.  **T.58i86 

Clapp,  Henry  Austin. 

Reminiscences  of  a  dramatic  critic.  With  an  essay  on  the  art  of 
Henry  Irving.  Boston.  Houghton,  Mifflin  &  Co.  1902.  viii,  (i). 
241,   (i)  pp.     Portraits.  4395.168 

Relates  principally  to  Boston  theatres.  Another  copy  is  on  shelf-number 
*Artz  Cab.  12.3. 

Clapp,  John  Bouve,  and  Edwin  Francis  Edgett. 

Players  of  the  present.  New- York.  iSgo-Tgoi.  3  v.  Portraits. 
Autograph  facsimiles.  fDunlap  Society.  Publications.  New 
series,  no.  9,  11,  13.]  **T.95.22 

Plays  of  the  present.  [An  appendix  to  Players  of  the  present.] 
New- York.  1902.  ix,  (i),  331  pp.  Portraits.  [Dunlap  Society. 
Publications.     Extra  volume.]  *4504.47;  **T.95.27 

Clapp,  William  Warland. 

The  drama  in  f^.oston.  [Boston.  i88t.]  358-382  pp.  Illus.  Por- 
traits.    Facsimiles.  No.  r  in  **M.i22.5 

Cut  from  Vol.  4  of  Winsor's  Memorial  history  of  Boston  [•4451.51.4;  **G.300.- 
62.4].  Includes  accounts  of  eighteen  theatres,  a  list  of  eminent  actors  who  have 
appeared  in  Boston,  and  dates  of  opening  of  theatres  and  places  of  amusement, 
arranged   chronologically. 

A  record  of  the  Boston  stage.  Boston.  Munroe  &  Co.  1853.  xiii, 
479  pp.  4459.42;  **f.77.i73 

An    index   to   this   work   may   be   found    on   shelf-number   4459.43. 

Claque,  Le. 

Castel,  L.     Memoires  d'un  claqueur.     Paris.     1829.     Plate.     **M.ii7.6 
Lan,  J.   Memoires  d'un  chef  de  claque.   Souvenirs  dcs  theatres.    Paris. 

1883.  **M.i27.36 

Claqueur  patente,  Un,  pseud. 

Nouvelle  grandc  biographic   dramatique,   on   silhouette   des   actcurs, 

chantcurs,  danseurs  de  1825  a  1830,  de  Paris  et  des  departemens, 

1186] 


BROWN   COLLECTION   OF   BOOKS    ON    THE   STAGE 

Claqueur  patente,  Un,  pseud.     (Continued.) 

suivie  des  adresscs  des  acteurs.  Paris.  Librairie  frauQaise  et 
etrangere.      1851.      (i),   196  pp.  **T.59.26 

Clarence,  Reginald. 

"The  Stage"  cyclop.xdia.  A  bibliography  of  plays.  An  alphabetical 
list  of  plays  and  other  stage  pieces  of  which  any  record  can  be 
found  since  the  commencement  of  the  English  stage.  With 
descriptions,  authors'  names,  dates  and  places  of  production. 
London.     "The  Stage."     1909.     503.  (0  PP-  **T.66.i2 

Claretie,  Jules  Arsene  Arnaud. 

Brichanteau,  comedien.  7'"  mille.  Paris,  ("harpenticr.  1896.  (5), 
380,  (i)  pp.  **T.87.26 

A  novel  of  stage  life. 

Same.     9^  mille.  66993.27 

Same.     Brichanteau,   actor.     Translated   from   the    French    of   Jules 

Claretie.  Boston.  Little,  Brown,  &  Co.  1897.  xiii,  366  pp.  **T.87.Tg 
Profils    de    theatre.      Paris.      Gaultier-Magnier    &   c'c.      [1902.]      viii. 

364  pp.     [L'art  et  la  vie.]  **T.57.7o 

Sketches  of  French  comedians. 

Same.  Paris.  Charpentier.  1904.  [CEuvres  completes.]  4677.92 
Sainte-Beuve  et  la   Comedie-frangaise.      (In   Le  livre  d'or  de   Sainte- 

Beuve.     Pp.  31-45.     Paris.     1904.)  *264i.i76 

La   vie    a    Paris.      1880-85,    95-i9i3-      Paris.      Havard.      [r8Si-]i9i4. 

21  V.  **T.27.i6 

Nothing  was  published  from  1886—94.  The  issues  are  of  various  editions.  After 
1897  this  work  was  published  by  Charpentier. 

La  vie  moderne  au  theatre.  Causeries  sur  l'art  dramatique.  Scrie 
I,  2.     Paris.     Barba.     1869,  75.     2  v.  **T.47.2 

Claretie,  Jules  Arsene  Arnaud,  prefacer. 

Dacier,  fi.  Le  musee  de  la  Comedie-frangaise,  1680-1905.  Paris. 
1905.     Illus.     Portraits.     Plates.  *467i.34 

Febvre,  F.  A.     Au  bord  de  la  scene.     Paris.     1889.  **T.57.323 

Journal  d'un  comedien.    Paris.    1896.    2  v.    Portraits.    **T.56.i25 

GoFFLOT,  L.  V.  Le  theatre  au  college  du  moyen  age  a  nos  jours, 
avec  bibliographic  et  appendices.  Le  Cercle  frangais  de  I'Univer- 
site  Harvard.     Paris.     1907.     Plates.  4674.17 

JoANNiDES,  A.  La  Comedie-frangaise  de  1680  a  1900.  Dictionnaire 
general  des  pieces  et   des  auteurs.     Paris.      190T.  *467i.83 

Laferriere,  a.    Souvenirs  d'un  jeune  premier.    Paris.    1884.    **T.57.32i 

MoNVAL,  G.  H.  M.  Les  collections  de  la  Comedie  frangaise.  Cata- 
logue historique  et  raisonnee.     Paris.     1897.     Portraits.     Plates. 

*4o8i.52 

Samson,  Madame  J.  L  Rachel  et  Samson.  Souvenirs  de  theatre  par 
la  veuve  de  Samson.     Paris.     1898.  **T.57.336 

Theatre    d'application,    Paris.      Auteurs    et    acteurs.      Catalogue    de 
I'exposition    de    portraits    installee    dans    les    galeries    du   Theatre 
d'application.     Paris.      1889.     Portraits.      Plates.         **T.66.i4;  etc. 
Claretie,  Leo. 

Histoire  des  theatres  de  societe.  Paris.  Librairie  Moliere.  [1005.] 
(3),   280  pp.     Illus.      Portraits.      Facsimiles.  4677.96 

Content.';.  —  La  comedie  de  societe  du  xvic  au  xviiie  siecle.  —  Theatre  des 
petits  cabinets.  —  Theatre  du  Maine,  a  Sccaux.  —  Trianon.  —  Les  theatres  du 
due  d'Orlcans  et  du  comte  de  Clermont.  —  Les  theatres  dc  Voltaire.  —  Le 
theatre  prive  dans  la  bourgeoisie  au  xviiie  siecle.  —  Le  monde  galant.  —  Le 
xixe  siecle.  —  Le  theatre  au  camp.  —  La  troisieme  Republique.  —  Lois  du 
genre  et  auteurs  de  salons. 

[187] 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 


Clark,  Barrett  Harper. 

The  British  and  American  drama  of  to-day.  Outlines  for  their 
study.  [With  mention  of  first  American  performance  of  many 
English  plays.]      New  York.     Holt  &  Co.     1915.     xiii,  315  pp. 

6257.94 

Biographical,  bibliographical  and  critical  studies  of  English  and  American 
dramatists,  with  references  at  the  end  of  most  of  the  sections,  deneral  bihli 
ography,  pp.   293-302. 

How  to  produce  amateur  plays:  a  practical  manual.  Boston.  Little, 
Brown   &  Co.     1917.     vii,   144  pp.     Plates.     Plans.  6257.304 

Bibliography,   pp.    1 12-126. 

Clark,  Barrett  Harper,  prefacer. 

Eaton,  W.  P.  Plays  and  players.  Leaves  from  a  critic's  scrap-book. 
Cincinnati.     1916.     Plates.  6257.301;  **T.46. 70 

Clark,  G.  F.  Scotson-. 

The  "halls."  London.  Unwin.  [  ux)-?]  48.  (47)  pp.  Colored  por- 
traits.    Colored  plates.  **T. 53.18 

Caricatures  of  actors  with  introductory  matter  by  George  Gamble. 
Contents.  —  Dan  Leno.  —  George  Robey.  —  Eugene  Stratton.  —  Vesta  Victoria. 
—  Chirgwin.  —  R.  G.  Knowles.  —  Harry  Randall.  —  Bessie  Wentwf)rth.  — 
Marguerite  Comille.  —  Herbert  Campbell.  —  Marie  Lloyd.  —  Gus  Elen.  — 
Albert  Chevalier.  —  Harry  Bedford.  —  Alec  Hurley.  —  Bros.  Griffiths.  —  T. 
E.  Dunville.  —  Marie  Loftus.  —  Vesta  Tilley.  —  G.  H.  Macdcrmott.  —  Paul 
Martinetti.  —  Ada   Reeve.   —  Harriet   Vernon.   —   Lockhart's   elephants. 

Clarke,  Asia  Booth. 

Booth  memorials.  Passages,  incidents,  and  anecdotes  in  the  life  of 
Junius  Brutus  Booth,  (the  Elder).  By  his  daughter.  New  York. 
Carleton.     1866.     162,    (22)   pp.  4349.195;  **T.57.276 

In  the  copy  on  shelf-number  4349.195  the  copies  of  old  play  bills  and  the 
portrait  are  missing. 

Same.     Hinton.     1870.     162  pp.  4349.69;  **K.37.4 
The  elder  and  the  younger  Booth.  Boston.     Osgood   &  Co.     1882. 
(7),  194pp.    Portrait.    Facsimile.  Manuscript  facsimiles.     [Ameri- 
can actor  series.]  4348.131;  **T.57.iii 
Clarke,  J.  Clayton.     ("Kyd.") 

The  characters  of  Charles  Dickens  pourtrayed  in  a  series  of  original 
water  colour  sketches.  London.  Tuck.  [1889.]  103  pp.  Por- 
trait.    Colored  plates.  No.  i  in  **T.53.23 

The  title  on  the  cover  reads:  Character  sketches  from  Charles  Dickens.  "The 
additional  typewritten  quotations  were  made  by  Henry  Clay  Barnabee,  a  long 
time  admirer  of  Charles  Dickens  " 

Clarke,  John  Sleeper. 

SkI'Tciies  of  the  life  of  Mr.  John  S.  Clarke,  comedian.  [London. 
1872.]     8  pp.     Portrait.  **T.96.283 

Clarke,  Mary. 

A  concise  history  of  the  life  and  amours  of  Thomas  S.  Hamblin,  late 

manager  of  the  Bowery  Theatre.     As  communicated  l)y  his  legal 

wife,  Mrs.  Elizabeth  Hamblin,  to  Mrs.  M.  Clarke.     Pliiladclphia. 

[184-?]     40  pp.  **T.96.287 

Clarke,  Mary  Cowden. 

My   long  life.     An   autobiographic   sketch.      London.      Unwin.      1896. 

(S),  264  pp.     Portraits.     Plate.     Autograph  facsimiles.       2548.150 

Same.     New  York.     Dodd,  Mead  &  Co.     (3),  273  pp.  2548.185 

Same.     1897.  *P.i  1.2005 

(oiit.Tins   much   miscellaneous   theatrical    material. 

Clarke,  Sidney  Wrangel. 

The  miracle  play  in  England.  An  account  of  the  early  religious 
drama.  London.  Andrews  &  Co.  [1897.]  (9),  94  pp.  Plates. 
List  of  references,  p.   (7).  2537.35 ;  **T.47.9I 

flXKj 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 

Clarke,  William. 

Every  night  book;  or,  life  after  dark.  By  the  author  of  "The  cigar." 
London.     Richard.son.     1827.     192  pp.  **T.98.ii 

Relates  to  London  theatres,  amusements,  etc. 

Clay,  Cecil,  compiler. 

Rosina  Yokes.  London.  Rivington,  Percival  &  Co.  1894.  (6),  98 
pp.    Portraits.    Autograph  facsimile.  **T.58.8i 

"Some    tributes    to    the    memory    of    Rosina    Vokes    collected    by    her    husband." 

Clay,  Mrs.  Cecil.    See  Vokes,  Rosina. 
Clayton,  Ellen  Creathorne. 

The  London  opera  directors.  Chapter  I:  Old  Vauxhall  and  places  of 
fashion.  [London.  1864.]  289-297  pp.  Portrait.  No.  17  in  **G.3822.3 
Queens  of  song:  being  memoirs  of  the  most  celebrated  female 
v'ocalists  who  have  appeared  on  the  lyric  stage.  To  which  is  added 
a  chronological  list  of  all  the  operas  that  have  been  performed  in 
Europe.     London.     Smith,  Elder  &  Co.     1863.     2  v.     Portraits. 

Another  copy  is  on  shelf-number  **K.22i.5.  **M.I06.I3 

Same.     New  York.     Harper.     1865.     343  pp.     Portraits.  2248.57 

Clayton,  John,  the  Elder. 

A  counter  and  impartial  statement  of  circumstances  relative  to  a 
late  withdrawment  from  a  dissenting  Independent  church.  To 
which  are  added  notes  and  an  appendix,  designed  as  a  reply  to 
Mr.  Ryland's  "Remarks."  [Anon.]  London.  Biggs  &  Co.  1805. 
63  pp.  No.  8  in  **G.3824.9 

Letters  on  a  controversy  with  Mr.  and  Mrs.  Richard  Ryland  relating  to  dancing 
and  the   theatre. 

Clayton,  John,  the  Elder.     Works  about. 

Clayton,  J.,  the  Younger.  Letters,  occasioned  by  a  recent  controversy 
between  R.  R.  Esq.  and  the  Rev.  J.  C.     London.     1805. 

No.  II  in  **G.3824.9 
Ryland,  R.  A  second  edition  of  "The  statement,"  "The  address," 
and  "The  remarks"  on  the  "Counter-statement,"  relative  to  a  late 
withdrawment  from  a  dissenting  Independent  congregation.  With 
a  postscript,  by  the  writer  of  the  statement.  [Anon.]  London. 
1805.  No.  7  in  **G.3824.9 

Clayton,  John,  the  Younger. 

Letters,  occasioned  by  a  recent  controversy  between  R.  R.  Esq.  and 
the  Rev.  J.  C.  Second  edition  enlarged.  London.  Biggs  &  Co. 
1805.     (4),  68  pp.  No.  II  in  **G.3824.9 

These  letters  relate  to  the  controversy  between  Richard  Ryland  and  the  elder 
John  Clayton  on  the  subject  of  amusements,  especially  the  theatre.  The  fourth 
letter  is  signed  J.  C,  junior. 

Cledat,  Leon. 

Le  theatre  en  France  au  moyen  age.  Paris.  Lecene,  Oudin  &  c'^. 
1896.  237  pp.  Plate.  [Collection  des  classiques  populaires.]  **T.46.20 
Co::tL-nt.'..  —  Introduction.  —  Les  'premiers  mysteres.  —  Les  auteurs  dramatiques 
du  xiiie  siecle.  —  Les  miracles  de  Notre-Dame  (xive  siecle).  —  Conclusion. 

Clement,  Clara  Erskine. 

Charlotte  Cushman.  Boston.  Osgood  &  Co.  1882.  vi,  (3),  193  PP- 
Portraits.     Plate.     Facsimiles.     [American  actor  series.] 

4348.128;  **T.57.i07 
Same.     London.     Bogue.     [1881.]  **T.57.io8 

Clement,  Denis  Xavier,  Abbe. 

The  stage,  a  sermon  from  the  French  of  Abbe  Clement.  Harlow. 
Flower.     1805.     36  pp.  No.  8  in  **G.3824.4 

In    opposition    to    the    theatre.      The    title    of    the    original    French    is    Sur    les 

spectacles. 

[189] 


THE  PUBLIC  LIBRARY  OF  THE   CITY   OF  BOSTON 

Clement,  Jean   Marie   Bernard,   and  Joseph   de   La   Porte. 

Anecdotes  dramatiques;  contenant  1°.  Toutes  les  pieces  de  theatre 
joues  a  Paris  on  en  province.  2°.  Tous  les  ouvrages  dramatiques 
qui  n'ont  ete  representes  sur  aucun  theatre,  mais  qui  sont  im- 
primes,  ou  conserves  en  manuscrit.  3°.  Anecdotes.  4°.  Les 
noms  de  tous  les  auteurs,  poetes  ou  aiusiciens,  qui  ont  travaille 
pour  tous  nos  theatres,  de  tous  les  acteurs  celebres,  qui  ont  joue 
a  tous  nos  spectacles,  avec  un  jougement  de  leurs  ouvrages  &  de 
leurs  talens.  5°.  Un  tableau,  accompagne  d'anccdotes,  des  theatres 
de  toutes  les  nations.  [Anon.]  A  Paris.  Chez  la  veuve  Duchesne. 
1775-     3  V.  **T.58.3 

Other  editions  are  on  shelf-numbers  **T.58.4;  **G.3563.i7. 

Clercpret,  pseud.    See  Pray,  Isaac  Clark. 

Clares,  Les,  du  Palais.     Fabre,  L.  A.  **T. 76.50 

Clergyman,  A. 

Testimonies  of  pagans,  of  infidels,  of  Christian  Fathers,  of  councils, 
of  states  and  sovereigns,  and  of  members  of  the  Church  of  Eng- 
land, on  the  nature  and  tendency  of  tlieatrical  amusements.  2d 
edition,    enlarged.      Sheffield.      Montgomery.      1819.      16    pp. 

Another  copy  is  on  shelfniimljer  **T.96.53.  **T. 76.93 

Clerville,  Jules  de,  editor. 

Spectateur,  Le.  Revue  theatrale,  litteraire  et  artistique.  [Hebdoma- 
daire.]     No.  1-15.     Dec.  2,  1875  -  mars  9.  1876.     Paris.     1875,  76. 

**T.37.7 
Cleveland,  Charles. 

Theatrical  amusements:  letter  to  a  professing  Christian.  [P>oston. 
1868.]     7  PP-  **T.76.2 

Clive,  Catherine. 

The  case  of  Mrs.  Clive  submitted  to  the  publick.  London:  Printed 
for  B.  Dod.     1744.    22  pp.  **T.97.324 

Clive,  Catherine.     Works  about. 

Fitzgerald,  P.  H.  The  life  of  Mrs.  Catherine  Clive.  With  an  ac- 
count of  her  adventures  on  and  off  the  stage,  a  round  of  her 
characters,  her  correspondence.     London.     1S8S.     Portrait. 

45493.103;  **T.57.57;  etc. 
Close,  Francis. 

Apology,  An,  for  secular  recreations:  a  letter  to  the  Rev.  Francis 
Close.     London.     1855.  **T.96.68 

Clo^vn,  The,  of  London,  at  all  the  theatres,  sights,  pleasures,  and  amuse- 
ments. With  fashions  for  the  week.  No.  [i-]i4.  [Londoi-. 
1845.]  •    14  nos.  in  i   v.     lUus.     Plates.  **T.25.26 

Clowns  and  fools. 

Arm  IN,   R.      Fools   and   jesters:    with    a    reprint    of    Robert    Armin's 

Nest   of  ninnies.      1608.      With   an   introduction   and   notes    [by  J. 

P.  Collier].     London.      1842.  4596.67;  etc. 

Cutter,  A.  E.,  compiler.    William  Sommers  and  Archibald  Armstrong, 

jesters  to  Henry  the  Eighth  and  Charles  First,  Kings  of  England. 

Boston.     1887.     Portraits.  **T.i3.9 

Daniel,  G.     Merrie  England  in  the  olden  time.     [With  illnstratinns 

by  John    Leech    and    Robert   Cruikshaiik.]      LondoiL      1842.      2   v. 

IIlus.     Portraits.  2529.30;  etc. 

Dickens,  C,  editor.     Memoirs  of  Joseph  Grimaldi.     London.     [1838.] 

Portrait.     Plates.  **T.57.454;  etc. 

DoRAN,  J.     The  history  of  court  fools.     London.      1858. 

6248.18;  **T.97. 82;  etc. 

1190] 


BROWN   COLLECTION    OF  BOOKS   ON    THE   STAGE 

Clowns  and  fools.     (Continued.) 

Dreux  du  Radier,  J.  F.  Dcs  fous  en  titre  d'office  des  rois  de  France. 
(Ill  Collection  dcs  meillcurs  dissertations  relatifs  a  I'histoire  dc 
France.    Tome  8,  pp.  148-186.     Paris.     1826.)  **G.35i6.i.8;  etc. 

MoREAl'.  P.  Fous  et  bouffons:  etude  physiologique,  psychologiquc 
et  historique.     Paris.     1885.  2244.69 

Nick,  A.  F.  Die  Hof-  und  Volks-Narren  sammt  den  narrischen 
Lustbarkeiten  der  vcrschiedenen  Stiinde  aller  Volker  und  Zeitcn. 
Aus  Flog-els  Schriftcn  und  andern  Quellen.     Stuttgart.     1861.     2  v. 

2280.20 

Perrodil,  £.  DE.     Monsieur  Clown!     Paris.     1889.     Illus.         2679a.262 

TuRNOUR,  J.     The  autobiography  of  a  clown.     As  told  by   Isaac  F. 

Marcosson.     New  York.     1910.     Portraits.  2249.91 

Club  of  Odd  Volumes,  Boston. 

Exhibition  of  prints  and  playbills  to  illustrate  the  history  of  the 
Boston  stage  (1825  to  1850),  from  the  collection  of  Robert  Gould 
Shaw.     May  3  to   May  8,   1915.      [Boston.     1915. 1      loi   pp. 

**Q. 17.31 

This  is  a  catalogue  of  portraits  of  British  and  American  actors,  with  biographical 
notice*.     The  catalogue  includes  a  few  playbills. 

Clubs. 

DiNAUX,  A.  M.  Les  societes  badines,  bachiques,  litteraires  et 
chantantes.  Lenr  histoire  et  leurs  travaux.  Paris.  1867.  2  v. 
Portrait.  **T.96.i5 

Coad,  Oral  Sumner. 

William  Dunlap.  A  study  of  his  life  and  works  and  of  his  place  in 
contemporary  culture.  New  York.  1917.  xiii,  313  pp.  Portraits. 
Plates.  Facsimile.  [Dunlap  Society.  Publications.]  **T.95.I52 
Deals  largely  with  Dunlap's  career  as  a  theatrical  manager  and  playwright  in 
New    York   City.      Lists  of  Dunlap's   writings  and   paintings,   pp.   284-302. 

Coates,  Diamond,  pseud.     See  Coates,  Robert. 

Coates,  Robert. 

Robinson,  J.  R.,  and  H.  H.  Robinson.  The  life  of  Robert  Coates 
better  known  as  'Romeo'  and  'Diamond'  Coates,  the  celebrated 
'amateur  of  fashion.'     London.     1891.     Portraits.  **T.57.7 

Cobbin,  Ingram. 

Stage  playing  immoral,  vain,  and  dangerous  in  its  tendency.  A 
sermon,  preached  at  South  Moulton,  Devon,  April  4.  London. 
Williams.     [1802.]     31  pp.  **T.96.48 

Coburg,  House  of. 

Bauer,  C.  Caroline  Bauer  and  the  Coburgs.  Translated  and  edited 
from  Nachgelassene  Memoiren  von  Karoline  Bauer.  By  Charles 
Nisbet.     London.     1885.     Portraits.  2858.58 

Cobum,  Frank  Warren. 

Life  of  the  popular  comedian,  George  W.  Wilson.  [Boston.  189-?] 
(4)  pp.     Portrait.  **T.53.22 

Inserted  are  seven  theatre  programmes. 

Cochin,  Charles  Nicolas. 

Lettres  sur  I'Opera.     Per  M.  C***.     Paris.     Cellot.     1781.     86  pp. 

No.  3  in  **M.2o8.2i 

Projet  d'une  salle  de  spectacle  pour  un  theatre  dc  comedie.     [Anon.] 

A  Londres,  et  se  trouve  a  Paris,  chez  Charles-Antoine  Jombert. 

1765.     Plates.     Plans.  **T.78.i4 

Cochrane,  Alexander  Baillie.     See  Cochrane-Baillie,  Alexander  Dundas 

Ross  Wishart,  ist  Baron  Lamington. 

[191] 


THE  PUBLIC  LIBRARY  OF  THE   CITY   OF  BOSTON 

Cochrane-Baillie,  Alexander  Dundas  Ross  Wishart,  ist  Baron  Lamington. 

The  Theatre  frangais  in  the  reign  of  Louis  XV.     London.     Hurst  & 

Blackett.     1870.     viii,  269  pp.  26703.70;  **T. 86.3 

.\  novel  of  stage  life. 

Cockton,  Henry. 

The  life  and  adventures  of  Valentine  Vox  the  ventriloquist.      [Fic- 
tion.]    London.     Routledge.     1846.    xx,  620  pp.     Plates.      4573.116 
Same.     New  edition.     1865.     viii,  535  pp.  4579-I37 

Code  des  theatres.     Vui.pian,  A.,  and  Gauthier.  **T.79.i4 

Code  lyri(|ue.   Le,  on   reglement  pour  I'Opera  de   Paris.      [Anon.]      See 

Meusnier  de  Querlon,  Anne  Gabriel. 
Code  theatral.     Rousseau,  P.  J.  **T.78.65 

Cody,  William  Frederick. 

The  adventures  of  Buffalo  Bill.  To  which  is  appended  a  short  sketch 
of   his   life.     New   York.     Harper.      [1904.]      (3),    156  pp.      Plate. 

Z.2og  23,1 
Same.     1905.  4349.265 

Cody,  William  Frederick.     Works  about. 

Wetmore,  H.  C.  Last  of  the  great  scouts.  The  life  story  of  Col. 
William  F.  Cody  ("Buffalo  Bill")  as  told  by  his  sister.  [Duluth. 
1899.]      Portraits.     Plates.  4344.185 

Same.    [Illustrated  by  Frederic  Remington  and  E.  W.  Deniing.] 

Chicago.     [19 — ?]      Portraits.     Plates.     Autograph  facsimiles. 

**T.56.i92 
Cody  &  Carver's  Rocky  Mountain  &  Prairie  Exhibition. 

Novelty  of  the  century.  The  Wild  West.   With  Buffalo  Bill  (Hon.  W. 
F.  Cody),  and  Dr.  W.  F.  Carver.     Hartford,  Conn.     The  Calhoun 
Printing  Co.    [1883.]     (32)  pp.    Illus.    Portraits.    Plates.    **T.94.i9 
Coeuret,  P. 

Biographic  de  M"e  Araldi,  i'^''  role  tragique  du  Theatre-Frangais ; 
par  M.  L  P.  [pseud.].    Lyon.    Boitel.     1845.     (3),  55  pp.    **T.56.26i 

Signer!,  Jean-Paul.     The  author's  initials  given  on  the  cover  are  M.   F.   P. 

Coffin,  Roland  Folger. 

La  deesse,  an  Elssler-atic  romance.  [A  poem.]  By  the  author  of 
"Straws."     New  York.     Carvill  &  (To.     1841.     44  pp.         **T.87.97 

Kcfcrs  to  the  visit  of  Fanny  Flsskr  to  New  York  in  1841.  Other  copies  are  on 
sliclt-nunihcrs  4508.118;    **T.87.97. 

Cohen,  Alfred  J.     (Alan  Dale.) 

Familiar  chats  with  the  queens  of  the  stage.  New  York.  Dilling- 
ham.    1890.     399  pp.     Portraits.  *4343.23o;  **T.55.24 

Contents.  —  Introduction.  —  Lillian  Russell.  —  Mrs.  James  Brown-Potter.  — 
Rose  Coghlan.  —  Fanny  Davenport.  —  Lotta.  —  Helena  Modjeska.  —  Isabelle 
Urquhart.  —  Sadie  Martinot.  —  deorgia  Cayvan.  —  Mrs.  Langtry.  —  Mary 
Anderson.  —  Agnes  ISooth.  —  Minnie  Palmer.  —  Emma  Juch.  —  Marie  Jansen. 

—  M.iiie  Wainw  riglit.  —  Louise  Beaudet.  —  Pauline  Hall.  —  Marion  Manola. — 
Effie  Ellslcr.  —  Mrs.  D.  P.  Bowers.  —  Ada  Rehan.  —  Georgie  Drew  Barrymore. 

—  Little  Gertie  Ifoman.  —  Lilly  Post.  —  Ellen  Terry.  —  Clara  Morris.  —  Rosina 
Yokes.  —  Nellie  McHenry. 

Cohen,  Gustave. 

Histoire  de  la  mise  en  scene  dans  le  theatre  religieux  frangais  du 
nioyen  age.     I'aris.     Champion.     1906.     (4),  304  pp.     Plates. 

Ilibliographie,  pp.   278-292.  6674.92 

Same.  Geschichte  der  Inszcnierung  im  geistlichen  Sciiauspiclc  des 
Mittelalters  in  Frankreicli.  Vermehrte  Ausgabc  ins  Deutsche 
iibertragen  von  Constantin  Bauer.  Leipzig.  Klinkhardt.  1907. 
iii-xiv,    (1),   256  pp.     Plates.  4676.165 

Bibliography,  pp.  240-252. 

[192] 


BROWN   COLLECTION    OF  BOOKS    ON    THE   STAGE 


Cohn,  Albert. 

Shakespeare  in  Germany  in  the  sixteenth  and  seventeenth  centuries: 
an  account  of  English  actors  in  Germany  and  the  Netherlands 
and  of  the  plays  performed  by  them  during  the  same  period.  Lon- 
don. Asher  &  Co.  1865.  (i),  iii,  (3),  cxxxvii,  (3)  pp.  422 
columns,     (i)  p.     Facsimiles.  *459i.3 

Contents.  —  Part  i.  Historical  account.     Part  2.  Texts. 

It  is  believed  by  the  author  that  some  of  these  plays  are  imitations  of  Shake- 
speare and  that  others  are  based  upon  old  English  plays,  now  lost,  which 
occupied  an  intermediate  position  between  Shakespeare's  dramas  and  their 
ultimate   sources.      German   and   English   texts  are   given  in   parallel   columns. 

Cole,  John. 

A  biographical  account  of  Master  Herbert,  the  infant  Roscius!     Witli 

a  brief  delineation  of  his  talents,  and  critiques  on  his  perforniaiicts. 

Scarborough.     Cole.     1830.     (i),   18  pp.  No.  i  in  **G.3924.i7 

A  critique  on  the  performance  of  Juliana,  in  "The  honey  mocjii,"  by 

Miss  Hilton.    Scarborough.    Cole.    1831.   4  pp.    No.  4  in  **G.3924.i7 

A    critique    on    the    performance    of    Master    Herbert,    the    youthful 

Roscius.    Scarborough.    Cole.     [1830.]     4  pp.     No.  2  in  **G.3924.i7 

A  critique  on  the  performance  of  Othello  by  F.  W.  Keene  Aldridge, 

the  African  Roscius.     Scarborough.     Cole.     1831.     4  pp. 

No.  3  in  **G.3924.i7 
Cole,  John  William.     (John  William  Calcraft.) 

A    defence    of   the    stage,    or   an    inquiry    into    the    real    qualities    of 

theatrical  entertainments,  their  scope  and  tendency.     A  reply  to 

.   a  sermon  entitled  "The  evil  of  theatrical  amusements  stated  and 

illustrated  by  John  B.  Bennett.     Dublin.     Milliken.     1839.     vii,  175, 

(i)   pp.  _  _  **T.75.43 

The  life  and  theatrical  times  of  Charles  Kean.     Including  a  summary 

of  the  English  stage  for  the  last  fifty  years,  and  a  detailed  account 

of   the   management   of   the    Princess's   Theatre,    from    1850-1859. 

London.     Bentley.     1859.  6543-3o;  **T.56.28i 

Coleman,  Ann  Mary,  and  'Others,  translators. 

Mueller,   O.     Charlotte  Ackerman:   a   theatrical   romance,   founded 
upon   interesting   facts   in   the   life   of   a   young   artist   of   the   last 
century.     Translated  from  the   German,   by  Mrs.   Chapman   Cole- 
man and  her  daughters.     Philadelphia.     [1871.]     2873.85;  **T.87. 33 
Coleman,   Mrs.   Chapman.     See  Coleman,   Ann    Mary. 
Coleman,  Edward. 

Memoirs  of  Samuel  Phelps.  By  John  Coleman.  Assisted  by  Edward 
Coleman.     London.     Remington  &  Co.     1886.     331  pp.     Portrait. 

**T.56.2i9 
Coleman,  John. 

Curly:    an    actor's   story,    related   by   John    Coleman;    and    My   poor 

wife,   by   the   author   of  Addie's    husband.      New   York.      Munro. 

[1885.]      114  pp.     Illus.      [Seaside  library.]  No.  3  in  **M. 129.32 

Fifty  years  of  an  actor's  life.     New  York.     Pott  &  Co.     1904.     2  v. 

Portraits.     Autograph  facsimile.  4544.190 

On  the  British  dramj. 
Players  and  playwrights  I  have  known.     London.     Chatto  &  Windus. 
1888.     2  V.  4541.106;  **T.56.232 

Contents.  —  I.  First  person  singular.  —  The  victors:  Macready ;  The  Keans ; 
Phelps;  Charles  Mathews:  Madame  Vestris ;  The  Wigans ;  Benjamin  Webster; 
William  Woolgar;  Ryder,  an  autobiographical  sketch.  2.  The  victors:  Charles 
Reade:  Tom  Taylor:  Tom  Robertson;  Palgrave  Simpson.  —  Intermezzo:  The 
social  status  of  the  actor.  —  The  vanquished:  Va;  victis ;  The  Garrick  of  the 
north;    G.  V.    Brooke;    Charles   Dillon;    Fechter;    F.    B.   Chatterton.   —   L'envoi. 

[193] 
13 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 


Coleman,  John.     (Continued.) 

The  truth  about  The  dead  heart,  with  reminiscences  of  the  author 

[Watts   Phillips]    and  the  actors   thereof.     With   illustrations   by 

Horace   Petherick.     London.     Drane.     1890.     (6),   119  pp.     Illus. 

Portraits.     Plates.     Autograph  facsimiles.  **T.57.267 

Coleman,  John,  and  Edward  Coleman. 

Memoirs  of  Samuel  Phelps.  London.  Remington  &  Co.  1886.  331 
pp.     Portrait.  **T.56.2i9 

Coles,  Charles  L.,  editor. 

Oldys,  W.     The  history  of  the  English  stage.     Boston.     1814. 

**T.55.iii;  etc. 

Memoirs    of    Miss    Anne    Oldfield.      [Anon.      Boston.      Spear. 

1814.]  **T.55.ii2;etc. 

CoUardeau,  Phileas. 

La  salle  de  theatre  de  Moliere  au  Port  Saint-Paul  avec  le  plan  du 
Jeu  de  paume  de  la  Croix-Noire  et  celui  de  I'hotel  Barbeau  et  des 
autres  proprietes  detruites  pour  Tetablissement  du  nouveau  marche 
de   I'Ave-Maria.     Paris.     Bonnassies.      1876.     37,    (i)    pp.     Plans. 

**T.75.i6 

CoUe,  Charles. 

Correspondance  inedite  faisant  suite  a  son  journal,  accompagnee  de 
fragments  inedits  de  ses  ceuvres  posthumes.  Publiee  sur  les  manu- 
scrits  autographes  originaux  avec  une  introduction  et  des  notes 
par  Honore  Bonhomme.  Paris.  Plon.  1864.  493,  (i)  pp.  Por- 
trait.    Manuscript   facsimiles.  **T.55.53 

Journal  et  memoires  sur  les  hommes  de  lettres,  les  ouvrages  dra- 
matiques  et  les  evenements  les  plus  memorables  du  regne  de 
Louis  XV.  (1748-1772.)  Nouvelle  edition  augmentee.  Avec  une 
introduction  et  des  notes  par  Honore  Bonhomme.  Paris.  Didot 
&  cie.     1868.     3  V.  _      **T.55.54 

Liste  chronologique  des  ouvrages  de  Colle,  tome   i,  pp.  xxv-xxviii. 

Journal  historique  inedit  pour  les  annees  1761  et  1762,  public  sur  1» 
manuscrit  original  et  annote  par  Ad.  van  Bever,  avec  la  collabora- 
tion de  G.  Boissy.  Paris.  Mercvre  de  France.  iQii.  394.  (i)  pp. 
Portraits.     Plates.     Facsimiles.  **T.55.i37 

On   French  literature  and  society  in  the  eighteenth  century. 

Collection  de  Paris-portrait.     Paris-portrait.  **T.2i.s 

Collection  des  memoires  sur  I'art  dramatique. 

Bellamy,  G.  A.  Memoires.  Avec  une  notice  sur  sa  vie,  par  Thiers. 
Paris.     1822.     2  v.  **T.56.2 ;  etc. 

Brandes,  J.  C.  Memoires.  Avec  une  notice  concernant  cet  acteur, 
et  placee  en  tete  des  Memoires  d'Iffland.     Paris.     1823.     _'  v. 

**T.56.9;etc. 

Cahaisse.   H.  a.     Memoires  de   Preville,   et  de   Dazincourt    [.'\non.], 

revus,  corriges,  et  augmentes  d'une  notice  sur  ces  deux  comediens, 

par  M.  Ourry.     Paris.     1823.  **T.56.6;  etc. 

Clairon,    C.    J.    H.    Leris    df.    La    Tude,    called    Hippolytc    Chiinm. 

Memoires.     Nouvelle   edition  .  .  .  Le   tout  accompagne  de   notes 

et  precede  d'une  notice  sur  la  vie  de  Mile  Clairon  [par  Andrieux]. 

Paris.      1822.  **T.56.i;  etc. 

CosTE  d'Arnohat.  C.  p.     Memoires  de  M"f  Dumesnil.  en  reponsc  aux 

memoires  d'Hippolyte  Clairon;  revus,  corriges,  et  augmentes  d'une 

notice  sur  cette  comedienne  par  M.   Dussault.     Paris.     1823. 

**T.56.7 ;  etc 

1194] 


BROWN   COLLECTION   OF   BOOKS    ON    THE   STAGE 

Collection  <les  nu'inoircs   sur   I'art  dramatique.      (Continued.) 

Despr^s,   J.    B.    D.,   editor.      Memoires    sur    Garrick    et    sur    Macklin, 

traduits  de  I'anglais  par  le  traducteur  des  ceuvres  de  Walter  Scott; 

precedes  d'une  histoire  abregce  du  theatre  anglais,  par  M.  Despres. 

Paris.     1822.  **T.56.3;etc. 
Memoires  sur  Molierc  et  sur  M^e  Guerin,  sa  veuve,  suivis  des 

memoires  sur  Baron  et  sur  M'le  Lecouvreur,  par  I'Abbe  d'Allain- 

val.     Paris.     1822.  6646.78;  **T.56.4;  etc. 

GoLDONi,   C.     Memoires  pour  servir  a   I'histoire  de  sa  vie,  et  a  celle 

de  son  theatre;  precedes  d'une  notice  sur  la  comedie  italienne  au 

seizieme  siecle,  et  sur  Goldoni,  par  Moreau.     Paris.     1822.     2  v. 

**T.56.5;etc. 
Iffland,  a.  W.     Memoires  de  Aug.  Guil.  Iffland.    Avec  une  notice  sur 

les  ouvrages  de  cet  acteur.     Paris.     1823.  **T.56.8;  etc. 

Lekain,  H.  L.  Cain,  called  Lekain.    Memoires.    Precedes  de  reflexions 

sur  cet  acteur  et  sur  I'art  theatral,  par  F.  Talma.     Paris.     1825. 

**T.56.io;etc. 
Mole,  F.  R.     Memoires.     Precedes  d'une  notice  sur  cet  acteur,  par 

M.    fitienne.      Le    comedien,    par    M.    Remond    de    Sainte-Albine. 

Paris.     1825.  **T.56.ii;etc. 

College  Equal  Suffrage  League  of  Massachusetts.    [Programme  of  three 

plays  given  at  Potter  Hall,  January  31,  1905.  Boston.  1905.!  4459.169 
College  of  St.  Francis  Xavier,  Nczv  York  City.    Plays. 

The  Latin  play  at  Saint  Francis  Xavier's.     [The  Captivi  of  Plautus. 

New  York.     1890.]      (i),  xx,   104  pp.  **T. 36.17 

Cast    of    characters,    comments,    etc.       Latin    text    and    English    translation    on 
opposite  pages. 

College  theatricals.     See  Student  theatricals. 

College    theatricals.     60-98   pp.      {In   Tales    from    Blackwood.      Vol.    2. 
Edinburgh.      [1861.])  *6579a.i53.2 

Collier,  Jeremy. 

La  critique  du  theatre  anglois.    See  his  Short  view  of  the  immorality 

and  profaneness  of  the  English  stage. 
A  defence  of  the  Short  view  of  the  profaneness  and  immorality  of 
the  English  stage,  &c.  Being  a  reply  to  Mr.  Congreve's  Amend- 
ments, &c.,  and  to  the  vindication  of  the  author  of  The  relapse 
[Sir  John  Vanbrugh].  London-  Printed  for  S.  Keble.  1600.  (4). 
139  pp.  **T.77.4i 

Another   copy   is   on   shelf-number    No.  i6  in  •*G.3824.I4. 

Same.     1705.  **T.77.36 

A  farther  vindication  of  the  Short  view  of  the  profaneness  and  im- 
morality of  the  English  stage,  in  which  the  objections  of  a  late 
book,  entituled,  A  defence  of  plays,  are  consider'd.  London: 
Printed  for  R.  Sare.     1708.     46  pp.  **T.77.38 

Another  copy  is  on  shelf-number  No.  13  in  **G.382i.ii. 

A  letter  to  a  lady  concerning  the  new  play  house.     [Anon.l      Lon- 
don.    Printed  and  sold  by  Joseph   Downing.     1706.      16  pp. 
In  opposition  to  the  theatre.  No.  2  in  **G.3823.3 

Mr.  Collier's  Dissuasive  from  the  play-house;  in  a  letter  to  a  person 
of  quality,  occasion'd  by  the  late  calamity  of  the  tempest.  London: 
Printed  for  Richard  Sare.     1703.     15  PP-  No.  4  in  **G-3824-2 

Same.  Added,  a  letter  written  by  another  hand;  in  answer  to  some 
queries  sent  by  a  person  of  quality,  relating  to  the  irregularities 
charged  upon  the  stage.     1704.     32  pp.  **T.96.72 

Another  copy  is  on  shelf-number  **G.382i.io. 

[195] 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 

Collier,  Jeremy.     (Continued.) 

A  second  defence  of  the  Short  view  of  the  prophaneness  and  im- 
morality of  the  English  stage,  &c.  Being  a  reply  to  a  book,  en- 
titled, The  antient  and  modern  stages  surveyed,  &c.  London: 
Printed  for  S.  Keble.     1700.     (4),   142  pp.  **T.77.37 

Another   copy   is   on   shelf-number    No.  i8  in  **G.3824. 14. 

A  short  view  of  the  immorality,  and  profaneness  of  the  English 
stage:  with  the  sense  of  antiquity  upon  this  argument.  London, 
Printed  for  S.  Keble.     1698.     (16),  288  pp.  **T.77.34 

Same.     2d  edition.  **G.382i.i 

Same.    4th  edition.     1699.  **T. 77.35 

Another  copy  is  on  shelf-number  **H. 54.29. 

Same.  With  the  several  defences  of  the  same.  In  answer  to  Mr. 
Congreve,  Dr.  Drake,  &c.  [5th  edition  corrected.]  London: 
Printed   for   G.   Strahan.     1728.      (14),  437  pp.  **G.3824.i9 

Same.     1730.  **T.77,39 

Same.     La  critique  du  theatre  anglois,  compare  au  theatre  d'Athenes, 

de   Rome  et  de  France.     Et  I'opinion  des  auteurs  tant  profanes 

que  sacrez,  touchant  les  spectacles.     De  I'anglois   de   M.  Collier. 

A  Paris,  chez  Nicolas  Simart.     1715.     (24),  493,  (11)  pp.    **T.77.40 

Collier,  Jeremy,  alleged  author. 

A  representation  of  the  impiety  &  immorality  of  the  English  stage. 
See  ,  Representation,    A,    of    the    impiety    &    immorality    of    the 
English  stage. 
Collier,  Jeremy.     Works  about. 

Animadversions  on  Mr.  Congreve's  late  answer  to  Mr.  Collier.  In  a 
dialogue  and  some  offers  towards  new-modeling  the  stage.  Lon- 
don.    1698.  No.  12  in  **G.382i.5 

Ballein,  J.  Jeremy  Collier's  Angriff  auf  die  englische  Biihne.  Eine 
Beitrag  zur  Geschichte  des  englischen  Dramas.     Marburg.     1910. 

2557.173 

Brown,  T.  The  stage-beaux  toss'd  in  a  blanket:  or,  hypocrisie 
alamode;  expos'd  in  a  true  picture  of  Jerry,  a  pretending  scourge 
to  the  English  stage.  A  comedy.  With  a  prologue  on  occasional 
conformity:  being  a  full  explanation  of  the  Poussin  Doctor's  book; 
and  an  epilogue  on  the  reformers.     [Anon.]      London.     1704. 

**T.36.35 

Congreve,  W.  Amendments  of  Mr.  Collier's  false  and  imperfect 
citations,  &c.,  from  the  Old  batchelour,  Double  dealer,  Love  for 
love.  Mourning  bride.  By  the  author  of  those  plays.  London. 
1698.  **T.77.42;  etc. 

Defence,  A,  of  dramatick  poetry:  being  a  review  of  Mr.  Collier's 
View  of  the  immorality  and  profaneness  of  the  stage.  London. 
1698.  **T.77.43 

Dennis,  J.  The  person  of  quality's  answer  to  Mr.  Collier's  letter, 
being  a  disswasive  from  the  play-house.     [Anon.]     London.     1704. 

No.  5  in  **G.3824.2 

The  usefulness  of  the  stage,  to  the  happiness  of  mankind.     To 

government,  and  to  religion.     Occasioned  by  a  late  book  written 
by  Jeremy  Collier.     London.     1698.  **G.382i.2 

Drake,  J.  The  antient  and  modern  stages  surve}''d.  Or,  Mr.  Collier's 
View  of  the  immorality  and  profaneness  of  the  English  stage 
set  in  a  true  light.  Wherein  some  of  Mr.  Collier's  mistakes  are 
rectified,  and  the  comparative  morality  of  the  English  stage  is 
asserted  upon  tlie  parallel.    [.'Xnun.]     London.    1699.    **T.77.45;  etc. 

[1%1 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 

Collier,  Jeremy.     Works  about.     (Continued.) 

Farther  defence,  A,  of  dramatick  poetry:  being  the  second  part  of 
the  Review  of  Mr.  Collier's  View  of  the  immorality  and  profane- 
ness  of  the  stage.     Done  by  the  same  hand.     London.     i6g8. 

**T.77.44 

FiLMER,    E.      A    defence    of    plays:    or,    the    stage    vindicated,    from 
several   passages   in    Mr.    Collier's    Short    view,    &c.      Wherein    is 
offer'd  the  most  probable  method  of  reforming  our  plays.     Lon-- 
don.      1707.  **T.77.46;  etc. 

Letter,  A,  to  Mr.  Congreve  on  his  pretended  amendments,  &c.,  of 
Mr.  Collier's  Short  view  of  the  immorality  and  prophaneness  of 
the  English  stage.     London.     1698.  No.  i  in  **G.382i.i9 

Oldmixon,  J.  Reflections  on  the  stage,  and  Mr.  Collyer's  Defence 
of  the  Short  view.     In  four  dialogues.     [Anon.]     London.     1699. 

**G.382i,7;  etc. 

Stage,  The,  acquitted.  Being  a  full  answer  to  Mr.  Collier  and  the 
other  enemies  of  the  drama.  With  a  vindication  of  King  Charles 
the  martyr,  and  the  clergy  of  the  Church  of  England,  from  the 
abuses  of  a  scurrilous  book,  called,  The  stage  condemned.  Lon- 
don.     1699.  **G.382i.9 

Stage,  The,  condemn'd  and  the  encouragement  given  to  the  im- 
moralities and  profaneness  of  the  theatre,  by  the  English  schools, 
universities  and  pulpits,  censur'd.  The  arguments  of  all  the 
authors  that  have  writ  in  defence  of  the  stage  against  Mr. 
Collier,  consider'd.     London.     1698.  No.  i  in  **G.3823.2o 

Vanbrugh,  Sir  J.  A  short  vindication  of  The  relapse  and  The  pro- 
vok'd  wife,  from  immorality  and  prophaneness.  By  the  author. 
London.      1698.  No.  i  in  **G.382i.3 

Collier,  John  Payne. 

Dryden,  Killigrew  and  the  first  company  which  acted  at  Drury  Lane 
Theatre.  (In  Shakespeare  Society,  London.  Papers.  Vol.  4,  pp. 
147-155-     London.     1849.)  *4596.ii.4 

Another  copy  is  on  shelf-number  **G.3927.37.4. 
The  history  of  English  dramatic  poetry  to  the  time  of  Shakespeare; 
and  annals  of  the  stage  to  the  Restoration.     London.     Murray. 
1831.    3  v.    Autograph  facsimiles.  **T.47.93 

Another  copy  is  on  shelf-number  **G.3923.20. 

Same.     New  edition.     Bell.     1879.  *257i.6o 

Memoirs  of  Edward  Alleyn,  founder  of  Dulwich  College:  including 
some  new  particulars  respecting  Shakespeare,  Ben  Jonson,  Mas- 
singer,  Marston,  Dekker,  &c.  London.  The  Shakespeare  Society. 
1841.     vi,  219  pp.  **T.55.77 

Other   copies   are   on   shelf-numbers    **G.3927.3  ;    No.  i  in  *4S96.i. 

Memoirs  of  the  principal  actors  in  the  plays  of  Shakespeare. 
London.  The  Shakespeare  Society.  1846.  xxxviii,  (i),  296 
pp.  **T.55.i30 

Othtr  copies  are   on   shelf-numbers   **G.3927.2i  ;    Xo.  2  in  *4596.t4. 
Original  history  of  "The  Theatre,"  in  Shoreditch,  and  connexion  of 
the  Burbadge  family  with  it.     (In  Shakespeare  Society,  London. 
Papers.     Vol.  4,  pp.  63-70.     London.     1849.)  *4596.ii.4 

Another  copy   is   on   shelf-number   **G. 3927. 37.4. 

The  performance  of  early  dramas  by  parish  clerks  and  players  in 
churches.  (In  Shakespeare  Society,  London.  Papers.  Vol.  3, 
pp.  40-47.     London.     1847.)  *4596.ii.3 

Another  copy  is  on  shelf-number  **G.3927.37.3. 

[1971 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 

Collier,  John  Payne.     (Continued.) 

Players  and  dramatic  performances  in  the  reign  of  Edward  IV.  {In 
Shakespeare  Society,  London.  Papers.  Vol.  2,  pp.  87-91.  Lon- 
don.    1845.)  *4596.ii.2 

Another  copy  is  on  shelf-number  **G.3927.37.2. 

Punch  and  Judy,  with  illustrations,  designed  and  engraved  by  George 
Cruikshank.  Accompanied  by  the  dialogue  of  the  puppet  show, 
and  an  account  of  its  origin,  and  of  puppet  plays  in  England. 
[Anon.]  4th  edition.  London.  Lacy.  [186-?]  94  pp.  lUus. 
Plates.  No.  I  in*4579.ii5 

Same.     5th   edition.     Bell   &   Daldy.     1870.     (2),  94  pp. 

*4575.62;**T.37.249 
Collier,  John  Payne,  editor. 

Alleyn,  E.  The  Alleyn  papers.  A  collection  of  original  docu- 
ments illustrative  of  the  life  and  times  of  Edward  Alleyn,  and 
of  the  early  English  stage  and  drama.    London.    1843.   4596.53;  etc. 

Armin,  R.  Fools  and  jesters:  with  a  reprint  of  Robert  Arniin's  Nest 
of  ninnies.     1608.     London.     1842.  4596.67;  etc. 

Henslowe,  P.  The  diary  of  Philip  Henslowe,  from  1591  to  1609. 
Printed  from  the  original  manuscript  preserved  at  Duhvich  Col- 
lege.    London.     1845.  4596.46;  etc. 

NoRTHBROOKE,  J.  A  treatise  against  dicing,  dancing,  plays,  and  inter- 
ludes. With  other  idle  pastimes.  From  the  earliest  edition,  about 
A.D.  1577.     London.     1843.  4596.62;  **T.96.i4;  etc. 

Collier,  John  Payne,  prefaccr. 

GossoN.  S.  The  school  of  abuse,  containing  a  pleasant  invective 
against   poets,    pipers,   players,   jesters,    &c.      London.      1841. 

2575.8;  etc. 
Collier,  William. 

A  book  of  etiquette  entitled  "Don't  do  that."  Vol.  i.  For  sale  liy 
no  newsdealers.  [Published  by]  Scriblers  Sons.  [New  York. 
Dana  T.  Bennett  Co.     1909.]     59  pp.     Portraits.     Plates.     **T.89.6 

A  hook  of  jckes  relating  to  the  theatre. 

Collins,  Arthur.  , 

The  true  story  of  the  Sleeping  Beauty  and  the  Beast.  By  J.  Hickory 
Wood  and  Arthur  Collins.  Illustrated  by  P.  J.  Billinghurst. 
[London,     igoo.]     47,  (i)  pp.     Illus.     Plates.  **T.49.io 

The  story  of  the  Drury  Lane  pantomime. 

Collins,  Charles  William. 

Great  love  stories  of  the  theatre.  A  record  of  theatrical  romance. 
New  York.    Duffield  &  Co.    1911.     (11),  327  pp.    Portraits.    6252.79 

Cniiloifs.  —  Nell  Gwyn  and  Charles  II.  —  Marie  de  Champnicsle  and  Racine.  — 
Elizabeth  Barry  and  Thomas  Otway.  —  Anne  Bracegrirdle  and  William  Conofrcvc. 
—  Adrienne  Lecouvrcur's  lost  illusions.  —  Margaret  Woffington  and  David 
Garrick.  —  The  Favarts  and  Maurice  de  Saxe.  —  "Perdita"  Robinson  and  her 
Prince.  —  Mile.  Georges  and  Napoleon.  —  The  follies  of  "Becky"  Wells.  — 
Dora  Jordan  and   the  Duke  of  Clarence.  —  Marie  Dorval   and  Alfred   de  Vigny. 

Collins,  John. 

An  evening's  brush.  In  four  parts.  (In  Oxberry,  William.  The 
theatrical  banquet.     Vol.  2,  pp.  1-44.     London.     1809.)  **T.99.2 

Collins,  Mabel.    See  Cook,  Mabel  Collins. 
Colman,  Francis. 

CoLMAN,  G.,  the  Younger,  editor.  Posthumous  letters,  from  various 
celebrated  men;  addressed  to  Francis  Colman,  and  George  Col- 
man, the  Elder:  with  annotations  and  occasional  remarks,  by 
George  Colman,  the  Younger.     London.     1820.  **T,53.7 

[198] 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 


Colman,  George,  the  Elder. 

T.  Harris  dissected.  London:  Printed  for  T.  Bccket.  1768.  (3),  36 
PP-  **T.95.Vi8 

A  reply   to   A  letter   from   T.    Harris   to   G.    Colman.      Anotlier   copy   is   on   shelf- 
number  No.  15  in  **G.3824.2. 

Some  particulars  of  the  life  of  the  late  George  Colman.  Written  by 
himself,  and  delivered  by  him  to  Richard  Jackson  for  publication 
after  his  decease.  [London.]  Printed  for  T.  Cadell,  Jun.,  and  W. 
Davies.     1795.     (3),  33  pp.     Portrait.  **T.56.i97 

A  true  state  of  the  differences  subsisting  between  the  proprietors 
of  Covent-Garden  Theatre:  in  answer  to  a  manuscript  libel  and 
to  a  printed  Narrative  by  T.  Harris  and  J.  Rutherford.  London, 
Printed  for  T.  Eecket.     1768.     (4),  63  pp.  **T.95.ii6 

This  pamphlet  has  the  endorsement  of  William  Powell,  the  fourth  Patentee. 

Same.    2d  edition.  No.  12  in  **G.3824.2 

Colman,  George,  the  Elder.     Works  about. 

yVNiMAPVERSiONS  on  Mr.  Colman's  True  state,  &c.  With  some  re- 
marks on  his  little  serious  piece  called  The  Oxonian  in  town. 
London.     1768.  No.  14  in  **G.3824.2 

Colman,  G.,  the  Younger,  editor.  Posthumous  letters,  from  various 
celebrated  men;  addressed  to  Francis  Colman,  and  George  Col- 
man, the  Elder:  with  annotations,  and  occasional  remarks,  by 
George  Colman,  the  Younger.     London.     1820.  **T.53,7 

Harris,  T.  A  letter  from  T.  Harris,  to  G.  Colman,  on  the  affairs  of 
Covent-Garden    Theatre.      London.      1768.  **T.95.ii7;  etc, 

Harris,  T.,  and  J.  Rutherford.  A  narrative  of  the  rise  and  progress 
of  the  disputes  subsisting  between  the  patentees  of  Covent- 
Garden    Theatre.      London.      1768.  **T,95.ii5;  etc. 

Kenrick,  W.  An  epistle  to  G.  Colman,  from  W.  Kenrick.  [Verse.] 
London.     1768.  **T.95.i2o 

PtAKE,  R.  B.  Memoirs  of  the  Colman  family,  including  their  corres- 
pondence with  the  most  distinguished  personages  of  their  time. 
London.     1841.     2  v.     Portraits.  **T.55.i07;  etc. 

Colman,  George,  the  Younger. 

Broad  grins.  My  nightgown  &  slippers,  and  other  humorous  works, 
prose  and  poetical.  Now  first  collected.  With  life  and  anecdotes 
of  the  author  edited  by  George  B.  Buckstone.  London.  Hotten. 
[1872.]      vii,   492   pp.      Plate.  6568.159;  **T,97.89 

Random  records.  London.  Colburn  &  Bentley.  1830.  2  v.  Por- 
trait. **T.57.38 

Colman,  George,  the  Younger,  editor. 

Posthumous    letters,    from    various    celebrated    men;    addressed    to 
Francis  Colman,  and  George  Colman,  the  Elder:  with  annotations 
and  occasional  remarks,  by  George  Colman,  the  Younger.     Lon- 
don.    Cadell  &  Davies.     1820.     xvi,  347  pp.  **T.53.7 
Colman,  George,  the  Younger.     Works  about. 

Gentleman,  A,  of  the  Middle-Temple.  Remarks  on  Mr.  Colman's 
preface:  also  a  summary  comparison  of  the  play  of  the  Iron  chest 
with  the  novel  of  Caleb  Williams.     London.      [1796.] 

No.  3  in  **G.3822.2 
Peake,  R.  B.     Memoirs  of  the  Colman  family,  including  their  cor- 
respondence with  the  most  distinguished  personages  of  their  time. 
London.     1841.     2  v.     Portraits.  **T.55.i07;  etc. 

[199] 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 


Cologne,  Germany.     Theatres      Stadttheater. 

MoRiTZ,    C,    and    B.    Schilling.      Das    neue    Stadttheater    in    Koln. 
Berlin.     1904.     Illus.     Plates,  one  colored.     Plans.   ^    *Cab. 60.144.8 
Colombey,   fimile,  pseud.     See   Laurent,  Jean   Baptiste    Emilc. 
Colombier,  Marie. 

Memoires.     Fin  de  tout.     [4^  mille.]      Paris.     Flammarion.      [1899.] 

vi,   386  pp.  **T.57.2i5 

Les  memoires  de  Sarah  Barnuni.    Avec  une  preface  par  Paul  JSonnc- 

tain.     [99e  edition.]     Paris.     [1S84.]     xv,  (i),  xii,  332  pp.    **T. 57.289 

A  satirical  life  of  Sarah  Bernhardt. 

Same.  The  life  and  memoirs  of  Sarah  Barnum.  With  a  preface  by 
Paul  Bonnetain.  Edited  by  Henry  Llewellyn  Williams.  London. 
The  Crown  Publishing  Co.,  Ltd.     [1883.]     (i),  126  pp.      **T.58.5o 

Same.  The  memoirs  of  Sarah  Barnum.  With  a  preface  by  Paul 
Bonnetain.  Translated  under  the  management  of  Ferdinand  C. 
Valentine  and  Leigh  H.  Hunt.  New  York.  Green.  [1884.]  x, 
160  pp.  **T.97.259 

Le    voyage    de    Sarah    Bernhardt    en    Amerique.      Avec    preface    par 
Arsene  Houssaye.     Paris.     Dreyfous.     [1881.]      (5),  Ti2F>  pp.     Por- 
traits.    Autograph  facsimile.  2363.82;  **T.57. 380 
Colombier,  Marie.     Works  about. 

Affaire  Marie  Colombier  —  Sarah  Bernhardt.  Pieces  a  conviction. 
Paris.     1884.     Portrait.  6645.85 

Gaillet,  E.,  and  Liebold.     La  vie  de  Marie  Pigeonnier  par  un 

de  ses  ***.     Preface  de  J.  Michepin.     Paris.     1884.     **T.57.365;  etc. 

Same.     Sarah   Barnum's  reply.     The  life  of  Marie  Colombier. 

[Anon.]     Translated   from  advance   sheets    [by   F.   C.  V.].     New 
York.     1884.     Illus.  **T.54.i 

Color.     In  photography. 

Johnson,  G.  L.     Photography  in  colours:  a  text-book  for  amateurs, 
with  a  chapter  on  kinematography  in  the  colours  of  nature.     Lon- 
don.    1911.     Illus.     Plates,  some  colored.     Charts.  8065.194 
Colosseum,  Rome. 

Fea,  C.  D.  F.  I.  Osservazioni  suU'  arena,  e  sul  podio  dell'  anfiteatro 
Flavio  fatte  dal  signor  Pietro  Bianchi  di  Lugano,  illustrate  e  difese 
dal  Sig.  Lorenzo  Re  Romano  .  .  .  discusse,  e  confutatc  dall' 
Avvocato  Carlo  Fea.     Roma.     1813.     Portrait.  2759.66 

FoNTANA.  C.  L'anfiteatro  Flavio  descritto  c  delineato.  Nell'  Haia. 
1725.     Plate.     Plans.  **G.3oa.6 

GuADET,  J.  fitude  sur  la  construction  &  la  disposition  du  Colisee.  am- 
phitheatre Flavien.     Paris.     1878.     12  plates.  *Cab.49.ii.i 

LuCANGELi,  C.  Modele  qui  offre  la  restauration  du  Colisee  de  Rome 
tel  qu'il  etoit  originairement.     Rome.     1821.  No.  i  in  4099.145 

Colson,  J.  B. 

Repertoire  du  theatre  fran^ais,  ou  details  cssentiels  sur  trois  cent 
soixante  tragedies  et  comedies.     Bordeaux.     L'auteur.     [1819.] 

**T.46.50 
Columbia  University.    Dramatic  Museum. 

Publications.      New    York.      1914,    15.     8   v. 
Namely :  — 
Series    i.     Papers  on  play-makinR'.  **T.46.6o 

1.  The   new   art   of   writing  plays,  by   Lope   de   Vega. 

2.  The   autobiograjjhy   of   a    i)lay,    by    Bronson    Howard. 

3.  The   law    of   the   drama,   by    Ferdinand    Brunetiere. 

4.  Robert   Louis   Stevenson   as  a   dramatist,  by   Arthur   Wing   Pinero. 

[2001 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 

Columbia  University.     Dramatic  Museum.      (Continued.) 

Series    2.      Papers    on    acting.  **T. 46.61 

1.  The  illusion   of  the   first   time   in   acting  by    William    Gillette. 

2.  Art  and  the  actor,  by  Constant  Coiiuclin. 

3.  Mrs.    Siddons    as    T.ady    Macbeth    and    as    Queen     Katharine,    by     II.     C. 
Fkeming  Jenkin. 

4.  Reflexions  on  the  actor's  art,  by  Talma. 

.Series   3.      Papers  on   playmaking.  **T.46.62 

I.   Hov/  Shakspere  came  to  write  the  'Tempest,'  by  Rudyard  Kipling. 
3.   How    to   write    a    play.      Lcltirs    from    Augicr,    Dumas,    Sardou,    Zola    and 
others.     Translated  by  Dudley  Miles. 

3.  A   stage  play,   by   Sir   William   Schenck    [sic]    Gilbert. 

4.  A    theory    of    the   theatre,    by    Francis(iuc    Sarcey.      Translated    by    II.    II. 
.'  /"■,  Hughes. 

.    1/     /  s.HExtra  volume.)      A  catalog  of  models  and  of  stage-sets  in  the   Dramatic 
^^      V_/  Museum  of  Columbia  University. 

Columbia  University.    Library. 

List  of  books  chiefly  on  the  drama  and  literary  criticism.  Now 
York.     Printed  for  the  University.     1897.     64  pp.  *2i7i.i9.i 

Columbia  University.     Studies  in  classical  philology. 

Saunders,  C.     Costume  in  Roman  comedy.     New  York.      1909. 

2949.127 
Columbia  University.    Studies  in  English. 

Albright,  V.  E.    The  Shaksperian  stage.     New  York.     1912.     Plates. 

Plans.  4558.43 

GiLDERSLEEVE,    V.    C.      Government    regulation    of    the    Elizabethan 

drama.      New   York.      1908.  4558.268 

Columbia  University.     Studies  in  English  and  comparative  literature. 

Freeburg,  V.  O.     Disguise  plots  in  Elizal)ethan  drama.     A  study  in 

stage  tradition.     New  York.     1915.  6257.380 

Smith.    W.     The   commedia    dell'   arte:   a   study   in    Italian   popuhir 

comedy.     New  York.      1912.     Plates.  4559-33^ 

Columbia  University.     Studies  in  Romance  philology  and  Literature. 

Stuart,  D.  C.  Stage  decoration  in  France  in  the  Middle  Ages.  New 
York.     1910.  4676.123 

Columbine-,  The,  and  weekly  review  of  literature,  the  sciences,  fine  arts, 
theatricals,  &c.  No.  1-5,  7-10.  July  4 -Aug.  i,  Aug.  15-29,  Sept. 
19,  1829.     [London.]     1829.     i  v.  **T.26.i9 

Columbine,  The,  or  dramatic  mirror.  [Weekly.]  No.  i,  2,  4,  5,  7,  27. 
Apr.  24,  May  i,  15,  22,  1830,  June  18,  1831.     [London.]      1830,  31. 

1  V.  **T.26.20 

Combe,  William,  editor. 

Pic  Nic,  The.     Vol.   i,  2.      [Jan.  8 -Apr.  9,   1803.]      London.      1803. 

2  V.  **T.28.7 
Combes,  William  H.,  editor. 

Entr'acte  Annual,  The.  1873,  76,  80-99.  Illustrated  by  Alfred 
Bryan.     London.     1873-99.     22  v.  in  6.     lUus.     Portraits.     Plates. 

**T.25.5 
C^  Comedian,  A. 
y^         An  essay  on  the  stage;  or,  the  art  of  acting.     A  poem.     Edinburgh: 
Printed,  and  sold  by  John  Yair.     1754.     (3),  19  pp.  **T.97.6i 

Another    copy    is    on    shelf-number    No.  6  in  **G.3823.3. 

A  full  answer  to  Queries  upon  queries.  In  which  the  conduct  of 
the  players  is  vindicated,  and  the  misrepresentations  of  the  querist 
exposed.     London:   Printed  for  J.  Roberts.     1743.     22  pp. 

isFo.  9  in  **G.3824.2 
Relates  to  the  controversy  between  the  actors  at  Drury  Lane  Theatre  and 
Charles  Fleetwood,  the  manager. 

[201] 


1^ 


y 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 

Comedian's  talcs,  Tlie:  or  jests,  songs,  and  pleasant  adventures  of  several 
famous  players.  London:  Printed  for  T.  Warner  and  VV.  Pepper. 
1729.     (4),  92  pp.  **T.98.i48 

Anecdotes  of  old  actors,  Congreve,  Spiller,  Cibber,  etc. 

Comediana.     Cousin  d'Avalon,  C.  Y.  **T,59.28 

Comedians.    See  Actors. 

Comedie,  La,  de  salon.     Manuel,  R.,  pseud.  26793.115 

Comedie,  La,  des  comediens.  Gozlan,  L.  Moeurs  theatralcs.  **T.87.36 
Comedie,  La,  et  la  galanterie  au  xviiie  siecle.  Jullien,  J.  L.  A.  **T.76.i69 
Comedie,  La.  et  les  comediens.     Gozlan,  L.  **T. 87.92 

Comedie-frangaise,     La,     a     Londres     (1871-1879).       Paris.       Theatres. 
Comedie   PRANgAisE.  2676.156;  **T.78.i2 

Comedie   italienne.    La.      See    Commedia   dell'    arte;    Italian   players   in 

France. 
Comedien,   Le.     Le  Roy,  A.  **T.87.52 

Comedien,  Un,  pseud.     See  Coquelin,  Benoit  Constant. 
Comedien,  Un,  d'autrefois.     Bourgogne,  J.  de.  4677.116 

Comedienne,  La.     Molenes,   P.  de.  No.  13  in  *667i.2.6 

Comedienne,  Une.     Bauer,  H.  **T.87.47 

Comedienne  amoureuse.  La.     Mogeta,  C.  O.  **T.87.55 

Comedienne,  Une,  en  voyage.  See  Lemonnier,  A.  Les  femmes  du  theatre. 
Comediennes   adorees,    Les.      Gaboriau,    E.  66493.24;  etc. 

Comediennes,  Les,  d'autrefois.     Houssaye,  A.  **T.59.48 

Comediennes,   Les,   de    Moliere.     Houssaye,   A.  4645.54;  **T.56.68 

Comediens    et    comediennes.      Sarcey,    F.  **T.55.i3;  etc. 

Comediens,  Les,  hors  la  loi.     Maugras,  C.  G.  **T.55.ioi;  etc. 

Comediens  italiens,   Les,  a  la  cour  de   France.      Baschet,  A. 

2662.73;  **T.76.i46 
Comedies  et  comediens.     Fiorentino,   P.  A.  **T.77.i22 

^Comedy. 

Fitzgerald,  P.  H.     Principles  of  comedy  and  dramatic  effect.     Lon- 
don.     1870.  2477.52;  **T.75.56 
y^FooTE,  S.    The  Roman  and  English  comedy  consider'd  and  compar'd. 
...  And  an  examen  into  the  merit  of  the  present  comic  actors. 
London.     1747.  **T.46.38;  etc. 
Robert,   C.     Die   Masken   der  neueren   attischen   Komoedie.      Halle 
a.  S.     iQii.     Illns.     Plate.  2961.13 
Comedy  queens  of  the  Georgian  era.     Fvvie,  J.                    **T.55.85;  etc. 
Comet,   The.      [Weekly.]      By   Walter   Wildfire    [pseud.].      No.    [1-I13. 
Oct.    19,    iBii-.Tan.    11,    1812.      [Boston. 1      1811,    12.      172  pp. 

Contains  notes  on  Boston  theatricals.  **T.26.40 

Comical  fellows.     Halliday,  A.  **T.47.98 

Comic  sketch-book.  The.     Poole,  J.  *='=T.97.2i6.2 

Commedia  dell'  arte. 

See  also  Italian  players  in  France. 

Bartoli,    F.      Notizie    istoriche    de'    comici    italiani    che    fiorirono 

intorno  all'annno  mdl.     Padova.     [1781.]  *4749a.6 

Baschet,    A.      Les    comediens    italiens    a    la    cour    de    France    sous 

Charles  IX,  Henri  III,   Henry  IV  et  Louis   XIII.     I^aris.      1882. 

2662.73;  **T. 76.146 

Bernardin,  N.  M.     La  comedie  italienne  en  France,  et  les  theatres 

de   la   foire   et   du   boulevard.      (1570-1791.)      Paris.      1902.      Illus. 

Portraits.     Plates.  2679.277 

Dudevant,    J.    F.    M.    A.,    Baron.       Masques    et    houffons     (comedie 

italienne).     Paris,     i860.     2  v.     Plates.  **T.44.i;  etc. 

[202] 


BROWN   COLLECTION    OF  BOOKS    ON    THE   STAGE 

Commedia  dell'  arte.     (Continued.) 

GoLDONi,  C.  Memoircs  pour  servir  a  I'histoire  de  sa  vie,  et  a  celle  de  son 

theatre;  precedes  d'une  notice  sur  la  comedie  italienne  an  seizicnie 

siecle,  et  sur  Goldoni,  par  Morcau.    Paris.    1822.    2  v.    **T.56.5;  etc. 
Klingler,  O.     Die  Comedie-italienne  in   Paris,  nach   der   Sanunlung 

von  Gherardi.     Strassburg.     1902.  4676.132 

MoLAND,   L.   £.    D.      Moliere   et   la   comedie    italienne.      Paris.      1867. 

Portrait.     Plates.  4704.8;  **T.56.io4 

Parfaict,   C,  and   F.   Parfaict.      Histoire   de   I'ancien   theatre   italicn 

depuis    son    origine    en    France    juscja'a    sa    suppression    en    1697. 

Paris.     1753-  **M.i09b.3i 

Regnier,  M.  L.  de.     Les  masques  et  les  personnages  de  la  cuniedie 

italienne.     Paris.     1914.     12  colored  plates.  **T.Cab.i.i 

RiccoBONi,  L.     Histoire  du  theatre  italien  depuis  la  decadence  de  la 

comedie    latine;    avec    un    catalogue    des    tragedies    et    comedies 

italiennes  imprimees  depuis  I'an   1500,  jusqu'a  I'an    1660.     [i'aris. 

1728.]     Plates.  **T.46.32 

ScHERiLLO,   M.     La  commedia  dell'  arte   in   Italia.     Studi   e  profili. 

Torino.     1884.  2776.84 

Smith,   W.     The    Commedia   dell'   arte:   a  study   in    Italian   po])ular 

comedy.     New  York.     1912.     Plates.  4559-338 

Stoppato,    L.      La    commedia    popolare    in    Italia.      Saggi.      Padova. 

1887.  2779.128 

Valentini,  F.    Trattato  su  la  commedia  dell'  arte,  ossia  improvvisa. 

Maschere  italiene,  ed  alcune  scene  del  carnevale  di  Roma.    Berlino. 

1826.     20  colored  plates.  .    No.  i  in  *277i.3;  etc. 

Compagnia  reale  sarda. 

Costetti,  G.     La  Compagnia  reale  sarda,  e  il  teatro  italiano  dal  1821 

al   1855.     Milano.     1893.     Portraits.  2768.142 

Companion,  The.  [Weekly.]  No.  1-29.  Jan.  9 -July  23,  1828.  [Pub- 
lished] By  Leigh  Hunt.     London.     Hunt  &  Clarke.     1828.     iv,  432 

pp.  *A.436g.7 

Consists  of  criticisms,  mostly  by  Hunt,  on  books,  the  theatres,  and  public  events, 
with  a  number  of  poems.  No  more  was  published.  Extracts  from  this  periodical 
may  be  found  on  pp.   167-258  of  Hunt's   Essays  and  miscellanies    [657Qa.i28]. 

Companion,  The,  to  the  play-house.     [Anon.]     See  Baker,  David  Erskine. 

Companion,  A,  to  the  theatre:  or,  a  key  to  the  play.  Containing  stories 
of  the  most  celebrated  dramatick  pieces.  2d  edition.  London: 
Printed  for  E.  Cogan.     1740.     (10),  286  pp.  **T.48.i5 

Ihe  first  edition,  having  the  title  The  dramatic  historiographer,  may  be  found 
on  shelf-number  **T.48.26. 

Companion,  A,  to  the  theatres.     Foote,  H.  **T.79.3o;  etc. 

Companion,  The,  to  the  theatres  and  other  amusements  of  Edinburgh. 
[Daily.]  Vol.  i  (no.  iyi9,  21,  22).  Sept.  4-29,  1852.  [Edinburgh. 
1852.]     I  v.  **T.27.ii 

Comparison,  A,  between  the  two  stages.     [Anon.]     See  Gildon,  Charles. 

Compiegne,  France. 

Le\'eaux,  a.  Le  Theatre  de  la  Cour  a  Compiegne  pendant  le  regne 
de  Napoleon  III.     Paris.     1882-85.  **T.77.9i 

Compton,  Charles,  and  Edward  Compton. 

Memoir  of  Henry  Compton.  Edited  by  Charles  and  Edward  Comp- 
ton. With  anecdotes  and  personal  recollections.  London.  Tinsley. 
1879.     viii,  348  pp.     Portrait.  **T.56.45 

Compton,  Henry. 

Compton,  C,  and  B.  Compton.  Memoir  of  Henry  Compton.  With  anec- 
dotes and  personal  recollections.  London.  1879.  Portrait.  **T.56.45 

[203J 


^. 


THE  PUBLIC  LIBRARY  OF   THE   CITY   OF  BOSTON 

Compton,  Herbert  Eastwick,  editor. 

Dramatic  peerage,  The,  1891.  Personal  notes  and  professional 
sketches  of  the  actors  and  actresses  of  the  London  stage.  Com- 
piled by  Erskine  Reid  and  Herbert   Compton.     London.     [1891.] 

**T.28.6 
^Concise  account,  A,  of  Garrick's  Jubilee  held  at  Stratford-upon-Avon, 
in  honour  of  Shakspeare,  in  1769.  And  of  the  commemorative 
festivals  in  1827  and  1830.  [With  a  brief  notice  of  the  rise  and 
progress  of  the  Shakespearean  Club.]  Stratford-upon-Avon. 
Ward.     1830.    24  pp.  No.  4  in  **G.3942.3 

Conduct,  The,  of  the  four  managers  of  Covent-Garden  Theatre  freely 
and  impartially  examined,  both  with  regard  to  their  present  dis- 
putes, and  their  past  management.  In  an  address  to  them,  by  a 
frequenter  of  that  theatre.  London,  Printed  for  J.  Wilkie.  1768. 
(3),  25  pp.  **T.95.ii9 

Another  copy  is  on  shelf-number  No.  i6  in  **G.3824.2. 

Conduct,  The,  of  the  stage  consider'd.  A  short  historical  account  of 
its  original,  progress,  various  aspects,  and  treatment  in  the  pagan, 
Jewish  and  Christian  world.  With  the  arguments  urg'd  against  it. 
With  remarks  upon  the  original  and  pernicious  consequences  of 
masquerades.    London;  Printed  for  Eman.  Matthews.    1721.   43  pp. 

**T.96.75 

This  work  has  been  attributed  to  Charles  Owen.  Other  copies  are  on  shelf- 
numbers   No.  4  in  **G.3823.s  ;    No.  2  in  **G. 3823. 12. 

Confessions,  Les,  d'une  comedienne.     Bauer,  C.  **T.57.3i6 

Confessions,  The,  of  a  strolling  player.     Paterson,  P.  **T.57.442 

Confidential  friend.  A,  of  the  departed,  pseud. 

Public  and  private  life  of  that  celebrated  actress.  Miss  Bland,  other- 
wise Mrs.  Ford,  or,  Mrs.  Jordan;  late  mistress  of  H.  R.  H.  the  D. 
of  Clarence;  now  King  William  TV.,  founder  of  the  Fitzclarence 
family.     London.     Duncombe.      [188-?]      117  pp. 

45493.107;  **K.263.8 

An  earlier  edition,  having  the  title  The  great  illegitimate  I  I,  may  be  found  on 
shelf-number  **T.57.340. 

Conflagration  of  the  National  theatre,  corner  of  Portland  and  Traverse 
Streets,   Boston.      [View.     Boston.     1852.]      Woodcut. 

Cut  from    Gleason's   Pictorial.  No.  3  in  *Map  38. 12 

Congres  international  de  I'art  theatral,  Paris,  igoo. 

L'art  theatral.  Congres  international  de  1900  tenu  a  I'Exposition 
Universelle  au  Palais  des  Congres  du  27  au  31  juillet  1900.  Paris. 
Pariset      1901.     185,  (3)  pp.     Plans.  **T.75.i5 

\       Congreve,  Francis  Aspry. 

Authentic  memoirs  of  the  late  Mr.  Charles  Macklin,  comedian,  in 
which  is  introduced  a  variety  of  particulars  hitherto  unknown  to 
the  public,  with  notes.  London:  Printed  for  J.  Barker.  1798. 
5-60  pp.  **T.56.287 

Another   copy    is    on    shelf-number    No.  2  in  ••G.3824. 14. 

Congreve,  William. 

Amendments  of  Mr.  Collier's  false  and  imperfect  citations,  &c.,  from 
the  Old  batchelour,  Double  dealer,  Love  for  love,  Mourning  i)ridc. 
By  the  author  of  those  plays.  London,  Printed  for  J.  Tonson. 
1698.    (4),  109  pp.  **T.77.42 

Pp.  81-1  19  arc  wrongly  numbered  71-109.  A  reply  to  Collier's  A  short  view  of 
the  profaneness  and  immorality  of  the  English  stage.  Other  copies  are  on  shelf- 
numbers   **G.382i.4;    No.  2  in  **G. 3821. 3. 

12041 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 

'■■'  Congreve,  William.     Works  about. 

Animadversions  on  Mr.  Congreve's  late  answer  to  Mr.  Collier.  In  a 
dialogue  and  some  offers  towards  new-modeling  the  stage.  Lon- 
don.    1698.  No.  12  in  **G.382i.5 

Collier,  J.  A  defence  of  the  Short  view  of  the  profancncss  and 
immorality  of  the  English  stage,  &c.  Being  a  reply  to  Mr.  Con- 
greve's Amendments,  &c.,  and  to  the  vindication  of  the  author  of 
The  relapse  [Sir  John  Vanbrugh].     London.     1699.    **T.77.4i ;  etc. 

GossE,  E.  W.     Life  of  William  Congreve.     London.     1888. 

454oa.ii6;**T.57.398 

Letter,  A,  to  Mr.  Congreve  on  his  pretended  amendments,  &c.,  of 
Mr.  Collier's  Short  view  of  the  immorality  and  prophanencss  of 
the  English  stage.    London.    1698.  No.  i  in  **G.382i.i9 

Wilson,  C,  compiler.     Memoirs  of  the  life,  writings,  and  amours  of 
William     Congreve.      W'ith     miscellaneous     essays,     letters,     and 
characters,  written  by  him.  London.  1730.  Portrait.  **T.57.229;  etc. 
Conjurers.     See  Legerdemain. 

Connoisseur,  The.  [Monthly.]  Vol.  2  (no.  10-17).  Jan. -Aug.,  1846. 
[London.]  1846.  172  pp.  Portraits.  Music.  Autograph  fac- 
similes. **T.23.4 

Relates  to  the  theatre  and  the  fine  arts. 

Conried,  Heinrich. 

Moses,  M.  J.  The  life  of  Heinrich  Conried.  New  York.  [1916.] 
Portraits.     Plates.  4343.268;  **T.56.336 

Conservatoire  national  de  musique  et  de  declamation,  Paris. 

Leymarie,  L.  de,  and  A.  J.  Bernheim.  L'enseignement  dramatique 
au   Conservatoire.     Paris.      1883.  **T.77.i3i 

Robert, .    Aiwc  indifferens.     [Paris.     1800?]  No.  8  in  **G.i57.io 

Solly,  J.  R.  Acting  and  the  art  of  speech,  at  the  Paris  Conservatoire. 
Hints  on  reading,  reciting,  acting,  and  the  cure  of  stammering. 
London.     1891.  3599.126 

Considerations  on  the  past  and  present  state  of  the  stage;  with  refer- 
ence to  the  late  contests  at  Covent  Garden.  Added,  a  plan  for  a 
new  theatre  for  the  purpose  of  hearing  plays.  London.  Chappie. 
1809.     (3),  58  pp.  **T. 76.76 

Relates  to  the  O.   P.   Riot  in   1809.     Another  copy  is  on  shelf-number   No.  12  in 

*'r,. 38.73. 15. 
Considerations  on  the  stage.     [Anon.]     See  Cooke,  Thomas. 
Constant,  Charles  Felix. 

Code  des  theatres  a  I'usage  des  directeurs,  des  artistes,  des  auteurs 

et  des  gens  du  monde  contenant  un  expose  des  principes  juridiques. 

Paris.    Durand  &  Pedone-Lauriel.    1876.    (3),  iv,  371  pp.   **T.77.zo6 

Moliere  a  Fontainebleau  (1661-1664).    Simple  note  historique.    Suivie 

de  la  biographic  du  comedien  De  Brie.     Meaux.     1873.      **T.55.34 

Constantin,  Marc. 

Histoire  des  cafes-concerts  et  des  cafes  de  Paris.  Nouvelle  edition, 
augmentee.     Paris.     Renauld.     1872.     no  pp. 

No.  3  in  **M.i28.i8;  **T.97.2i4 
Constantini,  Angelo. 

La  vie  de  Scaramouche.  A  Paris,  chez  Michel  Brunet.  1698.  (28), 
246,   (2)  pp.     Portrait.  **T.59.i 

Same.  Par  Mezetin.  Reimpression  de  I'edition  originale  {i6<95). 
Avec  une  introduction  et  des  notes  par  Louis  Moland  et  uu  portrait 
d'apres  Bonnart  par  Eugene  Gervais.  Paris.  Bonnassies.  1876. 
xxxii,  (16),  III  pp.     Portrait.  **T.56.307 

[205] 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 

Constitutionnel,  Le,  ncivspaper. 

Annuairc  des  lettres,  des  arts  et  des  theatres,  du  journal  Le  Consti- 
tutionnel.  1845-46.  Paris.  Lacrampe  &  Co.  1846,  47.  (3),  498, 
(2)  pp.     Plates,  some  colored.  **M.373.32 

Contant,  Clement,  illustrator. 

FiLiPPi,  J.  DE.  Parallele  des  principaux  theatres  modcrnes  dc  I'Europe 
et  des  machines  theatrales  frangaises,  allemandes  et  anglaises. 
Paris.     1870.    2  V.     Plans.  *Cab.6o.77.i 

Contant  d'Orville,  Andre  Guillaume. 

Histoire  dc  I'opera  l)ouffon  ctmtenant  les  jugemens  de  toutes  les 
pieces  qui  ont  paru  depuis  sa  naissance.  Pour  servir  a  I'histoire 
des  theatres  de  Paris.     [Anon.]     A  Amsterdam.     1768.     2  parts  in 

1  V.  **M.i2ga.i4 
Confes  et  portraits  rabelaisiens.  Cavailhon,  fi.  **T.97.322 
Conti,  Armand  de  Bourbon,  Prince  de. 

Works.  With  a  short  account  of  his  life.  Collected  and  translated 
from  the  French.  Added,  some  other  pieces.  London:  Printed 
by  E.   P.   for  W.   Bray.      171 1.     Portrait.  **T.97.29 

Five  of  these  articles  are  tracts  against  the  stage. 

Traite  de  la  comedie  et  des  spectacles,  selon  la  tradition  de  I'eglise, 
tiree  des  conriles  &  des  saints  peres.  [Anon.]  A  Paris,  chez 
Lovys  Billaine.     1667.     (6),  50,  140,  108,  (51)  pp.  *47o6.8 

Same.     1669.     (10),  178,   (45)  pp.  **T.78.47 

Same.  Neue  Ausgabe  von  Karl  Vollmoller.  Heilbronn.  Henninger. 
1881.    xix,  103,  (i)  pp.     [Sammlung  franzosischer  Neudrucke.] 

466ob.5i 
Continuous  vaudeville.     Cressy,  W.  M.  **T.97.349 

Conway,  Moncure  Daniel. 

The  theater:  a  discourse  delivered  in  the  Unitarian  Church,  Cincin- 
nati, O.,  on  June  7.    Cincinnati.   Truman  &  Spofford.    1857.    29  pp. 

Another  copy  is  on  shelf-number  No.  32  in  **Ci.3822.s.  B.6088.50 

Cook,  Charles  Henry.     (John  Bickerdyke.) 

Daughters  of  Thcspis.    A  story  of  the  green-room.     London.     Simp- 
kin,  Marshall,  Hamilton,  Kent,  &  Co.,  Ltd.   1897.  (5),  312  pp.  **T.87.2 
Cook,  Dutton.    See  Cook,  Edward  Dutton. 
Cook,  Edward  Dutton. 

A  book  of  the  play:  studies  and  illustrations  of  histrionic  story,  life, 

and  character.   London.   Sampson  Low,  Marston,  Searle.  &  Riving- 

ton.      1876.     2  V.  2476.56;  **T.77.8i 

Hours   with   the  players.      London.     Chatto   &   Windus.      [88r.     2   v. 

2576.65;  **T.57.i3 

Ciintcnts.  —  I.  Will  Mountford  and  I.ord  Mohun.  —  Mistress  Woffington.  — 
Poor  Perdita.  —  "Sir  Peter  Teazle."  — -  "I-ady  Teazle."  —  "Joseph  Surface." 
—  "Charles  Surface."  —  "Sir  Benjamin  Backbite."  —  "Mr.  Crabtree."  —  "Mrs. 
C"andour."  —  "Sir  Oliver  Surface."  2.  Mr.  and  Mrs.  Baddeley.  —  "Married 
beneath  her."  —  "A  gentleman  of  the  name  of  Booth."  —  Miss  Smithson.  — 
"Old  Farren."  —  Mrs.  (Hover.  —  "Sir  Charles  Coldstream."  —  Charlotte  Cush- 
man.  —  Rachel   Felix.  —   Charles   Kean.  —   A   note  on    Fechter. 

Nights  at  the  play.  A  view  of  the  English  stage.  London.  Chatto 
&  Windus.     1883.     2  V.  2475.55;  **T.47.5o 

On  the  stage.  Studies  of  theatrical  history  and  the  actor's  art. 
London.      Sampson    Low,    Marston,    Searle,    &    Rivington.      1883. 

2  V.  Portrait.  2476.67;  **T.77.84 
Cook,  Mallei  Collins. 

The  story  of  Helena  Modjeska  (Madame  Chlapowska).  London. 
Allen   &  Co.      1883.     (4),  296  pp.  5069.24;  **T.57.i94 

1 206] 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 

Cook,  Theodore  Andrea. 

Thomas  Doggett,  deceased.  A  famous  comedian.  Part  i.  The  man. 
London.  Archibald  Constable  &  Co.,  Ltd.  rQo8.  xiii,  156  pp. 
Portraits.     Plates.     Facsimiles.     Map.  **T.54.30 

Cook,  William. 

The  elements  of  dramatic  criticism.  Containing  an  analysis  of  the 
stage.  With  a  sketch  of  the  education  of  the  Greek  and  Roman 
actors.  With  some  general  instructions  for  succeeding  in  the 
art  of  acting.  London:  Printed  for  G.  Kearsly.  1775.  (5),  vii, 
(4),  216  pp.     Portraits.  **T.46.44 

Same.  Siemens  de  critique  dramatique;  contenant  une  analyse  du 
theatre.  Avec  un  coup  d'oeil  sur  I'education  des  acteurs  Grecs  et 
Romains,  pour  en  conclure  quelques  principes  generaux  et  neces- 
saires  a  I'instruction  de  I'art  theatral.  Ouvrage  traduit  de  I'Anglais 
de  William  Cooke,  par  P.-F.  Aubin.  [Paris.]  De  I'imprimerie 
de  Delance.  An  VIIL  [1800.]  (2),  xij,  289,  (i)  pp.  **T.46.45 
w' Memoirs  of  Charles  Macklin,  comedian,  with  the  dramatic  characters, 
';^''  manners,  anecdotes,  &c.,  of  the  age  in  which  he  lived,  and  a 
chronological  list  of  all  the  parts  played  by  him.  London. 
Asperne.     1804.      (8),  444  pp.     Portrait.  **T.s6.i99 

Another  copy  is  on  shelf-number  **K.45.I3. 

Same.     2d  edition.  **T.56.20o 

Memoirs  of  Samuel  Foote.  With  a  collection  of  his  bon-mots, 
anecdotes,  opinions,  &c  ,  and  three  of  his  dramatic  pieces.  Lon- 
don.    Phillips.     1805.     3  V.     Portrait.  65493.31 ;  **T.58.98 

An  imperfect  copy  is  on  shelf-number  6540b. 54. 

Same.     New-York.     Mesier.     1806.     2  v.  **T.58.i42 

Cook,  William,  editor. 

FooTE,  S.  The  table-talk  and  bon-mots  of  Samuel  Foote.  (With  an 
introductory    inemoir.)      New    Southgate.      1889.      Portrait. 

**4573.io6 
Cooke,  George  Frederick. 

DuNLAP,  W.  Memoirs  of  the  life  of  George  Frederick  Cooke.  Com- 
posed principally  from  journals  and  other  authentic  documents, 
left  by  Mr.  Cooke;  and  the  personal  knowledge  of  the  writer. 
London.     1813.     2  v.     Portrait.  **T.56.i9i;  etc. 

Kemble  &  Cooke:  or,  a  critical  review  of  a  pamphlet  published  under 
the  title  of  Remarks  on  the  character  of  Richard  the  Third,  as 
played  by  Cooke  &  Kemble.  With  other  critical  remarks  on  the 
performances  of  these  two  gentlemen.     London.      [1801.] 

**T.96.3i3;  etc. 

Life,  The,  of  George  Frederic  Cooke.     With  critical  remarks  upon 

his   genius,   taste,  judgment,   and   talents   as  an   actor.     London. 

1813.  No.  I  in  *6540.59;  etc. 

Remarks  on  the  character  of  Richard  the  Third;  as  played  by  Cooke 

and  Kemble.     London.     1801.  **T.96.3i4;  etc. 

Cooke,  James. 

The  stage.  Its  present  state,  and  prospects  for  the  future.  London. 
Pattie.     [1840.]     16  pp.  **T.76.i02 

Cooke,  Thomas. 

Considerations  on  the  stage,  and  on  the  advantages  which  arise  to 
a  nation  from  the  encouragement  of  arts.  [Anon.]  (In  his  The 
triumphs   of  love  and  honour.     Pp.  43-74-     London.      i73i-) 

Another  copy  is  on  shelf-number  No.  2  in  **G.3823.2].  G.3935'^ 

Cooke,  William.    See  Cook,  William. 

[207] 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 

Cooke  sleeps!  —  Kean  lives!  The  life  and  interesting  anecdotes  of 
Mr.  Kean:  with  remarks  on  his  performances.  London.  Smeeton. 
[1814?]     23  pp.  No.  21  in  **G.3930.i3.i 

Cooper,  Charles  Henry. 

The  actors  in  Dr.  Legge's  tragedy  of  Richardus  Tertius,  performed 
at  St.  John's  College,  at  the  bachelors'  commencement,  1579-1580. 
Read  Nov.  29,  1858.  (In  Cambridge  Antiquarian  Society,  England. 
Antiquarian  communications.  Vol.  i,  pp.  347-357.  Cambridge. 
1859.)  *25o6.6.i 

Shoil  notices  of  each  actor. 
Cooper,  Thomas  Abthorpe. 

Ireland,  J.   N.     A  memoir  of  the  professional  life  of  Thomas  Ab- 
thorpe Cooper.    New-York.     1888.    Portrait.    Facsimiles.    **T.95.5 
Copeau,  Jacques. 

Paris.      Theatres.      Theatre   du    Vieux    Colombier.      A    new    French 

theatre  in  America.     Theatre  du  Vieux  Colombier,   Paris  —  New 

York.     1917-18.     [With  a  sketch  of  its  founder,  Jacques  Copeau. 

New  York.     1917.]  **T. 77.232 

Copin,  Alfred. 

fitudes    dramatiques:    Talma    et    I'Empire.      Paris.      Frinzine.      1887. 

(3),  396  pp.  **T.57.2oo 

fitudes   dramatiques:   Talma   et   la    Revolution.      Paris.      Frinzine    & 

c>e.     1887.     (3),  318  pp.  **T.57.269 

Histoire  des  comediens  de  la  troupe  de  Moliere.     Paris.     Frinzine  & 

c'e.     1886.     (s),  V,   (i),  311,    (i)   pp.  4671.76;  **T.56.3i 

Copyright. 

Cattreux,  L.  litude  sur  le  droit  de  propriete  des  oeuvres  drama- 
tiques et  musicales.  Bruxelles.  1883.  **T.95.i34 
CoRYToN,  J.  Stageright.  A  compendium  of  the  law  relating  to 
dramatic  authors,  musical  composers,  and  lecturers  as  regards  the 
public  representation  of  their  works.  With  notes  on  various 
matters  connected  with  the  stage,  statutes  (including  the  Lord 
Chamberlain's  Act),  etc.  London.  1873.  **T.96,i62 
Handy-book,  A,  on  the  law  of  the  drama  and  nmsic:  being  an  expo- 
sition of  the  law  of  dramatic  copyright,  the  law  affecting  theatres; 
and  the  law  relating  to  music,  dancing,  and  professional  engage- 
ments; with  the  statutes,  forms,  &c.  London.  1864.  **T.78.44 
Howard,  B.,  and  others.  Petition  to  the  Senate  and  House  of  Repre- 
sentatives of  the  United  States,  for  the  amendment  of  the  copy- 
right law,  relating  to  the  fraudulent  production  of  plays.  From 
the  dramatists,  theatrical  managers  and  other  members  of  the 
dramatic  profession  of  the  United  States.     [New  York.     1891.I 

**T.97.36o 
Reade,  C.     The  eighth  commandment.     Boston,     i860.       6577.18;  etc. 

Same.     Extracts.     [London?     i860.]  No.  i  in  **G.3822.i 

Seconde  lettre  a  M.  le  Vicomte  de   Larochefoucauld.      Paris.      1825. 

No.  13  in  **G.3562.2 
Weli-ER,    B.    W.      Stage    copyright    at    home    and    abroad.      London. 
1912.  *Patent  Room  23.87 

Coquelin,  Benoit  Constant. 

L'art  de  dire  le  monologue.  Par  Cocjuelin  cadet  [et]  Coquelin  aine. 
2«=  edition.     Paris.     Ollendorff.     1884.     (3),  210  pp.     Portraits. 

**T.77.i50 
L'art  du  couiedien.     Paris.     Ollendorff.     1894.     (3),  7-  PP-     26793.138 

I 
[2U8J 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 

Coquelin,  Benoit  Constant.     (Continued.) 

Same.     Art   and   the   actor.     Translated    by    Abby    Langdon    Alger. 
With  an  introduction  by  Henry  James.     New  York.     1915.     (5), 
98,  (i)  pp.     [Columbia  University.     Dramatic  Museum.     Publica- 
tions.    Series  2.     Papers  on  acting.     No.  2.]  **T.46.6i.2 
L'art  et  le  comedien.     Paris.     Ollendorff.     1880.     (3),  60  pp. 

46693.75;  **T.78.32 

Some.     36  edition.     1887.     (3),  64  pp.  **T.98.7o 

Same.    The  actor  and  his  art.    Translated  from  the  French  by  Abby 

Langdon  Alger.     Boston.     1881.     3-63  pp.  **T.78.S5 

Les  comediens.     Par  un  comedien.     Reponse  a  M.  Octave  Mirbcau. 

Paris.    Brunox.     1883.    11  pp.  **T.58.48 

Coquelin,  Benoit  Constant,  prefacer. 

Samson,  J.  I.     L'art  theatral.     Paris.     1889.       2678.112;  **T.97.35o;  etc. 
Coquelin,  Benoit  Constant.     Works  about. 

ScHOEN,  H.     Victorien   Sardou  et  Constant  Coquelin.     Paris.      1910. 

4672.34 
ScHUERMANN,  J.  J.     Les  etoilcs  en  voyage.     Paris.      1893. 

2255.67;  **T.57,3i5 
Coquelin,  Constant.     See  Coquelin,   Benoit  Constant. 
Coquiot,  Gustave. 

Les  cafes-concerts.    Paris.    Librairie  de  I'Art.     [1896.]     34  pp.    Plate. 

**T.95.iii 

Nouveau  manuel  complet  du  peintre-decorateur  de  theatre.     Preface 

de  L.  Jusseaume.     Paris.     Mulo.     1910.    vi,  213  pp.     lUus.     Plates. 

Plans.     Autograph   facsimile.      [Manuels-Roret.]  80693.160 

Coralli,  Jean,  and  Edmond  Burat  de  Gurgy. 

[The  devil  on  two  sticks.]  Programme  of  the  story,  scenery,  and 
dances,  in  the  new  grand  ballet  The  devil  on  two  sticks:  founded 
on  the  romance  by  Le  Sage.  Translated,  and  adapted  to  the 
English  stage,  by  Alfred  Bunn.     London.    Wright.     [1836.]     24  pp. 

**T.36.72 
Corbett,  Alexander,  Jr. 

The   Boston  theatre.     (In  Bostonian,  The.     Vol.    i,  pp.   3-18.     Por- 
traits.    Plates.     Facsimile.     Boston.     1894.)  *530i.45.i 
Corderoy,  Edward. 

Popular  amusements.     A  lecture  before  the  Young  Men's  Christian 
Association,  January  13.  [London.  1837.]  48  pp.  4009.298;  **T.97. 226 
Corin,  pseud. 

The  truth  about  the  stage.  3d  edition.  London.  Wyman.  1885. 
vi,  180  pp.  **T.78.i9 

Cork,  Ireland.     Theatres. 

Flynn,  J.  W.  The  random  recollections  of  an  old  play-goer.  A 
sketch  of  some  old  Cork  theatres.     Cork.     1890.  **T.57.349 

Cornebois.     Monteil,  E.  **T.87.38 

Corneille,  Pierre. 

Bouquet,  F.  La  troupe  de  Moliere  et  les  deux  Corneille  a  Rouen 
en  1658.  ^  Paris.     1880.    Plates.  **T.59.i2 

PicoT,  A.  E.  Bibliographic  cornelienne;  ou,  description  raisonnee 
de  toutes  les  editions  des  oeuvres  de  Pierre  Corneille,  des  imitations 
ou  traductions  qui  en  ont  ete  faites,  et  des  ouvrages  relatifs  a 
Corneille  et  a  ses  ecrits.     Paris.     1876.     Portrait.  **T.56.ii3 

Corneille,  Thomas. 

BououET,  F.  La  troupe  de  Moliere  et  les  deux  Corneille  a  Rouen  en 
1658.     Paris.     1880.     Plates.  **T.59.i2 

[209] 
14 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 


Cornell  Studies  in  English. 

Herbert,  Sir  H.  The  dramatic  records  of  Sir  Henry  Herbert, 
Master  of  the  Revels,  1623-1673.  Edited  by  Joseph  Quincy* 
Adams.     New  Haven.     1917.     Portrait.  *2552.2i5 

Cornet,  Julius  C. 

Die  Oper  in  Deutschland  und  das  Theater  der  Neuzeit.  Aus  deni 
Standpuncte  practischer  Erfahrung.  Haml^urg.  Meissner  & 
Schirges.     1849.     (i),   166  pp.  **M. 148.17 

Cornford,  Francis  Macdonald. 

The  origin  of  the  Olympic  games.  (In  Harrison,  J.  E.  Themis.  Pp 
212-259.     Cambridge.     1912.)  3486.130 

Cornucopia,  The;  or,  literary  and  dramatic  mirror,  containing  a  variety 
of  interesting  subjects  under  the  head  of  miscellanies.     [Monthly.] 
With  coloured  engravings  by  J.  Findlay.    Vol.  i.     Sept.  1820-Sept. 
1821.    London.    Sherwood  &  Co.    1826.    (i),  114,  (2)  pp.    **T.27.io 
Corpus  Christi,  Festival  of. 

Spencer,  M.  L.     Corpus  Christi  pageants  in  England.     A  dissertation 
[University  of  Chicago].     New  York.     1911.        25593.229;  **T.47. 22 
Corvin,  Pierre  de. 

Le  theatre  en  Russie  depuis  ses  origines  jusqu'a  nos  jours.  Etude 
historique  et  litteraire.     Paris.     Savine.     1890.     (4),  358,  (i)  pp. 

3061.40;  **T.47. 28 
Coryton,  John. 

Stageright.  A  compendium  of  the  law  relating  to  dramatic  authors, 
musical  composers,  and  lecturers  as  regards  the  public  representa- 
tion of  their  works.  With  notes  on  various  matters  connected 
with  the  stage,  statutes  (including  the  Lord  Chamberlain's  Act), 
etc.     London.     Nutt.     1873.    viii,  100,  lii  pp.  **T.96.i62 

Cosack,  Wilhelm. 

Materialien  zu  Gotthold  Ephraim  Lessing's  Hamburgische  Drama- 
turgic. Ausfiihrlicher  Commentar  nebst  Einleitung.  Anhang  und 
Register.     Paderborn.     Schoningh.     1876.     v,  451  pp.  4873.28 

Cosmopolitan  actor,  A.     HEnccocK,   F.   A.  4545.181 

Howe,  T.  B.  **T.97.277;  etc. 

Cossel,  Louise  von,  translator. 

\     Mantzius,   C.     a   history   of   theatrical   art   in   ancient   and    modern 

times.      With    an    introduction    by    William    Archer.      London. 

1903-09.     5  v.     Portraits.     Plates.     Plans.  6252.66 

Cost,  The,  of  amusing  the  public.     [London.     1862.]     193-198  pp.     Plate. 

Relates  mainly  to  London  theatres.  No.  l6  in  **G.3822.3 

Coste  d'Amobat,  Charles  Pierre. 

Lettre  d'un  comedien  du  Theatre  de  la  republique,  aux  demoiselles 
Gros  et  Bourguoin,  dont  les  debuts  doivent  suivre  celui  de  made- 
moiselle Volnay.  |Anon.]  Paris.  Lerouge.  An  ix  [iSoi].  (3), 
60  pp.  No.  5  in  **G.3562.2 

Pp.    42-60    contain    the    Lettre    du    citoyen    Palissot,    a    la    citoyennc    Bourguoin, 
sur  les  debuts  au  Theatre  de  la  republique. 

Memoires  de  M'^e  Dumesnil,  en  reponse  aux  memoires  d'Hippolyte 
Clairon;  revus,  corriges,  et  augmentes  d'une  notice  sur  cette 
comedienne  par  M.  Dussault.  [Anon.]  Paris.  Ponthieu.  1823. 
(3).  379  PP-     [Collection  des  memoires  sur  I'art  dramatique.] 

Another  copy  is  on  shelf-number  **G.224.2.9.  **T.56.7 

Costenoble,  Carl  Ludwig. 

Tagebiichcr  von  seiner  Jugend  bis  zur  Ubersiedlun.g  nach  VVicn 
(1818).     Auf   Grundlage    der    Originalhandschrift    mit    Einleitung 

[210] 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 

Costenoble,  Carl  Ludwig.     (Continued.) 

und    Annierkungen    herausgegehcn    von    Alexander    von    Weilcn. 

Berlin.     1912.     2  v.     [Gesellschaft  fiir  Theatergescliichtc.     Schrif- 

ten.     Band  18,   19.]  6907.28 

Costetti,  Giuseppe. 

La    Conipagnia    reale    sarda,    e    il    teatro    italiano    dal    1821    al    1855. 

Con  prefazione   di   Leone   Fortis.     Milano.      Kantorowicz.      1803. 

xxviii,   (i),    135  pp.      Portraits.  2768.142 

Costume.     See  Theatre.    Costumes  and  properties. 
Costumes   of  the   modern   stage.      Part    1-5.     Edited   by   M.    MoI)isson. 

Illustrations  by  MM.  Lebegue,  Mesples,  etc.     [London.     Nimmo. 

1889-QO.]      I    V.     Colored   portraits.  **T.92.i 

Each  number  contains  a  review  of  a  play  given  at  a  Paris  theatre  with  portraits 
of  some  of  the  actors  in  costume. 

Cotarelo  y  Mori,  Emilio. 

Bibliografia  de  las  controversias  sobre  la  licitud  del  teatro  en  Espana. 
Madrid.     Est.  tip.  de  la  "Rev.  de  archivos,  bibl.  y  museos."     1904. 

*6i63.79 

Estudios   sobre   la   historia    del   arte    escenico    en    Espaiia.      Madrid. 

Sucesores  de  Rivadeneyra.     1896,  97.     2  v.     Portraits.     Autograph 

facsimile.  3098.167 

Contents.  —  i.  Maria  Ladvenant  y  Quirante,  primera  dama  de  los  teatros  dc  la 
corte.  2.  Maria  del  Rosario  Fernandez,  la  Tirana,  primera  dama  de  los  teatros 
de  la  corte. 

Cottin,  Paul,  ed'for. 

Auger,  H.  N.  J.     Memoires  d'Auger   (1810-1859).     Paris.     1891. 

**T.57.i89;etc. 
^Cotton,  William. 

The  story  of  the  drama  in  Exeter,  during  its  best  period,  1787  to 
1823.  With  reminiscences  of  Edmund  Kean.  London.  Hamilton, 
Adams  &  Co.     1887.     (3),  66  pp.     Portrait.     Facsimiles. 

4576.115;  **T.76.i78 

The  portrait  is  missing  in  the  copy  on  shelf-number  4576.115. 

Couailhac,  Jean  Joseph  Louis. 

Physiologic  du  theatre.  Par  un  journaliste.  Vignettes  de  H.  £my 
et   Birouste.     Paris.     Laisne.     1841.     126  pp.     Illus.     Plates. 

**T.99.29 
Couailhac,  Victor. 

La  vie  de  theatre.  Grandes  et  petites  aventures  de  Mile  Montansier. 
—  Esquisses.  —  Anecdotes.  —  Le  Theatre  a  Bade.  Paris.  Lecuir. 
[1863.]     319  pp.  **T.57.202 

Coulissen-Blitze  in  Anekdoten.     Schiessler,  S.  W.  **T.59.53 

Coulissengeister.     Zolling,  T.  6899.64 

Coulisses,   Les,  du  passe.     Foucher,   P.  H.  26793.80;  **T.47.25 

Coulisses  parisiennes,  Les.     Koning,  V.  **T.77.i79 

Coulon,  E. 

Photographies  a  la  plume.  Les  theatres  en  robe  de  chambre.  Par 
Yveling  Ram  Baud  [pseud,  de  Frederic  Gilbert]  &  E.  Coulon. 
Paris.     Faure.     1866.     (3),  276  pp.     Plate.  **T.57.379 

Brief  sketches  of  the  actors  of  the  Paris  theatres. 

Coup,  William  Cameron. 

Sawdust  &  spangles.  Stories  &  secrets  of  the  circus.  Chicago. 
Stone  &  Co.     1901.     xv,  262  pp.     Plates.  4009.32;  **T.57.i50 

Coup,  Le,  de  fouet.     [Anon.]     See  Remusat,  Jean  Pierre  Abel. 
Coup,  Le,  de  lance  du  Gymnase.     Verse.     Vieil  habitue,  Un,  pseud. 

No.  16  in  **G.3562.i 

[211] 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 


Coup-d'oeil  sur  les  theatres  de  Paris.     Paris.     Delaunay.     1821.     32  pp. 

No.  II  in  **G.3562.i 
Coupe,  Jean  Marie  Louis,  and  others. 

Histoire  universelle  des  theatres  de  toutes  les  nations,  depuis  Thespis 
jusqu'  a  nos  jours;  par  une  societe  de  gens  de  lettres  [J.  M.  L. 
Coupe,  G.  F.  F.  Des  Hayes,  Lefuel  de  Mericourt,  et  Testu].  A 
Paris,  chez  les  auteurs.     1779-81.     13  v.     Portraits.    Plates.     Plans. 

Another  copy  is  on  shelf-number  **G.224.i.  **T. 47-87 

Coupee,  Marton. 

Requeste  de  deux  actrices  d'Opera  [Marton  Coupee  et  Alix  Des- 
granges]  a  Momus  avec  son  ordonnance.     A  la  Haye.     1763. 

**T.79.i5 
Coupy,  fimile. 

Marie  Dorval.  1798-1849.  Documents  inedits.  Biographie  —  cri- 
tique et  bibliographic.  [Anon.]  Paris.  Librairie  internationale. 
1868.    xii,  471,  (2)  pp.  **T.j57.234 

Cour,  La,  et  I'opera  sous  Louis  XVL     Jullien,  J.   L.  A. 

4676.52;  **M. 127.39 
Courbeville,  Joseph  de,  translator. 

Collier,  J.  La  critique  du  theatre  anglois,  compare  au  theatre 
d'Athenes,  de  Rome  et  de  France.  Et  I'opinion  des  auteurs  tant 
profanes   que  sacrez,   touchant   les   spectacles.     A   Paris.      I7i5- 

**T.77.40 

Courier   lyrique   et   amusant,    ou   passe-temps    des    toilettes.      Par    Mi«e 

Dufrenoy.     [Bimensuel.]     Juin   i,  1786 -sept,  i,  1787,  oct.  i  -  dec. 

IS,   1787.     [Paris.     1786,  87.]     2  v.  in   i.     Music.  **T.27,i3 

Mme.  Dufrenoy  began  to  edit  this  periodical  with  the  issue  for  Jan.  i,  1787. 
Each  number  is  in  two  parts.  The  first  consists  of  songs,  with  and  without 
music ;   the  second,  of  anecdotes,  etc. 

Courrier  des  spectacles,  de  la  litterature,  des  arts  et  des  modes,  pour 
Paris,  les  departemens  et  les  pays  etrangers.  [Quotidien.]  No. 
110-286,  622-788.  Janvier  i-juin  30,  1819;  juillet  i  -  decembre  31, 
1820.     [Paris.]      1819,  20.     2  V.  **T.24,io 

Court  fools.    See  Clowns  and  fools. 

Court  Journal,  The.  [Weekly.]  No.  36-87.  1830.  London.  Colburn. 
1830.     Portrait.  **T.23.i6 

Many  numbers  contain  dramatic  criticisms. 

Court  life. 

Jullien,  J.  L.  A.  La  comedie  a  la  cour.  Les  theatres  de  societe 
royale  pendant  le  siecle  dernier.    Paris.    [1883.]    Portraits.    Plates. 

**T.73.4 

Lazarovich-Hrebelianovich,  Eleanor.  Princess.  Pleasures  and  palaces. 

The    memoirs    of    Princess    Lazarovich-Hrebelianovich    (Eleanor 

Calhoun).     New  York.     1915.     Portraits.     Plates.  6252.119 

Court  masques  of  James  L     Sullivan,  M.  4594.170 

Court  revels. 

See  also  England.  Revels  Office. 

Chambers,   E.  K.     Notes  on  the  history  of  the  Revels  Office  under 

/     the  Tudors.     London.      1906.  2552.35 


^ 


"Chapman.  J.  K.  A  complete  history  of  theatrical  entertainments, 
dramas,  masques,  and  triumphs,  at  the  English  Court,  from  the 
time  of  King  Henry  the  Eighth  to  the  present  day,  including  the 
series  of  plays  performed  before  Her  Majesty,  at  Windsor  Castle, 
Christmas,  1848-9.  London.   [1850?]    Plates.  Programmes.  **T.42.2 

CHENNEVif:RES-PoiNTEL,  Comte  H.  DE.  Les  menus-plaisirs  du  roi  et 
leurs  artistes.     Paris.     1882.  **T.92.5 

1212] 


BROWN   COLLECTION   OF   BOOKS    ON    THE   STAGE 

Court  revels.     (Continued.) 

Cunningham,  P.  Plays  at  court,  anno  1613,  from  the  accounts  of 
Lord  Harrington,  Treasurer  of  the  Chamber  to  King  James  I. 
(In  Shakespeare  Society,  London.  Papers.  Vol.  2,  pp.  123-126. 
London.     1845).  *4596.ii.2;  etc. 

Sir  George  Buc  and  the  office  of  the  Revels.     (/»  Shakespeare 

Society,  London.     Papers.     Vol.  4,  pp.   143,  144.     London.     1849.) 

*4596.ii.4;etc. 

Cunningham,  P.,  editor.     Extracts  from  the  accounts  of  the   Revels 

at  court,   in   the   reigns   of .  Queen    Elizabeth   and   King  James   L 

London.     1842.  4596.56;  etc. 

Feuillerat,  a.     Le  bureau  des  menus-plaisirs  (office  of  the  Revels) 

et  la  mise  en  scene  a  la  cour  d'filizabeth.     Louvain.     1910.    2552.21 

Feuillerat,   A.,   editor.      Documents    relating  to   the    Office   of   the 

Revels  in  the  time  of  Queen  Elizabeth.     Louvain.     1908.    *255o.9o 

•  Documents  relating  to  the  revels  at  court  in  the  time  of  King 

Edward  vi.  and  Queen  Mary.     (The  Loseley  Manuscripts.)     Lou- 
vain.    1914.  *255o.io7 
Goodwin,  A.  T.     Court  revels  in   the   reign   of   Henry   the   Seventh. 
(In   Shakespeare    Society,    London.      Papers.      Vol.    i,    pp.   47-51. 
London.      1844.)                                                                     *4596.ii.i;  etc. 
Graves,  T.  S.     The  Court  and  the  London  theatres  during  the  reign 
of  Elizabeth.    A  dissertation  [University  of  Chicago].     Menasha. 
1913.  6257.35 
Papillon  de  La  Ferte,  D.  P.  J.    L'administration  des  Menus.    Journal 
de  Papillon  de  La  Ferte,  intendant  et  controleur  de  I'argenterie, 
menus-plaisirs   et    affaires    de    la   chambre    du   roi.      (1756-1780.) 
Paris.     1887.                                                                                     **T.55.49 
Stopes,  C.  C.     William  Hunnis  and  the  revels  of  the  Chapel  Royal. 
A  study  of  his  period  and  the  influences  which  affected  Shake- 
speare.    Louvain.     1910.                                                                  2553.139 
Sullivan,  M.     Court  masques  of  James  i:  their  influence  on  Shake- 
speare and  the  public  theatres.    New  York.    1913.    Portrait.    Plate. 

4594.170 

Tomlins,  T.   E.     a  new   document   regarding!  the   authority   of  the 

master   of   the    Revels   over   play-makers,   plays,    and   players,    in 

1581.     (In  Shakespeare  Society,  London.     Papers.    Vol.  3,  pp.  1-6. 

London.      1847.)  *4596.ii.3;  etc. 

Courtisanes,  Les,  du  Second  Empire.     [Anon.]     See  Stapleaux,  L.  L.  L. 

Courtney,  William  Leonard,  prefacer. 

Adderley,  Hon.  J.   G.     The   fight   for  the  drama  at   Oxford.     Some 

plain  facts.    Oxford.     1888.  **T.98.29 

Filon,    p.    M.    a.     The    modern    French    drama.      Seven    essays    by 

Augustin   Filon.     London.     1898.  4676.86;  **T.47.37 

Cousin  d'Avalon,  Charles  Yves. 

Comediana,  ou  recueil  d'anecdotes  dramatiques,  bon  mots  des 
comediens,  et  reparties  spirituelles,  de  bonhomie  et  de  naivete 
du  parterre.     Paris.     Marchand.     An  IX.-1801.     (3),  139,   (i)  pp. 

**T.59.28 
Cousine   Laura.     Prevost,   E.   M.  **T.87.30 

Coutts,  Harriot.     See  Mellon,  Harriot,  Duchess  of  St.  Albans. 
f  yCovent  Garden,  London. 
^  ,'  See  also  London.  Theatres.  Covent-Garden. 

'Tom  K g's:  or,  the  Paphian  Grove.     With  the  various  humours 

')     of  Covent  Garden,  the  theatre,  the  gaming-table,   &c.     A  mock- 

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THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 

Covent  Garden,  London.     (Continued.) 

heroic-poem.      2d    edition.      London:    Printed    for   John   Torbuck. 
1738.     (4),  64  pp.     Plates.  **T.96.257 

TowNSEND,  G.  H.  ■  Evans's  Music  and  Supper  Rooms,  Covent  Garden. 
Odds  and  ends  about  Covent  Garden  and  its  vicinity,  the  ancient 
drama,  the  early  English  divinity  and  controversial  plays,  &c.; 
compiled  from  various  sources  by  John  Green.  [London.  i8C6?l 
lllus.  **T.95.92 

Covent  Garden  journal,  The.     [Anon.]     See  Stockdale,  John  Joseph. 

Covent-Garden  Theatrical  Gazette.     No.  69.     Dec.  13,  1816.     [London.] 
1816.     (8)   pp.  No.  12  in  **G.3823.i3 

Coventry,  England-     Theatres. 

Sharp,  T.  A  dissertation  on  the  pageants  or  dramatic  mysteries 
anciently  performed  at  Coventry,  by  the  trading  companies  of 
that  city;  chiefly  with  reference  to  the  vehicle,  characters,  and 
dresses    of    the    actors.      Coventry.      1825.      Plates.      Music. 

**T.42.3;  etc. 

Cowel!,  Joseph  Leathley. 

Thirty  years  passed  among  the  players  in  England  and  America: 
interspersed  v^ith  anecdotes  and  reminiscences  of  a  variety  of 
persons,  directly  or  indirectly  connected  with  the  drama.  New- 
York.  Harper.  1844.  2  v.  in  i.  **T.55.ii7 
Content.';.  —  i.   England.     2.  America. 

Cowell,  W. 

An  oration  in  defence  of  the  theatre  delivered  December  ,30th,  1865, 
by  Mrs.  Anna  Cowell.  Being  her  second  public  reply  to  the  late 
scandalous  strictures  on  the  theatre.  By  the  Rev.  R.  M.  Hatfield. 
Written  by  W.  Cowell.  Chicago.  Rounds  &  James.  [1865.] 
28  pp.  **T.96.3i5 

Coyne,  Joseph  Stirling. 

Sam  Spangles;  or,  the  history  of  a  harle<|uin.  London.  Routledge. 
1866.     (2),  155  pp.     Plate.  **T.88.ig 

Coyne,  Stirling.    See  Coyne,  Joseph  Stirling. 

Cozzens,  A.  M. 

Verplanck,  G.  C.  Garrick:  his  portrait  in  New  York,  its  artist, 
and  history.  [A  letter  addressed  to  A.  M.  Cozzens  read  at  the 
Sketch  Club,  January  9,   1857.]      New  York.     1857.     Portrait. 

*6545-9 
Craig,  Anne  Abbot  Throop. 

The  dramatic  festival.  A  consideration  of  the  lyrical  method  as  a 
factor  in  preparatory  education.  With  9  foreword  by  Percival 
Chubb  and  an  introduction  by  Peter  W.  Dykcma.  New  York. 
Putnam.      1912.      xxviii,    (i),   363   pp.  6257.73 

Bibliogiaphy,  pp.  52-66,  253,  354. 

Craig,  Edward  Gordon. 

Henry  Irving,  Ellen  Terry,  etc.  A  book  of  portraits.  [Chicago. 
1899.]     (40)  pp.     Portraits.     Plate.  **T.52.8 

On  the  art  of  the  theatre.  Chicago.  Browne.  [1911.]  xix,  29(1  pj). 
Plates.  80693.162 

Contents.  —  Preface.  —  Introduction.  —  God  save  the  King.  —  The  artists  of 
the  theatre  of  the  future.  —  The  actor  and  the  Uher-marionette.  —  Some  evil 
tendencies  of  the  modern  theatre.  —  Plays  and  playwrights.  —  The  theatre  in 
Russia,  Germany,  and  England.  — ■  The  art  of  the  theatre  (ist,  2d  dialogue).  — 
The  ghosts  in  the  tragedies  of  Shakespeare.  —  .Shakespeare's  jilays.  —  Realism 
and  the  actor.  —  Open-air  theatres.  —  Symholism.  —  The  exquisite  and  the 
precious. 

[214] 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 

Craig,  Edward  Gordon.     (Continued.) 

Towards  a  new  theatre.  Forty  designs  for  stage  scenes  with 
critical  notes  by  the  inventor.  London.  J.  M.  Dent  &  Sons,  Ltd. 
[igi2?]     xvi,  90  pp.     Plates.  *8o6i.200 

Craig,  Gordon.    See  Craig,  Edward  Gordon. 
Cran,  Mis   George. 

Herbert  Beerbohm  Tree.  London.  Lane.  1907.  viii,  (i),  no  pp. 
Portraits.     Plate.     [Stars  of  the  stage.]  4549a.i97 

List  of  Mr.  Tree's  principal  productions,  pp.   107-110. 

Crapelet,  Georges  Adrien. 

Notice  sur  la  vie  et  les  ouvrages  de  Quinault,  suivie  de  pieces  rela- 
tives a  Tetablissement  de  I'Opera.     Paris.     Crapelet.     1824.     56  pp. 

Another  coiiy  is  on  shelf-number  No  i  in  **G.i57.  10.  No.  3  in  **M.136.I2 

Craufurd,  Russell. 

The  ramblings  of  an  old  mummer.     London.     Greening  &  Co.,  Ltd. 

1909.     319,    (i)    pp.  **T.57.i99 

Craven,  Elizabeth,  Countess  of.    See  Anspach,  Elizabeth  Berkeley  Craven, 

Markgrdfin  von. 
Craven,  Hawes,  illustrator. 

London.  Theatres.  Lyceum  theatre.  Souvenir  of  King  Arthur,  by 
J.  Comyns  Carr.  First  presented  at  the  Lyceum  Theatre,  12th 
January,  1895,  by  Henry  Irving.  Illustrated  by  J.  Bernard  Part- 
ridge and   Hawes  Craven.     London.      [1895.]      Portraits.     Plates. 

**T.58.i50 

Souvenir    of    Shakespeare's    historical    play,    King    Henry    the 

Eighth,  presented  at  the  Lyceum  Theatre,  5th  January,  1892,  by 
Henry  Irving.     London.     1892.     (15)  plates.     45593.109;  **T. 58.151 
Crawford,  Mary  Caroline. 

The  romance  of  the  American  theatre.    Boston.    Little,  Brown  &  Co. 
1913,  xiv,  407  pp.   Portraits.   Plates.   Facsimiles.  4395.177  ;**T. 76.197 
Creahan,  John. 

The  life  of  Laura  Keene:  actress,  artist,  manager  and  scholar.  With 
reminiscences  of  her  daughters  [Clara  Marie  Cecilia  Stella  Taylor 
and  Emma  Taylor].  Philadelphia.  The  Rodgers  Publishing  Co. 
1897.     254  pp.     Portraits.      Plates.     Autograph    facsimile. 

4343.225;  **T.55.6o 
Creation  d'un  theatre  d'essai.     Nouville,  A.  No.  3  in  **M.i22.38 

Crebillon,  Prosper  Jolyot  de. 

Lebeau  de  Schosne,  a.  T.  V.     Lettre  a  Monsieur  de  Crebillon  sur 

les  spectacles   de   Paris;   dans   laquelle  il   est   parle   du^  projet   de 

reunion  de  I'Opera-comique  a  la  Comedie  italienne.     A  la  Haye. 

1761.  •  **T,97.i82 

Creizenach,  Wilhelm  Michael  Anton. 

The  English  drama  in  the  age  of  Shakespeare.  Translated  from 
"Geschichte  des  neueren  Dramas'  of  Wilhelm  Creizenach  [by 
Cecile  Hugon].  Philadelphia.  J.  B.  Lippincott  Co.  [1916.]  xv, 
454  pp.     Plates.  4574-185 

List  of  references,  pp.  431-433. 

Geschichte  des  neueren  Dramas.  Halle  a.  S.  Niemeyer.  1893-1904. 
5  V.  4874-37 

Contents.  —  r.  Mittelalter  und  Friihrenaissance.  2,  3.  Renaissance  und  Reforma- 
tion. 4.  Das  englische  Drama  im  Zeitalter  Shakespeares.  Teil  i.  Register. 
Register,  Band  1-3.     Bearbeitet  von  Paul  Otto. 

Zur  Geschichte  der  Weihnachtsspiele  und  des  Weihnachtsfestes.  {In 
Beitrage  zur  Volkskunde.     XII.  Heft.     Pp.  i-io.     Breslau.     1896.) 

2873.114 

[215] 


THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 

Cressy,  Will  Martin. 

Continuous  vaudeville.  With  illustrations  by  Hal  Mcrritt.  Boston. 
Badger.     [1914.]     181  pp.     Illus.     Portraits.     Plate.  **T.97.349 

A    '.jook   of   anecdotes,    principally    about    the    theatre    and    actors. 

Crete.     Theatres. 

Falkener,  E.     a  description  of  some  important  theatres  and  other 

remains  in  Crete  from  a  MS.  history  of  Candia  by  Onorio  Belli 

in  1586.     London.     1854.     Illus.     Plans.     Map.  *2962.4a 

Criquette.     Halevv.   L.  **T.87.75;  etc. 

Critic,  The:  a  journal  of  theatricals,  music,  and  the  exhibitions.     No.   i. 

Oct.  7,   1843.     I  London.     1843.]      13  pp.  **T.26.42 

Critic,  The.     A  weekly  review  of  literature,  fine  arts,  and  the  drama. 

Edited  by  William  Leggett.     Vol.  i.     Nov.  i,  1828 -May  2,  1829. 

New-York.     1828,  29.     v,   (i),  415  pp.  **T.25.i8 

After   two    volumes    of   this   periodical    were    published    it   united   with    The    New 
York  Mirror   [*N.403.i]. 

Critic's  budget,  The.     Burton,  J.  G.  **T.56.i7 

Critica  dramatica  y  musfcal,  y  biografias  de  atitores,  compositores  y 
artistas.  Anales  del  teatro  y  de  la  miisica.  For  Jose  V.  Perez 
Martinez.  Con  un  estudio  sobre  el  realismo  en  la  ciencia,  en  el 
arte  en  general  y  en  la  literatura  por  Jose  Echegaray.  Afio  i. 
1883/84.      Madrid.      Gutenberg.      1884.      (4),   xiv,    (i),   472   pp. 

No  more  was  published.  **T.26.22 

Critical  examination.  A,  of  the  respective  performances  of  Mr.  Kean  & 
Mr.  Macready,  in  Gibber's  alteration  of  Shakespeare's  historical 
play  of  King  Richard  the  Third.  London.  Simpkin  &  Marshall. 
1819.     (3),  40  pp.  **G.3937.33 

Other  copies  are  on   shelf-numbers   No.  7  in  **G.3824.5;    No.  3  in  **G.3937.32. 

Critique  des  acteurs  et  actrices  des  differens  theatres  de  Paris.  A 
Paris,  chez  tous  les   marchands   de  nouveautes.      1797.     57  pp. 

**T.59.52 

Critique,  La,  du  theatre  anglois.  Collier,  J.  Short  view  of  the  im- 
morality and  profaneness  of  the   English  stage.  **T.77.4o 

Critique  on  the  first  performance  of  Young  Roscius  at  Covent  Garden 
Theatre,  Dec.  i,  as  it  appeared  in  the  British  Press  (newspaper), 
Dec.  3,  1804.     [London.]     Kirby.     1804.     34  pp.  **T.57.426 

Another  copy  is  on  shelf-number  No.  7  in  **G.382i.5. 

Crocker,  Joseph  Paul. 

War  among  the  blacks.     A  full  report  of  the  celebrated  chancery 

suit,    Montague    &    Wilsom   versus    Moore,    Crocker,    Ritter   and 

Hamilton,    proprietors    and    managers    of    the    Christy    minstrels. 

Liverpool.     1865.  **T.96.i76 

Croft,  John,  editor. 

Memoirs  of  Harry  Rowe:  constructed  froin  materials  found  in  an 
old  box,  after  his  decease.  York.  Wilson  &  Spencc.  |  180-?] 
144  pp.     Portrait.  **T,57.4i4 

Croix  d'honneur.    See  Legion  d'honneur. 
Croix  d'honneur.   La,   et  les   comediens.     Legouv^,   G.  J.    B.    E.   W. 

**T.95.88 
Croker,  John  Wilson. 

Familiar  epistles  to  Frederick  J s   [Jones],  Esq.  on  the  present 

state  of  the  Irish  stage.     Dul)lin.     Barlow.     1804.     xix,  78,  (i)  pp. 

*4575-36 

Verses  dealing  principally  with   the  actors  of  the   Crow   Street  Theatre  of  which 
Jones  was  manager. 

Same.     2d    edition,   with    additions.      122   pp.  **T.78.2 

[2161 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 

Croker,  John  Wilson.     (Continued.) 

Same.  Familiar  epistles  to  Frederick  E.  Jones.  4th  edition.  Grais- 
berry  &  Campbell.     1805.     178,   (i)   pp.  **T.78.3 

Another  copy  is  on  shelf-number  **K.35.28. 

Same.  The  familiar  epistles.  Addressed  to  Frederick  Jones, 
patentee  of  the  r3ublin  Theatre,  on  the  inefficiency  of  actors. 
Walter  Donaldson  presents  them  to  the  public,  with  remarks 
from  personal  knowledge.  London.  Livermore  &  Robinson. 
[1^75-]      59  PP-     Portrait.     Autograph   facsimile.  **T.57,429 

Croker,  John  Wilson.     Works  about. 

Morgan,  S.  O.,  Lady.     A  few  reflections,  occasioned  by  the  perusal 

of  a  work,  entitled,   "Familiar  epistles,   to   Frederick  J s   Esq. 

on  the  present  state  of  the  Irish  stage."     [Anon.]     Dublin.     1804. 

**T.78.56 
Croker,  Wilson.     See  Croker,  John  Wilson. 
Cronel,    Mademoiselle,    called    Fretillon.      See    Clairon,    Claire   Josephe 

Hippolyte  Leris  de  La  Tude,  called  Hippolyte  Clairon. 
Crosby,  Benjamin. 

Crosby's  Pocket  companion  to  the  playhouses.  Being  the  lives  of 
all  the  principal  London  performers.  London:  Printed  for  B. 
Crosby.     1796.     xi,  105  pp.     Portrait.  **T.58.i39 

Crosby,  Medora  Robbins. 

Maiquez.    Read  before  The  Castilian  Club.    (In  Castilian  Club.    Origi- 
nal papers.  Vol.  33,  pp.  35-47.  Portrait.  Boston.   191 1.)  **G.i6i.i.33 
Crosland,  Camilla. 

Landmarks  of  a  literary  life,  1820-1892.     By  Mrs.  Newton  Crosland 
(Camilla  Toulmin).   London.    Sampson  Low,  Marston  &  Co.,  Ltd. 
1893.  xi,  298  pp.  Portrait.  Autograph  facsimile.  4547.112;  **T.57. 120 
Crosland,  Mrs.    Newton.     See   Crosland,   Camilla. 
Cros-Mayrevieille,  Gabriel. 

Le  droit  des  pauvres  sur  les  spectacles  en  Europe.  Origine,  legisla- 
tion, jurisprudence.  Paris.  Berger-Levrault  &  cie.  1889.  xxi, 
208  pp.     Tables.  3661.56 

Refers    to    benefit    performances    for    the    poor,    particularly    in    France. 

Crouch,  Anna  Maria. 

Young,  M.  J.  Memoirs  of  Mrs.  Crouch.  Including  a  retrospect  of 
the  stage,  during  the  years  she  performed.  London.  1806.  2  v. 
Portrait.  **T.58.99;  etc. 

Crousle,  Frangois  Leon,  editor. 

Lessing,  G.  E.  Dramaturgic  de  Hambourg.  Traduction  de  Ed.  de 
Suckau.  Revue  et  annotee  par  L.  Crousle.  Avec  une  introduction 
par  Alfred  Mezieres.     Paris.     1885.  **T.47.29 

Cruikshank,  George,  illustrator. 

Collier,  J.  P.  Punch  and  Judy.  Accompanied  by  the  dialogue  of 
the  puppet  show,  and  an  account  of  its  origin,  and  of  puppet 
plays  in  England.      [Anon.]      London.     1870.     Illus.     Plates. 

**T.37.249;  etc. 

Dickens,   C,  editor.     Memoirs  of  Joseph   Grimaldi.     London.      1869. 

Portrait.     Plates.  **T.57.454;  etc. 

Raymond,  G.     Memoirs  of  Robert  William  Elliston,  comedian.     Lon- 

y^       don.      1844,  45.     2  v.     Portrait.     Plates.  **T.56.2i6;  etc. 

'1  Cfuikshank,  Isaac,  illustrator. 

^  Bull,  John,  pseud.  Covent  Garden  Theatre!!  Remarks  on  the 
cause  of  the  dispute  between  the  public  and  managers  of  the 
Theatre    Royal,    Covent    Garden.      London.      [1809.]      Plate. 

No.  5  in  **G.382i.5 
[217] 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 


Cruikshank,  Isaac  Robert,  illustrator. 

Daniel.  G.     Merrie  England  in  the  olden  time.     [With  illustrations 

by  John   Leech  and   Robert   Cruikshank.]      London.      1842.     2  v. 

Illus.     Portraits.  2529.3;  etc. 

Cruikshank,  Robert.    See  Cruikshank,  Isaac  Robert. 

Crystal  Palace,  London. 

H.,  A.  The  actors'  fete  [at  the  Crystal  Palace,  London.  London. 
187-?].     Plate.  No.  21  in  **G.3822.3 

Cuba.     Theatres. 

Cahn,  J.  Julius  Cahn's  Official  theatrical  guide,  containing  in- 
formation of  the  theatres  and  attractions  in  the  United  States, 
Canada.  Mexico  and  Cuba.  New  York.  1900,  09.  2  v.  Portraits. 
Maps.  **T.25.33 

Cuisin,  J.  P.  R. 

Bouquet  offert  a  M"e   Rachel,  actrice  tragique  aux  frangais.     Suivi 
de  notices  biographiques  sur  cette  grande  tragedienne  et  autres 
acteurs  celebres.     Paris.     Barba.     1839.     88  pp.     Plate.       **T.55.26 
Cuisin,  P.    See  Cuisin,  J.  P.  R. 

Cull,  Richard,  editor. 

Anderson,  J.  W.  Garrick's  mode  of  reading  the  Liturgy  of  the 
Church  of  England.  New  edition,  with  notes,  and  a  preliminary 
discourse   on   public   reading,   by   Richard    Cull.      London.      1840. 

5591.26;  **T.76.i 
Cumberland,  Richard. 

Memoirs.  With  anecdotes  and  characters  of  several  of  the  most 
distinguished  persons  of  his  time,  with  whom  he  has  had  inter- 
course and  connexion.  New  York.  Brisban  &  Brannan.  1806. 
(i),  356  pp.  **K.33.i4 

Relates  in  part  to  the  London  theatres. 

Same.     Boston.     West.     340  pp.  ^543-50 

Another  copy  is  on  shelf-number  **E.228.i2. 

Same.     London.     Lackington,  Allen  &  Co,     1807.     2  v.     Portrait. 

Another  copy  is  on  shelf-number  **G.3753.6.  **T.56.243 

Same.  With  illustrative  notes  by  Henry  Flanders.  Philadelphia. 
Parry  &  McMillan.     1856.     397  pp.  6545.56 

Another  copy  is  on  shelf-number  **K.33.i9. 

Rise  and  progress  of  the  English  stage.  {In  The  British  drama. 
Vol.   9,   pp.   iii-xliv.      London.      1817.)  **G.3965.2.9 

Chiefly    extracted    from    the    Preface    to    Robert    Dodsley's    A    select    collection 
of  old  plays    [**G.3965.i  ;  etc.]. 

Cumberland,  Stuart  Charles  Francis. 

A  thought-leader's  thoughts:  being  the  impressions  and  confessions 
of  Stuart  Cumberland.  London.  Sampson  Low,  Marston,  Searle 
&  Rivington,  Ltd.  1888.  xi.  326,  (i)  pp.  Portrait.  Autograph 
facsimile.  3586.53;  **T.97.35 

Cumberland's  Theatrical  illustrations.     London.     Cumberland.     [1831.] 
Portrait.      (204)    plates.  **T.49.5 

Cummins, . 

Remarks  on  the  theatre,  occasioned  by  the  awful  death  of  Mr. 
Cummins,  which  took  place  at  the  play-house  in  this  town,  the 
2oth  of  June.     Leeds.     1817.  **T.96.io5;  etc. 

Cunningham,  Peter. 

Did  General  Harrison  kill  "Dick  Robinson"  the  player?  (In  Shake- 
speare Society,  London.    Papers.   Vol.  2,  pp.  11-13.    London.    1845.) 

Another  copy  is  on  shelf-number  **G. 39.17. 37. j.  ^4596.1 1.2 

[218] 


BROWN   COLLECTION    OF  BOOKS    ON    THE   STAGE 

Cunningham,  Peter.     (Continued.) 

Plays  at  court,  anno  1613  (from  the  accounts  of  Lord  Harrington, 
Treasurer  of  the  Chamber  to  King  James  I.  {In  Shakespeare 
Society,  London.  Papers.  Vol.  2,  pp.  123-^-126.  London. 
1845.)  *4596.ii.2 

Another  copy  is  on  shelf-number  **G. 3927.37. 2. 

Sir  George  Buc  and  the  office  of  the  Revels.  (In  Shakespeare 
Society,  London.  Papers.  Vol.  4,  pp.  143,  144.  London. 
1849)  *4596.ii.4 

Another  copy  is  on  shelf-number  **G.3927.37.4. 

The  storj^  of  Nell  Gwyn:  and  the  sayings  of  Charles  the  Second. 
London.  Bradbury  &  Evans.  1852.  xi,  212  pp.  Illus.  Por- 
traits.    Plates.     Autograph    facsimiles.  *6548.2 

Same.      With    index    to    the    personages    mentioned.  New     York. 

Wiley.      1883.     vii,    152  pp.      Portrait.  **K.63.i2 

This  edition  lacks  the  illustrations  and  plates. 

Same.     1891.     Portraits.  **T.54.2 

Same.  Edited  with  an  introduction,  additioiial  notes  and  a  life  of 
the  author  by  Henry  B.  Wheatley.  London.  Gibbings.  1892. 
Ixii,    (i),   224  pp.     Illus.      Portraits.  *6540.79 

Same.  Nell  Gwyn.  Together  with  Mrs.  Jameson's  lives  of  the 
Duchesses  of  Portsmouth  and  Cleveland.  London.  The  Grolier 
Society.  [190-?]  Ixxv,  (i),  305  pp.  Portraits.  Plates,  one 
colored.     Facsimile.      [Beaux  &  belles  of  England.]         *2545.25o 

Contains    Notes    on    the   life    of    the    author,    signed    H.    B.    W[heatley]. 

The  Whitefriars  theatre,  the  Salisbury  Court  theatre,  and  the  Duke's 
theatre  in  Dorset  Gardens.  (In  Shakespeare  Society,  London. 
Papers.     Vol.  4,   pp.  89-109.     London.      1849.)  *4596.ii.4 

Another  copy  is  on  shelf-number  **G.3927.37.4. 

Cunningham,  Peter,  editor. 

Extracts  from  the  accounts  of  the  Revels  at  court,  in  the  reigns  of 
Queen  Elizabeth  and  King  James  I.  London.  The  Shakespeare 
Society.     1842.     li,  228  pp.  4596.56 

Other   copies    are    on    shelf-numbers    No.  iin*4596.3-,    **G.3927. 13;    **K.69.6. 

Cupid  and  the  footlights.     Ford,  J.   L.  **T.83.i 

Curiosites   theatrales.      Fournel,    F.    V.  **T.78.46 

Curiosities  of  the  American  stage.     Hutton,   L.  4402.128;  **T.76.83 

Curling,  Henry. 

Recollections  of  the  mess-table  and  the  stage.     London.     Bosworth. 

1855.     viii,    248   pp.  **T.57.40 

Curll,  Edmund. 

The  life  of  that  eminent  comedian  Robert  Wilks.     London:  Printed 

for    E.    Curll.      1733.      iii-viii,    viii,    (6),    53    pp.      Portrait. 

**T.57.i9i 
Curly:  an  actor's  story.     Coleman,  J.  No.  3  in  **M. 129.32 

Curtain,    The;    or    an    impartial    history    of    the    English    stage.      See 

Waldron,    F.    G.,    and    others.      A    compendious    history    of    the 

English  stage. 
Curtain,   The;  or,  English   entr'acte,  adapted   to   the  use  of  the   Royal 

Italian  Operas  and  all  the  principal  theatres.     No.   1-98,   100-149. 

[London.     1847.]     3  v.  **T.22.5 

Nos.    1-/2   were   issued    daily :    the   others,   every   other   day. 

Curti,  Pier  Ambrogio. 

Adelaide  Ristori.  Milano.  Borroni  &  Scotti.  1855.  43  pp.  Por- 
trait. **T.55.88 

[219] 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 


Curtis,  Elnora  Whitman.      ("Marguerite   Blanc") 

The  dramatic  instinct  in  education.  With  a  foreword  by  G.  Stanley 
Hall.  Boston.  Houghton  Mifflin  Co.  [iQH-]  xvii,  (i),  245, 
(i)    pp.  35993.61 

Contents.  —  Introductory.  —  The  theatre-going  of  children.  — ■  Psychological 
aspects  of  dramatic  entertainment.  —  Dramatic  work  in  schools  and  colleges. — 
Constructive  efforts  to  provide  good  drama.  —  Play.  —  Dancing.  —  Story- 
telling. —  Moving  pictures.  —  Marionette  or  puppet  play.  —  Pageantry.  — 
General  summary  and  conclusions. 
Relates    particularly    to    the    United    States.      Bibliography,    pp.    225-237. 

A  timely  art.     Boston.     Privately  printed.     1907.     14  PP-       40093.287 

f)n  ballet  dancing. 

Curtis,  J.  Sydney. 

A  short  reply  to  a  tract  by  the  Rev.  W.  Thomas,  entitled  "The 
theatre."     [Leeds.     188-?]     8  pp.  **T.^^.2o^ 

A  defense  of  the  stage.     There  is  no  title-page. 
Curzon,  Emmanuel  Henri  Parent  de. 

Croquis  d'artistes.  Paris.  Fischbacher.  1898.  xiv,  252  pp.  16 
portraits.  **M.373.2 

Contents.  —  Faure.  —  Lassalle.  —  Maurel.  —  Vergnet.  —  Renaud.  —  Salcza.  — 
pugere.  —  Taskin.  —  Mme  Viardot.  —  Carvalho.  —  Nilsson.  —  Krauss.  —  Rose 
Caron.  —  Galli.  —  Marie.  —  Isaac.  —  Van  Zandt. 

Cushman,  Charlotte  Saunders. 

Charlotte  Cushman:  her  letters  and  memories  of  her  life.  Edited 
by  her  friend,  Emma  Stebbins.  _  Boston.  Houghton,  Osgood  & 
Co.     1878.     viii,  (i).  308  pp.     Portrait.     Autograph  facsimile. 

4345-53;  **T.56.28o 
Cushman,  Charlotte  Saunders.     Works  about. 

Barrett,  L.  Charlotte  Cushman.  A  lecture.  With  an  appendix 
containing  a  letter  from  Joseph  N.  Ireland.  New-York.  1889. 
Portrait.  **T.95.8 

Clement,  C.  E.  Charlotte  Cushman.  Boston.  1882.  Portraits. 
Plate.  4348.128;  **T.57.io7;  etc. 

Price,  W.  T.  A  life  of  Charlotte  Cushman.  New  York.  [1894.] 
Portrait.  **T.59.39 

Walker,  Mrs.  Dr.  .  Reminiscences  of  the  life  of  the  world- 
renowned  Charlotte  Cushman,  compiled  from  various  records,  by 
Mrs.  Dr.  Walker,  her  chosen  medium.     Boston.     1876.     Portraits. 

**T.97.24i ;  etc. 
WiGGiN.  T.  H.     A  house  and  a  name.     {In  Bostonian,  The.     Vol.   i, 
pp.  87-97.     Portrait.     Plate.     Boston.     1894.)  *530i.54.i 

Cutspear,  W.,  pseud. 

Dramatic  rights:  or,  private  theatricals,  and  pic-nic  suppers,  justified 
by  fair  argument.  With  a  few  whip-syllabubs  for  the  editors  of 
newspapers.  London:  Printed  by  T.  Burton.  1802.  iv,  (2),  60, 
(i)  pp.  **T.77.i90 

Relates  to  private  theatres  in  London.  Another  copy  is  on  shelf-number 
No.  10  in  **G.3823.i8. 

Cutter,  Abram  Edmands,  compiler. 

William  Sommers  and  Archibald  Armstrong,  jesters  to  Henry  the 
Eighth  and  Charles  First,  Kings  of  England.  Boston.  1887.  (10) 
pp.     Portraits.  **T.i3.9 

Cuyler,  Theodore  Ledyard. 

Sermon  on  Christian  recreation  and  unchristian  amusement.  De- 
livered at  Cooper  Institute.  New-York.  Oct.  24.  New- York. 
Barker.     1858.     3-20  pp.  **T.97.i07 

Cycloramas.     Sec  Panoramas. 

[220] 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 

Cynick,  The.  [Weekly.]  By  Growler  Gruff,  Esquire.  Aided  by  a 
confederacy  of  lettered  dogs.  Vol.  i  (no.  i,  2,  4-12).  Sept.  21, 
28.  Oct.  12- Dec.  12,  1811.  Philadelohia.  1812.  (i),  iv,  1-36, 
55-210  pp.  **T.28.20 

Contains  theatrical  criticisms.     No  more  was  published. 

Czartoryski,  Konstantin,  Prince. 

Unseres    Burgtheaters    Gliick    und    Ende.      Ein    memento    mori    bei 

Gelegenheit  des  100  jahrigen  Juhiliiums  des  Burgtheaters.     Vor- 

trag   gehalten   im   Vereine   der    Literaturfreunde   am   24.    Fcl)ruar 

1876.    Wien.     Meyer.     1876.     16  pp.  **T.76.i6i 

Czerwinski,  Albert. 

Geschichte  der  Tanzkunst  bei  den  cultivirten  Volkern  von  den  erstcn 
Anfangen  bis  auf  die  gegenwartige  Zeit.  Leipzig.  Weber.  1862. 
viii,  264  pp.     IIIus.     Music.  4001.22;  **T.g8.82 


D 

D..  E.  A. 

Memories  of  Daly's  theatres.  With  passing  recollections  of  others 
including  a  record  of  plays  and  actors  at  the  Fifth  Avenue 
Theatre  and  Dalj'-'s  Theatre.  1869-95.  [New  York.]  Privately 
printed.  1897.  143  pp.  Illus.  Portraits.  Facsimiles.  **T.76.i95 
Preceded  by  a  poem  addressed  to  Ada  Rehan,  by  Justin  Huntley  McCarthy, 
and  followed  by  a  notice  of  Augustin   Daly,  by  John  Talbot  Smith. 

D.,  H.  N. 

Fifty  years  of  a  play-goer's  journal;  or,  annals  of  the  New  York 
stage,  from  A.D.  1798  to  A.D.  1848.  With  biographical  sketches 
of  the  principal  performers.  New  York.  French,  [i860.]  288 
pp.  .  **T.77.i82 

Incomplete. 

D.,  J.  M. 

Memoir  of  the  late  Miss  Rose  Telbin.  [New  York.  185-?]  v  pp. 
Portrait.     Autograph  facsimile.  No.  i  in  62595.501 ;  **T.98.i  14 

D.,  T.  C,  pseud.    See  Croker,  John  Wilson. 
D.,  W.  C. 

The  lament;  or,  the  fall  of  Drury  Lane.  A  poetical  satire.  London. 
Strange.     1840.     16  pp.  **T.98.5 

D  *  *  *,  pseud.,  editor. 

Indicateur,  L',  general  des  spectacles  de  Paris,  des  departemens  de 
la  France  et  des  principales  villes  etrangeres.  Par  A***  et  D***. 
Annee  3.     Paris.     1821/22.  **T.28.i 

j5***^  (3***  ^***     ggg  Devineau  de  Rouvray, -C.  A. 

D  *  *  *  *,  ancien  comedian,  psciid.     See   Hannetaire,   Jean   Nicolas   Ser- 

vandoni,  called  Hannetaire. 
Dacier,  fimile. 

Une  danseuse  de  I'Opera  sous  Louis  XV:  M"^'  Salle  (1707-1756). 
D'apres  des  documents  inedits.  Paris.  Plon-Nourrit  &  c'^.  1909. 
(4),  iv,  347,   (3)  pp.     Portrait.  **T.57.3io 

Le  musee  de  la  Comedie-frangaise,  1680-1905.  Preface  par  Jules 
Claretie.  Paris.  Librairie  de  I'art  ancien  et  nioderne.  1905.  xii, 
202,    (2)   pp.     Illus.     Portraits.     Plates.  *467i-34 

Daggerwood,  Sylvester,  pseud. 

Memoirs  of  Sylvester  Daggerwood,  comedian,  &c.  deceased:  includ- 
ing many  years  of  provincial  vicissitudes.  With  genuine  anec- 
dotes.    Added,  his  last  will  and  testament.     Collected  from  the 

[221] 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 

Daggerwood,  Sylvester,  pseud.     (Continued.) 

deceased  author's   M.S.   with    notes,   critical   and   explanatory,   by 
Peter  Pangloss   [pseud.].     London.     Allen.     1807.     2  v.  in    i. 

**T.87.34 
Daguerre,  Louis  Jacques  Mande. 

Notice  explicative  des  tableaux  exposes  au  Diorama.  [Anon.  Paris. 
Chantpie.      1822?]      22  pp.  4079a.2i3 

Dakin,  Henry  J. 

The  stage  in  the  drawing  room;  or,  the  theatre  at  home.  Practical 
hints  on  amateur  acting.  London.  [1882.]  98  pp.  Illus. 
Diagrams.  6003.52 

Dalamazzo,  D.  E.  M. 

The   life   of  Adelina   Patti.      |Anon.      London.      1877.]      48  pp.      Por- 
trait. No.  I  in  **M. 139.19 
Dalberg,  Wolfgang  Heribert,  Frcihcrr  von. 

KoFFKA,    W.      Iffland    und    Dalberg.       Geschichte    der    classischen 

Theaterzeit  Mannheims.     Leipzig.     1865.  4889a.7 

Martersteig,  M.     Die  Protokolle  des  Mannheimer  Nationaltheaters 

unter  Dalberg  aus  den  Jahren   1781   bis   1789.     Mannheim.     1890. 

**T.76,i88 
Dale,  Alan.  p';cud.    See  Cohen,  Alfred  J. 

Dalles  et  planches.     K ,   E **T.86.i 

Dalseme,  Achille  J. 

Le  cirque  a  pied  et  a  cheval.  Paris.  Librairie  illustree.  [1888.] 
(3),  302  pp.  **T.97.227 

Daly,  Augustin.    See  Daly,  John  Augustin. 
Daly,  Brian,  editor. 

Chevalier,  A.     Albert  Chevalier.     A  record.     Biographical  and  other 
chapters  by  Brian  Daly.     London.     1895.     Portraits.        **T,55.258 
Daly,   Cesar,  and  Gabriel  Jean  Antoine  Davioud. 

Architecture  contemporaine.  Les  theatres  de  la  Place  du  Chatelet. 
Theatre  du  Chatelet.  Theatre-lyrique.  Paris.  Ducher.  [1874.] 
(5),  42,   (2)   pp.     64  plates.     [Bibliotheque  de  I'architecte.] 

*Cab.6o.74.2 
Daly,  Charles  Patrick. 

A  consideration  of  the  objections  to  the  stage  from  the  earliest 
period  and  the  conclusion  it  warrants.  The  concluding  part  of 
the  Dunlap  Society's  publication  entitled  When  was  the  drama 
first  introduced  in  America?  New  York.  Privately  printed.  1896. 
27,   (i)   pp.  **T.76.8 

Reprinted  from  his  First  theater  in  America. 

Letter  to  James  Henry  Hackett.  Fel)ruary  24,  1863.  [Copy.] 
Manuscript.     (2),  22  pp.  **G.3930.8 

A  criticism  on  Hackett's   Notes  and  comments  upon   certain  plays  and   actors  of 
Shakespeare. 

When  was  the  drama  introduced  in  America?  An  historical  inquiry, 
anterior  to  Dunlap's  History  of  the  American  theatre.  Read 
before  the  New  York  Historical  Society,  November  3d,  1863.  New 
York.     Bryant  &  Co.     1864.     12  pp.  **T.7S.72 

Other  copies  are  on   shelf-numbers   No.  i  in  *4393.57;    No.  8  in  **G.3822.2. 

Same.  First  theater  in  America.  When  was  the  drama  first  intro- 
duced in  America.  An  inquiry.  [With  a  Supplement.]  Including 
a  consideration  of  the  obiections  that  have  been  made  to  the 
stage.  New- York.  1896.  (9),  115  pp.  Portrait.  Facsimile. 
[Dunlap  Society.     Publications.     New  series.     No.   i.]     **T.95.i4 

[222] 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 

Daly,  Frederic,  pseud.     See  Austin,  Louis  Frederic. 
Daly,  John  Augustin. 

Catalogue  of  a  valuable  and  interesting  collection  of  books  fon  the 

drama]  formed  by  a  prominent  American  playwright.    The  whole 

will  be  sold  by  auction  October   14th  by  Geo.  A.  Leavitt  &  Co. 

New  York.     [1878.]     viii,  201  pp.  **T.65.5 

Catalogue  of  the  valuable  literary  and  art  property  gathered  by  the 

late  Augustin  Daly  to  be  disposed  of  at  public  sale  March   19th. 

American    Art    Association,    managers.      Part    2.      Books.      New 

York.     1900.     (10),   381    pp.  **T.64.2 

Compiled  by  J.  O.  Wright. 
Same,     v-xii,  23,  381,  75  pp.  *6i42.56 

Woffington.    A  tribute  to  the  actress  and  the  woman.     [Philadelphia.] 

Printed   for  the   Author.      1888.      (5),    182  pp.     Portraits.      Plate. 

Autograph  facsimile.  **T.Cab.i.2o 

Another  copy  is  on  shelf-number  *P.  11.9797. 

Daly,  John  Augustin.     Works  about. 

D.,  E.  A.  Memories  of  Daly's  theatres.  With  passing  recollections 
of  others,  including  a  record  of  plays  and  actors  at  the  Filth 
Avenue  Theatre  and  Daly's  Theatre.  1869-95.  [New  York.] 
1897.     Illus.     Portraits.  **T.76.ig5 

Daly,  T-  F.  The  life  of  Augustin  Daly.  New  York.  1917.  Por- 
traits.    Plate.  6257.146 

Portfolio,  A,  of  players  [belonging  to  Augustin  Daly's  company]. 
With  a  packet  of  notes  thereon  by  H.  C.  Bunner,  E.  A.  Dithmar, 
Laurence  Hutton,  Brander  Matthews  and  William  Winter.  New 
York.     1888.     Portraits.     Plates.  **T.52.i2 

Smith,  G.  D.  A  catalogue  of  rare  books,  original  drawings,  extra 
illustrated  works  and  other  interesting  literary  material  chiefly 
from  the  library  of  the  late  Augustin  Daly.     New  York.     1900. 

**T.64.3 

Smith,  J.  T.  Augustin  Daly.  {In  D.,  E.  A.  Memories  of  Daly's 
theatres.  Pp.  135-143.  Portrait.  [New  York.]  1897.)  **T,76.i95 
Daly,  Joseph  Francis. 

The  life  of  Augustin  Daly.  New  York.  The  Macmillan  Co.  1917. 
xi,  672  pp.     Portraits.     Plate.  6257.146 

Relates  mostly  to  the  American  theatre  and  includes  an  account  of  the  visit  of 
Mr.  Daly's  company  to  Europe. 

Daly,  Richard. 

Answer,  An,  to  the  Memoirs  of  Mrs.  Billington.  With  the  life  and 
adventures  of  Richard  Daly,  Esq.,  and  an  account  of  the  present 
state  of  the  Irish  theatre.     London.     1792.  **T.56.338;  etc. 

Damian,  Cosme,  pseud.    See  Forner,  Juan  Pablo. 

Damiens,  Lucien  Elie  Lelion-.     See  Lelion-Damiens,  Lucien  Elie. 

"Damned"  tragedies.    [London.    1842.]     Pp.  93-102.    No.  29  in  **G.3822.3 

Relates  to   two  unsuccessful  plays  at   the   London  theatres.      Cut  from   Eraser's 
?\Iagazine,   July    1842    [Per.  Room  *3  187. 1. 1842]. 

Dana,  Richard  Henry. 

Kean's  acting.  {In  his  Poems  and  prose  writings.  Pp.  420-437. 
Philadelphia.     1833.)  *A.2i27.3 

Dancers,    See  Ballet. 
Dancing. 

See  also  Ballet. 

Baron,  A.  A.  F.  Lettres  et  entretiens  sur  la  danse  ancienne,  moderne, 
religieuse,  civile,   et  theatrale.     Paris.     1824.  **T.96.329 

[223] 


THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 

Dancing.     (Continued.) 

Beckek,  M.  L.  Der  Tanz.  Leipzig.  [1901.]  Illus.  Plates.  Por- 
traits.    Music.  4045.184 

Berchoux,  J.  DE.  La  danse  ou  les  dieux  de  I'opera.  Poeme.  Paris. 
x8o6.     Plate.  •  **M. 128.50;  etc. 

Blasis,  C.  The  art  of  dancing.  Comprising  its  theory  and  practice 
and  a  history  of  its  rise  and  progress.  London.  1831.  Plates. 
Music.  **T.96.i95 

Same.     Manuel  complet  de  la  danse,  comprenant  la  theorie,  la 

pratique  et  I'histoire  de  cet  art.     Paris.     1830.     Plates.        4001.25 

Same.     [Part  2,  3.]     The  theory  of  theatrical  dancing.     With  a 

chapter  on  pantomime.     London.      1888.     Plates.  **T.95.49 

Brieux    Saint-Laurent,   ,    J'dcointc   de.      Quelques    mots    sur    les 

danses  modernes.    Paris.     1868.  **T,95.i47 

DoRAT,  C.  J.     La  declamation  theatrale,  poeme  didactique  en  quatre 

chants,  precede  et  suivi  de  quelques  morceaux  de  prose.     A  Paris. 

1771.     Plates.  **T.77.i44;etc. 

DuFORT,  G.     Trattato  del  ballo  nobile.     In  Napoli.     1728.     Diagrams. 

**T.98.7a 
Fuller,   L.     Fifteen  years   of  a   dancer's   life.     With   some  account 

of  her  distinguished  friends.     Boston.      1913.     Portraits.     Plates. 

40493,363 
MoREAU  DE  Saint-Mery,  M.  L.  E.     De  la  danse.     Parme.     1801. 

**T.99.45 ;  etc. 
Pure,  M.  de.     Idee  des  spectacles  anciens  et  novveavx.     Paris.     1668. 

**G.3537.4 
RiTORNi,  C.     Commentarii  della  vita  e  delle  opere  coredrammatiche 

di   Salvatore   Vigano,   e   della   coregrafia   e   de'    corepei.      Milano. 

1838.     Portrait.     Plate.  **T.96.370 

Smith,  H.     Festivals,  games,  and  amusements.    Ancient  and  modern. 

London.     1831.     Plates.     Map.  **T.98.8o 

Dancing.     Dictionaries. 

Desrat,  G.     Dictionnaire  de  la  danse,  historique,  theorique,  jM^atique 

et  bibliographique,  depuis  I'origine  de  la  danse  jusqu'a  nos  jours. 

Paris.     1895.  **T,97,284 

Dancing.     History. 

Antiquary,  An,  pseud.     The  dance.     Historic  illustrations  of  dancing 

from  3300  B.C.   to   191 1   A.D.     London.      1911.     Illus.     Portraits. 

4043.87 
Bonnet,  J.     Histoire  generale  de  la  danse,  sacree  et  prophane;   ses 

progres   &  ses  revolutions,   depuis   son   origine  jusqu'   a  present. 

A  Paris.     1724.  **T.98.i22 

Cahusac,  L.  de.     La  danse  ancienne  ct  modcrne  ou  traite  historique 

de  la  danse.     A  la  Haye.     1754.     3  v.  **T.99.i6 

Czerwinski,    A.      Geschichte    der    Tanzkunst    bei    den    cultivirtcn 

Volkern  von  den  ersten  Anfiingen  bis  auf  die  gegenwartige  Zcit. 

Leipzig.     1862.     Illus.     Music.  4001.22;  **T.98.82 

Fertiault,  F.     Histoire  anecdotique  ct  piltoresque  de  la  danse  chez 

les  peuples  anciens  et  modernes.     Paris.    -1854.  **T.98.i2g 

Flitch,  J.  E.  C.     Modern  dancing  and  dancers.     Philadelpliia.     1912. 

Portraits.     Plates,  some  colored.  *404oa.i36 

L'Aulnaye,  F.  H.  S.  de.     De  la  saltation  theatrale,  ou  rechcrclies  sur 

I'origine,    les    progres,    &    les    effets    de    la    pantomime    cliez    les 

anciens.    A  Paris.     1790.     Plates,  mostly  colored.  **T.96.263 

[224] 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 

Dancing.    History.     (Continued.) 

SoRiA,  H.  DE.     Histoire  pittoresque  de  la  danse.     Paris.     1897.     Illus. 

Plates.     Music.  40403.157;  **T.93.i6 

Urlin,    E.    L.      Dancing,    ancient   and    modern.      New    York.      1912. 

Portraits.      Plates.  40493.357 

VoiART,  A.  £.  P.    Essai  sur  la  danse  antique  et  moderne.    Paris.     1823. 

♦♦T.gg^s 
D3nforth,  Charles  B. 

Dramatic    reviews    [from    the    Boston    Daily   Herald].      1871-78. 

**T.i5.4 
D3nger,   The,   of  masquerades   and    raree-shows.      R.,    C,    of   C.    C.    C. 
Oxford.  **T.97.343 

Dsniel,  George. 

Catalogue  of  [his]  library.  With  his  collection  of  original  drawings 
and  engraved  portraits  of  actors,  water-colour  drawings.  Which 
will  be  sold  by  auction,  by  Sotheby,  Wilkinson  &  Hodge,  the 
20th  of  July.     [London.]      1864.     v,  222  pp.  **T.65.3 

Other  copies  are  on  shelf-numbers  *6i3i.i9;   **G.395o.22. 

Garrick  in  the  green  room!  A  biographical  and  critical  analysis  of  a 
picture,  painted  by  William  Hogarth.  London.  Southgate.  1829. 
33.  (i)  pp.     Plate.  No.  15  in  **G.3823.i5 

Merrie  England  in  the  olden  time.  [With  illustrations  by  John 
Leech  and  Robert  Cruikshank.]  London.  Bentley.  1842.  2  v. 
Illus.     Portraits.  2529.30;  **G.3934.8 

Same.     A  new  edition.     Warne  &  Co.     1873.     viii,  422  pp.       2529.16 

Merrie  England  in  the  olden  time.  Her  gambols,  songs,  and  flashes 
of  merriment,  with  the  humours  of  her  ancient  court  fools.  Will 
Summers,  Dick  Tarlton,  and  Archibald  Armstrong.  By  Mr.  Ingle- 
berry  Griskin   [pseud.     London.     1839].     98-108  pp. 

No.  10  in  **G.3822.i 

Cut  from  Bentley's  Miscellany,  1839   [Periodical  Room  *S288.i.s].    An  incomplete 
edition  of  the  preceding. 

D3nse,  La,  au  theatre.     Bernay,   B.  J.  4008.110;  **T.97.4 

Danse,  La,  ou  les  dieux  de  I'opera.     Berchoux,  J.  de.  **M.I28.5o;  etc. 

D'Anvers,  Caleb,  pseud.    See  Amhurst,  Nicholas. 

Darboy,  Georges,  Archevequc  de  Paris. 

Great  siege,  The,  of  Paris:  1870-71.     [By  Philippoteaux.]     Also,  the 

assassination  of  the  Archbishop  of  Paris   [Darboy]   at  the  hands 

of  the  Commune  of  1871.      [By  Desbrosses.     Description  of  the 

pictures.     Boston.     187-?]  26393.33 

Dsrbyshire,  Alfred. 

Theatre  exits.     With  a  description  and  plan  of  Sir  Henry  Irving's 

"safety  theatre."      London.      1898.      14   pp.      Plan.      [British    Fire 

Prevention  Committee.]  *40i9.i43 

D'Arcy  of  the  guards.     Shtpman,  L.  E.    The  true  adventures  of  a  play. 

New    York.      1914.      Portraits.      Colored    plates.  4409b.23i 

Dard,  Le.     Robert,   C.  No.  12  in  **G.3562.i;  etc. 

Darley,  Felix  Octavius  Carr,  illustrator. 

Field,  J.  M.     The  drama  in  Pokerville,  The  bench  and  bar  of  Jury- 
Town,  and  other  stories.     Philadelphia.     1847.  **T.87.84;  etc. 
Smith,  S.  F.     The  theatrical  apprenticeship  and  anecdotical  recol- 
lections of  Sol.  Smith.     Philadelphia.     1846.  **T.58.3o;  etc. 
Dsrthenay,  V. 

Les  acteurs  et  les  actrices  de  Paris.  Biographic  complete.  Paris. 
1853.     108!  pp.  **T.57.409 

[225] 
15 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 


Darzens,  Rodolphe. 

Lc  Theatre  libra  illustre.     Dessins  de  Lucien   Metivet.     Preface  de 

Jean  Aicard.     Paris.     Dentu.     1890.  2  v.  in   i.     Illus.     Portraits. 

Manuscript  facsimiles.  **T.74.i4 

Accounts   of  the   plays  produced    at   the   Theatre  libre. 

Daudet,  Alphonse. 

Entre  les  frises  et  la  ranipe.  Petites  etudes  de  la  vie  theatrale.  Illus- 
trations de  Marold  et  Picard.  Paris.  Dentu.  1894.  (9),  216,  (i) 
pp.  26793.118;  **T.8o.5 

Contents.  —  Le  comedien  travaille.  —  Le  reve  de  Mme.  d'fipinay.  —  Tournees 
de  province.  —  Deuil  de  comedic.  —  Mise  en  scene  ct  repetitions.  —  L'ivresse 
a  la  scene.  —  Soixante  ans  de  theatre.  —  Conseils  de  Diderot  a  una  comedienne. 
—  Fanny  Kemble. 

Daughters  of  Babylon. 

B.\RRETT.  W.  Souvenir  of  the  Daughters  of  Babylon.  [London. 
1897?]     Illus.     Portraits.     Plates.  6560.127 

Daughters  of  Thespis.     Cook,  C.   H.  **T.87.2 

D'Auvergne,  Edmund  B.     See  Auvergne,  Edmund  B.  d'. 

Davenant,  Sir  William. 

State,  The,  of  the  case,  between  the  Lord  Chamberlain  of  His 
Majesty's  houshold,  and  Sir  Richard  Steele,  as  representd  by 
that  knight.  Restated,  in  vindication  of  King  George,  and  the 
most  noble  the  Duke  of  Newcastle  With  a  true  copj^  of  King 
Charles's  patent,  to  Sir  William  Davenant,  for  erecting  a  play- 
house, &c.     London.     1720.     (4),  35  pp.  **T.97.34i ;  etc. 

Davenport,  Allen  Brown. 

Miscellaneous  pamphlet  series.  No.  1-3.  Boston.  1907,  08.  i  v. 
Chart.  **T.77.26 

Contents.  —  I.  The  theatrical  independent  movements.     2.  The  organized  theatre. 
3.  The  leadership  of  Shakespeare. 
Refers  to  the  United  States. 

Stage  affairs  in  America  today.  No.  1-15.  Jan.  15 -Apr.  23,  1907. 
Boston.     1907.     I  V.  **T.77.ii7 

"A  series  of  fifteen  pamphlets  issued  weekly." 
Davenport,  Edward  Loomis. 

Edgett,   E.    F.      Edward    Loomis    Davenport.     A   biography.      New- 
York.     1901.     Portraits.  **T.95.25 
Davenport,  Ira  Erastus,  and  William  Henry  Davenport. 

Nichols,  T.  L.  A  biography  of  the  Brothers  Davenport.  With  some 
account  of  the  physical  and  psychical  phenomena  which  have  oc- 
curred in  their  presence,  in  America  and  Europe.     London.     1864. 

**T.57.5i 
David,  Ernest,  translator. 

Marcello,  B.     Le  theatre  a  la  mode  au  xviiie  siecle.     (II  teatro  alia 

moda.)     Traduction  precedee  d'une  etude  sur  Marcello  par  Ernest 

David.     Paris.     1890.  No.  5  in  **M. 139.22 

David  Garrick.     Robertson,  T.   W.  **T.87.76;  etc. 

Davidge,  William  Pleater. 

The  drama  defended.  Addressed,  with  respect,  to  the  public  generally, 

and   with   commiseration,    to   Messrs.   the    Rev.   Strickland,   T.   L. 

Cuyler,  etc.    [Letters.]    New  York.    French.    1859.   22  pp.   6259b. 151 

Footlight  flashes.  New-York.  The  American  News  Co.  1866.  .xii.274i)p. 

Reminiscences,  etc.  4343. 231  ;  **T.57.245 

Davidson,  Charles. 

Studies  in  the  English  mystery  plays.  A  thesis,  Yale  College,  1892. 
[New  Haven.     1892.]      173  PP-  4552-42 

Bibliography,  pp.   3-5. 


[226] 


BROWN   COLLECTION   OF   BOOKS    ON    THE   STAGE 

Davies,  Thomas. 

Memoirs  of  the  life  of  David  Garrick.  With  characters  and  anec- 
dotes of  his  theatrical  contemporaries.  London:  Printed  for  the 
Author,  and  sold  at  his  shop.     1780.     2  v.     Portrait.        **T.57.52 

Another  copy  is  on  slielf-nuniber  **K.  197. lo. 

Same,     Longman,   Hurst,   Rees,  and   Orme.     1808.  **G.3765.8 

Same.    From  the  last  London  edition.     Boston.    Wells  &  Lilly.     1S18. 

6547.77 

This   edition    lacks    the    portrait.      Other    copies   are   on    shelf-numbers    **K.35  9; 
**K.35.2-. 

Davies,  Thomas,  editor. 

DowNES,  J.  Roscius  Anglicanus,  or,  an  historical  review  of  the  stage 
from  1660,  to  1706.  [Anon.]  With  additions,  bj--  Thomas  Davies. 
London.     1789.  **T.77.2;  etc. 

Davillier,  Charles,  Baron.     See  Davillier,  Jean   Charles,  Baron. 
Davillier,  Jean  Charles,  Baron,  editor. 

Laguerre,  M.  J.    Une  vente  d'actrice  sous  Louis  xvi.     M"e  Laguerre, 
de  rOpera;  son  inventaire,  meubles  precieux.     Paris.     1870.     Por- 
trait. **T.96.i43 
Davioud,  Gabriel  Jean  Antoine. 

Architecture  contemporaine.     Les  theatres  de  la  Place  du  Chatelet. 

I'heatre  du  Chatelet.    Theatre-lyrique.     Par  Cesar  Daly  et  Gabriel 

Davioud.     Paris.     Ducher.      [1874.]      (5),  42.    (2)    pp.     64  plates. 

[Bibliotheque  de  I'architecte.]  *Cab. 60.74.2 

Davis,  J. 

The  attitude  of  society  to  the  stage,  past  and  present.  A  paper  read 
before  the  monthly  meeting  of  the  Church  and  Stage  Guild.  Oct. 
7.  1879.     London.     Masters  &  Co.     1879.     16  pp.  **T.77.ig5 

Davis,  Lilian  E. 

A  selected  list  of  plays  for  amateurs  and  students  of  dramatic  ex- 
pression in  schools  and  colleges.  Compiled  by  Elizabeth  A.  Mc- 
Fadden  and  Lilian  E.  Davis.  With  an  introduction  by  Ludella 
L.   Peck.     Cincinnati.     McFadden.     1908.     96  pp.  *2i75.6i 

Davis,  Michael  Marks,  Jr. 

The  exploitation  of  pleasure.  A  study  of  commercial  recreations  in 
New  York  City.  New  York  City.  191 1.  61  pp.  [Russell  Sage 
Foundation.     Department   of   Child   Hygiene.]  5577-229 

Davis,  Richard  J.,  editor. 

Drama  League  of  America,  Boston.  A  selective  list  of  plays  for 
amateurs.     Boston.     1915.  *2i75.64 

Dawe,  M. 

Miscellanies,  in  prose  and  verse,  on  various  occasions,  by  the  author 
of  several  anonymous,  well-received  pieces.    Added,  some  private 

memoirs    of    Mrs.    W n    and    Miss    R ns,    of    Drury-Lane 

Theatre.     [Anon.]     London:  Printed  for  the  Author,  and  sold  by 
G.  Kearsly.     1776.  **T.97.23i 

Dawson,  Nancy. 

Stevens,  G.  A.  The  dramatic  history  of  Master  Edward,  Miss  Ann; 
and  others,  the  extraordinaries  of  these  times.  London.  1786. 
Plates.  **G.3977.i7 

Day,  Charles  H. 

Fun  in  black:  or,  sketches  of  minstrel  life.  With  The  origin  of 
minstrelsy,  by  T.  Allston  Brown,  giving  a  history  of  Ethiopian 
minstrelsy  from  1799.     New  York.     De  Witt.     1874.    70  pp.    IHus 

**T.97.32i 

[227] 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 


Day,  W.  C. 

Behind  the  footlights;  or,  the  stage  as  I  knew  it.  Illustrated  by  G.  B. 
Le  Fanu.    London.   Warne  &  Co.    1885.    (6),  ii,  (2),  191  pp.    Plates. 

Stories  of  stage  life  founded  upon  actual  occui  rnu-ts.  **T.97.285 

Dazincourt,  Joseph  Jean  Baptiste  Albouy. 

Notice  historique  sur  Preville.  Lue  au  Lycee,  le  19  nivose,  an  8 
(Janvier  1800).  A  Paris,  de  I'imprimcrie  de  Ballard.  An  VIII. 
[1800.]     27  pp.  **T.56.i2 

Dazincourt,  Joseph  Jean  Baptiste  Albouy.     IVorks  about. 

C.\n.MssE,  H.  A.  Memoires  de  Joseph-Jean-Baptiste-Albouy-Dazin- 
court.      Paris.      1809.      Portrait.  **T.57.44;  etc. 

Memoires    de    Preville,   et   de    Dazincourt,    revus,    corriges,    et 

augmentes  d'une  notice   sur  ces  deux   comediens,  par   M.   Ourry. 
Paris.     1823.  **T.56.6;  etc. 

De  I'art  du  theatre  en  general,  ou  il  est  parle  des  differens  genres  de 
spectacles  et  de  la  musique  adaptee  au  theatre.  A  Paris,  chez 
Caillcau.     1769.     2  v.     Plates.  **T.48.i7 

De  I'influence  du  theatre  sur  la  classe  ouvriere.     Thierry,  £.     **T.77.i69 

De   rorganisation   des   artistes   dramatiques.      Fanfernot,    E.,   and   

Saint- Vital.  **T.95.62 

De    rorganisation    des    spectacles    de    Paris,    ou    essai    sur    leur    forme 

actuelle.     [Anon.]      See  Framery,  Nicolas  fitienne. 
De  la  liberte  des  theatres.     Metral,  A.  M.  T.  **T.76.io6;  etc. 

De  la  saltation  theatrale.     L'Aulnaye,  F.  H.  S.  de.  **T.96.263 

De  theatro  Attico.     Hoepken,  J.  W.   B.  4097.31 

Debacq,  A.,  editor. 

Album   des  theatres,  par  Guyot  et  A.   Debacq.     Tome   i.     Annee   i. 

Paris.      1837.     Plates.  **T.24.8 

Debrie,   Edme   Villequin,   called    De    Brie.      See   Brie,    Edme   Villequin, 

called  De  Brie. 
Deburau,  Jean  Baptiste  Gaspard. 

Janin,  J.  G.     Deburau.     Histoire  du  theatre  a  c|uatre  sous,  pour  faire 
suite  a  I'histoire  du  theatre-frangais.      [Anon.]      Bruxelles.      1832. 

**T.59.22 
Debut,  Un,  a  I'Opera.     Fevdeau,  E.  A.  **M. 137.8;  etc. 

Decastro,  James. 

Humphreys,  R.  The  memoirs  of  J.  Decastro,  comedian;  anecdotes, 
an  analysis  of  the  life  of  the  late  Philip  Astley,  history  of  the 
Royal  Circus,  now  the  Surrey  Theatre.     London.     1824.     Portrait. 

**T.57.295 
Dechmann,  George. 

Histricjns  and  the  histrionic  art.     London.     City  of  London  Publish- 
ing Co.     [1880?]     87  pp.  **T.77.i54 
Declamation  theatrale,  La.     fAnon.]      See  Dorat,  Claude  Joseph. 
Decombe,  Ferdinand  Albert. 

|Tlie  fairy  slipper.]  Programme  of  the  story,  scenery,  and  dances, 
in  the  new  grand  ballet,  in  three  acts,  called  The  fairy  slipper. 
Founded  on  CendrillonI  The  music  composed  by  Monsieur  Sor. 
Translated  and  adapted  to  the  English  stage  by  Alfred  lUinii. 
London.     Miller.      [1834.]      16  pp.  **T.36.67 

Decors,  Lcs,  les  costumes  et  la  mise  en  scene  au  xvii^  siecle.  Leclerc, 
L.  6257.37;  **T.77. 153 

Decremps,  Henri. 

Les  pctitcs  aveniures  de  Jerome  Sharp,  profcs.scur  de  physic|ue 
anmsante;   ouvrage  contenant  autant   de   tours   ingenieux  que  dc 


[228] 


BROWN   COLLECTION   OF   BOOKS    ON    THE   STAGE 

Decremps,  Henri.     (Continued.) 

legons  utiles,  par  I'auteur  de  La  magic  blanche.  A  liruxclles,  chez 
la  veuve  Dujardin.  1789.  386  pp.  Illus.  Plate.  Diagrams. 
Music.  **T.97.28 

Deesse,  La:  an  Elssler-atic  romance.     Coffin,  R.   F.         **T.97.238;  etc. 

Defence,  A,  of  dramatick  poetry:  being  a  review  of  Mr.  Collier's  View 
of  the  immorality  and  profaneness  of  the  stage.  London:  Printed 
for  Eliz.  Whitlock.     1698.     (4),  118  pp.  **T.77.43 

Defence,  A,  of  Edmund  Kean.  Being  a  reply  to  Mr.  Buck's  [sic]  pre- 
face, and  remarks  on  his  tragedy  of  the  "Italians."  London. 
Lowndes.      [1819.]     42  pp.  **T.96.i8 

Another  copy  is  on  shelf-number  No.  8  in  **C3S24.i3.  A  reply  tn  the  Defence 
of  Edmund  Kean  by  a  friend  to  justice  may  be  found  on  shclf-niimber  •*T.96. 19. 

Same.    2d  edition.    46  pp.  No.  9  in  **G.3824.i3 

Defence,  A,  of  plays.     Kilmer,  E.  **T.77.46;  etc. 

Defence,  A,  of  the  drama,  containing  Mansel's  Free  thoughts,  extracts 
from  the  most  celebrated  writers,  and  a  discourse  on  the  lawful- 
ness &  unlawfulness  of  plays,  by  Father  Caffaro.  New-York. 
Champley.     1826.     (3),  294  pp.  **T.78.6 

Another  copy  is  on  shelf-number  **K.37.i2. 

De  Fontaine,  Felix  Gregory,  editor. 

Birds  of  a  feather  flock  together;  or,' talks  with  Sothern.  New  York. 
Carleton  &  Co.     1878.    250  pp.     Portraits.  45493.192;  **T.57.428 

Dejazet,  Pauline  Virginie. 

Duval,  G.     Virginie  Dejazet,   1797-1875.     Paris.     1876.     Portrait. 

**T.57.36i 

Faure,  a.     Dejazet.     Paris.     1859.     Portrait.  No.  i  in  **M.i47.i6 

Jacquot,  C.  J.  B.     Dejazet.     Paris.     1854.     Portrait.  **T.98.i34 

Lecomte,  L.  H.     Une  comedienne  au  xix^  siecle.     Virginie  Dejazet. 

fitude    biographique    et    critique    d'apres    des    documents    inedits. 

Paris.     1892.  **T.55.i 

Same.     Virginie  Dejazet  d'apres  ses  papiers  et  sa  correspon- 

dance.  Vie  de  I'artiste.  —  Dejazet  et  ses  contemporains.  —  Dejazet 
amoureuse.     Paris.     [1902.]      Portraits.  **T.57.282;  etc. 

Virginie    Dejazet.     £tude    biographique.      Paris.      1866. 

**T.98.i3 
PiERRON,    E.    A.      Virginie    Dejazet.      Paris.      1856.      Portrait. 

**T.57.4i3 
Dejazet,  Virginie.    See  Dejazet,  Pauline  Virginie. 
Dekker,  Thomas. 

Dramaticus,    pseud.     The   players    who   acted    in   "The    shoemakers' 

holiday,"  1600,  a  comedy  by  Thomas  Dekker  and  Robert  Wilson. 

(In  Shakespeare  Society,   London.     Papers.     Vol.  4,  pp.   1 10-122. 

London.     1849.)  *4596.ii.4;  etc. 

Del  teatro.     [Anon.]     See  Milizia,  Francesco. 

Delaferriere,  Louis  Fortune  Adolphe.     See  Laferriere,  Adolphe. 
Delaforest,  A. 

Theatre  moderne.  Cours  de  litterature  dramatique.  Paris.  Allardin. 
1836.    2  V.  **T,46.2i 

Criticisms  of  performances  at  Paris  theatres. 

Delandine,  Antoine  Frangois. 

Bibliographic  dramatique,  ou  tablettes  alphabetiques  du  theatre  des 
diverses  nations;  avec  des  observations  litteraires  et  bibliogra- 
phiques.  Precedee  d'une  notice  sur  I'origine  du  theatre  frangais. 
Paris.     Renouard.     [1818?]      (8),  588,   (i)  pp.  **T.66.i8 

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THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 


Delaunay,  Louis  Arsene. 

Souvenirs  de  M.  Delaunay,  de  la  Comedie-frangaise.  Recueillis  par 
le  Comte  Fleury.  Preface  de  Jules  Claretie.  Paris.  Levy.  [1901.] 
(3),  xii,  3^7  pp.     Portrait.  26493.26 

Delaunay,  Louis  Arsene.     Works  about. 

PoiNSOT,  A.  E.  Delaunay.  Societaire  de  la  Comedie-frangaise.  Paris. 
1883.     Portrait.  **T.57.i8 

De  Leine,  M.  A. 

Lilian  Adelaide  Neilson.  A  memorial  sketch,  personal  and  critical. 
London.  Newman  &  Co.  1881.  (3),  64  pp.  Portrait.  Autograph 
facsimile.  24593.61 ;  **T.57.440 

Delhasse,  Felix  Joseph,  prefacer. 

Lacroix,  L.   p.   B.   p.     La  jeunesse  de  Moliere.     Paris.     1858. 

**T.59.29;  etc. 
Deligny,  Eugene. 

Les  cabotins.     Paris.     Levy.     1874.     (3),  486  pp.  **T.87.57 

A  novel  of  stage  life. 
Histoire   de   I'Ambigu-comique   depuis   sa   creation   jusqu'a   ce   jour, 
contenant  toutes  les  aventures  curieuses  qui  se  sont  passees  dans 
les   coulisses,   les   biographies   des   directeurs   et   des   principaux 
acteurs,  etc.     [Anon.]     Paris.     1841.     120  pp.  **T.99.54 

Delius,  Nicolaus. 

Die  englischen  Comodianten  in  Deutschland  zu  Shakspere's  Zeit. 
Ein  Vortrag  gehalten  zu  Bonn  am  4.  Marz  1865.  Bremen.  1865. 
113-118  pp.  No.  4  in  **G.6oa.24 

Ueber  das  englische  Theaterwesen  zu  Shakspere's  Zeit.  Ein  Vortrag 
gehalten  in  Bonn  am  21.  Januar  und  in  Koln  am  17.  Marz  1853. 
Bremen.     Heyse.     1853,     19  pp.  No.  i  in  **G.39io.9 

Delorme,  Louis  Rene. 

Le  Musee  de  la  Comedie-frangaise.  Paris.  Ollendorff.  1878.  ix, 
215,   (i)   pp.  **T.74.i5 

Delorme,  Rene.    See  Delorme,  Louis  Rene. 

Delpit,  Jules. 

MiNiER,  H.     Le  theatre  a  Bordeaux,     fitude  historique.     Suivie  de  la 

nomenclature    des    auteurs    dramatiques    bordelais    et    de    leurs 

ouvrages,  etablie  en  collaboration  avec  Jules   Delpit.     Bordeaux. 

1883.  **T.95.i38 

Delpla,  A. 

French  drama;  or,  a  discussion  on  the  following  question;  which 
are  the  best  means  of  making  theatres  vie  with  each  other  in 
promoting  the  perfection  of  taste  and  the  improvement  of  morals? 
Translated  exclusively  for  the  Pamphleteer.  London.  1818.  29 
pp.  No.  3  in  *6575.i.i2 

Delsarte,  Frangois  Alexandre  Nicolas  Cheri. 

Stebbins,  G.  Delsarte  system  of  dramatic  expression.  New  York. 
1886.     Illus.  3591.60;  etc. 

Delta  Upsilon.    Harvard  Chapter. 

The  comedy  of  errors.  A  comedy  by  William  Shakespeare,  acted  by 
a  company  of  players  from  the  Harvard  chapter  of  the  Delta 
Upsilon  Fraternity,  being  the  annual  theatricals  for  Anno  Domini 
mdccccxiii.  [Programme.]  Cambridge.  Burr.  1913.  (32)  pp. 
Portraits.    Plates.  44503.154 

Eastward,  ho!  A  comedie  by  Marston,  Jonson  and  Chapman,  acted 
by  a  company  of  players  from  the  Harvard  Chapter  of  the  brother- 

1230] 


/ 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 

Delta  Upsilon.    Harvard  Chapter.     (Continued.) 

hood  of  Delta  Upsilon,  being  the  annual  theatricals.    [Programme. 
Cambridge.     1903.]     Illus.     Portraits.  44503.152 

The  elder  brother.  A  comedie  by  Fletcher  and  Massinger,  acted  by 
a  company  of  players  from  the  Harvard  Chapter  of  the  brother- 
hood of  Delta  Upsilon,  l)eing  the  annual  theatricals.  [Programme. 
Cambridge.      1901.]      Illus.     Portraits.  44503.151 

Henry  iv.  Part  11.  By  William  Shakespeare.  Acted  l)y  a  company 
of  players  from  The  Harvard  Delta  Upsilon.  Being  the  annual 
theatricals.  [Programme.]  Boston.  McGrath-Sherrill  Press. 
1916.     32  pp.     Illus.     Plate.  44503.156 

The  maid  in  the  mill.  A  comedy  by  Fletcher  and  Rowley,  acted  by 
a  company  of  players  from  the  Harvard  Chapter  of  the  brother- 
hood of  Delta  Upsilon,  being  the  annual  theatricals.  [Programme. 
Cambridge.     1900.]     Illus.  44803.139 

The  wise-woman  of  Hogsdon.     A  comedie  by  Tho:  Hey  wood,  acted 
by    a    company    of    players    from    the    Harvard    Chapter    of    the 
brotherhood  of  Delta  Upsilon,  being  the  annual  theatricals'.     [Pro- 
gramme.    Cambridge.     1906.]      Illus.     Plates.  44503.153 
Delvsu,  Alfred. 

Les  plaisirs  de  Paris.  Guide  pratique  et  illustre.  Paris.  Faure.  1867. 
(3),  299  pp.     Illus.     Plates.  **T.98.i42 

Le  Theatre  erotique  frangais  sous  le  Bas-Empire.  Paris.  Pince- 
bourse.     [186-?]     36  pp.  **T.77.203 

The  Theatre  erotique  frangais  was  a  marionnette  theatre. 

Demi-cabots,  Les.  Le  cafe-concert. — Le  cirque. — Les  forains.  Dessins 
de  H.-G.  Ibels.  Textes  de  Georges  d'Esparbes,  Andre  Ibels, 
Maurice  Lefevre,  Georges  Montorgueil  [pseud.  d'Octave  Lc- 
besque].  Paris.  Charpentier  &  Fasquelle.  1896.  (3),  246,  (i) 
pp.     Illus.     Plates.  **T.97.230 

Demi-monde,   Le,  sous  le  Second  Empire.     Maugny,  A.,  Comte  de. 

**T.97.247 
Democritus,  Joseph,  pseud.,  and  William  Diogenes,  pseud. 

The  remarkable  trial  of  the  queen  of  quavers,  [Polly  Farmer,  pseud.] 

and  her  associates,  for  sorcery,  witchcraft,  and  enchantment,  at 

the  assizes  held  in  the  moon.     Taken  in  short  hand,  l)y  Joseph 

Democritus,  and   William  Diogenes.      [London.]      Printed   for  J. 

■    Bew.     [1777.]     148  pp.  **M.ii7.9 

A  satire  on   the  craze  for  Italian  opera   in   London.      Another   copy   is   on   shelf- 
number  No.  8  in  **G.3823.5. 

Demoralising  influence.  The,  of  the  playhouse.  [Edinburgh.  18 — ?] 
12  pp.  **T.96.ioi 

De  Mortemar,  Julie.    See  Mortem3r,  Julie  de. 

Dench,  Ernest  A. 

Playwriting  for  the  cinema,  dealing  with  the  writing  and  marketing 
of  scenarios.     London.     Black.     1914.     96  pp.  80393.67 

Includes  a  number  of  plots. 

Denier,  Tony. 

The  great  secret  of  shadow  pantomimes;  or,  harlequin  in  the  shades. 

How  to  get  them  up  and  how  to  act  them.  New  York.    Roorbach. 

[1868.]     79  pp.     Illus.  No.  3  in  *4504.64 
Denman,  John  Doe. 

The    drama    vindicated;    with    copious    notes.      Cambridge.      Smith. 

1835-     (3),  120  pp.  **T.96.i32 

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THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 


Dennis,  John. 

The  characters  and  conduct  of  Sir  John  Edgar  [pseud,  of  Sir  Richard 
Steele],  call'd  by  himself  sole  monarch  of  the  stage  in  Drury-Lane; 
and  his  three  deputy-governors,  in  two  letters  to  Sir  John  Edgar. 
[Anon.]      London:   Printed  for  M.   Smith.     1720.      (i),   35  pp. 

**T.77.io7 

Same.     2d   edition.  No.  3  in  **G.3823.i8 

Same.     [With  a]  third  and  fourth  letter.     (In  The  theatre.     Pp.  323- 

368;  383-426.     London.     1791.)  **T.26.23 

Another  copy  is  on  shelf-numher  **G. 3824.7. 

The  person  of  quality's  answer  to  Mr.  Collier's  letter,  being  a  dis- 
swasive  from  the  play-house.  [Anon.]  London.  1704.  (i),  34 
pp.  No.  5  in  **G.3824.2 

In  favor  of  the  theatre. 

The    stage    defended,    from    Scripture,    reason,    experience,    and    the 

common  sense  of  mankind,  for  two  thousand  years.     Occasion'd 

by  Mr.  Law's  late  pamphlet  against  stage-entertainments.     In  a 

letter  to  *****  *   [George  Dodington].     London:  Printed  for 

N.  Blandford.     1726.     xii,  34  pp.  *6569.44 

Another  copy  is  on  shelf-number  No.  6  in  **G.3824.2. 

The  usefulness  of  the  stage,  to  the  happiness  of  mankind,  to  govern- 

•  ment,   and   to   religion.      Occasioned  by  a   late   book   written    by 

Jeremy  Collier.     London,  Printed  for  Rich.  Parker.     lOg^.     (8), 

143,    (i)   pp.  **G.382i.2 

Dennis,  John.     Works  about. 

Rag.  Timothy,  pseud.    An  answer  to  a  whimsical  pamphlet,  call'd  The 
character  of  Sir  John  Edgar,  &c-     Humbly  inscrib'd  to  Sir  Tre- 
mendous Longinus.     Written  by  Sir  John   Edgar's  baker.     Lon- 
don.    1720.  No.  10  in  **G.382i.ii 
Depositio  Cornuti  Typographici. 

Blades,  W.  An  account  of  the  German  morality-play,  entitled  De- 
positio Cornuti  Typographici.  as  performed  in  the  17th  &  18th 
centuries.     London.     1885.     Illus.     Plates.  **T.46.io;  etc. 

Deppe,  Ludwig. 

Zwei    Jahre    Kapellmeister    an    der    Koniglichen    Oper    zu    Berlin. 
[Anon.]      Bielefeld.      Selle.      1800.     45,    cvii    pp.  40493.72 

Derrick,  Samuel.     (Mr.  Wilkes.) 

A  general  view  of  the  stage.  London:  Printed  for  J.  Coote.  1759. 
(i),  viii,  335  pp.  **T.47.95 

Another  copy  is  on  shelf-number  **G.3923.io. 

Derriere  la  toile.     Vizentini,  L.  A.  **T.77.78 

Des  ballets  anciens  et  modernes  selon  les  regies  du  theatre.     [Anon.] 

See  Menestrier,  Claude  Frangcis. 
Des  comediens,  et  du  clerge.     Henin  de  Cuviller.'^,  £.  F.,  Baron  d'. 

**T.57.387 
Des  Garcins,  Magdelaine  Marie. 

Paroisse-Pougin,  F.  A.  A.     La  Comedie-frangaise  et  la   Revolution. 

Paris.      [190-?]  4676.128 

Des  gloires  de  I'Opera.     Gregoir,  £.  G.  J.  **M. 134.5 

Des  grands  et  des  petits  theatres  de  la  capitalc.     Paris.     Le  Normant. 

1816.     (2),  129  pp.  **T.76.57 

Des   theatres   et   de   leur   organisation    legale.      [Anon.]      See    Hennin, 

Michel. 
Desarbres,  Neree. 

Deux  siecles  a  rOpera  (1668-1868).    Paris.    Dentn.    1868.     (3),  297  pp. 

8049.25;  **M. 1 18.1 
[2.32] 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 


Desarbres,  Neree.     (Continued.) 

Sept  ans  a  I'Opera.   Souvenirs  anecdotiques  d'un  secretaire  particulier. 
Paris.     Dentu.     1864.     (3),  251  pp.     Illus.  **M.ii8.2 

Desbarrolles,  Adolphe. 

Les  mysteres  de  la  main  reveles  et  expliques.     I2e  edition,  augmentee. 
Paris.     Gamier.      [188-?]      (3),  Ix,   624  pp.     Tllus.     Plates.     Dia- 
grams.    Autograph  facsimile.  **T.97.249 
Same.     146  edition.     (3),  Ivii,  (i),  624  pp.  4008.21 
Desbordes,  Henri,  pseud.    See  Amat,  Adolphe. 
Desbordes,  Marceline  Felicite  Josephe,  Dame  Valmore. 

La  jeunesse   de    Mme.    Desbordes- Valmore,    d'apres   des    documents 

nouveaux.     Suivie  de  [ses]   Lettres  inedites.     Par  Arthur  Pougin. 

Paris.     Levy.     1898.     (5),  2,77  PP-  2647.82 

Desbordes,  Marceline  Felicite  Josephe,  Dame  Valmore.     Works  about. 

Sainte-Eeuve,    C.    a.      Madame    Desbordes-Valmore:    sa    vie    et    sa 

correspondance.     Paris.     1870.  2647.60 

Same.      Memoirs    of    Madame    Desbordes-Valmore.      With    a 

selection  from  her  poems.     Translated  by   Harriet   \V.   Preston. 
Boston.     1873.  2648.62;  etc. 

Desbrosses,  Jean  Alfred. 

Great  siege,  The,  of  Paris:  1870-71.     [By  Philippoteaux.]     Also,  the 

assassination  of  the  Archbishop  of  Paris   [Darboy]   at  the  hands 

of  the   Commune  of   1871.     [By  Desbrosses.     Description  of  the 

pictures.      Boston.      187-?]  26393.33 

Deschanel,  fimile  Auguste  Etienne  Martin. 

La  viedes  comediens.  Paris.  Hachette  &  c'e.   [186-?]  380pp.  **T.57.343 

Contents.  —  Romans,  comedies,  satires.  —   Biographies,  memoires,  anecdotes. 

Deschaumes,  Edmond. 

Le  mal  du  theatre.     Paris.     Dentu.     1888.     (3),  397  pp.  **T.77.i40 

Desclee,  Aimee  Olympe. 

Lettres  de  Aimee  Desclee  a  Fanfan.  [Par]  Paul  Duplan.  Paris. 
Levy.     1895.     (3)>  251,    (i)   pp.     Portrait.     Manuscript  facsimile. 

Appended  is  filoge  funebre  de  Desclee  par  Alexandre  Dumas  fils.        **X.57.277 

Desclee,  Aimee  Olympe.     Works  about. 

MoLENES,  E.  DE.  Dcsclee.  Biographic  et  souvenirs.  Paris.  1874. 
Portrait.  **T.57.43i 

Descombes,  Jean  Charles  Frangois  Maurice-.     (Charles  Maurice.) 

fipaves.     Theatre  —  histoire  —  anecdotes  —  mots.     Paris.     1865.     (3), 

255  pp.  **T.96.i74 

Feu  le  Boulevart  du  Temple.     Resurrection  epistolaire.     Paris.     1863. 

(3),  76  pp.  **T.96.i73 

Relates  principally  to   theatres. 

Histoire  anecdotique  du  theatre,  de  la  litterature  et  de  diverses  im- 
pressions contemporaines,  tiree  du  coffre  d'un.  journaliste  avec 
sa  vie  a  tort  et  a  travers.  Paris.  Plon.  1856.  2  v.  Manuscript 
facsimiles.  **T.56.i28 

Reminiscences,  etc. 

Le  Theatre-frangais:  monument  et  dependances.  2^  edition,  aug- 
mentee.    Paris.     Garnier.     i860.     (10),  276  pp.  **T.96.i70 

Tons  les  genres  du  theatre  et  sujets  correspondants.  fipitres  en  vers 
libres.     Paris,     i860.    96  pp.  **T.96.i72 

La  Verite-Rachel.  Examen  du  talent  de  la  prerniere  tragedienne  du 
Theatre-frangais.  Pour  servir  a  I'histoire  de  la  scene,  a  I'etude 
des  artistes  dramatiques,  aux  reflexions  des  journalistes,  et  a 
I'interet  des  gens  du  monde.  Paris.  Ledoyen.  1850.  129,  (2) 
pp.  **T.96.i7i 

[233] 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 

Description  of  the  Colosseum,  Broadway,  35th  and  36th  Streets,  New 
York.  The  largest  iron  structure  in  the  world.  A  history  of  the 
world  renowned  cycloramas:  London  of  1828;  Paris  by  moon- 
light, and  London  of  1873,  by  night.  [New  York.  1874.]  23  pp. 
Plates.  6262.88;  No.  i  in  **M. 132.3 

The  copy  on   shelf-number  **M.  132.3   lacks   the  plates. 

Descriptive  portrait,  A,  of  Miss  O'Neill,  in  a  critique  on  her  exhibition 
of  the  characters  of  Mrs.  Haller,  and  Jane  Shore.     London.     Wil- 
liams.    1815.     (3),   108  pp.  **T.56.i69 
Desdevizes  du  Dezert,  Georges  Nicolas. 

Le  theatre  populaire  a  Madrid.  (In  Entre  camarades.  Pp.  273-278. 
Paris.     1901.)  2671. 161 

Deserter,  A. 

The  world.     No.   i,  2.     London.     Nisbet   &   Co.     1838,  39.     2  v. 

Principally  an  argument  against  the  thcatrf.  **T.98.93 

Desessarts,  Nicolas  Toussaint  Lemoyne. 

Les  trois  theatres  de  Paris,  ou  abrege  historique  de  retablisscment 
de  la  Comedie  frangoise,  de  la  Comedie  italienne  &  de  I'Opera; 
avec  un  precis  des  loix,  arrets,  reglemens  &  usages,  qui  concer- 
nent  chacun  de  ces  spectacles.  A  Paris,  chez  Lacombe.  1777. 
(6),  300,   (3)  pp.  _  **T.77.5i 

Another  copy  is  on  shelf-number  No.  2  in.  **D.2ioa.  1 1. 

Desfontaines  de  La  Vallee,  Guillaume  Francois  Fouques  Des  Hayes, 
called  Desfontaines  de  La  Vallee.  See  Des  Hayes,  Guillaume 
Frangois  Fouques. 

Desforges,  ,  actor. 

Memoires  anecdotes  pour  servir  a  I'histoire  de  M.  Duliz,  et  la  suite 
de  ses  avantures,  apres  la  catastrophe  de  celle  de  Mademoiselle 
Pelissier,  actrice  de  I'Opera  de  Paris.  [Anon.]  A  Londres,  Cliez 
Samuel  Harding.     1739.     (i),  18S  pp.     Plate.  **T.58.92 

Same.  Memoires  anecdotes,  pour  servir  a  I'histoire  de  M.  Duliz,  et 
de  MUe  Pelissier.     1753.     (i),  206,  66  pp.  **T.58.93 

This  edition  lacks  the  plate. 

Desgranges,  Alix. 

Requeste  de  deux  actrices  d'Opera  [Marton  Coupee  et  Alix  Des- 
granges] a  Momus  avec  son  ordonnance.    A  la  Haye.    1763.    21  pp. 

**T.79.i5 
Des  Hayes,  Guillaume  Frangois  Fouques. 

Histoire  universelle  des  theatres  de  toutes  Ics  nations,  depuis  Thespis 
jusqu'  a  nos  jours;  par  une  societe  de  gens  de  lettres  [J.  M.  L. 
Coupe,  G.  F.  F.  Des  Hayes,  Lefuel  de  Mericourt,  et  Testu].  A 
Paris,  chez  les  auteurs.  1779-1781.  13  v.  Portraits.  Plates. 
Plans.  **T.47.87 

This  copy  lacks  tomes   12  and    13.     A  complete  set  is  on   shelf-number   **G.224. i. 

Desnoiresterres,  Gustave  Le  Brisoys-. 

La  comedie  satirique  au  xviiif  siecle.     Histoire  de  la  societe  frangaise 

par  I'allusion,  la  personnalite  et  la  satire  au  theatre.     Louis  xv  — 

Louis  XVI  —  La  Revolution.     Paris.     Perrin.'    1885.     (3),  viii,  458, 

(i)    pp.  4671.70;  **T.45.io 

Desoeuvre,    Le,    ou    I'espion    du    Boulevard    du   Temple.      [Anon.]      See 

Mayeur  de  Saint  Paul,  Frangois  Marie. 
Despierres,  Mine.  Gerasime. 

Le  theatre  et  les  comediens  a  Alengon  au  seizieme  et  au  dix-septieme 
siecle.     Paris.     Plon,  Nourrit   &  c'e.     1892.     15  pp.     Plan. 

**T.75.i7 

[234] 


BROWN   COLLECTION    OF  BOOKS    ON    THE   STAGE 

Despois,  Eugene  Andre. 

Le  theatre  frangais  sous  Louis  xiv.  Paris.  Hachette  &  c'e.  1874. 
(8),  419  pp.     Plans.  2669.76;  **T.77.97 

Despreaux,  Jean  fitienne. 

Souvenirs  de  Jean-Etienne  Despreaux,  danseur  de  I'Opera  et  poete- 
chansonnier.  1748-1820.  (D'apres  ses  notes  manuscrites.)  [Par] 
Albert  Firmin-Didot.     Issoudun.     Gaignault.     1894.     77,  (0  pp. 

**T.97.ii6 
Despreaux,  Marie  Madeleine  Guimard.  Sec  Guimard,  Marie  Madeleine. 
Despres,  Jean  Baptiste  Denis,  editor. 

Memoires  sur  Garrick  et  sur  Macklin,  traduits  de  I'anglais  par  le 
traducteur  des  oeuvres  de  Walter  Scott;  precedes  d'une  histoire 
abregee  du  theatre  anglais,  par  M.  Despres.  Paris.  Ponthieu. 
1822.  (3),  XXX,  (i),  387  pp.  [Collection  des  memoires  sur  I'art 
dramatique.]  **T.56.3 

This  work  contains   Arthur  Murphy's   Vie   de    Garrick   and   James   T.    Kirkman's 
Memoires  de  Charles  Macklin.     Another  copy  is  on  shelf-number  **G.224.2.4. 

Memoires  sur  Moliere  et  sur  M^ie  Guerin,  sa  veuve,  suivis  des  me- 
moires sur  Baron  et  sur  M'le  Lecouvreur,  par  I'Abbe  d'Allainval. 
Paris.  Ponthieu.  1822.  (3),  xliii,  348,  (i)  pp.  [Collection  des 
memoires    sur    I'art    dramatique.]  6646.78;  **T.56.4 

Contents.    —    Vie    de    Moliere.       [Par    Grimarest.]    —    Extrait    des    memoires    de 
Madame   Guerin    [extrait   de  La   fameuse   comedienne].  —   Lettre  a  Mylord   **'', 
sur    Baron    et   la   demoiselle    Lecouvreur,    par    George    Wink    [pseud,    de    I'Abbe 
d'Allainval].  —  Lettre  sur  la  comedie  de  L'imposteur. 
Another  copy  is  on  shelf-number  **G.224.2.$. 

Desprez,  Frank,  editor. 

Era  Almanack,  The,  and  annual.  [London.  1868-1913.]  46  v.  in  15. 
Portraits.  **T.26.7 

Desprez  de  Boissy,  Charles. 

Lettres  sur  les  spectacles;  avec  une  histoire  des  ouvrages  pour  & 
contre  les  theatres.  5^  edition  augmentee.  A  Paris,  chez  Butard. 
1774.     2  v.  ,  **T.78.2i 

In  opposition  to  the  theatre. 

Same.     6^  edition,  augmentee.     Boudet.      1777.  **T.78.22 

Same.    7^  edition.     1779.  **G,3562.i2 

Desrat,  C. 

Dictionnaire  de  la  danse,  historique,  theorique,  pratique  et  bibliogra- 
phique,  depuis  I'origine  de  la  danse  jusqu'a  nos  jours.  Avec  pre- 
face de  Ch.  Nuitter  [pseud,  de  C.  L.  E.  Truinet].  Paris.  Li- 
brairies-Imprimeries  Reunies.     1895.     (5),  vi,  484  pp.        **T.97.284 

riibliographie,  pp.   413-459. 

Dessous,  Les,   du  theatre.     Germain,  A.  **T.77.9o 

Destailleui,  Hippolyte  Alexandre   Gabriel  Walter. 

BiBLioTHEQUE  uationalc,  Paris.     Catalogue  de  dessins  relatifs  a  I'his- 

toire  du  theatre   conserves  au   Departement  des   estampes   de   la 

Bibliotheque  nationale.     Avec  la  description  d'estampes  rares  sur 

le   meme   sujet,    recemment  acquises   de    M.    Destailleur.      [Paris. 

1895.]  *8o64.2io 

Destaville, ,  Abbe. 

Le    secret    du    celebre    Roscius,    acteur    romain,    devoile;    ou,    cours 

d'action    oratoire    fondee    sur   les   principes    de   science    mimique. 

Paris.     Bureaux  de  I'oeuvre  du  Commissionnaire  du  clerge.     1866. 

239  pp.  **T.77.92 

Destranges,  fitienne.    See  Destranges,  Louis  Augustin  fitiennc  Rouille. 

[235] 


THE  PUBLIC  LIBRARY  OF   THE   CITY   OF  BOSTON 

Destranges,  Louis  Augustin  ifetienne  Rouille. 

Le  iheatre  a  Nantes  depiiis  ses  origines  jusqu'a  nos  jours.  1430?- 
1893.     Paris.     Fischbacher.      1893.     (S).  504  pp.  **T.77,6i 

Same.  1430-1901.  Nouvelle  edition,  augmentee.  1902.  (5),  viii, 
341,    (i)   pp.     Portrait.     Plates.     Plans.     Autograph   facsimile. 

4671.39 
Desultory   thoughts  on  the  national  drama.     Old  playgoer,  An,  pseud. 

**T.96.204;  etc. 
Detcheverry,  Arnaud. 

Histoire  des  theatres  de  Bordeaux  depuis  leur  origine  dans  cette 
ville  jusqu'a  nos  jours.     Bordeaux.     Delmas.     i860.     (3),  ii,  366  pp. 

**T.76.79 
Deutsche  Schauspieler  und  Schauspielkunst.  Kirchbach,  W.  4875.40 
Deutsche  Schauspielkunst.     Jacobs,  M.,  compiler.  6257.114 

Deutsche  Shakespeare-Gesellschaft.     Schriften. 

Wallace,  C.  W.  The  evolution  of  the  English  drama  up  to  Shake- 
speare, with  a  history  of  the  first  Blackfriars  Theatre.  Berlin. 
1912.  4593203 

Weilen,  a.  W.,  Ritter  von.  Hamlet  auf  der  deutschen  Biihne  bis  zur 
Gegenwart.     Berlin.     1908.  4593.202 

Deutsche  Theater,  Das,  und  seine  Zukunft.     Hahn,  L.  **T.76,4 

Deutscher   Biihnen-Almanach.     Jahrgang   38.      Herausgegeben    von    A. 
Entsch.     Berlin.     1874.    xiv,  (i),  128,  488  pp.     Portrait.       **T.29.6 
Deutscher   Biihnenaussprache.     Siebs,   T.  2886.88;  etc. 

Deutscher  Verein  der  Harvard  Universitat. 

Grillparzer's    Medea    dargestellt    von    Mitgliedern    des    Irving    Place 

Theaters  6.  December  1906.      [Programme.     Boston.     1906.]      (3) 

pp.  448oa.i68 

Deux  avis  sur  ce  siecle.     Philalethe,  pseud.  **T.97.i33 

Deux  cotes,  Les,  du  rideau  de  tole.     (Second  theatre-frangais.)     Par  un 

homme  qui  paie  sa  place.     Paris.     Ponthieu.     1821.     31  pp. 

•  No.  14  in  **G.3562.i 

Deux   habitues    de   I'endroit,   pseud.     See    Prevel,   Jules,   and   Theodore 

Jules  fimile  Garden. 
Devant,  David,  pseud.     See  Wighton,  David. 
Devil. 

Brownrigg,  H.  Some  account  of  a  stage  devil  [impersonated  by 
George  Wieland  in  the  London  theatres].     [London.     1838.] 

No.  II  in  **G.3822.3 
Devil,  The,  on  two   sticks.     Coralli,   J.,  and   E.    Burat  de   Gurgv. 

**T.36.72 
Deville,  Pierre  Frangois  Alberic. 

Arnoldiana,  ou  Sophie  Arnould  et  ses  contemporaines;  recueil  choisi 
d'anecdotes  piquantes,  de  rcparties  ct  de  bons  mots  de  M"^^ 
Arnould;  precede  d'une  notice  sur  sa  vie  et  sur  I'Academie  im- 
periale  de  musique.  Par  I'auteur  du  Bievriana.  Paris.  Gerard. 
1813.     (3),  380  pp.     Portrait.  **M.377.2i 

Devineau  de  Rouvray,  C.  A. 

La  theatreide,  poeme  epi-comique  en  six  chants,  par  M.  C***  A*** 
D***.     Paris.     Delaunay.     1812.     viij,  90,  (i)  pp.  **T.97.2i9 

Anotlier  copy  is  on  shelf-number  No.  7  in  ''G. 3562. 2. 
Devismes,    Jacques.      .See    Vismes    du    Valgay,    Anne    Pierre    Jacques 

de. 
Devrient,   Eduard.     See  Devrient,   Philipp   Eduard. 

•      [236J 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 


Devrient,  Hans  Fel.  Fr. 

Aus  den  Akten  eines  Ceheimbundes  deutscher  Schauspieler  in  den 
Jahren  1812-1815.  (In  Archiv  fiir  Theatergeschichte.  Vol.  2,  pp. 
95-150.     Berlin.     1905.)  *6907.i2.2 

The  association  was  the  Verein  fiir  das  Conservatorium  des  teutschcn  Schau- 
spicls,  which  had  several  variations  of  name. 

Johann  Friedrich  Schonemann  und  seine  Schauspielerg-eselischaft. 
Kin  Beitrag  zur  Theatergeschichtc  des  18.  Jahrhunderts.  Ham- 
burg. Voss.  1895.  (7),  398  pp.  fTheatergeschichtliche  For- 
schungen.]  6872.53 

Devrient,  Hans  Fel.  Fr.,  editor. 

Archiv   fiir   Theatergeschichte.      Im    Aiiftrage    der   Gesellschaft    fiir 

Theatergeschichte  herausgegeben  von   Hans  Devrient.     Mit  dcm 

Jahresbericht    der    Gesellschaft.      Band    i,    2.      Berlin.      1904,    05. 

Plate.  *6907.i2 

Devrient,  Ludwig. 

Ellet,  E.  F.     Louis  Devrient  —  a  sketch.     [New  York.     1845.] 

No.  II  in  **G.3930.i3.i 
Funck,   Z.     Aus   dem  Leben   zweier   Schauspieler:   August   Wilhelm 
Iffland's  und  Ludw^ig  Devrient's.     Leipzig.     1838.  48493.5 

Devrient,  Philipp  Eduard. 

Geschichte  der  deutschen  Schauspielkunst.  Leipzig.  Weber.  1848- 
74.  5  V.  in  4.  Portrait.  [Dramatische  und  dramaturgische 
Schriften.]  6877.19 

Contents.  —  i.  Geschichte  der  mittelalterlichen  Schauspielkunst.  2.  Die  regel- 
massige  Schauspielkunst  unter  der  Prinzipalschaft.  3.  Das  Nationaltheater.  4. 
Das  Hoftheater.     5.  Das  Virtuosenthum. 

Same.     Berlin.     Eisner.     1905.     2  v.  **T.75.i 

Preface  by  Hans  Devrient. 

Dewaeghenaere,  Valentin. 

Anecdotes  curieuses  et  inedites  de  la  vie  de  Valentin  dit  rHomme 
a  la  poupee.     Marseille.     1858.     Portrait.  **T.98.i4 

De  Witt's  How  to  manage  amateur  theatricals.  Showing  the  easiest 
way  for  arranging  drawing  room  performances;  and  giving  plain 
directions  for  making  scenery,  getting  up  dresses,  giving  out 
parts,  attending  rehearsals,  and  making  up  the  face,  and  properly 
adapting  wigs,  mustaches,  and  beards.  New  York.  De  Witt. 
1880.    64  pp.     Colored  plates.  **T.77.54 

Dhannetaire,  Jean  Nicolas  Servandoni,  called  Dhannetaire.  See  Hanne- 
taire,  Jean  Nicolas  Servandoni,  called  Hannetaire. 

Dhormoys,  Paul. 

Sapajou.  Histoire  d'un  abonne  de  I'Opera.  2^  edition.  Paris. 
Ollendorff.     1885.     (3),  252  pp.  **T.98.i45 

Fiction. 

Diagilev,  Sergiei. 

Metropolitan  Ballet  Company,  Inc.,  New  York.  Souvenir.  Serge 
de  Diaghileff's  Ballet  russe.  With  originals  by  Leon  Bakst  and 
others.     New  York.     [1916.]      Portraits.     Plates,  mostly  colored. 

40403.170;  etc. 

Dialogue,   A,   between  the   Earl   of   C d  and    Mr.    Garrick,   in   the 

Elysian  shades.  [Verse.]  London:  Printed  by  J.  Nichols.  1785. 
(i),  30  pp.  No.  5  in**G.3820.ii 

A   tribute   to  the  friendship   of  Garrick  and   Dr.   Johnson. 

Dialogue,  A,  in  the  green-room  upon  a  disturbance  in  the  pit.  London: 
Printed  for  George  Burnett.     1763.     (3),  viii,  32  pp.        **T.76.i49 

[237] 


y 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 


Diaries. 

■Diary,  The,  of  an  actress;  or,  realities  of  stage  life.  Edited  by 
H.  C.  Shuttleworth.     London.     1885.  **T.58.iio 

Got,  F.  J.  E.  Journal  de  Edmond  Got,  societaire  de  la  Comedie- 
frangaise,    1822-1901.      Paris.      1910.      2    v.      Portrait.      Plate. 

264ga.i48 

Henslowe,  p.  The  diary  of  Philip  Henslowe,  from  1591  to  1609. 
London.     1845.  4596.46;  etc. 

Wynn,  F.  W.     Diaries  of  a  lady  of  quality  from  1 797-1844.     London. 

1864.  **T.57.io4;  etc. 

Diary,  The,  of  an  actress;  or,  realities  of  stage  life.     Edited  by  H.  C. 

Shuttleworth.     London.     Griffith,  Farran,  Okeden  &  Welsh.     1885. 

160  pp.  **T.58.iio 

Diaz  de  Escovar,  Narciso. 

Apuntes  escenicos  cervantinos.  6  sea  un  estudio  historico.  biblio- 
grafico  y  biografico  de  las  comedias  y  entremeses  escritos  por 
Miguel  de  Cervantes  Saavedra,  con  varias  de  sus  opiniones  sobre 
las  comedias  y  los  comicos  y  noticias  de  los  comediantes  que  debio 
conocer  6  menciono  en  sus  libros  inmortales.  Madrid.  Rico. 
1905.     75  pp.  **D. 146.14 

Dibdin,    Charles. 

A  compendious  history  of  the  English  stage.  Containing  a  candid 
analysis  of  all  dramatic  writings,  a  liberal  and  impartial  criticism 
on  the  merits  of  theatrical  performers,  and  a  sketch  of  the  lives 
of  such  as  have  been  eminent  in  their  profession.  By  Waldron, 
Dibdin,  &c.  London:  Printed  for  J.  S.  Jordan  by  J.  S.  Barr.  1800. 
(4),   174  pp.     Plate.  **T.79.29 

Another  copy  is  on  shelf-number  **T.7g.T7. 

A  complete  history  of  the  stage.  London:  Printed  for  the  Author. 
[1800.]     S  V.  **T.76.i32 

The  title  of  vol.   i  is  A  complete  history  of  the  English  stage. 
A  letter  of  intelligence.     (In  Bellamy,  Thomas.     The  life  of  William 
Parsons.     Pp.  59-76.     London.     1795.)  No.  2  in  **T.q6.228.2 

The  musical  tour  of  Mr.  Dibdin;  in  which  he  finished  his  career  as 
a  public  character.  Sheffield:  Printed  for  the  author  by  J.  Gales. 
1788.     (5),  iv,  443,   (i)   pp.  **M.i2i.i 

Rela,tes  to  music  and  the  theatre  in  England. 
The  professional  life  of  Mr.  Dibdin,  in  his  character  of  writer,  com- 
poser,  and  performer;   with   the  addition   of   six   hundred   songs. 
London.     Cundee.     1804.    4  v.     Portrait.     Plates.  **M.ii7.i 

Relates  to  the  London  theatres. 
The    Royal    Circus    epitomized.      London:    Printed    for    the    author. 
^  1784.     XX,   79   pp.  **T.77.i72 

Dibdin,  Charles,  Jr. 

History  and  illustrations  of  the  London  theatres:  comprising  an  ac- 
count of  the  origin  and  progress  of  the  drama  in  England;  with 
historical  and  descriptive  accounts  of  the  Theatres  Royal,  Covent 
Garden,  Drury  Lane,  Haymarket,  English  Opera  House,  and 
Royal  Amphitheatre.  London.  The  proprietors  of  the  "Illustra- 
tions of  London  buildings."     1826.      (2),  94  pp.      Plates.     Plans. 

**T.72.6 
Dibdin,  James  C. 

The  annals  of  the  Edinburgh  stage.  With  an  account  of  the  rise 
and  progress  of  dramatic  writing  in  Scotland.  Edinburgh. 
Cameron.     1888.     viii,  511   pp.     Portraits.     Plates.     Facsimile. 

4571. 1 12;  **T.74.i2 
[2381 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 


Dibdin,  Thomas  John. 

The  reminiscences  of  Thomas  Dibdin  of  the  Theatres  Royal,  Covent- 
Garden,  Drury-Lane,  Haymarket,  &c.  London.  Colburn.  1827. 
2  V.     Portrait.  65503.54;  **T.56.io5 

The   portrait   is   missing  in   the   copy   on    shelf-number    6550a. 54. 

Same.     New  York.     Harper.     1828.     2  v.  in  i.  65503.55 

Dickens,*  Charles.     ("Boz.") 

Charles  Dickens  on  Fechter's  acting:  followed  by  the  critical  notices 
(extracted  from  the  London  journals)  on  his  Hamlet,  Othello, 
Ruy  Bias,  Lady  of  Lyons,  &c.     Leeds.     Clark.     [1867.]     24  pp. 

No.  6  in  **G.3940.i3 
Dickens,  Charles,  editor. 

Joseph  Grimaldi.  His  life  and  adventures.  Written  out  from 
Grimaldi's  own  manuscript  and  notes,  which  he  left  at  the  time 
of  his  death.     Philadelphia.     Peterson.     [i8s-?]     17-192  pp. 

**T.55.8i 

Same.  Memoirs  of  Joseph  Grimaldi.  With  illustrations  by  George 
Cruikshank.  London.  Routledge.  [1838.]  xvi.  256  pp.  Portrait. 
Plates.  **T.57.454 

Same.  New  edition,  with  notes  and  additions,  revised  by  Charles 
Whitehead.  London.  Bentley.  1846.  2  parts  in  i  v.  Portraits, 
one  colored.     Plates.  **K.46.2 

Same.  14th  thousand.  Routledge  &  Co.  1854.  xvi,  256  pp.  Por- 
trait. *6548.24 

Same.     Routledge.      1869.     Portrait.      Plates.  6548.3 

Dickens,  Charles.     Works  about. 

Clarke,  J.  C.  The  characters  of  Charles  Dickens  pourtrayed  in  a 
series  of  original  water  colour  sketches  by  "Kyd"  [pseud.].  Lon- 
don.    [1889.]  No.  I  in  **T.53.23 

Field,  M.  K.  K.  Pen  photographs  of  Charles  Dickens's  readings. 
Taken  from  life.     Boston.     [1868.]  No.  2  in  **T.53.23 

Fitz-Gerald,  S.  J.  A.  Dickens  and  the  drama.  Being  an  account  of 
Charles  Dickens's  connection  with  the  stage  and  the  stage's  con- 
nection with  him.     London.     1910.     Portraits.     Plates.       25703.109 

Pemberton,  T.  E.  Charles  Dickens  and  the  stage.  A  record  of  his 
connection  with  the  drama  as  playwright,  actor  and  critic.  Lon- 
don.    1888.     Portraits.  4549.125;  **T.57.i3i 

[Seventeen  playbills  of  American  performances  of  plays  based  on 
Dickens's  works.     Boston,  etc.     1855-1885.]  **T.C3b.i.3 

Dickens,  Charles,  Jr.,  editor. 

Mathews,  C.  J.     Life.     Chiefly  autobiographical  with  selections  from 
his    correspondence   and    speeches.      London.      1879.     2   v.     Por- 
traits. 4544-67 ;  **T.55.98;  etc. 
Dickinson,  Thomas  Herbert. 

The  case  of  American  drama.  Boston.  Houghton  Mifflin  Co.  I9IS- 
ix,  (i),  223  pp.  6257.118 

The  insurgent  theatre.     New  York.     Huebsch.     1917.     251   pp. 

6257.143 

Relates  to  the  American   theatre.     Play   lists  of  little  theatres,  pp.   227-243. 

Some  principles  of  Shakespeare  staging.  (In  Shakespeare  studies. 
Pp.   125-146.     Madison.     1916.)  4593-2ii 

Dictionaries. 

Adams,  W.  D.  A  dictionary  of  the  drama.  A  guide  to  the  plays, 
playwrights,  players,  and  playhouses  of  the  United  Kingdom  and 
America  from  the  earliest  times  to  the  present.  Vol.  i.  Phila- 
delphia.    1904.  *6252.76 

[239] 


THE  PUBLIC  LIBRARY  OF  THE   CITY   OF  BOSTON 

Dictionaries.     (Continued.) 

Babault,  ,   and   others.     Annales   dramatiques,   ou   dictionnaire 

general    des   theatres.      Paris.      1808-1812.     9   v.  **T.77.ii 

Bequet,  C.  M.  E.     Encyclopedia  de  I'art  dramatique.     Paris.     1888. 

**T.77.i09 

Bouchard,  A.  La  langue  theatrale.  Vocabulaire  historique,  de- 
scriptif  et  anccdotique  dcs  termes  et  des  choses  du  theatre.  Suivi 
d'un  appendice  contenant  la  legislation  theatrale  en  vigeur.  Paris. 
1878.  **T.98.io6 

^, Dramatic  historiographer,  The:   or,  the   British   theatre   delineated; 
v^         exhibiting  the  argument,  conduct  and  chief  incidents  of  the  most 
celebrated  plays,  with  an  account  of  such  previous  circumstances 
as  serve  to  illustrate  each  representation.     London.     1735. 

**T.48.26;  etc. 

Same.     2d  edition.     Companion,  A,  to  the  theatre:   or,  a  key 

to  the  play.     Containing  stories  of  the  most  celebrated  dramatick 
pieces.     London.     1740.  **T.48.i5 

DuFLOT,  J.  Les  secrets  des  coulisses  des  theatres  de  Paris.  Mysteres 
—  moeurs  —  usages  —  anecdotes.      Paris.      1865.  **T.77.i89 

Harel,  F.  a.,  and  others.  Dictionnaire  theatral,  ou  douze  cent  trcnte- 
trois  verites  sur  les  directeurs,  acteurs  et  employes  des  divers 
theatres.     Paris.     1824.  **T.78.i7 

Indiscret  souvenir.  L',  des  coulisses.     Paris.     1836.  **T.99.23 

Laporte,  J.  de,  and  S.  R.  N.  Chamfort.  Dictionnaire  dramatique, 
contenant  I'histoire  des  theatres,  les  regies  du  genre  dramatique, 
les  notices  des  meilleures  pieces,  le  catalogue  de  tous  les  drames, 
&  celui  des  auteurs  dramatiques.    A  Paris.     1776.    3  v.      **T.47.88 

Mensch,  E.  Konversations-Lexikon  der  Theater-Litteratur.  Prak- 
tisches  Hand-  und  Nachschlagebuch  zur  schnellen  und  sicheren 
Oricntierung  iiber  die  Dramen  des  In-  und  Auslandes  von  den 
altesten  Zeiten  bis  zur  GegenwartT    Stuttgart.     [1896.]        **T.48.io 

Paroisse-Pougin,    F.    A.   A.      Dictionnaire   historique    et    pittoresque 

du   theatre    et   des   arts   qui   s'y   rattachent.      Paris.      1885.      Illus. 

Portraits.     Plates,   some   colored.  **T.73.6;  etc. 

Dictionnaire  des  theatres  de   Paris.      [Anon.]      See   Parfaict,   Frangois, 

and  others. 
Diderot,  Denis. 

Paradoxe  sur  le  comedien.  ^fidition  critique  avec  introduction,  notes, 
par  Ernest  Dupuy.  Paris.  Societe  frangaise  d'imprimerie  et  de 
librairie.      1902.     xxxiii,    178,    (i)    pp.      Manuscript   facsimile. 

4672. Ill 

Same.  The  paradox  of  acting.  Translated  with  annotations  from 
Diderot's  'Paradoxe  sur  le  comedien'  by  Walter  Herries  Pollock. 
With  a  preface  by  Henry  Irving.  London.  Chatto  &  Windus. 
1883.     XX,   108  pp.  4673.73;  **T.77. 181 

Another  copy  is  on  shelf-number  **K.35.3i. 

Didot,  Albert  Firmin.     See  Firmin-Didot,  Albert. 
Didron,  Adolphe  Napoleon. 

Iconographie  de  I'Opera.     Paris.     Didron.     1864.     56  pp. 

No.  4  in  **M. 218.4 
Diebold,  Bernhard. 

Das  Rollenfach  im  deutschen  Theaterbetrieb  des  18.  Jahrhunderts. 
Leipzig.  Voss.  1913.  (10),  165,  (i)  pp.  [Theatergeschichtliche 
Forschungen.]  6872.68 

Literatur,  pp.   139-155. 

[240] 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 

Dieckmann,  Emil  F.  J. 

Die  Feuersicherheit  in  Theatern.  Miinchcn.  Jung.  [iQii-l  Illus. 
Plans.     Chart.  40193.32 

Dierks,  Hermann. 

De  tragicorum  histrionum  habitu  scaenico  apud  Graecos.  Gottingac. 
Apud  Calvoerium.     1883.     51,   (i)   pp.  2967.69 

Dieulafoy,  Jape  Paule  Rachel,  and  Marcel  Auguste  Dieulafoy. 

Le  theatre  dans  I'intimite.  Paris.  Ollendorff.  1900.  (4),  322,  (i) 
pp.    Illus.     Plates.  **T.37.i4i 

Digbeth,  Humphrey,  pseud.,  editor. 

Birmingham  Reporter,  The;  and  ^theatrical  review.  [Weekly. 1  Vol. 
I  (no.  1-12).     [Birmingham.     1823.]  **T.28,ii 

Digges,  West. 

Letters  which  passed  between  Mr.  West  Digges,  comedian,  and  Mrs. 
Sarah  Ward,  1752-1759.  Edinburgh.  Stevenson.  1833.  xi,  160 
pp.  **T,56.225 

Another  copy  is  on  shelf-number  **G.3755.i5. 

Diguet,  Charles. 

Statuettes  parisiennes.  Illustrees  par  Ed.  Morin  et  J.  Massieu. 
Paris.  Lacroix  &  c^.  1876.  xxiii,  178,  (2)  pp.  Portraits.  [Biblio- 
theque  illustree.     Lacroix.]  **T.57.334 

Contents.  —  Theo.  —  Schneider.  —  Galli-Marie.  —  Nilsson.  —  Adelina  Patti.  — 
Croizette.  —  Theresa.  —  Reichemberg.  —  Jenny  Sabatier.  —  Morensi.  —  Clotilde 
Collas.  —  A.  Bode.  —  Henriette  Hausser.  —  Anna  de  Belocca.  —  Desclauzas. 
—  Berthe  Legrand.  —  Raymonde.  —  Judic. 

Dijon,  France.     Theatres. 

GouvEN.-MN,   L.   DE.      Le    theatre   a    Dijon.      1422-1790.     Dijon.      1888. 

4631-57 
Dilettante,  Un,  pseud. 

Observations  desinteressees  sur  I'administration  du  Theatre  royal 
italien,  adressees  a  M.  Viotti,  par  un  dilettante.  Paris.  Boucher. 
1821.     (2),  S7  PP-  No.  15  in  **G.3562.i 

Dillon,  Robert  Crawford. 

A  sermon  on  the  evils  of  fairs  in  general,  and  of  Bartholomew  Fair 
in  particular:  preached  at  Pimlico,  August  22,  1830.  London. 
Cochran.     1830.     31   pp.  **T.76.i82 

Another  copy  is  on  shelf-number  **T.g6.66. 

Dime  museums. 

Alden,  W.  L.     Among  the  freaks.     London.     1896.     Illus.     Plates. 

4009.359;  **T.97.i85 
Dimmick,  Ruth  Crosby. 

Our  theatres  to-day  and  yesterday.  Beginning  of  the  drama  on 
Manhattan  Island  and  the  troublous  days  of  early  managers  and 
players,  with  anecdotal  account  of  the  growth  of  the  amusement 
industry.  Stories  and  personal  sketches  of  men  and  women  con- 
nected with  famous  houses  in  a  bygone  era,  as  well  as  the 
,  present.  From  1732  to  1913.  New  York.  H.  K.  Fly  Co.  [i9i3-] 
97,  X  pp.     Plates.     Facsimiles.  4395'2o6 

Dinaux,  Arthur  Martin. 

Notice  biographique  sur  M^He  Duchesnois.  Valenciennes.  Prignet. 
1836.     67  pp.  **T.55.i23 

Les  societes  badines,  bachiques,  litteraires  et  chantantes.  Leur  his- 
toire  et  leurs  travaux.  Ouvrage  posthume.  Revu  et  classe  par 
Gustave  Brunet.  Avec  un  portrait  par  G.  Staal.  Paris.  Bachelin- 
Deflorenne.     1867.     2  v.  **T.96.i5 

[241] 

16 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 

Diogenes,  William,  pseud. 

The  remarkable  trial  of  the  queen  of  quavers,  [Polly  Farmer,  pseud.] 
and  her  associates,  for  sorcery,  witchcraft,  and  enchantment,  at 
the  assizes  held  in  the  moon.  Taken  in  short  hand,  by  Joseph 
Democritus,  and  William  Diogenes.  [London.]  Printed  for  J. 
Bew.     [I777-]     148  pp.  **M.ii7.9 

A   SEtire  on   the   craze  for  Italian   opera   in    London.      Another   copy   is   on   shelf- 
number  No.  8  in  **G.3823.5. 

Dionysos.     Navarre,    O.  2965.47;  **T. 76.156 

Dioramas.     See  Panoramas. 
Diprose,  John. 

Diprose's  Book  of  the  stage  and  the  players.     [London.]     Diprose  & 
Batcman.     [1877.]     288  pp.     Illus.     Portraits.     Plates.     **T.77.i56 
Dircks,  Henry. 

The  ghost!  as  produced  in  the  spectre  drama,  popularly  illustrating 
the  marvellous  optical  illusions  obtained  by  the  apparatus  called 
the  Dircksian  phantasmagoria:  being  a  full  account  of  its  history, 
construction,  and  various  adaptations.  London.  Spon.  1863.  ('3), 
102  pp.     Illus.     Plates.     Diagrams.  **T.77.i65 

Directories. 

Brown,  T.  A.  The  showman's  guide.  Containing  the  names  of  all 
the  principal  halls  used  by  traveling  exhibitions  in  the  United 
States  and  British  Provinces.  New  York.  [1874.]  **T.77.200 
Cahn,  J.  Julius  Cahn's  Official  theatrical  guide,  containing  informa- 
tion of  the  theatres  and  attractions  in  the  United  States,  Canada, 
Mexico  and  Cuba.     New  York.     1900,  og.     2  v.     Portraits..     Maps. 

**T.25.33 
Guide,  The,  to  the  stage:  or,  how  to  enter  the  theatrical  profession, 
obtain  an  engagement,  and  become  an  actor.  Founded  on,  and 
partly  taken  from  Leman  Rede's  book;  with  modern  list  of 
theatres,  &c.  '  Corrected  to  August,  1871.  London.  [1871.] 
Diagram.  **T.77.i55 

Harry  Miner's  American  Dramatic  Directory.  1884/85.  A  com- 
plete directory  of  the  dramatic  and  operatic  professions  and  a 
guide  to  the  opera  houses,  theatres  and  ijublic  halls  of  America. 
New  York.     1884.     Portrait.  **T.25.7 

Jeffery,  J.  B.  Jno.  B.  Jeffery's  Guide  and  directory  to  the  opera 
houses,  theatres,  public  halls,  bill  posters,  etc.,  of  the  cities  and 
towns  of  America.  [Annual,  ist,]  7th  edition.  Chicago.  1878, 
84/85.    2  V.     Portrait.  **T.27.i7 

Johnson,  W.  B.,  compiler.  The  theatrical  guide,  route  and  date  book 
of  the  New  England  States,  Middle  States,  Western  States,  and 
Provinces.     Boston.      [1888.]  4458.37 

Lansing  &  Co.,  publishers.  Lansing's  Pictorial  diagrams  of  the  lead- 
ing opera  houses,  theatres,  etc.,  in  the  United  States.  Boston. 
1880.      Plans.  **T.97.8o;etc. 

Rede,  L.  T.  The  guide  to  the  stage,  containing  instructions  for 
obtaining  theatrical  engagements,  with  a  list  of  Provincial 
theaters,  and  a  clear  elucidation  of  all  the  technicalities  of  the 
histrionic  art.  Added,  a  list  of  the  London  theaters.  With 
additional  information,  making  it  applicable  to  the  American 
stage.     Also,  a  list  of  the  American  theaters.     New  York.     1864. 

**T.97.307 
Discours  ,siir  la  comedie.     Lebkun,  P.  **T.78.3o 

Diseurs    et    comcdiens.      Dupont- Vernon.    H.  **T.77.i7i 

[242] 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 


Disguise  plots  in    Elizabethan  drama.     Freeburg,  V.   O.  6257.380 

Disputes  between  the  Director  of  D y   [Drury],  and  the  pit  ifotcn- 

tates.     Y.,    B.  **T.77.i76;  etc. 

Disputes,  The,  between  the  managers  of  the  theatres,  and  their  actors 
adjusted;  with  an  impartial  examination  of  the  players  right  to 
appeal  to  the  publick.  In  a  letter  to  a  friend.  London:  Printed 
for  Jacob  Robinson.     1744.  **T.77.i77 

Dissection,  The,  of  a  Bir — g — m  manager.  By  the  author  of  The 
svimmers  day,  a  poem.  London:  Printed  for  the  author.  1796. 
vi,  34  pp.  No.  9  in  **G.3823.4.2 

Dissenters  appeal.  The,  against- the  attacks  of  the  Rev.  Rowland  Hill, 
in  the  conclusion  of  a  book,  entitled  "A  warning  to  professors, 
containing  aphoristic  observations  on  the  nature  and  tendency  of 
public  amusements."  By  an  Independent.  London.  Conder. 
1805.     viii,  38  pp.  No.  6  in  **G.3824.9 

Hill's  A  warning  to  professors  may  be  found  on  shelf-numbers  No.  5  in 
**G.3824.9  and  ♦*T.96.ii3. 

Dissuasive,  A,  from  frequenting  the  theatre.  By  the  author  of  "An 
essay  on  early  rising."  Wellington,  Salop.  Houlston.  1825. 
33  PP-  **T.96.i3i 

Dithmar,  Edward  Augustus. 

John  Drew.  New  York.  Frederick  A.  Stokes  Co.  [1900.]  vi,  137 
pp.     Portraits.     Plates.  4343.213 

Dithmar,  Edward  Augustus,  editor. 

Portfolio,  A,  of  players  [Augustin  Daly's  company].  With  a 
packet  of  notes  thereon  by  H.  C.  Runner.  E.  A.  Dithmar.  Lau- 
rence Hutton,  Brander  Matthews  and  William  Winter.  New 
York.      1888.      Portraits.      Plates.  **T.52.i2 

Diversions   in   Sicily.     Jones,   H.   F.  4768.85 

Divine  Comedie-frangaise,  La.     Boucheron,  M.  **T.77.i32 

Dobson,  Austin.    See  Dobson,  Henry  Austin. 

Dobson,  Henry  Austin,  prefacer. 

Johnson,  S.  Samuel  Johnson's  prologue  spoken  at  the  opening  of 
the  theatre  in  Drury-Lane  in  1747  with  Garrick's  epilogue.  A 
facsimile  of  the  hitherto  undiscovered  first  edition.  New  York. 
1902.  *4570.ii5 

Reade,  C.  Peg  Woffington.  [A  novel.]  New  York.  1899.  Illus. 
Portrait.     Plates.  6577.128;  **'I*.87.23 

[Documents  of  the  Metropolitan  Board  of  Works,  the  London  County 
Council,  and  Committees  of  the  House  of  Commons  and  the  House 
of  Lords,  relating  to  the  theatre.]     London.     1866-1909.     7  v. 

**T.72.i4 

These  documents  relate  chiefly  to  the  controversy  between  the  managers  of  the 
theatres  and  the  music  halls  of  London ;  many,  however,  are  concerned 
exclusively   with   the   question   of   the   censorship   of  the   drama   in    England. 

Dodd,  Henry. 

Royal  Dramatic  College.  Correspondence  respecting  proposed  gift 
of  land  at  Langley,  Bucks,  by  Mr.  Henry  Dodd.  2d  edition,  with 
additions.     London.     Waterlow.     1859.     viii,  5-85  pp.       **T.96.i75 

Dodd,  James  William. 

A  catalogue  of  the  very  curious  and  valuable  library  of  the  late  Mr. 
James  William  Dodd,  of  the  Theatre  Royal,  Drury  Lane.  Con- 
sisting of  a  fine  collection  of  old  plays,  old  poetry,  romances, 
history,  belles  lettres,  miscellanies,  comic  and  humorous  books. 
&c.  ^Vhich  will  be  sold  by  auction  January  19.  [London.]  i797- 
(2),  93  pp.  **T.66.22 

[243] 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 

Dodington,  George  Bubb,  Baron  of  Melcombc  Regis. 

Dennis,  J.  The  stage  defended,  from  Scripture,  reason,  experience, 
and  the  common  sense  of  mankind,  for  two  thousand  years. 
Occasion'd  by  Mr.  Law's  late  pamphlet  against  stage-entertain- 
ments. In  a  letter  to  *****  *  [George  Dodington].  London. 
1726.  *6569.44;  etc. 

Dodsley,  Robert. 

The  rise  and  progress  of  the  English  theatre,  from  its  earliest 
beginning,  to  the  death  of  King  Charles  the  First.  [London. 
Prowett.     1825.]     109-138  pp.  No.  3  in  **G.3823.ii 

Extrr.cted    from   the   preface   to    Dodsley's   select   collection    of   old   plays. 

Theatrical  records:  or,  an  account  of  English  dramatic  authors,  and 
their  works.  [Anon.]  London:  Printed  for  R.  and  J.  Dodsley. 
1756.      135,    (30)    pp.  **T.68.6 

Doerpfeld,  Wilhelm. 

Zum  Dionysos  Theater  in  Athen.  Plates.  (In  Kaiserlich  deutsches 
archaologisches  Institut.  Jahrbuch.  Vol.  24,  pp.  224-226.  Berlin. 
1910.)  *22ioa.55.24 

Doerpfeld,  Wilhelm,  and  Emil  Reisch. 

Das  griechische  Theater.  Beitrjige  zur  Geschichte  des  Dionysos- 
Theaters  in  Athen  und  anderer  griechischer  Theater.  Athen. 
Barth  &  von  Hirst.     1896.    xiv,  (i),  396  pp.     Illus.     Plates.     Plans. 

4090.43 
Doggett,  Thomas. 

An  old  Irish  actor  and  his  times:  from  1691  to  1721.  Thomas 
Dogget.     [Dublin.     1864.]     513-528  pp.  No.  5  in  **G.62.5 

Cut   from  the  University  Magazine,   May,    1864    [Periodical   Room   *3i88.i.63]. 

Cook,  T.  A.  Thomas  Doggett,  deceased.  A  famous  comedian. 
Part  I.     London.     1908.     Portraits.     Plates.  **T.54.30 

Donaldson,  John  William,  editor. 

BucKHAM.  P.  W.  The  theatre  of  the  Greeks.  Cambridge.  1830.  **T.46.6 
Donaldson,  Thomas  Leverton. 

Description  of  a  second  view  of  Pompeii,  and  surrounding  country; 
representing  the  Tragic  theatre,  covered  theatre,  temple  of  Isis, 
small  forum,  now  exhibiting  in  the  panorama,  Leicester-Square: 
painted,  from  drawings  taken  on  the  spot,  l^y  Mr.  Burford.  Lon- 
don.    Adlard.     1824.     12  pp.     Plate.     Plan.  **T.96.293 

Description  of  a  view  of  the  ruins  of  the  city  of  Pompeii,  and  sur- 
rounding country,  now  exhibiting  in  thje  panorama,  Strand; 
painted  from  drawings  taken  on  the  spot  by  Mr.  Burford.  [Lon- 
don.] .Xfllard.  1823.  12  pp.  Plate.  **T.96.292 
Donaldson,  Walter  Alexander. 

Fifty  years  of  an  actor's  life;  or,  Thespian  gleanings.  London. 
Lacy.     1858.     56  pp.  **T.96.i6i 

Recollections  of  an  actor.  London.  Maxwell  &  Co.  1865.  viii. 
360  pp.  45493.243;  **T.58.84 

Same.  Fifty  years  of  green-room  gossip;  or,  recollections  of  an 
actor.      [  1 881.1  45493.244;  **T.58.39 

Theatrical  portraits;  or,  the  days  of  Shakespeare,  Betterton,  Garrick, 
and  Kemble.  London.  Varnham  &  Co.  1870.  296  pp.  Portrait. 
.Xutograph   facsimile.  45493.190;  **T.58.34 

Donaldson,  Walter  Alexander,  editor. 

Croker,  J.  W.  The  familiar  epistles.  Addressed  to  Frederick  Jones, 
patentee  of  the  Dublin  Theatre,  on  the  inefficiency  of  actors. 
London.     [1875.]     Portrait.  **T.57.429 

[244] 


BROWN   COLLECTION    OF  BOOKS    ON    THE   STAGE 

Donebauer,  Fritz. 

Aus  der  Musik-  und  Theaterwelt.  Beschreibendes  Vcrzeichnis  dcr 
Autographcn-Sammlung  Fritz  Donebauer  in  l^rag.  Prag.  L/iwit 
&  Lamberg.     1894.     Ixxx,    150,   (i)   pp.  **M.37i.33;  **T.96.265 

Compiled  by  Richard  Batka. 
Donne,  William  Bodham. 

Essays  on  the  drama.    London.    Parker.    1858.   vi,  (i),  256  pp.    2609.6 

Contents.  —  Athenian  comedy.  —  Beaumont  and  Fletcher.  —  Plays  and  their 
providers.  —  Songs  from  the  dramatists.  —  The  drama.  —  Charles  Kemble.  — 
The  drama,   past  and  present.   —   Popular  amusements. 

Same.  2d  edition.  Tinsley.  1863.  (5),  256  pp.  2609.4;  **T.47. 15 
Donnet,  Alexis. 

Architectonographie  des  theatres,  ou,  parallele  historique  et  critique 
de  ces  edifices  consideres  sous  le  rapport  de  I'architecture  et  de 
la  decoration.  Commence  par  Alexis  Donnet  et  Orgiazzi  et  con- 
tinue par  Jacques-Auguste  Kaufmann.  Paris.  Lacroix  &  Baudry 
[and  Mathias.  i837-]i840.  2  v.  in  i.  lUus.  Plates.  Plans. 
Map.  **8o9o.i20 

Atlas  only. 

Contents.    —    I.    Theatres    de    Paris    construits    jusqu'en    1820.      2.    Theatres    con- 

struits   depuis    1820. 

Same.  [Tome  i.]  Paris.  Didot.  1821.  2  v.  Text,  viij,  376  pp.: 
Atlas,  25  plates.     Illus.     Map.     Plans.  **T.76.i35 

"Don't  do  that." 

Collier,  W.  A  book  of  etiquette  entitled  "Don't  do  that."  Vol.  i. 
[New  York.     1909.]     Portraits.     Plates.  **T.89.6 

Donville,  F.  de,  pseud.    See  Tulou,  Frangois. 
bSboran,  John. 

The  history  of  court  fools.     London.     Bentley.     1858.     (7),  389  pp. 

Another  copy  is  on  shelf-number  **K.2i7.8.  6248.18;  **T.97.82 

'  In  and  about  Drury  Lane,  and  other  papers.    London.    Bentley.     1881. 

2  V.  2555.72;  **T.76.i47 

Another  copy  is  on  shelf-number  **K.2i7.6. 

v''Their    Majesties'    servants."      Annals    of    the    English    stage    from 

\        Thomas  Betterton  to  Edmund  Kean.    Actors — authors — audiences. 

London.     Allen   &  Co.     1864.     2  v.     Portraits.  4572.97 

Another  copy  is  on  shelf-number  **K.2i7.3. 

Same.     New  York.     Widdleton.     1865.  4572.98 

This  edition  lacks  the  portraits. 

Same.     Portraits.  **T.73.7 

Same.  With  a  memoir  of  Dr.  Doran,  and  an  introduction  and  con- 
clusion, by  R.  H.  Stoddard.     New  York.     Armstrong.     1880.  2  v. 

4572.99 
Same.     Edited  and  revised  by  Robert  W.  Lowe.     With  50  copper- 
plate portraits  and  80  wood  engravings.     London.     Nimmo.     1888. 

3  V.  *4572.ioo 
A  review  of  this  work  may  be  found  on  shelf-number  No.  i  in  **G. 3930.13. i. 

Dorat,  Claude  Joseph. 

La  declamation  theatrale,  poeme  didactique  en  quatre  chants,  pre- 
cede et  suivi  de  quelques  morceaux  de  prose.  [Anon.]  4^  edition. 
A  Paris,  chez  Delalain.     1771.     238,  (i)_  pp.     Plates.  **T.77.i44 

Relates  to  acting  and  dancing.     Another  copy  is  on  shelf-number  **G.4078.6. 

Dorcas  Mora.     Meske,  M.  **T.97.3 

Dorothea  Dix  Hall  Association,  Boston. 

A  home  and  school  for  stage  children  and  children  of  actors.  [Or- 
ganization, history,  and  treasurer's  report  for  1907.]  Boston. 
1908.     19  pp.     Illus.     Plates.  5577-145 

[245] 


THE  PUBLIC  LIBRARY  OF   THE   CITY   OF  BOSTON 

Dorothy  Wallis.     Besant,  Sir  W.  2547.120;  **T.57.2i3 

Dorval,  Marie  Thomase  Amelie  Delaunay. 

CorPY,  fi.    Marie  Dorval.    1798-1849.    Documents  incdits.    Biographic 

—  critique  et  bibliographic.     [Anon.]     Paris.     1868.  **T.57.234 

Dumas,  A.   1802-1870.     La  derniere   annee  dc  Marie   Dorval.     Paris. 

1855.  No.  3  in  **M. 1293.33;  etc. 

Douglas,  Robert  B. 

Sophie  .A.rnovild,  actress  and  wit.  With  seven  copper-plate  engrav- 
ings by  Adolphe  Lalauze.     Paris.     Carrington.     1898.     x,  272  pp. 

**M.37i.57 
^  Downes,  John. 

V  Roscius  Anglicanus,  or  an  historical  review  of  the  stage:  from  1660 
to  1706.  [Anon.]  London,  printed  and  sold  by  H.  Playford.  1708. 
(2),  52  pp.  No.  2  in  **G.3823.ii 

Relates  to  the  London  theatres. 
Same.      With   additions,   by  Thomas    Davies.      London,    Printed    for 
the  editor.     1789.     70,  (2)  pp.  **T.77.2 

Edited  by  Francis  Godolphin  Waldron. 
Same.     70,   (2),  27  pp.     [The  literary  museum.]         No.  10  in  *2557.i4 

Another  copy  is  on  shelf-number  No.  10  in  **G.39i7.i6. 
Same.     A  fac-simile  reprint  of  the  rare  original  of   1708.     With  an 
historical    preface    by    Joseph    Knight.      London.      Jarvis.      1886. 
XXXV,   (4),  52  pp.  No.  I  in  *4575.ioo 

Downman,  Hugh. 

The  drama,  a  poem.  [Anon.]  London:  Printed  by  J.  Chapman. 
1775-     (i)>  iv,  25  pp.  No.  I  in  **G.3820.ii 

Relates  to  contemporary  English  actors. 

Dowson,  Rosina  Filippi. 

Hints  to  speakers  and  players.  New  York.  Longmans,  Green  &  Co.* 
191 1,     viii,  280  pp.     Diagrams.  5599-i67 

Drake,  James. 

The  antient  and  modern  stages  survey'd.  Or,  Mr.  Collier's  V'iew  of 
the  immorality  and  profaneness  of  the  English  stage  set  in  a  true 
light.  Wherein  some  of  Mr.  Collier's  mistakes  are  rectified,  and 
the"  comparative  morality  of  the  English  stage  is  asserted  upon 
the  parallel.  [Anon.]  London,  Printed  for  Abel  Roper.  1699. 
(32),  367  pp.  **T.77.45 

Another  copy  is  on  shelf-number  **G.382i.6. 

Drake,  James.     Works  about. 

Collier,  J.    A  second  defence  of  the  Short  view  of  the  prophaneness 

and   immorality  of  the   English   stage,   &c.      Being   a   reply   to  a 

book,    entitled,    The    antient    and    modern    stages    surveyed,    &c. 

London.     1700.  **T.77.37;  etc. 

Drama,    The.      A    quarterly    review    of    dramatic    literature.      Vol.    i-. 

Chicago.     Drama  League  of  America.     191 1  to  date.        **T.i5.i7 

Drama.    Censorship.    See  Censorship  of  the  stage. 

Drama.     Construction. 

See  also  Unities.     Dramatic. 

Archer.  F.     How  to  write  a  good  play.     London.     1892. 

*6257.373;**T.47.46 

Archer,   W.      Play-making.     A   manual    of    craftsmanship.      Boston. 

[1915.]  6257.377;  etc. 

AuBiGNAC,   F.   H.,  Abbe  d'.      La  pratique  du   theatre.     Ouvrage   tres- 

necessaire  a   ceux   qui   veulent   s'appliquer   a   la   composition    des 

poemes  dramatiques.     K  Amsterdam.     1715.     3  v.     Plates. 

**T.47.4i;  etc. 

[2461 


BROWN   COLLECTION   OF  BOOKS   ON    THE   STAGE 


Drama.     Construction.     (Continued.) 

Same.  The  whole  art  of  the  stage,  containing  not  only  the  rules 

of  the  drammatick  art,  but  many  curious  observations  about  it. 
With  much  critical  learning  about  the  stage  and  plays  of  the 
antients.     London.     1684.  **T.46.27 

Brunetiere,  M.  F.  The  law  of  the  drama.  With  an  introduction  by 
Henry  Arthur  Jones.     New  York.     1914.  **T.46.6o.3 

Burton,  R.  E.     How  to  see  a  play.     New  York.     1914.  6257.85 

Cannon,  F.  Writing  and  selling  a  play.  Practical  suggestions  for 
the  beginner.     New  York.     1915.  6257.93 

Columbia  University.  Dramatic  Museum.  How  to  write  a  play. 
Letters  from  Augier,  Banville,  Dennery,  Dumas,  Gondinet, 
Labiche,  Legouve,  Pailleron,  Sardou  and  Zola.  With  an  intro- 
duction by  William  Gillette.     New  York.     1916.  **T.46.62.2 

Cr.\wkord,  J.  R.  Drama  structure  course.  [In  two  parts.]  Study 
course  no.  11  [and  no.  12  of  the  Drama  League  courses].  (In 
Drama  League  Monthly.  Vol.  i,  no.  7,  pp.  290-301;  no.  8,  pp. 
324-332.      [Mount   Morris,   111.,   etc.]      1917.)  **T.25.34.i 

Dench,  E.  a.  Playwriting  for  the  cinema,  dealing  with  the  writing 
and  marketing  of  scenarios.    London.     1914.  8o39a.67 

Dramatist,  The.  A  journal  of  dramatic  technology.  Edited  by 
Luther  B.  Anthony.  Quarterly.  Vol.  i-  Oct.  1909  to  date. 
Easton,  Penna.     Portraits.  **T.26.8;  etc. 

Fansler,  pi.  E.  The  evolution  of  technic  in  Elizabethan  tragedy. 
Chicago.      [1914-]  6257.378 

Fleming,  W.  H.  Shakespeare's  plots.  A  study  in  dramatic  con- 
struction.    New  York.     1902.  6257.379 

Freeburg,  V.  O.  Disguise  plots  in  Elizabethan  drama.  A  study  in 
stage  tradition.     New  York.     1915.  6257.380 

Freytag,  G.     Die  Technik  des  Dramas.     Leipzig.     1872.    6257.386;  etc. 

Gilbert,  Sir  W.  S.  A  stage  play.  With  an  introduction  by  William 
Archer.     New  York.     1916.  **T.46.63.3 

Hennequin,  a.  L.  F.  The  art  of  playwriting:  being  a  practical  treatise 
on  the  elements  of  dramatic  construction,  intended  for  tjie  play- 
wright, the  student,  and  the  dramatic  critic.  Boston.  [190-?] 
Diagrams.  6257.381 

Hessen,  R.     Dramatische  Handwerkslehre.     Berlin.     1895.     **T.46.39 

Hochgreve,  W.  Die  Technik  der  Aktschliisse  im  deutschen  Drama. 
Leipzig.     1914.  •  6257.390 

Howard,  B.  The  autobiography  of  a  play.  With  an  introduction  l)y 
Augustus  Thomas.     New  York.     1914.  **T.46.6o.2 

Hunt,  E.  R.  The  play  of  to-day.  Studies  in  play-structure  for  the 
student  and  the  theatre-goer.     New  York.     1913.  6257.64 

Morris,  E.  W.  The  drama:  its  law  and  its  technique.  Boston. 
[i8g8.]     Diagrams.  6257.382 

PoLTi,  G.     Les  trente-six  situations  dramatiques.     Paris.      1895. 

6257.383 

Price,  W.  T.  The  analysis  of  play  construction  and  dramatic 
principle.     New  York.     [1908.]  6257.90 

The  technique  of  the  drama.     New  York.     1913.       6257.89;  etc. 

Ross,  E.  N.  Scenario  writing  [for  the  cinematograph].  Philadelphia. 
[1912.I  8o39a.68 

Sakcly,  F.  a  theory  of  the  theatre.  With  an  introduction  [and 
notes]  by  Brander  Matthews,     New  York.     1916.  **T.46.62.4 

Schmidt,  F.  L.     Dramaturgische  Aphorismen.     Hamburg.     1820. 

6257.391 
[247] 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 

Drama.    Construction.     (Continued.) 

Vkga  Carpio,  L.  F.  de.     The  new  art  of  writing  plays.     Translated 

by  William  T.  Brewster.     New  York.     1914.  **T.46.6o.i 

Drama.     In  favor  of.     See  Theatre.    In  favor  of. 
Drama.    In  o/^position  to.    See  Theatre.    In  opposition  to. 
Drama.     Technique.     See  Drama.     Construction. 
Drama,  The,  a  poem.     [Anon.]     See  Downman,  Hugh. 
Drarna,    The,    brought    to    the    test   of    Scripture,    and    found    wanting. 

[Anon.]     See  Greville,  Robert  Kaye. 
Drama,  The,  defended.     Davidge,  W.  P.  Gasgb.isi 

Drama,  The,  in   Pokerville.     Field,  J.   M.  **T.87.84;  etc. 

Drama  League,  The,  of  America. 

Courses.     No.  3,  5.     Chicago.     1915,  16.  6599a.72 

3.  A  guide  to  .Shakespeare'.s  stage.     By  Charlotte  Porter. 

5.  A  course  in  the  Commedia  dell'  arte.     By  H.  C.  Chatfield-Taylor. 

Beginninsf  with  No.  6,  these  Courses  have  been  published  in  The  Drama  League 

Monthly  1**T.2S.34]. 

The  drama.  A  quarterly  review  of  dramatic  literature.  Editor, 
Theodore  Ballou  Hinckley.     Vol.  i-      Chicago.     1911  to  date. 

**T.i5.i7 

Drama  League  Monthly.  Vol.  i,  3  (no.  i).  April,  1916- April,  1918. 
[Mount  Morris,  111.,  etc.]     1916-18.  **T.25.34 

Vol.  I,  no.  I,  has  the  title:  Monthly  bulletin.  With  vol.  i,  no.  2,  the  above  title 
was  adopted.      Not   published  during   June,   July   and  August. 

Shakespeare  festival  in  honor  of  the  poet's  birthday,  April  23,  1912, 
Lincoln  Park,  Chicago.  Chicago.  Ralph  Fletcher  Seymour  Co. 
[1912.]      27  PP-     Plans.  8076.234 

Drama  League,  The,  of  America.    Publications. 

Bates,  K.  L.,  compiler  and  editor.  The  new  Irish  drama.  Yeats, 
Synge,  Lady  Gregory  and  others.     [Chicago.]      191 1.  2175.75 

Brown,  F.  C,  compiler.  A  selective  list  of  essays  and  books  about 
the  drama  and  the  theatre,  exclusive  of  biography.  [Chicago. 
1912.]  2175.74 

Williams,  J.  E.  "Lyceumize  the  theatre."  A  suggested  remedy  for 
the  disease  that  afflicts  the  one  night  stands.     Chicago.     [1916.] 

6257.150 
Drama  League,  The,  of  America.     Works  about. 

Best,  M.  A.  The  Drama  League  of  America.  Its  inception,  pur- 
poses, wonderful  growth  and  future.  Garden  City,  N.  Y.  [1014.] 
Illus.  6257.119 

Drama  League,  The,  of  America,  Boston. 

Bulletin.  [Published  irregularly.]  No.  i,  3-32,  34,  35,  2>7,  38,  40,  40a, 
41-62,  64-86,  88-94.     August,  191 1 -April,  1918.     Boston.     1911-18. 

**T.62.2 

"These  Bulletins  are  intended  to  increase  attendance  at  performances  of  good 
plays."  The  missing  numbers  are  not  obtainable.  Unbound  parts  are  kept  in 
the  Music  Room. 

A  selected  list  of  plays  for  amateurs.     Prepared  by  the  Drama  Study 

Committee  [Alice  Howard  Spaulding,  Chairman].     Boston.     1914. 

50,  (2)  pp.  *2i75.69 

A  selective  list  of  plays  for  amateurs.    Arranged  by  Richard  J.  Davis. 

Boston.     1915.    48  pp.  *2i75.64 

Drama,  The,  of  yesterday  and  today.     Scott,  C.  W.      4557.164;  **T.76.i2 

Drama,  The,  on  crutches.     Snow,  W.  R.  **T.97.26o 

Drama,  The,  recorded.     Barker,  J.  **T.67.2;  etc. 

Drama,  The,  the  press,  and  Mr.  Macready.     C,  A.  B.,  pseud.     **T. 56.288 

[248] 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 

Dramatic    Almanack    for    1871,    by    J.    W.    Anson.      [London.      1871?] 

128   pp.  **T.29.i5 

Dramatic   and  musical  prospectuses  and  programmes,  etc.      [1876-86.] 

3Q  pphs.  **M.i39.i7 

Dramatic  and  Musical  Review.    [Weekly.]    Vol.  1-4.    London.    Onwhyn. 

1842-45.     4  V.     Portrait  of  Jullien.  **M. 167.7 

Dramatic  authors,  The,  of  America.    Rees,  J.  **T.27.37;  etc. 

Dramatic    catalogue    cuttings    [from    booksellers'    catalogues.      Boston. 

189-?].     (168)  pp.  **T.i2.8 

Arranged  alphabetically. 

Dramatic  Censor,  The:  or,  critical  and  biographical  illustration  of  the 
British  stage.  [Monthly.]  181 1.  Involving  a  correct  register 
of  every  night's  performances  at  our  Metropolitan  theatres. 
Edited  by  J.  M.  Williams.  London.  Brimmer.  [1812.]  (5)  pp., 
493  col.,   (5)   pp.     Portrait.  **T.25.ii 

Dramatic  Censor,  The:  or,  monthly  epitome  of  taste,  fashion  and 
manners.  By  Thomas  Dutton.  Vol.  1-4.  London.  Roach.  1800, 
01.    4  V.  **T.26.30 

The  title  varies.     Vols,    i    and  2  were  issued  in  weekly   numbers.     Another  copy 
of  vols.  1—3  is  on  shelf-number  **K.4S.i6. 

Dramatic  censorship.     See  Censorship  of  the  stage. 

Dramatic  Chronicle  and  Observer,  The.  [Weekly.]  Vol.  i  (no.  1-3). 
Jan.  4-18,  1870.     [London.     1870.]     24  pp.  **T.25.i7 

No  more  was  published. 

Dramatic  clippings  [from  newspapers,  magazines,  etc.].  N.  p.  N.  d. 
Unpaged.     Illus.     Portraits.     Autograph   facsimiles.  **T.i3.i 

Dramatic   congress,  The.     Chetwood,   W-   R.  **T.76.i68;  etc. 

Dramatic  Correspondent,  The,  and  amateur's  place  book.  [Weekly.] 
No.  13-21.  Oct.  18,  1828 -Jan.  31,  1829.  [London.  1828,  29.} 
145-252,    12   pp.  **T.27.29 

Dramatic  emancipation.     Lawrence,  Sir  J.  No.  17  in  *6575.i.2 

Dramatic  festival,  The.     Craig,  A.  A.  T.  6257.73 
Dramatic  Festival  Association,  Cincinnati,  0. 

Official  hand-book  of  the  Dramatic  Festival  held  in  Music  Hall, 
Cincinnati,  April  30-  May  5,  1883.    Edited  by  Montgomery  Phister. 

Cincinnati.     Hall.     1883.     71   pp.     Plates.     Plans.  **T.94.7 
Dramatic  Fine  Art  Gallery,  London. 

Catalogue.     London.     Aubert.      [1880.]      (i),    13  pp.  **T.95.96 

This   gallery    contains   many   portraits   of  actors,   and   pictures   by   actors.      Short 
biographical  notices   accompany   these   entries   in   most   cases. 

A  catalogue  of  the  valuable  and  interesting  collection  of  pictures, 
water-color  drawings  and  prints  .  .  .  old  play  bills  and  a  variety 
of  items  connected  with  the  drama,  which  will  be  sold  by  auction 
the  24th  of  February,  1881.     London.     [1880.]      (i),  13  pp. 

**T.95.96 

Illustrated  notes  upon  the  pictures  in  the  Dramatic  Fine  Art  Gallery, 

1880.      Edited    by   W.    G.    Larkins.     The    illustrations,    when    not 

supplied  by  the  artists  exhibiting,  are  by  J.  E.  Soden.     London. 

The    Artistic    Colour-Printing    Co.,    Ltd.      [1880.]      43   pp.      IHus. 

Portraits.      Plates.  **T.98.35 

Dramatic  Gazette,  The;  or,  weekly  record  of  the  stage,  music,  public 

exhibitions,    &c.     Vol.    i    (no.    1-12).     Oct.  9,    1830 -Jan.    i.    1831. 

[London.]      1830,   31.      128,    149-212  pp.     Portrait.  **T.24.9 

Dramatic  genius.     Hiffernan,  P.  **T.74.9;  etc. 

[249] 


THE  PUBLIC  LIBRARY  OF   THE   CITY   OF  BOSTON 


Dramatic  historiographer,  The:  or,  the  British  theatre  delineated; 
exhibiting  the  argument,  conduct  and  chief  incidents  of  the  most 
celebrated  plays.    London.    F.  Cogan.    1735.    (10),  286  pp.**T.48.26 

Another   copy    is   on    shelf-number    **0.3923.5.      The    second    edition,   having    the 
title   A  companion   to  the  theatre,   may  be  found  on   shelf-number   **T.48.i5. 

Dramatic  Index,  The,  for  1909-17.  Covering  articles  and  illustrations 
concerning  the  stage  and  its  players  in  the  periodicals  of  America 
and  England:  with  a  record  of  books  on  the  drama  and  of  texts 
of  plays  published  during  [those  years].  Edited  by  Frederick 
Winthrop  Faxon.     Boston.     The  Boston  Book  Co.     1910-18.    9  v. 

**T.65.47 

Another  copy,  published  as  part  of  the   Annual   Magazine   Subject-Index,  is  on 
shelf-number  *3 182.10. 

Dramatic  instinct.  The,  in  education.     Curtis,  E.  W.  35993.61 

Dramatic  letters,  a  titular  novelty.     Hall,  H.  T.  **T. 47.66 

Dramatic  life  as  I   found  it.     Ludlow,   N.  M.  2404.52;  **T.56.ioi 

Dramatic  list,  The.     Pascoe,  C.  E.  **T.57.307;  etc. 

Dramatic    Magazine,    The,    embellished    with    numerous    engravings    of 

the  principal  performers.     [Monthly.]     Vol.  i,  2;  3  (no.  1).    March 

1829 -Feb.  1831.     London.     Whittaker,  Treacher  &  Co.     1829-31. 

3  V.  in   I.     Portraits.  **T.26.29 

Dramatic  memoirs  and  criticisms.     N.  p.     N.  d.     (52)   pp.  **T.i5.6 

Composed  of  articles  cut  from   various  magazines.     The  volume  is  indexed. 

Dramatic  mirror.  The.     Gilliland,  T.  **T.77.i38;  etc. 

Dramatic   Mirror,  The,  and  literary  companion.      [Weekly.]      Devoted 

to   the   stage  and  the   fine   arts.      Vol.    i,   2    (no.    i.).     Edited   by 

James    Rees.     New   York.     Turner   &   Fisher.      1842.     2   v.    in    i. 

Portraits.     Autograph  facsimiles.  **T.23.5 

Dramatic  Mirror,  The,  and  review  of  music  and  the  fine  arts.     [Weekly.] 

Apr.   14 -Dec.  9,   1847.      [London.      1847.]      220  pp.     Portraits. 

Pp.  25,  26,  33-42.  49,  so,  57,  58,  203-208  are  missing.  **T.24.6 

Dramatic  Mirror,  The;  containing  critical  remarks  upon  the  theatrical 
performances  of  every  night,  in  the  city  of  Boston, — with  bills  of 
the  play.  No.  1-36.  Jan.  24- March  19,  1829.  [Boston.]  1829. 
I  V.  **K.35.8 

Dramatic  Mirror,  The;  containing  critical  remarks  upon  the  theatrical 
performances  of  every  night,  in  the  city  of  Boston, — with  bills 
of  the  play.    No.  1-56.    Sept.  14-Dec.  8,  1829.    [Boston.]    1829.    i  v. 

Apparently    a    different    publication    from    the    preceding.  **T.25»2I 

Dramatic  Mirror,  The,  a  journal  of  theatrical  literature,  contributed  by 

members    of    the    dramatic    profession.      T.    C.    Faulkner,    editor. 

Monthly.      Vol.    i    (no.    i).      Oct.,    1866.      New    York.      Faulkner. 

1 1866.]      32  pp.     Portraits.  **T.26.26 

Dramatic    Mirror    Quarterly,    The.      Edited    by    Harrison    Grey    Fiske. 

Vol.   I    (no.   i).     June,   i8qo.     New  York.     The   Dramatic   Mirror. 

1890.     63  pp.  **T.25.8 

Dramatic  Notes.     A  year-book  of  the  stage.     1879,  1880/81-84/85,  89-92. 

London.  Bogue  [etc.].  1879-92.  8  v.  in  5.  lUus.  Portraits.  **T.26.38 

In   1879  the  editor  was  Charles   Eyre  Pascoe;   in    1880/81,  William   H.   Rideing; 

in   1882/83-84/85,  Austin   Brcreton ;   in    1889-92,  Cecil   Howard. 

Dramatic    opinions.      Kendal,    M.  4579.117;  **T.58.iq4;  etc. 

Dramatic  peerage.  The,  1891.  Personal  notes  and  professional  sketches 
of  the  actors  and  actresses  of  the  London  stage.  Compiled  by 
Erskine  Reid  and  Herbert  Compton.  London.  The  General 
Publishing  Co.,  Ltd.  [1891.]  266  pp.  [The  "Peerage"  series.] 
No  more  was  published.  **T.28.6 


1 250] 


BROWN   COLLECTION    OF   BOOKS    ON    THE   STAGE 

Dramatic  portraits.     Howe,  P.   P.  4579.246 

Dramatic  Register  for  1851-53.  London.  Lacy.  [1852-54.]  3  v.  in  1. 
Illus.     Plate.  **T.27.28 

Dramatic  reminiscences.     Vandenhoff,  G.  **T.57.i4 

Dramatic  Review,  The.  [Weekly.]  No.  1-8.  Mar.  15 -May  3,  1848. 
[London.      1848.]      64   pp.  **T.24.i2 

Dramatic  Review,  The.  [Weekly.]  Vol.  6,  no.  38;  7,  no.  4,  6.  May 
26,  October  6,  20,  1900.  Boston.  Review  Co.  (Ltd.).  1900.  3  parts. 
Illus.     Portraits.     Plates.  **T.23.i8 

Dramatic   rights.     Cutspear,   W.,  pseud.  **T.77.i9o;  etc. 

Dramatic  schools. 

American  Academy  of  Dramatic  Arts  and  Empire  Theatre  Dramatic 
School,  New  York.  The  "Prompt  book."  9th  year.  1892/93.  Con- 
taining the  catalogue.  New  York.  [1892.]  Plates.  **T.97.99 
OuT-DooR  Players,  The,  Pcterborongh,  N.  H.  The  story  of  the  Out- 
Door  Players  (a  summer  school-camp)  in  pictures.  [Peter- 
borough, N.  H.     1917.]     Illus.     Portraits.  5599-192 

Dramatic  scorpion,  The.  A  satire  with  explanatory  notes.  London. 
Kirby.     1818.     (i),  ix,  3-71,  (2)  pp.  **T.96.ii 

This  satire,  which  relates  to  the  English  drama  and  the  London  theatres,  is 
attributed  by  Gushing  to  William  Hazlitt,  with  a  query. 

Dramatic  souvenir.  The.  Literary  and  graphical  illustrations  of  Shake- 
speare and  other  English  dramatists.  London.  Tilt.  1833.  xvi, 
204  pp.     Illus.     Plates.  **T.47.42 

Another  copy  is  on  shelf-number  **G.30si.44.  An  earlier  edition,  having  the 
title  Literary  and  graphical  illustrations  of  the  British  drama,  is  on  shelf- 
numbers  **G.395i.43;   **K.34.27;   *6595.62. 

Dramatic  souvenirs.  Vol.  1-6.  [Boston.  1910-13.]  6  v.  Illus.  Por- 
traits.     Plates.  **T.i2.4 

Composed  of  illustrated  souvenir  books  of  plays,  actors,   etc. 

Dramatic  Spectator,  The  Edited  by  Poz,  Quiz  &  Company.  No.  i-io. 
July  29 -September  30,  1837.  Edinburgh.  Glass.  1837.  10  nos. 
in   I  V.  No.  I  in  **G.382i.24 

Criticisms    of   performances    at    the    Edinburgh    theatres. 

Dramatic  Studies.  [Quarterly.]  Vol.  i  (no.  1-4).  Oct.,  1893 -June, 
1894.  New  York.  The  American  Academy  of  the  Dramatic  Arts. 
189.3,  94-    4  nos.  in  i  v.     Illus.  **T.93.io 

Nos.  1-3  were  published  monthly. 

Dramatic  synopsis,  A.     Gilliland,  T.  **T.76.59;  etc. 

Dramatic   table  talk.     Ryan,   R.,  compiler.  2259a.57;  **T.78.i3;  etc. 

Dramatic  time-piece.  The.     Brownsmith,  J.  **T.48.5 

Dramatic  traditions  of  the   Dark  Ages.     Tunison,  J.  S.  6252.86 

Dramatic  unities.    See  Unities.    Dramatic. 

Dramatic  unities.  The,  in  the  present  day.     Simpson,   E. 

2576.63;**T.48.i2 

Dramatic   writers,    The,   of   Scotland.      Inglis,    R.  **T.58.ii5 

Dramatic  year,  The.  1887/88.  Brief  criticisms  of  important  theatrical 
events  in  the  United  States.  With  a  sketch  of  the  season  in 
London  by  William  Archer.  Edited  by  Edward  Fuller.  London. 
Sampson  Low,  Marston,  Searle,  &  Rivington,  Ltd.  1888.  viii, 
258,    (i)   pp.  **T.27.i9 

Same.     Boston.     Ticknor  &  Co.     1889.     (i),  viii,  268  pp.       **T.27.20 

Dramatic  year,  The.     See  Playgoers'  Pocket-Book,  The. 

[251] 


THE  PUBLIC  LIBRARY  OF   THE   CITY   OF  BOSTON 


Dramatic  Year  Book,  The,  for  the  year  ending  December  31st,  1891. 
An  annual  chronicle  of  the  drama  in  Great  Britain,  France,  United 
States  of  America  and  Australasia,  and  stage  directory  for  the 
United  Kingdom.  Edited  by  Charles  S.  Cheltnam.  London. 
Trischler  &  Co.  1892.  v-xxxvii,  700  pp.  Portraits.  **T.25.23 
No  more  was  published. 

Dramatick  sessions.  The:  or,  the  stage  contest.     London:   Printed   for 

A.  Moore.     1734.     28  pp.  **T.52.4 

Satirical  verses  on  British  dramatists. 

Dramaticus,  pseud. 

Improprieties  in  theatrical  representation.  [Also,  Stage  costumes. 
London.      1789.]      Pp.   407-409.  No.  22  in  **G.3822.3 

Cut   fiom   the   Gentleman's   Magazine,   May,    1789    [Per.  Room  *3i  15. 1. 1789]. 

The  players  who  acted  in  "The  shoemakers'  holiday,"  1600,  a  comedy 
by  Thomas  Dekker  and  Robert  Wilson.  (In  Shakespeare  Society, 
London.     Papers.     Vol.  4,   pp.    1 10-122.     London.      1849.) 

Another  copy  is  on  shelf-number  **G.3g2y.^7.4.  *4596.II.4 

The  profits  of  old  actors,  (/w  Shakespeare  Society,  London.  Papers. 
Vol.  I,  pp.  21-23.     London.     1844.)  *4596.ii.i 

Another  copy  is  on  shelf-number  **G. 3927.37.1. 

The  Stage  as  it  is.    London.    Newton.    1847.    24  pp.    6257.59;  **T.78.76 

A  ciiticism  of  British  actors  and  acting. 

Dramatik  oder  Darstellung  der  Biihnenkunst.     Birch,  C.  **T.97.88 

Dramatische   Handwerkslehre.      flESSEN,    R.  **T.46.39 

Dramatist,  The.     A  journal  of  dramatic  technology.     Edited  by  Luther 

B.  Anthony.     Quarterly.     Vol.   i-      Oct.,   1909,  to  date.     Easton. 
Penn.    The  Dramatic  Co.    Portraits.  **T.26.8 

Another  copy  is  on  shelf-number  *6257.58. 

Dramatist,  The.     Holbrook,  A.  C.  **T.56.3ii 

Dramatists. 

BoNNAssiES,  J.  Les  auteurs  dramatiqucs  et  la  Comedic-frangaise  a 
Paris  aux  xvii^  et  xviii^  siecles.  D'apres  des  documents  inedits 
extraits  des  archives  du  Theatre-frangais.     Paris.     1874. 

2669a.75;**T.78.48 

Les  auteurs  dramatiques  et  les  theatres  de  province  aux  xvne 

et  xviiie  siecles.     Paris.     1875.  **T.78.49 

Charavay,  M.  £.  A  de  Vigny  et  Charles  Baudelaire,  candidats  a 
I'Academie  frangaise.  fitude.  Paris.  1879.  lUus.  Portraits. 
Plate.  **T.57.i24 

Dramatick  sessions,  The:  or,  the  stage  contest.  [Satirical  verses.] 
London.     1734.  **T.52.4 

Gayley,  C.  M.  Beaumont  the  dramatist.  A  portrait.  With  some 
account  of  his  circle,  Elizabethan  and  Jacobean,  and  of  his  as- 
sociation with  John  Fletcher.    New  York.    1914.    Portraits.    Plates. 

4579-238 

Howe,  P.  P.     Dramatic  portraits.     New  York.     1913.  4579.246 

iNGbEBV,  C.  M.  Was  Thomas  Lodge  an  actor?  An  exposition 
touching  the  social  status  of  the  playwright  in  the  time  of  Queen 
Elizabeth.     London.     1868.  4581.10 

Mahalin,  p.    Au  bout  de  la  lorgnette.     Paris.     1883.  **T.57.23 

Paris.  Theatres.  Comedie  frangaise.  Observations  pour  les 
Comediens  Frangais,  sur  la  petition  adressee  par  les  auteurs 
dramatiqucs,  a  I'Assemblee  nationale.     A  Paris.     1790.     **T.76.io8 


[252] 


BROWN   COLLECTION   OF  BOOKS   ON    THE   STAGE 

Dramatists.     (Continued.) 

PuRNELL,  T.     Dramatists  of  the  present  day.     London.     1871. 

2479.52;  **T.47.i4 

Rees,  J.     The  dramatic  authors  of  America.     Philadelphia.     1845. 

**T.58.67;etc. 

Thackeray,  T.  J.  On  theatrical  emancipation,  and  the  rights  of 
dramatic  authors.     London.     1832.  **T.76.i84 

TouRRET,  G.  Manuel  du  vaudevilliste.  Maniere  de  faire  une  piece 
de  theatre,  de  la  faire  recevoir,  jouer,  reussir  et  proner  par  les 
journaux.     Paris.     1861.  **T.99.3o 

WoLCOT,    J.      The    cap.      A    satiric    poem.      Including   most    of    the 
dramatic    writers    of    the    present    day.      By    Peter    Pindar,    Esq. 
1  fpseud.].     London.      [1795?]  **T.93.4;  etc. 

iDramatists.    Biography. 

J  Baker,  D.  E.  The  companion  to  the  play-house:  or,  an  historical 
account  of  all  the  dramatic  writers  (and  their  works)  that  have 
appeared  in  Great  Britain  and  Ireland.  Composed  in  the  form 
of  a  dictionary.     London.     1764.    2  v,  **T.58.22;  etc. 

Chetwood,  W.  R.  The  British  theatre.  Containing  the  lives  of  the 
English  dramatic  poets;  with  an  account  of  all  their  plays,  the 
lives  of  most  of  the  principal  actors,  as  well  as  poets.  Prefixed, 
a  short  view  of  the  rise  and  progress  of  the  English  stage.  [Anon.] 
Dublin.     1750.  **T.68.5;etc. 

Clemlnt,  J.  M.  B.,  and  J.  de  La  Porte.  Anecdotes  dramatiques. 
A  Paris.     1775.     3  v.  **T.58.3;etc. 

Fleav.  F.  G.  A  biographical  chronicle  of  the  English  drama,  1559- 
1642.     London.     1891.     2  v.  2542.108;  **T.45.4 

GiLi.iLAND,  T.  The  dramatic  mirror:  containing  the  history  of  the 
stage  to  the  present  time;  a  biographical  and  critical  account  of 
all  the  dramatic  writers  from  1660;  and  of  the  most  distinguished 
performers  from  the  days  of  Shakespeare.  London.  1808.  2  v. 
Portraits.     Plates.  **T.77.i38;  etc. 

Inglis,  R.     The  dramatic  writers  of  Scotland.     Glasgow.     1868. 

**T.58.ii5 

Langbaine,  G.  The  lives  and  characters  of  the  English  dramatick 
poets.  Also  an  exact  account  of  all  the  plays  printed  in  English. 
London.     1699.  **T.57.39i 

Lives  of  British  dramatists.     Philadelphia.     1846.    2  v.  in  i.     4549.50 

Martin,  J.  Nos  auteurs  et  compositeurs  dramatiques.  Portraits  et 
biographies  suivis  d'une  notice  sur  les  societes  d'auteurs,  droits, 
reglements,  statistique  et  I'affiche  theatrale.  Paris.  1897.  Por- 
traits. **T.59.24 

Mottley,  J.,  alleged  author.  A  compleat  list  of  all  the  English  dramatic 
poets,  and  of  all  the  plays  printed  in  English  to  1747.  Portraits. 
(In  Whincop,  Thomas.     Scanderbeg.    Pp.  87-320.     London.     I747-) 

**T.37.2o6;  etc. 

MouiiY,  C.  de  F.,  Chevalier  de.  Abrege  de  I'histoire  du  Theatre 
frangois,  depuis  son  origine  jusqu'au  premier  juin,  .1780.  Precede 
du  dictionnaire  de  toutes  les  pieces  de  theatre  jouees  &  imprimees; 
du  dictionnaire  des  auteurs  dramatiques.  &  du  dictionnaire  des 
acteurs.     A  Paris.     1780.     3  v.     Portrait.  **T.76.ii9 

Tablettes    dramatiques,    contenant    I'abrege    de    I'histoire    du 

Theatre  frangois,  I'etablissement  des  theatres  a  Paris,  un  diction- 
naire des  pieces  et  I'abrege  de  I'histoire  des  auteurs  &  des  acteurs. 
A  Paris.     1752-58.  **T.78.67;etc. 

[253] 


THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 

Dramaturgische   Blatter.     Lindau,    H.    G.    P.  2875.66;  **T.48,i 

AIaubach,  G.  O.  No.  2  in  **G.39i4.24 

TiECK.  J.   L.  2908.3 

Dramaturgische   Nachrichten.     Stuck   i.     Bonn,   bey  Johann   Friderich 

Abshoven.      1779.     128  pp.     Portrait.  **T.77.i93 

Drame  chretien,  Le,  au  moyen  age.     Sepet,  M.  C.  A.     4676.53;  **T.47.27 

Drawcansir,  Sir  Alexander,  pseud.     See  Fielding,  HenrJ^ 

Dresden.     Theatres. 

FuERSTENAU,  M.  Zur  Geschichtc  der  Musik  und  des  Theaters  am 
Hofe  zu  Dresden.     Dresden.     1861,  62.     2  v.     Plate. 

4049.90;  **M. 136.10 

ScHOLLE,  F.     Ueber  Theaterbrande,  dereh  Ursachen  und  Verhiitung, 

sowie  die  Einrichtung  des  Feuersicherheitswesens  in  den  Konigl. 

Hoftheatern  zu  Dresden.     Dresden.     1882.  **T.75.6i 

Dresden.     Theatres.     Hoftheater. 

Banck,    O.    A.      Aus    der    deutschen    Biihnenwelt.      Dramaturgische 

Studien  iiber  Theater  und  Theaterdichtung.   Schauspielkunst  und 

Schauspieler,  mit  Hinblick  auf  die  Bliithezeit  der  Dresdener  Hof- 

biihne.     Leipzig.     1865.  **T.46.35 

GoEHLER,  R.     Gutzkow  und  das  Dresdener  Hoftheater.     (In  Archiv 

fur   Theatergeschichte.     Vol.    i,   pp.   Q7-117;    vol.    2,   pp.    1Q3-228. 

Berlin.     1904.)  *6907.i2.i,2 

Haehnel,  E.  J.     Sculpturen  an  dem  konigl.     Museum  und  dem  alten 

konigl.    Hoftheater    zu    Dresden.      Ferner    Denkmaler,    Statuen. 

Entwiirfe,  Reliefs,  etc.     Dresden.     1882.     148  plates.    *Cab. 80.191. 2 

KoHUT,  A.    Das  Dresdner  Hoftheater  in  der  Gegenwart  mit  Original- 

Beitragen     von     den     Mitgliedern     des     Dresdner     Hoftheaters. 

Dresden.      1888.     Portraits.  2847.84 

Semper,  G.     Das  Konigliche  Hoftheater  zu  Dresden.     Braunschweig. 

1849.     Plates.     Plans.  *Cab. 60.99.3 

Dreux  du  Radier,  Jean  Frangois. 

Des  fous   en   titre  d'office   des   rois   de    France.      (In   Collection   des 

meilleurs  dissertations  .  .  .  et  traites  particuliers  relatifs  a  I'his- 

toire  de  France.    Tome  8,  pp.  148-186.     Paris.     1826.)     **G.35i6.i.8 

Same.     (In  Same.     1838.)  *26i8.i.8 

Drew,  John. 

DiTHMAR,  E.  A.    John  Drew.    New  York.     [1900.]     Portraits.    Plates. 

4343-213 
Drew,  Mrs.  John.    See  Drew,  Louisa  Lane. 

Drew,  Louisa  Lane. 

Autobiographical  sketch  of  Mrs.  John  Drew.  With  an  introduction 
by  her  son  John  Drew.  With  biographical  notes  by  Douglas 
Taylor.  New  York.  Scribner.  1899.  xiv,  200,  (i)  pp.  Illus. 
Portraits.      Plate.      Facsimiles.  4343.212;  **T.56.253 

Contains   biographical    sketches    of   various    American    actors. 

Dreyfous,  Maurice.     C Marcus  Nothing.) 

Les  comediens  et  la  Legion  d'honneur.     Paris.     Dentu.     1863.     16  pp. 

**T.95.89 
Dreyfus,  Abraham. 

L'incendie  des  Folies-plastiques.  Paris.  Levy.  1886.  (3),  300,  (i) 
pp.     [Bibliotheque  contemporaine.]  **T.87.37 

Contents.  —  L'incendie  des  Folies-plastiques.  —  La  scene  a  faire.  —  Une  piece 
comique.  —  Four  et  succes.  —  Le  second  regisseur.  — •  La  matinee  d'un  critique. 

1254] 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 


Dreyfus,  Abraham.     (Continued.) 

Scenes  de  la  vie  de  theatre.  Paris.  Levy.  1880.  (3),  322,  (i)  pp. 
Plates.     [Bibliotheque  contemporaine.]  4665.58;  **T.87. 51 

Contents.  —  L'envers  d'une  revue.  —  Komulus.  —  La  reprise  des  For<;ats  de 
I'honneur.  —  Comment  on  collabore.  —  Le  benefice  de  Fontenoy.  —  Les  folles 
danseuses.  —  Rectifications.  —  Un  gala  aux  Folies-plastiques.  —  Le  mariagc 
d'Antonia.  —  Un  secretariat.  —  Plumageot  centre  Lafernet. 

Driesen,  Otto. 

Der    Ursprung-    des    Harlekin.      Ein    kulturgeschichtliches    Problem. 

Berlin.     Duncker.     1904.    x,  286  pp.     Ulus.     Plates.     [Forschunj^cii 

zur  neueren  Litteraturgeschichte.]  6252.72 

"Drifting  about."     Massett,  S.   C.  **T.57.288;  etc. 

Drummond,  David  Thomas  Kerr. 

Memoir  of  Montague  Stanley.  2d  edition,  revised.  Edinburgh. 
Kennedy.     [1852.]     163  pp.     Portrait.  **T.57.366 

Druriad,  The:  or  strictures  on  the  principal  performers  of  Drury-Lane 
Theatre:  a  satirical  poem:  with  notes  critical  and  explanatory.    Lon- 
don: Printed  for  W.  J.  and  J.  Richardson.    1798.   iv,  28  pp.   **T.74.8 
Dii  public,  de  I'autorite  et  du  theatre,  en  1821.     Simonnin,  A.  J.  B. 

No.  10  in  **G.3562.i 
Du  Barry,  Marie  Jeanne  Gomard  de  Vaubernier,  Comtesse. 

Ford,  J.   L.     The  story  of  Du   Barry.     Mrs.   Leslie  Carter  edition. 

[Privalely  distributed  at  the  opening  of  the  Belasco  Theatre,  and 

containing   a    description    of   the    theatre.]      New   York.      [1902.] 

Portraits.     Plates.  **T.46.72 

Dubbers,  W. 

Das    Oberammergauer    Passionsspiel    nach    seiner    geschichtlichen. 

kiinstlerischen,    ethischen  und   culturhistorischen    Bedeutung  und 

unter    Beriicksichtigung    alterer    und    neuerer    Kritik    dargestellt. 

Frankfurt  a/M.     Heyder  &  Zimmer.     1872.     viii,  197  pp.     2866.11 

Du  Bled,  Victor. 

La  comedie  de  societe  au  xviiie  siecle.  Paris.  Levy.  1803.  (5). 
326  pp.  2668.111 

Contents.  —  Les  comediennes  de  la  cour.  —  Le  theatre  des  princes  de  Clermont 
et  d'Orleans.  —  Une  femme  du  monde  auteur  au  xviiie  siecle,  Madame  la 
comtesse  de  Genlis. 

Dublin.     Theatres. 

Case,  The,  of  the  stage  in  Ireland;  containing  the  reasons  for  and 
against  a  bill  for  limiting  the  number  of  theatres  in  Dublin. 
Dublin.     1758.  **T.77.7o;  etc. 

Herbert,  J.  D.     Irish  varieties  for  the  last  fifty  years.     Consisting 
of  sketches  of  character  .  .  .  the  stage,  the  bar,  the  pulpit.     Lon- 
don.    1836.  6576.6 
Hughes,  S.  C.     The  pre-Victorian  drama  in   Dublin.     Dublin.     1904- 

4576.189 

MoLLOY,  J.  F.     The  romance  of  the  Irish  stage  with  pictures  of  the 

Irish   capital    in   the    eighteenth    century.      London.      1897.     2   v. 

\^'-  Portraits.  **T.77.85;  etc. 

■\^'^iCTOR,  B.    The  history  of  the  theatres  of  London  and  Dublin,  from 

1730  to  the  present  time.    London.    1761-1771-    3  v.    **T.77.3i;  etc. 

Dublin.     Theatres.     Abbey  theatre. 

Weygandt,  C.  Irish  plays  and  playwrights.  Boston.  1913-  Poi"" 
traits.     Plate.  4574-199 

Dublin.     Theatres.     Crow  Street  theatre. 

Croker,  J.  W.     Familiar  epistles  to  Frederick  J s  [Jones],  Esq. 

on   the  present   state   of  the    Irish   stage.      Dublin.      1804. 

**T.78.2;  etc. 

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THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 

Dublin.     Theatres.    Crow  Street  theatre     (Continued.) 

Estimate,   An,   of   the   theatrical    merits   of   the    two   tragedians   of 

Crow  Street  [Barry  and  Mossop].     In  a  letter  from  a  gentleman 

in  Dublin  to  his  friend  in  London.    Dublin.     1760.  **T.57.i42 

Morgan,  S.  O.,  Lady.     A  few  reflections,  occasioned  by  the  perusal 

of  a  work,  entitled,  "Familiar  epistles,  to  Frederick  J s  Esq. 

^  on  the  present  state  of  the  Irish  stage."     Dublin.     1804.     **T.78.56 
Dublin.      Theatres.      Hawkins    Street   theatre.      See    Dublin.      Theatres. 

Theatre  Royal,  Hawkins  Street. 
Dublin.     Theatres.     Smock  Alley  theatre. 

Dublin  in  an  uproar;  or,  the  ladies  robb'd  of  their  pleasure.  Being 
a  full  and  impartial  relation  of  the  remarkable  tumult  that  lately 
happen'd  at  the  Dublin  Theatre.     Dublin.     [1747.] 

No.  2  in  **G.3823.i6 

Letter,    A,    to    Messieurs    Victor    and    Sowdon,    managers    of    the 

Theatre-Royal.      Dublin.      1755.  **T.76.i58 

Sheridan,  T.     A  full  vindication  of  the  conduct  of  the  manager  of 

the  Theatre-Royal.    Written  by  himself.    Dublin.     1747.    **T.97.46 

An  humble  appeal  to  the  public,  together  with  some  considera- 
tions on  the  present  critical  and  dangerous  state  of  the  stage  in 
Ireland.     Dublin:   Printed.     London:  Re-printed.     1758. 

No.  6  in  **G.3823.i6 

A    vindication    of    the    conduct    of    the    late    manager    of    the 

Theatre-Royal  humbly  address'd   to   the  publick.     Dublin.      1754. 

**T.77.49 
Dublin.    Theatres.    Theatre  Royal,  Crow  Street.    See  Dublin.     Theatres. 

Crow  Street  theatre. 
Dublin.     Theatres.    Theatre  Royal,  Hawkins  Street. 

Drama,    The,    a    daily    register    of    histrionic    performance    on    the 

Dublin  stage;  and  critical  review  of  general  dramatic  literature. 

Vol.  I   (no.  1-42).     Oct.  23 -Dec.  10,  1821.     By  two  gentlemen  of 

the  Dublin  University.     Dublin.     1821.     Portraits.  **T.26.49 

History,  The,  of  the  Theatre  Royal,  Dublin,  from  its  foundation  in 

1821  to  the  present  time.   Reprinted,  with  additions,  from  Saunders' 

News-letter.     Dublin.     1870.  **T.78.35 

Levey,    R.    M.,    and    J.    O'Rorke.      Annals    of    the    Theatre    Royal, 

Dublin,    from    its    opening    in    1821    to    its    destruction    by    fire, 

February,  1880.     Dublin.     1880.  **T.77.2i3 

Dublin.    Theatres.    Theatre  Royal,  Smock  Alley.    See  Dublin.     Theatres. 

Smock  Alley  theatre. 
Dublin  in  an  uproar:  or,  the  ladies  robb'd  of  their  pleasure.     Being  a 
full  and  impartial  relation   of  the  remarkable  tumult   that  lately 
happen'd  at  the    Dublin  Theatre.     Dublin,   printed:    London,   re- 
printed; and  sold  by  Charles  Corbett.     [1747.]      (i),  22  pp. 

No.  2  in  **G.3823.i6 
Relates  to  the  riot  known  as  Kelly's  riot  which  rose  in  the  Smock  Alley  Theatre 
in  consequence  of  a  difference  between  Kelly  and  Sheridan  the  manager, 
January    19,    1747,  and  which   was  renewed  at   several   succeeding  performances. 

Dublin    Inquisitor,   The,    for    1821.      [Monthly.]      Vol.    i,    2.      London. 
Archer.      1821.     2  v.   in    i.  **T.26.28 

Dubois,  A. 

Les  mystercs  a  Amiens  dans  les  xvc  et  xvie  siecles.  Amiens. 
Typographic  du   Memorial.      1878.     30  pp.  2678.262 

Dubois,  Auguste,  and  E.  Charles  Chabot.     ( Michel-Morin.) 

Le  Gil  Bias  du  theatre.  Paris.  Denain  &  Delamarc.  1833.  2  v. 
Plates.  **T.76.i54 

[256J 


BROWN   COLLECTION    OF  BOOKS    ON    THE   STAGE 


Du  Bois,  Fritz. 

Henry  Becqiie.    L'homme  —  le  critique  —  I'auteur  dramatique.     Paris. 

Dupret.     1888.    72  pp.     Portrait.    Autograph  facsimile.     **T.58.i3i 

Dubois,    Jean    Baptiste,    and    Catherine    Joseph    Ferdinand    Girard    de 

Propiac. 

Histoire    veritable    de    Fanchon    la    vielleuse,    extraite    de    memoires 

inedits.      [Anon.]      Paris.      Capelle.      An    XI.-1803.     203,    (1)    pp. 

Plate.  **T.88.i4 

Dubroca,  Jean  Frangois.     (M.  D  *  *  *.) 

A  mon  fils  au  moment  de  ses  debuts  dans  la  carriere  theatrale,  sur 

bienseances  d'honneur  et  de  morale  qui  doivent  le  guider  dans  sa 

les  lois,  les  convenances  et  les  conditions  de  son  art;  et  sur  les 

profession.     Paris.     Delaunay.     [1823.]     (2),  ii,  148  pp.     **T.76.49 

Du  Casse,  A.     See  Du  Casse,  Pierre  Emmanuel  Albert,  Baron. 

Du  Casse,  Hermann. 

Chien  de  metier!  Petites  miseres  theatrales.  Paris.  Dentu.  1866. 
(3),  172  pp.  **T.87.68 

Sketches  of  theatrical  life  in  France  and  Italy. 

Du  Casse,  Pierre  Emmanuel  Albert,  Baron. 

Histoire  anecdotique  de  I'ancien  theatre  en  France.     Paris.     Dentu. 

1864.     2  V.  **T.46.3 

Duchesnois,  Catherine  Josephine  Rafin,  called  Mademoiselle  Duchcsnois. 

B0ULL.A.ILT.  M.  J.     La  conjuration  de  M^e  Duchesnois,  contre  M^'e 

Georges    Weymer,    pour   lui    ravir   la    couronne;    avec    les    pieces 

justificatives.     Paris.    An  XI. =  1803.     Portrait.     No.  6  in  **G.3562.2 

DiNAUX.  A.   M.     Notice  biographique  sur  M^He  Duchesnois.     \'ak-n- 

ciennes.     1836.  **T.55.i23 

Duclos,  Charles  Pineau. 

Memoire  sur  I'art  de  partager  Taction  theatrale,  et  sur  celui  de  noter 
la  declamation  qu'on  pretend  avoir  ete  en  usage  chez  les  Remains. 
(/;;  his  Oeuvres  completes.     Vol.  8,  pp.  345-372.     Paris.     1821.) 

♦2706. 1. 8 

Memoire  sur  les  jeux  sceniques   des  Romains,   et  sur  ceux  qui  ont 

precede  en   France   la  naissance   du  poeme   dramatique.      (In  his 

Oeuvres  completes.     Vol.  8,  pp.  311-343.     Paris.     1821.)     *27o6.i.8 

Ducom,  Jacques. 

Le    cinematographe    scientifique    et    industriel.      Traite   pratique    de 

cineniatographie.       Paris.       Geisler.       igii.      335,     (i)    pp.      Illus. 

Plates.     Plans.  80393.58 

Dudevant,  Amantine  Lucile  Aurore  Dupin  (George  Sand),  prefacer. 

DuDEV.^NT,    J.    F.    M.    A.,    Baron.      Masques    et    bouffons    (comedie 

italienne).     Texte  et  dessins  par  Maurice   Sand   [pseud.].     Paris. 

i860.     2  V.     Plates.  **T.44.i ;  etc. 

Dudevant,  Jean  Frangois  Maurice  Arnauld,  Baron.     (Maurice  Sand.) 

La    comedie   italienne    (commedia   dell'   arte).     See   his   Masques   et 

bouffons. 
Masques  et  bouffons  (comedie  italienne).     Preface  par  George  Sand 
[pseud,   de   Armantine    Lucile   Aurore    Dupin    Dudevant].      Paris. 
Levy.      i860.     2  V.     Plates.  **T.44.i 

An  incomplete  edition  of  tome  i,  with  the  title  La  comedie  italienne   (commedia 
deir    arte)    is    on    shelf-number    **T.43.i.      A    review    of    this    work    is    on    shelf- 
number  No.  14  in  **G. 38^2. 1. 
Same.    The  history  of  the  harlequinade.    Philadelphia.    J.  B.  Lippin- 
cott  Co.     [1915.]     2  V.     Colored  plates.  **T.95.i44 

Dudley,  Sir  Henry  Bate,  Baronet.     See  Bate-Dudley,  Sir  Henry,  Baronet. 

[257] 
17 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 

Dueringer,  Philipp  Jakob. 

Albert  Lortzing:  sein  Leben  und  Wirken.  Leipzig.  Wigand.  1851. 
(3),  126  pp.     Portrait.     Autograph  facsimile.     No.  i  in  **M. 1093.29 

I.ortzipg  was  for  many  years  musical  director  at  various  German  theatres. 

Duesseldorf,  Germany.     Theatres. 

Gr.\bbe.  C.  D.  Das  Theater  ?u  Diisseldorf  niit  Riickblicken  auf  die 
iibrige  deutsche  Schaubiihnc.     Diisseldorf.     1835.  6878.19 

Duff,  Andrew  Hallidaj'.     See  Halliday,  Andrew. 
Duff,  Mary  Ann. 

Iret-.^nd,  J.  N.     Mrs.  Duff.     Boston.     1882.     Portraits.     Plate. 

4348.134;  **T.57.i  13;  etc. 
Dufferin  and  Ava,  Frederick  Temple  Hamilton  Temple  Blackwood,  ist 
Marquis  of.     See  Blackwood,  Frederick  Temple  Hamilton  Temple, 
1st  Marquis  of  Dufferin  nd  Ava. 
Duflot,  Joachim. 

Les  secrets  des  coulisses  des  theatres  de  Paris.  Mysteres — UKfurs 
—  usages  —  anecdotes.  Avec  preface  de  Jules  Noriac.  Paris. 
Levy.     1865.     (3),  xiii,  252  pp.  **T.77.i89 

Arranged  alphabetically. 
Dufort,  Giambatista. 

Trattato  del  hallo  nobile.  In  Napoli.  1728.  Nella  stamperia  di 
Felice   Mosca.      (24),    160  pp.     Diagrams.  **T. 98.72 

Dufrenoy,  Adelaide  Gillette  Billet,  Dame,  editor. 

Courier  lyrique  et  amusant,  ou  passe-temps  des  toilettes.  [Bimen- 
suel.]  Tuin  i,  1786 -sept,  i,  1787,  oct.  i  -  dec.  15,  1787.  [Paris. 
1786,  87.]      2  V.  in   I.  **T.27.i3 

Dufresny,  Charles  Riviere. 

Amusemens  serieux  et  comiques.  [Anon.]  A  Paris,  chez  Claude 
Barbin.      1690.      (4),   288,    (64)   pp.  **T.98.i25 

Dugazon,  Louise  Rosalie  Lefevre. 

Paroisse-Pougin,  F.  A.  A.     Figures  d'Opera-comique:   Madame  Du- 
gazon, Elleviou,  les  Gavaudan.    Paris.     1875.    Portraits.    **M. 137.2 
Dujarric-Descombes,  Leonard  Albert. 

Etude  sur  Pierre  Lafon  de  la  Comedie  frangaise.  (1773-1846.) 
Bergerac.     Boisserie.     MDCCLXXXII    [sic.   1882].     (5).   18  pp. 

**T.57.65 
Dulomboy,  Marie  Elisabeth  Joly.     See  Jolly,  Marie  Elisabeth. 
Dulomboy,  N.  F.  R.  F.,  editor. 

Aux    manes    de    Marie-filisabeth    Joly,    artiste    celebre    du    Theatre 
frangais.     De   I'imprimerie   de    Delance,   a   Paris.     An   VII    de   la 
Republique.     [1798.]     178,  Ci),  16  pp.     Plates.     Music.       **T.59.43 
Dumas,  Alexandre.     1802-1870. 

La  derniere  annee  de  Marie  Dorval.  Paris.  Librairie  Nouvellc.  1853. 
96  pp.  No.  3  in  **M. 129a. 33 

This    may    also    be    found    in    Vol.     2    of    his    Les    morts    vont    vite     [.1699.54.2: 
2709b.  104.2]. 

Dumas,  .Alexandre,  1802-1870,  editor. 

Talma.    F.    J.      Memoires    de    J.-F.    Talma    ecrits    par    lui-meme    et 
receuillis   [sic]   et  mis  en  ordre  sur  les  papiers   de  sa   famille  par 
.'Mexandre   Dumas.     Paris.      1849,  50.     4  v.   in   2.         *4646.55;  etc. 
Dumas.  Alexandre,  1802-1870.     Works  about. 

F"nzf,ERALD.  P.  H.     Life  and  adventures  of  Alexander  Dumas.     Lon- 
don.     1873.     2  v.      Portrait.  2645.55;  **T.56.2i2 
Dumas,  Alexandre,  the  Vonnc/er.     1S24-18QS. 

Une  loge  a  Camille.  (In  his  Ce  qu'on  ne  sait  pas.  Pp.  gi-148.  {-"aris. 
1855.)  **T.99.26 

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BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 

Dumas,  Alexandre,  the  Younger.     (Continued.) 

filoge  funebre  de  Desclec.  (In  Desclce,  Aimee  O.  Lettres  a  Fanfaii. 
Pp.  225-251.     Paris.     1895.)  **T. 57.277 

Dumas,  Alexandre,  the  Younger.     Works  about. 

Lapommeraye,  p.  H.  V    B.  be.     Histoire  du  debut  d'Alexandre  Dumas 

fils    au    theatre:    ou,    les    f rilnilations    de    la    Dame    aux    camelias. 

Paris.     1873.  **T.57.4i5 

Dumb  door  porter,  The.     Sala,  G.  A.  H.  **M.io8.i3 

Du  Meril,  iSdclestand  Pontas. 

Si  les  Atheniennes  assistaient  a  la  representation  des  comedies.  Paris. 
Bmeanx  de  la  Revue  archeologique.     1863.     11  pp.  **T.94.i4 

Dumersan,  Theophile  Marion,  and  Jules  Joseph  Gabriel  dc  Lurieu. 
Memoires   de  M"c  Flore,  artiste  du  Theatre  des  varietes.      [Anon.] 
2?  edition.     Paris.     Levy.     1847.    3  v.  **T.56.2o8 

Du  Mesnil.  E.  Reverend.     See  Reverend  Du  Mesnil,  Edmond. 
Dumesnil,  Marie  Frangois  Marchand. 

CosTE  d'Arnobat.  C.  p.  Memoires  de  M'le  Dumesnil,  en  reponse  aux 
memoires  d'Hippolyte  Clairon;  revus,  corriges,  et  aumgentes  d'une 
notice  sur  cette  comedienne  par  M.  Dussault.     Paris.     1823. 

**T.56.7;etc. 
Dumolard,  Henri  Frangois  filisabeth   Etienne  Orcel,  prefacer. 

Favart,   C.   S.     Memoires  et   correspondance   litteraires,   dramatiques 
et  anecdotiques,  de  C.  S.  Favart.     Paris.     1808.     3  v.        **T.56.i33 
Dumon,  K. 

Le  theatre  de  Polyclete  Reconsi  ruction  d'apres  un  module  par  K. 
Dumon.     Paris.     Leroux.     1889.     (5),  51  pp.     3  plates.        *297o.63 

Dumont,  ,  comedian. 

Le  vol  plus  haut,  ou  I'espion  des  principaux  theatres  de  la  capitale; 
contenant  une  histoire  abregee  des  acteurs  &  actrices  de  ces 
memes  theatres.  [Anon.  Paris.]  A  Memphis,  chez  Sincere, 
libraire,  refugie  au  Puits  de  la  Verite.  1784.  142  pp.  **T.97.65 
This  has  also  been  attributed  to  Frangois  Marie  Mayeur  de  Saint  Paul. 
Another  copy  is  on  shelf-number  **G. 3562.1. 

Dumont,  Frank. 

Burnt  cork;  or,  the  amateur  minstrel.  A  collection  of  humorous 
speeches,  end  men's  jokes,  conundrums,  recitations,  and  farces, 
finales  for  "first  part,"  and  a  description  of  everything  necessary 
to  arrange  a  minstrel  entertainment.  New  York.  Wehman. 
1881.     114  pp.     Plans.    Music.  **T,97.255 

Du  Mouriez  du  Perier,  Frangois. 

MoNVAL,  G.  H.  M.     Le  laquais  de  Moliere.     Paris.     1887.     **T.57.2i8 
Dumoustier,  Leon. 

Moliere  auteur  et  comedien.  Sa  vie  et  ses  oeuvres.  Paris.  Laplace, 
Sanchez  &  cie.     1883.     (3),  376  pp.  **T.57.402 

Duncan,  Rev.  John. 

The  lawfulness  of  the  stage,  enquired  into.  London.  Printed  and 
sold  by  T.  Wilkins.     1787.     x,  yy  pp.  **T.96.si 

Other  copies   are  on   shelf'-numbers   No.  2  in  **G.3823.i7  ;    No.  13  in  **G. 3823. 3. 

Duncombe,  William,  translator. 

Werenfels,  S.  The  usefulness  of  dramatic  interludes,  in  the  educa- 
tion of  youth:  an  oration  spoke  before  the  masters  and  scholars 
of  the  University  of  Basil.  Translated  from  the  Latin.  London. 
1744.  No.  10  in  **G.3824.2 

Dundee,  Scotland.     Theatres. 

Boyd,  F.  Records  of  the  Dundee  stage.  Dundee.  1886.  Portraits. 
Plate.  **T.77.i04 

[259] 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 


Dunham,  Curtis. 

The  Casino  girl  in  London.     By  herself.     Edited  by  Curtis  Dunham. 
New  York.     Fenno  &  Co.     1898.     270  pp.     Plates.  **T.87.7i 

A  novel  of  stage  life. 
Dunlap,  William. 

A  history  of  the  American  theatre.     New-York.     Harper.     1832.     \'iii. 
420  pp.  **T.55.io9 

Catalogue  of   American  plays  and   their  authors,  pp.   407-410.      Other   copies   are 
on  shelf-numbers  **4404.i7;   **K.45.8. 

Same.     London.     Bentley.     1833.     2  v.  in  i.  **T.76.200 

Another  copy,  bound  in  two  volumes,  is  on  shelf-number  **G. 3647.1.     Catalogue 
of  American  plays  and  their  authors,  vol.  2,  pp.  381-387. 

Memoirs  of  the  life  of  George  Frederick  Cooke.  Composed  principally 
from  journals  and  other  authentic  documents,  left  by  Mr.  Cooke: 
and  the  personal  knowledge  of  the  writer.  New- York.  Long- 
worth.     1813.     2  V.     Portraits.  65493.145 

The  title-pages  and   portraits  are   missing   from   this   copy.      Other  copies   are  on 

shelf-nuniljers  **G.376s.6;  **K.37.i9. 
Same.      London.      Colburn.      Portrait.  **T.56.i9i;  **G.3756.7 

Another  copy  is  on  shelf-nitmber  **G.3756.7. 
Same.     The  life  of   George   Frederic   Cooke.     2d   edition.      London. 

Colburn.     1815.     2  v.     Portrait.  6544.66 

Thirty  years  ago;  or  the  memoirs  of  a  water  drinker.     New   York. 

Bancroft  &  Holley.     1836.    2  v.  *A.2445.i 

Same.     Memoirs  of  a  water  drinker.     New  York.     Saunders  &  Otley. 

1837.     2  V.  in   I.  *45o8.i84;  **T.57.i56 

Dunlap,  William.     Works  about. 

CoAD,  O.  S.     William  Dunlap.     A  study  of  his  life  and  works  and  of 

his  place  in  contemporary  culture.     New  York.     1917.     Portraits. 

Plates.  **T.95.i52 

Dunlap  Society. 

Biennial  reports  of  the  Treasurer  and  Secretary.     New-York.     1888. 

(3).  51  PP-     Portrait.  **T.95.6 

Dunlap  Society.     Publications. 

Barrktt,    L.      Charlotte    Cushman.      New-York.      i88g.      Portrait. 

**T.95.8 
Clapp,    J.    B.,    and    E.    F.    Epgett.      Players    of   the    present.      New- 
York.      1899-1901.     3  V.     Portraits.  **T.95.22 

Plays  of  the  present.     New-York.     1902.     Portraits. 

**T.95.27;  etc. 
CoAD.   O.  S.     William   Dunlap.     A   study  of  his   life  and   works  and 

of  his  place  in  contemporary  culture.     New  York.     1917.     Por- 
traits.    Plates.  **T.95.i52 
Daly,  C.  P.     First  theater  in  America.     When  was  the  drama  first 

introduced  in  America.     An  inquiry,  including  a  consideration  of 

the   objections   that    have    l^een    made    to    the    stage.      New-York. 

1896.     Portrait.  **T.95.i4 

Dunlap   Society   publications,    ist,    2d    series.      1886-1901.      [List    of 

publications.]      New  York.     1901.     (4)   pp.  **T.95.28 

Edgett,    E.   F.      Edward    Loomis    Davenport.      A    biography.      Xew- 

York.     1901.     Portraits.  **T.95.25 

Ford,  P.  L.     Washington  and  the  theatre.     New-York.     1899.     Plate. 

**T.95.2i 
Greenwood,   L  J.     The  circus:   its  origin   and   growth   prior  to   1835. 

New- York.      1898.      Portraits.      Plates.  **T.95!i8 

HuTTON,  L.,  editor.     Opening  addresses.     New-York.     1887.     Colored 

plate.  **T.95.3 

f26U] 


BROWN   COLLECTION    OF  BOOKS    ON    THE   STAGE 

Dunlap  Society.    Publications.     (Continued.) 

Ireland,  J.   N.     A  memoir  of  the  professional   life  of  Thomas  Ab- 

thorpe  Cooper.     New-York.     i8<S8.     Portrait.  **T.95.5 

Keese,  W.  L.     a  group  of  comedians.     New  York.     1901.     Portraits. 

**T.95.26 

William   E.   Burton.     A    sketch   of   his   career   other   than   that 

of  actor,  with   glimpses  of  his   home   life,   and   extracts   from   his 
theatrical  journal.     New-York.     1S91.     Portrait.     Plates.    **T.95.i2 

Maeder,  C.  F.  Autobiography.  Edited  by  Douglas  Taylor.  New- 
York.     1897.     Portraits.  **T.95.i6 

Mapes,  V.  Duse  and  the  French.  With  an  introduction  by  Daniel 
Frohman.      New- York.      1899.      Portrait.  **T,95.i9 

Pence,  J.  H.  The  magazine  and  the  drama.  An  index.  New-York. 
1896.  **T.95.i5 

Roden,  R.  F.  Later  American  plays,  1831-1900-.  being  a  compilation 
of  the  titles  of  plays  by  American  authors  published  and  performed 
in  America  since  1831.     New  York.     1900.  **T.95.24 

Shipman,  L.  E.  a  group  of  theatrical  caricatures:  being  twelve  plates 
by  W.  J.  Gladding,  with  an  introduction  and  biographical  sketches 
by  L.  E.  Shipman.     New  York.     1897.     Portraits.  **T.95.i7 

Walsh,  T.  The  career  of  Dion  Boucicault.  New  York.  1915. 
Portraits.  **T.95.i5i 

Wegelin,  O.  Early  American  plays,  1714-1830:  being  a  compilation 
of  the  titles  of  plays  by  American  authors  published  and  performed 
in  America  previous  to  1830.  Edited  with  an  introduction  by  John 
Malone.     New  York.     1900.  **T.95.23 

Winter,  W.  The  actor  and  other  speeches:  chiefly  on  theatrical 
subjects    and    occasions.      New-York.      1891.      Portrait. 

**T.95.ii;  etc. 

Brief  chronicles.     New-York.     1889.     Portrait.  **T.95.7 

A  sketch  of  the  life  of  John  Gilbert.     With  extracts  from  his 

letters  and  souvenirs  of  his  career.     New-York.     1890.     Portrait. 
Plate.  **T.95.9;etc. 

A  wreath  of  laurel:  being  speeches  on  dramatic  and  kindred 

occasions.     New  York.     1898.     Portraits.  **T.95.2o 

Duplan,  Paul,  editor. 

Desclee,  a.  O.     Lettres  de  Aimee  Desclee  a  Fanfan.     Paris.     1895. 

Portrait.  **T.57.277 

Duplessis's  Memoirs:  or,  variety  of  adventures.     With  a  description  of 

some   strolling-players,  amongst  whom   the   memorialist   travell'd 

awhile,  before  his  last  departure  from  England.     London:  Printed 

and  sold  by  W.  Reeve.     1757.     2  v. 

A  novel. 

Dupont-Vemon,   Henri. 

L'art   de  bien   dire.     7e  edition.     Paris.      Ollendorff. 

263  pp. 
Diseurs  et  comediens.     (Suite  de  L'art  de  bien  dire.) 

dorff.      1891.     xii,   246,    (i)   pp. 
Principes    de    diction.      Paris.      Ollendorff.      1882.      (5), 

**T.77.2ii 
Duport,  Jean  Louis. 

Reponse  a  un  pamphlet  intitule:  Opinion  d'un  habitue  de  I'Academie 
imperiale  de  musique,  dans  I'affaire  de  M.  Duport.  [Paris.  1804?] 
15  pp.  No.  6in  **G.i57.io 

Relates  to  the  Paris  Opera. 

[261] 


**T,88.6 

1897. 

(5), 

V, 

3598. 

138 

Paris 

on 

en- 

**T.77. 

171 

,  158 

pp. 

THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 


Duprez,  Gilbert  Louis. 

Souvenirs  d'un  chanteur.     Paris.     Levy.     1880.     (3),  280  pp. 

4046.55;  **M.ii3.5 
Duprez,  Gilbert  Louis.     IVorks  about. 

Elwart,  a.  a.  £.  Duprez;  sa  vie  artistique.  Avec  une  biographic 
de  son  maitre,  Alexandre  Choron.     Paris.     1838.     Portraits. 

No.  I  in  **M. 1293.33 
Dupuis,  Adolphe. 

Adolphe  Dupuis.    fitude  biographique.    Paris.    Librairies-imprimeries 
reunies.     1893.     (3),  72,,  (i)  pp.     Illus.     Portrait.     Autograph  fac- 
simile. **T.94.i2 
Dupuy,  Charles  Ernest,  editor. 

Diderot,  D.     Paradoxe  sur  le  comedien.     Edition  critique  avec  intro- 
duction, notes.     Paris.     1902.  4672.11 1 
Dupuy,  Ernest.     See  Dupuy,  Charles  Ernest. 

Dureau,  Alexis. 

Notes  pour  servir  a  I'histoire  du  theatre  et  de  la  musique  en  France. 
Annee  i.     i860.     Paris.     Claudin.     1861.     (3),  174  pp.       **T.77.i24 

Relates  principally  to  the  theatres  of  Paris. 

Durey  de  Noinville,  Jacques  Bernard. 

Histoire  du  theatre  de  I'opera  en  France.  Depuis  I'establissement 
de  I'Acadeinie  royale  de  musique  jusqu'a  present.  [Anon.  Par 
Louis  Travenol  et  Jacques  Bernard  Durey  de  Noinville.]  En  deux 
parties.    A  Paris,  chez  Joseph  Barbou.    1753.    2  v.  in  i.    **M.i46.23 

Same.  2e  edition.  Chez  Joseph  Barbou  [etc.].  1753-58.  2  v.  **T.77.2i8 
Durfey,  Thomas. 

Brown,  T.     Wit  for  money:   or.   Poet   Stutter:  a   dialogue  between 

Smith,    Johnson,    and    Poet    Stutter.      Containing    reflections    on 

some   late   plays;    and   particularly    on    Love    for   money,    or,    the 

boarding-school.     [Anon.]     London.     1691.  No.  2  in  **G.3824.2 

Durm,  Josef. 

Festhallen.  Illus.  Plans.  {In  Handbuch  der  Architektur.  Ent- 
werfen,  Anlage  und  Einrichtung  der  Gebaude.  Halb-Band  4,  pp. 
146-173.     Darmstadt.      1885.)  *8o92.52.4 

Literatur,  p.   173. 

Duse,  Eleonora. 

Bracco,  A.     Eleonora  Duse.     [New  York.     1896.]     No.  3  in  **T.55.i38 
Hansson,   L.    M.     The   modern   woman    on   the    stage.      (In   lier   Six 

modern  women.     Pp.  95-128.     Boston.      1896.)  5588.107 

Mapes,  V.     Duse  and  the  French.     With  an  introduction  by  Daniel 

Frohman.      New-York.      1899.      Portrait.  **T.95.i9 

Repertoire    of    Eleonora    Duse    with    her    company    at    the    Fifth 

Avenue  Theatre  beginning  February,  1896.     Synopsis  of  the  plays 

in  which  she  is  to  appear  with  full  cast  of  characters.     [New  York. 

1896.]  **T.55.i38 

Du  Seigneur,  Maurice. 

Le  theatre  de  Monte-Carlo.    Paris.    Rouveyre.     1880.    (3),  112,  (i)  pp. 

Plate.     Facsimile.  4096.79;  No.  i  in**M.ii9.i5 

Dussault,  Jean  Joseph,  editor. 

CosTE  d'Arnobat,  C.  p.     Memoires  de  M"^'  Dumesnil,  en  reponse  aux 

memoires  d'Hippolyte  Clairon;  revus,  corriges,  et  augmentes  d'une 

notice   sur   cette   comedienne.      Paris.      1823.  **T.56.7;  etc. 

Duthe,  Catherine  Rosalie  Gerard,  called  Mademoiselle  Duthe. 

Lamothe-Langon,  £.  L..  Baron  de.     Galanteries  d'une  demoiselle  du 

monde,  ou  souvenirs  de  M'l''  Duthe.     Paris.     1833.    4  v.    **T.56.24i 

12621 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 

Du  Tralage,  Jean  Nicolas. 

Notes  et  documents  stir  I'histoirc  des  theatres  de  Paris  au  xviic 
siecle.  Extraits,  mis  en  ordrc  et  puMies  d'apres  le  manuscrit 
original  par  le  bibliophile  Jacob  [pseiul.].  Avec  une  notice  sur  le 
recueil  du  Sieur  du  Tralage.  Paris.  Librairie  des  bibliophiles. 
1880.      (3),   viii,    124,    (8)    pp.      [Nouvelle   collection    Molieresque.] 

**T.78.58 
Button,  Thomas. 

The  wise  man  of  the  East;  or,  the  apparition  of  Zoroaster,  the  son 
of  Oromases,  to  the  theatrical  midwife  of  Leicester-Fields.  A 
satirical   poem.     London:   Published  by   H.   D.   Symonds.      1800. 

No.  8  in  **G.3824.6 

Relates  to   Mrs.    Inchbald,   the  author  of   The   wise  man   of  the    East. 

Button,  Thomas,  editor. 

Dramatic  Censor,  The:  or,  monthly  epitome  of  taste,  fashion  and 
manners.     Vol.    1-4.     London.      1800,  01.  **T.26.3o;  etc. 

Buty,  The,  of  a  player.     Betterton,  T.  **T. 78.38 

Buval,  Alexandre  Vincent  Pineu. 

Affaire  de  I'Odeon.  Memoire  en  vers,  en  reponse  au  memoire  en 
prose  de  M.  I'avocat  de  la  liste  civile.  A  Paris.  Delaunay.  1816. 
35  pp.  No.  3  in  *4653i5 

Relates   to    l^uval's   dismissal    from   the   management    of   the    Odeon. 

Bu  Val,  .Charles. 

With  a  show  through  southern  Africa,  and  personal  reminiscences 
of  the  Transvaal  War.  London.  Tinsley.  1882.  2  v.  Illus. 
Portraits.     Plates.     Autograph   facsimiles.  5052.62;  **T.56.222 

Buval,  Emile. 

Talma.     Precis  historique  sur  sa  vie,  ses  derniers  momens  et  sa  mort, 

suivi   d'anecdotes   de   quelques  jugemens   sur  ce   tragedien   et   des 

discours   prononces   sur   sa  tombe.     Paris.     Mansut.      1826.     viij, 

206  pp.     Portrait.  **T.59.38 

Buval,  Georges. 

Artistes  et  cabotins.     Paris.     Ollendorff.     1878.     (3),  254  pp. 

A  collection  of  anecdotes  of  musical  and  dramatic  artists.  **T.58.40 

Frederick-Lemaitre  et  son  temps.  1800-1876.  Avec  une  eau-forte 
de  Gon^ague  Privat.     Paris.     Tresse.     1876.     266  pp.     Portrait. 

2654-55;  **T.58.i3 

Terpsichore.     Petit  guide  a  I'usage  des  amateurs  de  ballet.     Par  un 

abonne  de  I'Opera.    Precedee  d'une  preface  de  Mile.  Rita  Sangalli. 

Paris.     Tresse.     1S75.     124,   (i)  pp.  6ooga.8o 

Virginie    Dejazet,    1797-1875.      Paris.      Tresse.      1876.      (3),    221    pp. 

Portrait.  **T.57.36i 

Buval,  Georges,  editor. 

Annee  theatrale,  L'.  Nouvelles,  bruits  de  coulisses,  indiscretions, 
comptes  rendus,  racontars,  etc.     Annee  1-3.     Paris.     1875-77.     3  v. 

**T.27,4 
Buval,  J.  Georges.     See  Buval,  Georges. 
Bwarfs. 

H.WARD,  J.  A.,  and  T.  G.  Fath.  Les  nains  celebres  depuis  I'antiquite 
jusques  y  compris  Tom-Pouce.     Paris.      [1845.]      Illus.     Plate. 

**T.57.24i 

History  of  Commodore  Nutt,  the  smallest  man  in  miniature  in  the 

known    world.      Now    exhibiting    at     Barnnm's    Museum.       New 

York.      1862.      Portrait.  **T.58.i4 

HooTON,   R,  T.     Life  and   frolics   of   Major   Stevens,    the  wonderful 

dwarf.     Boston.     1832.  **T.55.i27 

[263] 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 

Dwarfs.     (Continued.) 

Illustrated  memoir  of  an  eventful  expedition  into  Central  America 
resulting  in  the  discovery  of  the  idolatrous  city  of  Iximaya, 
and  the  possession  of  two  remarkable  Aztec  children,  Maximo 
&  Bartola.  Translated  from  the  Spanish  of  Pedro  Velasquez 
[London.     1853?]      Illus.     Portraits.     Plates.  **T.g8.36 

Life  and  adventures  of  the  Burdett  twins.  (Fanny  and  Major.) 
New  York.     1881.  No.  3  in  6248.G2 

MoREAU,  P.  Fous  et  l)Ouffons:  etude  physiologique,  psych'ologique 
et  historique.     Paris.     1885.  2244.69 

Sketch  of  the  life,  personal  appearance,  character,  and  manners  of 
Charles  S.  Stratton,  the  man  in  miniature,  known  os  General 
Tom  Thumb,  and  his  wife.  Lavinia  Warren  Stratton;  also,  of 
Commodore  Nutt  and  Minnie  Warren;  with  some  account  of 
remarkable  dwarfs,  giants,  &  other  human  phenomena,  of  ancient 
and  modern  times.     New  York.     1863.     Illus.     Portraits.     Plates. 

**T.58.62 ;  etc. 

Wood,  E.  J.     Giants  and  dwarfs.     London.     1868.     2239.50;  **T.56.248 
Dwight,  Timothy,  President  of  Yale  College. 

An  essay  on  the  stage:  in  which  the  arguments  in  its  behalf,  and 
those  against  it,  are  considered;  and  its  morality,  character,  and 
effects  illustrated.  London.  Sharp,  Jones,  &  Co.  1824.  (10), 
166  pp.  6252.82 ;  ?*T.77.57 

Another  copy  is  on  shelf-number  **G.3647.4. 

Dyer,  Robert. 

Nine    3'ears    of   an    actor's    life.      London.  Longman,    Rees,    Orme, 

Brown,  &  Co.     1833.     (14),  241  pp.  **T.57.222 
Dykema,  Peter  W.,  prefacer. 

Craig,  A.  A.  T.  The  dramatic  festival.  A  consideration  of  the 
lyrical  method  as  a  factor  in  preparatory  education.     New  York. 

1912.  6257.73 

E 

E. .  .  of  C f. .  .d.     See  Stanhope,  Philip  Dormer,  4th  Earl  of  Chester- 
field. 

Earle,  William. 

Sheridan  and  his  times.  By  an  octogenarian,  who  stood  by  his  knee 
in  youth  and  sat  at  his  table  in  manhood.  London.  Hope.  1859. 
2  V.     Portrait.     Autograph   facsimile.  4549.29;  **T.57. 29 

Early  American  plays,  1714-1830.     Wegelin,  O.  **T.95.23;  etc. 

Early  English  life  in  the  drama.     Skei.ton,  Sir  J.     No.  9  in  **G.3822.i;  etc. 

East,  John. 

The  pulpit  justified,  and  the  theatre  condemned:  in  a  letter  to  some 
members  of  the  Association  for  Increasing  the  Attractions  and 
Promoting  the  Improvement  of  Bath.  London.  Hamilton,  Adams, 
&  Co.     1841.     47  pp.  **T.76.99 

A  reply  to  The  Bath  Theatre  vindicated. 
The    theatre:    a    discourse    on   theatrical    amusements    and    dramatic 
literature,  delivered  in  Bath,  January  vii.,  mdcccxliv.     2d  edition. 
London.     Hamilton,  Adams,  &  Co.     1S44.     28  pp.  **T.96.67 

Another  copy  is  on  shclf-numbcr  **T.76.96. 

East,  John.     Works  about. 

Resident,  A,  pseud.  The  Bath  Theatre  vindicated  from  the  asper- 
sions of  the  Rev.  John  East.     Bath.     1844.  **T.76.97 

12641 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 

East,  John.     Works  about.     (Continued.) 

Visitor,  A,  pseud.  The  theatre.  Observations  on  a  recent  pamphlet, 
entitled  "The  pulpit  justified  and  the  theatre  condemned,"  by  the 
Rev.  John  East.     London.     1844.  **T.76.ioo 

Easter-Henderson,   Eliza.     See   Henderson,   Eliza  Easter. 
Eaton,  Walter  Prichard. 

Plays  and  players.  Leaves  from  a  critic's  scrap-book.  Preface  by 
Barrett  H.  Clark.  Cincinnati.  Stewart  &  Kidd  Co.  1916.  xii, 
(7),  424  pp.     Plates.  6257.301 ;  **T.46.7o 

Eaton,  William  O. 

Stories  of  the  Boston  stage.  Scenes  before  and  behind  the  curtain. 
Anecdotes  of  actors  in  the  past  and  present.  By  an  old  timer. 
[Boston.     1876,  77.1      40  pp.  **T.i5.7 

Composed  of  clippings  from  the  Boston  Commercial   Bulletin, 

Ebers,  John. 

Seven  years  of  the  King's  Theatre.  London.  Ainsworth.  1828. 
xxviii,  395,  (i)  pp.     Portraits.  **M.ii3.i3 

A  history  of  the  Italian  opera  in  London. 

Same.     Philadelphia.     Carey,  Lea  &  Carey.     245  pp.  *6577.i7 

Another  copy   is  on   shelf-number   No.  i  in  **G. 3824.10.      A   review   of  this   work, 
cut  from  the   Edinburgh   Review,  is  on   shelf-number  No.  2  in  **G.3824.io. 

Eccentricities  of  genius.     Pond,  J.  B.  2246.76;  **T.56.75 

Echoes   of  the  playhouse.     Robins,    E.  4575-157;  **T.57.8i 

Eckardt,  Ludwig. 

Lessing  und  das  erste  deutsche  Nationaltheater  in  Hamburg.     Eine 

deutsche  Gabe  zur  Shakspeare-Feier.     Vortrag  im  Athenaum  zu 

Hamburg  am  21.  April  1864.     Hamburg.     Boy.es  &  Geisler.     1864. 

28  pp.  No.  5  in  **G.39io.i2 

Ecole  iyrique,  Paris.    See  Paris.     Theatres.    Theatre  des  jeunes  artistes. 
Ecuyers  et  ecuyeres.     Vaux,  C.  M.,  Baron  de.  **T.95.ii3 

Edgar,  George. 

Martin  Harvey.     Some  pages  of  his  life.     London.     Grant  Richards, 

Ltd.     [1912.]     340  pp.     Portraits.     Plates.  **T.56.324 

Edgar,  Sir  John,  pseud.    See  Steele,  Sir  Richard. 
Edgcumbe,  Richard,  2d  Earl  of  Motint  Edgcunibe. 

Musical    reminiscences    of    an    old    amateur,    chiefly    respecting    the 

Italian    opera    in    England    for    fifty    years,    from    1773    to    1823. 

[Anon.l      2d  edition.     London.     Clarke.      1827.      183,    (i)    pp. 

Refers  often  to  the  London  theatres.  **M.I09b.28 

Same.     4th  edition.     Andrews.     1834.     xvi,  294  pp.  4048.61 

Edgett,  Edwin  Francis. 

Edward  Loomis  Davenport.  A  biography.  New-York.  1901.  x, 
(i),  145  pp.  Portraits.  Autograph  facsimile.  [Dunlap  Society. 
Publications.]  **T.95.25 

Players  of  the  present.  By  John  Bouve  Clapp  and  Edwin  Francis 
Edgett.  New-York.  1899-1901.  3  v.  Portraits.  Autograph  fac- 
similes.     [Dunlap   Society.     Publications.]  **T.95.22 

Plays  of  the  present.  By  John  Bouve  Clapp  and  Edwin  Francis 
Edgett.  New- York.  1902.  ix,  (i),  331  pp.  Portraits.  [Dunlap 
Society.     Publications.]  **T.95.27 

Another  copy  is  on  shelf-number  *4504.47. 

Edinburgh.     Theatres. 

DiBDiN,  J.  C.    The  annals  of  the  Edinburgh  stage.     Edinburgh.     1888. 

Portraits.     Plates.  4571. 112;  **T.74.i2 

Logan,  W.  H.     A  cap  and  bells  for  those  whom  it  may  fit.     [Anon. 

Leith.     1834.]  **T.77.i99 

[265] 


THE  PUBLIC  LIBRARY  OF   THE   CITY   OF  BOSTON 


Edinburgh.     Tlicatrcs.     (Continued.) 

The  Edinburgh  rosciad;  for  the  summer  season,  1834.     [Anon. 

Edinburgh.]      1834.  **T.77.i97 

Letter  from  a  gentleman  in  town  to  his  friend  in  the  country, 

regarding  Keeley,  the  theatre,  and  other  matters  connected  with 
the  drama  in  Edinburgh.     [Anon.     Edinburgh.     1834.]     **T,77.i96 

Murray,  W.  H.  The  farewell  and  occasional  addresses  delivered 
by  W.  H.  Murray,  Esq.,  in  the  Theatres  Royal  and  Adelphi,  Edin- 
Ijurgh;  with  a  biographical  sketch.  Edinburgh.  185 1.  **T.98.i38 
Edinburgh.     Theatres.     Adelphi  theatre. 

Black,  W.  Letters,  &c.,  anent  the  Adelphi  theatre,  Edinburj^h,  to 
James  Maidment,  John  Raid,  and  James  Spence.  Edinburgh. 
1851.  **T.95.32 

Logan,  W.  H.  Plays  and  players  at  the  Edinburgh  Adelphi  theatre. 
July,    1834.      [Edinburgh.      1834.]  **T.77.i98 

Edinburgh.     Theatres.     Caledonian  theatre. 

Report  of  the  trial  of  the  proceedings  in  the  action  of  suspension 
and  interdict  at  the  instance  of  Mrs.  H!  Siddons,  of  the  Theatre 
Royal,  against  Corbet  Ryder,  of  the  Caledonian  theatre.  Edin- 
burgh. 1825.  **T.76.4i 
Edinburgh.     Theatres.     Canongate  Music  Hall. 

Serious  and  earnest  address,  A,  to  the  inhabitants  of  this  city,  upon 
a  subject  in  which  they  are  all  most  nearly  concerned.  [Edin- 
burgh. 1767.]  **T.97.293 
Edinburgh.     Theatres.     Theatre  Royal. 

Address,  An,  to  the  public  [regarding  the  claims  of  David  Ross  to 
the  Theatre   Royal].     Edinburgh.     1767.  **T.96.i82 

Candidus,  pseud.  The  theatre;  or  the  letters  of  Candidus  [pseud.], 
&c.  on  the  performances  of  the  Edinburgh  stage  in  1802.  Edin- 
burgh.    1802.  **T.77.i88 

Chambers,  R.  Sketch  of  the  liistory  of  the  Edinburgh  Theatre-Royal. 
Edinburgh.     1859.  **T.76.ii8 

Edinburgh  Theatrical  Censor,  The.  [Weekly.]  No.  1-12.  [Edin- 
burgh.    1803.]  **T.28.8 

Fennell,  J.  A  statement  of  facts  occasional  of  and  relative  to  the 
late  disturbances  at  the  Theatre-Royal,  Edinburgh.  Edinburgh. 
[1788.]  **T.76.7i;etc. 

Jackson,  J.  A  statement  of  facts,  explanatory  of  the  dispute  between 
John  Jackson  and  Stephen  Kemble,  relative  to  the  Theatre  Royal 
of  Edinburgh.     Edinburgh.     1792  **T.57.6o 

Lee,  J.  A  narrative  of  a  remarkable  breach  of  trust  committed  by 
a  nobleman,  five  judges,  and  several  advocates  of  the  Court  of 
Session   in    Scotland.      London.      i77-'-  No.  5  in  **G.3823.i5 

Pit.  Patrick,  pseud.  The  Thespian  critique,  or  theatrical  censor. 
Inscribed  (without  permission)  to  William  Murray,  of  the  Theatre 
Royal.     No.    1-4.      [Edinburgh.      181 C]       .  **T.76.24 

Report  of  the  trial  of  the  proceedings  in  the  action  of  suspension 
and  interdict  at  the  instance  of  Mrs.  H.  Siddons,  of  the  Theatre 
Royal,  against  Corbet  Ryder,  of  the  Caledonian  Theatre.  Edin- 
burgh.    1825.  **T.76.4i 

Threepland,  M.  Letters  respecting  the  performances  at  the  Theatre 
Roval,  Edinburgh,  originally  addressed  to  the  editor  of  The 
Scots  Chronicle,  under  the  signature  of  Timothy  Plain  [pseud.], 
and  published  in  that  paper  during  1797-1800.     Edinburgh.     1800. 

**T.48.27 ;  etc. 

[266] 


BROWN   COLLECTION    OF  BOOKS    ON    THE   STAGE 


Edinburgh  Dramatic  Review,  The.  [Daily.]  Vol.  i-g.  Oct.  7,  1822- 
July  6,    1824.      Edinburgh.      Huie.      1822-24.     g   v.      Portrait. 

**T.27.22 

Edinburgh  rosciad,  The;  for  the  summer  season,  1834.  [Anon.]  See 
Logan,  William  Hugh. 

Edinburgh  Theatrical  and  Musical  Review.  Published  weekly.  No. 
13-15,  16  (quarterly  supplement),  18-20,  23-29,  31,  3^,  34.  [Edin- 
burgh.    1835.]      17  nos.  **T.98.77 

Edinburgh  Theatrical  Censor,  The.  [Weekly.]  No.  1-12.  [Edini)urgh. 
1803.]      112  pp.  **T.28.8 

Reviews   of  the   performances   at   the   Theatre   Royal,    Edinburgh. 

Edinburgh  Theatrical  Observer,  The,  and  musical  review.  [Daily.] 
Vol.  I.  July  15  to  Dec.  31,  1823.  Edinburgh.  Sutherland.  1823. 
iv,  404  pp.  **T,27.i2 

Educational  dramatics.     Fry,  E.  S.  3599a.68 

Educational  plays. 

FiGUiEK,  G.  L.     Le  theatre  scientifique.     Paris.     1882.  **T.76.32 

Edward  VII.,  of  England. 

AsHBEE,  C.  R.  The  masque  of  the  Edwards  of  England:  being  a 
coronation  pageant  to  celebrate  the  crowning  of  the  King 
[Edward  VII.].  Illustrated  by  Edith  Harwood.  [London.  1902.] 
Colored    plates.  *Cab.24.37.i 

Edwards,  Annie. 

A  playwright's  daughter.  By  Mrs.  Annie  Edwardes.  London.  White 
&  Co.     [1886.]      (6),   190  pp.  **T.87.94 

Edwards,  Francis. 

Catalogue  of  a  portion  of  the  library  of  the  late  Joseph  Knight, 
comprising  a  valuable  collection  of  books  on  the  drama,  private 
issues  of  plays,  &c.  Also  French  dramatic  literature  and  miscel- 
laneotis  books  of  reference,  &c.  Offered  by  Francis  Edwards, 
bookseller.     London.     1907.     23   pp.     Facsimile.  **T.66,24 

Catalogue  of  dramatic  literature  including  memoirs,  autobiograiihies, 
works  of  famous  dramatists,  early  playbills,  Shakespeareana,  etc. 
Also  a  few  books  on  music,  books  on  costume,  etc.,  etc.  From 
the  library  of  the  late  J.  Davenport  Adams,  and  other  collections. 
London.     [Flower.]     1905.    28  pp.     [Catalogue  no.  276.]     **T.66.25 

Relates  to  the  English  stage. 

Playbills.  A  collection  and  some  comments.  London.  1893.  (4). 
37  pp.  **T.96.33 

Relates  to  various  London  theatres. 

Edwards,  Henry. 

Address  delivered  at  St.  George  Hall,  Philadelphia,  November  12th, 

1885.  .  Obsequies  of  John  McCullough.  [Philadelphia.  1885.] 
Size,  20^X11^  inches.     Portrait.  **H.90.42i 

Printed  on  satin. 

A  mingled  yarn.  Sketches  on  various  subjects.  New  York.  Putnam. 
1883.     (7),  157  pp.  .  *2407.2i5;**T.97.i54 

Edwards,  Henry  Sutherland. 

Famous    first    representations.      London.      Chapman    &    Hall,    Ltd. 

1886.  vii,  253,    (i)   pp.  **T.47.33 

Cotttcnls.  —  The  English  Monsieur.  —  Moliere's  Tartuffe.  —  The  beggar's  opera. 
—  The  Messiah.  —  Beaumarchais's  Marriage  of  Figaro.  —  Mozart's  Nozze  di 
Figaro.  —  Mozart's  Don  Giovanni.  —  Rossini's  Barber  of  Seville.  —  Ireland's 
Vortigern.  —  Weber's  Der  Freischutz.  —  Meyerbeer's  Robert  le  Diablo.  — 
Victor  Hugo's  Hcniani.  —  Dumas  the  Vounger's  Dame  aux  camelias.  —  Tann- 
hauser  at  the  Paris  Opera,  1861.  —  The  Ballet  comique  de  la  reine,  and  the 
origin  of  opera. 

[267\ 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 


Edwards,  Henry  Sutherland.     (Continued.) 

History  of  the  opera,  from  its   origin   ni   Italy   to   the  present   time. 

With  anecdotes  of  the  most  celebrated  composers  and  vocalists 

of  Europe.     London.     Allen  &  Co.     1862.     2  v.  8049.19 

Same.    2d  edition.    2  v.  in  i.  **M. 103.21 

Idols  of  the  French  stage.     London.     Remington  &  Co.     i88q.     2  v. 

2671.104;  **T.55.87 

Contents.  —  The  wife  of  MoHere.  —  Adrienne  Lecouvreur.  —  Mme  Favart.  — 
Sophie  Arnould.  —  Mile  de  Camargo.     2.  Madeline  Guimard.  —  Mme  Dugazon. 

—  Mile  Clairon.  —  Mile  Contat.  —  Mile  Raucourt.  —  Mme  de  Saint-Huberty. 

—  Rachel.  —  Sarah  Bernhardt. 

Another  copy  is  on  shelf-number  *P.  10.255. 

The  life  and  artistic  career  of  Sims  Reeves.  London.  Tinsley.  1881. 
80  pp.     Portraits.  4049.85;  No.  2  in  **M. 139.19 

The  lyrical  drama.  Essays  on  subjects,  composers  &  executants  of 
modern   opera.      London.     Allen   &   Co.      1881.     2   v. 

4046.59;  **M. 126.22 

Personal  recollections.  London.  Cassell  &  Co.,  Ltd.  1900.  viii, 
280  pp.  4047.142;  **T.56.25i 

The  pritna  donna;  her  historj'  and  surroundings  from  the  seven- 
teenth to  the  nineteenth  century.  London.  Remington  &  Co. 
1888.     2  V.  4044.83;  **M.37i. 52 

Contents.  —  i.  Her  origin.  —  Anastasia  Robinson  and  La\-inia  Fenton.  — 
Cuzzoni  and   Faustina.   —   Mingotti   and   Gabrielli.   —   Sophie   Arnould.   —  Mara. 

—  Catalani.  —  Colbran-Rossini.  —  Pasta.  —  Sontag.  —  Malibran.  —  Grisi. 
2.  Jenny  Lind.  —  Bosio.  —  Titiens.  —  Patti.  —  Pauline  Lucca.  —  Christine 
Nilsson.  —  Albani.  —  A  flight  of  prime  donne.  —  Mdlle.  Schneider.  —  The 
prima   donna   and   some  operatic   conventions.  —   The  prima   donna   as  a   type. 

Edwards,  Osman. 

Japanese  plays  and  playfellows.  With  plates  by  Japanese  artists. 
London.     Heinemann.     1901.     viii,   (3),  306  pp.     Colored  plates. 

3026.137;  **T.45.9 
Edwards,  Sampson,  pseud. 

A  letter  to  Mr.  Woodward,  on  his  triumph  over  the  Inspector  [Dr. 
John  Hill].  By  Sampson  Edwards,  the  merry  cobbler  of  the  Hay- 
Market.      London:    Printed   for   C.   Corbett.      [1752.]      24  pp. 

**T.57.86 

Another  copy  is  on  shelf-number  No.  12  in ''*G. 3823. 12.  Woodward's  Letter  to 
Dr.  John  Hill  may  be  found  on  shelf-numbers  **T.96.359;  No.  2  in  **G.3823.is  ; 
No.  10  in  *4574. 103. 

Edwin,  John. 

Edwin's  Pills  to  purge  melancholy,  containing  all  the  songs  sung 
by  Mr.  Edwin;  with  an  humourous  account  of  Mrs.  Siddons's  first 
reception    in    Dublin.     2d   edition.     London.      1788.      Portrait. 

**T.96.2ii 
Life,  The,  of  Mr.  John  Edwin.     [London.     179-?]     36  pp.     Portrait. 

**T.58.88 
Old   Croney,  An,  pseud.     The   life   and   adventures   of  John    Edwin, 
comedian.     Added,  the  whole  collection  of  his  songs,  oddities,  &c. 
London.     1791.  **T.58.89;  etc. 

Williams,  J.     The  eccentricities  of  John    Edwin,   comedian.     Col- 
lected from  his  manuscripts,  and  enriched  with  anecdotes.     Lon- 
don.     [1791.]      2  v.  **T.57.8;etc. 
Edwin,  John  Prosser. 

An  appeal  to  the  public,  relative  to  the  conduct  of  William  M'Cready 
in  the  case  of  the  author,  John  Prosser  Edwin,  comedian,  of  the 
Theatre-Royal,  Newcastle.  Newcastle-upon-Tyne.  The  Author. 
1807.     35  pp.  **T.57.59 


[268] 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 


Edwin,  John  Prosser.     (Continued.) 

Candour  versus  calumny;  being  an  ample  refutation  of  the  malig- 
nant falsehoods  and  despicable  misrepresentations  lately  pul)- 
lished  by  the  man-ager,  William  M'Cready.  Written  by  the  man 
calling  himself  John  Prosser  Edwin,  comedian.  Newcastle  upon 
Tyne.     The  Author.     1807.     28  pp.  **T.57.58 

Edwin,  John  Prosser.     Works  about. 

M'Creaey,  W.     Facts  versus  fallacy;  or,  the  true  state  of  the  case 

between     (the    man    who    calls    himself)    John    Prosser    Edwin, 

comedian,    late    of    the    Theatre-Royal,    Newcastle,    and    William 

M'Cready.     Newcastle  on  Tyne.     1807.  **T.56.2i 

Edwin  Forrest  Club,  Nezv  York  City. 

[Constitution,   by-laws,   etc.]      New   York.      1874.      ig  pp.      Portraits. 

**T.93.i9 
The    Edwin    Forrest    Club.      Founded    March    g,    1874.      New    York. 
1874.     23  pp.     Portrait.  **T.93,i4 

Edwin  Forrest  Home,  Holmeshiirg,  Pa. 

New  York  Dramatic  Mirror.  [Cuttings  from  the  New  York 
Dramatic  Mirror  describing  the  Edwin  Forrest  Home  for  retired 
actors,  with  accounts  of  some  of  its  occupants.  New  York.  i8g9?] 
Tllus.     Portraits.  *4340.i4o 

Edwin's  Pills  to  purge  melancholy:  containing  all  the  songs  sung  by 
Mr.  Edwin;  with  an  humourous  account  of  Mrs.  Siddons's  first 
reception  in  Dublin.  2d  edition,  with  additions.  London:  Pub- 
lished by  William  Holland.     1788.     v-viii,  104  pp.     Portraits. 

**T.96.2ii 
Effects  of  the  stage  on  the  manners  of  a  people.     Haliburton.  W. 

**T.76.io3 
Egan,  Pierce,  the  Elder. 

The  life  of  an  actor  [Peregrine  Proteus].  The  poetical  descriptions 
by  T.  Greenwood.  Embellished  with  27  characteristic  scenes, 
etched  by  Theodore  Lane.  London.  Pickering  &  Chatto.  1892. 
xvi,  257  pp.     Illus.     Colored  plates.  2573.143 

Pierce  Egan's  Book  of  sports,  and  mirror  of  life:  embracing  the  turf, 
the  chase,  the  ring,  and  the  stage.  London.  Tegg.  1832.  iv,  414 
pp.     Illus.  *8oos.5i 

The  show  folks!  With  designs  on  wood,  by  Theodore  Lane,  and 
engraved  by  John  Thompson.  Added,  a  biographical  sketch  of  the 
life  of  Theodore  Lane.  London.  Arnold.  1831.  5g,  d)  pp. 
Plates.  6579.13;  **T.98.56 

An  account  in  verse  of  the   experiences   of  a  stage-struck   youth.     Another  copy 
is  on  shelf-number  **K.49.26. 
Egerton,  John. 

Egerton's  Theatrical  remembrancer.  A  complete  list  of  all  the 
dramatic  performances  in  the  English  language;  their  editions 
and  the  theatres  where  they  were  originally  performed,  an  account 
of  those  which  are  unpublished,  to  the  end  of  1787.  Added,  a 
chronological  account  of  events  relative  to  the 'English  stage. 
London:   Printed  for  T.  and  J.   Egerton.      1788.     vi.   (i),  354  PP- 

**T.68.4 

Corrections    to    this   work,   by    W.    C.    Oulton,    may    be    found    on    shelf  niiml>ers 
*2i75.i2;   **T.67.6. 

Egerton,  T.  &  J.,  auctioneers. 

A  catalogue  of  old  quarto  plays,  including  the  greatest  part  of  those 
printed  from  the  year  1567  to  the  beginning  of  the  year  1700. 
Also,   several   treatises   relating  to  the   stage;   and   various   tracts 

[269] 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 

Egerton,  T.  &  J.,  auctioneers.     (Continued.) 

on   dramatic   criticism   and   biography;   which   are   now   selling   bj- 
Thomas  and  John  Egerton.      [London.]      Robson.     1790.     22  pp. 

No.  9  in  **G.3823.5 

A    catalogue   of   the    library   of   John    Henderson.      The    completest 

assemblage  of  English   dramatic  authors  ever  exhibited   for   sale 

in   this  country.     Which  will  be  sold  by  auction  on  thfc   20th  of 

February.     [London.     1786.]      (2),  71  pp.  **T.66.2i ;  etc. 

Egerton,  William. 

Faithful  memoirs  of  the  life,  amours  and  performances  of  M^s  Anne 
Oldfield.  With  several  other  dramatical  memoirs.  London: 
Printed  in  the  year  1731.     (3),  xi,  212,  21  pp.     Portrait.     **T.57.22i 

Eglington,  Charles,  editor. 

Theatre,  The.  A  monthly  review  and  magazine.  [Edited  by  C. 
Eglington  from  July.  1892-June,  1893.]  London.  1877,  97.  Tikis. 
Portraits.      Plates.      Plans.  •••*T.25.i 

Egotist,  The;  or,  Colley  upon  Gibber.  Being  his  own  picture  retouch'd, 
to  so  plain  a  likeness,  that  no  one,  now,  would  have  the  face  to 
own  it,  but  himself.  London,  Printed:  and  sold  by  W.  Lewis. 
1743.     78  pp.  **T.58.i6o 

Signed,    C.     Cibber.       Other    copies    are    on    shelf-numbers     No.  6  in  **G.3823.5  ; 
No.  5  in  **G.3824.i7. 

Egypt.     Theatres. 

Kahle,  p.  E.  Zur  Geschichte  des  arabischen  Schattentheaters  in 
Egypten.     Leipzig.     1909.  6252.113 

Ehrhard,  Auguste.     See  Ehrhard,   Marie  Joseph  Augusta. 
Ehrhard,  Marie  Joseph  Auguste. 

Une  vie  de  danseuse.  Fanny  Elssler.  Paris.  Plon-Nourrit  &  c'^. 
1909.     (4),  423  pp.      Portrait.  4845-85 

Eighth    commandment.    The.      Reade,    C.  6577.18;  etc. 

Eisenberg,  Ludwig  Julius. 

Adolf  Sonnenthal.  Eine  Kiinstlerlaufbahn  als  Beitrag  zur  Geschichte 
des  modernen  Burgtheaters.  2.  vermehrte  Auflage.  Mit  einem 
Vorwort  von  Ludwig  Speidel  zor  i.  Auflage.  Dresden.  Pierson. 
1900.      (5),   vi,    (i),  476  pp.     Portrait.     Autograph   facsimile. 

**T.57.io6 

Ludwig  Eisenberg's  Grosses  biographisches   Lexikon  der  dcutschen 

Biihne    im   xix.    Jahrhundert.      Leipzig.      List.      1903.      (9),    1180, 

(l)   pp.     Portraits.  *2842.4i 

Elbow  room.     Gilliland,  T.  **T.76.6o;  etc. 

Elderkin,  John. 

A  brief  history  of  the  Lotos  Club.     New  York.     Club  House.     [1895.] 

i<j6,  57,   (i)   pp.     Portraits.     Plates.  *A.5334 

Electricite,  L',  au  theatre.     Lefevre,  J.  **T.77.i4i 

Elenco  alfabetico  di  tuttc  le  produzioni  teatrali  contenute  nel  Florilegio 

drammatico,    nel    Nuovo    repertorio    e    nell'    Emporio    di   Trieste. 

Coir    aggiunta    del    Catalogo    del    Teatro    scelto    del    cav.    Paolo 

Giacometti,  delle  Opere  drammatiche  del  cav.  Paolo  Ferrari,  del 

Museo   drammatico,   del    Magazzeno    teatrale    e    della    Collana    di 

scelti  autori  drammatici.     Milano.    Sanirto.     1863.    72  pp.    *6i68.i5 

Eleve,  L',  de  Garrick.     Filx)N,  P.  M.  A.  6698.134;  **T. 87.41 

Eleve,    L',    de    Melpomene.      B.,    J.    M.  **T.97.i36 

Elias,  Solomon  Philip. 

The  law  of  theater  tickets.  San  Francisco.  Hiester.  1905.  (5), 
43,  (4)  PP  3663.96 

[270] 


I 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 


Eliot,  Charles  William,  prefaccr. 

Herts,  A.  M.  The  Children's  Educational  theatre.  New  York.  191 1. 
Portrait.     Plates.  5598.186 

Elizabeth,  Queen  of  England. 

NicfioLS,    J.      The    progresses    and    public    processions    of    Queen 
Elizabeth.     London.     1823.     3  v.     Portraits.     Plates.       **G.3752.3 
Elizabethan  playhouse.  The.     Lawrence,   W.   J.  4574.172 

Elizabethan  theatre. 

See  also  Court  levels;  England.  Theatres;  London.  Theatres. 

Adams,  J.  Q.,  Jr.  Shakespearean  playhouses.  A  history  of  English 
theatres  from  the  bejjinnings  to  the  Restoration.  Boston.  [1917. 1 
Illus.     Portraits.     Plates.     Maps.     Plans.  4594.156 

Albrjght,  V.  E.  The  Shaksperian  stage.  New  York.  1912.  Plates. 
Plans.  4558.43 

Brodmeier,  C.  Die  Shakespeare-Biihne  nach  den  alten  Biihnen- 
anweisungen.     Weimar.     1904.     Plans.  4594-155 

Calmour,  a.  C.  Fact  and  fiction  about  Shakespeare.  With  some 
account  of  the  playhouses,  players  and  playwrights  of  his  period. 
Stratford-on-Avon.      [1894.]      Portraits.     Plates.         **T.55.22;  etc. 

Chambers,  E.  K.  The  stage  of  the  Globe.  (In  Shakespeare,  William. 
Works.  Vol.  ID,  pp.  351-362.   Stratford-on-Avon.    1907.)    **G.90.7.io 

Collins,  J.  P.  Memoirs  of  the  principal  actors  in  the  plays  of 
Shakespeare.     London.     1846.  **T.55.i3o;  etc. 

Creizenach,  W.  M.  a.  Das  englische  Drama  im  Zeitalter  Shake- 
speares.     Teil  i.     Halle  a.  S.     1909.  4874.37.4 

Same.  The  English  drama  in  the  age  of  Shakespeare.  Phila- 
delphia.    [1916.]     Plates.  4574.185 

Cunningham,  P.,  editor.  Extracts  from  the  accounts  of  the  Revels 
at  court,  in  the  reigns  of  Queen  Elizabeth  and  King  James  I.  Lon- 
don. 1842.  4596.56;  etc. 

Delius,  N.  Ueber  das  englische  Theaterwesen  zu  Shakspere's  Zeit. 
Ein  Vortrag.     Bremen.     1853.  No.  i  in  **G.39io.9 

Dickinson,  T.  H.  Some  principles  of  Shakespeare  staging.  (In 
Shakespeare  studies.     Pp.  125-146.     Madison.     1916.)  4593.211  ' 

Elze,  F.  C.  Eine  Auffiihrung  im  Globus-Theater.  Vortrag.  Weimar. 
1878.  6595.12 

English  Club,  Leland  Stanford  Junior  University.  The  trve  historie 
of  the  Knyght  of  the  Burning  Pestle.  Book  of  the  play  as  pre- 
sented by  the  English  Club;  including  a  compendious  discourse 
on  seeing  an  Elizabethan  play.  San  Francisco.  1903.  Portraits. 
Plates.  25593,109 

Freeburg,  V.  O.  Disguise  plots  in  Elizabethan  drama.  A  study  in 
stage  tradition.     New  York.     1915.  6257.380 

Gaedertz,  C.  T.  Zur  Kenntnis  der  altenglischen  Biihne  nebst  andern 
Beitragen   zur  Shakespeare-Litteratur.     Bremen.      1888.     Plate. 

4572.101 

GiLDERSLEEVE,  V.  C.  Government  regulation  of  the  Elizaljethan 
drama.     New  York.     1908.  4558.268 

Graves,  T.  S.  The  Court  and  the  London  theatres  during  the  reign 
of  Elizabeth.  A  dissertation  [University  of  Chicago].  Menasha. 
1913.     Plan.  6257.35 

Halliwell-Phillipps,  J.  O.  Outlines  of  the  life  of  Shakespeare. 
London.     1882.     Illus.  459oa.iio;  **T.55.86;  etc. 

Lawrence.  W.  J.  The  Elizabethan  playhouse  and  other  studies. 
Philadelphia.     1912.     Plates.     Plan.  4574-172 


[271] 


THE  PUBLIC  LIBRARY  OF  THE   CITY   OF  BOSTON 

Elizabethan  theatre.     (Continued.) 

Lk:-:.  5/;-  S.  Shakespeare  and  the  Elizabethan  playgoer.  (In  An 
English  miscellany.  Presented  to  Dr.  Furnivall.  Pp.  235-254. 
Oxford.     1901.)  *4555-i54 

London.  Globe  flicatre.  Bankside.  Shakespeare's  theatre.  Descrip- 
tion of  the  model  [of  the  first  Globe  Theatre.  1594-1613.  Lon- 
don?    igoi?]     2  photographs.  **G.72.ii 

Maas,  H.  Aussere  Geschichte  der  englischen  Theatertruppen  in  dem 
Zeitraum  von   1559  bis  1642.     Louvain.     1907.  2553,129 

Die  Kindertruppen:  ein  Kapitel  aus  der  Geschichte  der  eng- 
lischen Theatergesellschaften  in  dem  Zeitraume  von  1559  bis  1642. 
Bremen.     1901.  2552.121 

Neuendorff,  B.  Die  englische  Volksbiihne  im  Zeitalter  Shake- 
speares  nach  den  Biihnenanweisungen.     Berlin.     1910.         4874.154 

Proki.ss,  C.  R.  Von  den  altesten  Drucken  der  Dramen  Shakespeares. 
und  dem  Einflusse,  den  die  damaligen  Londoner  Theater  und 
ihre    Einrichtungen    auf    diese    Dramen    ausgeiibt    haben.      Eine 

■  Untersuchung  vom  literarischen  und  dramaturgischen  Stand- 
punkte.     Leipzig.     1905.  4579.150 

Revher,  p.  Les  masques  anglais,  fitude  sur  les  ballets  et  la  vie  de 
cour  en  Angleterre   (1512-1640).     Paris.     1909.     Plans.       4551.122 

Reynolds,  G.  F.  Some  principles  of  Elizabethan  staging.  A  dis- 
sertation   [University  of  Chicago].     Chicago.      1905.         •  2557.136 

Roberts,  J.  An  answer  to  Mr.  Pope's  Preface  to  Shakespear.  In  a 
letter  to  a  friend.  Being  a  vindication  of  the  old  actors  who 
were  the  publishers  and  performers  of  that  author's  plays.  Lon- 
don.    1729.  No.  2  in  **G.3944.3 

ScHELLiNG,  F.  E.  Elizabethan  drama.  1558-1642.  A  history  of  the 
drama  in  England  from  the  accession  of  Queen  Elizabeth  to  the 
closing  of  the  theatres.     Boston.     1908.     2  v.  2556.144 

The  Queen's  progress  and  other  Elizabethan  sketches.  Bos- 
ton.    1904.     Portraits.     Plate.  2556.108 

Small,    R.    A.      The    stage-quarrel    between    Ben    Jonson    and    the 

so-called  poetasters.     Breslau.     1899.  4556.25 

Smith,    W.    H.      Bacon    and    Shakespeare.      An    inquiry    touching 

players,  playhouses,  and  play-writers   in  the  days  of   Elizabeth. 

London.     1857.  2598.15;  **T.58.83;  etc. 

Stopes,  C.  C.  Shakespeare's  environment.  London.  1914.  4595.141 
Teg(;.  W.     Shakspeare  and  his  contemporaries.     With  the  plots  of 

his  plays,  theatres  and  actors.     London.     1879.     Portraits.     Plates. 

2597.38;  **T.57.273 
Thorndike,  a.  H.     Shakespeare's  theater.     New  York.      1016.     Illus. 

Portraits.      Plates.      Plans.      Diagrams.  6595.30;  etc. 

Tomlins,  Sir  T.  E.     Three  new  privy  seals  for  players  in  the  time 

of  Shakespeare.     (In  Shakespeare  Society,  London.     Papers.     Vol. 

4,  pp.  41-49.     London.     1849.)  *4596.ii.4;  etc. 

Wallace,  C.  W.     The  Children  of  the  Chapel  at   Blackfriars,  1597- 

1603.  Lincoln,  Neb.  1908.  3595.104.8 
The  evolution  of  the  English  drama  up  to  Shakespeare.     With 

;i  history  of  the  first  Blackfriars  theatre.     Berlin.     1912.       4593.203 

Shakespeare  and  his  London  associates,  as  revealed  in  recently 

discovered   documents.     Lincoln,   Neb.      1910.     No.  4  in  3595.104.10 

Three  London  theatres  of  Shakespeare's  time.     [Lincoln,  Neb.] 

1909.  No.  4  in  *3595.i04.9 

[272] 


BROWN   COLLECTION   OF   BOOKS    ON    THE   STAGE 

Elizabethan  theatre.     (Continued.) 

Wegener,  R.    Die  Biihneneinrichtung  des  Shakespeareschen  Theaters 

nach    den   zeitgenossischen    Dramen.      Halle    a.    S.      1907.      Illus. 

Facsimiles.  4595178 

Werner,    O.  J.      Die    Elisabethanische   Biihne    nach    lien   Jonson.      i. 

Teil.     Inaugural-Dissertation.     Halle  a/S.      [1878.] 

Xo.  10  in  **G.75.23 
Wheatley,   H.    B.     On  a  contemporary   drawing  of   the   interior   of 
the  Swan  theatre,   1596.      {hi  New  Shakspere  Society.     [Publica- 
tions.]     Series    I.      Part   2,   pp.    213-225.      London.      1888.) 

** G.I 00. 1. 1 887-92;  etc. 

WooLF,  A.  H.     Shakespeare  and  the  old  Southwark  playhou.sts.     A 

lecture.      [London.      1903.]  4599a.i67 

Wynne,  A.     The  Elizabethan  stage.     (In  his  The  growth  of  English 

drama.     Pp.  270-276.     Oxford.     1914.)  4579-251 

Ellen  Percy;  or,  the  memoirs  of  an  actress.     [Anon.]      See  Reynolds, 

George  William  MacArthur. 
Ellet,  Elizabeth  Fries. 

Louis  Devrient  —  a  sketch.     [New  York.     1845.]      164-174  pp. 

No.  II  in  **G.393o.i3.i 
Wilhelmine   Schroder  Devrient.     New  York.     1845.     262-266  pp. 

No.  18  in  **G.3930.i3.2 
EUeviou,  Pierre  Jean  Baptiste  Frangois. 

Paroisse-Pougin,  F.  A.  A.  Figures  d'Opera-comique:  Madame 
Dugazon,    Elleviou,    les    Gavaudan.      Paris.      1875.      Portraits. 

M. 137.2 
Elliot,  Walter  G. 

\'entiIation  of  the  Madison  Square  theatre.  New  York.  1880.  24  pp. 
Illus.     Plan.  8098.6 

Elliot,  W.  G.,  editor. 

Amateur  clubs  &  actors.  With  illustrations  by  C.  M.  Newton  and 
from  photographs.  London.  Arnold.  1898.  'xv.  320  pp.  Por- 
traits.    Plates.  **T.96.i4i 

Contents.  —  Prologue.  By  R,  T.  Lucas.  —  Introductory.  By  the  editor.  —  The 
Guards'  burlesaue.  By  Captain  George  Nugent.  —  The  Windsor  Strollers.  By 
B.  C.  Stephenson.  —  The  Greek  play.  Oxford.  By  Philip  Carr.  —  The  A.  D.  C, 
Cambridge.  By  the  editor.  —  The  amateur  pantomime  and  burlesque.  By  W. 
Yardiey.  —  The  Creek  play,  Cambridge.  By  J.  W.  Clark.  —  The  O.  U.  D.  S. 
By  Claud  Nugent.  —  .\cting  at  Eton.  By  F.  Tarver.  —  Amateurs  in  foreign 
parts.  By  Lieut-Col.  Newnham-Davis.  —  The  Westminster  play.  By  M.  L. 
Gvvyer.  —  The  Greek  plays  at  Bradfield  College.  By  "Sentinel."  • —  Country 
house  acting.  By  Leo  Trevor.  —  The  Canterbury  "Old  Stagers."  By  W. 
Yardiey. 

Ellis,  John,  compiler. 

[A  collection  of  cuttings. relating  to  Stratford;  with  programmes  of 

performances  in  aid  of  the  fund  for  the  purchase  and  preservation 

of    Shakespeare's    house.      Stratford?]       1840.      Illus.      Portraits. 

Plates.  **G.7o.27 

Ellis,  William  Ashton,  translator. 

Wagner.  W.  R.  Letters  to  Emil  Heckel:  with  a  brief  history  of 
the  Bayreuth  festivals.     London.     1899.  40493.65 

EUiston,  Robert  William. 

Catalogue  of  the  remaining  household  furniture,  &c.,  of  R.  W^  Ellis- 
ton.  The  private  and  theatrical  wardrobe  of  Mr.  Elliston  v.  liich 
will  be  sold  by  auction,  by  Geo.  Robins,  the  5th  of  September. 
[London.     1831.]     20  pp.  **T.66.i7 

[273] 
18 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 

EUiston,  Robert  William.     (Continued.) 

Copy  of  a  memorial  presented  to  the  Lord  Chamberlain,  by  the 
committee  of  management  of  the  Theatre-Royal  Drury-Lane,  and 
by  the  proprietors  of  the  Theatre-Royal  Covent-Garden,  against 
the  Olympic  and  Sans  Pareil  theatres;  with  copies  of  two  letters, 
in  reply  by  Robert  William  Elliston.  London.  Miller.  i8t8. 
(3),  viii,  142,  (i)  pp.  **T.76.i28 

The  Marquis  of  Hertford  was  Lord  Chamberlain  at  the  time  of  the  controvcrsj'. 
.Another  copy  is  on  shelf-numher  No.  2  in  **G.3822.4.i. 

Receipts  &  disbursements.  Birmingham  seasons.  1815  &  1817. 
Manuscript.     [Birmingham.     1815-17.]     Unpaged.  **T.77.i3 

Elliston,  Robert  William.     Works  about. 

Philo-Dr.\m.aticus,  fy.^eud.  A  letter  to  C.  Kemble  and  R.  W.  Elliston, 
on  the  present  state  of  the  stage.     London.     1825.  **T.76.i22 

Raymond,  G.  Memoirs  of  Robert  William  Elliston,  comedian.  Illus- 
trated by  George  Cruikshank  and  "Phiz"  [pseud.].  London. 
1844,  45.     2  V.     Portrait.     Plates.  **T.56.2i6;  etc. 

Elocution. 

CoQUELiN,  B.  C.  L'art  de  dire  le  monologue.  Par  Coquelin  cadet 
[et]   Coquelin  aine.     Paris      1884.     Portraits.  **T.77.i5o 

DowsoN.  R.  F.     Hints  to  speakers  and  players.     New  York.     191 1. 

5599-167 
Dl'poxt- Vernon,   H.     L'art  de  bien   dire,     ye  edition.     Paris.      1807. 

3598.138 

Diseurs  et   comediens.      (Suite   de   L'art   de   bien   dire.)      Paris. 

1891.  **T.77.i7i 

Principes   de   diction.      Paris.      1882.  **T.77.2ii 

Knox,  T.     Hints  to  public  speakers;  intended  for  young  barristers, 

students  at  law,  and  all  others  who  may  wish  to  improve  their 
delivery,  and  attain  a  just  and  graceful  elocution.  London. 
1797-  **T.78.5i 

New  Thespian  oracle.  The;  containing  original  strictures  on  oratory 
and  acting.  And  a  select  collection  of  all  the  modern  prologues, 
and  epilogues,  spoken  at  the  royal  and  private  theatres.  Lon- 
don.    1791.     Portrait.  **T.37.i8i 

OsMUN,  T.  E.  Acting  and  actors,  elocution  and  elocutionists.  A 
book  about  theater  folk  and  theater  art.  Xew  York.  1894.  Por- 
traits. 35993.101 ;  **T. 78.61 

Reader.  The.  or  reciter;  by  the  assistance  of  which  any  person  may 
teach  himself  to  read  or  recite  English  prose  with  the  utmost 
elegance  and  effect.  To  which  are  added,  instructions  for  read- 
ing plays.     London.     1799.  **K.34.6 

RiccoBONi,  L.  Reflexions  historiques  et  critiques  sur  les  differens 
theatres  de  I'Europe.  Avec  les  Pensees  sur  la  declamation.  .\ 
Paris.     1738.  **T.47.49;  etc. 

Same.      -A.n    historical   and    critical   account   of   the   tlu'atros    in 

Europe.  With  An  essay  on  action,  or,  the  art  of  speaking  in 
public.     London.     1741.  **T. 46.52 

Smithson,    D.   J.      Elocution   and    the   drainatic   art.      London.      1887. 

Portrait.  5596-73;  **T.77-65 

SoLLV,  T.  R.    Acting  and  the  art  of  speech,  at  the  Paris  Conservatoire. 

Hints  on   reading,  reciting,  acting,  and  the   cure  of  stammering. 

London.      1891.  3599.126 

Voice,  speech  and  gesture;  a  practical  handbook  to  the  elocutifniary 

art.     London.      1895.     Illus.  **M.2i8.2;  etc. 

[274] 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 

Elocution.     (Continued.) 

YouMG  SPOUTER,  The,  being  a  new  collection  of  prologues  and  epi- 
logues: or,  complete  theatrical  remembrancer,  and  key  to 
theatrical  knowledge.  Prefixed,  an  introduction,  including  rules 
to  be  observed  in  theatrical  representation  and  public  speaking. 
London.      [i8 — ?]      Plate.  **T.37.i87 

Elsa.     Gray,  E.  D.  McQ.  **T.87.i2 

Elssler,  Fanny. 

The  letters  and  journal  of  Fanny  Ellsler  [sic].     Written  before  and 

after  her  operatic  campaign  in  the  United  States.     Including  her 

letters  from  New  York,   London,   Paris,   Havana,  etc.,  etc.     New 

York.     Daggers.     1845.     65  pp.  4845.19;  **M.453.89 

Elssler,  Fanny.     Works  about. 

Coffin,  R.  F.     La  deesse,  an  Elssler-atic  romance.     [A  poem.]     New 

York.      1841.  **T.87.97;etc. 

Ehrhard,   M.  J.   A.     Une   vie   de   danseuse,      Fanny    Elssler.      Paris. 

1909.     Portrait.  4845.85 

Memoir  of  Fanny  Elssler:  with  anecdotes  of  her  public  and  jirivate 

life!      From   her   childhood  to   the   present   time.      Boston.      1840. 

Portrait.  **T.57.67 

Pindar,   P.     A  short  and  correct   sketch   of   Mad'lle   Fanny   Elssler. 

Philadelphia.     [1841.]  No.  3  in  **G.3822.4.2 

Richmond,  J.  C.     No  Slur,  Else-Slur:  a  dancing  poem,  or  satyr:  by 

Nobody    [pseud.].     New  York.      1840.  4507.126 

Elwart,  Antoine  Amable  Elie. 

Duprez:    sa    vie    artistique.      Avec    une    biographic    de    son    maitre, 
Alexandre  Choron.     Paris.     Magen.     1838.     (3),  vii,  219  pp.     Por- 
traits. No.  I  in  **M. 1293.33 
Ely,  James  T. 

Hatfield,    R.    M.      The    theater:    its    character    and    influence.      An 

address.      Delivered    at    the    Clark    Street    Methodist    Episcopal 

Church  of  Chicago,  December  ii,  1865.     (Reported  by  James  T. 

Ely.)     Chicago.     1866.  **T.76.i25 

Elze,  Carl.     See  Elze,  Friedrich  Carl. 

Elze,  Friedrich  Carl. 

Eine  Auffiihrung  im  Globus-Theater.  Vortrag  bei  der  14.  Jahres- 
versammlung  der  Deutschen  Shakespeare-Gesellschaft  zu  Weimar. 
Weimar.     Huschke.      1878.     32   pp.  6595.12 

A  description  of  an  imaginary  performance  in  the  old   Globe  Theatre,  of  Shake- 
speare's time. 

Emerson,  Charles  Wesley. 

Physical  culture.  2d  edition.  Boston.  Emerson  College  of  Oratory. 
[1891.]     xiv,    154  pp.     Portrait.     Plates.  3592.108 

Same.     3d  edition.     Emerson  College  of  Oratory  Publishing  Depart- 
ment. **T.96.233 
Same.     7th  edition.     Autograph  facsimile.  3592.158 
Emerson,  Ellen  Russell. 

Masks,  heads,  and  faces.     With  some  considerations  respecting  the 

rise  and  development  of  art.     Boston.     Houghton,   Mifflin   &  Co. 

1891.     (2),  xxvi,  (i),  312  pp.     Illus.     Plates.  2236.103 

Same.     London.     Black.     1892.  **T.96.29i 

Eminent  actors. 

Archer,    W.      William    Charles    Macready.      London.      1890. 

2546,100;  **T.57.2 

[275] 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 

Eminent  actors.     (Continued.) 

Lowe,  R.  W.    Thomas  Betterton.    London.    1891.    2546.115;  **T.57. 201 
Parry,  E.  A.     Charles  Macklin.     New  York.     1891.  **T.57.3;  etc. 

Eminent  actors  in  their  homes.     Hamm,  M.  A.  **T.57.259 

Eminent  women  series. 

Kenxard.   N.   H.     Mrs.   Siddons.     London.     1887.  255ob.82 

Rachel.      London.      1885.  **T.57.338 

Emmanuel,  Maurice. 

The  antique  Greek  dance  after  sculptured  and  painted  figures. 
Translated  [from  the  French]  by  Harriet  Jean  Beauley.  With 
drawings  by  A.  Collombar  and  the  author.  New  York.  John 
Lane  Co.     igi6.     xxviii,  304  pp.     Illus.     Plates.     Plans.     40408.166 

Discussses    also   the   modern    ballet    in    its   relation    to    the    Greek    dance. 

Employment  bureaus. 

Germain,  A.     Les  dessous  du  theatre.     Les  agences  dramatiques  et 

lyriques.     Paris.     1891.  **T.77.90 

Encore  annual,  The.     1894.     Edited  by  Edward  Lawrance  and  Charles 

Douglas  Stuart.     London.     [1894.]     52  pp.     Portraits.       **T.93.i5 

Enfant,  L",  du  trou  du  souffleur.     Beaufort  d'Auberval.  A.  A.     **T.87.40 

Enfants-sans-Souci. 

Fabre,  L.  a.  Les  clercs  du  Palais.  Recherches  historiques  sur  les 
Bazoches  des  Parlements  &  les  societes  dramatiques  des  Bazo- 
chiens  &  des  Enfants-sans-Souci.     Lyon.     1875.     Illus.     Plate. 

**T.76.50 
Engel,  G.  G.     See  Engel,  Johann  Jakob. 
Engel,  Johann  Jakob. 

Ideen   zu   einer   Mimik.      Berlin.      Mylius.      1804.     2   v.   in    i.      Plates. 

2904.17 

Same.     Idees  sur  la  geste  et  Taction  theatrale.     Suivies  d'unc  lettre 

sur  la  peinture  musicale.     Le  tout  traduit  de  I'allemand.     A  Paris, 

chez    H.    J.    Jansen    et    comp.,    I'an    troisieme    de    la    Repuljlique 

frangoise.     [1795.]     2  v.     Plates.  **T.97.5 

Same.     Lettere  intorno  alia  mimica.     Versione  dal  tedesco.     Aggiun- 

tovi    i    capitoli    sei    sulT    arte    rappresentativa    di    L.    Riccoboni. 

Milano.     Pirotta.     1818,   19.     2  v.  in   i.     Plates.  **T.76.i36 

Same.      Practical    illustrations    of    rhetorical     gesture    and    action: 

adapted  to  the  English  drama:  from  a  work  on  the  subject  by  M. 

Engel.      By    Henry   Siddons.      London.      Phillips.      1807.     iv.   387, 

(^23)  pp.     Plates.  **T.76.i93 

Same.    2d  edition,  improved.     Sherwood,  Neely,  &  Jones.     1822.    viii, 

3Q3.   C15)  pp.     Illus.  5594.61  ;**T.76.i8 

Engerth,  Eduard,  Ritter  von. 

Zwischenbilder  zu  Figaro's  Hochzeit.    Wandgemalde  im  K.  k.  Opern- 
hause  zu  Wien.    Miinchen.     Bruckmann.     [188-?]     17  photographs 
in  a  portfolio.     Size,  2%  X  aVa   and  4'A  X  8^   inches,  trimmed. 
Silver  prints.  **M.430.l6 

England.     Revels  Office. 
See  also  Court  revels. 

Chambers,  E.  K.  Notes  on  the  history  of  the  Revels  Office  under 
the  Tudors.     London.     1906.  2552.35 

Feuillerat,  a.  Le  bureau  des  menus-plaisirs  (office  of  the  Revels") 
et  la  mise  en  scene  a   la   cour  d'Elizabeth.     Louvain.      1910. 

2552.21 

Feuillerat,  A.,  editor.    Documents  relating  to  the  Office  of  the  Revels 

in  the  time  of  Queen  Elizabeth.     Louvain.     1908.  *2550.90 

[276] 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 

England.     Revels  Office.     (Continued.) 

Documents  relating-  to  the  revels  at  court  in  the  time  of  King 

Edward  VI.  and  Queen  Mary.     (The  Loseley  Manuscripts.)     Lou- 
vain.      1914.  *255o.io7 

Herbert.  Sir  H.  The  dramatic  records  of  Sir  Henry  Herbert,  Master 
of  the  Revels,  1623-1673.  Edited  by  Joseph  Quincy  Adams.  New 
Haven.     1917.     Portrait.  *2552.2i5 

England.     Theatres. 

See  also  Actors  abroad;  Court  revels;  Censorship  of  the  stage; 
Elizabethan  theatre;  London.  Theatres. 

A  Beckett,  A.  W.     Green-room  recollections.     Bristol.     [1896.] 

**T.77.96 

A  Beckett.  G.  A.  The  quizziology  of  the  British  drama.  Com- 
prising I. — Stage  passions.  II. — Stage  characters.  III. — Stage 
plays.     London.     1S46.     Illus.  **T.48.3 

Adams,  W.  H.  D.  The  Merry  Monarch;  or,  England  under  Charles 
II.     Its  art,  literature,  and  society.     London.     1885.     2  v. 

2570.23;  **T.56.228 

Animadversions  on  Mr.  Congreve's  late  answer  to  Mr.  Collier.  In 
a  dialogue  and  some  offers  towards  new-modeling  the  stage. 
London.      i6g8.  No.  12  in  **G.382i.5 

Archer,  F.  An  actor's  notebooks.  Being  some  memories,  friend- 
ships, criticisms  and  experiences.  London.  1913.  Portraits. 
Plates.      '  **T.46.55 

Archer,  W.,  and  H.  G.  Barker.  Scheme  &  estimates  for  a  national 
theatre.     New   York.      1908.  6252.73 

B.,  G.  S.  A  study  of  the  prologue  and  epilogue  in  English  literature 
from   Shakespeare  to  Dryden.     London.      1884.     2553.69;  **T.47.48 

Barker,  J,  The  drama  recorded.  Added,  Notitia  dramatica.  or,  a 
chronological  account  of  events  relative  to  the  English  stage. 
London.     1814.  **T.67.2;etc. 

Barnes,  J.   H.     Essays  on  the   current   drama.     London.      1910. 

**T.46.58 

Forty   years   on   the   stage,      Others    (principally)    and    niystlf. 

New  York.     1915.     Portraits.  4545.169 

Beale,    T.    W.      The    enterprising    impresario.      London.      1867. 

**M. 146.26 

■^-Bedford,    A.     A    serious    remonstrance    in    behalf   of    the    Christian 

religion,  against  the  horrid  blasphemies  and  impieties  which  are 

still  used  in  the  English  play-houses.     London.     1719.    **G.382i.i8 

Blau,  H.     Some  more  notes  on  the  stage,  and  its  influence  on  the 

education    of    the    masses,    players,    and    playgoers.      Read    at    a 

meeting  of  the  members  of  the  Society  of  Science,  Letters,  and 

Art.     London.      [1885.]  **T.48.ii 

Eoaden,  J.     Memoirs  of  the  life  of  John  Philip  Kemble.     Including 

— '        a  history  of  the  stage  from  the  time  of  Garrick  to  the  present 

period.     London.     1825.     2  v.     Portrait.       65403.62;  **T.56.242;  etc. 

Borsa,  M.     The  English  stage  of  to-day.     London.     1908. 

2556.142;  **T.46.i4 

Chambers,  E.  K.    A  jotting  by  John  Aubrey.    Two  early  player  lists. 

Commissions  for  the  Chapel.     Plays  of  the  King's  Men  in  1641. 

Manuscript  facsimiles.     (In  Malone  Society.     Collections.     \''ol.  i, 

parts  4  and  5,  pp.  341-369.     [Oxford.]     igii.)    **G.4077.i5.i. Part  4,5 

The   stage  of  the   Globe,      (fii   Shakespeare,   William.      Wnrks. 

Vol.  10,  pp.  351-362.     Stratford-on-Avon.     1907-)  **G.9o.7.io 

[277] 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 


England.     Theatres.     (Continued.) 

Cheney,  S.     The  new  movement  in  the  theatre.     New   York.     1914. 

Plates.  6257.87 

Chetwood,  W.  R.    The  British  theatre.     Prefixed,  a  short  view  f)f  the 

rise  and  progress  of  the  English  stage.     Dublin.     1750.       **T.68.5 

Same.     London.     1752.  **G.3923.8 

CiBBER,  T.     Gibber's  Two  dissertations  on   the  theatres.     With  an 

appendix.  The  whole  containing  a  general  view  of  the  stage, 
from  the  earliest  times.  ,  With  anecdotes  relative  to  the  English 
theatres.      London.      [1756.]  **T.76.i34;  etc. 

Cole,  J.  W.  The  life  and  theatrical  times  of  Charles  Kean.  Includ- 
ing a  summary  of  the  English  stage  for  the  last  fifty  years,  and 
a  detailed  account  of  the  management  of  the  Princess's  Theatre, 
from  1850-1859.     London.     1859.     2  v.  6543.30;  **T.56.28i 

Coleman,  J.  Fifty  years  of  an  actor's  life.  New  York.  1904.  2  v. 
Portraits.  4544.190 

[Collection  of  play  bills  of  English  theatres,  chiefly  those  of  Lon- 
don.    1718-1825;   1825-1864.]     2  V.  **G.50.30 

Collier,  J.  P.  The  history  of  English  dramatic  poetry  to  the  time 
of  Shakespeare;  and  annals  of  the  stage  to  the  Restoration.  Lon- 
don.    1831.    3  V.  **T.47.93;  etc. 

The  performance  of  early  dramas  by  parish  clerks  and  players 

in  churches.  (In  Shakespeare  Society,  London.  Papers.  Vol.  3, 
pp.  40-47.     London.     1847.)  *4596.ii.3;  etc. 

Players  and  dramatic  performances  in  the  reign  of  Edward  IV. 

(In  Shakespeare  Society,  London.  Papers.  Vol.  2,  pp.  87-91. 
London.     1845.)  *4596.ii.2;  etc. 

CoLMAN,  G.,  the  Younger,  editor.  Posthumous  letters,  from  various 
celebrated  men;  addressed  to  Francis  Colman,  and  George  Col- 
man,  the  Elder:  with  annotations,  and  occasional  remarks,  by 
George  Colman.  the  Younger.     London.     1820.  **T.53.7 

Cook,  E.  D.  A  book  of  the  play:  studies  and  illustrations  of  histrionic 
story,  life,  and  character.     London.     1876.     2  v.     2476.56;  **T.77.8i 

Nights  at  the  play.     A  view  of  the   English  stage.     London. 

1883.     2  V.  2475.55  ;**T.47.5o 

On  the  stage.     Studies  of  theatrical  history  and  ihe  actor's  art. 

London.     1883.     2  v.     Portrait.  2476.67;  **T.77.84 

CoRiN,  pseud.     The  truth  about  the  stage.     London.     1885.     **T.78.i9 

Cumberland,  R.  Rise  and  progress  of  the  English  stage.  (In  The 
British  drama.     Vol.  9,  pp.  iii-xliv.     London.     1817.)     **G.3965.2.9 

Daniel,  G.  Merrie  England  in  the  olden  time.  Her  gambol,  songs, 
and  flashes  of  merriment,  with  the  humours  of  her  ancient  court 
fools,  Will  Summers,  Dick  Tarlton,  and  Archibald  Armstrong. 
[London.     1839.]  No.  10  in  **G.3822.i 

Despres,  J.  B.  D.,  editor.  Memoires  sur  Garrick  et  sur  Macklin, 
traduits  de  I'anglais;  precedes  d'une  histoire  abregee  du  theatre 
anglais.     Paris.     1822.  **T.56.3;  etc. 

DiEuiN,  C.     A  complete  history  of  the  stage.     London.     [1800.]     5  v. 

**T.76.i32 

The    musical    tour   of    Mr.    Dibdin;    in    which    he    finished    his 

career  as  a  public  character.     Sheffield.     1788.  **M.i2i.i 

DoDSLEV,  R.  The  rise  and  progress  of  the  English  theatre,  from 
its  earliest  beginning,  to  the  death  of  King  Charles  the  First. 
[London.     1825.]  No.  3  in  **G.3823.ii 

DoNNE,  W.  B.     Essays  on  the  drama.     London.     1858.        2609.6;  etc. 

[278] 


BROWN   COLLECTION    OF  BOOKS    ON    THE   STAGE 


England.     Theatres.     (Continued.) 

DoRAN,    J.      "Their    Majesties'    servants."      Annals    of    the    English 

stage    from    Thomas     Betterton    to    Edmund    Kean.      Actors  — 

authors — audiences.     London.     1864.     2  v.     Portraits.     4572.97;  etc. 

Dramatic  souvenir,  The.     See  Literary  and  graphical  illustrations. 

Dramaticus,    pseud.      The    profits    of    old    actors.      (In    Shakespeare 

Society,  London.     Papers.     Vol.   i,  pp.  21-23.     London.     1844.) 

*4596.ii.i;  etc. 

The   stage   as   it    is.      London.      1847.  6257.59;  **T.78.76 

Egan,   p..  the  Elder.     Pierce   Egan's   Book  of  sports,  and   mirror  of 

life:  embracing  the  turf,  the  chase,  the  ring,  and  the  stage,  inter- 
spersed w^ith  original  memoirs  of  sporting  men,  etc.  London. 
1832.     Illus.  *8oo5.5i 

Elliot,  W.  G..  editor.  Amateur  clubs  &  actors.  With  illustrations 
by  C.  M.  Newton  and  from  photographs.  London.  1898.  Por- 
traits.    Plates.  **T.96.i4i 

Englische  Studien.     Leipzig  [etc.].     1877-1915.    48  v.  in  40.     *2487.62 

Essay,  An,  upon  the  present  state  of  the  theatre  in  France,  England 
and  Italy.  With  reflections  upon  dramatic  poetry  in  general, 
and  the  characters  of  the  principal  authors  and  performers  of 
those  nations.     London.     1760.  No.  2  in  **G.3823.7 

FiLON,  P.  M.  A.  Le  theatre  anglais.  Hier  —  aujourd'  hui  —  demain. 
Paris.     1896.  2559.82 

Same.     The  English  stage:  being  an  account  of  the  Victorian 

drama.  Translated  from  the  French  by  Frederic  Whyte  w^ith  an 
introduction  by  Henry  Arthur  Jones.     London.     1897. 

4574.32;  **T.46.i 

Fitzgerald,    P.    H.      Music-Hail   land.     An   account   of   the   natives, 

male  and   female,   pastimes,   songs,  antics,   and  general   oddities 

of  that  strange  country.     London.     [i8go.]     Illus.  **T.96.i99 

A  new  history  of  the  English  stage  from  the  Restoration  to  the 

liberty  of  the  theatres,  in  connection  with  the  patent  houses.  Lon- 
don.    1882.     2  V.  2450.54;  **T.76.i5 

Principles  of  comedy  and  dramatic  effect.     London.     1870. 

2477.52  ;**T.75.56 

The  romance  of  the  English  stage.     London.     1874.     2  v. 

2572.55;  **T.56.2i3;  etc. 

Flecknoe,  R.  a  short  discourse  of  the  English  stage.  1664.  {In 
Spingarn.  J.  E.,  editor.  Critical  essays  of  the  seventeenth  century. 
Vol.  2,  pp.  91-96.     Oxford.     1908.)  25593.232.2 

Foote,  H.  a  companion  to  the  theatres;  and  manual  of  the  British 
drama.     London.     1829.     Plate.  **T.79.3o;  etc. 

Gayley,  C.  M.  Plays  of  our  forefathers,  and  some  of  the  traditions 
upon  which  they  were  founded.   New  York.    1907.   Plates.   2571. 114 

Genest,  J.  Some  account  of  the  English  stage,  from  the  Restora- 
tion in   1660  to   1830.     Bath.     1832.     10  v.  **T.75.45;  etc. 

Gentleman,  F.  The  modish  wife.  A  comedy,  to  which  is  prefixed 
a   summary  view   of  the   stage.     London.      [i775-] 

No.  3  in  **G.3823.i9 

GiLLiLAND,  T.  The  dramatic  mirror;  containing  the  history  of  the 
stage  to  the  present  time,  a  biographical  and  critical  account  of 
all  the  dramatic  writers  from  1660;  and  of  the  most  distinguished 
performers  from  the  days  of  Shakespeare  to  1807:  and  a  history 
of  the  country  theatres  in  England,  Ireland,  and  Scotland.  Lon- 
don.    1808.    2  v.     Portraits.     Plates.  **T.77.i38;  etc. 

[279] 


THE  PUBLIC  LIBRARY  OF  THE   CITY   OF  BOSTON 

England.     Theatres.     (Continued.) 

GoEDE.  C.  A.  G.  The  stranger  in  England.  With  criticisms  on  the 
stage.     London.     1807.    3  v.     Plate.  65793.71 ;  **T.98.ioi 

Great  Britain.  Acts  and  lati's.  A  declaration  of  the  Lords  and 
Commons  assembled  in  Parliament,  for  the  appeasing  and  quiet- 
ing of  all  unlawful  tumults  and  insurrections.  Also  an  ordinance 
of  both  Houses,  for  the  suppression  of  stage-playes.  Scptemb.  3. 
London.     1642.  No.  2  in  4575.100 

Great  Britain.  Parliament.  Reports.  Report  from  the  select  com- 
mittee on  dramatic  literature:  with  the  minutes  of  evidence. 
[London.     1832.]     Plans.  **G.383o.i;  **T.7i.8 

Great  Britain.  Privy  Council.  Dramatic  records  from  the  Privy 
Council  Register.  1603-1642.  (In  Malone  Society.  Collections. 
Vol.  I,  parts  4  and  5,  pp.  370-395.     [Oxford.]      iQH-) 

**G.4077.i5.i. Parts  4,5 

Great  Britain.  Public  Record  Office.  Royal  patents  for  players.  (In 
Malone  Society.  Collections.  Vol.  i,  part  3,  pp.  260-284.  [Ox- 
ford.]     1909.)  **G,4077.i5.i.Part  3 

Grein,  J.  T.     Dramatic  criticism.     London.     1899.     2552.30;  **T.47.40 

Hankin,  St.  J.  E.  C.  Puritanism  and  the  English  stage.  —  How  to 
run  an  art  theatre  for  London.  —  The  need  for  an  endowed 
theatre  in  London.  (In  his  Dramatic  works.  Vol.  3,  pp.  131-148, 
171-179,  203-221.     London.     1912.)  45793-320.3 

Hastings,  C.  The  theatre:  its  development  in  France  and  England, 
and  a  history  of  its  Greek  and  Latin  origins.  With  an  introductory 
letter  from  Victorien  Sardou.     London.     1901.  4676. log 

Same.     1902.  **T.46.i6 

Hazlitt,  W.     Criticisms  and  dramatic  essays  of  the  English  stage. 

London.     1851.  **T.48.7 ;  etc. 

A  view  of  the  English  stage;  or,  a  series  of  dramatic  criticisms. 

London.     1818.  2555.19;  **G.3922.i4 

Henslowe,   P.     The   diary  of   Philip    Henslowe,   from    1591    to    1609. 

London.     1845.  4596.46;  etc. 

Henslowe  papers,    being  documents   supplementary   to    Henslowe's 

Diary,  edited  by  Walter  W.  Greg.  London.  1907.  **G.3927.39 
Herz,    E.      Englische    Schauspieler    und    englisches    Schauspicl    zur 

Zeit  Shakespeares  in  Deutschland.     Hamburg.     1903.  6872.60 

Heywood,  T.    An  apology  for  actors.     Containing  three  brief  treatises. 

I.    Their  antiquity.     2.   Their   ancient   dignity.     3.    The   true   use 

of  their  quality.     London.      1612.  **G.i77.io;  etc. 

Howe,  P.  P.     Dramatic  portraits.     New  York.     1913.  4579.246 

The  Repertory  theatre.     A  record  &  a  criticism.     New    \'ork. 

1911.  6252.87 

Irving,   Sir  H.     The   theatre   in    its   relation    to   the    state.      Boston. 

[1898.]     Portrait.  2553.27;  **T.77. 178 

Irving,  H.  B.     Occasional  papers,  dramatic  and  historical.     lioston. 

1907.  2552.37 

Jewett,    I.    A.      Prize    essay.      A    brief    history    and    defence    of    tlic 

drama.     [Cincinnati.     183-?]  **K.48.i8 

Jones,  H.  A.     Municipal  and  repertory  theatres:  a  lecture  delivered 

to    the    Sheffield    Playgoers'    Society,    September    29th.      London. 

1913.  "  **T.76.i86 

The  renascence  of  the   English  drama.     Essays,  lectures,  and 

fragments  relating  to  the  modern    I^nglish   stage,  written  anfl  fle- 
livered  in  the  years  1883-94.    London.     1895.  **T.47.43 

[280] 


BROWN   COLLECTION    OF  BOOKS    ON    THE   STAGE 


England.     Theatres.     (Continued.) 

Jones.  S.  The  actor  and  his  art.  Some  considerations  of  the  present 
condition  of  the  stage.     London.     1899.  **T.77.2i4 

Kembles,  The:  ...  By  Percy  Fitzgerald.  [A  review.  London. 
1872.]  No.  ioin**G.62.5 

Kendal,  M.  The  drama.  A  paper  read  at  the  congress  of  the 
National  Association  for  the  Promotion  of  Social  Science, 
Birmingham.     London.      [1884.]      Portrait.  **T.98.57 

Laceby,  a.    The  stage  struggles  of  a  bad  actor.     Edinburgh.     |  1904.] 

**T.58.i24 

Lansdovvne  Manuscripts.  Dramatic  records  from  the  Lansdowne 
Manuscripts.  Manuscript  facsimile.  {In  Malone  Society.  Col- 
lections.    Vol.    I,   part   2,   pp.    143-215.      [Oxford.]      1908.) 

**G.4077,i5.i.Part  2 

Lawrence,  W.  J.  The  Elizabethan  playhouse  and  other  studies. 
Philadelphia.     1912.     Plates.     Plan.  4574.172 

Lazarovich-Hrebelianovich,  E.,  Princess.  Pleasures  and  palaces. 
The  memoirs  of  Princess  Lazarovich-Hrebelianovich  (Eleanor 
Calhoun).     New  York.     1915.     Portraits.     Plates.  6252.119 

Leach,  A.  F.  Some  English  plays  and  players,  1220-1548.  {In  An 
English  miscellany.  Presented  to  Dr.  Furnivall  .  .  .  Pp.  205- 
234.     Oxford.     1901.)  *4555.i54 

Lee,  H.  Memoirs  of  a  manager;  or,  life's  stage  with  new  scenery. 
Taunton.     1830.     2  v.  in  i.  **T.57.344 

Lemoine,  H.  Authentic  account  of  the  fire  which  reduced  that  ex- 
tensive building  of  the  Theatre-Royal,  Drury-Lane,  to  a  pile  of 
ruins,  on  the  24th  of  February,  1809;  to  which  is  added,  a  chrono- 
logical list  of  all  the  places  of  public  amusement  destroyed  by  fire, 
in  England.     London.     [1809.]     Plate.  No.  11  in  **G.3823.4.2 

Literary  and  graphical  illustrations  of  Shakspeare,  and  the  British 
drama:  comprising  an  historical  view  of  the  origin  and  improve- 
ment of  the  English  stage,  and  a  series  of  critical  and  descriptive 
notices  of  celebrated  tragedies,  comedies,  operas,  and  farces. 
London.      1831.      Illus.      Plate.  *6595.62;  etc. 

Same.  Dramatic  souvenir.  The.  Literary  and  graphical  illus- 
trations of  Shakespeare  and  other  English  dramatists.  London. 
1833.     Illus.     Plates.  **T.47.42 

Lynn,  N.  The  Thespian  papers,  being  a  series  of  humorous  essays 
on  subjects  of  professional  and  amateur  dramatic  interest.  Lon- 
don.     1887.  **T.97.264 

McAfee,  H.  F.  Pepys  on  the  Restoration  stage.  New  Haven.  1916. 
Portraits.     Plates.  4574.191 

Malone,  E.  An  historical  account  of  the  rise  and  progress  of  the 
English  stage,  and  of  the  economy  and  usages  of  our  ancient 
theatres.  [With  additions  by  G.  Steevens.]  (/;/  Shakespeare, 
William.     Plays.     Vol.  3.     Basil.     M.nrc.ic.)  6602.18;  etc. 

Martin,  Sir  T.     Essays  on  the  drama.     London.     1874.         **T.76.53 

Murphy,  A.  Vie  de  David  Garrick,  suivie  de  deux  Icttres  de 
Noverre  a  Voltaire  sur  ce  celebre  acteur,  et  de  I'histoire  abregee 
du  theatre  anglais,  depuis  son  origine  jusqu'a  la  fin  d^u  xviiie 
siecle.     Paris.     An   IX.      [1800/01.]      Portrait.  **T.58.90 

Murray,  J.  T.  English  dramatic  companies,  1 558-1642.  Boston. 
1910.     2  V.     Map.     Tables.  4574.171 

New  miscellany,  A,  for  the  year  1737.  Containing  i.  The  vision  of 
the  golden  rump.    H.  A  dissertation  upon  kicking.    HL  The  Lord 


[281] 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 

England.     Theatres.     (Continued.) 

C d's   speech  against  the   play-bill,   in   the   House   of   Peers. 

IV.    C C r's   letter   to    the    Craftsman,    upon    the    hill    for 

restraininjf  the  stage.     London.     1737.  No.  i  in  **G.3823.i5 

New  theatrical  dictionary,  A,  containing  an  account  of  all  the 
dramatic  pieces.  Added,  an  alphabetical  catalogue  of  dramatic 
writers  and  a  short  sketch  of  the  English  stage.     London.     1792. 

**T.68.i 

Old  playgoer.  An,  pseud.  Desultory  thoughts  on  the  national  drama, 
past  and  present.     London.     1850.  **T.96.204;  etc. 

Oliver,  D.  E.  The  English  stage.  Its  origins  and  modern  develop- 
ments.    A  critical  and  historical   study.     London.      [1912.] 

4579.241 

Palmer,  J.  L.     The  future  of  the  theatre.     London.     1913.       4579.245 

Parsons,  F.  M.  Garrick  and  his  circle.  New  York.  1906.  Portraits. 
Plates.  4544.221 

Paterson,  p.  The  confessions  of  a  strolling  player;  or  three  years' 
experience  in  theatres  rural.     London.     1852.  **T.57.442 

Same.     Glimpses  of  real  life  as  seen   in  the  theatrical   world 

and  in  Bohemia.     The  confessions  of  teter  Paterson,  a  strolling 
comedian.     Edinburgh.      1864.  2576.174;  **T.57. 152 

Pearce,  C.  E.  The  jolly  duchess.  Harriot  Mellon,  afterwards  Mrs. 
Coutts  and  the  Duchess  of  St.  Albans.  A  sixty  years'  gossipping 
record  of  the  stage  and  society  (1777  to  1837).  New  York. 
[1915.]      Portraits.     Plates.  2548.85 

Playhouse  pocket-companion.  The,  or  theatrical  vade-mecum:  con- 
taining, I.  A  catalogue  of  all  the  dramatic  authors  who  have 
written  for  the  English  stage.  11.  A  catalogue  of  anonymous 
pieces,  iii.  An  index  of  plays  and  authors.  Prefixed,  a  critical 
history  of  the  English  stage.     London.     1779.  **T.47.ioi;  etc. 

Present  state.  The,  of  the  stage  in  Great  Britain  and  Ireland.  And 
the  theatrical  characters  of  the  principal  performers,  in  both 
kingdoms,    impartially   considered.      London.      1753. 

**T.77.i5i;  etc. 

Purnell,  T.      Dramatists   of   the   present   day.     London.      1871. 

2479.52;  **T.47.i4 

Raymond,  R.  G.,  compiler.  Sketches  from  the  footlights.  (In  Gore, 
C.  G.  F.,  alleged  author.  Richelieu;  or,  the  broken  heart.  London. 
1876.)  No.  2  in  **T.97.304 

Records  of  a  stage  veteran.  Parts  3,  4,  6.  January,  March,  September, 
1835.     [London.     1835.]  No.  10  in  **G.3822.3 

Rede,  L.  T.  The  road  to  the  stage;  with  a  list  of  the  provincial 
theatres.  Added,  a  list  of  the  London  theatres,  an  account  of 
the    Dramatic    Authors'    Society.      London.      1835.      Portrait. 

**T.79.io 

Review,  A,  of  the  present  state  of  the  British  theatre,  on  [or] 
useful  hints  to  Mr.  Pitt,  on  taxation.  [A  satire  in  verse.]  Lon- 
don.    [1795?]  No.  8  in  **G.382o.ii 

Roach,  J.  Roach's  New  and  complete  history  of  the  stage,  from  its 
origin  to  its  present  state.     London.     1796.     Plate.  **T.78.70 

Robins,  E.  Echoes  of  the  playhouse.  Reminiscences  of  some  past 
glories  of  the  English  stage.     New  York.     1895.     Portraits.     Plato. 

4575-157;  **T.57-8i 

Ruhl,  a.  B.     Second  nights.     People  and  ideas  of  the  theatre  to-day. 

New  York.     1914.  6257.112 

[282] 


V, 


BROWN   COLLECTION    OF   BOOKS    ON    THE   STAGE 

England.     Theatres.     (Continued.) 

ScHELLiNG,  F.  E.  The  Quccn's  progress  and  other  Elizabethan 
sketches.     Boston.     1904.     Portraits.     Plate.  2556.108 

Scott,  C.  W.  The  drama  of  yesterday  &  today.  London.  1899.  -  v. 
Portraits.  4557.164;  **T.76.i2 

Simpson,  J.    B.     Literary   and   dramatic   sketches.     Glasgow.      1S72. 

**T.97.ii7 

Skelton,  Sir  J.     Early  English  life  in  the  drama.     [Edinburgh.     1857.] 

No.  9  in  **G.3822.i ;  etc. 

Smith,  W.  H.  Bacon  and  Shakespeare.  An  inquiry  touching 
players,  playhouses,  and  play-writers  in  the  days  of  Elizabeth. 
London.      1857.  **T.58.83;  etc. 

Spectator,  A,  pseud.     The  music  hall.     London.     1880.  **T.96.20o 

Stage,  The,  acquitted.  Being  a  full  answer  to  Mr.  Collier  and  the 
other  enemies  of  the  drama.  With  a  vindication  of  King  Charles 
the  martyr,  and  the  clergy  of  the  Church  of  England,  from  the 
abuses  of  a  scurrilous  book,  called.  The  stage  condemned.  Lon- 
don.     1699.  **G.382i.9 

Stage,  The,  condemn'd  and  the  encouragement  given  to  the  immorali- 
ties and  profaneness  of  the  theatre,  by  the  English  schools, 
universities  and  pulpits,  censur'd.  King  Charles  I.  Sundays  mask 
and  declaration  for  sports  and  pastimes  on  the  Sabbath,  largely 
related  and  animadverted  upon.  The  arguments  of  all  the  authors 
that  have  writ  in  defence  of  the  stage  against  Mr.  Collier,  con- 
sider'd.     London.     1608.  No.  i  in  **G.3823.2o 

Stahl,  E.  L.  Das  englische  Theater  im  19.  Jahrhundert.  Seine 
Biihnenkunst  und  Literatur.     Miinchen.     1914.     Portraits.     Plates. 

3565.29.5 

State  of  the  British  stage.     [London.     1834.]        No.  23  in  **G.3822.3 

Stern,  A.  E.  Der  Untergang  des  altenglischen  Theaters,  (hi  His- 
torisches  Taschenbuch.   Jahrgang  46,  pp.  155-209.    Leipzig.    1876.) 

*2309.i.46 

Stoddart,  J.  H.  Recollections  of  a  player.  New  York.  1902.  Por- 
traits. 4343.239;  **T.56.246 

Taylor,  T.  The  theatre  in  England.  Some  of  its  shortcomings 
and   possibilities.      London.      1871.  **T.95.36 

Thompson,  E.  N.  S.  The  controversy  between  the  Puritans  and  the 
stage  .  .  .  Yale    University.      New    York.      1903.  4583.148 

Thomson,  C.     The  autobiography  of  an  artisan.     London.      1847. 

**T.57.28i 

Tieck,  J.  L.  Dramaturgische  Blatter.  Nebst  einem  Anhange  nach 
ungedruckter  Aufsatze  iiber  das  deutsche  Theater  und  Berichten 
iiber  die  englische  Biihne  geschrieben  auf  einer  Reise  im  Jahre 
1817.     Breslau.     1826-1852.     3  v.  2908.3 

ToMLiNS.  F.  G.  The  past  and  present  state  of  dramatic  art  and 
literature:  addressed  to  authors,  actors,  managers,  and  the 
admirers    of  the    old    English    drama.      London.      1839- 

**T.46.47;etc. 

Tree,  Str  H.  B.  Some  interesting  fallacies  of  the  modern  stage.  An 
address  to  the  Playgoers'  Club,  6th  December  1891.  London. 
1892.  **T.47.73 

Trip,  A,  to  Parnassus;  or,  the  judgment  of  Apollo  on  dramatic 
authors  and  performers.     A  poem.     London.     1788.  **T.93.6 

Tweedie,  E.  B.  Behind  the  footlights.  London.  1904.  Portraits. 
Plate.  **T.76.6;etc. 

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THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 

England.     Theatres.     (Continued.) 

Vandenhoff,  G.  Leaves  from  an  actor's  note-book;  with  remi- 
niscences and  chit-chat  of  the  green-room  and  the  stage  in  Eng- 
land and  America.     New   York.      i860.         4398.135;  **T.57. 77;  etc. 

Same.      Dramatic    reminiscences;    or   actors    and    actresses    in 

England  and  America.  Edited,  with  preface,  by  Henry  Seymour 
Carleton.     London,     i860.  **T.57.i4 

ViNCKE,  C.  F.  G.,  Freilierr  von.  Gesammelte  Aufsatze  zur  Biihnen- 
geschichte.     Hamburg.      1893.  6872.48 

Waldron,  F.  G.,  compiler.  The  ancient  and  modern  miscellany;  or, 
Shaksperean  museum:  containing  a  re-publication  of  scarce  and 
valuable  tracts;  biographical  anecdotes  of  theatrical  performers. 
London.    1794.  **G.39i7.i7 

The  Shakspearean  miscellany:  containing  a  collection  of  scarce 

and  valuable  tracts;  biographical  anecdotes  of  theatrical  per- 
formers; with  portraits  of  ancient  and  modern  actors.  A  concise 
history  of  the  early  English  stage.     London.     1802.        2595.2;  etc. 

Whyte,  F.  Actors  of  the  century.  A  play-lover's  gleanings  from 
theatrical  annals.     London.     1898.     Portraits.       *2570.45;  **T.53.8 

Whvte,  S.  The  theatre:  a  didactic  essay.  Including  an  idea  of  the 
character  of  Jane  Shore,  as  performed  by  a  young  lady  in  a 
private  play,  etc.     Dublin.     1790.  No.  3  in  **G.3824.6 

Wilson,  J.  D.  The  Puritan  attack  upon  the  stage.  {In  Cambridge 
history  of  English  literature.  Vol.  6,  pp.  421-558.  New  York. 
1910.)  4551.118.6 

Winston,  J.  The  theatric  tourist;  being  a  genuine  collection  of 
correct  views,  with  brief  and  authentic  historical  accounts  of  all 
the  principal  provincial  theatres  in  the  United  Kingdom.  London. 
1805.     Plates.  **T.72.5 

Wright,  J.  A  dialogue  on  plays  and  players.  (In  Dodsley,  Robert. 
A  select  collection  of  old  plays.  Vol.  11,  pp.  i-xxxvi.  London. 
1744.)  **G.3965.i.ii;etc. 

Historia  histrionica:  an  historical  account  of  the  English  stage. 

London.  1699.  (In  Dodsley,  Robert,  editor.  A  select  collection 
of  old   plays.     Vol.    i,   pp.    cxxxix-clxix.      London.      1825.) 

2588.1. 1 ;  etc. 

The   second  generation  of   English  professional  actors,    1625- 

1670.  (In  Arber,  Edward,  editor.  An  English  garner.  Vol.  2,  pp. 
272-282.     London.     1879.)  *4557.62.2 

The  stage  in  England.     1625-1670.     (From  Wright's  "Historia 

histrionica.")  (In  Geier,  J.  Thcspis  on  tryal.  Pp.  I3--29-  Edin- 
burgh.    1887.)  **T.96.32o;etc. 

Englische  Studien.  Organ  fiir  englische  Philologie.  Gegriindet  von 
Eugcn  Kolbing.  Herausgegeben  von  Johannes  Hoops.  Band 
1-48.     Leipzig  [etc.].     Reisland   [etc.].     1877-1915.     48  v.  in  40. 

*2487.62 

In  German  and  l-^nglish.  Contains  numerous  papers  relating  to  the  drama  and 
theatre  in  Great  Britain. 

Same.  Generalregister  zur  Band  1-25,  zusammengestellt  von  Arthur 
Koelbing.     Leipzig.     Reisland.     1902.     (3),  244  pp.  *2487.63 

English  analyses  of  the  French  plays  represented  at  the  Gaiety  Theatre, 
London,  June  and  July,  1879,  by  the  Comedie  Frangaise.  Reprinted 
from  the  "London  Figaro."  London.  "Figaro"  office.  [1879.] 
(2),  97  PP-  **T.95.93 

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BROWN   COLLECTION   OF  BOOKS   ON    THE   STAGE 

English  Club,  Leland  Stanford  Junior  University. 

'The  trve  historic  of  the  Knyght  of  the  Bvrning-  Pestle  by  Francis 
Bea\mont  and  lohn  Fletcher;  first  plaied  abovt  the  year  of  ovr 
Lord,  1610.  Booke  of  the  play  as  presented  by  the  English  Clvb 
of  the  Stanford  University;  including  a  compendiovs  discourse 
on  seeing  an  Elizabethan  play,  and  a  notable  accovnt  of  how  a 
young  gallant  shovld  behave  himselfe  in  a  play-house,  reprinted 
from  the  Gvlls  horne-book  by  T.  Deckar.  San  Francisco,  Cali- 
fornia. Printed  for  Paul  Elder  and  Morgan  Shcpard.  1903.  (2), 
58,  (i)  pp.  Portraits.  Plates.  Decorations.  Music.  25593.109 
Edited  by  R.  M.  Alden. 

English  gentleman,  An,  pseud. 

Memoirs  of  the   public  and  private  life  of  Madame  Vestris.     New 

York.     [1838.]     48  pp.  No.  4a  in  **G.3822.4.2 

English  miracle  plays  and  moralities.     Moore,  E.   H.  2552.39 

English  moralities.  The,  from  the  point  of  view  of  allegory.     Mackenzie, 

W.  R.  4579-237 

English   Roscius,  The.     See  Betty,  William   Henry  West, 

English  stage,  The,  of  to-day.     Borsa,  M.  2556.142;  **T.46.  14 

l/Bhglishman,  An,  pseud. 

The  groans  of  Great-Britain.  With  a  table  of  the  contents.  In- 
scribed to  all  true  Britons.  London:  Printed  for  the  editor,  and 
sold  by  M.  Cooper.     1753.      d),   108  pp.  **T.96.i56 

Enigma,  The,  of  the  19th  century.     Bishop,  W.  L  7600.27 

Enterprising  impresario.  The.     Beale.  T.  W.  **M. 146.26 

Entr'acte  Annual,  The.  1873,  74,  76,  78-99.  Compiled  by  W.  H.  Combes. 
Illustrated  by  Alfred  Bryan.  London.  1873-99.  25  v.  in  6.  Tllus. 
Portraits.     Plates.  **T.25.5 

Tn  1873,  74  the  title  was:  The  Entr'acte  Almanack  and  Theatrical   &  Music  Hall 
Annual:  in   1876,  78,  79  it  was:  The  Entr'acte  &  Limelight  Almanack. 
Entre  cour  et  jardin.     Foucher,  P.  H.  **T.47.4 

Entre  deux  spectacles.     Bellanger,  J.  **T.77.98 

Entre  les  frises  et  la  rampe.     Daudet,  A.  26793.118;  **T.89,5 

Entree  de  clowns.     Champsaur,  F.  **T.87.45 

Entsch,  A,  editor. 

Deutscher  Biihnen-Almanach.  Jahrgang  38.  Berlin.  1874.  Por- 
trait. **T.29.6 
Envers,  L',  du  theatre.  Moynet,  J.  **T.77.i37 
Epaves.  Descombes.  J.  C.  F.  M.  **T.96.i74 
Ephemeres  M'as-tu-vu.  Les.  France,  L.  **T.87.39 
Ephesus.     Theatres. 

Heberdey,  R.,  and  others.  Das  Theater  in  Ephesos.  Bearbeitet  von 
R.  Heberdey,  G.  Niemann,  W.  Wilberg.  [Wien.  1912.]  lUus. 
Plates.     Plans.  *Cab.3o.39.6.2 

Epidaurus.     Theatre  of  PolycUtus. 

DuMON.  K.  Le  theatre  de  Polyclete.  Reconstruction  d'apres  un 
module  par  K.  Dumon.     Paris.     1889.     Plates.  *2970.63 

Epilogue. 

B..  G.  S.  A  study  of  the  prologue  and  epilogue  in  English  litera- 
ture  froin   Shakespeare   to    Dryden.      London.      1884. 

2553-69;  **T.47-48 

School,  The,  of  Roscius,  or  theatrical  orator.     Containing  a   select 

collection  of  all  the  modern  prologues  &  epilogues,  spoken  at  the 

Theatre's  Roval  &c.  with  a  preface  on  oratory  &  acting.     London. 

1792.  **T.37.i88 

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THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 

Epinay,    Louise    Florence    Petronille    de    Tardieu    d'Esclavelles    de    la 

Live  d'. 

L'amitie  de  deux  jolies  feinnies.     [Roman.]      Suivie  de  Un  reve  de 

Mademoiselle  Clairon.    Publics  par  Maurice  Tourneux.     Eau-forte 

par  Ad.   Lalauze.     Paris.     Librairie   des  bibliophiles.      1885.      (3), 

viii,  60,  (3)  pp.    Plate.     [Les  chefs-d'oeuvre  inconnus.]         **T.g8.39 

Epis  et  bleuets.     Legouve.  G.  J.  B.  E.  W.  2672.146 

Epitre  a  Talma.  Anon.  See  Reiffenberg,  Frederic  Auguste  Ferdinand 
Thomas,  Baron  de. 

Epoques,  Les,  du  theatre  frangais.     Brunetiere,  M.  F.    2694.93;  **T.47. 76 

Epstein,  Max. 

Theater  und  Volkswirtschaft.  Berlin.  Simion.  1914.  32  pp.  [Volks- 
wirtschaftliche  Zeitfragen.     Jahrgang  36,   Heft  3.]  *3562. 53.36 

Era,  The.  [Weekly.]  Vol.  31  (no.  1571),  33  (no.  1 700-1 720)  -  78,  80.  81. 
Nov.  I,  1868;  April  23,  1871-Aug.,  1915;  Sept.,  1916-Aug.  1918. 
[London.]  1868-1918.  47  v.  and  unbound  parts.  Illus.  Por- 
traits. **N.i66o.i 

Relates  to  music  and  drama,  particularly  in  England.  Edited,  before  187-',  by 
Frederick   Ledger:    since   1872,  by  his  son,    Edward   Ledger. 

Era  Almanack  and  Annual,  The.  [London.  1868-1913.]  46  v.  in  15. 
Portraits.      Manuscript    facsimiles.  **T.26.7 

The  title  varies.  In  1868  and  1869  it  is  The  Era  Almanack.  From  1868  to  i8q2 
the  cover  title  is  The  Era  .-Mmanack ;  after  1892  it  is  The  Era  Annual.  From 
1868  to  1905  the  editor  was  Edward  Ledger:   from   1912  to   1913,  Franz  Desprez. 

Erdmann,  Gustav  Adolf. 

Die   Lutherfestspiele.     Geschichtliche   Entwicklung,   Zweck  und   Be- 

deutung   derselben    fiir    die    Biihne.      Litterarhistorische-kritischc 

Studien.    Wittenberg.     Herrose.     1888.    v,  (i),  16,  (i)  pp.    2874.76 

Theater-Reformen?     Kritische  Studien.     Berlin.     Rentzel.     1892.     x. 

82  pp.  **T.97.92 

Literatur,  pp.  81,  82. 

Erfurt,  Gnrniany.     Theatres. 

Pick,  A.  Erfurter  Theatervorstellungen  in  der  guten  altcn  Zeit. 
Hamburg.     1899.  *59i4.50.N.F.i3 

Erie,  Thomas  William. 

Letters  from  a  theatrical  scene-painter.     Ser.   [i,]   2.     [Anon.     Lon- 
don.]     1859,  62.     2  v.  in   I.  **T.48.25 
Criticisms  of  plays  given  at  the  minor  theatres  of  London. 
Same.     Ward  &  Co.     1880.     116  pp.  **T.48.28 

Three   of   the  letters   are  omitted  and   there  is   no   division   into   two   series. 

Same.    Series  2.    1862.     (6),  95  pp.  **T.98.ii8 

There  is  another  copy  on  shelf-number  **T.98.iio. 

Ermite,  L',  du  Luxembourg,  pseud.     See  Alhoy,  Philadelphc  Maurice. 
Escudier,  Gaston. 

Les    saltimbanques.      Leur    vie — leurs    mccurs.      Dessins    par    P.    de 
Crauzat.    Paris.    Levy.    1875.    (7),  480  pp.    Illus.    Plates.    **T.94.it 
Escudier,  Leon,  and  Marie  Escudier. 

fitudes  biographiques  sur  les  chanteurs  contemporains.  precedces 
d'une  escjuisse  sur  I'art  dii  chant.  Paris.  Tessier.  1840.  248  pp. 
Portraits.     Autograph    facsimiles.  8049.58;  **M.iiga.20 

Contents.  —  Esquisse  sur  I'art  du  chant.  —  .'Artistes  du  The.'itreitaliin  :  l.ald.iclie  : 
Rubini:  Tamburini ;  Grisi ;  Pcrsiani ;  Pauline  Garcia.  Artistes  de  I'Academie 
royal  de  musiquc:  Duprez :  Dorus-Gras.  Artistes  du  Theatre  de  I'Opera- 
comifjut.-:    Cinfe-Damoreau ;    Eugenie  Garcia. 

Vie  et  aventures  des  cantatrices  celebres  precedees  des  musiciens  dc 
I'Etnpire  et  suivies  de  la  vie  anecdotique  de  Paganini.  Pari.s. 
Dentu.     1856.     (i),  380,  (1)  pp.  **M.io8.38 

[286] 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 

Esenwein,  Joseph  Berg,  and  Arthur  Leeds. 

Writing  the  photoplay.  Springfield,  Mass.  The  Home  Correspond- 
ence School.-  [1913.]  ix,  (1),  374  pp.  Plates.  Plan.  [The 
writer's  library.]  80393.53 

Espagne,  L',  et  ses  comediens  en  France  au  xviie  siecle.     Fournikr.  Ii. 

**T.95.64 
Esparbes,  Georges  d'.     See  Esparbes,  Thomas  Augustc  d'. 

Esparbes,  Thomas  Auguste  d'. 

Les  forains.     Texte  de  Georges  d'Esparhes.     lUus.     Plates,     (fn  Les 

demi-cabots.     Pp.   199-246.     Paris.     1896.)  **T.97.230 

Espion,    L'.    des    coulisses,    ou    nouvelle    critique    sur    les    acteurs    des 

principaux   theatres   de   Paris.     2^  edition,   augmentee.     De   I'im- 

primerie  d'figron.     A   Paris.     An  viii.    [1799/1800.]      (3),    136  pp. 

Colored  plate.  **T.59.20 

Esprit,  L',  au  theatre.     Laurent,  J.  B.  fi.  **T.58.34i 

Esprit,  L',  du  Boulevard.     Scholl,  A.  **T.87.6o 

Esprit,  L',  du  theatre.     Le  Poitf.vtn  de  L'£greville.  C.  P.,  compiler. 

**T.37.i49 
Essai   sur   connoissance   des   theatres   frangois.      [Anon.]      See   Maillet- 

Duclairon,  Antoine. 
Essai  sur  I'etat  actuel  des  theatres  de  Paris.     B.,  I.  D.  **T.77.9 

Essais  historiques   sur  I'origine   et   les   progres   de  I'art   dramatique   en 

France.     [Anon.]     See  Baudrais,  Jean. 
Essay,  An,  on  acting:  in  which  will  be  considered  the  mimical  behaviour 

of  a  certain  fashionable  faulty  actor;   to  which  will  be  added  a 

short    criticism    on    his    acting    Macbeth.      London.      Bickerton. 

1744.     (3),  27  pp.  ^  _  **G.3925.20 

The  actor  referred  to  is  David  Garrick. 
•    Essay,  An,  on  plays  and  masquerades.     Willis,  R.,  Bishop  of  Winchester. 

**T.96.45;etc. 

Essay,    An,    on    some    of   the    fashionable    amusements    of    the    world. 

Pilgrim,  A,  pseud.  T.96.55 

Essay,  An,  on  the  pre-eminence  of  comic  genius:  with  observations  on 

the    several   characters    Mrs.   Jordan    has    appeared    in.      London, 

Printed  for  T".  Becket.    ,1786.     (3),  27  pp.  **T.58.56 

Another   copy   is   on   shelf-number   No.  8  in  **G. 382.3. 15,    from    which   thr   bastard 
title  is  missing. 
Essay,  An,  on  the  profession  of  a  player.     M.,  G.  **T.96.36 

^V^ssay,  An,  on  the  rationality  of  brutes.  With  a  philosophical  compari- 
son between  Dr.  Codgill,  Inspector  General  of  Town-Island.  And 
Mango,  the  great  monkey.  Director  General  of  the  pantomime 
performers  in  the  Haymarket.  London:  Printed  for  J.  Bouquet. 
[1770?]      (i),  24  pp.  **T.57.75 

Gushing  attributes  this  work  to  David  Henry,  with   a  query.     It  is  an  attack  on 

Dr.  John  Hill. 
Essay,   An,   on    the   stage.     Poem.      Comedian,   A.  **T.97.6i;  etc. 

Essay,   An,   on   the    summer    entertainments    in    the    neighbourhood    of 

London.     Quearmoode,  H.,  Esq.,  pseud.  **T.97.39 

Essay  sur  les  feux  d'artifice  pour  le  spectacle  et  pour  la  guerre.     Per- 

rinet  d'Orval,  J.  C.  **T.97.20 

Essay,  An,  upon   the  present  state  of  the  theatre  in   France,   England 

and  Italy.     With  reflections  upon  dramatic  poetry  in  general,  and 

the  characters  of  the  principal  authors  and  performers  of  those 

nations.     London:   Printed  for   I.  Pottinger.     1760.     (8).   220  pp. 

No.  2  in  **G.3823.7 

[287] 


THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 

Essays  on  the  current  drama.     Barnes,  J.  H.  **T.46.58 

Estcourt,  Richard. 

Infernal  congress,  The:  or  news  from  below.     Being  a  letter  from 
Dick  Estcourt.  the  late  famous  comedian  to  the  Spectator.     Lon- 
don.    1713.  No.  4  in  **G.3823.i4 
Este,  Rev.  Charles. 

My  own  life.  London:  Printed  for  T.  and  J.  Egerton.  1787.  viii, 
27  pp.  **T.56.i8o 

Este  was  on  the  stage  for  a  short  time. 
Estimate,  An,  of  the  theatrical  merits  of  the  two  tragedians  of  Crow- 
Street    [Barry   and   Mossop].      In   a   letter   from   a   gentleman    in 
Dublin  to  his  friend  in  London.     Dublin  printed,  and  sold  by  the 
booksellers.     1760.     23  pp.  **T.57.i42 

Estival,  A.,  and  Bertrand  Millanvoye. 

Le  theatre  en  province.  Reponse  a  M.  Got.  Paris.  Lecuir  &  c'^. 
1878.     31  pp.  **T.95.iio 

Estrees,  Marguerite  d'. 

A   travers   I'figypte    et   la    Grece.     Les   jeux   olympiques    anciens    et 

modernes.     Paris.     Charles.      [1897.]      170  pp.  3058.172 

Etat  actuel  de  la  musique  du  roi,  et  des  trois  spectacles  de  Paris.     [1775-] 

A  Paris,  chez  Vente.     1775.    vi,  (12),  149,  (i)  pp.     Plate.    **T. 29.16 

An    almanac.      Besides   the   theatres   of   Paris,   those   of   other   French   cities   are 

treated  of  briefly. 

Ethische  Aufgabe,  Die,  der  Schaubiihne.     A-Iartersteig,  M.         **T.76.i90 

Etienne.  Charles  Guillaume,  prefacer. 

Mole,  F.  R.     Memoires.     Precedes  d'une  notice  sur  cet  acteur,  par^ 
M.  foienne.     Paris.     1825.  **T.56.ii;  etc. 

Etienne,  Charles  Guillaume,  and  Charles  Gaugiran-Nanteuil. 

Vie  de  Frangois-Rene  Mole,  comedien  frangais.  [Anon.]  Paris. 
Desenne.     An  XI.-1803.     223,  (i)  pp.     Portrait.  **T.58.87 

Etienne,   Charles  Guillaume,  and  Alphonse   Louis   Dieudonne  Martain- 
ville. 
Histoire  du  Theatre  francais.  depuis  le  commencement  de  la  Revolu- 
tion  jusqu'a    la    reunion    generale.      Paris.      Barba.      An    X.-1802. 
4  V.  in  2.     Portraits.  -  **T. 78.31 

Etoiles,  Les,  en  voyage.     Schuermann,  J.  J.  **T.57.3i5;  etc. 

Etrennes  dramatiques,  pour  I'annee  1801.     Paris.     Michel.     [1801?]     (3), 
179  PP-  **T.49.i3 

Etudes   contemporaines.      Chasles,   V.    E.    P.  2679a.88;  **T.77.io8 

Etudes  humaines. 

MoNTEiL,   E.     La  jambe.     Paris.      [1894.]  **T.87.74 

La  tournee  dramatique.     Paris.     1890.  **T.87.48 

Euripides,  pseud. 

A  brief  essay,  towards  an  apology  for  a  play  actor.  [Albany.!  1825. 
8  pp.  6544.35 

Relates  to  Edmund  Kean. 

Euripides.    Iphigenia  in  Tauris. 

Farren,  R.  Iphigenia  in  Tauris  of  Euripides.  Performed  by  mem- 
bers of  the  University  at  the  Theatre  Royal,  Cambridge,  No- 
vember &  December,  1894.   Cambridge.    [1895.]    (7)  plates.  **T.4i.2 

Europe.     Theatres. 

Filippi,  J.  DE.  Parallele  des  principaux  theatres  modernes  de 
I'Europe  et  des  machines  theatrales  francaiscs,  allemandes  et 
anglaises.  Dcssins  par  Clement  Contant;  texte  par  Joseph  de 
Filippi.     Paris.      1870.     2  v.     Plans.  *Cab. 60.77.1 

[288] 


BROWN   COLLECTION    OF   BOOKS    ON    THE   STAGE 


Europe.     Theatres.     (Continued.) 

RiccOBONi,  L.  Reflexions  historiques  et  critiques  sur  Ics  differens 
theatres  de  rEurope.  Avec  les  Pensees  sur  la  declamation.  A 
Paris.     1738.  **T.47.49;etc. 

Same.      An   historical   and   critical   account   of   the   theatres    in 

Europe.      London.      1741.  **T.46.52 

European  Magazine,  The. 

I  Ijiographical    memoirs   of  noted   actors  and   actresses.      1783-1815.] 

**T.i6.2 
Theatrical  journal.     1791-97.  **T.i6.3 

Both  these  volumes  are  composed  of  articles  cvit  from  The  European  Magazine. 
That  on  shelf-number  **T.  16.2  is  indexed. 

Evans,  Henry  Ridgely. 

The  old  and  the  new  magic.  Introduction  hy  Paul  Carus.  Chicago. 
Open  Court  Publishing  Co.  1906.  xxxii,  348,  (3)  pp.  Illus. 
Plates.  7605.77 

Evans's  Hotel,  London. 

TowNSEND,  G.  H.    Evans's  Music  and  Supper  Rooms,  Covent  Garden. 

Odds  and  ends  about  Covent  Garden  and  its  vicinity,  the  ancient 

drama,    the   early    English    divinity  and    controversial    plays.    &c. 

[London.     1866?]     Illus.  **T.95.92 

Evans's  Music  and  Supper  Rooms,  Covent  Garden.     See  Evans's  Hotel, 

London. 
Evening's  brush.  An.     Collins,  J.  •  **T.99.2 

Everard,  Edward  Cape. 

Memoirs  of  an  unfortunate  son  of  Thespis.  With  reflections,  remarks 
and  anecdotes.     Edinburgh.     Ballantyne  &  Co.     1818.    viii,  274  pp. 

**T.58.82 
Everpoint,  pseud.     See  Field,  Joseph  M. 

Every  night  book.     Clarke,   W.  **T.98.ii 

Evil  and  danger.  The,  of  stage-plays.     Bedford,  A.  **T.77.76;  etc. 

Ewing,  Robert  W.     ("Jacques.") 

The  theatrical  contrilnitions  of  "Jacques,"  [pseud.]  to  the  "United 
States'  Gazette":  being  an  account  of  the  performances  at  the  new 
theatre,  Philadelphia;  during  the  season  of  1825-6.  Philadelphia. 
Ash  &  Mason.     1826.     (i),   184,  iv  pp.  **T.49.i2 

Relates  to  the  Chestnut  Street  Theatre,  Philadelphia.  This  copy  lacks  the 
title-page  and  two  pages  at  the  end.  Another  copy  is  on  shelf-number 
**K.37.-'6. 

Excerpts  from  the  many  good  words  uttered  in  honor  of  Edwin  Booth 
at  a  supper  given  March  30,  1889,  by  Augustin  Daly  and  A.  M. 
Palmer.     New  York.     The  Players.     1889.     2^  pp.  **T.56.97 

.Another  copy  is  on  shelf-number  4346.119. 

Exeter,  England.     Theatres. 

Cotton,  W.  The  story  of  the  drama  in  Exeter,  during  its  best 
period,  1787  to  1823.  With  reminiscences  of  Edmund  Kean. 
London.     1887.     Portrait.  4576.115;  **T.76.i78 

Explanation,  An.  of  the  differences  existing  between  the  manager  of 
the  Italian  opera  and  non-conforming  members  of  the  late  or- 
chestra. Written  among  themselves.  London.  The  Authors. 
1829.      so   pp.  No.  3,  4  in  **G.3824.io 

Relates  to  the  King's  Theatre,  London,  now  His  Majesty's  Theatre. 

Expression. 

Blasis,  C.     Studi  sulle  arti  imitatrici.     Milano.     1844.     Portrait. 

**T.56.3i9 

[289] 
19 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 

Extracts  from  the  writings  of  divers  eminent  authors,  of  different 
religious  denominations;  and  at  various  periods  of  time,  repre- 
senting the  evils  and  pernicious  effects  of  stage  plays,  and  other 
vain  amusements.  Philadelphia:  Printed  by  Joseph  James.  ijSg. 
15  pp.  .  **T.78.79 

Eytinge,  Rose. 

The  memories  of  Rose  Eytinge.  Being  recollections  &  observations 
of  men.  women,  and  eve^nts.  during  half  a  century.  New  York. 
Frederick  A.  Stokes  Company.     1905.     xii,  311  pp.  4343-255 


F 

R,  E. 

Mr.  Garrick's  conduct,  as  manager  of  the  Theatre-Royal  in  Drury- 
Lane.  considered.  In  a  letter  addressed  to  him.  [By  E.  F.] 
London;   Printed   for  C.   Corbett.      [1747.]      i,  Q-27  pp. 

No.  6  in  **G.3824.i 
Faber,  Frederic  Jules. 

Histoire  du  theatre  frangais  en  Belgique  depuis  son  origine  jusqu'a 
nos  jours  d'apres  des  documents  inedits  reposant  aux  archives 
generales  du  rovaume.     Bruxelles.     Olivier.     1878-80.     5  v.     Plate. 

**T.74.6 
Fabre,  Adolphe.     See  Fabre,  Louis  Adolphe. 
Fabre,  Louis  Adolphe. 

Les  clercs  du  Palais.  Recherches  historiques  sur  les  Bazoches  des 
Parlements  &  les  societes  dramatiques  des  Bazochiens  &  des 
Enfants-sans-Souci.  2e  edition.  Lyon.  Scheuring.  1875.  C.l). 
xix,  (i),  346  pp.     Illus.     Plate.  **T. 76.50 

Fact  and  fiction  about  Shakespeare.     Calmour,  A.   C.         **T.55.22;  etc. 
Fact  versus  fallacy.      M'Cready,    W.  **T.56.2i 

Facts  and  documents  relating  to  the  reverses  of  the  Surrey  Gardens 
Company.  By  a  pensive  shareholder.  London.  Johnson.  1857. 
32  pp.  No.  7  in  **M. 149.8 

Facts  are  stubborn  things.     [Anon.]     See  Moore,  Peter,  alleged  author. 
Facts  illustrative  of  the  evidence  on  the  late  trial  of  Foote  v.  Hayne: 
with  a  brief  review  of  the  speech  of  the  Attorney-General.     Lon- 
don.    Miller.     1825.^   (2),  29  pp.  **T.56.78 
Fagan,  Christophe   Barthelemy. 

Nouvelles  observations  au  sujet  des  condamnations  prononcees 
centre  les  comediens.     Paris.     Chaubert.     1751.     59,  (4)  pp. 

No.  3  in  **4697.6 
Also  to  be  found  in   his  The;itrc  et  autrcs  cEuvres    [**G.3566.6.2]. 

Fagan,  Christophe  Barthelemy.     Works  about. 

Mesle,  Ic  jeitne,  de  Bcsangon.  Essai  sur  la  comedie  modcrnc  oii  Ton 
refute  les  Nouvelles  observation  [sic]  de  M.  Fagan  au  sujet  des 
condamnations  prononcees  contre  les  comediens.  Suivis  d'une 
histoire  abregee  des  ouvrages  qui  ont  paru  pour  et  contre  la 
comedie  depuis  le   17''  siecle.     Paris.     1752.  **T.48.23 

Faguel,  Auguste  fimile. 

Notes  sur  le  theatre  contcmporain.  Serie  1-3.  1888-90.  Paris. 
Lecene  &  Oudin.     1889-91.     3  v.  **T.47.55 

Ciiticisiris  of  plays  at  Paris  theatres. 
Same.     Serie   2,   3.      1889-1890.  4696.70 

Faguet,  Auguste  fimile,  prefacer. 

BiDoi:.  H.  L.  A.    L'annee  dramatique.    1911-1912.    Paris.    1912.    4677.95 

[290] 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 

Faguet,  Auguste  fimile,  prcfaccr.     (Continued.) 

Olivier,  J.  J.  Les  comediens  frangais  dans  les  cours  d'AUemagne 
au  xviiie  sieclc.  Scrie  1-4.  Paris.  1901-05.  4  v.  Portraits. 
Plates.  **T.74.io 

Faguet,  fimile.     See  Faguet,  Auguste  fimile. 
Faideau,  Ferdinand. 

Les  amusements  scientifiques.  Recreations  sur  les  illusions  ou 
erreurs  des  sens.  Paris.  Librairie  illustree.  [1896.]  S77  PP- 
Plates.  **T.96.26i 

Failly,  E.  J. 

Sur   I'art   du    comedien.      Lettre    a    M"''    Euplirasie    Poinsot.      Paris. 

Cla>e  &  cie.     1852.     48  pp.  **T.95.6i 

Fair  enquiry.  A,  into  the  state  of  operas  in  England.     London:  Printed 

for   M.   Cooper.      [17 — ?]      (i),    16  pp.  **T.96.i77 

Fairbanks,  Charles  Bullard, 

Aguecheek.  [Anon.]  Boston.  Shepard.  Clark.  &  P)rown.  1859. 
336  pp.  6264.59;  **T.97.io6 

Contents.  —  Sketches  of  foreign  travel.  —  Essays. 
Three  of  the  essays  relate  to  theatrical  topics. 

Fairport  from  the  footlights.     See  Carragher,  P.  C.    'Red-light'  recollec- 
tions. 
Fairs. 

Dillon,  R.  C.  A  sermon  on  the  evils  of  fairs  in  general,  and  of 
Bartholomew^  Fair  in  particular:  preached  at  Pimlico.  London. 
1830.  **T.96.66;etc. 

Kempthorne,  Rev.  J.  A  warning  against  attendance  at  the  theatre, 
the  fair,  and  the  racecourse,  being  the  substance  of  a  sermon 
preached  last  year  in  the  Parish  Church  of  St.  Michael, 
Gloucester.     Gloucester.     1831.  **T.76.66 

Le  Roux,  H.  R.  C.  H.  Les  jeux  du  cirque  et  la  vie  foraine.  Paris. 
[1889.]      Colored  illus.     Colored  portraits.  **T.93.2 

Same.      Acrobats    and    mountebanks.      London.      1890.      Illus. 

Portraits.     Plates.  4001.100;  **T.95. 85 

Fairy  slipper.  The.     Decombe,  F.  A.  **T.36.67 

Falconbridge,  pseud.     See  Kelly,  Jonathan   Falconbridge. 
Falkener,  Edv/ard. 

A    description    of    some    important    theatres    and    other    remains    in 
Crete    from   a   MS.    history   of   Candia   by   Onorio    Belli   in    1586. 
Being  a  supplement  to  the  Museum  of  classical  antiquities.     Lon- 
don.    Triibner  &  Co.     1854.    22  pp.     Illus.     Plans.     Map.     *2963.4a 
Fall  of  man. 

Klimke,  C.  Das  volkstiimliche  Paradiesspiel  und  seine  mittelalter- 
lichen   Grundlagen.      Breslau.      1902.  2873.128 

Falstaffe,  Sir  ]o\\n,  pseud. 

Anti-theatre,  The.     [No.  1-15,  February  15 -April  4.  1720.     By  Sir 

John  Falstaffe,  pseud.]     (In  The  Theatre.     Pp.  217-299.     London. 

1791.)  **T.26.23;  etc. 

Familiar  chats  with  the  queens  of  the  stage.    Cohen,  A.  J.    **T.55.24;  etc. 

Familiar    dialogue,   A,    between    Mr.    Crowe    and    Mr.    Alley.      Scriven, 

Patrick,  psetidf  No.  3  in  **G.3824.i6 

Famous  actor  families   in   America.     Moses,   M.  J.  4343.269 

Famous  actors   &  actresses  and   their  homes.     Kobbe,   G.  4343-235 

Famous  actors  of  the  day  in  America.    Strang,  L.  C.    4343.209;  **T.58.23 

Famous  actresses  of  the  day  in  America.     Strang,  L.  C. 

4343.210;  **T.58.24;  etc. 

[291] 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 

Famous  American  actors  of  to-day.   McKay,  F.  E.,  and  C.  E.  L.  Wingate, 

editors.  2346.119;  **T.57.68 

Famous   first   representations.      Edwards,    H.    S.  **T.47.33 

Famous  singers  of  today  and  yesterday.     Lahee,   H.   C.  4049a.36 

Famous  women. 

Kennard.   N.   H.      Mrs.   Siddons.      Boston.      1887.  255ob.79 

Rachel.      Boston.      1886.  4659.66 

RiSTORi,    A.      Adelaide    Ristori.      Studies    and    memoirs.      An    auto- 
biography.     Boston.     1888.  2749.73 
Fanchon  la  vielleuse,  Histoire  de.     [Anon.]     Sec  Dubois,  Jean  Baptiste, 
and   Catherine  Joseph   Ferdinand  Girard  de  Propiac. 

Fanfemot,    Ernest,    and    Saint-Vital. 

De  I'organisation  des  artistes  dramatiques.  A  S.  Ex.  le  Ministre 
d'Etat.    Paris.    Dubuisson  &  cie.     1863.     16  pp.  **T.95.62 

Fansler,  Harriott  Ely. 

The  evolution  of  technic  in  Elizabethan  tragedy.  Chicago.  Row. 
Peterson   &   Co.      [iQH-l      (q),  283  pp.  6257.378 

Biblio^aphy,  pp.   279,  280. 

Fantasmagorie,  La,   des  menus.     [Paris.     i8 — ?]     8  pp. 

ReLites  to  the  Paris  Opera.  No.  7  in  **G.I57.IO 

Farmer,  Polly,  pseud. 

DeiMocritl's,    J.,   pseud.,   and    W.    Diogenes,   pseud.      The    remarkable 

trial  of   the  queen  of  quavers.    [Polly   Farmer,  pseud.]    and   her 

associates,     for     sorcery,     witchcraft,     and     enchantment,     at     the 

assizes  held  in   the  moon.      [London.     1777.]  **M.ii7.9;  etc. 

Farquhar,  George. 

Guinev,  L.  L     George  Farquhar.     (/;;  her  A  little   English  gallery. 

Pp.   1 19-170.     New  York.     1894.)  2549a.ii5 

Hallbauer,  O.     Life  and  works  of  G.  Farquhar.     Holzminden.     1880. 

2552.99 
ScHMiD,    D.      George    Farquhar:    sein    Leben    und    seine    Original- 
Dramen.     Wien.     1904.  *4552.55-i8 

Farrar,  Charles  A.  J. 

Amateur  and  professional  stage  life;  or,  the  adventures  of  Billy 
Shakespoke  before  and  behind  the  curtain.  By  one  who  has 
been  there.  Illustrated  by  C.  VV.  Reed.  Jamaica  Plain,  Mass. 
Jamaica    Publishing    Co.      1882.      266    pp.      Plates. 

4395-193;  **T.57-396 

The  title   on   the   cover   is   Before  and   behind   the   curtain. 

Farrar,  Frederic  William. 

The  passion  plaj'  at  Oberammergau,  1890.  London.  Heinemann. 
1890.      128   pp.  2865.17 

Farrar,  Geraldine. 

The  story  of  an  American  singer  by  herself.  Boston.  Houghton, 
Mifflin  Co.     1916.     X,  (i),  116  pp.     Portraits.     Plates.     Facsimiles. 

Contains  reminiscences  of  opera   singers.  4047.330 

Farrar,  J.  M. 

Mary  Anderson.     The  story  of  her  life  and  professional  career  .  .  . 
London.      Bogue.      1884.      (9),  86  pp.     Portrait.     Autograph    fac- 
simile. *424oa.66;  **T.54.i9 
Farren,  Elizabeth,  Countess  of  Derby. 

Petronius  Arbiter.  Esq.,  pseud.  Memoirs  of  the  present  Countess 
of  Derby  (late  Miss  Farren):  including  anecdotes  of  several 
distinguished    persons.      London.       [1797.]  **T.55.2 

[2921 


BROWN   COLLECTION    OF  BOOKS    ON    THE   STAGE 

Farren,  Elizabeth,  Countess  of  Derby.     (Contimied.) 

Testimony,  The,  of  truth  to  exalted  merit:  or,  a  biographical 
sketch  of  the  Right  Honourable  the  Countess  of  Derby;  in 
refutation    of   a    false   and    scandalous   libel.      London.      1797. 

**T.57.347 
Farren,  Percy. 

Copy  of  a  letter  from  Mr.  Percy  Farren;  stage  manager  of  the  late 
Royal  Brunswick  Theatre.  (In  Thomson,  James.  A  brief  narra- 
tive of  the  opening  and  sudden  destruction  of  the  Royal  Brunswick 
Theatre.     Pp.  7-12.     London.     1828.)  **T.96.30 

Another  copy  is  on  shelf-number  **T. 96.202. 

Farren,  Robert. 

The  Birds  of  Aristophanes  as  performed  by  members  of. the  Univer- 
sity at  the  Theatre  Royal,  Cambridge,  November,  1883.  [Cam- 
bridge.     1884.]      (II)   plates.  **T.42.5 

The  Eumenides  of  Aeschylus  as  performed  by  members  of  the 
University  at  the  Theatre  Royal,  Cambridge,  December,  1885. 
Cambridge.     Macmillan   &   Bowes.      1886.      (i)   p.      (6)    plates. 

**T.42.4 

Iphigenia  in  Tauris  of  Euripides.  Performed  by  members  of  the 
University  at  the  Theatre  Royal.  Cambridge,  November  &  De- 
cember,. 1894.  Cambridge.  Macmillan  &  Bowes.  [1895.]  (i)  p. 
(7)    plates.  **T.4i.2 

The  Oedipus  Tyrannus  of  Sophocles  as  performed  at  Cambridge 
Xov.  22-26,  1887.  With  a  portrait  of  C.  Villiers  Stanford.  Cam- 
bridge. Macmillan  &  Bowes.  1887.  (i)  p.  (6)  plates.  **T.4i.3 
Farther  defence,  A,  of  dramatick  poetry:  being  the  second  part  of  the 
Review  of  Mr.  Collier's  View  of  the  immorality  and  profaneness 
of  the  stage.  Done  by  the  same  hand.  London:  Printed  for  Eliz. 
Whitlock.     1698.     (8),  72  pp.  **T.77.44 

A  defence  of  dramatick  poetry,  by  the  same  author,  may  be  found  on  shelf- 
number  **T.77.43.  Collier's  A  short  view  of  the  profaneness  and  immorality  of 
the  English  stage  may  be  found  on  shelf-numbers  **T.77.39;  **G.3824. 19; 
**T.77.34;  etc. 

Fashionable  tragedian.  The.     [Anon.]     See  Archer,  William,  and  Robert 

William  Lowe. 
Fath,  Theodore  Georges. 

Les  nains  celebres  depuis  I'antiquite  jusqnes  y  compris  Tom-Pouce. 

Par    A.    d'Albanes     [pseud.]     et    Georges     Fath.       Illustres    par 

Edouard  de  Beaumont.     Paris.     Havard.     [1845.]      159  PP-     IHus. 

Plate.  **T.57.24i 

Father,  A,  pseud.     See  Hale,  David. 

Faucheur,  Theodore. 

Histoire  du  Boulevard  du  Temple  depuis  son  origine  jusqu'a  sa 
demolition.     Paris.     Dentu.     1863.      (3),   106  pp.  **T.77.ioi 

Faucigny-Lucinge,  Alix  de  Cho.iseul-Gouffier. 

Rachel  et  son  temps.     Paris.     Paul.     1910.     (3),  xv,  261  pp.     4679.172 
Faucit,  Helen.     See  Martin,  Helena  Saville  Faucit,  Lady. 
Faucon,  T.  T.     (X.  Y.  Z.) 

The  new  Opera.  The  monument  —  The  artists.  Paris.  Levy.  1875. 
(3),  297  pp.     Portraits.     Plates.  2639.12 

Faulkner,  T  C,  editor. 

Dramatic  Mirror,  The,  a  journal  of  theatrical  literature,  contributed 
by  members  of  the  dramatic  profession.  Monthly.  Vol.  i  (no. 
i).     Oct.,  1866.     New  York.     [1866.]     Portraits.  **T.26.26 

[293] 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 


Faure,  Alexis. 

Dejazet.  Paris.  Vuillot  de  Carleville.  1859.  ^2  pp.  Portrait. 
[Galeric  des  celebrites  contemporains.  .Artistes  dramaliqucs.] 

No.  I  in  **M.i47.i6 
Faure,  Eniile  Valentin  Cesar. 

Grands  seigneurs  et  comediennes.  Serie  i.  Paris.  Dentu  &  cie. 
1887.     (3),  336  pp.  **T.57.337 

Fauvety,  Charles. 

Menioire  en  faveur  de  la  Comedie-franQaise  adresse  a  la  Chambre 
des  Deputes.     Paris.     Proux  &  c^^.     1847.     31  pp.  **T.76.i77 

Favart,  Charles  Simon. 

Memoires  et  correspondance  litteraires,  dramatiques  et  anecdotiques, 

de   C.   S.   Favart,   publics   par  A.   P.   C.    Favart,   son   petit-fils;   et 

precedes  d'une  notice  historique,  redigee  sur  pieces  authentiques  et 

originales,  par  H.  F.  Dumolard.   Paris.   Collin.   1808.  3  v.  **T.56.i33 

Favart,  Charles  Simon.     Works  about. 

JuLLiEN,  J.  L.  A.  La  cour  et  I'opera  sous  Louis  xvi.  Marie  An- 
toinette et   Sacchini,   Salieri,   Favart  et   Gluck.     Paris.      1878. 

4676.52;  **M,i27.39 
Faversham,  William. 

The  theatre  as  a  power.    An  address  given  in  the  Chicago  University 

Extension  Course  of  the  Lectures  on  the  Drama,  October  19,  igii. 

[Saint  Louis.    H.  S.  Collins  Printing  Co.]     1911.     16  pp.    **T.75.76 

Favourite,  A,  of  Napoleon.     George,  M.  J.  W.  **T.56.72 

Fawcett,  John. 

A  statement  of  the  differences  subsisting  between  the  proprietors 
and  performers  of  the  Theatre-Royal,  Covent  Garden.  Given  in- 
the  correspondence  that  has  passed  between  them.  By  John 
Johnstone,  Joseph  George  Holman,  Alexander  Pope,  Charles 
Incledon,  Jos.  S.  Munden,  John  Fawcett,  Thomas  Knight,  Henry 
Erskinc  Johnston.  London:  Printed  by  J.  Davis  for  W.  Miller. 
1800.     vii,  69,  3  pp.  **T.77.io;  etc. 

Faxon,  Frederick  Winthrop,  editor. 

Dramatic  Index,  The,  for  1909-17.  Covering  articles  and  illustra- 
tions concerning  the  stage  and  its  players  in  the  periodicals  of 
America  and  England:  with  a  record  of  books  on  the  drama  and 
of  texts  of  plays  published  during  [those  years].  Boston.  1910- 
18.    8  V.  **T.65.47 

Fea,  Carlo  Domenico  Francesco  Ignazio. 

Osservazioni  sull'  arena,  e  sul  podio  dell'  anfiteatro  Flavio  fatte  dal 
signor  Pietro  Bianchi  di  Lugano,  illustrate  e  difese  dal  Sig.  Lo- 
renzo Re  Romano,  discusse,  e  confutate  dall'  Avvocato  Carlo  Fea. 
Roma.     Salviucci.     181 3.     2  parts  in   i   v.     Portrait.  2759.66 

Febvre,  Frederic  Alexandre. 

Au  bord  de  la  scene.  Avec  une  preface  de  Jules  Ciaretie.  2e  edition. 
Paris.    Ollendorff.     1889.    xii,  250,  (i)  pp.  **T.57.323 

Principally    composed    of   reminiscences,    sonu'    of    which    relate    to    his    career    at 
the  Comedie  fran<;aise. 

Journal  d'un  comedien.  Avec  une  preface  de  Jules  Ciaretie.  Illus- 
trations de  Julian-Damazy.  Paris.  Ollendorff.  1896.  2  v.  Portraits. 
Tome  2  is  of  the  2C  edition.  **T.56.I25 

Febvre,  Frederic  Alexandre,  and  Thomas  Johnson. 

Album  de  la  Comedie-frangaise.  Paris.  Ollendorff.  1880.  (3),  100, 
(7)   pp.     Portraits.     Manuscript  facsimiles.  **T.7i.7 

Mainly  biographical  sketches  of  the  socictaires. 

\29\\ 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 


Fechter,  Charles  Albert. 

Dickens,  C.  Charles  Dickens  on  Fechter's  acting;  followed  by  the 
critical  notices  (extracted  from  the  London  journals)  on  his 
Hamlet,  Othello,  Ruy  Bias,  Lady  of  Lyons,  &c.     Leeds.     [1867?] 

No.  6  in  **G.3940.i3 
Fechter  in  Hamlet  and  Othello.     |  Edinl)urgh.     1861.] 

No.  2  in  **G.3940.i3 
Field.  M.  K.  K.     Charles  Albert  Fechter.     Boston.     1882.     Portraits. 

4348.137;  **T.57.i  14;  etc. 
Ham  LEV,   Sir    E.    B.      Mr.    Fechter's   Othello.      (In   his    Shakespeare's 
funeral  and   other   papers.      Pp.    170-179.      Edinburgh.      1S89.) 

4599.136;  **T.97.36 
Mr.  Fechter's  Othello.      [London.     1861.]      No.  7  in  **G.394o.i3;  etc. 
Ottley,  H.     Fechter's  version  of  Othello  critically  analyzed,  prefa- 
tory   observations    on    the    stage,    the    audience,   and    the    critics. 
London.     1861.  No.  4  in  **G.394o.i3 

Shakspeare,  and  his  latest  stage  interpreters.      [London.      iSoi] 

No.  I  in  **G.3940.i3;  etc. 
Shakspeare  travestied.      [Dublin.      1862.]  No.  3  in  **G.394o.i3 

Wilmot,  .     A   retrospective  glance  at   Mr.   Fechter's    lago,  and 

acting  edition  of  Othello.     London.     1862.         No.  5  in  **G.3940.i3 
Felix,  Elisabeth  Rachel. 

Rachel  d'apres  sa  correspondance.  Par  Georges  d'Heylli  [pseud,  de 
Antoine  Edmond  Poinsot].  Avec  portraits  par  Massard.  Paris. 
Librairie  des  Bibliophiles.  1882.  (3),  viii,  308  pp.  Portraits. 
Manuscript  facsimile.  **T.55.7 

Succession  de  M"e  Rachel.  Catalogue  des  objets  mobiliers  depen- 
dant de  la  succession  de  M"e  Rachel  dont  la  vente  aura  lieu  a 
Paris  du  12  au  29  avril   1858.     Paris.     1858.     82  pp.  **T.66.4 

Felix,  Elisabeth  Rachel.     Works  about. 

B ,  Madame  de,  pseud.     Memoirs  of  Rachel.     London.     1858.     2  v. 

Portrait.  **T.57.8o;  etc. 

Beauvallet,  L.     Rachel  and  the  New  World.     A  trip  to  the  United 

States  and   Cuba.     New  York.     1856.  2369.57;  **T.57.3ii;  etc. 

Biographie    anecdotique    de    Ml'e    Rachel,      fidition    augmentee    de 

I'article    de    M.    Alfred   de    Musset,   sur   les    debuts    de   la   celebre 

tragedienne.      Bruxelles.      1858.      Portrait.  **T.98.i6 

Bolot,    a.      Mademoiselle    Rachel    et    I'avenir    du    theatre    frangais. 

Paris.      1839.  **T.46.5 

Chambrun,   C.   a.  de   p..  Marquis  de.     Quelques   reflexions   sur   Fart 

dramatique.     M"^^  Rachel,  ses  succes.  ses  defauts.     Paris.     1853. 

**T.97.2i8 
CuisiN,  J.   P.  R.     Bouquet  offert  a  M^e  Rachel,  actrice  tragique  aux 
frangais.       Suivi     de     notices     biographiques     sur     cette     grande 
tragedienne  et  autres  acteurs  celebres.     Paris.     1839.     Plate. 

**T.55.26 

Descombes,  J.  C.  F.  M.     La  Verite-Rachel.     Exainen  du  talent  de  la 

premiere  tragedienne  du  Theatre-frangais.     Pour  servir  a  I'histoire 

de  la  scene,  a  I'etude  des  artistes  dramatiques,  aux  reflexions  des 

journalistes,   et  a  I'interet  des  gens  du   monde.      Paris.      1850. 

**T.96.i7i 
Faucigny-Lucinge,  a.  de  C.-G.     Rachel  et  son  temps.     Paris.     1910. 

4679.172 

Gribble,  F.  H.     Rachel:  her  stage  life  and  her  real  life.     New  York. 

191 1.     Portraits.  46403.76 

[295] 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 

Felix,  l^lisabeth  Rachel.     IVorks  about.     (Continued.) 

Janin,  J.  G.  Mile.  Rachel.  Role  d'Hermionc  dans  .^ndromaque. 
[Paris.     1838.]     Portrait.  No.  i  in  **K.34.2 

Rachel  et  la  tragedie.     Paris.     1859.     Portraits.  **T.54.6 

Kexn.^rd.  N.  H.     Rachel.     London.     1885.  **T.57.338;  etc. 

Lamothe-Langon,  £.  L.  de.     Rachel.     Paris.     1838.  **T.56.265 

Mantel.  A.   P.     Rachel.     Details  incdits.     Paris.     1858.         **T.99.32 
Rachel.     [New  York.     1870.]  No.  14  in  **G.3930.i3.2 

Samson,  J.    I.     Lettre  a   Monsieur  Jules  Janin.      [Paris.      1859.] 

**T.95.io5 

Samson,  Madame  J.  I.     Rachel  et  Samson.     Souvenirs  de  theatre  par 

la  veuve  de  Samson.     Paris.     i8g8.  **T.57.336 

Smith,   G.    B.     Rachel.      (In   his   Women    of   renown.      Pp.    377-420. 

London.     1893.)  2255.68 

Tampier,  L.  C.  C.     Dernieres  heures  de  Rachel.     Paris.     1858. 

No.  4  in  **M.i47.i6 

Vedel.  .     Notice  sur  Rachel.     Paris.     1859.  **T.95.iog 

Falsing,  Otto. 

Streifziige  durch  die  Theaterwelt.  Dresden.  Esche.  [1895.]  95- 
(i)   pp.  **T.75.25 

Femmes,  Les,  de  Shakespeare.  Portraits  accompagnes  de  notices 
critiques  et  litteraires  par  De  Pongerville,  Philarete  Chasles, 
George  Sand,  etc.  Paris.  Gallet,  Brand  &  cie.  [18 — ?1  2  v. 
Portraits.  **T.54.ii 

The  engraved  title-page  reads  :   Galerie  des  femmes  de  Shakspearc.     This  work  is 
included  on  account  of  its  suggestions  for  costume. 

Femmes  de  theatre.     Bach,  S.  F.       '  **T.5i.i6 

Lemonnier,  a.  **T.87.62 

Fennell,  James. 

An  apology  for  the  life  of  James  Fennell.  Philadelphia.     Thomas. 

1814.    (i),  510  pp.    Portrait.  **T.55.i2o 

Other   copies  arc  on    shelf-numbers   **K.45.7;    **fi.3763.9. 

A  statement  of  facts  occasional  of  and  relative  to  the  late  disturbances 
at  the  Theatre-Royal,  Edinburgh.  Edinburgh:  Printed  for  and 
sold  by  John  and  James  Ainslies.     [1788.]     54  pp.  **T.76.7i 

Same.  3d  edition.  London:  Printed  for,  and  under  the  direction  of, 
John  Bell.     1788.     56  pp.  No.  4  in  **G.3824.i5 

Fenollosa,  Ernest  Francisco,  and  Ezra  Loomis  Pound. 

'Noh'  or  accomplishment.  A  study  of  the  classical  stage  of  Japan. 
New  York.     Knopf.     1917.    viii,  267,  (i)  pp.     Portrait.     Music. 

Contains  translations  of  Japanese  'Noh'  plays.  5028.43 

Fenton,  Lavinia,  Duchess  of  Bolton.    See  Paulet,  Lavinia,  Duchess  of  Bolton. 
Fenton,  W. 

The  itinerant  Thespians,  or  the  theatre  dissected.  [A  satire  in 
verse.     London.]      Printed  for  the  author.     1792.     29  pp. 

No.  5  in  **G.3824.6 
Fere,  Octave,  pseud.     See  Mogeta,  Charles  Octave. 
Ferguson,  Adam. 

The  morality  of  stage-plays  seriously  considered.  [Anon.]  Edin- 
buigh.     1757.     (i),  29  pp.  **T.76.90 

Ferguson,  O.  J. 

A  brief  biographical  sketch  of  L  A.  Van  Amburgh,  and  an  illustrated 

and   descriptive   history   of   the   animals    in    his   menagerie.      New 

York.     Booth.     [186-?]     72  pp.     Illus.     Portrait.     Plates.    **T.96.6 

Same.     79  pp.     Colored  plates  5905-36 

12961 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 

Fernand-Michel,  Francois  Fortune.     (Antony  Real,  fils.) 

Lc  Theatre  antique  d'Orange  &  ses  representations  moderncs.  Pre- 
face de  Paul  Bosq.  Avec  le  Salut  a  la  Provence.  Chante  pour 
la  premiere  fois  au  Theatre  antique  d'Orange  le  29  avril  1877. 
Paris.      Lemerre.      1804.     7Q,    (5)    PP-      Portraits.      Plates. 

**T.97.27i 
Fernandez,  Maria  del  Rosario. 

CoTARELO  Y  MoRi,  F,.  Rstudios  sobrc  la  historia  del  arte  esccnico 
en  Espana.     Madrid.     1896,  97.     2  v.     Portraits.  3098.167 

Fernbach,  Ludwig,  Jr. 

Der  Wohl  unterrichtete  Theaterfreund.  Ein  unentbehrliches  Hand- 
buch.     Berlin.     Cosmar  &  Krause.     1830.     vi,  366  pp.  *6i76.3o 

.\  catalogue  of  German  dramatic  literature  from   1740  to  1830. 

Same.  Der  Theaterfreund.  Handbuch  fiir  Thcater-Directoren, 
Schauspieler,  Theaterfreunde,  Buchhandler  und  Leihbibliothckcn. 
Berlin.     Bloch.     i860.    2  v.  in  i.  *2i75.io 

Contents.  —  [i.]  Die  dramatischen  Erscheinungcn  dcs  Buchhandcls  bis  zum  Jahre 
1848.      [2.]    Die   dramatischen    Erscheinungcn   von    1849   bis    1859. 

Ferrario,  Giulio. 

Storia  e  descrizione  de'  principali  teatri  antichi  e  moderni  corredata 
di  tavole.  Col  Saggio  suH'  architettura  teatrale  di  M""  Patte. 
Illustrato  con  erudite  osservazioni  del  architetto  Paolo  Landriani. 
Milano.     Ferrario.     1830.      (i),  xix,  369,    (6)   pp.     Plates.     Plans. 

**T.75.7o 
Ferrer,  Juan. 

Tratado  de  las  comedias  en  el  qual  se  declara  si  son  licitas,  y  si 
hablando  en  todo  rigor  sera  pecado  mortal  el  representarlas,  el 
verlas,  y  el  consentirlas.  Por  Frvctvoso  Bisbe  y  Vidal,  doctor  en 
entarmbos  derechos  [pseud.].  Va  aiiadido  vn  sermon  de  las 
mascaras,  y  otros  entretenimientos,  predicado  por  el  venerable 
P.  Diego  Perez.  En  Barcelona,  Por  Geronymo  Margarit,  y  a  su 
costa.    Alio  1618.     (16),  113,  49  ff.  **D.i7ob.3o 

Ferris,  George  Titus. 

Great  singers,     ist,  2d  series.     New  York.     Appleton  &  Co.     1880,  81. 

2  V.  4049.75 

Co-itcuts.  —  I.   Faustina   Bordoni  eo  Henrietta  Sontag.     2.   Malibran  to  Titicns. 

Same.     1882.  **M.io9b.20 

Fertiault,  Frangois. 

Histoire   anecdotique    et    pittoresque    de    la    danse    chez   les    pcuples 
anciens  et  modernes.    Paris.    Aubry.     1854.     128  pp.         **T.98.i29 
Festeau,  F. 

Proyecto  de  casas  pertenecientes  al  S""  Don  Jose  de  Fontagud  Gar- 
gollo.  Teatro  [Moratin].  Formado  por  Chauderlot  y  Festeau. 
Madrid.     1871.     23  plans.     Autograph  facsimiles.         *Cab. 60.82.5 

The  title  is  on  each  plan. 

Festivals. 

Chubb,   P.,   editor.      Festivals   and   plays    in    schools   and    elsewhere. 

New  York.     1912.     Plates.     Music.  6257.80 

Craig,   A.   A.   T.     The   dramatic    festival.     A   consideration    of   the 

lyrical  method  as  a  factor  in  preparatory  education.     New  York. 

1912.  6257.73 

Janvier,  T.  A.     The  Christmas  kalends  of  Provence  and  some  other 

Provengal  festivals.     New  York.     1902.     Plates.  4668.32 

Manzi,  G.     Discorso  sopra  gli  spettacoli,  le  feste,  ed  il  lusso  degl' 

Italiani  nel  secolo  xiv.     Con  note  ed  illnstrazioni.     Roma.     1818. 

Plate.  2740.8 

[297] 


THE  PUBLIC  LIBRARY  OF  THE   CITY  OF  BOSTON 

Festivals.     (Continued.) 

RuGGiERi,  C.  F.  Precis  historique  sur  les  fetes,  les  spectacles  et  les 
rejouissances  publiques.     Paris.     1830.  **T.96.272;  etc. 

Smith,  H.  Festivals,  games,  and  amusements.  Ancient  and  modern. 
London.     1831.     Plates.     Map.  **T.98.8o;  etc. 

Feu  le  Theatre  de  Seraphin  depuis  son  origine  jusqu'a  sa  disparition. 
1776-1870.     Paris.     Rouquette.     1872.     43,  (i)  pp.  **T.96.i45 

The  Theatre  de  Seraphin  was  devoted  to  marionettes  and  shadow  pantomimes. 

Feuillerat,  Albert. 

Le   bureau  des  menus-plaisirs  (office  of  the   Revels)   et  la  mise  en 

scene  a  la  cour  d'Elizabeth.  Louvain.    Uystpruyst.     1910.    88,  (i) 

pp.  2552.21 
Feuillerat,  Albert,  editor. 

Klackfriars  records.     [London.]      1913.     (8),    136  pp.      [The   Malone 

Society.     Collections.     Vol.  2,  part  i.]                 **G.4077.i5.2.Part  i 

"A  selection  of  such  documents  which  are  sufficient  to  locate  Shakespeare's  Rlack- 
friars  and  to  show  its  relation  to  the  earlier  theatre  conducted  by   Farrant." 

Documents  relating  to  the  Office  of  the  Revels  in  the  time  of  Queen 
Eli^.abefh.  Edited  with  notes  and  indexes.  Louvain.  Uystpruyst. 
1908.  xvii,  3-512,  (i)  pp.  [Materialien  zur  Kunde  des  alteren 
englischen   Dramas.]  *2550,90 

Documents  relating  to  the  revels  at  court  in  the  time  of  King  Edward 

VI.  and  Queen  Mary.     (The  Loseley  Manuscripts.)     Edited  with 

notes  and  indexes.     Louvain.     Uystpruyst.     1914.     xv,  339,  (i)  pp. 

[Materialien  zur  Kunde  des  alteren  englischen  Dramas.]     *2550.io7 

Feydeau,  Ernest  Aime. 

The  ballet  dancer's  husband.     See  his  Le  mari  de  la  danseuse. 

Un  debut  a  I'Opera.  £tude.  2e  edition.  Paris.  Levy.  1863.  (3), 
Ixxii,  .264.  (i)  pp.     [Bibliotheque  contemporaine.]  **M.i37.8 

Same.    4e  edition.     1871.  *2679a.75 

Le  mari  de  la  danseuse.  fitude.  4e  edition.  Paris.  Levy.  1868. 
392  pp.  *2679a.74 

This  story  is  the  conclusion  to  Un  debut  a  I'Opera  and  its   sequel,   Monsieur  de 
St.   Bertrand. 

Same.     The  ballet  dancer's   husband.     Translated   from   the   French 

by  Mary  Neal  Sherwood.    Chicago.    Sumner  Sz  Co.     1880.    365  pp. 

**T.87.72 
Monsieur  de   Saint-Bertrand.     Suite   d'Un   debut  a   I'Opera.     fitude. 

3e   edition.      Paris.     Levy.      1864.      (3),   354  pp.  *2662.69 

Ficoroni,  Francesco  di. 

Francisci   Ficoronii   Dissertatio   de   larvis   scenicis   et   figuris   comicis 

antiquorum   Romanorum.     Ex   Italica  in   Latinam   linguam   versa. 

Editio   secunda.      Romre.      Sumptibus    Venantii    Monaldini.      1754. 

(12),  115,  (7)  pp.    85  plates.  2953.24 

Fiction. 

A   Beckett,  A.  W.     William  Shakespeare  behind  the  scenes  of  the 

Globe    Theatre.      From    a    rare    M.S.      Edited    by    Bertie    Vyse 

[pseud.].     London.     1864.  **T.96.268 

Actress,    The,    in    high    life:    an    episode    in    winter    quarters.      New 

York.     i860.  **T.87,43 

Adventures,  The,  of  an  actor,  in  the  characters  of  a  merry-Andrew, 

a   Methodist-preacher,  and  a   fortune-teller.     Founded   on   facts. 

London.     [17—?]  **T.88.io 

Alden,    W.    L.      Among    the    freaks.      With    illustrations    by    J.    F. 

Sullivan  and  Florence  K.  Upton.     London.     1896.     IIlus.     Plates. 

4009.359;  **T.97.i85 

[298] 


BROWN   COLLECTION    OF   BOOKS    ON    THE   STAGE 

Fiction.     (Continued.) 

Aldrich,  T.  B.     Paul  Pync,  actor  and  gentleman.     (In  Gary,  Alice, 

and   Phoebe   Gary,  editors.     The  Josephine   gallery.      Pp.   219-227. 

Philadelphia.     1858.)  **A.i503.4 

Bachmann,   W.      Gatinka   Antalani,    die    Sangcrin:    ihre    Leiden    und 

Freuden.  Ein  Lebensroman.  Dobeln.  1845.  -  v.  in  i.  **T.88.7 
Bahr,  H.  Theater.  Ein  Wiener  Roman.  Berlin.  1904.  68993.316 
Banville,  T.  F.  de.     La  vie  d'une  comedienne,  Minette.     Paris.     1855. 

**T.98.i32 
Barry,  J.  D.  Mademoiselle  Blanche.  New  York.  1896.  **T.87.i5 
Basset,    S.      Une   aventure    de    Frederick    Lemaitre    (1854).      [Paris. 

1908.]      Plates.  6671.299 

Bauer,   H.     Une   comedienne.     Scenes   de   la  vie   de  theatre.     Paris. 

1889.  **T.87.47 

Bayly,  A.  E.    Wayfaring  men.    New  York.     1897.  **T.87.42 

Beaufort  d'Auberval,  A.  A.     L'enfant  du  trou  du  souffleur  ou  I'autre 

Figaro.     Bruxelles.     1883.     2  v.  in  i.     Plates.  **T.87.40 

Beetschen.  a.     Flegeljahre  der  Liebe.     Leipzig.     [1896.] 

No.  6  in  4896.50.368 
"Belles  of  the  ballet."  [Poem.]  London.  [1888.]  Plates.  **T.85.3 
Besant,  S/ir  W.    Dorothy  Wallis.    An  autobiography.     London.     1892. 

2547.120;  **T.57.2i3 
Besemeres,  J.   D.     No  actress.     A  stage  door-keeper's  story.     Lon- 
don.    1870.  **T.88.2o 
Brackel,   F.   M.  T.,  Frciin  von.     The   circus-rider's   daughter.      New 

York.      [1896.]  6898.150 

Briggs,  J.     The  history  of  Jim  Grow.     London.     1839.  **T.87.6 

Brough,    R.    B.      Marston    Lynch.      London,      i860.      Portrait. 

**T.58.i26 
Buxton,  B.  H.     From  the  wings.     New  York.     1880.  **T.83.2 

Gadol,    V.    E.      Rose.      Splendeurs    et    miseres    de    la    vie    theatrale. 

Paris.      1875.  **T.87.8i 

Ghampsaur,    F.      Entree   de   clowns.      Paris.      1885.      lilus.     Portrait. 

Plates.  **T.87.45 

Lulu.      Roman    clownesque.      Paris.      1901.      Illus.      Portraits. 

Plates.  **T.86.7 

Glaretie,   J.  A.   A.      Brichanteau,   comedien.     Paris.      1896. 

66993.27;  **T,87.26 

Same.      Brichanteau,    actor.      Boston.      1897.  **T.87.i9 

GociiRANE-Baillie,   a.    D.    R.    W.,   ist  Baron  Lamington.     The   theatre 

frangais   in   the   reign   of   Louis   xv.      London.      1879. 

26703.70;  **T.86.3 

Gockton,  H.  The  life  and  adventures  of  Valentine  Vox,  the  ventrilo- 
quist.    London.     1846.     Plates.  4573.116;  etc. 

Goleman,  J.     Gurly:  an  actor's  story.     New  York.      [1885.]      Illus. 

No.  3  in  **M. 129.32 

GooK,  G.  H.  Daughters  of  Thespis.  A  story  of  the  green-room. 
LQndon.     1897.  **T,87.2 

Goyne,  J.  S.  Sam  Spangles;  or,  the  history  of  a  harlequin.  London. 
1866.     Plate.  **T.88.i9 

Daggerwood,  Sylvester,  pseud.  Memoirs  of  Sylvester  Daggerwood, 
comedian,  &c.  deceased:  including  many  years  of  provincial 
vicissitudes.      London.      1807.     2  v.   in    i.  **T.87.34 

Daudet,  a.  Entre  les  frises  et  la  rampe.  Petites  etudes  de  la  vie 
^heatrale.     Paris.      1894.      Illus.      Plates.  26793.118;  **T.89.5 

[299] 


THE  PUBLIC  LIBRARY  OF   THE   CITY   OF  BOSTON 


Fiction.     (Continued.) 

Day,  W.  C.  Behind  the  footliglits;  or,  the  stage  as  I  knew  it.  Lon- 
don. 1885.  Plates.  **T.97.285 
Delignv,  E.  Les  cabotins.  Paris.  1874.  **T.87.57 
Dhormovs,  p.  Sapajou.  Histoire  d'un  ahonne  de  I'Opera.  Paris. 
1885.  **T.98.i45 
Dreyfus,  A.     L'incendie  des  Folics-Plastiques.     Paris.     1886. 

**T.87.37 

Scenes  de  la  vie  de  theatre.     Paris.     1880.     Plates. 

4665.58;  **T.87.5i 

Dubois,  J.  B.,  and  C.  J.  F.  G.  de  Propiac.  Histoire  veritable  de 
Fanchon  la  vielleuse,  extraite  de  memoires  inedits.  Paris.  An 
XI.-1803.     Plate.  **T.88.i4 

Du  Casse,  H.  Chien  de  metier!  Petites  miseres  theatrales.  Paris. 
1866.  **T.87.68 

Dumas,  A.,  the  younger.  Une  loge  a  Camille.  (In  his  Ce  qu'on  ne 
sait  pas.      Pp.  91-148.      Paris.      1855.)  **T.99.26 

Dunham,  C.    The  Casino  girl  in  London.     New  York.     1898.     Plates. 

**T.87.7i 

Duplessis's  Memoirs:  or,  variety  of  adventures.  Interspers'd  with 
characters  and  reflections,  moral,  satirical,  instructive  and 
humourous.  With  a  description  of  some  strolling-players,  amongst 
whom  the  memorialist  travell'd  awhile,  before  his  last  departure 
from  England.     London.     1757.     2  v.  **T.88.6 

Edwards,  A.     A  playwright's  daughter.     London.     [1886.]     **T.87.94 

Egan,  p.,  the  Elder.  The  life  of  an  actor  [Peregrine  Proteus].  Lon- 
don.    1892.     Illus.     Colored  plates.  2573.143 

The  show  folks!     London.     1831.     Plates. 

6579.13;  **T.98.56;  etc. 

fipiNAY,    L.    F.    P.   DE   T.   d'E.   de   la   L.   d'.      L'amitie   de   deux   jolies 

femmes.     Suivie    de:   Un   reve   de   Mademoiselle   Clairon.     Paris. 

1885.  **T.98.39 

Feydeau,  E.  a.     Un  debut  a  I'Opera.     fitude.     Paris.     1863. 

**M. 137.8;  etc 

Le  mari  de  la  danseuse.     Etude.     Paris.     1868.  *2679a.74 

Same.    The  ballet  dancer's  husband.    Chicago.     1880.    **T.87.72 

Monsieur    dc    Saint-Bertrand.      Suite    d'Un    debut    a    I'Opera. 

fitude.     Paris.     1864.  *2662.69 

Field,  J.  M.  The  drama  in  Pokervillc,  The  bench  and  bar  of  Jury- 
Town,  and  other  stories.     Philadelphia.      1847.     Plates. 

**T.87.84;etc. 
FiLON,    P.    M.  A.     L'eleve   de    Garrick,    1780.      Paris.      [1891.] 

6698.134;  **T.87.4i 

Same.     Garrick's  pupil.     Chicago.     1893.     Illus.  **T.88.2 

Fitz-Gerald,  S.  J.  A.    Sketches  from  Bohemia.    Stories  of  the  stage, 

the  study,  and  the  studio.     London.     1890.  **T.97.276 

Fleck,  D.,  and  W.  Artis.     Tales  from  the  note-book  of  an  ex-actor. 

West  Cowes.     1865.  **T.87.90 

Fleury,  J.  F.  F.  H.    Les  aventures  dc  Mademoiselle  Mariette.     Paris. 

1857.  **T.88.3;etc. 

Souvenirs  des  funambules.     Paris.     1859.  4679.58;  **T.87.86 

Ford,  J.  L.     Cupid  and  the  footlights.     New  York.     1899.     Plates. 

**T.83.i 
FouRNiER,   M.  J.   L.     Les  aventures  d'un   comcdien.     Paris.      |  1875.] 

**T.87.59 

[300] 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 

Fiction.     (Continued.) 

France,  L.     Les  ephemeres  M'as-tu-vu.     Souvenirs  de  trente  ans  dc 

theatre.     Paris.     [189-?]  **T.87.39 

Freund,    T.      Biihnensterne.      Bilder    aus    der    Theaterwelt.      Berlin. 

[1890.]  **T.88.i3 

Friedrich,   F.     Hinter  den   Coulissen.     Humoristische   Skizzen   und 

Bilder  aus  dein  Schauspielerleben.     Leipzig.     fi886.]       **T.87.89 
FvFE,  H.  H.    A  player's  tragedy.     London.     1893.  **T.88.2i 

Gallichan    W.  M.     Like  stars  that  fall.     London.     1895.       **T.87.5 
Gallois,    C.    a.    G.    L.      La   caravane    dramatique,   ou    les    virtuoses 

aventuriers.     Paris.     1827.     3  v.     Plates.  **T.87.87 

Gautier,  T      Militona.     Bruxelles.     1847  **T.89.4 

Gheusi,  p.    B.     L'opera  romanesque.     Paris.     [1909.]  6699.265 

GiKFARD,  P    L.     La  tournee  du  pere  Thomas.     Paris.     1887.    **T.87.56 
GiNiSTY.  P.     Lucinde.     Roman   de  theatre.     Paris.     1907.     Plate. 

66793.128 
Goethe,    J.    W.    von.      Wilhelni    Meisters    theatralische    Scndung. 

Weimar.     1911.     2  v.  *4903.i.5i,52;  etc. 

Same.     Wilhelm  Meister's  apprenticeship.     From  the  German 

by  Eleanor  Grove.     Leipzig.     1873.     ~  v.  in  i.  4876.90 

GoNCouRT.  E.  L.  A.  T.  de.  and  J    A.  H.  de  Goncourt.     Les  actrices. 

Paris.     1856.  **T.99.55 

GozLAN,  L.     La  comedie  et  les  comediens.     30  edition.     Paris.     1859. 

**T.87.g2 

Moeurs  theatrales.     La  comedie  des  comediens.     Paris.     18^3. 

**T.87.36 
Grauam,  S.  The  showman's  daughter.  London.  1897.  **T.87.8 
Gray,  E.  D.  McQ.     Elsa.     London.     1891.  **T.87.i2 

Green  room.  The.     Stories   by  those  who   frequent   it.     Edited   by 
Clement  Scott.     London.      [1880.]      Portrait.  **T.86.4 

Halevy,   L.     Criquette.     Paris,      1883.  **T.87.75;  etc. 

Souvenirs    de    theatre.      (In    his    Un    mariage    d'amour.      i-e 

edition.     Pp.   170-199.     Paris.     1881.)  2679.47 

Hazelton,  G.  C.,  /;'.     Mistress  Nell.     A  merry  tale  of  a  merry  time. 

CTwixt  fact  and  fancy.)     New  York.     1901.     Portrait.       **T.87.3 
Howells,  W.  D.     The  story  of  a  play.     London.     1898.  **T.87.73 

Jacquot,  C.  J.   B.     Une  actrice  d'un  jour.     (In  Courrier  des  fitats- 

L'^nis.     Semaine  litteraire.     Vol.  6,  pp.  263-271.     New  York.     1849.) 

No.  II  in  *667i.2.6 
James,  H..,  Jr.    The  tragic  muse.     London.     1891.  **T.87.3i;  etc. 

Janis.  E.     a  star  for  a  night.     New  York.     igii.     Plates.     Portraits. 

**T.87.ioo 
Johnson,  J.     Larkins  and  the  drama.     London,      1880.     Illus. 

**T.96.235 
K E....      Dalles    et    planches.      Corrcspondance    entrc    un 

pretre   et   un   comedien.      Paris.      1876.  **T.86.i 

Kaler,  J.  O.     Toby  Tvler;  or,  ten  weeks  with  a  circus.     New  York. 

1881.     Plates.  '  **T.88.i5 

KisTEMAECKERS,    H.    H.    A.      Lit    dc    cabot.      (Mceurs    de    coulisses.) 

Bruxelles.     1892.  **T.87.63 

KoBBE.  G.     Signora,  a  child  of  the  opera  house.     New  York.     1002. 

Plates.  *24o6.i87 

Leathes,   E.     The  actor's  wife.     London.     1880.     3  v.  **T.87.29 

Lemonnier,  a.     Les  femmes  de  theatre.     Paris.     1865.  **T.87.62 

Le  Roy,  A.     Le  comedien.     Paris.     1888.  **T.87.S2 

[301] 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 

Fiction.     (Contimied.) 

Leroy,   L.      Les   treteaux  parisiens.      Scenes   de   villc   et   de   theatre. 

Paris.     [1881.]  466ob.63;**T.87.53 

Lewinsky,  J.     Von    Brettern   nnd    Podium.     Allerlei    Stiicklein   aus 

Biihne  und  Konzertsaal.     Berlin.     [1888.]  **T.97.84 

LoEN,  A.,  Freiherr  von.     Biihne  und  Leben.     Roman.     Leipzig.     1864. 

6898.203 
Macchetta,   B.  R.     Stage-struck:   or  she  would  be  an  opera-singer. 

New   York.      1884.  **T.i04.38 

Mahalin.  p.     Mesdames  de  Cceur-Volant.     Paris.     1886.       **T.87.50 
Malle,  La,  du  tragedien.     N.  p.     [18 — ?]  **T.96.i6o 

Marrvat,   F.     My   sister  the  actress.     London.      1881.  **T.87.54 

Mary,  J.    Le  roman  d'une  figurante,     fitude  de  moeurs.     Paris.     1883. 

"**T.87.25 
Merrick,  L.     Der  Theaterdirektor.     Leipzig.     [1902.] 

No.  6  in  4896.50.438 
Meske,  M.     Dorcas  Mora.     Erzahlung  aus  dem  Leben  einer  Schau- 

spielerin.     Berlin.     1886.  **T.97.3 

MiLN,  L.  T.    An  actor's  wooing:  being  the  confessions  of  a  chaperon. 

[London.     1896.]     Plate.  **T.88.ii 

MoGETA,    C.    O.      La    comedienne    amoureuse.      Paris.      1870.      Illus. 

Plate.  **T.87.55 

MoLENES,    P.    DE.      La    comedienne.      (In    Courrier    des    fitats-Unis. 

Semaine  litteraire.     Vol.  6,  pp.  301-318.     New  York.     1849.) 

No.  13  in  *667i.2.6 
MoNSELET.  C.     Chanvallon.     Histoire  d'un  souffleur  de  la  Comedie- 

frangaise.  Paris.  1872.  Plate.  **T.87.77 
MoNTEiL,  E.  fitudes  humaines:  Cornebois.  Paris.  1881.  **T.87.38 
La  jambe.     Paris.      [1894.]  **T.87.74 

La   tournee   dramatique.      Paris.      1890.  **T.87.48 

Moore,   F.   F.     The   impudent   comedian   &  others.     Chicago.      1897. 

Plates.  44093.272;  **T.87. 13 

The  Jessamy    bride.     Chicago.      1897.  **T.87.i4 

Moore,  G.     A  mummer's  wife.     London.     1885.  **T.87.6i ;  etc. 

Moore,  H.  N.     Fitzgerald  and  Hopkins;  or,  scenes  and  adventures 

in  theatrical  life.     Philadelphia.     1847.     Plates.  **T.87.9 

Mozeen.  T.     Young  Scarron.      [Anon.]      London.      1752.         **T.88.8 
Mueller,    O.      Charlotte    Ackermann.      Ein    Hamburger    Theater- 
Roman  aus  dem  vorigen  Jahrhundert.     Frankfurt  a.  M.     1854. 

2873.58;  etc. 
Nelson,  M.  E.  E.    My  wife's  pinmoney;  or,  the  marriage  in  extremes. 
London,     i860.  **T.88.4 

Niboyet,  J.  A.   P.     Les  marionnettes  parisicnnes.     Paris.     1878. 

**T.87.83 

Ohnet,  G.     The  rival  actresses.     London.     1889.  **T.87.78 

Old  naval  officer,  An,  pseud     A  peep  at  the  theatres!  and  bird's-eye 

views  of  men  in  the  jubilee  year!     A  novel,  satirical,  critical,  and 

moral.     London.     1812.     3  v.  in   i.  **T.87.70 

Patterson,  A.,  and   V.    Bateman.      By   the   stage   door.      New   York. 

[1902.]  **T.86.9 

Payne,   G.   H.     A  great  part  and  other  stories  of  the  stage.     New 

Vork.      1902.  **T.87.95 

PoLKO,  E.     Faustina  Hasse.     Musikalischer  Roman.     Leipzig.     1870, 

Portrait.  2875.60 

[302] 


BROWN   COLLECTION   OF  BOOKS   ON   THE   STAGE 

Fiction.     (Continued.) 

Porter,  T.  H.    A  maid  of  the  Malverns:  a  romance  of  the  Blackfriars 

Theatre.     London.     [19TI.]  *4578.334;  **T.87.ioi 

Prevost,   E.   M.     Coiisine  Laura.     Mticurs   de  theatre.     Paris.     1890. 

**T.87.30 

R.,  N.     "No  salary  required;"  or.  theatricals  at  Winklegate,  by  N.  R. 

Being   a    satirical    expose   of   some    of   the    advertisements   which 

appear  in  our  leading  papers.     [London.     18 — ?]     Illus.      **T.86.8 

Rabou,  C.  F.  H.     Les  grands  danseurs  du  roi.     Bruxelles.     1846, 

**T.89.3 

Ramirez,  J.     Carmencita,  the   Pearl  of   Seville.     New  York.      1890. 

Portraits.  **T.57.4i9 

Reape,  a.     Ruby.     Founded  on  the  life  of  a  circus  girl.     London. 

1889.     Plates.  **T.87.7 

Slaves  of  the  sawdust.     New  Yorjc.      [1892.]  **T.87.27 

Reade,  C.     Peg  Woffington.     London.     1857.     Plate.     **T.87.22;  etc. 
Reynolds,  F.     A  playwright's  adA  entures.     London.     1831.     Illus. 

**T.89.i 
Reynolds,  G.  W.  M.     Ellen  Percy;  or,  the  memoirs  of  an  actress. 

[London.     1856.]      Illus.  **T.85.i 

RiCAULT,  C.  J.  de.     Une  reine  de  theatre.     Souvenirs  de  jeuncsse.  de 

theatre   et  de  cour.     Paris.     1891.  **T.87.64 

RiCHEPiN,    J.      La    miseloque.      Choses    et    gens    de    theatre.      Paris. 

1893.  **T.87.85 

Ritchie,  A.  C.     Mimic  life;  or,  before  and  behind  the  curtain.     A 

series  of  narratives.     Boston.     1856.     Plate.  **T.87.79;  etc. 

The  mute  singer.     New  York.     1866.  **T.87.44 

Robertson,  T.  W.     David  Garrick.     A  love  story.     London.     1865. 

**T.87.76;etc. 
RosEGGER,   H.    L.     Die   Komodiantin    Magdalene.     Kostritz.      1911. 

6899.221 

Ryley,   S.    W.     The    itinerant,    or    memoirs    of   an   actor.      London. 

1808-27.     9  V.      Portrait.  **T.57.3i3;  etc. 

Saint-Genies,  R.,  Vicomte  de.     Les  petites  Manchaballe.     Paris.     1893. 

**T.87.66 

Place  au  theatre!     Paris.     1894.  **T.87.67 

Sala,  G.  a.  H.     The  two  prima  donnas,  and  The  dumb  door  porter. 

London.     1862.  **M. 108.13 

ScHOLL,  A.     Les  amours  de  theatre.     Paris.     [1862.]  **T.87.93 

L'esprit  du  Boulevard.     Les  coulisses.     Paris.     1887.     **T.87.6o 

Sekle,  T.  J.     The  players;  or,  the  stage  of  life.     London.     1847.    3  v. 

**T.87.i 
Shaw,  G.  B.     Love  among  the  artists.     Chicago.     1900.  **T.87.io 

Sims,  G.  R.     Without  the  limelight.     Theatrical  life  as  it  is.     Lon- 
don.    1900.  **T.87.2i 

Zeph:  a  circus  story,  etc.     London.     1892.  **T.88.i2 

Stephens,  R.  N.     A  gentleman  player.     His  adventures  on  a  secret 

mission  for  Queen  Elizabeth.     Boston.     1899.     Plates.     **T.87.i8 
Stewart,  D.    Tales  from  the  notebook  of  a  stroller.     London.     r862. 

**T.57.266 
Veron,  p.     Les  gens  de  theatre.     Paris.     1862.  **T.87.8o 

Walu^tein,  M.     Bekenntnisse  eines  Hoftheater-Direktors.    Theater- 
Roman.     Grossenhain.     1883.     2  v.  in  i.  **T.87.i6 
West,  M.     A  born  player.     New  York.     1893.                            **T.87.24 

[303] 


THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 

Fiction.     (Continued.) 

WiNSTANLEY,  E.     Shifting  scenes  in  theatrical  life.     London.     1859. 

**T.88.i6;  etc. 

Wright,  E.  M.     Behind  the  scenes:  a  storv  of  the  stage.     Boston. 

1870.  .'  4509.49  ;**T.88.5 

ZoLLiNG,  T.     Coulissengeister.     Roman.     Leipzig.     1891.  6899.64 

Field,  John. 

Bibliotheca  histrionica.  A  catalogue  of  [his]  theatrical  and  miscel- 
laneous library  collected  with  a  view  to  forming  materials  for  a 
complete  history  of  the  British  stage.  Which  will  be  sold  by 
auction,  by  Mr.  Sotheby,  22d  of  January,  1827.  [London.  1S26?] 
(2),  96  pp.  **T.66.i9 

Field,  Joseph  M.     ("Everpoint.") 

The   drama  in   Pokerville.     The  bench   and  bar  of  Jury-Town,   and 

other  stories.    Philadelphia.    Carey  &  Hart.     1847.    200  pp.     Plates. 

With  illustrations  by  Darley.  **T.87.84 

Same.     Philadelphia.    Peterson.     [1850.]  No.  2  in  **4509.290 

Same.     [1858.]  No.  2  in  *A.5448d.i 

Field,   Kate.     See  Field,  Mary  Katherine  Kemble.  * 

Field,  Mary  Katherine  Kemble. 

Adelaide  Ristori.  A  biography.  New- York.  Gray  &  Green.  1867. 
69  pp.  **T.59.9 

Revised   from    Harper's   Magazine   and    the   Atlantic    Monthly.      Another   copy  is 
on  shelf-number  *P.  11.7492. 

Same.      [Anon.l      Paris.     Morris.      1873.     '5  PP-  **T.54.i6 

Same.   -[Boston.     1867.]     493-501  pp.  No.  32  in  *6242.54 

Cut   from    The    Atlantic    Monthly,    April,    1867    [*53i4.i.i9]. 

Charles  Albert  Fechter.  Boston.  Osgood  &  Co.  1882.  (9),  205  pp. 
Portraits.     Manuscript  facsimile.     [American  actor  series.] 

Another  copy  is  on  shelf-number  *.\.2926. 1.  4348. 137;  **T.57.II4 

Pen  photographs  of  Charles  Dickens's   readings.     Taken   from  life. 

Boston.     Loring.     [1868.]     38  pp.  No.  2  in  **T.53.23 

Each  leaf  of  this  copy  has  been  inset  on  large  paper  by  Henry  Clay  Barnabee. 
Ristori  as  Marie  Antoinette.     [Philadelphia.     1868.]      175-185  pj). 

No.  16  in  **G.3930.i3.2 

Cut    from    Lippincott's    Monthly    Magazine,    February,    1868    [Periodical    Room 

*734S-iil- 

Field,  Mary  Katherine  Kemble.     Works  about. 

Whiting,  L.     Kate   Field.     A  record.     Boston.      1899.     Illus.     Por- 
traits. 4348.233;  etc. 
Fielding,  Henry,  alleged  author. 

An  apology  for  the  life  of  Mr.  The'  Cibber.  comedian.     See  Apology, 
An,  for  the  life  of  Mr.  The'  Cibber,  comedian. 
Fielding,  Henry.     Works  about. 

Have  at  you  all;  or,  the  Drury-Lane  Journal.  [No.  i.  Jan.  16,  1752.] 
By  Madam  Roxana  Termagant  [pseud.].  Addressed  to  Sir  Alex- 
ander Drawcansir  [pseud,  of  Henry  Fielding],  author  of  the 
Covent-Garden  Journal.  Continued  every  Thursday.  London. 
1752.  **T.26.25 

Letter,  A,  to  a  noble  lord,  to  whom  alone  it  belongs.  Occasioned 
by  a  representation  at  the  Theatre  Royal  in  Drury-Lane,  of  a 
farce,   called    Miss   Lucy    in   town.      London.      1742. 

No.  7  in  **G.3823.9 
Fielding,  Sir  John. 

Miles,  W.  A.  A  letter  to  Sir  John  Fielding,  Knt.  Occasioned  by 
his   extraordinary   request   to   Mr.   Garrick  for  a  suppression   of 

[304] 


BROWN   COLLECTION   OF  BOOKS   ON   THE   STAGE 


Fielding,  Sir  John.     (Continued.) 

the  Beggars  Opera.  To  which  is  added  a  postscript  to  D.  Gar- 
rick,  Esq.  London.  1773.  No.  7  in  **G.3823.4.2 
Fifteen  years  of  a  dancer's  life.  Fuller,  L.  40493.363 
Fifty  years  in  theatrical  management.  Leavitt,  M.  B.  **T.55.i6;  etc. 
Fifty  years  of  a  Londoner's  life.  Hibbert,  H.  G.  4545.151 
Fifty  years  of  a  play-goer's  journal.  D.,  H.  N.  **T.77.i82 
Fifty  years  of  a  showman's  life.  Van  Hare,  G.  2262.49;  **T. 57. 132 
Fifty  years  of  an  actor's  life.  Coleman,  J.  4544.190 
Donaldson,  W.  A.  **T.96.i6i 
Fifty  years   of  green-room   gossip.      Donaldson,   W.   A. 

45493.244;  **T.58.39 

Fifty  years  of  London  life.     Yates,   E.  H.  4540.22;  **T.57.25;  etc. 

Figaro-Modes,  Les.    A  la  ville — au  theatre — arts  decoratifs.     Publication 

mensuelle.     1901-06.     Paris.     Manzi,  Joyant  &  cie.     1901-06.     6  v. 

lUus.     Portraits.     Plates.  *6ooo.28 

The  volumes  for   1901,  02  are  entitled:   Les  modes.     No  more  was  published. 

Figaro  Programme.  See  Saturday  Programme,  The,  and  Skctch-Book. 
Fight,  The,  for  the  drama  at  Oxford.  Adderley,  Hon.  J.  G.  **T.98.29 
Figuier,  Guillaume  Louis. 

Le  theatre  scientifique.     2e  edition.     Paris.     Dentu.     1882.     24  pp. 

**T.76.32 

The  author  proposes  to  impart  instruction  in  science  by  means  of  the  drama. 

Figuier,  Louis.     See  Figuier,  Guillaume  Louis. 

Figures  d'Opera-comique.     Paroisse-Pougin,  F.  A.  A.  **M. 137.2 

Figurines  dramatiques.     Laglaize,  J.   B.  **T.57.285 

Filippi,  Joseph  de. 

Catalogue  de   [sa]   bibliotheque  theatrale  dont  la  vente  aura  lieu  27 

mai  1861.     Paris.     Aubry.     1861.     (2),  vi,  114  pp.  **T.66.5 

Catalogue    des    estampes    &    dessins,    architecture    theatrale,    scenes 

theatrales,   decorations,  costumes  et  portraits   donl  la  vente  aura 

lieu  23-25  mai  1861.     Paris.     1861.     41  pp.  **T.66.6 

Essai  d'une  bibliographic  generale  du  theatre,  ou  catalogue  raisonne 

de  la  bibliotheque  d'un  amateur  completant  le  Catalogue  Soleinne. 

Paris.     Tresse.     1861.     (5),  vii,  223,  (i)  pp.  **T.66.2 

Parallele    des    principaux    theatres    modernes    de    I'Europe    et    des 

machines  theatrales  frangaises,  allemandes  et  anglaises.     Dessins 

par  Clement  Contant.     Texte  par  Joseph  de  Filippi.     2e  edition. 

Paris.     Levy.     1870.     2  v.     Plans.  **Cab.6o.77.i 

Filippi,  Rosina.    See  Dowson,  Rosina  Filippi. 

Filles,   Les,  d'Opera  et  les  virtuoses  de  table  d'hote.     Paris.     Labitte. 
1846.     77  pp.  **T.99.28 

Fillingham,  William. 

A  catalogue  of  a  portion  of  [his]  library,  consisting  of  old  quarto 
plays,  early  English  poetry,  and  a  few  scarce  tracts  which  will 
be  sold  at  auction  by  Leigh  and  S.  Sotheby,  April  24,  1805,  and  2 
following  days.     [London.     1805.]      (2),  36  pp.  *2i38.44 

Filmer,  Edward. 

A  defence  of  plays:  or,  the  stage  vindicated,  from  several  passages 
in  Mr.  Collier's  Short  view,  &c.  Wherein  is  offer'd  the  most 
probable  method  of  refortning  our  plays.  With  a  consideration 
how  far  vicious  characters  may  be  allow'd  on  the  stage.  London: 
Printed  for  Jacob  Tonson.     1707.      (16),   167  pp.  **T.77.46 

Another  copy  is  on  shelf-number  **G.382i.i7. 

[305] 
20 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 


Filmer,  Edward.     Works  about. 

Collier,  J.    A  farther  vindication  of  the  Short  view  of  the  profane- 

ness  and  immorality  of  the  English  stage,  in  which  the  objections 

of   a   late   book,    entituled,    A    defence    of   plays,    are    consider'd. 

London.     1708.  **T.77.38;  etc. 

Filon,  Augustin.     See  Filon,  Pierre  Marie  Augustin. 

Filon,  Pierre  Marie  Augustin. 

De  Dumas  a  Rostand.  Esquisse  du  mouvement  dramatique  con- 
temporain.     Paris.     Colin  &  cie.     1898.     xiii,  300,  (i)  pp.     4676.88 

Contents.  ■ —  L'age  de  Dumas  et  d'Augier.  fidouard  Pailleron.  —  Henry  Becque. 
—  I.e  naturalisme  au  theatre  et  la  comedie  "Rosse."  —  Le  Theatre-libre.  — 
Autour  des  theatres.  —  Les  artistes,  le  public,  la  critique.  —  La  comedie 
nouvelle.  - —  Jules  Lemaitre,  Brieux,  Henri  Lavedan.  —  Paul  Hervieu,  Maurice 
Donnay.  —  L'evolution  des  vieux  genres.  —  Renaissance  du  vers  dramatique: 
Jean  Richepin  et  Edmond  Rostand. 
Same.  The  modern  French  drama.  Seven  essays.  Translated  by 
Janet  E.  Hogarth.  With  an  introduction  by  W.  L.  Courtney. 
London.     Chapman   &   Hall,   Ltd.      1898.     xv,  304  pp. 

4676.86;  **T.47.37 

Contents.  —  Introduction.  —  The  age  of  Dumas  and  Augier.  —  Naturalism  on 
the  stage.  —  The  Theatre  libre.  —  Round  about  the  theatres.  —  The  new 
comedy.  —  The  revival  of  verse  on  the  stage. 

L'eleve  de  Garrick,  1780.  Paris.  Colin  &  cie.  [1891.]  (3).  297.  (i)  pp. 
[Bibliotheque  de  romans  historiques.]  6698.134;  **T.87.4i 

Same.  Garrick's  pupil.  Translated  by  J.  V.  Prichard.  Chicago. 
McClurg  &  Co.     1893.     217  pp.     Illus.  **T.88.2 

Le  theatre  anglais;  hier,  aujourd'  liui,  demain.  2e  edition.  Paris. 
Levy.      1896.     xiv,  308   pp.  2559.82 

Same.  The  English  stage:  being  an  account  of  the  Victorian  drama. 
Translated  from  the  French  by  Frederic  Whyte  with  an  intro- 
duction by  Henry  Arthur  Tones.    London.    Milne.    1897.    319,  (i)  pp. 

4574-32;  **T.46.i 
Finlay,  John. 

Dramatic  criticism.  ( /)/  his  Miscellanies.  Pp.  206-282.  Dublin. 
1835.)  **T.98.42 

Comments  on  the  acting  of  Kean,  Kemble  and  others. 

Fiorentino,  Pier  Angelo. 

Comedies  et  comediens.  Feuilletons.  Serie  i,  2.  Paris.  Levy.  1866. 
2  V.  **T.77.i22 

Relates   to   music   and    the   theatre    with   especial    reference    to    France. 

Fiorilli,  Tiberio.     f  Scaramouche.) 

CoNSTANTiNi,  A.     La  vie  de  Scaramouche.     A  Paris.     1698.     Portrait. 

**T.59.i;  etc. 
Fire  prevention.     See  Theatre.     Construction. 
Fireworks.     See  Pyrotechnics. 
Firmin,  Jean  Francjois  Becquerelle,  called  Firmin. 

Parallele  entre  Talma  et  Lekain.  Esquisse.  Suivi  de  quelques  re- 
flexions sur  I'art  dramatique*.     Paris.     Haut-Coeur.     1826.     55  pp. 

**T.57-34 
Firmin-Didot,  Albert,  editor. 

Despreaux,  J.  £.  Souvenirs  de  Jean-Stienne  Despreaux.  danseur 
de  rOpera  et  poete-chansonnier.     1748-1820.     Issoudun.     1894. 

**T.97.ii6 
First  Corps  of  Cadets  of  the  Massachusetts  Volunteers  Militia. 
Cadet  theatricals.     [Programmes.]     Namely:  — 

Cinderella   &   the   prince.      [Boston.]      1904.     77   pp.      Plates. 

4450a. 161 

[306] 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 

First  Corps  of  Cadets.     (Continued.) 

"1492."     [Boston.     1892.]     56  pp.     Portraits.     Plates.       *445oa.io3 
Injured  innocents.      [Boston.      1891.]      20  pp.  44503.105 

Miss  Po-ko-hon-tas.     [Boston.]     1906.    96  pp.     Portraits.     Plates. 

44503.167 

Simple  Simon.     [Boston.     1897.]      Plates.  44503.106 

The    strange    adventures    of   Jack   and    the    beanstalk.      [A    fairy 

Mother  Goose  burlesque  by  R.  A.  Barnet  and  A.  B.  Sloane.] 

Boston.     Sawyer.      [1896.]     80  pp.     Illus.     Plates.     Plan. 

44503.107 
Tabasco.     [Boston.     1894.]     56  pp.     Illus.     Portraits.     Plates. 

*44503.i04 
First  London  theatre,  The.     Wallace,  C.  W.  *3595-i04-i3 

First  theater  in  America.    Daly,  C.  P.  **T.95.i4 

Fischer,  Georg. 

Opern  und  Concerte  im  Hoftheater  zu  Hannover  bis  1866.  Hannover. 
Hahn.     1899.     xi,  370  pp.     Plate.  4045.153 

Contents.  —  Vor  200  Jahren.  —  Vor   100  Jahreii.  —  Im  koniglichcn   IToftheater. 
—  Heinrich   Marschner.  . —  Konig  Georg  V. :   Albert   Niemann  ;   Joseph   Joachim. 

Fischer,  Hermann. 

Heizung,  Liiftung  und  Beleuchtung  der  Theater  und  sonstiger  Ver- 
sammlungssale.  Darmstadt.  Bergstrasser.  1894.  3^  pp.  Plans. 
[Fortschritte  auf  deni  Gebiete  der  Architektur.]  *8o9oa.i32.5 

Fisher,  Clara.    See  Maeder,  Clara  Fisher. 
Fiske,  Harrison  Grey,  editor. 

Draivl\tic  Mirror  Quarterly,  The.     Vol.  i  (no.  i).    June,  1890.     New 

York.     1890.  **T.25.8 

New  York    Dramatic    Mirror,   The.      [Weekly.]      Vol.    62-68.     July 

1909-1912.     New  York.     1909-12.     7  v.     Illus.     Portraits.     **T.22.2 

Fiske,  Minnie  Maddern. 

Griffith,  F.  C.     Mrs.  Fiske.     New  York.     1912.     Portraits.     Plates. 

4395-200 

Talented  young  actress,  The,   Minnie   Maddern.     Supported  by  an 

elegant  company  under  the  management  of  John  H.  Havlin  [Park 

theatre,  Boston.     Boston.     1882].     Portrait.  **T.56.330 

WooLCOTT,  A.     Mrs.   Fiske.      Her  views  on  actors,   acting  and   the 

problems  of  production.    New  York.'  1917.    Portraits,  one  colored. 

Plates.  6257.307 

Fitch,  Clyde.    See  Fitch,  William  Clyde. 

Fitch,  William  Clyde. 

The  play  and  the  public.  {In  his  Plays.  Memorial  edition.  Vol.  4, 
pp.  v-xlviii.     Boston.     1915.)  4409b. 179.4 

Fitzb3ll,  Edward,  pseud.     See  Ball,  Edward. 
Fitz-Cr3mbo,  Patrick,  Esq.,  pseud. 

Tyranny  triumphant!  and  liberty  lost;  the  Muses  run  mad;  Apollo 
struck  dumb;  and  all  Covent-Garden  confounded.  Or,  historical, 
critical,  and  prophetical  remarks  on  che  famous  cartel  lately 
agreed  on  by  the  masters  of  the  two  theatres.  London:  Printed 
for  G.   Lyon.     1743.     (i),  29  pp.  **T.76.i52 

Relates    to    Covent    Garden    and    Drury    Lane    Theatres.      Another    copy    is    on 
\/  .  shelf-number  No.  8  in  **G. 3823.18. 

yFitzger3ld,  George  Robert. 

Vauxhall  affray,  The;  or,  the  macaronies  defeated.  A  compilation 
of  all  the  letters,  squibs,  &c.,  on  both  sides  of  that  dispute.  Lon- 
don.     1773.  **T.97.337 

[307] 


THE  PUBLIC  LIBRARY   OF   THE    CITY   OF  BOSTON 


Fitzgerald,  Percy  Hetherington. 

The  art  of  acting  in  connection  with  the  study  of  character,  the 
spirit  of  comedy  and  stage  illusion.  London.  Swan  Sonnen- 
schein  &  Co.  1892.  xii,  194  pp.  Portrait.  [The  dilettante 
library.]  45793.148 

The  Garrick  Club.  London.  Stock.  1904.  xviii,  (i),  252  pp.  Por- 
traits.    Plate.  2492,68;  **T.94.io 

Henry  Irving.  A  record  of  twenty  years  at  the  Lyceum.  London. 
Chapman  &  Hall,   Ltd.     1893.     xvi,  3-20  pp.     Portrait. 

2543.118;  **T.55.94 

Same.  Sir  Henry  Irving.  A  biography.  [New  and  revised  edition.] 
Philadelphia.  Jacobs  &  Co.  [1906.]  xvi,  319,  (i)  pp.  Portraits. 
Plates.  4544.219 

The  Kembles.  An  account  of  the  Kemble  family,  including  the  lives 
of  Mrs.  Siddons,  and  John  Philip  Kemble.  London.  Tinsley. 
[1871.]     2  V.     Portraits.     Facsimiles.  6543.15;  **T.56.2i7 

.\nother   copy   is    on    shelf-number    **K.34.5 ;    and    a    review    of    the   work    is    on 

shelf-number  No.  10  in  **G.62.5. 
Life  and  adventures  of  Alexander  Dumas.     London.     Tinsley.     1873. 

2  V.     Portrait.  2645.55;  **T.56.2i2 

The  life  of  David  Garrick;  from  original  family  papers,  and  numerous 

published  and  unpublished  sources.    London.    Tinsley.     1868.    2  v. 

Portraits.     Genealogical  chart.     Autograph  facsimiles. 

A  review  of  this  work  is  on  shelf-number  No.  Sin  **G.62.5.       2545. l8;  **T.56.I27 

The  life  of  Mrs.  Catherine  Clive.  With  an  account  of  her  adventures 
on  and  off  the  stage,  a  round  of  her  characters,  her  corres- 
pondence.    London.     Reader.     1888.     viii,   112  pp.     Portrait. 

Another  copy  is  on  shelf-number  **K.263.i(i.  45493.103;  **T.57. 57 

The  lives  of  the  Sheridans.  London.  Bentley.  1886.  2  v.  Por- 
traits.    Facsimiles.  4550.67;  **T.56.233 

Music-Hail  land.  An  account  of  the  natives,  male  and  female, 
pastimes,  songs,  antics,  and  general  oddities  of  that  strange 
country.  With  illustrations  by  Alfred  Bryan.  London.  Ward 
&  Downey.     [1890.]     vi,  90  pp.     Illus.  **T.96.i99 

A  new  history  of  the  English  stage  from  the  Restoration  to  the 
liberty  of  the  theatres,  in  connection  with  the  patent  houses. 
London.     Tinsley.     1882.     2  v.  2450.54;  **T.76.i5 

Principles  of  comedy  and  dramatic  effect.  London.  Tinsley.  1S70. 
368  pp.  2477.52;  **T.75.56 

Contents.  —  The  dramatists.  —  Comedy.  —  Burlesque.  —  The   French   stage.  — 
Actors,  past  and  present.  —  The  actors  of  the  day.  —  The  music  hall  question. 

The  romance  of  the  English  stage.     London.     Bentley.     1874.     2  v. 

2572.55;  **T.56.2i3 

Same.     Philadelphia.     Lippincott  &   Co.     1875.     442  pp.  2572.59 

The  Savoy  opera  and  the  Savoyards.  [Gilbert  and  Sullivan.]  Lon- 
don.  Chatto  &  Windus.    1894.   xv,  248  pp.    Illus.    Portraits.   2578.113 

Shakespearean  representation:  its  laws  and  limits.  London.  Stock. 
1908.     vii,  145  pp.  4593.228 

The  Sheridans.  London.  The  Grolier  Society.  [190-?]  2  v.  Por- 
traits.    Plates.     [Beaux  &  belles  of  England.]  *2545.25i 

The  world  behind  the  scenes.  London.  Chatto  &  Windus.  1881. 
(S).  320  pp.  2476.66;  **T.77. 184 

Fitzgerald,  Percy  Hetherington,  editor. 

Lami!,  C.  The  art  of  the  stage  as  set  out  in  Lamb's  dramatic  essays. 
London.      1885.     Portrait.  4577.117;  **1».77. 75 

[308] 


BROWN   COLLECTION    OF   BOOKS    ON    THE   STAGE 

Fitz-Gerald,  Shafto  Justin  Adair. 

Dickens  and  the  drama.  Being  an  account  of  Charles  Dickens's  con- 
nection with  the  stage  and  the  stage's  connection  with  him.  Lon- 
don. Chapman  &•  Hall,  Ltd.  1910.  xxiii,  352  pp.  Portraits. 
Plates.     Facsimiles.  25703.109 

Sketches  from  Bohemia.  Stories  of  the  stage,  the  study,  and  the 
studio.     London.     Tarstow,   Denver   &  Co.,    Ltd.      1890.      158  pp. 

**T.97.276 
Fitzgerald  and   Hopkins.     Moore,   H.   N.  **T.87.9 

Fitzpatrick,  "Thady." 

Fizgig,  or  the  modern  Quixote,  a  tale  [in  verse] ;  relative  to  the  late 

disturbances,  at  Drury-Lane  and  Covent-Garden  theatres  finvolv- 

ing  Garrick  and  Fitzpatrick].     London.     1763.     No.  6  in  **G.3947.2 

Garrick,   D.     The   Fribbleriad.      [Anon.]      London.      1761.      Portrait. 

No.  14  in  **G.3820.9 
Fiurilli,  Tiberio.    See  Fiorilli,  Tiberio. 

Five  and  ten  cent  theatres.     Juvenile  Protective  Association,  Chicago. 

5576.283 

Fizgig,  or  the  modern  Quixote,  a  tale  [in  verse] ;  relative  to  the  lato 
disturbances,  at  Drury-Lane  and  Covent-Garden  theatres.  Lon- 
don: Printed  for  the  author,  and  sold  by  J.  Williams.  1763. 
3-13  pp.  No.  6  in  **G.3947.2 

Relates    to    Garrick    and    "Thady"    Fitzpatrick    [Fizgig]. 

Flanders,  Henry,  editor. 

Cumberland,  R.  Memoirs  written  by  himself.  With  illustrative 
notes.      Philadelphia.      1856.  6545.56;  etc. 

Flanders.    Theatres. 

Vander  Straeten,  E.  Le  theatre  villageois  en  Flandre.  Histoire, 
litterature,  musique,  religion,  politique,  moeurs.  D'apres  des  docu- 
ments entierement  inedits.     Bruxelles.     1881.     2  v.     lUus.     Plates. 

**T.76.7 
Flaneur,  Un,  pseud. 

Biographic  des  ecuyers  et  ecuyeres  du  Theatre  national  du  Cirque- 
Olympique.  Paris,  fiditeur  du  Repertoire  dramatique.  1846. 
80  pp.  **T.59.5i 

Fleay,  Frederick  Gard. 

A  biographical  chronicle  of  the  English  drama,  1559-1642.     London. 

Reeves  &  Turner.     1891.     2  v.  2542.108;  **T.45.4 

A   chronicle   history  of  the   life   and   work  of   William    Shakespeare. 

player,  poet,  and  playmaker.    London.    Nimmo.    1886.    viii,  364  pp. 

Portrait.     Plate.  2590.19;  **T.55.i3i 

A    chronicle    history    of    the     London    stage,     1559-1642.       London. 

Reeves  &  Turner.     1890.     x,  424  pp.  4571.122;  **T.75.44 

Flechsig,  Wilhelm  Eduard. 

Die  Dekoration  der  modernen  Biihne  in  Italien,  von  den  Anfangen 
bis  zum  Schluss  des  xvi.  JahrhundeiLs.  Teil  i.  Inaugural-Dis- 
sertation,   Leipzig.      Dresden.      Schulze.      1894.  8063.78 

Verzeichnis  der  Kiinstler,  p.  95. 

Fleck,  Dudley,  and  William  Artis. 

Tales  from  the  note-book  of  an  ex-actor.  West  Cowes.  Joyce. 
1865.     56  pp.  **T.87.90 

Fleck,  Johann  Friedrich  Ferdinand. 

Gross,  E.  Johann  Friedrich  Ferdinand  Fleck.  Ein  Beitrag  zur 
Entwicklungsgeschichte  des  deutschen  Theaters.  Berlin.  I9i4- 
Portraits.  6907.32 

[309] 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 


Flecknoe,  Richard. 

A  short  discourse  of  the  English  stage.  1664.  i^"  Spingarn,  J.  E., 
editor.  Critical  essays  of  the  seventeenth  century.  Vol.  2,  pp. 
91-96.     Oxford.     1908.)  25593.232.2 

Fleet,  George  Rutland  Barrington-.     See  Barrington,  Rutland. 

Fleetwood,  Charles. 

CoMEDi.\N,  A.  A  full  answer  to  Queries  upon  queries.  In  which 
the  conduct  of  the  players  is  vindicated,  and  the  misrepresen- 
tations   of    the    querist    exposed.      London.      1743- 

No.  9  in  **G.3824.2 

Impartial  hand,  An,  pseud.  Stage  policy  detected;  or  some  select 
pieces  of  theatrical  secret  history  laid  open:  in  a  letter  to  a 
certain  manager  [Charles  Fleetwood]  on  his  imaginary  justifica- 
tion of  his  late  conduct.     London.     1744-  **T.77.i75 

Neither-side,  Mr.,  pseud.  An  impartial  examen  of  the  present  con- 
tests between  the  town  and  the  manager  [Charles  Fleetwood] 
of  the  theatre.  With  some  proposals  for  accommodating  the 
present   misunderstandings.      London.      1744.  **T.77,i85;  etc. 

Queries  to  be  answer'd  by  the  manager  of  Drury-Lane  Theatre 
[Charles  Fleetwood],  for  the  satisfaction  of  the  publick,  in  regard 
to  the  present  dispute  between  him  and  his  actors.    London.     1743. 

No.  8  in  **G.3824.2;  etc. 

Queries  upon  queries,  to  be  answer'd  by  the  male-content  players. 
For  the  satisfaction  of  the  publick,  in  regard  to  the  present 
dispute  between  them  and  the  manager  [Charles  Fleetwood]. 
London.      [1743.]  **T.77.3 

Y.,  B.  Disputes  between  the  Director  of  D —  y  [Drury],  and  the  pit 
potentates:  being  a  letter  to  a  friend,  concerning  the  behaviour 
of  the  melancholly  manager  of  the  suff'ring  theatre  [Charles 
Fleetwood];  and  some  considerations  on  the  late  disturbances 
and  the  causes  thereof'  with  a  few  hints  on  the  heroes  and 
heroines.     London.     1744.  **T.77.i76;  etc. 

Flegeljahre  der  Liebe.     Beetschen.  A.  No.  6  in  4896.50.368 

Fleming,  William  Hansell. 

Shakespeare's  plots.  A  study  in  dramatic  construction.  New  York. 
Putnam.     1902.     ix,  467  pp.  6257.379 

Fletcher,  John. 

Gayley,  C.  M.  Beaumont  the  dramatist.  A  portrait.  With  some 
account  of  his  circle,  Elizabethan  and  Jacobean,  and  of  his  associa- 
tion with  John  Fletcher.     New  York.     1914.     Portraits.     Plates. 

4579.238 

Potter,  A.   C.     A   l)ibliography  of    Beaumont   and    Fletcher.     Cam- 
bridge.    1890.  *6i94.i2.^9 
Fleury,  Abraham  Joseph  Benard,  called  Fleury. 

BouRGOGNE,  J.  DE.  Un  comedicn  d'autrefois — 1 750-1822.  Paris.  1914. 
Portrait.  4677.116 

Lafitte,  J.  B.  P.  Memoires  de  Fleury  de  la  Comcdie  framcaisc. 
[46  edition.]     Paris.     1844.     2  v.  **T.58.44 

Same.    The  French  stage  and  the  French  people,  as  illustrated 

in  the  Memoirs  of  M.  Fleury.     Edited  by  Theodore  Hook.     Lon- 
don.    1841.     2  V.  **T.57.io3 

Same.     Adventures  of  an  actor:   comprising  a   picture  of  the 

French  stage  during  a  period  of  fifty  years.     Edited  liy  Theodore 
Hook.     2d  edition.     London.      1842.     2  v.  4565-3 » **T.57.7i 

[310] 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 

Fleury,  Jules  Francois  Felix  Husson.     (Champfleury.) 

Les  aventures  de  Mademoiselle  Marietta.  3^  edition.  Paris.  Levy. 
1857-     309,  (i)  pp.  **T.88.3 

A  novel  of  stage  life. 
Same.     Nouvelle  edition.     1859.  26793.161 

Same.     6e   edition.      Charpentier   &   c'e.      1874.      (3),   xii,   328   pp. 

2677.79 
Souvenirs  des  funambules.     Paris.     Levy.     1859.     (3),  320  pp. 

A  collection  of  short  stories  relating  to  the  stage,  4679.58;  **T.87.86 

Fleury,  Maurice,  Comte,  editor. 

Delaunay,  L.  a.    Souvenirs  de  M.  Dclaunay,  de  la  Comcdie-frangaise. 

Paris.      [1901.]      Portrart.  26493.26 

JousLiN  DE  La  Salle,  A.  F.    Souvenirs  sur  le  Theatre-frangais.     (1833- 

1837.)      Annotes   et   publics   par   G.    Monval   et   le   Comte    Fleury. 

Paris.     1900.  **T.75.55 

Flickinger,  Roy  Caston. 

The   meaning   of   exxl  xfig   oxrivfig   in   writers   of   the    fourth    century. 

{In    University    of    Chicago.      Decennial    publications.      Scries    i. 

Vol.  6,  pp.    11-26.     Chicago.      1914.)  *3363.4.Ser.i.6 

Relates    to    the    theory    that    the    actors    in    a    Greek    theatre    performed    in    the 
orchestra,  and  not  on  the  stage. 

Plutarch  as  a  source  of  information  on  the  Greek  theater.    A  disser- 
tation, University  of  Chicago.     Chicago.     1904.     64  pp.         3002.79 
Flint,  A.,  pseud. 

The  tailor's  answer  to  the  late  attacks  upon  their  profession,  from 
the  stage  and  press;  with  critical  remarks  on  Jeremy  Swell's  mock- 
heroic  poem.     London.     The  Author.     1805.     36  pp. 

No.  6  in  **G.382i.5 

Relates  to  a  riot  which  took  place  at  the  Haymarket  Theatre,  August    15,   1805, 
when  a  mob   of   tailors   attempted   to   stop  the   play   called   The  tailors. 

Flitch,  John  Ernest  Crawford. 

Modern  dancing  and  dancers.  Philadelphia.  J.  B.  Lippincott  Co. 
1912.     228  pp.     Portraits.     Plates,  some  colored.  *404oa.i36 

Flitcroft,  Henry. 

Theatrical  entertainments  consistent  with  society,  morality,  and 
religion.  In  a  letter  to  the  author  of  "The  stage  the  high  road 
to  hell."  Shewing  that  writer's  arguments  to  be  fallacious,  his 
principles  enthusiastic,  and  his  authorities  (particularly  from  the 
ancients)  misconstrued  and  perverted.  [Anon.]  London.  Sold 
by  Baker  and  Leigh.     1768.     (6),  ix,  32  pp.  **T.96.i85 

Another  copy  is  on  shelf-number  No.  8  in  **G.3823. 13.     The  stage  the  high  road 
to  hell  may  be  found  on  shelf-number  **T.g6.76. 

Flore,  Flore  Corvee,  called  Mademoiselle  Flore. 

DuMERSAN,  T.  M.,  and  J.  J.  G.  de  Lurieu.  Memoires  de  M"e  Flore, 
artiste   du  Theatre  des  varietes.      [Anon.]      Paris.     1847.     3   v. 

**T.56.2o8 
Florence,  Italy.    Theatres.    Parlagio. 

Manni,  D.  M.  Notizie  istoriche  intorno  al  Parlagio  ovvero  anfi- 
teatro  di  Firenze.     In  Bologna.     1746.  **T.74.20 

Flynn,  J.  W. 

The  random  recollections  of  an  old  play-goer.    A  sketch  of  some  old 
Cork  theatres.     Cork.     Guy  &  Co.,  Ltd.     1890.     55  PP-     **T.57.349 
Focht,  C.  Th. 

Der  Brand  des  Ringtheaters  in  Wien,  am  8.  Dec.  1881.  4te  Auflage. 
Wien.     Hartleben.     1881.     80  pp.     Illus.     Plates.     Plan. 

No.  I  in  **M.i45.20 

[311] 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 


Foelsch,  August. 

Theaterbninde    und     die    zur    Verhiitung    derselben     erforderlichen 

Schutz-Massregeln.      Erganzungs-Heft    mit    einem    neuen     Ver- 

zeichnisse  von  io8  abgebranntcn  Theatern.     Hamburg.     Meissner. 

1882.     67,  (i)  pp.         '  '        **T.75.6o 

Foire  Saint-Laurent,  La.     Heulhard,  L.  O.  A.  **T.96.305 

Foley,  Patrick  Kevin. 

A  catalogue  of  choice  and  rare  books,  consisting  of  first  editions  of 
American  and  English  authors  in  original  bindings,  dramatic  and 
musical  literature,  Americana.     Boston.     1900.     34  pp.     [No.   10.] 

**T.65.40 
Folly's  queens.     Mortemar,  J.  de.  **T.55.i9 

Fonseca  Benevides,  Francisco  da. 

O  real  theatro  de  S.  Carlos  de  Lisboa.  Desde  a  sua  fundagao  em 
1793  ate  a  actualidade.  Estudio  historico.  [Lisboa.  Castro. 
1883.]     viii,  446,  (6)  pp.    Portraits.    Plate.    Plan.    Tables.    3090.125 

List  of  some  of  the  pieces  sung  at  the  Theatro  do  conde  de  Farrobo  na  quinta 
das  Larangeiras,  and  a  table  of  comparative  sizes  of  the  principal  European 
opera  houses,  pp.   431—442. 

Fontainebleau,  France. 

Constant,  C.  F.  Moliere  a  Fontainebleau  (1661-1664).  Simple  nole 
historique.    Suivie  de  la  biographic  du  comedien  De  Brie.     Meaux. 

1873.  **T.55.34 

MoNVAL,  G.  H.  M.  Fetes  et  spectacles  donnes  a  Fontainelileau  et 
au  Monceau  en  1772.     Fontainebleau.     1888.  2662.114 

Fontana,  Carlo. 

L'anfiteatro    Flavio    descritto    e    delineato.      Nell'    Haia,    appresso 
Isaco  Vaillant.     1725.     (4),  171,  (4)  pp.     Plate.     Plans.      **G.3oa.6 
Fontana,  Ferdinando. 

In  teatro.  (Con  due  lettere  di  G.  C.  Molineri.)  40  migliaio.  Roma. 
Sommaruga  e  c.     1884.     5-168  pp.  **T.98.97 

Fontane,  Henri  Theodore.     See  Fontane,  Theodor. 
Fontane,  Theodor. 

Causerien  iiber  Theater.     Herausgeber,  Paul  Schlenther.    3.  Auflage. 
Berlin.     Fontane  &  Co.     1905.     (i),  xx,  (i),  451,  (i)  pp.       6252.75 
Fools.    See  Clowns  and  fools. 
Foot,  Jesse. 

The  life  of  Arthur  Murphy.  London.  Faulder.  181 1.  iv,  464  pp. 
Portraits.     Manuscript  facsimiles.  **T.53.i7 

Foot,  John  Forrester. 

A   general    review   of   the    management   of   Thomas    Beaumont  *  *  *, 

alias,  Captain  1 1 1,  lessee  of  the  Theatre-Royal,  Glasgow. 

Added,  a  faithful  account  of  the  mode  adopted  by  the  manager's 
friends  in  suppressing  "A  reply  to  all  facts";  with  remarks  on  the 
alleged  interposition  of  the  committee  of  proprietors.  Glasgow. 
M'Kenzie.     [1809.]     (3),  47  pp.  **T.56.65 

Foote,  Horace. 

A  companion  to  the  theatres;  and  manual  of  the  British  drama. 
London.     Sanger.     1829.    vi,  148  pp.     Plate.  **T.79.30 

Relates  principally  to  the  London  theatres. 

Same.     2d  edition.     Marsh  &  Miller.  **T.79.i2 

Foote,  Maria,  4th  Countess  of  Harrington. 

Account,  An,  of  the  third  and  fourth  theatrical  tour  made  by  Miss 
Foote,  in  1826  and  1827,  to  Liverpool,  Bath,  Edinburgh,  &c.  Lon- 
don.    Smith.     1827.     91,  (i)  pp.  **T.56.i68 

1312] 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 

Foote,  Maria,  jth  Countess  of  Harrington.     (Continued.) 

Facts  illustrative  of  the  evidence  on  the  late  trial  of  Foote  v 
Hayne:  with  a  brief  review  of  the. speech  of  the  Attorney-General. 
London.     Miller.     1825.     (2),  29  pp.  **T.56.78 

Full  report  of  the  trial  between  Miss  Foote  &  J.  Hayne,  for  a 
breach  of  promise  of  marriage.  London.  [1825?]  Colored  por- 
traits. **T.58.i9 

M'MoRAL,  A.,  pseud.  Second-sight;  or,  the  consequences  of  the 
reception  given  to  Miss  Foote,  on  the  5th  February,  1825.  Lon- 
don.    1825.     Portrait.  **T.56.26o 

S.,  H.  T.  An  account  of  Miss  Foote's  re-appearance  at  the  Theatre- 
Royal,  Covent-Garden,  on  the  Fifth  of  February,  1825;  and  of  her 
reception  and  performances,  during  a  tour  of  eight  months,  at 
the  theatres  royal  of  Dublin,  Edinburgh,  and  Bath,  &c.  fEdin- 
burgh?     1826?]     V,  85  pp.  **T.56.305 

Foote,  Samuel. 

Bon-mots  of  Samuel  Foote  and  Theodore  Hook.  Edited  by  Walter 
Jerrold.  With  grotesques  by  Aubrey  Beardsley.  London.  Dent 
&  Co.  1894.  (i),  192  pp.  Illus.  Plates.  Portraits.  Autograph 
facsimile.  45593.125 

An   epistle  from  Tully  in  the  shades    [pseud.],  to  orator  Ma n 

in  Covent  Garden.  London:  Printed  and  sold  by  M.  Cooper. 
1755.     26  pp.  **T.97.55 

Signed,  M.  T.   Cicero.     Another  copy  is  on  shelf- number  No.  6  in  **G. 3824. 15. 

The  Roman  and  English  comedy  consider'd  and  compar'd.  With 
remarks  on  The  suspicious  husband.  And  an  examen  into  the 
merit  of  the  present  comic  actors.  London:  Printed  for  T. 
Waller.     1747.  **T.46.38 

Other  copies   are   on   shelf-numbers    No.  13  in  **G. 3824. 15  ;    No.  5  in  "'G. 3925. 3. 

The  table-talk  and  bon-mots  of  Samuel  Foote.  (With  an  introduc- 
tory memoir.)  Edited  by  the  late  William  Cooke.  New  South- 
gate.    Rogers.     1889.    viii,  268  pp.    Portrait.    Autograph  facsimile. 

**4573-io6 

A  treatise  on  the  passions,   so   far  as  they  regard   the   stage;    with 

a  critical   enquiry  into   the   theatrical   merit   of  Mr.    G k,   Mr. 

Q n,   and   Mr.    B y.     The   first    considered   in    the   part  of 

Lear,  the  two  last  opposed  in  Othello.  [Anon.]  London:  Printed 
for  C.  Corbett.     [1747.]     44  pp.  **T.77.27 

Other  copies  are  on  shelf-numbers  ••G. 3821. 21;  No.  2  in  **G.3924.2  ;  No.  5  in 
**G.3824.i. 

Foote,  Samuel.     Works  about. 

Baine,  J.  The  theatre  licentious  and  perverted.  Or,  a  sermon  for 
reformation  of  manners.  Preached  Dec.  2,  1770.  Partly  occa- 
sioned by  the  acting  of  a  comedy,  entitled.  The  minor,  in  the 
licensed  theatre  of  Edinburgh,  on  the  24th  of  November  preceding. 
Edinburgh.     1770.  **T.97.57 

BoscHERECcio,  pseud  An  elegy  on  the  death  of  Samuel  Foote,  Esq. 
[A  poem.]     London.     1778.  No.  9  in  **G.3820.ii 

Cook,  W.  Memoirs  of  Samuel  Foote.  With  a  collection  of  his 
bon-mots,  anecdotes,  opinions,  &c.  London.  1805.  3  v.  Por- 
trait. 65493.31 ;  **T.58.98;  etc. 

FoRSTER,  J.  Samuel  Foote.  {In  his  Historical  and  biographical 
essays.     Vol.  2,  pp.  293-437.     London.     1858.)  45193.17.2;  etc. 

Macklin,  C.  M-ckl-n's  Answer  to  Tully.  To  Mark  Tully,  Esqre 
At  his  house  in  —  Elizium.    London.     1755-  **T.97.56 

[313] 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 


Foote,  Samuel.     Works  about.     (Continued.) 

Memoirs  of  the  life  and  writings  of  Samuel  Foote,  Esq.;  the 
English  Aristophanes,  .i^dded,  the  bon  mots,  repartees,  and 
good  things  said  by  that  great  wit  and  excentrical  genius.  [Lon- 
don.    1778.]  **T.57.i47 

Mimic,  The:  a  poem.   By  the  author.  London.   1761.  No.  9  in  **G.382o.9 
vVo^OMUS,   a  poem:  or  a   critical   examination   into   the   merits   of   the 
performers,  and  comic  pieces,  at  the  Theatre  Royal  in  the  Hay- 
Market.     [Anon.]      London.      [1770?]  No.  15  in  **G.3820.9 

Philo-techi^icus  Miso-mimides,  pseud.  Foote's  Prologue  detected: 
with  a  miniature-prose  epilogue  of  his  manner  in  speaking  it. 
London.     1770.  No.  4  in  **G.3824.i 

An  appendix  to   Foote's   Prologue   detected;   containing;    with 

other  curious  articles  a  new  occasional  epilogue,  for  the  close  of 
his  Theatre,   September    15,    1770.     London.      1770. 

No.  4a  in  **G.3824.i 

T.,  J.  A  letter  of  compliment  to  the  ingenious  author  of  A  treatise 
on  the  passions,  so  far  as  they  regard  the  stage;  with  a  critical 

enquiry  into  the  theatrical   merit   of  Mr.  G k,   Mr.   Q n, 

and  Mr.  B y,  &c.     With  some  further  remarks  on  Mr.  M n. 

And    a    few    hints    on    our    modern    actresses,    particularly    Mrs. 

C r  and  Mrs.  P d.     London.     [1747.]  **T.77.3o;  etc. 

Footlight  Club,  Jamaica  Plain,  Mass. 

[Programme  of]  A  scrap  of  paper.  May  4-5,  1906.  looth  performance 
[of]  the  Footlight  Club.  [Cambridge.  The  Riverside  Press. 
1906.]      (9),   52,    (i)    pp.  4009.329 

Contains  a  list  of  members   and   the   cast   of  characters   of  all    the   performances 
given  by  the  club. 

Footlight  favorites.     A  collection  of  popular  American  and    European 

actresses  in  the  various  roles  in  which  they  have  become  famous; 

with  biographical  sketches.     New  York.     National  Police  Gazette 

office.     [i8«-?]     56  pp.     Portraits.  **T.55.4 

Footlight  flashes.     Davidge,  W.   P.  4343.231;  **T.57.245 

Footlights.      [Weekly.]      A   clean   paper   for   the   theatre   soer.      \'ol.    i 

(no.  20).    Oct.  5,  1895.   Philadelphia.    [1895.]    16  pp.    Illus.   **T.92.6 

Footlights.      HoLLiNGSHEAD,   J.  2553.59 ;  **T.97.i58 

Footlights,  The,  fore  and  aft.     Poi,lock.  C.  4395.202 

Forbes-Robertson,  Johnston.     See  Robertson,  Johnston   Forbes-. 

Ford,  James  Lauren. 

Cupid  and  the  footlights.  Illustrated  by  Archie  Gunn.  New  York. 
Frederick  A.  Stokes  Co.     1899.     (20)   ff.     Plates.  **T.83.i 

Tompostd    of   imitation   letters,    telegrams    and    newspaper    clippings. 

Tile  story  of  Du  Barry.  Mrs.  Leslie  Carter  edition.  New  York. 
Frederick  A.  Stokes  Co.  [1902.]  15,  ix,  289  pp.  Portraits.  Plates. 
Vignettes.  **T.46.72 

No.  88  of  a  limited  edition,  privately  distributed  at  the  opening  of  the  Belasco 
Thialrc,  containing  a  description  of  the  theatre. 

Ford,  Paul  Leicester. 

Washington  and  the  theatre.     New- York.     1899.  (9),  68,  (i),  14  pp. 

Plate.      Facsimiles.      Manuscript    facsimiles.  [Dunlap    Society. 

Publications.     New  series,  no.  8.]  **T.95.2i 
Ford,  Tom. 

A  peep  behind  the  curtain,  by  a  supernumerary,  lloston.  Redding 
&  Co.   [1850.]   91pp.   Plates.    [Theatrical  reminiscences.]    **T.98.45 

llic  pseudonym  on  the  cover  is  A   Boston  sup<  rnumerary.      Other  copies  are  on 
shclf-numbcrs   ••T.97.200;   No.  s  in  ••K.48.16. 

[314] 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 

Fornari,  ,  editor. 

GiRALDO,  M.  DE.  Histoire  curieuse  et  pittoresque  des  sorciers. 
devins,  magiciens,  astrologues,  etc.,  depuis  I'antiquite  jusqu'a 
nos  jours.     Paris.     [1846.J      Plate.  **T.95.83 

Fomer,  Juan  Pablo. 

Garcia  de  la  Huerta,  V.  A.  Leccion  critica  a  los  lectores  de  la 
memoria  de  Cosme  Damian  sobre  el  theatro  hespaiidl.  &c. 
Madrid.     1786.  **D.i7ob.35 

Forrest,  Catherine  Norton. 

Association  of  the  Bar  of  the  City  of  New  York.  Proceedings 
on  a  publication  in  the  New  York  Times  of  March  26th,  1876, 
censuring  the  counsel  for  the  plaintiff  in  the  Forrest  divorce  case 
[Charles    O'Conor],      New    York.      1876.  No.  2  in  *7686.52 

Forrest  divorce  case,  The.  Catharine  [sic]  N.  Forrest  against 
Edwin  Forrest.  Fully  and  correctly  reported  by  the  reporter  of 
the  National  Police  Gazette;  with  opening  and  concluding  argu- 
ments of  counsel,  charge  of  the  court,  letters  and  other  details 
New  York.     1852.     Portraits.  **T.55.9a 

Forrest  divorce  suit.  The.  Report  of  the  trial  of  Catherine  N 
Forrest  vs.  Edwin  Forrest  for  divorce,  held  in  the  Superio/ 
Court  of  New  York,  Dec,  1851.  New  York.  The  Herald  Book 
and  Job  Office.     1851.     120,  181-185,  (i)  pp.     Portraits. 

Another    copy    is    on    shelf-number    No.  3  m  **G.377.2.  No.  3  in  7686.3I 

Old  lawyer.  An,  pseud.  Review  of  the  Forrest  divorce.  Containing 
some  remarkable  disclosures  of  the  secret  doings  of  the  jury. 
New  York.     1852.  No.  4  in  *7686.52 

Forrest,  Edwin. 

Account  of  the  terrific  and  fatal  riot  at  the  New-York  Astor  Place 
Opera  House,  May  loth,.  1849;  with  the  quarrels  of  Forrest  and 
Macready,  including  all  the  causes  which  led  to  that  awful 
tragedy.      New    York.      1849.      Plate.  4374.27;  **T.56.ii6;  etc. 

Alger,  W.  R.  Life  of  Edwin  Forrest,  the  American  tragedian. 
Philadelphia.     1877.     2  v.     Portraits.  2341.76;  **T.55. 10 

American  citizen,  An.  A  rejoinder  to  "The  replies  from  England, 
etc.  to  certain  statements  circulated  in  this  country  respecting 
Mr.  Macread}'."  With  an  impartial  history  and  review  of  the 
lamentable  occurrences  at  the  Astor  Place  Opera  House,  loth  of 
May,  1849.     New  York.     1849.  4374.72;  **T.56.ii7;  etc. 

Association  of  the  Bar  of  the  City  of  New  York.  Proceedings 
on  a  publication  in  the  New  York  Times  of  March  26th,  1876, 
censuring  the  counsel  for  the  plaintiff  in  the  Forrest  divorce 
case    [Charles  O'Conor].     New  York.     1876.  No.  2  in  *7686.52 

Barrett,  L.  Edwin  Forrest.  Boston.  1881.  Portraits.  Plate. 
Facsimiles.  4348.114;  **T.57.io9;  etc. 

Edwin  Forrest.     A  collection  of  clippings.     [Boston.     1873.] 

No.  14  in  **G.3930.i3.i 

Forrest  divorce  case,  The.  Catharire  [sic]  N.  Forrest  against 
Edwin  Forrest.  Fully  and  correctly  reported  by  the  reporter  of 
the  National  Police  Gazette;  with  opening  and  concluding  argu- 
ments of  counsel,  charge  of  the  court,  letters  and  other  details. 
New  York.     1852.     Portraits.  **T.55.92 

Forrest  divorce  suit.  The.  Report  of  the  trial  of  Catherine  N. 
Forrest  vs.  Edwin  Forrest  for  divorce,  held  in' the  Superior  Court 
of  New   York,   Dec,   1851.     New   York.     185 1.     Portraits. 

No.  3  in  7686.31 ;  etc, 

[315] 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 

Forrest,  Edwin.     (Continued.) 

Harrison,  G.     Edwin  Forrest:  the  actor  and  the  man.     Critical  and 

reminiscent.     Brooklyn.     1889.     Portraits.  *434i.i87 

History,  The,  of  Edwin  Forrest,  the  celebrated  American  tragedian. 

from  his  childhood  to  his  present  elevated  station  as  a  performer. 

New  York.     1837.  **T.56.323 

Macready,  W.  C.     To  the  public  of  Philad'a.     In  a  card  published 

in   the   Public   Ledger  and  other  morning  papers.     Mr.   Forrest 

having  avowed  himself  the  author  of  the  statements,  Nov.  22d, 

1848.  "  [Philadelphia.]      1848.  **T.53.5 

Old  lawyer.  An.     Review  of  the  Forrest  divorce.     Containing  some 

remarkable  disclosures  of  the  secret  doings  of  the  jury.     New 

York.     1852.  No.  4  in  *7686.52 

Rees,  J.   The  life  of  Edwin  Forrest.    With  reminiscences  and  personal 

recollections.    Philadelphia.    [1874.]    Portrait.    4347.152;  **T. 57. 169 

Replies,  The.  from  England,  etc.,  to  certain  statements   circulated 

in  this  country  respecting  Mr.   Macready.     New  York.     1849. 

**T.56.i24;  etc. 

Sabin,    J.,    compiler.      Catalogue    of    the    library    of    Edwin    Forrest. 

Philadelphia.      1863.      Portrait.  *2202.4 

Forrest  divorce  case,  The.     Catharine   [sic]    N.  Forrest  against  Edwin 

Forrest.      Fully   and    correctly   reported   by    the    reporter   of    the 

National  Police  Gazette;  with  opening  and  concluding  arguments 

of  counsel,  charge  of  the  court,  letters  and  other  details.     New 

York.    Stringer  &  Townsend.     1852.     iiipp.     Portraits.    **T.55.92 

Forster,  Charles,  B.D.,  editor. 

Jebb,  John,  Bishop  of  Limerick.     Bishop  Jebb   on  fashionable  amuse- 
ments.    London.     1849.  **T.96.64 
Forster,  John. 

Samuel  Foote.  {In  his  Historical  and  biographical  essays.  Vol.  2, 
pp.  293-437.     London.     1858.)  45193,17.2 

Same,     (/n  his  Biographical  essays.     3d  edition.     Pp.  329-462.     Lon- 
don.    i860.)  6548.45 
Sir    Richard    Steele.      {In    his    Historical    and    biographical    essaj's. 
Vol.  2,  pp.   105-207.     London.     1858.)                                      45193.17.2 
Same.     {In  his  Biographical  essays.     3d  edition.     Pp.  149-253.     Lon- 
don.    i860.)                                                                                           6548.45 
Fortis,  Leone,  prefacer. 

Costetti,  G.  La  compagnia  reale  sarda,  c  il  teatro  italiano  dal  1821 
al   1855.     Milano.     1893.     Portraits.  2768.142 

Fortunio,  pseud.     See  Niboyet,  Jean  Alexandre  Paulin. 
Forty  years'  observation  of  music  and  the  drama.     Gkau,  R.       4045.172 
Forty  years  on  the  stage.     Barnes,  J.  H.  4545.169 

Foster,  George  G. 

P>iography  of  Anna  Bishop,  the  celebrated  cantatrice,  giving  accounts 
of  her  professional  tour  in  England,  Denmark,  Sweden  .  .  .  and 
California.     [New  York.     1853.]     10  pp.  No.  2  in  **M. 373.63 

Foucaud,  I^douard. 

Hisloire  du  theatre  en  France.  Tome  i.  Paris.  Publications 
modernes.     1845.     439  pp.     Portraits.  **T.45.3 

Fouchcr,  Paul  Henri. 

Les  coulisses  du  passe.     Paris.     Dentu.     1873.     (3),  496  pp. 

26793.80;  **T.47. 25 

Entro    cour    et    jardin.      fitudes    et    souvenirs    du    theatre.      Paris. 

Amyot.     1867.     (6),  604  pp.  **T.47.4 

|3K,1 


BROWN   COLLECTION   OF  BOOKS   ON    THE   STAGE 

Foundations,  The,   of  a  national   drama.     Jones,   H.  A.  4574.183 

Fouque,  Octave.    See  Fouque,  Pierre  Octave. 

Fouque,  Pierre  Octave. 

Histoire  du  Theatre-Ventadour.  —  1829-1879.  —  Opera-comif|ue.  — 
Theatre  de  la  Renaissance. — Theatre-italien.  Paris.  Fischbacher. 
1881.     (3),  162,  (i)  pp.  **T.g5.86 

Fouquier,  Henry.     See  Fouquier,  Jacques  Francois  Henry. 

Fouquier,  Jacques  Frangois  Henry,  prefaccr. 

Lambert,  A.  L.     Sur  les  planches.     Paris.     [1894.]  **T.77.i35 

Four  letters  on  the  theatre;  written  during  the  dispute  between  the 
public  and  the  proprietors  of  the  new  Theatre  Royal,  in  Covent 
Garden,  on  its  opening  in  1809:  wherein  are  discussed,  the  merits 
of  players,  and  the  morality  of  the  stage;  originally  published 
in  "The  Times,"  and  now  collected,  with  additional  notes  and 
observations.     London.     Wilson.     [1809.]     xi,  96  pp.        **T.g6.258 

Four  theatrical  addresses:  upon  the  providential  preservation  of  His 
Majesty's  life,  at  Drury-Lane  Theatre.  Upon  the  preliminaries 
of  peace.  Upon  the  opening  of  the  new  theatre  at  Warwick.  And 
a  farewell  epilogue.  [Poems.]  Alcester.  Heming.  [1803?]  (1), 
31,  (i)  pp.  **T.97.93 

Pages  13-16  are  missing. 

Fourcaud,  Louis  de  Bousses  de. 

Figures    d'artistes.      Leontine    Beaugrand.      Avec    un    portrait    par 

Eugene  Abot.     Paris.     Ollendorff.     1881.     (4),  72  pp.       **T.95.99 
Fournel,  Frangois  Victor. 

Ce  qu'on  voit  dans  les  rues  de  Paris.     Paris.     Delahays.     1858.     (3), 

410  pp.  **T.98,22 

Curiosites    theatrales    anciennes    et    modernes,    frangaises    ct    ctran- 

geres.     Paris.     Delahays.     1859.     (3),  viii,  104  pp.  **T.78.46 

Tableaux  du  vieux  Paris.     Les  spectacles  populaires  et  les  artistes 

des  rues.     Paris.     Dentu.     1863.     vi,  420  pp.  **T.97.i73 

Le  vieux  Paris:  fetes,  jeux  et  spectacles.    Tours.     Mame.     1887.     526, 

(i)  pp.     Illus.     Plates.  *463i.9 

Fournel,  Victor.     See  Fournel,  Frangois  Victor. 
Fournier,  fidouard. 

L'Espagne  et  ses  comediens  en  France  au  xvii^  siecle.     Paris.     Du- 

pray  de  La  Maherie.     1864.  **T.95.64 

Etudes  sur  la  vie  et  les  oeuvres  de  Moliere.    Revues  et  mises  en  ordre 

par  Paul  Lacroix  (Bibliophile  Jacob)   et  precedees  d'une  preface 

par  Auguste  Vitu.     Paris.     Laplace,   Sanchez   &  O^.     1885.     xiv, 

404  pp.  **T.57.29o 

La  musique   chez  le   peuple,   ou  I'Opera-national,   son   passe  et   son 

avenir  sur  le   Boulevard  du  Temple.     Par  le  Vicomte  de   Ponte- 

coulant  et  fid.   Fournier.     Paris.     Garnier.     1847.     72  pp. 

No.  4  in  **M.i47.3.i 
Le  romnn  de  Moliere.     Suivi  de  fragments  sur  sa  vie  privce  d'apres 

des  documents  nouveaux.     Paris.     Dentu.     1863.     vii.  252,   Ci)  pp. 

Another  copy  is  on  shelf-number  **4696.io.  **T.58.II9 

Le  theatre  et  les  pauvres.     Paris.     Dentu.      [1869.!      (3)>   30  PP- 

Relates  to  Paris.  **T.77.2IO 

Fournier,  fidouard,  editor. 

Chappuzeau,  S.  Le  theatre  frangois  divise  en  trois  livres,  ou  11 
est  traite:  L  De  I'usage  de  la  comedie;  IL  Des  autheurs  qui 
soutiennent  le  theatre;  IIL  De  la  conduite  des  comediens.  Lyon. 
1674.     [Bruxelles.     1867.]  **T.78.59 

[317] 


THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 


Fournier,  Marc  Jean  Louis. 

Les  avcntures  d'un  comedien.  Paris.  Lachaud  &  Burdin.  [1875.] 
295,   (I)   pp.  **T.87.59 

A  novel  of  theatrical  life. 
Fous  e*^   bouffons.     Moreau.   P.  2244.69 

Fowell,  Frank,  and  Frank  Palmer. 

Censorship  in  England.  London.  [1913-]  xii,  390,  (2)  pp.  Por- 
traits.    Facsimiles.  6257.86 

Refers  to  censorship  of  the  stage. 

Fowler,  Charles  Henry,  Bishop,  prefacer. 

Hatfield,  R.  M.  The  theater:  its  character  and  influence.  An 
address.  With  an  introduction  by  Rev.  C.  H.  Fowler.  Chicago. 
1866.  **T.76.i25 

Fowler,  Charles  T.,  editor. 

Thkatkical   Chronicle,   and   dramatic   review;    with   notes   of    Lon- 
don life.     [Weekly.]     Vol.  [i]    (no.  [i-]2o);  2  (i-io);  3  (9,  19-21. 
23-25,  34,  36);  5  (2-6,  9-13).     London.     1841-48.     4  v.  in  2.     Por- 
traits. **T.23.7 
Fowler,  John,  editor. 

Pemberton,  C.  R.  Life  and  literary  remains.  With  remarks  on  his 
character  and  genius,  by  W.  J.   Fox.     London.     1843.     Portrait. 

**T.56.i65;etC. 
Fox,  William  Johnson. 

A    biographical    sketch    of    William    C.    Macready.      Portrait.      {In 

Shakespeare,  William.     The  complete  works.     Part  iv.,  pp.    1-16. 

London.     [1851.])  **G.40io.ii 

Foyers  et  coulisses.     Arago,  J.  £.  V.  **T.57.382 

BUGUET,   H.  **T.79.2 

Framery,  Nicolas  fitienne. 

De  I'organisation  des  spectacles  de  Paris,  ou  essai  sur  leur  forme 
actuelle.     [Anon.]     A  Paris,  Chez  Buisson.     1790.     (3),  262,  (2)  pp. 

**T.77.i6 
France,  Analole,  pseud.     See  Thibault,  Jacques  Anatole. 
France,  Louise. 

Les  ephemeres  M'as-tu-vu.  Souvenirs  de  trente  ans  de  theatre. 
Paris.     Juven.     [189-?]     vi,  244  pp.  **T.87.39 

A  novel  of  stage  life. 

France.    Conseil  d'etat. 

Arrets   du    Conseil    d'etat    du    roi,    lettres-patentes,   acte    de    societe, 

administration     interieure     et     reglemens,     pour     les     comediens 

italicns  ordinaires  du  roi.     [Paris.     De  I'imprimerie  de  P.  R.  C. 

Ballard.]     1782.    8,76,56  pp.  Nos.  3-5  in  **G.3562.ii 

Enquete  et  documents  officiels  sur  les  theatres.     Paris.     1849.    242  pp. 

**T.74.ii 
Extrait   des   registres   du   Conseil   d'etat    du    roi.      [Paris.      Dc    I'im- 
primerie   de    P.    R.    C.    Ballard.      1782.]      20    pp. 

No.  2  in  **G.3562.ii 

Relates  to  the  granting  of  pensions  to  the  King's  actors  at  the  Comcdie 
frangaise.  Contains  also  the  order  "pour  installer  les  Comediens  franQois 
ordinaires   du   roi    dans   la   salle   dans   le    Fau.\bourg   St.    Germain." 

Reglemcnt  pour  les  comediens  franqais  ordinaires  du  roi.      |  Paris.] 
De  I'imprimerie   de   P.   R.   C.    Ballard.      1781.      (3),   72   pp. 
Rcl.ilcs  fo  the  Comcdie  francaise.  r  No.  I  in  **G.3562.II 

France.    Ministcre  de  I'interieur. 

Rcgiement  pour  les  theatres.     [Paris      1807.]     20  pp.  *'''T.95.73 

[318] 


BROWN   COLLECTION   OF   BOOKS   ON   THE   STAGE 

France.    Acts  and  lazvs.     Theatre. 

Decrets  concernant   la   Comedie   frangaise.      [Paris.      185-?]      39  pp. 

**T.95.i28 
France.     Acts  and  laws.     Theatre.     Works  about. 

AsTRUc,  J.     Le  droit  prive  du  theatre;  ou,  rapports  des  directenrs 

avec  les  auteurs,  les  acteurs  et  le  public.     Paris.     1897.     **T.74.i8 
Bureau,  G.     Le  theatre  et  sa  legislation.     Paris.     1898.  **T.74.i6 

Louis  xviii.     Ordonnance  sur  la  surveillance,  I'organisation  sociale 

et  I'administration  du  Theatre  frangais.     [Paris.     1816.]     **T.95.74 
France.     Theatres. 

See  also  Paris.    Theatres. 

Agnel,  £.      Code-manuel    des   artistes   dramatiques    et    des   artistes 

musiciens.      Paris.      [1851.]  **T.78.7 

Armade,  F.  d'.    Le  theatre  frangais  des  origines  a  nos  jours.     Extraits 

et  analyses.     Notices  biographiques.     Paris.     [1910.]  4676.169 

AsTRUC,  J.     Le   droit  prive  du  theatre;   ou,  rapports  des  directcurs 

avec  les  auteurs,  les  acteurs  et  le  public.     Paris.     1897.     **T.74.i8 
Auger,    L.    S.      Discours    preliminaire    [sur    la    comedie,    et    Vie    de 

Moliere].     (In  Moliere.     Oeuvres.     Tome  i,  pp.  xxv-clxix.     Paris. 

1819.)  *47o6.4.i;  etc. 

AvRiL,  A.    Saltimbanques  et  marionnettes.     Impressions,  digressions 

et  recits.     Paris.     1867.  **T.77.i26 

B.,  L  D.     Essai  sur  I'etat  actuel  des  theatres  de  Paris  et  des  prin- 

cipales    villes    de    I'empire,    leurs    administrations,    leurs    acteurs, 

leur  repertoire,  etc.     Paris.     1813.  **T.77.9 

Bapst,  C.  G.     Essai  sur  I'histoire  du  theatre.     La  mise  en  scene,  le 

decor,    le    costume,    I'architecture,    I'eclairage.    I'hygiene.      Paris. 

1893.     Illus.     Portraits.     Plates.     Plan.  **T.73.i 

Barbey    d'Aurevilly,    J.    A.      Theatre    contemporain.       [Premiere] 

Nouvelle  et  derniere  serie.     Paris.     1887-96.     3  v.  **T.47.68 

Baschet,  a.    Les  comediens  italiens  a  la  cour  de  France  sous  Charles 

IX,  Henri  iii,  Henri  iv  et  Louis  xiii.     Paris.     1882.  • 

2662.73;  **T.76.i46 
Baudrais,  J.     Essais  historiques  sur  I'origine  et  les  progres  de  I'art 

dramatique  en  France.    A  Paris.     1784-86.    3  v.  **T.49.3;  etc. 

Beauchamps,   p.   F.   G.  de.     Recherches  sur  les  theatres  de   France. 

depuis  I'annee   onze   cens   soixante   &  un.  jusques   a  present.     A 

Paris.     1735.     3  v.    '  **T.48.i4;  etc. 

Bellanger,  J.     Entre  deux  spectacles.     Esquisses  theatrales.  .Paris. 

1879.  **T.77.98 

BiDou,  H.  L.   A.     L'annee  dramatique.     1911-1912.     Paris.     1912. 

4677-95 

Bonnassies,  J.     Les  auteurs  dramatiques  et  les  theatres  de  province 
aux  xviie  et  xviiie  siecles.     Paris.     1875.  **T.78.49 

La  Comedie-frangaise  et  les  comediens  de  province  aux  xvii^ 

et  xviiie  siecles.     Contestations.     Debuts.     Paris.     1875.     *4676.96 

Le  theatre  et  le  peuple.    Esquisse  d'une  organisation  thcatralc. 

Paris.     1872.  4679.50;  **T.77. 105 

Bordeaux,  H.     La  vie  au  theatre.     [Serie  i-]3.     Paris.     1910-1;?.    3  v. 

4679.178 
Bossuet,    p.     Histoire   des  theatres   nationaux.      Paris.      [1909.] 

4674-33 
Boysse,  E.  Le  theatre  des  Jesuites.  Paris.  1880.  3519.75;  **T.77.95 
Bureau,  G.    Le  theatre  et  sa  legislation.    Paris.     1898.  **T.74.i6 

[319] 


THE  PUBLIC  LIBRARY  OF  THE   CITY   OF  BOSTON 


France.     Theatres.     (Continued.) 

Carmovche,   p.   F.  a.     Le  theatre   en  province.     Paris.      1859. 

**T.77.ii6 

Chappuzeau,  S.     Le  theatre  frangois  divise  en  trois  livres,  011  il  est 

traite:  I.  De  I'usage  de  la  comedie;  II.  Des  autheurs  qui  soutien- 

nent  le  theatre;  III.  De  la  conduite  des  comediens.     Lyon.     1674. 

**D.i7ob.78 

Same.     [Reprinted.     Bruxelles.     1867.]  **T.78.59;  etc. 

Same.     Accompagne   d'un    preface    et    de    notes    par    Georges 

Monval.     Paris.     1875.  **M.2i8.3 

Chardon,    E.    H.      La    troupe    du    roman    comique    devoilee    et    les 

comediens   de    campagne    au    xviie    siecle.      Le    Mans.      1876. 

**T.54.20 
Chaufour.  L.     D'une  reforme  a  introduire  dans  I'organisation  actuelle 

des  theatres  et  de  son  urgcnce.     Paris.     1862.  **T.95.i39 

Claretie,  L.    Histoire  des  theatres  de  societe.     Paris.     [1905.]     Illus. 

Portraits.  4677-96 

CoLSON.  J.  B.     Repertoire  du  theatre  frangais,  ou  details  essenticls 

sur  trois  cent  soixante  tragedies  et  comedies.     Bordeaux.     [1810.I 

**T.46.50 
Constant,    C.    F.      Code   des    theatres   a   I'usage    des    directeurs,    des 

artistes,  des  auteurs  et  des  gens  du  monde  contenant  un  expose 

des   principes   juridiques.      Paris.      1876.  **T.77.2o6 

Couaii.hac,   J.   J.    L.      Physiologie    du   theatre.      Par   un   journaliste. 

Vignettes  de  H.  £my  et   Birouste.     Paris.     1841.     Illus.     Plates. 

**T.99.29 
CouAiLHAC,  V.     La  vie  de  theatre.     Grandes  et  petites  aventures  de 

M"*-"    Montansier.  —  Esquisses.  —  Anecdotes.  —  Le    Theatre    a 

Bade.     Paris.     [1863.]  **T.57.202 

Cros-Mayrevieille,  G.     Le  droit  des  pauvres  sur  les  spectacles  en 

Europe.    Origine,  legislation,  jurisprudence.    Paris.    1889.    Tables. 

3661.56 
Desnoiresterres,    G.    Le    B.      La   comedie   satirique   au   xviiie   siecle. 

Histoire  de  la   societe   frangaise   par   Tallusion,   la   personnalite  et 

la    satire    au    theatre.      Louis    xv  —  Louis    xvi  —  La    Revolution. 

Paris.     1885.  4671.70;  **T.45.io 

Despois,   E.  a.     Le   theatre    frangais   sous   Louis   xiv.     Paris.      1874. 

Plans.  2669.76;  **T.77.97 

Du   Bled,  V.     La  comedie  de  societe  au  xviue  siecle.     Paris.     1893. 

2668.1 1 1 
Dubois,  A.,  and  E.  C.  Chabot.     Le  Gil  Bias  du  theatre.     Paris.     1833. 

2  V.     Plates.  **T.76.i54 

Du  Casse,  P.  E.  A.,  Baron.     Histoire  anecdotique  de  I'ancien  theatre 

en  France.     Paris.     1864.     2  v.  **T.46.3 

EscuDiKR,  G.     Les  saltimbanques.     Leur  vie  —  leurs  moeurs.     Paris. 

1875.     Illus.     Plates.  **T.94.ii 

Essay,  An,  upon  the  present  state  of  the  theatre  in  France,  England 

and   Italy.     With   reflections   upon    dramatic   poetry   in    general, 

and  the  characters  of  the  principal   authors  and   performers  of 

those  nations.     London.     1760.  No.  2  in  **G.3823.7 

EsTiVAL,  A.,  and  B.  Millanvoye.     Le  theatre  en  province.     Reponse 

a  M.  Got.     Paris.     1878.  **T.95.iio 

Fanfernot,  E.,  and Saint- Vital.     De  I'organisation  des  artistes 

dramatiquts.     A.   S.   Ex.   le   Ministre   d'fitat.      Paris.      1863. 

**T.95.62 

[320] 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 

France.    Theatres.     (Continued.) 

FiLON,  P.  M.  A.     De   Dumas  a  Rostand.     Esquisse   du  mouveiiicnt 

dramatique  contemporain.     Paris.     1898.  4676.88 
Same.     The   modern   French    drama.      Seven    essays.      Trans- 
lated   by   Janet    E.    Hogarth.      With    an    introduction    by    W.    L. 

Courtney.      London.      1898.  4676.86;  **T.47.37 

FiORENTiNO,  P.  A.    Comedies  et  comediens.    Feuilletons.    Paris.     1866. 

2  V.  **T.77.i22 

FoucAUD.  £.     Histoirc  du  theatre  en  France.     Tome  i.     Paris.     1845. 

Portraits.  **T.45.3 

FouciiER,    P.    H.      Entre    cour    et    jardin.      Etudes    et    souvenirs    du 

theatre.     Paris.     1867.  **T.47.4 

FouRNiER,  fi.     L'Espagne  et  ses  comediens  en  France  au  xviie  siecle. 

Paris.      1864.  '  **T.95.64 

France.      Conseil    d'etat.      Enquetc    et    documents    officiels    sur    Ics 

theatres.     Paris.     1849.  **T.74.ii 

France.    Minisferc  dc  I'intcrieur.     Reglement  pour  les  theatres.     [Paris. 

1807.]  **T.95.73 

Geoffroy,  J.   L.     Manuel   dramatique,  a  I'usage  des  auteurs  et  des 

acteurs.   et   necessaire  aux  gens   du   monde   qui  aiment   les  idees 

loutes  trouvees,  et  les  jugemens  tout  faits.    Paris.     1822.    **T,49.ii 
Germain,  A.     Les  dessous  du  theatre.     Les  agences  dramatiques  et 

lyriques.     Avec  une  preface  par  Emile  Bergerat.     Paris.     1S91. 

**T.77.9o 
GiFFARD,    P.    L.      Nos    moeurs.      La   vie   au    theatre.      Paris.      [1888.] 

Illus.     Plates,  some  colored.  **T.77.iii 

GiNisTY,    P.     La   vie   d'un   theatre.      Paris.      1898.      Illus.      Portraits. 

Plates,  some  colored.  **T.78.33 

GoKFLOT,   L.  V.     Le  theatre  au  college  du  moyen  age  a  nos  jours, 

avec  bibliographic   et   appendices.      Le   Cercle   frangais   de   I'Uni- 

versite  Harvard.    Preface  par  Jules  Claretie.    Paris.     1907.    Plates. 

4674-17 

Got,  F.  J.  E.     Etude  sur  le  theatre  en  province.     (/;/  Noel,   E.     La 

Comedie-frangaise  en  1877.     Pp.  v-xxii.     Paris.     1878.)     **T.76.82 

Grille,   F.   J.     Les  theatres.     Lois.  —  Reglemens.  —  Instructions. — 

Salles  de  spectacle.  —  Droits  d'auteur.  —  Correspondans. — Conges. 

—  Debuts.  —  Acteurs  de  Paris  et  des  departemens.     Paris.     1817. 

**T.77.20 

PIallays-Dabot,  V.     La  censure  dramatique  et  le  theatre.     Histoire 

des  vingt  dernieres  annees  (1850-1870).     Paris.     1871.     **T.77.i6i 

Histoire   de  la  censure  theatrale  en   France.     Paris.     1862. 

46793.48;  **T.78.68 

Hastings,  C.     Le  theatre  frangais  et  anglais;  ses  origines  grecques 

et  latines.     (Drarae,  comedie.  scene  et  acteurs.)      Precede  d'une 

lettre  de  Victorien  Sardou.     Paris.     [1900.]  4676.108 

Hawkins,  F.  VV.    Annals  of  the  French  sta.ge  from  its  origin  to  the 

death  of  Racine.     London.     1884.     2  v.     Portraits. 

4671.69;  **T.56.224 

The  French  stage  in  the  eighteenth  century.     London.     1888. 

2  v.     Portraits.  4671.80;  **T. 75.50 

Henin  de  Cuvillers,  E.  F.,  Baron  d'.  Des  comediens,  et  du  clerge; 
suivi  de  reflexions  sur  le  mandement  de  Monseigneur  I'arche- 
veque  de  Rouen.     Paris.     1825.  **T.57.387 

Encore  des  comediens  et  du  clerge,  accompagne  d'une  notice 

sur  le   ministere   frangais  en   1825.     Paris.      1825.  **T.97.i4 

[321] 
21 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 


France.     Theatres.     (Cnntinucd.) 

Hexnin,  M.    Des  theatres  et  de  leur  organisation  leyalc.     Paris.     1819. 

**T.96.3o8 

HosTEiN.  J.  J.  B.  H.     La  libcrte  des  theatres.     Paris.     1867.     **T.75.7 

HoussAYE,  A.  Galerie  dc  portraits  du  dix-huiticme  sieclc.  Paris. 
1854.     2  V.  2670.8 

JuLLiEN.  J.  L.  A.  La  comedie  a  la  cour.  Les  theatres  de  societe 
royalr  pendant  le  siecle  dernier-  la  Duchesse  du  Maine  et  les 
giand  nuits  de  Sceaux;  Madame  de  Pompadour  et  le  Theatre  des 
pctits  cabinets;  le  theatre  de  Marie-Antoinette  a  Trianon.  Paris. 
[1883.]      Portraits.     Plates.  **T.73.4 

La    comedie    et   la    galanterie    au    xviiie    siecle.      Paris.      1879. 

Tables.  **T.76.i69 

Histoire  dvi  costume  au  theatre  depuis  les  origines  du  theatre 

en    France   jusqu'a   nos   jours.      Paris.      1880.      Portraits.      Plates, 
some  colored.  **T.94.2 

JussERAND,  J.  A.  .\.  T.  Shakespeare  in  France  under  the  ancien 
regime.     London.      1899.      Portraits.      Plates.  **T.55.8o 

Same.     New  York.     Putnam.  45993.174 

Lacan,  a.  J.  B.,  and  C.  H.  P.  Paulmif.r.     Traite  de  la  legislation  et 

de  la  jurisprudence  des  theatres.     Paris.     1853.     2  v.  **T.76.i6 

Lacroix,  L.  p.  B.  p.   Le  theatre  .  .  .  et  la  musique  .  .  .  jusqu'en  1789. 

Paris.     1887.     Illus.     Plates.  2624,126;  **M. 123.33 

Laforet,  L.  p.     Le  theatre  &  le  livrc  a  sauver.     Paris.     t88o. 

**T.96.i40 
Laglaize,    J.     B.      Figurines    dramatiqucs.      Portraits    d'acteurs    et 

d'actrices.      Roses    &    epines    de    la    vie    theatrale.      Anecdotes 

inedites.     [Paris.]     1882.  **T.57.285 

La  Harpe,  J.  F.  de.     Discours  sur  la  liberte  du  theatre;  prononce  le 

17  decembre   1790,  a  la  Societe  des  amis  de  la  constitution.      \.\ 

Paris.     1793.]  **T.76.io7 

Lambert,   A.    L.      Sur    les    planches.      Preface    par    Henry    Fouquicr. 

Paris.     [1894.]  '  **T.77.i35 

Lancaster,  H.  C.     Relations  between  French  plays  and  ballets  from 

1581    to    T650.      (In    Modern    Language    Association    of    America. 

Publications.      Vol.    31,    pp.    379-394.      Baltimore.      1916.) 

*295o.56.3i 
Larroumet,  L.   B.  G.  p.     L'art   et  I'ctat   en  France.      Paris.     1895. 

40793.161 

fitudes  d'histoirc  et  de  critique   dramatiqucs.     Paris.      1892. 

4694.77 
Leclerc,  L.     Les  decors,  les  costumes  et  la  niise  en   scene  au   xvii^ 

siecle.     1615-1680.     Paris.     1869.  6257.37;  **T.77. 153 

Lecomte,  L.  H.     Napoleon  et  le  monde  dramatique.     fitude  nouvelle 

d'apres  des  documents  inedits.  Paris.  1912.  Portrait.  2655.119 
Le  Roux.  H.  R.  C.  H.     Les  jeux  du  cirque  et  la  vie  foraine.     Paris. 

(1889.1      Colored   illus.     Colored   portraits.  **T.93.2 

Same.      Acrobats    and    mountebanks.      London.      1890.      Illus. 

Portraits.     Plates,  4001.100;  **T.95.85 

Le  Senne,  C.  E,  Code  du  theatre.  Lois,  reglcments,  jurisprudence. 
usages.     Paris.     1878.  **T.77.i92 

Lettre  sur  les  spectacles.     Paris.     1825.  No.  ir  in  **G.3562.2 

Li.NDAf,  H.  G.  P.  Dramaturgische  Blatter.  Bcitrage  zur  Kenntniss 
des  modernen  Theaters  in  Deutschland  und  Frankreich.  Stutt- 
gart,    1877.  2875.66;  **T,48. 1 

[.322] 


BROWN   COLLECTION   OF   BOOKS    ON    THE   STAGE 

France.     Theatres.     (Continued.) 

Loire,  L.,  compiler.  Anecdotes  de  theatre.  Comediens — comediennes 
— bons  mots  des  coulisses  et  du  parterre.     Paris.     1875.    **T.77.i33 

Lucas,  H.  J.  J.  Histoire  philosophique  et  litteraire  du  theatre 
frangais  depuis  son  orig-ine  jusqu'a   nos  jours.     Paris.     1843. 

**T.47.8;etc. 

Lyden,  E.  F.  M.  de.  Le  theatre  d'autrefois  et  d'aujourd'hui.  Can- 
tatrices  et  comediens.     1532-1882.     Paris.     1882.  **M.i27.2g 

Mague  de  Saint-Aubin,  J.  A.  La  reforme  des  theatres,  ou  vues  d'un 
amateur,  sur  les  moyens  d'avoir  toujours  des  acteurs  a  talens  sur 
les  theatres  de  Paris  &  des  grandes  villes  du  royaume,  &  de 
prevenir  les  abus  des  troupes  ambulantes,  sans  priver  les  pctitcs 
villes  de  I'agrement  des  spectacles.     A  Paris.     1787.  **T.76.ii2 

Maillet-Duclairon,  A.  Essai  sur  la  connoissance  des  theatres 
frangois.     A  Paris.     1751.  **G.3563.i9 

Malliot,  a.  L.  Le  nouveau  regime  des  theatres  dans  les  departe- 
ments.     Fondation  des  theatres  imperiaux  dc  la  province.     Rouen. 

1865.  **T.97.222 

Marchand,    J.    H.      Remonstrances    des    comediens    frangois    au    roi. 

[Paris.     I753-]  **T.98.94 

Maugras,   C.   G.     Les  comediens  hors  la  loi.     Paris.     1887. 

**T.55.ioi;  etc. 
Metral,  a.  M.  T.     De  la  liberte  des  theatres,  dans  ses  rapports  avec 

la  liberte  de  la  presse,  a  I'occasion  de  I'analyse  de  La  demence  de 

Charles  VI.,  tragedie  de  M.  Lemercier.    Paris.    1820.   **T.76.io6;  etc. 
Monval,   G.   H.    M.     Les   theatres   subventicnnes.     Paris.      1870. 

**T.95.63 
MoRF,  H.    Aus  der  Geschichte  des  franzosischen  Dramas.    Hamburg. 

1887.  No.  19  in  *59i4.5o.N.F.2 

MoRicE,  E.     Essai  sur  la  mise  en  scene  depuis  les  mysteres  jus(|u'  au 

Cid.     Paris.      1836.  **T.77.i87 
Same.     Histoire  de  la  mise  en  scene,  depuis  les  mysteres  jus(|u' 

au  Cid.     Paris.     1836.  **T.77.i86 

MuRET,  T.  C.     L'histoire  par  le  theatre,  1789-1851.     Paris.     1865.     3  v. 

**T.48.6 
Muses  francoises,   Les.     Premiere   partie,  contenant   nn   tableau  uni- 

versel  par  alphabet   &  numero  des  theatreg  de   France,  avec   les 

noms  de  leurs  auteurs   &  de  toutes   les  pieces   anonimes  de   ces 

theatres,  depuis  les  misteres  jusqu'en  I'annee  1764.     .\  Paris.     1764. 

No.  2  in  **G.3563.i8 
NouviLLE,    A.      Creation    d'un    theatre    d'essai.      Memoire.      [Paris. 

1848.]  No.  3  in  **M. 122.38 

Olivier,  J.  J.     Les  comediens  frangais  dans  les  cours   d'Allemagnc 

au    xviiie    siecle.      Serie    1-4.      Paris.      1901-05.     4    v.      Portraits. 

Plates.  .  **T.74.io 

Paccard,  J.  E.    La  chute  des  feuilles,  elegie.    Paris.     1818.    **T.97.i43 
Papillon    de    La    Ferte,    D.    P.    J.      L'administration    des    Menus. 

Journal  de  Papillon  de  La  Ferte,  intendant  et  controleur  de  I'ar- 

genterie,  menus-plaisirs  et  affaires  de  la  chambre  du  roi.      (1756- 

1780.)      Paris.     1887.  **T.55.49 

Petit    de    Julleville,    L.       Histoire    du    theatre    en     France.      Les 

comediens  en   France  au  Moyen  age.     Paris.     1885. 

4671.74;  **T.77.i59 
PiFTEAU,   B.  J.,  and  J.   Goujon.      Histoire   du   theatre  en   France   des 

origines  au  Cid  (1398-1636).     Paris.     1879.  **T.48.i9 

[323] 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 


France.     Theatres.     (Continued.) 

PoTiER  DE  Lille.  L.    Justification  des  comediens  frangois.     Opinions 

sur    les    chefs-d'oeuvres    dcs    auteurs    morts.    &    projet    de    decret 

portant    reglement    entre    les    auteurs    dramatiques    &    tous    les 

comediens  du  royaume.     [Paris?     1790.]  **T.76.i63 

PoTTECHER,  M.  B.  M.    Lc  theatre  du  peuple.     Renaissance  et  destinec 

du  theatre  populaire.     Paris.     1899.  **T.77.99 

Raymond,    E.       Histoire    des    peregrinations    de    Moliere    dans    le 

Languedoc.    d'apres    des    documents    inedits.       1642-1658.      Paris. 

1858.  4667.14 

Raynaly,    E.      Les    propos    d'un    escamoteur.      fitude    critique    et 

humoristique.    Paris.     1894.    Portrait.  **T.97.246 

Restif    DE    LA    Bretonne.    N.    E.      La    mimographe.    ou    idees    d'une 

honnete-femme    pour    la    reformation    du     theatre    national.      A 

Amsterdam.     1770.  **T.77.4 

RiCAL,  E.  P.  M.     Le  theatre  francais  avant  la  periode  classique  (fin 

du  xvie  et  commencement  du  xvii^  siecle).     Paris.     1901.     Plate. 

26793.261 
RoDOCANACHi,    E.    P.      Le    sifflet    an    theatre,      fitude    de    mceurs    et 

d'histoire.     Conference  faite  au  Cercle  Saint-Simon.     Paris.     1896. 

2671. 171 
RuGGiERL  C.  F.     Precis  historinue  sur  les  fetes,  les  spectacles  et  les 

rejouissances  publiques.     Paris.     1830.  **T.96.272;  etc. 

Sarcey,    F.      Quarante   ans    de    theatre.      (Feuilletons    dramatic|ues.) 

Paris.     1900-1902.     8  v.     Portraits.  4676.114;  **T.47.i 

SiMONNiN,  A.  J.  B.     Du  public,  de  I'autorite  et  du  theatre,  en   1S21. 

Paris.     [1821?]  No.  10  in  **G.3562.i 

SouBiES,  £.  J.  A.     Unc  premiere  par  jour.     Causeries  sur  le  theatre. 

Paris.     1888.  **T.47.i3 

Souvenirs,  Les.  et  les  regrets  du  Vieil  amateur  dramatique  [pstud.], 

ou  lettres   d'un   oncle   a  son   neveu   sur   I'ancien   theatre   frangais, 

depuis  Bellecour,  Lekain,  Preville,  jusqu'a  Mole,  Larive,  Monvel, 

Vestris.     Paris.     1829.     Colored  plates.  **T.58.i45 

Stuart,  D.  C.    Stage  decoration  in  France  in  the  Middle  Ages.     New 

\ork.     19 10.  4676.123 

Thackeray.   T.   J.      On    theatrical    emancipation,   and    the    rights   of 

dramatic  authors.     London.     1832.  **T.76.t84 

Vacquerie.  a.  fi.     Profils  et  grimaces.     Paris.     1856.  **T.47.i2 

Valuer,    J.    P.      Recherches    sur    les    causes    de    la    decadence    des 

theatres   et   de  I'art   dramatique   en   France.     Paris.      1841. 

No.  I  in  **M. 125.6 
Vieux  scenophile,  Un.  /^sciid.     Idees  d'un  vieux  scenophile  sur  I'insti- 

tution  d'un  tribunal  dramatique.  sur  I'organisation  de  ce  tribunal 

et  sur  la  redaction  d'un  code  propre  a  regler  ses  decisions.     Paris. 

1813.  No.  2  in'**G  3562.1 

ViTU.  A.  C.  J.     Les  mille  et  une  nuits  du  theatre.     Paris.     1884-Q4. 

9  V.  **T.47.47 

Vuliman.  a.,  and Gauthier.     Code  des  theatres.     Ou   nianuel  ;'i 

I'usage  des  directeurs,  entrepreneurs  et  actionnaires  de  spectacles, 

dcs  auteurs  et  artistes  dramatiques,  etc.  Paris.  1820.  **T.79.i4 
Wtiss.  J.  r.  A.  Le  theatre  et  les  moeurs.  Paris.  1889.  4697.94;  ejc. 
Trois  annees  de  theatre,  1883-1885.    A  propos  de  theatre.    Paris. 

>^.3-  2676.188;  **T.47.82 

Wel.schinger,    M.      Le   theatre   de   la    Revolution.      1789-1700.      Avec 

documents   iiiodits.     Paris.      1880.  46603.81;  **T.77. 114 

[324] 


BROWN   COLLECTION    OF  BOOKS    ON    THE   STAGE 


Franchetti,  Elizabeth  de. 

Granny's  prediction  revealed  to  the  Widow  Brady,  of  Drury-Lane 
Theatre.  By  her  relashion  Mrs.  Sharp-set  O'Blunder.  Loiulrm, 
Printed  for  the  Authoress:   1773.     iv,  53  pp.       No.  3  in  **G.3820.9 

The  printed  notice  —  "None  arc  genuine  but  those  signed  by  the  authoress," 
bears  the  autograph  signature  of  EHz.  de  Franchetti.  The  Widow  Brady  here 
addressed    is    the   actress,    Ann    Spranger    Barry. 

Francis  V.,  Dtike  of  Modena. 

Bruni,  G.,  and  others.  Albo  pittorico  di  alcune  fefete  modenesi  nella 
fausta  occasione  delle  nozze  auguste  tra  I'A.  R.  dell'  Arciduca 
Francesco  Ferdinando,  Principe  Ereditario  di  Modena  e  S.  A.  R. 
la   Principessa   Adelgonda   di    Baviera.      Modena.      1842.     Plates. 

**T.g2.3 
Francke,  R. 

Leipzig's  Theater  vor   100  Jahren.      [Anon.]      (Sonder-Abdrnck  aus 
den  Leipziger  Nachrichten.)   Leipzig.  Reusche.   1879.   16  pp.  4837.22 
Francois  de  Neufchateau,  Nicolas  Louis,  Comte. 

Methode  pratique  de  lecture.  A  Paris,  de  I'imprimerie  de  P.  Didot 
I'aine.     An  VII   [1798/99.]      (3),   180  pp.  **T.97.73 

Franconi,  Victor,  prefacer. 

Vaux,   C.   M.,  Baron  de.     Ecuyers   et   ecuyeres.     Histoire  des  cirques 
d'Europe  (1680-1891).    Avec  une  etude  sur  I'equitation  savante  par 
Maxime  Gaussen.    Paris.    1893.    Illus.    Portraits.    Plates.   **T.95.ii3 
Franconi  family. 

B"^*,  M™e,  nee  de  V**,  pseud.  Le  Cirque  Olympique,  ou  les  excrcices 
des  chevaux  de  Franconi,  du  cerf  Coco,  ou  petits  paralleles  de 
I'instinct  perfectionne  des  animaux,  et  de  la  raison  naissantc  des 
enfans.     Paris.     1817.     Plates.  **T.99.59 

Chambriere,  Une,  en  retraite,  pseud.  Le  cirque  Franconi.  Details 
historiques  sur  cet  etablissement  hippique  et  sur  ses  principaux 
ecuyers.     Lyon.     1875.     Portraits.  **T.96.239 

Frankfort-on-the-Main.     Theatres. 

Geiger,  E.  L.  Goethes  Interesse  an  Frankfurter  Theaterverhiilt- 
nissen.  [In  Archiv  fiir  Theatergeschichte.  Vol.  2,  pp.  88-94. 
Berlin.     1905.)  *6907.i2.2 

Frankfort-on-the-Meiin.     Theatres.     Opernhaus. 

GiESENBERG,  E.  Das  Opemhaus  zu  Frankfurt  a.  M.  erbaut  von 
Richard  Lucae,  J.  A.  Becker  und  E.  Giesenberg.  Berlin.  1883. 
13  plates.  *Cab.6o.96.7 

Frankfort-on-the-Main.     Theatres.     Stadttheater. 

Oven,  A.  H.  E.  von.     Das  erste  stadtische  Theater  zu  Frankfurt  a. 

M.    Ein  Beitrag  zur  ausseren  Geschichte  des  Frankfurter  Theaters. 

1751-1872.    Nach  den  Acten  bearbeitet.    Frankfurt  am  Main.     1872. 

Plates.  **T.93.i8 

Freaks. 

Alden,  W.  L.  Among  the  freaks.  With  illustrations  by  J.  F. 
Sullivan  and  Florence  K.  Upton.     London.     1896.     Illus.     Plates. 

4009.359;  **T.97. 1 85 
EscuDiER,  G.     Les  saltimbanques.     Leur  vie —  leurs  mceurs.     Paris. 
1875.     Illus.     Plates.  **T.94.ii 

Interesting  treatise,  An,  on  the  marvellous  Indian  boy,  Laloo. 
[Philadelphia.     188-?]  **T.98.i49 

Siamese  twins.  The,  Chang  and  Eng.  A  biographical  sketch.  With 
sketches  of  the  lives  of  Miss  Swan,  the  Nova-Scotian  giantess, 
and  Zoebida  Luti,  the  lady  of  beauty.  London.  [1869.]  Por- 
traits. **T.56.234 

[325] 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 


Freaks.     (Continued.) 

Tocci  the  wonderful  two-headed  boy!  (Giovanni  and  Giacomo.) 
The  greatest  human  phenomenon  ever  seen  alive!  Boston.  [189-?] 
Illus.  **T.94.29 

Frebault,  filie. 

Les  industriels  du  macadam.  Dessins  par  A.  Humbert.  Paris.  Le 
Chevalier.    1868.    127.  (i)  pp.    Plates.    [Physionomies  parisiennes.] 

Kfhtis  to  tlic   Parisian   street  amusemctUs.  **T.99.43 

Freckelton,  Thomas  Wesley. 

The  church  and  the  drama.  A  sermon  preached  at  Bradford.  January 
29th,  1865.     London.     Maxwell  &  Co.     1865.     27  pp.       **T.96.i30 

In  favor  of  the  tlieatrc. 

Frederick-Lemaitre,  Antoine  Louis  Prosper.     See  Lemaitre,  Frederick. 

Freeburg,  Victor  Oscar. 

Disguise   plots   in   Elizabethan   drama.     A   study   in    stage   tradition. 
Nev/    York.      Columbia    University    Press.      1915.      ix,    241     pp. 
[Co!uml)ia  University  studies  in  English  and  comparative  litera- 
ture.] 6257.380 
Freeman,  John  Ripley. 

On  the  safeguarding  of  life  in  theaters.  Being  a  study  from  the 
standpoint  of  an  engineer.  [New  York.]  1906.  106  pp.  Illus. 
Plates.     Plans.     Tables.  4015.109 

An  address  made  at  the  opening  of  the  annual  meeting  of  the  American   Society 
of   Mi-ehanical    Engineers,   in   New   York   City,    Dec.    4,    1905. 

Freeman,  T.  Bampfylde,  editor. 

Thespian  Oracle,  or  monthly  mirror,  consisting  of  original  pieces 
and  selections  from  perform.ances  of  merit,  relating  chiefly  to 
the  most  admired  dramatic  compositions,  and  interspersed  with 
theatrical  anecdotes.  Vol.  i  (no.  i).  [Jan.  1798.]  Philadelphia. 
1798.     Portrait.  **T.26.62 

Freiesleben,  Gottfried  Christian,  editor. 

GoTT.^cHED,  J.   C.      Nothiger   Vorrath   zur   Gcschichte   der   deutschen 

dramatischen     Dichtkunst,     oder     Verzeichniss     aller     deutschen 

Trauer-  Lust-  und  Singspiele,  die  im  Druck  erschienen,  von   1450 

bis  [zu  1760].     Leipzig.     1757,  65.     2  v.  in  i.     Plate.  *2i75.7 

French,  Charles  Elwell. 

Six  years  of  drama  at  the  Castle  Square  Theatre.  With  portraits 
of  the  members  of  the  company  and  complete  programs  of  all 
plays  produced.  May  3,  1897 -May  3,  1903.  [Anon.]  Boston. 
French.     1903.     406  pp.     Portraits.  4395.188;  **T.77.5 

A  year  of  opera  at  the  Castle  Square  Theatre,  from  May  6,  '95,  to 
May  6,  '96.  Containing  portraits  and  sketches  of  the  principal 
singers,  and  a  record  of  the  casts  of  characters  of  the  various 
operas  produced,  with  a  short  story  of  each.  [Anon.]  Boston. 
French.      1896.      144  pp.     Portraits.  8048.69;  **M.375.8 

French,  Frederick  William. 

Catalogue  of  [his]  valuable  private  library.  To  be  sold  by  auction 
Apr.  23 -Nov.  22,  1901.  Boston.  1901.  4  v.  Portrait.  Plates. 
Facsimiles.     Manuscript  facsimiles.  *6i54.72 

Same.      [Vol.    1-3.]      3  v.  in   2.  **T.65.8 

French  stage,  The,  and  the  French  people.  Lafitte.  J.  B.  P.  **T.57.io3 
Frere,  Benjamin. 

The  adventures  of  a  dramatist,  on  a  journey  to  the  London 
managers.  [Anon.]  2d  edition.  London.  Lackington,  Allen  & 
Co.      1813.     2   V.    in    I.  **T.57.i75 

[326] 


BROWN   COLLECTION    OF  BOOKS    ON    THE   STAGE 


Fretillon,  Madciiwdscllc  Croncl.     Sec  Clairon,  Claire  Joscphe   Hippolyte 

Leris  de  La  Tude,  called   Hippolyte  Clairon. 
Freund,  John  C,  editor. 

Music    and    Drama.      A    review    of    the    stage,    art,    literature    and 

society.      [Weekly.]      Vol.    1-7    (no.    1-12,    16-20).     Jan.    7,    1882- 

Sept.  22,  Nov.  3 -Dec.   i,   1883.     Nevr  York.     1882,  83.     7  v.  in  3. 

Illus.     Portraits.     Plates.  404oa.20o 

Freund,  Julius. 

Buhnensterne.       Bilder     aus     der     Theaterwelt.       Berlin.       Schorer. 

[1890.]      (5),  209    (i)   pp.  **T,88.i3 

Contents.  —  Der  Ga-st.  —  Ins  altere  Fach.  —  Junge  Anf.Hngcr.  —  Alte  Aufhorer. 
—  Zu  klein.  —  Gekiindigt.  —  Eine  Opemprobc.  —  Ein  Fiirst  der  Bretter.  — 
Wic  ein  Stern  aufgeht.  —  Theaterkindcr.  —  Ein  verkommcncs  Genie.  —  Die 
liehen    Kollegen.   —  Vom   alten    Burgtheater.   • —   Karl    Meixner. 

Freund's  Daily.    Vol.  i.    Nov.  25,  1882 -May  17,  1883.     [John  C.  Freund, 
editor.]      New   York.    ^1882,  83.  **M,i5,2 

Previous  to  February  12,  18S3,  this  was  entitled  Daily  Music  iK:  Drama;  from 
February  12 -March  24,  1883,  Freund's  Daily  Music  &•  Drama:  March  26,  1883 
et  seq.,  Freund's  Daily. 

Freund's  Music  and  Drama.     Vol.   1-16.     November   10,   1883 -October 
24,   1891.     New  York.     1883-91.     16  v.     Illus.     Portraits.     Plates. 

*404oa.20i 

A  weekly  publication.  Vols.  1-3  arc  entitled :  Freund's  Weekly.  A  review  of 
music  and  the  drama.  Vol.  2  lacks  nos.  12,  27;  vol.  3,  nos.  2-4,  15-20;  vol.  4, 
nos.  9,  13-15,  21,  22;  vol.  5,  no.  23;  vol.  6,  no.  15:  vol.  7,  nos.  5,  7,  9,  20,  25; 
vol.  8,  no.  I.  This  periodical  was  published  by  Harry  E.  Freund,  and  the  early 
volumes  were  edited  by  John  C.  Freund.  Freund's  Music  and  Drama  was  a 
continuation  of  Music  and  Drama  [*404oa.2oo].  On  January  30,  1892,  it  was 
united  with  the  Week's  Sport  under  the  title:  Illustrated  Sport,  Music  and 
Drama    [*8oooa.52]. 

Same.      Christmas    number,    1886,    89,    90.      New    York.      Harry    F. 
Freund   Publishing  Co.     1886-90.     3  v.     Illus.     Portraits.     *8o54.24 
Freund's  Musical  Weekly.    Business  Bureau. 

Souvenir.  Opera  season,  1893-1894.  Portraits  of  prominent  artists. 
1st  edition.     New  York.     1894.     (3)  pp.     15  portraits. 

No.  2  in  **M.372.55 
See  also  Musical  Age. 
Frey,  Eduard  Ferdinand. 

Biihnenreform  und  Volkstheater.  Ein  Fortschritt  oder  Riickschritt  ? 
Zwei  Aufsatze  Warnung  und  Aufklarung,  von  Ed.  Ferd.  Frey 
und   R.    Gollmer.      Kreuznach.     Schmithals.      1890.     20  pp. 

**T.75.23 

Contents.  —  Biihnenreform-Bestrebungen  und  Dilettantismus.  Von  Ed.  Ferd. 
Frey.  —  Das  deutsche  Volkstheater  im  Lichte  der  modernen  Biihnc.  Von  R. 
Gollmer. 

Frey,  Jules. 

Physiologic  du   Bal   Mabille.     Par  Aug.  Vitu  et  Jules   Frey.     Paris. 

Carrier.     [185-?]     92,   (2)  pp.  **T.99.49 

Freyesleben,  Gottfried  Christian.     See  Freiesleben,  Gottfried  Christian. 

Freytag,  Gustav. 

Die  Technik  des  Dramas.  2e  verbesserte  Auflage.  Leipzig.  Hirzel. 
1872.     (3),  313  pp.  6257.386 

Same.     7e  Auflage.     1894.     (4)-  vi,  314  pp.  6257.387 

Fribbleriad,  The.     [Anon.]     See  Garrick,  David. 

Frick,  Ida  Florentine,  translator. 

Barriere,  J.  F.  Vor  und  auf  den  Bretern.  Schauspieler-Memoiren 
nach  F.  Barriere's  Bibliotheque  des  memoires.  Dresden.  1848, 
49.     2  V.  4679a.67 

[327] 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 

Friedrich,  Friedrich. 

Hinter  den  Coulissen.  Humoristische  Skizzen  und  Bilder  aus  dem 
Schauspielerleben.  Neue  verbesserte  Auflage.  Leipzig.  Friedrich. 
[1886.]      (3),   123  pp.  **T.87.89 

Cirfriits  —  Eire  ambulante  ClescUschaft.  —  Zum  ersten  Mai.  —  Ein  Konigreich 
fur  drei  Gevattern.  —  Durch  Reclame.  —  I'^in  verwunschtes  Dascin.  —  Ein 
Wette.  —   Das    Benefiz.   —   Ein   Gastspiel    Ludwig   Devrients. 

Friend,  A.  to  fair  play  and  a  free  stage. 

Letter,  to  the  Right  Hon.  Robert  Peel,  respecting  the  proposed 
introduction  of  a  bill,  to  repeal  so  much  of  the  Act  of  loth  Geo.  IL 
cap.  28,  as  requires  notice  to  be  sent  to  the  Lord  Chamberlain, 
previously  to  the  representation  of  any  new  play  or  entertainment 
ol  the  stage,  or  a:ny  addition  to  an  old  play;  and  showing  that 
the  consequence  would  be,  to  confirm  the  monopoly  claimed  by 
Drury  Lane  and  Covent  Garden  theatres.  London.  The  Author. 
1829.     12  pp.  **T.76.73;etc. 

Friend,  A,  to  justice. 

A  letter  addressed  to  the  authors  of  the  Lincoln  Dramatic  Censor, 
containing  strictures  and  observations  upon  their  conduct  towards 
the  manager  of  the  Lincoln  Theatre.  Lincoln.  Brooke.  i8og. 
8  pp.  **T.96.i52 

A  reply  to  the  Defence  of  Edmund  Kean.  With  observations  in 
answer  to  the  remarks  on  the  tragedy  of  "The  Italians."  London. 
Miller.     1819.    31  pp.  **T.96.i9 

A  defence  of  Edmund  Kean  may  be  found  on  shelf-numbers  **T.96. 18;  No.  8,  9 
in  **G.3824.i3. 

Friends,  Society  of. 

Theatrical  amusements  and  horse-racing.  Philadelphia.  Friends' 
Book  Store.     1873.     12  pp.  **T.98.i43 

In  opposition  to  the  theatre  and  horse-racing. 

Frikell,  Wiljalba. 

Frikell,  the  world's  greatest  prestidigitateur,  magic  &  chemistry. 
Brief  biographical  sketch  and  anecdotes.  I  New  York?  1873?] 
8  pp.  **T.97.292 

Fritz,  Alfons. 

Die    Kiinstlerfamilie   Lortzing  an   rheinischen    Biihnen.      (In   Archiv 
fiir  Theatergeschichte.   Vol.  i,  pp.  160-168.   Berlin.   1904.)  *6907.i2.i 
Frobisher,  Joseph  Edwin. 

Acting  and  oratory.  New  York.  College  of  Oratory  and  Acting. 
1879.     415   pp.  3597-76 

Frohman,  Charles. 

Marcosson,  L  F.,  and  D.  Frohman.  Charles  Frohman:  manager  and 
man.  With  an  appreciation  by  James  M.  Barrie.  New  York. 
igi6.     Illns.     Portraits.  4343.270;  **T.56.337 

Frohman,  Daniel. 

Charles  Frohman:  manager  and  man.  By  Isaac  F.  Marcosson  and 
Daniel  Frohman.  With  an  appreciation  by  James  M.  Barrie. 
New  York.     Harper.     1916.     (5),  440  pp.     Illus.     Portraits. 

Mentions  many  actors  and  actresses.  4343.270;  **T.56.337 

Memories  of  a  manager.     Reminiscences  of  the  old  Lyceum  and  of 

some  players  of  the  last  quarter  century.     Garden  City,  New  York. 

Doubleday,  Page  &  Co.     191 1.     xvii,  235  pp.     Portraits.     Plates. 

Facsimiles.  6257.65;  **T.57,44i 

Frohman,  Daniel,  prefacer. 

Mai'Is.   v.     Duse  and   the   French.     New- York.      1899.     Portrait. 

**T.95.i9 

[328] 


BROWN   COLLECTION    OF  BOOKS    ON    THE   STAGE 

Frohman,  Daniel,  prcfaccr.     (Continued.) 

Welsh,  R.  E.  A-B-C  of  motion  pictures.  New  York.  fi9i6.] 
Plates.  80393.46 

From  life.     Reeve,  W.  **T.57.i84 

From  pillar  to  post.     Bangs,  J.  K.  24093.349 

From   studio   to    stage.      Grossmith,    W.  4545-173 

From  "The  bells"  to  "King  Arthur."     Scott,  C.  W.     4545.150;  **T. 76.19 
From  the  wings.     Buxton,  B.  H.  **T.83.2 

Frost,  Jonathan  Burwell. 

The  greatest  Hamlet.  An  appreciative  review  of  Hamlet  as  pre- 
sented by  John  E.  Kellerd.  Atlanta.  Frost.  [1915.]  (66)  pp. 
Illus.     Portraits.     Plates.  *4590.i2S 

Frost,  Sarah  Annie. 

The  book  of  tableaux  and  shadow  pantomimes.  New  York.  Dick 
&  Fitzgerald.     [1869.]      180  pp.  40093.260 

Frost,  Thomas. 

Circus  life  and  circus  celebrities.     London.     Tinsley.     1S75.     xvi,  328 

pp.  4009.38;  **T.97.283 

The  lives  of  the  conjurors.     London.     Tinslej^     1876.     viii,  360  pp. 

2469.66;  **T.97.i63 

The   old    showmen,   and   the   old    London   fairs.      London.     Tinsley. 

1874.     xii,  388  pp.  2469.15;  **T.97.326 

Same.    2d  edition.     1875.  **T.97.327 

Fry,  Emma  Sheridan. 

Educational  dramatics.  A  handbook  on  the  educational  player 
method.  New  York.  Moffat,  Yard  &  Co.  1913.  (9),  69  pp. 
[The   Educational   Players  publications.]  35993.68 

Fuerstenau,  Moritz. 

Zur  Geschichte  der  Musik  und  des  Theaters  am  Hofe  zu  Dresden. 

Dresden.     Kuntze.      1861,  62.     2  v.     Plate.         4049.90;  **M.i3G. 10 

Full    and   accurate   account.    A,    of   the    destruction    of    the    Brunswick 

Theatre,    with    the    statements   of    Rev.    G.    C.    Smith,    &    Messrs. 

Wm.  &  Percy  Farren;  letters  of  the  architect;  reports  of  public 

meetings.     With  a  history  of  the  theatre  and  of  the  introduction 

of    theatres    in    the    eastern    part    of    the    Metropolis.      London. 

Robins.     1828.     36  pp.     Plate.  **T.76.i76 

Full  report  of  the  trial  between  Miss  Foote  &  J.  Hayne,  for  a  breach 

of    promise    of    marriage.      7th    edition.      London.      Duncombe. 

[1825?]     26  pp.     Colored  portraits.  **T.58.i9 

Fuller,  Edward,  editor. 

Dram.\tic  year,  The.  1887/88.  Brief  criticisms  of  important  theatrical 
events  in  the  United  States.  W^ith  a  sketch  of  the  season  in 
London   by   William 'Archer.      London.      1888.  **T.27.i9;  etc. 

Fuller,  Loie. 

Fifteen   years   of   a   dancer's   life.     With    some  account   of   her   dis- 
tinguished   friends.      With    an    introduction    by    Anatole    France 
[pseud.].     Boston.     Small,  Maynard  &  Co.     1913.     28S  pp.     Por- 
traits.    Plates.  40493.363 
Fun  in  black.     Day,  C.  H.                                                                     **T.97.32i 
Fun-alive,  pseud.     See  Hardinge,  George. 
Funck,  Z. 

Aus  dem  Leben  zweier  Schauspieler :  August  Wilhelm  Iffland's  und 
Ludwig  Devrient's.  Leipzig.  Brockhaus.  1838.  x,  285,  (1)  pp. 
[Erinnerungen  aus  meinem  Leben  in  biographischen  Denksteinen 
und  andern  Mittheilungen.j  48493.5 

[329] 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 


Fund,  Tlie,  for  the  relief  of  indigent  persons  belonging  to  His  Majesty's 
company  of  comedians  of  the  Theatre  Royal,  Drury  Lane. 
Established,  endowed,  and  incorporated,  by  David  Garrick,  Esq. 
1777.      London.      Lowndes.      1806.      (i),   28   pp.      Portrait. 

No.  9  in  **G.3824.6 

Furies. 

BoETTiGER,  C.  A.  Die  Furienmaske,  im  Trauerspiele  und  auf  den 
Bildwerken  der  alten  Griechen.  Eine  archaologische  Unter- 
suchung.  Weimar.  Hoffmann.  1801.  (3),  145,  (i)  pp.  Illus. 
3  plates,  2  colored.  8076.251 

Same.     Les  Furies,  d'apres  les  poetes  et  les  artistes  anciens. 

Traduction   de  I'allemand  par  T.   F.  Winckler.     Paris.     Delalain. 
An  X  (1802).     (3),  viii,  126  pp.     Plates,  some  colored.        8076.252 
Fusil,  Louise. 

Souvenirs  d'unc  actrice.     Paris.     Dumont.     1841.     2  v.       **T.56.207 

Same.     Memoires  de  Louise  Fusil  (1774-1848).     Avec  vme  preface  et 

des  notes  par  Paul  Ginisty.     Paris.     Schmid.     [1904-]     (3)>  3oo  pp. 

2641.29 
Future,  The,  of  the  theatre.     Palmer,  J.  L.  4579.245 

Fyfe,  H.  Hamilton. 

A  player's  tragedy.     [A  novel.]     London.    Innes  &  Co.    1893.     184  pp. 

**T.88.2i 
Fyles,  Franklin. 

The  theatre  and  its  people.  New  York.  Doubledaj\  Page  &  Co. 
1900.     viii,  259  pp.     Portraits.     Plates.  4343.218;  **T.77. 73 

Fyvie,  John. 

Comedy  queens  of  the  Georgian  era.  London.  Archibald  Constable 
&  Co..  Ltd.     1906.     xi,  445  pp.     Portraits.     Plate.  **T.55.85 

Contents.   —   Introduction.    —   Lavinia    Fenton,    Duchess   of    Bolton    C 1708-1760). 

—  Charlotte  Charkc  (1710-1760).  ■ —  Catherine  Clive  (1711-1785).  —  Margaret 
Woffington  (1720-1760).  —  George  Anne  Bellamj'  (1731-1788).  —  Frances 
Abington  (1737-1815).  —  Sophia  Baddeley  ("1742-1780).  —  Elizabeth  Farren, 
Countess    of    Derby    ( i759?-i829).    —    Mary    Robinson  - 'Perdita' -( 1758-1800). 

—  Mary  Sunibel  - 'Becky'  Wells -( 1759-1826?).  —  Dora  Jordan  U702-1816).  — 
Harriot   Mellon,   Duchess  of  St.   Albans    ( i777?-i837).   —   Index. 

Same.     New  York.     Dutton  &  Co.     1907.  4545.187 

Tragedy  queens  of  the   Georgian  era.     New   York.     Dutton   &   Co. 

1909.     X,  316  pp.     Portraits.     Plates.  4545.183 

Contents.  —  Elizabeth  Barry.  —  Anne  Bracegirdle.  —  Anne  Oldfield.  —  Mary 
Porter.  —  Susannah  Maria  Cibber.  — ■  Hannah  Pritchard.  —  Mary  Ann  Yates.  — 
Anne  Crawford.  —  Elizabeth  Pope.  —  Elizabeth  Inchbald.  —  Sarah  Siddons. 
Julia  Glover.  —  Miss  O'Neill  (Lady  Becher). 


Gabble,   Gridiron,  pseud.     See  Haslewood,  Joseph. 
Gaboriau,  fimile. 

Les  comediennes  adorees.     2e  edition.      Paris.     Dentu.     .1870.      (3), 
310,  (l)  pp.     Portraits.  66493.24 

CoKient.f.  —  Sophie  Arnould.  —  Mile  Raucourt.  —  Mile  de  Camargo.  -  Mme 
Ou  Gazon.  —  Mile  Contat.  —  Mme  Saint-Huberty.  —  Les  comediennes  de 
.Molierc:  Madeleine  liejard  ;  Genevieve  Bejard  :  Mile  Moliere  (Armande  licjard)  ; 
Mile  Du  Pare;  .Mile  De  Brie;  Marotte  Beaupre ;  Mile  Heauval  (Jeanne  Olivier- 
Rourfiruignon)  Mile  Du  Croisy  (Marie  Claveau)  :  Mile  de  La  Grance  iMarie 
Kagucncau). 

Same.    3c  edition.     1873.  **T. 57.319 

[330] 


BROWN   COLLECTION    OF  BOOKS    ON    THE   STAGE 


Gabriel,  Joseph. 

Examcn  des  causes  destructives  du  theatre  de  I'Opera,  et  des  moycns 

qu'on  pourroit  employer  pour  le  retablir;  ouvrage  speculatif  par 

un  amateur  de  I'harmonie  [pseud.].     A  Londres,  et  a  Paris,  chez 

la  veuve  Duchesne.     1776.    40  pp.  No.  3  in  **G.3562.2 

Gaedertz,  Carl  Theodor. 

Zur  Kenntnis  der  alteiiglischen  Biihne  nebst  andern  Beitragen  zur 
Shakespeare-Litteratur.  Bremen.  1888.  Miiller.  viii,  79  pp. 
Plate.  1  4572.101 

Gager,  William. 

Rainolds,  J.    The  overthrow  of  stage-playes,  by  way  of  controversie 

betwixt  D.  Gager  and  D.  Rainoldes,  wherein  all  the  reasons  that 

can  be  made  for  them  are  notably  refuted.     Added  Latine  letters 

betwixt  Rainoldes  and  Gentiles.    At  Oxford.     1629.    **T.77.i39;  etc. 

YouiviG,  C.     An  Elizabethan  defense  of  the  stage.     {In  Shakespeare 

studies.     Pp.   103-124.     Madison.     1916.)  4593.211 

Gaiety,  Boston.     Sec  Boston.     Theatres.     Bijou  theatre. 

Gaillard  de  la  Bataille,  Pierre  Alexandre. 

Histoire  de  Mademoiselle  Cronel  dite  Fretillon,  actrice  de  la  Comedie 
de  Roiien  fClaire  Josephe  Hippolyte  Leris  de  La  Tude].  ficrite 
par  elle-meme.     A  la  Haye,  Aux  depens  de  la  Compagnie.     1741. 

2  V.  in  I.     Portrait.  **T.58.i38 
Gaillet,  Eugene,  and Liebold. 

La  vie  de  Marie  Pigeonnier  par  un  de  ses  **'\  Preface  de  J.  Michepin. 
[ire  edition.]     Paris.     1884.     144  pp.  **T.57.365 

A   reply   to    Marie   Colombier's    Memoires   de    Sarah    Barnum    [66703.64]. 

Same.      [45^  edition.]  **T.57.453 

Same.     Sarah  Barnum's  reply.    The  life  of  Marie  Colombicr.     [Anon.] 

Translated  from  advance  sheets  [by  F.  C.  V.].     New  York.     1884. 

2,7  pp.     Illus.     [The  Brookside  library.     No.  2)77-]  **T.54.i 

Galanteries  d'une  demoiselle  du  monde.     Lamothe-Langon,  £.  L.,  Baron 

Dr.  **T.56.24i 

Galerie  biographique   des  artistes   des   theatres   royaux.      [Anon.]      See 

Laugier,  Adolphe,  and  A.  Mottet. 
Galerie  des  artistes  dramatiques  de  Paris.     Portraits  par  Al.  Lacauchie, 

et    accompagnes    de    portraits    litteraires.      Tome    i,    [2].      Paris. 

Marchant.     i84i[-43].     2  v.  **T.52.ii 

Tome  2   is  imperfect. 

Galerie  des  femmes  de  Shakspeare.  See  Femmes,  Les,  de  Shakespeare. 
Galerie   dramatique,    ou   acteurs   celebres   qui   se   sont    illustrcs   sur  les 

trois  grands  theatres  de  Paris.    Paris.    Hocquart,     180Q.    2  v.  in  i. 

Colored  portraits.  **T.59.49 

Galerie  historique  des  acteurs  du  Theatre  frangais.     Lemazurier,  P.  D. 

**T.56.297;  etc. 
Galerie   theatrale   ou   collection    des    portraits    en    pied    des    principaux 

acteurs  des  premiers  theatres  de  la  capitale.   Paris.   Bance.    [1842?] 

3  V.     Portraits.  **T.5i.i4 

Each  portrait  is  accompanied  by  a  biographical  sketch. 

Same.     Tome  i.  **K.i33.i4 

Plates    1-24  only. 

Galindo,  Catherine. 

Mrs.  Galindo's  Letter  to  Mrs.  Siddons:  being  a  circumstantial  detail 
of  Mrs.   Siddons's  life   for  the   last  seven  years;  with   several  of 
her  letters;     London.     The  Authoress.      1809.     (i),  80  pp. 
Other  copies  are  on  shelf-numbers  No.  i  in  **G.3824.5  :  **T.96.2i5.  **T.96.338 

[331] 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 

Gallerie  von  tcutschen  Schauspielcrn  unci  Schauspielerinnen,  nebst 
Joliann  Friedrich  Schinks  Zusati^en,  und  Berichtigungen.  Mit 
Einleitung  und  Anmerkungen  herausgegeben  von  Richard  Maria 
Werner.  Berlin.  1910.  Ixviii,  xiv,  401  pp.  Facsimile  title-page. 
[Gesellschaft  fiir  Theatergeschichte.     Schriften.     13.]  6907.23 

Gallery  of  players.  [Quarterly.]  No.  1-9,  11.  From  The  Illustrated 
American.  New  York.  The  Illustrated  American  Publishing  Co. 
i894[-97].     10  parts  in  i  v.     Portraits.     Autograph  facsimiles. 

**T.52.9 

No.  I  was  edited  by  Austin  Brcreton :  no.  2,  by  Charles  Fdc.  Nirdlingcr :  nos. 
^_^,^  hy   Maxwell   Hall;    nos.    7-9,  by   Henry  Austin;   no.    ii,  by   Arthur   Hocber, 

Galli,  Giuseppe  da   Bibiena.     See  Bibbiena,  Giuseppe   Galli  da. 
Gallichan,  Walter  M.     (Geoffrey  Mortimer.) 

Like  stars  "that  fall.     London.     Dobell.     1895.     (4),  311pp.     **T,87.5 

A  novel  of  stage  life. 

Gallmeyer,  Josephine. 

Waldstein,  M.     Aus  Wiens  lustigcr  Theaterzeit.     Erinnerungen  an 
Josefine  Gallmeyer.     Berlin.     1885.     Portrait.     4837.20;  **T.57.228 
Gallo,  Andrea. 

Descrizione  istorica,  ed  antiquaria  dell'  antico  teatro  di  Tavormina. 
[Messina?     1773.]      (4),  xx  pp.     Plates.  *4098.igi 

Another  copy  is  on  shelf-number  **G.i7.53.  It  may  also  be  found  in  Opuscoli 
di  autori  siciliani.     Tonio   19,  pp.  245-281    [*4764. 1.19]. 

Gallois,  Charles  Andre  Gustave  Leonard. 

La  caravane  dramatique,  ou  les  virtuoses  aventuriers.  Paris.  Bechet. 
1827.    3  V.     Plates.  **T.87.87 

Gallois,  Leonard.     See  Gallois,  Charles  Andre  Gustave  Leonard. 
Gallois,  Leonard  Joseph  Urbain  Napoleon. 

Biographie  contemporaine  des  artistes  du  Theatre-frangais.  Pre- 
cedee  d'une  notice  historiquc  sur  la  Comedie-frangaise.  Paris. 
Tresse.     1867.     106,  (i)  pp.  **T.56.263 

Gallois,  N.     See  Gallois,  Leonard  Joseph  Urbain  Napoleon. 
Gallus,  Arthur. 

Emma  Calve.  Her  artistic  life,  with  numerous  autograph  pages 
especially  written  by  Mile.  Calve.  New  York.  Russell.  1902. 
(41)   pp.     Illus.     Portraits.     Facsimiles.  4041. 116 

Gait,  John. 

The  lives  of  the  players.     London.     Colburn  &  Bentley.     1831.     2  v. 

45793.219;  **T.56.300 

Contents.  —  i.  Introduction.  —  Charles  Hart.  —  Thomas  Betterton.  —  Edward 
Kynaston.  —  Joseph  Haynes.  —  Robert  Wilks.  —  Nell  Gwinn.  —  William 
Mountfort.  —  Samuel  Sandford.  —  Mrs.  Elizabeth  Barry.  —  Mrs.  Anne  Oldfield. 
—  Richard  Savage.  —  Susanna  Ccntlivre.  —  Colley  Cibber.  —  Thomas  Doggct. — 
Barton  Booth.  —  George  Farquhar.  —  James  Quin.  —  Lacy  Ryan.  —  Mrs. 
Woffington.  —  Thomas  Weston.  —  David  Garrick.  —  Samuel  Foote.  2.  Charles 
Macklin.  —  John  Henderson.  —  Mrs.  Charlotte  Charke.  —  Mrs.  George  Anne 
Bellamy.  —  Arthur  Murphy.  —  Thomas  King.  —  Thomas  Holcroft.  —  George 
Frederick  Cooke.  —  Mrs.  Badtlcley.  — -  Miss  Farren.  —  Mrs.  Jordan.  —  John 
I'hilip  Kemble.  —  John  Emery.  —  Mrs.  Siddons. 

Same.     Boston.     Hill.  **K.35.io 

Galvani,  Livio  Niso. 

1  teatri  musicali  di  Venezia  nel  secolo  xvii  (1637-1700).  Memorie 
storiche  c  bibliografiche.     Milano.     Ricordi.     [1879.]     193,  (i)  pp. 

8052.151 
Galvin,  George.     See  Leno,  Dan. 
Gamble,  George,  preface)-. 

(.'i.ARK,  G.  F.  Scotson-.  The  "halls."  London.  [190-?]  Colored 
portraits.     Colored   plates.  **T. 53.18 

[332] 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 

Garat,  Dominique  Pierre  Jean. 

MiALL,  B.     Pierre  Garat.  singer  and  exquisite:  his  life  and  his  world 

(1762-1823).     New  York.     1913.     Portraits.     Plates.  2643.159 

Garcia,  Gustave. 

The   actors'   art;    a   practical    treatise    on    stag-e    declamation,    public 

speaking-  and   deportment,    for   the   use    of   artists,    students   and 

amateurs.     Illustrated  by  A.   Forestier.     London.     Pettitt   (S:   Co. 

1882.     .(2),  viii,  201   pp.     Illus.     Plates.  3591.54 

Same.     2d   edition.      Simpkin,    Marshall    &    Co.      1888.     xv,    286    pp. 

Illus.      Plates.      Diagrarrj.  **T.77.79 

This   copy    includes  a    sketch   of   the    history   of  the    theatre    from   the    Greeks   to 
the  present  time. 

Garcia,  Manuel. 

Mackinlay,  M.  S.  Garcia,  the  centenarian,  and  his  times.  Being  a 
memoir  of  Manuel  Garcia's  life  and  labours  for  the  advancement 
of  music  and  science.     Edinburgh.     igoS.     Portraits.     Facsimiles. 

4047.302 
Garcia  de  la  Huerta,  Vicente  Antonio. 

La  escena  hespafiola  defendida  en  el  prologo  del  Theatro  hespafiol 
de  D.  Vicente  Garcia  de  la  Huerta,  y  en  su  Leccion  critica.  2^ 
impresion  con  apostillas  relativas  a  varies  folletos  posteriores. 
Madrid,  1786.  en  la  imprenta  de  Hilario  Santos.     (4),  civ,  (i)  pp. 

**D.i7ob.28 
Leccion  critica  a  los  lectores  de  la  memoria  de  Cosme  Damian  sobre 
el  theatro  hespafiol,  &c.  2a  impresion  para  los  lectores  de  la  Ten- 
tativa,  de  las  Reflexiones  de  Thome  Cecial  y  otros  folletos  seme- 
jantes.  Con  licencia  en  Madrid  por  Pantaleon  Aznar,  1786. 
Hi  pp.  **D.i7ob.35 

Gardiner,  ].,  of  Hindmarsh. 

Twenty-five  years  on  the  stage.  The  career  of  an  Australian  actor: 
his  experiences  and  vicissitudes.  Adelaide.  The  "Christian 
Colonist  Office."     [188-?]      (3),   167  pp.  **T.57.348 

Gardiner,  John. 

Speech  delivered  in  the  House  of  Representatives,  the  26th  of  Janu- 
ary, 1792;  on  the  subject  of  the  report  of  the  committee,  appointed 
to  consider  the  expediency  of  repealing  the  law  against  theatrical 
exhibitions  within  this  commonwealth.  Printed  at  the  Apollo 
Press,  in  Boston,  for  the  author.     1792.     159,  (i)  pp.     Plan. 

*43goa.57;**T.76.i3 
Gardner,  Ernest  Arthur,  and  others. 

Excavations  at  Megalopolis,  1890-1891.  By  Ernest  Arthur  Gardner, 
William  Loring,  G.  C.  Richards,  W.  J.  Woodhouse.  With  an 
architectural  description  by  Robert  Weir  Schultz.  London.  Mac- 
millan.  1892.  vii,  (3),  141  pp.  Illus.  Plates.  Plans.  [Society 
for  the  promotion   of   Hellenic   studies.      Suppl.   papers,      i.] 

Describes  the  ancient  amphitheatre.  *296o.8l.I 

Garnerey,  Auguste  Simeon,  illustrator. 

[Recueil  des  costumes  de  tous  les  ouvrages  dramatiques  representes 

avec  succes   sur  tous   les  grands  theatres   de    Paris.     Public  par 

Vizentini,  d'apres  les  dessins  d'Aug.  Garnerey  et  Hipp.  Lecomte. 

Paris.     Engelmann.     18 — ?]     2  v.     371  colored  plates.       *8o72.307 
Gamier,  Charles.    See  Garnier,  Jean  Louis  Charles. 
Garnier,  Jean  Louis  Charles. 

[Nouvel   Opera.     Copies  of  the  original   plans.     Paris.      1867.]     4  v. 

454  plans.  *Cab.6o.72.i 

There  is  no  text. 

[ZZ2,] 


THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 

Gamier,  Jean  Louis  Charles.     (Continued.) 

Le  nouvel  Opera  de  Paris.  Paris.  Ducher  &  cie.  1878-81.  Text. 
2  v.;  Atlas,  2  v.  in  i.     Portrait.     100  plates.  **M.i7.i 

Le  theatre.     Paris.     Hachette  &  cie.     1871.     (3),  vii,  470,  (2)  pp. 

8i05.i;**T.75.46 
Garnier,  Jules  Jacques. 

Les  jeux  du  cirque  et  la  vie  foraine.  Par  Hugues  Le  Roux.  Illus- 
trations de  Jules  Garnier.  Paris.  Plon,  Nourrit  &  cie.  [1889.] 
(5),  V,  (i),  250,  (2)  pp.  Colored  illus.  Colored  portraits.  Fac- 
similes. **T.93.2 

Same.     Acrobats  and  mountebanks.     By  Hugues  Le   Roux  &  Jules 

Garnier.    Translated  from  the  French  by  A.  P.  Morton.     London. 

Chapman  &  Hall,  Ltd.    i8go.    xii,  336  pp.    Tllus.    Portraits.    Plates. 

Facsimiles.  4001.100;  **T.95.85 

Garrick,  David. 

A  catalogue  of  a  collection  of  engravings,  consisting  chiefly  of 
English  and  foreign  portraits,  the  property  of  the  late  David 
Garrick,  Esq..  v\'hich  will  be  sold  by  auction,  by  Mr.  Christie, 
May  the  5th.  1825.     [London.     1825.]     12  pp.     No.  i  in  **G.395i.i7 

A  catalogue  of  [his]  library,  splendid  books  of  prints,  poetical  and 
historical  tracts.  With  the  modern  works  added  by  Mrs.  Garrick. 
Which  will  be  sold  by  auction  by  Mr.  Saunders  April  23.  [Lon- 
don.    1823.]     (4),  90,  90,  2,  2  pp.  **T.65.24 

Another  copy  is  on  shelf-number  No.  2  in  **G.3i5.i9.  • 

The  Fribbleriad.  [Anon.]  London:  Printed  for  J.  Coote.  1761. 
viii,  20  pp.     Portrait.  No.  I4in  **G.3820.9 

A  satirical  reply  to  the  strictures  on  Garrick  signed  X.  Y.  Z.  and  written  by 
"Thady"   Fitzpatrick. 

The  private  correspondence  of  David  Garrick  with  the  most  cele- 
brated persons  of  his  time;  now  first  published  from  the  origi- 
nals. With  notes,  and  a  new  biographical  memoir  of  Garrick. 
London.     Colburn  &  Bentley.     1831,  32.     2  v.     Portrait.     **T.52.3 

Samuel  Johnson's  prologue  spoken  at  the  opening  of  the  theatre  in 
Drury-Lane  in  1747  with  Garrick's  epilogue.  A  facsimile  of  the 
liitherto  undiscovered  first  edition.  With  preface  by  Austin 
Dobson  and  introduction  and  notes  by  A.  S.  W.  Rosenbach. 
New  York.    Dodd,  Mead  &  Co.     1902.    xiv,  12,  xxiv  pp.    Facsimile. 

*4570.ii5 

Some  unpublished  correspondence  of  David  Garrick.,  Edited  bj'^ 
George  Pierce  Baker.  Boston.  Houghton,  Mifflin  &  Co.  1907. 
Portraits.     Plates.     Facsimiles.  *4545.i85 

The  theatres.  A  poetical  dissection.  By  Sir  Nicholas  Nipclose, 
Baronet  [pseud.].  London:  Printed  for  John  Bell.  1772.  iii-viii, 
5-80  pp.     Illus.  **T.54.25 

Same.     2d  edition.  **T.93.3 

.■\nother  copy  is  on  shelf-number  No.  i  in  **G. 3820.9. 

Garrick,  David.     Works  about. 

An'dkkson.   J.    W.      Garrick's   mode    of    reading   the    Liturgy    of    the 

Church  of   England.     London.      1840.  5591.26;  **T.76.i 

Cambridck   Garrick    Club.      The    album    of    the    Cambridge    Garrick 

C  lull:  containing  original  and  select  papers  on  the  drama,  and  the 

proceedings   of   that   society.      Cambridge.      1836.      Portraits. 

**T.58.i43 

CiBUER,    T.      An    epistle    from    Mr.    Thcophilus    Gibber,    to     David 

Garrick.   Es(|.     London.     1735.  **T.56.3i2;  etc 

[334] 


BROWN   COLLECTION   OF  BOOKS    ON   THE   STAGE 


Garrick,  David.     IJ^orks  about.     (Continued.) 

Theophilus  Cibber  to  David  Garrick  ;  with  two  dissertations 

on    theatrical   subjects.     London.      1759.      Portrait.     Plates. 

**G.3933.2;etc. 

Concise  account,  A,  of  Garrick's  Jubilee  held  at  Stratford-upon- 
Avon,  in  honour  of  Shakspeare,  in  1769.  And  of  the  commemora- 
tive festivals-  in    1827  and   1830.     Stratford-upon-Avon.      1830. 

No.  4  in  **G.3942.3 

Daniel,  G.  Garrick  in  the  green  room!  A  biographical  and  critical 
analysis  of  a  picture,  painted  by  William  Hogarth.  London. 
1829.     Plate.  No.  i5in**G.3823.i5 

David  Garrick.     [London.     185S.]  No.  6  in  **G.62.5 

Davies,  T.  Memoirs  of  the  life  of  David  Garrick.  With  characters 
and  anecdotes  of  his  theatrical  contemporaries.  London.  1780. 
2  V.     Portrait.  **T.57.52;  etc. 

Dialogue,  A,  between  tlie  Earl  of  C d  and  Mr.  Garrick.  in  the 

Elysian  shades.     [Verse.]     London.     1785.  No.  5  in  **G.382o.ii 

D — RY-L-NE  P — yh-se  broke  open.     In  a  letter  to  Mr.   G ■.. 

London.     1748.     Portraits.  No.  3  in  **G.3823.i6 

Essay,  An,  on  acting:  in  which  will  be  considered  the  mimical 
behaviour  of  a  certain  fashionable  faulty  actor;  to  which  will 
be  added  a  short  criticism  on  his  acting  Macbeth.     London.     1744. 

**G.3925.2o 

F.,  E.  Mr.  Garrick's  conduct,  as  manager  of  the  Theatre-Royal  in 
Drury-Lane,  considered.  In  a  letter  addressed  to  him.  London. 
[1747.]  No.  6  in  **G.3824.i 

FiLON,  P.  M.  A.     L'eleve  de  Garrick,  1780.     [Roman.]     Paris.     [i8qi.] 

6698.134;  **T.87.4i 

Same.     Garrick's  pupil.     Chicago.     1893.  **T.88.2 

Fitzgerald,  P.  H.     The  life  of  David  Garrick;  from  original  family 

papers,  and  numerous  published  and  unpublished  sources.  Lon- 
don.    1868.     2  V.     Portraits.  2545.18;  **T.56.i27 

Fizgig,  or  the  modern  Quixote,  a  tale  [in  verse];  relative  to  the 
late  disturbances,  at  Drury-Lane  and  Covent-Garden  Theatres. 
London.     1763.  No.  6  in  **G.3947.2 

Foote,  S.  a  treatise  on  the  passions,  so  far  as  they  regard  the 
stage;  with  a  critical   enquiry  into   the  theatrical  merit  of   Mr. 

G k,   Mr.  Q n,  and   Mr.    B y.     The   first  considered  in 

the  part  of  Lear,  the  two  last  opposed  in  Othello.  London. 
[1747.]  **T,77.27;  etc. 

Fund,  The,  for  the  relief  of  indigent  persons  belonging  to  His 
Majesty's  company  of  comedians  of  the  Theatre  Royal,  Drury 
Lane.  Established,  endowed,  and  incorporated,  by  David  Gar- 
rick, Esq.     1777.     London.     1806.     Portrait.         No.  g  in  **G.3824.6 

H.,  J.  F.     David  Garrick.     [London.     1864.]  No.  7  in  **G.62.5 

Hedgcock,  F.  a.  Un  acteur  cosmopolite.  David  Garrick  et  ses 
amis  frangais.     Paris.     191 1.     Portraits.     Plate.  4579.240 

Same.     A  cosmopolitan  actor.     David  Garrick  and  his  French 

friends.     New   York.      [1912.]      Portraits.      Plates.  4545.181 

Hill,  Sir  J.     To  David  Garrick,   Esq.;  the  petition   of  L     In  behalf 
A      of  herself  and  her  sisters.     London.     1759.  **T.97.i2o;  etc. 

\//'Jarvis,   J.     Correct   detail   of  the   ceremonies   attending   the   Shake- 
s' spearean   gala,   celebrated    at    Stratford-upon-Avon,    April   23-25, 
1827,  with  some  account  of  "Garrick's  Jubilee,"  in  1769.    Stratford- 
upon-Avon.      [1827.]      Plate.  **T.56.i96;etc. 


[335] 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 

Garrick,  David.     IVorks  about.     (Continued.) 

Juvenile  adventures.  The,  of  David  Ranger,  Esq.;  from  an  original 
manuscript  found  in  the  collections  of  a  late  noble  lord.  London. 
1757-     2  V.  6579.4 

Kenrick,  VV.  Love  in  the  suds;  a  town  eclogue.  Being  the  lamenta- 
tion of  Roscius  for  the  loss  of  his  Nyke.  With  annotations  and 
an  appendix.     London.     1772.  **T.55.i7 

Knight,  J.  David  Garrick.  With  etched  portrait  by  W.  Boucher. 
London.     1894.  454oa.i47;**T.55.59 

Letter,   A,    of   abuse,    to    D...d    G k,    Esq.      |A    satire    on    the 

detractors  of  Garrick.]      London.      I757-  No.  10  in  **G.3824,i6 

Letter,    A,    to    Mr.    G k,    relative    to   his    treble    capacity    of 

manager,  actor,  and  author;  with  some  remarks  on  Lethe.  Lon- 
don.    1749.  No.  12  in  **G.3824.i6 

Letter,  A,  to  Mr.  Garrick  on  his  having  purchased  a  patent  for 
Drury-Lane    Play-House.      London.      [i747]  **T.97.44;  etc. 

Letter,  A,  to  Mr.  Garrick  on  the  opening  of  the  theatre,  with 
observations  on  the  conduct  of  managers,  to  actors,  authors,  and 
audiences:   and   particularly   to   new-performers.     London.      1758. 

No.  9in**G.3824.i6 

Life,  The,  of  David  Garrick.  By  Percy  Fitzgerald.  [A  review. 
London.     1868.]  '  No.  8  in  **G.62.5 

Lloyd,  E.  An  epistle  to  David  Garrick,  Esq.  [Verse.]  London. 
1773.     Plate.  **G.3947.i3;  etc. 

Macklin,  C.  Mr.  Macklin's  Reply  to  Mr.  Garrick's  Answer.  Pre- 
fix'd,  all  the  papers,  which  have  publickly  appeared,  in  regard  to 
this   important   dispute.      London.      1743.  **T.97.323;  etc. 

Miles,  W.  A.  A  letter  to  Sir  John  Fielding,  Knt.  Occasioned 
by  his  extraordinary  request  to  Mr.  Garrick  for  a  suppression 
of  the  Beggars  Opera.  To  which  is  added  a  postscript  to  D. 
Garrick,  Esq.     London.      1773.  No.  7  in  **G.3823.4.2 

Monody,  A,  to  the  memory  of  David  Garrick,  Esq.  fA  r-oem.] 
London.     1779.  No.  6  in  **G.3824.i4 

Mi-RPHY,  A.  The  life  of  David  Garrick.  London.  t8oi.  2  v.  Por- 
trait. 4545.25;  **T.56.i43;  etc. 

Same.    Vie  de  David  Garrick,  suivie  de  deux  lettres  de  Noverre 

a  Voltaire  sur  ce  celebre  acteur,  et  de  I'histoire  abregee  du  theatre 
anglais,  depuis  son  origine  jusqu'a  la  fin  du  xviiic  siecle.  [Anon.] 
Paris.     An    IX.      [1800/01.]      Portrait.  **T.58.9o;  etc. 

Parson.s,  F.   M.     Garrick  and  his   circle.     New   York.      1906.     Por- 
traits.    Plates.  4544.221 
PiTTARD,  J.     Observations  on    Mr.   Garrick's  acting;    in  a   letter   to 
the  Right  Hon.  the   Earl  of  Chesterfield.     London.     1758. 

**T.97.ii9;  etc. 

Pursuit  after  happiness:  a  poem.     To  which  is  added,  an   Ode  to 

Mr.   Garrick,   on   his  quitting  the   stage.     Also   An   elegy  on   the 

death  of  Mr.    [Spranger]    Barry.     London.     1777.  *657i.3 

Roi:ertson.  T.  W.     David   Garrick.     A  love  story.     London.     1865. 

**T.87.76;etc. 

SnKkiiJAN,  R.   B.   B.     Verses  to  the  memory  of  Garrick.     Spoken  as 

a  monody,  at  the  Theatre  Royal  in  Drury-Lane.     London.     1779. 

**T.94.4;  etc. 

Same.     The  tears  of  genius.     A   monody.      On    the   death    of 

Mr.  Garrick.     Dublin.     1780.  **T.57.403 

SMVni,  J.     David  Garrick.     London.     [1807.]  **T.59.i6 

[336] 


BROWN   COLLECTION    OF   BOOKS    ON    THE   STAGE 


Garrick,  David.     Works  about.     (Continued.) 

Taylor,  T.     The  great  actors  of   1775.     [London.      1863.] 

No.  3  in  **G.62.5 
WiiLiAMS,  D.     A  letter  to  David  Garrick  on  his  conduct  as  principal 
manager  and   actor   at    Drury-Lane.      [Anon.]      London.      177J. 

**T.56.237 
WiNSOR,   J.      Stage-struck.      [Boston.      1868.]      No.  15  in  **G.393o.i3.i 
Garrick,  David.     Portraits. 

Verplanck,  G.  C.  Garrick:  his  portrait  in  New  York,  its  artist,  and 
history.  [A  letter  addressed  to  A.  M.  Cozzens  read  at  the  Sketch 
Club,  January  9,   1857.]      New  York.     1857.     Portrait.  *6545.9 

Garrick,  Ray,  pseud.    See  Carragher,  P.  Charles. 
Garrick  Club,  Cambridge.  England.     See  Cambridge  Garrick  Club. 
Garrick  Club,  London. 

Bakiiam,  R.  H.  The  Garrick  Club.  Notices  of  one  hundred  and 
thirty-five    of    its    former    members.       [New    York.]       1896. 

**T.S5.i26 
Fitzgerald.    P.    H.     The    Garrick    Club.     London.      1004.      Portraits. 
Plate.  2492.68;  **T.94.io 

Garrick,  ou  les  acteurs  anglois.     [Anon.]     See  Sticotti,  Antonio  Fal)iii. 
Garrick's  looking-glass.     Jackson,  S.   P.  **T.98.53 

Garrick's  pupil.    Filon,  P.  M.  A.  **T.88.2 

Garrison,  Lloyd  McKim. 

An  illustrated  history  of  the  Hasty  Pudding  Club  theatricals.  With 
an  introduction  by  J.  T.  Wheelwright.  Cambridge.  1897.  35, 
(236)  pp.     Illus.     Plates.  *448oa.i57 

Gaucherel,  Leon,  illustrator. 

Sarcev,  F.  Comediens  et  comediennes.  Notices  par  F.  Sarcey.  Por- 
traits par   L.   Gaucherel  &  Ad.   Lalauze.      Paris.      1876-84.     2  v. 

**T.55.i3;etc. 

SouBiES,  £.  J.  A.     Le  theatre  en  France  de  1871  a  1892.     [Par]  Albert 

Soubies.      Eaux-fortes   par    Gaucherel    et    Lalauze.      Paris.      1893. 

Portraits.  **T.79.3 

Gaudefroy,  A. 

Les  premieres  au  theatre  de  Lille.  1895-96 — 1896-97.  Lille.  1897. 
61,  (2)  pp.  **T.97.iis 

Criticisms  of  operas  and  operettas. 

Gaugiran-Nanteuil,  Charles. 

Vie  de  Franqois-Rene  Mole,  comedien  frangais.  [Anon.  Par  C.  G. 
fitienne  et  C.  Gaugiran-Nanteuil.]  Paris.  Desenne.  An  XL- 
1803.     223,    (i)    pp.      Portrait.  _  **T.58.87 

Gaullieur,  Eusebe  Henri  Alban. 

Des  mysteres  et  de  I'art  dramatique  en  Suisse  apres  la  Reforme, 
ou  essai  sur  quelques  drames  en  langue  frangaise,  des  xvi^  et 
xviie  siecles.     [N.  p.     18 — ?]     133-148,  11  pp.         '  **T.95.i4i 

Two  articles  cut  from  a  magazine. 

Gauthier, . 

Code  des  theatres.    Ou  manuel  a  I'usage  des  directeurs,  entrepreneurs 

et  actionnaires  de  spectacles,  des  auteurs  et  artistes  dramatiques, 

■     etc.     Par  A.  Vulpian  et  Gauthier.     Paris.     Waree.     1829.     (3),  iv, 

440  pp.  **T.79.i4 

Gauthier,  Edouard,  editor. 

Almanack  de  "La  Rampe."  Actrices  parisiennes.  [Paris.  1901.] 
Portraits.  **T.26.2i 

Gauthier,  Theophile.     See  Gautier,  Theophile. 

[2,2,7] 
22 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 


Gautier,  Theophile. 

Histoire  de  I'art  dramatique  en  France  depuis  vingt-cinq  ans.  Leip- 
zig [&  Bruxelles].     Hetzel.     1858,  59.     6v.  **T.47.8o 

Reviews  of  performances  at  Paris  theatres. 

Same.     Paris.  6675.7 

Militona.     Bruxelles.     Tarride.     1847.     143  pp.  **T.89.4 

A  story  of  bull-fighting. 

Gautier,  Theophile,  prefacer. 

Berger.at.  a.  fi.  Peintures  decoratives  dc  Paul  Baudry  an  L,'rand 
foyer  de  I'Opera.     Paris.     1875.  **M.i  18.14 

Gavarni,   psciid.      See   Chevallier,    Hippolyte    Guillaumc    Sulpice. 
Gavaudan  family. 

P.\ROissE-PouGiN,  F.  A.  A.  Figures  d'Opera-comique:  Madame  Du- 
gazon,    Ellevinu,    Les    Gavaudan.      Paris.      1875.      Portraits. 

**M.i37.2 
Gayley,  Charles  Mills. 

Beaumont  the  dramatist.  A  portrait.  With  some  account  of  his 
circle,  Elizabethan  and  Jacobean,  and  of  his  association  with  John 
Fletcher.  New  York.  The  Century  Co.  1914.  (11),  445  pp. 
Portraits.  Plates.  Facsimiles.  Genealogical  charts.  4579.238 
Plays  of  our  forefathers,  and  some  of  the  traditions  upon  which 
they  were  founded.  New  York.  Duf field  &  Co.  1907.  xi,  (i), 
349  pp.     Plates.  2571. 114 

.•\n  account  of  English  drama  in  the  Middle  Ages. 

Gebbie,  George,  editor. 

The  stage  and  its  stars,  past  and  present.  Edited  by  Howard  Paul 
and  George  Gebbie.  Philadelphia.  [1895?]  2  v.  Illus.  Por- 
traits.    Plates.  **T.5i.3 

Geere,  John. 

Serious  considerations  on  plays,  games,  and  other  fashionable  diver- 
sions. Shewing  the  sinfulness,  and  dangerous  tendency  thereof. 
Guildford:  Printed  for  the  author,  by  Charles  Martin,  and  sold 
by  him.     1763.    47  pp.  **T.96.7i 

Gehrts,  M. 

A  camera  actress  in  the  wilds  of  Togoland.  The  adventures, 
observations  &  experiences  of  a  cinematograph  actress  in  West 
African  forests  whilst  collecting  films  depicting  native  life  and 
when  posing  as  the  white  woman  in  Anglo-African  cinemato- 
graph dramas.  Wth  an  introduction  by  Major  H.  Schomburgk. 
Philadelphia.  J.  B.  Lippincott  Co.  1915.  xx,  17-316  pp.  Por- 
traits.    Plates.     Folded  map.  3057.239 

Geier,  John. 

Thcspis  on  tryal,  or  the  moralitie  of  playes  considered.  Translated 
out  of  the  Latin  by  A.  C,  Gent.  1685.  Edinburgh.  Privately 
printed.     1^87.     36  pp.     [Bibliotheca  curiosa.]  **T.96.320 

Contains  a  rcprofiuction  of  the  title-page  of  the  edition  of  1685,  having  the  title 
The  tryal  of  Thespis  upon  the  indictment  of  immorality.  Appended  is:  The 
stage  in  England.  1625-1670.  From  Wright's  IHstoria  histrionica.  Another 
copy  is  on  shelf-number  '4578.101. 

Geiger,  Eugen  Ludwig. 

Ein  Berliner  Theatcrskandal,  1810.  (In  Archiv  fiir  Theatergeschichte. 
Vol.    I,  pp.  65-85.     Berlin.      1904.)  *6907.i2.i 

The  scandal  concerned  Iffland. 

Goethcs  Inlcrcssc  an  Frankfurter  Theaterverhaltnissen.  (In  Archiv 
fur    Theatergeschichte.      Vol.    2,    pp.    88-94.      Berlin.      1905.) 


*6907.i2.2 


[338] 


BROWN   COLLECTION    OF  BOOKS    ON    THE   STAGE 

Geiger,  Eugen  Ludwig.     (Continued.) 

Milliners  Beziehungen  zu  Berlin.     (In  Archiv   fiir  Theatcrgcscliiclitc. 
Vol.  2,  pp.  151-168.     Berlin.     1905.)  *6907.i2.2 

Mulhier's  plays  were  produced  at  tlie  theatre  in   'Berlin. 

Geiger,  Eugen  Ludwig,  editor. 

Iffland.  a.  W.  Briefe  an  seine  Schwester  Louise  und  andere 
Verwandte,    1722-1814.      Berlin.      1Q04.      Portrait.  *6907.i6 

Briefe,   meist   an   seine    Schwester.      Berlin.      IQ05.      Portraits. 

*6907.i7 
Gellert,  Georg. 

Ludwig  Barnay.  Ein  Kiinstlerleben.  Berlin.  Dierig  &  Siemens. 
1890.     30  pp.      Portrait.     Autograph    facsimile.  **T.96.350 

Genast,  Eduard. 

Aus  Weimars  klassischer  und  nachklassischer  Zeit.  Erinnerungen 
eines  alten  Schauspielers.  Neu  herausgegeben  von  Robert  Kohl- 
rausch.  2.  Auflage.  Stuttgart.  Lutz.  [191 2?]  374  pp.  Por- 
traits.     [Memoirenbibliothek.     Neue   Serie.]  2877.210 

/~  Contains   much   about    Goethe   and   his   management   of   the   Weimar   Ilofthcater. 

^V^Genee,  Rudolph. 

^^  Die  englischen  Mirakelspiele  und  Moralitaten  als  Vorlaufer  des 
englischen  Dramas.  Berlin.  Habel.  1878.  ^2  pp.  [Sammlung 
gemeinverstandlicher  wissenschaftlicher  Vortrage.     Serie   13.] 

No.  15  in  *59i4.5o.i3 

Hundert  Jahre   des    Koniglichen    Schauspiels    in    Berlin.      Nach    den 

Quellen  geschildert.     Berlin.     Hofmann  &  Co.     1886.     viii.  180  pp. 

lUus.     Portraits.  4837.19 

Lehr-   und   Wanderjahre   des   deutschen    Schauspiels.     Vom    Beginn 

der    Reformation    bis    zur    Mitte    des    18.    Jahrhunderts.      Berlin. 

Hofmann  &  Co.     1882.     vii,  400  pp.     Plan.      [Allgemeiner  Verein 

fiir   deutsche    Litteratur.]  4872.17;  **T.47. 45 

General  view,  A,  of  the  stage.     Derrick,  S.  **T.47.95 ;  etc. 

Genest,  John. 

Some  account  of  the  English  stage,  from  the  Restoration  in  1660 
to   1830.      [Anon.]      Bath.     Carrington.      1832.      10  v.  **T.75.45 

Another  copy  is  on  shelf-number  **G. 3822.8. 

Geneva,  Sii:it:;erland..    Theatres. 

Laval.  P.  A.  P.  A.  Laval  comedien,  a  J.  J.  Rousseau  sur  les  raisons 
qu'il  expose  pour  refuter  M.  d'Alembert,  qui  dans  le  vii.  volume 
de  I'Encyclopedie,  article  Geneve,  prouve  que  Tetablissement 
d'une  comedie  dans  cette  ville  y  feroit  reunir  la  sagesse  de 
Lacedemone  a  la  politesse  d'Athenes.  A  la  Haye.  1758.  **T.77.87 
Geneva,  Switserland.     Viezvs. 

BuRFORD,  R.  Description  of  the  view  of  the  city  and  lake  of  Geneva, 
and  surrounding  country,  now  exhibiting  in  the  Rotunda. 
Chambers-street  .  .  .  1826.      New    York.      1829.      lUus.      Plate. 

4864.25 ;  etc. 
Genial  showman.  The.     Hingston,  E.  P.  4446.213;  **T.57. 167;  etc. 

Gens,  Les,  de  theatre.     Veron,  P.  **T.87.8o 

Gensichen,  Otto  Franz. 

Berliner  Hofschauspieler.  Silhouetten.  Berlin.  Grosser.  1872.  135 
pp.  **T.96.35i 

Co>!tents.  —  Ludwig  Dessoir.  —  Luise  Erhartt.  —  Gustav  Berndal.  ■ —  Johanna 
J achmann- Wagner.  —  Theodor  Liedtcke.  —  Johanna  Buska.  —  Theodor  Doring. 
—  Minona  Frieb-Blumauer. 

Gentiles,  Albericus.    See  Gentili,  Alberico. 

[339] 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 


Gentili,  Alberico. 

Rainolds,  J.  The  overthrow  of  stagc-playes,  by  way  of  contro- 
versie  betwixt  D.  Gager  and  D.  Rainoldes,  wherein  all  the  reasons 
that  can  be  made  for  them  are  notably  refuted.  Added,  Latine 
letters  betwixt  Rainoldes  and  Gentiles.     Oxford.     1629. 

**T.77.i39;  etc. 
Gentleman,  Francis. 

The  modish  wife.  A  comedy,  to  which  is  prefixed  a  summary  view 
of  the  stage.  [Anon.]  London:  Sold  by  T.  Evans.  [i775-]  (3). 
80  pp.  No.  3  in  **G.3823.i9 

Tin  essay  relates  to  the  theatre  in  Great  Britain. 
Gentleman,  A.  formerly  of  Gray's  Inn,  psexid.     See  Holt,  John. 
Gentleman,  A,  of  Covent-Garden  Theatre,  pseud. 

Memoirs  of  George  Anne  Bellamy,  including  all  her  intrigues:  with 
genuine    anecdotes    of    all    her    public    and    private    connections. 
London:  Printed   for  J.  Walker.     1785.     (i),  204  pp.         **T.58.58 
Gentleman,  A,  of  the  Inner  Temple,  pseud. 

An  examen  of  the  historical  play  of  Edward,  the  Black  Prince;  or, 
the  battle  of  Poictiers.  With  a  critical  review  of  Mr.  Barry,  in 
the  character  of  Ribemont.  London,  Printed  for  G.  Jones.  1750. 
(i),  25  pp.  No.  3  in  **G.3925.3 

Other    copies    are    on    shelf-numbers    No.  lo  in  **G.3823.9  ;     No.  4  in  **G. 3823. 13. 

Gentleman,  A,  of  the  Middle-Temple,  pseud. 

Remarks  on  Mr.  Colman's  preface:  also  a  summary  comparison 
of  the  play  of  the  Iron  chest  with  the  novel  of  Caleb  Williams. 
London:  Sold  by  Miller.     [1796.]     31  pp.  No.  3  in  **G.3822.2 

Relates  to  the  controversy  between   Colman   and   Kemble. 

Gentleman,  A,  of  the  University  of  Oxford,  pseud.     See  Hill,  Sir  Richard 

Baronet. 
Gentleman  player,  A.     Stephens,.  R.   N.  **T,87.i8 

Genuine  collection,  A,  of  O.  P.  songs,  whimsical  and  satirical,  among 
which  are  many  originals,  never  before  printed.  To  which  is 
added  the  toasts  and  sentiments  given  by  the  O.  P.'s.  Also  the 
terms  of  peace.     London.     Mace.     [1809?]     23,  (i)  pp. 

No.  2  in  **G.3823.2 

Thi-  O.  P.  songs  refer  to  the  fight  against  John  Philip  Kemble  for  a  return  to 
the  old  firiccs  in  the  Covent  Garden  Theatre. 

Genuine  narrative.  A,  of  the  life  and  theatrical  transactions  of  Mr.  John 
Henderson,  commonly  called  the  Bath  Roscius.     London:  Printed 
for  T.  Evans,  and  sold  by  S.  Leacroft.    1777.    (i),  60  pp.   **T.96.2i6 
Same.     3d  edition.     Printed  for  J.  Ireland.     1778.     (3),  vii,  60  pp. 

**T.56.74 
Geoffroy,  Charles  Michel. 

Nouvclle  galerie  des  artistes  dramatiques  vivants.  Contenant  40 
portraits  des  principaux  artistes  dramatiques  de  Paris,  par  Ch. 
Geoffroy.  Chaque  portrait  est  accompagne  d'une  notice  bio- 
graphique  et  d'une  appreciation  litteraire  par  Alex.  Dumas,  .\lbert 
Cler,  Arnould.  Precede  d'une  introduction  par  fidouard  Plouvier. 
Paris.     Librairie  theatrale.     1855.     2  v.     Portraits.  **T.53,9 

Geoffroy,  Julien  Louis. 

Cours  de  litterature  dramatique,  ou  recueil  par  ordre  de  matieres  des 
feuilletons  de  Geoffroy,  precede  d'une  notice  historique  sur  sa  vie. 
Paris.    Blanchard.    1819,  20.    5  v.    Manuscript  facsimile.    **T,46.46 

Contents.  —  I,  2.  Theatre  francais.  3.  Theatre  frangais.  —  Autcurs  contem- 
Itorains  de  Geoffroy.  4.  Theatre  fran^ais.  —  Theatre  de  Louvois  et  de  I'Odeon, 
—    Notice    hislorifjue    sur    quelques    aiicicns    comediens    fran<;ais.      5.    Academic 

[340] 


BROWN   COLLECTION    OF  BOOKS    ON    THE   STAGE 


Geoffroy,  Julien  Louis.     (Continued.) 

royalc  de  musique.  —  Ballets  pantomimes.  —  Opcra-comique.  —  Opera-buffa.  — 
Theatre  du  vaudeville.  —  Theatre  des  varietes.  —  Theatre  de  la  gaicte.  —  Thdatre 
de  I'ambigu-comique.  —  Theatre  des  jeuncs  artistes.  —  Theatre  de  la  Porte  Saint- 
Martin.  - —  Pantomimes.  —  Cirque  olympique.  —  Danseurs  de  corde.  —  Debuts 
au  Theatre-frangais.  Querellcs  Htteraires. 

■Same.     2e  edition.     1825.     6  v.  2670.31 

Contents.  —  1-4.  Theatre-francais.  5.  Theatre  de  Louvois  et  de  I'Odeon.  — 
Academic  royale  de  musique.  -^  Ballets  pantomimes.  —  Opera-comique.  —  Opera- 
buffa.  6.  Theatre  du  vaudeville.  —  Theatre  des  varietes.  —  Theatre  de  la  gaite. 
—  Theatre  de  I'ambigu-comique.  —  Theatre  des  jeunes  artistes.  —  Theatre  de 
la  I'orte-Saint-Martin.  —  Pantomimes.  —  Cirque  olympique.  —  Danseurs  de 
corde.  —  Spectacle  de  M.  Pierre.  —  Notice  historitiue  sur  quelques  anciens 
comediens  frangais.  —  Examen  du  jeu  des  principaux  acteurs  du  Theatre- 
francais.  —  Debuts  au  Theatre-frangais.  —  Querelles  Htteraires.  —  Sur  I'instruc- 
tion  publique.  —  Commentaire  sur  Racine. 

Manuel  dramatique,  a  I'usage  des  auteurs  et  des  acteurs,  et  necessaire 
aux  gens  du  monde  qui  aiment  les  idees  toutes  trouvees,  ct  les 
jugemens  tout  faits.     Paris.     Painparre.     1822.     (i),  xxiv,  404  pp. 

**T.49.ii 
George  IV.,  of  England. 

Barker,  H.  A.     Description  of  the  procession  on  the  coronation  of 

His  Majesty  George  the  Fourth:  July  ig,  1821.     Now  represented 

and    exhibiting   in    Henry    Aston    Barker's    Panorama,    Leicester 

Square.     London.     1823.  **T.96.205 

George,  Marguerite  Josephine  Weymer,  called  Mademoiselle  George. 

A  favourite  of  Napoleon.    Memoirs  of  Mademoiselle  George.    Edited, 

from  the  original  manuscript,  by  Paul  Cheramy.     London.     Nash. 

1909.     320   pp.      Portraits.  **T.56.72 

George,    Marguerite    Josephine    Weymer,    called    Mademoiselle    George. 

Works  about. 

BouLLAULT,  M.  J.     La  conjuration  de  M'le  Duchesnois,  contre  Mll« 

Georges  Weymer,  pour  lui  ravir  la  couronne.     Paris.     An  XL= 

1803.     Portrait.  No.  6  in  **G.3562.2 

Laboullaye,  F.  S.  de.     Le  Theatre  frangais.  Mademoiselle  Georges- 

Weimer  et  I'Odeon,  apprecies  dans  I'interet  de  I'art  dramatique. 

Paris.     1822.  No.  18  in  **G.3562.i 

Gereon,  Leonard  de. 

La  rampe  et  les  coulisses.  Esquisses  biographiques  des  directeurs. 
acteurs  et  actrices  de  tous  les  theatres.     Paris.     1832.     292  pp. 

Relates  to   Paris.  **T.57.36 

Gerhard,  William  Paul. 

The  essential  conditions  of  safety  in  theatres.     An  essay  on  modern 

theatre  planning,  construction,  equipment  and  management.     New 

York.     [Parkhill.]      1894.     39  PP-  4014.128 

Needed   improvements    in    theatre    sanitation.      [New    York.      1899.] 

14  pp.  4014.129 

The    safety   of   theatre   audiences    and    the    stage   personnel    against 

danger    from   fire   and   panic.      London.      1899.     43   pp.      [British 

Fire    Prevention    Committee.]  4019.180;  **T.76.52 

Theatre  fire  catastrophes  and   their  prevention.     New  York.     1894. 

23  pp.  4014.127 

Theatre  fires  and  panics;   their  causes  and  prevention,     ist  edition. 

1st  thousand.     New  York.     Wiley.     1896.     vii,  175  pp.     Table. 

Literature  on  theatres,  pp.    165-175.  8oi5*I79 

Theatre  sanitation.  A  .paper  read  at  the  meeting  of  the  American 
Public  Health  Association,  Ottawa,  Canada,  Sept.  27,  1898. 
Brooklyn,  N.   Y.      [1898.]      15  PP-  5766.66 


[3411 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 


Gerhard,  William  Paul.     (Continued.) 

Theatres.  Their  safety  from  fire  and  panic,  their  comfort  and 
healthfulness.     Boston.     Bates   &   Guild   Co.      1900.      (7),    no  pp. 

4019-133 
Same.    2d  edition.     New  York.    The  Baker  &  Taylor  Co.     1917.     (7), 
no  pp.  40193.346;  **T.76.2oi 

The  water  service  and  fire  protection  of  theatres.  A  paper  prepared 
for  the  annual  meeting^  of  the  New  England  Waterworks  Associa- 
tion held  in  Boston.  New  York.  Irving  Press.  1894.  43  pp. 
Table.  4014.126 

Germain,  Auguste. 

Albert  Brasseur.     Paris.    Juven.     [1898.]     96  pp.     Portraits.     [Acteurs 

et  actrices  d'aujourd'hui.]  **T.93.i2 

Les  dessous  du  theatre.     Les  agenccs  dramatiques  et  lyriques.     Avec 

une  preface  par  fimile  Bergerat.     Paris.     Perrin  &  O^.     1891.     (3), 

vii.  48  pp.  **T.77,90 

German  drama.  The,  in  English  on  the  New  York  stage.     Baker,  L.  C. 

4393-227 
German  drama;  The,  on  the  St.  Louis  stage.     Nolle,  A.  H.        4393.228 

German  opera.  The.     Rattler,  M.,  pseud.  No.  21  in  **G.3822.i 

Germany.     Theatres. 

Barnav,  L.     Erinnerungen.     Berlin.     1903.     2  v.     Portraits.     Plates. 

2877.137 
Bertram,  A.     Theater-Wespen.     Enthiillungen,  Skizzen,   Bilder  und 

Chargen  aus  dem  Theaterleben.     Als   Beitrag  zur  Eledigung  der 

Reorganisirungsfrage    des    Theaterwesens.      Berlin.      1863. 

**T.97.i97 
Bettelheim,  a.     Die  Zukunft  unseres  Volkstheaters.     Zehn  Aufsatze 

aus  den  Jahren   1882-1892.     Berlin.     1892.  **T.96.264 

Boree,  a.     Thalia  auf  der  Landstrasse.     Heiteres  und  Ernstcs  aus 

dem  Biihnenleben.     Strassburg  i.  E.     1898.     Portrait.       **T.57.35o 
Bruening,  I.     Le  theatre  en  Allemagne.     Son  origine  et  ses  luttes. 

(1200-1760.)     Paris.     [1887.]      Portraits.     Plate.     2860.68;  =^=*T.77.93 
CoHN,  A.     Shakespeare  in  Germany  in  the  sixteenth  and  seventeenth 

centuries:    an    account    of    English    actors    in    Germany    and    the 

Netherlands  and  of  the  plays  performed  by  them  during  the  same 

period.     London.     1865.  *459i.3 

Cornet,  J.  C.    Die  Oper  in  Deutschland  und  das  Theater  der  Neuzeit. 

Aus  dem  Standpuncte  practischer   Erfahrung.     Hamburg.      1849. 

**M. 148.17 
Delius,   N.      Die   englischen   Comodianten   in   Deutschland   zu   Shak- 

spere's  Zeit.     Ein  Vortrag.     Bremen.     1865.         No.  4  in  **G.6oa.24 
Devrient,  li.  F.  F.     Aus  den  Akten  eines  Geheimbundes  deutscher 

Schauspieler  in  den  Jahren    1812-1815.      {In  Archiv  fiir  Theater- 

geschichte.     Vol.  2,  pp.  95-150.     Berlin.      1905.)  *6go7.i2.2 
Johann    Friedrich    Schonemann   und    seine    Schauspielergesell- 

schaft.     Ein  Beitrag  zur  Theatergeschichte  des   18.  Jahrhunderts. 

Hamburg.      1895.  6872.53 

Devrient,  P.  E.    Geschichte  der  deutschcn  Schauspielkunst.     Berlin. 

1905.     2  v.  **T.75.i;  etc. 

DiEBOLD,    B.      Das   Rollenfach    im   deulrichcn   Theaterbctrieb   des    18. 

Jahrhunderts.      Leipzig.      1913.  6872.68 

Dueringer,  P.  J.    Albert  Lortzing,  sein  Lel)cn  und  Wirkcn.     Leipzig. 

1851.     Portrait.  No.  1  in  **M.ioga.29 

[3421 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 


Germany.     Theatres.     (Continued.) 

EcKAKDT,    L.     Lessing    und    das    erste    deutsche    Nationaltheater    in 

Hamburg.     Eine  deutsche  Gabe  zur  Shakspeare-Fcier.     Vortrag 

im  Athenaum  zu   Hamburg  am   21.  April   1864.     Hamburg.     1864. 

No.  5  in**G.39io.i2 
EiSENBERG,    L.    J.      Adolf    Sonncnthal.      Eine    Kiinstlerlaufbahn    als 

Beitrag   zur    Geschichte  -des    modernen    Burgtheaters.      Dresden. 

1900.    Portrait.  **T.57.io6 

Erdmann,   G.   A.     Theater-Reformen?      Kritische   Studien.      P.erlin 

1892.  **T.97.92 

Felsing,   O.     Streifziige   durch   die   Theaterwelt.     Dresden.      [1895.] 

Frey,  E.  F.  Bijhnenreform  und  Volkstheater.  Ein  Fortschritt  oder 
Riickschritt?  Zwei  Aufsatze  zur  Warnung  und  Aufklarung.  von 
Ed.  Ferd.  Frey  und  R.  Gollmer.     Kreuznach.     1890.  **T.75.23 

Genee,  R.  Lehr-  und  Wanderjahre  des  deutschen  Schauspiels.  Vom 
Beginn  der  Reformation  bis  zur  Mitte  des  18.  Jahrlnuidcrts. 
Berlin.     1882.     Plan.  4872.17;  **T.47.45 

Grabbe,  C.  D.  Das  Theater  zu  Diisseldorf  mit  Ruckl>lickcn  auf  die 
iibrige   deutsche   Schaubiihne.      Diisseldorf.      1835.  6878.19 

Gross,  E.     Die  altere  Romantik  und  das  Theater.     Hamburg.     1910. 

6872.64 

Johann  Friedrich  Ferdinand  Fleck.     Ein  Beitrag  zur  Entwick- 

lungsgeschichte  des  deutschen  Theaters.     Berlin.     1914.     Portraits. 

6907.32 

Haake,  a.  Theater-Memoiren.  Mittheilungen  aus  August  Haake's 
Kiinstlerleben,  nebst  Nachrichten  iiber  das  deutsche  Theater  und 
seine  beriihmtesten   Schauspieler  alterer  Zeit.     Mainz.     1866. 

**T.56.i98 

Hahn,  L.     Das  deutsche  Theater  und  seine  Zukunft.     Berlin.     1876. 

**T.76.4 

Heine,  C.  Das  Schauspiel  der  deutschen  Wanderbiihne  vor  Gott- 
sched.     Halle  a.   S.     1889.     Tables.  2872.114 

Heinzel,  R.  Beschreibung  des  geistlichen  Schauspiels  im  deutschen 
Mittelalter.     Hamburg.     1898.  2873.33 

Herz,  E.  Englische  Schauspieler  und  englisches  Schauspiel  zur  Zeit 
Shakespeares  in  Deutschland.     Hamburg.     1903.     Maps.       6872.60 

Heyse,  p.  J.  L.  Mein  Verhaltniss  zum  Theater.  (In  his  Jugend- 
erinnerungen   und   Bekenntnisse.     Pp.  363-383.     Berlin.     1901.) 

2845,83 

Holbein,  F.  I.  von,  Edler  von  Holbeinsberg.  Deutsches  Biihnenwesen. 
Ein  Handbuch  fiir  Alle,  welche  auf  irgend  eine  Weise  mit  dem 
Theater  in  Beziehung  stehen,  oder  sich  auch  nur  fiir  das  Innere 
desselben   interessiren.     Theil   i.     Wien.      1853.  **T.96.227 

Huebner,  G.     Theatergeschichtliche   Feuilletons.     Leipzig.     1875. 

**T.76.io5;  etc. 

Istel,  E.  Die  Entstehung  des  deutschen  Melodramas.  Berlin. 
1906.      Illus.      Portraits.      Music.  6872.88 

Jacobs,  M.,  compiler.  Deutsche  Schauspielkunst.  Zeugnisse  zur 
Biihnengeschichte  klassischer  Rollen.     Leipzig.     1913.     Portraits. 

6257.114 

Jones,  H.  A.  Municipal  and  repertory  theatres:  a  lecture  delivered 
to  the  Sheffield  Playgoers'  Society,  September  29th,  1913.  With 
an  introductory  letter  to  Sir  Johnston  Forbes  Robertson.  Lon- 
don.    1913.  **T.76.T86 

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THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 

Germany.     Theatres.     (Continued.) 

KiRCHBACH,  W.     Deutsche  Schauspicler  und  Schauspielkunst.     Nebst 

Anhang:  Letzte  Erinnerungen  von  Heinrich   Laube.     Kiel.     1892. 

4875.40 
Knispel,    H.      Bunte    Bilder    aus    dem    Kunst-    und    Theatcrlcben. 

Darmstadt.     1901.     Portraits.     Plates.  4876.37 

KuESTNER,  C.  T.  VON.     Vicrunddreissig  Jahre  meiner  Theaterleitung 

in  Leipzig,  Darmstadt,  Miinchen  und  Berlin.     Zur  Geschichte  und 

Statistik  des  Theaters.     Leipzig.     1853.  **T.55.65 

KuRNiK,    M.      Ein    Menschenalter    Theater.      Erinnerungen     ( 1845- 

1880).     Berlin.     1882.  4837.21 

Lange,  J.     Biographie.     Wien.     1808.     Portrait.  **T.57.364 

Laube.    H.      Das    norddcutsche    Theater.      Ein    neuer    Beitrag    zur 

deutschen  Theatergeschichte.     Leipzig.      1872.  **T.76.39 

Theaterkritiken    und    dramaturgische    Aufsatze.       Gesammelt 

von   Alexander  von  Weilen.     Berlin.      1906.     2  v.     Portraits. 

6907.18 

LiNDAU.  H.  G.  p.  Dramaturgische  Blatter.  Beitrage  zur  Kenntniss 
des  modernen  Theaters  in  Deutschland  und  Frankreich.  Stutt- 
gart.     1877-  2875.66;  **T.48.i 

LiTZMANN.  B.  Friedrich  Ludwig  Schroder.  Ein  Beitrag  zur 
deutschen  Litteratur-  und  Theatergeschichte.  Hamburg.  1890, 
1894.     2  V.     Portraits.  4845.68 

Martersteig,  M.  Das  deutsche  Theater  im  neunzehnten  Jahr- 
hundert.     Eine  kulturgeschichtliche  Darstellung.     Leipzig.     1904. 

2873.134 

MoDERWELL,  H.  K.  The  theatre  of  to-day.  New  York.  1914.  Plates. 
Plans.  6257.84 

Olivier,  J.  J.  Les  comediens  frangais  dans  les  cours  d'Allemagne  au 
xviiie  siecle.     Serie  1-4.     Paris.     1901-05.    4  v.     Portraits.     Plates. 

**T.74.io 

Pauli,  B.  O.  C.  Die  Befreiung  der  deutschen  Biihne  vom  Drucke 
der  Geldspekulation.     Berlin.     [1887.]  **T.96.355 

Pollard,  P.     Masks  and  minstrels  of  new  Germany.     Boston.     191 1. 

286ga.9 

PossART,  E.,  Rittcr  VON.  Schiller  und  das  Theater.  Festrede  zur 
Mannheimer  Gedachtnisfeier  von  Schillers  hundertstem  Todestage 
(8.  Mai  1905).     Berlin.     [1905.]  **T.76.i89 

Puesterich,  H.  Meine  Biihnen-Erlebnissc.  Wahrheitsgctrcuc 
Memoiren.     Berlin.      1886.  **T.57.274 

PuTLiTZ,  G.  H.  G.,  Edler  Herr  zu.  Theater-Erinnerungen.  Berlin. 
1875.  2875.178 

Reden-Esbeck,  F.  J.,  Freihcrr  von.  Caroline  Neuber  und  ihrc  Zeit- 
genossen.  Ein  Beitrag  zur  deutschen  Kultur-  und  Theater- 
geschichte.    Leipzig.      1881.     Portrait.     Plate.  **T.55.66 

Riedel,  E.  Schuldrama  und  Theater.  Ein  Beitrag  zur  Theater- 
geschichte.    Hamburg.     1885.  2871.76 

Scharfenstein,  Helene,  psciid.  Aus  dem  Tagebuchc  einer  deutschen 
Schauspielerin.      Stuttgart.      [1912.]  **T.47.io9 

ScHLOE.ssER,  R.  Friedrich  Wilhelm  Gotter:  sein  Leben  und  seine 
Werke.  Ein  Beitrag  zur  Geschichte  der  Biihne  und  Ijiihnen- 
dichtung  im  18.  Jahrhundert.     Hamburg.     1894.  6872.52 

Vom  Hamburger  Nationaltheater  zur  Gothaer  Hofbiihne.  1767- 

1779.      Dreizehn    Jahre    aus    der    Entwickelung    eines    deutschen 
Theaterspielplans.     Hamburg.      1895.  6872.55 

[344] 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 

Germany.     Theatres.     (Continued.) 

ScHMiD,     C.     H.       Christian     Heinrich     Schmids     Chronologic     des 

deutschen   Theaters.     Berlin.      1902.     Portrait.  *6907.i3 

ScHROEDER,   F.  U.   L.     Schroder  und   Gotter.     Eine   Episode  aus  der 

deutschen  Theatergeschichte.     Hamburg.      1887.  2873.91 

ScHWERiNG,  J.     Zur  Geschichte  des  niederlandischen  und  spanischcn 

Dramas  in  Deutschland.     Miinster.     1895.  4874.82 

SiTTENFELD,    C.      Ohnc    Schmiukc!      Wahrheiten    iiber    das    moderne 

Theater.     Dresden.     1887.  **T.97.8s;  etc. 

SoNTAC,   C.     Vom   Nachtwiichter  zum   tiirkischen    Kaiser!      Iluhncn- 

Erlebnisse  aus  dem  Tagebuche  eines  Uninteressantcn.     Hannover. 

1875.  **T.57.283 

Statistischer    Riickblick    auf    die    Koniglichen    Theater    zu    Lierlin, 

Hannover,    Kassel   und    Wiesbaden    ftir    das    Jahr    1895.      lierlin. 

1896.  **T.94.i6 

Strantz,  F.  C.  F.  a.  von.     Erinnerungen  aus  meinem  Leben.     Ham- 
burg.    [1901.]     Portrait.  4049.224 
Stuemcke,  H.  C.  a.    Die  Deutsche  Theaterausstellung.     Berlin.     1910. 

Berlin.     191 1.     45  plates.     Portraits.  6907.27 

Thomas,    E.      40    Jahre    Schauspieler.      Erinnerungen    aus    meinem 

Leben.     Berlin.     1895.     2  v.  in  i.     Portrait.  **T.S7.2i7 

ViNCKE,  C.  F.  G.,  Freiherr  von.     Gesammelte  Aufsatze  zur   Riihnen- 

geschichte.     Hamburg.     1893.  •  6872.48 

Wallner,  F.  W.     Riickblicke  auf  meine  theatralische  Laufbahn  und 

meine    Erlebnisse   an   und  ausser  der   Biihne.      Berlin.      1864. 

4847.30 
Weddigen,    F.    H.    O.      Geschichte    der    Theater    Deutschlands    in 

hundert  Abhandlungen  dargestellt.     Berlin.     [1906.]     2  v.     Illus. 

Portraits.     Plates.  *287i.ii8 

Wehl,  F.  von.     Zeit  und  Menschen.     Tagebuch-Aufzeichnungen  aus 

den  Jahren  von   1863-1884.     Altona.     1889.     2  v.  in   i.  2892.57 

Weilen,  A.   W.,  Ritter  von.      Hamlet   auf  der   deutschen    Biihne   bis 

zur    Gegenwart.      Berlin.      1908.  4593.202 

Wickers    von    Gogh,    O.      Das    Elend    der    deutschen    Schauspieler. 

Ziirich.     1893.  **T.96.352 

Winds,  A.     Hamlet   auf   der   deutschen    Biihne   bis   zur   Gegenwart. 

Berlin.     1909.  6907.22 

WiRSiNG,  R.     Das  deutsche  Theater.     Eine  Darstellung  der  gegen- 

wartigen    Theaterzustande    nebst    Andeutungen    zu    einer    zweck- 

massigen  Reform  und  Biihnenleitung.     Leipzig.     1862.     **T.76.i37 
WoLzoGEN,    C.    A.    A.,    Freiherr    von.      Ueber    Theater    und    Musik. 

Breslau.     i860.  •  **M.io8.i 
Wilhelmine    Schroder-Devrient.     Ein    Beitrag  zur   Geschichte 

des    musikalischen    Dramas.      Leipzig.      1863. 

8048.25;  **M. 1 29.27;  etc. 
Germont,  Louis,  pseud. 

Loges  d'artistes.    [Par]  Louis  Germont  (Rose-The)  [pseud.].    Dessins 

de  Felix  Fournery.     Paris.     Dentu.     1889.     (10),  423,  (i)  pp.     Illus. 

Portraits.     Plates.  **T,54.I3 

Gesangskoniginnen,  Die,  in  den  letzten  drei  Jahrhunderten.     Kohut,  A. 

4045.171 
Geschichte  des  Theaters  in  Leipzig.  [Anon.]  See  Bluemner,  Heinrich. 
Gesellschaft  fiir  Theatergeschichte. 

Kleine   Schriften.     Heft   i.     Berlin.     1906.  *6907.ii 

A  continuation   of  the   Archiv  fur  Theatergeschichte    VSgoy.iz].     Contains  the 

Jahresbericht  for   1905/06. 

[345] 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 


Gesellschaft  fiir  Theatergeschichtc.     Schriften. 

Aiuiiiv   fiir  Theatergeschichtc.      Berlin.      1904,  05.     2  v.     Plate. 

*6907.i2 
CosTENOBLE,  C.  L.     Tagcbiichcr  von  seiner  Jugend  bis  zur  Ubcrsicd- 

lung  nach  Wien   fi8i8).     Berlin.     1912.     2  v.  6907.28 

Gallerie  von  teutschen  Schauspielern  und  Schauspielerinnen,  nebst 

Johann   Friedrich   Schinks  Zusatzen  und   Berichtigungen.      Berlin. 

1910.  6907.23 

Gross,    E.     Johann    Friedrich    Ferdinand    Fleck.      Ein    Beitrag   zur 

Entwicklungsgcschichte    des   deutschen   Theaters.      Berlin.      1914- 

Portraits.  6907.32 

Iffland.    a.    W.      Briefe    an    seine    Schwester    Louise    und    andere 

Verwandte,  1722-1814.     Berlin.     1904.     Portrait.  *6907.i6 

Briefe,  meist  an  seine  Schwester,  nebst  anderen  Aktenstiickcn 

und  einem  ungedruckten  Drama.    Berlin.    1905.    Portraits.    *6907.i7 

Laube,  H.  Theaterkritiken  und  dramaturgische  Aufsatze.  Gesammelt 
von  Alexander  von  Weilen.    Berlin.    1906.    2  v.    Portraits.    6907.18 

Lewinsky,  J.  Kleine  Schriften  dramaturgischen  und  thcater- 
geschichtlichcn  Inhalts.  Nach  seinem  Tode  gesammelt  und 
herausgegeben  von  Olga  Lewinsky.    Berlin.    1910.   Portrait.  6907.24 

Merbach,  p.  a.  Bibliographic  fiir  Theatergeschichtc  1905-1910. 
Berlin.     1913.  6907.31 

ScHMiD,  '  C.  H.  Christian  Heinrich  Schmids  Chronologic  dcs 
deutschen  Theaters.     Berlin.     1902.     Portrait.  *6907.i3 

Schrevvogei.,  J.  Josef  Schreyvogels  Tagebiicher,  1810-1823.  Berlin. 
1903.     2  V.  6907.14 

ScHKOEDEB,  A.  S.  Brief c  von  Sophie  Schroder  (1813-1868).  Gesam- 
melt, herausgegeben  und  mit  Einleitung  und  Erlauterungen 
versehen  von  Heinrich  Stiimcke.    Berlin.    1910.    Portraits.    6907.26 

Stein,  P.  Deutsche  Schauspielcr.  [Teil]  i,  2.  Berlin.  1907,  08. 
2  V.     Portraits.  *6907.i9 

Stuemcke,  H.  C.  A.  Die  Deutsche  Theaterausstellung,  Berlin,  1910. 
Berlin.     191 1.     45  plates.     Portraits.  6907.27 

Henriette  Sontag.     Ein   Lebens-  und   Zeitbild.     Berlin.      IQ13. 

Portraits.     Plates.  6907.30 

Winds.  A.  Hamlet  auf  der  deutschen  Biihnc  bis  zur  Gcgcnwart. 
Berlin.     1909.  6907.22 

Gesellschaft  fiir  vervielfaeltigende  Kunst,  Vienna. 

Die  Theater  Wiens.     Wien.     1893-1909.    4  v.  in  6.  and  unbound  parts. 

Illus.     Portraits.     Plates.     Plans.  *Cab.28.27.2 

Gesta  Grayorum.     Gray's  Inn,  London.  **G.4076.i9 

Gestes,  Les,  de  la  chanson.     Lefevre.  M.  **T.97.230 

Gesture. 

.'Xdams,  F.  a.  F.  Gesture  and  pantomimic  action.  New  York.  iSqi. 
Illus.     Music.  3596.106 

Same.     2d  edition.  **T.75.2i 

Blasts,  C.     Studi  sulle  arti   imitatrici.      Milano.      1844.      Portrait. 

**T.56.3i9 
Engel,  J.  J.     Idecn  zu  einer  Mimik.     Berlin.     1804.     2  v.  in  i.     Plates. 

2904.17 

Same.    Idees  sur  la  geste  et  Taction  theatrale.    A  Paris.    [1795.! 

2  v.     Plates.  **T.97.5 

Same.     Lettcrc  intorno  alia  mimica   di   G.   G.   Engel.     .A'lgiun- 

to\i    i    capitoli    sei    sull'    arte    rappresentativa    di    L.    Riccoboni. 
Milano.     1818,  19.     2  v.  in  i.     Plates.  **T.76.i36 

f.346] 


BROWN   COLLECTION    OF  BOOKS    ON    THE   STAGE 

Gesture.     (Continued.) 

Same.     Practical  illustrations  of  rhetorical,  gesture  and  action: 

adapted   to   the   English    drama.     London.      1807.      Plates. 

**T.76.i93;etc. 

Hacks,  C.     Le  gesto.     Illustrations  de  Lanos.     Paris.     [1892.]     Illus. 

Plates.  **T.73.5 

Neville,  H.  G.     Gesture.     {In  Voice,  speech  and  gesture.     Pp.   101- 

169.     London.     1895.     Illus.     Plates.)  **M.2i8.2 

Gheusi,  Pierre  B. 

>   L'Opera  romanesque.     Paris.     Lafitte  &  cie.     [1909.]     (3),  364  pp. 

/jT-         A  novel  relating  to  the  Opt^ra  in   Paris.  6699.265 

Xjhost  of  Shakespeare,  pseud. 

Memoirs  of  the  Shakespear's-Head, '  in  Covent-Garden:  in  which 
are  introduced  many  entertaining  adventures,  and  several  re- 
markable characters.  London:  Printed  and  sold  by  F.  Noble. 
1755.     2  V.  **G.3934.2 

On  the  London  theatres  and  the  manners  of  the  town. 

Ghosts. 

DiRCKS,  H.  The  ghost!  as  produced  in  the  spectre  drama,  popularly 
illustrating  the  marvellous  optical  illusions  obtained  by  the 
apparatus  called  the  Dircksian  phantasmagoria:  being  a  full 
account  of  its  history,  construction,  and  various  adaptations. 
London.      1863.     Illus.     Plates.     Diagrams.  **T.77.i65 

Giacomo,  Salvatore  di. 

Cronaca  del  teatro  San  Carlino  contributo  alia  storia  della  scena 
dialettale  Napoletana.  1738-1884.  2a  edizione.  Trani.  X'ecchi. 
1895-     (5),  602  pp.     Portrait.  **T,77.2i7 

Also   contains   notes   on   other   Neapolitan   theatres. 

Giants. 

Chang,   Chinese  giant.     The   autobiography   of    Chang,    the   tall    man 

of  Fychow,  the  great  Chinese  giant,  including  his  celebrated  ode 

on  the  Crystal  Palace,  &c.     London.     1866.  **T.56.i9 

Life,    The,    of    Chang,    the    celebrated    Chinese    giant.      Liverpool. 

1882.  6249a.56 

MoREAU,   P.     Fous  et  bouffons:  etude  physiologique,  psychologique 

et  historique.     Paris.     1885.  2244.69 

Wood,  E.  J.     Giants  and  dwarfs.     London.     1868.     2239.50;  **T.56.248 
Giesenberg,  E. 

Das  Opernhaus  zu  Frankfurt  a.  M.  erbaut  von  Richard  Lucae,  J.  A. 

Becker  und  E.  Giesenberg.     Berlin.     Ernst  &  Korn.     1883.     (3), 

15  pp.     13  plates.  *Cab.6o.96.7 

Gietmann,  Gerhard. 

Poetik  und  Mimik.    Freiburg  im  Breisgau.    Herder.    1900.    ix,  519  pp. 

Portraits.     Plates.     [Kunstlehre.     Teil  2.]  4074.301 

Giffard,  Pierre  Louis. 

Nos  mocurs.     La  vie  au  theatre.     Par  Pierre  Giffard.     Illustrations  de 

A.  Robida.     Paris.    Librairic  illustree.     [1888.]     (3),  272  pp.    Illus. 

Plates,  some  colored.  **T.77.iii 

Les  succes  dramatiques.     Serie  [i-]3.     Analyse  de  la  piece,  portraits 

et  biographies  de  I'auteur  et  des  principaux  artistes.    Paris.    Tresse. 

1878,  79.     3  v.     Portraits.     Diagrams.  **T.49.9 

Contents.   —    [i],    Comcdie-frangaise.      T^es    Fourchanibault    [par   E.    Augier] .      2. 
Theatre-Lyrique.       Les    amants    de    Verona     [par    M.    le    Marquis    d'lvryl.       3. 
Theatre    de    la     Porte     Saint-Martin.       Les     enfants     du     Capitaine     Grant     [par 
D'Ennery  et  J.  Verne]. 
Serie  [i]  is  anonymous.     Its  sub-title  varies  slightly  from  those  of  Series  2  and  3. 

[347] 


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Giffard,  Pierre  Louis.     (Contimicd.) 

La  tournee  du  pere  Thomas.  Paris.  Tresse  &  Stock.  1887.  (4), 
408  pp.  **T.87.56 

A  novel  about  strolling  players. 

Gigliucci,  Clara  Anastasia,  Contessa. 

Clara  Novello's  reminiscences.     Compiled  by  her  daughter,  Contessa 
Valeria  Gigliucci.     With  a  memoir  by  Arthur  D.  Coleridge.     Lon- 
don.    Arnold.     1910.     (7),  216  pp.     Portraits.     Plate.         4044.120 
Gilardone,  Franz. 

Zuni  p. rand  der  ,,Komischen  Oper"  in  Paris.  Wie  schiitzt  man  die 
altercn  Theatergebaude  am  Besten  gegen  Feuersgefahr  —  wie 
beugt  man  in  ihnen  moglichst  eincr  Panik  vor?  Wie  baut  die 
Neuzeit?  Eine  zeitgemasse  Studie.  Hagenau  i.  Elsass.  1887. 
(7).    i8q,    (3),    129,    (3)    pp.     lllus.      Portrait.      Plates.      Plans. 

**T.75.59 
Gilbert,  Anne  Hartley. 

The  stage  reminiscences  of  Mrs.  Gilbert.     Edited   by  Charlotte   M. 
Martin.     New  York.     Scribner.     1901.    xiii,  (i),  247,  (i)  pp.     Por- 
traits.    Facsimile.     Autograph   facsimile.  4343,227;  **T. 56. 252 
Gilbert,  Emile. 

Autrefois  —  aujourd'hui.  Sorciers  &  magiciens.  Moulins.  Durond. 
1895-     263,   (i)   pp.  '  **T.97.i 

Contoil';.  —  L"alchimie  magique  au  moyen  age.  —  Le  sorcier  des  campagncs.  — 
Le  sorcier  charineur  d'  animaux. 

Gilbert,  Frederic  ( Yveling  Ram  Baud),  and  E.  Coulon. 

Photographies  a  la  plume.  Les  theatres  en  robe  de  chan.bre.  Paris. 
Faure.     1866.     (3),  276  pp.     Plate.  **T.57.379 

Uricf  .sketches  of  the  actors  of  the  Paris  theatres. 

Gilbert,  John  Gibbs. 

WiGGiN,  J.  H.  An  actor's  birthhouse  and  birthright.  {In  Bostonian, 
The.     Vol.  I,  pp.  530-541.     lllus.     Portraits.     Boston.     1895.) 

*530i.45.i 

The   flood   tide   of   a   player's    fortunes.  *   (In   Bostonian.   The. 

Vol.  2,  pp.  62-71.    Portraits.    Facsimiles.    Boston.    1895.)    *53oi.45.2 

Winter,  W.     A  sketch  of  the  life  of  John  Gilbert.     With  extracts 

from  his  letters  and  souvenirs  of  his  career.     New  York.     1890. 

Portrait.     Plate.  **T.95.9;  etc. 

Gilbert,  Mrs.  G.  H.    See  Gilbert,  Anne  Hartley. 

Gilbert,  .Sir  William  Schwenck. 

A  stage  play.  With  an  introduction  by  William  Archer.  New  York. 
1916.  (5),  46,  (i)  pp.  [Columbia  University.  Dramatic  Museum. 
Papers  on  play-making.     No.  3.]  **T.46.63.3 

Tlic  notes  are  signed   B.  M.   [Brander  Matthews]. 

Gilbert,  Sir  William  Schwenck,  prefacer. 

Barrington,  R.  Rutland  Barrington.  A  record  of  thirty-five  years' 
experience  on  the   English  stage.     London.      1908.     Portraits. 

**T.56.328 
Gilbert,  Sir  William  Schwenck.     Works  about. 

Browne.   E.  A.     W.  S.  Gilbert.     London.      1907.     Portraits.     Plates. 

45493.198 
Cellier,  F.  a.,  and  C.   Bridgeman.     Gilbert  and  Sullivan  and   their 
operas.     With    recollections  and  anecdotes   of    D'Oyly   Carte   & 
other  famous  Savoyards.     Boston.     1914.     Portraits.     Plates. 

4047-135 

Fitzgerald,  P.   H.     The  Savoy  opera  and   the   Savoyards.      [Gilbert 

and   Sullivan.]      London.      1894.      lllus.      Portraits.  2578.113 

[348] 


BROWN   COLLECTION    OF  BOOKS    ON    THE   STAGE 


Gil  Bias,  Le,  du  theatre.     Dubois,  A.,  and  E.  C.  Charot.         **T.76.i54 
Gildersleeve,  Virginia  Crocheron. 

Government    regulation    of    the    Elizabethan    drama.      New    York. 
Columbia  University  Press.     1908.     vii,  257  pp.     [Columbia  Uni- 
versity.    Studies  in  English.]  4558.268 
/^        List  of  books  cited,  pp.  235-240. 

A^ildon,  Charles. 

V  A  comparison  between  the  two  stages,  with  an  examen  of  The 
generous  conqueror;  and  some  critical  remarks  on  The  funeral, 
or  grief  alamode,  The  false  friend,  Tamerlane  and  others.  In 
dialogue.  [Anon.]  London:  Printed  in  the  year  1702.  (8),  200 
PP-  **G.3935.5 

Relates  to  the  Drury  Lane  Theatre,  and  the  Theatre  in  Little  Lincoln's  Inn 
Fields  (1695-1705).     Another  copy  is  on  shelf-number  No.  i  in  **ri.382i..S. 

The  life  of  Mr.  Thomas  Betterton,  the  late  eminent  tragedian. 
[Anon.]  Wherein  the  action  and  utterance  of  the  stage,  bar,  and 
pulpit  are  consider'd.  Added,  The  amorous  widow,  or  the  wanton 
wife.  A  comedy  by  Betterton.  London:  Printed  for  Robert 
Gosling.      1710.     xiv,    176  pp.     Portrait.  **T.57.223 

Another  copy  is  on   shelf-number  No.  i  in  **G.376s.5. 

Gildon,  Charles,  editor. 

Langbaine,  G.  The  lives  and  characters  of  the  English  dramatick 
poets.  Also  an  exact  account  of  all  the  plays  printed  in  English. 
First  begun  by  Mr.  Langbaine,  improv'd  and  continued  down  to 
this  time,  by  a  careful  hand  [Charles  Gildon].     London.     1699. 

**T.57-39i 
Gillette,  William. 

The  illusion  of  the  first  time  in  acting.  With  an  introduction  by 
George  Arliss.  New  York.  1915.  (5),  58,  (i)  pp.  [Columbia 
University.     Dramatic  Museum.     Papers  on  acting.     No.    i.] 

**T.46.6i.i 
Gillette,  William,  prefacer. 

Columbia    University.      Dramatic   Museum.      How    to    write    a    play. 

Letters     from     Augier,     Banville,     Dennery,     Dumas,     Gondinet. 

Labiche,    Legouve,    Pailleron,    Sardou   and    Zola.     Translated    by 

Dudley  Miles.     With  an  introduction  by  William  Gillette.     New 

/>  York.     1916.  **T.46.62.2 

^  Gilliland,  Thomas. 

The  dramatic  mirror:  containing  the  history  of  the  stage  to  the 
present  time,  a  biographical  and  critica,!  account  of  all  the 
dramatic  writers  from  1660;  and  of  the  most  distinguished  per- 
formers from  the  days  of  Shakespeare  to  1807:  and  a  history  of 
the  country  theatres  in  England,  Ireland,  and  Scotland.  London. 
Chappie.     1808.     2  V.     Portraits.     Plates.  **T.77.i38 

Another  copy  is  on  shelf-number  **G.3923.is. 
A  dramatic  synopsis,  containing  an  essay  on  the  political  and  moral 
use  of  a  theatre;  involving  remarks  on  the  dramatic  writers  of  the 
present  day,  and  strictures  on  the  performers  of  the  two  theatres. 
London.     Lackington,  Allen  &  Co.     1804.     iv,  146  pp.       **T.76.59 

Other  copies  are  on  shelf-numbers  No.  ii  in  **ri.3823.i.3 ;   **T.96.364. 

Elbow  room,  a  pamphlet  on  the  shameful  increase  of  the  private 
boxes  of  Covent  Garden,  with  observations  relating  to  the  manage- 
ment of  that  theatre.  Also,  a  comparative  view  of  the  two  houses. 
London.     The  Author.     1804.     iii-vi,  5-30,  (i)  pp.  **T.76.6o 

Other  copies  are  on  shelf  numbers  **T.96.363  ;  No.  9  in  **G.3823.iS. 

[349] 


THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 


Gilliland,  Thomas.     (Continued.) 

Jack  in  office:  containing  remarks  on  Mr.  Braham's  address  to  the 
public:  with  a  full  and  impartial  consideration  of  Mr.  Kemble's 
conduct  with  respect  to  the  above  gentleman.  London.  Chappie. 
[1804.]      (3),  40  pp.  **T.96.28 

.\notlier  copy  is  on  shelf-number  No.  10  in  **ri.3823.is. 

Ginisty,  Paul. 

Choses  et  gens  de  theatre.     Paris.     Perrin   &  c'e.      1892.      (3),  270, 

(i)  pp.  **T.77-77 

Lucinde.     Roman  de  theatre.     Paris.     Edition   du  "Monde  illustre." 

1907.     295  pp.     Plate.  66793.128 

La  vie  d'un  theatre.     Dessins  de  A.  Collombar.     Paris.     Schleicher. 

1898.     175,  (i)  pp.     Illus.     Portraits.     Plates,  some  colored.     Plan. 

fLes  livres  d'or  de  la  science.]  **T.78.33 

Ginisty,  Paul,  editor. 

Fusil,  L.    Souvenirs  d'une  actrice.     Memoires  de  Louise  Fusil  (1774- 

1848).     Paris.     [1904.]  2641.29 

Giornale  dei  teatri  di  Venezia.     Anno  1-7.     1795-1802.     Venezia,   1796- 

1801.      [Teatro  moderno  applaudito.]  *2768.i 

Found  at  the  beginning  of  each  volume  of  this  collection. 

Giraldo,  Mathias  de. 

Histoire  curieuse  et  pittoresque  des  sorciers,  devins,  magiciens. 
astrologues,  etc'  depuis  I'antiquite  jusqu'a  nos  jours.  Revue  et 
augmentee  par  M.  Fornari.     Paris.     [1846.]     (3),  315  pp.     Plate. 

**T.95.83 
Girot,  A.,  translator. 

PiDERiT,  T.     Le   mimique   et  la  physiognomonie.     Paris.      1888. 

*56o6.32 
Gisby,  Barnard,  editor. 

Ba.ndmann.  D.  E.  An  actor's  tour;  or,  seventy  thousand  miles  with 
Shakespeare.      Boston.      1885.      Portrait.  6268.29;  **T.57.99 

Gladding,  W.  J. 

A   group    of   theatrical    caricatures:    being   twelve    plates    by    W.    J. 

Gladding   with   an   introduction   and   biographical   sketches   by    L. 

E.  Shipman.     New  York.     1897.     viii,  (i),  78.   (i)  pp.     Portraits. 

fDunlap  Society.]  **T.95.i7 

Gladiatorial  combats.    See  Circus,    Roman. 

Glaser,  Adolf. 

Geschichte  des  Theaters  zu  Braunschweig.     Eine  kunstgeschichtliche 
Skizze.    Braunschweig.    Neuhoff  &  Co.    1861.    (7),  96  piJ.    287oa.98 
Glasgow,  Scotland.     Theatres. 

Bav.\ham,   W.     The   Glasgow  stage.     Glasgow.      1892.     Plate. 

4572.122;  **T.76.8o 

Old  stager,  An,  pseud.     Stage  reminiscences.     Recollections,  chiefly 

personal,  of   performers   during   the    last    forty   years.      Glasgow. 

1866.  **T.58.5;etc. 

Glasgow,  Scotland.     Theatres.     Dunlop  Street  theatre. 

Review  of  the  late  correspondence  between  Mr.  John  Henry  Ale.x- 
ander,  manager  and  proprietor  of  the  Glasgow  Theatre,  and  Mr. 
Lloyd,  of  the  Theatre-Royal,  Edinburgh.     [Glasgow.     1843.] 

**T.76.40 
Glasgow,  Scotland.    Theatres.    Theatre  Royal. 

Foot,  J.  F.  A  general  review  of  the  management  of  Thomas  Beau- 
mont *  *  *,  alias.  Captain  1 1 1,  lessee  of  the  Theatre-Royal, 

Glasgow.     Added,  a  faithful  account  of  the  mode  adopted  by  the 

[350] 


BROWN   COLLECTION    OF  BOOKS    ON    THE   STAGE 

Glasgow,  Scotland.     Theatres.     Theatre  Royal.     (Continued.) 

manager's  friends  in  suppressing  "A  reply  to  all  facts";  with 
remarks  on  the  alleged  interposition  of  the  committee  of  pro- 
prietors.    Glasgow.     [1809.]  **T.56.65 

Glasgow  Dramatic  Review,  The,  containing  original  essays  on  subjects 
connected  with  the  drama  and  the  stage.  Also,  critical  notices 
of  the  performances  at  the  Glasgow  theatres.  [Fortnightly.] 
No.  1-54.  Nov.  13,  1844 -July  8,  1846.  Glasgow.  Gilchrist. 
1844-5-6.     viii,  432  pp.     Plate.  **T.26.i6 

Glenroy,  John  H. 

Ins  and  outs  of  circus  life;  or,  forty-two  years  travel  through  United 
States,  Canada,  South  America  and  Cuba.  Narrated  by  John  H. 
Glenroy  and  compiled  by  Stephen  Stanley  Stanford.  Boston. 
Wing  &  Co.     1885.     190  pp.     Portrait.  **T.58.ii2 

Glimpses  of  real  life.     Paterson,  P.  2576.174;  **T. 57. 152 

Glossy,  Carl,  editor. 

ScHREYVOGEL,  J.  Josef  Schreyvogels  Tagebiicher,  1810-1823.  Berlin. 
1903.     2  V.  6907.14 

Gloucester,  Bishop  of.     See  Warburton,  William. 

Glover,  James  Mackey. 

Jimmy  Glover:  his  book.     London.     Methuen   &  Co.,   Ltd.      [1911.! 

XV,  299,   (i)  pp.     Portraits.     Plates.     Facsimiles.  **T.56.6o 

Same.     4th  edition.  6257.113 

Mr.   Glover  has  been  the  ma.ster  of  music  at  the   Drury   Lane  Theatre  since   iSgj. 

Glover,  Lyman  Beecher. 

The  story  of  a  theatre.  [Chicago.  1899.]  Illus.  Portrait.  Plates. 
Manuscript  facsimiles.  **T.77.i94 

An  account  of  Power?"  Theatre,  formerly  Hooley's  Theatre,  and  brief  accounts 
of  the  other  theatres  in  Chicago. 

Glover,  Phillips. 

Jackman,  L    Royal  and  Royalty  theatres.     Letter  to  Phillips  Glover 
in  a  dedication  to  the  burletta  of  Hero  and  Leander,  now  perform- 
ing at  the  Royalty  Theatre.    [Anon.]    London.    1787.    **T.75.53;  etc. 
Gluemer,  Claire  von. 

Erinnerungen   an   Wilhelmine    Schroder-Devrient.      Leipzig.      Barth. 

1862.     vi,  (i),  277,  (i)  pp.     Portrait.     Facsimile.  **M. 109.28 

Same.      3.   Auflage.      Leipzig.      Reclam.      [1904.]      176   pp.      Portrait. 

[Universal  Bibliothek.     461 1,  4612.]  No.  i  in  4896.50.468 

Goddard,  Arthur. 

Players  of  the  period.  A  series  of  anecdotal,  biographical,  and  critical 
monographs  of  the  leading  English  actors  of  the  day.  London. 
Dean.      1891.     2  v.      Portraits.      Manuscript   facsimiles. 

2546.114;  **T.56.i6 

Contents.  —  I.  Henry  Irving.  —  Wilson  Barrett.  —  H.  Beerbohm  Tree.  —  K.  .S, 
Willard.  —  S.  B.  Bancroft.  —  John  Lawrence  Toole.  2.  John  Hare.  —  Charles 
Wyndham.  —  Edward' Terry.  —  W.  H.  Kendal.  —  Charles  Warner.  -  .Arthur 
Cecil.  —  Thomas  Thorne.  —  William  Terris.  —  George  Grossmith.  —  Henry  G. 
Neville.  —  Lionel  Brough.  —  Rutland  Barrington. 

Godfrey,  Lydia  Boker. 

English  drama.     A  working  basis.     [By]   Katharine  Lee  Bates  [and] 
Lydia  Boker  Godfrey.    [Boston.   Robinson.]    1896.    151pp.   *2i75.22 
Godwin,  Parke. 

Vala.  A  mythological  tale.  New  York.  Putnam.  1851.  (4).  46,  (4)  pp. 
Illus.     Plate.  2902.40 

Written  "to  glorify  art,  by  investing  the  principal  incidents  in  the  career  of  a 
reigning  musical  celebrity  [Jenny  Lind]  with  the  costume  of  the  Northern 
myth."  —  Preface.      Another  copy   is   on   shelf-number   *A. 3.(52. 

[351] 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 

Goede,  Christian  August  Gottlieb. 

The  stranger  in  England;  or,  travels  in  Great  Britain.  From  the 
German  of  C.  A.  G.  Goede.  London.  Mathews  &  Leigh.  1807. 
3  V.  in  I.     Plate.  65793.71;  **T.98.ioi 

Goehler,  Rudolf. 

Gutzkow  und  das  Dresdener  Hoftheater.  {In  Archiv  fiir  Theater- 
geschichte.    Vol.  i,  pp.  97-117;  vol.  2,  pp.  193-228.     Berlin.     1904.) 

*6907.i2.i,2 
Goemer,  Carl,  Ritter  von. 

Der  Hans  Wurst-Streit  in  Wien  und  Joseph  von  Sonnenfels.  Wien. 
Konegen.     1884.     iv,   (i),  86  pp.  2870.48 

Goethe,  Johann  Wolfgang  von. 

Wilhelm  Meisters  theatralische  Sendung.     Weimar.     Bohlaus.     191 1. 

•  2  V.     [Werke.     Band  51,  52.]  *4903. 1.51,52 

This  was  the  original  of  his  Wilhelm  Meisters  Lehrjahre. 

Same.     Wilhelm  Meisters  Lehrjahre.     Stuttgart.     Cotta.     1883.     2  v. 

in   I.  4876.92 

Same.     Wilhelm  Meister's  apprenticeship.      [Translated   by  Thomas 

Carlyle.]      Edinburgh.     Oliver  &  Boyd.     1824.     3  v.         **K.76.i8 

Same.      [Translated  by   R.   Dillon    Boylan.     London.      Bohn.      1846.] 

vi,  570  pp  4876.89 

Same.     London.     Bell  &  Daldy.     1873.     570  pp.  4876.91 

Same.     From  the  German  by  Eleanor  Grove.     Leipzig.     Tauchnitz. 

1873.     2  V.  in  I.  4876.90 

Goethe,  Johann  Wolfgang  von.     Works  about. 

BuRKHARDT,  C.  A.  H.     Das  Repertoire  des  Weimarischen  Theaters 

unter   Goethes  Leitung,   1791-1817.     Hamburg.     1891.  6872.36 

Geiger.    E.    L.     Goethes    Interesse   an   Frankfurter   Theaterverhiilt- 

nissen.      {In    Archiv    fiir    Theatergeschichte.      Vol.    2,    pp.    88-94. 

Berlin.     1905.)  *6907.i2.2 

Genast,    E.      Aus    Weimars    klassischer    und    nachklassischer    Zeit. 

Erinnerungen     eines     alten     Schauspielers.       Stuttgart.       |  191^  ?1 

Portraits.  2877.210 

Meyer,    R.    M.      Goethe's    "Regelu    fiir    Schauspieler."      {In    Goethe 

Jahrbuch.      Vol.   31,   pp.    117-135.      Frankfurt   a/M.      1910.) 

♦28403.54.3 1 
Pasque,  E.  H.  a.     Goethe's  Theaterleitung  in  Weimar.     Tn  Episoden 
und    Urkundcn   dargestcllt.     Leipzig.      1863.     2  v.  48893.8 

Wahle,  J.  Das  wcimarische  Hoftheater  unter  Goethes  Leitung. 
Zur  Feier  des  hundertsten  Jahrestages  seiner  Griindung.  Braun- 
schweig.    1891.     Illus.     Portraits.  2891.7 

Das  Weimarer  Hoftheater  unter  Goethes  Leitung.     Aus  neuen 

Quellen.bearbeitet.     Weimar.     1892.  2907.37 

Gofflot,  L.  V. 

Le  theatre  au  college  du  moyen  age  a  nos  jours,  avec  bibliographic 
et  appendices.  Le  Cercle  frangais  de  I'Universite  Harvard.  Pre- 
face par  Jules  Claretie.  Paris.  Champion.  1907.  xix,  336  \)\). 
Plates.     Facsimiles.  4674.17 

Gogh,  Otto  Wichers  von.     See  Wichers  von  Gogh,  Otto. 
Goizet,  J. 

Dictionnaire  universel  du  theatre  en  France  et  du  theatre  frangais 
a  I'ctranger,  alphabetique,  biographique  et  bibliographique,  depuis 
I'origine  du  theatre  jusqu'a  nos  jours,  par  J.  Goizet.  Avec  bio- 
graphies de  tous  les  auteurs  et  des  principaux  artistes  de  toutes 

[352] 


BROWN   COLLECTION    OF  BOOKS    ON    THE   STAGE 

Goizet,  J.     (Continued.) 

les  epoques,  par  A.  Burtal.  Paris.  Les  auteurs.  [1867,  6R.]  3 
parts  in  i  v.  **T.44.3 

No  more  was  published.  This  copy  includes  only  the  letter  A.  In  another 
copy  on  shelf-number  *6i62.io,  the  bibliographical  part  by  Goizet  includes  the 
letters  A-C. 

Goldoni,  Carlo. 

Memoires  pour  servir  a  I'histoire  de  sa  vie,  et  a  celle  de  son  theatre; 
precedes  d'une  notice  sur  la  comedie  italienne  au  seizieme  siecle, 
et  sur  Goldoni,  par  Moreau.  Paris.  Ponthieu  [&  Baudnuin]. 
1822.    2  V.    [Collection  des  memoires  sur  I'art  dramatique.]    **T.56.5 

Another  copy  is  on  shelf-number  **G.224.2.6,7.  An  abridged  edition  of  this 
work  may  also  be  found  in  Vol.  6  of  Barriere's  Bibliotheque  des  memoires 
relatifs  a  I'histoire  de  France  pendant  le   iSme  siecle   [*4667.2.6;   **T.57.2S,-)1, 

Same.  Memoirs  of  Goldoni  written  by  himself.  Translated  from 
the  original  French  by  John  Black.  London.  Whittaker,  Treacher, 
and  Arnot.  1829.  2  v.  Portrait.  [Autobiography.  A  collection  of 
the  most  instructive  and  amusing  lives.  Vol.  23,  24.]  624ga.2. 23,24 
Same.  With  an  essay  by  William  D.  Howells.  Boston.  Osgood  & 
Co.     1877.     428  pp.     [Choice  autobiographies.]  27493,72 

Goldoni,  Carlo.     Works  about. 

Rabany,  C.  Carlo  Goldoni.  Le  theatre  et  la  vie  en  Italic  au  xviiie 
siecle.     Paris.     1896.     Portraits.  2771.79 

Taylor,  H.  C.  C.     Goldoni.     A  biography.     New  York.     1913.     Por- 
trait.    Plates.  2744.93 
Goldstnid,  Edmund  Marsden. 

A    chronological   table    of    the    principal    dramatic    works    that   have 
been  publicly  performed  in  France,  from  A.D.  1200  to  A.D.  1800. 
Part   i:   1200-1599.     Edinburgh.     1883.     29  pp.      [Aungervyle   So- 
ciety.    Reprints.     2d  series.]  No.  7  in  *4552,50.2 
GoUmer,  Richard. 

Biihnenreform  und  Volkstheater.     Ein  Fortschritt  oder  Riickschritt? 
Zwei  Aufsatze  zur  Warnung  und  Aufklarung,  von  Ed.  Ferd.  Frey 
und  R.  Gollmer.    Kreuznach.    Schmithals.    1890.    20  pp.    **T.75.23 
Goncourt,  Edmond  Louis  Antoine  Huot  de. 

La  Guimard  d'apres  les  registres  des  menus-plaisirs  de  la  biblio- 
theque de  rOpera,  etc.  Paris.  Charpentier.  1893.  (3),  ii,  331  pp. 
[Les  actrices  du  xviiie  siecle.]  **T.57.227 

Same.     2?  mille.  2657.105 

Madame  Saint-Huberty.     D'apres  sa  correspondance  et  ses  papiers 
de  famille.   Paris.   Charpentier  &  cie.    1885.  viii,  319  pp.   **M.377.57 
Goncourt,  Edmond  Louis  Antoine  Huot  de,  prefacer. 

Censure,  La,  sous  Napoleon  III.    Rapports  inedits  et  in  extenso  (1852 

a  1866).     Preface  de  *  *  *  et  interview  de  Edmond  de  Goncourt. 

Paris.     1892.  2678.187 

Goncourt,  Edmond  Louis  Antoine  Huot  de,  and  Jules  Alfred  Huot  de 

Goncourt. 

Les  actrices.     2^  edition.     Paris.     Dentu.     1856.     (64)  pp.      **T.99.55 

A  story  of  theatrical  life. 

Sophie  Arnould  d'apres  sa  correspondance  et  ses  memoires  inedits. 
[2e  edition.]  Paris.  Dentu.  1877.  viii,  224,  (3)  pp.  Portraits. 
Facsimile.  2652.72 

Goncourt,   Edmond   Louis   Antoine  Huot  de,  and  others. 

Mysteres  des  theatres.  1852.  Par  Edmond  de  Goncourt.  Jules  de 
Goncourt,  Cornelius  Holff  [pseud,  de  Charles,  Comte  de  Ville- 
deuil].     Paris.     Librairie  nouvelle.     1853.      (3),  519  PP- 

4676.100;  **T,75.58 

[353] 
2Z 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 

Goodman,  Walter. 

The  Keeleys  on  the  stage  and  at  home.  London.  Bentley.  1895. 
xiv,   357   pp.     Illus.     Portraits.      Autograph    facsimiles. 

4545.148;  **T.56.38 
Goodridge,  James  Francis,  illustrator. 

Cn.\?E,  E.  F.  Ballads  in  black.  A  series  of  original  shadow  panto- 
mimes, with  fortj'-eight  full-page  silhouette  illustrations  and 
full  directions  for  producing  shadow  pictures  with  novel  effects. 
Boston.     1882.  40093,75 ;  **T.99.6o 

Goodwin,  Alfred  T. 

Court  revels  in  the  reign  of  Henry  the  Seventh.  (In  Shakespeare 
Society,  London.     Papers.     Vol.  i,  pp.  47-51-     London.     1844.) 

Another  copy  is  on  shelf-number  **G. 3927. 37.1.  *4596.II.I 

Goodwin,  Thomas. 

.Sketches  and  impressions,  musical,  theatrical,  and  social  (1799-1885). 
From  the  after-dinner  talk  of  Thomas  Goodwin,  by  R.  Osgood 
Mason.      New   York.     Putnam.      1887.     x,   294  pp. 

449ob.69;  **M.i09b.42 
Gordon,  Alexander,  translator. 

Maffei,  F.  S..  Marchese.  A  compleat  history  of  the  ancient  amphi- 
theatres. More  peculiarly  regarding  the  architecture  of  those 
buildings,  and  in  particular  that  of  Verona.  London.  17.30.  Plates. 
Plans.  **T.77.i4;  etc. 

Gordon,  William  Lewis. 

How  to  write  moving  picture  plays.  Revised  edition.  Cincinnati. 
Atlas  Publishing  Co.     1915.     26,    (i).   5  pp.  8031. loi 

Gosnell,  John,  &  Co. 

The  graphic  theatrical  programme.  [London.  187-?]  Unpaged. 
Illus.  **T.i4.i2 

Specimen  programmes  of  London  theatres. 
Gosse,  Edmund  William. 

Life  of  William  Congreve.  London.  Scott.  1888.  192,  ix  pp. 
["Great  writers."]  454oa.ii6;  **T.57.398 

Bibliography,  pp.  i-ix. 

Gosselin,  E. 

Moliere  a  Rouen  en  1643.  Discours  de  reception.  [Rouen.  Boissel. 
1870.]     22,   (i)   pp.     Facsimile.  2648.83 

Contains   an   Acte   authentique    constatant  la   presence   de    Moliere   a   Rouen    en 
1643,  a   separate  copy   of   which   may   be   found   on   shelf-number   .1645.10. 
The  facsimile  shows  Des  signatures  de  la  troupe  de  I'illustre  theatre  dans  I'acte 
du   3  novembre    1643. 

Gosset,  Alphonse. 

Traite  de  la  construction  des  theatres.     Paris.  Baudry  &  c'e.     1886. 

(3),  140  pp.     62  plates.  *8o90.59 
Gosson,  Stephen. 

The  schoole  of  abuse.  (August?)  1579.  And  a  short  apologie  of 
The  schoole  of  abuse  (November?)  1579.  Edited  by  Edward 
Arber.  London.  Murray.  1868.  80  pp.  [Arber's  English  re- 
prints.] 6608.14 

Bibliography,  p.   14.     An  attack  on  the  acted  drama. 

Same.     Large  paper  edition.  **T.76.34 

Same.     1869.  *66o8.42 

Same.     Containing  a  pleasant  invective  against  poets,  pipers,  players, 

jesters,  &c.     With  an  introduction    [by  J.   P.   Collier].     London. 

Printed  for  the  Shakespeare  Society.    1841.   xviii,  51,  (i)  pp.   2575.8 

Other  copies   arc   on   shelf-numbers   No.  2  in  *4S96.i  ;    No.  i  in  **G. 3927.6. 

[354] 


BROWN   COLLECTION    OF  BOOKS    ON    THE   STAGE 


Gosson,  Stephen.     Works  about. 

Lodge,  T.     A  defence  of  poetry,  music,  and  stage  plays.     [A  reply 
,  to   Stephen   Gosson's   Schoole   of  abuse.]      London.     1853. 

No.  2  in  *4596.2o;  etc. 
Got,  Edmond.     See  Got,  Frangois  Jules  Edmond. 
Got,  Frangois  Jules  Edmond. 

La  Comedie-frangaise  a  Londres  (1871-1879).  Journal  inedit  dc  E. 
Got. — Journal  de  F.  Sarcey.  Publics  avec  une  introduction  par 
Georges  d'Heylli  [pseud.  d'Antoine  Edmond  Poinsot].  Paris. 
Ollendorff.  1880.  (3),  Ixxxvii,  196,  (i)  pp.  2676.156;  **T.78.i2 
fitude  sur  le  theatre  en  province.  {In  Noel,  fidouard.  La  Comedie- 
frangaise  en  1877.  Pp.  v-xxii.  Paris.  1878.)  **T.76.82 
Journal  de  Edmond  Got,  societaire  de  la  Comedie-frangaise,  1822- 
1901.  Public  par  son  fils  Mederic  Got,  Preface  de  Henri  Lave- 
dan.     Paris.     Plon-Nourrit  &  cie.     1910.     2  v.     Portrait.     Plate. 

26493.148 
Got,  Frangois  Jules  Edmond.     Works  about. 

Carel,   a.     Got.      {In  his   Histoire   anecdotique   des   contemporains. 

Pp.   155-183.     Paris.     1885.     Portrait.)  **T.55.5o 

EsTiVAL,  A.,  and  E.  Millanvoye.     Le  theatre  en  province.     Reponse 

a  M.  Got.     Paris.     1878.  '  **T.95.iio 

Got,  Mederic,  editor. 

Got,  F.  J.   E.     Journal  de   Edmond   Got,  societaire  de  la  Comedie- 
frangaise,  1822-1901.    Paris.    1910.    2  V.    Portrait.    Plate.    26493.148 
Gotha,  Germany.     Theatres.     Hoftheater. 

HoDERMANN,  R.  H.     Gcschichte  des  Gothaischen  Hoftheaters,   1775- 

1779.     Nach  den  Quellen.     Hamburg.     1894.  6872.51 

ScHLOEssER,    R.      Vom    Hamburger    Nationaltheater    zur    Gothaer 

Hofbiihne.      1767-1779.      Dreizehn    Jahre    aus    der    Entwickelung 

eines  deutschen  Theaterspielplans.     Hamburg.     1895.  6872.55 

Getter,  Friedrich  Wilhelm.  ■ 

ScHLOESSER,  R.  Fricdrich  Wilhelm  Gotter:  sein  Leben  und  seine 
Werke.  Ein  Beitrag  zur  Geschichte  der  Biihne  und  Biihnen- 
dichtung  im  18.  Jahrhundert.     Hamburg.     1894.  6872,52 

ScHROEDER,  F.  U.  L.  Sclirodcr  und  Gotter.  Eine  Episode  aus  der 
deutschen  Theatergeschichte.  Briefe  Friedrich  Ludwig  Schroders 
an  Friedrich  Wilhelm  Gotter  1777  und  1778.     Hamburg.     18S7. 

2873.91 
Gottsched,  Johann  Christoph. 

Nothiger  Vorrath  zur  Geschichte  der  deutschen  dramatischen  Dicht- 

kunst,  oder  Verzeichniss  aller  deutschen  Trauer-  Lust-  und  Sing- 

spiele,  die  im  Druck  erschienen,  von  1450  bis  [zu  1760].     Leipzig, 

bey  Johann  Michael  Teubner,  1757,  65.    2  v.  in  i.     Plate.      *2i75.7 

Gottsched,  Johann  Christoph.     Works  about. 

Heitmueller,  F.  F.     Hamburgische  Dramatiker  zur  Zeit  Gottscheds 
und  ihre  Beziehungen  zu  ihm.     Ein   Beitrag  zur  Geschichte  des 
Theaters  und  Dramas  im  18.  Jahrhundert.   Dresden.    1891.   2877.121 
Goujon,  Julien. 

Histoire  du  theatre  en  France  des  origines  au  Cid  (1398-1636).  Par 
Benjamin  Pifteau  et  Julien  Goujon.  Paris.  Willem.  1879.  2  v. 
in   I.  **T.48.i9 

Gould,  Thomas  Ridgeway. 

The  tragedian;  an  essay  on  the  histrionic  genius  of  Junius  Brutus 
Booth.  New  York.  Hurd  &  Houghton.  1868.  (3),  iQO  pp. 
Portrait.  4509-ii ;  **T.57.3i2 


[355] 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 


Gouriet,  Jean  Baptiste. 

Les    charlatans    celebres,    ou    tableau    historique    des    bateleurs,    des 

baladans  et  de  tous  les  personnages  qui  se  sont  rendus  celebres* 

dans  les  rues  et  sur  les  places  publiques  de  Paris.     [Anon.]     2e 

edition.      Paris.      Lerouge.      1819.     2  v.     Plate.  **T.96.327 

Gouvenain,  Louis  de. 

Le  theatre  a  Dijon.     1422-1790.     Dijon.     Jobard.     1888.     (3),  171  pp. 

4631.57 
Government  regulation  of  the  Elizabethan  drama.     Gildersleeve,  V.  C. 

4558.268 
Gozlan,  Leon. 

La  comedie  et  les  comediens.  3e  edition.  Paris.  Levy.  1859.  (3)> 
315  pp.  **T.87.92 

Contents.  —  Le  Hlas  de  Perse.  —  L'oiseau  en  cage. 
Stories  of  stage  life. 

Moeurs  theatrales.  La  comedie  des  comediens.  Paris.  Lecou.  1853. 
(8).  349,   (I)  pp.  **T.87.36 

Contexts.  —  Le  lilas  de  Perse.  —  L'oiseau  en  cage.  —  Un  homme  plus  grand  que 
Charles-Quint.  —  L'agneau,  la  vache  et  le  pigeon,  ce  qui  n'est  pas  una  fable.  . — 
Les   belles  folies.   —  Les  theatres  de   Paris.   —   Ce  que   c'est   qu'un   theatre. 
A  collection  of  stories  of  stage  life. 

Gozzi,  Carlo,  Conte. 

The  memoirs  of  Count  Carlo  Gozzi.  Translated  into  English  by- 
John  Addington  Symonds.  With  essays  on  Italian  impromptu 
comedy,  Gozzi's  life,  the  dramatic  fables,  and  Pietro  Longhi  by 
the  translator.  With  portrait  and  etchings  by  Adolphe  Lalauze. 
Also  subjects  illustrating  Italian  comedy  by  Maurice  Sand.  Lon- 
don.    Nimmo.      1890.     2   v.     Portrait.     Plates,   some   colored. 

Rooks  used,  pp.  xiii,  xiv.  **X.55.4I 

Same.     New  York.     Scribner  &  Welford.  *2745.67 

Grabbe,  Christian  Dietrich. 

Das  Theater  zu  Diisseldorf  mit  Riickblicken  auf  die  iibrige  deutsche 
Schaubiihne.     Diisseldorf.     Schreiner.     1835.     112  pp.  6878.19 

Contains,  in  addition,  criticisms  of  performances  of  Minna  von  Barnhelm,  Stella, 
Wallenstcins  Tod,  Ktiriig  Johann,  Alexis,  Der  Blaubart,  and  a  Vorspiel :  Kurfiirst 
Johann  Wilhelm  im  Theater. 

Graham,  Scott. 

The  showman's  daughter.  A  novel.  London.  Hurst  &  Blackett.  Ltd. 
1897.     viii,  370  pp.  **T.87.8 

Grain,  Corney.     See  Grain,  Richard  Corney. 
Grain,  Richard  Corney. 

Corney  Grain.     By  himself.     London.     Murray.     1888.      130  pp. 

**T.57.4i8 
Grain,  Richard  Corney.     Works  about. 

Williamson,  D.  The  German  Reeds  and  Corney  Grain:  records 
and  reminiscences.  Edited  by  David  Williamson.  London.  1895. 
Portraits.  **T.58.9 

Grammont,  Guillaume  Antoine.     See  Nourry,  Guillaume  Antoine. 
Gramont,  Louis  de,  editor. 

Si'ixTATELR,  Le.     Revue  theatrale,  litteraire  et  artistique.     [Hebdoma- 
daire.l      Redacteur  en  chef:  Jules  de  Cler\ille.     Secretaire   de  la 
redaction:  Louis  de  Gramont.    No.  1-15.    Paris.    1875,  76.    **T.27.7 
Grand,  E.,  editor. 

S(  I  VE,  La.     Revue  des  succes  draniatiques.     Vol.  i  (no.  1-19,  21-24). 
I'nris.     1877-81.    23  parts  in  I  V.     lUus.     Colored  plates.      **T.22.8 
Grand,  Georges. 

Victor  Capoul.     Paris.     Dentu.     1877.     15  pp.     Portrait. 


No.  3  in  **M. 128.31 


[356] 


BROWN   COLLECTION    OF  BOOKS    ON    THE   STAGE 

Grande  biographic  dramatique.    Alhoy,  P.  M.  **T.59.7 

Grandes  units,  Les,  de  Sceaux.     Jullien,  J.  L.  A.  **T.95.5i 

Grands  danseurs,  Les,  du  roi.     Rabou,  C.  F.  H.  **T.89.3 

Grands  seigneurs  et  comediennes.     Faure,  £.  V.  C.  **T.57.337 

Granny's    prediction    revealed    to    the    Widow    Brady,    of    Drury-Lane 

Theatre.     By  her  relashion  Mrs.  Sharp-set  O'Blunder.     London. 

Printed  for  the  Authoress.     1773.    iv,  53  pp.  No.  3  in  **G.382o.9 

The  printed  notice  —  "None  are  genuine  but  those  signed  by  the  authoress," 
bears  the  autograph  signature  of  Eliz.  de  Franchetti.  The  Widow  Urady  here 
addressed  is  the  actress,  Ann  Spranger  Barry. 

Grant,  George. 

An  essay  on  the  art  of  acting.  By  a  veteran  stager.  London. 
Cowie  &  Strange.     1828.     xii,  201  pp.     Portrait.  **T.77.i29 

Other  copies  are  on  shelf-numbers  **G.3923.io;   **K.34.29. 

Graphic  theatrical  programme,  The.     Gosnell,  J.,  &  Co.  **T. 14.12 

Grau,  Robert. 

The  business  man  in  the  amusement  world.  A  volume  of  progress 
in  the  field  of  the  theatre.  New  York.  Broadway  Publishing  Co. 
[1910.]      (13),  362  pp.     Portraits.  4045.168 

Forty  years  observation  of  music  and  the  drama.  New  York.  Broad- 
way  Publishing  Co.      1909.      (2),   iv,    (3),   370  pp.     Portraits. 

4045.172 
The  stage  in  the  twentieth  century.     New  York.     Broadway  Publish- 
ing Co.     1912.     xxvii,  360  pp.     lUus.     Portraits.     Plates.     Plans. 
Facsimiles.  4045.180 

Relates  to  the  stage  in  the  United  States.  The  author  calls  this  the  "third 
volume"  of  his  works. 

The  theatre  of  science.  A  volume  of  progress  and  achievement  in 
the  motion  picture  industry.  New  York.  Broadway  Publishing 
Co.     1914.     xxxiv,  378  pp.     Portraits.     Plates.  *8o39a.57 

Grave,  Theodore  de. 

Biographic  d'Adclina  Patti.  Paris.  Castel.  1865.  36  pp.  **M. 104.17 
Graves,  Henry  Mercer. 

An  essay  on  the  genius  of  Shakespeare,  with  critical  remarks  on  the 
characters  of  Romeo.  Hamlet,  Juliet,  and  Ophelia.  With  some 
observations   on   the   writings   of   Sir  Walter   Scott.     Annexed,  a 

letter  to  Lord  ,  containing  a  critique  on  taste,  judgment  and 

rhetorical  expression,  and  remarks  on  the  leading  actors  of  the 
day.     London.     Bigg.     1826.    viii,  206  pp.  **T.57.i38 

Another  copy  is  on  shelf-number  **G.3926.  i6. 

Graves,  Thornton  Shirley. 

The  Court  and  the  London  theatres  during  the  reign  of  Elizabeth. 
A  dissertation  [University  of  Chicago].  Menasha.  The  Collegiate 
Press.     1913.     (s),  93  pp.     Plan.  6257.35 

Gray,  Edward  Dundas  McQueen. 

Elsa.     A  novel.     London.     Methuen  &  Co.     1891.     viii,  600  pp. 

A  novel  of  theatrical  life.  **T.87.I2 

Gray's  Inn,  London. 

Gesta  Grayorum:  or,  the  history  of  the  high  and  mighty  Prince. 
Henry,  Prince  of  Purpoole  who  reigned  and  died,  A.D.  1594.  To- 
gether with  a  masque,  as  it  was  presented  for  the  entertainment 
of  Q.  Elizabeth.  London,  Printed  for  W.  Canning.  168S.  (4>. 
68  pp.  **G.4o76.i9 

An  account  of  the  Christmas  revels  at  Gray's  Inn  in  1594. 

Great  artists  of  the  American  stage.    Trumble,  A.  **T.55.5 

[357] 


THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 


Great  Britain.    Acts  and  laws. 

A  declaration  of  the  Lords  and  Commons  assembled  in  Parliament, 
for  the  appeasing  and  quieting  of  all  unlawful  tumults.  Also  an 
ordinance  of  both  Houses,  for  the  suppressing  of  stage-playes. 
September  3.     London.     Printed  for  lohn  Wright.     1648.     (8)  pp. 

No.  2  in  4575.100 
Great  Britain.    Acts  and  laivs.    Works  about. 

[Documents  of  the  Metropolitan  Board  of  Works,  the  London 
County  Council,  and  Committees  of  the  House  of  Commons  and 
the  House  of  Lords,  relating  to  the  theatre.]  London.  1866- 
1909.     7  V.  **T.72.i4 

Handy-book,  A,  on  the  law  of  the  drama  and  music:  being  an 
exposition  of  the  law  of  dramatic  copyright,  the  law  affecting 
theatres;  and  the  law  relating  to  music,  dancing,  and  professional 
engagements;  with  the  statutes,   forms,  &c.     London.     1864. 

**T.78.44 
Great  Britain.    Parliament.    Reports. 

Report  from  the  select  committee  on  dramatic  literature:  with  the 
minutes  of  evidence.     [London.     1832.]     250  pp.     Plans.     **T.7i.8 

Relates    principally    to    London    theatres.       Another    copy     is    on     shelf-number 
"G.3830.1. 

Reports  of  the  committee  under  the  Act  for  rebuilding  Drury-Lane 
Theatre,  &c.  London.  Lowndes  &  Hobbs.  [1811.]  20  pp.  **T. 76.183 
Great  Britain.    Privy  Council. 

Account  of  the  proceedings  before  His  Majesty's  Most  Hon.  Privy 
Council,  upon  a  petition  for  a  third  theatre  in  the  Metropolis; 
with  the  arguments  of  counsel,  and  copies  of  all  the  petitions  and 
documents.     London.     Wyatt.     1810.     (i),  117,  48  pp.     **T.76.ii6 

Dramatic  records  from  the  Privy  Council  Register,  1603-1642.  (In 
Malone  Society.  Collections.  Vol.  i,  parts  4  and  5,  pp.  370-395. 
[Oxford.]     1911.)  **G.4077.i5.i.PartS4,5 

Edited  by  E.  K.  Chambers  and  W.  W.  Greg. 
Great  Britain.    Public  Record  Office. 

Royal  patents  for  players.  (In  Malone  Society.  Collections.  Vol.  i, 
part  3,  pp.  260-284.      [Oxford.]      1909.)  **G.4077.i5.i.Part  3 

Edited  by  E.  K.  Chambers  and  W.  W.  Creg. 

Great  Britain.    Theatres.     See  England.     Theatres. 

Great  illegitimate,  The!!  Public  and  private  life  of  that  celebrated 
actress  Miss  Bland,  otherwise  Mrs.  Ford,  or,  Mrs.  Jordan;  late 
mistress  of  H.  R.  H.  the  D.  of  Clarence;  now  King  William  IV., 
founder  of  the  Fitzclarence  family.  By  a  confidential  friend  of 
the  departed.     London.     Duncombe.     [183-?]     266  pp.     Portraits. 

**T.57.340 

A  later  edition,  having  the  title  Public  and  private  life  of   Mrs.  Jordan,   may   lie 
found  on  shelf-numbers  45493.107;   **K.263.8. 

Great  love  stories  of  the  theatre.     Collins,  C.  W.  6252.79 

Great  part,  A.    Payne,  G.  H.  **T.87.95 

Great  siege.  The,   of   Paris:    1870-71.      [By   Philippoteaux.]      Also,   the 

assassination  of  the  Archbishop  of  Paris   [Darboy]   at  the  hands 

of  the  Commune  of  1871.      [By  Desbrosses.     Description  of  the 

pictures.     Boston.     187-?]     23  pp.  26393.33 

Greatest  Hamlet,  The.     Frost,  J.  B.  *459o.i25 

Greece.     Theatres. 

See  also  Athens.  Theatres. 

Barnes,  J.  Tractatus  de  tragoedia  veterum  Graecorum,  item  de 
thcatro,  et  scena,  et  illius  apparatu,  nee  non  de  musica  theatrica, 

[358] 


BROWN   COLLECTION    OF  BOOKS    ON    THE   STAGE 


Greece.     Theatres.     (Continued.) 

deque  versuum  tragicorum  legibus.  {In  Euripides.  EuQinCfiov 
"Anayxa.     Vol.  i,  pp.  Ixxvii-civ.     Glasguse.     1821.)  4975.20;  etc. 

Bethe,  E.  J.  A.  Prolegomena  zur  Geschichte  des  Theaters  im 
Alterthum.  Untersuchungen  iiber  die  Entwickelung  des  Dramas, 
der  Biihne,  des  Theaters.     Leipzig.     1896.     Illus.  2968.76 

BoDENSTEiNER,  E.  Das  antike  Theater.  Leipzig.  1902.  Text:  39, 
(i)  pp.     Illus.     Plates.     Plans.     Accompanied  by  2  colored  plates. 

No.  12,  13  in  *Cab. 29.32.1 

BucKHAM,  P.  W.  The  theatre  of  the  Greeks,  or  the  history,  litera- 
ture, and  criticism  of  the  Grecian  drama;  with  an  original  treatise 
on  the  principal  tragic  and  comic  metres.     Cambridge.     1827. 

49503.24;  etc. 

BuRsiAN,  C.  Schauspieler  und  Schauspielkunst  im  griechischen 
Alterthum.  (In  Historisches  Taschenbuch.  Jahrg.  45,  pp.  1-34. 
Leipzig.     1875.)  *2309.i.45 

Calliachi,  N.  Nicolai  Calliachii  De  ludis  scenicis  mimorum,  & 
pantomiirtorum  syntagma  posthumum.     Patavii.     1713.     Portrait. 

**G.294.54 

Capps,  E.  The  Greek  stage  according  to  the  extant  dramas.  (In 
American  Philological  Association.  Transactions.  Vol.  22,  pp. 
5-80.     Boston.     1891.)  *536i.i.22 

Vitruvius  and  the  Greek  stage.    Chicago.    1893.    Illus.    8096.106 

DiERKS,  H.    De  tragicorum  histrionum  habitu  scaenico  apud  Graecos. 

Gottingae.     1883.  2967.69 

DoERPFELD,  W.,  and  E.  Reisch.  Das  griechische  Theater.  Beitrage 
zur  Geschichte  des  Dionysos-Theaters  in  Athen  und  anderer 
griechischer  Theater.     Athen.      1896.     Illus.     Plates.     Plans. 

4090.43 
Flickinger,  R.  C.     The  meaning  of  exxi  xfig  axrivfig  in  writers  of  the 
fourth  century.     (In  University  of  Chicago.     Decennial  publica- 
tions.   Series  i.    Vol.  6,  pp.  11-26.    Chicago.    1904.)     *3363.4.Ser.i.6 

Plutarch  as  a  source  of  information  on  the  Greek  theater.     A 

dissertation,  University  of  Chicago.     Chicago.     1904.  3002.79 

Hoepken,  J.  W.  B.  De  theatro  Attico  saecvli  a.  Chr.  qvinti.  Disser- 
tatio  philologa  in  Vniversitate  Fridericia  Gvilelmia  Rhenana. 
Bonnae.     [1884.]     Plan.  4097-31 

KoERTiNG,  G.  C.  O.  Geschichte  des  griechischen  und  romischen 
Theaters.     Paderborn.     1897.  2963.35 

Mueller,  A.  Die  neueren  Arbeiten  auf  dem  Gebiete  des  griechischen 
Biihnenwesens.     Eine  kritische  tJbersicht.     Gottingen.     1891. 

*2i72.84 

O'Connor,  J.  B.  Chapters  in  the  history  of  actors  and  acting  in 
ancient  Greece,  together  with  a  Prosopographia  histrionum 
Graecorum.  A  dissertation,  Princeton  University.  Chicago. 
1908.  2965.105 

Oehmichen,  G.  Das  Biihnenwesen  der  Griechen  und  Romer.  (In 
Handbuch  der  klass'ischen  Altertums-Wissenschaft.  Band  5, 
Abteilung  3,  pp.  179-304.     Miinchen.     1890.     3  plates.) 

2973-50.5-Part  3 

Uber  die  Anfange  der  dramatischen  Weltkampfe  in  Athen.     (In 

Koeniglich-bayerische  Akademie  der  Wissenschaften,  Munich. 
Philosophisch-philologische  und  historische  Classe.  Sitzungs- 
berichte.     1889.     Band   2,   pp.    103-167.     Miinchen.      1889.) 

*3266.50.i889 

[359] 


THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 

Greece.     Theatres.     (Continued.) 

Opitz,  R.     Schauspiel  und  Theaterwesen  der  Griechcn  und   Romer. 

Leipzig.     1889.     Illus.     Plates.  29693.76 

PiCKARD,    J.      Der    Standort    der    Schauspieler    und    des    Cliors    im 

griechischen    Theater    des   5ten    Jahrhunderts.      Munchen.      1892. 

Plates.  2972.27 

PiXKH.\M,    G.    R.      Studies    of    the    drama.      Issue    I.    The    general 

characteristics  and  dramatic  unities  of  the   Greek  plays.      [With 

an  account  of  the  Greek  theatre.     Baltimore.]     1894.  **T.46.49 

PucHSTEiN,    O.       Die    griechische     Buhne.       Eine    architektonische 

Untersuchung.     Berlin.      1901.     Illus.     Plans.  4093.87 

Robert,  C.    Die  Masken  der  neueren  attischen  Komoedie.     Halle  a.  S. 

191 1.     Illus.     Plate.  2961.13 

Schneider,  G.  C.  W.     Das  attische  Theaterwesen.     Weimar.     1835. 

Plan.  4969.21 

ScHOENBORN,  A.     Die  Skene  der  Hellenen.     Ein  Versuch.      Heraus- 

gegeben  von  Carl  Schoenborn.     Leipzig.     1858.     Plan.         2964.58 
Smith,  K.  K.     The  use  of  the  high-soled  shoe  or  buskin  in  Greek 

tragedy    of    the    fifth    and    fourth    centuries    B.C.      (In    Harvard 

studies  in  classical  philology.     Vol.   16,  pp.   123-164.     Cambridge. 

1905.)  .  *4957.i5.i6 

Strack,  J.  H.     Das  altgriechische  Theatergebaude.     Potsdam.     1843. 

9  plates.  *Cab. 60.138.3 

WiESELER,    F.   J.   a!      Theatergebaude   und    Denkmaler    des    Diihnen- 

wesens,   bei    den    Griechen    und    Romern.      Gottingen.      1851.      14 

plates,  some  colored.  *296o.66 

Green,  John,  alleged  author. 

Evans's  Music  and  Supper  Rooms,  Covent  Garden.     Odds  and  ends 

about    Covent    Garden    and    its    vicinity,    the    ancient    drama,    the 

early  English  divinity  and  controversial  plays,  &c.;  compiled  from 

various  sources  by  John  Green.     [London.     1866?]     60  pp.     Illus. 

**T.95.92 

Although    the    title-page    attributes    this    work    to    John    Green,    it    was    actually 
written  by  George  Henry  Townsend. 

Green,  Samuel  Abbott,  compiler. 

I A   collection   of  letters,   circulars,   invitations,   passes,   tickets,   etc., 
received  by  S.  A.  Green.     Boston.]     2  v.  *4450.4i 

Coitenls.  —   I.   While  mayor  of   Boston   during   1882.      2.    1851-1906. 

Green,  William. 

The  life  and  adventures  of  a  cheap  Jack.     By  one  of  the  fraternity. 

Edited  by   Charles   Hindley.     London.     Tinsley.     1876.      {"),  336 

pp.  2468.37;  **T.57.i27 

Green  room,  The.    Stories  by  those  who  frequent  it.     Edited  by  Clement 

Scott.     London.     Routledge.     [1880.]     96  pp.     Portrait.     **T,86.4 
Green  Room  Book,  The,  or.  Who's  who  on  the  stage.     New  York   f& 

London].     Warne    &   Co    [&    Clark.      1906-09].     4   v.      Portraits. 

Autograph  facsimiles.  **T.27.i5 

The   issue   for    1006   was   edited   by    Bampton   Hunt;   those   for    1908,   og,   by   John 
Parker. 

Green  room  gossip.     Haslewood,  J.,  compiler.  **T.58.ii 

Green   room   mirror,   The.     Clearly   delineating   our   present   theatrical 

performers,   by  a   genuine   reflection.      London:    Printed    for   the 

Autlior,  and  sold  by  E.  Macklew.     1786.     xv,  63  pp.  **T.56.299 

Another  copy  is  on  shelf  number  No.  12  in  **G.3823.3. 

Green  room  recollections.    A  Beckett,  A.  W.  **T. 77.96 

Green  room  yarns.     >'ew  York.     Haney  &  Co.     1876.     64  pp.     Illus. 

**T.93.9 
[360] 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 


Greening,  L.  Arthur,  prefacer. 

Scott,  C.  W.  Some  notable  Hamlets  of  the  present  time.  London. 
1900.     Portraits.  45490.191 

Greenstreet,  James. 

Docyments  relating  to  the  players  at  the  Red  Bull,  Clerkenwell, 
and  the  Cockpit  in  Drury  Lane,  in  the  time  of  James  i.  {In  New 
Shakspere  Society.  Transactions.  No.  10.  1880-86.  Part  in, 
pp.  489-508.     London.     1886.)  *6552.io.  1880-86 

.\nother  copy  is  on  shelf- number  **G.ioo.i.  1880-86. 

The  Whitefriars  Theatre  in  the  time  of  Shakspere.     {Preprint.     New 
Shakspere   Society.     Transactions.     1887-92.     Pp.  269-284.     Lon- 
don.    1888.)  '  **G.iio.5 
Same.     (In  New  Shakspere  Society.    Transactions.     No.  13.     1887-92. 
Part  III.,   pp.  269-284.     London.      1889.)                  **G.ioo.i. 1887-92 
Greenwood,  Grace.     See  Lippincott,  Sarah  Jane. 
Greenwood,  Isaac  John. 

The  circus:  its  origin  and  growth  prior  to  1835.  New-York.  1898. 
(7),  117,  (i)  pp.  Portraits.  Plates.  Facsimile.  [Dunlap  Society. 
Publications.]  **T.95.i8 

Greg,  Walter  Wilson. 

A  list  of  English  plays  written  before  1643,  and  printed  before  1700. 
London.  Blades,  East  &  Blades.  1900.  xi,  158  pp.  [Biblio- 
graphical Society.]  *2i74.2i 
A  list  of  masques,  pageants,  &c.  Supplementary  to  a  list  of  English 
plays.  London.  Blades,  East  &  Blades.  1902.  xi,  35,  (i), 
cxxxi  pp.     [Bibliographical  Society.]                                          *2i74.2o 

Includes  addenda  and  corrigenda  to  the  author's   List  of   English  plays. 

Greg,  Walter  Wilson,  editor. 

Henslowe,    p.      Henslowe's    Diary.      London.      1904,   08.     2   v. 

**G.3927.38 

Henslowe  papers,   being  documents   supplementary   to    Henslowe's 

Diary.     London.     1907.  **G.3927.39 

.  London.     Corporation.     Dramatic  records  of  the  city  of  London.     The 

Remembrancia.     {In  Malone  Society.     Collections.     Vol.  i,  part  i, 

pp.  43-100.      [Oxford.]      1907.)  **G.4077.i5.i.Part  I 

Malone  Society.     Collections.     Vol.  i.     [Oxford.]      191 1.     i   v.  in  4. 

**G.4077.i5 
Grego,  Joseph,  editor. 

Gronow,  R.  H.  The  reminiscences  and  recollections  of  Captain 
Gronow.  Anecdotes  of  the  camp,  court,  clubs,  and  society,  1810- 
1860.     London.     1889.     2  v.     Portraits.     Plates.  *454i.io9;  etc. 

Gregoir,  Edouard  Georges  Jacques. 

Des  gloires  de  I'Opera  et  la  musique  a  Paris.  Documents  recueillis 
sur  rOpera  et  autres  theatres  a  Paris,  et  sur  tout  ce  qui  a  rapport 
a  I'art  musical  en  cette  ville  jusqu'a  I'annee  1880.  Bruxelles. 
Schott.     1878,  81.     3  V.     Portraits.  **M.i34.5 

ContC'its.  —  I.   1013-1750.     2.   1751-1768.      3.   1769-1774. 
No  more  was  published. 

Grein,  Jacob  Thomas. 

Dramatic  criticism.     London.     Long.     1899.     (8),  296  pp. 

2552.30;  **T.47.40 

Greville,  Robert  Kaye. 

The  drama  brought  to  the  test  of  Scripture,  and  found  wanting. 
[Anon.]      Edinburgh.     Oliphant.     1830.     131  PP- 

No.  I  in  **M. 1293.20;  **T.96.iio 

A  review  of  this  work  may  be  found  on  No.  7  in  **0.3824.io. 

[361] 


THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 

Gribble,  Francis  Henry. 

Rachel:  her  stage  life  and  her  real  life.     New  York.     Scribner.     igii. 

xii,  276  pp.     Portraits.  46403.76 

Romances    of   the    French    theatre.      New    York.      Appleton    &    Co. 

1913.     XV,    (1),  288  pp.     Portraits.  **T.56.70 

Gridiron  Gabble,  pseud.    See  Haslewood,  Joseph. 

Griffith,  Frank  Carlos. 

Mrs.  Fiske.  New  York.  The  Ncale  Publishing  Co.  1912.  146  pp. 
Portraits.     Plates.     Autograph   facsimile.  4395,200 

Grille,  Frangois  Joseph. 

Observations  sur  le  retablissement  d'un  second  Opera-comique.  Par 
un  amateur.  Paris.  Ladvocat.  1820.  19  pp.  No.  6  in  **G.3562.i 
Les  theatres.  Lois.  —  Reglemens.  —  Instructions.  —  Salles  de  spec- 
tacle. —  Droits  d'auteur.  —  Correspondans.  —  Conges.  —  Debuts. 
—  Acteurs  de  Paris  et  des  departemens.  Par  un  amateur.  Paris. 
Eymery.     1817.     (3),  284  pp.  **T.77.20 

Grillparzer,  Franz. 

Herrmann,  E.  A.     Histrionics  in  the  dramas  of  Franz  Grillparzer. 
[Thesis.]      {In  University  of  California.     Publications.      Modern 
philology.     Vol.  2,  no.  4,  239-309.     Berkeley.     1912.)        *448i.245,2 
Grimaldi,  Joseph. 

DiCKE.NS,  C.  Joseph  Grimaldi.  His  life  and  adventures.  Written 
out  from  Grimaldi's  own  manuscript  and  notes,  which  he  left  at 
the  time  of  his  death.     Philadelphia.     [185-?]  **T.55.8i;  etc. 

Grimarest,  Jean  Leonor  Le  Gallois,  Sieur  de. 

La  vie  de  Mr  de  Moliere.  Reimpression  de  I'edition  originale  (Paris, 
1705)  et  des  pieces  annexes.  Avec  une  notice  par  A.  P.-Malassis. 
Paris.    Liseux.    1877.    xviii,  (2),  256  pp.    Plate.    *2649a.63;  **T.59.5 

This     may     also     be     found     in     Despres's     Memoires     sur     Moliere     [**T.56.4; 

**G.224.2.5]. 

Grimod  de  la  Reyniere,  Alexandre  Balthasar  Laurent,  editor. 

Censeur  dramatique,  Le.  Ou  journal  des  principaux  theatres  de 
Paris  et  des  departemens,  par  une  societe  de  gens-de-lettres. 
Tome  1-3.     Paris.     1797,  98.     3  v.  **G.3562.5;  etc. 

Grimod  de  la  Reyniere,  Alexandre  Balthasar  Laurent,  and  Fabien  Fillet. 
Revue    des    comediens,    ou    critique    raisonnee    de    tous    les    acteurs, 
danseurs  et  mimes  de  la  capitale.     Par  M.  *  *  *,  vieux  comedien 
[pseud.] ;  et  par  I'auteur  de   La  lorgnette  des  spectacles.     Paris. 
Favre.     1808.    2  v.  in  i.  **T.59.32 

Grimston,  Margaret  Shafto.    See  Kendal,  Madge. 
Grimston,  William  Hunter.     See  Kendal,  William  Hunter. 
Grinsted,  T.  P. 

Gallery  of  theatrical  portraits.  V:  William  Charles  Macready.  [Lon- 
don.    185,7.]     539-550  pp.  No.  9-9b  in  **G.3930,i3.2 

Cut   from   lientley's  Miscellany,  May,    1857    [Periodical  Room  *5288.i]. 

Grolier  Club,  New  York. 

Catalogue  of  engraved  portraits  of  actors  of  olden  time.  Januarj' 
24  to  February  14,  mcmvii.  [At]  the  Grolier  Club.  New  York. 
fiQ07.1      vi,  46  pp.  **T.58,i47 

Another  copy  is  on  shelf-number  "80793.265. 

Dramatic  folios  of  the  seventeenth  century.  Exhibited  at  the  Grolier 
Club,  December  3d  to  12th,  1903.     [New  York.     1903.]     27  pp. 

*Q.i6.33 
Grolier  Club,  New  York.    Publications. 

Reade,  C.     Peg  Woffington.     [Novel.]     New  York.     1887.     2  v. 

*Q,i6.7(*2579a.227) 

[362] 


BROWN   COLLECTION    OF  BOOKS    ON    THE   STAGE 

Grolier  Society,  London.    Publications. 

BoADEN,  J.  Mrs.  Sarah  Siddons.  London.  [190-?]  2  v.  Portraits. 
Plates.  *2545.252 

Cunningham,  P.  Nell  Gwyn.  Together  with  Mrs.  Jameson's  lives 
of  the  Duchess  of  Portsmouth  and  Cleveland.  London.  |  190-?] 
Portraits.     Plates,  one  colored.  *2545.25o 

Fitzgerald,  P.  H.  The  Sheridans.  London.  [190-?]  2  v.  l^or- 
traits.     Plates.  *2545.25i 

Gronow,  Rees  Howell. 

Reminiscences  of  Captain  Gronow:  being  anecdotes  of  the  camp, 
the  court,  and  the  clubs,  at  the  close  of  the  last  war  with  France. 
[Series  i.]  Related  by  himself.  (2d  edition,  revised.)  London. 
Smith,  Elder  &  Co.     1862.     x,  (i),  246  pp.     Plates.  *4579a.i37 

Same.  [Series  i,  2.]  Captain  Gronow's  recollections  nad  anecdotes 
of  the  camp,  the  court,  and  the  cl  bs,  at  the  close  of  the  last  war 
with  France.  A  new  edition,  comprising  the  first  and  second 
series.  London.  Smith,  Elder  &  Co.  1864.  xi,  340  pp.  Por- 
traits. 4579.73 

Same.     1870.  4579-67 

Same.  [Series  3.]  Celebrities  of  London  and  Paris;  being  a  third 
series  of  Reminiscences  and  anecdotes  of  the  camp,  the  court, 
and  the  clubs.  London.  Smith,  Elder  &  Co.  1865.  viii,  234  pp. 
Colored  plate.  4579-74 

Same.  [Series  4.]  Captain  Gronow's  last  recollections,  being  the 
fourth  and  final  series  of  his  Reminiscences  and  anecdotes.  Lon- 
don. Smith,  Elder  &  Co.  1866.  viii,  200  pp.  Portrait.  Auto- 
graph facsimile.  4578.140 

Same.     2d  edition,     viii,  195  pp.  4578.138 

The  reminiscences  and  recollections  of  Captain  Gronow.  Anecdotes 
of  the  camp,  court,  clubs,  and  society,  1810-1860.  [Edited  by 
Joseph  Grego.]  London.  Nimmo.  1889.  2  v.  Portraits.  Plates. 
Autograph  facsimile.  *454i,io9 

The  illustrations  are  in  duplicate,  one  copy  being  colored  by  hand. 

Same.     1892.     Colored  portraits.     Colored  plates.  **T.55.83 

Gros,  Mademoiselle . 

CosTE   d'Arnobat,    C.    P.      Lettre    d'un    comedien    du    Theatre    de    la 

republique,  aux  demoiselles  Gros  et  Bourguoin,  dont  les  debuts 

doivent   suivre    celui   de    mademoiselle   Volnay.      [Anon.]      Paris. 

An  ix  [1801].  No.  5  in  **G.3562.2 

Gross,  Edgar. 

Die  altere  Romantik  und  das  Theater.     Hamburg.    Voss.     1910.     (7), 

119  PP-      [Theatergeschichtliche   Forschungen.]  6872.64 

Johann  Friedrich  Ferdinand  Fleck.     Ein  Beitrag  zur  Entwicklungs- 

geschichte  des  deutschen  Theaters.     Berlin.     1914.     207,   (i)   pp. 

Portraits.      [Gesellschaft  fiir  Theatergeschichte.     Schriften.     22.] 

6907.32 

The  appendix  contains  a  list  of  Fleck's  roles  and  bibliographical  references. 

Grossman,  Edwina  Booth,  editor. 

Booth,  E.  T.  Edwin  Booth.  Recollections  by  his  daughter,  and 
letters  to  her  and  to  his  friends.  New  York.  1894.  Portraits. 
Plates.  4343.164;  **T.55-84 

Grossmann,  Gustav  Friedrich  Wilhelm. 

Mentzel,  E.  Ein  Brief  der  Madame  Moller  an  den  Schauspiel- 
direktor  Gustav  Friedrich  Wilhelm  Grossmann.  (In  Archiv  fiir 
Theatergeschichte.     Vol.  2,  pp.  72-87.     Berlin.     1905.)       *6907.i2.2 

[363] 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 


Grossmith,  George. 

A  society  clown.  Reminiscences.  Bristol.  Arrowsmith.  1888.  (3), 
192  pp.  45793.113;  **T.98.9i 

Grossmith,  Wee  don. 

From  studio  to  stage.  Reminiscences.  New  York.  John  Lane  Co. 
1913.     (10),  367  pp.     Portraits.     Plates.     Facsimiles.  4545-173 

FxiH-rienccs  of  an  artist  and  actor  in  London. 

Grossmith,  William  Robert. 

Life,  The,  and  theatrical  excursions  of  William  Robert  Grossmith, 

the  juvenile  actor.     2d  edition.     Reading.     Cowslade  &  Co.     1827. 

24  pp.  No.  16  in  **G.393o.i3.i 

Same.    4th  edition.     1829.    22  pp.     Portrait.     Folded  sheet.     **T.55.73 

Groimd,  The,  of  the  theatre.  An  interesting  review  of  circumstances 
connected  with  the  ground  upon  which  the  late  "Royalty,"  and 
the  more  recent  "New  Brunswick  Theatre"  stood.  With  proposals 
for  restoring  the  ground  back  to  its  original  appropriation,  by 
erecting  a  building  devoted  to  the  purpose  of  benevolence  and 
religion.     London.     Wakefield.      [1828.]      34  pp.  **T.96.366 

Contains  an  attack  on  theatres. 

Grove,  Eleanor,  translator. 

Goethe.  J.  W.  von.  Wilhelm  Meister's  apprenticeship.  Leipzig. 
1873.     2  V.  in   I.  4876.90 

Growler  Gruff,  pseud.     See  Gruff,  Growler,  pseud. 
Grube,  Max,  editor. 

HoLTEi,  C.  E.  VON.     Vierzig  Jahre.     Breslau.     1898.    2  v.      **T.57.226 
Gruff,  Growler,  pseud.,  editor. 

Cynick,  The.  [Weekly.]  Vol.  i  (no.  i,  2,  4-12).  Sept.  21,  28,  Oct. 
12 -Dec.  12,  181 1.     Philadelphia.     1812.  **T.28.2o 

Grimeisen,  Charles  Lewis. 

The  opera  and   the  press.     London.      Hardwicke.      1869.     70  pp. 

Kelates  to   London   theatres.  No.  3  in  **M.I25.8 

Grysar,  Carl  Joseph. 

Der  romische  Mimus.  (In  Kaiserliche  Akademie  der  Wissenschaften. 
Philosophisch-historische  Classe.  Sitzungsberichte.  Band  12,  pp. 
237-337.     Wien.     1854-)  *3340.3.i2 

tJber  das  Canticum  und  den  Chor  in  der  romischen  Tragodie.  (/« 
Kaiserliche  Akademie  der  Wissenschaften.  Philosophisch-his- 
torische Classe.  Sitzungsberichte.  Band  15,  pp.  365-423.  Wien. 
1855.)  *3340.3-i5 

Ueber  die  Pantomimen  der  Romer.  (In  Rheinisches  Museum  fiir 
Philologie.      Band   2,    pp.    30-80.      Bonn.      1834.)  *6956.2.2 

Gsell,  Paul,  editor. 

JruiTH.  M !'•■'.     My  autobiography.     London.     191 2.     Portrait.     2646.233 
Guadet,  Julien. 

Ittude  sur  la  construction  &  la  disposition  du  Colisee,  amphitheatre 

Flavieu.     Paris.     Levy.     1878.     14,  (i)  pp.     12  plates.     *Cab.49.ii.i 

Guerbel,    Lucy    Genevieve    Teresa    Ward,    Comtcssc    de.       See     Ward, 

Genevieve. 
Guerrabella,  Ginevra,  pseud.     See  Ward,  Genevieve. 
Gueullette,  Charles. 

Acteurs  &  actrices  du  temps  passe.     La  Comedie  frangaise.     Serie  i. 

Notices  par  Ch.  Gueullette.    Portraits  par  Ad.  Lalauze.    Paris.    Li- 

brairie  desbiijliophiles.   1881.   (3),  iv,  330,  (i)  pp.  Portraits.  **T.55.i2 

Repertoire  de  la  Comedie-frangaise  (1883-91).     Paris.     Librairie  des 

bibliophiles.     1885-92.     8  v.     Portraits.  **T.48.2o 


[.364] 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 

Guide  dans  les  theatres.  Paris.  Paulin  &  Lc  Chevalier.  1855.  C3), 
212,  (2)  pp.     Illus.  **T.79.4 

Guide   to  selecting   plays.     H.,  W.  *2i75.36 

Guide,  The,  to  the  stage.     Rede,  L.  T.  •  **T.97.307 

Guide,  The,  to  the  stage:  or,  how  to  enter  the  theatrical  profession, 
obtain  an  engagement,  and  become  an  actor.  Founded  on,  and 
partly  taken  from  Leman  Rede's  book;  with  modern  list  of 
theatres,  &c.  Corrected  to  August,  1871.  London.  Lacy.  [1871.] 
43  pp.     Diagram.  **T.77.i55 

Same.  Corrected  to  August,  1872.  New  York.  French.  |  1872.] 
34  PP-  6259b.258 

Guide,  A,  to  the  stage:  or,  select  instructions  and  precedents  from  the 
best  authorities  towards  forming  a  polite  audience;  with  some 
account  of  the  players,  &c.  The  2d  edition,  with  additions.  Lon- 
don: Printed  for  D.  Job.  1751.  30  pp.  No.  5  in  **G.3823.i6 
Relates  to  London  theatres. 

Guilbert,  Yvette. 

Yvette  Guilbert:  struggles  and  victories.  By  Yvette  Guilbert  and 
Harold  Simpson.  London.  Mills  &  Boon,  Ltd.  [1910.]  vi,  348 
pp.     Portraits,  some  colored.     Manuscript  facsimiles.        **T.56.35 

Contents.  —  Struggles  and  victories  of  my  life.      By  Yvette  Guilbert.  ■ —  The  life 

of  Yvette  Guilbert.     By  Harold  Simpson. 

Yvette  Guilbert's  article  is  in  French  with  an  English  translation  on  the  opposite 

pages. 

Guilbert,  Yvette,  prefacer. 

Bach,  S.  F.    Femmes  de  theatre.     Paris.     [1896.]     C20)  colored  plates. 

**T.5i.i6 
Guilbert  de  Pixerecourt,  Rene  Charles. 

Lettre  des  societaires  pretendus  revoltes  du  Theatre  royal  de 
rOpera-comique,  a  Monsieur  Guilbert  de  Pixerecourt.  directeur 
du  meme  theatre.     Paris.     1827.  **T.97.i8 

Guillard,  Leon. 

PoiNSOT,  A.  E.  Leon  Guillard,  archiviste  de  la  Comedie  frangaise. 
(1810-1878.)      Paris.      1878.     Portrait.  No.  3  in  **M. 138.15 

Guillaume  le  Flaneur,  pseud.    See  Saint  Hilaire,  Amable  Villain  de. 

Guillaumot,  A.,  fils. 

Costumes  des  ballets  du  roy.  Archives  de  I'Opera,  xviiie  siecle. 
Avec  une  notice  de  M.  C.  Nuitter  [pseud.].  Paris.  Monnier  & 
cie.     1885.     (7)  pp.     20  colored  portraits.  **T.92.7 

Costumes  du  Directoire.  Tires  des  Merveilleuses.  Avec  une  lettre 
de  M.  Victorien  Sardou.  Paris.  Rouquette.  1875.  (12),  11  pp. 
30  portraits.  **T.9i.i 

Guimard,  Marie  Madeleine. 

GoNcouRT,  E.  L.  A.  H.  de.  La  Guimard  d'apres  les  registres  des 
menus-plaisirs   de   la   bibliotheque   de   I'Opera,   etc.      Paris.      1893. 

**T.57.227;etc. 

Guiney,  Louise  Imogen. 

George  Farquhar.  (In  her  A  little  English  gallery.  Pp.  t  19-170. 
New  York.     1894.)  25493.115 

Gundling,  Julius. 

Henriette  Sontag.  Kiinstlerlebens  Federzeichnungen.  Leipzig. 
Grunow.     1861.     2  v.  **M.377.5 

Gunn,  Archibald. 

Impressions  of  Francis  Wilson's  new  comic  opera:  "Half  a  king." 
New  York.     J.  Ottmann  Lith.  Co.     [190-?]     (i)  PP-     i5  plates. 

40493.271 

[365] 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 

Gunn,  Archibald,  illustrator. 

Smith,  H.  B.  Stage  lyrics.  With  illustrations  by  Archie  Gunn,  Ray 
Brown  and  E.  W.  Kemble.  [41  character  portraits  of  stage 
favorites.]     New  York.    1900.  *4396.i75 

Gura,  Eugen. 

Erinnerungen  aus  meinem  Leben.  Leipzig.  Breitkopf  &  Hartel. 
1905.     124  pp.     Portrait.     Plates.  **M.i27.5i 

Reminiscences  of  the  opera. 

Gustafson,  Zadel  Barnes. 

Genevieve  Ward.  A  biographical  sketch  from  original  material  de- 
rived from  her  family  and  friends.  Boston.  Osgood  &  Co.  1882. 
XV,   (i),  261  pp.     Portrait.     Music.  4349-97;  **T.58.37 

Another  copy  is  on  shelf-number  **P.ii. 9489.1. 

Gutzkow,  Carl  Ferdinand. 

GoEHLER,  R.  Gutzkow  und  das  Dresdener  Hoftheater.  (In  Archiv 
fiir  Theatergeschichte.  Vol.  i,  pp.  97-ii7>  vol.  2,  pp.  193-228. 
Berlin.     1904.)  *6907.i2.i,2 

Guyot, ,  editor. 

Album  des  theatres,  par  Guyot  et  A.  Debacq.  Tome  i.  Annee  i. 
Paris.     1837.     Plates.  **T.24.8 

Gwyn,  Eleanor. 

Adams,  W.  H.  D.     Nell  Gwynne.     (In  his  Famous  beauties  and  his- 
toric women.     Vol.  i,  pp.  1-32.     London.     1865.)         2249.57.1;  etc. 
CuNNiNGH.AM,  P.    The  story  of  Nell  Gwyn:  and  the  sayings  of  Charles 
the  Second.    London.     1891.     Portraits.  **T.54.2;etc. 

Hart,  W.  H.  A  memorial  of  Nell  Gwynne,  the  actress,  and  Thomas 
Otway,  the  dramatist.    London.     1868.  **T.53.4 

Hazelton,  G.  C,  /;■.     Mistress  Nell.     A  merry  tale  of  a  merry  time. 
CTwixt  fact  and  fancy.)     New  York.     1901.     Portrait.        **T.87.3 
Sevmour.  J.     Memoirs  of  the  life  of  Eleanor  Gwinn.    London.     1652. 

No.  6  in  **G.3823.2i 

H 

H.,  A. 

The  actors'  fete  [at  the  Crystal  Palace,  London.  London.  187-?] 
211-216  pp.    Plate.  No.  21  in  **G.3822.3 

H.,  E.  R. 

YoRiCK,  pseud.  A  letter  concerning  Mr.  Henry  Irving  addressed  to 
E.  R.  H.     Edinburgh.     1877.  **T.98.33 

H.,  L    See  Haldane,  John. 
H.,  J.  C.    See  Rotten,  John  Camden. 
H.,  J.  F. 

David   Garrick.      [London.      1864.]      336-355  pp.  No.  7  in  **G.62.5 

Cut  from  Temple  Bar,  June,    1864    [Periodical  Room   *73i5.i]. 

H.,  J.  S.     See  Hodson,  James  Shirley. 

H.,  K.  S.,  pscjid.     See  Cahaisse,  Henri  Alexis. 

H.,  L.  C. 

On  the  Italian  opera.     No.   iii.     London.     1831.     224-238  pp. 

No.  6  in  **G.3824.io 
Cut  from  Frascr's  MaRazine  for  Sept.,  1831  [Periodical  Room  *3 187. 1.183 1] . 
Relates  to  Tlis  Majesty's  Theatre,  London. 

H.,  S.    See  Hume,  Sophia. 
H.,  W. 

Guide  to  selecting  plays;  or  managers'  companion.  Giving  a  com- 
plete description  of  1500  pieces.     London.     French.     1881.     78  pj). 

*2i75.36 
[366] 


BROWN   COLLECTION   OF  BOOKS   ON   THE   STAGE 


Haake,  August. 

Theater-Memoiren.      Mittheilungen    aus    August    Haake's    Kiinstler- 

leben,   von    ihm   selbst    geschildert,   nebst    Nachrichten    itbcr    das 

deutsche    Theater    und    seine    Ijeriihrntesten    Schauspieler    alterer 

Zeit.     Mainz.     Kunze.     1866.     x,  265,  (i)  pp.  **T.56.i98 

Haase,  Friedrich. 

Was  ich  erlebte.  1846-1896.  Berlin.  Bong.  [1897.]  (2),  203,  (i) 
pp.     Illus.     Portraits.     Plates.     Autograph  facsimile.  **T.55.35 

Hackett,  James  Henry. 

Memoir.     [New  York.     1847.]     viii  pp.  43493.293 

Cut  from  volume  4  of  The  modern  standard  drama   [65693.310]. 

Notes  and  comments  upon  certain  plays  and  actors  of  Shakespeare, 
with  criticisms  and  correspondence.  New  York.  Carleton.  1863. 
353>  (i)  PP-     Portrait.     Autograph  facsimile.  **T.S7.i78 

Relates  principally  to  Hamlet.     Another  copy  is  on  shelf-number  •*G. 3936. 28. 

Same.     3d  edition.  **G.3936.29 

Hackett,  James  Henry.     Works  about. 

Daly,  C.  P.  Letter  to  James  Henry  Hackett  [criticizing  his  Notes 
and  comments  upon  certain  plays  and  actors  of  Shakespeare]. 
February  24,  1863..    [Copy.]     Manuscript.  **G.3930.8 

Hacks,  Charles. 

Le  geste.  Illustrations  de  Lanos.  Paris.  Marpon  &  Flammarion. 
[1892.]      (3),  492  pp.     Illus.     Plates.  **T.73.5 

Haddington,  Scotland.    Presbytery. 

Letter,  A,  to  the  Reverend,  the  Moderator  and  members  of  the 
Presbytery  of  Haddingtoun.  [An  attack  on  the  stage  and  on  John 
Home  for  writing  a  play.]     Edinburgh.     1757.  **T.96.79 

Haehnel,  Ernst  Julius. 

Sculpturen  an  dem  konigl.  Museum  und  dem  alten  konigl.  Hoftheater 
zu  Dresden.  Ferner  Denkmaler,  Statuen,  Entwiirfe,  Reliefs,  etc. 
Dresden.     Bleyl  &  Kaemmerer.     1882.     148  plates.        *Cab.8o.i9i.2 

Plates   iig-148  were  published  as  a  supplement  and  lack  title-page  and   index. 

Hageman,  Maurice. 

Hageman's  Make-up  book.  Grease-paints:  their  origin,  use  and 
application.  A  useful  and  up-to-date  handbook  on  practical  make- 
up especially  prepared  for  amateurs  and  professionals.  Chicago. 
The   Dramatic   Publishing  Co.      [1898.]      64  pp.  6257.27 

Hagen,  Anton,  editor. 

Almanack  des  Konigl.  Hof-  und  National-Theaters  und  des  Konigl. 
Residenz-Theaters  zu  Miinchen  fiir  das  Jahr  1883.  Miinchen. 
1884.     Portrait.  No.  i  in  **M.ii5.i2 

Hahn,  Ludwig. 

Das  deutsche  Theater  und  seine  Zukunft.  Von  einem  Staatsbeamten 
[Pseud.].     Berlin.     Hertz.     1876.     vi,  (i),  129,  (i)  pp.  **T.76.4 

Haigh,  Arthur  Elam. 

The  Attic  theatre.     A  description  of  the   stage  and  theatre  of  the 

Athenians,  and  of  the  dramatic  performances  at  Athens.     Oxford. 

The   Clarendon    Press.      1889.      xiii,    (i),   341    pp.      Illus.      Plates. 

Plans.     Diagram.  2963.71;  **T.75-48 

Same.    2d  edition,  in  part  re-written.     1898.     xv,  (i),  420  pp.     2963.45 

Same.     3d  edition,  revised  and  in  part  rewritten  by  A.  W.  Pickard. 

Cambridge.     1907.     xv,   (i),  396  pp.  2964.105 

Haines,  Joseph.    See  Hasms,  Joseph. 

Halanzier,  Hyacinthe  Olivier  Henri. 

Kerst,  L.  L'opera  et  M.  Halanzier.  Paris.  La  Presse.  1877.  32 
pp.  No.  5  in  **M.372.2i 


[^67] 


THE  PUBLIC  LIBRARY   OF  THE   CITY   OF,  BOSTON 

Haldane,  John. 

The  players  scourge:  or  a  detection  of  the  ranting  prophanity  and 
regnant  impiety  of  stage  plays,  and  their  wicked  encouragers 
and  frequenters;  and  especially  against  the  nine  prophane  pagan 
priests,  falsely  called  ministers  of  the  Gospel,  who  countenanced 
the  thrice  cursed  tragedy  called  Douglas.  [Anon.  Edinburgh. 
1757.]     8  pp.  **T.96.8o 

The  second  part  of  The  players  scourge  exhibited  to  the  world. 
Wherein  is  contained  the  true  character  of  playhouses,  play- 
actors, and  play-haunters.    With  an  humble  advice  to  the  occupant 

upon   the   throne.      By  J — n   H ne.      [Edinlnirgh.]      Printed   in 

the  year  176S.     16  pp.  **T.96.90 

Hale,  David. 

Letters  on  the  new  theatre.  [Boston.  1827.]  15,  (i)  pp.  **T.g5.39 
In  opposition  to  the  erection  of  the  Tremont  Theatre,  Boston.  Signed,  A  father. 
Other  copies  are  on   shelf-numbers   No.  33  in  **G.3822.3 ;    No.  17  in  **E.224.i  t. 

Hale,  James  W. 

An  historical  account  of  the  Siamese  twin  brothers  from  actual 
observation.     New-York.     1831.     16  pp.  *6242.8 

Another  copy,  containing  a  portrait,  is  on  shelf-nutnber  No.  15  in  *6242.5i. 

Halevy,  Ludovic. 

Criquette.    476  edition.     Paris.     Levy.     1883.     (3),  319  pp.     **T.87.75 

A  tale  of  theatrical  life. 

Same.     65e  edition.  2670.66 

Souvenirs  de  theatre.  (In  his  Un  mariage  d'amour  [etc.l.  i7e 
edition.     Pp.   171-199.      Paris.      1881.)  2679.47 

"Half  a  king." 

GuNN,  .A^.  Impressions  of  Francis  Wilson's  new  comic  opera: 
"Half  a  king."     New  York.     [190-?]     15  plates.  40493.271 

Halford,  John. 

A  reply  to  a  sermon  on  the  theatre,  preached  in  Richmond  Church, 
August  25,  1839,  hy  the  Rev.  Edward  Hoare.  With  brief  observa- 
tions on  the  drama.     London.    Pattie.     1830.     15  pp.         **T.96.io6 

.\notlur  copy  is  on  shelf-number  **T.96.i86. 

Haliburton,  William. 

Effects  of  the  stage  on  the  manners  of  a  people,  and  the  propriety 

of  encouraging  and  establishing  a  virtuous  theatre.     By  a  Bos- 

tonian.     Boston:  Printed  by  Young  and  Etheridge.     1792.     75,  (i) 

pp.     Plan.  **T.76.i03 

Hall,  Abraham  Oakey. 

Catalogue  of   [his]   library    [of  dramatic  literature,   etc.],   to   be   sold 

at  auction,  January  17th,  by  Bangs  &  Co.     New  York.     1881.     (2), 

■      153  PP-  **T.65.6 

Another  copy  is  on  shelf-number  No.  3  in  '6174.56. 

Hall,  Granville  Stanley,  prefacer. 

Curtis,  E.  W.    The  dramatic  instinct  in  education.     Boston.     [1914.] 

35993.61 
Hall,  Henry  Thomas. 

Cambridge  dramatic  album.   Cambridge.   Wallis.    1868.    131pp.   2553.28 
Dramatic  letters,  a  titular  novelty.    Cambridge.    Wallis.     1866.    20  pp. 

**T.47.66 

The   incidents   of   these  l»<ters   are   told   almost    entirely   1)y    piecing   together   the 
titles  of  English  plays. 
Hall,  Marwell.  editor. 

Gaf-LERV  of  players.  |  Quarterly.]  No.  1-9,  11.  From  The  Illus- 
trated American.  New  York.  i894[-97].  10  parts  in  i  v.  Por- 
traits. **T.52.9 

[368] 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 


^ 


,  Hall,  Pauline  Margaret.     (Pauline  Markham.) 

Life  of  Pauline  Markham  [pseud.].     Written  by  herself.     New  York. 
1871.     3T   pp.      Portrait.     Autograph    facsimile.  **T.97.i98 

Hallays-Dabot,  Victor. 

La  censure  dramatique  et  le  theatre.  Histoire  des  vingt  dernieres 
annees   (1850-1870).     Paris.     Dentu.     1871.     (3),   112,   (i)   pp. 

**T.77.i6i 
Histoire  de   la  censure  theatrale  en   France.     Paris.     Dentu.      1862. 
xii,  340  pp.  46793.48;  **T.78.68 

Hallbauer,  O. 

Life  and  works  of  G.   Farquhar.     Holzminden.     Stock.     1880.     (i), 
33    pp.      [Programm    des    Herzoglichen    Gymnasiums    zu    Holz- 
minden.1  2552.99 
Hallberg,  Josef  Henrik. 

Motion  picture  electricity.     New  York.    The  Moving  Picture  World. 
[1914.]     (2),  299  pp.     Illus.     Portrait.     Plates.     Plans.        8o39a.59 
Halle,  J. 

Portrait-Katalog  zur  Geschichte  des  Theaters  und  der  Musik.  Kata- 
log  XI.     Miinchen.     [188-?]     2  v.  **T.65.i4 

CovAcnts.  ■ —  I.  A-L.     2.  M-Z.  —  Autographen. 

^y/jlalliday,  Andrew. 

Comical   fellows:    or,   the   history   and   mystery   of   the   pantomime: 

with  some  curiosities  and  droll  anecdotes  concerning  Clown  and 

Pantaloon,  Harlequin  and  Columbine.     London.    Thomson.     1863. 

96  pp.  **T.47.98 

Halliwell-Phillipps,  James  Orchard. 

A  dictionary  of  old  English  plays,  existing  either  in  print  or  in 
manuscript,  from  the  earliest  times  to  the  close  of  the  seven- 
teenth century.  Also  notices  of  Latin  plays  written  by  English 
authors  during  the  same  period.  London.  Smith,  i860,  viii, 
296  pp.  **T.66.7 

Other  copies  are  on  shelf-numbers  *2i75.2o;  **G. 3950.11. 

A  list  of  works  illustrative  of  the  life  and  writings  of  Shakespeare, 
the  history  of  Stratford-on-Avon,  and  the  rise  and  progress  of 
the  early  English  drama,  printed  for  private  circulation.  London. 
[Chiswick  Press.]     1867.    69,  (i)  pp.  2153-7 

Another  copy  is  on  shelf-number  **G.39Si.36. 

The  management  of  Covent  Garden  Theatre  vindicated  from  the 
attack  of  an  anonymous  critic,  in  a  letter  to  the  editor  of  the 
"Cambridge  Advertiser."  London.  Not  printed  for  sale.  1841. 
12  pp.  **T.76.3i 

Other    copies   are    on    shelf-numbers    No.  4  in  **E.22oa.3i  ;    No.  8  in  **E.  166. 14. 

Outlines  of  the  life  of  Shakespeare.  Brighton.  The  author's  friends. 
1881.     192  pp.     Plate.  **6592.i3 

Contains  much  material   relating   to   the   Elizabethan   stage.      The  author's   Illus- 

1  rations    of    the    life    of    Shakespeare    in    a    discursive    series    of    essays    [4590.7; 

**G.6i.4.]  has  been  embodied  in  this  work. 
Same.    2d  edition.    London.     Longmans,  Green  &  Co.     1882.    703  pp. 

Illus.  459oa.iio;**T.55.86 

Same.    3d  edition.     1883.    736  pp.     Plates.     Manuscript  facsimiles. 

6602.20 
Sar.ie.     4th  edition.     1S84.     480  pp.     Maps.     Facsimiles.  45903.111 

Same.     6th  edition.     1886.     2  v.     Plans.     Genealogical  charts. 

4590a.  109 
Same.     7th  edition.     1887.  45903.112 

Same.     lOth  edition.     1898.  45903.136 

[369] 

24 


THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 

Halliwell-Phillipps,  James  Orchard.     (Continued.) 

The  visits  of  Shakespeare's  company  of  actors  to  the  provincial  cities 
and  towns  of  England,  illustrated  by  extracts  gathered  from  cor- 
porate records.     Brighton.     For  private  circulation.     1887.    48  pp. 

**G.74.29 
Halliwell-Phillipps,  Tames  Orchard,  editor. 

Dispute  between  the  Earl  of  Worcester's  players  and  the  Corpora- 
tion of  Leicester  in  1586,  from  the  records  of  that  city.  (In  Shake- 
speare Society,  London.  Papers.  Vol.  4,  pp.  145,  146.  London. 
1849.)  *4596.ii.4 

Another  copy  is  on  shelf-number  **G.3927.37.4. 

Tarlton's  jests:  with  notes  and  some  account  of  the  life  of  Tarlton. 

London.     1844.  4596.57;  etc. 

Ham,  James  Panton. 

The  pulpit  and  the  stage.     Four  lectures.     With  illustrative  notes, 

by  Fred  Whymper.     London.     Clarke.     [1878.]     184  pp.     Portrait. 

Autograph  facsimile.  **T.77.i34 

The   stage  and   the   drama  in   their  relation   to   society.     A   lecture. 

London.     1880.     20  pp.  7588.112 

Hamblin,  Thomas  Sowerby. 

Clarke.  M.     A  concise  history  of  the  life  and  amours  of  Thomas  S. 

Hamblin,  late  manager  of  the  Bowery  Theatre.    As  communicated 

by  his  legal  wife,   Mrs.   Elizabeth    Hamblin,   to   Mrs.    M.    Clarke. 

Philadelphia.     [184-?]     40  pp.  **T.96.287 

Hamburg,  Germany.     Theatres. 

H.'\RKENSEE,    C.    H.    T.      Das    franzosische    Theater    [in    Hamburg]. 

Hamburg.     1896.  4670.37 

Heitmueller.  F.  F.  I.  Adam  Gottfried  Uhlich.  11.  Hollandische  Komo- 

dianten  in  Hamburg.     (1740  und  1741.)     Hamburg.     1894.     6872.49 

Hamburgische     Dramatiker    zur    Zeit     Gottscheds     und     ihre 

Beziehungen  zu  ihm.     Ein  Beitrag  zur  Geschichte  des  Theaters 
und  Dramas  im   18.  Jahrhundert.     Dresden.     1891.  2877.121 

Lessing,  G.  E.  Lessings  Hamburgische  Dramaturgic.  Abridged  and 
edited  with  introduction  and  notes  by  Charles  Harris.  New  York. 
1901.  2879.40 

Same.      Dramaturgic    de    Hambourg.      Traduction    de    Ed.    de 

Suckau.     Paris.     1885.  **T.47.29 

Merschberger,  ,  Dr.  Die  Anfange  Sliakespeares  auf  der  Ham- 
burger Biihne.      [Hamburg.     1890.]  45903.123 

Philipp,  a.,  editor.  Hamburger  Thcater-Dekamerone.  2.  Anflage, 
erweitert  durch  cine  Geschichte  des  Thalia-Theaters.  Hamburg. 
1881.  **T.57.252 

Uhde.  H.  Friedrich  Ludwig  Schroder  in  seinen  Briefen  an  K.  A. 
Bottiger.  (In  Historisches  Taschenbuch.  Jahrgang  45,  pp.  245- 
320.     Leipzig.     T875.)  *2309.i.45 

Hamburg,  Germany.     Theaters.     Nationaltheater. 

EcKARUT,  L.  Lessing  und  das  erste  deutsche  Nationaltheater  in 
Hamburg.  Eine  deutsche  Gabe  zur  Shakespeare-Feier.  Ham- 
burg.    1864.  No.  5  in  **G.39io.i2 

ScHi-OESSER,  R.  Vom  ?Iaml)urger  Nationaltheater  zur  Gothaor 
Hofbiihne.  1 767-1779.  Dreizehn  Jahre  aus  der  Entwickclung 
eines  deutschen  Theaterspielplans.     Hamburg.     1895.  6872.55 

Hamburg,  Germany.     Theatres.     Stadt-Theater. 

Leiiker-Verein'gung  fiir  die  Pflcge  der  kiinstlcrischen  Bihlung. 
Unsere  Volksschiiler  im  Stadttheater.     Hamburg.     1808.       7592.32 

[370] 


BROWN   COLLECTION   OF  BOOKS    ON   THE   STAGE 

Hamburg,  Germany.     Theatres.    Thalia  Theater. 

Philipp,  a.,  editor.  Hamburger  Thcater-Dekameroiie.  2.  Auflagc, 
erweitert  durch  eine  Geschichte  des  Thalia-Theaters.  H;iinl)urg. 
1881.  **T.57.252 

Hamilton,  Clayton  Meeker. 

Problenis  of  the  playwright.     New  York.    Holt  &  Co.     1917.    xii,  (i), 

339  PP-  6257.370 

Studies  in  stagecraft.     New  York.     Holt  &  Co.     1914.     (9),  298  pp. 

Deals  mainly  with  conditions  in  the  American  theatre.  2256.63 

The  theory  of  the  theatre,  and  other  principles  of  dramatic  criticism. 
New  York.     Holt  &  Co.     1910.     (7),  248  pp.  2256.62 

Hamilton,  Clayton  Meeker,  prefacer. 

Calvert,  L.     Problems  of  the  actor.     New  York.     1918.  6257.29 

Hamilton,  Harry  Hebert. 

War  among  the  blacks.     A  full  report  of  the  celebrated  chancery 

suit,    Montague   &   Wilsom   versus    Moore,    Crocker,    Ritter,   and 

Hamilton,   proprietors    and    managers    of    the    Christy    Minstrels. 

Liverpool.     1865.  **T.96.i76 

Hamley,  Sir  Edward  Bruce. 

Mr.  Fechter's  Othello.  {In  his  Shakespeare's  funeral  and  other 
papers.     Pp.  170-179.     Edinburgh.     1889.)  4599-136;  **T.97.36 

Hamm,  Margherita  Arlina. 

Eminent  actors  in  their  homes.  Personal  descriptions  and  inter- 
views. New  York.  Pott  &  Co.  1902.  xii,  336  pp.  Portraits. 
Plates.  **T,57.259 

Contents.  —  Introduction.  —  Edward  H.  Sothern.  Virginia  Harned-Sotlu  r-i,  •  — 
Richard  Mansfield.  Beatrice  Cameron-Mansfield.  —  Marie  Bates.  • —  I'.lsie  de 
Wolfe.  —  Minnie  Maddern  Fiske.  —  Annie  O'Neill.  —  Edward  Harrigan.  - — 
Annie  Ward  Tiffany.  —  May  Robson.  —  David  Warfield.  —  Viola  Allen.  — • 
Francis  Wilson.  —  Julia  Marlowe.  —  Annie  Russell.  —  Amelia  Bingham.  - — 
Burr  Mcintosh.  —  Chauncey  Olcott.  —  James  K.  Hackett.  Mary  Mannering- 
Hackett.  —  Mr.  and  Mrs.  Robert  Edeson.  —  Joseph  Jefferson.  —  Otis  -Skinner. 
—  William  H.  Crane.  —  Mary  Anderson  de  Navarro.  —  Nat  C.  Goodwin. 
Maxine  Elliott-Goodwin. 

Hammerton,  John  Alexander,  editor. 

The   actor's   art.     Theatrical   reminiscences,   methods   of   study   and 

advice  to  aspirants.     Specially  contributed   by  leading  actors   of 

the  day.    Prefatory  note  by  Sir  Henry  Irving.     London.     Redway. 

1897.    vi,  (i),  267,  (i)  pp.    Autograph  facsimiles.    2576.155;  **T. 77.63 

Hammitzsch,  Martin. 

Der  moderne  Theaterbau.  Teil  i.  Berlin.  Wasmuth.  1906.  Illus. 
Plates.     Plans.  4093.140 

Contents.  —  i.  Der  hofische  Theaterbau.  —  Der  Anfang  der  modernen  Theater- 
baukunst,  ihre  Entwicklung  und  Betatigung  zur  Zeit  der  Renaissance,  des 
Barock  und  des  Rokoko. 

Hampe,  Theodor  Eduard. 

Die  fahrenden  Leute  in  der  deutschen  Vergangenheit.  Leipzig. 
Diederichs.  1902.  3-127,  (i)  pp.  Illus.  Portrait.  Plates.  Fac- 
similes.    [Monographien  zur  deutschen  Kulturgeschichte.]    2831.26 

Handel,  Georg  Friedrich. 

Johnson,  Hurlothrumbo,  pseud.  Harmony  in  an  uproar:  A  letter  to 
F— d— k  H— d— 1;  m r  of  the  O a  H e  in  the  Hay- 
market;  In  which  the  rights  and  merits  of  both  O s  arc  properly 

considered.     London.     1733.  No.  ii  in  **G.3820.9 

Handy-book,  A,  on  the  law  of  the  drama  and  music:  being  an  exposi- 
tion of  the  law  of  dramatic  copyright,  the  law  affecting  theatres; 
and  the  law  relating  to  music,  dancing,  and  professional  engage- 
ments.    London.     Lacy.     1864.     viii,  79  pp.  **T.78.44 

[371] 


THE  PUBLIC  LIBRARY   OF   THE    CITY   OF  BOSTON 


Hankin,  St.  John  Emile  Clavering. 

Puritanism  and  the  English  stage.  —  How  to  run  an  art  theatre  for 

London.  —  The  need  for  an  endowed  theatre  in  London.     (In  his 

Dramatic  works.     Vol.  3,  pp.  131-148,  171-179,  203-221.     London. 

191 2.)  45793.320.3 

Hanley,  Peter. 

A  jubilee  of  playgoing.  [3d  edition.]  London.  Tinkler  &  Hillhouse. 
1887.     113,  (I)  PP-  **T.97.287 

Relates  to  plays  in  London  theatres. 

Hanlon  Lees  family. 

AIemoires  et  pantomimes  des  freres  Hanlon  Lees.  Avec  une  preface 
de  Theodore  de  Banville  et  six  gravures  a  I'eau  forte  de  Frederic 
Rcgamey.     Paris.     [1880.]      Portraits.  '       **T.58.6g 

Hannetaire,   Jean    Nicolas    Servandoni,    called    Hannetaire.      (Le    sieur 
D  *  *  *  *,  ancien  comedien.) 
Observations  sur  I'art  du  comedien,  et  sur  d'autres  objets  concernant 
cette  profession.     Avec  extraits   de   differens   auteurs    &   des   re- 
marques  analogues.    2e  edition,  augmentee.     [Paris.]     Aux  depens 
d'une  societe  typographique.     1774.     xvj,  348,  (i)  pp.       **T.76.i40 
Same.      Par    Dhannetaire.      4e    et    derniere    edition^    augmentee.      A 
Paris,  Chez  Ribou.     1776.     viij,  467,  (i),  4  pp.  **T.76.i4i 

Hanover,  Germany.     Theatres.    Hoftheater. 

Fischer,  G.  Opern  und  Concerte  im  Hoftheater  zu  Hannover  bis 
1866.     Hannover.     1899.     Plate.  4045-153 

Hans  Wurst. 

GoERNER,  C.,  Rittcr  von.  Der  Hans  Wurst-Streit  in  Wien  und  Joseph 
von  Sonnenfels.     Wien.     1884.  2870.48 

Hanson,  Willis  Tracey,  Jr. 

The  early  life  of  John  Howard  Payne.  With  contemporary  letters 
heretofore  unpublished.  Boston.  Privately  printed.  I9i'3-  207 
pp.     Portrait.     Facsimiles.  *A.6770.3 

Hansson,  Laura  Marholm. 

The  modern  woman  on  the  stage:  Eleonora  Duse.  (In  her  Six 
modern  women.     Pp.  95-128.     Boston.     1896.)  5588.107 

Hapgood,  Norman. 

The  stage  in  America,  1897-1900.  New  York.  The  Macmillan  Co. 
1901.     viii,   (i),  408  pp.  4395.162;  **T.47,39 

Hardinge,  George. 

Letters  on  the  O.  P.  controversy  at  Covent  Garden  Theatre.  1809. 
Extracted  from  the  Courier  newspaper,  (hi  his  Miscellaneous 
works.     Vol.  3,  pp.  373-391.     London.     1818.)  **G.3922.io.3 

The  letters  are  signed  Fun-alive. 

Hardy,  Alexandre. 

RiCAi.,  E.  P.  M.  Alexandre  Hardy  et  le  theatre  francais  a  la  fin 
du  xvie  et  au  commencement  du  xviie  siecle.     Paris.     1889.     IMate. 

2672.142  ;**T.56.36 
Hare,  John. 

Pemberton,  T.  E.  John  Hare,  comedian.  1865-1895.  A  biography. 
London.     1895.     Portraits.  **T.57.297;  etc. 

Harel,  Frangois  Antoine,  and  others. 

Dictionnaire  theatral,  ou  douze  cent  trente-trois  verites  sur  les 
directeurs,  acteurs  et  employes  des  divers  theatres;  confidences 
sur  les  procedes  de  I'illusion;  examen  du  vocabulaire  dramati<|ue, 
etc.     [Anon.]     Paris.     Barba.     1824.     (3),  318  pp.  **T.78.i7 

JJy  F.  A.  Ilarcl,  Maurice  Alhoy  and  Auguste  Jal. 

[372] 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 


Haresfoot  and  Rouge,  pseud. 

How  to  "make-up."     A  practical  guide  to  the  art  of  "making-up," 

for  amateurs,   &c.      London.     French.      1877.     7-48  pp.     Colored 

plates.  **T.77.i66 

Same.     [188-?]     48  pp.  4007.33 

Harkensee,  Christian  Heinrich  Theodor. 

Das  franzosische  Theater.  Hamburg.  Liitcke  &  Wulff.  1896.  (i), 
41  pp.     [Beitrage  zur  Geschichte  der  Emigranten  in   Hamburg.] 

An  account  of  French  drama  in  Hamburg.  A^no.Vl 

Harker,  Joseph  Cunningham,  illustrator. 

London.      Theatres.      Lyceum    theatre.      Souvenir    of    Shakespeare's 

historical    play    Henry    the    Eighth,    presented    at    the    Lyceum 

Theatre,    5th   January,    1892,    by    Henry    Irving.      London.      1892. 

(15)  plates.  4599a.i09;**T.58.i5i 

Harlequin. 

Driesen.  O.     Der  Ursprung  des  Harlekin.     Ein  kulturgeschichtliches 

Problem.     Berlin.     1904.     Illus.     Plates.  6252.72 

Harlequin,  The.     A  journal  of  the  drama.      [Weekly.]      Conducted   by 

the   editor   of   the    "Companion   to   the    theatres"    [John   Timbsj. 

No.  1-9.     May  16 -July  11,  1829.     London.     Sanger.     1829.     Illus. 

Portrait.     Manuscript  facsimile.  **T.26.i8 

No  more  was  published. 

Harlequinade. 

DuDEVANT,  J.  M.  F.  A.,  Baron.  The  history  of  the  harlequinade. 
Philadelphia.     [1915.]     2  v.     Colored  plates.  **T.95.i44 

Harlequin-Horace.     [Anon.]     See  Miller,  James. 
Harley,  George  Davies. 

An  authentic  biographical  sketch  of  the  life,  education,  and  personal 

character  of  William  Henry  West  Betty,  the  celebrated   Young 

Roscius.  London.  Phillips.  1804.  76  pp.  Portrait.  No.  2  in  **G.3824.8 

Same.     2d  edition.     2>-7^  PP-  **T.96.337 

There   is   no   portrait.      An    imperfect   copy    is   on    shelf-number    **T.56.286. 

Same.     3d  edition.     Portrait.  **T.56.i8 

Same.    An  authentic  sketch  of  the  life  of  William  Henry  West  Betty, 

the  celebrated  Young  Roscius:  with  a  critique  of  his  performances 

at  Covent   Garden  Theatre.      [Anon.]      London.     Hughes.      1804. 

5-40  pp.     Portrait.  No.  3  in  **G.3824.8 

Harley,  John  Pritt. 

A  catalogue  of  the  excellent  furniture,  theatrical  prints  and  portraits, 
literary  and  dramatic  books,  manuscript  plays  and  parts,  auto- 
graph letters,  play  bills,  music  and  character  dresses  of  the  late 
J.  P.  Harley.  Which  will  be  sold  by  auction,  by  Mr.  Robins,  23rd 
of  November,  1858.     [London.]      1858.     38  pp.  **T.66.io 

Harmony  in  an  uproar.     Johnson,   Hurlothrumbo,  pseud. 

No.  II  in  **G.3820.9 
Harral,  Thomas. 

The  Infant  Roscius;  or,  an  inquiry  into  the  requisites  of  an  actor: 
comprising  a  critical  analysis  of  young  Betty's  acting,  on  the 
London  boards;  a  complete  sketch  of  his  life,  strictures  on  the 
Covent  Garden  company,  &c.    London.    Allen.    [1804.]    (i),  50  pp. 

Another  copy  is  on  shelf-number  No.  7  in  **G.3824.8.  **T.56.I39 

A  monody  on  the  death  of  Mr.  John  Palmer,  the  comedian.  Pre- 
fixed, a  review  of  his  theatrical  powers;  with  observations  on  the 
most  eminent  performers  on  the  London  stage.  London.  Caw- 
thorn.  1798.  (i),  20  pp.  **T.56.i3i 
Another  copy,  in  which  a  portrait  is  inserted,  is  on  shelt-number  No.  ;  in 
**G.3824.8. 

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THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 

Harrington,  Maria  Foote,  4tli  Countess  of.    See  Foote,  Maria,  4th  Countess 
of  Harrington. 

Harris,  Caleb  Fiske. 

Original  editions  of  English  dramatic  literature  and  English  poetry. 
Catalogue  of  the  first  portion  of  the  library  of  the  late  C.  Fiske 
Harris,  of  Providence,  R.  I.  To  be  sold  by  auction  by  George 
A.  Leavitt  &  Co.,  New  York  City,  April  30th,  and  the  following 
days,  1883.     [New  York.     1883.]     vii,  185  pp.  No.  i  in  *2i42.82 

Harris,  Charles,  editor. 

Lessing,  G.  E.  Lessings  Hamburgische  Dramaturgic.  Abridged 
and  edited  with  introduction  and  notes.    New  York.    1901.   2879,40 

Harris,  Thomas. 

A  letter  from  T.  Harris,  to  G.  Colman,  on  the  affairs  of  Covent- 
Garden  Theatre.  Prefixed,  an  address  to  the  public.  London. 
Printed  for  J.  Fletcher  and  Co.     1768.     (i),  vii,  56  pp.      **T.95.ii7 

Another    copy    is    on    shelf-number    No.  13  in  **G.3824.2.      A    reply    to    Colman's 
A  true  state  of  the  differences  subsisting  between  the  proprietors. 

Harris,  Thomas,  and  John  Rutherford. 

A  narrative  of  the.  rise  and  progress  of  the  disputes  subsisting 
between  the  patentees  of  Covent-Garden  Theatre.  London: 
Printed  for  Messrs.  Fletcher  and  Anderson.     1768.     (3),  38  pp. 

**T.95.ii5 

Another  copy  is  on  shelf-number  No.  11  in  **G.3824.2.     A  reply  to  an  advertise- 
ment of  George  Colman's. 
Harris,  Thomas.     Works  about. 

Colman,  G.,  the  Elder.     T.  Harris  dissected.     London.     1768. 

**T.95.ii8;etc. 

A  true  state  of  the  differences  subsisting  between  the  pro- 
prietors of  Covent-Garden  Theatre;  in  answer  to  a  manuscript 
libel  and  to  a  printed  Narrative  by  T.  Harris  and  J.  Rutherford. 
London.     1768.  **T.95.ii6;  etc. 

Theatrical  monopoly:  being  an  address  to  the  public  on  the  present 
alarming  coalition  of  the  managers  [Sheridan  and  Harris]   of  the 
winter  theatres.    London.    1779.    Portrait.    No.  4  in  **G.3824.i4;  etc. 
Harrison,  Clifford. 

Stray  records;  or,  personal  and  professional  notes.  London.  Bentley. 
1892.    2  V.  4572,137;  **T.57.i5i 

Another  copy  is  on  shelf-number  *R. 9. 384.1. 

Harrison,  Gabriel. 

Edwin  Forrest:  the  actor  and  the  man.  Critical  and  reminiscent. 
Brooklyn.     1889.     210  pp.     Portraits.  *434i.i87 

A  history  of  the  progress  of  the  drama,  music  and  the  fine  arts  in 
the  City  of  Brooklyn.  Brooklyn.  1884.  (2),  64  pp.  Illus.  Por- 
traits.    Plate.     Autograph  facsimiles.  **T.92,4 

The  life  and  writings  of  John  Howard  Payne,  the  author  of  Home, 
sweet  home;  The  tragedy  of  Brutus;  and  other  dramatic  works. 
Albany.     Munsell.     1875.     ix,  410  pp.     Portrait.     Facsimiles. 

Contains  much  that  relates  to  the  stage.  *2341.62 

Same.  John  Howard  Payne,  dramatist,  poet,  actor,  and  author  of 
Home,  sweet  home!  His  life  and  writings.  Revised  edition.  Phila- 
delphia. Lippincott  &  Co.  1885.  404  pp.  Illus.  Portrait.  4242.67 
Harry  Miner's  American  Dramatic  Directory.  1884/85.  A  complete 
directory  of  the  dramatic  and  operatic  professions  and  a  guide 
to  the  ooera  houses,  theatres  and  public  halls  ot  America  .  .  . 
Harry  Miner,  editor.  New  York.  Wolf  &  Palmer  Dramatic 
Publishing   Co.      1884.     367   pp.      Portrait.     Autograph    facsimile. 

**T.25.7 
[374] 


BROWN   COLLECTION   OF  BOOKS    ON   THE   STAGE 


Hart,  William  Henry. 

A  memorial  of  Nell  Gwynne,  the  actress,  and  Thomas  Otway,  the 
dramatist.    London.    Smith.    1868.     (5)  pp.    Autograph  facsimiles. 

♦*T.53.4 

Page  5  contains  the  reprint  of  the  Power  of  attorney  from  Nell  Gwynne  to  Mr. 
James  Frazier  to  receive  her  pension.  Otway's  name  occurs  as  a  witness  to  the 
document. 

Hartley,  Elizabeth. 

Vauxhall  affray,  The;  or,  the  macaronies  defeated.  A  compilation 
of  all  the  letters,  squibs,  &c.,  on  both  sides  of  that  dispute.  L(jn- 
don.      1773.  **T.97.337 

Harvard  College.    Plays. 

See  also  Delta  Upsilon;  Hasty  Puddiijg  Club;  Sociedad  espanola  de 

la  Universidad  Harvard. 
/EscHYLUs.    Agamemnon.    AlaxvXov  'AvaixEfxvcov.     [Programme.     Cam- 
bridge.    1906.]      (4)   pp.  *4490.i9 
Akademisches   Theater    der    Harvard    Universitat.      Festvorstellung 
zur  Feier  der  Eroffnung  des  Germanischen   Museums,   Dieiistag, 
10.  November  1903.   [Programm.  Cambridge.]    1903.  3  pp.  4480a. 153 
Aristophanes.    Birds.     Scenes  from  The  birds  of  Aristophanes  trans- 
lated into   English  verse  by  Benjamin   Hall   Kennedy.     [With  a 
programme  of  the  performances  of  these  scenes  by  the  Harvard 
Classical   Club,   May  8  and   10,    1901.]      Cambridge.     1901. 

2977.27  ;**T.36.29 

Millet,  F.  D.     Illustrations,  with  descriptive  reading  matter,  from 

the     November    number    of    the     Century    magazine.      OlStnovi; 

TvQavvoq.     Oedipus   the   King.     The   Greek  tragedy  as   recently 

presented  at  Harvard  University.     [Programme.     Boston.     188].] 

44503.150 
Norman,  Sir  H.    An  account  of  the  Harvard  Greek  play  [the  CEflipus 
Tyrannus  of  Sophocles].     Boston.     1882.     Portraits.     Plates. 

3006.8;  **T.57.i25;  etc. 
[Programme    of    Terence's    Phormio    as    given    by    the    students    in 
Sanders  theatre,  April.  1894.     Cambridge.     1894.]     4  pp.     *4483.i83 
Harvey,  Daniel  Whittle. 

Letters  [ojccasioned  by  a  pamphlet,  recently  published  by  Rowland 
Hill,  entitled,  "A  warning  to  professors,  containing  aphoristic  ob- 
servations on  the  nature  and  tendency  of  public  amusements"; 
with  concise  remarks  on  a  late  withdrawment  from  a  dissenting 
Independent  church.     London.     Jordan  &  Maxwell.     1805.    46  pp. 

No.  9  in  **G.3824.9 

Hill's  A  warning  to  professors  may  be  found  on  shelf-numbers  No.  5  in 
**G.3824.9  and  **T.96. 113.  The  remarks  on  the  withdrawment  from  a  dis- 
senting Independent  church  relate  to  the  controversy  on  the  theatre  and  public 
amusements  between  Richard  Ryland  and  the  Rev.  John  Clayton.  Harvey's 
letters  are  in  favor  of  the  theatre. 

Harvey,  John  Martin. 

Edgar,  G.  Martin  Harvey.  Some  pages  of  his  life.  London.  [19^2.] 
Portraits.     Plates.  **T.56.324 

Harvey,  Martin.     See  Harvey,  John  Martin. 
Hase,  Carl  August  von. 

Miracle  plays  and  sacred  dramas.     A  historical  survey.     Translated 
from  the  German  by  A.  W.  Jackson  and  edited  by  W.  W.  Jackson. 
London.    Triibner  &  Co.     1880.     x,  (2),  273  pp.    6257.36;  **T.46. 31 
Hasenauer,  Carl,  Freiherr  von. 

Das  K.  k.  Hofburgtheater  in  Wien.  Photographic  und  Lichtdruck 
von  J.  Lowy.     Wien.     Heck.     1890.     (i),  7.  (i)  PP-     60  plates. 

*Cab.6o.8o.i 

[375] 


THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 


Haslewood,  Joseph. 

Account  of  the  old  London  theatres.  (In  Maidm.ent,  James,  editor. 
Roxburghe  revels,  and  other  relative  papers,  etc.  Pp.  85-  128. 
Edinburgh.     1837.)  **G.284.40 

The  secret  history  of  the  green  room:  containing  memoirs  of  the 
actors  in  the  three  theatres  royal.  FAnon.l  2d  edition.  Lon- 
don:  Printed  for  H.  D.   Symonds.     1792.     2  v.  "'=*T.57.2i9 

Coitcr.ts.   —   I.    Drury-Lane.      2.   Covcnt-Garden   and   Haymarket. 

Same.  New  edition.  Prefixed  a  sketch  of  the  history  of  the  English 
stage,  &c.  Vol.1.  Printed  for  J.  Owen.   1795.   (3),  391  pp.  **T.57.220 

On   the   title-page  this   is   called   vol.    i  ;    in  the   index   it   is  called   vol.    .?.      It  is 
made  up  of  selections  from  both  vol.    i   and  vol.   2  of  the  preceding  edition. 

Haslewood,  Joseph,  compiler. 

Green  rooin  gossip;  or,  gravity  gallinipt:  a  gallimanfry;  consisting 
of  theatrical  anecdotes  —  bon-mots.  With  an  appendix  of  grave 
subjects.  Gathered  and  garnished  by  Gridiron  Gabljle.  Gent., 
godson  to  Mother  Goose  [pseud.    London].    Barker.    1800.    184  pp. 

Principally  anecdotes  of  English  actors.  **T.58.II 

Haslewood,  Joseph.     Works  about. 

Baktox.  T.  P.  A  general  index  to  Hazlewood's  [sic]  tracts  on  the 
drama.     In  three  parts.     Manuscript.  **G.3824.ii 

Hasse,  Faustina  Bordoni. 

NiGGLi,  A.     Faustina   Bordoni-Hasse.     Eine  Primadonna   des  acht- 

zehnten    Jahrhunderts.      (In    Sammlung    musikalischer    Vortriige. 

Neue  Reihe.     Pp.  261-318.     Leipzig.     1880:)  **M.i05.3.2;  etc. 

PoLKO,  E.     Faustina  Hasse.     Musikalischer  Roman.     Leipzig.     1870. 

Portrait.  2875.60 

Hastings,  Charles. 

Le  theatre  fran^ais  et  anglais:  ses  origines  grecques  et  latines. 
(Drame,  comedie,  scene  et  acteurs.)  Precede  d'une  lettre  de 
Victorien  Sardou.     Paris.    Librairie  de  Paris.     [1900.]     xx,  381  pp. 

Principaux  auteurs  consultes,  pp.  xv-xx.  4676. I08 

Same.  The  theatre:  its  development  in  France  and  England,  and  a 
history  of  its  Greek  and  Latin  origins.  With  an  introductory 
letter  from  Victorien  Sardou.  Authorised  translation  by  Frances 
A.  Welby.   London.    Duckworth  &  Co.    1901.   xvi,  368  pp.   4676.109 

Same.     1902.  **T.46.i6 

Hasty  Pudding  Club,  Harvard  College. 

Spring  theatricals.  Boodle  &  Co.  An  original  musical  play,  in 
prologue,  two  acts  and  epilogue.  [Programme.  Cambridge. 
1904.]     32  pp.     Plates.  44803.156 

Spring  theatricals,  1897,  April  29,  30,  and  May  i,  3  and  4.  ["Tlie 
flying  Dutchmen."  Programme.  Cambridge.  1897.]  32  pp. 
Plates.  44803.140 

Spring  theatricals,  1900,  May  9th  to  May  12th.  "Wytche  Hazelle." 
A  masque  in  two  musical  movements.  [Programme.  Caml^ridge. 
1900.]      36  pp.     Illus.     Portraits.     Plates.  **T.33.4 

Hatfield,  Robert  M. 

The  theater:  its  character  and  influence.  An  address  delivered  at 
the  Clark  Street  Methodist  Episcopal  Church  of  Chicago.  De- 
cember II,  1865.  (Reported  by  James  T.  Ely.)  With  an  intro- 
duction by  Rev.  C.  H.  Fowler.  Chicago.  Methodist  Book  De- 
pository. 1866.  40  pp.  **T.76.i25 
Hatfield,  Robert  M.     Works  about. 

CowELL,  W.  An  oration  in  defence  of  the  theatre  delivered  De- 
cember 30th,    1865.      By   Mrs.   Anna   Cowell.      Being  her   second 

[376] 


BROWN   COLLECTION    OF  BOOKS    ON    THE   STAGE 


Hatfield,  Robert  M.     Works  about.     (Continued.) 

public  reply  to  the  late  scandalous  strictures  on  the  theatre  by 

the    Rev.    R.    M.    Hatfield.      Written    by    W.    Cowell.      Chicago. 

[1865.]  **T.96.3i5 

Hatton,  Joseph. 

The  Lyceum  "Faust."    44th  thousand.     London.    J.  S.  Virtue  &  Co., 

Ltd.     [1892?]     32  pp.     Illus.     Plates.     Facsimile. 

Souvenir  of  Sir  ITenry  Irving's  production  of  Faust.  *6898.I3;  **T. 58.148 

Reminiscences  of  J.  L.  Toole.  Related  by  himself,  and  chronicled 
by  Joseph  Hatton.  Illustrations  by  Alfred  Bryan  and  W.  H. 
Margetson.  London.  Hurst  &  Blackett,  Ltd.  1889.  2  v.  Illus. 
Portraits.     Autograph  facsimiles.  4545.104;  **T.56.22i 

To-day  in  America.  Studies  for  the  Old  World  and  the  New. 
London.     Chapman  &  Hall,  Ltd.     1881.     2  v.        2363.65;  **T.97.27 

With  a  show  in  the  North.  Reminiscences  of  Mark  Lemon.  With 
Mark  Lemon's  revised  text  of  Falstaff.  London.  Allen  &  Co. 
1871.     (3),  284  pp.     Portrait.     Music.  6549.6;  **T.57.359 

Hatton,  Joseph,  editor. 

Irving,  Sir  H.     Henry  Irving's  impressions  of  America.     Narrated 

in  a  series  of  sketches,  chronicles,  and  conversations  by  Joseph 

Hatton.     London.     1884.     2  v.  **T.57.i2;  etc. 

Havard,  Jean  Alexandre   (A.  d'Albanes),  and  Theodore  Georges  Fath. 

Les  nains  celebres  depuis  I'antiquite  jusques  y  compris  Tom-Pouce. 
Illustres  par  Edouard  de  Beaumont.  Paris.  Havard.  [1845.] 
159  PP-     Illus.    Plate.  **T.57.24i 

Have  at  you  all:  or,  the  Drury-Lane  Journal.  [No.  i.  Jan.  16,  1752.] 
By  Madam  Roxana  Termagant  [pseud,  of  Bonnell  Thornton]. 
Addressed  to  Sir  Alexander  Drawcansir  [pseud,  of  Henry  Field- 
ing], author  of  the  Covent-Garden  Journal.  Continued  every 
Thursday.  London,  Printed:  and  sold  at  the  Publick  Register 
Office.     1752.     24  pp.  **T.26.25 

Havemeyer,  Loomis. 

The  drama  of  savage  peoples.  New  Haven.  Yale  University  Press. 
1916.     viii,  274  pp.  6257.91 

Bibliography,  pp.   251-261. 

Havre,  France.     Theatres. 

Vesque,  C.  Histoire  des  theatres  du  Havre,  1717  a  1872.  Havre. 
187s,  77.    2  v.  in  I.  **T.76.20 

Contents.  —  i.   1717-1836.     2.   1836-1850. 

Haweis,  Hugh  Reginald. 

Jenny  Lind.     [London.     1891.]     900-911  pp.  No.  5  in  **M.372.i8 

Cut  from  the  Contemporary  Review,  vol.   59    [Per.  Room  *732i.3.59]. 

Hawkins,  Frederick  W. 

Annals  of  the  French  stage  from  its  origin  to  the  death  of  Racine. 
London.     Chapman  &  Hall,   Ltd.     1884.     2  v.     Portraits. 

Contents.- —  I.  789-1667.     2.   1668-1699.  4671.69;  **T.56.224 

The  French  stage  in  the  eighteenth  century.  London.  Chapman  & 
Hall,  Ltd.     1888.     2  V.     Portraits.  4671.80;  **T.75.50 

Contents.  —  i.    1699-1750.      2.    1750-1799. 

The  life  of  Edmund  Kean.  From  published  and  original  sources. 
London.     Tinsley.     1869.     2  v.  4545.171;  **T.56.32i 

Hawkins,  Laetitia  Matilda. 

Memoirs,  anecdotes,  facts,  and  opinions,  collected  and  preserved  by 
La^titia-Matilda  Hawkins.  London.  Longman,  Hurst,  Rees, 
Orme,  Brown,  &  Green.     1824.    2  v.  **T.56.268 

[377] 


THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 


Hawkins,  Micah. 

Wegelin,  O.  Micah  Hawkins  and  The  saw-mill.  A  sketch  of  the 
first  successful  American  opera  and  its  author.  New  York.  1917. 
Portrait.  *4047.349 

Hawkins,  William. 

Miscellanies  in  prose  and  verse.  Containing  observations  on  the 
principal  performers  belonging  to  the  two  theatres-royal;  from 
January  1773,  to  May  1775;  strictures  on  The  orphan  and  The 
fair  penitent.  London:  Printed  for  the  author,  and  sold  by  T. 
Bell.     1775.     xxiii,  (i),  141  pp.  **T,58.i03 

AiK-ithcr  copj-  is  on  shelf-number  No.  8  in  **G.382i.ii. 

Hawk's-Eye,  pseud. 

The  stage  of  1871:  a  review  of  plays  and  players.  Series  i.  Lon- 
don.    Bickers.     [1871.]     (3),  61  pp.  **T.97.i9i 

Relates  to   London  theatres.     Another  copy  is  on   shelf-number  **T.97.240. 

Hayes,  Catherine. 

Memoir  of  Miss  Catherine  Hayes,  "the  Swan  of  Erin,"  by  a  con- 
tributor to  the  Dublin  University  magazine.  London.  Cramer  & 
Co.     [1852?]      (3),  40,  (i),  9  pp.     Portrait.  4591. 11;  **M. 132. 18 

Miss  Catherine  Hayes.    [A  biographical  sketch.    Melbourne.    Wilson, 
Mackinnon  &  Fairfax,  printers.     185-?]     16  pp.     No.  i  in  **M. 149.8 
Opinions  of  the  press  on  the  performances  of  Miss  Catherine  Hayes 
in  London,  and  in  the  chief  cities  and  towns  of  Ireland.     London. 
Mellett.     1851.     (i),  V,  44,  (i)  pp.  40493.111 

Hayashi,  Tadamassa. 

Les  affiches  etrangeres  illustrees,  par  M.  Bauwens,  T.  Hayashi,  La 
Forgue,  Meier-Graefe,  J.  Pennell.  Paris.  Boudet.  1897.  (3),  iii, 
206,   (i)  pp.     Illus.     Plates,  some  colored.  *4072.i8 

Hayne,  Joseph. 

Facts  illustrative  of  the  evidence  on  the  late  trial  of  Foote  v.  Hayne: 
with  a  brief  review  of  the  speech  of  the  Attorney-General.     Lon- 
don.    1825.  **T.56.78 
Full  report  of  the  trial   between   Miss   Foote   &  J.   Hayne,  for  a 
breach    of    promise    of    marriage.      London.       [1825?]       Colored 
portraits.  **T.58.i9 
Hayne,  Pea  Green,  pseud.     See  Hayne,  Joseph. 
Haynes,  Joseph.     See  Hayns,  Joseph. 
Hajms,  Joseph. 

Brown,  T.  The  life  of  the  late  famous  comedian,  Jo.  Hayns.  Con- 
taining, his  comical  exploits  and  adventures,  both  at  home  and 
abroad.     London.     1701.  **T.58.i46 

Hayward,  Abraham,  editor. 

WvNN,  F.  W.  Diaries  of  a  lady  of  quality  from  1797-1844.  London. 
1864.  2547.19;  etc. 

Hazelton,  George  Cochrane,  Jr. 

Mistress  Nell.  A  merry  tale  of  a  merry  time.  ('Twixt  fact  and 
fancy.)    New  York.    Scribner.    1901.    viii,  (i),  312,  (i)  pp.    Portrait. 

A  novel  about  Nell  Gwyn.  **T.87.3 

Hazlitt,  William. 

A  view  of  the  Eriglish  stage;  or,  a  series  of  dramatic  criticisms. 
London.     Stodart.     1818.     xix,  461   pp.  2555.I9 

Another  cojiy  is  on  shelf-number  '*G. 3922. 14. 

Same.  Criticisms  and  dramatic  essays  of  the  English  stage.  2d 
edition.  Edited  by  his  son.  London.  Routledge  &  Co.  1851. 
xix,  324  pp.  **T.48.7 

Same.     1854-  6578.15 

[378] 


BROWN   COLLECTION    OF  BOOKS    ON    THE   STAGE 


Hazlitt,  William,  alleged  author. 

The  dramatic  scorpion.  A  satire.  See  Dramatic  scorpion,  The.  A  satire. 
Hazlitt,  William,  editor. 

HoLCROFT,  T.  Memoirs.  Continued  to  the  time  of  his  death,  from 
his  diary,  notes,  and  other  papers.     London.     1852. 

65493.134;  **T.58.7.  etc. 
Hazlitt,  William,  Jr.,  editor. 

Hazlitt,  W.  Criticisms  and  dramatic  essays  of  the  English  stage. 
2d  edition.     London.     1851.  6578.15;  **T.48.7 

Hazlitt,  William  Carew. 

Hand-book  to  the  popular,  poetical,  and  dramatic  literature  of  Great 
Britain,  from  the  invention  of  printing  to  the  Restoratiop..     Lon- 
don.    John  Russell  Smith.     1867.     xii,  701,   (2)   pp.  ''=2153.17 
Hazlitt,  William  Carew,  compiler. 

Jests,  old  and  new.   Containing  anecdotes  of  celebrities,  living  and  de- 
ceased.  Collected  and  edited,  with  preface  and  index,  by  W.  Carew 
Hazlitt.  London.  Jarvis.    [1886.]    (2),  xiv,  184  pp.  62593.7;  **T.56.49 
Headlam,  Stewart  Duckworth. 

The  function  of  the  stage.     A  lecture.     London.     Verinder.      1889. 
•     37  PP-  4574-150 

Theatres  &  music  halls;  a  lecture  given  at  the  Commonwealth  Club, 
Bethnal  Green.    With  a  letter  to  the  Bishop  of  London  and  other 
correspondence.    2d  edition.     Westminster.    The  Women's  Print- 
ing Society,  Ltd.     [1877.]     xi,  11  pp.  **T.98,34 
Headlam,  Stewart  Duckworth,  editor. 

Blasts,  C.  The  theory  of  theatrical  dancing.  With  a  chapter  on 
pantomime.  Edited  from  Carlo  Blasis'  Code  of  Terpsichore,  '.vith 
the  original  plates.     London.     1888.     Plates.  **T.95.49 

Heberdey,  Rudolf,  and  others. 

Das  Theater  in  Ephesos.  Bearbeitet  von  R.  Heberdey,  G.  Niemann, 
W.  Wilberg.  [Wien.  Holder.  1912.]  (3),  ii,  230  pp.  Illus. 
Plates.  Plans.  Facsimiles.  [Osterreichisches  archaeologisches 
Institut,  Vienna.     Forschungen  in  Ephesos.     Band  2.] 

The  preface  is  written  by  Emil  Reisch.  *Cab.30.39.6.2 

Hecart,  Gabriel  Antoine  Joseph. 

Recherches  historiques,  bibliographiques,  critiques  et  litteraires,  sur 
le  Theatre  de  Valenciennes.  Paris.  Hecart.  1816.  x,  184  pp. 
Portraits.  **T.76.58 

Heckel,  Emil. 

Wagner,  W.  R.     Letters  to  Emil  Heckel:  with  a  brief  history  of  the 

Bayreuth  festivals.     London.     1899.  40493.65 

Hedelin,   Frangois,  Abbe  d'Aubignac.     See  Aubignac,   Frangois   Hedelin, 

Abbe  d'. 
Hedgcock,  Frank  A. 

Un  acteur  cosmopolite.  David  Garrick  et  ses  amis  frangais.  Paris. 
Hachette  &  cie.     1911.    283,  (i)  pp.     Portfaits.     Plate.  4579.240 

Bibliographic,   pp.   267-273. 

Same.  A  cosmopolitan  actor.  David  Garrick  and  his  French  friends. 
New  York.  Duffield  &  Co.  [1912.]  442  pp.  Portraits.  Plates. 
Manuscript  facsimiles.  4545.181 

Bibliographic,  pp.   430-436. 

Hedouin,  Pierre. 

Mosaique:  peintres,  musiciens,  litterateurs,  artistes  dramatiques.  a 
partir  du  ise  siecle  jusqu'a  nos  jours.  Paris.  Heugel.  1856.  (i), 
ix,  602  pp.     Portrait.  **M. 371.6 

Essays  on  Talma  and  Marie  Dorval,  etc. 

[379] 


THE  PUBLIC  LIBRARY   OF   THE    CITY   OF  BOSTON 

Heilly,  Georges  d'.  f^sciid.     See  Poinsot,  Antoine  Edmond. 
Heim,  Ludwig,  and  Georg  Buss. 

Das  Konigliche  Opernhaus  fur  Berlin.  Berlin.  Weise  &  Co.  1910. 
(7),  88  pp.     Plan.  40493.49 

Heine,  Carl. 

Das  Schauspiel  der  deutschen  Wanderbiihne  vor  Gottsched.  Halle 
a.  S.     Niemeyer.     1889.     vii,  92  pp.     Tables.  2872.114 

Heinzel,  Richard. 

Beschreibung  des  geistlichen  Schauspiels  im  deutschen  Mittclalter. 
Hamburg.     Voss.     1898.    vii,  (i),  354  pp.     [Beitrage  zur  Asthetik.] 

2873.33 
Heitmueller,  Franz  Ferdinand. 

I.  Adam  Gottfried  Uhlich.  11.  Hollandische  Komodianten  in  Ham- 
burg. (1740  und  1741.)  Hamburg.  Voss.  1894.  x,  (i),  123, 
(i)  pp.  fTheatergeschichtliche  Forschungen.  Band  8.]  6872.49 
Hamburgische  Dramatiker  zur  Zeit  Gottscheds  und  ihre  Beziehunsen 
zu  ihm.  Ein  Beitrag  zur  Geschichte  des  Theaters  und  Dramas 
im  18.  Jahrhundert.  Dresden.  Pierson.  1891.  vi,  102  pp.  2877.121 
Heller  von  Hellwald,  Ferdinand. 

Geschichte  des  hollandischen  Theaters.  Rotterdam.  Van  Hengel  & 
Eeltjes.      1874.     vi,   (l),  150  pp.  2870.1i 

Hemardinquer,  Charles. 

La  science  au  theatre.     £tude  sur  les  procedes  scientifiques  en  usage 
dans  le  theatre  moderne.     Par  A.  de  Vaulabelle  et   Ch.  Hemar- 
dinquer.    Paris.     Paulin   &  cie.     1908.     (3),  291   pp.     lUus.     Dia- 
grams. 6252.71 
Henderson,  Eliza  Easter. 

A  guide  to  palmistry.  Boston.  Arena  Publishing  Co.  1895.  132  pp. 
Illus.     Charts.  56oob.47 

Henderson,  John. 

A  catalogue  of  [his]  library.  The  completest  assemblage  of  English 
dramatic  authors  ever  exhibited  for  sale  in  this  country.  Which 
will  be  sold  by  auction  by  T.  and  J.  Egerton  on  the  20th  of 
February,  1786.     [London.     1786.]     (2),  71  pp.  **T.66.2i 

Another  copy  is  on  shelf-number  No.  i  in  **G.3I5.19. 

Letters  and  poems.  With  anecdotes  of  his  life  by  John  Ireland. 
London:  Printed  for  J.  Johnson.    1786.    xii,  333,  (i)  pp.    **T.57.i58 

Otlier  copies  are  on  shelf-numbers  **G.394S.8;   **K.45.ii. 

Henderson,  John.     Works  about. 

Genuine  narrative.  A,  of  the  life  and  theatrical  transactions  of  Mr. 
John  Henderson,  commonly  called  the  Bath  Roscius.  London. 
1777.  **T.96.2i6 

Same.     3d  edition.     1778.  **T.56.74 

PiLON,  F.  An  essay  on  the  character  of  Hamlet.  As  performed  by 
Mr.  Henderson,  at  the  Theatre  Royal  in  the  Hay-Market.  [Anon.] 
London.     [1777.]  No.  4  in  **G.3937.ii 

Henin  de  Cavillers,  fitienne  Felix,  Baron  d'. 

Des  comedieiis,  et  du  clcrge;  suivi  de  reflexions  sur  le  mandement 
de  Monseigneur  I'archeveque  de  Rouen.  Paris.  Dupont.  1825. 
X,  d),  427  pp.  **T.57.387 

Encore  des  comediens  et  du  clerge,  accompagne  d'une  notice  sur  le 
ministere  frangais  en  1825;  et  de  quelques  reflexions  politiques 
et  religieuses,  au  sujet  des  journaux  le  Constitutionnel  et  le 
Courrier,  attaques  par  le  requisitoire  de  M.  le  procureur-general 
Bellart.     Paris.     Andriveau.     1825.     258,   (i)   pp.  **T.97.i4 

[3801 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 


Hennequin,  Alfred  Louis  Frangois. 

The  art  of  playwriting:  being  a  practical  treatise  on  the  elements  of 

dramatic  construction,  intended  for  the  playwright,  the   student, 

and  the  dramatic  critic.     Boston.     Houghton  Mifflin  Co.     figo-?] 

xxiii,   187  pp.     Diagrams.  6257.381 

Hennessy,  Roland  Burke,  editor. 

Stage,  The.  [Weekly.]  Vol.  11,  no.  i.  December  24,  1904.  [New 
York.]      1904.     Illus.     Portraits.  **T.23.I7 

Hennin,  Michel. 

Des  theatres  et  de  leur  organisation  legale.  [Anon.]  Paris.  Merlin. 
1819.     55  pp.  **T.96.3o8 

Refers  to   France. 

Harming,  Archibald. 

Nicholson.  R.     Nicholson's  Sketches  of  celebrated  characters,  and 

key  to  the  Judge  and  Jury  Society,  Garrick's  Head  Hotel,  Bow 

Street  [a  picture  by  Archibald  Henning.    London.     1844?].     14  pp. 

Plate.  **T.S5.i22 

Henriet,  Frederic. 

Monographic  du  spectateur  au  theatre.  Paris.  Laurens.  1892.  (3), 
117,  (i)  pp.  **T.97.i64 

Relate.s  to  the  theatres  of  Paris. 

Henry,  David,  alleged  author. 

An  essay  on  the  rationality  of  brutes.  See  Essay,  An,  on  the  ration- 
ality of  brutes. 

Henry  Irving  Dream,  The,  of  Eugene  Aram.  [Anon.]  See  Hood, 
Thomas. 

Henslowe,  Philip. 

The  diary  of  Philip  Henslowe,  from  1591  to  1609.  Printed  from  the 
original  manuscript  preserved  at  Dulwich  College.  Edited  by  J. 
Payne  Collier.  London.  The  Shakespeare  Society.  1845.  xxxiv, 
290  pp.  4596.46 

Relates  to  the  early  English  drama  and  theatre.  Other  copies  are  on  shelf- 
numbers  No.  iin*4596.i3;    **G.3927.2;    **K.iS7.i2. 

Same.  Henslowe's  Diary.  Edited  by  Walter  W.  Greg.  London. 
Bullen.     1904,  08.     2  V.     Genealogical  charts.     Facsimiles. 

**G.3927.38 

Contents.  —  I.  Introduction.  — ■  Text:  Accounts  and  memoranda  illustrating  the 
external  history  of  the  Elizabethan  drama,  1592-1609,  by  Philip  Henslow.  — 
Notes.  —  Glossary.  2.  Commentary:  Henslowe's  family  and  private  affairs; 
Henslowe  and  the  stage;  Plays  mentioned  in  the  Diary:  Persons  mentioned  in 
the   Diary;    Tables  of  reference;   Addenda;    Corrigenda;    Index  and  glossary. 

Henslowe  papers,  being  documents  supplementary  to  Henslowe's  Diary, 
edited  by  Walter  W.  Greg.  London.  Bullen.  1907.  (10).  187, 
(i)   pp.  **G.3927.39 

Contents.  —  Muniments :  Documents  relating  to  the  theatres  and  Bear  Garden, 
1546-1662.  —  Manuscript  i:  Alleyn  papers.  Vol.  i.  Letters  and  papers 
relating  to  the  English  drama  and  stage  during  the  life  of  Edward  Alleyn  and 
to  the  subsequent  history  of  the  Fortune  Theatre,  1 559-1662.  —  Manuscript  2: 
Alleyn  papers.  Vol.  2.  Letters  and  papers  of  Philip  Henslowe  and  Edward 
Alleyn,  as  joint  masters  of  the  royal  game  of  bears,  bulls  and  mastiff  dogs, 
1598-1626.  —  Manuscript  8:  Memorandum-book  of  Edward  Alleyn,  1594-1616. 
Notes  of  the  purchase  of  the  Bear  Garden,  the  Fortune  Theatre.  —  Manuscript 
11:  Miscellaneous  notes.  —  Manuscript  18:  Alleyn  papers.  Vol.  7.  Miscellaneous 
papers  connected  with  Edward  Alleyn  and  Dulwich  College,  1330-1662.  —  Docu- 
ments not  now  at  Dulwich,  1598-1614.  —  Dramatic  plots,  1592-1602.  —  Manu- 
script of  the  part  of  Orlando  in  Robert  Greene's  Orlando  furioso,  probably 
played  by  Edward  Alleyn,   1591. 

Hepworth,  Cecil  M. 

Animated  photography.  The  A  B  C  of  the  cinematograph.  A 
simple    and   thorough   guide    to   the   projection    of   living   photo- 

[381] 


THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 


Hepworth,  Cecil  M.     (Continued.) 

graphs  with  notes  on  the  production  of  cinematograph  negatives. 
London.  Hazell,  Watson  &  Viney.  1897.  vi,  (i),  108  pp.  Tllus. 
[Amateur  photographer's  library.]  80393.96 

Heraud,  John  Abraham,  editor. 

Butler.  H.  Henry  Butler's  Theatrical  Directory  and  Dramatic 
Almanack.     London,     i860.     Map.     Facsimiles.  **T.98.i09;  etc. 

Herbert,  Sir  Henry. 

The  dramatic  records  of  Sir  Henry  Herbert,  Master  of  the  Revels, 

1623-1673.     Edited  by  Joseph  Quincy  Adams.     New  Haven.     Yale 

University  Press.    1917.  xiii,  155  pp.    Portrait.    Facsimile.    [Cornell 

Studies  in  English.     No.  3.]  *2552.2i5 

Herbert,  Henry. 

Cole,  J.  A  biographical  account  of  Master  Herbert,  the  infant 
Roscius!  With  a  brief  delineation  of  his  talents,  and  critiques 
on  his  performances.     Scarborough.     1830.         No.  i  in  **G.3924.i7 

A  critique  on  the  performance  of  Master  Herbert,  the  j-outhful 

Roscius.     Scarborough.     [1830.]  No.  2  in  **G.3924.i7 

Herbert,  J.  D. 

Irish  varieties  for  the  last  fifty  years.  Consisting  of  sketches  of 
character  .  .  .  the  stage,  the  bar,  the  pulpit.  London.  Joy. 
1876.     xii,  310  pp.  6576.6 

Herbert,  J.  F. 

Additions  to  "the  Alleyn  papers."  From  the  originals  in  the  pos- 
session of  J.  F.  Herbert.  (In  Shakespeare  Society,  London. 
Papers.     Vol.  i,  pp.  16-20.     London.     1844.)  *4596.ii.i 

Anothey  copy  is  on  shelf-number  **G. 3927.37.1. 

Hericault,  Charles  d',  pseud.     See  Ricault,  Charles  Joseph  de. 

Herlosssohn,  Georg  Carl  Reginald,  editor. 

Allgemcines  Theater-Lexikon  oder  Encyklopadie  alles  wissens- 
werthen  fiir  Buhnenkiinstler,  Dilettanten  und  Theaterfreunde. 
unter  Mitwirkung  der  fachkundigsten  Schriftsteller  Deutschlands 
herausgegeben  von  R.  Blum,  K.  Herlosssohn,  H.  Marggraff. 
Neue  Ausgabe.  Altenburg.  1846.  7  v.  in  3.  Plates.  Plan.  •^*T.78.69 
Contents. — I.  A-Bouilly.  2.  Boulanger-Devise.  3.  Devrient-Garnitur.  4.  Carrick- 
Ker.  5.  Kette-Niais.  6.  Niccolini-Sisyphus.  7.  Situation-Zwischenspiel.  — 
Xachtrage,   Zusatze  und   Berichtigungen. 

Herlosssohn,  K.     See  Herlosssohn,  Georg  Carl  Reginald. 

Herman,  Henry. 

Catalogue  of  a  portion  of  [his]  dramatic  library,  which  will  be  sold 
by  auction  by  Sotheby,  Wilkinson  &  Hodge,  the  23rd  day  of 
January,   1885.      [London.]      1885.     27  pp.  **T,65.ii 

-Another  copy  is  on  shelf-number  No.  3  in  *6iS4.ss. 

Hermann,  Ernst. 

Das  Mannheimer  Theater  vor  hundert  Jahren.     Mannheim.      Rens- 

heimer.     1886.     72  pp.  **T.77.59 

Heroic  epistle.  An,  from  cunning  little  Isaac  to  the  modern  Congreve. 

[Anon.]     London:  Printed  for  R.  Faulder.     1781.     (i),  ii,  7-18  pp. 

K(  fr-rs  to  Richard   Brinsley  Sheridan.  No.  2  in  **G.3820.Q 

Heroines  of  the  modern  stage.     Izard,  F.  22493.71 
Herondo,  F. 

Tin-  world's  argument:  or,  justice  and  the  stage.  A  dramatic  debate. 

London.     Scdwyn  Publishing  Co.     1887.     149,  d)  pp.         **T. 75.20 
Herrmann,  Alexander. 

BuRLiNGAME,    II.   J.      Herrmann    the    magician:    his   life;    hi.s   secrets. 

Chicago.     [1897.]  4448.269;  **T.56.296 

[382] 


BROWN   COLLECTION   OF  BOOKS    ON   THE   STAGE 

Herrmann,  Carl. 

BuRLiNGAME,  H.  J.  Herrmann  the  magician:  his  life;  his  secrets. 
Chicago.     [1897.]     Illus.     Plates.  4448.269;  **T.56.296 

Herrmann,  Elizabeth  Adelaide. 

Histrionics  in  the  dramas  of  Franz  Grillparzer.  [Thesis.]  (In  Uni- 
versity of  California.  Publications.  Modern  philology.  Vol.  2, 
no.  4,  pp.  239-309.     Berkeley.     1912.)  *448i.245.2 

Hertford,    Francis    Ingram    Seymour,    2d    Marquis    of.      See    Seymour, 

Francis  Ingram,  2d  Marquis  of  Hertford. 
Herts,  Alice  Minnie. 

The  Children's  Educational  Theatre.  With  an  introduction  by 
Charles  W.  Eliot.  New  York.  Harper.  1911.  (2),  xi,  (i),  151  pp. 
Portrait.     Plates.     Autograph   facsimile.  5598.186 

Hervey,  Charles. 

The  theatres  of  Paris,  with  portraits  of  eminent  living  actresses  by 
Alexandre  Lacauchie.  Paris.  Galignani  &  Co.  1846.  (6),  396, 
(3)   PP-     Portraits.     Autograph  facsimiles.  **T.74.4 

Principally  composed  of  biographical  sketches  of  actors. 

Hervieu,  Paul,  prefacer. 

LoLiEE,  F.  A.    La  Comedie-frangaise.    Histoire  de  la  maison  de  Moliere 
de  1658  a  1907.     Paris.     1907.     Illus.     Portraits.     Plates.     *467i.3i 
Herz,  Emil. 

Englische  Schauspieler  und  englisches  Schauspiel  zur  Zeit  Shake- 
speares  in  Deutschland.  Hamburg.  Voss.  1903.  x,  143,  (i)  pp. 
Maps.      [Theatergeschichtliche    Forschungen.]  6872.60 

Hessem,  Louis  de,  editor. 

Bauer,  C.  Les  confessions  d'une  comedienne.  Paris.  [1886.]  **T.57.3i6 
Hessen,  Robert.     (Avonianus.) 

Dramatische  Handwerkslehre.     Berlin.     Walther.     1895.     (7).  298  pp. 

**T.46.39 
Heulhard,  Arthur.     See  Heulhard,  Louis  Octave  Arthur. 
Heulhard,  Louis  Octave  Arthur. 

La  Foire  Saint-Laurent.  Son  histoire  &  ses  spectacles.  Paris.  Lemerre. 

1878.     (3),  a-g,  317,  (i)  pp.     Plates.    Plans.    Facsimile.    **T.96.305 

Jean  Monnet.     Vie  et  aventures  d'un  entrepreneur  de  spectacles  au 

xviiie  siecle  avec   un   appendice   sur  I'Opera-comique   de    1752   a 

1758.    Paris.    Lemerre.    1884.    xii,  117  pp.    Portrait.    Plate.    Table. 

Another  copy  is  on  shelf-number  **T.g6.2.  **T.95.I23 

Heure,  L',  du  spectacle.    Sardou,  V.  **T.97.22i 

Hewins,  Amasa. 

HuTCHiNGS,  W.  E.  A  description  of  Hutchings'  grand  classical 
panorama  of  the  sea  and  shores  of  the  Mediterranean.  Executed 
by  A.   Hewins.     Boston.     1848.  6262.35;  etc. 

[Manuscripts,  programmes,  etc.,  relating  to  his  Grand  classical 

panorama  of  the  sea  and  shores  of  the  Mediterranean,  executed 
by  A.  Hewins.     1848?]  **T.i2.3 

Heylli,   Georges   d',   pseud.     See   Poinsot,   Antoine   Edmond. 
Heyse,  Paul  Johann  Ludwig. 

Mein  Verhaltniss  zuni  Theater.  (In  his  Jugenderinnerungen  und 
Bekenntnisse.     Pp.  363-383.     Berlin.     1901.)  2845.83 

Heywood,  Thomas. 

An  apology  for  actors.     Containing  three  brief  treatises,     i.  Their 
antiquity.     2.    Their   ancient    dignity.     3.    The   true   use   of   their 
quality.     London,  Printed  by  Nicholas  Okes.     1612.     (64)   pp. 
Relates  to  the  English  stage.  **G.I77.IO 

[383] 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 

Heywood,  Thomas.     (Continued.) 

Same.  In  three  books.  From  the  edition  of  1612,  compared  with 
that  of  W.  Cartwright.  With  an  introduction  and  notes.  London. 
Reprinted  for  the  Shakespeare  Society.  1841.  (3),  xvi,  66  pp. 
Facsimile   title-page.  4575-17 

Other  copies  are  on  shelf-numbers  No.  2  in  2575.8;  No.  2  in  ••G.3927.6;  No.  3  in 
4596.1. 

Hiatt,  Charles. 

Ellen   Terry    and    her    impersonations.      An    appreciation.      London. 

Bell.      1898.     X,  274,    (i)   pp.     Portraits.  2549,149;  **T.57.205 

Henry   Irving.     A   record   and   review.      London.      Bell.      1899.     xiv, 

282  pp.     lllus.     Portraits.     Plates.  4545.168;  **T.57.9o 

Hibbert,  H.  G. 

Fifty  years  of  a  Londoner's  life.  With  a  preface  by  T.  P.  O'Connor. 
London.  Grant  Richards,  Ltd.  1916.  xv,  304  pp.  Portraits. 
Plates.  4545-151 

Deals  specially  with  theatrical  matters. 

Hichens,  Hal,  editor. 

American  actors  and  actresses  of  today  —  particularl)"-  those  favorite 
to  Cleveland,  with  lists  of  their  principal  appearances.  [Cleve- 
land.! Cleveland  Plain  Dealer.  [1913.]  (3),  6,  (i)  pp.  (gg) 
portraits.  43493.289 

Prefaced  by  an  article,  The  golden  present,  which  is  a  criticism  of  the  American 
stage. 

Hicks,  Edward  Seymour.    See  Hicks,  Seymour. 
Hicks,  John. 

Performances  in  London  of  Mrs.  Siddons  and  Mr.  John  Philip 
Kemble.  Collected  from  the  bills  by  John  Hicks  circa  1821. 
Manuscript.     Unpaged.  **T.52.6 

Hicks,  Seymour. 

Seymour  Hicks:  twenty-four  years  of  an  actor's  life.  By  himself. 
London.     Alston   Rivers,    Ltd.      1910.     ix,    (i),  321   pp.     Portrait. 

4549.161 ;  **T,57.225 
Hiffeman,  Paul. 

Dramatic  genius.  London:  Printed  for  the  author.  1770.  viii,  125, 
(i)   pp.  **T.74.9 

Book  I  contains  a  plan  for  erecting  a  temple  as  a  memorial  to  Shakespeare. 
Books  2-5  relate  to  the  drama,  acting  and  the  theatre.  Another  copy  is  on 
shelf-number  ''G. 3947.8. 

Same.  2d  edition.  Printed  for  T.  Becket  and  P.  De  Hondt.  1772. 
220,   (2)   pp.  **T.77.i67 

Other  copies  are  on  shelf-numbers  **G.3947.9;   No.  2  in  "G. 3947.10. 

The  tuner.  [Letter  i-]5.  [Anon.]  London:  Printed  and  sold  by 
M.  Cooper.     1754,  55.    5  v.  in  i.  No.  14  in  **G.3824.i6 

A  series  of  rambling  critical  letters  on  English  literature,  drama,  and  the  stage. 
Each  letter  has  a  separate  title-page  and  pagination. 

Same.     Letter  i.     63  pp.  **T.96.i79 

Higgs,  Griffin. 

An  account  of  The  Christmas  prince,  as  it  was  exhibited  in  the  Uni- 
versity of  Oxford  in  the  year  1607.  Now  first  published  from  the 
original  manuscript,  xv,  (i),  76  pp.  {In  Miscellanea  antiqua 
Anglicana.      London.      1816.)  No.  3  in  *45i2.i42 

The  title  of  the  pamphlet  of  Higgs  is:  A  true  and  faithfull  relation  of  the  risinge 
and  fall  of  Thomas  Tvcker,  prince  of  Alba  Fortunata,  Lord  St.  Johns,  &c.,  with 
all   the   occurrcnts    which    happened    through-out   his   whole   domination. 

[384] 


BROWN   COLLECTION    OF  BOOKS   ON    THE   STAGE 


Hilarius,  Justus,  psciid.     See  Schiessler,  Sebastian  Willibald. 

Hill,  Aaron,  alleged  author.     The  actor:  a  treatise  on  the  art  of  playing. 

See  Hill,  Sir  John. 
Hill,  Benson  Earle. 

Playing  about;  or  theatrical  anecdotes  and  adventures,  with  scenes 
of  general  nature,  from  the  life  in  England,  Scotland,  and  Ireland. 
London.     The  Author.     1840.     2  v.  **T.56.i5 

Hill,  George  Handel.     (Yankee  Hill.) 

Scenes  from  the  life  of  an  actor.  Compiled  from  the  journals,  letters 
and  memoranda  of  the  late  Yankee  Hill.  New-York.  Garrett  & 
Co.     1853.    viii,  (5),  246  pp.     Portraits.  **T.57.i86 

Hill,  George  Handel.     Works  about. 

NoRTHALL,  W.  K.,  editor.  Life  and  recollections  of  Yankee  Hill. 
With  anecdotes  and  incidents  of  his  travels.  New- York.  1850. 
Illus.  **T.57.287 

Hill,  Sir  John. 

The  actor:  a  treatise  on  the  art  of  playing.  With  theatrical  anec- 
dotes, critical  remarks  on  plays,  and  observations  on  audiences. 
[Anon.]     London:  Printed  for  R.  Griffiths.     1750.     (10),  326  pp. 

Another  copy  is  on  shelf-number  No.  i  in  **G.3823.6.  **X.78.7I 

Same.  A  new  work,  written  by  the  author  of  the  former,  and 
adapted  to  the  present  state  of  the  theatres.  London:  Printed 
for  R.  Griffiths.     1755.     (i),  284,   (19)   pp.  **T.78.40 

Other  copies  are  on  shelf-numbers  **K.37.6  ;  No.  2  in  **G. 3823. 6. 
Garrick,  ou  les  acteurs  anglois,  ouvrage  contenant  des  observations 
sur  I'art  dramatique,  sur  I'art  de  la  representation,  &  le  jeu  des 
acteurs.  Avec  des  notes  historiques  &  critiques,  &  des  anecdotes 
sur  les  differens  theatres  de  Londres  &  de  Paris.  Traduit  de 
I'anglois  [par  A.  F.  Sticotti].    A  Paris.     1769.  **T.58.ii6 

A   very   free  translation,   with   many   additions,   of  the  foregoing   work. 
To  David  Garrick,  Esq.;  the  petition  of  I.     In  behalf  of  herself  and 
her   sisters.      [Anon.]      London:    Printed    for    M.    Cooper.      1759. 
16  pp.  **T.97.i20 

Relates  to  Garrick's  pronunciation  of  certain  vowels.  Another  copy  is  on 
shelf-number  No.  14  in  **G. 3824. 15. 

Hill,  Sir  John.     Works  about. 

Answer,  An,  to  Henry  Woodward,  comedian.  [A  mock  defense  of 
Dr.  John  Hill.]  With  some  occasional  remarks  on  the  Greek 
and  Roman  stage.  By  the  Rt.  Hon.  the  Earl  of  *"*  *''•::■  [pseud.]. 
London.     1753.  **T.57.ioi 

Edwards,  S.,  pseud.  A  letter  to  Mr.  Woodward,  on  his  triumph  over 
the  Inspector  [Dr.  John  Hill].     London.     [1752.]       **T.57.86;  etc. 

Essay,  An,  on  the  rationality  of  brutes.  With  a  philosophical  com- 
parison between  Dr.  Codgill,  Inspector  General  of  Town-Island. 
x\nd  Mango,  the  great  monkey.  Director  General  of  the  panto- 
mime  performers   in   the    Haymarket.      London.      [1770?] 

**T.S7-75 

Letter,   A,  to  the   Hon.  author  of  the   new  farce,   called  The  rout 

[John   Hill].     Subjoined,  an   epistle   to   Mr.    G k,  upon   that, 

and  other  theatrical  subjects.  With  an  appendix;  containing  some 
remarks  upon  the  new-revived  play  of  Antony  and  Cleopatra. 
London.     1759.  **T.97.i2i;  etc. 

Lick,  A,  at  'em  all;  or,  the  moderator.  Being  a  candid  consideration 
of  the  present  controversy  between  the  Inspector  [Dr.  John  Hill] 

[385] 

25 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 

Hill,  5"i>  John.     Works  about.     (Continued.) 

and  his  opposers;  with  reflections  on  the  rise  and  progress  of  the 
dispute;  and  advice  for  the  reconciliation  of  all  parties.  London. 
1753.  **T.57.87 

Rich,  J.  Mr.  Rich's  Answer  to  the  many  falsities  and  calumnies 
advanced  by  Mr.  John  Hill,  apothecary,  and  contained  in  the 
preface  to  Orpheus,  an  English  opera  as  he  calls  it,  publish'd  tne 
26th  of  December  last.     London.      1739.  **T.96.357;  etc. 

Woodward,  H.  A  letter  from  Henry  Woodward,  comedian,  the 
meanest  of  all  characters,  to  Dr.  John  Hill.  Inspector-General  of 
Great-Britain,    the   greatest   of   all    characters.      [London.]      1752. 

**T.96.359;  etc. 

A   letter   to    Henry    Woodward,    comedian,    occasion'd    by    his 

letter  to  the  Inspector  [Dr.  John  Hill].  By  Simon  Partridge 
[pseud.],  the  facetious  cobler  of  Pall  Mall.  And  son  to  the  late 
Mr.  Partridge,  famous  for  his  dispute  with  Isaac  Bickerstaff. 
London.     [1753-]  **T.57.i53 

Hill,  Sir  Richard,  Baronet. 

An  address  to  persons  of  fashion,  containing  some  particulars  relat- 
ing to  balls:  and  a  few  occasional  hints  concerning  play-houses, 
card-tables,  &c.  By  a  gentleman  of  the  University  of  Oxford. 
4th  edition,  enlarged.  Dublin:  Printed  for  W.  Watson.  1761. 
86  pp.  **T.76.85 

Same.     Boston:  Printed  by  W.  M'Alpine.     1767.  **H. 26.60 

Hill,  Rowland. 

Aphoristic  observations  proposed  to  the  consideration  of  the  public, 
respecting  the  propriety  of  admitting  theatrical  amusements  into 
country  manufacturing  towns.  London:  Printed  for  J.  Mathews. 
1790.     87  pp.  **T.96.ii5 

In  opposition  to  the  theatre. 

A  warning  to  professors;  containing  aphoristic  observations  on  the 
nature  and  tendency  of  public  amusements.  London.  Jones. 
1805.    viii,  76  pp.  No.  5  in  **G.3824.9 

Principally  in  opposition  to  the  theatre. 

Same.     2d  edition,  corrected.  **T.96.ii3 

Hill,  Rowland.     Works  about. 

Dissenters  appeal,  The,  against  the  attacks  of  the  Rev.  Rowland 
Hill,  in  the  conclusion  of  a  book,  entitled  "A  warning  to  pro- 
fessors, containing  aphoristic  observations  on  the  nature  and 
tendency  of  public  amusements."  By  an  Independent.  London. 
1805.  No.  6  in  **G.3824.9 

Hill,  Yankee.    See  Hill,  George  Handel. 
Hillemacher,  Frederic  Desire. 

Galcrie  historique  des  portraits  des  comediens  de  la  troupe  de 
Moliere.  Avec  des  details  biographiques  succincts.  2e  edition. 
Lyon.     Scheuring.     1869.    x,  196,  (i)  pp.     Portraits.  **T.56.i26 

Hillemacher,  Frederic  Desire,  illustrator. 

Chamuriere,  Une,  en  retraite,  pseud.  Le  cirque  Franconi.  Details 
histori(|ues  sur  cet  etablissement  hipi)ique  et  sur  ses  principaux 
ecuyers.     Avec  portraits  par  Frederic  Hillemacher.     Lyon.     1875. 

**T.96.239 

Ma.nne.  A.  E.  D.  DE.     Galeric  historique  des  comediens  de  la  troupe 

de  Talma.     Avec  des  portraits  par  Frederic  Hillemacher.     Lyon. 

1866.  **T.56.93 

[386] 


BROWN   COLLECTION   OF  BOOKS    ON   THE   STAGE 

Hillemacher,  Frederic  Desire,  illustrator.     (Continued.) 

Manne,  a.  E.  D.  de,  and  C.  Menetrier.  Galcrie  historiquc  des 
comediens  de  la  troupe  de  Nicolet.  Avec  des  portraits  graves  a 
I'eau-forte  par  Frederic  Hillemacher.     Lyon.     1869.  **T.56.34o 

Hilton, ,  actress. 

Cole,  J.     A  critique  on  the  performance  of  Juliana,  in  "The  honey 
moon,"  by  Miss  Hilton.     Scarborough.     1831.     No.  4  in  **G.3924.i7 
Hinckley,  Theodore  Ballou,  editor. 

Dr.ama,  The.  A  quarterly  review  of  dramatic  literature.  Vol.  [-4. 
Chicago.     1911-14.  **T.i5.i7 

Hindley,  Charles,  editor. 

Green,  W.  The  life  and  adventures  of  a  cheap  Jack.  By  one  of 
the    fraternity.      London.      1876.  2468.37;  **T.57. 127 

Kingston,  Edward  Peron. 

The  genial  showman.     Reminiscences  of  the  life  of  Artemus  Ward 
and  pictures  of  a  showman's  career  in  the  western  world.     Lon- 
don.    Hotten.     [1870.]     2  V.     Colored  plates.     4446.213;  **T.57. 167 
Same.     New  York.     Harper.     1870.     155  pp.     Illus.  Plates. 

4446.294;  **T.56.322 

The  Siddons  of  modern  Italy.    Adelaide  Ristori,  (Marquise  Capranica 

del  Grillo:)  a  sketch  of  her  life,  and  twenty  words  relative  to  her 

genius,  with   an   analysis   of   the    tragedy    of   "Medea."      London. 

Lacy.     1856.     V-30  pp.     Portrait.  **T.56.292 

Hingston,  Edward  Peron,  editor. 

Browne,  C.  F.  Artemus  Ward's  lecture  [on  the  Mormons.  Pano- 
rama].    London.     1869.     Illus.     Plates.  4507.31;  etc. 

Same.      Artemus    Ward's    panorama.      (As    exhibited    at    the 

Egyptian  Hall,  London.)     New  York.     1869.     Illus.     Plates. 

4507.39;  **T.97-257;  etc. 
Hinter  den  Coulissen.     Friedrich,  F.  **T.87.89 

Hints  to  public  speakers.     Knox,  T.  **T.78.5i 

Hints  to   speakers  and  players.     Dowson,   R.   F.  5599-i67 

Hipkins,  Alfred  James,  and  others,  editors. 

Vienna.     Internationale   Aussielhing  fiir  Musik-  und   Theafcrzvesen.   1892. 

The  international  exhibition  for  music  and  the  drama.     Edited  by 

A.  J.  Hipkins,  Morris  Steinert  and  Siegmund  Schneider.     Vienna. 

1894.     82  plates.  **8o40.ii4 

Hippeau,  Celestin. 

Le  comedien  Neuville  et  Ml'e  de  Montansier  au  theatre  de  Rouen. 
Rouen.     Cagniard.     1862.    23,  (i)  pp.  **T.96.3 

Hissing. 

Rodocanachi,  E.  p.  Le  sifflet  au  theatre,  fitude  de  moeurs  et 
d'histoire.     Conference  faite  au  Cercle  Saint-Simon.     Paris.     1896. 

2671. 171 

Histoire  anecdotique  des  theatres  de  Paris.     Raphanel,  J.,  and  C.  Le- 

grand.  **T.77,i27 

Histoire  anecdotique  du  theatre.     Descombes,  J.  C.  F.  M.  **T.56.i28 

Histoire  curieuse  et  oittoresque  des  sorciers,  etc.     Giraldo,  M.  pe. 

**T.95.83 
Histoire    de    I'Ambigu-comique    depuis    sa    creation    jusqu'a    ce    jour. 

[Anon.]     See  Deligny,  Eugene. 
Histoire  de  I'etablissement  des  theatres  en  France.     [Anon. J     See  Lepan, 

Edouard  Marie  Joseph. 
Histoire   de   I'opera   bouffon.      [Anon.]      See   Contant  d'Orville,   Andre 
Guillaume. 

[387] 


THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 

Histoire  du  theatre  de  I'Opera  comique.  [Anon.]  See  JuUien,  Jean 
Augfuste. 

Histore  du  theatre  de  I'opera  en  France.  [Anon.]  Sec  Travenol,  Louis, 
and  Jacques  Bernard  Durey  de  Noinville. 

Histoire  du  Theatre  frangois.  [Anon.]  See  Parfaict,  Frangois,  and 
Claude  Parfaict. 

Histoire,  L',  par  le  theatre.     Muret,  T.   C.  **T.48.6 

Histoire  veritable  de  Fanchon  la  vielleuse.  [Anon.]  See  Dubois,  Jean 
Baptiste,  and  Catherine  Joseph   Ferdinand  Girard  de  Propiac. 

Historia  histrionica.     [Anon.]     See  Wright,  James. 

Historical  account.  An,  of  Bartholomew  Fair;  containing  a  view  of  its 
origin,  and  the  purposes  it  was  first  instituted  for.  With  the 
changes  it  hath  undergone  in  its  traffic,  amusements,  &c.  New 
edition,  with  additions.     London.     Ariiss.     [1810.]     37  pp.     Plate. 

**T.98.27 

Historical  and  succinct  account,  An,  of  the  late  riots  at  the  theatres 
of  Drury-Lane  and  Covent-Garden.  Interspersed  with  the 
principal  letters  and  advertisements  that  have  been  published  on 
each  side  the  question.  London:  Printed  for  W.  Morgan.  1763. 
3-30  pp.  **T.75.67 

History  and  description  of  the  Opera  House  or  American  Academy  of 
Music,  in  Philadelphia.  Philadelphia.  Andre  &  Co.  [1857.] 
20  pp.  No.  6  in  *437oa.79 

History  of  Commodore  Nutt,  the  smallest  man  in  miniature  in  the 
known  world.  Now  exhibiting  at  Barnum's  Museum.  New 
York.     1S62.     30  pp.     Portrait.  **T.58.i4 

History,  The,  of  court  fools.     Doran,   T.  6248.18;  **T.97.82;  etc. 

History,  The,  of  Jim  Crow.     Briggs,  J.  •  **T.87.6 

History,  The,  of  the  Theatre  Royal,  Dublin,  from  its  foundation  in 
1821  to  the  present  time.  Reprinted,  with  additions,  from 
Saunders'   News-letter.     Dublin.     Ponsonby.      1870.     204,    (i)    pp. 

Contains    a   brief    sketch    of    the    history    of    theatres    in    Dublin.  **T.78.35 

Histrio-mastix.  Or,  the  player  whipt.  [London.]  Printed  for  Th: 
Thorn.     1610.     (59)  pp.  **G.38io.3i 

This  morality  in  opposition  to  the  theatre  has  been  attributed  to  John  Marston 
and  to  George  Peele.  It  may  also  be  found  in  Simpson's  The  school  of  Shak- 
spere,  vol.  2   [6593.5.2;  **T.37.2oo.2j. 

Same.  [London.]  1912.  (5)  pp.  (30)  ff.  in  collotype  facsimile. 
[The   Tudor   facsimile   texts.]  *Q. 58.85 

Histrio-mastix.     Prvnne,  W.  **T.77.i9;  etc. 

Histrionade,  The.     Myrtle,   M.,  Esq.,  pseud.  **T.56.i9o;  etc. 

Histrionic  topography.     Brewer,  J.   N.  **T.96.229;  etc. 

Histrionicus,   Anti-Scriblerus,    pseud.      See    Roberts,  John. 

Histrions  and  the  histrionic  art.     Dechmann,  G.  **T.77.i54 

Hitchcock,  Henry. 

Ruv.MiNG  Dick  and  the  strolling  player:  being  a  true  account  of  the 
life  and  death  of  Richard  Nancollas,  the  alehouse  poet;  and  of  a 
Portuguese  player  [Henry  Hitchcock],  who  died  in  L(tndon. 
Nottingham.     [1805.]  No.  i  in  **K.27.9 

Hitchcock,  Robert. 

An  historical  view  of  the  Irish  stage  to  1788.  With  theatrical  anec- 
dotes, and  an  occasional  review  of  the  Irish  dramatic  authors 
and  actors.  Dublin:  Printed  by  R.  Marchbank  [&  William  Folds]. 
17R8,   1794.     2  V.  *4578.4;**T.77.i83 

H ne,  J — n.    See  Haldane,  John. 

[388] 


BROWN  COLLECTION   OF  BOOKS   ON   THE   STAGE 

Hoagland,  Herbert  Case. 

How  to  write  a  photoplay.  New  York  City.  Magazine  Maker  Pul)- 
lisliing  Co.     [1912.]     78  pp.  80393.97 

Hoare,  Rev.  Edward. 

Halford,  J.  A  reply  to  a  sermon  on  the  theatre,  preached  in 
Richmond  Church  by  the  Rev.  Edward  Hoare.  With  l)ricf 
observations   on    the    drama.      London.      1839.  **T.96.io6;  etc. 

Hobson,  Frederick.     Sec  Leslie,  Frederick. 

Hochgreve,  Wilhelm. 

Die  Technik  der  Aktschliisse  im  deutschen  Drama.     Leipzig.     Voss. 
1914.     vi,  82  pp.     [Theatergeschichtliche  Forschungen.]     6257.390 
Hodder,  George. 

Memories  of  my  time,  including  personal  reminiscences  of  eminent 
men.     London.     Tinsley.     1870.     xx,  420  pp.       45403.18;  **T.56.46 
Hodermann,  Richard  H. 

Geschichte    des     Gothaischen     Hoftheaters,     1775-1779.       Nach     den 
Quellen.     Hamburg.     Voss.     1894.      (?),   183,    (i)    pp.      [Theater- 
geschichtliche Forschungen.]  6872.51 
Hodgkinson,  John. 

Sketch  of  the  life  of  the  late  Mr.  Hodgkinson.     [Philadelphia.     1810.] 

**T,56.i48 
Hodson,  James  Shirley. 

Private  theatricals:  being  a  practical  guide  for  the  home  stage.  By 
an  old  stager.  With  pictorial  suggestions  for  scenes,  after  de- 
signs by  Shirley  Hodson.  I-ondon.  Allen  &  Co.  1881.  viii,  118 
pp.    Colored  plates.     Facsimile.  6003.53;  **T.97. 193 

The  preface  is  signed  J.  S.  H. 

Hodson,  Shirley.    See  Hodson,  James  Shirley. 
Hoeber,  Arthur,  editor. 

Gallery   of  players.      [Quarterly.]      No.    1-9,    n.     From  The   Illus- 
trated American.     New  York.     i894[-g7].     10  parts  in  i  v.     Por- 
traits. **T.52.9 
Hoefer,  Conrad. 

Weimarische  Theaterveranstaltungen  zur  Zeit  des  Herzogs  Wilhelm 
Ernst.     Weimar.      Druck   der   Hof-Buchdruckerei.      1914.      18   pp. 

**T.74.22 
Hoepken,  Julius  Wilhelm  Bctaz. 

De  theatro  Attico  saecvli  a.  Chr.  qvinti.  Dissertatio  philologa  in 
Universitate  Fridericia  Gvilelmia  Rhenana.  Bonnae.  Georg. 
[1884.]     31,   (5)  pp.     Plan.  4097-31 

Hoffmann,  Ernst  Theodor  Wilhelm. 

Seltsarne  Leiden  eines  Theater-Direktors.  Aus  miindlicher  Tradition 
mitgetheilt  vom  Verfasser  der  Fantasiestiicke  in  Callots  Manier. 
Berlin.     Maurer.     1819.     vi,  250  pp.  **T.78.37 

The  Vorwort  is  signed  E.  T.  A.  Hoffmann. 

Hoffmann,   Professor,   pseud.     See   Lewis,   Angelo  John. 

Hoffsten,  Ernest  Godfrey. 

The  floating  island,  by  William  Strode,  together  with  an  account  of 
the  life  of  the  author,  and  a  review  of  the  university  drama  in 
England,  chiefly  after  the  year  1600.  Thesis,  University  of 
Pennsylvania.     [St.  Louis.    Gottschalk  Printing  Co.     1908.]     31  pp. 

Bibliography,  pp.  29-31.  2552. 181 

Hogarth,  Janet  E.,  translator. 

FiLON,  P.  M.  A.  The  modern  French  drama.  Seven  essays.  Lon- 
don.    1898.  4676.86;  **T.47.37 

[389] 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 

Hogarth,  William. 

Daniel,  G.  Garrick  in  the  green  room!  A  biographical  and  critical 
analysis  of  a  picture,  painted  by  William  Hogarth.  London. 
1829.     Plate.  No.  15  in  **G.3823.i5 

Hogg,  James. 

On  the  ventilation  of  public  buildings.  {In  Elliot,  W.  G.  Ventila- 
tion of  the  Madison  Square  Theatre.  Pp.  5-19.  Xew  York.  1880. 
Plate.)  8098.6 

Holbein,  Franz  Ignaz  von,  Edlcr  von  Holbeinsberg. 

Deutsches  Biihnenwesen.  Ein  Handbuch  fiir  Alle,  welche  auf  irgend 
eine  Weise  mit  deni  Theater  in  Beziehung  stehen,  oder  sich  auch 
nur  fiir  das  Innere  desselben  interessiren.  Theil  i.  Wien.  Gerold. 
1853.     188  pp.  **T.96.227 

Contains  an  account  of  Holbein's  work  as  director  of  Vienna  theatres. 
Holbrook,  Ann  Catherine. 

The  dramatist;  or,  memoirs  of  the  stage.  With  the  life  of  the 
authoress  and  anecdotes.  Birmingham.  Martin  &  Hunter.  1809. 
68,  (4)  pp.  **T.56.3ii 

Holcroft,  Thomas. 

Memoirs.  Continued  to  the  time  of  his  death  from  his  diary,  notes, 
and  other  papers.  London.  Longman,  Hurst,  Rees,  Orme,  & 
Brown.     1816.     3  v.  65493.132 

Relates,   in  part,   to   the   London   theatres.      Edited   by   William    Hazlitt. 
Same.     London.     Longman,  Brown,  Green,  &  Longmans.     1852.     315, 
(i)  pp.     [Travellers'  library.]  65493.134;  **T.58.7 

Holcroft,  Thomas,  editor. 

Theatrical  Recorder,  The.  Vol.  i,  2.  London.  1805,  06.  2  v. 
Portraits.     Plates.  **T.26.5i 

Holden,  John  Watkins. 

A  wizard's  wanderings  from  China  to  Peru.  London.  Dean.  1886. 
v-xvi,  170  pp.     Illus.     Portrait.  **T.57.357 

Holden,  Luther  Loud. 

[Diary  of  plays,  concerts,  exhibitions  and  entertainments  held  in 
Boston  during  the  years   1879  and    1880.]      Manuscript.     2  v. 

**T.77.i 
Holff,  Cornelius,  pseud.     See  Villedeuil,  Charles,  Comtc  de. 
Holland,  George. 

MoRRELL,  T.  H.     Holland  memorial.     Sketch  of  the  life  of  George 

Holland,    the    veteran    comedian,    with    dramatic    reminiscences, 

anecdotes,  etc.     New  York.     1871.     Portrait.  **T.53.i9 

Report  of  the  Holland  benefit  testimonial  fund,  by  Theodore  Moss 

»  and  J.  H.  Magonigle,  treasurers.     New  York.     1871.  **T.57.377 

Holland,  Henry  Scott,  and  William  Smyth  Rockstro. 

A  memoir  of   Madame   Jenny    Lind-Goldschmidt,    her   early   art-life 

and  dramatic  career,  1820-1851.     From  original  documents,  letters, 

MS.  diaries,  etc.,  collected  by  Mr.   Otto   Goldschmidt.     London. 

Murray.     1891.     2  v.     Portraits.  8045.104;  **M. 134,6 

Same.      Jenny    Lind    the    artist,    1820-1851.      A    memoir.      New    and 

abridged   edition.     London.     Murray.      1893.     xix,  474   pp.      Illus. 

Facsimiles.     Portraits.  8045.129 

Holland.     Theatres.     See  Netherlands.     Theatres. 

Holland  memorial.     [Anon.]      Sec  Morrell,  Thomas  H. 

[390] 


BROWN   COLLECTION    OF  BOOKS    ON   THE   STAGE 


Holies,  Thomas  Pelham-,  sd  Duke  of  Newcastle. 

State,  The,  of  the  case,  between  the  Lord  Chamberlain  of  His 
Majesty's  houshold,  and  Sir  Richard  Steele,  as  represented  by 
that  knight.  Restated,  in  vindication  of  King  George,  and  the 
most  noble  the  Duke  of  Newcastle.  With  a  true  copy  of  King 
Charles's  patent,  to  Sir  William  Davenant,  for  erecting  a  play- 
house, &c.     [An  answer  to  the  following  work.]     London.     1720. 

**T.97.34i ;  etc. 
Steele,  Sir  R.     The  state  of  the  case  between  the  Lord-Chamberlain 
of  His  Majesty's  houshold,  and  the  Governor  of  the  Royal  Com- 
pany of  Comedians.     With  the  opinions  of  Pemberton,  Northey, 
and  Parker,  concerning  the  theatre.     London.     1720.     Portrait. 

No.  2  in  **G.3823.9;  etc. 
Hollingshead,  John. 

Footlights.      [Stories,    essays,    and    sketches    relating    principally    to 

the    London   theatres.]      London.     Chapman   &   Hall,    Ltd.      1883. 

xiv,   335  pp.  2553.59;  **T.97.i58 

Gaiety  chronicles.     Westminster.     Constable  &  Co.     1898.     xvi,  493 

pp.  lUus.  Portraits.  Plates.  Autograph  facsimiles.  **T.76.ii 
My  lifetime.     London.     Sampson  Low,  Marston  &  Co.,  Ltd.     1895. 

2  V.     Portrait.     Autograph  facsimile.  **T.S7.i74 

Same.     2d  edition.  2548.148 

Relates,  in  part,  to  the  London  theatres. 

Plain  English.     London.     Chatto  &  Windus.     1880.     vi,   (i),  191  pp. 

Relates  principally  to  the  London  theatres.  **T.77.66 

Theatres.  Illus.  Portraits.  Plate.  (In  Besant,  Sir  Walter.  Lon- 
don in  the  nineteenth  century.     Pp.   193-215.     London.     1909.) 

*249i.i6i 
HoUoway,  Laura  Carter. 

Adelaide  Neilson:  a  souvenir.     New  York.     Funk  &  Wagnalls.     1885. 
A         58  pp.     Portraits.     Plate.  255ob.56;  **T.57.457 

Holman,  Joseph  George. 

A  statement  of  the  differences  subsisting  between  the  proprietors 
and  performers  of  the  Theatre-Royal,  Covent-Garden.  Given  in 
the  correspondence  that  has  passed  between  them.  By  John 
Johnstone,  Joseph  George  Holman,  Alexander  Pope.  Charles 
Incledon,  Jos.  S.  Munden,  John  Fawcett,  Thomas  Knight,  Henry 
Erskine  Johnston.  London:  Printed  by  J.  Davis  for  W.  Miller. 
1800.     vii,  69,  3  pp.  **T.77.io 

Another  copy  is  on  shelf-number  No.  2  in  **G.3824.3. 
Holocaust,  The,  at  the  Brooklyn  Theatre.    With  interment  and  memorial 
services,   and    official    list   of   the    dead   and    missing.      Brooklyn: 
Daily  Argus  Office.     1876.     32  pp.  No.  15  in  *4477.52 

Holtei,  Carl  Eduard  von. 

Vierzig  Jahre.  Neu  herausgegeben  und  durchgesehen  von  Max 
Grube.    4.  Auflage.     Breslau.    Trewendt.     1898.    2  v.        **T.57.226 

An  autobiography. 

Home,  John. 

Haldane,  J.  The  players  scourge:  or  a  detection  of  the  ranting 
prophanity  and  regnant  impiety  of  stage  plays,  and  their  wicked 
encouragers  and  frequenters;  and  especially  against  the  nine 
prophane  pagan  priests,  falsely  called  ministers  of  the  Gospel, 
who  countenanced  the  thrice  cursed  tragedy  called  Douglas. 
[Anon.     Edinburgh.     1757.]  **T.96.8o 

[391] 


THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 


Home,  John.     (Continued.) 

Letter,  A,  to  the  Reverend,  the  Moderator  and  members  of  the 
Presbyterj'  of  Haddingtoun  [containing  an  attack  on  the  stage 
and  on   Tohn  Home   for  writing  a  play].     Edinburgh.     1757. 

**T.96.79 
Story,  The,  of  the  tragedy  of  Agis.     With  observations  on  the  play, 
the  performance,  and  the  reception.     London.      1758.       **T.96.83 
Homme,   L',  a  la  poupee,  f>seud.     See  Dewaeghenaere,  Valentin. 
Homme,  L'n,  qui  paie  sa  place,  pseud. 

Deux  cotes,  Les,  du  rideau  de  tole.     (Second  theatre-frangais.)     Par 
un  homme  qui  paie  sa  place.     Paris.     1821.         No.  14  in  **G.3562.i 
Hone,  William. 

Ancient  mysteries  described,  especially  the  English  miracle  plays, 
founded  on  Apocryphal  New  Testament  story,  extant  among  the 
unpublished  manuscripts  in  the  British  Museum;  including 
notices  of  ecclesiastical  shows,  the  festivals  of  fools  and  asses  — 
the  English  boy-bishop — the  descent  into  hell —  the  Lord  Mayor's 
show  —  the  Guildhall  Giants  —  Christmas  carols,  &c.  London. 
Hone.     1823.     (i),  299  pp.     Illus.     Plates.  2575.24;  **T.45.8 

Another  copy  is  on  shelf-number  **G.3954.7. 

Honey,  Laura  Bell. 

Annals,  The,  of  the  green  room,  and  biography  of  the  stage!  Com- 
prising the  lives  of  the  most  eminent  London  performers.  [Part 
L]  Memoirs  of  Mrs.  Honey.  London.  [1842.]  Colored  por- 
trait. No.  4  in  **K.48.i6 
Memoirs  of  Mrs.  C.  M.  late  Mad.  V.  of  the  Royal  Olympic  Theatre. 
Added,  the  extraordinary  and  secret  amours  of  Mrs.  Honey. 
London.  [183-?]  8  pp.  Colored  plate.  No.  4  in  **G.3822.4.2 
Hood,  Thomas. 

The  Henry  Irving  Dream  of  Eugene  Aram.  [Anon.  Illustrated]  By 
F.  Drummond  Niblett.  [London.]  The  Leadenhall  Press.  [1887.] 
(24)  pp.  **T.95.54 

The  ilJustrations  are  burlesques. 

Hook,  Theodore  Edward. 

Bon-mots  of  Samuel  Foote  and  Theodore  Hook.     Edited  by  Walter 

Jerrold.     With  grotesques  by  Aubrey  Beardsley.     London.     Dent 

&  Co.     1894.     (i),  192  pp.     Illus.     Plates.     Portraits.     Autograph 

facsimile.  45593.125 

Hook,  Theodore  Edward,  editor. 

Kelly,  M.  Reminiscences  of  Michael  Kelly,  of  the  King's  Theatre, 
and  Theatre  Royal,  Drury  Lane,  including  a  period  of  nearly 
half   a   century.      London.      1826.      2   v.  *4557.i;etc. 

Lafitte,  J.  B.  P.  The  French  stage  and  the  French  people,  as  illus- 
trated in  the  Memoirs  of  M.   Fleury.     London.     1841.     2  v. 

**T.57.io3;etc. 
Hoole,  John. 

A  monody;  to  the  memory  of  Mrs.  Margaret  Woffington.     [Verse. 
Anon.]      London:  Printed  for  the  Author.    '1760.     (i),   17  pp. 
Attributed  by  Halkett  and  Laing  to  John  ITooIe.  No.  7  in  **G.3820.9 

Hoops,  Johannes,  editor. 

E.NOLisciiE  Stuuien.  Organ  fiir  englische  Philologie.  Band  1-48. 
Leipzig  [etc.].     1877-1915.    48  v.  in  40.  *2487.62 

Hooton,  Robert  Treat. 

Life  and  frolics  of  Major  Stevens,  the  wonderful  dwarf.  Boston. 
The  Author.     1832.     28  pp.  **T.55.i27 

[.392  J 


BROWN   COLLECTION    OF  BOOKS    ON    THE   STAGE 


Hopkins,  Arthur. 

How's  your  second  act?  With  a  foreword  by  George  Jean  Nathan 
New  York.     Philip  Goodman   Co.     [iQiS.]     65  pp.  6257.308 

On  the  production  of  plays. 

Hopwood,  Henry  V. 
^Living  pictures:  their  history,  photo-production  and  practical  work- 
ing.   With  a  digest  of  British  patents  and  annotated  bibliography. 
London.     Optician  &  Photographic  Trades  Review.     1899.     v-xii, 
275,   (i)   pp.     Illus.     Plates.     Diagrams.  Sosga.gS 

Bibliography,  pp.  254-265. 

Hornblow,  Arthur. 

Training  for  the  stage.     Some  hints  for  those  about  to  choose  the 

player's  career.    With  a  foreword  by  David  Belasco.     Philadelphia. 

J.    B.    Lippincott   Co.      [1916.]      192,    (i)    pp.      Portraits.      Plates. 

Facsimiles.  5597-250 

Hornblow,  Arthur,  editor. 

Theatre,  The.  [Monthly.]  Vol.  1-18.  New  York.  1901-13.  18  v. 
in   17.     Illus.     Portraits.     Plates.  **T.22.i 

Home,  Richard  Hengist,  editor. 

Was  Hamlet  mad?  Being  a  series  of  critiques  on  the  acting  of  the 
late  Walter  Montgomery:  written  in  Melbourne  in  1867,  by  Archi- 
bald Michie,  J.  E.  Neild,  R.  H.  Home  [etc.].  Edited  by  R.  H. 
Home.     London.     Lacy.      [1871.]     48  pp.  4598.105 

Horton,  William  E. 

About  stage  folk.  Detroit,  Mich.  Free  Press  Printing  Co.  1902. 
160  pp.     Portraits.     Autograph  facsimile.  **T.58.2i 

Refers  to  the  United  States  only. 
Hosmer,  James  Kendall. 

The  new  wrinkle  at  Sweetbrier;  or,  the  drama  in  colleges.     [Boston. 
1872.1     15  pp.  4498.107 

Hostein,  Hippolyte.     See  Hostein,  Jules  Jean  Baptiste  Hippolyte. 
Hostein,  Jules  Jean  Baptiste  Hippolyte. 

Historiettes  et  souvenirs  d'un  homme  de  theatre.  Paris.  Dentu. 
1878.     vi,  328  pp.  **T.57.30S 

On  the  Paris  theatres. 
La  liberte  des  theatres.     Paris.     Librairie  des  auteurs.     1867.     187  pp. 

Refers  to   French  theatres.  **T.75.7 

Hotten,  John  Camden,  prefacer. 

Sala,  G.  a.  H.  Robson:  a  sketch.  [With  prefatory  article:  The  late 
Frederick  Robson.]     London.     1864.  **T.58.97 

Houdin,  Robert.     See  Robert-Houdin,  Jean  Eugene. 
Houdini,  Plarry. 

The  unmasking  of  Robert-Houdin.  New  York.  The  Publishers 
Printing  Co.  1908.  319,  v,  321-333  pp.  Portraits.  Plates.  Facsimiles. 

Contains  reminiscences  of  well-known  conjurers.  4006.219;  **X.96.37I 

Houdini,  Harry.     Works  about. 

Osgood,  W.  Life,  history  and  handcuff  secrets  of  Houdini.  [New 
York?     190-?]     Illus.     Portraits.     Plates.  **T.56.ii4 

Houlton,  Robert. 

A  review  of  the  musical  drama  of  the  Theatre  Royal,  Drury  Lane, 
for  the  years  1797-98-99  &  1800.  Addressed  to  the  proprietors 
of  the  theatre.     London.     Abraham.     1801.     79,  (i)  pp. 

Another  copy  is  on  shelf-number  No.  5  in  **G. 3824. 13.  No.  4  in  **M. 134-^0 

Hounau,  Joachim.     (Georges  Bell.) 

Mile  Person  (Beatrix).  Paris.  Bourguet.  1854.  16  pp.  [fitudes 
contemporaines.     Le  monde  dramatique.]  **T.95.65 

[393] 


THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 

Hours  with  the  players.     Cook,  E.  D.  2476.65;  **T.57.i3 

House,  A,  for  Shakspere.     Wilson,  W.  **T.96.i88;  etc. 

Houssaye,  Arsene. 

Behind  the  scenes  of  the  Comedie  frangaise  and  other  recollections. 
Translated  and  edited,  with  notes,  by  Albert  D.  Vandam.     Lon- 
don.   Chapman  &  Hall,  Ltd.,  1889.    viii,  543  pp.    2671.103;  **T.75.7i 
La  Comedie  frangaise,  1680-1880.     [Paris.]     Baschet.     1880.     174  PP- 
Illus.     Portraits.     Plates.     Map.     Facsimiles.  **Cab.26.29.4 

C'oiuair.s  thivty-onc  photogravure  portraits  of  actors  and  actresses. 

Lcs  comediennes  d'autrefois.    Bruxelles.     Kiessling,  Schnee  &  comp'^ 
[&  Lebegue].     1855.    2  v.  in  i.     [Collection  Hetzel.]  **T.59.48 

Coiilcitls.  —  1.  Mile  de  Champmesle.  —  Mile  de  Camargo.  —  Mile  de  Livry.  — 
Mme  Favart.  —  Mile  Clairon.  —  Sophie  Arnould.  —  Mile  Lecouvreur.  2.  Une 
demoiselle  d'Opera.  —  Mile  Gaussin.  —  Promenade  au  Palais-Royal.  —  Mme 
Vade.  Mile  Vade.  —  Mile  Guimard.  —  La  marquise  et  la  comedienne.  —  Miles 
Fcl,  Manon  le  Cler,  et  Mire.  —  Mme  Moliere. 
Les  comediennes  de  Moliere.  Paris.  Dentu.  1879.  (3),  179,  (6)  pp. 
Portraits.  4645-54;  **T.56.68 

C("itL-i:ts.  —  -Madeleine  de  Bejart.  —  Mile  de  Brie.  —  La  Du  Pare.  —  Genevieve 
Bejart.  —  Mile  Du  Croisy.  —  Mile  de  La  Grange.  —  La  Beauval.  —  Mile 
Beaupre.  —  La  servante  de  Moliere.  —  Mile  de  La  Thorilliere.  —  Mile  Brecourt, 
Mile   Beaubourg,   Mile   Barrillionet. 

Galerie  de  portraits  du  dix-huitieme  siecle.     5e  edition  diminuee  et 
augmentee.     le,  2e  serie.     Paris.     Lecou.     1854.     2  v.  2670.8 

Contents.  —  I.  Poetes  et  philosophes:  Dufresny ;  Fontenelle ;  L'abbe  Prevost ; 
Piron  ;  Voltaire ;  Florian  ;  Le  Chevalier  de  La  Clos ;  Rivarol ;  Diderot ;  Grimm  ; 
Crebillon  le  gai.  —  La  cour  et  le  theatre.  Louis  XV.;  Mademoiselle  de  Camargo; 
Sophie  Arnould;  Monsieur  et  Madame  Favart;  Les  poetes  de  Madame  de 
Pompadour;  Marie  Antoinette.  2.  Poetes  et  philosophes:  Marivaux  ;  Le  Marquis 
de  Sainte-Aulaire ;  Crebillon  le  tragique ;  La  jeunesse  de  Jean-Jacques;  Houdard 
de  La  Motte;  Buffon  ;  Vade;  D'Alembert;  Colle ;  Andre  Chenier;  Chamfort.  — 
Peintres  et  musiciens :  Watteau ;  Gretry.  —  La  cour  et  le  theatre:  Madame  de 
Pompadour;  Boufflers;  Une  deesse  d'opera ;  Montcrif;  Trois  pages  de  la  vie  de 
Dancourt ;  Dhele ;  Une  promenade  au  Palais-royal. 
Princesses  de  comedie  et  deesses  d'opera.  Paris.  Plon.  i860.  (3), 
vi,   (I),  452  pp.     Plate.     [CEiivres.     5.]  4693.1.5;  **T.56,320 

On  French  actresses  and  singers.     Another  copy  is  on  shelf-number  **T.s6. 110. 
Houssaye,  Arsene,  prefacer. 

CoLUMBiER,  M.     Le  voyage  de  Sarah  Bernhardt  en  Amerique.     Paris. 
[1881.]     Portraits.  2363.82;  **T.57.38o 

Housset,  Arsene.     See  Houssaye,  Arsene. 
Houville,  Gerard  d',  pseud.     See  Regnier,  Marie  Louise  de. 
How  to  advertise  a  play.     See  Johnson,  F.  G.     The  press-agents  hand- 
book. 
How  to  become  a  ventriloquist.     Barter,  J.  4009.202 

How  to  get  on  the  stage,  and  how  to  succeed  there.     Wagner,   L. 

*2576.i57 
How  to  "make-up."     Haresfoot  and  Rouge,  pseud.  **T.77.i66;  etc. 

Hov/  to  produce  children's  plays.     Mackay,  C.  D.  6257.105 

How  to  see  a  play.     Burton,  R.  E.  6257.85 

How  t(;  write  a  good  play.     Archer,  F.  6257.373;  **T.47. 46 

How  to  write  a  photoplay.     Hoagland,  H.  C.  80393.97 

How  to  write  for  the  "movies."     Parsons,  L.  O.  80393.70 

How  we  managed  our  private  theatricals;  or,  a  guide  to  the  amateur 
stage.  Added,  Penelope  Anne,  a  roaring  farce,  for  home  per- 
formance. New  York.  Happy  Hours  Co.  [1872.]  58  pp.  Illus. 
Diagrams.  4409b.i27 

How's  your  second  act?     Hopkins,  A.  6257.308 

[394] 


^ 


BROWN   COLLECTION    OF  BOOKS    ON    THE   STAGE 

Howard,  Bronson. 

The  autobiography  of  a  play.  With  an  introduction  by  Augustus 
Thomas.  New  York.  1914.  (5),  53,  (i)  pp.  [Columbia  Univer- 
sity.    Dramatic  Museum.]  **T,46.6o.2 

Howard,  Bronson,  and  others. 

Petition  to  the  Senate  and  House  of  Representatives  of  the  United 
States,  for  the  amendment  of  the  copyright  law,  relating  to  the 
fraudulent  production  of  plays.  From  the  dramatists,  theatrical 
managers  and  other  members  of  the  dramatic  profession  of  the 
United  States.  [New  York.  1891.]  28  pp.  [American  Dramatists 
Club.]  **T.97.36o 

Signed  by  Bronson  Howard  and  2355  others. 

Howard,  Bronson.     Works  about. 

In  memoriam  Bronson  Howard,  1842-1908,  founder  and  president  of 
the  American  Dramatists  Club.  Addresses  delivered  at  the 
memorial  meeting,  October  18,  1908,  at  the  Lyceum  Theatre,  New 
York.  With  a  brief  biography  and  other  appreciations  and  records 
of  his  dramatic  works,  including  a  list  of  his  plays  with  the 
original  casts.  New  York.  1910.  130,  (i)  pp.  Portraits.  Auto- 
graph facsimile.  -•  4445,472;  **T.55.9o 
Howard,  Cecil,  editor. 

Blanchard,  E.  L.  L.  The  life  and  reminiscences  of  E.  L.  Blanchard, 
with  notes  from  the  diary  of  Wm.  Blanchard.  By  Clement  Scott 
and  Cecil  Howard.    London.     1891.    2  v.     Portraits.         **T.56.2i8 

Dramatic  Notes.  A  year-book  of  the  stage.  1879,  1880/81-84/85, 
89-92.  London.  1879-92.  8  v.  in  5.  lUus.  Portraits.  **T.26.38 
"Howard,  Frederick,  5th  Earl  of  Carlisle. 

Thoughts  upon  the  present  condition  of  the  stage,  and  upon  the  con- 
struction of  a  new  theatre.    [Anon.]    London.   Clarke.    1808.   43  pp. 

Another  copy  is  on  shelf- number  No.  1 1  in**C.3823. 15.  No.  3  in  **G.3824.3 

Same.     New  edition,  with  additions.     1809.     (i),  59  pp.  **T.96.340 

Howard  de  Walden,  Frederick  George  Ellis,  Baron,  prefacer. 

Angelo,  H.     The  reminiscences  of  Henry  Angelo.     With  an  intro- 
duction by  Lord  Howard  de  Walden,  and  notes  and  memoir  by 
H.  Lavers  Smith.     Illustrated  from  originals  in  the  collection  of 
Joseph  Gregs.   Philadelphia.   1904.  2  v.   Portraits.   Plates.  *254i.i44 
Howe,  Percival  P. 

Dramatic  portraits.  New  York.  Kennerley.  1913.  264  pp.  4579.246 
Contents.  —  Arthur  Pinero.  —  Henry  Arthur  Jones.  —  Oscar  Wilde.  —  J.  M. 
Barrie.  —  Bernard  Shaw.  —  St.  John  Hankin.  —  Granville  Barker.  —  Hubert 
Henry  Davies.  —  John  Galsworthy? 

("onsiders   especially   the   presentation   of   the   plays   of   these   dramatists.      Chron- 
oh)gy  of  plays  and  bibliography,  pp.  257—264. 

The  Repertory  theatre.  A  record  &  a  criticism.  New  York.  Ken- 
nerley.    191 1.     242  pp.  6252.87 

Relates    also    to   the    principal    repertory    theatres    of    Great    Britain,    and    to    the 
New   Theatre,   New   York  City. 

Howe,  Thomas  Burdett. 

A  cosmopolitan  actor.  B}-  J.  B.  Howe  [sic].  His  adventures  all 
over  the  world.  London.  Bedford  Publishing  Co.  [1888.]  242 
pp.     Portrait.  **T.97.277 

Another  copy  is  on  shelf-number  **T.g7.286. 

Howells,  William  Dean. 

The  story  of  a  play.     A  novel.     London.     Harper.     1898.     (2),  312  pp. 

**T.87.73 
Howells,  William  Dean,  editor. 

GoLDONi,  C.     Memoirs  of  Carlo  Goldoni.     Boston.     1877.        2749a.72 

[395] 


THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 


Huart,  Louis. 

Memoires  de  Rigolboche.    [Anon.   Par  Ernest  Blum  et  Louis  Huart.] 

5'-  edition.     Paris,     i860.     (3),  188  pp.     Portraits.  **T.99.25 

Hub  Theatre  Bulletin.     Published  weekly.     Vol.   5.     1897/98.     Boston. 

1S07.  98.     Plans.  **T.2i.2 

Hubert,  Eugene,  and  Christian  de  Trogoff. 

Les  actrices  de  Paris.  Quatrains.  Paris.  Lachaud.  1872.  5-86,  (i) 
pp.  **T.57-427 

Hubert,  Philip  Gengembre. 

The  stage  as  a  career.  A  sketch  of  the  actor's  life;  its  requirements, 
hardships,  and  rewards.     New  York.     Putnam.     1900.     vii,  192  pp. 

2576.159;  **T.77-i23 
Hudson,  J.  W.,  editor. 

LvRE,  The;  a  musical  and  theatrical  register.  Vol.  i,  2.  [London.] 
1841.    2  V.    Portraits.  **M. 122.21 

Huebner,  Gotthard. 

Thoatergeschichtliche  Feuilletons.  Leipzig.  Wolfert.  1875.  (3), 
256  pp.  **T.76.io5 

Same.     Beitra:ge  zur  Geschichte  des  modernen  Theaters.     1877. 

**T.76.i04 
Huebsch,  Heinrich. 

Entwurf  zu  einem  Theater  mit  eiserner  Dachriistung.  Frankfurt  a. 
M.     Wesche.     1825.     (3),  28  pp.     Diagrams.     Plans.  **8o90.i6o 

Huelsen,  Botho  von. 

ScHi.ENTHER,  P.    Botho  von  Hiilsen  und  seine  Leute.    Eine  Jubilaums- 
kritik  iiber  das  Berliner  Hofschauspiel.     Berlin.     1883.     **T.76.i92 
Hugalde  y  Para,  Manuel  Garcia  de  Villanueva. 

Origen,  epocas  y  progresos  del  teatro  espanol:  discurso  historico. 
Al  que  acompafia  un  resumen  de  los  expectaculos,  fiestas  y  recrea- 
tiones,  que  desde  la  mas  remota  antigiiedad  se  usaron  entre  las 
naciones  mas  celebres:  y  un  compendio  de  la  historia-general  de 
los  teatros  hasta  la  era  presente.  Madrid.  Gabriel  de  Sancha. 
1802.     (10),  XXX,  342  pp.     Plates.  **D. 176.5 

Another  copy  is  on  shelf-number  **D.  174.6. 

Hughes,  H.  H.,  translator. 

Saucev,  F.  a  theory  of  the  theatre.  With  an  introduction  [and 
notes]  by  Brander  Matthews.     New  York.     1916.  **T.46.62.4 

Hughes,  Samuel  Carlyle. 

The  pre-Victorian  drama  in  Duljlin.     Dulilin.     Hodges,  Figgis  &  Co. 
•    1904-      (3).   viii,    (i),    179  pp.  4576.189 

Hugo,  Abel.    Sec  Hugo,  Juste  Abel. 
Hugo,  Juste  Abel. 

Traitc  du  mclodrame,  par  Mm.  A!  A!  A!  [pseud,  de  Armand  Mali- 
tourne.  Juste  Abel  Hugo  et  Jean  Joseph  Ader].  Paris.  Delaunay. 
1817.     viij,  79,  (i)  pp.  **T.96.307 

Hugo,  Victor  Marie,  Comte. 

Valter,  J.  La  premiere  de  Le  roi  s'amuse.  22  novembre  1832.  Paris. 
1882.  "  Portraits.     Plates.  **T.57.i68 

Hugon,  Cecile,  translator. 

Creizenach,  W.  M.  a.  The  English  drama  in  the  age  of  Shakespeare. 
Philadelphia.     [1916.]     Plates.  4574.185 

Hugot,  Eugene. 

Histoire  litteraire,  critique  et  anecdotique  du  Theatre  du  Palais- 
Royal,    1 784-1884.      Paris.      Ollendorff.      1886.      (3),    308    pp. 

**T.77.i49 
Same.     2e   ddition.  2670.76 

[396] 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 

Hugounet,  Paul. 

Mimes  et  pierrots.  Notes  et  documents  inedits  pour  servir  a  I'his- 
toire  de  la  pantomime.    Paris.    Fischbacher.     1889.    262  pp.    Plate. 

**T.95.i35 

Hulfish,  David  Sherrill. 

Cyclopedia   of   motion-picture   work:   a   general   reference   work   on 

the    optical   lantern,    motion    head,    specific    projecting   machines, 

color  motographjf.     Chicago.     American  Technical  Society.     I'jii. 

2  V.     Illus.     Plates.     Plans.  8037.202 

The  motion  picture:  its  making  and  its  theatre.    Chicago.     Electricity 

Magazine   Corporation.     1909.     144  pp.     Illus.  80393.56 

Motion-picture  work:   a  general   treatise   on   picture   taking,   picture 

making,    photo-plays,    and    theater    management    and    operation. 

Chicago.     American  School  of  Correspondence.     1913.     2  v.  in   i. 

Illus.     Plates.     Plans.  8037.201 

Hum,  Humphrey,  Esq.,  pseud. 

Management,  a  dramatic  satire.  Illustrated  with  notes,  &c.,  by 
Paulus  Purgantius  Pedasculus  [pseud.].  With  an  original  essay 
on  the  science  of  humbugging,  from  the  unpublished  M.S.  of  the 
late  George  Alexander  Stevens.  [London.]  Holt.  [1826.]  20  pp. 
Colored  plate.  **T.96.i8i 

Relates  to  the  London  theatres. 
Humbert,  Eugene. 

Charneux,  a.,  editor.  Un  proces  de  presse  a  propos  du  theatre. 
[Affaire  Judic  &  Humbert,  directeur  de  I'Alcazar  de  Bruxelles. 
contre  L'Ami  de  I'ordre.]      Namur.     1878.     128  pp.  **T.77.234 

Hume,  Sophia. 

A  short  appeal  to  men  and  women  of  reason;  distinguished  by  titles 
of  worldly  honour;  or  by  riches  exclusive  of  titles;  who  may  be 
walking  according  to  the  course  of  this  evil  world,  living  in  the 
pleasures  thereof,  and  frequenting  theatres,  balls,  &c.  By  S.  H. 
Bristol:  Printed  by  E.  Farley.     1765.     35,  (r)  pp.  **T.96.54 

Humphreys,  R. 

The  memoirs  of  J.  Decastro,  comedian,  anecdotes,  an  analysis  of  the 
life  of  the  late  Philip  Astley,  history  of  the  Royal  Circus,  now 
the  Surrey  Theatre;  and  an  historical  sketch  of  Sadler's  Wells; 
scarce  theatrical  advertisements.  Added,  the  origin  of  poetry;  a 
chapter  on  Bent's,  &c.  Edited  by  R.  Humphreys.  London.  Sher- 
wood, Jones  &  Co.  1824.  xx,  279,  (i)  pp..  Portrait.  Manuscript 
facsimiles.  **T.57.295 

Hunnis,  William. 

Stopes,  C.  C.     William  Hunnis  and  the  revels  of  the  Chapel  Royal. 
A  study  of  his  period  and  the  influences  which  affected  Shake- 
speare.    Louvain.     1910.  2553.139 
Hunt,  Barnpton,  editor. 

Green  Room  Book,  The,  or.  Who's  who  on  the  stage.  New  York 
[&   London.      1906-09].     4  v.     Portraits.  **T.27.i5 

Hunt,  Elizabeth  R. 

The  play  of  to-day.  Studies  in  play-structure  for  the  student  and 
the    theatre-goer.      New    York.     John    Lane    Co.      1913.      219   pp. 

The   illustrations    are    drawn    from    the    drama    of    recent    years.  6257-64 

Hunt,  H.  Ernest. 

Nerve  control:  the  cure  of  nervousness  and  stage-fright.  Phila- 
delphia. McKay.  [1915.]  vii,  127  pp.  5609.125 
On  the  beneficial  effects  of  auto-suggestion. 

[397] 


THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 


Hunt,  Tames  Henry  Leigh. 

Critical  essays  on  the  performers  of  the  London  theatres,  including 
general  observations  on  the  practise  and  genius  of  the  stage.  By 
the  authorof  thetheatrical  criticisms  in  the  weekly  paper  called  The 
News.  London.  Hunt.  1807.  xiv,  (2),  229,  (i),  58,  (i),  xvii,  (i)  pp. 
Another  copy  is  on  shclf-numbcr  **G.3926. 14.  **T. 58.96 

Hunt,  James  Henry  Leigh,  editor. 

CoMPAKiON,  The.     [Weekly.]     No.  1-29.    Jan.  9 -July  23,  1828.     Lon- 
don.    1828.  *A.4369.7 
Hunt,  James  Henry  Leigh.     Works  about. 

Poole,  J.  Two  papers:  a  theatrical-  critique,  and  an  essay  (being 
No.  999  of  The  pretender)  on  sonnet-writing,  and  sonnet-writers 
in  general,  including  a  sonnet  on  myself;  attributed  to  the  editor 
of  The  Ex-m-n-r.  [A  satirical  attack  on  Leigh  Hunt.]  London. 
1819.  **T.55.7i;etc. 

Hunt,  Leigh.    See  Hunt,  James  Henry  Leigh. 
Hunt,  Leigh  H.,  translator. 

CoLOMBiEK,  M.    The  memoirs  of  Sarah  Barnum.     New  York.     [1884.] 

**T.97.259 
Hunter,  Alexander,  and  Joseph  H.  Polkinhom. 

New  National  Theater,  Washington,  D.  C.  A  record  of  fifty  years. 
Washington.     Polkinhorn.     1885.     loi  pp.     Illus.     Portrait.     Plate. 

*4379a.i34 
Hunter,  Robert  E. 

Shakespeare  and  Stratford-upon-Avon,  comprising  the  salient  facts 
and  traditions  connected  with  the  poet  and  his  birthplace;  to- 
gether with  a  full  record  of  the  Tercentenary  celebration.  Lon- 
don.    Whittaker  &  Co.     1864.     vii,  246  pp.  .  Plates.     Plan. 

Other  copies  arc  on  shelf-numbers  **G.3943.3i  and  **G.3943.3-;.  **X.57.279 

Huntington,  Agnes. 

Miss  Agnes  Huntington.    London  press  notices  on  her  operatic  perform- 
ances in  "Paul  Jones."    London.   Johnson.    1890.   85  pp.   **T  96.234 
Huret,  Jules. 

Loges   et   coulisses.      Paris.      Editions   de   la    Revue    blanche.      1901. 

(4),  444  pp.  **T.77.7i 

Articles    relating    to   actors,    French    drama    and    the   theatres    of    Paris. 

Sarah    Bernhardt.      Preface    de    Edmond    Rostand.      Paris.      Juven. 

[1899.]     106  pp.    Illus.    Portraits.    Facsimile.     [Acteurs  et  actrices 

d'aujonrd'hui.]  **T.53.io 

Same.     With  a  preface  by  Edmond  Rostand.     Translated  from  the 

French  by  G.  A.  Raper.    London.    Chapman  &  Hall,  Ltd.    J^gg.    xvi. 

192  pp.    Illus.     Portraits.     Plates.     Facsimile.     2647.170;  **T. 56. 283 

Le   Theatre    national    de    I'Opera    comique.      Avec    la    collaboration 

artistique  de  F.-G.  Dumas.     Premiere  edition.     Paris.     Societe  de 

Publications  d'Art.     [1898.]     64,  (10)  pp.    Illus.    Portraits.    Plates. 

4092.78;  **M.375.26 
Husk,  William  Henry,  editor. 

Templeton  &  Malibran.  Reminiscences,  with  original  letters  & 
anecdotes.      London.     Reeves.      [1880.]      xii,   3-50  pp.     Portraits. 

4057-39;  **M.T49.29 
Hutchings,  William  E. 

A   descriijtion    of    Hutchings'   grand    classical   panorama   of   the    sea 
and  shores  of  the  Mediterranean.     Executed  by  A.  Hewins.     Bos- 
ton. Rand  &  Co.     1848.    48  pp.  No.  7  in  *6262.6i 
Same.     Damrell  &  Moore.  6262.35 

[398] 


BROWN   COLLECTION   OF  BOOKS   ON   THE   STAGE 

Hutchings,  William  E.     (Continued.) 

[Manuscripts,  programmes,  etc.,  relating  to  his  Grand  classical 
panorama  of  the  sea  and  shores  of  the  Mediterranean,  executed 
by  A.  Hewins.]     Unpaged.  **T.i2.3 

Hutchinson,  Arthur,  prefacer. 

Buckley,  R.  R.  The  Shakespeare  revival  and  the  Stratford-upon- 
Avon  movement.     London.     191  r.     Portraits.     Plates.     Maps. 

4598.50 
Hutton,  Laurence. 

Curiosities  of  the  American  stage.     New  York.     Harper.     1891.     xv, 

347  pp.     Portraits.     Facsimile.  4402.128;  **T.76.83 

Edwin  Booth.     New  York.     Harper.     1893.      (3),  59  pp.     Portraits. 

Manuscript  facsimile.  23493.102;  **T.59.4i 

Plays  and  players.     New  York.     Hurd  &  Houghton.     1875.     vii,  276 

pp.  2405.59;  **T.76.56 

Relates  principally  to  the  New  York  theatres. 

Hutton,  Laurence,  editor. 

Actors  and  actresses  of  Great  Britain  and  the  United  States  from 
the  days  of  David  Garrick  to  the  present  time.  Edited  by  Brander 
Matthews  and  Laurence  Hutton.     New  York.      [1886.]      5  v. 

2244.72;  **T.52.io 

American  actor  series.  For  the  separate  volumes  of  this  series  see 
American  actor  series. 

Bernard,  J.  Retrospections  of  America,  1797-1811.  Edited  from 
the  manuscript  by  Mrs.  Bayle  Bernard.  With  an  introduction, 
notes,  and  index  by  Laurence  Hutton  and  Brander  Matthews. 
New  York.     1887.     Portraits.     Plate.  4247.76;  **T.57.2ii 

Opening  addresses.     New- York.     1887.     Colored  plate.  **T.95.3 

Portfolio,  A,  of  players  [Augustin  Daly's  company].    With  a  packet 

of   notes   thereon    by    H.    C.    Bunner,    E.    A.    Dithmar,    Laurence 

Hutton,    Brander    Matthews    and    William    Winter.      New    York. 

1888.     Portraits.     Plates.  **T.52.i2 

Hutton,  Laurence,  and  William  Carey,  editors. 

Occasional  addresses.  New-York.  1890.  xvii,  138  pp.  Plate,  [Dun- 
lap  Society.     Publications.     No.  12.]  **T.95.io 

A    collection    of   prologues,    epilogues    and    other   poetical    addresses    delivered    in 
various  American  theatres. 


I.  H.,  pseud.    See  Haldane,  John. 
Ibels,  Albert  Andre. 

Les   cirques.     Vers   d'Andre    Ibels.      Illus.      Plates.      {In   Les   demi- 
cabots.     Pp.  149-198.     Paris.     1896.)  **T.97.230 

Ibels,  Andre.     See  Ibels,  Albert  Andre, 
Ibsen,  Henrik  Johan. 

Brown,  A.  A.,  compiler.     Magazine  articles.     Ibsen.     Vol.  i.     [Boston. 

1906.]     Illus.     Portraits.  **T.i5.3 

J^ger,    H.    B.      Henrik    Ibsen.      1828-1888.      Et    literjcrt    livsbillede. 

K0benhavn.     1888.     Illus.     Portraits.     Plates.  49090.69 

Same.     The  life  of  Henrik  Ibsen.     Translated  by  Clara  Bell. 

London.     1890.  2856.76;  **T.57.i2i 

Same.    Henrik  Ibsen.     1828-1888.    A  critical  biography.    From 

the  Norwegian  by  William  Morton  Payne.     Chicago.     1890.     Por- 
traits.    Plates.  2856.75 

[399] 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 

Iconoclast,  The.  (The  man  who  pays.)  A  publication  with  the  truth- 
habit.  [Weekly.]  Vol.  3  (6-8,  10);  5  (6) ;  6  (5,  7,  8).  July  8-22, 
Aug^ust  5,  1905,  January  6,  March  31,  April  14-21,  1906.  Boston. 
1905,  06.    8  parts.     lUus.     Portraits.  **T.24.i5 

Relates   to   actors   on   the   American    stage,   particularly   in    Boston. 

Idealismus  uiid  Rcalismus  in  den  deutschen  Schauspiclkunst.  Manning, 
P.  6874.52 

Idees  d'un  vieux  scenophile  sur  Tinstitution  d'un  tribunal  dramatique. 
ViEux  SCENOPHILE,   Un,  pscxid.  No.  2  in  **G.3562.i 

Idler,  The,  and  breakfast-table  companion;  a  new  and  fashionable 
journal  of  literature,  fine  arts,  satire  and  the  stage.  [Weekly.] 
Vol.    1-3.      London.     Denney.      1837-39.     3  v.,   in   2.      Plates. 

**T.26.I2 

Iffland,  August  Wilhelm. 

Briefe  an  seine  Schwester  Louise  und  andere  Verwandte,  1722-1814. 
Herausgegeben  von  Ludwig  Geiger.  Berlin.  1904.  xlvii,  346  pp. 
Portrait.  Facsimile.  [Gesellschaft  fiir  Theatergeschichte.  Schriften. 
Band  5.]  *6907.i6 

Briefe,  meist  an  seine  Schwester,  nebst  anderen  Aktenstiicken  und 
einem  ungedruckten  Drama.  Mit  Anmerkungen  herausgegeben 
von  Ludw-ig  Geiger.  Berlin.  1905.  xiv,  286  pp.  Portraits.  [Gesell- 
schaft fiir  Theatergeschichte.     Schriften.     Band  6.]  *6907.i7 

Ifflands  Briefwechsel  mit  Schiller,  Goethe,  Kleist,  Tieck  und  anderen 
Dramatikern.  Herausgegeben  von  Curt  Miiller.  Leipzig.  Reclam. 
[1910.]     259.  (i)  pp.     [Universal-Bibliothek.]      No.  3  in  4896.50.522 

Quellenangabe,  p.   259. 

Memoires  de  Aug.  Guil.  Iffland.  Avec  une  notice  sur  les  ouvrages 
de  cet  acteur.  Paris.  Ponthieu.  1823.  (3),  Iv,  255  pp.  [Collection 
des  memoires  sur  I'art  dramatique.]  **T.56.8 

Contains  a  Notice  sur  Iffland  et  sur  Brandes  by  Picard.  Another  copy  is  on 
shelf-number  **G. 224.2. 10. 

Ueber  meine  theatralische  Laufbahn.     Heilbronn.     Henninger.     1886. 

cvi,  130  pp.     ['Deutsche  Litteraturdenkmale  des  18.  und  19.  Jahr- 

hunderts.]  *289ob.50.24 

Iffland,  August  Wilhelm.     Works  about. 

Altmaxn.    W.      Ifflands    Rechtfertigung   seiner    Theaterverwaltung 

vom  27.  Juli,    1813.      (In  Archiv   fiir   Theatergeschichte.      Vol.    i, 

pp.  86-94.     Berlin.      1904.)  *6907.i2.i 

FuNCK,  Z.     Aus   dem   Leben   zweier   Schauspieler:   August  Wilhelm 

Iffland's  und   Ludwig  Devrient's.     Leipzig.     1838.  48493.5 

Geiger.  E.  L.     Ein   Berliner  Theaterskandal,   1810.      (In  Archiv   fiir 

Theatergeschichte.     Vol.  i,  pp.  65-85.     Berlin.     1904.)       *6go7.i2.i 
KoFFKA,    W.      Iffland    und    Dalberg.      Gcschichte    der    classischen 

Theaterzeit  Mannheims.    Nach  den  Quellen  dargestellt.     Leipzig. 

1865.  48893.7 

Ungern-Sternberg,   P.   A.,  Frciherr  von.      Iffland.      (/;;   his    Kiinstlcr- 

bilder.     Band  3,  pp.  67-171.     Leipzig.     1861.)  6898.144.3 

Illusion,  The,  of  the  first  time  in  acting.     Gillette,  W.  **T.46.6i.i 

Illustrated  .'American  stage.  The.    A  pictorial  review  of  the  most  ni)tal)le 

recent  theatrical  successes.     New  York.     Russell.     1901.     (174)  pp. 

lUus.     Portraits.     Plates.     Autograph  facsimiles.  **T.53.2 

Contents.  —  Maude  Adams  in  L'Aiglon.  —  Mary  Manncring  as  Janice  Meredith. 
—  John  Drew  as  Richard  Carvel.  —  Annie  Russell  in  A  royal  family.  —  William 
';i!lettc  in  .Sherlock  Holmes.  —  Julia  Marlowe.  —  Brother  officers.  —  Olga 
Xitlwrsole.    --  Maud'.-  Adams  in  The  little  minister.  —   [.Miscellaneous  portraits.] 

Illustrated  Dramatic  Weekly,  The.  See  Illustrated  Rambler,  The,  and 
dramatic  weekly. 

[400] 


BROWN   COLLECTION    OF  BOOKS    ON    THE   STAGE 

Illustrated  memoir  of  an  eventful  expedition  into  Central  America 
resulting  in  the  discovery  of  the  idolatrous  city  of  Iximaya  and 
the  possession  of  two  remarkable  Aztec  children,  Maximo  & 
Bartola.  Translated  from  the  Spanish  of  Pedro  Velasquez.  [Lon- 
don.    1853?]     (i),  viii,  38  pp.     Illus.     Portraits.     Plates.    **T.98.36 

Purports  to  be  based  on  Velasquez's  Journal  from   which  extracts  are  given. 

Illustrated  Rambler,  The,  and  dramatic  weekly.  Vol.  i  (S-26);  2  (1-3). 
Feb.  22 -Aug.  30,  1879.  New  York.  1879.  2  v.  in  r.  Illus.  Por- 
traits. Plates.  **T.22.4 
Most  of  the  portraits  are  photographs.  From  Feb.  22  to  May  7,  1879,  the 
title  was  The  Illustrated  Dramatic  Weekly;  from  May  14  to  June  25,  1879,  The 
Rambler  and  Dramatic  Weekly. 

Illustrated  Review,  The.  A  weekly  journal  of  literature,  drama,  music, 
art.  Jan.  i-June  24,  1874.  New  series.  Vol.  i.  London.  "Fleet 
Street  Printing  Works."  1874.  iv,  416  pp.  Illus.  Portraits. 
Plates.  **T.22.6 

Illustrated    Sporting    &    Dramatic    News,    The.      A    high-cfass    weekly 

journal  of  sports,  art,  literature,  music  and  the  drama.     Vol.  i,  2. 

London.     Fox.     1874,  75.    2  v.     Illus.     Portraits.     Plates.    **T.2i.3 

Same.     Vol.  17-35,  40-42.     1882-94.  *N.2090.i 

Only  volumes   19,  21,  22,  25,  26,  29-31   are  complete. 

lUustre  theatral,  L'.  Paraissant  le  samedi.  Annee  i,  2  (no.  1-23). 
Nov.  21,  1896 -juin  26,  1897.  Paris.  1896,  97.  2  v.  in  i.  Illus. 
Portraits.     Plates.     Music.  **T.22.9 

Illustre  theatre.     See  Moliere. 

Imaginary  history.  An,  of  the  American  theatre  from  1890  to  1900. 
Prospero,  pseud.  **T.77.56 

Immoral  and  anti-Christian  tendency,  The,  of  the  theatre.  Exhibited 
in  extracts  from  various  authors.  London.  [The  Religious  Tract 
Society.     18—?]     8  pp.     [No.  32.]  **T.96.i02 

Impartial  hand,  An,  pseud. 

Stage  policy  detected;  or  some  select  pieces  of  theatrical  secret 
history  laid  open:  in  a  letter  to  a  certain  manager  [Charles  Fleet- 
wood] on  his  imaginary  justification  of  his  late  conduct.  Lon- 
don: Printed  for  J.  Robinson.  1744.  (i),  53  pp.  **T.77.i75 
Relates  to  Drury  Lane  Theatre. 

Impartial  observations  on  the  proceedings  instituted  by  the  proprietors 
of  the  Theatres  Royal.  Drury  Lane  and  Covent  Garden.  [Anon.] 
See  Reynolds,  Frederick,  alleged  author. 

Impartial  observer,  An,  pseud. 

The  wonderful  theatrical  progress  of  W.  Hen.  West  Betty,  the  Infant 
Roscius,  in  Ireland,  Scotland,  and  England;  also,  at  the  Theatres 
Royal,  Covent  Garden  &  Drury  Lane;  with  an  accurate  sketch  of 
his  life.     London.     Barnard  &  Sultzer.     [1804.]     70  pp.       **T.99.4 
Same.     [2d  edition.]  **T.9g,58 

The  title  on  the  cover  reads:   Memoirs  of  Master  Betty,  the  Infant  Roscius. 

Impudent  comedian.  The.     Moore,  F.  F.  44093.272;  **T.87.  13 

In  and  about  Drury  Lane.     Doran,  J.  2555.72;  **T.76.i47;  etc. 

Incendie,  L',   des  Folies-Plastiques.     Dreyfus,  A.  **T.87.37 

Inchbald,  Elizabeth. 

Memoirs  of  Mrs.  Inchbald:  including  her  familiar  correspondence 
with  the  most  distinguished  persons  of  her  time.  Added,  Tht- 
massacre,  and  A  case  of  conscience;  now  first  published.  Edited 
by  James   Boaden.     London.     Bentley.     1833.     2  v.     Portrait. 

4546.2  ;**T.56.209 

Relates    in    part    to    the    London    theatres.      Another    copy    is    on    shelf-number 
**G.3755.io. 

[401] 
26 


THE  PUBLIC  LIBRARY   OF   THE    CITY   OF  BOSTON 


Inchbald,  Elizabeth.     Works  about. 

DuTTON,  T.  The  wise  man  of  the  East;  or,  the  apparition  of 
Zoroaster,  the  son  of  Oromases,  to  the  theatrical  midwife  of 
Leicester-Fields.  A  satirical  poem  [relating  to  Mrs.  Inchbald]. 
London.     1800.  No.  8  in  **G.3824.6 

ToBLER.  C.  Mrs.  Elizabeth  Inchbald,  eine  vergessene  englische 
Biihnendichtcrin  und  Romanschriftstellerin  des  18.  Jahrhunderts. 
Berlin.     1910.  2552.198 

Incledon,  Charles. 

.■\  statement  of  the  differences  subsisting  between  the  proprietors 
and  performers  of  the  Theatre-Royal,  Covent-Garden.  Given  in 
the  correspondence  that  has  passed  between  them.  By  John 
Johnstone,  Joseph  George  Holman,  Alexander  Pope,  Charles 
Incledon,  Jos.  S.  Munden,  John  Fawcett,  Thomas  Knight,  Henry 
Erskine  Johnston.  London:  Printed  by  J.  Davis  for  W.  Miller. 
1800.     vii,  69,  .3  pp.  **T.77.io 

Another  copy  is  on  shelf-number  No.  2  in  **G.3824.3. 

Incomparable  Siddons,  The.     Parsons,  F.  M.  **T.56.io7;  etc. 

Inconsistency,  The,  of  comedies  and  stage-plays  with  true  Christianity 

proved  by   Scripture  and  authorities.     By  a   Well-wisher   to  the 

King  and  people.     [London.     I735-]     16  pp.        No.  6  in  **G.3823.i2 

Incorporated  Stage  Society,  London. 

Ten  years.     1899  to  1909.     London.     Chiswick  Press.     1909.     104  pp. 

**T.i6.4 

Contents.  —  Council  of  management,   1908- 1909.  —  Foreword.  —  Officials  of  the 
Society,    1899-1909.  —  Programmes:   fifty   productions.  —  Index. 
"Its   origin   in    1899   was   due   to    a   desire   to    secure   the   production    of   plays    of 
obvious  power  and   merit  which   lacked,  under   the   conditions   then   prevalent  on 
the  stage,  any  opportunity  for  their  presentation." 

Independance    musicale    et    dramatique.      Directeur:    Ernest    Thomas. 
Annee   i;  2   'no.    19).     Paris.     Fischbacher.     1887,  88.     2  v.  in   i. 

No  more  was  published.  **M.I35.I4 

Independent  Theatre  movement. 

Meltzer,  C.  H.     a  course  of  modern  plays.     With  a  brief  history 

of  what  is  popularly  termed  the  Independent  Theatre  movement. 

fXew  York?     1900.I     62  pp.  **T.78.66 

Independent  Theatrical  Observer.  The.     [Daily.]     Vol.   10  (no.  33);   n 

(no.  2,  8).      [Dublin.      1822.]      3  nos.   in   i   v.  **T.28.i5 

India.     Tlicatrc. 

Levi.  S.     Le  theatre  indien.     Paris.     1890.  **T.44.5 

ludicateur   dramatique   ou   almanach    des   theatres   de    Paris,    contenant 

les    noms    et    demeures    des    administrateurs,    artistes,    musiciens, 

etc.     L'analyse  des  pieces  nouvelles  et  les  debuts  qui  ont  cu  lieu 

pendant  I'an  vi  [1797/98].     A  Paris,  chez  Lefort.     An  vii  [1798?]. 

vj,  ri3),  248  pp.  **T.29.i3 

Indicateur  general,  L',  des  spectacles  de  Paris,  des  departemens  de  la 

Franco   et   des   principalcs   villes   etrangeres.      Par   A***   et    D***. 

.'\nnee  3.     Paris.     1821/22.     (3),  iij,  318  pp.  **T.28.i 

Indiscret,   L',  des  coulisses  ou  biographic   des  artistes   dramatiques   de 

Paris.     Petite   chronique  des  theatres.     2^  edition.     Paris.      1841. 

179  pp.  **T.S9.3 

Indiscret,   L',  souvenir  des  coulisses.     Paris.     Au  bureau   des   editeurs. 

1836.     128  pp.  **T  99.23 

.\  dictionary  of  theatrical  terms. 

Indiscretions  et  confidences.     Auuibert,  L.  F.  H.  **T.58.i20 

Industriels,   Les,  du  macadam.     Frebault,  £.  **T.99.43 

[402] 


BROWN   COLLECTION    OF  BOOKS    ON    THE   STAGE 

Infant  Roscius,  The,  pseud.     See  Betty,  William  Henry  West. 

Infernal  congress.  The:  or  news  from  below.  Being  a  letter  from  Dick 
Estcourt,  the  late  famous  comedian  to  the  Spectator.  2d  edition 
corrected.     London:   Printed  for  J.    Baker.     1713.     32  pp. 

No.  4  in  **Gv3823.i4 

An   anonymous   satire  relating   to   the   actors   at   the   London   theatres. 

Infiniment  ijetits,  Les.     Andre-Murville,  P.  N.  **T.96.277 

Influence,  The,  of  the  drama.     Sturgis,  G.  F.  6257.60 
Ingleby,  Clement  Mansfield. 

Was  Thomas  Lodge  an  actor?     An  exposition  touching  the  social 

status  of  the  playwright  in  the  time  of  Queen  F.lizahetli.     London. 

The  Author.     1868.     16  pp.     Facsimile.  4581.10 
Inglis,  Ralston. 

The  dramatic  writers  of  Scotland.     Glasgow.     Mackellar.     1868.  ^155, 

(i)  pp.  **T.58.i^i5 

Ingram,  John  H.,  editor. 

Eminent  women  series.  For  the  separate  volumes  of  this  series  see 
Eminent  women  series. 

Ins  and  outs  of  circus  life.     Glenroy,  J.  H.  **T.58.ii2 

Inspector,  The,  pseud.     See  Hill,  Sir  John. 

Insurgent  theatre,  The.     Dickinson,  T.  H.  6257.143 

Interesting  treatise.  An,  on  the  marvellous  Indian  boy,  Laloo.  [Phila- 
delphia.    Morrell.     188-?]     8  pp.  **T.98.i49 

Laloo  was  a  double  bodied  boy. 

International  Congress  of  Theatrical  Art,  Paris.  1900.  See  Congres 
international  de  I'art  theatral,  Paris,  1900. 

International  descriptive  catalogue  of  plays,  and  dramatic  works.  Bos- 
ton.    Clarke  &  Carruth.     [1884.]     48  pp.  6189.37 

Interviewer's  album.  An.     Seilhamer,  G.  O.  **T.53.i3 

Introduction  to  Shakespeare's  plays,  containing  an  essay  on  oratory. 
London:  Printed  for  John  Bell.  1773.  57  pp.  Portrait.  **T.78.52 
Relates  to  oratory  only. 

Ireland,  John,  editor. 

Henderson,  J.  Letters  and  poems.  With  anecdotes  of  his  life  by 
John   Ireland.     T^ondon.     1786.  **T.57.i58;  etc. 

Ireland,  Joseph  Norton. 

A  letter,  December  31,  1888.  To  the  Secretary  of  the  Dunlap  Society. 
(In  Barrett,  Lawrence.  Charlotte .  Cushman.  Pp.  27-44.  New- 
York.  1889.)  **T.95.8 
Contains  A  list  of  characters  performed  by  Miss  Charlotte  Cushman  and  a 
Chronological  list  of  Miss  Cushman's  earlier  performances  in  New  York. 

A  memoir  of  the  professional  life  of  Thomas  Abthorpe  Cooper.  New- 
York.  1888.  X,  (3),  102  pp.  Portrait.  Facsimiles.  Manuscript 
facsimile.     [Dunlap  Society.     Publications.     No.  5.]  **T.95.5 

Mrs.  Duff.  Boston.  Osgood  &  Co.  1882.  (9),  188  pp..  Portraits. 
Plate.    Facsimile.    Manuscript  facsimile.     [American  actor  series.] 

Another  copy  is  on  shelf-number  **K.2S3.i2.  4348.134;  **T.57.II3 

Records  of  the  New  York  stage,  from  1750  to  i860.  New  York. 
Morrell.     1866,  67.     2  v.     Portraits.  **T.75.22 

Another  copy  is  on  shelf-number  *4404.is. 

Ireland,  Samuel  William  Henry. 

Catalogue  of  the  library,  theatrical  portraits,  dramatic  and  literary 
autograph  letters,  and  theatrical  relics  of  the  late  Charles 
Matlievvfs.  Added,  the  unpublished  writings  and  literary  produc- 
tions of  the  late  William  Henry  Ireland.  Which  will  be  sold 
by  auction,  by  Sotheby  and  Son.     [London.]      1835.     (2),  47  pp. 

**T.66.i6 

[403] 


THE  PUBLIC  LIBRARY   OF   THE    CITY   OF  BOSTON 


Ireland.     Theatres. 

Answer,  An.  to  the  Memoirs  of  Mrs.  Billington.  With  the  life  and 
adventures  of  Richard  Daly,  Esq.,  and  an  account  of  the  present 
state  of  the  Irish  theatre.     London.     1792.  **T.56.338;  etc. 

B.ATEs,  K.  L.,  editor.  The  new  Irish  drama.  Yeats,  Synge.  Lady 
Gregory  and  others.  [An  outline  of  the  Irish  dramatic  movement 
and   a  bibliographical   list  of  Irish   drama.     Chicago.]      191 1. 

2175.75 

Bei.t.^ine.  The  organ  of  the  Irish  literary  theatre.  An  occasional 
publication.  Edited  by  W.  B.  Yeats.  The  ist  annual  volume. 
No.  1-3.     London.     1899,  1900.  *2552.32 

Bourgeois,  M.  John  Millington  Synge  and  the  Irish  theatre.  Lon- 
don.    1913.     Portraits.     Plates.  4579.244 

Hitchcock,  R.  An  historical  view  of  the  Irish  stage  to  1788.  With 
theatrical  anecdotes,  and  an  occasional  review  of  the  Irish 
dramatic  authors  and   actors.      Dublin.      1788,    1794.     2  v. 

**T.77.i83;  etc. 

MacHumbug,  Leonard,  Esq.,  pseud.  Thespis  to  Apollo,  an  heroic 
epistle;  proving  the  declining  state  of  the  Irish  stage,  and  the 
necessity  of  improving  it.     Dublin.     1792.  No.  28  in  **G.3822.3 

Private  Theatre,  The,  of  Kilkenny,  with  introductory  observations 
on  other  private  theatres  in  Ireland,  before  it  was  opened. 
[Kilkenny?]      1825.     Portraits.  **T.74.2 

Sheridan.  T.  An  humble  appeal  to  the  public,  together  with  some 
considerations  on  the  present  critical  and  dangerous  state  of  the 
stage  in  Ireland.     Dublin.     1758.  No.  6  in  **G.3823.i6 

Irish  Roscius,  The,  pseud.     See  Burke,  Joseph,  called  the  Irish  Roscius. 
Irving,  Sir  Henry. 

The  art  of  acting.  Authorized  edition.  Chicago.  The  Dramatic 
Publishing  Co.      [1887.]      (i),  24  pp.  2552.36 

The  drama.  Addresses.  With  a  frontispiece  by  Whistler.  New 
York.     Tait  &  Co.     [1892.]     201  pp.     Portrait.  **T.77.ii9 

Contents.  —  The  stage  as  it  is.  —  The  art  of  acting.  —  Four  great  actors. 

Same.     London.     Heinemann.     1893.     (5),   164  pp.  **T.77.i2o 

English  actors:  their  characteristics  and  their  methods.     A  discourse 

in  the  University  schools,  at   Oxford.     Oxford.     The   Clarendon 

Press.     1886.     (3),  60  pp.  4557-79;  **T.98.3 

Another  copy  is  on  shelf-number  **K.49.i. 

Henry  Irving's  impressions  of  America.  Narrated  in  a  series  of 
sketches,  chronicles,  and  conversations  by  Joseph  Hatton.  Bos- 
ton.    Osgood  &  Co.     1884.     xii,  475  pp.  2367.37 

Same.     London.     Sampson  Low,  Marston,  Searle,  &  Rivington.     2  v. 

**T.57.i2 

Occasional  papers,  dramatic  and  historical.  Boston.  Small,  May- 
nard  &  Co.     1907.     v,  (2),  225  pp.  2552.37 

Contents.  —  The  English  stage  in  the  eighteenth  century.  —  The  art  and  status 
of  the  actor.  —  CoUey  Gibber's  "Apology."  —  The  calling  of  the  actor.  —  The 
true  story  of  Eugene  Aram.  —  The  fall  of  the  house  of  Goodere.  —  The  Fualdes 
case. 

The    Stage.      Address    delivered    at    the    Perry    Barr    Institute,    near 

Birmingham,  on  March  6th,  1878.     London.     Ridgway.     1878.     (0. 

32  pp.  **T.96.284 

The    theatre  in    its   relation    to   the    state.      Boston.      Badger    &    Co. 

[1898.]     36  pp.     Portrait.  2553.27;  **T.77.i78 

Relates  in  part  to  Great  Britain. 

[4041 


BROWN   COLLECTION    OF  BOOKS    ON    THE   STAGE 

Irving,  5"r>  Henry,  pre  facer 

Diderot,  D.     The  paradox  of  acting.     Translated  with  annotations 

from   Diderot's   'Paradoxe   sur   le   comedien'   by  Walter   Herries 

Pollock.     London.     1883.  4673.73;  **T. 77. 181 ;  etc. 

Talma,   F.    J.     Talma   on   the   actor's   art,   with   preface    by    Henry 

Irving.      London.      [1883.]  4673.77;  **T.76.i42;  etc. 

Irving,  Sir  Henry.     Works  about. 

Archer,  W.     Henry    Irving,  actor  and  manager.     A  critical  study. 

London.      [1883.]      Portrait.  254ob.65;  **T.59.2i;  etc. 

Archer,    W.,    and    R.    W.    Lowe.      The    fashionable    tragedian.      A 

criticism.     Edinburgh.     [1877?]     Portraits.  **T.57.363 

Austin,  L.  F.     Sir  Henry  Irving.     {In  his  Points  of  view.     Pp.  1-20. 

London.     1906.)  2559.114 

Henry   Irving   in    England    and    America.      1838-84.      London. 

1884.     Portrait.  4547-74;  **T.57-339;  etc. 

Brereton,  a.  Henry  Irving.  A  biographical  sketch.  London. 
1883.     Portraits.  2440.69;  **T.54.22 

The  life  of  Henry  Irving.     New  York.     1908.     2  v.     Portraits. 

Plates.  2440.80 

The  Lyceum  and  Henry  Irving.  London.  1903.  Illus.  Por- 
traits, some  colored.  2571. no 

Caine,  T.  H.  H.  Richard  III  and  Macbeth:  the  spirit  of  romantic 
play  in  relationship  to  the  principles  of  Greek  and  of  Gothic  art. 
and  to  the  picturesque  interpretations  of  Henry  Irving:  a  dramatic- 
study.     London.     1877.  4594.11 ;  **T.97.95 

Clapp,  H.  a.  Reminiscences  of  a  dramatic  critic.  With  an  essay  on 
the  art  of  Henry  Irving.     Boston.     1902.     Portraits.    4395.168;  etc. 

Craig,  E.  G.  Henry  Irving,  Ellen  Terry,  etc.  A  book  of  portraits. 
[Chicago.     1899.]  **T.52.8 

Fitzgerald,  P.  H.  Henry  Irving.  A  record  of  twenty  years  at 
the  Lyceum.     London.     1893.     Portrait.       2543.118;  **T.55.94;  etc. 

Henry  Irving.  A  short  account  of  his  public  life.  New  York.  1883. 
Portraits.  254ob.72;  **T.58.ii3 

HiATT,  C.  Henry  Irving.  A  record  and  review.  London.  1899. 
Illus.     Portraits.     Plates.  4545.168;  **T.57.9o 

Hood.  T.  The  Henry  Irving  Dream  of  Eugene  Aram.  [Anon. 
Illustrated]  By  F.  Drummond  Niblett.    [London.    1887.]     **T.95.54 

London.  Lyceum  theatre.  The  Lyceum  "Faust."  By  Joseph  Hatton. 
44th  thousand.     London.     [1892?]     Illus.     Plates.     **T.58.i48;  etc. 

Souvenir  of  Becket,  by  Alfred,  Lord  Tennyson.  First  pre- 
sented, 6th  February,  1893.  Illustrated  by  J.  Bernard  Partridge. 
London.     1893.     12  plates.  **T.58.i52;  etc. 

Souvenir  of  King  Arthur.     First  presented  12th  January,  1895. 

Illustrated  by  J.  Bernard  Partridge  and  Hawes  Craven.     London. 
[1895.]     Portraits.     Plates.  **T.58.i50 

Souvenir  of  King  Henry  the   Eighth,  presented  5th  January, 

1892.     Illustrated  by  J.   Bernard   Partridge.     London.      1892.      15 
plates.  **T.58.i5i;etc. 

Souvenir  of  Macbeth  produced  29th  December,  1888.  Illus- 
trated by  Charles  Cattermole  &  J.  Bernard  Partridge.     London. 

1888.  Illus.     Plates.  6594-26;  **T.58.i49 

Souvenirs   of  the   Dead   Heart,   by   Watts   Phillips,   presented 

28th  Sept.,   1889.     Illustrated  by  J.   Bernard   Partridge.     London. 

1889.  13  plates.  65703.13 
Mm:fall,  H.     Sir  Henry  Irving.     Edinburgh.     1906.     Portraits. 

45493.195 
[405] 


THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 


Irving,  Sir  Henry.     Works  about.     (Continued.) 

Marshall,  F.  A.     Henry  Irving,  actor  and  manager.     A  criticism  of 

a  critic's  criticism.     London.     1883.  254ob.76;  **T,58.72 

AIenpes,  M.     Henry  Irving.     London.      1906.     Portraits.       =*=*T.58.ii4 

Pollock,  W.  H.    Impressions  of   Henry   Irving  gathered   in  public 

and  private  during  a  friendship  of  many  years.     With  a  preface 

by  H.  B.  Irving.     London.     1908.  4545.161 

Russell,  Sir  E.  R.     Irving  as  Hamlet.     2d  edition.     London.     1875. 

**G.76.3 

Scott,  C.  W.     From  "The  bells"  to  "King  Arthur."    A  critical  record 

of  the  first-night  productions  at  the  Lyceum  Theatre  from  1871 

to  1895.     London.     1896.     Portraits.     Plates.        4545.150;  **T,76.i9 

Some  notable  Hamlets  of  the  present  time.     Illustrated  by  W. 

G.  Mein.     London      1900.     Portraits.  45493.191 

Stoker,  A.     Personal   reminiscences   of  Henry   Irving.      New   York. 
1906.     2  V.     Portraits,  some  colored.     Plates.  4544.223 

Winter,   W.      Henry    Irving.      New-York.      1885.      Portraits. 

254ob.87;  **T.57.4o8 
YoRiCK,  pseud.     A  letter  concerning  Mr.  Henry  Irving  addressed  to 
E.  R.  H.     Edinburgh.     1877.  **T.98.33 

Irving,  Sir  Henry  Brodribb.     See  Irving,  Sir  Henry. 
Irvingite,  An.    See  Marshall,  Francis  Albert. 

Isidore  Baurel,  ou  les  mysteres  du  Theatre  idalien.     Conte  chinois.     [2e 
edition.]     Paris.     [Leopold.]     1884.     136  pp.  **M.i27.70 

A   satire  on   Maurel  and  the  Theatre   italien.      Another   copy   is   on    shelf- numhsr 
Xo.  I  in  **M.i38.i5. 

Isnardon,  Jacques. 

Le  Theatre  de  la  monnaie  depuis  sa  fondation.     Preface  de  Arthur 

Pougin.      Illustrations    de    Dardenne.      Bruxelles.      Schott.      1890. 

(5),  xiii,  720,  (i)  pp.     Portraits.     Plates.     Facsimiles.         **T.74.5 
Istel,  Edgar. 

Die    Entstehung   des   deutschen    Melodramas.      Berlin.      Schuster    & 

Loeffler.    1906.    (6),  104,  (4)  pp.    Illus.    Portraits.    Music.    6872.88 
Italian  opera,  The,  in  London.    The  Queen's  Theatre.     [London.     1851.] 

55-59  pp.  No.  24  in  **G.3822.i 

The   Queen's   Theatre  is   now   called   His   Majesty's   Theatre. 
Italian  players  in  France. 

See  also  Commedia  dell'  arte. 

Baschet,  a.     Les  comedicns  italiens  a  la  cour  de  France  sous  Cliarles 

IX,  Henri  iii,  Henri  iv  et  Louis  xiii.     Paris.     1882. 

2662.73;  **T.76.i46 
Bernardin,  N.   M.     La  comedie  italienne   en   France  et  les  tlu'-atres 

de    la    foire    et    du    boulevard    (1570-1791).      Paris.      1902.      Illus. 

Portraits.      Plates.  2679.277 

Campardon,    L.    £.      Les    comediens    du    roi    de    la    troupe    italienne 

pendant  les  deux  derniers  siecles.     Paris.     1880.     2  v.        **T.55.32 
France.      Conscil    d'etat.      Arrets,    lettres    patentes,    acte    de    societe, 

administration  interieure  et  reglemens  pour  les  comediens  italiens 

ordinaires  du  roi.     [Paris.]      1782.  No.  3-5  in  **G.3562.ii 

Klingler,  O.     Die  Comedie-italienne  in   Paris  nach   der   Sammlung 

von   Gherardi.     Strassburg.      1902.      Illus.     Plate.  4676.132 

Parfaict,  C.,  and   F.   Parfaict.     Histoire  de  I'ancien  theatre  itilien 

depuis    son    origine    en    France    jusqu'a    sa    suppression    en    1697. 

Paris.     1753-  **M.io9b.3i 

ViTU,  A.  C.  J.     Moliere  et  les   Italiens.     Paris.     1879. 

4676.116;  **T.96.22,  etc. 

[406] 


BROWN   COLLECTION    OF  BOOKS    ON   THE   STAGE 


Italy.     Theatres. 

See  also  Commedia  dell'  arte;  Italian  players  in  France. 

CosTETTi,  G.  La  compagnia  reale  Sarda,  e  il  teatro  italiano  dal 
1821  al  1855.     Milano.     1893.     Portraits.  2768.142 

Essay,  An,  upon  the  present  state  of  the  theatre  in  France,  England 
and  Italy.  \Vith  reflections  upon  dramatic  poetry  in  general, 
and  the  characters  of  the  principal  authors  and  performers  of 
those   nations.      London.      1760.  No.  2  in  **G.3823.7 

Flechsig,  W.  E.  Die  Dekoration  der  modernen  Biihne  in  Italien, 
von  den  Anfangen  bis  zum  Schluss  des  xvi.  Jahrhunderts.  Teil  i. 
Inaugural-Dissertation,  Leipzig.     Dresden.     1894.  8063.78 

GoLDONi,  C.  Memoires  pour  servir  a  I'histoire  de  sa  vie,  et  a  cclle 
de  son  theatre;  precedes  d'une  notice  sur  la  comedie  italienne  au 
seizieme  siecle,  et  sur  Goldoni,  par  Moreau.     Paris.     182-'.     2  v. 

**T.56.5;etc. 

Gozzx,  C.,  Conte.  The  memoirs  of  Count  Carlo  Gozzi.  Translated 
into  English  by  John  Addington  Symonds.  With  essays  on  Italian 
impromptu  comedy,  Gozzi's  life,  the  dramatic  fables,  and  Pietro 
Longhi  by  the  translator.  Also,  subjects  illustrating  Italian 
comedy  by  Maurice  Sand.  London.  1890.  2  v.  Portrait.  Plates, 
many  colored.  **T.55.4i ;  etc. 

Lyonnet,  H.  Le  theatre  hors  de  France.  Serie  3:  Le  theatre  en 
Italie.    Paris.    1900.    Illus.    Portraits.    Plans.    6257.70.3;  **T.77.86.3 

McLeol,  a.  Plays  and  players  in  modern  Italy.  A  study  of  the 
Italian  stage  as  affected  by  the  political  and  social  life,  manners 
and  character  of  today.    London.    1912.    Portraits.    Plates.    6257.68 

MoRLEV,  L.  C.  C.  Shakespeare  in  Italy.  Stratford-upon-Avon.  :-ji6. 
Portraits.     Plate.     Facsimile.  4598.58 

Rabany,  C.     Carlo  Goldoni.     Le  theatre  et  la  vie  en  Italie  au  xviiit 

siecle.     Paris.      1896.     Portraits.  2771.79 

Itinerant,  The.     Ryley,   S.   W.  **T.57.3I3;  etc. 

Itinerant  Thespians,  The.     Fenton,  W.  No.  5  in  **G.3824.6 

Izard,  Forrest. 

Heroines  of  the  modern  stage.  New  York.  Sturgis  &  Walton  Co. 
1915.   ix,  (3),  390  pp.    Portraits.    [Modern  heroines  series.]    22493.71 

Contents.  —  Sarah  Bernhardt.  —  Helena  Modjeska.  -^  Ellen  Terry.  —  Gabrielle 
Rejane.  —  Eleonora  Duse.  — -  Ada  Rehan.  —  Mary  Anderson.  —  Mrs.  Fiske.  — 
Julia  Marlowe.  —  Maude  Adams.  —  Some  American  actresses  of  today.  — 
Appendix.  —  Bibliography.  —  Index. 


J ,  T.  de. 

De  la  nouvelle  salle  de  I'Opera.     Paris.     Vente.     1821.     16  pp.     Plate. 

No.  17  in  **G.3562.i 
Jack  in  office.     Gilliland,  T.  **T.96.28;  etc. 

Jackman,  Isaac. 

Royal  and  Royalty  Theatres.  Letter  to  Phillips  Glover  in  a  dedica- 
tion to  the  burletta  of  Hero  and  Leander,  now  performing  at  the 
Royalty  Theatre.  [Anon.]  London:  Printed  for  J.  Murray.  1787. 
vii,  84  pp.  **T.96.362 

'  >ther  copies  are  on  shelf-numbers  No.  5  in  **G.3823.8  ;   **T.75.53. 

Jackman,  Isaac.     Works  about. 

Letter,  A,  to  the  author  of  the  burletta  called  Hero  and  Leander, 
in  refutation  of  what  he  has  advanced  in  his  dedication  to  Philips 
Glover,  on  the  statutes  for  the  regulation  of  theatres,  the  conduct 
of  Mr    Palmer,  of   Mr.  Justice  Staples,  and  the  other  justices; 


[407] 


THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 


Jackman,  Isaac.     Works  about.     (Continued.) 

and  also  of  his  observations  on  the  consequences  that  must  arise 
from  the  establishment  of  a  theatre  in  Wellclose  Square.  Lon- 
don.    1787.  **T.75.54 

Jackson,  A.  W.,  translator. 

Hase,  C.  a.  von.  Miracle  plays  and  sacred  dramas.  A  historical 
survey.     London.     1880.  6257.36;  **T.46.3i 

Jackson,  Frank  H. 

Monograph  of  the  Boston  Opera  House.  1909.  Boston.  Butterfield. 
1909.     (55)  pp.     Portraits.     Plates.     Plans.  *4042.i33 

Jackson,  John,  actor. 

The  history  of  the  Scottish  stage,  from  its  first  establishment  to  the 
present  time;  with  a  distinct  narrative  of  some  recent  theatrical 
transactions.  With  memoirs  of  his  own  life.  Edinburgh:  Printed 
for  Peter  Hill.     1793.     16,  424,  41  pp.  **T.76.2i 

Another  copy  is  on  shelf-number   **G.3824.i2. 

A  Statement  of  facts,  explanatory  of  the  dispute  between  John 
Jackson  and  Stephen  Kemble,  relative  to  the  Theatre  Royal  of 
Edi!i])urg]i.  Edinburgh:  Printed  by  W.  Darling  and  Son.  for 
Peter  Hill.     1792.     (i),  114  pp.  **T.57.6o 

Strictures  upon  the  merits  of  Young  Roscius.  3d  edition.  London. 
Longman,  Hurst,  Rees,  &  Orme.     1804.     (3),  82  pp.     Portrait. 

Another  copy  is  on  shelf-number  No.  4  in  "'G. 3824. 8.  **T.56.205 

Jackson,  John,  actor.     Works  about. 

Animadversions  on  Mr.  J.  Jackson's  Dramatic  strictures  upon  the 
merits  of  Young  Roscius.  By  the  Editor  of  "The  Glasgow 
Theatrical  Register."     Glasgow.     1804.  **T.56.i52 

Jackson,  John,  Bishop  of  London. 

Headlam,  S.  D.  Theatres  &  music  halls:  a  lecture  given  at  the 
Commonwealth  Club,  Bethnal  Green,  October  7,  1877.  With  a 
letter  to  the  Bishop  of  London  and  other  correspondence.  West- 
minster. [1877.]  •  **T.98.34 
Jackson,  John  P. 

The  Ober-Ammergau  Passion  Play:  (illustrated).  Giving  the  origin 
of  the  play,  and  history  of  the  village  and  people,  a  full  description 
of  the  scenes  and  tableaux  of  the  drama,  and  the  songs  of  the 
chorus,  in  German  and  English.  London.  Smith.  1880.  iv,  (6), 
86  pp.     Illus.     Portraits.     Plates.     Plan.  **T.36.ioi 

Same.  Munich.  Hummel.  1890.  iv,  (6),  105,  (2)  pp.  Map.  Auto- 
graph facsimile.  **T.96.273 
Jackson,  Randle. 

Third  theatre.  The  argument  of  Randle  Jackson,  Esq.,  before  the 
Lords  of  the  Privy  Council,  on  behalf  of  the  trustees,  and  other 
parties  interested  in  the  late  Theatre  Royal,  Drury  Lane.  With 
copies  of  the  petition  for  a  charter  to  erect  a  third  theatre  in  the 
metropolis.     London.     Deans.     1810.     48  pp.        No.  2  in  **G.3824.5 

The-    Drury   I^anc  Theatre  was  destroyed  by  fire  February,  1809,  and  rebuilt  in  i8ij. 

Jackson,  Richard,  editor. 

Coi.MAX.  G.,  the  Elder.     Some  particulars  of  the  life  of  the  late  George 

Colman.     Written   by  himself,  and  delivered  by  him  to   Richard 

Jackson    for    publication    after    his    decease.       [London.]       1795. 

Portrait.  **T.56,i97 

Jackson,  Samuel  Pratt. 

Garrick's  looking-glass:  or,  the  art  of  rising  on  the  stage.  A  poem. 
In   three   cantos.     Decorated  with   dramatic   characters.      By  the 

[408] 


BROWN    COLLECTION    OF  BOOKS    ON    THE   STAGE 


Jackson,  Samuel  Pratt.     (Continued.) 

author  of  *****.     Dublin:    Printed  by   D.  Chamberlaine,   for   the 
Lhiited   Company  of  Booksellers.     1776.     40  pp.  **T.98.53 

Jackson,  William  Walrond,  editor. 

Hase,   C.  a.  von.     Miracle  plays   and   sacred   dramas.     A   historical 

survey.     Translated   from   the   German   by   A.   W.   Jackson   and 

edited  by  W.  W.  Jackson.     London.     1880.  6257.36;  **T.46.3i 

Jacob,  Le  bibliophile,  pseud.     See  Lacroix,  Louis  Paul  Benoit  Philippe. 

Jacob,  Georg. 

Bibliographie  iiber  das  Schattentheater.  2.  vermehrte  Ausgabe. 
Erlangen.      1902.     20  pp.  2173.16 

Geschichte  des  Schattentheaters.  Erweiterte  Neubearbeitung  des 
Vortrags  Das  Schattentheater  in  seiner  Wanderung  vom  Morgen- 
land  zum  Abendland.  Berlin.  Mayer  &  Miiller.  1907.  viii,  159 
PP-  4009.361 

Das  Schattentheater,  in  seiner  Wanderung  vom  Morgenland  zum 
Abendland.  Vortrag  gehalten  bei  der  Philologen-Versammlung 
zu  Strassburg  am  4.  Oktober  1901.  Berlin.  Mayer  &  Miiller. 
1901.     22  pp.     Plate.  4001.79 

Bibliography,  pp.   15-22. 

Die  wichtigsten  alteren  Nachrichten  iiber  das  arabische  Schatten- 
spiel.  Schattenspiel-Bibliographie.  {In  Littmann,  Enno.  Arabische 
Schattcnspiele.      Pp.   69-83.      Berlin.      1901.)  4003.47 

Jacob,  P.  L.,  pseud.     See  Lacroix,  Louis  Paul  Benoit  Philippe. 
Jacobs,  Montague,  compiler. 

Deutsche  Schauspielkunst.     Zeugnisse  zur  Biihnengeschichte  klassi- 
scher  Rollen.     Leipzig.     Insel-Verlag.     1913.     (8),  520  pp.     Por- 
traits. 6257.114 
Jacobsohn,  Siegfried. 

Max  Reinhardt.  2.  Tausend.  Berlin.  Reiss.  [1914.]  x,  (i),  173, 
(2)  pp.     Portrait.     Plates.     Autograph  facsimile.  6873.54 

On   Reinhardt's  work  as  manager  of  various  theatres  in  Berlin. 

Jacquemin,  Louis. 

Monographic  du  theatre  antique  d'Arles.  Aries.  Dumas  &  Dayre. 
1862,  63.     2  V.     [Monographies  arlesiennes.]  4673.104 

Contents.  —  I.  Origine  des  theatres  antiques.  —  Les  poetes  dramatiques  romains. 
—  Les  theatres.  —  Theatres  de  Scaurus,  de  Pompee,  de  Marcellus  et  de  Balbus. 
Rome  d'Auguste.  2.  Les  histrions.  —  Neron.  —  Manieres  d'applaudir  des 
anciens.     Les  triomphes  de  Cecar.     Le  fils  d'fesope  le  tragique. — Le  theatre  d'Arles. 

Jacques,  pseud.    See  Ev^ing,  Robert  W. 

Jacquot,  Charles  Jean  Baptiste.     (Eugene  de  Mirecourt.) 

Une  actrice  d'un  jour.  {In  Courrier  des  fitats-Unis.  Semaine  litte- 
raire.     Vol.  6,  pp.  263-271.     New  York.     1849.)     No.  11  in  *667i.2.6 

Bouffe.  Paris.  Faure.  1867.  12  pp.  Portrait.  [Histoire  con- 
temporaine.]  No.  6  in  **M.i29a.36 

Dejazet.  Paris.  Roret  &  cie.  1854.  88,  (i)  pp.  Portrait.  Manu- 
script facsimile.     [Les  contemporains.]  **T.98.i34 

Lemaitre.  {In  his  Portraits  et  silhouettes.  Vol.  3,  pp.  267-209.  Paris. 
1868.)  4641.54.3 

Lola  Montes.  Paris.  Havard.  1857.  92  pp.  Portrait.  Manuscript 
facsimile.     [Les  contemporains.]  **T.59.44;  etc. 

Another  copy  is  .on  shelf-number  No.  6  in  **6649.65. 

Mme  Arnould-Plessy.     {In  his  Portraits  et  silhouettes.     Vol.   i.  pp. 

53-76.     Paris.     1867.)  4641  ■54-1 

Rose   Cheri    (Madame   Montigny).     Paris.      1855.     96  pp-     Portrait. 

Facsimile.     [Les  contemporains.]  No.  3  in  6649.66 

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THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 

Jacquot,  Charles  Jean  Baptiste.     (Continued.) 

Same.     Paris.     Faure.     1867.     60  pp.     Portrait.  fHistoire  contempo- 

raine.]  No.  5  in  **M. 1293.36 

Same.     (/;;  Histoire  contemporaine.    2^  edition.  Vol.  2,  pp.  201-235.) 

4641.54.2;  **M.I24.I2.2 

Samson.  Paris.  1854.  107,  (i)  pp.  Portrait.  Facsimile.  [Les 
contemporains.]  664ga.11 

Jaeger,  Henrik  Bernhard. 

Henrik  Ibsen.  1828-1888.  Et  litersert  livsbillede.  K0benhavn. 
Gyldendalske  Boghandels  Forlag.  1888.  (8),  296  pp.  Illus. 
Portraits.     Plates      Autograph  facsimile,  4909C.69 

Same.  The  life  of  Henrik  Ibsen.  Translated  by  Clara  Bell.  With 
the  verse  done  into  English  from  the  Norwegian  original  by 
Edmund  Gosse.     London.     Heinemann.     1890.     viii,   (i),  252  pp. 

2856.76;  **T.57.i2i 

Same.     Henrik  Ibsen.     1828-1888.     A  critical  biography.     From  the 

Norwegian  by  William  Morton  Payne.     Chicago.     McClurg  &  Co. 

1890.     (2),  275  pp.     Portraits.     Plates.  2856.75 

Jahrbuch  fiir  das  deutsche  Theater.     Von  Joseph  Kiirschner.     Jahrgang 

2.     1878/79.     Leipzig.     Foltz.     1880.     viii,  384  pp.  **T.25,io 

Jahyer,  Felix,  editor. 

C.^MEES  artistiques.  Theatre,  litterature,  musique,  beaux-arts,  sport, 
finance.  Journal  hebdomadaire.  Portraits  et  biographies  des 
celebrites  contemporaines.     Paris.     [1880-83.]     3  v.     Portraits. 

**T.2i.6 
Jal,  Auguste. 

Dictionnairc  theatral,  ou  douze  cent  trente-trois  verites  sur  les  di- 
recteurs,  acteurs  et  employes  des  divers  theatres;  confidences  sur 
les  procedes  de  I'illusion;  examen  du  vocabulaire  dramatique,  etc. 
[Anon.  Par  F.  A.  Harel,  Maurice  Alhoy  et  Auguste  Jal.]  Paris. 
Barba.     1824.     (3),  318  pp.  **T.78.i7 

Jallais,  Amedee  Jean  Baptiste  Font-Reaux  de. 

Sur  la  scene  et  dans  la  salle.  Mirjoir  des  theatres  de  Paris.  Paris. 
Dagneau.     1854.     123,  (i)  pp.  **T.79.2i 

Jambe,   La.     Monteil,   E.  **T.87.74 

James  I.,  of  England. 

Nichols,  J.  The  progresses,  processions,  and  magnificent  festivities, 
of  King  James  the  First,  his  royal  consort,  family,  and  court, 
comprising  forty  masques  and  entertainments;  ten  civic  pageants. 
London.     1828.    4  v.     Illus.     Portraits.    Plates.  *245i.3;etc. 

Sullivan,  M.  Court  masques  of  James  I.  Their  influence  on 
Shakespeare  and  the  public  theatres.  New  York.  1913.  Por- 
trait. Plate.  4594.170 
UNiVER.siT'i  OF  Oxford.  Archives.  James  I.  at  Oxford  in  1605.  ( /;; 
Malone  Society.  Collections.  Vol.  i,  part  3,  pp.  247-259.  [Ox- 
ford.] 1909.)  **G.4077.i5.i.Part  3 
James,  Henry,  Jr. 

The  Theatre  frangais.     (In  Oxford  book,  The,  of  American  essays. 

Pp.  368-393.     New  York.     1914.)  4396.223 

The  tragic  muse.     [Novel.]     London.     Macmillan  &  Co.     1891.     (4), 

488  pp.  **T.87.3i 

Same-.     I'loston.     Houghton,  Mifflin  &  Co.     1897.     2  v.  *44oga.395 

James,  Henry,  Jr.,  prefacer. 

CoQUELiN,  E.  C.  Art  and  the  actor.  Translated  by  Abby  Langdon 
Alger.     New  York.     1915.  **T.46.6i.2 

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BROWN   COLLECTION    OF  BOOKS    ON    THE   STAGE 

James,  John  Angell. 

BuNN,  A.  A  letter  to  the  Rev.  J.  A.  James,  of  Carr's  Lane  Meeting 
House.  With  notes,  critical,  religious  and  moral.  Birmingham. 
1824.  **T.36.64;etc. 

Letter,  A,  to  Mr.  Alfred  Bunn.  Manager  of  the  Theatre  Royal, 
Birmingham;  being  a  review  of  his  epistle  to  the  Rev.  J.  A. 
James.     By  a  member  of  the  Church  of  England.     Birmingham. 

1824.  **T.76.55 

Parkes,  J.    The  plagiary  "warned."    A  vindication  of  the  drama,  the 

stage,  and  public  morals,  from  the  plagiarisms  and  compilations 

of  the  Revd  John  Angell  James,  in  a  letter  to  the  author.     [Anon.] 

Birmingham.     1824.  **T.75.62;  etc. 

Janer,  Florencio. 

Mascara  teatral  de  los  Indios  del  Peru.     Plates.     (In  Museo  espafiol 

de  antigiiedades.     Tome    i,   pp.    101-108.     Madrid.      1872.) 

No.  9  in  **Ticknor  Cab.i.i 
Janin,  Jules  Gabriel. 

De   I'enseignement  de  la  comedie.      {In  Tisserant,  J.  H.     Plaidoyer 

pour  ma  maison.     Pp.  145-166.     Paris.     1866.)     No.  4  in  **M.i38.i5 
Deburau.     Histoire  du  theatre  a  quatre  sous,  pour  faire  suite  a  I'his- 

toire  du  theatre-fran^ais.     [Anon.]     2^  edition.     Bruxelles.     Hau- 

man  &  compe.     1832.     175  pp.  **T.59.22 

Mile.  Rachel.     Role  d'Hermione  dans  Andromaque.     [Paris.     1838.] 

4  pp.     Portrait.  No.  i  in  **K.34.2 

Petite  critique.     Paris.     Librairie  des   Bibliophiles.     1883.      (3),  viii, 

300  pp.     [CEuvres  diverses.]  **T.g'j.267 

Contents.  —  Preface.     Par  Albert  de  La  Fizeliere.  —  Critique  litteraire. — Critique 
historique.  —  Critique  dramatique. 

Rachel  et  la  tragedie.     Paris.    Amyot.     1859.     (3),  528  pp.     Portraits. 

**T.54.6 
Janin,  Jules  Gabriel.    Works  about. 

Samson,  J.  L  Lettre  a  Monsieur  Jules  Janin  [sur  Rachel  et  la 
tragedie.     Paris.     1859].  **T.95.i05 

Janis,  Elsie. 

A  star  for  a  night.  A  story  of  stage  life.  With  pictures  from  the 
play.  New  York.  Rickey  &  Co.  1911.  (11),  205  pp.  Plates. 
Portraits.  **T.87.ioo 

A  novel  based  upon  the  play  of  the  same  name. 

Janvier,  Thomas  Allibone. 

The  Christmas  kalends  of  Provence  and  some  other  Provencal  festi- 
vals.    New  York.     Harper.     1902.     vii,  262  pp.     Plates.        4668.32 

Contents.  —  The  Christmas  kalends  of  Provence.  —  A  feast-day  on  the  Rhone.  — 
The  Comedie  frangaise  at  Orange. 

Japan.     Theatres. 

Edwards,  O.    Japanese  plays  and  playfellows.     With  [colored]  plates 

by  Japanese  artists.     London.     1901.  3026.137;  **T.45. 9 

Fenollosa,   E.  F.,  and   E.  L.   Pound.     'Noh'  or  accomplishment.     A 

study  of  the  classical  stage  of  Japan.    New  York.     1917.     Portrait. 

Music.  5028.43 

Jarvis,  J. 

Correct  detail  of  the  ceremonies  attending  the  Shakespearean  gala, 

celebrated  at  Stratford-upon-Avon,  April  23-25,  1827.     With  some 

account    of    "Garrick's    Jubilee,"    in    1769.      Stratford-upon-Avon. 

Bacon.     [1827.]     30  pp.     Plate.  **T.56.i96 

Another  copy  is  on  shelf-number  **G.3942.i3. 

[411] 


THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 

Jaspero,  the  Younger,  pseud.,  editor. 

Literary  Expose,  The,  and  fashionable  proteus.     A  new  series,  con- 
tinued from  No.  6,  of  The  Literary  Humbug;  or,  weekly  take-in. 
No.  1-13.    May  14 -Sept.  10,  1823.    London.    1823.    Illus.    **T. 26.32 
Java. 

Serrurier,  L.  Dc  wajang  poerwa,  une  ethnologische  studie.  Leiden. 
1896.     Text  and  Atlas  of  21  colored  olates.  *Cab.8o.29.3 

Jean-Paul,  pseud.    See  Coeuret,  P. 
Jebb,  John,  D.D.,  Bishop  of  Limerick. 

Bishop  Jebb  on  fashionable  amusements.  Republished  from  "Prac- 
tical theology,"  by  Charles  Forster.  London.  Lumley.  1849. 
16  pp.  **T.96.64 

Jefferson,  Eugenie  Paul. 

Intimate  recollections  of  Joseph  Jefferson.     New  York.     Dodd.  Mead 
&  Co.    1909.    xiv,  366  pp.    Portraits.    Plates.    Facsimiles.    4343.277 
Jefferson,  Joseph. 

The  autobiography  of  Joseph  Jefferson.  New  York.  The  Century 
Co.     [1890.]     XV,  501  pp.     Portraits.     Plates.  4343.107 

First    published   in   the    Century    Illustrated    Monthly    Magazine. 

Same.     London.     Unwin.  4343.196 

Jefferson,  Joseph.     Works  about. 

Jefferson,  E.  P.     Intimate  recollections  of  Joseph  Jefferson.     New 

York.     1909.     Portraits.     Plates.  4343.277 

Wilson,  F.     Joseph  Jefferson.     Reminiscences  of  a  fellow  player. 

New  York.     1906.     Portraits.     Plates.  4343-265 

Winter,  W.     Life  and  art  of  Joseph  Jefferson.     New  York.     1894. 

Portraits.     Plates.  4346.163 

Jefferson  family. 

Winter,  W.     The  Jeffersons.     Boston.     1881.     Portraits.     Plate. 

4348.118;  **T.57.ii2 
Jeffery.  John  B. 

Jno.  B.  Jeffery's  Guide  and  directory  to  the  opera  houses,  theatres, 

public  halls,  bill  posters,  etc.,  of  the  cities  and  towns  of  America. 

[Annual,     ist,]   7th  edition.     Chicago.     Jeffery.     1878,  84/85.     2  v. 

Portrait.     Manuscript  facsimiles.  **T.27.i7 

Jenkin,  Henry  Charles  Fleeming. 

Mrs.  Siddons  as  Lady  Macbeth  and  as  Queen  Katharine.     With  an 

introduction  by  Brander  Matthews.     New  York.     1915.     (5),  113, 

(1)  pp.     [Columbia  University.     Dramatic  Museum.]       **T.46.6i.3 

Review   [of  Talma's  Reflexions  on  the  actor's  art].     (In  Talma,  F. 

J.     Reflexions  on  the  actor's  art.     Pp.  43-55.     New  York.     1915.) 

**T.46.6i.4 
Jenkins,  Richard. 

Memoirs  of  the  Bristol  stage;  with  notices  of  some  of  the  most 
celebrated  comedians  who  have  appeared  on  its  boards.  Bristol. 
The  Author.     1826.    xii,  103  pp.  **T.77.i8o 

Another  copy  is  on  shelf-number  **G.382i.20. 

Jennings,  John  Joseph. 

Theatrical  and  circus  life;  or,  secrets  of  the  stage,  green-room  and 
sawdust  arena.  St.  Louis.  Sun  Publishing  Co.  1882.  608  pp. 
Illus.     Portraits.     Plates.  **T.76.i48 

Rel.ntcs  mainly  to  the  United  States. 

Jeremiah,  John. 

Notes  on  Shakespeare,  and  memorials  of  the  Urban  Club,  and  an 
account  of  the  boar's  head  feast  and  ceremonies  formerly  observed 

[412] 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 

Jeremiah,  John.     (Continued.) 

at  St.  John's  Gate.  (Subscriber's  copy.)  London.  Clayton  &  Co. 
1876.  129,  (i)  pp.  Illus.  Portrait.  Plate.  Music.  Autopraph 
facsimiles.  **G.73.i7;  **T.56.44 

There  is  an  appendix,  paged  continuously  with  the  rest  of  the  work,  but  with 
a  separate  title-page :  "Memorials  of  the  Urban  Club,  being  a  complete  collec- 
tion of  the  programmes  and  circulars  since  the  first  issued  on  April  24th,  1875, 
to  July   7th,    1876." 

Jerome,  Jerome  Klapka. 

On  the  stage  —  and  off:  the  brief  career  of  a  would-be  actor.     Lon- 
don.    Field  &  Tuer.     1885.     viii,   160  pp.     Portrait.  **T.58.42 
Same.     New  York.     Holt  &  Co.     1891.    vi,  170  pp.  2576.163 
Same.      Illustrations    by    Kenneth     M.    Skeaping.       London.      The 
Leadenhall  Press.      [1891.]     viii,  219  pp.  2576.164 
Stage-land:  curious  habits  and  customs  of  its  inhabitants,  described 
by   Jerome    K.    Jerome,    drawn    by    J.    Bernard    Partridge.      i6th 
thousand.     London.     Chatto  &  Windus.     1890.     (4),  80  pp.     Illus. 
Plates.                                                                                                   **T.46.33 
Same.     New  York.     Holt  &  Co.     1891.    vi,  170  pp.  2576.163 
Jerrold,  Walter  Copeland,  compiler. 

Bon-mots  of  Samuel  Foote  and  Theodore  Hook.     With  grotesques 

by  Aubrey  Beardsley.     London.     Dent  &  Co.     1894.     (i)>  192  pp. 

Illus.     Plates.     Portraits:     Autograph  facsimile.  4559a-i25 

Jessamy  bride,  The.     Moore,  F.  F.  **T.87.i4 

Jesters.     See  Clowns  and  fools. 

Jesuits. 

Bahlmann,  p.  Jesuiten-Dramen  der  niederrheinischen  Ordens- 
provinz.     Leipzig.      1896.  *2i42.25.i5 

BoYSSE,  E.    Le  theatre  des  Jesuites.     Paris.     1880.      3519.75;  **T,77.95 
Jeune  premier,  Un,  pseud. 

Theatre,    Le.      Memoires   d'un   jeune   premier.      Paris.      1858. 

**T.99.33 
Jeunesse,  La,  de  Moliere.     Lacroix,  L.  P.  B.  P.  **T.59.29;  etc. 

Jeux   du   cirque,   Les,   et   la  vie   foraine.     Le   Roux,    H.    R.    C.    H. 

**T.93.2 

Jeux  olympiques,  Les,  776  av.  J.-C.  —  1896.     Trad,  frangaise  par  Leon 

Olivier.     Athenes.     Beck.     1896.     2  parts  in   i  v.     Illus.     Plates. 

*4000.i04 
Cements.  —  i.  Les  jeux  olympiques  dans  I'antiquite,  par  S.  P.  Lambros  et  N.  G. 
Politis.     2.   Les  jeux  olympiques  de    1896,  par  le   Barori  de   Coubertin,   Timoleon 
Philemon,  N.  C.  Politis  &  Charalambos  Anninos. 
Modern  Greek  text  and  French  translation. 

Jewett,  Isaac  Appleton. 

Prize  essay.  A  brief  history  and  defence  of  the  drama.  [Cincinnati. 
183-?]     (3),  69  pp.  **K.48.i8 

A  prefatory  note  ascribes  the  essay  to  Jewett.  The  second  prize  essay  ascribed 
to  a  gentleman  from  New  Orleans  is  appended,  and  relates  particularly  to  the 
history  of  the  English  stage. 

Jim  Crow,  The  history  of.     Briggs,  J.  **T,87.6 

Joannides,  A. 

La  Comedie-francaise,  1901-14.  Paris.  Plon-Nourrit  &  cie.  1901-15. 
14  V.  *467i.84 

Same.     1901.  **T.75.io 

La  Comedie-frangaise  de  1680  a  1900.  Dictionnaire  general  des  pieces 
et  des  auteurs.  Avec  une  preface  de  Jules  Claretie.  Paris.  Plon- 
Nourrit  &  cie.     1901.     (6),  xxiii,   136,   (274)   pp.     Facsimiles. 

*467i.83 
[413] 


THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 


Johnson,  A.  E. 

The  Russian  ballet.  With  illustrations  by  Rene  Bull.  Boston. 
Houghton  Mifflin  Co.  1913.  5,  240  pp.  Illus.  Plates,  some 
colored.  *404oa.i46 

Contents.  —  Introduction.  —  Petrouchka.  —  Thamar.  —  Le  carnaval. — Cleopatre. 

—  Les   sylphides.  —  Scheherazade.   —   I-e   spectre   de  la   rose.   —  Narcisse.   — 
L'oiseau  de  feu.  —  Le  pavilion  d'Armide.    —  Prince  Igor   (Polovtsian  dances). 

—  Le  dieu  bleu.  —   Prelude  a  Tapres-midi  d'un   faunc.   —  Jeux.   —   Le  sacre  du 
printemps.  —  La  tragedie  de  Salome.  —  Le  lac  des  cygnes.  —  Anna   Pavlova. 

Johnson,  Frederick  G. 

The  press-agents  handbook.  How  to  advertise  a  play.  Chicago. 
Deni.son  &  Co.     [1916.]     68  pp.  6197.128 

Johnson,  George  Lindsay. 

Photography  in  colours:  a  text-book  for  amateurs,  with  a  chapter  on 

kinematography    in    the    colours    of    nature.      London.      George 

Routledge  &  Sons,  Ltd.    1911.    vii,  (i),  143,  (i)  pp.    Illus.    Plates, 

some  colored.     Plans.     Charts.  8065,194 

Johnson,  Herrick. 

A  plain  talk  about  the  theatre.     Chicago.     Revell.      [1882.]     83  pp. 

**T.78.77 
The  "plain  talk,"  which  opposes  the  theatre,  is  followed  by  a  correspondence 
between  Mr.  Johnson,  Edwin  C.  Larned  and  James  H.  McVicker,  the  two  latter 
defending  it.  , 

Johnson,  Hurlothrumbo,  pseud. 

Harmony   in   an   uproar:   a  letter  to   F — d — k   H— d — 1;   m — r   of   the 
O — a    H — e    in    the    Hay-market,    from    Hurlothrumbo    Johnson, 
Esq.     In  which  the  rights  and  merits  of  both  O — s  are  properly 
considered.     London:  Printed  for  R.  Smith.     1733.     23  pp. 
Addressed  to  Handel.  No.  1 1  in  **G.3820.9 

Johnson,  James. 

An  account  of  pantomime.  The  London  pantomimes,  1881-1882. 
Facsimiles  of  the  earliest  announcements  of  English  pantomimes, 
Joey  Grimaldi's  last  speech,  and  verses  on  pantomime.  [Lon- 
don.]    Vickers.     [1882.]     5-18  pp.  **T.95.94 

Larkins  and  the  drama.  Illustrated  by  A.  Bouchette.  London. 
Tilling.     1880.     (2),  100  pp.     Illus.  **T.96.235 

A  story  of  stage  life. 

Johnson,  Oliver. 

Amusements:  their  uses  and  abuses.      [Anon.]     Testimony  of  Pro- 
gressive Friends.    New  York.    Johnson.     [1856.]     16  pp.       7442.42 
/  Johnson,  Samuel. 

Samuel  Johnson's  prologue  spoken  at  the  opening  of  the  theatre  in 
Drury-Lane  in  1747  with  Garrick's  epilogue.  A  facsimile  of  the 
hitherto  undiscovered  first  edition.  With  preface  by  Austin  Dob- 
son  and  introduction  and  notes  by  A.  S.  W.  Rosenbach.  New 
York.     Dodd,   Mead  Co.     1902.     xiv,    12.  xxiv  pp.     Facsimile. 

*4570.ii5 
Johnson,  Samuel.     Works  about. 

Dialogue,  A,  between  the  Earl  of  C d  and  Mr.  Garrick,  in  the 

Elysian  shades.     [A  tribute  to  the  friendship  of  Garrick  and  Dr. 
Johnson.     Verse.]      London.     1785.  No.  5  in  **G.382o.ii 

Johnson,  Thomas. 

Album  de  la  Comedie-frangaise  par  F.  Febvre  et  T.  Johnson.  Paris. 
Ollendorff.  1880.  (3).  100,  (7)  pp.  Portraits.  Engraved  title- 
page.  Manuscript  facsimiles.  **T.7i.7 
Mainly  biographical  sketches  of  the  societaires. 

[414] 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 

Johnson,  Thomas,  bookseller. 

A  true,  perfect,  and  exact  catalogue  of  all  the  comedies,  tragedies, 
tragi-comedies,  pastorals,  masques,  and  interludes,  that  were  ever 
yet  printed  and  published,  till  1661,  which  you  may  either  buj'  or 
sell  at  the  shops  of  Nath.  Brook.  Francis  Kirkman.  Tho.  John- 
son and  Henry  Marsh.     [London.]      1661.     16  pp.  **T.67.3 

Another  copy  is  on   shelf-number   No.  2  in  "'G. 3810. 51. 

Johnson,  Walter  B.,  compiler. 

The  theatrical  guide.,  route  and  date  book  of  the  New  England  States, 
Middle  States,  Western  States,  and  Provinces.  [5th  edition.] 
Boston.     Johnson.     [1888.]  4458.37 

Johnstone,  John  Henry,  and  others. 

A  statement  of  the   differences   subsisting  between   the   proprietors 

and  performers  of  the  Theatre-Royal,  Covent-Garden.     Given  in 

the    correspondence    that    has    passed    between    them.      By   John 

Johnstone,    Joseph    George    Holman,    Alexander    Pope,    Charles 

Incledon,  Jos.  S.  Munden,  John  Fawcett,  Thomas  Knight,  Henry 

Erskine  Johnston.     London:   Printed  by  J.  Davis  for  W.  Miller. 

1800.     vii,  69,  3  pp.  **T.77.io 

Another  copy  is  on  shelf-number  No.  2  in  **G.3824.3,  which  lacks  the  supplement. 

Jolies  actrices,  Les,  de  Paris.     Loydreau,  fi.  **T.58.i28 

Mahalin,  P.  **T.57.24 

Jolly,  Marie  filisabeth. 

DuLOMBOY,  N.  F.  R.  F.,  editor.     Aux  manes  de  Marie-filisabeth  Joly, 

artiste    celebre    du   Theatre    frangais.      Paris.      An    vii    dc    la    Re- 

publique.      [1798.]      Plates.  **T.59,43 

Jolly   duchess,  The.     Pearce,   C.   E.  2548.85 

Joly,  Aristide. 

Note  sur  Benoet  du  Lac;  ou,  le  theatre  et  la  Bazoche  a  Aix  a  la  fin 
du   xvie   siecle.      Lyon.      Scheuring.      1862.      (3),   99,    (i)    pp. 

**T.76.44 
Joly,  Marie  filisabeth.     See  Jolly,  Marie  filisabeth. 
Jones,  Charles  Inigo. 

Memoirs  of  Miss  O'Neill;  containing  her  public  character,  private 
life,  and  dramatic  progress,  with  a  full  criticism  of  her  different 
characters.     London.     Cox.     1816.     iv,  100  pp.     Colored  portrait. 

**T.55.67 
Jones,  Frederick  Edward. 

Croker,  J.  W.     Familiar  epistles  to  Frederick  J s   [Jones],  Esq., 

on   the   present   state    of   the   Irish    stage.     Dublin.      1804. 

*4575-36;etc. 
Morgan,  S.  O.,  Lady.     A  few  reflections,  occasioned  by  the  perusal 

of  a  work,  entitled,  "Familiar  epistles,  to  Frederick  J s  Esq. 

on  the  present  state  of  the  Irish  stage."     Dublin.     1804.    **T. 78.56 
Jones,  Henry  Arthur. 

The  foundations  of  a  national  drama.  A  collection  of  lectures,  essays 
and  speeches,  delivered  and  written  in  the  years  1896-1912.  (Re- 
vised with  additions.)  New  York.  George  H.  Doran  Co.  [1912.] 
xviii,  358,   (i)   pp.     Portrait.  4574.183 

Relates    to    drama,    dramatic    censorship    and    national    theatres. 

Municipal  and  repertory  theatres:  a  lecture  delivered  to  the  Sheffield 
Playgoers'  Society.  With  an  introductory  letter  to  Sir  Johnston 
Forbes  Robertson.  London.  G.  Bell  &  Sons,  Ltd.  1913.  (^).  iii. 
3-34  pp.     [Talks  with  playgoers.     No.  i.]  **T.76.i86 

Compares  the  production  of  Shakespeare's  plays  in  England  and  in  Germany. 

[415] 


THE  PUBLIC  LIBRARY   OF   THE    CITY   OF  BOSTON 


Jones,  Henry  Arthur.     (Continued.) 

The  renascence  of  the  English  drama.  Essays,  lectures,  and  frag- 
ments relating  to  the  modern  English  stage,  written  and  delivered 
in    the   years    1883-94.      London.      Macmillan    &    Co.      1895.     xiv, 

343  pp.         .  **T.47.43 

Contents.  —  The  theatre  and  the  mob.  —  Religion  and  the  stage.  —  The  first- 
night  judgment  of  plays.  —  Realism  and  truth.  —  The  science  of  the  drama.  — 
The  literary  drama  :  a  reply  to  Mr.  H.  D.  Traill.  —  The  Bible  on  the  stage.  — 
The  future  of  the  English  drama.  —  Dr.  Pearson  on  the  modern  drama.  —  A 
playwright's  grumble.  —  The  dramatic  outlook.  —  On  being  rightly  amused  at 
the  theatre.  —  On  playmaking.  —  Our  modern  drama :  is  it  an  art  or  an 
amusement?  —  The  relations  of  the  drama  to  education.  —  Preface  to  Saints 
and  sinners.  —  Dedication  of  the  comedy  The  case  of  rebellious  Susan.  — 
Fragments  and  extracts. 
Jones,  Henry  Arthur,  prefacer. 

Brunetiere,  M.  F.     The  law  of  the  drama.     New  York.     1914. 

**T.46.6o.3 

FiLON,  P.  M.  A.     The  English  stage:  being  an  account  of  the  Vic- 
torian drama.     London.     1897.  4574.32 ;  **T.46.i 
Jones,  Henry  Festing. 

Diversions  in  Sicily.  London.  Alston  Rivers,  Ltd.  1909.  xii,  331 
pp.  4768.85 

Mostly  about  the  theatre  in  Sicily. 

Jones,  Joseph  Stevens. 

Boston.  National  theatre.  National  Theatre,  Boston.  1837-1839. 
Manuscript.     [Boston.     1839.]     (80)  pp.     Portrait.  **T.77.24 

An  autograph  statement  of  the  plays  performed  at  the  National  Theatre,  the 
parts  Jor.cs  played  therein,  and  other  memoranda  relating  to  the  theatre  and 
its  company. 

Boston.  Tremont  Theatre,  1837-1843.  [Letters  addressed  to  J.  S. 
Jones,  manager  of  the  Tremont  Theatre,  financial  statements, 
reports,  applications  for  positions,  etc.]  Manuscript.  [Boston. 
1842/43.]  **T.Cab.i.8 

"Return  book,"  being  a   statement   in   detail   of  every  night's 

receipts,  the  plays  performed,  the  names  of  the  stars,  etc.,  for  the 
entire  season  of  1839-1840,  1840-1841,  [1842-1843]  when  it  was 
under  the  management  of  J.  S.  Jones.  Manuscript.  [Boston. 
1839-1843.]     3  V.  in  I.  **T.Cab.i.6 

Jones,  Sidiie>. 

Bantock,  G.,  and  F.  G.  Aflalo.  Round  the  world  with  "A  Gaiety 
girl"   [composed  by  Sidney  Jones].     London.     1896.     Portraits. 

**T.57.i48 
Jones,  Stanley. 

The  actor  and  his  art.  Some  considerations  of  the  present  condition 
of  the  stage.    London.    Downey  &  Co..  Ltd.    1899.    (5),  215,  (i)  pp. 

**T.77.2i4 
Jones,  Stephen,  editor. 

Biographia  dramatica;  or,  a  companion  to  the  playhouse.     Originally 

compiled,  to   1764,  by  David   Erskine   Baker.     Continued  to   1782, 

by  Isaac  Reed,  and  to  November  181 1  by  Stephen  Jones.     London. 

1812.     3  V.  in  4.  **T.46.7.;  etc. 

Jonaon,  Ben. 

[The  case  is  alterd.]  At  the  Auditorium  playe-house,  Chicago,  neare 
to  the  bank-side,  Saturday  evening,  the  seventeenth  of  Maye  next, 
a  right  mery  and  wittie  comedie  intituled  The  case  is  alterd,  pub- 
liquely  acted  by  the  students  in  the  Universitie.  [A  synopsis  of 
the  play,  with  notes.  Chicago.]  1902.  63  pp.  Portraits.  Plates. 
Facsimile.  *6579.ia3 

[416] 


BROWN   COLLECTION    OF   BOOKS    ON    THE   STAGE 


Jonson,  Ben.     Works  about. 

Porter,  T.  H.  A  maid  of  the  Malverns:  a  romance  of  tlic  P.lack- 
friars  Theatre.     London.     [1911.]  *4578.334 

Jordan,  Dorothy. 

BoADEN,  J.  The  life  of  Mrs.  Jordan;  including  original  private  cor- 
respondence, and  numerous  anecdotes  of  her  contemporaries. 
London.     1831.     2  v.     Portrait.  **T.56.2io;  etc. 

Essay.  An,  on  the  pre-eminence  of  comic  genius:  with  observations 
on  the  several  characters  Mrs.  Jordan  has  appeared  in.  London. 
1786.  **T.58.56;  etc. 

Great  illegitimate.  The!!  Public  and  private  life  of  that  celebrated 
actress  Miss  Bland,  otherwise  Mrs.  Ford,  or,  Mrs.  Jordan.  Lon- 
don.     [183-?]      Portraits.  **T,57.34o;  etc. 

Same.     Public  and  private  life  of  that  celebrated  actress,  Miss 

Bland,  otherwise  Mrs.  Ford,  or,   Mrs.  Jordan.      London.      fi'-'S-?"] 

.    4549a.i07;etc. 
Lines  addressed  to  Mrs.  Jordan.    London.     1787. 

No.  II  in  **G.3820.ii 
Journal,  The,   of  a   London  playgoer  from   1851   to   1866.     Morley,   H. 

4568.15;  **T.48.2 
Joumaliste,  Un,  pseud.    See  Couailhac,  Jean  Joseph  Louis;  also  Mirbeau, 

Octave. 
Jouslin  de  La  Salle,  Armand  Frangois. 

Souvenirs  sur  le  Theatre-frangais.  (1833-1837.)  Annotes  et  publics 
par  G.  Monval  et  le  Comte  Fleury.     Paris.     Paul.     1900.     (3),  122, 

(i)  pp.  **T.75.55 

Joy,   The,   of   the  theatre.     Cannan,   G.  **T.78.72 

Jubilee,  A,  of  playgoing.     Hanley,   P.  **T.97.287 

Judge  and  Jury  Society. 

Nicholson,  R.  Nicholson's  Sketches  of  celebrated  characters,  and 
key  to  the  Judge  and  Jury  Society.     [London.     1844?]     Plate. 

**T.55.i22 
Judic,  Anna  Marie  Louise  Damiens. 

Charneux,    a.,   editor.      Un    proces    de    presse    a   propos    du    theatre. 

[Affaire  Judic   &   Humbert,   directeur   de   I'Alcazar   de    Bruxelles. 

contre  L'Ami  de  I'ordre.]     Namur.     1878.  **T.77.234 

Mme.  Judic.    A  biographical  sketch.     N.  Y.     1885.    47  pp.     **T.59.i5 

Judith,  Julie  Bemat,  called  Madame  Judith. 

My  autobiography.  Edited  by  Paul  G'Sell  [sic]  and  translated  from 
the  French  by  Mrs.  Arthur  Bell.  London.  Nash.  1912.  322  pp. 
Portrait.  2646,233 

Reminiscences  of  Parisian  celebrities  and  theatrical  life. 
Judith,  Julie  Bernat,  called  Madame  Judith.     Works  about. 

Banville,  T.   F.  de.     Mine  Judith   de  la  Comedie   frangaise.      [Tou- 
louse.]     1867.  **T.54.i5 
Jugement   de    la   presse   parisienne   sur   Ernesto    Rossi.      Paris.      Levy. 
1866.     105  PP-  **T.98.i7 
Julien,  A. 

Discussion  sur  les  apanages,  pour  S.  A.  S.  M&r  le  Due  d'  Orleans: 
contre  le  Sieur  Julien.     [Paris.    Testu.     1818.]     32  pp.      **T.75.34 

The  suit  concerned  the  ownership  of  the  Theatre-fran?ais  in  the  Palais-Royal. 

Memoire  a  consulter  et  consultation  pour  le  Sieur  Julien,  proprie- 
taire  de  la  salle  du  Theatre-frangais;  contre  S.  A.  S.  Monseigneur 
le  Due  d'Orleans.  [Paris.  Jeunehomme-Cremiere.  1818.]  (1). 
26,  27  pp.     Plan.  **T.75.36 

[417] 
27 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 


Julien,  A.     (Continued.) 

Memoire  a  consulter,  et  consultation,  pour  S.  A.  S.  Monseigneur  le 

Due    d'Orleans;    contre   le    Sieur   Julien.      [Paris.     Testu.      1818.] 

(I  ,  36,  40  pp.  **T.75.38 

Memoire  pour  S.  A.  S.  Monseigneur  le  Due  d'Orleans,  demandeur; 

contre  le   Sieur  Jullien,  defendeur.     [Paris.     1814?]      (i),  39  pp. 

**T.75.29 
Observations   de    M.   Julien,   additionnelles    a    I'expose   des   faits    de 
son  Memoire  a  consulter.     [Paris.    Jeunehomme-Cremiere.     1818.] 
ID  pp.  **T.75.37 

Plans  relatifs  au  Palais-Royal,  et  discussion  des  questions  qu'ils  ont 
fait  naitre  au  proces  entre  S.  A.  S.  Ms^"  le  Due  d'  Orleans  et  le 
Sieur  Tulien.     [Paris.     t8i8.]      (i),  17  pp.     Plates.     Colored  plans. 

**T.75.35 

Points  de  fait  et  de  droit  les  plus  importans,  pour  les  adjudicataires 

originaire*  de  la  salle  du  Theatre-frangais,  appeles  en  garantie  et 

intervenans;    contre    S.   A.    S.   Mgr.   le    Due    d'    Orleans.      [Paris. 

Demonville.     1818?]     39  pp.  **T.75.40 

Resume  servant  de  reponse  pour  M.  Julien,  proprietaire  du  Theatre 

franqais;  contre  S.  A.  S.  Monseigneur  le  Due  d'  Orleans.     [Paris. 

Feugueray.     1818?]     44  pp.  **T.75.39 

Julleville,  Louis  Petit  de.     See  Petit  de  Julleville,  Louis. 

Jullien,  A.    See  Julien,  A. 

Jullien,  Adolphe.     See  Jullien,  Jean  Lueien  Adolphe. 
Jullien,  Jean,  prefacer. 

Thalasso,  a.     Le  Theatre  libre.     Paris,     rgog.  4677.141 

Jullien,  Jean  Lueien  Adolphe. 

Airs  varies.  Histoire,  critique,  biographie  musicales  et  dramatiques. 
Paris.     Charpentier.     1877.     viii,  360  pp.  4057.35;  **M. 127.40 

Contents.  —  Hector  Berlioz.  —  Mendelssohn  a  Paris.  —  La  musique  pittoresque. 
—  Les  theatres  lyriqucs  et  les  concours  de  musique  dramatique.  —  Portraits 
d'artistes  du  dix-huitieme  siecle.   ■ —  M.   Offenbach  critique. 

La  comedie  a  la  cour.  Les  theatres  de  societe  royale  pendant  le 
siecle  dernier.  La  Duchesse  du  Maine  et  les  grandes  nuits  de 
Sceaux,  Madame  de  Pompadour  et  le  Theatre  des  petits  cabinets, 
le  theatre  de  Marie-Antoinette  a  Trianon.  Paris.  Firmin-Didot  & 
cie.     [1883.]      (3),  vii,  323  pp.     Portraits.     Plates.  **T.73.4 

La  comedie  et  la  galanterie  au  xvTiie  siecle.  Paris.  Rouveyre.  1879. 
(16),   175,   (i)   pp.     Tables.  **T.76.i69 

Contents.  —  L'eglise  et  I'Opera  en  i73.!;-  —  Les  spectateurs  sur  le  theatre.  —  Le 
theatre  des  Demoiselles  Vcrrieres.  —  A  la   Bastille. 

La  cour  et  I'opera  sous  Louis  xvi.  Marie  Antoinette  et  Sacchini, 
Salieri.   Favart   et   Gluck.     Paris.     Didier.      1878.     ix,  360  pp. 

4676.52;  **M. 127.39 

Les  grandes  nuits  de  Sceaux,     Le  theatre  de  la  Duchesse  du  Maine. 

D'apres  des  documents  inedits,     Paris,     Baur.     1876,     (3),  7s  pp. 

**T.95.5i 
Histoire   du   costume   au   theatre   depuis   les   origines   du   theatre   en 
France  jusqu'a  nos  jours,     Paris.     Charpentier.     1880.    xii,  356  pp. 
Portraits,  some  colored.     Plates.  **T.94.2 

Histoire  du  theatre  de  Madame  de  Pompadour  dit  Theatre  des 
petits  cabinets.     Paris.     Raur.     1874.     (3),  75,  (i)   pp.     Plates. 

No.  3  in  **M.i22.i 

Histoire  du  theatre  de  I'Opera  comique,     [Anon.]      k   Paris,      1769. 

2  V.  **M.i29a.i5 

[418] 


BROWN   COLLECTION    OF   BOOKS    ON    THE   STAGE 


Jullien,  Jean  Lucien  Adolphe.     (Continued.) 

L'opera  secret  au  xviii^  siecle.  1770-1790.  Aventures  et  intrigues 
secretes  racontees  d'apres  les  papiers  inedits  conserves  aux 
archives  de  I'etat  et  de  I'Opera.  Paris.  Rouveyre.  1880.  (10), 
258,  (2)  pp.    Tables.  4674.60;  **M.i45.29 

Paris  dilettante  au  commencement  du  siecle.  Ouvragc  orne  de  36 
gravures  sur  bois,  et  fac-simile  de  dessins  originaux  conserves 
aux  archives  de  I'Opera.  Paris.  Firmin-Didot  &  cie.  1884.  (3), 
388  pp.  _  2670.54;  **M.377.54 

Contents.  —  Le  monde  et  le  theatre  sous  I'Empire  et  la  Restauratioii.  —  Weber  a 
Paris  en  1826.  —  Scribe  et  Rossini.  —  Les  operas  de  Mozart  a  Paris.  —  I^es 
salles  de  I'Opera.  —  I.es  operas  de  I'Opera.  —  Les  commencements  de  Spontini. 
—  Robert  le  Diable.  —  Ingres  musicien.  — •  Merimee  dilettante  et  orateur.  — 
Le  nouvel  Opera. 

Un  potentat  musical,  Papillon  de  La  Ferte:  son  regne  a  I'Opera  de 
1780  a  1790.     Paris.     Detaille.     1876.     57  pp.  4044.59 

Les  spectateurs  sur  le  theatre.  Etablissement  et  suppression  des 
bancs  sur  les  scenes  de  la  Comedie-frangaise  et  de  I'Opera.  Paris. 
Detaille.     1875.     31,  (i)  pp.     Plates.     Plan.  No.  6  in  **M.T22.i 

Le  theatre  des  Dlles  Verrieres.  La  coriiedie  de  societe  dans  le  monde 
galant   du  siecle  dernier.     Paris.     Detaille.     1875.     30  pp. 

No.  4  in  **M.i22.i 
Junker,  Hermann. 

Scenen  aus  Shakespeare's  Dramen.     [London?     187-?] 

No.  2  in  **G.3952.28 

12  plates,  with  descriptive  matter  on  the  reverse  side,  by  Dr.  J.   Tempel. 

Junkermann,  August. 

Memoiren  eines  Hof-Schauspielers.  Stuttgart.  Siidddeutsches  fsicl 
Verlags-Institut.  [1889.]  iv,  265  pp.  lUus.  Portraits.  Plates. 
Autograph  facsimile.  **T.56.240 

Jusseaume,  Lucien,  prefacer. 

CoQUiOT,  G.  Nouveau  maniiel  complet  du  peintre-decorateur  de 
theatre.     Paris.     1910.     Illus.     Plates.     Plans.  80693.160 

Jusserand,  Jean  Adrien  Antoine  Jules. 

Shakespeare  in  France  under  the  ancien  regime.  London.  Unwin. 
1899.     (4),  xxviii,  496  pp.     Portraits.     Plates.  **T.55.8o 

Same.     New^  York.     Putnam.  45993.174 

Justification  des  comediens  frangois.     [Anon.]     See  Potier  de  Lille,  L. 
Juvenile    adventures,   The,    of    David    Ranger,    Esq.;    from   an    original 
manuscript  found  in  the  collections  of  a  late  noble  lord.     2d  edi- 
tion.    London.     Printed  for  P.  Stevens.     1757.     2  v.  6579.4 

Pretended  adventures  of  David   Garrick. 

Juvenile  Protective  Association,  Chicago. 

Five  and  ten  cent  theatres.  Two  investigations  by  the  Juvenile 
Protective  Association  of  Chicago,  1909  and  191 1.  Text  by  Louise 
de  Koven  BoMren.     Chicago.     [1911?]      (12)  pp.  5576.283 

Chiefly  about  moving  picture  shows. 

K 

K E.... 

Dalles  et  planches.     Correspondance  entre  un  pretre  et  un  comedien. 

Publiee  par  E. . .  .   K 2e  edition.     Paris.     Dupont.     1876. 

256  pp.  **T.86.i 

Fiction. 

K  *  *  *  S.,  H.  A.,  pseud.     See  Cahaisse,  Henri  Alexis. 

[419] 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 


Kaemmerling,  Hermann. 

Das  Krollsche  Etablissement  zu  Berlin.     Berlin.     Nicolai.     1862.     2 

parts  in  i  v.     Plates,  some  colored.     Plans.  **T.7i.2 

Das  neue  Victoria-Theater  zu  Berlin.     [Berlin.     186-?]     4  parts  in 

I  V.     Plates,  some  colored.     Plans.  *Cab.6o.i44.6 

Das  Wallner-Theater  zu  Berlin.     [Berlin.     Nicolai.     1868.]     2  parts 

in  I  V.    Plates.    Plans.  *Cab.6o.i44.7 

These  three  works  form  Heft  2-7,   10,  11,  of  E.  Titz's  Entwurfe  zu  ausgefuhrten 
ftffentlichen    und   privat-Gebauden. 

Kahle,  Paul  E. 

Zur  Geschichte  des  arabischen  Schattentheaters  in  Egypten.  Leip- 
zig. Haupt.  1909.  (2),  49  pp.  [Neuarabische  Volksdichtung  aus 
Egj'pten.     Heft  i.]  6252.113 

Kainz,  Josef. 

RicHTEK,  H.  Josef  Kainz  als  Torquato  Tasso.  (/n  Goethe-Jahrbnch. 
Band  30,  pp.  180-186.     Frankfurt  a/M.     1909.)  *284oa. 54.30 

Kaler,  James  Otis.     (James  Otis.) 

Toby  Tyler;  or,  ten  weeks  with  a  circus.  New  York.  Harper.  1881. 
265  pp.     Plates.  **T.88.i5 

Kaplan,  Samuel,  compiler. 

Actable  one-act  plays.     The  Chicago  Public  Library.     Compiled  by 
Samuel  Kaplan  of  the  Library  staff.   [Chicago.]    1916.  15  pp.  2175.67 
Karagaeuz. 

TH.^LASso.  A.  Moliere  en  Turquie.  fitude  sur  le  theatre  de  Kara- 
gueuz.     Paris.     1888.  **T.56.58 

Kamac,  Egypt. 

BuRFORD,  R.     Description  of  a  view  of  the  great  temple  of  Karnak. 

and    the    surrounding    city    of    Thebes,    now    exhibiting    at    the 

Panorama,  New  York.     Painted  from  drawings  taken  in   1834  by 

F.   Catherwood.     New- York.      1839.      Plate.  3054.68 

Kaufmann,  Jacques  Auguste. 

Architectonographie  des  theatres,  ou,  parallele  historique  et  critique 
dc  ces  edifices  consideres  sous  le  rapport  de  I'architecture  et  de 
la  decoration.  Commence  par  Alexis  Donnet  et  Orgiazzi  et  con- 
tinue par  Jacques-Auguste  Kaufmann.  Paris.  Lacroix  &  Baudry 
[and  Mathias].  1840.  2  v.  in  i.  Illus.  Plates.  Plans.  Map. 
Atlas  only.  *8ogo.I20* 

Contents.    —    i.    Theatres    de    Paris    construits    jusqu'en    1820.      2.    Theatres    con- 
struits  depuis   1820. 

Same.  Tome  i.  Paris.  Didot.  1821.  2  v.  Text,  viij,  376  pp.;  Atlas, 
25  plates.     Illus.     Map.     Plans.  **T.76.i35 

Kean,  Charles  John. 

[CH.^RI,Es  Kean.  A  collection  of  clippings  relating  to  him.  Boston. 
1873.]     18  ff.  No.  19  in  **G.3930.i3.i 

Charles  Kean  and  the  modern  stage.  [Edinburgh.  1868. 1  460-486 
pp.  No.  9  in  **G.62.5 

Cole,  J.  W.  The  life  and  theatrical  times  of  Charles  Kean  In- 
cluding a  summary  of  the  English  stage  for  the  last  fifty  years, 
and  a  detailed  account  of  the  management  of  the  Princess's 
Theatre,  from  1850-1859.     London.     1859.    2  v.    6543.30;  **T.56.28i 

London.  St.  James's  Hall.  The  Kean  banquet.  July  20,  1859.  Lon- 
don.    [1859.]  **T.96.i78;etc. 

Much  ado  abo«t  nothing.  [London.  1859.]  No.  20  in  **G.3930.i3.i 
Kean,  Ednmnd. 

[Clippings,  l>iographical  and  critical,  from  various  English  periodi- 
cals.]   1869.      (57)    pp.  **T.i6.5 

[420] 


BROWN   COLLECTION    OF  BOOKS    ON   THE   STAGE 

Kean,  Edmund.     (Continued.) 

Cooke  sleeps!  —  Kean  lives!     The  life  and  interesting  anecdotes  of 

Mr.  Kean:  with  remarks  on  his  performances.     London.     [1814?] 

No.  21  in  **G.393o.i3.i 
Critical   examination.   A,  of   the   respective   performances   of    Mr. 

Kean   &   Mr.    Macready,   in    Cibber's   alteration   of   Shakespeare's 

historical  play  of  King  Richard  the  Third.     London.     1819. 

No.  3  in  **G.3937.32;  etc. 
Dana,  R.  H.     Kean's  acting.     (In  his  Poems  and  prose  writings.     Pp. 

420-437.     Philadelphia.      1833.)  *A.2i27.3 

Defence,  A,  of  Edmund  Kean.     Being  a  reply  to  Mr.   Buck's   [sic] 

preface,  and  remarks  on  his  tragedy  of  the  "Italians."     London. 

[1819.]  **T.96.i8;etc. 

[Edmund  Kean —  a  collection  of  clippings  and  manuscripts  relating 

to  him.     Boston.      1873.]      12  ff.  No.  22  in  **G.3930.i3.i 

Euripides,  pseud.    A  brief  essay,  towards  an  apology  for  a  play  actor. 

[Albany.]      1825.  6544.35 

Friend,  A,  to  justice,  pseud.    A  reply  to  the  Defence  of  Edmund  Kean. 

London.     1819.  **T.96.i9 

Hawkins,  F.  W.     The  life  of  Edmund  Kean.     From  published  and 

original  sources.     London.     1869.     2  v.  4545.171;  **T.56.32i 

Macauley,  E.  W.     Theatric  revolution,  or  plain  truth  addressed  to 

common    sense.     London.      1819.  **T.96.2o;  etc. 

MoLLOY,  J.  F.    The  life  and  adventures  of  Edmund  Kean,  tragedian. 

1787-1833.     London,      1888.     2  v.  4547.115;  **T.57.ii 

Procter,  B.  W.     The  life  of  Edmund  Kean.     London.     1835.     2  v. 

Portrait.  6540.75 ;  **T.57.299 ;  etc. 

Keeler,  Ralph. 

Vagabond  adventures.     Boston.     Fields,  Osgood  &  Co.     1870.     274 

pp.  **T.57.354 

Other  copies  are  on  shelf-numbers  *440S.ioo;   *A.472i. 

Contents.  —  Among  wharves  and  cabins.  —  Three  years  as  a  negro-minstrel.  — 

The  tour  of  Europe  for  $181  in  currency. 

Keeley,  Robert. 

Logan,  W.  H.  Letter  from  a  gentleman  in  town  to  his  friend  in  the 
country,  regarding  Keeley,  the  theatre,  and  other  matters  con- 
nected with   the   drama   in    Edinburgh.      [Edinburgh.      1834.] 

**T.^7.i96 
Keeley  family. 

Goodman,  W.  The  Keeleys  on  the  stage  and  at  home.  London. 
1895.     Illus.     Portraits.  4545.148;  **T.56.38 

Keene,  Laura. 

Creahan,  J.     The  life  of  Laura  Keene,  actress,  artist,  manager  and 

scholar.      With    reminiscences    of    her    daughters    [Clara    Marie 

Cecilia   Stella   Taylor   and    Emma   Taylor].      Philadelphia.      1897. 

Portraits.     Plates.  4343.225 ;  **T.55.6o 

Keene,  Thomas  Wallace. 

Books,  letters  and  portraits.     The  library  of  the  late  Thomas  W. 

Keene  (tragedian)  with  some  additions  from  other  sources.     For 

sale  at  auction  by  the  Anderson  Auction  Co.     New  York.     1904. 

59  pp.  **T.654i 

Keese,  William  Linn. 

A  group  of  comedians.  New  York.  1901.  (7),  9i  PP-  Portraits. 
[Dunlap  Society.     Publications.]  **T.95.26 

Coiuents.   —   Henry    Placide.   —   William   Rufus    Blake.    —   John    Brougham.   — 
George  Holland.  —  Charles  Fisher. 

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THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 

Keese,  William  Linn.     (Continued.) 

William  E.  Burton.  A  sketch  of  his  career  other  than  that  of  actor, 
with  glimpses  of  his  home  life,  and  extracts  from  his  theatrical 
journal.  New-York.  1891.  (11),  56  pp.  Portrait.  Plates.  Auto- 
graph facsimile.  [Dunlap  Society.  Publications.]  **T.95.i2 
William  E.  Burton,  actor,  author,  and  manager.  A  sketch  of  his 
career  with  recollections  of  his  performances.  New  York.  Putnam. 
1885.     xi,  230  pp.      Portraits.      Plates.      Facsimiles. 

4246.58;  **T.56.22 
Keith,  Charles. 

Circus  life  &  amusements  (equestrian,  dramatic,  &  musical),  in  all 
nations.  Written  by  Charlie  Keith,  the  roving  English  clown, 
embracing  his  life,  travels,  and  experiences  of  professional  and 
non-professional  men.  Derby.  Bewley  &  Roe.  1879.  155,  (i) 
pp.  **T.96.i50 

Kellar,  Harry. 

A  magician's  tour  up  and  down  and  round  about  the  earth.  Being 
the  life  and  adventures  of  the  American  nostradamus,  Harry 
Kellar.  Edited  by  his  faithful  "familiar,"  "Satan,  Junior"  [pseud.]. 
Chicago.  Donnelley.  1886.  214,  25  pp.  Hlus.  Portrait.  Plates. 
Autograph  facsimile.  6267.69;  **T.57.356 

Kellerd,  John  E. 

Frost,  J.  B.  The  greatest  Hamlet.  An  appreciative  review  of  Ham- 
let as  presented  by  John  E.  Kellerd.  Atlanta.  [1915.]  Illus. 
Portraits.     Plates.  *4590.I25 

Kelly,  Frank  Mostyn. 

Well  known  players  in  caricature  (with  autographs).  [New  York. 
1900.]     (32)  portraits.     Autograph  facsimiles.  **T.53.3 

Refers  to  the  United  States. 

KeUy,  Hugh. 

Thespis:  or,  a  critical  examination  into  the  merits  of  all  the  principal 
performers.  Book  [i,]  2.  London:  Printed  for  G.  Kearsly.  1766, 
67.     2  v.  **T.94.5 

Hook    [i]    is   anonymous   and    is   of   the    2d    edition.      Another    copy    is    on    shelf- 
number  **T.54.26. 
Contents.  —   [i.]    Drury-Lane   Theatre.     2.    Covent-Garden  Theatre. 

Kelly,  Hugh.     Works  about. 

Brownsmith,  J.  The  rescue:  or,  Thespian  scourge.  Being  a  critical 
enquiry  into  the  merit  of  a  poem,  intituled,  Thespis.  With  some 
candid  remarks  on  the  modesty,  good-nature,  and  impartiality  of 
that  piece.     Written  in   Hudibrastic  verse.     London.      1767. 

**T.54.27 

St.muma,  L.^  The  Kellj^ad:  or  a  critical  examination  into  the  merits 
of  Thespis.      [Verse.]      London.      1767.  No.  8  in  **G.3947.2 

Kelly,  Jonathan  Falconbridgc.     (Falconbridge.) 

Dan.  Marble;  a  biographical  sketch  of  that  humorist,  with  remi- 
niscences, comicalities,  anecdotes,  etc.  New  York.  Dewitt  & 
Davenport.     [1851.]     xvi,  13-235  pp.     Plates.  **T.58.35 

Kelly,  Michael. 

Personal  reminiscences  by  O'Keeffe,  Kelly  and  Taylor.  New  York. 
Scribner,  Armstrong  &  Co.     1875.    x^i,  341  pp.     Portraits.    6540.129 

Reminiscences  of  Michael  Kelly,  of  the  King's  Theatre,  and  Theatre 
Royal,  Drury  Lane,  including  a  period  of  nearly  half  a  century; 
with  original  anecdotes  of  many  distinguished  persons,  political, 
literary,  and  musical.  [Edited  by  Theodore  E.  Hook.]  London. 
Colbum.     1826.     2  V.  *4557.i 

[422] 


BROWN   COLLECTION    OF  BOOKS    ON    THE   STAGE 


Kelly,  Michael.     (Continued.) 

Same.     2d  edition.     Portrait.  **M.i46.22;  **T.57.45i 

Same.     New  York.     Collins  &  Hannay.     424  pp.  **K.34.ii 

Relates  chiefly  to  the  opera  and  to  the  London  theatres. 
Kelly,  Michael.     Works  about. 

Scott,  Sir  W.,  Baronet.  The  life  of  John  Philip  Kemble.  [A  review 
of  the  Reminiscences  of  Michael  Kelly,  of  the  King's  Theatre, 
etc.      London.      1826.]  No.  2  in  **G.393o.i3.2;  etc. 

Kelly,  William. 

Notices  illustrative  of  the  drama,  and  other  popular  amusements, 
chiefly  in  the  sixteenth  and  seventeenth  centuries,  incidentally 
illustrating  Shakespeare  and  his  contemporaries;  extracted  from 
the  chamberlains'  accounts  and  other  manuscripts  of  the  Borough 
of  Leicester.  With  an  introduction  and  notes  by  William  Kelly. 
London.  Smith.  1865.  viii,  310  pp.  Plate.  Plan. 
Another  copy  is  on  shelf-number  **G. 60a. 33.  4578.IO;  **T.76.l66 

Kelly's  riot. 

Dublin  in  an  uproar:  or,  the  ladies  robb'd  of  their  pleasure.     Being 
a  full  and  impartial  relation  of  the  remarkable  tumult  that  lately 
happen'd  at  the   Dublin   Theatre!      Dublin,   printed:    London,   re- 
printed.     [1747.]  No.  2  in  **G.3823.i6 
Kellyad,  The.     Stamma,  L.  No.  8  in  **G.3947.2 
Kemble,  Charles. 

Lane,  R.  J.     Sixteen  portraits  of  Charles  Kemble  Esq.     [London.] 

1840.  **T.5i.2 

Philo-Dramaticus,  pseud.    A  letter  to  C.  Kemble  and  R.  W.  Elliston, 

on  the  present  state  of  the  stage.     London.     1825.  **T.76.i22 

Kemble,  Edward  Windsor,  illustrator. 

Smith,  H.  B.  Stage  lyrics.  With  illustrations  by  Archie  Gunn», 
Ray  Brown  and  E.  W.  Kemble.     New  York.     1900.  *4396.i75 

Kemble,  Frances  Anne. 

Journal.     Philadelphia.     Carey,  Lea  &  Blanchard.     1835.     2  v. 

4369.21 ;  **T.57.304 
Same.     London.     Murray.  4369.38 

Old   woman's   gossip.      [Boston.      1875-77.]      Irregularly   paged. 

**T.i5.ii 
On  the  stage.     [London.     1863.]     72>2>-737  PP-       No.  26  in  **G.3822.s 

Cut  from  the  Cornhill  Magazine,  December,  1863  [Periodical  Room  *73i3.i.- 
1863].  This  may  also  be  found  in  her  Notes  upon  some  of  Shakespeare's  plays 
[4596.34;   **T.s6.i49]. 

Record  of  a  girlhood.     London.     Bentley.     1878.     3  v.  2457.55 

Same.     New  York.     Holt.     1879.     (3),  605  pp.     Portrait.         2457.59 
Relates  to  the  stage. 
Kemble,  Frances  Anne.     Works  about. 

L.,  S.  D.  Memoir  of  the  dramatic  life  of  Miss  Fanny  Kemble. 
N.  p.     [18—?]     15  pp.  **T.56.i64 

Kemble,  George  Stephen.     See  Kemble,  Stephen. 
Kemble,  John  Philip. 

AuTiiiiNTic  narrative,  An,  of  Mr.  Kemble's  retirement  from  the 
stage,  including  farewell  address,  criticisms,  poems,  &c.  With 
an  account  of  the  dinner  given  at  the  Freemasons'  Tavern,  June 
27,  1817.  Prefixed,  an  essay  biographical  and  critical.  London. 
1817.      Portrait.     Plates.  **T.96.23i ;  etc. 

BoADEN,  J.  Memoirs  of  the  life  of  John  Philip  Kemble.  Including 
a  history  of  the  stage  from  the  time  of  Garrick  to  the  present 
period.     London.     1825.     2  v.     Portrait.     65403.62;  **T.56.242;  etc. 

[423] 


THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 


Kemble,  John  Philip.     (Continued.) 

Bull,  J.,  pseud.  Covent  Garden  Theatre!!  Remarks  on  the  cause 
of  the  dispute  between  the  public  and  managers  of  the  Theatre 
Royal,  Covent  Garden.    London.    [1809.]    Plate.    No.  5  in  **G.382i.5 

Fitzgerald,  P.  H,  The  Kembles.  An  account  of  the  Kemble  family, 
including  the  lives  of  Mrs.  Siddons,  and  John  Philip  Kemble. 
London.     [1871.]     2  v.     Portraits.  6543,15;  **T.56.2i7;  etc. 

Gentleman,  A,  of  the  Middle-Temple,  pseud.  Remarks  on  Mr.  Col- 
man's  preface;  also  a  summary  comparison  of  the  play  of  the 
Iron  chest  with  the  novel  of  Caleb  Williams.     London.      [i/Q'^ij 

No.  3  in  **G.3822.2 

Genuine  collection,  A,  of  O.  P.  songs,  whimsical  and  satirical, 
among  which  are  many  originals,  never  before  printed.  To  which 
is  added  the  toasts  and  sentiments  given  by  the  O.  P.'s.  A.1.S0 
the  terms  of  peace.     London.     [1809?]  No.  2  in  **G.3823.2 

GiLLiLAND,  T.  Jack  in  office;  containing  remarks  on  Mr.  Braham's 
address  to  the  public;  with  a  full  and  impartial  consideration 
of  Mr.  Kemble's  conduct  with  respect  to  the  above  gentleman. 
London.     [1804.]  **T.96.28;  etc. 

Hicks,  J.  Performances  in  London  of  Mrs.  Siddons  and  Mr.  John 
Philip  Kemble.  Collected  from  the  bills  by  John  Hicks  circa 
1821.     Manuscript.     Unpaged.  **T.52.6 

Kemble  &  Cooke:  or,  a  critical  review  of  a  pamphlet  published  under 
the  title  of  Reinarks  on  the  character  of  Richard  the  Third,  as 
played  by  Cooke  &  Kemble.   With  other  critical  remarks  on  the  per- 
y'  formances  of  these  two  gentlemen.  London.  [1801.]  **T.96.3i3;  etc. 
^/[^embliana;   being  a  collection  of  the  jeu  d'esprits,   &c.,  that  have 
\-/        appeared  respecting   King  John;   including  the  preternatural  ap- 
pearances of  the  ghost  of  Covent  Garden.   London.    1804.  **T.56.8g 

Life,  The,  of  John  Philip  Kemble,  Esquire,  a  proprietor,  and  stage 
manager  of  Covent  Garden  Theatre,  interspersed  with  family  and 
theatrical  anecdotes.  London.  Johnston.  [1809.]  (3),  52  pp. 
Portrait.     Colored  plate.  No.  13  in  **G.3823.i5 

Martin,  H.  Remarks  on  Mr.  John  Kemble's  performance  of  Hamlet 
and  Richard  the  Third.     London.     1802.  **T.96.2i4;  etc. 

Observations  on  Mr.  Kemble  in  the  characters  of  Cato,  Wolsey, 
and  Coriolanus:  to  which  are  added  his  farewell  address  at  Covent 
Garden  Theatre,  and  an  account  of  the  dinner  given  at  Free- 
mason's Tavern;  with  every  particular  connected  with  his  retire- 
ment from  the  stage.     London.     1817.  No.  5  in  **G.3824.3;  etc. 

Remarks  on  the  character  of  Richard  the  Third;  as  played  by  Cooke 
and  Kemble.     London.     1801.  **T.96.3i4;  etc. 

Scott,  Sir  W.,  Baronet.  The  life  of  John  Philip  Kemble.  [A  review 
of  the  Reminiscences  of  Michael  Kelly,  of  the  King's  Theatre, 
etc.     London.     1826.]  No.  2  in  **G.3930.i3.2 

Short  criticism.  A,  on  the  performance  of  Hamlet  by  Mr.  Kemble. 
London.     1789.  No.  5  in  **G.3937.ii 

Williams,  J.  A.  Memoirs  of  John  Philip  Kemble.  With  an  original 
critique    on   his   performance.      London.      1817.      Portraits. 

**T.59.27;etc. 
Kemble,  Stephen. 

Jackson,  J.  A  statement  of  facts,  explanatory  of  the  dispute  between 
John  Jackson  and  Stephen  Kemble,  relative  to  the  Theatre  Royal 
of  Edinburgh.    Edinburgh.     1792.  **T.57.6o 

[424] 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 

Kemble  family. 

Fitzgerald,  P.  H.    The  Kembles.    An  account  of  the  Kemble  family. 

including  the   lives   of   Mrs.   Siddons   and   John    Philip   Kemble. 

London.     [1871.]     2  v.     Portraits.  **T.56.2i7;  etc. 

Kembles,  The.     By  Percy  Fitzgerald.     [A  review.     London.     1872.] 

No.  10  in  **G.62.5 
Kemble  &  Cooke:  or,  a  critical  review  of  a  pamphlet  published  under 
the  title  of  Remarks  on  the  character  of  Richard  the  Third,  as 
played  by  Cooke  &  Kemble.  With  other  critical  remarks  on  the 
performances  of  these  two  gentlemen.  London.  Westley.  [1801.] 
52  pp.  **T.96.3i3 

Other  copies   are  on   shelf-numbers   **G.3924.26;    **T.96.2i3;    "'T. 96. 336. 

Same.     2d  edition.      [1801?]  No.  5  in  **G.3824.5 

Another    copy    is    on    shelf-number    No.  2  in  **G.3937.32. 

Kembles,  The.  By  Percy  Fitzgerald.  [A  review.  London.  1872.] 
1-26  pp.  No.  10  in  **G.62.5 

Cut    from    the    Quarterly    Review,    January,    1872    [Periodical    Room    •3114.1]. 
Relates    mainly    to    acting    and    to    the    condition    of    the    English    stage. 

Kembliana:  being  a  collection  of  the  jeu  d'esprits,  &c.  that  have  appeared 
respecting  King  John:  including  the  preternatural  appearances  of 
the  ghost  of  Covent  Garden.     London.     Sims.     1804.  **T.56.89 

Kemp,  William. 

Nicholson,  B.    Kemp  and  the  play  of  Hamlet  —  Yorrick  and  Tarlton 

—  A    short    chapter    in    dramatic    history.      (In    New    Shakspere 

Society.     [Publications.]     Series  i.    Transactions.    No.  8.     1880-6. 

Part  L,  pp.  57-66.     London.     1881.)  *6552.io.i88o-i886.i;  etc. 

Kempthome,  Rev.  John. 

A  warning  against  attendance  at  the  theatre,  the  fair,  and  the  race- 
course, being  the  substance  of  a  sermon  preached  last  year  in  the 
Parish  Church  of  St.  Michael,  Gloucester.  Gloucester.  Verrinder. 
1831.     35,   (i)  pp.  **T.76.66 

Kendal,  Madge. 

The  drama.  A  paper  read  at  the  congress  of  the  National  Associa- 
tion for  the  Promotion  of  Social  Science,  Birmingham,  September 
1884.  [4th  edition.]  London.  Bogue.  [1884.]  (4),  24  pp.  Por- 
trait. Manuscript  facsimiles.  **T.98.57 
Dramatic  opinions.  Boston.  Little,  Brown,  &  Co.  1890.  180  pp. 
Portrait.  Manuscript  facsimile.  4579.117;  **T.58.i04 
Same.     London.     Murray,     viii,  116  pp.                                      **T.58.I05 

This  edition  lacks  the  portrait  and  the  manuscript  facsimile. 
Some  pros  and  cons  of  theatrical  life.      (In  Woman's  library,  The. 
Vol.  I.    Education  and  professions.    Pp.  223-253.    London.     1903.) 

55893.351 
Kendal,  Madge.     Works  about. 

Pemberton,  T.  E.  The  Kendals.  A  biography.  London.  1900. 
Portraits.      Plates.  **T,56.66 ;  etc. 

Kendal,  William  Hunter. 

Pemberton,   T.    E.     The    Kendals.     A   biography.     London.      1900. 

^  Portraits.     Plates.  **T.56.66;  etc. 

VyKendall,  John. 

\/        Remarks  on  the  prevailing  custom  of  attending  stage  entertainments: 

also  on  the  present  taste  for  reading  romances  and  novels:  and 

on  some  other  customs.    London:  Printed  by  James  Phillips.    I794- 

31  pp.  **T.96.i34 

Same.     3d  edition.     1801.     24  pp.  No.  8  in  **G.382i.5 

[425] 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 

Kennard,   Mrs.    Arthur.     See    Kennard,    Nina    H. 

Kennard,  Nina  H. 

Mrs.  Siddons.     London.     Allen  &  Co.     1887.     vi,  (i),  268  pp.     [Emi- 
nent women  series.]  255ob.82 
Same.     Boston.     Roberts.     1887.     vi,  354  pp.     [Famous  women.] 

255ob.79 

Rachel.      London.     Allen   &   Co.      1885.     vi,    (2),   224  pp.      [Eminent 

women  series.]  **T.57.338 

Same.     Boston.     Roberts.     1886.    307  pp.     [Famous  women.]     4659.66 

Kenney,  Charles  Lamb. 

The  new  actress  and  the  new  play  at  the  Adelphi  Theatre.  London. 
Johnson  &  Co.     1863.     19  pp.  **T.55.28 

A  criticism  of  Miss  Bateman's  debut  as  Leah. 
Poets  and  profits  at   Drury   Lane  Theatre.     A  theatrical   narrative. 
Suggested   by    F.    B.    Chatterton,   and   written   by    Charles   Lamb 
Kenney.     London.     Aubert.     1875.     58  pp.  **T.78.20 

Kenrick,  William. 

An   epistle    to    G.    Colman,    from    W.    Kenrick.      [Verse.]      London: 

Printed  for  J.  Fletcher.     1768.     (4),  15  pp.  **T.95.i20 

Love  in  the  suds;  a  town  eclogue.     Being  the  lamentation  of  Roscius 

for  the  loss   of  his   Nyke.     With   annotations   and   an   appendix. 

4th  edition.     London:  Printed  for  J.  Wheble.     1772.     iv,  31  pp. 

**T.55-i7 

An  attack  on   Garrick  and  Bickerstaffc,  published  anonymously  by  Kenrick  who 
pfetended  merely  to  edit  it. 

Kern,  Friedrich. 

Das  egyptische  Schattentheater.  (In  Horovitz,  Josef.  Spuren 
griechischer  Mimen  im   Orient.     Pp.  98-104.     Berlin.     1905.) 

3028.147 
Kerst,  Leon. 

L'opera  et   M.   Halanzier.     Paris.     La   Presse.      1877.     32  pp. 

No.  5  in  **M.372.2i 
Kielblock,  Adolph. 

The  stage  fright,  or  how  to  face  an  audience.  Boston.  Ellis.  1891. 
69  pp.  55993.107 

Kilburn,  Samuel  S.,  Jr.,  engraver. 

[View  of  the  Federal  Street  Theatre.  Boston.  185-?]  Woodcut. 
Size,    3%  X  4^    inches.  No.  14  in  *Map  38.12 

Kilby,  John  Quincy. 

The  history  of  the  Boston  Theatre,  1854-1901.  By  Eugene  Tompkins, 
manager  from  1878  to  1901.  Compiled  with  the  assistance  of 
Quincy  Kilby,  treasurer  from  1886  to  1901.  Boston.  Houghton 
Mifflin  Co.  1908.  xvi,  551,  (i)  pp.  Illus.  Portraits.  Plates. 
Plans.     Facsimiles.  4045.170;  **T.74.23 

Kilham,  Alexander. 

Lewes,  C.  L.  The  stage,  and  the  pulpit.  The  player  and  the 
preacher.  Or,  a  serio-comic  answer  to  Mr.  Kilham,  preacher. 
[Aberdeen.      1794.]  No.  7  in  **G.3824.i5 

Kilkenny,  Ireland. 

Pkivate  theatre.  The,  of  Kilkenny,  with  introductory  observations 
on  other  private  theatres  in  Ireland,  before  it  was  opened. 
[Kilkenny?]      1825.     Portraits.  **T.74.2 

Kingsley,  Charles. 

The  stage  as  it  was  once.  (In  his  Lectures  delivered  in  America. 
Pp.  33-^'4-     New  York.     1875.)  2568.80;  **T.77.230 

[426] 


BROWN   COLLECTION    OF  BOOKS    ON    THE   STAGE 

Kinsila,  Edward  Bernard. 

Modern  theatre  construction.  Large  type  edition.  fXcw  York. 
Chalmers  Publishing  Co.  1917]  269  pp.  Plates.  Plans.  Diagram. 
Tables.  80993.35 

Conaiii.^  .".  chap'cr  on  motion  picture  theatres. 

Kipling,  Rudyard. 

How  Shakspere  came  to  write  the  'Tempest.'  With  an  introduction 
by  Ashley  H.  Thorndike.  New  York.  1916.  (5),  38  pp.  [Co- 
lumbia University.  Dramatic  Museum.  Papers  on  playmaking. 
No.  i.l  **T.46.62.i 

Kirchbach,  Wolfgang. 

Deutsche  Schauspielor  und  Schauspielkunst.  Ncbst  Anhang:  Lctzte 
Erinncrungen  von  Heinrich  Laube.  Kiel.  Lipsius  &  Fischer. 
1892.     51  pp.     [Deutsche  Schriften  fiir  Litteratur  und  Kunst.] 

4875.40 
Kirkman,  Francis, 

A  true,  perfect,  and  exact  catalogue  of  all  the  comedies,  tragedies, 
tragi-comedies,  pastorals,  masques,  and  interludes,  that  were  ever 
yet  printed  and  published,  till  1661,  which  you  may  either  buy  or 
sell  at  the  shops  of  Nath.  Brook,  Francis  Kirkman,  Thos.  John- 
son and  Henry  Marsh.     [London.]      1661.     16  pp.  **T.67.3 

Another  copy  is  on  shelf-number  No.  2  in  **G. 3810.51. 

Same.     London.     1671.     16  pp.  **A.48o4 

Same.  (In  Tom  Tyler  and  his  wife,  (i)  p.  16  pp.  in  collotype 
facsimile.      [London.]      1912.)  **Q.58.ioo 

f/z^irkman,  James  Thomas. 

^  Memoirs  of  the  life  of  Charles  Macklin.  Principally  compiled  from 
his  own  papers  and  memorandums:  which  contain  his  criticisms 
on  and  characters  and  anecdotes  of  most  of  his  contemporaries. 
With  his  observations  on  the  drama,  acting,  and  other  subjects. 
London:  Printed  for  Lackington,  Allen  &  Co.  1799.  2  v.  Por- 
trait. **T.56.20i 
Same.  Memoires  de  Charles  Macklin,  traduits  de  I'Anglais.  (In 
Despres,  Jean  B.  D.,  editor.  Memoires  sur  Garrick  et  sur  Macklin. 
Pp.  253-387.     Paris.     1822.)  **T.56.3 

Another  copy  is  on  shelf-number  **G.224.2.4. 

Kirkpatrick,  Frank  L.,  engraver. 

Stephens,  R.  N.  Queens  of  song.  Portraits  designed  and  etched 
on  copper  by  F.  L.  Kirkpatrick  and  C.  A.  Worrall.    Troy.     [1889.] 

*4040.ii7 

Queens  of  the  drama.     Portraits  by  F.  L.  Kirkpatrick  and  C. 

A.  Worrall.     Biographies  by  Robert  N.  Stephens.     Troy,   N.  Y. 
[189-?]  **T.5i.i2 

Kissam,  William  Henry. 

The  library,  prints  and  autographs  of  the  late  William  Henry  Kissam, 

Esq.,  with  addenda  from  other  collections.    To  be  sold  by  auction 

December  i6th-i9th,  1885.    G.  A.  Leavitt  &  Co.,  auctioneers.    New 

York.     1885.    219  pp.     Facsimile.  No.  3  in  *6i54.53 

Kistemaeckers,  Henry  Hubert  Alexandre. 

Lit  de  cabot.     (Mceurs  de  coulisses.)     [Roman.]     Bruxelles.     Kiste- 
maeckers.    1892.     333,    (i)   pp.  **T.87.63 
Kitchiner,  William. 

The  economy  of  the  eyes:  precepts  for  the  improvement  and  preser- 
vation of  the  sight.     Observations  on  opera  glasses  and  theatres, 

[427] 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 

Kitchiner,  William.     (Continued.) 

and    an    account    of    the    pancratic    magnifier.  London.      Hurst, 

Robinson,   &  Co.     1824.     viii,  246  pp.     lUus.  Plates.     Music. 

Relates  to  the  London  theatres.  3809.41 

Same.     Boston.     Wells  &  Lilly,     viii,  224  pp.  3804.25 

Same.     2d  edition.     Part  i.     London.     Whittaker.     1826.  viii,  242  pp. 

This  edition  lacks  the  plates.  **T.97.I32 
Contents.   —   I.    Of   spectacles,   opera-glasses,   and    theatres. 

Klemming,  Gustaf  Edvard. 

Sveriges  dramatiska  litteratur  till  och  med  1875.     Bibliografi.     Stock- 
holm.    Norstedt.     1863,  1879.     (6),  651,  (i)  pp.  *2i64.48 
Klimke,  Carl. 

Das  volkstiimliche  Paradiesspiel  und  seine  mittelalterlichen  Grund- 
lagen.  Breslau.  Marcus.  1902.  viii,  96  pp.  [Germanistische 
Abhandlungen.]  2873.128 

Klingemann,  Ernst  August  Friedrich. 

Kopp,  H.  Die  Biihnenleitung  Aug.  Klingemanns  in  Braunschweig. 
Hamburg.     1901.  6872.59 

Klingler,  Oskar. 

Die  Comedie-Italienne  in  Paris  nach  der  Sammlung  von  Gherardi. 
Inaugural-Dissertation.  Zurich.  Strassburg.  Triibner.  1902.  vi, 
232,  (3)  pp.     Illus.  4676.132 

Klopfer,  Paul. 

Theaterbau.  Illus.  Plans.  (In  his  Von  Palladio  bis  Schinkel.  Pp. 
69-93.     Eszlingen.     191 1.)  *4095-37'9 

Knapp,  Oswald  Greenwaye,  editor. 

An  artist's  love  story.     Told  in  the  letters  of  Sir  Thomas  Lawrence, 
Mrs.  Siddons  and  her  daughters.     New  York.     Longmans,  Green 
&  Co.    1904.   viii.  239  pp.   Portraits.   Facsimiles.   4545.190;  **T.56.335 
Knight,  Joseph. 

Catalogue  of  a  portion  of  [his]  library,  comprising  a  valuable  col- 
lection of  books  on  the  drama,  private  issues  of  plays,  &c.  Also 
French  dramatic  literature  and  miscellaneous  books  of  reference, 
&c.  Offered  by  Francis  Edwards,  bookseller.  London.  1907. 
23   pp.      Facsimile.  **T.66.24 

David  Garrick.  With  etched  portrait  by  W.  Boucher.  London.  Kegan 
Paul,  Trench,  Trubner  &  Co.,  Ltd.     1894.     vi,   (i),  346  pp. 

454oa.i47;**T.55.59 

Theatrical   notes.     London.      Lawrence   &    Bullen.      1893.     xvi,   321, 

(i)  pp.     Portrait.  6585.51;  **T.45.7 

IJcvii-.v  s  of  performances  at  the  London  theatres,  Nov.   7,    1874 -Dec.   27,   1879. 

V   Knight,  Joseph,  prefacer. 

^  DowNES,    J.      Roscius   Anglicanus,   or,   an   historical    review   of   the 

stage  from   1660-1706.     .A.   fac-simile   reprint  of  the   rare  original 
of  1708.     With  an  historical  preface.     London.     1886. 
/  No.  I  in  *4575.ioo 

^  Knight,  Thomas. 

A  statement  of  the  differences  subsisting  between  the  proprietors 
and  performers  of  the  Theatre-Royal,  Covent-Garden.  Given  in 
the  correspondence  that  has  passed  between  them.  By  John 
Johnstone,  Joseph  George  Holman,  Alexander  Pope,  Charles 
Inclcdon,  Jos.  S.  Munden.  John  Fawcett,  Thomas  Knight,  Henry 
Erskine  Johnston.  London:  Printed  by  J.  Davis  for  W.  Miller. 
1800.     vii,  69,  3  pp.  **T.77.io 

Another  copy  is  on  shelf-number  No.  2  in  "'G. 3824. 3,  which  lacks  the  supplement. 

[428] 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 

Knispel,  Hermann. 

Bunte  Bilder  aus  dem  Kunst-  und  Theaterleben.  2.  vermehrte  Auf- 
lag-e.    Darmstadt.    Herbert.     1901.     (9),  308  pp.    Portraits.     Plates. 

4876.37 
Knox,  T. 

Hints  to  public  speakers;  intended  for  young  barristers,  students  at 

law,  and  all  others  who  may  wish  to  improve  their  delivery,  and 

attain    a    just    and    graceful    elocution.      London:    Printed    for   J. 

Murray  and  S.  Highley.     1797.     viii,  80  pp.  **T.78.5i 

Knudsen,  Hans. 

Heinrich  Beck,  ein  Schauspieler  aus  der  Bliitezeit  des  Mannheimer 
Theaters  im   18.  Tahrhundert.    Leipzig.    Voss.    1912.    viii.   (i),   138 
pp.    Portraits.    [Theatergeschichtliche  Forschungen.    24.!    6872.67 
Kobbe,  Gustav. 

Famous  actors  &  actresses  and  their  homes.     Boston.     Little,  Brown 

&  Co.     1903.     ix,  359,  (i)  pp.     Illus.     Portraits.     Plates.      4343.235 

Opera  singers.     A  pictorial   souvenir,  with   biographies  of  some  of 

the  most  famous  singers  of  the  day.     Boston.     Oliver  Ditson  Co. 

[1906.]      (100)    pp.     Portraits.  40403.118 

Same.     [6th  edition.     1913.]     (104)  pp.  40403.119 

Signora,  a  child  of  the  opera  house.     [Fiction.]     New  York.     Russell. 

1902.     (3),  205  PP-     Plates.  *24o6.i87 

Koelbing,  Eugen,  editor. 

Englische  Studien.  Organ  fiir  englische  Philologie.  Gegriindet  von 
Eugen  Kolbing.  Herausgegeben  von  Johannes  Hoops.  Band 
1-48.     Leipzig   [etc.].     1877-1915.     48  v.  in  40.  *2487.62 

Koerting,  Gustav  Carl  Otto. 

Geschichte   des   griechischen   und   romischen   Theaters.      Paderborn. 

Schoningh.     1897.    ix,  381  pp.     [Geschichte  des  Theaters  in  seinen 

Beziehungen    zur    Entwickelung    der    dramatischen    Dichtkunst. 

Band   i.]  2963,35 

Koffka,  Wilhelm. 

Iffland  und  Dalberg.  Geschichte  der  classischen  Theaterzeit  Mann- 
heims.  Nach  den  Quellen  dargestellt.  Leipzig.  Weber.  1865. 
xii,    (i),  556  pp.  48893.7 

Kohlrausch,  Robert,  editor. 

Genast,    E.      Aus    Weimars    klassischer    und    nachklassischer    Zeit. 
Erinnerungen  eines  alten  Schauspielers.    Stuttgart.     [1912?]     Por- 
traits. 2877.210 
Kohut,  Adolph. 

Das  Dresdner  Hoftheater  in  der  Gegenwart  mit  Original-Beitragen 
von  den  Mitgliedern  des  Dresdner  Hoftheaters.     Dresden.     Pier- 
son.     1888.     viii,  520  pp.     Portraits.  2847.84 
Die  Gesangskoniginnen  in  den   letzten   drei  Jahrhunderten.     Berlin. 
Kuhz.     [1906.]     2  V.     Illus.     Portraits.                                      4045.171 
Komoediantin  Magdalene,  Die.     RosEeGER,  H.   L.                            6899.221 
Koning,  Victor. 

Les  coulisses  parisiennes.  Preface  par  Alberic  Second.  Paris. 
Dentu.     1864.     (3),  iv,  311  pp.  **T.77.i79 

Konversations-Lexikon  der  Theater-Litteratur.     Mensch,  E.     **T.48.io 
Kopp,  Heinrich. 

Die  Biihnenl^itung  Aug.  Klingemanns  in  Braunschweig.  Mit  eineni 
Anhang:  Die  Repertoire  des  Braunschweiger  National  Theaters. 
Ein  Beitrag  zur  deutschen  Theatergeschichte  des  19.  Jahrhunderts. 
Hamburg.  Voss.  1901.  (4),  105  pp.  [Theatergeschichtliche 
Forschungen.]  6872.59 

[429] 


THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 


Kossmann,  E.  F. 

Nieuwe  bidragen  tot  de  geschiedenis  van  het  Nederlandsche  tooneel 
in  de  i/C  en  i8e  eeuw.  Met  vier  afbeeldingen,  waarbij  twee  naar 
onuitgegeven  teekeningen  van  Rembrandt.  's-Gravenhage. 
Nijhoff.  1915.  viii,  (3),  171  pp.  Portrait.  Plates.  Genealogical 
chart.      Facsimile.  **T.75.78 

Includes  notices  of  actors. 

Kotzebue,  August  Friedrich  Ferdinand  von. 

Sketch  of  the  life  and  literary  career  of  Augustus  von  Kotzebue; 
with  the  journal  of  his  tour  to  Paris,  at  the  close  of  1790.  Traris- 
lated  from  the  German  by  Anne  Plumptre.  Subjoined,  an  appendix, 
including  a  general  abstract  of  Kotzebue's  works.  London: 
Printed  by  C.  Whittingham  for  H.  D.  Symonds.  1800.  (4).  3^4 
pp.     Portrait.  **T.56.i37 

Kraepelin,  Carl  Wilhelm. 

Mueller.  C.  F.  Karl  Kraepelin.  Zur  Erinnerung  an  sein  Leben 
und  seine  kiinstlerische  Thatigkeit.     Hamburg.     1884.     Portraits. 

**T.97.86 
Krause,  Johann  Heinrich. 

Olympia.  oder  Darstellung  der  grossen  olympischen  Spiele  und  der 
damit  verbundenen  Festlichkeiten,  sowie  sammtlicher  kleineren 
Olympien  in  verschiedenen  Staaten,  nebst  einem  ausfiihrlichen 
Verzeichnisse  der  olympischen  Sieger  in  alphabetischer  Ordnung 
und  einigen  Fragmenten  des  Phlegon  aus  Tralles  jteqI  tojv  'O^uh- 
--T10VV.     VVien.     Beck.     1838      xliv,  436,  (4)  pp.  2965.35 

Krauss,  Gabrielle.    See  Krauss,  Marie  Gabrielle. 
Krauss,  Marie  Gabrielle. 

CiiARNACE,  G.  DE.  Les  etoiles  du  chant  fPatti,  Nilsson,  Gabrielle 
Krauss].     Paris,     i860.     Portraits.  **M.i96.i 

Gabrielle  Kraus.s.     [Biographie.     Paris.     187-?]     28  pp. 

No.  4  in  **M. 134.9 
Kreiner,  Henry  Peter. 

Russian  ballet.  Notes  for  a  bibliography.  Typewritten  manuscript. 
Newark,  N.  J.     1915.     (13)  pp.  **T.93.2i 

Kress,  E. 

Catechisme  de  I'operateur  de  cinema.  Reponses  aux  questions  du 
certificat  d'aptitudes  professionellcs  des  operateurs  projection- 
nistes  du  cinematographe.  Paris.  Charles-Mendel.  [1913?]  116 
pp.    lUus.    Diagrams.     [Bibliotheque  general  de  cinematographic.] 

8o39a.52 
Krone,  Charles  A. 

Recollections  of  an  old  actor.  Read  October  20,  1905.  Portrait. 
(In  Missouri  Historical  Society.  Collections.  Vol.  2,  uo.  7,  pp. 
25-43.     St.   Louis.     1906.)  **4462.5i.2 

Kronfeld,  Ernst  Moritz. 

Das  Schonbrunner  Schlossthejter.  Teil  i,  2.  (In  Archiv  fitr  Theater- 
geschichte.  Vol.  i,  pp.  43-62;  vol.  2,  pp.  169-192.  Berlin.  1904. 
1905.)  *6907.i2 

Co  itnits. —  I.  Von  Maria  Theresia  bis  Franzosenzeit.     2.  Vorstellungeii  vor  Na)iol(  on. 

Krows,  Arthur  Edwin. 

Play  production  in  America.     New  York.  Holt  &  Co.     1916.     x,  414 

pp.     Illus.     Portraits.     Plates.     Plans.  Facsimiles.     Diagrams. 

Hihliogi-'iphical  note,  pp.  .■597-399.  8o59a.l63;  **T.76.I96 
Krueger,  Max. 

Uber   Biihne  und   bildende   Kunst.      Miinchen.     Piper    &    Co.      1913. 

102  pp.     Plates.     Plans.  8o69a.i6i 

[430] 


BROWN   COLLECTION   OF  BOOKS   ON   THE   STAGE 


Kuerschner,  Joseph,  editor. 

Jahrbucii  fiir  das  deutsche  Theater.  Jahrgang  2.  1878/79.  Leipzig. 
1880.  **T.25.io 

Kuestner,  Carl  Theodor  von. 

Vierunddreissig  Jahre  mciner  Theaterleitung  in  Leipzig,  Darmstadt, 
Miinchen  und  Berlin.  Zur  Gcschichte  und  Statistik  des  Theaters. 
Leipzig.     Brockhaus.     1853.     xiii,   (i),  367,   (2)   pp.  **T.55.65 

Kunos,  Ignacz,  translator. 

Orta  ojnu.     Das  tiirkische  Volksschauspiel  Orta  ojnu.     Gesammelt, 

mit  Einleitung  versehen,  ins  Deutsche  iibertragen  und  mit  Tllus- 

trationen    herausgegeben    von    Ignaz    Kunos.      Leipzig.      Haupt. 

1908.     142  pp.     Illus.     Plates.     Plan.     Diagram.  6252.112 

Kurnik,  Max. 

Ein  Menschenalter  Theater.  Erinnerungen  (1845-1880).  Berlin. 
Janke.     1882.     viii,  356  pp.  4837.21 

"Kyd,"  pseud.    See  Clarke,  J.  Clayton. 


L.,   Ferdinand   S.     See  LabouUaye,   Ferdinand   Simon   de. 
L.,  S.  D. 

Memoir  of  the  dramatic  life  of  Miss  Fanny  Kemble.  N.  p.  [18 — ?| 
IS  pp.  **T.56.i64 

LabouUaye,  Ferdinand  Simon  de. 

Le  Theatre  frangais,  Mademoiselle  Georges-Weimer  et  I'Odeon, 
apprecies  dans  I'interet  de  I'art  dramatique.  Paris.  Ladvocat. 
1822.     30  pp.  No.  18  in  **G.3562.i 

La  Boutraye,  Jules  de. 

Essai  sur  I'art  dramatique.  fipitre  a  Victor  Sanson.  Avranches. 
Tostain.     1849.     3-83  pp.  **T.96.i59 

Verses  on   acting.      Another  copy   is   on   shelf-number   **T.46.S7. 

Lacan,  Adolphe  Jean  Baptiste,  and  Charles  Henri  Paul  Paulmier. 
Traite  de  la  legislation  et  de  la  jurisprudence  des  theatres.     Paris. 
Durand.     1853.     2  v.  **T,76.i6 

Lacauchie,  Alexandre,  illustrator. 

Galerie    des    artistes    dramatiques    de    Paris.      Portraits    par    Al. 

Lacauchie,  et  accompagnes  de  portraits  litteraires.     Tome  i,  [2]. 

Paris.     i84i[-43].     2  v.  **T.52.ii 

Hervey,  C.    The  theatres  of  Paris,  with  portraits  of  eminent  living 

actresses  by  Alexandre  Lacauchie.     Paris.     1846.  **T.74.4 

Laceby,  Arthur. 

The  stage  struggles  of  a  bad  actor.  Edinburgh.  The  Scots  Pictorial 
Publishing  Co.,  Ltd.     [1904.]      (4),   I39,   (0   PP-  **T.58.i24 

On  theatrical  life  in  England. 
Lachez,  Theodore. 

Acoustique  et  optique  des  salles  de  reunions  publiques,  theatres  ct 

amphitheatres,  spectacles,  etc.     Paris.     Chez  I'auteur.     184S.     xii, 

137  pp.     Plans.  3966.48 

Same.     [2^  edition.]      1879.     xx,  518  pp.     Illus.  3966.70 

Lacombe,  Jacques. 

Precis  de  I'art  theatral  dramatique  des  anciens  et  des  modernes. 
Faisant  suite  aux  oeuvres  de  M.  de  Champfort.  Paris.  Debray. 
1808.    2  v.  **T.46.53 

Lacour,  Louis  de.     See  Lacour  de  La  Pijardiere,  Louis  de. 

[431] 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 


Lacour  de  La  Pijardiere,  Louis  de. 

fitudcs  sur  Moliere.  Le  Tartuffe  par  ordre  de  Louis  xiv.  Le 
veritable  prototype  de  I'imposteur.  Recherches  nouvelles.  Pieces 
inedites  publiees  par  Louis  Lacour.  Paris.  Claudin.  1877.  130, 
(2)  pp.  *4669a.63;**T.59.i4 

The    author    maintains    that    Gabriel    de    Roquette,    Bishop    of    Autun,    was    the 
original   of  Tartuffe. 

Lacroix,  Louis  Paul  Benoit  Philippe.     (Le  bibliophile  Jacob.) 

Bibliographic  Molieresque.    Turin.     Gay.     1872.    viii,  242  pp.    *4704.3 

Same.     2^  edition,  augmentee.     Paris.     Fontaine.     1875.     xix,  412  pp. 

Portrait.  **T.56.98 

La  jeunesse  de  Moliere.     Suivie  du  ballet  des  incompatibles.     Piece 

en  vers  inedite  de  Moliere.     Avec  une  lettre  au  Bibliophile  Jacob, 

par  Felix  Delhasse.    Paris.    Delahays.    1858.    200,  (i)  pp.   **T.59.29 

Another  copy  is  on  shelf-number  **4697.i5. 

Le  theatre:  mysteres — tragedie — comedie,  et  la  musique:  instruments 

— ballet — opera,  jusqu'  en  1789.     [Anon.]     Paris.     Firmin-Didot  & 

c>e.    1887.    Illus.    Plates.     [Bibliotheque  historique  illustree.    L'an- 

cienne  France.]  2624.126;  **M. 123. 33 

Lacroix,  Louis  Paul  Benoit  Philippe,  editor. 

Ch.\ppuzeau,  S.  Le  theatre  frangois  divise  en  trois  livres,  011  il  est 
traite:  i.'  De  I'usage  de  la  comedie;  11.  Des  autheurs  qui  soutien- 
nent  le  theatre:  iii.  De  la  conduite  des  comediens.  Lyon.  1674. 
[Bruxelles.     1867.]  **T.78.59 

Du  Tralage,  J.  N.  Notes  et  documents  sur  I'histoire  des  theatres 
de  Paris  au  xviie  siecle.  Extraits,  mis  en  ordre  et  publics  d'apres 
le   manuscrit   original.     Paris.      1880.  **T.78.58 

FouRNitR.  £.  Etudes  sur  la  vie  et  les  oeuvres  de  Moliere.  Paris. 
1885.  **T.57.290 

Pont  tie  Vevi.e,  A.  de  F.,  Comtc  de.  Bibliotheque  dramatique  de  Pont 
de  Vesle  augmentee  et  completee  par  les  soins  du  Bibliophile 
Jacob  [pseud.].  Catalogue  redige  d'apres  le  plan  du  catalogue 
Soleinne,  et  destine  a  servir  de  complement  a  ce  catalogue.  Paris. 
1846.  **T.66.i;etc. 

Soleinne, de.    Bibliotheque  dramatique  de  Monsieur  de  Soleinne. 

Paris.     1843-45.     Q  v.  in  3.  **T.66.i3;  etc. 

Lacroix,  Paul.     See  Lacroix,  Louis  Paul  Benoit  Philippe. 
Lacy,  Thomas  Hailes. 

Bibliotheca  histrionica.  Part  3.  Catalogue  of  dramatic  literature, 
comprising  ancient  and  modern  plays,  Shakcsperiana,  theatrical 
biography  and  criticism,  controversial  works,  history  of  theatres, 
play  bills,  now  on  sale.     London.     Lacy.     [186-?]     24  pp. 

**T.96.333 

Catalogue  of  [his]  extensive  and  valuable  collection  of  portraits, 
comprising  theatrical  performers,  dramatists,  composers  and 
others  connected  with  the  stage,  which  will  be  sold  by  auction 
by  Sotheby,  Wilkinson  &  Hodge,  ist  December.  [London.]  1873. 
(2),  38  pp.  **TM.g 

Catalogue  of  [his]  valuable  theatrical  &  miscellaneous  library,  which 
will  be  sold  by  auction,  by  Sotheby,  Wilkinson  &  Hodge,  24th  of 
November,   1873.     [London.]      1873.     (2),   in   pp.  **T.66.8 

The  theatre  defended  chiefly  in  reference  to  the  last  annual  sermon 
of  the  Rev.  Thomas  Best  against  theatrical  amusements.  Sheffield. 
Whitaker  &  Co.     1840.     23  pp.  **T.96.i23 

Three  letters  to  the  Sheffield  Iris. 

[432] 


BROWN   COLLECTION   OF  BOOKS   ON   THE   STAGE 

Lacy,  Thomas  Hailes.     (Continued.) 

Three  letters  by  T.  H.   Lacy,  manager  of  the  Sheffield  Theatre  in 
reference   to   the   last   annual   sermon   of   the   Rev.   Thomas    Host, 
against  theatrical  amusements.    [Sheffield.   184T.]    12  pp.  """"T. 96.124 
In  favor  of  the  theatre.     These  lert:ters  are  addressed  to  the  Sheffield  Iris. 
Lacy,  Thomas  Hailes,  compiler. 

Female  costumes,  historical,  national  and  dramatic.     London.     Lacy. 
1865.     200  plates.  *226i,5i 

Male  costumes,  historical,  national  &  dramatic.  London.  Lacy.  1868. 
200  plates.  *226i.5o 

The  running'  titles  of  these  two  works  are:  Lacy's  Dramatic  costumes. 

Lacy,  Thomas  Hailes,  editor. 

SoRKELL,  V/.  J.    The  amateur's  hand-book  and  guide  to  home  drawing 

room  theatricals.     How  to  get  them  up  and  how  to  act  in  them. 

Added,  How  to  "get  up"  theatricals  in  a  country  house.     London. 

[1866.]     Diagram.  **T.77.i36 

Ladvenant  y  Quirante,  Maria. 

Cqtarelo  y  Mori,  E.  Estudios  sobre  la  historia  del  arte  escenico 
en  Espaiia.     Madrid.     1896,  97.     2  v.     Portraits.  3098.167 

Lady  amateur  actress.  A,  of  Manchester,  pseud.     See  Nosworthy,  Louisa. 
Laferriere,  Adolphe. 

Memoires  de  Laferriere.    Paris.    Dentu.    1876.   2  v.    Music.    **T.57.3i8 
Souvenirs  d'un  jeune  premier.    Avec  preface  de  Jules  Claretie.    Paris. 
Dentu.     1884.    xxxii,  206  pp.  **T.57.32i 

On  the  Paris  theatres. 

Lafitte,  Jean  Baptiste  Pierre. 

Memoires  de  Fleury  de  la  Comedie  frangaise.  Publics  par  J.  B.  P. 
Lafitte.     Paris.     Gosselin.     1844.     2  v.  **T.58.44 

Contents.  —  i.   1757-1789.     2.   1789-1820. 

According  to  La  grande  encyclopedie,  these  Memoires  were  probably  written  by 

Lafitte  using  the  notes  of  Alphonse  de   Beauchamp  as  a  basis. 

Same.     The  French  stage  and  the  French  people,  as  illustrated  in 

the  Memoirs  of  M.  Fleury.     Edited  by  Theodore  Hook.     London. 

Colburn.     1841.    2  v.  **T.57.i03 

Same.     2d  edition.     Adventures  of  an  actor:  comprising  a  picture  of 

the    French    stage    during    a    period    of    fifty    years.      Edited    by 

Theodore  Hook.     London.    Colburn.     1842.    2  v.    4565.3;  **T.57.7i 

Lafon,  Pierre. 

Discours  prononce  sur  la  tombe  de  Talma,  le  21  octobre  1826.  Paris. 
Ballard.     1826.     16  pp.  **T.97.i7 

Lafon,  Pierre.     Works  about. 

Dujarric-Descombes,  L.  a.  fitude  sur  Pierre  Lafon  de  la  Comedie 
frangaise.     (1773-1846.)     Bergerac.     MDCCLXXXII   [sic.     1882]. 

**T.57.65 
Laforet,  L.  P. 

Le  theatre  &  le  livre  a  sauver.  Paris.  Bureaux  du  Progres  artistique. 
1880.    40  pp.  **T.96.i4o 

Refers  to  French  theatres. 

Laforet,  L.  P.,  editor. 

Carillon  theatral,  Le.  Le  pour  et  le  contre  de  la  critique  sur  las 
principales  pieces  de  I'annee.  Saison  theatrale  1887/88.  No.  i-i5- 
Paris.     1889.  **T.95.6o 

La  Forgue, . 

Les  affiches  etrangeres  illustrees,  par  M.  Bauwens,  T.  Hayashi,  La 
Forgue,  Meier-Graefe,  J.  Pennell.  Paris.  Boudet.  1897.  (3),  iii, 
206,   (i)  pp.     Illus.     PlateSi  some  colored.  *4072.i8 

[433] 
28 


THE  PUBLIC  LIBRARY   OF   THE    CITY   OF  BOSTON 


Laget,  Auguste. 

Le  chant  et  les  chantcurs.  Paris.  Heugel  &  cie.  [1874.]  (3),  364 
pp.  **M.i44.20 

Laglaize,  Jean  Baptiste. 

Figurines  dramatiques.  Portraits  d'acteurs  et  d'actrices.  Roses  & 
epines  de  la  vie  theatrale.  Anecdotes  inedites.  [Paris.]  Tresse. 
1882.     (3),  xix,  296,  (i)  pp.  **T.57.28s 

Lagrange,  Charles  Varlet,  Sieur  de. 

Registre  de  La  Grange  (1658-1685).  Precede  d'line  notice  biogra- 
phique.  Public  par  les  soins  de  la  Comedie-frangaise.  Paris. 
Claye.  1876.  (3),  xlix,  (3),  357,  (i)  pp.  Portrait.  [Archives  de 
la  Comedie  frangaise.]  **T.72.4 

Contains   a   list    of  the  plays    given,    the   receipts    and    expenditures,    and    other 
matters  relating  to  the  Comedie  frangaise. 
Vie  de  Moliere,  en  abrege.     (In  Poulet-Malassis,  Paul  E.  A.,  editor. 
Moliere  juge  par  ses  contemporains.     Pp.  93-117.     Paris.     1877.) 

**T.59.i3 

Another  copy  is  on  shelf-number  '4649a. 55.  This  work  forms  the  preface  to 
Vinot  and  Lagrange's  edition  of  Les  oeuvres  de  Moliere  published  in  16S2 
[••4697.9]. 

Lagrange,  Charles  Varlet,  Sieur  de.     Works  about. 

Thierry,  fi.  Charles  Varlet  de  La  Grange  et  son  registre.  Paris. 
1876.  **T.55.8 

Laguerre,  Marie  Josephine. 

Une  vente  d'actrice  sous  Louis  xvi.     M^e  Laguerre.  de  I'Opera;  son 

inventaire,  meubles  precieux.    Avec  une  introduction  et  des  notes 

par  le  Baron  Ch.  Davillier.     Paris.    Aubry.     1870.     (3),  51,  (i)  pp. 

Portrait.  **T.96.i43 

La  Harpe,  Jean  Frangois  de. 

Discours  sur  la  liberte  du  theatre;  prononce  le  17  decembre  1790,  a 
la  Societe  des  amis  de  la  constitution.  [A  Paris,  de  I'lmprimerie 
nationale.     1793-]      i6  pp.  **T.76.io7 

La  Harpe,  Jean  Frangois  de,  and  others. 

Reponse  aux  Observations  pour  les  Comedians  frangais.  [Paris. 
T790?]     56  pp.  **T.76.i64 

Signed  by  La  Harpe  and  24  others. 

Lahee,  Henry  Charles. 

Famous  singers  of  today  and  yesterday.  Boston.  Page  &  Co.  1898. 
337  pp.     Portraits.  4049a.36 

Laing,  David,  editor. 

LoDfjE,  T.  A  defence  of  poetry,  music,  and  stage  plays.  London. 
1853.  No.  2  in  *4596.2o;  etc. 

Lajarte,  Theodore  fidouard  du  Faure  de. 

Bibliotheque  musicalc  du  theatre  de  I'Opera.  Catalogue  historique, 
chronologique,  anecdotique.  Paris.  Librairie  des  bibliophiles. 
1878.     2  V.     Portraits.     Plates.  *8o44.53;  **M. 132.13 

Curiosites  de  I'Opera.     Paris.     Levy.     1883.     (5),  249,   (i)   pp.     Fac- 
similes. **M. 138.10 
La  Jobardiere,  M.  de,  pseud. 

M.  de  La  Jobardiere  aux  acteurs,  actrices  et  critiques  du  Theatre 
frangais.     Paris.     Migneret.     1815.     (3),  23  pp.  **T.76.i20 

Lalauze,  Adolphe,  illustrator. 

CiBBER,  C.  An  apology  for  the  life  of  Mr.  Colley  Gibber  written 
by  himself.  With  mezzotint  portraits  by  R.  B.  Parkes,  and 
etchings  by  Adolphe  Lalauze.     London.     i88g.    2  v.    **T.54.7;  etc. 

[4.341 


BROWN   COLLECTION   OF  BOOKS    ON   THE   STAGE 

"Lalauze,  Adolphe,  iUnstrator.     (Continued.) 

Douglas,  R.  B.    Sopliie  Arnould,  actress  and  wit.    With  seven  copper- 
plate engravings  by  Adolphe  Lalauze.     Paris.     1898.      **M.37i.57 
Gozzi,  C,  Conte.     The  memoirs  of  Count   Carlo   Gozzi.     Translated 
into   English   by  John   Addington    Symonds.     With,  portrait   and 
etchings  by  Adolphe  Lalauze.     London.     1890.     2  v.  **T.55.4i 

GuEULLETTE,  C.  Actcurs  &  actriccs  du  temps  passe.  La  Coni'vlic 
frangaise.  Scrie  i.  Notices  par  Ch.  Gueullette.  Portraits  par 
Ad.  Lalauze.     Paris.     1881.  **T.55.i2 

Sarcey,  F.  Comediens  et  comediennes.  Notices  par  F.  Sarcey. 
Portraits  par  L.  Gaucherel  &  Ad.  Lalauze.     Paris.     1876-84.     2  v. 

**T.55.i3;etc. 
SouBiEs,  E.  J.  A.     Le  theatre  en  France  de  1871  a  1892.     [Par]  Albert 
Soubies.     Eaux-fortes  par  Gaucherel  et  Lalauze.     Paris.     1893. 

**T.79.3 
Laloo. 

Interesting  treatise,  An,  on  the  marvellous  [double-bodied]  Indian 
boy,  Laloo.     [Philadelphia.     188-?]  **T.98.i49 

Lamarca,  Luis. 

El  teatro  de  Valencia  desde  su  origen  hasta  nuestros  dias.  Valencia. 
Ferrer  de  Orga.     1840.     78  pp.  **D.i7ob.6o 

Lamb,  Charles. 

The  art  of  the  stage  as  set  out  in  Lamb's  dramatic  essays.  With  a 
commentary  by  Percy  Fitzgerald.  London.  Remington  &  Co. 
1885.      (5),   v,  276,    (i)    pp.     Portrait.  4577.117;  **T.77.75 

Lambert,  Albert  Leon. 

Sur  les  planches.  Preface  par  Hetiry  Fouquier.  Paris.  Flammarion. 
[1894.]     xii,  376  pp.  **T.77.i35 

Lambert,  Daniel. 

Boston.  Theatres.  Boston  Museum,  1804-1822.  Lambert,  holding 
four  persons  at  arm's  length.  Broadside.  [Boston.  1805?!  Size, 
22^  X  18  inches.     Illus.  In**T.ii.3 

Lambert,  Leon  Albert.     See  Lambert,  Albert  Leon. 
Lamberton,  John  Porter,  editor. 

The  drama.  Its  history,  literature  and  influence  on  civilization. 
Victorian  edition.  [Edited  by  Alfred  Bates,  James  P.  Boyd  and 
John  P.  Lamberton.]  London.  The  Athenian  Society.  1903. 
20  V.     Portraits.     Plates,  some  colored.  **T.45.i 

Contents.  —  i.  Greek  drama.  2.  Greek  and  Roman  drama.  3.  Oriental  drama. 
4.  Religious  drama.  5.  Italian  drama.  6.  Spanish  and  Portuguese  drama.  7-9. 
French  drama.  10-12.  German  drama.  13-16.  British  drama.  17.  Scandinavian 
drama.     18.  Russian  drama.     19,  20.  American  drama. 

Lambs,  The.     (Club.) 

Annals  of  the  Lambs.   London  and  New  York.   New  York.    [Russell.] 

1899.     86,  (i)   pp.  *2379.ii8 

Lament,  The;  or,  the  fall  of  Drury  Lane.     D.,  W.  C.  **T.98.5 

Lamington,  Alexander  Dundas  Ross  Wishart  Cochrane-Baillie,  ist  Baron. 

See  Cochrane-Baillie,  Alexander  Dundas  Ross  Wishart,  ist  Baron 

Lamington. 

Lamothe-Langon,  fitienne  Leon,  Baron  de. 

Galanteries  d'une  demoiselle  du  monde,  ou  souvenirs  de  Ml'e  Duthe. 

Par    I'auteur    des    Memoires    de    la    Comtesse    Dubarri.      Paris. 

Menard.     1833.     4  v.  **T.56.24i 

Rachel.     [Anonj     Paris.     Le  Gallois.     1838.    219,  (0  pp.    **T.56.265 

Lamothe-Langon,  Etienne  Leon,  Baron  de,  editor. 

Arnould,  M.  S.     Memoires.    Paris.    1837.  **G.3525,5 

[435] 


THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 


Lan,  Jules. 

Memoires  d'un  chef  de  claque.  Souvenirs  des  theatres.  Paris.  Li- 
brairie  nouvelle.     1883.     (3),  308,   (i)  pp.  **M.i27.36 

Lancaster,  Henry  Carrington. 

Relations  between  French  plays  and  ballets  from  1581  to  1650.     (In 

Modern   Language  Association   of  America.     Publications.     Vol. 

31,  PP-  379-394-     Baltimore.     1916.)  *295o.56.3i 

Landmarks  of  a  literary  life.     Crosland,   C.  4547.112;  **T,57.i2o 

Landriani,  Paolo. 

Osservazioni  su  I'imp.  r.  Teatro  alia  Scala  in  Milano  e  sopra  alcuni 
articoli  del  Saggio  di  M.  Patte.  Osservazioni  sulle  scene  teatrali 
SI  antiche  che  moderne.  (In  Ferrario,  Giulio.  Storia  e  descrizione 
de'  principali  teatri  antichi  e  moderni.  Pp.  257-369.  Milano. 
1830.)  **T.75.7o 

Lane,  Richard  James. 

Sixteen  portraits  of  Charles  Kemble  Esq.     [London.]     1840.     (i),  4, 

(2)  pp.  **T.5i.2 

(/-Langbaine,  Gerard. 

^         The  lives  and  characters  of  the  English  dramatick  poets.     Also  an 

exact  account  of  all  the  plays  printed  in  English.     First  begun  by 

Mr.  Langbain,  improv'd  and  continued  down  to  this  time,  by  a 

careful    hand    [Charles    Gildon].      London:    Printed    for    William 

Turner.     1699.     (16),  182,  (13)  pp.  **T.57.39i 

Momus  triumphans:  or,  the  plagiaries  of  the  English  stage;  expos'd 

in    a    catalogue    of    all    the    comedies,    tragi-comedies,    masques, 

tragedies,   operas,   pastorals,   interludes,   &c.,   that  were   ever   yet 

printed  in    English.     With   an   account  of   the  various   originals. 

London:  Printed  for  Nicholas  Cox,  and  are  to  be  sold  by  him  in 

Oxford.     1688.     (16),  32,  (8)  pp.  No.  I  in  **G.3824.2 

Same.     Printed  for  N.  C.  and  are  to  be  sold  by  Sam.  Holford.     1688. 

Another  copy  is  on  shelf-number  **G.3gsi.3-  **T.66.II 

Lange,  Joseph. 

Biographie.  Wien.  Rehms.  1808.  253,  (i)  pp.  Portrait.  **T.57.364 
Relates  to  the  German  theatres. 

Langhans,  Carl  Ferdinand. 

Das  Stadt-Theater  in  Leipzig.     Entworfen  von  C.  F.  Langhans.     Mit 

Text  vom  Architekt  Bruckwald.     Berlin.     Ernst  &  Korn.     1870. 

(i),  4  pp.     9  plates.  **T.7i.3 

Das  Victoria  Theater   in    Berlin.     Entworfen  von    C.   F.    Langhans. 

Gestochen  von  Nikoley.     Berlin.     Ernst  &  Korn.     i860.     Text,  15 

pp.     Diagrams;  Atlas,   (i)  p.     4  plates.  **T.7i.i 

Langue  theatrale.  La.     Bouchard,  A.  **T.98.io6 

Lansdowne  Manuscripts. 

Dramatic  records  from  the  Lansdowne  Manuscripts.  Manuscript 
facsimile.  (lit  Malone  Society.  Collections.  Vol.  i,  part  2.  pp. 
143-215.     [Oxford.]     1908.)  **G.4077.i5.i,Part  2 

Edited  by  E.  K.  Chambers  and  W.  W.  Greg. 

Lansing  &  Co.,  publishers. 

Pictorial  diagrams  of  Boston,  New  York,  and  Philadelphia  theatres. 
P.oston.     Smith  &  Co.     [1881.]     36  pp.     Illus.     Plans.        **T.78.86 

Pictorial  diagrams  of  Boston  theatres.  [Boston.]  Compliments  of 
the  Chicago,  Milwaukee  &  St.  Paul  Railway.  1880.  (3)  pp.  9 
plans.  **T.78.ii 

Same.     Compliments  of  Tolman  &  Billings.   24  pp.   8  plans.   **T.78.8o 

Same.     Compliments  of  Goldthwait  Bros.  **T.78.8i 

[436] 


BROWN   COLLECTION    OF  BOOKS    ON    THE   STAGE 

Lansing  &  Co.,  publishers.     (Continued.) 

Same.     Compliments  of  Charles  A.  Smith  &  Co.     9  plans.     **T. 78.78 

Pictorial  diagrams  of  the  leading  opera  houses,  theatres,  etc.,  in  the 

United  States.     Boston.     Lansing  &  Co.     1880.     128  pp.     Plans. 

**T.97.8o 

Same.     1882.     140  pp.  **T.77.233 

The  theatres  and  public  halls  of  Boston.     [Philadelphia.     Billstein  & 

Co.     1879.]     48  pp.     Plans.  **T.78.82 

Lanterne  magique,  La.     Banville,  T.  F.  de.  **T.97.279 

Lapommeraye,  Pierre  Henri  Victor  Berdalle  de. 

Histoire  du  debut  d'Alexandre  Dumas  fils  au  theatre;  ou,  les  tribula- 
tions d6  la  Dame  aux  camelias.     Paris.     Levy.     1873.     27,  (i)  pp. 

**T.57.4i5 

Lapommeraye,  Pierre  Henri  Victor  Berdalle  de,  prefacer. 

Bruening,  L     Le  theatre  en  Allemagne.     Son  origine  et  ses  luttes. 
(1200-1760.)     Paris.     [1887.]     Portraits.    Plate.      2860.68;  **T.77.93 
La  Porte,  Joseph  de. 

Anecdotes  dramatiques;  contenant  1°.  Toutes  les  pieces  de  theatre 
joues  a  Paris  ou  en  province.  2°.  Tons  les  ouvrages  dramatiques 
qui  n'ont  ete  represeiites  sur  aucun  theatre,  mais  qui  sent  im- 
primes,  ou  conserves  en  manuscrit.  3°.  Anecdotes.  4°.  Les 
noms  de  tons  les  auteurs,  poetes  ou  musiciens,  qui  ont  travailld 
pour  tous  nos  theatres,  de  tous  les  acteurs  celebres,  qui  ont  joue 
a  tous  nos  spectacles,  avec  un  jugement  de  leurs  ouvrages  &  de 
leurs  talens.  5°.  Un  tableau,  accompagne  d'anecdotes,  des 
theatres  de  toutes  les  nations.  [Anon.  Par  J.  M.  B.  Clement  et 
J.  de  La  Porte.]     A  Paris.     Chez  la  veuve  Duchesne.     1775.    3  v. 

**T.58.3 
Same.     [Another  edition.]  **T.58>4 

A  second  copy  is  on  shelf-number  **G.3563.i7. 

La  Porte,  Joseph  de,  editor. 

Almanach  des  spectacles  de  Paris.  Partie  [i-]46.  1751-94,  an  viii, 
IX  de  la  Republique  [1800,  01],  1815.  [Paris.  1751-]  1815.  50  v. 
in  27.     Plates.  **G.3568.i;  etc. 

Laporte,  Joseph  de,  and  Sebastien  Roche  Nicolas  Chamfort. 

Dictionnaire  dramatique,  contenant  I'histoire  des  theatres,  les  regies 

du  genre  dramatique,  les  notices  des  meilleures  pieces,  le  catalogue 

de  tous  les  drames,  &  celui  des  auteurs  dramatiques.     [Anon.]     A 

Paris,  chez  Lacombe.     1776.     3  v.  **T.47.88 

Laquais,  Le,  de  Moliere.     Monval,  G.  H.  M.  **T.57.2i8 

Larchey,  fitienne  Loredan,  editor. 

Sartine,  a.  R.  J.  G.  G.  DE,  Comte  d'Alby.     Documents  inedits  sur  le 
regne    de    Louis    xv;    ou,    anecdotes    galantes    sur    les    actrices, 
demoiselles  entretenues,  grisettes,  etc.    Bruxelles.    1863.    **T.57  268 
Larchey,  L.    See  Larchey,  fitienne  Loredan. 
Larive,  Jean  Mauduit  de. 

Reflexions  sur  I'art  theatral.  Paris.  Rondonneau.  An  ix  [1801]. 
59  pp.  **T.96.3o6 

Another  copy  is  on  shelf-number  No.  3  in  *667S.7o. 

Larkins,  W.  G.,  editor. 

Dramatic  Fine  Art  Gallery,  London.  Illustrated  notes  upon  the 
pictures  in  the  Gallery.  The  illustrations,  when  not  supplied  by 
the  artists  exhibiting,  are  by  J.  E.  Soden.  London.  [1880.]  Illus. 
Portraits.     Plates.  **T.98.35 

Larkins  and  the  drama.    Johnson,  J.  **T.96.235 

[437] 


THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 


Lamed,  Edwin  Channing. 

A  plain  talk  about  the  theatre.  By  Herrick  Johnson.  Chicago. 
Revell.     [1882.]    83  pp.  **T.78.77 

The  "plain    talk,"    which   opposes    the    theatre,   is    followed    by    a    correspondence 
between    Mr.    Johnson,    Edwin    C.    Lamed    and    James    H.    McVicker,    the    two 
latter  defending  it. 
La  Rochefoucauld,  Alexandre,  Comte  de. 

Lettre  sur  les  theatres  a  M.  le  Vicointe  de  Larochefoucauld.     Paris. 

1825.  No.  12  in  **G.3562.2 

Seconde  lettre  a  M.  le   Vicomte  de   Larochefoucauld.     Paris.      1825. 

No.  13  in  **G.3562.2 
Laroque,  Adrien. 

Acteurs  ti  actrices  de  Paris.     Paris.     Bureaux  de  I'Entr'acte.     1888. 

116,  (2)  pp.  **T.56.262 

Same.     26e  edition.    4.^  serie.     1896.     156  pp.  **T.56.266 

Same.    27^  edition.    4^  serie.     Librairie  nouvelle.     [1901?]     **T.56.267 

La  Rounat,  Aime  Nicolas  Charles  Rouvenat  de. 

Etudes  dramatiques.     i:   Le  Theatre-frangais:   M.™^  Arnould-Plessy; 

MM.  Regnier,  Got,  Delaunay.     Paris.     Rouam.     1884.     (3),  70,  (i) 

pp.     Portrait.     [Bibliotheque  d'art  moderne.]  **T.95.75 

Lettre    a    M.    T  .  .  .    sur    les    decorations    des    comediens.      {In    his 

Souvenirs  et  poesies  diverses.     Pp.  71-80.     Paris.     [1886.]) 

467ob.i ;  **T.57.246 
La  Rounat,  Charles  de.  See  La  Rounat,  Aime  Nicolas  Charles  Rouvenat  de. 
Larroumet,  Gustave.  See  Larroumet,  Louis  Barthelemy  Gustave  Paul. 
Larroumet,  Louis  Barthelemy  Gustave  Paul. 

L'art  et  I'etat  en  France.     Paris.     Hachette  &  cie.     1895.    xl,  370  pp. 

4079a.i6i 

Contents.  —  Achats,  comniandes  et  encouragements  de  I'etat.  —  La  peinture.  — 
La  sculpture.  —  L'art  decoratif.  —  L'enseignement  des  arts  du  dessin.  —  Les 
musies.  —  Le  Conservatoire  et  les  theatres  nationaux.  —  Rapports  generaux 
de  l'art  et  de  I'etat. 

La  comedie  de  Moliere.  L'auteur  et  le  milieu.  4e  edition.  Paris. 
Hachette  &  cie.     1893.     (3),  vi,  397,  (i)  pp.  **T.57.236 

fitudes  d'histoire  et  de  critique  dramatiques.  Paris.  Hachette  &  c'e. 
1892.     (3),  ii,  324,   (i)   pp.  4694-77 

Larsen,  Ludwig  B. 

Practical  hand-reading,  for  students  only.  Portland,  Oregon.  Dun- 
ham. [1900.]  7-147  pp.  Plates.  5607.33 
La  Rue,  Gervais  de. 

Essais  historiques  sur  les  bardes,  les  jongleurs  et  les  trouveres 
normands,  et  anglo-normands.     Caen.     Mancel.     1834.     3  v. 

.Another  copy  is  on  shclf-numher  **G. 3550.10.  **M.I36.I5 

Larwood,  Jacob,  pseud.    See  Sadler,  L.  R. 
Lasalle,  Albert  de. 

Histoire  des  Bouffes-Parisiens.     Paris.     Bourdilliat  &  C^.     i860.     (3), 

124  pp.  **T. 79.20 

Memorial  du  Theatre-lyrique.     Catalogue  raisonne  des  cent  quatre- 

vingt  deux  operas  qui  y  ont  cte  representes  depuis  sa  fondation 

jusqu'a  I'incendie  de  la  salle  de  la  Place  du  Chatelet,  avec  des  notes 

biographicjues   ct   bibliographiques.      Paris.     Lecuir   &   cie.      1877. 

(3).  103.   (3)  pp.  No.  2  in  **M. 145. 18 

Les  treizc  salles  de  I'Opcra.     Paris.     Sartorius.     1875.     (5),  314,  (i) 

pp.  6664.51;  **M. 139.12 

Lassouche,  Bouquin  de. 

Mcjinoircs  anccdotiqucs.     Paris.     Juven.      [1903.]      (3),  283  pp. 

On  the  Paris  theatres.  4649.101;  **T.57.l85 

[438] 


BROWN   COLLECTION   OF   BOOKS    ON    THE   STAGE 


\^ 


Last  of  the  great  scouts.     Wetmore,  H.  C.  **T.56.i92' etc. 

Late  theatrical  amateur,  A,  pseud. 

A  treatise  on  the  propriety  of  theatrical  amusements  in  a  Christian 
community,  shewing  the  rise,  progress,  and  present  state  of  the 
English  stage:  the  whole  subject  being  treated  in  a  manner  en- 
tirely new.    Madras.   The  Church  Mission  Press.    1826.    (n.  83  pp. 

In  opposition  to  the  theatre.  **T.77.l62 

Later  American  plays,  1831-1900.     Roden,  R.  F.  **T.95.24 

La  Thorilliere,  Frangois  Le  Noir  de. 

Premier  registre  de  La  Thorilliere  (1663-1664).  Public  avec  notice, 
notes  et  index  par  Georges  Monval.  Paris.  Librairie  des  biblio- 
philes. 1890.  (3),  XV,  106,  (i)  pp.  [Nouvelle  collection  Molie- 
resque.     17.]  **T.78.57 

An  account  of  the  plays  given  and  the  receipts  and  expenditures  of  the  Com^die 
frangaise. 

Laube,  Heinrich. 

Das   Burgtheater.      Ein    Beitrag   zur   deutschen   Theater-Geschichte. 

Leipzig.     Weber.     1868.     496  pp.     Portrait.  4868.12 

Letzte    Erinnerungen.      {In   Kirchbach,   W.      Deutsche    Schauspieler 

und  Schauspielkunst.     Pp.  32-51.     Kiel.     1892.)  4875.40 

Deals  principally  with  the  Burgtheater,  Vienna,  of  which  Laube  was  director. 

Das  norddeutsche  Theater.  Ein  neuer  Beitrag  zur  deutschen 
Theatergeschichte.  Leipzig.  Weber.  1872.  viii,  268  pp.  **T.76.39 
Theaterkritiken  und  dramaturgische  Aufsatze.  Gesammelt  von 
Alexander  von  Weilen.  Berlin.  1906.  2  v.  Portraits.  Auto- 
graph facsimile.  [Gesellschaft  fiir  Theatergeschichte.  Schriften. 
Band  7,  8.]  6907.18 

Das  Wiener  Stadt-Theater.     Leipzig.     Weber.     1875.      (3),   226  pp. 

**T.76.65 
Laufen,  Bavaria. 

Werner,  R.  M.  ,editor.  Der  Laufner  Don  Juan.  Ein  Beitrag  zur 
Geschichte  des  Volksschauspiels.     Hamburg.     1891..  6872.45 

Laugier,  Adolphe. 

•Notice  sur  Talma.  Paris.  Hautecoeur.  1827.  (3),  136  pp.  Plate. 
Facsimile.  No.  5  in  **M.i47.i6 

Laugier,  Adolphe,  and  A.  Mottet. 

Galerie  biographique  des  artistes  des  theatres  royaux.  [Anon.] 
Livraison  3:  Theatre-frangais.  Paris.  Bureau  de  la  Galerie 
biographique.     1827.     (3),  iv,  176  pp.  **T.96.3io 

Laugier,  Dominique  Jean  Claude. 

De  la  Comedie  frangaise  depuis  1830;  ou,  resume  des  evenemens 
survenus  a  ce  theatre  depuis  cette  epoque  jusqu'en  1844.  Aug- 
ments du  texte  officiel  du  Decret  de  Moscou,  et  du  discours  pro- 
nonce  par  M.  Samson  pour  I'inauguration  du  monument  de 
Moliere.     Paris.     Tresse.     1844.     (8),  260,  (i)  pp.  **T.78.5 

Documents  historiques  sur  la  Com.edie  frangaise  pendant  le  regne 
de  S.  M.  I'Empereur  Napoleon  I^r.  precedes  de  tous  les  actes 
constitutifs  qui  regissent  la  societe  du  Theatre-frangais,  depuis 
sa  fondation,  le  25  aout  1680,  jusqu'a  nos  jours,  par  Eugene  Laugier. 
Paris.  Firmin  Didot.  1853.  213,  (i)  pp.  **T.74.i;  **M.2o6,io 
Laugier,  Eugene.  See  Laugier,  Dominique  Jean  Claude. 
'Aulnaye,  Frangois  Henri  Stanislas  de. 
De  la  saltation  theatrale,  ou  recherches  sur  I'origine,  les  progres,  & 
les  effets  de  la  pantomime  chez  les  anciens.  A  Paris,  chez  Barrois 
I'aine.    1790.     (i),  100,  civ  pp.    Plates,  mostly  colored.    **T.96.263 

[439] 


THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 


Laumaiin,  E.  M. 

La  machinerie  au  theatre  depuis  les  Grecs  jusqu'a  nos  jours.  Paris. 
Didot  &  cie.     [1897?]     158,  (i)  pp.     Illus.     Plates.  8092.126 

Laureat,  The:  or,  the  right  side  of  Colley  Gibber,  Esq.;  containing, 
explanations,  amendments  and  observations,  on  a  book  intituled, 
An  apology  for  the  life,  and  writings  of  Mr.  Colley  Gibber.  Not 
written  by  himself.  With  some  anecdotes  of  the  Laureat,  which 
he  (thro'  an  excess  of  modesty)  omitted.  Added,  The  history  of 
the  life,  manners  and  writings  of  ^sopus  the  tragedian,  from  a 
fragment  of  a  Greek  manuscript  found  in  the  library  of  the 
Vatican;  interspers'd  with  observations  of  the  translator.  Lon- 
don, Printed  for  J.  Roberts.  1740.  (i),  126  pp.  **T.57.437 
The  history  of  the  life  of  ^sopus  is  a  mock  sketch  of  the  life  of  Cibber. 

Laurent,  fimile.    See  Laurent,  Jean  Baptiste  fimile. 
Laurent,  Jean  Baptiste  fimile.     (fimile  Golombey.) 

L'esprit  au  theatre.    Paris.    Hetzel.     [i860.]     342  pp.  **T.S7.34i 

A  collection  of  anecdotes. 

Lauriers  et  cypres.     Audebrand,  P.  46793.109 

Lauw,  Louisa. 

Fourteen    years    with    Adelina    Patti.      Translated    by    Glare    Brune. 
London.    Remington  &  Go.    1884.    (3),  199  pp.    4049.96;  **M. 146.12 
Laval,  P.  A. 

P.  A.  Laval  comedien,  a  J.  J.  Rousseau  sur  les  raisons  qu'il  expose 
pour  refuter  M.  d'Alembert,  qui  dans  le  vii.  volume  de  I'En- 
cyclopedie,  article  Geneve,  prouve  que  I'etablissenient  d'une 
comedie  dans  cette  ville  y  feroit  reunir  la  sagesse  de  Lacedemone 
a  la  politesse  d'Athenes.    A  la  Haye.    1758.    (i),  viii,  3-189,  (i)  pp. 

**T.77.87 
La  Valliere,  Louis  Gesar  de  La  Baume  Le  Blanc,  Due  de,  alleged  author. 
Bibliotheque      du     theatre      frangois,      depuis      son      origine.        See 
Bibliotheque  du   theatre   frangois,   depuis  son  origine. 
Lavedan,  Henri  fimile  Leon,  prefacer. 

Got,  F.  J.  E.  Journal  de  Edmond  Got,  societaire  de  la  Gomedie- 
frangaise,   1822-1901.     Paris.     1910.     2  v.     Portrait.     Plate. 

26493.148 
Lavignac,  Alexandre  Jean  Albert. 

Le  voyage  artistique  a  Bayreuth.     Paris.     Delagrave.     1897.     (i),  vi, 

584  pp.    Illus.    Portrait.    Folded  sheets.    Plan.    4049.155;  **M. 370.22 

La  Villemarque,  Hersart  de.     See   La  Villemarque,  Theodore   Glaude 

Henri  Hersart,  Vicomte  de. 
La  Villemarque,  Theodore  Claude  Henri  Hersart,  Vicomte  de. 

Le  theatre  chez  les  nations  celtiques.  {In  Grand  mystere,  Le,  de 
Jesus.     Pp.  xiii-cxxv.     Paris.     1865.)  **T.35.2o 

Same.     {In  Same.     2e  edition.     1866.)  6667.1 

Lavoix,  Henri.    See  Lavoix,  Michel  Henri. 
Lavoix,  Michel  Henri. 

La  premiere  representation  du  Misanthrope  4  juin  1666.  Paris. 
Lemerre.     1877.     (3),  52,  (3)  pp.  **T.58.i4o 

Law,  William. 

The  absolute  unlawfulness  of  the  stage-entertainment  fully  demon- 
strated. 2d  edition.  London:  Printed  for  W.  and  J.  Innys.  1726. 
("O,   50  pp.  **T.76.95 

Same.     5th  edition.     Printed  for  M.  Richardson.     1765.     56  pp. 

No.  10  in  **G.3823.3 
Same.     6th  edition.     Printed  for  G.  Robinson.     1773.  **T.96.56 

[440] 


BROWN   COLLECTION    OF  BOOKS    ON    THE   STAGE 

Law,  William.    Works  about. 

Dennis,  J.  The  stage  defended,  from  Scripture,  reason,  experience, 
and  the  common  sense  of  mankind,  for  two  thousand  years. 
Occasion'd  by  Mr.  Law's  late  pamphlet.  In  a  letter  to  ****** 
[George  Dodington].     London.     1726.     xii,  34  pp.       *6569.44 ;  etc. 

O ,  Mrs.  S .    Law  outlaw'd,  or,  a  short  reply  to  Mr.  Law's  long 

declamation  against  the  stage.   London.    1726.    No.  12  in  **G.382i.ii 

Philomusus,  S.,  M.A.,  pseud.     Mr.  Law's  Unlawfulness  of  the  stage 

entertainment   examin'd:  and  the  insufficiency  of  his  arguments 

fully  demonstrated.     London.     1726.  **T.76.9i;  etc. 

Law,  The,  of  the  drama.     Brunetiere,  M.  F.  **T.46.6o.3 

Lawrance,  Edward,  editor. 

Encore  annual.  The.  1894.  Edited  by  Edward  Lawrance  and  Charles 
Douglas  Stuart.     London.     [1894.]     Portraits.  **T.93.i5 

Lawrence,  Boyle. 

Celebrities  of  the  stage.  London.  George  Newnes,  Ltd.  [190-?] 
(106)  pp.     Colored  portraits.  **T.5i.i3 

Lawrence,  Sir  James,  Knight  of  Malta. 

Dramatic  emancipation,  or  strictures  on  the  state  of  the  theatres, 
and  the  consequent  degeneration  of  the  drama.  {In  Pamphleteer. 
Vol.  2,  pp.  369-395.     London.     1813.)  No.  17  in  *6575.i.2 

Lawrence,  Sir  Thomas. 

Knapp,  O.  G.,  editor.  An  artist's  story.  Told  in  the  letters  of  Sir 
Thomas  Lawrence,  Mrs.  Siddons  and  her  daughters.  New  York. 
1904.     Portraits.  4545-i9o;  **T.56.335 

Lawrence,  William  John. 

Barry  Sullivan:  a  biographical  sketch.  London.  Baird.  1893.  98  pp. 
Portrait.  **T,57.45o 

The  Elizabethan  playhouse  and  other  studies.  Philadelphia.  J.  B. 
Lippincott  Co.  1912,  13.  2  v.  Plates.  Plans.  Facsimiles.  4574.172 
Contents.  —  1.  The  evolution  and  influence  of  the  Elizabethan  playhouse.  —  The 
situation  of  the  lord's  room.  —  Title  and  locality  boards  on  the  pre-Restoration 
stage.  - —  Music  and  song  in  the  Elizabethan  theatre.  —  The  mounting  of  the 
Carolan  masques.  —  The  story  of  a  peculiar  stage  curtain.  —  Early  French 
players  in  England.  —  Proscenium  doors :  an  Elizabethan  heritage.  —  Did 
Thomas  Shadwell  write  an  opera  on  "The  tempest"?  —  Who  wrote  the  famous 
"Macbeth"  music?  —  New  facts  about  the  Blackfriars:  Monsieur  Feuillerat's 
discoveries.  —  Bibliography.  —  Index.  2.  Light  and  darkness  in  the  Elizabethan 
theatre.  —  Windows  on  the  pre-Restoration  stage.  —  The  origin  of  the  theatre 
progranmie.  —  Early  systems  of  admission.  —  The  origin  of.  the  English  picture- 
stage.  — ■  The  persistence  of  Elizabethan  conventionalisms.  —  Irish  players  at 
Oxford  in  1677.  —  Louis  XIV.'s  scene  painters.  —  A  player-friend  of  Hogarth. 
—  Garricks  first  appearance  as  Hamlet.  —  Appendices.  —  Bibliography. 

The  life  of  Gustavus  Vaughan  Brooke,  tragedian.   Belfast.  Baird.  1892. 
(i),  X,  283  pp.    Portrait.    Autograph  facsimile.    2541.129;  **T.55. 15 
Lawson,  D.  H.     See  Stewart,  Douglas. 
Lawson,  Robb. 

The  story  of  the  Scots  stage.  Paisley.  Gardner.  1917.  (3),  303  pp. 
Portraits.    Plates.  4579-259 

Bibliogrraphy,   pp.   287-292. 

Laya,  Jean  Louis. 

Un  mot  sur  M.  le  Directeur  de  Timprimerie  et  de  la  librairie 
[Villemain],  ou  abus  de  la  censure  theatrale.  Paris.  Pelicier.  1819. 
iii-59  pp.  **T.77.28 

Lays,  Frangois  Lay,  called  Lays. 

Lays,  artiste  du  Theatre  des  arts  a  ses  concitoyens.  [Paris.  1795-] 
23  pp.  No.  2  in  **G.i57.io 

The  title-page  is  missing.     Lays  was  a  singer  at  the  Opera  in  Paris  at  the  time 
of  the  Revolution. 

[441] 


THE  PUBLIC  LIBRARY   OF   THE    CITY   OF  BOSTON 

Lazarovich-Hrebelianovich,  Eleanor,  Princess.     (Eleanor  Calhoun.) 
Pleasures    and    palaces.      The    memoirs    of    Princess     Lazarovich- 
Hrebelianovich.     Illustrated  with  drawings  by  John  Wolcott  Wil- 
liams.    New  York.     The  Century  Co.     IQIS-     (n),  360  pp.     Por- 
traits.    Plates.  6252.119 

Includes   reminiscences   of   Victorian   actors   and   acting. 
Leach,  Arthur  Francis. 

Some  English  plays  and  players,  1220-1548.  (In  An  English  miscel- 
lany.    Presented  to  Dr.  Furnivall.     Pp.  205-234.     Oxford.     1901.) 

*4555.i54 
Leathes,  Edmund. 

An    actor    abroad;    or,    gossip    dramatic,    narrative    and    descriptive 

from  the  recollections  of  an  actor  in  Australia,  New  Zealand,  the 

Sandwich  Islands,  California,  Nevada,  Central  America,  and  New 

York.     London.     Hurst  &  Blackett.     1880.    x,  317  pp.     **T.56.223 

The  actor's  wife.     A  novel.     London.     Tinsley   &   Co.     1880.     3  v. 

**T.87.29 
Leaves  from  an  actor's  note-book.     Vandenhoff,   G. 

4398.135;  **T.57.77;  etc. 
Leavitt,  Michael  Bennett. 

Fifty  years  in  theatrical  management.  New  York.  Broadway  Pub- 
lishing Co.  [1912.]  xxii,  (3),  735  pp.  lUus.  Portraits.  Plate. 
Autograph  facsimiles.  **T.55.i6 

Contains  a  very   full  account  of  the   stage  in  the   United   States.      Another  copy 
is  on   shelf-number   6252.65. 

Lebcau  de  Schosne,  Augustin  Theodore  Vincent. 

Lettre  a   Monsieur   de   Crebillon   sur  les   spectacles   de    Paris;    dans 

laquelle  il  est  parle  du  projet  de  reunion  de  I'Opera-comique  a  la 

Comedie  italienne.    A  la  Haye,  et  se  trouve  a  Paris,  chez  Cailleau. 

1761.     32  pp.  **T.97.i82 

Leben    und     Kiinstler-Laufbahn     des     Negers     Ira    Aldridge.       Berlin. 

AUgemeine  Deutsche  Verlags-Anstalt.    1853.    (i),  46  pp.    **T.57.47 

Another  copy  is  on  shelf-number  No.  5  in  **G.3930.i3.i. 

Lebesque,  Octave.     (Georges  Montorgueil.) 

Le  cafe  concert.  Illus.  Plates.  (In  Les  demi-cabots.  Pp.  1-88. 
Paris.     1896.)  **T.97.230 

Lebrun,  Pierre. 

Discours  sur  la  comedie:  ou  traite  historique  et  dogmatique  des  jeux 
de  theatre  &  des  autres  divertissemens  comiques  soufferts  ou 
condamnes.  Avec  un  discours  sur  les  pieces  de  theatre,  tirees 
de  rficriture  Sainte.  2^  edition,  augmentee.  A  Paris,  chez  la 
veuve  Dclaulne.     1731.     xlviij,  360,  (19)  pp.  **T.78.30 

The  author  aims  to  justify  the  practice  of  the  Church  in  excommunicating  actors 
but  not  playgoers. 

Leclerc,  Ludovic. 

Les  decors,  les  costumes  et  la  mise  en  scene  au  xvii^  siecle.  1615- 
1680.     Paris.     Liepmannssohn  &  Dufour.     1869.     (4),  162,   (2)  pp. 

6257-37;  **T.77-i53 
Lecocq,  Georges. 

Hi^toire  du  theatre  de  S^-Quentin.     Paris.     Simon.     1878.     (3),   183, 

(i)  pp.     Plates.     Plans.     Facsimiles.  **T.74.i3 

Histoire  du  theatre  en  Picardie  depuis  son  origine  jusqu'a  la  fin  du 

xvi<-'  siecle.     Paris.     Menu.     1880.     223,   (3)  pp.     Plans.     **T.74.i7 

Bibliography,  pp.  7-9. 

Moliere  et  la  comedie  en  province.  Paris.  Lepin.  1880.  19,  (i)  pp. 
Kclates  to  the  state  of  the  theatre  in  Amiens.  4671.62 

[442] 


BROWN   COLLECTION    OF  BOOKS    ON    THE   STAGE 


Lecomte,  Henry.    See  Lecomte,  L.  Henry. 
Lecomte,  Hippolyte,  illustrator. 

[Recueil  des  costumes  de  tous  les  ouvrages  dramatiques  represcntes 

avec    succes    sur   tous    les   grands    theatres    de    Paris,    public   par 

Vizentini,  d'apres  les  dessins  d'Aug.  Garnerey  et  Hipp.  Lecomte. 

Paris.     Engelmann.     i8 — ?]     2  v.     371  colored  plates.       *8o72.307 

Lecomte,  L.  Henry. 

Bouffe.    Etude  biographique.    Paris.    Faure.     1867.    76  pp.    **T.57.i5 
Un    comedien    au    xixe    siecle:    Frederick-Lemaitre.      Etude    biogra- 
phique et  critique  d'apres  des  documents  inedits.    Paris.     L'auteur. 
18S8.     2  V.  **T.55.ii8 

Contents.  —  I.   1800-1839.     2.   1840-1876. 

Une  comedienne  au  xixe  siecle.  Virginie  Dejazet.  fitude  biogra- 
phique et  critique  d'apres  des  documents  inedits.  I'aris.  Sapin. 
1892.     (3),  448  pp.  **T.55.i 

Same.  Virginie  Dejazet  d'apres  ses  papiers  et  sa  correspondance. 
Vie  de  I'artiste.  —  Dejazet  et  ses  contemporains.  —  Dejazet 
amoureuse.  Paris.  Montgredien  &  cie,  [1902.]  (3),  336  pp. 
Portraits.  **T.57.282 

Another  copy  is  on  shelf-number  **P.ii.2i9S. 

Histoire  des  theatres  de  Paris.  1402-1904.  Notice  preliminaire. 
Paris.     Daragon.     1905.     (3),  60  pp.  *4677.io8 

List  of  theatres. 

Same.  Les  Fantaisies  parisiennes  —  I'Athenee  —  Le  Theatre  Scribe 
rAthenee-comique.  1865-1911.  Paris.  Daragon.  1912.  (3),  225, 
(i)  pp.     Portrait.  *2639a.i38 

Same.      Les    Folies-nouvelles.      1854-1859 1871  -  1872 1880. 

Paris.     Daragon.     1909.     (3),  168  pp.     Plate.  *4677.ii2 

Same.  Les  Jeux  gymniques  1810-1812.  Le  Panorama  dramatique 
1821-1823.     Paris.     Daragon.     1908.     (3),  153  pp.    Plate.    *4677.iii 

Same.     Les  Nouveautes.     1827 -1832 1866 -1873 1878- 1906. 

Paris.     Daragon.     1907.     (3),  211,  (i)  pp.     Plate.  *4677.iio 

Same.  Le  Panorama  dramatique.  1821-1823.  Paris.  L'auteur.  1900. 
85  pp.     Plate.  **T.96.34i 

Same.  La  Renaissance.  1838-1841,  1868,  1873-1904.  Paris.  Daragon. 
1905.     (3),  149,  (i)  pp.    Plate.  *4677.i02 

Same.  Le  Theatre  de  la  cite.  1792-1807.  Paris.  Daragon.  1910. 
(3)>  300  pp.     Plate.  *4677.ii3 

Same.  Le  Theatre  historique.  1847-1851,  1862,  1875-1879,  1890-1891. 
Paris.     Daragon.     1906.     (3),  166,  (i)  pp.     Plate.  *4677.i03 

Same.  Le  Theatre  national;  Le  Theatre  de  I'egalite,  1793-1794. 
Paris.     Daragon.     1907.     (3),  160  pp.     Plate.  *4677.i09 

Same.  Les  Varietes  amusantes,  1778-1789,  1793-1798,  1803,  1804,  1815. 
Paris.     Daragon.     1908.     (3),  262,   (i)  pp.     Plate.  *4676.i58 

Napoleon  et  le  monde  dramatique.  fitude  nouvelle  d'apres  des 
documents  inedits.  Paris.  Daragon.  1912.  (3),  iv,  499  pp.  Por- 
trait.    Facsimiles.  2655.119 

Virginie  Dejazet.  fitude  biographique.  Paris.  Faure.  1866.  69, 
(i)  pp.  **T.98.i3 

Lecouvreur,  Adrienne. 

Lettres.  Reunies  pour  la  premiere  fois  et  publiees  avec  notes,  etude 
biographique,  documents  inedits  tires  des  archives  de  la  Comedie, 
des  minutiers  de  notaires  et  des  papiers  de  la  Bastille,  par  Georges 
Monval.  Paris.  Plon.  1892.  302  pp.  Portrait.  Facsimile.  [Biblio- 
theque   elzevirienne.]  2669.109 

[443] 


THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 

Lecouvreur,  Adrienne.     Works  about. 

Allainval,  L.  J.  C.  S.  d'.  Lettre  a  Mylord  *  *  *  sur  Baron  et  la 
DUe  Le  Couvreur.  Lettre  du  souffleur  de  la  Comedie  de  Rouen 
au  g-argon  de  caffe  (par  Du  Mas  d'Aigueberre).  Publiees  par  Jules 
Bonnassies  .  .  .       Paris.     1870.     Plates.  **T.58.64;  etc. 

Ledger,  Edward,  editor.     See  Era;  Era  Almanack  and  Annual. 

Lee,  Henry. 

Memoirs  of  a  manager;  or,  life's  stage  with  new  scenery.     Taunton. 

Bragg.    1830.    2  V.  in  i.  **T.57.344 

Relates  to  the  English  theatres. 
Lee,  John. 

An  address  to  the  judges  and  the  public,  on  a  decision  lately  made  in 

one  of  our  courts  of  judicature.     London:  Printed  for  the  author. 

1772.    21  pp.  No.  6  in  **G.3823.i5 

On  a  project  for  the  building  of  a  theatre  in  Bath. 
A  letter  from  Mr.  Lee  to  Mr.  Sheridan.     Dublin:  Printed  in  the  year 

1757-     (3),  18  pp.  No.  2  in  **G.3824.i 

A  narrative  of  a  remarkable  breach  of  trust  committed  by  a  noble- 
man, five  judges,  and  several  advocates  of  the  Court  of  Session  in 

Scotland.     London.  Printed  for  the  author.     1772.     (4),  36  pp. 

No.  5  in  **G.3823.i5 

Relates  the  experiences  of  the  author  while  manager  of   the  Theatre   Royal   in 

Edinburgh. 

Lee,  Sir  Sidney. 

Shakespeare  and  the  Elizabethan  playgoer.  (In  An  English  miscel- 
lany.    Presented  to  Dr.  Furnivall.     Pp.  235-254.     Oxford.     1901.) 

*4555-i54 
Lee,  William  Henry,  compiler. 

Deaths  in  the  dramatic  and  musical  professions.'  1901  to  1907.  Bos- 
ton. 1907.  Unpaged.  Portraits.  Autograph  facsimiles.  **T.i2.7 
Composed  of  clippings  relating  principally  to  actors  of  the  American,  stage. 
Each  volume  has  an  index. 

Dramatic  &  musical  programs.  [Boston.  1897-1913.]  13  v.  Illus., 
some  colored.     Portraits,  some  colored.     Autograph  facsimiles. 

**T.io.68 

The  programmes  are  accompanied  by  portraits  of  the  performers,  and,   in   many 
cases,  by  scenes  from  the  plays.      Each   volume  contains  an  index. 

Leech,  Augustus  E. 

Theatres  as  they  are,  physically,  quizzically,  and  critically  discussed. 
London.     The  Theatrical  Times  Office.     1848.     iv,  68  pp. 
Relates  to   f.ondon  theatres.  **X.96.I33 

Leech,  John,  illustrator. 

A  Beckett,  G.  A.  The  quizziology  of  the  British  drama.  Com- 
prising I. — Stage  passions.  11.— Stage  characters,  iii. — Stage 
plays.     London.     1846.  **T.48.3 

Daniel,  G.  Merrie  England  in  the  olden  time.  [With  illustrations 
by  John  Leech  and  Robert  Cruikshank.]  London.  1842.  2  v. 
Portraits.  2529.30;  etc. 

Leeds,  Josiah  W. 

The  theatre:  an  essay  upon  the  non-accordancy  of  stage-plays  with 
the  Christian  profession.  Philadelphia.  The  Author.  1884.  85 
PP-  544oa.i33 

Same.     [3d  edition.]     1886.  544ga.iii 

Same.     Newport,  Mon.     Southall.     1890.     (8),  77  pp.  **T.78.i8 

Edited  by  John  E.  Southall. 

[444] 


BROWN  COLLECTION   OF  BOOKS   ON  THE  STAGE 


Leeds,  England.     Theatres. 

Remarks  on  the  theatre,  occasioned  by  the  awful  death  of  Mr. 
Cummins,  which  took  place  at  the  play-house  in  this  town,  the 
.20th  of  June.     Leeds.     1817.  **T.96.io5;  etc. 

Lefanu,  Alicia. 

Whyte,  S.     The  theatre:  a  didactic  essay.     Including-  an  idea  of  the 

character  of  Jane  Shore,  as  performed  by  a  young  lady   [Alicia 

Sheridan,  afterward  Mrs.  Lefanu]   in  a  private  play,  etc.     Dublin. 

1790.  No.  3  in  **G.3824.6 

Lefebvre,  Leon. 

Le   theatre    de    Lille    au    xviiie    siecle.      Auteurs    &    acteurs.      Lille. 
Lefebvre-Ducrocq.     1894.     (3),  114,  (2)  pp.     Portrait.      **T.97.ii4 
Lefevre,  Julien. 

L'electricite   au   theatre.      Paris.      Grelot.      [1894.]      (3),    iv,   345   pp. 
Illus.     Plates.     Plans.     [Encyclopedic  electrique.]  **T.77.i4i 

Lefevre,  Maurice. 

Les  gestes  de  la  chanson.     Illus.     Plates.     (In  Les  demi-cabots.     Pp. 
89-148.     Paris.     1896.)  **T.97.230 

Relates  to  cafes-concerts. 

Le  Flaneur,  Guillaume,  pseud.     See  Saint  Hilaire,  Amable  Villain  de. 
Lefort,   Henri,  illustrator. 

Galerie  historique  des  comediens  frangois  de  la  troupe  de  Voltaire. 

Graves  par  Henri  Lefort.     Avec  des  details  biographiques  inedits 

par    E.-D.     de     Manne.      Nouvelle    edition,    augmentee.       Lyon. 

Scheuring.     1877.     viii,  424,   (3)  pp.  4644.51 ;  **T.56.92 

Lefuel  de  Mericourt, . 

Histoire  universelle  des  theatres  de  toutes  les  nations,  depuis  Thespis 

jusqu'  a  nos  jours;  par  une  societe  de  gens  de  lettres   [J.  M.  L. 

Coupe,  G.  F.  F.  Des  Hayes,  Lefuel  de  Mericourt,  et  Testu].     A 

Paris,  chez  les  auteurs.     1779-81.     11  v.    Portraits.     Plates.    Plans. 

A  complete  set  of  13  vohtmes  is  on  shelf-number  **G. 224.1.  **T.47.87 

Legband,  Paul,  editor. 

ScHMiD,     C.     H.       Christian     Heinrich     Schmids     Chronologic     des 
deatschen  Theaters.     Berlin.     1902.     Portrait.  *6907.i3 

Legerdemain. 

Bassett,  J.  A  magician  in  many  lands.  London.  191 1.  Illus.  Por- 
traits. Plates.  3015-78 
Blitz,  A.  Fifty  years  in  the  magic  circle;  being  an  account  of  the 
author's  professional  life  [etc.].  Hartford,  Conn.  1871.  lUus. 
Portrait.  Plates.  7600.40 
BuKLiNGAME,  H.  T.  Herrmann  the  magician:  his  life;  his  secrets. 
Chicago.     [1897.]     Illus.     Plates.                            4448.269;  **T.56.296 

Leaves  from  conjurers'  scrap  books;  or,  modern  magicians  and 

/    their  works.     Chicago.     1891.     Illus.     Portraits.  3608.114 

fj;/T)ECREMPS,   H.     Les  petites  aventures  de  Jerome  Sharp,  professeur 

^de  physique  amusante;  ouvrage  contenant  autant  de  tours 
ingenieux  que  de  legons  utiles,  par  I'auteur  de  La  magic  blanche. 
A  Bruxelles.  1789.  Illus.  Plate.  Diagrams.  Music.  **T.97.28 
Evans,  H.  R.  The  old  and  the  new  magic.  Chicago.  1906.  Illus. 
Plates.  7605.77 

Frost,  T.     The  lives  of  the  conjurors.     London.     1876. 

2469.66;  **T.97.i63 

Giraldo,  M.  de.   Histoire  curieuse  et  pittoresque  des  sorciers,  devins, 

magiciens,  astrologues,  etc.,  depuis  I'antiquite  jusqu'a  nos  jours. 

Paris.     [1846.]     Plate.  **T.95.83 

[445] 


THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 

Legerdemain.     (Continued.) 

HoLDEN,  J.  W.     A  wizard's  wanderings  from  China  to  Peru.     Lon- 
don.    1886.     Illus.     Portrait.  **T.57.357 
HouDiNi.  H.     The  unmasking  of  Robert-Houdin.     New  York.     1908. 
Portraits.     Plates.                                                        4006.219;  **T.96.37i 
Kellar,  H.     a  magician's  tour  up  and  down  and   round  about  the 
earth.    Chicago.    1886.    Illus.    Portrait.    Plates.    6267.69;  **T.57.356 
Lynn,  H.  S.     The  adventures  of  the  strange  man   Dr.   H.  S.   Lynn. 
With  a  supplement  showing  "How  it's  done!"     Leicester.     1878. 

**T.98.8 

Maskelyne,   J.    N.      Our   magic.      By    Nevil    Maskelyne    and    David 

Devant  [pseud,  of  David  Wighton].     New  York.     [1911.]      Illus. 

4006.217 

Miller,  D.  P.    The  life  of  a  showman;  and  the  managerial  struggles 

of  David  Prince  Miller.     With  anecdotes  and  letters  of  actors. 

An   expose   of  the   practices   of  various   deceivers   of   the   public. 

With   the  secrets  of  conjuring.     London.      [186-?] 

No.  2  in  *4579.ii5 

Raynaly,    E.      Les    propos    d'un    escamoteur.      fitude    critique    ct 

humoristique.     Paris.     1894.    Portrait.  **T.97.246 

RoBERT-HouDiN,  J.  E.    Memoirs.    Written  by  himself.     Philadelphia. 

1859.  6647.11;  etc. 

Legge,  Thomas. 

Cooper,  C.  H.  The  actors  in  Dr.  Legge's  tragedy  of  Richardus 
Tertius,  performed  at  St.  John's  College,  at  the  bachelors'  com- 
mencement, 1579-1580.  Read  Nov.  29,  1858.  (In  Cambridge  Anti- 
quarian Society,  England.  Antiquarian  communications.  Vol.  i, 
PP-  347-357-     Cambridge.     1859.)  *25o6.6.i 

Leggett,  William,  editor. 

Critic.  The.    A  weekly  review  of  literature,  fine  arts,  and  the  drama. 
Vol.  I.    Nov.  I,  1828 -May  2,  1829.    New- York.    1828,  29.    **T.25.i8 
Legion  d'honneur. 

Dreyfous,  M.     Les  comediens  et  la  Legion  d'honneur.     Paris.     1863. 

**T.95.89 

Legouve,  G.  J.  B.  E.  W.    La  Croix  d'honneur  et  les  comediens.    Paris. 

1863.  **T.95.88 

Legouve,  Ernest.     See  Legouve,  Gabriel  Jean  Baptiste  Ernest  Wilfrid. 

Legouve,  Gabriel  Jean  Baptiste  Ernest  Wilfrid. 

La  Croix  d'honneur  et  les  comediens.     Paris.     Levy.     1863.      ro  pp. 

**T.95.88 

Epis    et    bleuets.      Souvenirs    biographiques.      fitudcs    litteraires    et 

dramatiques.     Scenes   de   famille.      Paris.     Hetzel.      [1892.]      (i). 

299,   (i)  pp.     Illus.     Portrait.  2672.146 

Maria  Malibran.     Paris.     Hetzel  &  cie.     [1880.]     48  pp.     ffitudes  et 

souvenirs   de   theatre.]  4669.66;  **M.io9.i4 

Another  copy   is  on   shelf-number   Xo.  2  in  **M.i38. 15. 

M.  Samson  et  ses  eleves.     Paris.     Hetzel  &  cie.     [1875.]      (3).  40  pp. 

[Conference  des  matinees  litteraires.]  **T.96.i57 

Sixty  years  of  recollections.     Translated,  with   notes,  by   Albert    D 

Vandam.     London.     Eden,   Remington  &  Co.     1893.     2  v. 

This  deals  largely  with  actors  and  the  theatre  in  Paris.  2644. 100 ;  **T.56.203 

Legrand,  Camille. 

Histoire  anecdotique  des  theatres  de  Paris  (ecrite  au  jour  le  jour). 

[Par]   Jean  Raphanel  et  Camille  Legrand.     Avec  une  i)refacc  dc 

[446] 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 

Legrand,  Camille.     (Continued.) 

Jules  Barbier.     Illustrations  de  Valverane.     Vol.   i.     Paris.     Aux 

bureaux  des  "Feux  de  la  rampe."     1896.     383,   (i)  pp.     Portraits. 

Contents.  —  I.  i  Janvier -31  mars  1896.  **T.77.I27 

Lehmann,  Lilli. 

Mein  Weg.     Leipzig.     Hirzel.     1Q13.     2  v.  in   i.     Portraits.     Plates. 

Facsimiles.     Table.  4043.125 

Same.    My  path  through  life.    Translated  by  Alice  Benedict  Seligman. 

New  York.     Putnam.     1914.     xiii,  (i),  510  pp.     Portraits.     Plates. 

Facsimiles.     Table.  4043.127 

Relates  to  the  opera  in  Europe  and  America. 

Lehner,  Gilbert. 

Theater-Decorationen.  Abth.  i,  Serie  1-3.  Berlin.  Hessling  & 
Spielmeyer.     fi8o2?]      Plates,   some  colored.  *8o70.i39 

Contents. — i.  H.  v.  Kleist's  Kathchen  von  Heilbronn.     15  plates.     2.  Shakespeare's 
Konig  Lear.     12  plates.     3.  Goethe's  Faust.     14  plates. 

Lehr-  und  Wanderjahre  des  deutschen  Schauspiels.    .Gknee,   R. 

4872.17;  **T.47.4S 
Lehrer-Vereinigung  fiir  die  Pflege  der  kunstlerischen  Bildung,  Hamburg, 
Germany. 
Unsere  Volksschiiler  im  Stadttheater.  2.  Tausend.   Hamburg.   Boysen. 
1898.     48  pp.  7592.32 

A  collection  of  articles  by  various  authors. 
Leicester,  England. 

Halliwell-Phillipps,  J.  O.,  editor.  Dispute  between  the  Earl  of 
Worcester's  players  and  the  Corporation  of  Leicester  in  1586, 
from  the  records  of  that  city.  (In  Shakespeare  Society,  London. 
Papers.     Vol.  4,  pp.  145,  146.     London.     1849.)  *4596.ii.4;  etc. 

Kelly,  W.  Notices  illustrative  of  the  drama,  and-  other  popular 
amusements,  chiefly  in  the  sixteenth  and  seventeenth  centuries; 
extracted  from  the  chamberlains'  accounts  and  other  manuscripts 
of  th'C  Borough  of  Leicester.     London.     1865.     Plate.     Plan. 

4578.10;  **T.76.i66;  etc. 
Leighton,  Sir  Baldwyn,  Baronet. 

The  late  Thomas  William  Robertson,  and  the  modern  theatre.     Lon- 
don.    Bentley.     1875.     16  pp.  **T.96.34 
Leipzig,  Germany.     Theatres. 

Bluemner,  H.  Geschichte  des  Theaters  in  Leipzig.  Von  dessen 
ersten    Spuren   bis   auf   die   neueste    Zeit.     Leipzig.      1818. 

**T.78.8 
Francke,   R.     Leipzig's  Theater  vor   100  Jahren.      (Sonder-Abdruck 
aus  den  Leipziger  Nachrichten.)     Leipzig.     1879.  4837.22 

Leipzig,  Germany.     Theatres.     Neues  Theater. 

Arles,  a.,  and  others.  Vorschlage  von  Theaterfreundcn  zur  Besse- 
rung  der  Zustande  beim  Leipziger  Theater.     Leipzig.     [1867?! 

**T.96.225 
Leipzig,  Germany.     Theatres.     Stadt-Theater. 

Langhans,  C.  F.  Das  Stadt-Theater  in  Leipzig.  Entworfen  von  C. 
F.  Langhans.  Mit  Text  vom  Architekt  Briickwald.  Berlin.  1870. 
9  plates.  **T.7i.3 

Lekain,  Henri  Louis  Cain,  called  Lekain. 

Memoires  de  Lekain.     (In  Barriere,  Jean  F.,  editor.     Bibliotheque  des 

memoires   relatifs  a  I'histoire   de   France  pendant  le    i8"ie  siecle. 

Tome  6,  pp.  105-142.     [Paris.     1846.])  *4667.2,6 

Same.     (In  Same.     [1857.])  **T.57-28o 

[447] 


THE  PUBLIC  LIBRARY  OF  THE   CITY  OF  BOSTON 

Lekain,  Henri  Louis  Cain,  called  Lekain.     '(Continued.) 

Same.  Precedes  de  reflexions  sur  cet  acteur  et  sur  I'art  theatral,  par 
F.  Talma.  Paris.  Ponthieu.  1825.  (3),  Ixviij,  439  pp.  [Collection 
des  memoires  sur  I'art  dramatique.]  **T.56.io 

Another  copy  is  on  shelf-number  **G. 224.2. 13. 
Same.  Publics  par  son  fils  aine;  suivis  d'une  correspondance  (inedite) 
de  Voltaire,  Garrick,  Colardeau,  Lebrun,  etc.     Paris.     Colnet.     An 
IX.-1801.     XV,  420,   (3)  pp.     Portrait.  **T.56.i4 

Lekain,  Henri  Louis  Cain,  called  Lekain.     Works  about. 

Chevalier,  P.  M.  F.  Le  Kain  in  the  character  of  Vendome.  Trans- 
lated from  the  French  of  Pitre  Chevalier.     [New  York?     1847.] 

No.  6  in  **G.3930.i3.2 
FiRMiN,  J.  F.  Becquerelle,  called  Firmin.     Parallele  entre  Talma  et 
Lekain.      Esquisse.      Suivi    de    quelques   reflexions   sur   I'art   dra- 
matique.     Paris.     1826.  **T.57.34 
Mole,  F.  R.     Notice  .  .  .  sur  les  Memoires  de  Henry  Louis  Lekain. 
Paris.     1801.                                                                    No.  3  in  **M,i47.i6 
Talma,  F.  J.     Reflexions  sur  Lekain  et  I'art  theatral.     Paris.     1856. 

467ob.52;  etc. 
Leland  Stanford  Junior  University. 

English  Club,  Leland  Stanf.ord  Junior  University.  The  trve  historic 
of  the  Knyght  of  the  Bvrning  Pestle,  by  Francis  Beavmont  and 
lohn  Fletcher.  Booke  of  the  play  as  presented  by  the  English 
Clvb;  including  a  compendiovs  discourse  on  seeing  an  Elizabethan 
play.  San  Francisco.  1903.  Portraits.  Plates.  Music.  2559a.i09 
Lelion-Damiens,  Lucien  filie. 

Le  breviaire  des  comediens.     Paris.     Tresse.     1858.     (3),  iv,  312  pp. 

Notes  on  acting.  **T.77.23I 

Same.  Crette.     1883.     (10),  iv,  312  pp.     [CEuvres.]     4673.75;  **T.77.io6' 
Lemaitre,  Antoine  Louis  Prosper.     See  Lemaitre,  Frederick. 
Lemaitre,  Frederick. 

Souvenirs.  Publics  par  son  fils.  2^  edition.  Paris.  Ollendorff. 
1880.     (3),   348  pp.     Portrait.  46493.62;  **T.57.3i4 

Lemaitre,  Frederick.     Works  about. 

Basset,  S.  Une  aventure  de  Frederick  Lemaitre  (1854).  [Paris. 
1908.]     Plates.  6671.299 

Duval,  G.  Frederick-Lemaitre  et  son  temps.  1800-1876."  Avec  une 
eau-forte  de   Gonzague   Privat.     Paris.     1876.     Portrait. 

2654-55;  **T.58.i3 
Jacquot,  C.  J.  B.     Lemaitre.     (In  his  Portraits  et  silhouettes  au  xixe 
siecle.     Vol.  3,  pp.  267-299.     Paris.     1868.)  4641.54.3 

Lecomte,  L.  H.  Un  comedien  au  xixe  siecle:  Frederick-Lemaitre. 
Etude  biographique  et  critique  d'apres  des  documents  inedits. 
Paris.     1888.     2  V.  **T.55.ii8 

TuLOU,  F.  Frederick-Lemaitre.  Souvenirs,  documents  inedits  &  fac- 
simile d'une  Icttre  du  grand  artiste.  Extraits  de  la  collection  de 
Leon  Sapin.     Paris.     1876.     Facsimile.  No.  2  in  **M.i25.7 

Leman,  Walter  M. 

Memories  of  an  old  actor.  San  Francisco.  A.  Roman  Co.  1886.  xv, 
406  pp.     Portrait.     Autograph  facsimile.  4348.159;  **T.57.43 

Relates  to  the  theatre  in  America. 

Lemazurier,  Pierre  David. 

Catalogue  de  [sa]  bibliotheque  dramatique.  La  vente  aura  lieu  le 
16  octobre    1837.      Paris.     Leblanc.      1837.      (8),    148,    (3)    pp. 

**T.66.i5 

[448] 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 

Lemazurier,  Pierre  David.     (Continued.) 

Galerie  historique  des  acteurs  du  Theatre  frangais,  depuis  1600 
jusqu'a  nos  jours.  Ouvrage  recueilli  des  niemoires  du  temps  ct 
de  la  tradition.    Paris.    Chaumerot.     1810.    2  v.    Plate.    **T.56.297 

Another  copy  is  on  shelf  number  **47o6. 12. 

Lemercier,  Louis  Jean  Nepomucene. 

Metral,  a.  M.  T.  De  la  liberte  des  theatres,  dans  ses  rapports  avec 
la  liberte  de  la  presse,  a  I'occasion  de  I'analyse  de  La  demence  de 
Charles  vi,   tragedie   de   M.   Lemercier.     Paris.      1820. 

**T.76.io6;  etc. 
Lemercier,  Nepomucene  Louis.   See  Lemercier,  Louis  Jean  Nepomucene. 
^emoine,  Henry. 

OX^Authentic  account  of  the  fire  which  reduced  that  extensive  building 
of  the  Theatre-Royal,  Drury-Lane,  to  a  pile  of  ruins,  on  the  24th 
of  February,  1809;  to  which  is  added,  a  chronological  list  of  all 
the  places  of  public  amusement  destroyed  by  fire,  in  England. 
[Anon.]  London:  Printed  by  W.  Glendinning.  [iSoq.]  25  pp. 
Plate.  No.  II  in  **G.3823.4.2 

Lemon,  Abraham,  and  others. 

Report  of  the  proceedings  upon  a  criminal  information  against 
Abraham  Lemon  [and  others],  for  a  conspiracy  and  riot  at  the 
Theatre-Royal,  Liverpool.     Liverpool.     Kaye.     1810.     (4),  104  pp. 

No.  4  in  **G.3824.5 
Lemon,  Mark. 

Hatton,  J.  With  a  show  in  the  North.  Reminiscences  of  Mark 
Lemon.     London.     1871.     Portrait.     Music.  6549.6;  **T.57. 359 

Lemonnier,  Alphonse. 

Les  abus  du  theatre.  Quelques  directeurs  en  robe  de  chambre. 
Paris.     Tresse  &  Stock.     1895.     178,   (i)   pp.  **T.98.i9 

Les  femmes  de  theatre.  Avec  une  preface  et  un  autographe  de 
Leonide  Leblanc.  Paris.  Faure.  1865.  (3),  281,  (i)  pp.  Manu- 
script facsimile.  **T.87.62 
Contents.  —  Les  femmes  de  theatre.  —  Une  comedienne  en  voyage. 
Les  mille  et  un  souvenirs  d'un  homme  de  theatre.  Paris.  Librairie 
Moliere.  1902.  (3),  211,  (i)  pp.  Portraits.  **T.77.8o 
Les  petits  mysteres  de  la  vie  theatrale.  Souvenirs  d'un  homme  dc 
theatre.     Paris.     Tresse  &  Stock.     1895.     232  pp.              **T.97,i68 

The  first,  third  and  fourth  of  these  works  relate  to  the  Paris  theatres. 

Le  Moyne,  William  J. 

Catalogue  of  [his]  library,  comprising  drama  and  dramatic  biography; 

old  plays  and  playbills  and  other  rare  dramatic  items,  etc.     To 

be  sold  at  auction,  October  17-20  by  the  Merwin-Clayton  Sales 

Company.     New  York.      [1905.]      119  pp.  **T.65.42 

Lennox,  Lord  William  Pitt. 

Celebrities  I  have  known;  with  episodes,  political,  social,  sporting, 
and  theatrical,  [ist,]  2d  series.  London.  Hurst  &  Blackett. 
1876,  77.    4  v.  2573.61 

Plays,  players  and  playhouses  at  home  and  abroad.  With  anecdotes 
of  the  drama  and  the  stage.  London.  Hurst  &  Blackett.  1881. 
2  V.  2454.59;  **T.77.82 

Leno,  Dan. 

Wood,  J.  H.  Dan  Leno.  London.  [1905.]  lUus.  Portraits.  Fac- 
simile. **T.57.82 

Leotard, . 

Memoires  de  Leotard.     2e  edition.     Paris,     i860.     (3),  188  pp.     Plate. 

**T.59.36 
[449] 
29 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 

Lepan,  fidouard  Marie  Joseph. 

Histoire  de  retablissement  des  theatres  en  France.  [Anon.]  Paris. 
Frechet.     1807.     (3),  iv,  230  pp.  **T.78.28 

Relates  to  the  theatres  of  Paris. 
Le  Poitevin  de  L'Egreville,  Charles  Prosper,  compiler. 

L'esprit  du  theatre;  ou,  pcnsees  choisies  des  auteurs  dramatiques  les 
plus  connus,  tant  anciens  que  modernes,  tant  nationaux  qu' 
etrang-ers;  precedees  de  notices  biographiques  et  de  jugemens 
litteraires.     Serie  i.     Paris.     Dentu.     [1865.]      ("3),  xxx,  514  pp. 

**T.37.i4Q 

Cnutci'ts. —  I.   Siccle  dc  Pericles  au  regne  de  Frangois    ler. — Eschyle. — Machiavel. 

Leprieur-Accoyer,  fimile.     (E.  A.  Spoil.) 

Mme.  Carvalho.  Notes  et  souvenirs.  Avec  un  portrait  a  I'eau-forte 
par  Lalau/^e.  Paris.  Librairie  des  bibliophiles.  1885.  (3).  104  pp. 
Portrait.  **T.58.i33;  **M.377.63 

Lerebours,  Pierre  Victor,  editor. 

Documents  pour  servir  a  I'histoire  du  Theatre-frangais  sous  la  Res- 
tauration,  ou  recueil  des  ecrits  publics  de  1815  a  1830.  Paris. 
Guillaumin.      1834.      (3),    173   pp.  No.  2  in  **M.i4i.3 

Leris,  Antoine  de. 

Dictionnaire  portatif  historique  et  litteraire  des  theatres,  contenant 

I'origine  des  differens  theatres   de   Paris.     2^  edition   augmcntee. 

A  Paris,  chez  C.  A.  Jombert.     1763.     xxxiv,  728  pp.  **T.78.25 

Same,     xxxiv,  744  pp.  **G.3562.i3 

Le  Roux,  Hugues  Robert  Charles  Henri. 

Les  jeux  du  cirque  et  la  vie  foraine.  Illustrations  de  Jules  Garnier. 
Paris.  Plon,  Nourrit  &  cie.  [i88q.]  (5),  v,  (i),  250,  (2)  pp. 
Colored  illus.     Colored  portraits.     Facsimiles.  **T.93.2 

Same.  Acrobats  and  mountebanks.  Translated  from  the  French 
by  A.  P.  Morton.  London.  Chapman  &  Hall,  Ltd.  1890.  xii, 
336    pD.      Illus.      Portraits.      Plates.      Facsimiles. 

4001.100;  **T.95.85 
Le  Roy,  Albert. 

Le  comedien.  Paris.  Lemerre.  1888.  (3).  267,  (2)  pp.  **T.87.52 
A  novel  of  stage  life. 

Leroy,  Louis. 

Les  treteaux  parisiens.  Scenes  de  ville  et  de  theatre.  f3e  edition.] 
Illustrations  de  Draner.  Paris.  Librairie  illustree.  [1881.]  (3), 
318  pp.  466ob.63;**T.87!53 

A  collection  of  .short  stories  and  plays. 
Lesage,  Alain  Rene. 

CoRALi.i,  J.,  and   E.    Burat  de   Gurgy.      [The  devil  on  two   sticks.] 

Programme  of  the  story,  scenery,  and  dances,  in  the  new  grand 

ballet  The  devil  on  two  sticks:   founded   on  the   romance  by   Le 

Sage.     London.     [1836.]  **T.36.72 

Le  Senne,  Camille. 

Le  theatre  a  Paris.     Serie   1-5.     Paris.     Le  Soudier.     1888-QO.     5  v. 

**T.47.86 

Contents.   —  I.  1883-1884.  2.  1885.  3.  Tanv.  1886 -aout  1887.  4.  Sept.  1887 -oct. 
1888.  5.  Sept.  1888 -oct.  1880. 

Le  Senne,  Charles  fitienne. 

Code  du  theatre.     Lois,  reglements,  jurisprudence,  usages.     Avant- 

propos  par  Henry  Celliez.     Paris.    Tresse.     1878.  vii,  (i),  316  pp. 

Relates  to   French   theatres.      Arranged   in   dictionary  form.  **T.77.I92 

Leslie,  Amy,  pseud.    See  Buck,  Lillie  West  Brown. 

[450] 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 


Leslie,  Frederick. 

Vincent,  W.  T.  Recollections  of  Fred  Leslie.  London.  1804.  2  v. 
Illus.     Portraits.     Plates.  4543.121;  **T.56.62 

Le  Soudier,  Henri,  editor. 

Revue  des  livres  et  du  theatre.  Annee  13,  no  311,  313-315,  317. 
Paris.     1893,  94.     5  numbers  in  i  v.  *722i.5i 

Lessing,  E.  G.     See  Lessing,  Gotthold  Ephraim. 
Lessing,  Gotthold  Ephraim. 

Dramaturgic  de  Hambourg.  Traduction  de  Ed.  de  Suckau.  Revue 
et  annotee  par  L.  Crousle.  Avec  une  introduction  par  Alfred 
Mezieres.  Nouvelle  edition.  Paris.  Perrin.  1885.  (3),  xlii,  (i), 
473  pp.  **T.47.29- 

Same.  Lessings  Hamburgische  Dramaturgic.  Abridged  and  edited 
with  introduction  and  notes  by  Charles  Harris.  New  York.  Holt. 
1901.     xl,  356  pp.  2879.40 

Lessing,  Gotthold  Ephraim.     Works  about. 

CosACK,  W.  Materialien  zu  Gotthold  Ephraim  Lessing's  Ham- 
burgische Dramaturgic.  Ausfiihrlicher  Commentar  nebst  Ein- 
leitung,    Anhang   und    Register.      Paderborn.      Schoningh.      1876. 

4873-28 
EcKARDT,    L.      Lessing  und    das    erste    deutsche    Nationalthcater    in 
Hamburg.     Eine  deutsche  Gabe  zur  Shakspeare-Feier.     Vortrag 
im  Athenaum  zu  Hamburg  am  21.  April  1864.     Hamburg.     1864. 

No.  5  in  **G.39io.i2 
Michel,  G.    Lessing  und  die  heutigen  Schauspieler.    Hamburg.    188S. 

No.  2  in  *52i6.50.N.F.3 

Letter,  A,  addressed  to  the  authors  of  the  Lincoln   Dramatic   Censor. 

containing  strictures  and  observations  upon  their  conduct  towards 

the   manager    of   the    Lincoln    Theatre.      By   a    friend    to   justice. 

Lincoln.     Brooke.     1809.     8  pp.  **T.96.i52 

Letter,  A,  concerning  Mr.  Henry  Irving  addressed  to  E.  R.  H.     Yorick. 

pseud.  **T.98.33 

Letter  from  a  gentleman  in  town  to  his  friend  in  the  country.     [Anon.] 

See  Logan,  William  Hugh. 

Letter,   A,   of  abuse,   to   D...d   G k.    Esq;    .  .  .     London:    Printed 

for  J.  Scott,  .  .  .     1757.     26  pp.  No.  10  in  **G.3824.i6 

A  satire  on  the  detractors  of  Garrick. 

-Letter,  A,  to  a  certain  patentee:  in  which  the  conduct  of  managers  is 
impartially    considered;    and    a    few    periods    bestowed    on    those 

darlings   of  the  publick,   Mr.    G k    [Garrick],    Mr.   F e 

[Foote],   Mrs.   P d    [Pritchard],  &c.     London:   Printed   for 

H.  Mumford.     [1747.]     28  pp.  **T.97.47 

Relates   to   Covent   Garden   Theatre.      Another  copy  is   on   shelf-number   No.  i  in 
**G. 3824.6. 

Letter,  A,   to  a  lady  concerning  the   new  play  house.      [Anon.]      See 

Collier,  Jeremy. 

^JLetter,  A,  to  a  noble  lord,  to  whom  alone  it  belongs.     Occasioned  by  a 

.^^  representation  at  the  Theatre  Royal  in   Drury-Lane,  of  a  farce, 

called  Miss  Lucy  in  town.     London:  Printed  for  T.  Cooper.     1742. 

(i),  20  pp.  No.  7  in  **G.3823.9 

Letter,  A,  to  David  Garrick.     [Anon.]     See  Williams,  David. 

Letter,  A,  to  Messieurs  Victor  and  Sowdon,  managers  of  the  Theatre- 
Royal.     Dublin.  Printed  in  the  year  MDCCLV.     15  PP-    **T.76.i58 

[451] 


THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 

Letter,  A,  to  Miss  Nossiter.  Occasioned  by  her  first  appearan  e  on  the 
stage:  in  which  is  contained  remarks  upon  her  manner  of  playing 
the  character  of  Juliet.  With  theatrical  observations.  London: 
Printed  for  W.  Owen  and  sold  by  G.  Woodfall.  1753.  (3).  56  pp. 
Another  copy  is  on  shelf-number  No.  3  in  **G.3924-2-  **T.97.59 

Letter,  A,  to  Mr.  Alfred  Bunn,  Manager  of  the  Theatre  Royal,  Birm- 
ingham; being  a  review  of  his  epistle  to  the  Rev.  J.  A.  James. 
By  a  member  of  the  Church  of  England.  Birmingham.  Hudson. 
1824.     22  pp.  **T.76.55 

Signed,  Mercator.  Bunn's  Letter  to  the  Rev.  J.  A.  James  is  a  defense  of  the 
theatre. 

Letter,  A,  to  Mr.  Congreve  on  his  pretended  amendments,  &c.,  of  Mr. 
Collier's  Short  view  of  the  immorality  and  prophaneness  of  the 
English  stage.     London:  Printed  for  Samuel  Keble.     1698.     42  pp. 

No.  I  in  **G.382i.i9 

Letter,  A,  to  Mr.  G k.  relative  to  his  treble  capacity  of  manager, 

actor,  and  author;  with  some  remarks  on  Lethe.  London:  Printed 
and  sold  by  W.  Reeve.     1749.     19  PP-  No.  12  in  **G.3824.i6 

Letter,  A,  to  Mr.  Garrick  on  his  having  purchased  a  patent  for  Drury- 
Lane  Play-House.  London:  Printed  for  J.  Freeman  and  to  be  had 
of  Mr.  Lewis.     [1747-]     (i),  29  pp.     No.  6  in  **G.3824.i7;  **T.97.44 

Letter,  A.  to  Mr.  Garrick  on  the  opening  of  the  theatre,  with  observa- 

Ny/  tions    on    the    conduct    of    managers,    to    actors,    authors,    and 

audiences:  and  particularly  to  new-performers.     London:  Printed 

y  for  J.  Coote.     1758.     ig  pp.  No.  9  in  **G.3824.i6 

vLetter,  A,  to  my  Lord  *******  on  the  present  diversions  of  the 
l/^  town.     With  the  true  reason  of  the  decay  of  our  dramatic  enter- 

tainments.    London,  Printed  for  J.  Roberts,     1725.     30  pp. 

No.  14  in  **G.382i.ii 

Letter,  A.  to  the  author  of  the  burletta  called  Hero  and  Leander,  in 
refutation  of  what  he  has  advanced  in  his  dedication  to  Philips 
Glover,  on  the  statutes  for  the  regulation  of  theatres,  the  conduct 
of  Mr.  Palmer,  of  Mr.  Justice  Staples,  and  the  ether  justices:  and 
also  of  his  observations  on  the  consequences  that  must  arise  from 
the  establishment  of  a  theatre  in  Wellclose  Square.  London: 
Printed  for  G.  Kearsley.     1787.     (i),  48  pp.  **T.7S.54 

Opposes    the   licensing   of   the   Royalty   Theatre    in    Wellclose    Square,    London. 

Letter,  A,  to  the  Rev.  George  Burder,  occasioned  by  his  sermon  on 
lawful  amusements.    London.    Symonds.    [1805.]    36  pp.    **T.96.6i 

Another  copy  is  on  shelf-number  No.  3  in  **r>. 3824.9.  Burder's  Lawful  amuse- 
ments may   he  found  on   shelf-numbers  **T.96.49;    No.  2  in  **G. 3824. 9. 

Same.     Postscript.     (3),  39  pp.  **T.96.62 

Another  copy  is  on  shelf-number  No.  4  in  **G.3824.9. 

Letter,  A,  to  th.e  Reverend,  the  Moderator  and  members  of  the  Presby- 
tery of  Haddingtoun.  Edinburgh:  Printed  in  the  year  1757.  8  pp. 
An  at'ack  on  the  stage  and  on  John  Home  for  writing  a  play.  **T.g6.79 

Letter,  to  the  Right  Hon.  Robert  Peel,  respecting  the  proposed  intro- 
duction of  a  bill,  to  repeal  so  much  of  the  Act  of  loth  Geo.  IT. 
cap.  28,  as  rec|uires  notice  to  be  sent  to  the  Lord  Chamberlain, 
previously  to  the  representation  of  any  new  play  or  entertainment 
of  the  stage,  or  any" addition  to  an  old  play;  and  showing  that  the 
consequence  would  be,  to  confirm  the  monopoly  claimed  by  Drury 
Lane  and  Covent  Garden  theatres.  London.  The  Author.  1820. 
12  pp.  **T.76.73 

Signed,  A  friend  to  "fair  play  and  a  free  stage."  Another  copy  is  on  shelf- 
number  No.  2  in  ••0.3822. 4. 2. 

[452] 


BROWN   COLLECTION    OF  BOOKS    ON    THE   STAGE 


Letter,  A,  to  the  town,  concerning  the  man  and  the  bottle.  London. 
Printed  and  sold  by  W.  Reeve.  1749.  20  pp.  No.  11  in  **G.3824.i4 
On  a  performance  at  the  Haymarket  Theatre,  London. 

Letters.    Collections. 

Arnould,  M.  S.     Sophie  Arnould  d'apres  sa  correspoiidaiice  ct  scs 

memoires    inedits.      Par    Ed.    et   J.    de    Goncourt.      Paris.      1877. 

Portraits,  2652.72 

CoLMAN,    G.,   the   Younger,  editor.     Posthumous   letters,   from   various 

celebrated  men;  addressed  to  Francis  Colman,  and  George  Colman, 

the  Elder:  with  annotations,  and  occasional  remarks,  by  George 

Colman,  the  Younger.     London.     1820.  **T.53.7 

Elssler,  F.    The  letters  and  journal  of  Fanny  Ellsler  [sic].    Written 

before    and   after    her    operatic    campaign    in    the    United    States. 

Including  her  letters  froin  New  York,  London,  Paris,  Havana,  etc. 

New  York.     1845.  4845.19;  **M.453.89 

Ifflanu,  a.  W.     Briefe  an  seine  Schwester  Louise  und  andere  Vcr- 

wandte,  1722-1814.     Berlin.     1904.     Portrait.  *6907.i6 

Briefe,  meist  an  seine  Schwester,  nebst  anderen  Aktenstiickcn 

und  einem  ungedruckten  Drama.    Berlin.    1905.    Portraits.   *6907.i7 

Ifflands  Briefwechsel  mit  Schiller,   Goethe,  Kleist,  Tieck  und 

anderen   Dramatikern.     Leipzig.      [1910.]  No.  3  in  4896.50.522 

Knapp,  O.  G.,  editor.     An  artist's  love  story.     Told  in  the  letters  of 

Sir  Thomas   Lawrence,   Mrs.   Siddons  and  her  daughters.     New 

York.     1904.     Portraits.  4545-i9o;  **T.56.335 

ScHROEDER,  F.  U.  L.     Schrdder  und  Gotter.     Eine   Episode  aus  der 

deutschen  Theatergeschichte.     Briefe  Friedrich  Ludwig  Schroders 

an  Friedrich  Wilhelm  Gotter  1777  und  1778.  Hamburg.  1887.  2873.91 

SoNNENTHAL,  A.,  Ritter  VON.     Adolph  von  Sonnenthals  Briefwechsel. 

Stuttgart.     1912.     2  V.     Portraits.     Plates.  6899a.i70 

Tampier,  L.  C.  C.     Dernieres  heures  de  Rachel.     Lettres  qui  ont  ete 

adressees  sur  la  maladie.     Paris.     1858.  No.  4  in  **M. 147.16 

Wagner,  W.  R.     Letters  to  Emil  Heckel:  with  a  brief  history  of  the 

Bayreuth  festivals.     London.     1899.  40493.65 

Letters  from  a  theatrical   scene-painter.      [Anon.]      See  Erie,   Thomas 

William. 
Letters  from  an  Irish  student  in  England  to  his  father  in  Ireland.     Lon- 
don: Cradock  &  Joy.     1809.    2  v.     Plates.  **T.97.296 
Vol.  I  contains  much  comment  on  the  London  stage. 
Lettre  a  Madame  de  B.,  sur  la  nouvelle  salle  de  I'Opera.   Paris.   Hocquet. 
1821.     (3),  4,  36  pp.     Map.                                         No.  5  in  **M. 126.8 
Lettre  des  societaires  pretendus  revokes  du  Theatre  royal  de  I'Opera- 
comique,  a  Monsieur  Guilbert  de  Pixerecourt,  directeur  du  meme 
theatre.    Paris.    Fournier.     1827.     18  pp.  **T.97.i8 
Lettre    d'un    comedien    du    Theatre    de    la    republique.      [Anon.]      See 

Coste  d'Arnobat,  Charles  Pierre. 
Lettre  sur  les  spectacles.     Paris.     [Tastu.]      1825.     (3),  42  pp. 

No.  II  in  **G.3562.2 

Lettre   sur  les  theatres  a   M.  le   Vicomte   de   Larochefoucauld.      Paris. 

Duvernois.     1825.     S3  PP  No.  12  in  **G.3562.2 

Lettres  sur  les  spectacles.     Desprez  de  Boissy,  C.  **T.78.2i;  etc, 

Le  Vacher  de  Chamois,  Jean  Charles. 

Recherches  sur  les  costumes  et  sur  les  theatres  de  toutes  les  nations, 

tant    anciennes    que    modernes.       [Anon.]      Avec    des    estampes 

dessinees  par  Chery,  et  gravees  par  P.  M.  Alix.     A  Paris,  chez 

M.  Drouhin.     1790.     2  v.  in  i.     Plates,  mostly  colored.     Diagr.ims. 

Relates  principally  to  costumes  in  French  tragedies,  **T.94'28 

[453] 


THE  PUBLIC  LIBRARY  OF  THE   CITY  OF  BOSTON 


Leveaux,  Alphonse. 

Nos  theatres  de  1800  a  1880.  Paris.  Tresse  &  Stock.  1881-86.  ix, 
228,  (i)  pp.  **T.77.i48 

Cix-.tcnts.        La  tragcdie,   le  dramc.  —  La  comcdie.  —  L'Opera   frangais. — L'Opera 
italien.  —  L'Opera  comique.  —  Le  Vaudeville.  —  Les  ballets.  —  L'operette.  — 
La  pantomime.  —  Les  revues,  les  parodies,  la  pantomime.  —  Conclusion. 
Le  theatre  de  la  cour  a  Compiegne  pendant  le  regne  de  Napoleon  iii. 
Paris.     Tresse.     1882-85.     (3),  213  pp.  **T.77.9i 

An  account  of  the  performances  given  by  companies  from  various  Paris  theatres 
at  the  Palace  of  Compiegne. 

Levey,  Richard  Michael,  and  J.  O'Rorke. 

Annals  of  the  Theatre  Royal,  Dublin,  from  its  opening  in  1821  to  its 
destruction  by  fire,  February,  1880;  with  occasional  notes  and 
observations.     Dublin.     Dollard.     1880.     (i),  271  pp.  **T.77.2i3 

Levezow,  Conrad  von. 

Leben  und  Kunst  der  Frau  Margarcte  Luise  Schick.  Berlin.  Duncker 
&   Humblot.     1809.     75  pp.  No.  4  in  **M.i45.20 

Levi,  Hermann. 

PossART,  E.,  Ritter  von.  Hermann  Levi.  Erinnerungen.  Miinchen. 
1901.     Portrait.  **T.77.220 

Levi,  Sylvain. 

Le  theatre  indien.  Paris.  Bouillon.  1890.  2  v.  in  i.  [Bibliotheque 
de  I'ecole  des  hautes  etudes.     Fasc.  83.]  **T.44.5 

,  Bibliographie,  tome   [i]    pp.  ix-xv ;   tome   [2]    pp.   71-88. 

Lewes,  Charles  Lee. 

Memoirs  of  Charles  Lee  Lewes,  containing  anecdotes,  historical  and 
biographical,  of  the  English  and  Scottish  stages,  during  a  period 
of  forty  years.     London.     Phillips.     1805.    4  v.     2458.29;  **T.58. 130 

Edited  by  John  Lee  Lewes.     Another  copy  is  on   shelf-number  **K.37.9. 

The  stage,  and  the  pulpit.  The  player  and  the  preacher.  Or,  a  serio- 
comic answer  to  Mr.  Kilham,  preacher.  [Aberdeen.  1794.]  8  pp. 
In  favor  of  the  theatre.  No.  7  in  **G.3824.I5 

Lewes,  George  Henry. 

On  actors  and  the  art  of  acting.  London.  Smith,  Elder  &  Co.  1875. 
xiv,  278  pp.  2575.70;  **T.57.6 

Same.     New  York.     Holt  &  Co.     1878.     237  pp.  2575.77 

The  Spanish  drama.  Lope  de  Vega  and  Calderon.  London.  Knight. 
&  Co.     1846.     (2),  254  pp.  30993.272;  **T.49.6 

The  table  of  contents  is  missing  in  the  copy  on  shelf-number  .30993.272  and  pp. 
27,  28,  211  and  212  are  supplied  in  typewritten  manuscript.  Another  copy  is 
on  shelf-number  ""D.  170b. 33. 

Lewes,  John  Lee,  editor. 

Lewes,  C.  L.  Memoirs  of  Charles  Lee  Lewes,  containing  anecdotes, 
historical  and  biographical,  of  the  English  and  Scottish  stages, 
during  a  period  of  forty  years.     London.     1805.     4  v. 

2458.29;  **T.58.i3o;  etc. 
Lewinsky,  Josef. 

Kleinc  Schriftcn  dramaturgischen  und  theatergeschichtlichen  Inhalts. 
Nach  seinem  Tode  gesammelt  und  herausgegeben  von  Olga 
Lewinsky.  Berlin.  1910.  vi,  (i),  200  pp.  Portrait.  Autograph 
facsimile.  [Gesellschaft  fiir  Theatergeschichte.  Schriften.  Band 
14.]  6907.24 

Theatralische  Carrieren.  Biographischc  Skizzen.  Leipzig.  Klein. 
1881.     (4),  268  pp.     Portraits.    Autograph  facsimiles.        **T.57.i73 

Von  Brcttern  und  Podium.  Allerlei  Stiicklein  aus  Biihne  und  Kon- 
zertsaal.     Berlin.     Eckstein.     fi888.]     (3),  in,  (i)  pp.      **T.97.84 

[454] 


BROWN   COLLECTION    OF  BOOKS   ON   THE   STAGE 


Lewinsky,  Josef,  editor. 

Von  den  Coulissen.     Original-Blatter  von  Celebritaten  des  deutschen 

Theaters   und   der    Musik.      Berlin.      Hofmann    &    Co.      1881,   82. 

2  V.  in  I.    Portraits.     Music.    Autograph  facsimiles.  **T.56.302 

Same.     Band  2.  **M.37o.24 

Lewinsky,  Olga,  editor. 

Lewinsky,  J.  Kleinc  Schriften  dramaturgischen  und  thcater- 
geschichtlichen  Inhalts.  Nach  seineni  Tode  gesammelt  und 
herausgegeben  von  Olga  Lewinsky.     Berlin.     1910.     Portrait. 

6907.24 
Lewis,  Angelo  John,  editor. 

Bassett,  J.     A  magician  in  many  lands.     London.     191  r.     Ilius.     Por- 
traits.    Plates.  3015.78 
Lewis,  Charles  Lee.     See  Lewes,  Charles  Lee. 
Lewis,  Leopold  David,  editor. 

Mask,  The:  a  humorous  and  fantastic  review  of  the  month.  Edited 
by  Alfred  Thompson  and  Leopold  Lewis.  Vol.  i.  Feb.-Dec, 
1868.     London.     1868.    Illus.     Portraits.     Plates.  **T.24.5 

Lewis,  P. 

Miscellaneous  pieces  in  verse:  with  cursory  theatrical  remarks. 
London:  Printed  for  the  author.     1774.     (3),  25  pp. 

No.  10  in  **G.3820.9 
Same.     5th  edition.     Portsmouth.     1782.     44  pp.       No.  6  in  **G.3823.8 
Refers  to   London   theatres. 

Leymarie,  Leo  de,  and  Adrien  Jacques  Bernheim. 

L'enseignement    dramatique    au    Conservatoire.      Paris.      Ollendorff. 
_  1883.     (3),  86  pp.  **T.77.i3i 

Libbie,  C.  F.,  &  Co.,  auctioneers. 

Auction  sale,  November  12th  and  13th,  1901.  Catalogue  of  dramatic 
books,  first  editions  of  American  authors,  biography,  history, 
travels,  fiction,  pamphlets,  newspapers,  etc.    Boston.     1901.    86  pp. 

**T.65.37 
Liberte,  La,  des  theatres.     Hostein,  J.  J.  B.  H.  **T.75.7 

Lick,  A,  at  'em  all;  or,  the  moderator.  Being  a  candid  consideration 
of  the  present  controversy  between  the  Inspector  [Dr.  John  Hill] 
and  his  opposers;  with  reflections  on  the  rise  and  progress  of  the 
dispute;  and  advice  for  the  reconciliation  of  all  parties.  London: 
Printed  for  W.  Reeve.     1753.     16  pp.  **T.57.87 

Relates   to  the   controversy  between    Dr.   John   Hill   and   Henry   Woodward. 

Lieblein,  Jakob,  and  Heinrich  Wagner, 

Panoramen.  Illus.  Plans.  (In  Handbuch  der  Architektur.  Theil  4, 
Halb-Band  4,  pp.  410-425.     Darmstadt.     1885.)  *8o92.52.4 

Literatur,  p.  425. 

Liebold,  . 

La  vie  de  Marie  Pigeonnier  par  un  de  ses  ***  [Liebold  et  Gaillet]. 
Preface  de  J.  Michepin.     [ire  edition.]     Paris.     1884.     144  pp. 

A  reply  to  Marie  Colombier's  Memoires  de  Sarah  I'arnum.  **X.57'365 

Same.     [456  edition.]  **T.57.453 

Same.    Sarah  Barnum's  reply    The  life  of  Marie  Colombier.    [Anon.] 

Translated  from  advance  sheets  [by  F.  C.  V.].     New  York.     1884. 

37  pp.     Illus.     [The  Brookside  library.]  **T.54.i 

Life,  The,  and  adventures  of  a  cheap  jack.    Green,  W.   2468.37;  **T.57.i27 

Life  and  adventures  of  the  Burdett  twins.     (Fanny  and  Major.)     New 

York.     Torrey  &  Clark.     1881.     16  pp.  No.  3  in  6248.62 

Life,  The,  and  adventures  of  Valentine  Vox  the  ventriloquist.     Cockton, 

H.  4S73-"6;ctc. 

[455] 


THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 

Life,  The,   and   times   of   that   excellent  and   renowned   actor  Thomas 

Betterton.     With  such  notices  of  the  stage  and  English  history 

as  illustrate  the  subject.     By  the  author  and  editor  of  the  lives 

of  "Mrs.  Abingdon,"  "James  Quin,"  etc.     London.     Reader.     1888. 

(3),  156  pp.     Portrait.  45493.100;  **T.57.56 

Life,  The,  of  a  showman.     Miller,  D.   P.  **T.58.27 ;  etc. 

Life,  The,  of  a  star.     Morris,  C.  4343.267 

Life,  The,  of  an  actor.     Egan,  P.,  the  Elder.  2573.143 

Life,  The,  of  George  Frederic  Cooke.     With  critical  remarks  upon  his 

genius,  taste,  judgment,  and  talents  as  an  actor.     London.     Egan. 

1813.     34  pp.     Colored  plate.  No.  7  in  **G.3824.i3 

Relates  mainly  to  the  English  stage.  An  imperfect  copy  is  on  shelf-number 
No.  I  in  *6S40.59. 

Life,  The,  of  Miss  Anne  Catley.  Including  an  account  of  her  intro- 
duction to  public  life,  her  professional  engagements  in  London 
and  Dublin  and  her  various  adventures  and  intrigues  with  well- 
known  men  of  quality  and  wealth.  Carefully  compiled  and  edited 
from  the  most  authentic  records  extant.  London.  1888.  78  pp. 
Portrait.  **M.377.43 

Life,  The,  of  Mrs.  Abington  (formerly  Miss  Barton),  celebrated  comic 
actress,  with  accounts  of  her  performances  in  London  and  Dublin. 
Also  notes  upon  the  history  of  the  Irish  stage  and  her  theatrical 
contemporaries.     By  the  editor  of  the  "Life  of  Quinn."     London. 

/  Reader.      1888.      (i),    124  pp.     Portrait.  4549.121;  **T.57.i33 

y^Life,  The,  of  Mr.  James  Quin,  comedian.  With  the  history  of  the  stage 
from  his  commencing  actor  to  his  retreat  to  Bath.  With  anecdotes. 
Added,  a  copy  of  his  last  will  and  testament.  London:  Printed 
for  S.  Bladon.     1767.     (4),  116  pp.     Portrait.  **T.57.53 

Same.  Added,  a  supplement  of  original  facts  and  anecdotes.  With 
his  trial  for  the  murder  of  Mr.  Bowen.  Reader.  1887.  (i),  107 
pp.     Autograph  facsimile.  45493.101;  **T.57.55 

Life,  The,  of  the  late  famous  comedian,  Jo.  Hayns.  [Anon.]  See 
Brown,  Thomas. 

Life,  The,  of  Wm.  Henry  West  Betty,  the  celebrated  and  wonderful 
Young  Roscius:  containing  the  particulars  of  his  theatrical  career, 
his  education,  character,  &  abilities:  with  an  impartial  account  of 
his  astonishing  performances  on  the  London  theatres.  London. 
Fairburn.     [1804.]     36  pp.    Portrait.  **T.57.42i 

Some  pages  are  missing  at  the  end. 

Life  on  the  stage.     Morris,  C.  4343.229;  **T.57.39 

Lights  of  the  old  English  stage.     New  York.     Appleton  &  Co.     1878. 

225  pp.  4549-33 

Another  copy  is  on  shelf-number  **K.36.20. 

C'd  iloUs.  —  Richard  Rtirbage  and  other  originals  of  Shakespeare's  characters.  — - 
The  Cihbers.  —  The  modern  Roscius.  —  Charles  Macklin.  —  "Peg"  Woffingrton 
and  George  Anne  Bellamy.  —  John  Kemble  and  Sarah  Siddons.  —  George 
Frederick  Cooke.  —  Edmund  Kean.  —  Charles  Young.  —  Mrs.  Dora  Jordan.  — 
The  story  of  "Perdita."  ^ 

Same.     1881.  **T.58.io2 

Like  stars  that  fall.    Gallichan,  W.  M.  **T.87.5 

Lille,  France.     Theatres. 

Galdefuov,  a  Les  premieres  au  theatre  de  Lille.  1895-96 — 1896-97. 
Lille.     1897.  **T.97.ii5 

Lefebvre,  L.  Lc  theatre  dc  Lille  au  xviiic  siecle.  Auteurs  &  acteurs. 
Lille.     1894.    Portrait.  **T.97.ii4 

[456] 


BROWN   COLLECTION   OF  BOOKS   ON    THE   STAGE 

Lincoln,  England.     Theatres. 

Letter,  A,  addressed  to  the  authors  of  the  Lincoln  Dramatic  Censor, 
containing  strictures  and  observations  upon  their  conduct  to- 
wards the  manager  of  the  Lincoln  Theatre.  By  a  friend  to 
justice.    Lincoln.     1809.  **T.96.i52 

Lincoln  Dramatic  Censor,  The.    No.  i.    Oct.  21,  1809.    Lincoln.    Stark. 
1809.    vii,  4  pp.  No.  10  in  **G.3824.6 

Lind,  Jenny. 

Bayley,   F.   W.    N.     The   souvenir   of   the   season.     The   wake   of 

extacy,  a  memory  of  Jenny  Lind.     With  illustrations  by  Kenny 

Meadows.     London.     1848.  **M. 122.33 

Becher,  a.  J.     Jenny  Lind.     Eine  Skizze   ihres   Lebens  und    ihrer 

Laufbahn  bis  auf  die  neueste  Zeit.    Wien.     1847.    Portrait.     Music. 

No.  7  in  **M.372.i8 
Benedict,  Sir  J.     Jenny  Lind.     [New   York.     1881.]      Portrait. 

No.  4  in  **M.372.i8;  etc. 
Bunn,  a.     The  case  of  Bunn  versus  Lind,  with  a  series  of  letters 
from  plaintiff  and  defendant;  to  which  are  added  notes  explana- 
tory and  critical.     London.     1848.  No.  9  in  **M. 149.8 
Butler,  W.  A.     Barnum's  Parnassus;  being  confidential  disclosures 
of  the  Prize   Committee  on  the  Jenny  Lind  Song.     New  York. 

1850.  No.  I  in  **M. 128.32;  etc. 
[A  COLLECTION  of  magazine  articles  and  newspaper  clippings  relat- 
ing to  Jenny  Lind.     Boston.     189-?]      (53)   pp.     lUus.     Portraits. 
Plates.     Autograph  facsimile.  No.  3-6  in  **M.372.i8 

Foster,  G.  G.  Memoir  of  Jenny  Lind.  Compiled  from  the  most 
authentic  sources.     New  York.     1850.  4047.265 

Same.    4th  edition.  No.  2  in  **M.372.i8;  etc. 

Godwin,  P.  Vala.  A  mythological  tale.  New  York.  185 1.  Illus. 
Plate.  2902.40;  etc. 

Haweis,  H.  R.   Jenny  Lind.    [London.    1891.]    No.  5  in  **M.372.i8;  etc. 

Holland,  H.  S.,  and  W.  S.  Rockstro.  A  memoir  of  Madame  Jenny 
Lind-Goldschmidt:  her  early  art-life  and  dramatic  career,  1820- 
1S51.     London.     1891.     2  v.     Portraits.        8045.104;  **M. 134.6;  etc. 

LiNDiANA.  An  interesting  narrative  of  the  life  of  Jenny  Lind. 
Arundel.     1847.     Portrait.  No.  i  in  **M. 372.18 

Memoir  of  Jenny  Lind.    London.     Ollivier.     1847.    20  pp.     Portrait. 

**M. 108.21 

Review,  A,  of  the  performances  of  Mademoiselle  Jenny  Lind,  at 
Her  Majesty's  Theatre.     London.     1847.  **M.i48.25 

Rosenberg,  C.  G.  Jenny  Lind  in  America.  New  York.  185].  Por- 
trait. 4468.30;  **M. 1493.6 

Willis,  N.  P.    Memoranda  of  the  life  of  Jenny  Lind.     Philadelphia. 

1851.  Portraits.  **M.io8.24 
Lindau,  Heinrich  Gustav  Paul. 

Dramaturgische  Blatter.  Beitrage  zur  Kenntniss  des  modernen 
Theaters  in  Deutschland  und  Frankreich.  2.  Auflage.  Stuttgart. 
Simon-.     1877.    2  v.  in  i.  2875.66;  **T.48.i 

Band  2  of  the  copy  on  shelf-number  **T.48.i  is  not  of  the  second  edition. 

Contents.  —  i.  Vom  deutschen  Theater.     2.  Vom  franzosischen  Theater. 
Lindiana.    An  interesting  narrative  of  the  life  of  Jenny  Lind.    Arundel. 

Mitchell.     1847.     52  pp.     Portrait.  No.  i  in  **M.372.i8 

Lines  addressed  to  Mrs.  Jordan.    London:  Printed  for  T.  Becket.     1787. 

14  pp.  No.  II  in  **G.3820.ii 

[457] 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 


Linley,  Thomas,  the  Elder. 

Reed,  J.     The  retort  courteous;  or  a  candid  appeal  to  the  public  on 
the    conduct    of    Thomas    Linley,    Esq,    manager    of    Drury-Lane 
Theatre,  to  the  author  of  Dido.    London.    1787.   No.  8  in  **G.3824.i 
Linton,  William  James,  engraver. 

Winter,  W.  Edwin  Booth  in  twelve  dramatic  characters.  The 
biographical  sketch  by  William  Winter.  [Illustrations]  by  W. 
J.  Henncssy  and  W.  J.  Linton.     Boston.     1872.  *249o.5i 

Lionnet,  Anatole,  and  Hippolyte  Lionnet. 

Souvenirs  et  anecdotes.  Par  les  freres  Lionnet.  Paris.  Ollendorff. 
1888.     (.3),  336  pp.  **T.57.342 

Lippincott,  Sarah  Jane.     (Grace  Greenwood.) 

Emma  Abbott,  prima  donna.      [New  York.     1879.]      10,   (i)   pp. 

No.  I  in  *6242.59 
Lipsius,  Justus. 

Ivsti  Lipsi  De  amphitheatre  liber.  In  quo  forma  ipsa  loci  expressa, 
&  ratio  spectandi.  Cum  seneis  figuris.  Omnia  avctiora  vel  meliora. 
Antverpia^,  ex  officina  Plantiniana,  Apud  loannem  Moretum. 
1598.     77,  (6)  pp.     Illus.     Plates.  No.  2  in  *292i.2o 

Another  copy  is  on  shelf-number  No.  i  in  *292i.22.  Includes  Ivsti  Lipsi  I)e 
aniphitheatris  cjuie  extra  Roman  liheUvs,  separate  editions  of  which  may  be 
found  on  shelf-numbers  No.  3  in  *292i.2o  ;  No.  2  in '292 1.22. 
Same.  Editip  vltima.  Antverpiae,  ex  officina  Plantiniana,  Apud 
Balthasarem  Moretum,  &  viduam  loannis  Moreti,  &  lo.  Meursium. 
1621.      [Opera  omnia.]  No.  3  in  *292o.i3.5 

Reprinted    in     other     editions     of     his     Opera     omnia      [*292o.i.3;     *2920.i4.3; 
•4207.12. 3I. 
Lipsius,  Marie.     (La  Mara.) 

Pauline  Viardot-Garcia.  (In  Sammlung  musikalischer  Vortrage. 
Reihe  4,  pp.  259-278.     Leipzig.     1882.)  **M.i05.3.4 

Lirondelle,  Andre. 

Shakespeare  en  Russie,  1748-1840.  (£tude  de  litterature  comparee.) 
Paris.     Hachette  &  cie.     1912.     245,  (5)  pp.  '        4597.222 

Lisbon,  Portugal.     Theatres.     Real  theatro  de  S.  Carlos. 

FoNSECA  Be.nevides,  F.  da.  O  real  theatro  de  S.  Carlos  de  Lisboa. 
Desde  a  sua  funda^ao  em  1793  ate  a  actualidade.  Estudio  historico. 
[Lisboa.     1883.]     Portraits.     Plate.     Plan.     Tables.  3090.125 

Lisbon,  Portugal.     Views. 

Barker,  H.  A.    A  short  account  of  the  view  of  Lisbon,  now  exhibit- 
ing in  Henry  Aston  Barker's  Panorama,  Leicester  Square.     [Lon- 
don.]    1812.     Plate.  **T.96.298 
Lit  de  cabot'.     Kistemaeckers,  H.  H.  A.  **T.87.63 
Litchfield,  John. 

The  dramatic  character  of  Mr.  Parsons.  (In  Bellamy,  Thomas.  The 
life  of  William  Parsons.     Pp.  51-59.     London.     1795.) 

No.  2  in  **T.96.228.2 
Literary  and  graphical  illustrations  of  Shakspeare,  and  the  British 
drama:  comprising  an  historical  view  of  the  origin  and  improve- 
ment of  the  English  stage,  and  a  series  of  critical  and  descriptive 
notices  of  celebrated  tragedies,  comedies,  operas,  and  farces. 
London.     Hurst,  Chance  &  Co.     1831.     xvi,  204  pp.     Illus.     Plate. 

*6595.62 

Other  copies  arc  on  shelf-numbers  **K.34.27;  **G. 395 1.43.  A  later  edition 
having  thi-  title-  I  iramatic  souvenir:  the  literary  and  Rraiihical  illusir.itions  of 
Shakespeare  and  other  English  dramatists,  may  be  found  on  shelf-numbers 
••G.39S1.44;   ••T.47.42. 

[458] 


BROWN   COLLECTION    OF  BOOKS    ON    THE   STAGE 

Literary  Expose,  The,  and  fashionable  Proteus.    A  new  series,  continued 

from  No.  6  of  The   Literary  Humbug;  or,   weekly   take-in.     Xo. 

1-13.      May    14 -Sept.    10,    1823.      London.    Chappell    [c\:    Millcrl. 

1823.     208  pp.     Illus.  **T.26.32 

Literary  Magnet,  The;  or,  monthly  journal  of  the  belles  lettres,  from 

January  to  July,  1828.     New  series.    London.     Wright.     1828.     (i), 

140  pp.     Plates.  **T.96.3i 

Little  notes  on  Shakespeare's  England.    Andrewes,  A.  **T.57.2i4 

Little  theatre,  The,  in  the  United  States.     Mackay,  C.  D'A.        6257.147 

Littleton,  R.  H. 

The  biography  of  William  C.  Macready,  tragedian.  London.  Vickers. 
[1851?]     Portrait.  **T.56.29o 

Litzmann,  Berthold. 

Friedrich  Ludwig  Schroder.     Ein  Beitrag  zur  deutschen  Litteratur- 
und  Theatergeschichte.    Hamburg.    Voss.    1890,  1894.    2  v.    Por- 
traits. 4845.68 
Johannes  Velten.     Legende  und  Geschichte.     {In  Archiv  fiir  Theater- 
geschichte.    Vol.  2,  pp.  56-71.     Berlin.     1905.)                    *6907.i2.2 
Litzmann,  Berthold,  editor. 

ScHROEDER,  F.  U.  L.  Schroder  und  Gotter.  Eine  Episode  aus  der 
deutschen  Theatergeschichte.  Briefe  Friedrich  LudWig  Schroders 
an  Friedrich  Wilhelm  Gotter  1777  und  1778.     Hamburg.     1887. 

2873.91 
Theatergeschichtliche  Forschungen.     For  the  separate  volumes  of 
this  series,  see  Theatergeschichtliche  Forschungen. 
Liverpool,  England.     Theatres.     Theatre  Royal. 

Lemon,  A.,  and  others.  Report  of  the  proceedings  upon  a  criminal 
information  against  Abraham  Lemon  [and  others],  for  a  con- 
spiracy and  riot  at  the  Theatre-Royal,  Liverpool.  Liverpool. 
1810.  No.  4  in  **G.3824.5 

Looking  Glass,  The;  or,  daily  theatrical  mirror  [of  performances  at 
the  Theatre  Royal].  No.  2,  3.  Aug.  16,  17,  1832.  [Liverpool. 
1832.]  **T.26.44 

Thespian,  The.  Vol.  i  (no.  3,  15,  60).  Aug.  3,  15;  Oct.  11,  1821. 
[Liverpool.]      1821.     3  nos.  **T.98.55 

Liverpool  Dramatic  Censor,  The,  or  theatrical  recorder;  containing 
strictures  on  actors  and  a  critical  analysis  of  every  popular 
dramatic  composition  represented  at  the  Theatre  Royal.  With 
biographical  sketches  of  celebrated  dramatists.  Vol.  i.  Liverpool. 
Troughton.     1806.     286  pp.     Plates.  **T.29.7 

Liverpool  Theatrical  Investigator,  The,  and  review  of  amusements. 
Vol.  I  (no.  3-5,  7-15,  18,  21,  24-28,  30-79,  103,  104,  126);  2  (1-20, 
22-26).  May  31,  1821-N0V.  23,  1822.  [Liverpool.]  1821,  22.  2 
V.  in  I.  **T.27.5 

Vol.  I  was  issued  daily,  except  Sunday  and  Monday ;  vol.  2,  weekly. 
Lives  of  British  dramatists.     Philadelphia.     Carey  &  Hart.     1846.     2  v. 
in  I.  4549-50 

Cotttcnts.  —  I.  Remarks  on  the  life  and  writings  of  William  Shakspia- e.  Hy 
Thomas  Campbell.  —  Memoirs  of  Ben  Jonson.  By  William  Gifford.  2.  Lives 
of  Beaumont  and  Fletcher.  By  George  Darley.  —  Lives  of  Massinger  and  Ford. 
By  Hartley  Coleridge.  —  Biographical  and  critical  notices  of  Wycherley,  Con- 
greve,  Vanbrugh,  and  Farquhar.     By  Leigh  Hunt. 

Lives,  The,  of  the  players.     Galt,  J.  45793.219;  **T.56.30O 

Living  London.    Sala,  G.  A.  H.  2463.68 

Living  pictures.     See  Moving  pictures;  Pantomime;  Tableaux  vivants. 

[459] 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 


Lloyd,  Evan. 

An  epistle  to  David  Garrick,  Esq.  [Verse.]  London:  Printed  for 
the  Author.     1773.    24  pp.     Plate.  **G.3947.i3 

Another  copy  is  on  shelf-number  No.  6  in  **G.3820.9. 

Lloyd,  H.  F. 

Review  of  the  late  correspondence  between  Mr.  John  Henry  Alex- 
ander, manager  and  proprietor  of  the  Glasgow  Theatre,  and  Mr. 
Lloyd,  of  the  Theatre-Royal,  Edinburgh.  [Glasgow.  1843.] 
16  pp.  **T.76.40 

Lloyd,  Robert. 

The  actor.  [Poem.]  Addressed  to  Bonnell  Thornton,  Esq.  The 
fourth  edition.  London:  Printed  for  G.  Kearsly.  1764.  (3),  16 
pp.  No.  7  in  **G.3820.ii 

Lobb,  Theophilus. 

An  answer  to  that  important  question,  whether  it  is  lawful  for  the 
professors  of  the  Christian  religion  to  go  to  plays?  With  some 
soliloquies  annexed.  [Anon.]  London:  Printed  for  J.  Buckland. 
1757-     ( I ),  32  pp.  **T.96.96 

In  opposition  to  the  theatre. 
Locatelli,  Agostino. 

Cenni  biografici  suUa  straordinaria  carriera  teatrale  percorsa  da  Gio. 
Battista  Rubini.     Milano.     Colombo.     1844.     88  pp. 

No.  4  in  **M. 207.9 
Lochemes,  M.  J. 

Recollections  of  Oberammergau.  Dayton.  Pflaum.  [1892.]  64  pp. 
Illus.      Portraits.  4879.77 

Lockman,  John,  translator. 

PoREE,  C.  An  oration,  in  which  an  enquiry  is  made  whether  the 
stage  is,  or  can  be  made  a  school  for  forming  the  mind  to  virtue; 
and  proving  the  superiority  of  theatric  instruction  over  those  of 
history  and  moral  philosophy.  With  reflections  on  operas. 
London.     1734.  No.  9  in  **G.3823.i4 

Lodge,  Thomas. 

A  defence  of  poetry,  music,  and  stage  plays.  To  which  are  added, 
by  the  same  author.  An  alarum  against  usurers;  and  The  delect- 
able history  of  Forbonius  and  Prisceria.  With  introduction  and 
notes  [by  David  Laing].  London.  1853.  Ixxvii,  129,  (i)  pp. 
Facsimile.     [Shakespeare  Society,  London.]  No.  2  in  *4596.20 

Another   copy   is   on   shelf-number   **G. 3927.2.      The   half-title   of   A   defence   of 
poetry  is  A  reply  to  Stephen   Gosson's   Schoole  of  abuse,  in  defense  of  poetry. 

Same.  Defence  of  poetry.  1.579.  {In  Smith,  G.  G.  Elizabethan 
critical  essays.    Vol.  i,  pp.  61-86.     Oxford.     1904.)  2558.131. i 

List  of  ;)amphlets  for  and  against  the  stage,   1577-1587,  pp.  61-63. 

Same.  A  reply  to  Stephen  Gosson's  School  of  abuse,  in  defence  of 
poetry,  musick  and  stage  plaj'S.  1580?  (In  Saintsbury,  G.  E.  B. 
Elizabethan  and  Jacobean  pamphlets.     Pp.  1-42.     London.     1892.) 

4559.127 

This    may    also    be    found    in    Vol.     i    of    Lodge's    Complete    works     [No.  2  in 

•*46ooa.i2Sil  • 

Lodge,  Thomas.     Works  about. 

Ingleuv,  C.  M.  Was  Thomas  Lodge  an  actor?  An  exposition  touch- 
ing the  social  status  of  the  playwright  in  the  time  of  Queen 
Elizabeth.     London.     1868.  4581.10 

Loen,  August,  Frciherr  von. 

Biihne   und   Leben.     Roman.      Leipzig.     Brockhaus.      1864.     309  pp. 

6898.203 

[460] 


BROWN   COLLECTION    OF  BOOKS   ON   THE   STAGE 

Loeve-Veimars,  Francois  Adolphe,  editor. 

Almanack  des  spectacles  par  K.  Y.  Z.  [pseud.].  Annee  fi-18.  Paris. 
Janet.     [1818-25.]     8  v.     Colored  portraits.  **T.29.i8 

Loew,  I. 

Das  neue  Burgtheater.  Wien.  Konegen.  1888.  35,  (1)  pp.  **T.97.83 
Logan,  Eliza. 

Marston.  J.  W.  Memoir  of  Miss  E.  Logan.  (In  his  The  patrician's 
daughter.     Pp.  3-4.     Boston.     [1856.])  6259b.548;  etc. 

Logan,  Olive. 

Apropos  of  women  and  theatres.  With  a  paper  or  two  on  Parisian 
topics.  New  York.  Carleton.  1869.  240  pp.  5585.74;  **T.97.258 
Another  copy  is  on  shelf-number  •*P.84.823. 

Before  the  footlights  and  behind  the  scenes:  a  book  about  "the  show 
business"  in  all  its  branches.  Philadelphia.  Parmelee  &  Co. 
1870.     612  pp.     Illus.     Portraits.     Plates.  +4504.9 

Same.  The  mimic  world,  and  public  exhibitions.  Their  history, 
their  morals,  and  effects.  Philadelphia,  Pa.  New-World  Pub- 
lishing Co.  1871.  590  pp.  Portraits.  Plates.  Autograph  fac- 
simile. 4504.8;  **T.76.22 

A  talk  about  the  green-room  and  its  people.  [New  York.  186-?] 
481-486  pp.  No.  14  in  **G.3822.3 

Relates  to  the  American  stage. 

Logan,  William  Hugh. 

A  cap  and  bells  for  those  whom  it  may  fit.  [Anon.  Leith.  1834.] 
14  pp.  **T.77.i99 

Relates  to  the  Edinburgh  theatres. 
The  Edinburgh  roSciad;  for  the  summer  season,  1834.     [Anon.    Edin- 
burgh.]    Imprinted  at  Modern  Athens.     1834.     8  pp.       **T.77.i97 
Verses  on  various  actors  and  actresses. 
Letter  from  a  gentleman  in  town  to  his  friend  in  the  country,  regard- 
ing Keeley.   the  theatre,  and  other  matters   connected   with   the 
drama   in   Edinburgh.      [Anon.     Edinburgh.      1834.]      8  pp. 
Signed  H.  M.  **T.77.I96 

Plays  and  players  at  the  Edinburgh  Adelphi  Theatre.  July,  1834. 
[Anon.     Edinburgh.     1834.]     8  pp.  **T.77.i98 

Lege,  Une,  a  Camille.    See  Dumas,  A.,  the  Younger.    Ce  qu'on  ne  sait  pas. 
Loges  d'artistes.    Germont,  L.,  pseud.  **T.54.i3 

Leges  et  coulisses.     Huret,  J.  **T.77.7i 

Loire,  Louis,  compiler. 

Anecdotes  de  theatre.  Comediens  —  comediennes  —  bons  mots  des 
coulisses  et  du  parterre.  Paris.  Dentu.  1875.  240  pp.  [Biblio- 
theque  des  curieux,]  **T.77.i33 

Relates  to  French  theatres. 

Loiseau-Rousseau,  Paul. 

Les  theatres  de  Paris.  [Paris.]  Derveaux.  [190-?]  35  etched 
plates  and  title-page.  **T.Cab.i.30 

Loiseleur,  Jean  Auguste  Jules. 

Les  points  obscurs  de  la  vie  de  Moliere.  Paris.  Liscux.  1877.  xi, 
407,  (i)  pp.     Portrait.     Plate.  2656.73;  **T.57.3i 

Loiseleur,  Jules.     See  Loiseleur,  Jean  Auguste  Jules. 

Lola  Montes:  or,  a  reply  to  the  "Private  history  and  memoirs"  of  that 
celebrated  lady,  recently  published  by  the  Marquis  Papon, 
formerly  secretary  to  the  King  of  Bavaria,  and  for  a  period  the 
professed  friend  and  attendant  of  the  Countess  of  Lansfeldt.  New 
York.     1851.     72  pp.     Portrait.  **T,97.239 

[461] 


THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 


LoUee,  Frederic  Augxiste. 

La  Comedie-franqaise.  Histoire  de  la  maison  de  Moliere  de  1658  a 
1907.  Preface  de  Paul  Hcrvieu.  Paris.  Laveur.  1907.  (3),  vii, 
518,  (i)  pp.     Illus.     Portraits.     Plates.     Facsimiles.  *467i.3i 

Contains  many  portraits  of  actors. 

Lombia,  Juan. 

El  teatro.  Madrid.  Sanchiz.  1545  [misprint  for  1845].  230,  (3)  pp. 
Relates  to  Spain.  **D.I7ob.5I 

Londina  illustrata.     Wilkinson,  R.,  publisher.  *246o.4;etc. 

London.    Corporation. 

Dramatic  records  of  the  city  of  London.  The  Remembrancia.  {In 
Malone  Societj\  Collections.  Vol.  i,  part  i,  pp.  43-100.  [Oxford.] 
1907.)  **G.4o77.i5.i.Part  i 

Edited  by  E.  K.  Chambers  and  W.  W.  Greg. 

London.    Fairs. 

Frost,  T.  The  old  showmen,  and  the  old  London  fairs.  London. 
1874.  2469.15;  **T.97,326;  etc. 

London.    Theatres. 

See  also  Actors  abroad;  Court  revels;  Elizabethan  theatre. 

Actors*  remonstrance.  The,  or  complaint,  for  the  silencing  of  their 
profession,  and  banishment  from  their  severall  playhouses.  Lon- 
don.    1643.     [Reprinted!    1882.  **T.95.3i ;  etc. 

Adams.  J.  Q.,  Jr.  Shakespearean  playhouses.  A  history  of  English 
theatres  from  the  beginnings  to  the  Restoration.  Boston.  [1917.] 
Illus.     Portraits.     Plates.     Maps.     Plans.  4594.156 

Alleyn,  E.  The  Alleyn  papers.  A  collection  of  original  docu- 
ments illustrative  of  the  life  and  times  of  Edward  Alleyn,  and 
of  the  early  English  stage  and  drama.  With  an  introduction  by 
J.  Payne  Collier.     London.     1843.  4596.53;  etc. 

Apology.  An,  for  the  life  of  Mr.  T C ,  comedian.     A 

proper  sequel  to  the  Apology  for  the  life  of  Colley  Cibber, 
comedian.  With  an  historical  view  of  the  stage  to  the  present 
year.     London.     1740.  **T.56.i95 ;  etc. 

B Right  Ilonourahlc  the  Lord,  pseud.     See  and  seem  blind;  or,  a 

critical  dissertation  on  the  publick  diversions,  &c.,  of  persons 
and  things,  and  things  and  persons,  and  what  not.  In  a  letter 
to  A...   H...,  Esq.     London.     [1733.]  **T.77.55;  etc. 

Baker,  H.  B.  The  London  stage:  its  history  and  traditions  from 
1576  to  1888.    London.    1889.    2  v.    Plates.    4578.134;  **T.77.5o;  etc. 

The  Italian  opera  in   England.      [London.     1877.] 

No.  9  in  **M. 125.8 
Barrington,  R.     Rutland  Barrington.    A  record  of  thirty-five  years* 
experience  on  the  English  stage.     London.     1908.     Portraits. 

**T.56.328 
Bell,  R.   Privileges  of  the  stage.    [London.   1861.]    No.  30  in  **G.3822.3 

The  rights  of  dramatic  literature.      [London.     1865.] 

No.  2  in  **G.62.5 
Bellamy,  T.     The  London  theatres;  a  poem.     London.     1795. 

No.  3  in  **T.96.228.2 

Bennett,    E.   A.      Cupid   and    commonsense.     A   play    in    four   acts. 

With  a  preface  on  the  crisis  in  the  theatre.     New  York.     [1908.] 

45793.304 

Bill,  The,  of  the  play.     An  illustrated  record  of  the  chief  dramas, 

plays,  operas  bouffe,  etc.,  produced  or  revived  during  the  year 

i88t.     London.     [1882.]     Illus.     Portraits.  **T.96.i63 

[462] 


BROWN   COLLECTION   OF  BOOKS   ON   THE   STAGE 


V 


London.    Theatres.     (Continued.) 

Bourdon,  G.  Les  theatres  anglais.  Avec  une  preface  cU-  Edwin  O. 
Sachs.     Paris.     1903.  2552.59 

BRAYLtY,  E.  W.     Historical  and  descriptive  accounts  of  the  theatres 
of  London.     London.     1826.     Colored  plates.     Plans.         **T.72.7 
Brereton,  a.    The  literary  history  of  the  Adelphi  and  its  neighbour- 
hood.   With  a  new  introduction.    New  York.     1909.    Plates.    Map. 

2493.164 
Brownrigg,  H.     Some  account  of  a  stage  devil.      [London.     1^3,^.] 

No.  II  in  **G.3822.3 
Brownsmith,  J.     The  dramatic  time-piece:  or  perpetual  monitor.     A 
calculation  of  the  length  of  time  every  act  takes  in  the  perform- 
ing in  all  the  acting  plays  at  the  Theatres-Royal  of  Drury-Lanc, 
Covent-Garden,  and  Hay-Market.     London.     1767.  **T.48.5 

The   rescue:   or,   Thespian   scourge.     Being  a  critical   enciuiry 

into  the  merit  of  a  poem,  intituled,  Thespis.  With  some  candid 
remarks  on  the  modesty,  good-nature,  and  impartiality  of  that 
piece.     Written  in  Hudibrastic  verse.     London.     1767.      **T.54.27 

BuNN,  A.  The  stage:  both  before  and  behind  the  curtain, '  from 
"observations  taken  on  the  spot."     London.     1840.     3  v. 

6574.15;  **T.76.i65;  etc. 

BuRNAND,  Sir  F.  C.  Records  and  reminiscences,  personal  and  general. 
London.     1904.     2  v.     Portraits.     Plates.  4543.74;  **T.55.g7 

Burton,  J.  G.  The  critic's  budget,  or,  a  peep  into  the  amateur  green 
room.  Pourtraying  a  view  of  the  most  popular  and  well-known 
private  actors!!!  of  the  present  day.  Subjoined,  a  list  of  the 
several  amateur  theatres,  reading  and  concert  rooms.  London. 
[1819.]  **T.56.i7 

C,  J.  A  short  treatise  of  the  epidemical  diseases  of  these  times. 
Communicated  by  a  loyal  pen,  in  a  letter.  [A  satire  on  the  politics, 
religion,  and  manners  of  London.]     London.     [1661.] 

No.  3  in  **G.382i.23 

Churchill,  C.  The  Rosciad  and  The  apology.  Edited  by  Robert 
W.  Lowe.    London.    1891.    Portraits.  **T.52.7 

Cibber,  C.  An  apology  for  the  life  of  Mr.  Colley  Cibber,  comedian, 
and  late  patentee  of  the  Theatre-Royal.  With  an  historical  view 
of  the  stage  during  his  own  time.     London.     1740.        2455.14;  etc. 

Statement    of    the    conduct    of   the    theatre    under    the    patent 

granted  to  Sir  Richard  Steele.  (In  The  Theatre.  Pp.  300-302. 
London.     1791.)  *2552.54 

Cibber,  T.  A  serio-comic  apology  for  part  of  the  life  of  Mr. 
Theophilus  Cibber,  comedian.  In  which  is  contained  original 
letters  (relating  to  the  stage-act),  memoirs  and  anecdotes  and 
observations  on  some  principal  performers.  (In  Shakespeare.  W. 
Romeo  and  Juliet.  Pp.  69-108.  London.  [1748.])  **T.96.77;  etc. 
Clarke,  W.     Every  night  "book;  or,  life  after  dark.     London.     1827. 

♦♦T.gS.ii 
Clayton,    E.    C.     The   London   opera   directors.      Chapter    i.    fOld 
Vauxhall  and  places  of  fashion.     London.     1864].     Portrait. 

No.  17  in  **G.3822.3 

I   [Collection  of  play  bills  of  English  theatres,  chiefly  those  of  Lon- 

^    don.     1718-1825;  1825-1864.]     2  V.  **G.so.30 

doNsiDERATioNS  on   the   past   and   present   state  of   the   stage;   with 

/    reference  to  the  late  contests  at  Covent  Garden.     Added,  a  plan 

/        for  a  new  theatre   for  the  purpose  of  hearing  plays.     London 

1809.  **T.76.76;etc. 

[463] 


THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 


London.     Theatres.     (Continued.) 

Cooke,  J.  The  stage.  Its  present  state,  and  prospects  for  the 
future.     London.     [1840.]  **T.76.io2 

Cost,  The,  of  amusing  the  public.     [London.     1862.]      Plate. 

No.  16  in  **G.3822.3 

Cumberland,  R.  Memoirs  written  by  himself  .  .  .  Interspersed 
with  anecdotes  and  characters  of  distinguished  persons  of  his 
time.     Philadelphia.     1856.  6545.56;  etc. 

Cunningham,  P.  The  Whitefriars  Theatre,  the  Salisbury  Court 
Theatre,  and  the  Duke's  Theatre  in  Dorset  Gardens.  {In  Shake- 
speare Society,  London.  Papers.  Vol.  4,  pp.  89-iOQ.  London. 
1849.)  '  *4596.ii.4;etc. 

CuTSPEAR,  W.,  pseud.  Dramatic  rights;  or,  private  theatricals,  and 
pic-nic  suppers,  justified  by  fair  argument.  With  a  few  whip- 
syllabubs   for  the   editors   of   newspapers.     London.      1802. 

**T.77.i9o;  etc. 

"Damned"  tragedies.     [London.     1842.]  No.  29  in  **G.3822.3 

Democritus,  Joseph,  pseud.,  and  William  Diogenes,  pseud.  The  re- 
markable trial  of  the  queen  of  quavers  [Polly  Farmer,  pseud.] 
and  her  associates,  for  sorcery,  witchcraft,  and  enchantment,  at 
the  assizes  held  in  the  moon.     [London.     I777-]       **M.ii7.9;  etc. 

Dialogue,  A,  in  the  green-room  upon  a  disturbance  in  the  pit.  Lon- 
don     1763.  **T.76.i49 

Dibdin,  C.     The  professional   life  of  Mr.   Didbin,   in  his  character 
of  writer,  composer,  and  performer.     London.     1804.     4  v.     Por- 
/      trait.     Plates.  **M.ii7.i 

'*^yl3iBDiN,  C,  Jr.  History  and  illustrations  of  the  London  theatres: 
"^  comprising  an  account  of  the  origin  and  progress  of  the  drama 
in  England;  with  historical  and  descriptive  accounts  of  the 
Theatres  Royal,  Covent  Garden,  Drury  Lane,  Haymarket,  Eng- 
lish Opera  House,  and  Royal  Amphitheatre.  London.  1826. 
Plates.     Plans.  **T.72.6 

DiBDiN,  T.  J.  The  reminiscences  of  Thomas  Dibdin,  of  the  Theatres 
Royal,  Covent-Garden,  Drury-Lane,  Haymarket,  &c.  London. 
1827.     2  V.     Portrait.  65503.54;  **T.56.io5;  etc. 

DiPROSE,  J.  Diprose's  Book  of  the  stage  and  the  players.  [London. 
1877.]     Illus.     Portraits.     Plates.  **T.77.i56 

Disputes,  The,  between  the  managers  of  the  theatres,  and  their 
actors  adjusted;  with  an  impartial  examination  of  the  players 
right  to  appeal  to  the  publick.     London.     1744.  **T.77.i77 

[Documents  of  the  Metropolitan  Board  of  Works,  the  London 
County  Council,  and  Committees  of  the  House  of  Commons 
and  the  House  of  Lords,  relating  to  the  theatre.]  London.  1866- 
ipoQ.    7  V.  **T.72.i4 

Downes,  J.  Roscius  Anglicanus,  or,  an  historical  review  of  the 
stage  from  t66o  to  1706.  With  additions,  by  Thomas  Davies. 
London.      1789.  **T.77.2;  etc. 

Drama,  The.     [London.     1824.]  No.  20  in  **G. 3822. 3 

Dramatic  scorpion,  The.  A  satire  with  explanatory  notes.  Lon- 
don.    1818.  **T.96.ii 

Edgcumbe,  R.,  2d  Earl  of  Mount  Edgcumhc.  Musical  reminiscences 
of  an  old  amateur,  chiefly  respecting  the  Italian  opera  in  England 
for  fifty  years,  from  1773  to  1823.    London.    1827.   **M. 109b. 28;  etc. 

Edwards,  F.,  bookseller.  Playbills.  A  collection  and  some  comments. 
London.     1893.  **T.96.33 

[464] 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 


London.     Theatres.     (Continued.) 

Egan,  p.,  the  Elder.  The  life  of  an  actor  [Peregrine  Proteus].  Lon- 
don.    1892.     Illus.     Colored  plates.  2573.143 

Elliston,  R.  W.  Copy  of  a  memorial  presented  to  the  Lord 
Chamberlain,  by  the  committee  of  management  of  the  Theatre- 
Royal,  Drury-Lane,  and  by  the  proprietors  of  the  Theatre-Royal 
Covent-Garden,  against  the  Olympic  and  Sans  Pareil  theatres; 
with  copies  of  two  letters,  in  reply  by  Robert  William  Elliston. 
London.     1818.  **T.76.i28;  etc. 

Erle,  T.  W.  Letters  from  a  theatrical  scene-painter.  Ser.  [1,]  2. 
[Anon.     London.]      1859,  62.     2  v.   in   i.  **T.48.25;  etc. 

Fitzgerald,  P.  H.  A  new  history  of  the  English  stage  from  the 
Restoration  to  the  liberty  of  the  theatres,  in  connection  witli 
the  patent  houses.     London.     1882.     2  v.  2450.54;  **T.76.i5 

Fleay,  F.  G.  a  chronicle  history  of  the  London  stage,  1559-1642. 
London.     1890.  4571.122;  **T.75.44 

FooTE,  H.  A  companion  to  the  theatres;  and  manual  of  the  British 
drama.     London.     1829.     Plate.  **T.79.3o;  etc. 

Full  and  accurate  account.  A,  of  the  destruction  of  the  Brunswick 
Theatre.  With  a  history  of  the  theatre,  and  of  the  introduction 
of  theatres  in  the  eastern  part  of  the  Metropolis.  London.  1828. 
Plate.  **T.76.i76 

Gakrick,  D.  The  theatres.  A  poetical  dissection.  London.  1772. 
Illus.  **T.54.25;  etc. 

V  CIhost  of  Shakespeare,  pseud.  Memoirs  of  the  Shakespear's-Head, 
in  Covent-Garden:  in  which  are  introduced  many  entertaining 
adventures,  and  several  remarkable  characters.  London.  1755. 
2  V.  **G.3934.2 

GiLLiLAND,  T.  A  dramatic  synopsis,  containing  an  essay  on  the 
political  and  moral  use  of  a  theatre;  involving  remarks  on  the 
dramatic  writers  of  the  present  day,  and  strictures  on  the  per- 
formers of  the  two  theatres,    London.     1804.  **T.76.59;  etc. 

Glover,  J.  M.  Jimmy  Glover:  his  book.  London.  [191 1.]  Por- 
traits.    Plates.  **T.56.6o;etc. 

GosNELL,  J.  &  Co.  The  graphic  theatrical  programme.  [London. 
187-?]      Illus.  **T.i4.i2 

Great  Britain.  Parliament.  Reports.  Report  from  the  select  com- 
mittee on  dramatic  literature:  with  the  minutes  of  evidence. 
[London.     1832.]      Plans.  **T.7i.8;etc. 

Great  Britain.  Privy  Council.  Account  of  the  proceedings  upon  a 
petition  for  a  third  theatre  in  the  Metropolis;  with  the  arguments 
of  counsel,  and  copies  of  all  the  petitions  and  documents.  Lon- 
don.    1810.  **T.76.ii6 

Greenstreet,  J.  Documents  relating  to  the  players  at  the  Red  Bull, 
Clerkenwell,  and  the  Cockpit  in  Drury  Lane,  in  the  time  of 
James  i.  (In  New  Shakspere  Societ3'.  Transactions.  No.  10. 
1880-86.      Part   III,    pp.   459-508.      London.      1886.) 

*6552.io.i88o-86;  etc. 

Grossmith,  W.  From  studio  to  stage.  New  York.  1913-  Portraits. 
Plates.  4545-173 

Gruneisen,  C.  L.     The  opera  and  the  press.     London.     1869. 

No.  3  in  **M.i25.8 

Guide,  A,  to  the  stage:  or,  select  instructions  and  precedents  from 
the  best  authorities  towards  forming  a  polite  audience;  witli  some 
account  of  the  players,  &c.     London.     I75i-        No.  5  in  *G.3823.i6 

[465] 
30 


THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 


London.     Theatres.     (Continued.) 

Hanley,  p.     a  jubilee  of  playgoing.     [3d  edition.]     London.     1887. 

**T.97.287 

Haslewood,  J.     .'\ccount  of  the  old  London  theatres.     {In  Maidment, 

J.,  editor.     Roxburghe  revels,  and  other  relative  papers,  etc.     Pp. 

85-128.     Edinburgh.     1837.)  **G.284.40 

The  secret  history  of  the  green  room:  containing  memoirs  of 

the  actors  in   the  three  theatres  royal.     London.     1792.     2  v. 

**T.57.2i9 

Same.     [Selections  from  the  preceding.]     Prefixed  a  sketch  of 

the  history  of  the  English  stage,  &c.     1795.  **T.57.22o 

Hawk's-Eye,  pseud.    The  stage  of  1871:  a  review  of  plays  and  players. 

Series   i.     London.     [1871.]  **T.97.24o;  etc. 

Henslowb  papers,   being  documents    supplementary   to    Henslowe's 

Diary,  edited  by  Walter  W.  Greg.     London.     1907.         **G.3927.3g 
HiBBERT,  H.  G.     Fifty  years  of  a  Londoner's  life.     With  a  preface 

by  T.  P.  O'Connor.     London.     1916.     Portraits.     Plates.     4545.151 
Hicks,  E.  S.     Seymour  Hicks:  twenty-four  years  of  an  actor's  life. 

By  himself.     London.     1910.     Portrait.  4549.161;  **T.57.225 

HiFFERNAN,  P.     The  tuner.     [Letter  i-]5.     London.     1754-1755.     5  v. 

in  I.  No.  14  in  **G.3824.i6;  etc. 

HoLCROFT,  T.     Memoirs.     Continued  to  the  time  of  his  death,  from 

his  diary,  notes,  and  other  papers.     London.     1852. 

65493.134;  **T.58.7;  etc. 
HoLLiNGSHEAD,  J-     Footlights.     [Stories,  essays,  and  sketches.]     Lon- 
don.     1883.  2553.59;  **T.97. 158 

My  lifetime.     London.     1895.     2  v.     Portrait.       **T.57.i74;  etc. 

Plain  English.     London.     1880.  **T.77.66 

Theatres.    Illus.    Portraits.    Plate.    {In  Besant,  Sir  W.    London 

in  the  nineteenth  century.    Pp.  193-215.    London.    1909.)    *249i.i6t 

Howard,  F.,  5th  Earl  of  Carlisle.  Thoughts  upon  the  present  condition 
of  the  stage,  and  upon  the  construction  of  a  new  theatre.  Lon- 
don.    1809.  **T.96.34o;  etc. 

Hum,  Humphrey,  Esq.,  pseud.  Management:  a  dramatic  satire. 
Illustrated  with  notes,  &c.,  by  Paulus  Purgantius  Pedasculus 
[pseud.].  With  an  original  essay  on  the  science  of  humbugging, 
from  the  unpublished  M.S.  of  the  late  George  Alexander  Stevens. 
[London.     1826.]      Colored  plate.  **T.96.i8i 

Humphreys,  R.  The  memoirs  of  J.  Decastro,  comedian.  Anecdotes, 
an  analysis  of  the  life  of  the  late  Philip  Astley,  history  of  the 
Royal  Circus,  now  the  Surrey  Theatre;  and  an  historical  sketch 
of    Sadler's    Wells;    scarce    theatrical    advertisements.      London. 

/     1824.    Portrait.  **T.57.295 

*yfJuNT,  J.  H.  L.     Critical  essays  on  the  performers  of  the   London 

theatres,    including    general    observations    on    the    practise    and 

genius  of  the  stage.     By  the  author  of  the  theatrical  criticisms  in 

the  weekly  paper  called  The  News.    London.    1807.    **T.58.96;  etc. 

Inchbald,  E.  Memoirs  of  Mrs.  Inchbald:  including  her  familiar 
correspondence  with  the  most  distinguished  persons  of  her  time. 
London.     1833.     2  v.     Portrait.  4546.2;  **T.56.209;  etc. 

Jackson,  R.  Third  theatre.  The  argument  of  Randlc  Jackson,  Esq. 
before  the  Lords  of  the  Privy  Council,  on  behalf  of  the  trustees, 
and  other  parties  interested  in  the  late  Theatre  Royal,  Drury 
Lane.  With  copies  of  the  petition  for  a  charter  to  erect  a  third 
theatre  in  the  metropolis.     London.     1810.  No.  2  in  ♦♦G.3824..'; 

[466] 


BROWN   COLLECTION   OF   BOOKS    ON   THE   STAGE 


"Lptidon.    Theatres.     (Continued.) 

V  AoHNsoN,  J.     An  account  of  pantomime.     The  London  pantomimes, 

V  1881-1882.  Facsimiles  of  the  earliest  announcements  of  English 
pantomimes,  Joey  Grimaldi's  last  speech,  and  verses  on  pimto- 
mime.     [London.     1882.]  **T.95.94 

Kelly,  M.  Reminiscences  of  Michael  Kelly,  of  the  King's  Theatre, 
and  Theatre  Royal,  Drury  Lane,  including  a  period  of  nearly 
half  a  century;  with  original  anecdotes  of  many  distinguished 
persons,  political,  literary,  and  musical.  London.  1826.  2  v. 
Portrait.  **T.57.45i;  etc. 

KiTCHiNER,  W.  The  economy  of  the  eyes.  Observations  on  opera 
glasses  and  theatres,  and  an  account  of  the  pancratic  magnifier. 
London.     1824.     Illus.     Plates.     Music.  3809.41;  etc. 

Knight,  J.    Theatrical  notes.     London.     1893.     Portrait. 

6585.51  ;**T.45.7 

Lawrence,  Sir  J.  Dramatic  emancipation,  or  strictures  on  the  state 
of  the  theatres,  and  the  consequent  degeneration  of  the  drama. 
{In   Pamphleteer.     Vol.   2,   pp.   36Q-3Q5.      London.      1813.) 

No.  17  in  *6s75.i.2 

Leech,  A.  E.  Theatres  as  they  are,  physically,  quizzically,  and 
critically  discussed.     London.     1848.  **T.96.i33 

Letter,  A,  to  my  Lord  *******  gn  the  present  diversions  of  the 
town.  With  the  true  reason  of  the  decay  of  our  dramatic  enter- 
tainments.    London.     1725.  No.  14  in  **G.382i.ii 

Letter,  to  the  Right  Hon.  Robert  Peel,  respecting  the  proposed 
introduction  of  a  bill,  to  repeal  so  much  of  the  Act  of  loth  Geo. 
IL  cap.  28,  as  requires  notice  to  be  sent  to  the  Lord  Chaml)erlain. 
previously  to  the  representation  of  any  new  play  or  entertainment 
of  the  stage,  or  any  addition  to  an  old  play;  and  showing  that  the 
consequence  would  be,  to  confirm  the  monopoly  claimed  by  Drury 
Lane  and  Covent  Garden  theatres.     London.     1829.    **T.76.73;  etc. 

Letters  from  an  Irish  student  in  England  to  his  father  in  Ireland. 
Vol.   I.     London.     1809.  **T.97.296 

Lewis,  P.  Miscellaneous  pieces  in  verse:  with  cursory  theatrical 
remarks.      London.      1774.  No.  10  in  **G.3820.9;  etc. 

London.  Corporation.  Dramatic  records  of  the  city  of  London.  The 
Remembrancia.  {In  Malone  Society.  Collections.  Vol.  i,  part  i, 
pp.   43-100.      [Oxford.]      1907.)  **G.4077.i5.i.Part  i 

London  play  bills  and  dramatic  cuttings.    1766-1825.    Illus.    Portraits. 

**T.ii.5 

London  playbills,  pictures  and  cuttings.  1774-1874.  Illus.  Portraits. 
Plates.  ■  **T.ii.2 

Macarthy,  E.  a  letter  to  the  King,  on  the  question  now  at  issue 
between  the  "major"  and  "minor"  theatres.     London.     1832. 

**T.76.77;etc. 

Major  and  minor  theatres.  A  concise  view  of  the  question,  as 
regards  the  public,  the  patentees,  and  the  profession.  Added, 
the  petition  now  lying  for  signature.     London.     1832. 

**T.76.72;  etc. 

Malcolm,  J.  P.  Anecdotes  of  the  manners  and  customs  of  London 
during   the    eighteenth    century.     2d    edition.      Vol.    2.      London. 

1810.  .  *2496.io6.2 
Anecdotes  of  the  manners  and  customs  of  London  from  the 

Roman  invasion  to  the  year  1700.     2d  edition.     Vol.  3-     London. 

1811.  *2496.i05.3 

[467] 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 

London.     Theatres.     (Continued.) 

Mathews,  C.  J.    Lettre  de  Charles  Mathews  aux  auteurs  dramatiques 
de  la  France.    London.    1852.  **T.96.i93 

Same.     Letter  from  Charles  Mathews  to  the  dramatic  authors 

of  France.     Translated  from  himself  by  himself.     London.     1852. 

**T.96.i94 

Miller,  J.     Harlequin-Horace:  or,   the  art  of  modern  poetry.      fA 

poem.    Anon.]     London.    1731.    Plate.  No.  15  in  **G.3824.i4 

Morley,  H.     The  journal  of  a  London  playgoer  from  185 1  to   r866. 

London.     1866.  4568.15;  **T.48.2 

Nicholson,  W.     The  struggle  for  a  free  stage  in  London.     Boston. 

1906.  2552.33 

Norman,  G.   ].,  compiler.     Theatrical  woodcuts.     Scrap-book.     [1855?] 

Illus.     Portraits.     Plates.  **T.i3.2 

Notices  of  the  acted  drama  in  London  [etc.     Edinburgh.     i8i81. 

No.  19  in  **G.3822.3 

Observations  on  the  importance  and  use  of  theatres;  their  present 

regulation,  and  possible  improvements.    London.    1759.   **T.97.ii8 

Orange-girl,  The,  at  Foote's  to   Sally   Harris:  or,  the  town  to  the 

country  Pomona.     An  heroic  epistle.     London.     1773. 

No.  14  in  **G.3820.ii 
Ordish,  T.  F.     Early  London  theatres.     (In  the  Fields.)      London, 
i8q4.     Illus.     Plate.     Maps.     Plans.  2467.138;  **T.76.ii3 

Otway,  — — •.     An  attempt  to  deduce  from  facts,  the  causes  of  the 
present  disgraceful  state  of  the  national  theatres.    London.     1835. 
,-  **T.76.i39 

V/OuLTON,  W.  C.     The  history  of  the  theatres  of  London:  containing 
\/       an  annual  register  of  all  the  new  and  revived  tragedies,  comedies, 
operas,  farces,  pantomimes,  &c.,  performed  at  the  Theatres-Royal 
in  London,  from  1771  to  1795.     With  occasional  notes  and  anec- 
dotes.    London.     1796.  **T.77.32 

Same.     1795  to  1817.     London.     1817,  18.     3  v.  **T.77.33 

Oxberry,  W.  H.     Oxberry's  Dramatic  chronology.     Containing  the 

names,  dates  of  births,  first  appearances  and  deaths,  of  most  of 

the  principal  London  actors  and  actresses,  up  to  1849.     [London. 

1850.1  **T.98.24 

Palmer,  J.  L.     The  comedy  of  manners.     London.     1913.     Portraits. 

Plates.  4579-239 

Phillips,  W.     The  wild  tribes  of  London.     [The  London  slums  and 

some  of  their  amusements.]  London.  1855.  Illus.  Plates.  **T.97.297 
Philo-Dkamaticus,  p.^eud.    A  letter  to  C.  Kemble  and  R.  W.  Elliston, 

on  the  present  state  of  the  stage.     London.     1825.  **T.76.i22 

Plumptre,  J.     A  letter  to  the  most  noble  the  Marquis  of  Hertford, 

Lord  Chamberlain  of  His  Majesty's  Household,  and   Master  of 

the  Revels,  on  the  subject  of  a  dramatic  institution.     Cambridge. 

1820.  **T.76.75;  etc. 

Poinsot,  a.  E.,  editor.     La  Comedie-frangaise  a  Londres  (1871-1879). 

Journal   inedit  de  E.   Got. — Journal   de  F.   Sarcey.     Publics  avec 

une  introduction  par  Georges  d'Heylli  [pseud.].     Paris.     1880. 

2676.156;  **T.78.i2 
Press  privilege.  The,  at  the  theatres.     [London.     1853.] 

No.  9  in  **G.3822.3 
Proelss,  C.  R.     Von  den  altesten  Drucken  der  Dramcn  Shakes]jcarcs, 

und  dem  Einflusse  den  die  damaligen  Londoner  Theater  und  ihrc 

Einrichtungcn  auf  diesc  Dramcn  ausgeiibt  haben.     Leipzig.     1905. 

4579-150 
[468] 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 


London.     Theatres.     (Continued.) 

Proposal,  A,  for  the  better  regulation  of  the  stage.  With  some 
remarks  on  the  state  of  the  theatre  among  the  ancient  Greeks 
and  Romans.     London.     1732.  **T.77.2i5 

PuRNELL.  T.     London  and  elsewhere.     London.     1886.  **T.98.9o 

Pythagoras,  pseud.  A  vindication  of  a  right  in  the  public  to  a  one 
shilling  gallery  either  at  the  new  Theatre  Royal  in  Covent-Garden, 
or  somewhere  else.     London.     1792.  **T.76.7o 

Quearmoode,  H.,  Esq.,  pseud.  An  essay  on  the  summer  entertainments 
in  the  neighbourhood  of  London.     London.     1750.  **T.97.39 

Ralph,  J.  The  case  of  our  present  theatrical  disputes,  fairly  stated. 
In  which  is  contained,  .  .  a  succinct  account  of  the  rise, 
progress  apd  declension  of  the  ancient  stage;  a  comprehensive 
view  of  the  management  of  the  Italian,  Spanish,  French  and 
Dutch  theatres,  with  remarks  upon  our  own.     London.     1743. 

**T.76.i5i;etc. 

Reynolds,  F.,  alleged  author.  Impartial  observations  on  the  pro- 
ceedings instituted  by  the  proprietors  of  the  Theatres  Royal, 
Drury  Lane  and  Covent  Garden,  against  the  minor  establishments. 
London.     1820.  **T.76.74;  etc. 

Roach,  J.  Roach's  Authentic  memoirs  of  the  green  room,  containing 
the  lives  of  all  the  performers  of  the  Theatres  Royal,  Drury  Lane, 
Covent  Garden  and  the  Haymarket.     London.     1796.     Plate. 

**T.59.23 

RoBSON,  W.     The  old  play-goer.     London.     1846.      4575.18;  **T.76.i43 

Sala,  G.  a.  H.  Living  London:  being  "echoes"  re-echoed.  London. 
1883.     Illus.     Plates.  2463.68 

Santley,  Sir  C.  Reminiscences  of  my  life.  London.  1909.  Portraits. 
Plates.  4047.289 

Scott,  C.  W.  Thirty  years  at  the  play  and  dramatic  table  talk. 
London.     [1892.]  **T.98.ii2 

Seasonable  examination,  A,  of  the  pleas  and  pretensions  of  the  pro- 
prietors of  and  subscribers  to,  play-houses,  erected  in  defiance 
of  the  royal  licence.  With  observations  on  the  printed  case  of 
the  players  belonging  to  Drury-Lane  and  Covent  Garden 
Theatres.     London.     1735.  **T.77.68;  etc. 

Smith,  A.  R.  .  Why  our  theatres  are  not  supported,  with  a  few 
words  about  the  late  riots  at  Drury  Lane.     London.     1848. 

**T.96.i9o;  etc. 

"Stage-players  complaint.  The":  from  the  rare  tract  printed  at 
London  in  1641.     London.     1868.  No.  3  in  *2423.50.i ;  etc. 

Taylor,  J.,  the  Water  Poet.  The  trve  cavse  of  the  watermen's  suit 
concerning  players,  and  the  reasons  that  their  playing  on  London 
side  is  their  extreame  hindrances.  With  a  relation  how  farre  that 
suite  was  proceeded  in,  and  the  occasions  that  it  was  not  effected. 
[London.      1872.]  **T.76.i45;  etc. 

Theatrical  biography:  or,  memoirs  of  the  principal  performers  of 
the  three  Theatres  Royal.  With  critical  remarks  on  their  profes- 
sional merits.     London.     1772.     2  v.  **T.58.i29;  etc. 

Theatrical  correspondence  in  death.  An  epistle  from  Mrs.  Old- 
field,  in  the  shades,  to  Mrs.  B .  .ceg. .  .rdle,  upon  earth:  contain- 
ing, a  dialogue  between  the  most  eminent  players  in  the  shades, 
upon   the  late  stage  desertion.     London.     I743-       **T.57.346;  etc. 

Theatrical  examiner,  The:  an  enquiry  into  the  merits  and  demerits 
of  the  present  English  performers  in  general.  London.  I757- 
(i),  98  pp.  **T.96.8i;etc. 

[469] 


THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 

London.     Theatres.     (Continued.) 

Theatrical  portraits.     [Verses.     London.     1795?]  **T.93.5 

Theatrical  register,  The:  or,  a  complete  list  of  every  performance 

"^       at  the  different  theatres,  for  the  year  1769.    Illustrated  with  critical 

observations.     [London.     1770.]  **T.77.25 

Theatrical  Review,  The;  or,  annals  of  the  drama.  Volume  i  (no.  i). 
London.     1763.  No,  7  in  **G.3823.i3 

Thorndike,  a.  H.  Shakespeare's  theater.  New  York.  1916.  Illus. 
Portraits.     Plates.     Plans.  6595.30;  etc. 

Thornell,  J.  H.  The  bill  of  the  play.  An  illustrated  record  of 
the  chief  dramas,  plays,  operas  bouffe,  etc.,  produced  or  revived 
during  1881.     London.     [1881.]      lUus.     Portraits.     Plates. 

**T.46.54;  etc. 

ToMLiNS,  F.  G.  Remarks  on  the  present  state  of  the  English  drama. 
London.     1851.  **T.99.6 

ToMLiNS,  Sir  T.  E.  The  original  patent  for  the  Nursery  of  actors 
and  actresses  in  the  reign  of  Charles  11.  (In  Shakespeare  Society, 
London.     Papers.     Vol.  3,  pp.   162-169.)  *4596.ii.3;  etc. 

Usefulness,  The,  of  the  stage  to  religion,  and  to  government: 
shewing  the  advantages  of  the  drama  in  all  nations.  With  an 
account  of  the  rise  and  progress  of  the  play-houses  that  were 
put  down.     London.     1738.  **T.96.92;  etc. 

Victor,  B.  The  history  of  the  theatres  of  London  and  Dublin,  from 
1730  to  the  present  time.  Added,  an  annual  register  of  all  the 
plays,  &c.  performed  at  the  Theatres-Royal  in  London,  from  1712. 
London.     1761-71.     3  v.  **T.77.3i;  etc. 

Waldron,  F.  G.,  and  others.  A  compendious  history  of  the  English 
stage,  from  the  earliest  period  to  the  present  time.  London. 
1800.     Plate.  **T.79.i7;etc. 

Wallace,  C.  W.  Three  London  theatres  of  Shakespeare's  time. 
[Lincoln,    Nebraska.]      1909.  No.  4  in  *3595.i04.9 

Watkins,  B.  W.  Outlines  of  the  life  of  William  Bestow,  editor 
and  proprietor  of  the  "Theatrical  Journal."  With  occasional 
reference  to  contemporary  theatrical  events  and  personages. 
London.     1864.    Portrait.  **T.58.28 

Werner,  O.  J.  Die  Elisabethanische  Biihne  nach  Ben  Jonson.  i. 
Teil.     Inaugural-Dissertation.     Halle  a/S.      [1878.] 

No.  10  in  **G.75,23 

Wewitzer,  R.  a  theatrical  pocket  book,  or  brief  dramatic  chron- 
ology, from  the  earliest  periods  of  history:  with  a  list  of  British 
dramatists,  and  of  actors,  &c.  on  the  London  stage,  from  the 
introduction  of  theatrical  entertainmenas  into  England.  London. 
1814.  **T.98.i33 

Same.      A   brief   dramatic    chronology   of   actors,    &c.    on    the 

London  stage,  from  the  introduction  of  theatrical  entertainments 
into  England,  to  the  present  time.     London.     1817.     **T.78.26;  etc. 

Dramatic     reminiscences,     anecdotes,     comical     sayings     and 

doings.     London.      [185-?]      Portrait.  **T.59.33;  etc, 

Wheatley,  H.  B.  Samuel  Pepys  and  the  world  he  lived  in.  Lon- 
don.    1880.  24503.53;  etc. 

Who's  who  in  the  theatre.  A  biographical  record  of  the  con- 
temporary stage.  Compiled  and  edited  by  John  Parker.  With 
a  foreword  by  Sir  Herbert  Beerl)ohm  Tree.  London.  1914. 
Plans.     Genealogical  charts.  *6252.77 

[470] 


BROWN   COLLECTION   OF  BOOKS   ON   THE  STAGE 


London.     Theatres.     (Continued.) 

^  Wilkinson,  R.  Londina  illustrata.  Graphic  and  historic  memorials 
of  monasteries,  churches,  processions,  places  of  early  amuse- 
ment, and  modern  &  present  theatres;  in  the  cities  and  suburbs  of 
London  &  Westminster.     London.     1819,  25.    2  v.     Plates.     Plans. 

*246o.4;  etc. 

Williams,  M.     Some   London  theatres  past  and  present.     London. 

1883.  4573-20;  **T.77.is2 

2ILSON,   M.   B.     Memoirs  of  Miss   Mellon,  afterwards   Duchess  of 
St.  Albans.     London.     1886.     2  v.  2541.109 

-  ,.R0TH,  W.  W.,  and  A.  E.  Wroth.  The  London  pleasure  gardens  of 
the  eighteenth  century.  London.  1896.  Portraits.  Plates,  some 
colored.  2493.157 

London.     Theatres.     Blackfriars  theatre. 

Adams,  J.  Q.  The  conventual  buildings  of  Blackfriars,  London,  and 
the  playhouses   constructed   therein.      [London?      191-?]      Plans. 

**T.75.8o 
Feuillerat,  a.,  editor.     Blackfriars  records.     [London.]      1913. 

**G.4077.i5.2.Part  i 

Porter,  T.  H.    A  maid  of  the  Malverns:  a  romance  of  the  Blackfriars 

Theatre.  .  London.     [1911.]  *4578.334 

Wallace,  C.  W.     The  Children  of  the  Chapel  at  Blackfriars,  1597- 

1603.     Lincoln,  Nebraska.     1908.  *3595-i04.8 

The  evolution  of  the  English  drama  up  to  Shakespeare,  with 

a  history  of  the  first  Blackfriars  Theatre.     A  survey  based  upon 

original   records   now  for   the   first   time   collected  and  published. 

Berlin.     1912.  4593-203 

London.    Theatres.     Brunswick  theatre.    See  London.    Theatres.    Royal 

Brunswick  theatre. 
London.     Theatres.     Canterbury  theatre  of  varieties. 

The    Canterbury   Theatre   of   Varieties   and    its   associations.      With 
some    account   of   Lambeth    and    its    vicinity.      [London.      1876?] 
28  pp.     Portraits.     Plates.     Map.     Autograph  facsimiles.     **T.74.3 
London.    Theatres.    Colosseum. 

An  account  of  the  Colosseum.     [London.     Gathercole.     1830.]     24  pp. 

4539a.  1 42 
London.     Theatres.     Court  theatre. 

MacCarthy,  D.  The  Court  Theatre,  1904-1907:  a  commentary  and 
criticism.  With  an  appendix  containing  reprinted  programmes 
of  the   "Vedrenne-Barker   performances."     London.      1907. 

**T.78.73 
London.    Theatres.    Covent  Garden  theatre. 

Royal    Italian    opera,    Covent    Garden.      Season    1864.      [Prospectus. 

London.     Miles   &   Co.]      1864.     20  pp.  No.  6  in  **G.3822.3 

[Theatre  Royal,  Covent  Garden:  40  play-bills.  May  2 -July  2,  1842; 

entire  season  of  German  opera;  M.  Thalberg;  the  famous  actress. 

Mile.  Dejazet,  her  last  appearance  in  England.     London.     1842.] 

**T.Cab.i.i5 

Theatre    Royal    [Covent    Garden].      Mr.    Ira    Aldridge,    the    African 

tragedian,  as   Othello.     W.   Earle,   sc.     Poster.      [1833?]      55^  X 

29^  inches.  **G.50.i3 

London.     Theatres.     Covent  Garden  theatre.     Works  about. 

Animadversions  on  Mr.  Colman's  True  state,  &c.  With  some  remarks 
on  his  little  serious  piece  called  The  Oxonian  in  town.  London. 
1768.  No.  14  in  **G.3824.2 

[471] 


THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 

London.     Theatres.     Co\t.nt  Garden  theatre.     Works  about.     (Continued.) 

Battle,  The,  of  the  authors  lately  fought  in  Covent-Garden,  be- 
tween Sir  John  Edgar  [pseud,  of  Sir  Richard  Steele],  general- 
issimo on  one  side,  and  Horatius  Truewit,  on  the  other.  London. 
1720.  No.  4  in  **G.3823.i8 

Case,  The,  between  the  managers  of  the  two  theatres,  and  their 
principal  actors,  fairly  stated,  and  submitted  to  the  town.  Lon- 
don.    1713.  **T.76.i50 

Chetwood,  W.  R.  The  dramatic  congress.  A  short  state  of  the 
stage  under  the  present  management.  Concluding  with  a  dialogue 
between  the  illustrious  Bashas  of  Dr-ry  Lane  and  Co-nt  Garden, 
and  the   chiefs   of   the    revolted   players.      London.      I743- 

**T.76.i68;etc. 

Citizen  of  the  world,  A,  pseud.  The  genuine  arguments  of  the 
council,  with  the  opinion  of  the  court  of  King's  Bench,  on  cause 
shewn,  why  an  information  should  not  be  exhibited  against  John 
Stephen  James,  Joseph  Clarke,  for  a  riotous  conspiracy,  founded 
to  deprive  Charles  Macklin,  one  of  the  comedians,  belonging  to 
the  Theatre  Royal  in  Covent  Garden,  of  his  livelihood.  London. 
1774.  No.  3  in  **G.3824.4 

CoLMAN,  G.,  tJie  Elder.     T.  Harris  dissected.     London.-     1768. 

**T.95.ii8;etc. 

A  true  state  of  the  differences  subsisting  between  the  pro- 
prietors of  Covent-Garden  Theatre;  in  answer  to  a  manuscript 
libel  and  to  a  printed  Narrative  by  T.  Harris  and  J.  Rutherford. 
London.     1768.  **T.95.ii6;  etc. 

Conduct,  The,  of  the  four  managers  of  Covent-Garden  Theatre 
freely  and  impartially  examined,  both  with  regard  to  their 
present  disputes,  and  their  past  management.  In  an  address  to 
them,  by  a  frequenter  of  that  theatre.     London.     1768. 

**T.95.ii9;  etc. 

Covent-Garden  Theatrical  Gazette.  No.  69.  Dec.  13,  1816.  [Lon- 
don.]    1816.  No.  12  in  **G.3823.i3 

Fitz-Crambo,  Patrick,  Esq.,  pseud.  Tyranny  triumphant!  and  liberty 
lost;  the  Muses  run  mad;  Apollo  struck  dumb;  and  all  Covent- 
Garden  confounded.  Or,  historical,  critical,  and  prophetical  re- 
marks on  the  famous  cartel  lately  agreed  on  by  the  masters  of 
the  two  theatres.     London.     1743.  **T.76.i52;  etc. 

Fizgig,  or  the  modern  Quixote,  a  tale  [in  verse] ;  relative  to  the 
late  disturbances,  at  Drury-Lane  and  Covent-Garden  Theatres. 
London.     1763.     3-13  pp.  No.  6  in  **G.3947.2 

Four  letters  on  the  theatre;  written  during  the  dispute  between 
the  public  and  the  proprietors  of  the  new  Theatre  Royal,  in 
Covent  Garden,  on  its  opening  in  1809:  wherein  are  discussed, 
the  merits  of  players,  and  the  morality  of  the  stage.  London. 
[1809.1  **T.96.258 

Gilliland,  T.  Elbow  room:  a  pamphlet  on  the  shameful  increase 
of  the  private  boxes  of  Covent  Garden,  with  observations  relating 
to  the  management  of  that  theatre.  Also,  a  comparative  view  of 
the  two  houses.     London.     1804.  **T.96.363;  etc, 

Halliwell-Phillipps,  J.  O.  The  management  of  Covent  Garden 
Theatre  vindicated  from  the  attack  of  an  anonymous  critic,  in  a 
letter  to  the  editor  of  the  "Cambridge  Advertiser."  London. 
1841,  **T.76.3i;etc. 

[472] 


BROWN   COLLECTION   OF  BOOKS    ON   THE   STAGE 


London.     Theatres.     Covent  Garden  theatre.     IVorks  about.     (Continued.) 

Harral,  T.     The  Infant  Roscius;  or,  an  inquiry  into  the  requisites 

of    an    actor:    comprising    a    critical    analysis    of    young    Betty's 

acting,  on  the  London  boards;  strictures  on  the  Covent  Girden 

company,  &c.     London.     [1804.]  **T.56.i39;  etc. 

Harris,  T.  A  letter  from  T.  Harris,  to  G.  Colman,  on  the  affairs 
of  Covent-Garden  Theatre.     London.     1768.  **T.95.ii7;  etc. 

Harris,  T.,  and  J.  Rutherford.  A  narrative  of  the  rise  and  progress 
of  the  disputes  subsisting  between  the  patentees  of  Covent- 
Garden  Theatre.     London.     1768.  **T.95.ii5;  etc. 

Hawkins,  W.  Miscellanies  in  prose  and  verse.  Containing  observa- 
tions on  the  principal  performers  belonghig  to  the  two  theatres- 
royal;   from  January   1773,  to   May   1775.     London.     1775. 

**T.58.i03;etc. 

Historical  and  succinct  account.  An,  of  the  late  riots  at  the  theatres 
of  Drury-Lane  and  Covent-Garden.  Interspersed  with  the 
principal  letters  and  advertisements  that  have  been  published 
on  each  side  the  question.     London.     1763.  **T.75.67 

Johnstone,  J.  H.,  and  others.  A  statement  of  the  differences  sub- 
sisting between  the  proprietors  and  performers  of  the  Theatre- 
Royal,  Covent-Garden.  Given  in  the  correspondence  that  has 
passed  between  them.  By  John  Johnstone,  Joseph  George  Hol- 
man,  Alexander  Pope,  Charles  Incledon,  Jos.  S.  Munden,  John 
Fawcett,  Thomas  Knight,  Henry  Erskine  Johnston.  London. 
1800.  **T.77.io;etc. 

Kelly,  H.  Thespis:  or,  a  critical  examination  into  the  merits  of  all 
the  principal  performers.     Book    [i,]    2.     London.      1766,  67. 

**T.54.26;  etc. 

Letter,  A,  to  a  certain  patentee:  in  which  the  conduct  of  managers 
is  impartially  considered;  and  a  few  periods  bestowed  on  those 

darlings   of  the  publick,   Mr.   G k    [Garrick],   Mr.    F e 

[Foote],   Mrs.  P d    [Pritchard],   &c.     London.      [1747.] 

**T.97.47;  etc. 

London  playbills,  pictures  and  cuttings.  1774-1874.  lUus.  Por- 
traits.    Plates,  some  colored.     Plan.     Manuscripts.  **T.ii.2 

Maddison,  R.  An  examination  of  the  oratorios  which  have  been 
performed  this  season,  at  Covent-Garden  Theatre.    London.    1763. 

No.  3  in  **G.3824.i 

Myrtle,  Marmaduke,  Esq,  pseud.  The  histrionade:  or,  theatric 
tribunal;  a  poem,  descriptive  of  the  principal  performers  at  both 
houses.     London.     1802.  **T.56.i9o;  etc. 

O.  P.  Amateur,  An,  pseud.  A  plain  statement  of  facts;  containing  the 
whole  of  the  particulars  relative  to  the  existing  differences  be- 
tween the  present  management  of  Covent  Garden  Theatre  and 
Mr.  James  Brandon:  with  remarks  on  the  impolicy  of  again  risk- 
ing another  theatrical  war,  alias  an  O.  P.  row!     London.     1823. 

**T.95-37 

Observations  on  Mr.  Kemble  in  the  characters  of  Cato,  Wolsey,  and 
Coriolanus:  to  which  are  added  his  farewell  address  at  Covent 
Garden  Theatre,  and  an  account  of  the  dinner  given  at  Free- 
mason's Tavern:  with  every  particular  connected  with  his  retire- 
ment from  the  stage.     London.     1817.  No.  5  in  **G.3824.3;  etc. 

Poor  Covent  Garden!  or,  a  scene  rehearsed;  an  occasional  prelude, 
intended  for  the  opening  of  the  New  Theatre  Royal,  Covent- 
Garden,  this  season.     London.     1792.  No.  4  in  **K.34.22.ia 

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THE  PUBLIC  LIBRARY   OF   THE    CITY   OF  BOSTON 

London.  Theatres.  Covent  Garden  theatre.  JVorks  about.  (Continued.) 
Potter,  J.  The  theatrical  review;  or,  new  companion  to  the  play- 
house: containing  a  critical  and  historical  account  of  every 
tragedy,  comedy,  opera,  farce,  &c.,  exhibited  at  the  theatres  last 
season;  with  remarks  on  the  actors.  London.  1772.  2  v.  **T.48,22 
Pythagoras,  pseud.  A  vindication  of  a  right  in  the  public  to  a  one 
shilling  gallery  either  at  the  new  Theatre  Royal  in  Covent-Garden, 
or  somewhere  else.     London.     1792.  **T.76.7o 

Rattler,  Morgan,  pseud.    The  German  opera.     [London.     1842.] 

No.  21  in  **G.3822.i 

Scharf,  Sir  G.     Recollections  of  the  scenic  effects  of  Covent  Garden 

Theatre  during  the  season   1838-9.     London.     1839.     (39)    plates. 

**T.57.i 
Smeeton,  G.     Smeeton's  Authentic  statement  of  the  dreadful  con- 
flagration   of    Covent    Garden    Theatre,    September    20th,    1808. 
Also,  an  account  of  the  accident  whereby  near  fifty  persons  were 
killed  and  dangerously  burnt.     London.      [1808.]      Colored  plate. 

**T.76.ii7 
Theatrical  disquisitions:  or  a  review  of  the  late  riot  at  Drury-Lane 
Theatre  on  the  25th  and  26th  of  January.    And,  a  short  appendix, 
relative  to  the  disturbance  at  Covent-Garden  Theatre  the  24th  of 
February.     By  a  lady.     London.     1763.  **T.75.63;  etc. 

Theatrical  monopoly:  being  an  address  to  the  public  on  the  present 
alarming  coalition  of  the  managers  of  the  winter  theatres.     Lon- 
don.    1779.     Portrait.  No.  4  in  **G.3824.i4;  etc. 
Theatrical  Review,  The:  for  the  year  1757,  and  beginning  of  1758. 
Containing  critical  remarks  on  the  principal  performers  of  both 
the  theatres.     London.     1758.  **T.96.85;  etc. 
TowNSEND,  G.  H.    Evans's  Music  and  Supper  Rooms,  Covent  Garden. 
Odds  and  ends  about  Covent  Garden  and  its  vicinity,  the  ancient 
drama,  the   early   English   divinity  and   controversial  plays,   &c. 
[London.     1866?]     Illus.  **T.9S.92 
Williams,  J.     The   pin-basket   to   the   children   of   Thespis.     With 
notes  historical,  critical  and  biographical.    London.    I797-   **T.58.38 
Wyndham,  H.  S.     The  annals  of  Covent  Garden  Theater  from  1732 
to  1897.    London.    1906.    2  v.    Portraits.     Plates.     Plan.      4578.324 
London.     Theatres.     Covent  Garden  theatre.     O.  P.  (Old  Prices)   Riot, 
1809. 
Attalus,  pseud.     Justice  and   generosity  against  malice,   ignorance, 
and  poverty:  or,  an  attempt  to  shew  the  equity  of  the  new  prices 
at  the  Theatre  Royal,  Covent  Garden.     London.     1809. 

No.  4  in  **G.3824.i4 
Author  of  nothing  else,  pseud.     The  "Old  Price"  -iad;  or,  Thespian 
bear-garden:   an   epic   poem,   in   two   parts.      [Part    i.]      London. 
[1809.]  No.  3  in  **G.382o.ii 

Bull,  John,  pseud.  Covent  Garden  Theatre!!  Remarks  on  the  cause 
of  the  dispute  between  the  public  and  managers  of  the  Theatre 
Royal,  Covent  Garden.  London.  [1809.]  Plate.  No.  5  in  **G.382i.5 
Candidus,  pseud.  The  statement  of  a  few  facts,  and  an  impartial 
appeal  on  the  subject  at  issue  between  the  pul)lic  and  the  pro- 
prietors of  tlie  Theatre-Royal,  Covent-Garden.     London.     [1809.] 

**T.96.i5i 

Considerations  on   the  past  and  present   state  of   the   stage;   with 

reference  to  the  late  contests  at  Covent  Garden.     Added,  a  plan 

for  a  new  theatre  for  the  purpose  of  hearing  plays.      London. 

1809.  **T.76.76;  etc. 

[474] 


BROWN  COLLECTION   OF  BOOKS   ON   THE  STAGE 


London.   Theatres.   Covent  Garden  theatre.    O.  P.  Riot,  1809.    (Continued.) 

Genuine  collection,  A,  of  O.  P.  songs,  whimsical  and  satirical.  To 
which  is  added  the  toasts  and  sentiments  given  by  the  O.  P.'s. 
Also  the  terms  of  peace.    London.     [1809?]        No.  2  in  **G.3823.2 

Hardinge,  G.  Letters  on  the  O.  P.  controversy  at  Covent  Garden 
Theatre,  1809.  Extracted  from  the  Courier  newspaper.  {In  his 
Miscellaneous  works.     Vol.  3,  pp.  373-391.     London.     1818.) 

**G.3922.io.3 

Life,  The,  of  John  Philip  Kemble,  Esquire,  a  proprietor,  and  stage 
manager  of  Covent  Garden  Theatre,  interspersed  with  family  and 
theatrical  anecdotes.     London.     [1809.]     Portrait.     Colored  plate. 

No.  13  in  **G.3823.i5 

Mad  Bull,  A,  pseud.     The  O-Pceiad,  a  satire.     London.     1810. 

No.  3  in  **G.3824.5 

Reason  versus  passion;  or,  an  impartial  review  of  the  dispute 
between  the  public  and  the  proprietors  of  Covent  Garden  Theatre. 
London.     [1809.]  **T.76.i7o 

Rebellion,  The;  or,  all  in  the  wrong.  A  serio-comic  hurly-burly 
as  it  was  performed  for  two  months  at  the  new  Theatre  Royal, 
Covent-Garden,  by  His  Majesty's  servants,  the  players,  and  his 
liege  subjects,  the  public.     London.     1809.     Portrait. 

**T.96.33i;  etc. 

Sowerby, .    A  series  of  letters  on  the  late  theatric  festival,  with 

remarks  on   some   serio-comic  pantomimes.     London.      iSio. 

**T.96.3i7;  etc. 

Stockdale,  J.  J.  The  Covent  Garden  journal.  London.  1810.  2  v. 
Plates.  **T.75.i3;  etc. 

Tegg,  T.  The  rise,  progress,  and  termination  of  the  O.  P.  War,  in 
poetic  epistles,  or  Hudibrastic  letters.    London.     1810.      **T.78.4i 

Theatricus,  pseud.  Theatrical  taxation;  which  embraces  reflections 
on  the  state  of  property  in  the  Theatre-Royal,  Covent  Garden, 
and  the  engagement  of  Madame  Catalan!:  also,  an  analysis  of  the 
grounds  upon  which  the  proprietors  have  been  induced  to  raise 
the  prices  of  admission.     London.     [1809.]  **T.76.47 

London.    Theatres.     Curtain  theatre,  Shoreditch. 

Tomlins,  Sir  T.  E.  Origin  of  the  Curtain  theatre  and  mistakes 
regarding  it.  (In  Shakespeare  Society,  London.  Papers.  Vol.  i, 
pp.  29-35.     London.     1844.)  *4596,ii.i;  etc. 

London.  Theatres.  Drury  Lane  theatre. 
,  Arnold,  S.  J.  A  letter  to  all  the  proprietors  of  Drury-Lane  Theatre, 
being  a  commentary  on  certain  parts  of  an  anonymous  pamphlet, 
called  "A  brief  review  of  the  season  1817-18  at  the  Theatre  Royal, 
Drury-Lane,"  &c.,  and  a  conclusive  detection  of  the  author.  Lon- 
don.    1818.  **T.76.i27;etc. 

Burghall,  J.  E.  A  statement  of  facts.  [Copy  of  a  deposition 
relating  to  Mr.  Burghall,  Mrs.  Booth  and  Miss  Granger  of  Drury 
Lane  Theatre.     London.     1797.]  No.  6  in  **G.3824.6 

Case,  The,  between  the  managers  of  the  two  theatres,  and  their 
principal  actors,  fairly  stated,  and  submitted  to  the  town.  Lon- 
don.   1713.  **T.76.i5o 

Chetwood,   W.   R.     The   dramatic   congress.     A   short   state   of   the' 
stage  under  the  present  management.    Concluding  with  a  dialogue 
between  the  illustrious  Bashas  of  Dr-ry  Lane  and  Co-nt  Garden, 
and  the  chiefs  of  the  revolted  players.     London.     1743. 

**T.76.i68;  etc. 
[475] 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 

London.     Theatres.     Drury  Lane  theatre.     (Continued.) 

Collier,  J.  P.  Dryden,  Killigrew  and  the  first  company  which  acted 
at  Drury  Lane  Theatre.  (/«  Shakespeare  Society,  'London. 
Papers.     Vol.  4,  pp.   147-155.     London.     1849.)         *4596.ii.4;  etc. 

Comedian,  A,  pseud.  A  full  answer  to  Queries  upon  queries.  In 
which  the  conduct  of  the  players  is  vindicated,  and  the  mis- 
representations of  the  querist  exposed.     London.     1743. 

No.  9  in  **G. 3824.2 

D.,  W.  C.  The  lament;  or,  the  fall  of  Drury  Lane.  A  poetical  satire. 
London.     1840.  .  **T.98.5 

Dennis,  J.  The  characters  and  conduct  of  Sir  John  Edgar  [pseud, 
of  Sir  Richard  Steele],  call'd  by  himself  sole  monarch  of  the  stage 
in  Drury- Lane;  and  his  three  deputy-governors,  in  two  letters  to 
Sir  John  Edgar.     London.     1720.  **T.77.i07;  etc. 

DoRAN,  J.  In  and  about  Drury  Lane,  and  other  papers.  London. 
1881.    2  V.  2555.72;  **T.76.i47;  etc. 

Druriad,  The:  or  strictures  on  the  principal  performers  of  Drury- 
Lanc  theatre:  a  satirical  poem:  with  notes  critical  and  explanatory. 
London.     1798.  **T.74.8 

Fitz-Crambo,  Patrick,  Esq.,  pseud.  Tyranny  triumphant!  and  liberty 
lost;  the  Muses  run  mad;  Apollo  struck  dumb;  and  all  Covent- 
Garden  confounded.  Or,  historical,  critical,  and  prophetical  re- 
marks on  the  famous  cartel  lately  agreed  on  by  the  masters  of 
the  two  theatres.     London.     1743.  **T.76.i52;  etc. 

D — ry-L-ne  P — yh-se  broke  open.     In  a  letter  to  Mr.  G . 

London.     1748.     Portraits.  No.  3  in  **G.3823.i6 

F.,  E.  Mr.  Garrick's  conduct,  as  manager  of  the  Theatre-Royal  in 
Drury-Lane,  considered.     London.      [1747.]  No.  6  in  **G.3824.i 

Fizgig,  or  the  modern  Quixote,  a  tale  [in  verse];  relative  to  the  late 
disturbances,  at  Drury-Lane  and  Covent-Garden  theatres.  Lon- 
don.    1763.  No.  6  in  **G.3947.2 

Four  theatrical  addresses:  upon  the  providential  preservation  of  His 
Majesty's  life,  at  Drury-Lane  Theatre.  Upon  the  preliminaries 
of  peace.  Upon  the  opening  of  the  new  theatre  at  Warwick.  And 
a  farewell  epilogue.     [Poems.]     Alcester.     [1803?]  **T.g7.93 

Fund,  The,  for  the  relief  of  indigent  persons  belonging  to  His 
Majesty's  company  of  comedians  of  the  Theatre  Royal,  Drury 
Lane.  Established,  endowed,  and  incorporated,  by  David  Gar- 
rick,  Esq.     1777.     London.     1806.  No.  9  in  **G.3824.6 

Garrick,  D.  Samuel  Johnson's  prologue  spoken  at  the  opening  of 
the  theatre  in  Drury-Lane  in  1747  with  Garrick's  epilogue.  A 
facsimile  of  the  hitherto  undiscovered  first  edition.  New  York. 
1903.  *4570.ii5 

GiLDON,  C.     A  comparison  between  the  two  stages.     London.     1702. 

**G.3935.5;etc. 

Glover,  J.  M.  Jimmy  Glover:  his  book.  London.  [191  i-l  Por- 
traits.    Plates.  **T.56.6o;etc. 

Great  Britain.  Parliament.  Reports.  Reports  of  the  committee 
under  the  Act  for  rebuilding  Drury-Lane  Theatre,  &c.  London. 
[1811.]  **T.76.i83 

Hawkins,  W.  Miscellanies  in  prose  and  verse.  Containing  observa- 
tions on  the  principal  performers  belonging  to  the  two  theatres- 
royal;   from  January   1773   to   May    1775.      London.      1775. 

**T.58.i03;etc. 

[476] 


BROWN   COLLECTION   OF  BOOKS    ON   THE   STAGE 

London.     Theatres.     Drurv   Lane  theatre.      (Continued.) 

Historical  and  succinct  account,  An,  of  the  late  riots  at  the  theatres 
of  Drury-Lane  and  Covent-Garden.  Interspersed  with  the 
principal  letters  and  advertisements  that  have  been  published  on 
each  side  the  question.    London.     1763.  **T.75.67 

HouLTON,  R.  A  review  of  the  musical  drama  of  the  Theatre  Royal, 
Drury  Lane,  for  the  years  1797-98-99  &  1800.  Addressed  to  the 
proprietors  of  the  theatre.    London.    1801.    No.  4  in  **M. 134.10;  etc. 

Impartial  hand,  An,  psetid.  Stage  policy  detected;  or  some  select 
pieces  of  theatrical  secret  history  laid  open:  in  a  letter  to  a  certain 
manager  [Charles  Fleetwood]  on  his  imaginary  justification  of 
his  late  conduct.     London.     1744.  **T.77.i75 

Jackson,  R.  Third  theatre.  The  argument  of  Randle  Jackson,  Esq. 
before  the  Lords  of  the  Privy  Council,  on  behalf  of  the  trustees, 
and  other  parties  interested  in  the  late  Theatre  Royal,  Drury  Lar.e. 
With  copies  of  the  petition  for  a  charter  to  erect  a  third  theatre 
in  the  metropolis.     London.     1810.  .     No.  2  in  **G.3824.5 

Kelly,  H.  Thespis:  or,  a  critical  examination  into  the  merits  of  all 
the  principal  performers.     Book  [i,]  2.     London.     1766,  67.     2  v. 

**T.54.26;etc. 

Kenney,  C.  L.  Poets  and  profits  at  Drury  Lane  Theatre.  A 
theatrical  narrative.     London. .    1875.  **T.78.2o 

Lemoine,  H.  Authentic  account  of  the  fire  which  reduced  that 
extensive  biiilding  of  the  Theatre-Royal,  Drury-Lane,  to  a  pile 
of  ruins,  on  the  24th  of  February,  1809;  to  which  is  added,  a 
chronological  list  of  all  the  places  of  public  amusement  destroyed 
by  fire,  in  England.    London.    [1809.]    Plate.    No.  11  in  **G.3823.4.2 

Letter,  A,  to  Mr.  Garrick  on  his  having  purchased  a  patent  for 
Drury-Lane   Play-House.     London.      [1747.]  **T.97.44;  etc. 

Moore,  P.  Cop^r.  Letter  from  Mr.  Moore  to  Mr.  Raymond 
[manager  of  Drury  Lane  Theatre].  Dated  October  14,  1817. 
[London.    1817.]  **T.75.65 

Observations  submitted  to  the  consideration  of  the  committee 

of  management  of  Drury  Lane  Theatre.      [London.     1817?] 

**T.75.64 

Moore,  P.,  alleged  author.  Facts  are  stubborn  things!  Being  a  brief 
review  of  the  season  1817-1S,  at  the  Theatre-Royal,  Drury  Lane. 
London.     1818.  **T.76.i29;  etc. 

Myrtle,  Marmaduke,  Esq.,  pseud.  The  histrionade:  or,  theatric 
tribunal;  a  poem,  descriptive  of  the  principal  performers  at  both 
houses.     London.     Kirby.     1802.  **T.56.i9o;  etc. 

Neither-side,  Mr.,  pseud.  An  impartial  examen  of  the  present  con- 
tests between  the  town  and  the  manager  [Charles  Fleetwood]  of 
the  theatre.  With  some  proposals  for  accommodating  the  present 
misunderstandings.     London.     1744.  **T.77.i85;  etc. 

New  way.  The,  to  act  old  plays.  A  familiar  epistle  to  the  manage- 
ment of  Drury  Lane  Theatre,  on  the  present  state  of  their  stage. 
London.     1818.  No.  11  in  **G.3823.i8 

Potter,  J.  The  theatrical  review;  or,  new  companion  to  the  play- 
house: containing  a  critical  and  historical  account  of  every 
tragedy,  comedy,  opera,  farce,  &c.,  exhibited  at  the  theatres  last 
season;  with  remarks  on  the  actors.   London.    1772.   2  v.   **T.48.22 

Queries  to  be  answer'd  by  the  manager  of  Drury-Lane  Theatre 
[Charles  Fleetwood],  for  the  satisfaction  of  the  publick,  in  regard 
to  the  present  dispute  between  him  and  his  actors.    London.     1743. 

No.  8in**G.3824.2;etc. 

[477] 


THE  PUBLIC  LIBRARY  OF  THE   CITY  OF  BOSTON 

London.     Theatres.     Drury  Lane  theatre.      (Continued.) 

Queries  upon  queries,  to  be  answer'd  by  the  male-content  players. 
For  the  satisfaction  of  the  publick,  in  regard  to  the  present 
dispute  between  them  and  the  manager  [Charles  Fleetwood]. 
London.     [i743-]  **T.77.3 

Rambler,  Harry,  pseud.  Bays  in  council:  or,  a  picture  of  a  green- 
room. A  dramatic  poem.  Containing  the  speeches  of  Mr. 
G-rr--k,    Mr.    H  -  v  -  -  d,    Mr.    S  -  wd  -  n,    Mr.    W  -  -  d  -  -  d,    Mrs. 

C e,   and   Mrs.    P--tc d,   a   few   days   before   Drury   Lane 

Theatre   was   open'd.      Dublin.      1751.  No.  13  in  **G.3824.i4 

Reed,  J.  The  retort  courteous;  or  a  candid  appeal  to  the  public 
on  the  conduct  of  Thomas  Linley,  Esq,  manager  of  Drury-Lane 
Theatre,  to  the  author  of  Dido.    London.    1787.    No.  8  in  **G.3824.i 

Rennel,  G.  Tragi-comical  reflections,  of  a  moral  and  political 
tendency,  occasioned  by  the  present  state  of  the  two  rival- 
theatres  in  Drury-Lane  and  Lincolns-Inn-Fields.  London. 
[1725?]  No.  8  in  **G.3823.i4 

Smith,  A.  R.  Why  our  theatres  are  not  supported,  with  a  few 
words  about  the  late  riots  at  Drury  Lane.     London.     1848. 

**T.g6.i9o;  etc. 

Spillan,  H.  G.  The  stage  and  the  press:  or,  revelations  theatrical 
and  journalistic.     No.  i.  —  May,  1852.     London.     1852.       **T.76.45 

State.  The,  of  the  case,  between  the  Lord  Chamberlain  of  His 
Majesty's  houshoLd,  and  Sir  Richard  Steele,  as  represented  by 
that  knight.  Restated,  in  vindication  of  King  George,  and  the 
most  noble  the  Duke  of  Newcastle.  With  a  true  copy  of  King 
Charles's  patent,  to  Sir  William  Davenant,  for  erecting  a  play- 
house,  &c.     London.     1720.  **T.97.34i ;  etc. 

Steele,  Sir  R.  The  state  of  the  case  between  the  Lord-Chamberlain 
of  His  Majesty's  houshold,  and  the  Governor  of  the  Royal  Com- 
pany of  Comedians.  With  the  opinions  of  Pemberton,  Northey, 
and   Parker,    concerning   the   theatre.      London.      1720.      Portrait. 

No.  2  in  **G.3823.9;  etc. 

Stirling,  E.  Old  Drury  Lane.  Fifty  years'  recollections  of  author, 
actor,  and  manager.     London.      1881.     2  v.  **T.77.83;  etc. 

Theatrical  disquisitions:  or  a  review  of  the  late  riot  at  Drury-Lane 
Theatre  on  the  25th  and  26th  of  January.  And,  a  short  appendix, 
relative  to  the  disturbance  at  Covent-Garden  Theatre  the  24th  of 
February.     By  a  lady.     London.     1763.  **T.75.63;  etc. 

Theatrical  monopoly:  being  an  address  to  the  public  on  the  present 
alarming  coalition  of  the  managers  of  the  winter  theatres.  Lon- 
don.    1774.     Portrait.  **G.3823.i5;  etc. 

Theatrical  Review,  The:  for  the  year  1757,  and  beginning  of  1758. 
Containing  critical  remarks  on  the  principal  performers  of  1)Oth 
the  theatres.     London.     1758.  **T.96.85;  etc. 

Three  original  letters  to  a  friend  in  the  country,  on  the  cause  and 
manner  of  the  late  riot  at  the  Theatre-Royal  in  Drury-Lane. 
By  an  old  man  of  the  town.     London.     1763.  **T.97.325;  etc. 

Under  graduate.  An,  pseud.  Actors  and  editors,  a  poem.  LondoiL 
1817.  No.  10  in  **G.3824.i3 

Williams,  D.  A  letter  to  David  Garrick  on  his  conduct  as  principal 
manager  and  actor  at  Drury-Lane.     London.     1772.  **T.56.237 

Williams,  J.  The  pin-basket  to  the  children  of  Thespis.  With 
notes  historical,  critical  and  biographical.     London.     I7Q7- 

**T.58.38 
[478] 


BROWN   COLLECTION    OF  BOOKS   ON   THE   STAGE 

London.     Theatres.     Drury  Lane  theatre.     (Continued.) 

WooDDESON,   W.   F.     A   slight   sketch   of   the   performances   at   the 

Theatre  Royal,  Drury  Lane,  during  the  season  of  1827  and   1828. 

London.     1828.  ♦*T.76.i3i 

Wyatt,  B.  D.     Observations  on  the  design  for  the  Theatre  Royal, 

Drury  Lane,  as  executed  in  1812.     London.     1813.     Plates.     Plans. 

Diagrams.  **T.72.3 

Y.,  B.     Disputes  between   the   Director  of  D — y    [Drury],   and   the 

pit  potentates:  being  a  letter  to  a  friend,  concerning  the  behaviour 

of   the    melancholly    manager    of   the    suff'ring    theatre    [Charles 

Fleetw^ood] ;  and  some  considerations  on  the  late  disturbances  and 

the  causes  thereof.     London.     1744.  **T.77.i76;  etc. 

London.     Theatres.     Duke  of  York's  theatre.     See  London.     Theatres. 

Repertory  theatre. 
London.     Theatres.     Gaiety  theatre. 

The  Gaiety  programme.     June  2,  3,  5-30,  July  1-12,  1879.     [London. 

1879.]  ,  .  **T.i5.i3 

Programmes  of  the  performances  of  the  Comedie  frangaise  at  the  Gaiety  theatre, 
London. 

English  analyses  of  the  French  plays  represented  at  the  Gaiety 
Theatre,  London,  June  and  July,  1879,  by  the  Comedie  frangaise 
London.     [1879.]  **T.95.93 

London.    Theatres.    Gaiety  theatre.     Works  about. 

HoLLiNGSHEAD,  J.  Gaiety  chronicles.  Westminster.  1898.  Illus. 
Portraits.     Plates.  **T.76.ii 

Mayer,  M.  L.  The  Gaiety  French  plays.  Season,  1880.  Short 
biographies  of  the  actors  &  actresses  of  the  Comedie  frangaise. 
Vaudeville,  Palais-Royal,  and  other  theatres,  &c.     London.     1880. 

**T.97.i90 
London.     Theatres.    Globe  theatre,  Bankside. 

Chambers,  E.  K.  The  stage  of  the  Globe.  (In  Shakespeare,  William. 
Works.   Vol.  10,  pp.  351-362.   Stratford-on-Avon.    1907.)   **G.9o.7.io 

Elze,  F.  C.  Eine  Auffiihrung  im  Globus-Theater.  Vortrag  bei  der 
14.  Jahresversammlung  der  Deutschen  Shakespeare-Gesellschaft 
zu  Weimar  am  24.  April  1878  gehalten.     Weimar.     1878.       6595.12 

Shakespeare's  theatre.  Description  of  the  model  [of  the  first  Globe 
Theatre.  1594-1613.  London?  1901?].  2  photographs,  size. 
8  X  10  inches.  **G.72.ii 

London.    Theatres.    Haymarket  theatre. 

Essay,  An,  on  the  rationality  of  brutes.  With  a  philosophical 
comparison  between  Dr.  Codgill,  Inspector  General  of  Town- 
Island.  And  Mango,  the  great  monkey,  Director  General  of  the 
pantomime  performers  in  the  Haymarket.     London.     [1770?] 

**T.57.75 

Flint,  A.,  pseud.  The  tailor's  answer  to  the  late  attacks  upon  their 
profession,  from  the  stage  and  press;  with  critical  remarks  on 
Jeremy  Swell's  mock-heroic  poem.     London.     1805. 

No.  6in**G.382i.5 

Letter,  A,  to  the  town,  concerning  the  man  and  the  bottle.  London. 
1749.  No.  II  in  **G.3824.i4 

Maude,  C.  The  Haymarket  Theatre.  Some  records  &  reminiscences. 
London.     1903.     Portraits.  **T.76.io;  etc. 

MoMus,  a  poem:  or  a  critical  examination  into  the  merits  of  the 
performers,  and  comic  pieces,  at  the  Theatre  Royal  in  the  Hay- 
Market.     [Anon.]      London.      [1770?]  No.  15  in  **G.3820.9 

[479] 


THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 

London.     Theatres.     Hay  market  theatre.     (Continued.) 

O'Reilly,  R.  B.  An  authentic  narrative  of  the  principal  circum- 
stances relating  to  the  opera-house  in  the  Hay-Market;  from 
its  origin  to  the  present  period:  but  more  particularly  including 
the  transactions  from  the  year  1778.     London.     1791. 

No.  4  in  **G.3823.io 

Some  considerations  on  the  establishment  of  the  French  strolers; 
the  behaviour  of  their  bully-champions,  and  other  seasonable 
matters,  at  this  critical  juncture.     [London.     I749-]  **T,97.5o 

Swell,  J.,  pseud.  The  tailors'  revolt;  a  mock-heroic  poem,  in  three 
books.     London.      1805.  No.  3  in  **G.3824.i4 

Veritas,  pseud.  Opera  House.  A  review  of  this  theatre,  from  the 
period  described  by  the  Enterprizer.  A  recital  of  the  litigations, 
loans,  embarrassments.     London.      [1818?]  No.  7  in  **G.3824.3 

London.     Theatres.     His  Majesty's  theatre. 

King  John  souvenir.  Shakespeare's  historical  drama  King  John 
produced  at  His  Majestj^'s  theatre  by  Herbert  Beerbohm  Tree, 
on  the  20th  of  September,  1899.  [London.  The  British  Muto- 
scope  and   Biograph   Co.,  Ltd.     1889.]  **G.7o.23 

Mr.  M.  L.  Mayer's  twenty-second  season  of  French  plays  will  com- 
mence June  2,  i8go.     [London.     1890.]  **T.94.27 

Programme.     Feb.  20 -Aug.  3,  1847.     London.     1847.  **M.i3i.i 

Programme  of  the  arrangements  for  the  season  of  1832.  London. 
Cochrane  &  Co.     [1831.]     19,   (i)   pp.  No.  6  in  **G.3822.2 

London.     Theatres.     His  Majesty's  theatre.     Works  about. 

Chambers,  A.  H.  In  chancery.  The  King's  Theatre,  or  Opera 
House.  Copy  of  the  short-hand  writer's  notes,  taken  at  the 
hearing  of  the  cause  before  the  vice-chancellor.     London.     1829. 

No.  5  in  **G.3822.4.2 

Ebers,  J.  Seven  years  of  the  King's  Theatre.  London.  1828.  Por- 
traits. **M.ii3.i3;  etc. 

Explanation,  An,  of  the  differences  existng  between  the  manager 
of  the  Italian  opera  and  non-conforming  members  of  the  late 
orchestra.      Written   among   themselves.      London.      1829. 

No.  3,  4  in  **G.3824.io 

H.,  L.  C.     On  the  Italian  opera.     No.  iii.     London.     1831. 

No.  6  in  **G.3824.io 

Italian  opera.  The,  in  London.  The  Queen's  Theatre.  [London. 
1851.1  No.  24  in  **G.3822.i 

LuMLEY,  B.     Reminiscences  of  the  opera.     London.     1864.     Portrait. 

**M. 149.6 

Mason,  T.  M.  Prospectus  of  the  plan  intended  to  be  pursued  in 
the  direction  of  the  Italian  Opera  House.     London.     1831. 

No.  5  in  **G.3824.io 

Old  hand,  Tlie,  pseud.     Of  the  Italian  opera.     [London.     1845.] 

No.  23  in  **G.3822.i 

Opera  Box.  The.  [Programmes,  plots  and  criticisms  of  operas  pro- 
duced at  Her  Majesty's  theatre.  London.]  1849-51.  218  nos. 
in  3  V.     Plan.  **M.4i9.28 

Review,  A,  of  the  performances  of  Mademoiselle  Jenny  Lind,  at 
Her  Majesty's  Theatre.     London.     1847.  **M. 148.25 

Scheme,  A,  for  having  an  Italian  opera  in  London,  of  a  new  taste. 
London.     1753.  **T.96.95;  etc. 

Seven  years  of  the  King's  Theatre.  By  John  Ebers.  \.\  review. 
Edinburgh.]      1829.  No.  2  in  **G.3824.io 

[480] 


BROWN   COLLECTION   OF  BOOKS   ON   THE   STAGE 


London.     Theatres.     HiS  Majesty's  theatre.     Works  about.     (Continued.) 

Taylor,  W.    A  concise  statement  of  transactions  and  circumstances 

respecting  the  Kinoj's  Theatre,  in  the  Haymarket,  together  with 

the  official  correspondence  upon  the  same  subject.    London.    1791. 

No.  4  in  **G.3824.i3 
Waters,  E.     The  opera  glass.     Exhibiting  all  the  curious  proceed- 
ings of  the   King's  Theatre;   together  with  the  original   letters 
and  papers,  which  have  passed  between  the  present  proprietors, 
since  the  decease  of  Francis  Goold,   Esq.     London.      1808. 

**M.376.6i ;  etc. 
A  statement  of  matters,  relative  to  the  King's  Theatre.     Lon- 
don.    1818.  **T.76.i3o;etc. 
London.   Theatres.   King's  theatre.   See  London.   Theatres.   His  Maje.sty's 

THEATRE. 

London.     Theatres.     Lincoln's  Inn  Fields  theatre. 

Akerby,  G.  Spiller's  jests:  or  the  life  and  pleasant  adventures  of 
the  late  celebrated  comedian  Mr.  James  Spiller.  London.  [1729.] 
Portrait.  No.  5  in  **G.3823.3 

Rennel,  G.  Tragi-comical  reflections,  of  a  moral  and  political 
tendency,  occasioned  by  the  present  state  of  the  two  rival-theatres 
in  Drury-Lane  and  Lincolns-Inn-Fields.     London.     [1725?] 

No.  8  in  **G.3823.i4 
London.     Theatres.     Little  Lincoln's  Inn  Fields  theatre. 

GiLDON,  C.  A  comparison  between  the  two  stages  [Drury  Lane 
theatre,  and  the  theatre  in  Little  Lincoln's  Inn  Fields  (1695- 
1705)].      London.      1702.  **G.3935.5;  etc. 

London.     Theatres.     Lyceum  theatre. 

Souvenir  of  Becket,  by  Alfred,  Lord  Tennyson.  First  presented  at 
the  Lyceum  theatre,  6th  February,  1893,  by  Henry  Irving.  Illus- 
trated by  J.  Bernard  Partridge.  London.  "Black  and  White." 
1893-     (5)  pp.     (12)  plates.  *4579a.i52;**T.58.i52 

Souvenir  of  King  Arthur,  by  J.  Comyns  Carr.  First  presented  at 
the  Lyceum  Theatre,  12th  January,  1895  by  Henry  Irving.  Illus- 
trated by  J.  Bernard  Partridge  and  Hawes  Craven.  London. 
Cassell  &  Co.,  Ltd.     [1895.]     (4)  ff.    Portraits.    Plates.    **T.58.i5o 

Souvenir  of  King  Henry  the  Eighth,  presented  at  the  Lyceum  theatre, 
5th  January,  1892,  by  Henry  Irving.  Illustrated  by  J.  Bernard 
Partridge.  London.  Black  and  White  Publishing  Co.  1892.  (5) 
pp.      (is)    plates.  45993.109;  **T.58.i5i 

Souvenir  of  Macbeth  produced  at  the  Lyceum  theatre,  by  Henry 
Irving,  29th  December,  1888.  Illustrated  by  Charles  Cattermole 
&  J.  Bernard  Partridge.  London.  Cassell  &  Co..  Ltd.  1888.  33 
pp.     Illus.     Plates.  6594.26;  **T.58.i49 

Souvenirs  of  the  Dead  Heart,  by  Watts  Phillips.     Presented  at  the 

Lyceum  theatre,   by  Henry  Irving,  28th   Sept.,    1889.     Illustrated 

by  J.  Bernard  Partridge.     London.    Cassell  &  Co.,  Ltd.     i88q.     (9) 

pp.     (13)   plates.  657oa.i3 

London.    Theatres.    Lyceum  theatre.    Works  about. 

Brereton,  a.  The  Lyceum  and  Henry  Irving.  London.  1903. 
Illus.     Portraits,  some  colored.  2571. no 

Fitzgerald,  P.  H.  Henry  Irving.  A  record  of  twenty  years  at  the 
Lyceum.     London.     1893.     Portrait.  2543.118;  **T.55.94 

Hatton,  J.  The  Lyceum  "Faust."  [Souvenir  of  Sir  Henry  Irving's 
production    of    Faust.]      London.      [1892?]      Illus.      Plates. 

*6898.i3;**T.58.i48 

1481] 
31 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 

London.     Theatres.     Lyceum  theatre.     Works  about.     (Continued.) 

Philofiddle,  pseud.     A  letter  to  the  public,  on  the  management  of 

the  Opera.     London.     1805.  **T.96.36i 

Scott,  C.  W.    From  "The  bells"  to  "King  Arthur."    A  critical  record 

of  the  first-night  productions  at  the  Lyceum  theatre  from    1871 

101895.     London.     1896.     Portraits.     Plates.         4545.150;  **T.76.i9 

London.     Theatres.     Lyric  theatre. 

Souvenir  of  The  daughters  of  Babj'lon,  by  Wilson  Barrett.  Illus- 
trated by  W.  &  D.  Downey.     [London.     Unwin.     1897?]     (24)  pp. 

6560.127 
London.      Theatres.      Queen's   theatre.      See    London.      Theatres.      His 

Majesty's  theatre. 
London.     Theatres.     Repertory  theatre. 

Howe.  P.  P.  The  Repertory  theatre.  A  record  &  a  criticism.  New 
York.     1911.  6252.87 

London.    Theatres.    Royal  Brunswick  theatre. 

Casket,  The.  No.  58.  Mar.  5,  1828.  [The  destruction  of  the  Royal 
Brunswick  theatre,  London.  London.]  1828.  Illus.  **T.76.i75 
Farrex,  p.  Copy  of  a  letter  from  Mr.  Percy  Farren  ;  stage  manager 
of  the  late  Royal  Brunswick  theatre,  (hi  Thomson,  J.  A  brief 
narrative  of  the  opening  and  sudden  destruction  of  the  Royal 
Brunswick  Theatre.  Pp.  7-12.  London.  1828.)  **T.96.3o;  etc. 
Full  and  accurate  account,  A,  of  the  destruction  of  the  Brunswick 
theatre.  With  a  history  of  the  theatre  and  of  the  introduction 
of  theatres  in  the  eastern  part  of  the  Metropolis.  London.  1828. 
Plate.  **T.76.i76 

Ground,  The,  of  the  theatre.  An  interesting  review  of  circum- 
stances connected  with  the  ground  upon  which  the  late  "Royalti%" 
and  the  more  recent  "New  Brunswick  Theatre"  stood.  London. 
[1828.]  **T.96.366 

Smith,  G.  C.  Dreadful  catastrophe.  An  authentic  narrative  of  the 
destruction  of  the  Brunswick  Theatre,  Wellclosc  Square.  Parts 
[i-]6.     London.     [1828.]  **T.76.i73;  etc. 

Thomson,  C.     The  Brunswick:  a  poem.     London.     1829.        **T.76.28 
London.     Theatres.     Royal  circus. 

Dibdin,  C.    The  Royal  circus  epitomized.    London.     1784.    **T.77.i72 

Read,  T.     The  history  of  the  Royal  circus,  introductory  to  the  case 

of  Mr.  Read,  late  stage  manager  of  that  theatre;  in  a  letter,  to 

a  friend.     London.     1791.  No.  4  in  **G.3824.6 

London.     Theatres.     Royalty  theatre. 

Ground,  The,  of  the  theatre.  An  interesting  review  of  circumstances 
connected  with  the  ground  upon  which  the  late  "Royalty,"  and 
the  more  recent  "New  Brunswick  Theatre"  stood.  London. 
[1828.]  **T.96.366 

Jackman,  L  Royal  and  Royalty  theatres.  Letter  to  Phillips  Glover. 
London.     1787.  **T.75.53;  etc. 

Letter,  A,  to  the  author  of  the  burletta  called  Hero  and  Leander, 
in  refutation  of  what  he  has  advanced  on  the  statutes  for  the 
regulation  of  theatres,  and  also  of  his  observations  on  the  con- 
sequences'that  must  arise  from  the  establishment  of  a  theatre 
in  Wellclose  Square.     London.     1878.  **T.75.54 

Percival,  J.  Society  for  the  Suppression  of  Vice.  A  few  observa- 
tions in  defence  of  the  scenic  exhibitions  at  the  Royalty  theatre, 
and  on  the  intolerant  censure  of  the  drama  in  general;  contained 
in  the  "Solemn  protest"  of  the  Rev.  Tho.  Thirlwall.  London. 
1804.  **T.76.6i;etc. 

[4821 


BROWN   COLLECTION   OF  BOOKS    ON   THE   STAGE 

London.     Theatres.     Royalty  theatre.     (Continued.) 

Review,   A,   of   the  present   contest    between    the   managers   of   the 

winter  theatres,   the   Little  theatre   in   the  Hay-Market  and   the 

Royalty  theatre  in  Well-Close  Square.     London.     1787.     **T.75.5i 
Thirlwall,    T.      Royalty    theatre.      A    solemn    protest    against    the 

revival  of  scenic  exhibitions  and  interludes  at  the  Royalty  theatre. 

London.     1803.  **T.76.92;  etc. 

Very  plain  state,  A,  of  the  case,  or  the  Royalty  theatre  ver.sus  the 

Theatres  Royal.     London.     1787.  **T.75.52 

London.    Theatres.    St.  James's  Hall. 

St.    James's    Hall.      The    Kean    banquet,    July    20,    1859.      London. 

Brettell.     [1859.]     32  pp.  **T.96.i78 

Same.      And    the    Kean    testimonial    presentation.    March    22,     1862. 

[London.     Brettell.     1862.]     48  pp.  No.  18  in  **G.3930.i3.i 

London.    Theatres.    Savoy. 

Cellier,  F.  a.,  and  C.  Bridgeman.     Gilbert  and  Sullivan  and  their 

operas.     With   recollections  and   anecdotes   of   D'Oyly   Carte   & 

other  famous  Savoyards.     Boston.     1914.     Portraits.     Plates. 

4047-135 
London.     Theatres.     Southwark  theatres. 

WooLF,  A.  H.  Shakespeare  and  the  old  Southwark  playhouses.  A 
lecture.      [London.     1903.]  45993.167 

London.    Theatres.    Surrey  theatre. 

Facts  and  documents  relating  to  the  reverses  of  the  Surrey  Gardens 
company.      By   a   pensive    shareholder.      London.      1857. 

No.  7  in  **M.i49.8 
London.    Theatres.    Swan  theatre. 

Wheatley,  H.   B.     On  a  contemporary  drawing  of  the  interior  of 

the  Swan  theatre,  1596.     Facsimile.     {In  New  Shakspere  Society. 

[Publications.]       Series    i.      Transactions.      No.    12.       1887-1892. 

Part  II.,  pp.  213-225.     London.     1888.)         **G.ioo.i.i887-i892;  etc. 

London.     Theatres.     "The  Theatre"  in  Shoreditch. 

Collier,  J.  P.  Original  history  of  "The  Theatre,"  in  Shoreditch, 
and  connexion  of  the  Burbadge  family  with  it.  iln  Shakespeare 
Society,  London.     Papers.    Vol.  4,  pp.  63-70.     London.     1849.) 

*4596.ii.4;  etc. 
Wallace,  C.  W.     The  first  London  theatre:  materials  for  a  history. 
Lincoln,  Neb.     1913.  *3595-io4.i3 

London.     Theatres.     Whitefriars  theatre. 

Greenstreet,  J.  The  Whitefriars  Theatre  in  the  time  of  Shakspere. 
(Preprint.  New  Shakspere  Society.  Transactions.  1887-92.  Pp. 
269-284.     London.     1888.)  **G.iio.5 

Same.      {In   New   Shakspere   Society.     Transactions.      No.    13. 

1887-92.     Part  III,  pp.  269-284.     London.     1889.)     **G.ioo.i. 1887-92 

London  and  elsewhere.     Purnell,  T.  **T.98.go 

London  jester,  The;  or,  museum  of  mirth,  wit,  and  humour.     [London. 

18—?]     80  pp.     Colored  illus.  **T.96.28i 

Imperfect.     Contains  some  notes  on  theatrical  matters. 

London  play  bills  and  dramatic  cuttings.     1766-1825.  (108)    ff.     Illus. 

Portraits.  **T.ii.5 

London   playbills,   pictures   and    cuttings.      1774-1874.  (171)    ff-      Hhis. 

Portraits.     Plates.     Plan.     Manuscripts.  **T.ii.2 

Relates  almost  entirely  to  Covent  Garden  theatre. 

London  Programme,  The,  and  sketch-book.     See  Saturday  Programme, 
The,  and  sketch-book, 

[4831 


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THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 


London   Sketch-Book,   The.      [Monthly.]      Vol.    i,   2.     Jan.    1874 -June 
1875.     London.     1874,  75.     2  v.  in  i.     Illus.     Portraits.     Plates. 

**T,25.i3 
No  more  published.  After  the  issue  for  June,  1873,  The  London  Sketch-Book 
was  combined  with  the  weekly  Figaro  Programme  under  the  title:  The  London 
Programme  and  sketch-book.  After  two  issues  this  weekly  changed  its  title 
to  The  Saturday  Programme  and  sketch-book.  It  contains  theatrical  and  musical 
notes  and  portraits. 

London  theatres.  The.    Poem.     Bellamy,  T.  No.  3  in  **T.96.228.2 
Longuemare,  Paul  de. 

Le  theatre  a  Caen  1628-1830.     Paris.     Picard.  1895.     viii,  v,  367,  (i) 

pp.     Plates.  **T.77.94 

Looking  Glass,  The;  or,  daily  theatrical  mirror.  No.  2,  3.     Aug.  16,  17, 

1832.     [Liverpool.     1832.]     3,  9-12  pp.  **T.26.44 

Criticisms   of   performances   at    the    Theatre   Royal,    Liverpool. 

Lord,  Everett  William. 

Children   of  the   stage.      New   York.     1910.     31,    (i)    pp.      [National 

Child  Labor  Committee.     Pamphlet  no.   137.]         No.  i  in  5575.250 

Lorgnette,   La.     Revue   des   theatres,    courrier   des   salons,  journal   des 

artistes.    [Deux  fois  par  semaine.]    Vol.  i  (no.  1—28).    12  decembre, 

1841  -  17  mars.  1842.     Nouvelle-Orleans.     1841,  42.     28  nos.  in  i  v. 

**T.23.3 
Lorgnette,  La,  de  spectacle.     Pillet,  F.  **T.59.45 

Lorgnette,  La,  des  coulisses.     Paris.     Barba.     1820.     31,   (i)   pp. 

Relates  to  the  Paris  theatres.  No.  5  in  **G.3562.I 

Loring,  William. 

Excavations  at  Megalopolis,  1890-1891.  By  Ernest  Arthur  Gardner, 
William  Loring,  G.  C.  Richards,  W.  J.  Woodhouse.  With  an 
architectural  description  by  Robert  Weir  Schultz.  London.  Mac- 
millan.  1892.  vii,  (3),  141  pp.  Illus.  Plates.  Plans.  [Society 
for  the  promotion  of  Hellenic  studies.  Suppl.  papers,  i.] 
Describes  the  ancient  amphitheatre.  *296o.8l.I 

Lorsay,  Eustache,  illustrator. 

Theatres,  Les,  de  Paris.  Notices  et  portraits.  Texte  par  une 
societe  de  gens  de  lettres.  Dessins  par  Eustache  Lorsay.  —  Litho- 
graphies par  Collette.  Paris.  Biendine.  [1854.]  Variously 
paged.      Colored    portraits.  **T.53,i2;  etc. 

Lortzing,  Gustav  Albert. 

Dueringer,  p.  J.  Albert  Lortzing:  sein  Leben  und  Wirken.  Leipzig. 
1851.     Portrait.  No.  i  in  **M.i09a.29 

Lortzing  family. 

Fritz,  A.  Die  Kiinstlerfamilie  Lortzing  an  rheinischen  Biihnen. 
(In  Archiv  fiir  Theatergeschichte.  Vol.  i,  pp.  160-168.  Berlin. 
1904)  *6907.i2.i 

Loseley  Manuscripts. 

Fecillerat,  a.,  editor.  Documents  relating  to  the  revels  at  court  in 
the  time  of  King  Edward  vi.  and  Queen  Mary  (the  Loseley  Manu- 
scripts).     Edited   with    notes   and    indexes.      Louvain.      IQ14. 

*255o.i07 
Lothar,  Rudolf. 

Das  Wiener  Burgtheater.  Leipzig.  Seemann.  1899.  (3),  212,  (i) 
pp.  Illus.  Portraits.  Plates.  Facsimiles.  [Dichter  und  Dar- 
steller.     2.]  4871.130 

Lotos  Club,  Nczu  York. 

Eldekkin,    J.      A   brief   history    of    the    Lotos    Club.      New    York. 
[1895.]     Portraits.     Plates.  *A.5334 

[484] 


BROWN   COLLECTION   OF  BOOKS    ON   THE   STAGE 


Louis  II.,  of  Bavaria. 

PossART,  E..  Riffer  von.    Die  Separat-Vorstellungen  vor  Konig  Liulwig 
II.    Erinnerungen.    Miinchen.    Beck.    1901.    (3),  65  pp.    **T. 77.231 
Louis  XV.,  of  France. 

Campardon,  L.  £.  Madame  de  Pompadour  et  la  cour  de  Louis  xv 
au  milieu  du  dix-huitieme  siecle.  Ouvrage  suivi  de  documents 
inedits  sur  le  theatre  des  petits  cabinets.     Paris.     1867.     Portrait. 

**T.56.5i 
Louis  XVIIL,  of  France. 

Ordonnances  du  Roi,  concernant  la  restitution  des  biens  appartonant 
a  Monseigneur  le  Due  d'  Orleans,  et  la  remise  des  titres,  plans, 
papiers,  etc.,  qui  se  trouvent  dans  les  archives  et  depots  publics. 
Paris.     Testu.     1818.     8  pp.  **T. 75.33 

Ordonnance  sur  la  surveillance,  I'organisation  sociale  et  I'administra- 
tion  du  Theatre  frangais.     [Paris.     1816.]     27  pp.  **T.95,74 

Louis  Philippe,  of  France. 

Discussion  sur  les  apanages,  pour  S.  A.  S.  M^r  le  Due  d'  Orleans; 
contre  le  Sieur  Julien.     [Paris.    Testu.     1818.]     32  pp.        **T.75.34 
JuLiEN,  A.     Memoire  a  consulter  et  consultation  pour  le  Sieur  Julien, 
proprietaire  de  la  salle  du  Theatre-frangais;  contre  S.  A.  S.  Mon- 
seigneur le  Due  d'Orleans.     [Paris.     1818.]     Plan.  **T.75.36 

Observations  de  M.  Julien,  additionnelles  a  I'expose  des  faits  de 

son  Memoire  a  consulter.     [Paris.     1818.]  **T.75.37 

Louis  XVIII.,  of  France.  Ordonnances  du  roi,  concernant  la  restitution 
des  biens  appartenant  a  Monseigneur  le  Due  d'  Orleans,  et  la 
remise  des  titres,  plans,  papiers,  etc.,  qui  se  trouvent  dans  les 
archives  et  depots  publics.     Paris.     1818.  **T.75.33 

Memoire  a  consulter,  et  consultation,  pour  S.  A.  S.  Monseigneur  le 
Due  d'Orleans;  contre  le  Sieur  Julien.  [Paris.  Testu.  1818.] 
(i),  36,  40  pp.  **T.75.38 

Memoire  pour  S.  A.  S.  Monseigneur  le  Due  d'Orleans,  demandeur; 
contre   le   Sieur  Jullien,   defendeur.      [Paris.      1814?]      (i),  39  pp. 

**T.75.29 

Plans  relatifs  au  Palais-Royal,  et  discussion  des  questions  qu'ils 
ont  fait  naitre  au  proces  entre  S.  A.  S.  M&^  le  Due  d'  Orleans 
et  le  Sieur  Julien.    [Paris.    1818.I    Plates.    Colored  plans.    **T.75.35 

Points  de  fait  et  de  droit  les  plus  importans,  pour  les  adjudicataires 
originaires  de  la  salle  du  Theatre-frangais,  appeles  en  garantie  et 
intervenans;  contre  S.  A.  S.  Mgr.  le  Due  d'  Orleans.  [Paris. 
Demonville.     1818?]     39  pp.  **T.75.40 

Resume  servant  de  reponse  pour  M.  Julien,  proprietaire  du  Theatre 
frangais;  contre  S.  A.  S.  Monseigneur  le  Due  d'  Orleans.  [Paris. 
Feugueray.     1818?]     44  pp.  **T.7S-39 

Louis,  Louis  Victor. 

Marionneau,  C.  C.  Victor  Louis,  architecte  du  theatre  de  Bordeaux. 
Sa  vie,  ses  travaux  et  sa  correspondance,  1731-1800.  Bordeau.x. 
i88j.     Portrait.     Plate.     Plans.  4094-63 

Louis,  Victor.    See  Louis,  Louis  Victor. 
Love,  William  Edvi^ard. 

Smith,  G.  Memoirs  and  anecdotes  of  Mr.  Love,  the  polyphonist. 
Added,  explanation  of  the  phenomena  of  polyphony.  [Boston. 
1850.]  6543.106 

Programme  of  the  entertainment:  preceded  by  memoirs  of  Mr. 

Love,  the  dramatic  polyphonist;  remarks  on  single-handed  enter- 
tainments; anecdotes  of  eminent  by-gone  professors.  London. 
[1855.]  **T.554o 

[485] 


THE  PUBLIC  LIBRARY  OF  THE   CITY   OF  BOSTON 


Love  among  the  artists.     Shaw,  G.  B.  **T.87.io 

Love  in  the  suds.     Kenrick,  W.  **T.55.i7 

Lowe,  Robert  William. 

A  bibliographical  account  of  English  theatrical  literature.  From  the 
earliest  times  to  the  present  day.    London.    Nimmo.    1888.    x,  (2), 

384  pp.  *2i74-55 

The  fashionable  tragedian.    A  criticism  [of  Sir  Henry  Irving.    Anon. 

By    William    Archer    and    Robert    William    Lowe].      Edinburgh. 

Gray  &  Co.     [1877?]     24  pp.     Portraits.  **T.57.363 

Thomas  Betterton.     London.     Kegan  Paul,  Trench,  Tri'ibner  &  Co., 

Ltd.     1891.     vi,    (i),   196  pp.      [Eminent  actors.     2.] 

2546.115;  **T.57.2oi 
Lowe,  Robert  William,  editor. 

CiBBER,  C.     An  apology  for  the  life  of   Mr.  Colley  Cibber  written 

by  himself.     London.     1889.     2  v.     Illus.     Portraits.     **T.54.7;  etc. 

Churchill,  C.     The  Rosciad  and  The  apology.     Edited  by  Robert 

W.  Lowe.     London.     1891.     Portraits.  **T.52.7 

DoRAN,    J.      "Their    Majesties'    servants."      Annals    of    the    English 

stage  from  Thomas  Betterton  to  Edmund  Kean.     London.     1888. 

3   V.     Illus.     Portraits.  *4572.ioo 

Lov/ndes,  William. 

Theatrical  list.  Containing  anecdotes,  ballets,  burlettas,  comedies 
.  .  .  Annexed,  a  catalogue  of  books  and  tracts  principally  con- 
sisting of  dramatic  authors  and  treatises  relative  to  the  stage 
sold  by  W.  Lowndes.     [London.     18 — ?]     24  pp.  **T.65.20 

Loydreau,  Edouard. 

Les  jolies  actrices  de  Paris  en  I'an  de  grace  1843.     Esquisses  biogra- 
phiques.    Paris.    Breteau  &  Pichery.    1843.   xxii,  132  pp.   **T. 58.128 
Lucae,  Richard. 

Das  Opernhaus  zu  Frankfurt  a.  M.  erbaut  von  Richard  Lucae,  J.  A. 
.Becker  und  E.  Giesenberg.     Berlin.     Ernst  &  Korn.     1883.     (3), 
15  PP-     13  plates.  *Cab.6o.96.7 

Lucangeli,  Carlo. 

Modele  qui  offre  la  restauration  du  Colisee  de  Rome  tel  qu'il  etoit 
originairement;  de  la  soixantieme  partie  de  la  realite  mesure 
lineaire.     Rome.     Salvioni.     1821.     24  pp.  No.  i  in  4099.145 

Lucas,  Hippolyte  Julien  Joseph. 

Curiosites  dramatiques  et  litteraires.  Avec  une  notice  sur  I'auteur. 
Paris.     Garnier.     1855.     xxiv,  406,   (i)   pp.  **T.47.24 

Contents.  —  Notice  sur  I'auteur.  —  Litterature  anglaise.  —  Theatre  americain.  — 
Tlieatre  chinois.  —  Theatre  de  Hrotsvitha. 

Histoire  philosophique  et  litteraire  du  theatre  frangais  depuis  son 
origine  jusqu'a  nos  jours.  Paris.  Gosselin.  1843.  (3),  ii,  (i), 
431    pp.      [Bibliotheque   d'elite.]  **T.47.8 

Contains  a  chronolof?ical  table  of  most  of  the  dramas  performed  between   1200 
and    1862.     Another  copy  is  on  shelf-number   **G. 3562.10. 

Same.    Bruxelles.    Lacroix,  Verboeckhoven  &  cie.    1862.   3  v.    **T.47.6 
Lucinde.     Ginisty,   P.  6679a.i28 

Lucinge,  Alix  de  Choiseul-Goufficr  Faucigny-.     See  Faucigny-Lucinge, 

Alix  de  Choiseul-Gouffier. 
Ludlow,  Noah  Miller. 

Dramatic  life  as  I   found  it:  a  record  of  personal  experience;   with 
an  account  of  the  drama  in  the  West  and  South,  with  anecdote 
and  biographical   sketches   of  the  principal   actors   in   the   MissiS' 
sippi  Valley.     St.   Louis.     Jones  &  Co.     1880.     xix,  7;^^  PP- 

2404.52;  **T.56.ioi 

[486] 


i 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 


Lulu.     Champsaur,  F.  ♦*T.86.7 

Lumiere,  Henry. 

Le  Theatre  fraugais  pendant  la  Revolution,  1789-1799.    Avec  plusicurs 
lettres  inedites  de  Talma.    Lettre-preface  dc  Jules  Claretic.    Paris. 
_  Dentu.     [1894.]     X,  (i),  438  pp.  **T.77.i43 

Lumini,  Apollo. 

II  dramma  nelle  sacre  rappresentazioni  dei  secoli  xiv,  xv  e  xvi. 
Prato.     Nistri.     1875.     168  pp.  No.  3  in  **M.i27.4i 

Lumley,  Benjamin. 

Reminiscences  of  the  opera.  London.  Hurst  &  Blackett.  1864. 
XX,  448  pp.     Portrait.  **M. 149.6 

Deals  with  his  management   of   His   Majesty's   Theatre,    London. 

Lummis,  Eliza  O'Brien. 

The    Catholic    theatre    movement.      [New   York.      1913.]      7   pp. 

**T.7S-73 
Luntley,  John,  editor. 

Wallett,   W.   F.     The  public   life   of   W.   F.   Wallett,   the   Queen's 

jester:  an  autobiography  of  forty  years'  professional  experience 

and  travels  in  the  United  Kingdom,  the  United  States,  Canada, 

South   America,    Mexico,   the   West    Indies,   &c.      London.      1870. 

Portrait.  **T.57.3oi 

Lurieu,  Jules  Joseph  Gabriel  de. 

Memoires  de  M"e  Flore,  artiste  du  Theatre  des  varietes.  [Anon. 
Par  T.  M.  Dumersan  et  J.  J.  G.  de  Lurieu.]  2^  edition.  Paris. 
Levy.     1847.    3  V.  **T,56.2o8 

Lusson,  Adrien  Louis. 

Projet  d'un  theatre  d'opera  definitif  pour  la  ville  de  Paris.  En 
remplacement  de  I'Opera  provisoire  et  rechcrches  sur  le  lieu 
propre  a  son  erection.  Paris.  Gratiot.  1846.  24  pp.  Maps. 
Plans.  No.  5  in  **M. 112. 16 

Lutherfestspiele,  Die.     Erdmann,  G.  A.  2874.76 

Luti,  Zoebida. 

Siamese  twins.  The,  Chang  and  Eng.  With  sketches  of  the  lives 
of  Miss  Swan,  the  Nova-Scotian  giantess,  and  Zoebida  Luti,  the 
lady  of  beauty.     London.     [1869.]     Portraits.  **T.56.234 

Lyall,  Edna,  pseud.     See  Bayly,  Ada  Ellen. 

"Lyceumize  the  theatre."     Williams,  J.  E.  6257.150 

Lyden,  Emile  Ferdinand  Mugnot  de. 

Le  theatre  d'autrefois  et  d'aujourd'hui.  Cantatrices  et  comediens. 
1532-1882.     Paris.    Dentu.     1882.     (3),  299  pp.  **M.i27.29 

Lynn,  H.  S. 

The  adventures  of  the  strange  man  Dr.  H.  S.  Lynn.  With  a  supple- 
ment showing  "How  it's  done!"     Leicester.     Lamb.     1878.    88  pp. 

**T.98.8 

Lynn,  Neville. 

The  Thespian  papers,  being  a  series  of  humorous  essays  on  subjects 
of  professional  and  amateur  dramatic  interest.  London.  Scott. 
1887.    134  pp.    Autograph  facsimile.  **T.97.264 

Relates  largely  to  British  theatres. 

Lyonnet,  Henry. 

Histoire  du  theatre.  Dictionnaire  des  comediens  frangais.  (Ceux 
d'hier.)  Biographic,  bibliographic,  iconographie.  Paris.  Libraine 
Moliere  [etc.  1902-12].  2  v.  Illus.  Portraits.  Manuscript  fac- 
similes. **T.53.2i 
Contents.  —  1.  A-D.     2.  E-Z. 

[487] 


THE  PUBLIC  LIBRARY  OF  THE   CITY   OF  BOSTON 

Lyonnet,  Henry.     (Continued.) 

Le  theatre  hors  de  France.  Serie  1-3.  Paris.  Ollendorff.  1897- 
igcx).     3  V.     lUus.     Portraits.     Plates.     Facsimiles.     Plans. 

6257.70;  **T.77.86 

Contents.  —  i.  Le  theatre  en  Espagne.     2.  Le  theatre  au  Portugal.     3.  Le  theatre 
en  Italic. 

Lyons,  France.     Theatres. 

Brouchoud,  C.  a.  F.  Les  origines  du  theatre  de  Lyon.  Mysteres, 
farces  et  tragedies,  troupes  ambulantes  —  Moliere.     Lyon.     1865. 

**T.75.28 

Lyon  theatre.    Journal  paraissant  tous  les  dimanches.    Litterature  — 

beaux-arts  —  musique  —  biographies  —  nouvelles.     Annee  2.     1874. 

Lyon.     1874.     Portraits.  **T.2i,8 

ViNGTRiNiER,  E.     Le  theatre  a  Lyon  au  xviiie  siecle.     Lyon.     1879. 

**T.75.9 

Lyon  theatre.     Journal  paraissant  tou§  les   dimanches.     Litterature  — 

beaux-arts  —  musique  —  biographies  —  nouvelles.     Annee  2.     1874. 

Lyon.     1874.     I  V.     Portraits.  **T.2i,8 

The  portraits  are  all  photographs. 

Lyre,  The;  a  musical  and  theatrical  register.     [Edited  by  J.  W.  Hudson.] 
Vol.  I,  2.     [London.]     1841.    2  v.     Portraits.  **M. 122.21 

Lyttelton,  Thomas,  2d  Baron  Lyttelton. 

Vauxhall  affray.  The;  or,  the  macaronies  defeated.  A  compilation 
of  all  the  letters,  squibs,  &c.,  on  both  sides  of  that  dispute. 
London.     1773.  **T.97.337 

M 

M  *  *  *  Comre  des  guerres,  &  S'"e  de  M.  le  D.  le  C.    See  Chaumont, , 

Chevalier  de. 

M.  *  *  *  ,  vieux  comedien,  pseud.    See  Grimed  de  La  Reyniere,  Alexandre 
Balthasar  Laurent. 

M..  E. 

A  brief  defence  of  the  stage,  against  the  attacks  of  the  Methodists 
and  other  sectarians;  in  a  letter  to  a  friend,  intended  chiefly  as  a 
reply  to  a  pamphlet,  written  by  Mr.  Valentine  Ward,  entitled, 
"The  stage;  a  dangerous  and  irreconcilable  enemy  to  Christianity." 
Dublin.     Underwood.     1824.     (3),  36  pp.  **T.76.88 

This  pamphlet  has  been  attributed  to  Eugene  Macarthy. 

M.,  G. 

An  essay  on  the  profession  of  a  player,  &c.  To  which  is  added  a 
description  of  the  first  theatre  that  was  ever  built,  called  the 
theatre  of  Bacchus,  at  Athens.     York.     Peacock.     1816.    **T,96.36 

M.,  H.,  pseud.     See  Logan,  William  Hugh. 

M.,  J.  T.    See  Merle,  Jean  Toussaint. 

M.  L.  J.  D.  B.    See  Mesle,  le  jeune,  de  Besangon. 

Maas,  Hermann. 

Aussere  Geschichte  der  englischen  Theatertruppen  in  dem  Zeitraum 
von  1559  bis  1642.  Louvain.  Uystpruyst.  1907.  x,  283  pp. 
[Materialien  zur  Kunde  des  alteren  englischen  Dramas.]     2553.129 

Littcratur,  pp.   vii,  viii. 

Die   Kindertruppen:  ein   Kapitel  aus  der   Geschichte  der  englischen 

Theatergesellschaften    in     dem     Zeitraume    von     1559     bis     1642. 

Inaugural-Dissertation.      Bremen.      Grube    &    Dathe.      1901.      vi, 

(i),  35,  (0  pp.  2552.121 

Littcratur,  p.   (1). 

[488] 


BROWN   COLLECTION   OF  BOOKS   ON    THE   STAGE 


Mabille,  Bal,  Paris.    See  Bal  Mabille,  Paris. 
McAfee,  Helen  Flora. 

Pepys  on  the  Restoration  stage.  New  Haven.  Yale  University 
Press.     1916.     xi,  353  pp.     Portraits.     Plates.  4574.191 

Bibliogfraphies,  pp.   327-336. 

Macaroni,  A,  fseiid.    See  Taylor, . 

Macaroni,  Scavoir  vivre,  and  theatrical  magazine,  The.     Oct.  1772 -Dec. 

1773.    London,  Printed  for  the  authors,  and  sold  by  John  Williams. 

1772.     2  V.  in  I.     Portraits.     Plates.  **T.26.52 

The  title  varies.  On  the  title-page  and  in  the  issues  for  Oct.,  1772-Mar.,  1773  it 
is  The  Macaroni  and  theatrical  magazine;  in  the  issues  for  Apr.-Nov.,  1773,  it  is 
The  Macaroni,  Savoir  vivre,  and  theatrical  magazine. 

Ma  earthy,  Eugene. 

A   letter  to   the    King,   on   the   question   now   at    issue    between    the 

"major"  and  "minor"  theatres.     London.     Wilson.     1832.     16  pp. 

Relates  to  the  theatres  of  London.  **T.76.77 

Same.     2d  edition.  No.  4  in  **G.3822.3 

Macarthy,  Eugene,  alleged  author. 

A  brief  defence  of  the  stage,  against  the  attacks  of  the  Methodists 
and  other  sectarians;  in  a  letter  to  a  friend,  intended  chiefly  as  a 
reply  to  a  pamphlet,  written  by  Mr.  Valentine  Ward,  entitled, 
"The  stage;  a  dangerous  and  irreconcilable  enemy  to  Christianity." 
Dublin.     Underwood.     1824.     (3),  36  pp.  **T.76.88 

Macaulay,  George  Campbell. 

Francis  Beaumont.  A  critical  study.  London.  Kegan  Paul,  Trench 
&  Co.     1883.     vii,  200  pp.  2553.66;  **T.57.i22 

Macauley,  Elizabeth  Wright. 

Theatric  revolution,  or  plain  truth  addressed  to  common  sense. 
London.    The  Author.     1819.    30  pp.  **T.96.2o 

Relates  to  Edmund  Kean  and  Charles  Bucke's  tragedy  of  "The  Italians." 
Another  copy   is   on   shelf -number    No.  ii  in  **G.3824.i3. 

McBride,  Thomas  J.,  compiler. 

Diagrams  of  the  leading  New  York  theatres.  [New  York.  1879.] 
40  pp.  No.  3  in  *4388.5i 

Maccabe,  Frederic. 

The  art  of  ventriloquism.     Including  full  directions  to  learners  how 
to  acquire  a  pleasing  vocalization;  with  amusing  dialogues.     Lon- 
don.    Warne  &  Co.     [1875.]     iii-viii,  no  pp.  **T.98.ii7 
McCann,  Walter  Edgar. 

Actors'  memories.      [Philadelphia.     1869.]     262-265  pp.  7608.128 

Cut  from  Lippincott's  Magazine,  vol.  3    [*734S.i]. 

MacCarthy,  Desmond. 

The  Court  Theatre,  1904-1907:  a  commentary  and  criticism.  With 
an  appendix  containing  reprinted  programmes  of  the  "Vedrenne- 
Barker  performances."     London.     Bullen.     1907.     xiv,  (2),  169  pp. 

**T.78.73 
McCarthy,  Justin  Huntly. 

To  Ada  Rehan.  [Poem.]  (InD.,E.  A.  Memories  of  Daly's  theatres. 
P.  5.     Portrait.     [New  York.]     1897.)  **T.76.i95 

Macchetta,  Blanche  Roosevelt. 

Familiar  faces.  Victorien  Sardou,  poet,  author  and  member  of  the 
Academy  of  France.  A  personal  study.  Preface  by  W.  Beatty- 
Kingston.  London.  Kegan  Paul,  Trench,  Triibner  &  Co..  Ltd. 
1892.  xiv,  (i),  160  pp.  Portrait.  Autograph  facsimile.  **T.58.5i 
Same.  [New  York.]  Low.  [189-?]  loi  pp.  Portrait.  Autograph 
facsimile.  **T.57.286 

[489] 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 

Macchetta,  Blanche  Roosevelt.     (Continued.) 

Stage-struck;  or  she  would  be  an  opera-singer.  New  York.  Fords, 
Howard  &  Hulbert.     1884.     521  pp.  **M.i04.38 

Maccolini,  Giuseppe. 

Delia  vita  e  dell'  arte  di  Antonio  Tamburini  lino  al  giugno  del  1842. 
Breve  commentario.  Faenza.  Montanari  &  Marabini.  [1842.] 
22,  (i)  pp.  4049.187 

MacColl,  Malcolm. 

The  Ammergau  Passion  Play.     With  some  introductory  remarks  on 

the  origin  and  development  of  miracle  plays,  and  some  practical 

hints  for  the  use  of  intending  visitors.     London.     Rivington.     1870. 

84  pp.  **T.47.i02 

Same.     1871.     112  pp.  2866.5 

McConaughy,  James  Lukens. 

The  school  drama,  including  Palsgrave's  introduction  to  Acolastus. 
New  York.  1913.  116  pp.  [Columbia  University.  Teachers 
College.     Contributions  to  education.     No.  57.]  *3592.220.57 

M'Cready,  William. 

Fact  versus  fallacy;  or,  the  true  state  of  the  case  between  (the  man 

who   calls   himself)   John    Prosser   Edwin,   comedian,   late   of  the 

Theatre-Royal,    Newcastle,    and    William    M'Cready.      Newcastle 

on  Tyne.     Alitchell.     1807.    40  pp.  **T.56.2i 

M'Cready,  William.     Works  about. 

Edwix,  J.  P.  An  appeal  to  the  public,  relative  to  the  conduct  of 
William  M'Cready  in  the  case  of  the  author,  John  Prosser  Edwin, 
comedian,  of  the  Theatre-Royal,  Newcastle.  Newcastle-upon- 
Tyne.     1807.  **T.57.59 

Candour   versus   calumny;    being   an   ample    refutation   of   the 

malignant  falsehoods  and  despicable  misrepresentations  lately 
published  by  the  man-ager,  William  M'Cready.  Written  by  the 
man  callinn-  himself  John  Prosser  Edwin,  comedian.  Newcastle 
upon  Tyne.     1807.  **T.57.58 

McCuUough,  John. 

Edwards,  H.     Address  delivered  at  St.   George   Hall,   Philadelphia, 
November   12th,   1885.     Obsequies  of  John   McCullough.      [Phila- 
delphia.   1885.]     Portrait.  **H.90.42i 
Winter,  W.,  editor.     In  memory  of  John   McCullough.     New-York. 
1889.     Portrait.     Plate.                                                      **T.55.62;  etc. 
McFadden,  Elizabeth  Apthorp,  and  Lilian  E.  Davis. 

A  selected  list  of  plays  for  amateurs  and  students  of  dramatic  expres- 
sion in  schools  and  colleges.  With  an  introduction  by  Ludella 
L.   Peck.     Cincinnati.     McFadden.     1908.     96  pp.  *2i75.6i 

Macfall,  Haldane. 

Sir  Henry  Irving.     Edinburgh.     Foulis.     1906.     128  pp.     Portraits. 

4549a.  1 95 
McGibeny  family. 

The  McGibeny  Family.  Fred.  Pelham,  manager.  [Buffalo,  N.  Y. 
Courier  Lith.  Co.     1883.]     4  pp.     Portraits.     Plate.         In**T.ii.3 

Contains  a  short  historical  sketch  of  the  musical  McClibeny  family,  from  the 
("krvelai.d   Herald,  July    13,    1883,   together   with   notices   from   other   newspapers. 

MacHumbug,  Leonard,  Esq.,  pseud. 

Thcspis  to  Apollo,  an  heroic  epistle;  proving  the  declining  state  of 
the  Irish  stage,  and  the  necessity  of  improving  it.  Dublin:  Printed 
by  H.  Colbert.     1792.     16  pp.  No.  28  in  **G.3822.3 

[490] 


BROWN   COLLECTION   OF  BOOKS   ON    THE   STAGE 


Mackay,  Constance  D'Arcy. 

Costumes  and  scenery  for  amateurs.  A  practical  working  handbook. 
New    York.      Holt   &   Co.      1915.     viii,   258   pp.      Plates. 

Includes  costumes  for  children's  plays.  8076.214;  Z.Aod  IQ.4 

How  to  produce  children's  plays.  New  York.  Holt  &  Co.  1915. 
(5),  151  PP-  6257.105 

Bibliography,  p.   151.     Appended  is  a  list  of  plays  for  the  public  schools  arranged 
according  to  grade. 

The  little  theatre  in  the  United   States.     New   York.     Hull    &   Co. 

1917.    viii,  277  pp.     Plates.  6257.147 

McKay,  Frederic  Edward,  and  Charles  Edgar  Lewis  Wingate,  editors. 

Famous   American   actors   of   to-day.      New    York.     Crowell    &   Co. 

1896.]     2  V.     Portraits.  2346.119 

The  two  volumes  are  paged  continuously. 

Same,    viii,  399  pp.  **T.57.68 

Mackaye,  James  Steele. 

Chronological  list,  A,  of  the  dramatic  works  of  [List  A]  Steele 
Mackaye,   [List  B]   Percy  Mackaye  (1917).     [New  York?     1917.] 

**T.Cab.i.27 
Mackaye,  Perc>. 

The  civic  theatre  in  relation  to  the  redemption  of  leisure.  A  book 
of  suggestions.  New  York.  Kennerley.  1912.  308  pp.  6257,56 
Relates  especially  to  the  United  States. 

The  playhouse  and  the  play  and  other  addresses  concerning  the 
theatre  and  democracy  in  America.  New  York.  The  Macmillan 
Co.     1909.     xiii,  210  pp.  6257.55;  **T.47.34 

Mackaye,  Percy.     Works  about. 

Chronological  list.  A,  of  the  dramatic  works  of  [List  AJ  Steele  Mac- 
kaye,  [List  B]    Percy  Mackaye   (1917).     [New  York?     1917.] 

**T.Cab.i.27 
Mackenzie,  John  Mansfield. 

Catalogue  of  [his]  very  choice  dramatic  &  general  library,  which 
will  be  sold  by  auction  by  Sotheby,  Wilkinson  &  Hodge,  the  nth 
day  of  March.     London.     1889.     170  pp.  **T.65.i8 

Mackenzie,  Robert  Shelton,  editor. 

RoBERT-HouDiN,  J.  E.  Life  of  Robert  Houdin,  the  king  of  the 
conjurors.     Written  by  himself.     Philadelphia.     1859.     **T.97.353 

Same.     Memoirs.     Philadelphia.     1859.  6647.11 

Mackenzie,  William  Roy. 

The  English  moralities  from  the  point  of  view  of  allegory.  Boston. 
Ginn   &   Co.     1914.     xv,  278  pp.      [Harvard   studies   in   English.] 

List  of  authorities  and  editions,  pp.  271-273.  4579'237 

Mackinlay,  Malcolm  Sterling. 

Antoinette  Sterling  and  other  celebrities.  Stories  and  impressions 
of  artistic  circles.  London.  Hutchinson  &  Co.  1906.  xiii,  (i), 
340  pp.     Illus.     Portraits.     Facsimiles.  4044.126 

Garcia,  the  centenarian,  and  his  times.     Being  a  memoir  of  Manuel 
Garcia's    life    and    labours    for    the    advancement    of    music    and 
science.     Edinburgh.     Blackwood.     1908.     xii,   (3),  335  pp.     Por- 
traits.    Facsimiles.  4047.302 
Mackinnon,  Alan. 

The  Oxford  amateurs.  A  short  history  of  theatricals  at  the  Univer- 
.sity.  With  a  foreword  by  the  Hon.  &  Rev.  James  Adderley. 
London.  Chapman  &  Hall,  Ltd.  1910.  xv,  309  pp.  Portrait. 
Plates.     Facsimiles.  2497.183 

Mainly  an  account   of   the   Oxford  University   Dramatic   Society. 

[491] 


THE  PUBLIC  LIBRARY  OF  THE   CITY   OF  BOSTON 


Macklin,  Charles. 

M-ckl-n's    Answer    to    Tully.      To    Mark    Tully,  Esqre.      At    his 

house    in    —  Elizium.      London.    Printed   for   S.  Stonehouse    and 

sold  by  P.  Davey  and  B.  Law.     I755-     IQ  PP-  **T.97.56 

Sipned  C.   M.     Tully  in  the  shades  is,  in   all  probability,   Samuel   Foote. 

Mr.  Macklin's  Reply  to  Mr.  Garrick's  Answer.  Prefix'd  all  the 
papers,  which  have  publickly  appeared,  in  regard  to  this  important 
dispute.     London:   Printed  for  J.   Roberts.      1743-     36  pp. 

**T.97.323 
Other  copies  are  on  shelf-numbers  No.  8  in  **G.3823.9 ;    No.  7  in  **G.3823.i8. 

Macklin,  Charles.    Works  about. 

Apology,  An,  for  the  conduct  of  Mr.  Charles  Macklin,  comedian; 
which,  it  is  hoped,  will  have  some  effect  in  favour  of  an  aged 
player,  by  whom  the  public  at  large  have  for  many  years  been 
uncommonly  gratified.     London.     1773.  **T.56.326;  etc. 

Case,  Mr.  Macklin  late  of  Covent-Garden  Theatre,  against  Mess. 
Clarke,  Aldys,   Lee,  James,  and   Miles.     Edinburgh.      [i775-] 

**T.56.255 

Citizen    of    the    world,   A,    pseud.     The    genuine    arguments    of   the 

council,  with  the  opinion  of  the  court  of  King's  Bench,  on  cause 

shewn,  why  an  information  should  not  be  exhibited  against  John 

Stephen  James,  Joseph  Clarke,  for  a  riotous  conspiracy,  founded 

to  deprive  Charles  Macklin,  one  of  the  comedians,  belonging  to 

the  Theatre  Royal  in  Covent  Garden,  of  his  livelihood.     London. 

1774.  No.  3  in  **G.3824.4 

y^  CoNGREVE,  F.  A.    Authentic  memoirs  of  the  late  Mr.  Charles  Macklin, 

comedian.     London.      1798.  **T.56.287;  etc. 

VCooK,    W.       Memoirs    of    Charles     Macklin,     comedian,    with     the 

^        dramatic  characters,  manners,  anecdotes,  &c.,  of  the  age  in  which 

he  lived,  and  a  chronological  list  of  all  the  parts  played  by  him. 

London.     1804.     Portrait.  **T.56.i99;  etc. 

FooTE,  S.     An  epistle  from  Tully  in  the  shades   [pseud. J,  lo  orator 

Ma n  in  Covent  Garden.     London.     1755.  **T.97.55;  etc. 

y/lviRKMAN,  J.  T.   Memoirs  of  the  life  of  Charles  Macklin.   Principally 
•/i^-^      compiled     from     his     own     papers     and     inemorandums:     which 
contain    his    criticisms    on    and    characters    and    anecdotes    of 
most  of  his  contemporaries.     London.     1799.     2  v.     Portrait. 

**T.56.20i;  etc. 
M-ckl-n's  Answer  to  Tully.     London.     1755.  **T.97.56 

Parry,  E.  A.     Charles  Macklin.     New  York.     1891.         **T.57.3;  etc. 
Maclaren,  Archibald. 

Memoir  of  Archibald  Maclaren,  dramatist;  with  a  list  of  his  works. 
Edinburgh.     1835.  **T.58.43;  etc. 

McLeod,  Addison. 

Plays  and  players  in  modern   Italy.     A  study  of   the   Italian   stage 

as  affected  by  the  political  and  social  life,  manners  and  character 

of  to-day.     London.     Smith,  Elder  &  Co.     1912.     (11),  355,  (i)  pp. 

Portraits.     Plates.  6257.68 

M'Moral,  Archibald,  pseud. 

Second-sight;  or,  the  consequences  of  the  reception  given  to  Miss 
Foote,  on  the  5lh  February,  1825.  London.  Sherwood,  Jones,  & 
Co.     1825.     24  pp.  **T.56.26o 

M'NicoU,  David. 

A  rational  enquiry  concerning  the  operation  of  the  stage  on  the 
morals  of  society.    Newcastle  upon  Tyne.    Charnley.     1823.    88  pp. 

**T.96.39 

[492] 


BROWN   COLLECTION   OF  BOOKS   ON   THE   STAGE 


Macready,  Mary. 

Memoir  of  Mrs.  Macready,  with  opinions  of  the  press  in  the  cities 
where  she  has  performed.  New  York.  1857.  v,  108  pp.  Por- 
trait. 4444.88 
Macready,  William  Charles. 

Catalogue  of  [his]  library.  Also  the  collection  of  pictures  fetc.l. 
Which  will  be  sold  by  Christie,  Manson  &  Woods,  f  London. 
1873-]  _  30  pp.  No.  3  in  **M. 141.29 

The  diaries  of  William  Charles  Macready,  1833-1851.  Edited  by 
William  Toynbee.     New  York.     Putnam.     1912.     2  v.     Portraits. 

4574.174 

Macready's  Reminiscences,  and  selections  from  his  diaries  and  letters. 
Edited  by  Sir  Frederick  Pollock,  Bart.  London.  Macmillan  & 
Co.     1875.    2  V.     Portraits.     Autograph  facsimile.  **T,56.204 

Another  copy  is  on  shelf-number  •R.9.548. 

Same.     New  York,     xv,  (i),  750  pp.  6s4ob.70 

To  the  public  of  Philad'a.  In  a  card  published  in  the  Public  Ledger 
and  other  morning  papers.  Mr.  Forrest  having  avowed  himself 
the  author  of  the  statements,  Nov.  22d,  1848.  Broadside.  [Phila- 
delphia.] 1848.  **T.53.5 
Relates  to  a  quarrel  between  Macready  and  Forrest. 
Macready,  William  Charles.     Works  about. 

Account  of  the  terrific  and  fatal  riot  at  the  New- York  Astor  Place 
Opera  House,  May  loth,  1849;  with  the  quarrels  of  Forrest  and 
Macready,  including  all  the  causes  which  led  to  that  awful  tragedy. 
New- York.     1849.     Plate.  4374.27;  **T.56.ii6;  etc. 

American  citizen.  An,  pseud.  A  rejoinder  to  "The  replies  from 
England,  etc.,  to  certain  statements  circulated  in  this  country 
respecting  Mr.  Macready."  With  an  impartial  history  and  review 
of  the  lamentable  occurrences  at  the  Astor  Place  Opera  House. 
New  York.    1849.  4374.72;  **T.56.ii7;  etc. 

Archer,  W.     William  Charles  Macready.     London.     1800. 

2546.100;  **T.57.2 

Brief  memoir,  A,  of  Mr.  Macready.     London.     1845.  **T.56.28g 

C,  A.  B.,  pseud.  The  drama,  the  press,  and  Mr.  Macready.  London. 
[1842.]  **T.56.288 

Critical  examination,  A,  of  the  respective  performances  of  Mr. 
Kean  &  Mr.  Macready,  in  Cibber's  alteration  of  Shakespeare's 
historical  play  of  King  Richard  the  Third.     London.     1819. 

**G.3937.33;etc, 

Fox,  W.  J.  A  biographical  sketch  of  William  C.  Macready.  Por- 
trait. (In  Shakespeare,  William.  The  complete  works.  Part  iv., 
pp.  1-16.     London.     [1851.])  **G.40io.ii 

Grinsted,  T.  p.  Gallery  of  theatrical  portraits.  V:  William  Charles 
Macready.      [London.     1857.]  No.  9-9b  in  **G.3930.i3.2 

Lion's  head,  The.  Mr.  Macready's  letter  to  the  editor.  [London. 
1823.]     489-491  pp.  No.  7  in  **G.393o.i3.2 

Littleton,  R.  H.  The  biography  of  William  C.  Macready,  tragedian. 
London.     [1851?]     Portrait.  **T.56.290 

Pollock,  J.,  Ladv.     Macready  as  I  knew  him.     London.     1884. 

254ob.86;**T.57.2o8 

Price,  W.  T.  A  life  of  William  Charles  Macready.  New  York. 
[1894.]     Portrait.  **T.59.40 

Replies,  The,  from  England,  etc.,  to  certain  statements  circulated 
in  this  country  respecting  Mr.  Macready.     New  York.     1849. 

**T.56.i24;etc. 

[493] 


THE  PUBLIC  LIBRARY  OF  THE   CITY  OF  BOSTON 


Macready,  William  Charles.     Works  about.     (Continued.) 

ScHARF,  Sir  G.  Recollections  of  the  scenic  effects  of  Covent  Garden 
Theatre  during  the  season    1838-9.     London.     1839.     (39)    plates. 

**T.57.i 
Wallace,  E.     Sketches  of  Mr.  Macready's  attitudes  in   Ion.     N.  p. 
[183-?]     12  portraits.  **T.53.20 

McVicker,  James  Hubert. 

A  plain  talk  about  the  theatre.     Chicago.     Revell.     [1882.]      83  pp. 

**T.78.77 
The  "plain  talk,"  which  opposes  the  theatres,  is  followed  by  a  correspondence 
between  TTorrick  Johnson,  Edwin  C.  Larned  and  James  H.  McVicker,  the  two 
Iptter  defending  it. 

The  press,  the  pulpit,  and  the  stage.  A  lecture  at  Central  Music  Hall, 
Chicago,  November  28,  1882.  Chicago.  The  Western  News  Co. 
1883.     79  pp.     Portrait.     Autograph  facsimile.  **T.76.29 

The  theatre;  its  early  days  in  Chicago.  A  paper  read  before  the 
Chicago  Historical  Society.  Chicago.  1884.  88  pp.  **T.76.26 
Mad  Bull,  A,  pseud. 

The  O-Pceiad,  a  satire.     London.     The  Author.     1810.     16  pp. 

Refers  to  the  Old  Prices  Riot  in  1809.  No.  3  in  **G.3824.5 

Mad  Tom,  pseud.     See  Sowerby, . 

Maddern,  Minnie.     See  Fiske,  Minnie  Maddern. 
Maddison,  Robert. 

An   examination   of  the   oratorios   which   have   been    performed    this 

season,   at   Covent-Garden   Theatre.      [Anon.]      London:    Printed 

for  G.  Kearsly.     1763.     (4),  63  pp.  No.  3  in  **G.3824.i 

Mademoiselle  Blanche.     Barry,  J.  D.  **T.87.i5 

Madero,  Marcus  Antonius,  editor. 

Calliachi,  N.  Nicolai  Calliachii  De  ludis  scenicis  mimorum,  & 
pantomimorum   syntagma  posthumum.     Patavii.     1713.     Portrait. 

**G.294.54 
Madrid,  Spain.     Theatres. 

Desdevizes  du  Dezert,  G.  N.  Le  theatre  populaire  a  Madrid.  (In 
Entre  camarades.     Pp.  273-278.     Paris.     1901.)  2671,161 

Madrid,  Spain.     Theatres.     Teatro  Moratin. 

Chauderlot,  ,  and  F.  Festeau.     Proyecto  de  casas  pertenecientes 

al  Sr  Don  Jose  de  Fontagud  Gargollo.    Teatro  [Moratin].    Madrid. 
1871.    23  plans.  *Cab.6o.82.5 

Maeder,  Clara  Fisher. 

Autobiography.  Edited  by  Douglas  Taylor.  New- York.  1897. 
xlviii,  (i),  138  pp.  Portraits.  Facsimiles.  Autograph  facsimile. 
[Dunlap  Society!     Publications.]  **T.95.i6 

Maennel,  Lina,  editor. 

Jahrbuch  des  kaiserl.  konigl.  Hof-Burgtheaters  fiir  das  Jahr  1908. 
Herausgegeben  von  Lina  Manuel.  Wien.  Im  Selbstverlage  der 
Herausgeberin.     [1908.]  •    **T.78.74 

The    Jahrbuch   for    1909    is    included    in.   the    Amtliches    Jahrbuch    der    kaiserlich 
koniglichen  IToftheater  in  Wien   [**T.78.7s]. 

Maffei,  Francesco  Scipione,  Marchese. 

A  compleat  history  of  the  ancient  amphitheatres.  More  peculiarly 
regarding  the  architecture  of  those  buildings,  and  in  particular 
that  of  Verona.  Made  .English  from  the  Italian  original  by 
Alexander  Gordon.  London:  Printed  for  Harmen  Noorthouck. 
1730.     xvi,  412,    (11)   pp.     Plates.     Plans.  **T.77.i4 

Same.    2d  edition,  enlarged.    Printed  for  W.  Sare.     [1735?]     **T.77.i5 
Maffei,  Scipione,  Marchese.     See  Maffei,  Francesco  Scipione,  Marchese. 


[494] 


BROWN  COLLECTION   OF  BOOKS   ON   THE  STAGE 

Magazine  articles,  Miscellaneous.     Vol.   1-5.     N.  p.     N.  d.     5  v.     Por- 
traits.   Plates.  **T.i6.i 

Each  volume  has  an  index. 
Magazine  subject  index,  The.     See  Annual  magazine  subject  index. 
Magen,  Adolphe. 

La  troupe  de  MoHere  a  Agen  d'apres  un  document  inedit.     [2e  edition, 
2e  tirage.]     Paris.     Picard.     1877.     44  pp.  **T.56.i44 

Magic.    See  Legerdemain. 

Magician,  A,  in  many  lands.     Bassett,  J.  3015.78 

Magician's  tour,  A.     Kellar,  H.  6267,69;  **T.57.356 

Magne,  Auguste. 

Monographic   dn   nouveau   theatre   du   Vaudeville,   erige   par   la   villc 
de  Paris.     Paris.     Ducher.     i873-     14  PP-    30  plates.      *Cab.6o.8i.3 
Magnin,  Charles. 

Histoire  des  marionnettes  en  Europe  depuis  I'antiquite  jusqu'a  nos 

jours.     Paris.     Levy.     1852.     (3),  346  pp.  **T.95.84 

Same.     2e  edition,  corrigee.     1862.     (3),  356  pp.  6297.25 

Les  origines  du  theatre  antique  et  du  theatre  moderne  ou  histoire 

du   genie  dramatique   depuis  le  i^r  jusqu'  au   xvie  siecle.     Paris. 

Eudes.     [183-?]      (8),  xxxii,  522  pp.  4673.67;  **T.46.4 

The  dedication  and  the  errata  are  missing  in  the  copy  on  shelf-number  **T.46.4. 

Same.      Les    origines    du    theatre    moderne    ou    histoire    du    genie 

dramatique    depuis    le    i^""   jusqu'    au    xvi^    siecle.    precedee    d'une 

introduction    contenant    des    fitudes    sur   les   origines    du    theatre 

antique.     Tome    i.     Paris.     1838.  6671.72 

Magrini,  Antonio. 

II   Teatro    Olimpico   nuovamente   descritto    ed    illustrato.      Padova. 
Tipi  del  Seminario.     1847.     100  pp.     Plate.  **T.g6.4 

Mague  de  Saint-Aubin,  Jacques  Antoine. 

La  reforme  des  theatres,  ou  vues  d'un  amateur,  sur  les  moyens 
d'avoir  toujours  des  acteurs  a  talens  sur  les  theatres  de  Paris  & 
des  grandes  villes  du  royaume,  &  de  prevenir  les  abus  des  troupes 
ambulantes,  sans  priver  les  petites  villes  de  I'agrement  des  spec- 
tacles. A  Paris,  chez  Guillot.  1787.  iv,  125,  (2)  pp.  **T.76.ii2 
Mahalin,  Paul. 

Au  bout  de  la  lorgnette.    Paris.    Tresse.    1883.    (3),  338  pp.    **T.57.23 

!^ketches  of  Parisian  actors  and  dramatists. 

Ces  petites  dames  du  theatre.     [Anon.]     Paris.     1862.     128  pp.     Plate. 

Relates  to  the  theatres  of  Paris.  **T.59.l8 

Les  jolies  actrices  de  Paris.     Serie  [i-]5.     Paris.     Pache  &  Deffaux 

[etc.].     1868-89.     5  V.     Illus.     Portraits.  **T.57.24 

Les  memoires  du  Bal  Mabille.     [Anon.]     Paris.     1864.     (3),  124  pp. 

Portrait.  **T.99.46 

Mesdames   de   Coeur-Volant.     Paris.     Dentu.      1886.      (3),   364  pp. 

**T.87.5o 

A  collection   of  short  stories  and  plays,   some  of   them   relating  to   the   theatre. 

Maid,  A,  of  the  Malverns.     Porter,  T.  H.  **T.87.ioi ;  etc. 

Maillet-Duclairon,  Antoine. 

Essai  sur  la  connoissance  des  theatres  frangois.     [Anon.]     A  Paris, 
chez  Prault  pere.     1751.     x,  (2),  105,  (3)  pp.  **G.3563.i9 

Relates  chiefly  to  the  Paris  theatres. 

Maindron,  Charles  Ernest. 

Les  affiches  illustrees.     (1886-1895.)     Paris.     Boudet.     1896.     (5),  ii, 
251  pp.     Illus.     Plates,  some  colored.  *407i45 

This  contains,  a  number  of  theatre  posters. 

[495] 


y. 


THE  PUBLIC  LIBRARY  OF  THE   CITY  OF  BOSTON 


Maindron,  Charles  Ernest.     (Continued.) 

Marionnettes    et    guignols,    les    poupees    agissantes    et    parlantes    a 
travers  les  ages.    Paris.    Juven.     [1900.]     (7),  381  pp.    Illus.     Por- 
traits.    Plates,  some  colored.  4671.88 
Les  programmes  illustres  des  theatres  et  des  cafes-concerts,  menus, 
cartes    d'invitation,    petites    estampes,    etc.      Preface    par    Pierre 
Veber.     Paris.     Lamm.     [1897.]      (12),  40  pp.     (62)  plates,  mostly- 
colored.                                                                                                 **T.i2.6 
Same.     [Tome]  i.     (8),  40  pp.     (60)  plates,                                   *407i.46 
Maindron,  Ernest.    See  Maindron,  Charles  Ernest. 
Maine,  Anne  Louise  Benedicte  dc  Bourbon,  Duchesse  du. 

JuLLiEN,  J.  L.  A.  La  comedie  a  la  cour.  Les  theatres  de  societe 
royale  pendant  le  siecle  dernier.  La  Duchesse  du  Maine  et  les 
grandes  nuits  de  Sceaux,  Madame  de  Pompadour  et  le  Theatre 
des  petits  cabinets,  le  theatre  de  Marie-Antoinette  a  Trianon. 
Paris.      [1883.]      Portraits.     Plates.  **T.73.4 

Les  grandes  nuits  de  Sceaux.     Le  theatre  de  la  Duchesse  du 

Maine.     Paris.     1876.  **T.95.5i 

Mainz,  Germany.     Theatres. 

Peth,  J.  Geschichte  des  Theaters  und  der  Musik  zu  Mainz.  Ein 
Beitrag  zur  deutschen  Theatergeschichte.  Mainz.  1879,  83.  2  v. 
in  I.  **T.76.23 

Maiquez,  Isidoro. 

Crosby,  M.  R.  Maiquez.  Read  before  The  Castilian  Club,  (/m 
Castilian  Club.  Original  papers.  Vol.  2)2>  PP-  35-47-  Portrait. 
Boston.     1911.)  **G.i6i.i.33 

Maitresses,  Les,  de  Moliere.     Pifteau.  B.  J.  **T.57.33i 

Major  and  minor  theatres.  A  concise  view  of  the  question,  as  regards 
the  public,  the  patentees,  and  the  profession,  with  remarks  on 
the  decline  of  the  drama,  and  the  means  of  its  restoration.  Added, 
the  petition  now  lying  for  signature.  By  one  of  the  public. 
London.     Strange.      1832.     24  pp.  **T.76.72 

Relates  to  the  theatres  of  London.     Another  copy  is   on   shelf-number   No.  5  in 
**G.3&22.3,  which  lacks  pp.    17-24. 

Making  up. 

Altmann,  F.  Die  Maske  des  Schauspielers.  Practische  Anlcitung 
in  der  Kunst,  sich  zu  schminken.     Berlin.     [1875.]  **T.97.9i 

Hageman;  M.  Hageman's  Make-up  book.  Grease-paints:  their 
origin,  use  and  application.     Chicago.     [1898.]  6257.27 

Haresfoot  and  Rouge,  pseud.  How  to  "make-up."  A  practical  guide. 
London.     1877.     Colored  plates.  **T.77.i66;  etc. 

Morton,  C.     The  art  of  theatrical  make-up.     London.     1909.     Por- 
trait.    Plate.  6003,91 
Young,  J.    Making  up.    New  York.    [1905.]     Illus.    Portraits.    Plates. 

*6257.26 
Makower,  Stanley  Victor. 

The  art  of  pantomime  ballet.    (In  Grey,  Robin,  pseud.    Studies  in  music 
by  various  authors.     Pp.  274-291.     New  York.     1901.)         4046.110 
Mai  du  theatre,  Le.    Deschaumes,  E.  **T.77.i40 

Malassis,  A.  P.     See  Poulet-Malassis,  Paul  Emmanuel  Auguste. 
>Malcolm,  James  Peller. 

Anecdotes  of  the  manners  and  customs  of  London  during  the 
eighteenth  century.  2d  edition.  Vol.  2.  London.  Longman, 
Hurst,  Rees  &  Orme.     1810.  *2496.io6.2 

Amusement:  detail  of  its  principal  varieties  since   1700,  pp.    107-31 1. 

[496] 


BROWN   COLLECTION   OF  BOOKS    ON   THE   STAGE 


Malcolm,  James  Peller.     (Continued.) 

Anecdotes  of  the  manners  and  customs  of  London  from  lIk.  koniaii 
invasion  to  the  year  1700.  2d  edition.  Vol.  3.  London.  Lon;^- 
man,  Hurst,  Rees,  Orme  &   Brown.     1811.  *2496.io5.3 

Amusements,  pp.   1-105. 

Malherbe,  Charles  Theodore. 

Histoire  de  I'Opera-Comique.  La  seconde  Salle  Favart.  1840-1887. 
[Par]  .A.lbert  Soubies  et  Charles  Malherbe.  Paris.  Marpon  & 
Flammarion.     1892,  93.     2  v.     Plate.     Facsimile.  **M. 1393.1 1 

Precis  de  I'histoire  de  TOpera-Comique.  [Par]  Albert  Soubies  et 
Charles  Malherbe.     Paris.     Dupret.     1887.     68  pp. 

Another  copy  is  on  shelf-number  **M.  1203.35.      26393.67;  No.  I  in  **M.2o8.3I 

Malibran,  Maria  Felicita  Garcia. 

Barbip:ri,  G.  Notizie  biografiche  di  M.  F.  Alalibran.  Milano.  18.^6. 
Portrait.  No.  3  in  **M. 125.7 

Bertrand,  J.     La  Malibran.     Anecdotes.     Paris.     1864.     Portrait. 

**M. 128.59 
BuNN,  A.    A  grand  commemoration  of  the  departed  genius  of  music! 
.  .  .  Malibran.      [Verses.]      London.      [1836.]      Plate. 

**T.36.7i ;  No.  2  in  **M.i47.34 
Husk,  W.  H.,  editar.     Templeton  &  Malibran.     Reminiscences,  with 
original  letters  and  anecdotes.     London.      [1880.]      Portraits. 

**M. 149.29;  etc. 
Legouve,   G.   J.    B.   E.   W.      Maria    Malibran.      Paris.      [1880.] 

**M.iog.i4;  etc. 
Merlin,  M.  de  S.  C,  Comtesse  de.     Memoirs  and  letters  of  Madame 
Malibran.     Philadelphia.      1840.     2  v.  4049.265;  etc, 

Nathan,  L  Memoirs  of  Madame  Malibran  de  Beriot.  London. 
1836.  No.  I  in  **M.i47.3.i ;  etc. 

Paroisse-Pougin,  F.  A.  A.  Marie  Malibran.  The  story  of  a  great 
singer.     London.     191 1.     Portrait.  4047.303 

[Press  notices  on  the  life  and  death  of  Madame   Malibran.     Lon- 
don?    183-?]  **M.376.22 
Malitourne,  Armand,  and  others. 

Traite  du  melodrame,  par  Mm.  A!  A!  A  [pseud,  de  Armand  Mali- 
tourne, Juste  Abel  Hugo  et  Jean  Joseph  Ader].  Paris.  Delaunay. 
1817     viij,  79,  (i)  pp.  **T.96.307 

Malle,  La,  du  tragedien.     [N.  p.     18 — ?]     245-263  pp.  **T.96.i6o 

A  story  of  theatrical  life.     Cut  from  some  book  or  periodical. 

Malliot,  Antoine  Louis. ' 

La  musique  au  theatre.     Paris.     Amyot.     1863.     viii,  432  pp.     Tables. 

**M. 129.20 

Le  nouveau  regime  des  theatres  dans  les  departements.     Fondation 

des  theatres  imperiaux  de  la  province.     Rouen.     Lapierre  &  c^. 

1865.       62    pp.  **T.97.222 

Favors  state  subsidies  for  theatres  outside  of  Paris. 
Malo,  Charles,  editor. 

Almanack  des  spectacles  par  K.  Y.  Z.  [pseud.].    Annee  [i-]8.    Paris. 

[1818-25.]     8  V.     Colored  portraits.  **T.29.i8 

Malone,  Edmund. 

Catalogue  of  early   English  poetry  and   other   miscellaneous  works 

illustrating  the  British  drama,  preserved  in  the  Bodleian  Lil>rary. 

Oxford  University  Press.     1836.     viii,  52  pp.  **G.so.24 

An  historical  account  of  the  rise  and  progress  of  the  English  stage, 

and  of  the  economy  and  usages  of  our  ancient  tlieatres.     [With 

[497] 

32 


THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 


Malone,  Edmund.     (Continued.) 

additions    by    G.    Steevens.]      (/"    Shakespeare,    William.      Plays. 
Vol.  3.     Basil.     M.  ncc.  ic.)  6602.18 

Other  editions  are  on  shelf-numbers  4594-3-3  5   **G. 3936.35. 3  ;   ••G. 4035. 1.3. 

Malone,  John,  editor. 

Wegelin,  O.  Early  American  plays,  1714-1830:  being  a  compilation 
of  the  titles  of  plays  by  American  authors  published  and  per- 
formed in  America  previous  to  1830.  New  York.  1900.  [Dunlap 
Society.     Publications.]  *T.95.23 

Malone  Society. 

Collections.  \'ol.  i.  [Oxford.]  191 1.  i  v.  in  4.  Facsimiles.  **G.4077.i5 
Edited  by  W.  W.   Greg.     Relates  to  the  draina  and  the  theatre  in   England. 

Man  in  the  Moon,  The.  [Weekly.]  Consisting  of  essays  and  critiques 
on  the  politics,  morals,  manners,  drama,  &c.  of  the  present  day. 
No.  1-24.  Nov.  12,  1803 -Jan.  28,  1804.  London.  Highley.  1804. 
(3),  194,  (2)  pp.  '  **T.26.io 

dishing  attributes  this  work  to  George  Brewer. 

Man  of  the  w^orld,  A. 

P.\RODY,  A,  and  answer  to  W.  C.  C.'s  essay  on  the  evil  tendency  of 

the  theatre.     By  "A  man  of  the  world";  but  not  a  "Macsycophant" 

[pseud.].     Edinburgh.     1834.  **T.95.34 

Management.     Hum,  Humphrey,  Esq.,  pseud.  **T.96.i8i 

Manager's    note-book.      No.    1-14.      November,    1837  -  December,    1838. 

[London.     1837,  38.]     14  numbers  in  i  v.  **G.3822.7 

Same.     No.  2-7,  9,  10.  **G.3930.i3 

A  collection  of  biographies  of  the  leading  actors  on  the  English  stage,  extracted 
from   the   New   Monthly   Magazine   [Period.  Room  *53i7.i]. 

Manchester,  England.     Theatres. 

Manchester  Dramatic  and  Musical  Review,  The.  [Weekly.]  No.  i, 
2,  4-12,  12  (supplement),  13-16,  16  (supplement),  17-28,  28  (supple- 
ment), 29-43.  Nov.  14,  1846- Sept.  4,  1847.  [Manchester.]  1846, 
47.  **T.26.39 

Manchester  Guardian,  The.  The  Manchester  stage,  1880-1900. 
Criticisms  reprinted  from  "The  Manchester  Guardian."  West- 
minster.    [1900.]  **T.48.9 

Procter,  R.  W.     Manchester  in  holiday  dress.     London.     1866. 

**T.77-89 

Our  turf,  our  stage,  and  our  ring.     Manchester.     1862.     Illus. 

Plate.  **T.97.i62 

Squib,  The;  being  a  satire  on  passing  events  in  Lancashire.  [Con- 
taining criticisms  on  performances  at  the  Manchester  theatres. 
Weekly.]     No.  26,  27.    Jan.  26,  Feb.  2,  1833.     [Manchester.     1833.] 

**T.26.6o 

White.  J.  F.  An  appeal  to  the  public  at  large,  of  the  town  of 
Manchester,  but  chiefly  addressed  to  the  violent  opposers  of  J. 
F.  White,  comedian:  with  observations  on  the  management  of 
theatres,  and  the  peculiar  situation  of  performers  in  general. 
Manchester.     1803.  **T.57.46 

Manchester,  England.     Theatres.     Theatre   Royal. 

Argus;  or,  the  theatrical  observer:  containing  critical,  yet  impartial 
strictures,  on  the  merits  and  demerits  of  the  principal  performers, 
of  the  Theatre  Royal,  Manchester.  To  be  continued  every  fort- 
night. No.  1-6.  Nov.  24,  1804- Feb.  9,  1805.  Manchester.  Dean 
&  Co.     1804,  05.  **T.98.64 

Candid  hearer.  A,  pseud.  The  censor,  or  theatrical  review.  To  be 
continued  occasionally.     Manchester.     1807.  **T.76.i53 

[498] 


BROWN   COLLECTION    OF  BOOKS    ON    THE   STAGE 

Manchester,  England.     Theatres.     Theatre  Royal.     (Continued.) 
/Philipi,  pseud.     A  peep   into   the  Theatre-Royal,   Manchester;   with 
some    remarks    on    the   merits   and    demerits    of   the    performers. 
Manchester.     1800.  **T.98.63 

Prompter,  The;  or,  theatrical  investigator.  [Weekly.]  No.  [i-liQ. 
Manchester.     Wilson  [etc.     1815,  16].  **T.28.io 

Theatrical  Censor,  The.  [Weekly.]  No.  1-6.  May  24 -June  28, 
1828.     [Manchester.     1828.]  **T.98.66 

Theatrical  Inquisitor,  The;  or,  an  enquiry  into  what  two  worthy 
managers  have  promised,  and  what  performed.  Mancliester. 
1804.  **T.77.i2 

Townsman,  The.  No.  1-24.  Addressed  to  the  inhabitants  of  Man- 
chester, on  theatricals.     Manchester.     [1803-05.]         **T.26.65;  etc. 

Union  Pilot,  The,  and  co-operative  intelligencer.  Vol.  i  (no.  2). 
Jan.  21,  1832.     [Manchester.]     1832.  **T.26.48 

Watson,  J.  An  address  to  the  inhabitants  of  Manchester,  on 
theatricals,  by  a  townsman.     Manchester.     [1803.]  **T.77.29 

Meinchester  Dramatic  and  Musical  Review,  The.  [Weekly.]  No.  i,  2, 
4-12,  12  (supplement),  13-16,  16  (supplement),  17-28,  28  (supple- 
ment), 2g-43.  Nov.  14,  1846- Sept.  4,  1847.  [Manchester.]  1846, 
47.  **T,26.39 

Manchester  Guardian,  The. 

The  Manchester  stage,  1880-1900.  Criticisms  reprinted  from  "The 
Manchester  Guardian."  Westminster.  Constable  &  Co.  [1900.] 
241  pp.  **T.48.9 

Mann,  Charles  N. 

The  private  library  and  collection  of  portraits  of  Charles  N.  Mann. 
For  sale  at  auction.  New  York.  The  Anderson  Auction  Co.  1907. 
2  V.  in  I.     [No.  540,  541.]  **T.65.3o 

Contents.  —  1.  The  library.      Books  dramatic  and  miscellaneous.     2.   Engravings, 
autographs,  playbills,  etc. 

Manne,  Armand  Edmond  Denis  de. 

Galerie  historique  des  comediens  de  la  troupe  de  Talma.  Notices 
sur  les  principaux  societaires  de  la  Comedie  frangoise  depuis  1789 
jusqu'  aux  trente  premieres  annees  de  ce  siecle.  (Ouvrage  faisant 
suite  a  La  troupe  de  Voltaire.)  Avec  des  portraits  par  Frederic 
Hillemacher.    Lyon.    Scheuring.     1866.    ix,  436,  (3)  pp.     Portraits. 

**T.56.93 

Galerie  historique  des  comediens  frangois  de  la  troupe  de  Voltaire. 
Graves  par  Henri  Lefort.  Avec  des  details  biographiques  inedits, 
recueillis  sur  chacun  d'eux  par  E.-D.  de  Manne.  Nouvelle  edition 
augmentee.     Lyon.    Scheuring.     1877.    viii,  424,  (3)  pp.     Portraits. 

4644.51;  **T.56.92 
Manne,  Armand  Edmond  Denis  de,  and  Charles  Menetrier. 

Galerie  historique  de  la  Comedie  frangaise.  Pour  servir  de  comple- 
ment a  La  troupe  de  Talma.  Depuis  le  commencement  du  siecle 
jusqu'a  I'annee  1853.  Ornee  de  portraits  par  Fugere.  Lyon. 
Scheuring.     1876.     viii,  310,  (i)  pp.     Portraits.       2656.66;  **T.s6.94 

Galerie  historique  des  acteurs  frangais,  mimes  et  paradistcs  qui  se 
sont  rendus  celebres  dans  les  annales  des  scenes  secondaires 
depuis  1760  jusqu'a  nos  jours.  Pour  servir  de  complement  a  La 
troupe  de  Nicolet.  Ornee  de  portraits  par  J.-M.  Fugere.  T>yon. 
Scheuring.     1877.     viii,  384  pp.     Portraits.  2653.68;  **T.56.95 

Galerie  historique  des  comediens  de  la  troupe  de  Nicolet.  Notices 
sur  certains  acteurs  et  mimes  qui  se  sont  fait  un  nom  dans  les 

[499] 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 

Manne,  Armand  Edmond  Denis  de,  and  Charles  Menetrier.  (Continued.) 
annales  des  scenes  secondaires  depuis  1760  jusqu'a  nos  jours. 
Avec  des  portraits  graves  a  I'eau-forte  par  Frederic  Hillemacher. 
Lyon.     Scheuring.     1869.     viii,  414,    (i)   pp.     Illus.     Portraits. 

**T.56.340 

Manne,  E.  D.  de.    See  Manne,  Armand  Edmond  Denis  de. 

Mannheim,  Germany.     Theatre. 

Hermann,  E.  Das  Mannheimer  Theater  vor  hundert  Jahren.  Mann- 
heim.    1886.  **T.77.59 

KoKFKA,  W.  Iffland  und  Dalberg.  Geschichte  der  classischen 
Theaterzeit  Mannheims.     Leipzig.     1865.  48893.7 

Martersteig,  M.  Die  Protokolle  des  Mannheimer  Nationalthcaters 
untcr  Dalberg  aus  den  Jahren   1781  bis   178Q.     Mannheim.     1890. 

**T.76.i88 

PiCHLER,  A.  Chronik  des  Grossherzoglichen  Hof-  und  National- 
Theaters  in  Mannheim.  Zur  Feier  seines  hundertjiihrigen  I'este- 
hens.     Mannheim.     1879.     Plate.  **T.75.69 

Manni,  Domenico  Maria. 

Notizie  istoriche  intorno  al  Parlagio  ovvero  anfiteatro  di  Firenzc. 
In  Bologna.  1746.  Per  Tommaso  Colli,  xii,  39,  (i)  pp.  **T.74.20 
Manning,  Philip. 

Idealismus  und  Realismus  in  der  deutschen  Schauspielkunst.  wahrend 
deren  Bliithezeit,  1760-1840.  Inaugural-Dissertation,  Basel.  Frei- 
burg i.  B.  1892.  loi,  (i)  pp.  6874.52 
Mansel,  Robert. 

Free  thoughts  upon  Methodists,  actors,  and  the  influence  of  the 
stage.  With  an  introductory  letter  upon  the  origin  of  the  drama, 
&c.  Likewse,  a  discourse  on  the  lawfulness  and  unlawfulness  of 
plays,  by  Father  Caffaro.  Hull:  The  Author.  1814.  iv,  (7),  206, 
(i)  pp.  **T.77,i70 

Same.  {In  A  defence  of  the  drama.  Pp.  19-294.  New  York.  1826.) 
Another  copy  is  on  shelf-number  **K.37.i2.  **T.78.6 

A  short  struggle  for  stage  or  no  stage:  originating  in  a  sermon, 
preached  by  Thomas  Best  in  St.  James's  Church,  Sheffield. 
Sheffield.    Todd.     [1818.]     16  pp.  **T.76.86 

A  collection  of  letters  principally  by  or  to  Robert  Mansel  and  published  by  him. 
Another  copy  is  on  shelf-number  **T.96.63. 

Mansfield,  Richard. 

WiLSTACH,  P.  Richard  Mansfield.  The  man  and  the  actor.  New 
York.     1908.     Portraits.  4343-273 

Winter,  W.     Life  and  art  of  Richard  Mansfield.     With  selections 
from  his  letters.     New  York.     1910.    2  v.     Portraits.     Plate.     Fac- 
simile. 4343-275 
Manteau,  Le,  d'Arlequin.     Montagne,  fi.  C.  P.                                  **T. 77.128 
Mantel,  A.  P. 

Rachel.     Details   inedits.      Paris.     Delahays.      1858.     96  pp.      Manu- 
script facsimile.  **T.99.32 
Mantellini,  G.,  translator. 

RisTORi,  A.    Memoirs  and  artistic  studies  of  Adelaide  Ristori.    With 
biographical  appendix  by  L  D.  Ventura.     New  York.     1907.     Por- 
traits.    Plates.  2742.95 
Mantzius,  Carl. 

A  history  of  theatrical  art  in  ancient  and  modern  times.  With  an 
introduction     by    William    Archer.      Authorized     translation    by 

[500] 


BROWN   COLLECTION    OF  BOOKS    ON    THE   STAGE 


Ma 


antzius,  Carl.     (Continued.) 
/   Louise  von  Cossel.     London.     Duckworth   &  Co.     1903-09.     5  v. 
Portraits.     Plates.     Plans.  6252.66 

Contents.  —  i.  The  earliest  times:  Introduction;  Author's  introduction;  The 
Chinese  theatre;  The  Japanese  theatre;  The  Indian  theatre;  The  Greek  theatre; 
The  Roman  theatre.  2.  The  Middle  Ages  and  the  Renaissance:  Ecclesiastical 
plays;  Secular  plays;  Italian  comedy  and  the  professional  actors^  The  develop- 
ment of  the  stage  of  the  Ri-naissance ;  Appendix:  P.iMiogTapliy  ;  Tiuk-x.  3.  The 
Shakespearean  period  in  England.  4.  Moliere  and  his  times:  The  theatre  in 
France  in  the  17th  century.     5.  The  great  actors  of  the  eighteenth  century. 

Moliere.  Les  theatres,  le  public  &  les  comediens  de  son  temps. 
Traduit  du  danois  par  Maurice  Pellisson.  Paris.  Colin.  1908. 
(3).  xvi,  315  pp.    lUus.    Portraits.     Plates.     Plan.  **T.55.i02 

Bibliographie,  pp.   301,  302. 

Manuel,  R.,  pseud. 

La  comedie  de  salon.     Comment  on  la  monte  et  comment  on  la  jouc. 

Paris.     Kolb.     [1892.]     (3),  263,  (i)  pp.     Illus.     [Guides  de  la  vie 

pratique.]  26793.115 

Manuel  dramatique.     Geoffroy,  J.  L.  **T.49.ii 

Manuel  du  vaudevilliste.     [Anon.]     See  Tourret,  Gaspard. 

Manzi,  Guglielmo. 

Discorso  sopra  gli  spettacoli,  le  feste,  ed  il  lusso  degl'  Italiani  nel 
secolo  XIV.  Con  note  ed  illustrazioni.  Roma.  Mordacchiiii. 
1818.    190  pp.    Plate.  2740.8 

Mapes,  Victor. 

Duse  and  the  French.     With  an  introduction  by   Daniel   Frohman. 
New-York.     1899.     ix,  (i),  s6,  (4)  pp.     Portrait.     Autograph  fac- 
simile.    [Dunlap  Society.     Publications.]  **T.95.i9 
Mar,  Cecil,  translator. 

Racovitza-Schewitsch,     H.,    Baronin    von.       Princess     Helene     von 
Racowitza.  An  autobiography.  New  York.   1910.  Portrait.  2845.109 
Mara,  Gertrud  Elisabeth. 

NiGGLi,  A.     Gertrud  Elisabeth  Mara:  eine  deutsche  Kiinstlerin  des 

18.  Jahrhunderts.     [Leipzig.     1881.]  No.  8  in  **M. 215.4 

Ungarn-Sternberg,  A.,  Fr^'/Vierr  VON.    Kiinstlerbilder.    Band  i:  Gertrud 

Mara.     Leipzig.     1861.  6898.144.1 

Marbach,  Gotthard  Oswald. 

Dramaturgische  Blatter.  Heft  i,  2.  Leipzig.  Friese.  1866.  134, 
(i)  pp.  No.  2  in  **G.39i4.24 

Contents.  —  I.  Vorwort:  Die  Kunst  der  Neuzeit.  —  Innere  Grunde  des  Verfalls 
der  Biihne  der  Gegenwart.  —  Das  Staatstheater  zu  Athen.  2.  Aeussere  Griinde 
des  Verfalls  der  Biihne  der  Gegenwart.  —  Das  Theater  als  Kunstanstalt  und  das 
Interesse  des  Staates  an  demselben. 

Marble,  Danforth. 

Kelly,  J.  F.     Dan.  Marble;  a  biographical  sketch  of  that  humorist, 
with    reminiscences,    comicalities,    anecdotes,    etc.      New    York, 
r-  [1851.]     Plates.  **T.58.35 

JMarc-Constantin.     See  Constantin,  Marc. 
I^Marcello,  Benedetto. 

A/     Le  theatre  a  la  mode  au  xviiie  siecle.     (II  teatro  alia  moda.)     Tra- 
V  duction    precedee    d'une    etude    sur    Marcello    par    Ernest    David. 

»     ^       Paris.     Fischbacher.     1890.     (3),  156  pp.  No.  5  in  **M.i39.22 

Marchand,  Jean  Henri. 

Remonstrances  des  comediens  frangois  au  roi.  [Anon.  Paris.  I753-] 
16  pp.  **T.98.94 

Marcosson,  Isaac  Frederick,  editor. 

TuRNOUR,  J.  The  autobiography  of  a  clown.  New  York.  1910. 
Portraits.  aa49-9i 

[501] 


THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 

Marcosson,  Isaac  Frederick,  and  Daniel  Frohman. 

Charles  Frohman:  manager  and  man.  With  an  appreciation  by  James 
M.  Barrie.   New  York.   Harper.    1916.    (5),  440  pp.   Illus.   Portraits. 

Mentions  many  actors  and  actresses.  4343-270;  **T. 56.337 

Mareschal,  G.,  prefacer. 

DucoM,  J.  Le  cinematographe  scientifique  et  industriel.  Traite 
pratique  de  cinematographie.     Paris.     191 1.     Illus.     Plates.     Plans. 

8o39a.58 
Margaret,  pseud. 

Theatrical  sketches.  Here  and  there  with  prominent  actors.  New 
York.     The  Merriam  Co.     [1894.]     217  pp.     Portraits. 

4349a.244;**T,58.iii 
Marggraff,  Hermann,  editor. 

Allgemeines  Theater-Lexikon  oder  Encyklopadie  alles  wissens- 
werthen  fiir  Biihnenkiinstler,  Dilettanten  und  Theaterfreunde, 
unter  Mitwirkung  der  fachkundigsten  Schriftsteller  Deutschlands 
heraugegeben  von  R.  Blum,  K.  Herlosssohn",  H.  Marggraff.  Neue 
Ausgabe.  Altenburg.  1846.  7  v.  in  3.  Plates.  Plan.  **T.78.69 
Contents.  —  i.  A— Bouilly.  2.  Boulanger-Devise.  3.  Devrient-Garnitur.  4. 
Garrick-Ker.  5.  Kette-Niais.  6.  Niccolini-Sisyphus.  7.  Situation-Zwischen- 
spiel.  —  Nachtrage,  Zusatze  und  Berichtigungen. 

Mariana,  Juan  de. 

De  spectacvlis.  {In  his  Tractatvs  vii.  Pp.  127-188.  Coloniae 
Agrippinse.     1709.)  **H.62.i3 

In   opposition   to  the  theatre.     Another  copy   is   on  shelf-number   **D. 272.9. 

Mariani,  Angelo. 

Figures  contemporaines  tirees  de  I'Album  Mariani.     Vol.  i,  2.     Paris, 

Flammarion   [«&  Floury].     1894,  96.     2  v.     Portraits.  Manuscript 

facsimiles.  **T.53.i4 

Contains   biographical    sketches    of   several    actors    and    singers,    accompanied    by 
portraits,  and  facsimiles   of  commendations  of  Vin   Mariani. 

Marie  Antoinette,  Queen  of  Louis  XVL,  of  France. 

JuLLiEN,  J.  L.  A.  La  comedie  a  la  cour.  La  Duchesse  du  Maine  et 
les  grandes  nuits  de  Sceaux,  Madame  de  Pompadour  et  le  Theatre 
des  petits  cabinets,  le  theatre  de  Marie-Antoinette  a  Trianon. 
Paris.     [1883.]      Portraits.     Plates,  **T.73.4 

Marie  Burroughs  art  portfolio.  The,  of  stage  celebrities.  A  collection 
of  photographs  of  the  leaders  of  dramatic  and  lyric  art.  Chicago. 
Marquis  &  Co.  1894.  14  parts  in  i  v.  Portraits.  [International 
photographic   series.]  22403.61 ;  **T,54,i2 

Marignie,  Jean  fitienne  Frangois  de,  translator. 

Murphy,  A.    Vie  de  David  Garrick,  suivie  de  deux  lettres  de  Noverre 

a    Voltaire    sur    ce    celebre    acteur,    et    de    I'histoire    abregee    du 

theatre  anglais,  depuis  son  origine  jusqu'a  la  fin  du  xviiie  siecle. 

Paris.     An  ix,     [1800/01.]     Portrait.  **T.58.90 

Marigny,  Abel  Frangois  Poisson,  Marquis  de, 

Campardon,  L.  fi.  Madame  de  Pompadour  et  la  cour  de  Louis  xv 
au  milieu  du  dix-huitieine  siecle.  Ouvrage  suivi  de  documents 
inedits  sur  le  Theatre  des  petits  cabinets.     Paris.     1867.     Portrait. 

**T.56.5i 
Marin,  Frangois  Louis  Claude,  alleged  author. 

Bibliotheque  du  theatre  frangois,  depuis  son  origine.   See  Bibliotheque 
du  theatre  frangois,  depuis  son  origine. 
Mario,  Giuseppe,  Conte  di  Candia. 

Pearse,  Mrs.  G.,  and  F.  Hird.  The  romance  of  a  great  singer.  A 
memoir  of  Mario.     London.     1910.     Portraits.     I'iates.        4048,336 

[502] 


BROWN   COLLECTION   OF  BOOKS   ON   THE   STAGE 


Marionettes.    See  Puppet  shows. 
Marionneau,  Charles  Claude. 

Victor  Louis,  architecte  du  theatre  de  Bordeaux.  Sa  vie,  ses  travaux 
et  sa  correspondance,  1731-1800.  Bordeaux.  Gounouilhou.  1881. 
xi,  608  pp.    Portrait.     Plate.     Plans.     Facsimile.  4094.63 

Relates  to  the  Grand-Theatre  at  Bordeaux. 
Marionnettes  parisiennes,  Les.     Niboyet,  J.  A.  P.  **T.87.83 

Mark  Tully,  Esqr>^^,  pseud.    See  Foote,  Samuel. 
Markham,   Pauline,  pseud.     See   Hall,   Pauline   Margaret. 
Marlowe,  Christopher. 

Baker,  G.  P.  Dramatic  technique  in  Marlowe.  (In  Essays  and 
studies  by  members  of  the  English  Association.  Vol.  4,  pp.  172- 
182.     Oxford.     1913-)  *4558.25o.4 

Marlowe,  Julia. 

Barry,  J.  D.     Julia  Marlowe.     Boston.     [1899.]     Portraits. 

4343.219;  **T.57.386 
Marryat,  Florence. 

My  sister  the  actress.     A  novel.     New  edition.     London.     White  & 

Co.     1881.     (3),  388  pp.  **T.87.54 

Tom  Tiddler's   ground.      London.     Swan   Sonnenschein,    Lowrey    & 

Co.     1886.     (4),  212  pp.  4364.83;  **T.96.i6 

Mars,  Anne  Frangoise  Hippolyte  Boutet-Monvel,  called  Mademoiselle 

Mars. 

Confidences  de  M'le  Mars.     Recueillies  par  M™e  Roger  de  Beauvoir. 

Paris.     Librairie  nouvelle.     1855.     (3),  314,  (i)  pp.     [Bibliotheque 

nouvelle.]  **T.58.94 

Mars,  Anne  Frangoise   Hippolyte  Boutet-Monvel,  called  Mademoiselle 

Mars.     Works  about. 

AcLOCQUE,  £.    Souvenirs  anecdotiques  sur  Mademoiselle  Mars.    Paris. 

1847.  ♦*T.96.i44 

Bully,    E.    A.    R.    de.      Memoires    de    Mademoiselle    Mars    (de    la 

Comedie  Frangaise),  publics  par  Roger  de  Beauvoir.    Paris.     1849. 

2  V.  **T.56.67 

Mlle  Mars.    Notice  biographique.    Paris.    Hetzel,  Warnod  &  Comp. 

1847.     31  pp.     Manuscript  facsimile.  **T.58,95 

Marsh,  Henry. 

A  true,  perfect,  and  exact  catalogue  of  all  the  comedies,  tragedies, 
tragi-comedies,  pastorals,  masques,  and  interludes,  that  were  ever 
yet  printed  and  published,  till  1661,  which  you  may  either  buy  or 
sell  at  the  shops  of  Nath.  Brook,  Francis  Kirkman,  Tho.  Johnson 
and  Henry  Marsh.     [London.]     1661.  **T.67.3 

Another  copy  is  on  shelf-number  No.  2  in  **G.38io.5i. 
Marshall,  Christabel.     (Christopher  St.  John.) 

Ellen  Terry.  London.  Lane.  1907.  viii,  (i),  97  pp.  Portraits. 
Plates.      [Stars  of  the  stage.]  45493.196 

Marshall,  Francis  Albert. 

Henry  Irving,  actor  and  manager.  A  criticism  of  a  critic's  criticism. 
By  an  Irvingite.     London.    Routledge.     1883.    80  pp. 

254ob.76;  **T.58.72 

A  reply  to  Archer's  Henry  Irving,  actor  and  manager:  a  criUcal  study  [25406.84; 

2540b. 63  ;  **T.59.2i]. 

Marshall,  Thomas. 

Lives  of  the  most  celebrated  actors  and  actresses.  London.  Apple- 
yard.     [1848?]     (i),  232  pp.     Portraits.  ♦♦T.57.78 

The  running  title  is  National  dramatic  biography. 

[503] 


THE  PUBLIC  LIBRARY  OF  THE   CITY   OF  BOSTON 


Marston,  John,  alleged  author. 

Histrio-mastix;  or,  the  player  whipt.     See  Histrio-mastix. 
Marston,  John  Westland. 

Memoir  of  Miss  E.  Logan.  (In  Marston,  J.  W.  The  patrician's 
daughter.     Pp.  3,  4.     Boston.     [1856.])  6259b.548 

Same.     {In  Same.     New  York.     [185-?])  6259b.550 

Our  recent  actors:  being  recollections  critical,  and  in  many  cases, 
personal,  of  late  distinguished  performers  of  both  sexes.  With 
some  incidental  notices  of  living  actors.  London.  Sampson  Low, 
Marston,    Searle,    &    Rivington,    Ltd.      1888.      2    v. 

4547.119;  **T.57.292 
Marston,  Westland.     See  Marston,  John  Westland. 
Marston  Lynch.     Brough,  R.  B.  **T.58.i26 

Martainville,  Alphonse  Louis  Dieudonne. 

Histoire  du  Theatre  frangais,  depuis  le  commencement  de  la  Revolu- 
tion jusqu'a  la  reunion  generale.     Par  C.  G.  fitienne  et  A.  Martain- 
ville.    Paris.     Barba.     An  X.-1802.    4  v.  in  2.     Portraits.    **T.78.3i 
Martersteig,  Max. 

Das  deutsche  Theater  im  neunzehnten  Jahrhundert.  Eine  kultur- 
geschichtliche  Darstellung.  Leipzig.  Breitkopf  &  Hartel.  1904. 
xvi,  735  pp.  2873.134 

Literaturv-erzeichnis,  pp.   699-704. 

Die  ethische  Aufgabe  der  .Schaubiihne.    Eine  Schillerrede.     [Gehalten 

bei  der  Feier  am  10.  November  191 1  im  Schillerverein  zu  Leipzig.] 

Leipzig.     Insel-Verlag.     1912.    35,  (i)  pp.  **T.76.i90 

Die  Protokolle  des  Mannheimer  Nationaltheaters  unter  Dalberg  aus 

den  Jahren   1781   bis   1789.     Mannheim.     Bensheimer.     1890.     xix, 

468,   (i)   pp.  **T.76.i88 

Der  Schauspieler,  ein  kiinstlerisches  Problem.    Eine  Studie.     Leipzig. 

Diederichs.     1900.     81,   (i)   pp.  **T.77.225 

Martin,  Charlotte  M.,  editor. 

Gilbert,  A.  H.  The  stage  reminiscences  of  Mrs.  Gilbert.  New 
York.     1901.     Portraits.  4343.227 ;  **T.56.252 

Martin,  H. 

Remarks  on  Mr.  John  Kemble's  performance  of  Hamlet  and  Richard 
the  Third.    By  the  author  of  Helen  of  Glenross.    London.     Robin- 
son.    1802.     (i),  39,  (i)  pp.  **T.96.2i4 
Other  copies  are  on  shelf-numbers  •*G. 3937. 14;  No.  6  in  **G.3824.5. 
Martin,  Helena  Saville  Faucit,  Lady. 

Martin,  Sir  T.     Helena  Faucit  (Lady  Martin).     Edinburgh.     Black- 
wood.    1900.     X,   (i),  416  pp.     Portraits.     Plate.     Autograph  fac- 
simile. **T.56.i29;  etc. 
Martin,  Henri. 

PicHOT,  P.  A.  Les  memoires  d'un  dompteur  rediges  d'apres  les 
souvenirs  personnels  du  celebre  Martin.     Paris.     1881.     Portrait. 

**T.57.23i 
Martin,  Jules. 

Nos  artistes.  Portraits  et  biographies  suivis  d'une  notice  sur  les 
droits  d'auteurs,  I'Opera,  la  Comedie-frangaise,  les  associations 
artistiques,  etc.  Preface  par  Aurelien  Scholl.  Paris.  Librairie 
de  I'Annuaire  universel.     1895.     448  pp.     Portraits.  **T.59.47 

Nos  auteurs  et  compositeurs  dramatiques.  Portraits  et  biographies 
suivis  d'une  notice  sur  les  societes  d'auteurs,  droits,  reglements, 
statistique  et  I'affiche  theatrale.  Preface  par  Maurice  Donnay. 
Paris.     Flammarion.     1897.     623,  (i)   pp.     Portraits.  **T.59.24 

[504] 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 


Martin,  Sadie  E. 

The  life  and  professional  career  of  Emma  Abbott.  Minneapolis. 
L.   Kimball   Printing  Co.     1891.     192  pp.     Portraits.     Facsimile. 

4344.145;  **M.i43.25 
Martin,  Sir  Theodore. 

Essays   on    the    drama.      London.      Printed    for    private    circulation. 

1874-     (S),  331  pp.  **T.76.53 

Contents.  —  Acting  as  one  of  the  fine  arts.  —  The  gladiator  of  Ravenna.  —  A 
word  about  our  theatres.  —  Shakespeare  and  his  latest  stage  interpreters.  — 
Prometheus.  A  dramatic  fragment.  By  Goethe.  —  Plays,  players  and  critics. 
—  A  plea  for  players.  —  The  drama  in  London.  —  Artists  and  amateurs.  —  The 
Theatres  Bill,  1865.  — •  David  Garrick.  —  The  drama  in  England. 

Helena  Faucit   (Lady  Martin).     Edinburgh.     Blackwood.     1900.     x, 

(1),  416  pp.     Portraits.     Plate.     Autograph  facsimile.       **T.56.i2g 

Same.     2d  edition.  4545.174 

Monographs.      Garrick,    Macready,    Rachel    and    Baron    Stockmar. 

London.     Murray.     1906.     ix,,  341  pp.     Portraits.  **T.55.75 

Same.     Ntw  York.     Button  &  Co.  6245.17 

Martin,  William. 

At  the  Ober-Ammergau  Passion  Play.  With  an  introduction  on  the 
ancient  mysteries.  A  lecture  delivered  July  8,  1881.  Buenos 
Ayres.     Lowe,  Anderson  &  Ca.     [1881?]     22  pp.  2866.13 

Martinez,  Jose  V.  Perez.     See  Perez  Martinez,  Jose  V. 

Mary,  Jules. 

Le   roman    d'une   figurante,     fitude   de   moeurs.     2e   edition.     Paris. 

Plon  &  c'e.     1883.     (5),  316  pp.  **T.87.25 

Mask,  The:  a  humorous  and  fantastic  review  of  the  month.     Edited  by 

Alfred  Thompson  and  Leopold  Lewis.    Vol.  i.     Feb.-Dec,  1868. 

London.     1868.    vi,  375  pp.     lUus.     Portraits.     Plates.     Music. 

**T.24.5 

Every  article  is  by  one  or  the  other  of  the  two  editors,  and  every  illustration  is 
by  Alfred  Thompson.     No  more  published. 

Mask,  The:  a  quarterly  journal  of  the  art  of  the  theatre.    Vol.  6  (no.  i). 

Florence,  Italy.    Arena  Goldoni.     1913.    lUus.     Plates.      **T.25.3i 
Maske,  Die,  des  Schauspielers.    Altmann.  F.  **T.97.9i 

Maskelyne,  John  Nevil. 

Our  magic.     By  Nevil  Maskelyne  and  David  Devant  [pseud.].     New 

York.     Dutton  &  Co.     [1911.]     ix,   (5),  487  pp.     Illus.        4006.217 

Contents.  —  The  art  in  magic ;  The  theory  of  magic ;  by  Nevil  Maskelyne.  —  The 

practice  of  magic,  by  David  Devant. 

Maskelyne,  Nevil.    See  Maskelyne,  John  Nevil. 
Masks. 

BoETTiGER,   C.  A.     Die  Furienmaske,  im  Trauerspiele  und  auf  den 

Bildwerken  der  alten  Griechen.     Weimar.     1801.    Illus.    3  plates, 

2  colored.  8076.251 
Same.     Les  Furies,  d'apres  les  poetes  et  les  artistes  anciens. 

Traduction  de  I'allemand  par  T.  F.  Winckler.    Paris.    An  x  (1802). 

Plates,  some  colored.  8076.252 

Janer,   F.     Mascara   teatral   de   los    Tndios   del   Peru.     Plates.      (In 

Museo  espafiol  de  antigiiedades.     Tome  i,  pp.   101-108.     Madrid. 

1872.)  No.  9  in  **Ticknor  Cab.i.i 

Robert,  C.     Die  Masken  der  neueren  attischen  Komoedie.     Halle  a. 

S.     1911.     Illus.     Plate.  2961.13 

Valentini,  F.    Trattato  su  la  commedia  dell'  arte,  ossia  improvvisa. 

Maschere  italiene,  ed  alcune  scene  del  carnevale  di  Roma.    Berlino. 

1826.    20  colored  plates.  No.  i  in  *277i.3 

[505] 


THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 


Masks.     (Continued.) 

Same.     Abhandlung  iiber  die  Comodie  aus  dem  Stegreif  und 

die  italienischen  Maskcn;  nebst  einigen  Scenen  des  romischen 
Carnevals.     Berlin.     1826.     20  colored  plates.  **T.42.i;  etc. 

Masks  and  minstrels  of  new  Germany.     Pollard,  P.  286ga.g 

Masks  and  drolls:   Italian  comedy.      [London.      1859.]      (2)    pp. 

No.  14  in  **G.3822.i 
A  review  of  Maurice  Sand's  Masques  et  bouffons  which  may  be  found  on  shelf- 
numher  **T.44.  i. 

Masks,  heads,  and  faces.     Emerson,  E.  R.  **T.96.29i  ;  etc. 

Masks  or  faces?    Archer,  W.  3595.77;  **T.76.i55 

Mason,  Edward  Tuckerman. 

The  Othello  of  Tonimaso  Salvini.  With  portraits  by  Robert 
Frederick   Blum.     New   York.     Putnam.     1890.     vii,   107  pp. 

Another  copy  is  on  shelf-number  **G.86.i5.  **T.57.45 

Mason,  Henry  Lowell. 

Opera  stories  ("divided  into  acts)  of  100  operas,  also  portraits  of 
leading  singers,  and  of  the  managing  directors  of  the  Boston 
Opera  Company,  the  Metropolitan  Opera  Company  and  the  Chi- 
cago Opera  Company.     Boston.     1910.     (4),  106  pp.  4044.103 

Stories  of  the  operas  produced  by  the  Metropolitan  Opera  Company 
and  by  the  Damrosch  Opera  Company,  1895-96.  Boston.  [1896.] 
96,   (i)  pp.     Portraits.  No.  3  in  **M.372.55 

Many  of  the  pages  contain  advertisements. 

Mason,  Osgood.    See  Mason,  Rufus  Osgood. 
Mason,  Rufus  Osgood,  compiler. 

Sketches  and  impressions,  musical,  theatrical,  and  social  (1799-1885). 
From  the  after-dinner  talk  of  Thomas  Goodwin,  by  R.  Osgood 
Mason.      New    York.      Putnam.      1887.     x,   294  pp. 

4490b. 69;  **M.i09b.42 
Mason,  Thomas  Monck. 

Prospectus  of  the  plan  intended  to  be  pursued  in  the  direction  of  the 
Italian  Opera  House.  London.  James  Cochrane  &  Co.  1831.  id  pp. 
Relates  to  His  Majesty's  Theatre,  London.  No.  5  in  **G.3824.IO 

Masquerades. 

Wace,  a.  J.  B.  Mumming  plays  in  the  southern  Balkans.  Illus. 
(In  British  School  at  Athens.  Annual.  No.  19,  248-265.  London. 
[1914.])  *296oa.53.i9 

Willis,  R.,  Bishop  of  Winchester.  Of  plays  and  masquerades.  [An 
essay  in  opposition  to  the  theatre.]  London.  1719.  **T.97.i56;  etc. 
Masques. 

Akt  Workers'  Guild,  London.  Beauty's  awakening,  a  masque  of  winter 
and  of  spring,  written,  designed  &  contrived  bj'-  the  members  of  the 
Art  Workers'  Guild,  and  finally  presented  by  them  iii  the  Guildhall 
of  the  City  of  London.     [London.     1899.]     59  plates.        *8o8oa.6o 

Ashbee,  C.  R.  The  masque  of  the  Edwards  of  England:  being  a 
coronation  pageant  to  celebrate  the  crowning  of  the  King 
[Edward  vii.     London.     1902].     Colored  plates.  *Cab. 24.37.1 

Brotanek,  R.    Die  englischen  Maskenspiele.    Wien.    1902.    *4552.55.i5 

Nichols,  J.  The  progresses  and  public  processions  of  Queen  Eliza- 
beth.    London.     1823.     3  v.     Portraits.     Plates.  **G.3752.3 

The    progresses,    processions,    and    magnificent    festivities,    of 

King  James  the  First,  his  royal  consort,  family,  and  court,  com- 
prising forty  masques  and  entertainments;  ten  civic  pageants. 
London.     1828.    4  v.    Illus.     Portraits.     Plates.  *245i.3;etc. 

[506] 


BROWN  COLLECTION   OF  BOOKS   ON   THE  STAGE 

Masques.     (Continued.) 

Reyher,  p.    Les  masques  anglais,    fitude  sur  les  ballets  et  la  vie  de 
cour  en  Angleterre  (1512-1640).     Paris,     igog.     Plans.        4551.122 
SoERGEL,  O.  A.     Die  englischen  Maskenspiele.     Inaug.-Disscrtation 
Halle  a/S.     1882.  4557.128 

Sullivan,  M.  Court  masques  of  James  i.  Their  influence  on  Shake- 
speare and  the  public  theatres.  New  York.  1913.  Portrait. 
Plate.  4594-170 

Masques.    Bibliography. 

Greg,  W.  W.     A  list  of  masques,  pageants,  &c.     Supplementary  to 

a  list  of  English  plays.     London.     igo2.  *2i74.2o 

Masques  et  bouffons.     Dudevant,  J.  F.  M.  A.,  Baron.  **T.44.i 

Masques  modernes.    Champsaur,  F.  **T.97.228 

Massachusetts.     Theatres. 

Gardiner,  J.  Speech  delivered  in  the  House  of  Representatives 
on  the  subject  of  the  report  of  the  committee,  appointed  to 
consider  the  expediency  of  repealing  the  law  against  theatrical 
exhibitions  within  this  commonwealth.     Boston.     I7g2.     Plan. 

**T.76.i3;etc. 
Massachusetts  Institute  of  Technology.    Plays. 

Hollis  Street  Theatre.  Souvenir  program  of  the  Tech  show.  "The 
grand  Duke."     [Boston,     igoi.]      24  pp.     Illus.  *445o.ie2 

Massett,  Stephen  C. 

"Drifting  about,"  or  what  "Jeems  Pipes  of  Pipesville"  saw-and-did. 
An  autobiography.  Illustrations  by  Mullen.  New  York.  Carle- 
ton.  1863.  viii,  11-371  pp.  Illus.  Portraits.  **T.57.288 
Other  copies  are  on  shelf-numbers  *4So8. 120;   *A.57oo. 

Massett,  Stephen  C.    Works  about. 

Biographical  sketch,  words  of  the  songs,  ballads,  &c.,  of  the  com- 
poser and  vocalist,  Stephen  Massett,  "Jeems  Pipes,  of  Pipesville." 
With  opinions  of  the  press  on  his  entertainments.  New- York. 
1858.    Portrait.  **T.97.290 

Masters  of  the  show.     Pitou,  A.  6257.369 

Masterson,  Kate. 

The  Matinee  Girl.  Vol.  i,  2.  [Boston.  1906,  12.]  2  v.  Illus.  Por- 
trait. **T.i4.6 

Composed  of  clippings  from  The  Matinee  Girl  column  of  the  New  York  Dramatic 
Mirror.     Compiled  by  Allen  A.  Brown.    Relates  principally  to  the  American  stage. 

Mastriani,  Giuseppe. 

II  teatro  e  gli  artisti.    Saggio.     Napoli.    Androsio.     1849.    71  pp. 

**T.76.67 
Materialien  zur  Kunde  des  alteren  englischen  Dramas. 

Feuillerat,  a.,  editor.  Documents  relating  to  the  Office  of  the 
Revels  in  the  time  of  Queen  Elizabeth.     Louvain.     igo8.     *2550.90 

Documents  relating  to  the  revels  at  court  in  the  time  of  King 

Edward  vi.  and  Queen  Mary.     (The  Loseley  Manuscripts.)     Lou- 
vain.    1914.  *2550.io7 
Maas,  H.    Aussere  Geschichte  der  englischen  Theatcrtruppen  in  dem 
Zeitraum  von  1559  bis  1642.     Louvain.     1907.  2553.129 
Stopes,  C.  C.     William  Hunnis  and  the  revels  of  the  Chapel  Royal. 
A  study  of  his  jjeriod  and  the  influences  which  affected   Shake- 
speare.    Louvain.     1910.                                                                 3553'I39 
Matheu,  Victor  French. 

Ensayos  de  critica.  i :  Estado  actual  de  nuestro  teatro.  Buenos  Aires. 
1906.  4396.339 

[507] 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 


Mathews,  Anne. 

Anecdotes  of  actors:  with  other  desultory  recollections,  etc.  London. 
Newby.     1844.     vii,  430  pp.  4543.66;  **T.55.64 

Relates  principally  to  British  actors. 

Memoirs  of  Charles  Mathews,  comedian.  London.  Bentley.  1838,  39. 
4  V.      Portraits.     Autograph    facsimile.  65403.61 ;  **T.55. 105 

Same.     Philadelphia.     Lea  &  Blanchard.     1839.    4  v.  **K.35.ii 

Tea-table  talk,  ennobled  actresses,  and  other  miscellanies.  London. 
Newby.     1857.    2  v.  2578.52;  **T.56.3i6 

Mathews,  Anne,  editor. 

Mathews,  C.  The  life  and  correspondence  of  Charles  Mathews,  the 
Elder,  comedian.  London,  i860.  Portraits.  6549.23;  **T.57.4i 7 
Mathews,  Anne.     Works  about. 

Arnold,  S.  J.  Forgotten  facts  in  the  memoirs  of  Charles  Mathews, 
comedian,  recalled  in  a  letter  to  Mrs.  Mathews,  his  biographer. 
London.     [1839.]  **T.56.259 

Mathews,  Charles. 

Catalogue  of  [his]  miscellaneous  and  dramatic  library,  theatrical 
portraits,  dramatic  and  literary  autograph  letters,  and  theatrical 
relics.  Which  will  be  sold  by  auction,  by  Sotheby  and  Son, 
August  19th,  1835.     [London.]     1835.     (2),  47  pp.  **T.66.i6 

Catalogue  raisonnee  [sic]  of  Mr.  Mathews's  gallery  of  theatrical  por- 
traits, forming  a  nearly  complete  dramatic  record  from  the  year 
1659  down  to  the  present  time.  [Compiled  by  Charles  James 
Mathews  and  preceded  by  Charles  Lamb's  essay,  "The  old  actor."] 
London.     Clowes.     1833.     74,  (4)  pp.  **T.65.45 

Another  copy  is  on  shelf-number  **G.39SO.i5. 

The  life  and  correspondence  of  Charles  Mathews,  the  Elder, 
comedian.  By  Mrs.  Mathews.  New  edition,  abridged  by  Edmund 
Yates.  London.  Routledge,  Warne,  &  Routledge.  i860,  xvi, 
480  pp.     Portraits.     Autograph  facsimile.  6549.23;  **T.57.4i 7 

The    London    Mathews;    containing   an    account   of    Master    Charles 

Mathews's  youthful  days,  and  six  original  and  humorous  songs. 

25th  edition.    London.    Hodgson  &  Co.     [182-?]     36  pp.    Colored 

portraits.  **T.99.i4 

Matliews,  Charles.     Works  about. 

Arnold,  S.  J.  Forgotten  facts  in  the  memoirs  of  Charles  Mathews, 
comedian,  recalled  in  a  letter  to  Mrs.  Mathews,  his  biographer. 
London.     [1839.]  **T.56.259 

Mathews,  A.  Memoirs  of  Charles  Mathews,  comedian.  London. 
1838,  39.     4  V.     Portraits.  65403.61  ;**T.55. 105;  etc. 

Memoirs  of  the  youthful  days  of  Mr.  Mathews,  the  celebrated 
comedian,  lately  arrived  from  England.  With  tales,  anecdotes, 
and  original  comic  songs.    Philadelphia.     1822.    Colored  portraits. 

**T.57.2g4 

ScANLAN,    R.    R.      Nine    portraits    forming    a    series    of    characters, 

illustrative  of  Mathews.     In  his  fourteenth  &  last  comic  annual, 

performed  in  England  &  America,  in  1833.     Drawn  on  stone  by 

Edward  Morton.     London.     [183-?]  **T.5i.9 

Mathews,  Mrs.  Charles.    See  Mathews,  Anne. 

Mathews,  Charles  James. 

Lettre  de  Charles  Mathews  aux  auteurs  dramatiques  de  la  France. 
London.     Mitchell.     1852.     (2),  35  pp.  **T.96.i93 

Discusses  the  suitability   of  French   plays  for   London   theatres. 

I  SOS  I 


i 

I 


BROWN   COLLECTION    OF  BOOKS   ON   THE   STAGE 

Mathews,  Charles  James.     (Continued.) 

Same.  Letter  from  Charles  Mathews  to  the  dramatic  authors  of 
France.  Translated  from  himself  by  himself.  London.  1852. 
(2),  41  pp.  ^  ♦*T96.i94 

Life.  Chiefly  autobiographical  with  selections  from  his  corre- 
spondence and  speeches.  Edited  by  Charles  Dickens.  London. 
Macmillan  &  Co.     1879.     2  v.     Portraits.  4544-67;  **T.55.98 

Same.  New  York.  Harper.  1879.  85  pp.  [Franklin  Square  Library.] 
Another  copy  is  on  shelf-number  **T.S4.29.  **T.Q3.II 

Mathews,  Cornelius,  editor. 

Prompter,  The;  a  weekly  miscellany,  devoted  to  public  amusements. 
[June  i-Aug.  5,  1850.   New  York.]    1850.    Portraits.    **T.27.35;  etc. 

Prompter's  whistle,  The.  A  weekly  miscellany,  devoted  to  public 
amusements.  Aug.  31,  1850 -Sept.  28,  1850.  [New  York.]  1850. 
Portraits.  **T.27.36;  etc. 

Mathews,  John. 

Life  and  theatrical  career  of  John  Mathews,  champion  swordsman, 
showman,  dogman,  and  pantomimist.  No.  [i-]4.  [London.  1874.] 
4  V.  in  I.     Illus.  **T.57.355 

The  title-page  of  No.  [i]  is  headed  with  Bowl  wow  1 1  wow  I !  I  No.  2  is  entitled: 
The  Mathews  Shov/man's  career. 

Mathews,  Lucia  Elizabeth. 

Busk,  H.    The  Vestriad,  a  poem.    London.    1819.    Plates.    **T.55.ii4 

Engltsh   gentleman.  An,  pseud.     Memoirs  of  the  public  and  private 

life  of  Madame  Vestris.    New  York.    [1838.]    No.  4a  in  **G.3822.4.2 

Memoirs  of  Mrs.  C.  M.  late  Mad.  V.  of  the  Royal  Olympic  Theatre. 

Added,    the    extraordinary   and    secret    amours    of    Mrs.    Honey. 

London.     [183-?]     Colored  plate.  No.  4  in  **G.3822.4.2 

Memoirs   of   the   life   of   Madame   Vestris   of   the   Theatres    Royal, 

Drury  Lane  and  Covent  Garden.     [London?]     1830.         **T.57.2i6 

Memoirs   of   the   public  and  private   life,   amorous   adventures   and 

wonderful  exploits  of  Madame  V the  female  Giovanni, 

Macheath,  and  Don  Juan  of  the  present  day.  London.  [1839?] 
Portrait.    Plate.  **T.56.io6 

Matinee  girl,  The.     Masterson,  K.  **T.i4.6 

Matthews,  Brander.     See  Matthews,  James  Brander. 
Matthews,  James  Erander. 

About  the  ballet.  Illustrated  with  portraits  of  celebrated  dancers, 
and  others  connected  with  the  ballet  from  the  earliest  period. 
Collected  and  arranged  by  Charles  E.  Moreau.  New  York.  1891. 
(192)   pp.     Portraits.  **T.i2.ii 

Cut  from  volume  4  of  Appleton's  Journal   [Periodical  Room  *540i.i.4].     Contains 
also  The  ballet  in  Paris  by  Theodore  Child,  cut  from  vohime  4  of  The  Cosmo- 
politan  [Periodical  Room  *724S.6o.4]. 
A  book  about  the  theater.     New  York.     Scribner.     1916.     xii,  334  pp. 
Plates,  some  colored.     Facsimile.     Vignette.  6257.92 

Contents.  —  Show  business.  —  Limitations  of  the  stage.  —  Moral  from  a  toy 
theatre.  —  Why  five  acts?  —  Dramatic  collaboration.  —  Dramatization  of  novels 
and  novelization  of  plays.  ■ —  Women  dramatists.  —  Evolution  of  scene-painting. 
—  Book  of  the  opera.  —  Poetry  of  the  dance.  —  Principles  of  pantomime.  — 
Ideal  of  the  acrobat.  —  Decline  and  fall  of  negro-minstrclsy.  —  Utility  of  the 
variety-show.  —  Method  of  modern  magic.  —  Lamentable  tragedy  of  Punch  and 
Judy.  —  Puppet-play,  past  and  present.  —  Shadow-pantomime,  with  all  the 
modern  improvements.   —  Problem  of  dramatic  criticism. 

On  acting.     New  York.     Scribner.     1914.     (S),  90  pp.  5599.i63 

Shaksperian  stage  traditions.  {In  Matthews,  J.  B.,  and  A.  H.  Tliorn- 
dike,  editors.     Shaksperian  studies.     Pp.  1-27.     New  York.     T916.) 

Describes  the  art  of  some  well-known  Shakespearean   actors.  4596-159 

[509] 


THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 


Matthews,  James  Brander.     (Continued.) 

Studies  of  the  stage.  New  York.  Harper.  1894.  (7).  214  pp. 
Portrait.  Autograph  facsimile.  [Harper's  American  essayists.] 
Another  copy  is  on  shelf-number  "A. 5724. 4.  24093.114;  **T.49.2 

Contents.  —  The  dramatization  of  novels.  —  The  dramatic  outlook  in  America.  • — 
The  Players.  —  Charles  I-amb  and  the  theatre.  —  Two  French  theatrical  critics : 
Francisque  Sarcey  ;  Jules  Lemaitre.  —  Asides:  Shakspere,  Moliere,  and  modern 
English   comedy;   The  old  comedies;   A  plea   for   farce. 

The  theatres  of  Paris.    New  York.    Scribner.    1880.    viii,  (3),  208  pp. 

Illus.     Portraits.     Plates.  2639.69;  **T.77.205 

Same.    London.    Sampson  Low,  Marston,  Searle,  &  Rivington.     (7), 

208  pp.  2639.70 

Matthews,  James  Brander,  editor. 

Bernard,   J.     Retrospections   of   America,    1797-1811.     Edited   from 

the  manuscript   by   Mrs.   Bayle   Bernard.     With  an   introduction, 

notes,    and    index   by   Laurence   Hutton   and    Brander   Matthews. 

New  York.     1887.     Portraits.     Plate.  4247.76;  **T.57.2ii 

Gilbert,  Sir  W.  S.    A  stage  play.     With  an  introduction  by  William 

Archer.     New  York.     1916.  **T. 46.63.3 

Portfolio,    A,    of    players    [Augustin    Daly's    company].      With    a 

packet  of  notes  thereon  by  H.  C.  Bunner,  E.  A.  Dithmar,  Laurence 

Hutton.    Brander    Matthews    and    William    Winter.      New    York. 

1888.     Portraits.     Plates.  **T.52.i2 

Matthews,  James  Brander,  prefacer. 

CoLUMHiA  University.     Dramatic  Museum.     A  catalog  of  models  and 

of  stage-sets.     New  York.     1916.  **T.46.62.5 

Jenkin,   H.   C.   F.     Mrs.   Siddons  as   Lady  Macbeth  and  as   Queen 

Katharine.     New  York.     1915.  **T.46.6i.3 

Sarcey,  F.     A  theory  of  the  theatre.     With  an   introduction    [and 

notes]    by   Brander  Matthews.      [Translated  by  H.   H.   Hughes.] 

New  York.     1916.  **T.46.62.4 

Vega  Carpio,  L.  F.  de.     The  new  art  of  writing  plays.     Translated 

by  William  T.  Brewster.     New  York.     1914.  **T.46.6o.i 

Matthews,  James  Brander,  and  Laurence  Hutton,  editors. 

Actors  and  actresses  of  Great   Britain  and  the  United   States  from 

the  days  of  David  Garrick  to  the  present  time.    New  York.    Cassell 

&  Co.,  Ltd.     [1886.]     5  V.  2244.72  ;**T.52.io 

Contents.  —  I.  Garrick  and  his  contemporaries.  2.  The  Kembles  and  their  con- 
temporaries. 3.  Kean  and  Booth ;  and  their  contemporaries.  4.  Macready  and 
Forrest;   and  their  contemporaries.     5.  The  present  time. 

Maude,  Cyril. 

The   Haymarket   theatre.     Some   records    &   reminiscences.     Edited 
by  Ralph   Maude.     London.     Richards.     1903.     vii,  240  pp.     Por- 
traits.    Plates.  **T.76.io 
Same.     New  York.     Dutton  &  Co.  2495.170 
Maugny,  Alfred,  Comte  de. 

Le  demi-monde  sous  Ic  .Second  Empire.  Souvenirs  d'un  sybarite. 
[Par]  Zed  [pseud.].     Paris.     Kolb.     [1892.]     vi,  298  pp.     Portraits. 

**T.97.247 

Contents.  —  Lcs  (n'andes  courtisanes.  —  Les  actrices.  —  Les  coulisses  de  1'  Opera. 
—  Les  dessous  de  la  galanterie. 

Maugras,   Charles   Gaston. 

Les  comediens  hors  la  loi.     Paris.     Levy.     1887.     (3),  vi,  493,  (i)  pp. 

**T.55.ioi 

A  study  of  the  relations  of  actors  to  the  church  and  society.  Bibliography, 
pp.  V,  vi. 

Same.     2e  edition.  4670.67 

[510] 


I 


BROWN   COLLECTION   OF  BOOKS    ON   THE   STAGE 

Mauduit-Larive,  J.  See  Larive,  Jean  Mauduit  de. 
Maugras,  Charles  Gaston. 

Les    demoiselles    de   Verrieres.      Paris.      Levy.      1890.     viii,    268   pp. 

Portraits.    Autograph  facsimiles.  **T.56.76 

Same.     Nouvelle   edition.     Plon-Nourrit   &   cie.      1904.      (3),   ii,   286, 

(i)  PP-  46503.72 

Maugras,  Gaston.    See  Maugras,  Charles  Gaston. 

Maupoint, . 

Biblioteque    [sic]    des  theatres,   contenant  le  catalogue  alphabetique 

des  pieces  dramatiques,  opera,  parodies,  &  opera  comiques;  81  le 

terns  de  leurs  representations.  Avec  des  anecdotes.  [Anon.]  .\  Paris. 

chez  Laurent-FranQois  Pranlt.     1733.     (3),  369  pp.    Plate.    **T.67.i 

Maurel,  Victor. 

A  propos  de  la  mise  en  scene  du  drame  lyrique  Otello  [de  Verdi]. 

fitude  precedee  d'aperqus  sur  le  theatre  chante  en   1887.     Rome. 

Romana.     1888.     183  pp.  4048.175 

Dix    ans    de    carriere.      Avec    une    preface    de    Leon    Kerst.      Paris. 

Villerelle.     [1897.]     (3),  xv,  419,  (i)  pp.     Portraits.  40493.138 

Maurel,  Victor.     Works  about. 

Isidore  Baurel,  ou  les  mysteres  du  Theatre  idalien.  Conte  chinois. 
[3e   edition.]      Paris.      1884.  **M.i27.7o;  etc. 

Maurice,  Charles.     See  Descombes,  Jean  Charles  Frangois  Maurice. 
May  Festival,  Boston. 

Official  programme.  17th,  i8th  annual  May  Festival.  [Boston. 
Blanchard  Printing  Co.]     1905,  06.    2  v.  in  i.    Portraits.    **T. 14.14 

Given  under  the  direction  of  Mrs.  William  S.  Butler. 

Mayall,  John  Edvirin. 

Mayall's  Celebrities  of  the  London  stage:  a  series  of  photographic 
portraits  in  character.  [In  18  nos.]  Nos.  1-8.  London.  Marion, 
Son  &  Co.  [1867.]  8  parts  in  i  v.  Portraits.  Autograph  fac- 
simile. **T.54.3i 
Contents.  —  i.  Charles  Mathews,  "Un  anglais  tiniide,"  otherwise  "Cool  as  a 
cucumber."  2.  Miss  Bateman,  as  Leah.  3.  Wachtel,  as  Manrico.  4.  Mrs. 
Stirling  as  Mrs.  Candour.  5.  H.  Compton,  as  Touchstone.  6.  J.  B.  Buckstone, 
as  Sir  Andrew  Aguecheek.  7.  Benjamin  Webster,  as  Penholder.  8.  Mrs. 
Charles  Mathews,  as  Medea. 

A  short  biographical  sketch  precedes  each  portrait. 
Mayer,  Friedrich  Arnold. 

Zensurakten  aus  Baden  bei  Wien.  (In  Archiv  fur  Theatergeschichte. 
Vol.  I,  pp.  17-42.     Berlin.     1904.)  *6go7.i2.i 

Mayer,  Marcus  L. 

The  Gaiety  French  plays.  Season,  1880.  Short  biographies  of  the 
actors  &  actresses  of  the  Comedie  frangaise.  Vaudeville,  Palais- 
Royal,  and  other  theatres,  &c.  London.  Letts,  Son  &  Co.,  Ltd. 
1880.     24  pp.  **T.97.i90 

Mr.  M.  L.  Mayer's  twenty-second  season  of  French  plays  [at  His 
Majesty's  theatre]  will  commence  June  2,  1890.  [London.  i8go.] 
30  pp.  **T.94.27 

Contains  brief  analyses  of  the  following  plays: — La  lutte  pour  la  vie,  Paris  fin 
de  siecle,  Jeanne  d'Arc,  with  the  casts. 

Mayerhofer,  Johannes. 

Clara  Ziegler.     Biographische  Skizze.     Bamberg.     1887.  Portrait. 

No.  II  in  **M. 215.4 
Mayeur  de  Saint  Paul,  Frangois  Marie. 

Le   desoeuvre,   ou   I'espion    du    Boulevard   du   Temple.  [Anon.]      A 

Londres.    1782.     (3),  114  pp.  **T.77.20i 
Relates  to  the  actors  and  theatres  of  Paris. 

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THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 

Mayeur  de  Saint  Paul,  FranQois  Marie.     (Continued.) 

Same.  Le  chroniqueur  desa?uvre,  ou  I'espion  du  Boulevard  du 
Temple,  contenant  les  annales  scandaleuses  &  veridiques  des 
directeurs,  acteurs  &  saltinbanques  [sic]  du  Boulevard,  avec  un 
resume  de  leur  vie  &  moeurs  par  ordre  chronologique.  [Anon.] 
2e  edition,  augmentee.     Londres.     1782.     176  pp.  **T.76.38 

Mayeur  de  Saint  Paul,  Frangois  Marie,  alleged  author. 

Le  vol  plus  haut.    See  Dumont, .     Le  vol  plus  haut.     [Anon.] 

Mayhew,  Edward. 

Stage  effect:  or,  the  principles  which  command  dramatic  success  in 
the  theatre.     London.     Mitchell.     1840.     103,  (i)  pp.         **T.79.ii 
Mayhew,  Horace. 

The  female  dresser  at  a  minor  theatre.  A  thumbnail  portrait  for  a 
miniature  gallery.     [London.     185-?]     170-174  pp. 

No.  13  in  **G.3822.3 
Mayo,  Frank,  and  John  G.  Wilson. 

Nordeck.  A  new  romantic  drama.  Produced  for  the  first  time  on 
any  stage  at  Haverly  Theatre,  week  beginning  May  25,  1884. 
[Story  of  plaj'-  and  cast  of  characters.  Chicago.  1884.]  16  pp. 
Plates.  **T.36.io5 

A    booklet   containing   portraits,   illustrations    of   scenes   in    the   play   and    press 
comments  has  been  inserted. 

Mayr,  Joseph. 

Wyl  von  Wymental,  W.  Der  Christus-Mayr.  Neue  Studien  aus 
Oberammergau.     Berlin.     1890.  **T.97.90 

Mazois,  Charles  Frangois. 

Considerations  sur  la  forme  et  la  distribution  des  theatres  antiques. 

(In  Theatre  complet  des   Latins.     Vol.   i.     Pp.   xlix-lxvi.     Paris. 

1820.)  **G.285.82.i 

M-ckl-n's  Answer  to  Tully.     London:  Printed  for  S.  Stonehouse  and 

sold  by  P.  Davey  and  B.  Law.     1755.     ig  pp.  **T.97.56 

Signed  C.  M.     An  epistle  from  Tully  in  the  shades,  to  orator  Ma  ....  n  in  Covent- 
Garden  may  be  found  on  shelf-number  **T.97.5S. 

Mechanical  devices  for  the  stage.     See  Theatre.    Machinery. 
Mechanics'  Institute,  Boston.     See  Boston.     Theatres.     Bijou  theatre. 
Medel  del  Castillo,  Francisco,  Heredores  de. 

Indice  general  alfabctico  de  todos  los  titulos  de  comcdias,  que  se  han 
escrito  por  varios  autores,  antiguos  y  modernos,  y  de  los  autos 
sacramentales  y  alegoricos,  assi  de  Don  Pedro  Calderon  de  la 
Barca,   como   de   otros   autores   clasicos.      Madrid.      Mora.      i7.?.> 

**G.335i.8 
Mediaeval  stage,  The.     Chambers,  E.  K.  6252.24 

Mediterranean  Sea. 

HuTcniNGS,  W.  E.  A  description  of  Hutchings'  grand  classical  pano- 
rama of  the  sea  and  shores  of  the  Mediterranean.  Executed 
by  A.   Hcwins.     Boston.     1848.  6262.35;  etc. 

[Manuscripts,  programmes,  etc.,  relating  to  his  Grand  classical 

panorama  of  the  sea  and  shores  of  the  Mediterranean,  executed 
by  A.  Hewins.l     N.  p.     [1848?]  **T.i2.3 

Megalopolis,  Greece.    .Amphitheatre. 

Gardner,  E.  A.,  and  others.  Excavations  at  Megalopolis,  1890-1891. 
By  Ernest  Arthur  Gardner,  William  Loring,  G.  C.  Richards,  W. 
J.  Woodhouse.  With  an  architectural  description  by  Robert  Weir 
Schultz.  London.  1892.  Tllus.  Plates.  Plans.  [Society  for  the 
promotion  of  Hellenic  studies.     Suppl.  papers,     t.]  *296o.8i.i 

[512] 


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BROWN   COLLECTION   OF  BOOKS    ON   THE   STAGE 


Meiche,  L. 

Erinnerungen  an  Josephine  Wessely.  Leipzig.  Peterson.  1887. 
40  pp.     Portrait.     Autograph  facsimile.  **T.57.369 

Meier-Graefe,  Julius  A. 

Les  affiches  etrangercs  illustrees,  par  M.  Bauwens,  T.  Hayashi,  La 
Forgue,  Meier-Gracfc.  J.  Pennell.  Paris.  Boudet.  1897.  (3),  iii. 
206,  (i)  pp.    Illus.     Plates,  some  colored.  *4072.i8 

Meilhac,  Henri,  prefacer. 

Vaux,  C.  M.,  Baron  de.  ficuyers  et  ccuyeres.  Histoire  des  cirques 
d'Europe  (1680-1891).     Paris.     1893.     Illus.     Portraits.     Plates. 

**T.95.ii3 
Meiningen,  Germany.     Theatres. 

Weiser,  C.  Zehn  Jahre  Meiningen.  Ein  Beitrag  zur  Theatcr- 
geschichte.  Teil  i.  (In  Archiv  fiir  Theatergeschichte.  Vol.  i, 
pp.  1 18-126.     Berlin.     1904.)  *6goT.i2.i 

Meissner,  Johannes. 

Die  englischen  Comoedianten  zur  Zeit  Shakespeares  in  Oesterreich. 

Wien.      Konegen.      1884.      viii,    (i),    198   pp.      [Beitrage    zur    Ge- 

schichte    der    deutschen    Literatur    u.    des    geistigen    Lebens    in 

Oesterreich.     4.I  2590.3 

Mejanel,  A. 

Memoires  de  Talma.  Londres.  Schulze  &  Dean.  1817.  34  pp. 
Plate.  No.  6  in  **M.i25.7 

Melancholy  tale.  The,  of  "Me."     Sothern,  E.  H.  4545-157 

Melba,  Nellie  Mitchell,  called  Melba. 

Murphy,  A.  G.  Melba:  a  biography.  With  chapters  on  the  selection 
of  music  as  a  profession,  &  on  the  science  of  singing.  New  York. 
1909.     Portraits.     Plates.  4048.337 

Mellon,  Harriot,  Duchess  of  St.  Albans. 

Pearce,  C.  E.  The  jolly  duchess.  Harriot  Mellon,  afterwards  Mrs. 
Coutts  and  the  Duchess  of  St.  Albans.  A  sixty  years'  gossipping 
record  of  the  stage  and  society  (1777  to  1837).  New  York.  [1915.] 
Portraits.     Plates.  2548.85 

Wilson,  M.  B.     Memoirs  of  Harriot,  Duchess  of  St.  Albans.     Lon- 
don.    1839.     2  V.     Portrait.  **T.57.256;  etc. 
Wyndham,    p.      Mr.   Percy   Wjmdham's   Strictures   on   an   imposter, 
and  old  actress,  formerlj^   Bet  the  Pot  Girl,  alias,  the  Banker's 
Sham   Widow    [Harriot   Mellon   and  Thomas   Coutts].     London. 
[1822.]     Illus.  **T.56.244 
Melodeon,  Boston.     See  Boston.     Theatres.     Bijou  theatre. 
Melodrama. 

Malitourne,  a.,  and  others.    Traite  du  melodrame,  par  Mm.  A!  A!  A! 

[pseud,  de  Armand  Malitourne,  Juste  Abel  Hugo  et  Jean  Joseph 

Ader].     Paris.     1817.  **T,96.307 

Melodrame,  Le,  aux  boulevards.     Charlemagne,  J.  A.        **T.97.i84;  etc. 

Meloy,  Arthur  S. 

Theatres  and  motion  picture  houses.  A  practical  treatise  on  the 
proper  planning  and  construction  of  such  buildings,  and  contain- 
ing useful  suggestions,  rules  and  data  for  the  benefit  of  architects, 
prospective  owners,  etc.  New  York.  Architects  Supply  &  Pub- 
lishing Co.  1916.  (7),  121  pp.  Illus.  Plates.  Plans.  8094.115 
Melpomene  et  Thalie  vengees.  [Anon.]  See  Fillet,  Fabien.  ' 
Meltzer,  Charles  Henry. 

A  course  of  modern  plays.  With  a  brief  history  of  what  is  popularly 
termed  the  Independent  Theatre  movement.  N.  p.  [1900.]  62 
pp.  **T.78.66 

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33 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 

Memoir   and    theatrical    career   of    Ira   Aldridge.    the    African    Roscius. 

London.      [185-?]      Portrait.  **T.96.9;  etc. 

Memoir  of  Adelaide  Ristori,  Marchioness  Capranica  del  Grillo,  published 

from  authentic  sources,  in  anticipation  of  the  arrival,  in  October, 

1863,  of  the  great  tragedienne.     New  York.     Christern.      [1863.] 

20  pp.  **T.56.293 

Same.     16  pp.  4745.30 

Same.     [1866.]      14  pp.  .  **T.55.74 

Another  copy  is  on  shelf-number  No.  ii  in  *6246.55. 

Memoir  of  Archibald    Maclaren,   dramatist;   with    a   list  of  his   works. 

Edinburgh.      1835.     8   pp.  **T.58.43 

Another  copy  is  on  shelf-number  **G. 3776.7. 
Memoir  of  Fanny  Elssler:  with  anecdotes  of  her  public  and  private  life! 

From  her  childhood  to  the  preSent  time.     Boston.     Fisher.     1840. 

24  pp.     Portrait.  **T.57.67 

Memoir  of  Mr.  and  Mrs.  Wood,  containing  an  account  of  the  principal 

events  in  the  lives  of  these  celebrated  vocalists;  and  a  full  state- 
ment of  the  popular  disturbance  at  the  Park  Theatre,  New  York. 

Boston.     Fisher.     [1840.]     36  pp.  No.  i  in  **M.377.53 

Memoir,  A,  of  the  Countess  de  Rossi,   (Madame  Sontag).      [London.] 

Mitchell.     [1850.]      (i)  p.  **M. 1293.10 

Memoiren  eines  Hof-Schauspielers.    Junkermann,  A.  **T.56.24o 

Memoires  anecdotes  pour  servir  a  I'histoire  de  M.  Duliz.     [Anon.]     See 

Desforges, . 

Memoires  d'un  claqueur.     Castel,  L.  **M.ii7.6 

Memoires,  Les,  d'un  dompteur.     Bidel,  J.  B.  F.  **T.97.i67 

Memoires  de  Fleury.     Lafitte,  J.   B.  P.  **T.58.44 

Memoires  de  Mile  Dumesnil.     [Anon.]     See  Coste  d'Amobat,  Charles 

Pierre. 
Memoires  de  Preville,  et  de  Dazincourt.     [Anon.]     See  Cahaisse,  Henri 

Alexis. 
Memoires,   Les,   du    Bal    Mabille.      [Anon.]      See   Mahalin,    Paul. 

Memoires  et  confessions  d'un  comedien.    Paccard,  J.  E.  **T.56.i88 

Memoires  et  pantomimes  des  freres  Hanlon  Lees.  Avec  une  preface 
de  Theodore  de  Banville  et  six  gravures  a  I'eau  forte  de  Frederic 
Regamey.     Paris.     [1880.]     178,  (2)  pp.     Portraits.  **T.58.69 

Memoirs  of  a  water  drinker.     Dunlap,  W.  **T.57,i56;  etc. 

Memoirs  of  an  unfortunate  son  of  Thespis.     Everard,  E.  C.       **T.58.82 

Memoirs  of  George  Anne  Bellamy,  including  all  her  intrigues;  with 
genuine  anecdotes  of  all  her  public  and  private  connections.  By 
a  gentleman  of  Covent-Garden  Theatre.  London:  Printed  for  J. 
Walker.     1785.     (i),  204  pp.  **T.58.58 

Memoirs  of  John  Howard  Payne,  the  American  Roscius:  with  criticisms 
of  his  acting,  in  the  various  theatres  of  America,  England  and 
Ireland.     London.     Miller.     1815.     (3),   131  pp.  **T.96.230 

Another  copy  is  on  shelf-number  No.  i  in  **G.3824.i5. 

Memoirs  of  Miss  .A.nne  Oldfield.     [Anon.]     See  Oldys,  William. 

Memoirs  of  Mrs.  Billington,  from  her  birth:  containing  a  variety  of 
matter,  ludicrous,  theatrical,  musical  and  —  with  copies  of  several 
original  letters,  written  by  Mrs.  Billington,  to  her  mother.  Lon- 
don:  Printed   for  James  Ridgway.     1792.     (8),  78  pp.     Portrait. 

**T.56.332;  **M.Cab.2.2 
The  genuineness  of  the  letters  floes  not  appear  to  be  established  beyond  question. 
Another  copy  is  on  shelf-number  No.  15  in  ''G. 3823. 12. 

[514] 


1 


BROWN   COLLECTION    OF  BOOKS    ON   THE   STAGE 

Memoirs  of  that  celebrated  comedian,  and  very  singular  genius  Thomas 

Weston.     London:  Printed  for  S.  Bladon.     1776.     (3),  60  pp. 

**T.56.i47 
Another    copy,    from    which    the    bastard    title    is    missing,    is    on    sheK-number 

**T.96.2i2. 

Memoirs  of  the  life  and  writings  of  Samuel  Foote,  Esq.;  the  Enf,'lish 
Aristophanes.  Added,  the  bon  mots,  repartees,  and  good  things 
said  by  that  great  wit  and  excentrical  genius.  [London.]  Printed 
forj.  Beu.     [1778.]     3-88  pp.  **T.57.i47 

Memoirs  of  the  life  of  Barton  Booth,  Esq.  [Anon.]  See  Victor, 
Benjamin. 

Memoirs  of  the  life  of  Eleanor  Gwinn.     [Anon.]     See  Seymour,  John. 

Memoirs  of  the  life  of  Madame  Vestris  of  the  Theatres  Royal  Drury 
Lane  and  Covent  Garden.  With  anecdotes.  [London?]  Privately 
printed.    1830.    3-72  pp.  **T.57.2i6 

Memoirs  of  the  life  of  Robert  Wilks,  Esq.;  containing  an  account  of  his 
transactions  before  his  coming  to  England,  the  rise  of  his  reputa- 
tion on  the  British  stage,  and  other  memorable  circumstances  of 
his  life.     London:  Printed  by  W.  Rayner.     1732.     (6),  xiv,  36  pp. 

No.  20,  21  in  **G.3930.i3.2 

Memoirs  of  the  public  and  private  life,  amorous  adventures  and  wonder- 
ful exploits  of  Madame  V the  female  Giovanni,  Mac- 
heath,  and  Don  Juan  of  the  present  day.  Including  anecdotes  of 
characters  in  the  fashionable  world.  London.  Chubb.  [ii^30?l 
8  pp.     Portrait.     Plate.  **T.56.io6 

Relates   to   Madame   Vestris,   later  Mrs.    Charles  James   Mathews. 

Memoria  storica  del  teatro  La  Fenice  in  Venezia.  Venezia.  Orlandelli. 
[1839.]     78,   (2),  64  pp.     Plate.     Plan.  **T.79.i6 

Appended  is  Riedificazione  del  teatro   La   Fenice  by  the  same  author. 

Memorial  dramatique.  ou  almanach  theatral  pour  I'an  1807-1818.  Annee 
1-12.  Paris.  Hocquet  &  c^.  M.DCC.VII[i8o7]-i8i8.  12  v.  in  7. 
Portraits.  **G.3578.i 

Edited  by  Pierre  Joseph  Charrin. 

Same.     1807-1812.     Annee  1-6.     6  v.  in  i.  **T.29.i4 

Memories  and  impressions.     Modjeska,  H.  3067.56 

Memories  of  a  manager.     Frohman,  D.  6257.65;  **T.57.44i 

Memories  of  an  old  actor.     Leman,  W.  M.  4348.159;  **T.57.43 

Memories  of  fifty  years.     Wallack,  J.  J.  4342.88;  **T,57.207;  etc. 

Memory. 

McCann,  W.  E.     Actors'  memories.     [Philadelphia.     1869.]     7608.128 
Menageries. 

See  also  Circus. 

Ferguson,  O.  J.  A  brief  biographical  sketch  of  L  A.  Van  Amburgh, 
and  an  illustrated  and  descriptive  history  of  the  animals  in  his 
menagerie.     New  York.      [186-?]      Illus.     Portrait.     Plates. 

5905.36;  **T.96.6 
Mendes,  Catulle  Abraham. 

L'art  au  theatre.     Paris.     Charpentier.     1897-1900.     3  v.  **T.47.5 

Reviews  of  performances  at  Parisian  theatres 

Menegault,  A.  F.  F. 

Annales  dramatiques,  ou  dictionnaire  general  des  theatres,  contenant 
1°.  L'analyse  de  tons  les  ouvrages  dramatiques.  2°.  Les  regies 
et  observations  des  grands  maitres  sur  l'art  dramatique.  3°.  Les 
notices  sur  les  auteurs,  compositeurs,  acteurs,  danseurs.    Par  une 

[515] 


THE  PUBLIC  LIBRARY   OF   THE    CITY   OF  BOSTON 


Menegault,  A.  F.  F.     (Continued.) 

societe  de  gens  de  lettres  [Babault,  A.  F.  F.  Menegault,  et  autres]. 
Paris.     Babault  [etc.].     1808-1812.    9  v.  **T.77.ii 

Contents.   —   I.   A-Beaumenil.      2.    Beaumont-Coriolan.      3.    Corisandre-E.      4.    F- 
Homme  en.     5.  Homme  et-L.     6.  M.     7.  N-P.     8.  Q-S.     9.  T-Z. 

Menestrier,  Claude  Frangois. 

Des  ballets  anciens  et  modernes  selon  les  regies  du  theatre.  [Anon.l 
A  Paris,  Chez  Rene  Guignard.     1682.     (56),  223.  (5)  pp.    **T.98.io3 

Traite  des  tovrnois,  iovstes,  carrovsels,  et  avtres  spectacles  pvblics. 
[Anon.]     A  Lyon,  chez  lacques  Mvgvet.     1669.     (16),  399,  (i)  pp. 

**T.94.3 
Menetiere,  Alberic. 

Los  binettes  du  cafe-concert.  Paris.  Librairie  centrale.  1869.  126 
pp.     Photograph.  **T.99.22 

Relates  to  Paris. 
Menetrier,  Charles. 

Galerie  historique  de  la  Comedie  frangaise.  Pour  servir  de  comple- 
ment a  La  troupe  de  Talma.  Depuis  le  commencement  du  siecle 
jusqu'a  I'annee  1853.  Par  E.-D's  de  Manne  et  C.  Menetrier. 
Ornee  de  portraits  par  Fugere.  Lyon.  Scheuring.  1876.  viii, 
310,    (i)    pp.  2656.66;  **T.56.94 

Galerie  historique  des  acteurs  frangais,  mimes  et  paradistes  qui  se 
sont  rendus  celebres  dans  les  annales  des  scenes  secondaires 
depuis  1760  jusqu'a  nos  jours.  Pour  servir  de  complement  a  La 
troupe  de  Nicolet.  Par  E.  D's  de  Manne  et  C.  Menetrier.  Ornee 
de  portraits  par  J.-M.  Fugere.  Lyon.  Scheuring.  1877.  viii.  384 
pp.  2653.68;  **T.56.95 

Galerie  historique  des  comediens  de  la  troupe  de  Nicolet.  Notices 
sur  certains  acteurs  et  mimes  qui  se  sont  fait  un  nom  dans  les 
annales  des  scenes  secondaires  depuis  1760  jusqu'a  nos  jours. 
Par  E.  D's  de  Manne  et  C.  Menetrier.  Avec  des  portraits  graves 
a  I'eau-forte  par  Frederic  Hillemacher.  Lyon.  Scheuring.  1869. 
viii.  414,  (i)  pp.     Illus.     Portraits.  **T.56.340 

Menken,  Adah  Isaacs. 

Barclay,  G.  L.  The  life  and  remarkable  career  of  Adah  Isaacs 
Menken,  the  celebrated  actress.  Philadelphia.  [1868.]  Por- 
traits. **T.96.8 

Notice  biographique  sur  Miss  Adah  Isaacs  Menken,  artiste  ameri- 
caine.     Paris.     1867.  2344.56 

Menpes,  Mortimer. 

Henry  Irving.  London.  Black.  1906.  vii,  50  pp.  Colored  portraits. 
Manuscript  facsimiles.      [Portrait  biographies.]  **T.58.ii4 

Mensch,  Ella. 

Konversations-Lexikon  der  Theater-Litteratur.  Praktisches  Hand- 
und  Nachschlagebuch  zur  schnellen  und  sicheren  Orientierung 
iiber  die  Dramen  des  In-  und  Auslandes  von  den  altesten  Zeiten 
bis  zur  Gegenwart.  Stuttgart.  Schwabacher.  [1896.]  viii,  348 
pp.  **T.48.io 

Mentzel,  Elisabeth. 

Ein  Brief  der  Madame  Moller  an  den  Schauspieldirektor  Gustav 
Friedrich  Wilhelm  Grossmann.  (In  Archiv  fiir  Theatergeschichte. 
Vol.  2,  pp.  72-87.     Berlin.     1905.)  *6907.i2.2 

Karl  David  Stegmann.  Aus  dem  Leben  eines  Biihnenkiinstlcrs  des 
18.  Jahrhunderts.  (In  Archiv  fiir  Theatergeschichte.  Vol.  i.  i)p. 
129-150.     P)crlin.     1904.)  6907. 12. 1 

[516] 


I 


BROWN   COLLECTION    OF  BOOKS    ON   THE   STAGE 


Menus-plaisirs.    See  Court  revels. 
Menzel,  Ludwig,  editor. 

Altmann,  F.  Die  Maske  des  Schauspielers.  Practische  Anlcitung 
in  der  Kunst,  sich  zu  schminken.     Berlin.     [1875.]  **T.97.9i 

Merbach,  Paul  Alfred,  compiler. 

Bibliographic  fiir  Theatergeschichte  1905-1910.  Berlin.  1913.  (5), 
263,  (i)  pp.     [Gesellschaft  fiir  Theatergeschichte.     Schriften.    21.] 

6907.31 
Mercator,  pseud. 

Letter,   A,   to    Mr.   Alfred    Bunn,   Manager   of   the   Theatre    Royal, 

Birmingham;   being  a   review  of   his   epistle   to   the   Rev.   J.  A. 

James.      By    a    member    of    the    Church    of    England.      [Signed 

Mercator.]     Birmingham.     1824.  **T.76.55 

Merian,  Hans,  translator. 

Rossi,  E.  Studien  iiber  Shakespeare  und  das  moderne  Theater  nebst 
einer  autobiographischen  Skizze  von  Ernesto  Rossi.  Leipzig. 
1885.  4596.103;  **T.47.i  1 3 

Merle,  Jean  Toussaint. 

De  rOpera.     Paris.     Baudouin.     1827.     39  pp.         No.  6  in  **M.37o.65 

Another   copy    is    on    shelf-number    No.  lo  in  **G. 157.10. 

Lettre  a  un  compositeur  franqais  sur  I'etat  actuel  de  I'Opera.  Paris. 
Barba.     1827.    44  pp.  No.  3  in  **M.373.23 

Another    copy    is    on    shelf-number    No.  9  in  **G. 157.10. 

Merle,  Jean  Toussaint,  editor. 

Bachaumont,  L.  p.  de.  Memoires  historiques,  litteraires,  politiques, 
anccdotiques  et  critiques.     Paris.     1809.    3  v.  **T.57.9i 

Merlin,  Mercedes  de  Santa  Cruz,  Coiiitesse  de. 

Memoirs   and    letters    of    Madame    Malibran.      With    notices    of    the 

progress  of  the  musical  drama  in  England.     Philadelphia.     Carey 

&  Hart.     1840.     2  v.  4049.265 

Same.     Memoirs  of  Madame  Malibran.     With  a  selection  from  her 

correspondence.    London.    Colburn.    1840.    2  v.    Portrait.    4048.11 

Same.     2d  edition.     1844.  **M.i49a.22 

Mermaids. 

Boston.  Theatres.  Boston  Museum.  A  short  history  of  mermaids. 
Also,  a  description  of  the  one  now  exhibiting  at  the  Boston 
Museum.     Boston.     1842.     Plates.  **T.96.i96 

Merrick,  Leonard. 

Der    Theaterdirektor.      Roman.      tJbersetzung  aus    dem    Englischen 

von  A.  Kellner.     Leipzig.     Reclam.     [1902.]      128  pp.     [Universal- 

Bibliothek.     4318.!  No.  6  in  4896.50.438 

Merrie  England  in  the  olden  time.    Daniel,  G.  2529.30;  etc. 

Merritt,  J. 

Memoirs  of  the  life  of  Wm.  Henry  West  Betty,  known  by  the  name 

of  the  Young  Roscius,  with  a  general  estimate  of  his  talents,  and 

a  critique  on  his  principal  characters.     Liverpool.     Wright.     1804. 

140  pp.  **T.58.36 

Merry  monarch.  The.    Adams,  W.  H.  D.  2570.23;  **T.56.228 

Merschberger,  ,  Dr. 

Die  Anfange  Shakespeares  auf  der  Hamburger  Biihne.  [Hamburg. 
Liitcke  &  Wulff.  1890.]  (3),  44  PP-  [Real gymnasium  des 
Johanneums.     Bericht.]  4590^^*3 

Merwin-Clayton  Sales  Company. 

The  library  of  a  dramatic  author  and  critic  consisting  of  dramatic 
literature,  portraits,  etc.    Also  first  and  rare  editions  of  American 

[517] 


THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 

Merwin-Clayton  Sales  Company.     (Continued.) 

and  English  authors.    Added,  a  small  dramatic  collection.     To  be 
sold  at  auction.     New  York.     1906.     91  pp.  **T.65.34 

Mes  souvenirs.     Banville,  T.  F.  de.  •  4646.67 

Mesdames  de  Coeur- Volant.     Mahai.in,  P.  **T.87.50 

Meske,  Mathilde.     (Mathilde  Veneta.) 

Dorcas  Mora.  Erziihlung  aus  dem  Leben  einer  Schauspielerin. 
Berlin.    Stuhr.    1886.     (8),  181  pp.  **T.97.3 

Mesle,  le  jeune,  de  Besangon. 

Essai  sur  la  comedie  moderne  011  Ton  refute  les  Nouvelles  observa- 
tion [sic]  de  M.  Fagan  au  sujet  des  condamnations  prononcees 
contrc  les  comediens.  Suivis  d'une  histoire  abregee  des  ouvrages 
qui  ont  parii  pour  et  contrc  la  comedie  depuis  le  17^  siecle.  Par 
Monsieur  M.  L.  J.  D.  B.  Ce  vend  a  Paris  chez  la  Veuve  Pissot. 
1752.     (10),  175  pp.  **T.48.23 

Pagan's    Nouvelles    observations   au    suict   des   condamnations   prononcees    coatre 
les  comediens  may  be  found  on  shelf-numbers   **G.3566.6.2 ;    No.  3  in  **4697.6. 

Metcalfe,  Cranstoun.     See  Metcalfe,   Hope  Cranstoun. 
Metcalfe,  Hope  Cranstoun. 

Amateur  entertainments.  How  to  produce  and  how  to  act  them. 
London.  George  Routledge  &  Sons,  Ltd.  [1916.]  vii,  112  pp. 
Illus.  6257.25 

Mctenier,  Oscar  Marie  Joseph. 

Les  voyous  au  theatre.  (Histoire  de  deux  pieces.)  Bruxelles. 
Kistemaeckers.     1891.     11 1  pp.  **T.57.i43 

Contents.  —  En  famille  et  la  censure.  —  A  propos  de  La  casserole. 
Metivet,  Lucien,  illustrator. 

Darzens,  R.  Le  Theatre  libre  illustre.  Dessins  de  Lucien  Metivet. 
Preface  de  Jean  Aicard.     Paris.     1890.    2  v.  in  i.     Illus.     Portraits. 

**T.74.i4 
Metral,  Antoine  Marie  Therese. 

De  la  liberte  des  -theatres,  dans  ses  rapports  avec  la  liberte  de  la 
presse,  a  I'occasion  de  I'analyse  de  La  demence  de  Charles  vi, 
tragedie    de    M.    Lemercier.      Paris.      Barba.      1820.      28   pp. 

Another  copy  is  on  shelf-number  No.  4  in  **G. 3562.1.  **X.76.I06 

Metropolitan  Ballet  Company,  Inc.,  Neiv  York. 

Souvenir.      Serge   de    Diaghileff's    Ballet    russe.  With    originals    by 

Leon  Bakst  and  others.     New  York.     [1916.]  (38)  pp.     Portraits. 

Plates,  mostly  colored.  404oa.i70 

Contains  legends  of  the  ballets  by  Frederick  A.   King  in   1915— 16  programme. 

Same.     [New  York.]     42  pp.  40403.171 

Contains   1916-17  programme. 

Meusniei  de  Querlon,  Anne  Gabriel. 

Le  code  lyrique  ou  reglement  pour  I'O^era  de  Paris.  Avec  des 
eclaircissemens  historiques.  [Anon.]  A  Utopie  [i.  e.  Paris],  chez 
Thomas  Morus.     1743.     (i),  95  pp.  **M.377.37 

A   satire.     Another  copy  is  on   shelf-number   No.  11^*46793.113. 

Mexico.     Theatres. 

Cahn,  J.  Julius  Cahn's  Official  theatrical  guide,  containing  informa- 
tion of  the  theatres  and  attractions  in  the  United  States,  Canada, 
Mexico  and  Cuba.     New  York.     1900,  09.     2  v.     Portraits.     Maps. 

**T.25.33 
Mexico,  City.     Theatres.    National  theatre. 

TiFiA.w  Studios,  Nez>j  York.  Mosaic  curtain  for  the  National  theatre 
of  Mexico.     [New  York.     191 1?]     Plates.  4099.176 

[518] 


BROWN   COLLECTION   OF  BOOKS   ON    THE   STAGE 


Meyan,  Paul. 

Archives  theatrales.    1887.   Paris.   Tresse  &  Stock.    [1888.]    (3),  414  pp. 
Relates  to  Paris  theatres.  •*<[[«  »_  .«. 

Meyer,  Carl  Remigius. 

Das  geistliche  Schauspiel  des  Mittelalters.  Vortrag.  Basel.  Scliweig- 
hauser.     1879.     32  pp.  2875.1 11 

Another  copy  is  on  shelf-number  No.  7  in  '29003. 50.5. 

Meyer,  Friedrich  Ludwig  Wilhelm. 

Friedrich  Ludwig  Schroder.  Beitrag  zur  Kundc  des  Menschcn  und 
des  Kiinstlers.     Hamburg.     Hoffmann  &  Campe.     1819.     2  v. 

2847.9 
Same.     Neue  wohlfeilere  Ausgabe.     Hamburg.     Campe.     1823.     2  v. 

2843.13 
Meyer,  Richard  Moritz. 

Goethe's  .,Regeln  fiir  Schauspieler."  (In  Goethe-Jahrbuch.  Band  31, 
pp.  1 17-135.     Frankfurt  a/M.     1910.)  *284oa.54.3i 

Mezetin,  Angelo  Constantini,  called  Mezetin.     See  Constantini,  Angelo. 
Mezieres,  Alfred  Jean  Frangois,  prefacer. 

Lessing,  G.  E.     Dramaturgic  de  Hambourg.     Paris.     1885.    **T.47.29 
Miall,   Bernard. 

Pierre  Garat.  Singer  and  exquisite.  His  life  and  his  world  (1762- 
1823).    New  York.    Scribner.    1913.    364,  (i)  pp.    Portraits.    Plates. 

2643-159 
Michel,  Carl. 

Lessing  und  die  heutigen  Schauspieler.  Hamburg.  Richter.  1888. 
54,   (2)  pp.     [Deutsche  Zeit-  und  Streit-Fragen.] 

No.  2  in  *52i6.50.N.F.3 
Michel-Morin,  pseud.     See  Dubois,  Auguste,  and  E.  Charles  Chabot. 
Middleton,   J.    E. 

Music  and  the  theatre  in  Canada.  (7;^  Canada  and  its  provinces.  Vol. 
12,   pp.   643-661.     Autograph    facsimile.     Toronto.      1914.] 

*43i4-356.i2 
Milan,  Italy.     Theatres. 

Cambiasi,  p.  Rappresentazioni  date  nei  reali  teatri  di  Milano  1778- 
1872.  Opere  in  musica,  nome  dei  maestri,  poeti  ed  esecutori 
principali,  balli  dati  nel  R.  Teatro  alia  Scala,  nome  dei  coreografi, 
maestri,  ballerini,  elenco  dei  professori  componenti  I'orchestra, 
elenco  degli  impresarj.     Milano.     1872.  No.  i  in  **M. 123.4 

Milan,  Italy.     Theatres.    Teatro  della  Scala. 

I.  R.  Teatro  alia  Scala.  Almanacco.  1826.  Milano,  presso  li  fratelli 
Ubicini.  [1825.]  (7),  112,  (16)  pp.  Colored  plates.  Colored 
portraits.  **T.29.24 

Milan,  Italy.     Theatres.     Teatro  della  Scala.     Works  about. 

Landriani,  p.  Osservazioni  su  I'lmp.  R.  Teatro  alia  Scala  in  Milano 
e  sopra  alcuni  articoli  del  Saggio  di  AI.  Patte.  Osservazioni  sulle 
scene  teatrali  si  antiche  che  moderne.  {In  Ferrario,  G.  Storia  e 
descrizione  de'  principali  teatri  antichi  e  moderni.  Pp.  257-369. 
Milano.     1830.)  **T.75.7o 

Piermarini,  G.  Teatro  della  Scala  in  Milano.  [Piante  ecc]  Roma. 
1826.     8  plates.  *Cab.6o.i85.2 

Miles,  Dudley  Howe,  translator. 

Columbia  University.  Dramatic  Museum.  How  to  write  a  play. 
Letters  from  Augier,  Banville.  Dennery,  Dumas,  Gondinet, 
Labiche,  Legouve,  Pailleron,  Sardou  and  Zola.     New  York.     1916. 

**T.46.62.2 

[519] 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 


Miles,  William  Augustus. 

A  letter  to  Sir  John  Fielding,  Knt.  Occasioned  by  his  extraordinary- 
request  to  Mr.  Garrick  for  a  suppression  of  the  Beggars  Opera. 
To  which  is  added  a  postscript  to  D.  Garrick,  Esq.  London.  1773. 
48  pp.  No.  7  in  **G.3823.4.2 

Militia  of  Mercy,  The.     Children's  Ambulance  Service. 

Benefit  performance  in  aid  of  the  children  of  Boston,  crippled  by 
infantile  paralysis,  Boston  Opera  House,  Friday  afternoon,  No- 
vember 3,  1916,  under  the  auspices  of  The  Militia  of  Mercy. 
[Boston.     1916.]     (45)  pp.     Illus.     Portraits.     Plans.  **T.i2.i2 

Militona.     Gautier,  T.  **T.89.4 

Milizia,  Francesco. 

Del  teatro.  [Anon.]  In  Venezia.  1773.  Presso  Giambatista  Pasquali. 
viii,  100  pp.     vi  plates.     Plans.  **T.74.i9 

Millanvoye,  Bertrand. 

Le  theatre  en  province.  Reponse  a  M.  Got.  [Par]  A.  Estival  &  B. 
Millanvoye.     Paris.     Lecuir  &  c'e.     1878.    31  pp.  **T.95.iio 

Mille  et  un  souvenirs,  Les,  d'un  homme  de  theatre.     Lemonnier,  A. 

**T.77.8o 
Mille  et  une  nuits,  Les,  du  theatre.     Vitu,  A.  C.  J.  **T.47.47 

Miller,  David  Prince. 

The  life  of  a  showman.  Added,  managerial  struggles.  London. 
Lacy.     1849.     (1),  147  pp.  **T.58.27 

Anolher  copy  is  on  shelf-number  No.  3  in  **K.48. 16. 

Same.     With  anecdotes  and  letters  of  actors.     The  art  of  fortune 
telling.     An  expose  of  the  practices  of  various  deceivers  of  the 
public.     With  the  secrets  of  conjuring.     2d  edition,  with  consider- 
able additions.     [186-?]      192  pp.  No.  2  in  *4579.ii5 
Miller,  James. 

Harlequin-Horace:  or,  the  art  of  modern  poetry.  [A  poem.  Anon.] 
London:  Printed  for  Lawton  Gilliver.     1731.     (10),  59  pp.     Plate. 

No.  15  in  **G.3824.i4 

A  satire,  relating  largely  to  the  work  of  the  London  theatres.      There  is  a  long 
dedication   prefixed,   addressed  to  J n   R h    [John   Rich],   the  pantomimist. 

Miller,  Samuel. 

A  sermon,  delivered  January  19,  1812,  at  the  request  of  a  number  of 
young  gentlemen  of  the  city  of  New-York,  who  had  assembled  to 
express  their  condolence  with  the  inhabitants  of  Richmond,  on 
the  late  mournful  dispensation  of  Providence  in  that  city.  New- 
York.  Whiting  &  Watson.  1812.  42  pp.  **T.76.i24 
This  relates  to  the  burnfng  of  the  Richmond  Tlieatre.  Another  copy  is  on  shelf- 
number  No.  3  in  *7453.6. 

Same.     (In  Witherspoon,  John.     A  serious   inquiry  into  the  nature 
and   effects   of  the   stage.      Pp.    155-199.      New-York.      1812.) 
Another  copy  is  on  shelf-number  **G.3647.5.  **T. 78.34 

Millet,  Frank  Davis. 

Illustrations,  with  descriptive  reading  matter,  from  the  November 
number  of  the  Century  Magazine.  OlSLioug  ivgavvoz-  Oedipus 
the  King.  The  Greek  tragedy  as  recently  presented  at  Harvard 
University.     [Programme.    Anon.     Boston.     1881.]     (8)  pp.     Illus. 

4450a.  1 50 
Milliet,  Paul. 

De  I'origine  du  theatre  a  Paris.  Paris.  Librairie  des  bibliophiles. 
1870.     (3),  119,  4  pp.     Plate.  *  **T.78.64 

[520] 


BROWN   COLLECTION    OF  BOOKS    ON   THE   STAGE 

Miln,  Louise  Jordan. 

An  actor's  wooing:  being  the  confessions  of  a  chaperon.     [London. 

1896.]     (6),  173,  (I)  pp.    Plate.  **T.88.ii 

Mimic,  The:  a  poem.     By  the  author.     London:  Printed  for  llie  Aulhcjr. 

and  sold  by  J.  Scott.     1761.     20  pp.  No.  9  in  **G.3820.9 

Dedicated  and  addressed  to  Samuel  Foote. 

Mimic  life.     RrxcHiE,  A.   C.  **T.87.79;  etc. 

Mimic  world,  The,  and  public  exhibitions.     Logan,  O.      4504.8;  **T.76.22 

Mimicry. 

GiETMANN,    G.     Poetik  und   Mimik.     Freiburg   im    Breisgau.      1900. 

Portraits.     Plates.  4074.301 

PiDERiT,  T.     Le  mimique  et  la  physiognomonie.     Trad,  d'apres  la  2e 

edition,  par  A.  Girot.     Paris.     1888.  *56o6.32 

Mimographe,   La,   ou   idees   d'une   honnete-femme   pour   la   reformation 

du  theatre  national.     [Anon.]     See  Restif  de  la  Bretonne,  Nicolas 

Edme. 

Mind-reading. 

Bishop,  W.  L  The  enigma  of  the  19th  century,  Music  Hall,  No- 
vember 30th,  1886.  Farewell  reception  extraordinaire.  [Boston. 
1886. 1      Portraits.  7600.27 

The  following  is   a   copy   of  a  letter  which   appeared   in   the 

Boston  daily  papers,  November  17,  1886.     Boston.     1886.    3607.143 
Capper,    A.    O.      A    rambler's    recollections    and    reflections.      New 
York.     [1915-]     Portraits.     Plates.  4545.155 

Cumberland,  S.  C.  F.  A  thought-reader's  thoughts:  being  the  im- 
pressions and  confessions  of  Stuart  Cumberland.  London.  1888. 
Portrait.  3586.53;  **T.97.35 

Miner,  Harry,  editor. 

Harry  Miner's  American  Dramatic  Directory.    1884/85.    A  complete 

directory  of  the  dramatic  and  operatic  professions  and  a  guide 

to  the  opera  houses,  theatres  and  public  halls  of  America.     New 

York.     1884.     Portrait.  **T.25.7 

Mingled  yarn,  A.     Edwards,  H.  **T.97.i54;  etc. 

Minier,  Hippolyte. 

Le  theatre  a  Bordeaux.    Etude  historique.    Suivie  de  la  nomenclature 

des  auteurs   dramatiques  bordelais   et   de   leurs   ouvrages,  etablie 

en   collaboration   avec   Jules    Delpit.      Bordeaux.      Chollet.      1883. 

106  pp.  **T.95.i38 

Minstrels. 

Cenac-Moncaut,  J.  £.  M.  Histoire  des  chanteurs  et  des  artistes 
ambulants.     Saint-Germain  en  Laye.     1866.     30  pp. 

4044.119;  No.  I  in  **M.372.i9 

Hampe,  T.  E.    Die  fahrenden  Leute  in  der  deutschen  Vergangenheit. 

Leipzig.     1902.     Illus.     Portrait.     Plates.  2831.26 

La  Rue,  G.  de.     Essais  historiques  sur  les  bardes,  les  jongleurs  et 

les  trouveres  normands  et  anglo-normands.     Caen.     1834.     3  v. 

**M.i36.i5;etc. 

O'Neill,  F.     Irish  minstrels  and  nmsicians.     Chicago.     1913-     Illus. 

Portraits.     Plates.  4045.208 

Minstrels,  Negro.    See  Negro  minstrels. 

Miolan,    Marie    Caroline    Felix.      See    Carvalho,    Marie    Caroline    Felix 

Miolan. 
Miracle  play,  The,  of  the  Rio  Grande.     Bourke,  J.  G.  4365.140 

Miracle  plays.    See  Mysteries  and  miracle  plays. 

[521] 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 


Mirbeau,  Octave. 

Le  comedien.  Suivi  de  I'entrefilet  de  M.  Vitu,  —  la  lettre  de  M. 
Mirbeaii  a  M.  Magnard,  —  I'ordre  du  jour  du  theatre  du  Chateau- 
d'eau.     [3'-"  edition.]     Paris.     Brunox.     1883.     19,  (i)  pp.    **T.58.47 

An  attack  upon  actors.  The  title  on  the  cover  is :  Le  scandale  d'hier.  Le 
comedien.      Par  iin  journaliste   (Octave  Mirbeau). 

Mirbeau,  Octave.     Works  about. 

CopuELiN,  B.  C.  Les  comediens.  Par  un  comedien.  Reponse  a  M. 
Octave  Mirbeau.    Paris.     1883.  **T.58.48 

Mirecourt,  Eugene  de,  pseud.     See  Jacquot,  Charles  Jean  Baptiste. 

Miroir  dramatique,  Le.  Biographic  des  acteurs  et  actrices  de  Paris. 
No.  2.  Redacteur  en  chef  Edmond  Benjamin.  Paris.  [1878.]  8 
pp.    Portraits.  **T.53.i 

Portraits  of  actors  accompanied  by  verses. 

Mirror,  The,  of  literature;  amusement,  and  instruction:  containing 
original  essays;  historical  narratives;  biographical  memoirs, 
novels  and  tales;  anecdotes,  &c.  [Weekly.]  Vol.  i-io  and  odd 
numbers.  1822-1837.  London.  Limbird.  1824-37.  11  v.  Illus. 
Portraits.  **T.26.i 

Contains  some  theatrical  anecdotes,  etc.  From  1823 -July,  1826,  the  editor  was 
Thomas  Byerley.  The  odd  numbers  are  bound  together.  A  list  of  them  is 
prefixed  to  the  volume. 

Mirror,   The,    of.  taste,    and    dramatic    censor.      Vol.    1-4.      [Monthly.] 

Philadelphia.     Bradford  &  Inskeep  [and  Zantzinger  &  Co.].     1810, 

II.    4  V.     Portraits.     Plates.  **T.26.34 

Same.    Vol.  i.    1810.  **K.35.55 

The  portraits  end  the  plates  are  missing  in  this  copy. 

Mirror,  The,  of  the  Stage,  and  new  theatrical  inquisitor.  [Fortnightly.] 
Vol.  3  (no.  2-12);  4  (no.  20).  Aug.  25,  1823 -Jan.  5,  July  5,  1824. 
London.  Duncombe.  [1823,  24.]  (4),  17-190,  107-122  pp.  Colored 
portrait.  **T.26.56 

Miseloque,  La.     Richepin,  J.  **T.87.85 

Miscellanies,  in  prose  and  verse.     [Anon.]      See  Dawe,  M. 

Mr.  William  Prynn  his  defence  of  stage-plays,  or  a  retraction  of  a 
former  book  of  his  called  Histrio-mastix.  London,  printed  in  the 
year  1649.     [London.     1822.]     8  pp.  **T.77.22 

Another  copy  is  on  shelf-number  **G. 3821.16.  Pymne  was  not  the  author  of 
th's  pamphlet.  His  Histrio-mastix  may  be  found  on  shelf -ntunbers  **T. 77. 19; 
**G.4075.i6. 

Mistress  Nell.     Hazleton,  G.  C,  Jr.  **T.87.3 

Mitchell,  Mary  A.,  translator. 

Brackel,  F.  M.  T..  Freiin  von.  The  circus-rider's  daughter.  New 
York.      [1896.]  6898.150 

Mobisson,  F.,  editor. 

Costumes  of  the  modern  stage.  Part  1-5.  [London.  1889-90.] 
Colored  portraits.  **T.92.i 

Models  of  theatres.     See  Theatre.     Models. 
Modene,  Esprit  de  Raimond  de  Mormoiron,  Comte  de. 

Chardon,  E.  H.  Nouveaux  documents  sur  la  vie  de  Moliere.  M. 
de  Modene,  ses  deux  femmes  et  Madeleine  Bejart.     Paris.     1886. 

**T.54.i8 

Modem  drama  and  opera.     A  reading  list  compiled  by  Clara  Mulliken 

Norton,    Frank   Walter,    Fanny    Pllsic    Marquand.      Boston.     The 

Boston  Book  Co.    1911.    93  pp.     [Useful  reference  series.    No.  4.] 

*2i75-37 

Contents.  —  Modern  dramas.  By  Clara  Mullikon  Norton  and  Frank  K.  Walter. 
—  Modern  operas.      By  Fanny   Elsie  Marquand. 


[522] 


BROWN   COLLECTION   OF  BOOKS   ON   THE   STAGE 

Modern  dramatists.     Dukes,  A.  6257.69 

Modern  opera  houses  and  theatres.    Sachs,  E.  O.,  and  E.  .'\.  E.  Woodkow. 

*Cab. 60.77.4 
Modem  theatre  construction.     Kinsila,  E.   B.  80993.35 

Moderwell,  Hiram  Kelly. 

The  theatre  of  to-day.  New  York.  John  Lane  Co.  1914.  322  pp. 
Plates.     Plans.  6257.84 

Treats  of  the  theatre  as  a   "synthesis   of  the   arts,"   and   relates   chiefly   to   the 
theatres  of  Germany  and  Russia  with  special  regard  to  the  innovations  there  in 

theatrical  scenery. 

Modjeska,  Helena. 

Memories  and  impressions.  An  autobiography.  New  York.  The 
Macmillan  Co.     1910.     ix,  571  pp.     Illus.     Portraits.  3067.56 

Modjeska,  Helena.     Works  about. 

Altemus,  J.  T.     Helena  Modjeska.     New  York.     [1883.]      Portrait. 

3067.38 

Cook,  M.  C.    The  story  of  Helena  Modjeska  (Madame  Chlapowska). 

London.     1883.  5069.24;  **T.57.i94 

Moeller,  Madame . 

Mentzel,    E.      Ein    Brief    der    Madame    Moller   an    den    Schauspiel- 

direktor   Gustav   Friedrich   Wilhelm   Grossmann.      (In  Archiv   fiir 

Theatergeschichte.     Vol.  2,  pp.  72-87.     Berlin.     1905.)       *6907.i2.2 

Moeurs  theatrales.     Gozlan,  L.  **T.87.36 

Mogeta,  Charles  Octave.     (Octave  Fere.) 

Aventures  et  biographic  d'un  impresario:  Toussaint  Baubet.     Rouen. 

Haulard.     1864.     (i),  106  pp.     Portrait.  **T.57.35i 

La  comedienne  amoureuse.    Illustrations  par  Henri  "Rousseau.    Paris. 

Decembre-Alonnier.     1870.     287  pp.     Illus.     Plate.  **T.87.55 

A  novel  of  theatrical  life. 

Moland,  Louis  fimile  Dieudonne. 

Moliere  et  la  comedie  italienne.  Paris.  Didier  &  cie.  1867.  (4), 
xi,  378  pp.     Portrait.     Plates.  4704.8;  **T.56.i04 

Moland,  Louis  Emile  Dieudonne,  editor. 

CoNSTANTiNi,  A.  La  vie  de  Scaramouche.  Reimpression  de  I'edition 
originale  (1695).     Paris.     1876.     Portrait.  **T.56.307 

Mole,  Frangois  Rene. 

Memoires.     Precedes   d'une  notice   sur  cet  acteur,  par  M.   fitienne. 

Le  comedian,  par  M.  Remond  de  Sainte-Albine.     Paris.     Ledoux. 

1825.      (3),    Ixiv,    335    pp.      [Collection    des    memoires    sur    I'art 

dramatique.]  **T.56.ii 

Same.     Ponthieu.  **G.224,2.i4 

These    Memoires    may    also    be   found    in    Barriere's    Bibliotheque    des    memoires 
relatifs  a  I'histoire  de  France  pendant  le   i8me  siecle   [4667.2.6;   **T. $7.2802. 

Notice  .  .  .  sur  les  Memoires  de  Henry  Louis  Lekain.  Paris.  Pougens. 
1801.     (3),  20  pp.  No.  3  in  **M. 147. 16 

Mole,  Francois  Rene.     Works  about. 

£tienne,  C.  G.,  and  C.  Gaugiran-Nanteuil.     Vie  de  Frangois-Rene 
Mole,  comedien  frangais.    Paris.    An  XI.-1803.    Portrait.    **T.58.87 
Molenes,  fimile  de. 

Desclee.  Biographic  et  souvenirs.  2^  edition.  Paris.  Tresse.  1874. 
(3),  210  pp.     Portrait.  **T.57.43i 

Molenes,  Paul  de. 

La  comedienne.  (In  Courrier  des  fitats-Unis.  Semaine  litteraire. 
Vol.  6,  pp.  301-318.     New  York.     1849.)  No.  13  in  *667i.2.6 

Moliere. 

Auger,  L.  S.    Discours  sur  la  comedie,  et  vie  de  Moliere.    Paris.    1827. 

No.  2  in  **47o6.i4;  etc. 
[523] 


THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 


Moliere.     (Continued.) 

Baluffe,  a.    Autour  de  Moliere.     Paris.     1889.  **T.57.320 

Moliere  inconnu.     Sa  vie.     Tome   i:   1622-1646.     Paris.     1886. 

4659.70;  **T,57.2o6 

Bazin,  a.  de  Ral'cou,  called   Bazin.     Les  commencemens  de  la  vie 

de  Moliere.     [Paris.     1847.]  **T.55.29 

Les  dernieres  annees  de  Moliere.     [Paris.     1848.]  **T.55.30 

Notes  historiques  sur  la  vie  de  Moliere.     Paris.     1851. 

**T.57.2i ;  etc. 
Befkara,    L.    F.      Dissertation    sur   J.-B.    Poquelin-Moliere,    sur    ses 

ancetres,  I'epoque  de  sa  naissance  qui  avait  ete  inconnue  jusqu'  a 

present.     Paris.     1821.  **T.56.245;  etc. 

Bouquet,  F.     La  troupe  de  Aloliere  et  les  deux  Corneille  a  Rouen 

en  1658.     Paris.     1880.    Plates.  **T.59.i2 

Bricauld   de   Verneuil,    C.    £.      Moliere   a    Poitiers    en    1648    et    les 

comediens  dans  cette  ville,  de  1648  a  1658.     Paris.     1887.        4670.12 
Brouchoud,  C.     Les  origines  du  theatre  de  Lyon.     Mysteres,  farces 

et  tragedies,  troupes  ambulantes,  Moliere.     Lyon.     1865.    **T.75.28 
Brown,  A.  M.     Moliere  and  his  medical  associations.     Glimpses  of 

the  court  and  stage.     The  faculties  and  physicians  of  the  Grand 

Siecle.     London.     1897.  **T.55.78 

Cailhava  d'Estandoux,  J.  F.     Essai  sur  la  tradition  theatrale.     Paris. 

16  germinal,  an  vi.  **T.97.7i 

Campardon,    L.    £.,   editor.     Documents   inedits    sur   J.    B.    Poquelin 

Moliere    decouvcrts   et   publies   avec    des   notes,   un    index   alpha- 

betique  et  des  fac-simile  par  £mile  Campardon.     Paris.     1871. 

2707.6;  **T.98.96;  etc. 
Nouvelles  pieces  sur  Moliere  et  sur  quelques  comediens  de  sa 

troupe.     Paris.     1876.  46793.76;  **T.97.i27 

Chardon,  E.  H.     Nouveaux  documents  sur  la  vie  de  Moliere.     M.  de 

Modene,  ses  deux  femmes  et  Madeleine  Bejart.     Paris.     1886. 

**T.54.i8 
CoLLARDEAU,  P.     La  salle  de  t-heatre  de  Moliere  au  Port  Saint-Paul 

avec  le  plan  du  Jeu  de  paume  de  la  Croix-Noire  et  celui  de  I'hotel 

Barbeau   et   des   autres  proprietes   detruites   pour   I'etablissement 

du  nouveau  marche  de  I'Ave-Maria.     Paris.     1876.     Plans. 

**T.75.i6 
Constant,  C.  F.     Moliere  a  Fontainebleau  (1661-1664).     Simple  note 

historique.     Suivie  de  la  biographic  du  comedien  De  Brie.    Meaux. 

1873.  **T.55.34 

CoPiN,  A.     Histoire  des  comediens  de  la  troupe  de  Moliere.     Paris. 

1886.  4671.76;  **T.56.3i 

Despres,  J.  B.  D.,  editor.     Memoires  sur  Moliere  et  sur  M'"^-'  Guerin, 

sa  veuve,  suivis  des  memoires  sur  Baron  et  sur  M"<^  Lecouvreur, 

par  I'Abbe   d'Allainval.     Paris.      1822.  6646.78;  **T.56.4;  etc. 

DuMousTiER,  L.     Moliere  auteur  et  comedien.     Sa  vie  ct  ses  oeuvres. 

Paris.     1883.  **T.57.402 

Fournier,  fi.     fitudes  sur  la  vie  et  les  oeuvres  de   Moliere.     Paris. 

1885.  **T.57.290 

Le  roman  de  Moliere.     Suivi  de  fragments  sur  sa  vie  privee 

d'apres  des  documents  nouveaux.     Paris.     1863.         **T.58.ii9;  etc. 

GossELiN,    E.      Moliere   a    Rouen  en    1643.      Discours    de    reception. 

[Rouen.     1870.]  2648.83 

Grimarest,  J.  L.  Le  G.,  Sieur  de.  La  vie  de  M""  de  Moliere.     Paris. 

1877.    Plate.  **T.59.5;etc. 

[524] 


1 


i 


BROWN   COLLECTION   OF  BOOKS   ON   THE   STAGE 


Moliere.     (Continued.) 

HiLLEMACHER,  F.     Galcrie  historique  des  portraits  des  comediens  de 

la  troupe  de  Moliere.     Avec  des  details  biographiques  succincts. 

Lyon.     1869.     Portraits.  **T.56.i26 

HoussAYE,  A.    Les  comediennes  de  Moliere.     Paris.     1879.     Portraits. 

4645.54;  **T.56.68 
Lacour  de  La  Pijardiere,  L.  de.     Etudes  sur  Moliere.     Lc  Tartuffc 

par  ordre  de   Louis  xiv.     Le  veritable  prototype  de  Timposteur. 

Recherches   nouvellcs.     Paris.      1877.  **T.59.i4;  etc. 

Lacroix,  L.  p.  B.  p.     La  jeunesse  de  Moliere.     Piece  en  vers  ineditc 

de  Moliere.     Paris.     1858.  **T.59.29;  etc. 

Lagrange,  C.  V.,  Siciir  de.     Vie  de  Moliere,  en  abreg^e.     (/»  Poulct- 

Malassis,  Paul  E.  A.,  editor.     Moliere  juge  par  ses  contemporains. 

Pp.  93-117-     Paris.     1877.)  •  **T.59.i3;  etc. 

Larroumet,    L.    B.   G.   p.     La  comedie   de   Moliere.     L'auteur   et   le 

milieu.     Paris.     1893.  **T.57.236 

Lavoix,  M.  H.     La  premiere  representation  du  Misanthrope  4  juin 

1666.    Paris.     1877,  **T.58.i4o 

Lecocq,  G.     Moliere  et  la  comedie  en  province.     Paris.     1880.    4671.62 
Loiseleur,  J.  A.  J.     Les  points  obscurs  de  la  vie  de  Moliere.     Paris. 

1877.     Portrait.     Plate.  2656.73;  **T.57. 31 

Magen,  a.    La  troupe  de  Moliere  a  Agen  d'apres  un  document  inedit. 

Paris.     1877.  **T.56.i44 

Mantzius,  C.     Moliere.     Les  theatres,  le  public  &  les  comediens  de 

son  temps.    Paris.    1908.    Illus.    Portraits.    Plates.    Plan.   **T.55.io2 
Moland,   L.   E.   D.     Moliere   et   la   comedie   italienne.      Paris.      1867. 

Portrait.     Plates.  4704.8;  **T.56.i04 

MoLiERisTE,   Le.     Revue  mensuelle.     Publiee  par  Georges   Monval. 

Annee  i-io.     1879/80-88/89.     Paris.     1879-89.     10  v.     Illus.     Por- 
trait.    Plates.     Plan.  **T.26.6 
MoNVAL,  G.   H.   M.     Chronologie   molieresque.     Paris.     1897.     Por- 
trait. 4659.81 

Le    laquais    de    Moliere    [Frangois    Du    Mouriez    Du    Perier]. 

Paris.     1887.  **T.57.2i8 

MoNVAL,  G.  H.  M.,  compiler.     Lettres  au  Mercure  sur  Moliere.  sa  vie, 
ses  oeuvres  et  les  comediens  de  son  temps.   Paris.    1887.   **T.58.i23 

Recueil  sur  la  mort  de   Moliere.     Paris.     1885. 

46593.56;  **T.58.i22 
Noel,  E.  Moliere,  son  theatre  et  son  menage.  Paris.  1880.  Por- 
trait. •  **T.59.6 
Paris.     Comedie  fran^aise.     Documents  sur  Le  nialade  imaginaire. 

Estat  de  la  recette  et  despence  faite  par  ordre  de  la  compagnie. 

Avec  une  introduction  et  des  notes  par  fidouard  Thierry.     Paris. 

1880.  **T.55.i8 

Paroisse-Pougin,  F.  A.  A.     Moliere  et  I'opera-comique.     Le  Sicilien 

ou  I'amour  peintre.     Paris.     1882.  **T.56.33 

Perrault,    C.      Jean-Baptiste    Poquelin    de    Moliere.       (In    Poulet- 

Malassis,  P.   E.  A.,  editor.     Moliere  jupre  par  ses  contemporains. 

Pp.  139-148.     Paris.     1877.)  **T.59.i3;etc. 

PiFTEAu,    B.    J.      Les    maitresses    de    Moliere.      Amours    du    grand 

comique.     Leur  influence  sur  son  caractere  et  son  oeuvre.     Paris. 

1879.     Portrait.     Plates.  **T.57-33i 

Moliere  en  province,   etude  sur  sa  troupe  ambulante.     Suivie 

de  Moliere  en  voyage,  comedie  en  un  acte,  en  vers.     Paris.     1879. 
Portrait.     Plates.  **T.57.332 

[525] 


THE  PUBLIC  LIBRARY  OF  THE   CITY   OF  BOSTON 


Moliere.     (Continued.) 

Poulet-Malassis,  p.  E.  A.,  editor.     Moliere  juge  par  ses  contempo- 

rains.     Paris.     1877.     Plate.  **T.59.i3;  etc. 

Raymond,    E.      Histoire    des    peregrinations    de    Moliere    dans    le 

Languedoc,    d'apres    des    documents    inedits.      1642-1658.      Paris. 

1858.  4667.14 

Robert,  U.  L.   L.     Moliere  en   province.     Conference   faite  a   Niort. 

le  20  mars  i86g.     Niort.     1869.  2673.78 

SoLEiROL,  H.  A.     Moliere  et  sa  troupe.     Paris.     1858.     Portraits. 

**T.54.i4 
SouLiE,  E.     Rechcrches  sur  Moliere  et  sur  sa  famille.     Paris.     1863. 

**T,55.ii5;etc. 

Taschereau,  J.  A.     Histoire  de  la  vie  et  des  ouvrages  de   Moliere. 

Paris.      1828.      Portrait.      Plate.  **T.57.325;  etc. 

Taylor,  H.  C.  C.    Moliere.    A  biography.     New  York.     1906.     Plates. 

2642.206 
Trollope,  H.  M.     The  life  of  Moliere.     New  York.     1905.     Portrait. 

4643-79 
Troupe,  La,  de  Moliere.     [Paris?     i&— ?]  **T.56.i36 

Vincent,  L.  H.     Moliere.     Cambridge.     1902.       "  26793.268 

ViTU,    A.    C.    J.      Le    Jeu    de    paume    des    Mestayers;    ou    I'lllustrc 

theatre,   1595-1883.     Paris.      1883.     Illus.     Plans.  **T.57.64 

Moliere    et   les    Italiens.      A   propos    du   tableau    des    farceurs 

appartenant  a  la  Comedie  frangaise.     Paris.     1879. 

4676.116;  **T.96.22;  etc. 

Wishes,  H.  O.  B.,  Baron  de.     Un  portrait  de  Moliere  en  Bretagne. 

fitude  sur  quelques  comediens,  farceurs,  et  bouffons  frangais  et 

italiens  au  xviie  siecle.     Nantes.      [1875.]  **T.56.io3;  etc. 

Moliere.     Bibliography. 

Lacroix,  L.   p.   B.  p.     Bibliographic  Molieresque.     Turin.     1875. 

**T.56.98;  etc. 
Moliere  en  Turquie.     Thalasso,  A.  **T.56.58 

Molieriste,  Le.  Revue  mensuelle.  Publiee  par  Georges  Monval.  Annee 
i-io.  1879/80-88/89.  Paris.  Tresse.  1879-89.  10  v.  Illus.  Por- 
trait.    Plates.     Plan.     Facsimiles.  **T.26.6 

Coiitaii:s  bibliographies. 

Molineri,  Giuseppe  Cesare. 

Fontana,  F.     In  teatro.     (Con   due  lettere  di  G.   C.   Molineri.)     40 

migliaio.     Roma.     1884.  **T.98.97 

MoUoy,  Gerald.  * 

The   Passion  Play  at   Ober-Ammergau  in  the  summer  of   1871.     2d 

edition.     Boston.      Donahoe.      1872.      120  pp.      Illus.  2866.7 

Molloy,  Joseph  Fitzgerald. 

The   life   and   adventures   of   Edmund    Kean,   tragedian.      1787-1833. 

London.     Ward  &  Downey.     1888.     2  v.  4547.115;  **T.57.ii 

The  life  and  adventures  of  Peg  Woffington.     Willi   pictures  of  the 

period  in  which  she  lived.    London.    Hurst  &  Blackett.     1884.    2  v. 

Portrait.  4549.78 

Same.     2d  edition.     1885.  **T.57.i95 

Same.    3d  edition.     1887.  **T.57.448 

The  romance  of  the  Irish  stage  with  pictures  of  the  Irish  capital  in 

the   eighteenth    century.      London.      Downey   &   Co.,    Ltd.      1897. 

2  v.    Portraits.  **T.77.85 

Same.     New  York.     Dodd,  Mead  &  Co.  2552.24 

[526] 


i 


BROWN   COLLECTION   OF  BOOKS   ON    THE   STAGE 

Molloy,  Joseph  Fitzgerald,  editor. 

Robinson,  M.  Memoirs  of  Mary  Robinson,  "Perdita."  From  the 
edition   edited  by  her  daughter.     London.      1894.     Portraits. 

**P.ii.7525 

Same.     1895.  4548.123 

Momus,  a  poem:  or  a  critical  examination  into  the  merits  of  the  per- 
formers, and  comic  pieces,  at  the  Theatre  Royal  in  the  Hay-Market. 
[Anon.]      London:   Printed  for  the  Author.     [1770?]     22  pp. 
Chiefly  upon  Samuel  Foote.  No.  1 5  in  **G.3820.g 

Momus    triumphans.      Langbaine,    G.  **T.66.ii;  etc. 

Monaco-roulette.     Alfred,  Baron,  pseud.  **T.96.238 

Monceau,  Chateau. 

MoNVAL,  G.  H.  M.  Fetes  et  spectacles  donnes  a  Fontainebleau  et 
au   Monceau   en   1772.     Fontainebleau.      1888.  2662.114 

Moncrieff,  William  Thomas. 

Adventures  of  a  ventriloquist;  or,  the  rogueries  of  Nicholas:  an 
entirely  new  entertainment,  in  three  parts,  as  embodied,  illus- 
trated, and  delivered  by  Monsieur  Alexandre  [pseud,  of  Nicholas 
Marie  Alexandre  Vattemare].  London.  Lowndes.  1822.  iii-viii; 
39  pp.      Colored   portraits.  No.  2  in  **T.57.373 

The  illustrations  are  by  Isaac  Robert  Cruikshank. 
Monde  dramatique,  Le.     Histoire  des  theatres  anciens;  revue  des  spec- 
tacles modernes.     [Hebdomadaire.]     Tome  1-7.     Paris.     1835-38. 
7  V.     Illus.     Portraits.     Plates.  **T.25.i5 

Relates  especially  to  Paris. 

Monet,  Jean.    See  Monnet,  Jean. 

Money  jar.  The.     Bellasis,  E.  **T.56.i35 

Monnet,  Jean. 

Supplement  au  Roman  comique,  ou  memoires  pour  servir  a  la  vie 
de  Jean  Monnet.  A  Londres.  1772.  2  v.  Portrait.  **T.58.io6 
.  /Monnet,  Jean.  Works  about, 
■y  Heulhard,  L.  O.  a.  Jean  Monnet.  Vie  et  aventures  d'un  entre- 
preneur de  spectacles  au  xviiie  siecle  avec  un  appendice  sur 
I'Opera-comique  de  1752  a  1758.  Paris.  1884.  Portrait.  Plate. 
Table.  **T.96.2;  etc. 

Monnier,  Victorien. 

Theresa  et  ses  memoires.  Paris.  Renaud.  1865.  70  pp.  Portrait. 
[Celebrites  parisiennes.]  **T.97.274 

Monody,  K,  to  the  memory  of  David  Garrick,  Esq.     [A  poem.]     Lon- 
don: printed  and  sold  by  Harrison  and  Co.     1779.     (3),  16  pp. 

No.  6  in  **G.3824.i4 
Monody,  A,   to   the   memory  of   Mrs.    Margaret   Woffington.      [Verse. 

Anon.]     See  Hoole,  John. 
Monographie  du  spectateur  au  theatre.     Henriet,  F.  **T.97.i64 

Monologues.     Works  about. 

Coquelin,  B.  C,  and  E.  A.  H.  Coquelin.  L'art  de  dire  le  monologue. 
Par  Coquelin  cadet   [et]   Coquelin  aine.     Paris.     1884.     Portraits. 

**T.77.i50 
Monselet,  Charles. 

Acteurs  et  actrices.  Dessins  par  E.  Lorsay.  Paris.  Le  Chevalier. 
1867.     128  pp.     Plates.     [Physionomies  parisiennes.]  **T.99.3i 

Another  copy  is  on  shelf-number  **T.99.40. 

Les  annees  de  gaiete.     Paris.     Levy.     1875.     (3),  326  pp.        2666.55 

Plays    and    sketches    of    French    life,    containing    among    other    things    notes    on 
Parisian  theatres. 

[527] 


\ 


THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 

Monselet,  Charles.     (Continued.) 

Chanvallon.     Histoire  d'un  souffleur  de  la  Comedie-frangaise.     Paris. 
Sartorius.     1872.     (3),  281  pp.     Plate.  **T.87.77 

The  action   of  the  story   takes   place   in   the  time   of   Napoleon. 
Une  troupe  de  comediens.     Paris.     Tresse.     1879.     (3),  282  pp. 

A  collection  of  short  stories,  plays,  etc.  **T.87,58 

Monsieur  Clown!     Perrodil,  £.  de.  2679a.262 

Monsieur  Cothurne  ami  de  M""  Botte  ou  la  debutomanic,  histoire  veri- 
table, theatrale  et  tragique.     Paris.    An  xi. — 1803.    204  pp.     Plate. 

Relates  to  the  theatres  of  Paris.  **T.78.l6 

Monsieur,  Un,  de  I'orchestre,  pseud.     See  Mortje,  Arnold. 

Monsieur  de  Saint-Bertrand.     Feydeau,  E.  A.  *2662.69 

Montagne,  fidouard  Charles  Philippe. 

Le  manteau  d'Arlequin.    Paris.     Lacroix,  Verboeckhoven  &  c^.     1866. 
(3)'  302  pp.  _  **T.77.i28 

Relates  to  the  theatres  of  Paris. 

Montague,  Charles  W. 

Recollections  of  an  equestrian  manager.  London.  Chambers.  1881. 
108  pp.  4007.35;  **T.58.33 

Montague,  Henry. 

War  among  the  blacks.     A  full  report  of  the  celebrated  chancery 

suit,    Montapue    &    Wilsom    versus    Moore,    Crocker,    Ritter.    and 

Hamilton,   proprietors   and    managers    of   the    Christy    Minstrels. 

Liverpool.     1865.  **T.96.i76 

Montansier,  Marguerite  Brunet,  called   Mademoiselle  Montansier. 

CouAiLHAC,    V.      La   vie    de    theatre.      Grandes    et   petites    aventures 

de  M"e  Montansier.     Paris.     [1863.]  **T.57.202 

HipPEAU,  C.     Le  comedien  Neuville  et  M'le  de  Montansier  au  theatre 

de  Rouen.     Rouen.     1862.  **T.96.3 

Montchamp,  L.  de,  pseud.    See  Sorel,  Jacques. 

Monte  Carlo,  Monaco. 

Alfred,  Baron,  pseud.     Monaco-roulette.     Paris.     1886.  **T.96.238 

Du  Seigneur,  M.     Le  theatre  de  Monte-Carlo.     Paris.     1880.     Plate. 

4096.79;  No.  I  in  **M.i  19.15 
Monteil,  Edgar. 

Cornebois.  [Roman.]  Paris.  Charpentier.  1881.  (6),  344,  (i)  pp. 
[fitudes  humaines.]  **T.87.38 

La  jambe.  Paris.  Dreyfous  &  Dalsace.  [1894.]  (3),  370,  (i)  pp. 
[fitudes  humaines.]  **T.87.74 

A  novel  about  the  stage. 
La  tournee  dramatique.     Paris.     Charpentier  &  c^^.     1890.     (s),  322 
pp.     [fitudes  humaines.]  **T.87.48 

A  novel  of  stage  life. 

Montenari,  Giovanni,  Conte. 

Del  Teatro  Olimpico  di  Andrea  Palladio  in  Vicenza.  Discorso.  In 
Padova.  1733.  Per  Giovambattista  Conzatti.  84,  (i)  pp.  Por- 
trait.   5  plates.  *4095.i07 

On  the  construction  of  the  theatre.  Another  copy  is  on  shelf-number  **G.  16.53, 
from  which  the  portrait  is  missing. 
Same.  2a  edizione,  con  lettere  due  critiche,  Tuna  del  Sig.  Marchese 
Giovanni  Poleni,  I'altra  dell'  autore.  In  Padova.  1749.  Nella 
Stamperia  del  Seminario.  xii,  (4),  153  pp.  lUus.  Portrait.  5 
plates.  *8o96.io7 

Montes,  Lola.    Sec  Montez,  Lola. 

[528] 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 


Montez,  Lola. 

Lectures.  Including  her  autobiography.  New  York.  Rudd  & 
Carleton.     1858.    292  pp.  **T.57.i72 

Same.     1859.     Portrait.     Autograph   facsimile.  4546.80 

Montez,  Lola.     Works  about. 

AuvERGNE,  E.  B.  d'.  Lola  Montez,  an  adventuress  of  the  'fortir^. 
New  York.     1909.     Portraits.  2544.216 

Jacquot,  C.  J.   B.     Lola  Montes.     Paris.     1857.     Portrait. 

**T.59.44;etc. 

Lola  Montes:  or,  a  reply  to  the  "Private  history  and  memoirs"  of 

that  celebrated  lady,  recently  published  by  the   Marquis   Papon. 

New  York.     185 1.     Portrait.  **T.97.239 

Montgomery,  Walter. 

HoRNE,  R.  H.,  editor.  Was  Hamlet  mad?  Being  a  series  of  critif|ucs 
on  the  acting  of  the  late  Walter  Montgomery:  written  in  Mel- 
bourne in  1867.  by  Archibald  Michie,  J.  E.  Neild,  R.  H.  Hornc 
[etc.].     London.     [1871.]  4598.105 

Monthly  Mirror,  The:  reflecting  men  and  manners.  With  strictures 
on  their  epitome,  the  stage.  Vol.  1-22;  n£w  series,  1-8.  London. 
The  Proprietors.  [i795-]i8io.  30  v.  Portraits.  Plates.  ]\Ianu- 
script  facsimiles.  **T.26.3 

Relates  to  Great  Britain. 
Montorgueil,  Georges,  pseud.     See  Lebesque,  Octave. 
Monval,  Georges  Hippolyte  Mondain. 

Chronologic  molieresque.  Paris.  Flammarion.  1897.  (3),  xii,  279, 
(i)  pp.     Portrait.  4659.81 

Les  collections  de  la  Comedie-francaise.  Catalogue  historiqnc  ct 
raisonne.  Preface  de  Jules  Claretie.  Paris.  Societe  dc  nrrpaaa- 
tion  des  livres  d'art.  1897.  xvi,  168  pp.  Portraits.  Plates.  *4o8i.52 
Comedie-francaise.  (1658-1900.)  Liste  alphabetique  des  sorietaires 
depuis  Moliere  jusqu'a  nos  jours.  Paris.  Bureaux  de  I'Amateur 
d'autographes.     1900.     (3),  x,  134,   d)  pp.     Autograph  facsimiles. 

4671.87 

Fetes  et  spectacles  donnes  a  Fontainebleau  et  au  Monceau  en   1772. 

Avec  notes  et  appendices.    Fontainebleau.    Bourges.     1888.    28  pp. 

2662.114 
Le  laquais  de  Moliere.     Paris.     Tresse  &  Stock.     1887.     (5),  141,  (i) 

pp.  **T.57.2i8 

This  volume  is  devoted  to  proving  that  this  "laquais"  was  Francois  Du  Mouricz 
Du  Perier. 

L'Odeon.  Histoire  administrative,  anecdotique  et  Htteraire  du  second 
Theatre  frangais.  Par  Paul  Porel  [pseud.]  et  Georges  Monval.. 
Paris.     Lemerre.     1876,  82.     2  v.  26703.50;  **T.75.4i 

Contents.  —  [i.]   1782-1818.     2.  1818-1853. 

The  copy  on   shelf-number  **T.7S.4i   lacks  Tome  2. 

Les  theatres  subventionnes.  Paris.  Berger-Levrault  &  c'e.  1879. 
23  pp.  **T.95.63 

Relates  to  France. 

Monval,  Georges  Hippolyte  Mondain,  compiler. 

Lettres  au  Mercure  sur  Moliere,  sa  vie,  ses  oeuvres  et  les  comediens 
de  son  temps.  Publiees  avec  une  notice  et  des  notes.  Paris. 
Librairie  des  bibliophiles.  1887.  (3),  xi,  89,  (i)  pp.  [Nouvelle 
collection   Molieresque.     15.]  **T.58.i23 

Recueil  sur  la  mort  de  Moliere.  Public  avec  une  notice  et  des  notes. 
Paris.  Librairie  des  bibliophiles.  1885.  (3),  xii,  92  pp.  [Nouvelle 
collection   Molieresque.     14.]  46593.56;  **T.58.i22 

[529] 
34 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 

Monval,  Georges  Hippolyte  Mondain,  editor. 

Chappuzeau,  S.  Le  theatre  frangois.  Accompagne  de  preface  et  de 
notes  par  Georges  Monval.     Paris.     1875.  **M.2i8.3 

JousLiN  DE  La  Salle,  A.  F.  Souvenirs  sur  le  Theatre-frangais. 
(1S33-1837.)  Annotes  et  publies  par  G.  Monval  et  le  Comte  Fleury. 
Paris.     1900.  **T.75-55 

Lecouvreur,  a.  Lettres.  Reunies  pour  la  premiere  fois,  avec  notes, 
etude  biographique  .  .  .  par  Georges  Monval.  Paris.  1892.  Por- 
trait.    Facsimile.  2669.109 

La  Thorilliere.  F.  Le  N.  de.  Premier  registre  de  La  Thorilliero 
(1663-1664).     Public  avec  notice,  notes  et  index.     Paris.     1890. 

**78.57 

Moltf-.riste,  Le.  Revue  mensuelle.  Annee  i-io.  Paris.  1870-89. 
Illus.     Portrait.     Plates.     Plan.  **T.26.6 

Moore,  E.  Hamilton. 

English  miracle  plaj^s  and  moralities.  London.  Sherratt  &  Hughes. 
1907.     vi,  199  pp.  _  2552.39 

Contents.   —   The   liturgical   drama.    —    Church   plays    in    England.    —   The    great 
cycles.   —   The    actors   and    the    stage.    —   Comedy   and    tragedy.    — ■   The   Gospel 
story.  —  The  Cornish  mysteries.  —  Later  development.  —  The  early  morality. 
—  Protestant  moralities. 
Students'  list,  pp.    197-199. 

Moore,  Frank  Frankfort. 

The  impudent  comedian  &  others.  Chicago.  Stone  &  Co.  1897. 
is),  275,    (i)   pp.     Plates.  44093.272 ;**T.87. 13 

Contents.  —  The   impudent  comedian.   —   Kitty   Clive.   —  A   question   of   art.   — 
The  muse  of  tragedy.  —  The  way  to  keep  him.  —  The  captive  of  the  Duke. 

The  Jessamy  bride.     Chicago.     Stone  &  Co.     1897.     (i),  417,  (i)  pp. 

**T.87.i4 

A  novel  founded  on  an  actual  story  of  the  eighteenth  century,  introducing  Gold- 
smith and  Mary  Horneck  (the  Jessamy  bride).  Dr.  Johnson,  Burke  and  Garrick. 

Moore,  George. 

Impressions  and  opinions.     London.     Nutt.     1891.     (7),  346  pp. 

4558.iii:*A. 6129.2 
Contains  papers  upon  An  actress  of  the  i8th  century   [Mile  Clairon]  ;  Mummer- 
worship;     Our    dramatists    and    their    literature;     Note    on     [Ibsen's]     'Ghosts'; 
Theatre  libre;   On  the  necessity  of  an  English  theatre  libre. 
Same.     New  York.     Scribner.     1891.  4578,155 

A  mummer's  wife.    London.   Vizetelly  &  Co.    1885.   438  pp.    **T.87.6i 
Same.     20th  edition.     London.     Walter  Scott,   Ltd.      [189-?]      3-352 
pp.  *6599a.62 

Moore,  George  Washington. 

War  among  the  blacks.     A  full  report  of  the  celebrated  chancery 

suit,    Montague    &    Wilsom   versus    Moore,    Crocker,    Ritter,    and 

Hamilton,    proprietors   and    managers    of   the    Christy    Minstrels. 

LiverDool.     1865.  **T.96.i76 

Moore.  Horatio  Newton. 

Fitzgerald  and  Hopkins;  or,  scenes  and  adventures  in  theatrical  life. 
Philadelohia.    Sherman.     1847.     166  pp.    Plates.  **T.87.9 

Contents.  —  Alphonse  F.  Fitzgerald;   or,  the  autobiography  of  a  spouter.  —  The 
Hopkins  family ;   or,  English   immigrants  and  itinerant  players. 

Moore,  Mark. 

The  memoirs  and  adventures  of  Mark  Moore,  late  an  officer  in  the 
British  navv.  With  anecdotes,  selected  from  his  journals.  Lon- 
don: Printed  for  the  author,  by  J.  W.  Myers:  and  sold  by  W. 
Stewart.     I795-     ix,  267  pp.  **T.56.220 

Moore  was  for  a  time  the  manager  of  a  company  of  comedians. 

[530] 


BROWN   COLLECTION   OF   BOOKS    ON    THE   STAGE 


Moore,  Peter. 

CoDy.  Letter  from  Mr.  Moore  to  Mr.  Raymond.  Dated  Octohcr  14, 
1817.     [London.     1817.]     8  pp.  **T.75.65 

Rolates  to  Drury  Lane  Theatre  of  which   T.    G.   Raymond  was  the  manaper. ' 

Observations  submitted  to  the  consideration  of  the  committee  of 
management  of  Drury  Lane  Theatre,  by  P.  Moore.  [London. 
i8i7?l     3-1 1  pp.  **T_^jg^ 

Moore.  Peter,  alleged  author. 

Facts  are  stubborn  things!  Being  a  brief  review  of  the  season  181 7- 
18,  at  the  Theatre-Royal,  Drury  Lane:  also,  an  inquiry  into  the 
conduct  of  the  sub  and  soecial  committees;  with  explanatory 
notes  and  an  appendix.  [Anon.]  London.  Sherwood,  Necly,  & 
Jones.     1818.     (?,),  63  pp.  **T.76.i29 

Another  copy   is   on   shelf-number   No.  4  in  •"G. 3823. 17. 

Moore,  Peter.     Works  about. 

Arnold,  S.  T.  A  letter  to  all  the  proprietors  of  Drury-Lane  Theatre, 
beine  a  commentary  on  certain  parts  of  an  anonymous  pamphlet, 
called  "A  brief  review  of  the  season  1817-18  at  the  Theatre  Royal, 
Drurv-Lane,  &c..  and  a  conclusive  detection  of  the  author.  Also, 
a  letter,  relative  to  the  subject,  from  the  late  Samuel  Whitbread. 
London.     1818.  **T.76.i27;  etc. 

Moore,  Thomas. 

Memoirs   of  the   life   of   Richard    Brinsley   Sheridan.      Philadelphia. 

Carev  &  Lea.     1825.     602  pp.  6542.41;  **K.33. 7 

Same.     5th    edition.      London.      Longman,    Rees,    Orme,    Brown,    & 

Green.     1827.     2  v.     Portrait.     Manuscript  facsimile.        **T.56.i42 

Same.     New  York.     Redfield.     1853.  6548.8 

Moore  &  Burgess  Minstrels. 

Programme.  [May  15,  1871-Dec.  31,  1891;  May  21,  Oct.  22,  1892; 
Dec.   26,    1893;  June    16,    1894.     London.     1871-94.]     41    v. 

**T.i5.i2 

Almost  all  of  these  programmes  are  for  exhibitions  in  St.  James's  TTall,  Piccadilly. 
ppfore  May  8,  1872,  the  company  was  called  Christy  Minstrels  Some  undated! 
programmes  are  prefixed  to  the  volume  for  1871.  One  of  these  is  a  programme 
for  a  performance  by  The  Queen's  Minstrels. 

Moralities.     Works  about. 

Blades,    W.      An    account    of    the    German    morality-play,    entitled 

Depositio  Cornuti  Typographic!,  as  performed  in  the  17th  &  i8th 

centuries.     With  a  rhythmical  translation  of  the  German  version 

\        of  1648.     London.     1885.     IHus.     Plates.  *6i  13.33 ;  **T.46.io 

n^Genee,  R.     Die  englischen  Mirakelspiele  und  Moralitaten  als  Vor- 

\/        laufer  des  englischen  Dramas.     Berlin.     1878.     No.  15  in  *59i4.5o.i3 

Mackenzie,  W.  R.     The  English  moralities  from  the  point  of  view 

of  allegory.     Boston.     1914.  4579-237 

Mooke,  E.  H.     English  miracle  plays  and  moralities.     London.     1907. 

2552.39 
Moralityj    The,    of    stage-plays    seriously    considered.      [Anon.]      See 

Ferguson,  Adam. 
Moratin,  Leandro  Fernandez  de. 

Catalogo  historico  y  critico  de  piezas  dramaticas  anteriores  a   Lope 

de  Vega.     (In  Ochoa,  E.  de.    Tesoro  del  teatro  espanol.    Tomo  i, 

pp.  S7-220.     Paris.     1838.)  *3096.i.i;  **D.i7i.2.i 

Same.     (In  Bihlioteca  de  autores   espanoles.     Tomo  2,  pp.  2_>(>-305. 

Madrid.     1846.)  **D.i63.i.2 

Same,    (/n  his  Origines  del  teatro  espanol.    Pp.  67-215.    Paris.     1883.) 

**D.i4oa.25 

[531] 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 

Moray,  John  S. 

Booth's  Richelieu  rexiewed.  New  York.  Saxton,  Torrey  &  Co.  1871. 
(2),  14  pp.  **T.96.7 

More,  Hannah. 

Observations  on  the  effect  of  theatrical  representations,  with 
respect  to  religion  and  morals:  occasioned  by  the  preface  to  the 
third  volume  of  the  Works  of  Mrs.  H.  More.     Bath.     1804. 

No.  16  in  **G.3824.i5 ;  etc. 
More.     Beerbohm,   M.  2579.135;  etc. 

More  remarks  on  the  theatre.     Churchman,  A,  pseud.  **T.96.52;  etc. 

Moreau,  Charles  C,  editor. 

Matthews,  J.   B.     About  the  ballet.     New  York.     1891.     Portraits. 

**T.I2.II 

Moreau,  Charles  Frangois  Jean  Baptiste. 

Memoircs  historiques  et  litteraires  sur  F.-J.  Talma.    2e  edition.    Paris. 
Ladvocat.     1826.     (3),  126  pp.     Manuscript  facsimile.        **T.57.32 
Moreau,  Charles  Frangois  Jean  Baptiste,  prcfacer. 

GoLDONi,  C.     Memoires  pour  servir  a  I'histoire  de  sa  vie,  et  a  celle 
de  son  theatre;  precedes  d'une  notice  sur  la  comedie  italienne  au 
seizieme  siecle,  et  sur  Goldoni.     Paris.     1822.    2  v.      **T.56.5;etc. 
Moreau,  Jean  Michel. 

[Engravings  made  from  drawings  by  Moreau  to  illustrate  Voltaire's 
plays  in  the  Giuvres  completes,  edited  by  P.  A.  Caron  de  Beau- 
marchais  and  others,  and  published  at  Kehl,  1785-89.  Compiled 
by  Arthur  K.   Brown.]      1914.     29  plates.  **T.42.6 

There  is  no  text  other  than  explanatory  verses  on  the  plaltes. 

Moreau,  Paul. 

Fous  et  bouffons:  etude  physiologique,  psychologique  et  historique. 
Paris.     Bailliere.     1885.     vii,  283  pp.  2244.69 

A  study  of  giants,  dwarfs,  buffoons,  etc. 
Moreau  de  Saint-Mery,  Mederic  Louis  filie. 

De  la   danse.     Parme.     Bodoni.     1801.     (4),  52  pp.  **T.99.45 

Same.     1803.     (4),  61  pp.  **T.98.i04 

Morel,  Henry. 

Nouveaux  memoires  de  Theresa.  Paris.  Faure  &  c'^.  1868.  24  pp. 
Portrait.     [Silhouettes  dramatiques.]  **T.57.i6 

Morel-Fatio,   Alfred    Paul   Victor,   and    Leo   Rouanet. 

Lc  theatre  espagnol.  Paris.  Fontemoing.  [1900.]  47  pp.  [Bibliotheque 
des  bibliographies  critiques.     7.]  *2i62.68 

Contents.  —  Histoires  generales ;  etudes  d'ensemble  ou  de  certaines  periodes  du 
theatre.  —  Repertoires  biographiques  et  bibliographiques.  —  Le  theatre  antericur 
a  Lope  de  Vega.  —  La  grande  epoque  du  theatre.  —  Le  theatre  du  xviiie  siecle. 
—  Le  theatre  moderne.  —  Histoire  externe  du  theatre,  la  scene,  les  comediens, 
le  public.  —  Traductions  frangaises. 

Morf,  Heinrich. 

Aus  dcr  Geschichte  des  franzosischen  Dramas.  Hamburg.  Richter. 
1887.  38  pp.  [Sammlung  gemeinverstandlicher  wissenschaftlicher 
Vortrage.     N.   F.     Serie  2,  Heft  45.]  No.  19  in  *59i4.50.N.F.2 

Morgan,  Sydney  Owenson,  Lady. 

A   few   reflections,   occasioned   by   the   perusal   of  a   work,    entitled, 

"Familiar  epistles,  to  Frederick  J s,  Esq.,  on  the  present  state 

of  the  Irish  stage."     [Anon.]     Dublin.     Parry.     1804.     77  pp. 

**T.78.56 

Croker's  Familiar  epistles  to  Frederick  J s,  who  was  manager  of  the  Crow 

Street  Theatre,  Dublin,  may  be  found  on  shelf-numbers  4575.36;  **T.78  2- 
"K.35.28. 

[532] 


BROWN   COLLECTION    OF   BOOKS    ON    THE   STAGE 


Morice,  fimile. 

Essai  sur  la  mise  en  scene  depuis  les  mysteres  jusqu'  au  Cid.     Paris. 

Heideloff  &  Campe.     1836.     (3),  296  pp.  **T.77.i87 

Same.   Histoire  de  la  mise  en  scene,  depuis  les  mysteres  jusqu'  au  Cid. 

Paris.    Librairie  frangaise,  allemande  et  anglaise.    1836.    **T.77.i86 

Morin,  Michel,  pseud.     See  Dubois,  Auguste,  and  E.  Charles  Chabot. 

Morison,  John,  D.D. 

Fashionable    amusements    the    bane    of   youth:    a   sermon,    preached 

Dec.    9,    1824,    before    the    churches    associated    in    the    Pinilico, 

Chelsea,   and    Brompton   monthly   lecture.     3d   edition.      London. 

Westley.     1825.     58  pp.  **T.96.ii4 

Moiitz,  Carl,  and  B.  Schilling. 

Das  neue  Stadttheater  in  Koln.  Berlin.  Ernst.  1904.  14  pp.  Illus. 
Plates,  one  colored.     Plans.  *Cab.6o.i44.8 

Morley,  Henry. 

The   journal    of   a    London   playgoer    from    185 1    to    1866.      London. 

Routledge.     1866.     384  PP-  4568.15;  **T.48.2 

Memoirs  of  Bartholomew  Fair.     With  facsimile  drawings,  engraved 

upon  wood,  by  the  brothers  Dalziel.     London.     Chapman  &  Hall. 

1859.     XX,  506  pp.     Illus.  2469.47 ;**T.95.48 

Same.     A  verbatim  reprint   of  the  original   edition.     \Varne   &   Co. 

[1874.]     xvi,  404  pp.  2469.14 

Same.     New  edition.     Chatto  &  Windus.     1880.     Plate.  2469.48 

Morley,  Lacy  Collison  Collison-. 

Shakespeare    in    Italy.      Stratford-upon-Avon.      Shakespeare    Head 
Press.     1916.     (11),  180  pp.     Portraits.     Plate.     Facsimile.    4598.58 
Momand,  Felix. 

La  vie  de  Paris.  Paris.  Librairie  Nouvelle.  1855.  viii,  304  pp. 
[Bibliotheque  nouvelle.]  **T.98.83 

Deals  in  part  with  the  theatres  of  Paris. 

Morrell,  Thomas  H. 

Catalogue  of  [his]  valuable  collection  of  books  on  the  drama;  com- 
prising biographies  of  eminent  actors  &  actresses,  dramatists,  and 
others.  Also,  a  collection  of  rare  and  valuable  dramatic  por- 
traits. To  be  sold  at  auction  by  Bangs,  Berwin  &  Co.  New  York. 
1869.     31  pp.  6147,112 

Holland  memorial.  Sketch  of  the  life  of  George  Holland,  the 
veteran  comedian,  with  dramatic  reminiscences,  anecdotes,  etc. 
New  York.  Morrell.  1871.  (i),  124  pp.  Portrait.  Manuscript 
facsimiles.  **T.53.i9 

A  sketch  of  the  life  of  James  William  Wallack,  (Senior),  late  actor 
and  manager.  [Anon.]  New  York.  Morrell.  1865.  61,  (i)  pp. 
Portrait.  **T.55.2i ;  **G.363i.i 

Morris,  Clara. 

The  life  of  a  star.  New  York.  McClure,  Phillips  &  Co.  1906.  ix, 
363  PP-  4343-267 

Life  on  the  stage.     My  personal  experiences  and  recollections.     New 
York.     McClure,  Phillips  &  Co.     1901.     xv,  399  pp.     Portrait. 
On  the  theatre  in  the  United  States.  4343.229;  **T.57.39 

Stage  confidences.  Talks  about  players  and  play  acting.  Boston. 
Lothrop  Publishing  Co.  [1902.]  316  pp.  Portraits.  Autograph 
facsimile.  **T.57.ii9 

Morris,  Elisabeth  Woodbridge. 

The  drama,  its  law  and  its  technique.  Boston.  AUyn  &  Bacon. 
[1898.1     xvi,  181  pp.     Diagrams.  6257.382 

Bibliographies,  pp.  175-178. 

[533] 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 


Morris,  Felix. 

Reminiscences.  New  York.  International  Telegram  Co.  [1892.] 
176  pp.     Portrait.  **T.58.20 

Morris,  Mowbray  Walter. 

Essays  in  theatrical  criticism.  London.  Remington  &  Co.  1882. 
(3),  226  pp.  2553.61  ;**T.47.32 

i     Morris,  Richard. 

^  /    Old  acquaintance,  An,  pseud.     The  life  and  mysterious  transactions 
V  of  Richard  Morris,  Esq.     Better  known  by  the  name  of  Dick  Spot, 

the  conjurer.     Particularly  in   Derbyshire  and  Shropshire.     Lon- 
don.    1798.    Plates.  **T.98.i47 
Morris,  William. 

Motives  of  ministCirial  animadversion,  on  theatrical  exhibitions, 
being  the  substance  of  two  lectures,  delivered  at  Zion  Chapel, 
St.  Helier.  Jersey.  Marston.  1829.  24  pp.  No.  4  in  **G.3822.2 
In  opposition  to  the  theatre. 

Mortemar,  Julie  de. 

Folly's  queens;  or,  women  whose  loves  have  ruled  the  world.  Life 
sketches  of  the  most  famous  belles,  of  Cupid's  court  for  two 
centuries.     New  York.     Fox.     [1882.]     52  pp.     Portraits.     Plates. 

**T.S5.i9 
Mortier,  Arnold.     See  Mortje,  Arnold. 
Mortier,  Michel. 

Biographical  sketch  of  Madame  Adelina  Patti.  [New  York.  Steinway  & 
Sons.  1882.]  4  pp.  Portrait.  Facsimile.  4049.110;  No.  8  in  **M. 207. 26 

Preceded  by  a  poem  in  French,  addressed  to  Mine.  Patti  by  Theodore  de  Banville. 

Another  copy  is  on  shelf-number  No.  9  in  C>2,\6.SS- 

Mortimer,  Geoffrey,  pseud.     See  Gallichan,  Walter  M. 
Mortje,  Arnold. 

Les  soirees  parisiennes  de  [1874,]  1876-84.  Par  Un  monsieur  de 
I'orchestre  (Arnold  Mortier).  Paris.  Dentu.  1875-85.  to  v. 
Plates.     Facsimiles.  **T.27.2 

Morton,  A.  P.,  translator. 

Le  Roux,  H.  R.  C.  H.  Acrobats  and  mountebanks.  By  Hugues 
Le  Roux  &  Jules  Garnier.  London.  1890.  Illus.  Portraits. 
Plates.  4001.100;  **T.95.85 

Morton,  Cavendish. 

The  art  of  theatrical  make-up.  London.  Black.  1909.  x,  137  pp. 
Portrait.     Plate.  6003.91 

Morton,  Charles. 

Morton,  W.  H.,  and  H.  C.  Newton.  Sixty  years'  stage  service,  being 
a  record  of  the  life  of  Charles  Morton,  "the  Father  of  the  Halls." 
London.     1905.    Illus.     Portraits.    Plates.  **T.56.i63 

Morton,  Richard,  editor. 

Roberts,  A.  The  adventures  of  Arthur  Roberts  by  rail,  road  and 
river.  Told  by  himself  and  chronicled  by  Richard  Morton. 
Bristol.     [1895.]  **T.58.io9 

Morton,  William  H.,  and  Henry  Chance  Newton. 

Sixty   years'   stage    service,    being   a   record    of   the    life   of    Charles 

Morton,  "the  Father  of  the  Halls."    London.     Gale  &  Polden,  Ltd. 

1905.    viii,  208  pp.     Illus.     Portraits.     Plates.  **T.56.i63 

Mosaique.    HfeoouiN,  P.  **M.37i.6 

Moscow,  Russia.     Theatres.     Petrovski  theatre. 

Cavos,  a.  Reconstruction  du  grand  theatre  de  Moscou,  dit  Petrovski. 
Notice  descriptive.  Paris.  1859.  Table.  Plates,  some  colored. 
Plans.  **Cab.6o.7i.2 

[534] 


BROWN   COLLECTION   OF  BOOKS   ON   THE  STAGE 


Moses,  Montrose  Jonas. 

The  American  dramatist.  Boston.  Little,  Brown,  &  Co.  igri.  xii, 
(i)>  338  pp.     Portraits.  4395.i8i;  **T.46.37 

Bibliography,   pp.    315-326. 

Famous  actor-families  in  America.  New  York.  Crowell  &  Co. 
[iyo6.]     viii,  341  pp.     Portraits.     Genealogical  tables.  4343.269 

CoulciUs.   —   To-day   and    yesterday.    —   The    P.ootlis.    —   The   Jcffersons.   The 

Sothcrns.  —  The  Boucicaults.  —  The  Hacketts.  —  The  Drews  and  the  Barry- 
mores.  —  The  Wallacks.  —  The  Davenports.  —  The  Hollands.  —  The  Powers. 
—  Bibliography. 

The  life  of  Heinrich  Conried.  New  York.  Thomas  Y.  Crowell  Co. 
[1916.]  (i),  XV,  (i),  367  pp.  Portraits.  Plates.  4343.268;  **T.56.336 
Mosont,  Charles,  pseud. 

Les  reines  de  la  ranipe.  [Par]  L.  de  Montchamp  [pseud,  de  Jacques 
Sorel]  et  Ch.  Mosont  [pseud.].  Paris.  Cournol.  1863.  (3).  303, 
(j)  PP-  **T-57-353 

Contents.  —  La  Champmesle.  —  Adrienne  Lecouvrour.  —  Clairon.  —    l)iim<'st.il. 
-  DuchcsRois.  —  Georges  Weimer.  —  Mars.  —  Dorval.  —  Rachel.  —  D^jazet. 

Mosse,  Bartholomew. 

Sheridan,  T.  A  state  of  the  case  in  regard  to  the  point  in  dispute 
between    Mr.    Mosse    and    Mr.    Sheridan.      Dublin.      1750. 

**T.S7.436;etc. 
Mossop,  Henry. 

Estimate,   An,   of   the   theatrical   merits   of   the   two   tragedians   of 

Crow  Street  [Barrj'  and  Mossop].     In  a  letter  from  a  gentleman 

in  Dulilin  to  his  friend  in  London.     Dublin.     1760.  **T.57.i42 

Motion   picture   electricity.     Hallberg,  J.    H.  80393.59 

Motion  picture  work.     Hulfish,  D.   S.  8037.201 

Motion  pictures.     See  Moving  pictures. 

Motives  of  ministerial  animadversion.     Morris,  W.       No.  4  in  **G.3822.2 
Mottet,  A. 

Galerie  biographique  des  artistes  des  theatres  royaux.  [Anon.  Par 
A.  Laugicr  et  A.  Mottet. (  Livraison  3:  Theatre  frangais.  Paris. 
Bureau  de  la  Galerie  biographique.     1827.     (3),  iv,  176  pp. 

**T,96,3io 
Mottley,  John,  alleged  author. 

A  compleat  list  of  all  the  English  dramatic  poets,  and  of  all  the 
plays  printed  in  English  to  1747.  Portraits.  (In  Whincop,  T.  S. 
Pp-  87-320.     London.     1747.)  **T.37.2o6 

Other  copies  are  on  shelf-numbers  **G.3924.io;  **K.34.26;  **G.3977.SS.  The 
inde.\  is  missing  in  the  copy  on  shelf-number  **G.3977.5S. 

Moucheur,  Un,  dc  chandelles,  pseud. 

Petite  biographic  dramatique,  faite  avec  adresse  par  Un  moucheur 
de  chandelles.     Paris.     1826.  **T.99.56 

Mouhy,  Charles  dc  Fieux,  Chevalier  de. 

Abrcge  de  I'histoire  du  Theatre  frangois,  depuis  son  origine  jusqu'au 
premier  juin,  1780.  Precede  du  dictioiinaire  de  toutes  les  pieces 
de  theatre  jouees  &  imprimces;  du  dictionnaire  des  auteurs 
dramatiques,  &  du  dictionnaire  des  actcurs.  Nouvelle  edition.  A 
Paris,  chez  I'auteur.     1780.    3  v.     Portrait.  **T.76.ii9 

Tablettes  dramati(|ues,  contenant  I'abrege  de  I'histoire  du  Theatre 
frangois,  Tetablissemcnt  des  theatres  a  Paris,  un  dictionnaire  des 
pieces  et  I'abrege  de  I'histoire  des  auteurs  &  des  acteurs.  A  Paris, 
Chez  Sebastien  Jorry.     1752-58.    xxij,  (2),  244,  88,  48  pp.    **T.78.27 

Other    copies    arc    on     shelf-numbers    No.  t  in  **G. 3563.18    and    ••T.78.67,    from 

which  the  supplements  for   1752/53-57/58  are  missing. 

A   portrait   of   the   author   is   inserted    in    the   copy    on    shelf-number    •*T.78.67. 

[535] 


THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 


Mounet,  Jean. 

Some  considerations  on  the  establishment  of  the  French  strolers 
[brought  over  by  Jean  Mounet] ;  the  behaviour  of  their  bully- 
champions,  and  other  seasonable  matters,  at  this  critical  juncture. 
[London.     1749.]  **T.97.50 

Moving  Picture  World.  The  organ  of  the  photo  play  and  allied  interests. 
Vol.  8.  (no.  i);  24-  January  7,  191 1;  April,  1916,  to  date.  New 
York.     World  Photographic  Publishing  Co.  *407i.247 

Unbound  numbers  are  kept  in  the  Music  Room. 

Moving  pictures. 

Ball,  E.  H.    The  art  of  the  photoplay.    Newr  York.     [1913-]     80393.65 

Photoplay  scenarios:  how  to  write  and  sell  them.     New  York. 

1915.  80393.69 

Bench,  E.  A.  Playwriting  for  the  cinema,  dealing  with  the  writing 
and  marketing  of  scenarios.     London.     1914.  80393.67 

DucoM.  J.  Le  cinematographe  scientifique  et  industriel.  Traite 
pratique  de  cinematographie.     Paris.     191 1.    lUus.     Plates.     Plans. 

80393.58 

EsENWEiN,  J.  B.,  and  A.  Leeds.  Writing  the  photoplay.  Springfield, 
Mass.     [1913.]     Plates.     Plan.  80393.53 

Gehrts,  M.  a  camera  actress  in  the  wilds  of  Togoland.  The 
adventures,  observations  &  experiences  of  a  cinematograph 
actress  in  West  African  forests  whilst  collecting  films  depicting 
native  life  and  when  posing  as  the  white  woman  in  Anglo-African 
cinematograph  dramas.     Philadelphia.      I9i5-     Portraits.     Plates. 

3057-239 

Gordon,  W.  L.  How  to  write  moving  picture  plays.  Cincinnati. 
1915.  8031. lOI 

Grau,  R.  The  theatre  of  science.  A  volume  of  progress  and 
achievement  in  the  motion  picture  industry.  New  York.  1914. 
Portraits.     Plates.  *8o39a.57 

Hallberg,  J.  H.  Motion  picture  electricity.  New  York.  [1914.] 
lllus.     Portrait.     Plates.     Plans.  80393.59 

Hepworth,  C.  M.  Animated  photography.  The  A  B  C  of  the 
cinematograph.  A  simple  and  thorough  guide  to  the  projection 
of  living  photographs  with  notes  on  the  production  of  cine- 
matograph   negatives.      London.      1897.     lllus.  80393.96 

HoAGLAND,  H.  C.  How  to  writc  a  photoplay.  New  York  City. 
[1912.]  80393.97 

HopwooD,  H.  V.  Living  pictures:  their  history,  photo-production  and 
practical  working.  With  a  digest  of  British  patents  and  annotated 
bibliography.    London.     1899.    lllus.    Plates.    Diagrams.    80393.98 

HuLFisH,  D.  S.  Cyclopedia  of  motion-picture  work.  Chicago.  191 1. 
2  v.     lllus.     Plates.     Plans.  8037.202 

The  motion  picture:  its  making  and  its  theatre.    Chicago.     1909. 

lllus.  80393.56 

Motion-picture    work:    a    general    treatise    on    picture    taking, 

picture  making,  photo-plays,  and  theatre  management  and  opera- 
tion.   Chicago.     1913.     lllus.     Plates.     Plans.  8037.201 

Johnson,  G.  L.  Photography  in  colours:  a  text-book  for  amateurs, 
with  a  chapter  on  kinematography  in  the  colours  of  nature.  Lon- 
don.    191 1.    lllus.    Plates,  some  colored.     Plans.     Charts.    8065.194 

Juvenile  Protective  Association,  Chicago.  Five  and  ten  cent  theatres. 
Two  investigations  by  the  Juvenile  Protective  Association  of  Chi- 
cago, 1909  and  iQii.  Text  by  Louise  de  Koven  Bowen.  Chicago. 
[191 1?]  5576.283 

[536] 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 


Moving  pictures.     (Continued.) 

Kress,  E.  Catechisme  de  I'operateur  de  cinema.  Reponses  aux 
questions  du  certificat  d'aptitudcs  professioniu-llos  des  opcr.itcurs 
projectionnistes  du  cinematographe.  Paris.  [1913?]  Illus. 
Diagrams.  80393.52 

Moving  Picture  World.  The  organ  of  the  photo  play  and  allied 
interests.  Vol.  8  (no.  i);  24-  January  7,  191 1;  April,  1916,  to  date. 
New  York.  *407i.247 

MuENSTERBERG,  H.  The  photoplay:  a  psychological  study.  New- 
York.     1916.  80393.48 

National  Board  of  Fire  Underwriters.  Suggested  ordinance  to 
regulate  the  installation,  operation  and  maintenance  of  motion 
picture  machines  adopted  by  the  National  Board  of  Fire  Under- 
writers and  the  National  Fire  Protection  Association.  [New 
York,  etc.]     1912.  40193.68 

Nelson,  J.  A.  The  photo-play,  how  to  write,  how  to  sell:  being  a 
practical  and  complete  treatise  upon  the  form,  structure  and 
technique  of  the   modern  picture  play.     Los  Angeles.     1913. 

80393.66 

Parsons,  L.   O.     How  to  write   for  the  "movies."     Chicago.     1915. 

80393.70 

Pennsylvania.  State  Board  of  Censors.  Rules  and  standards.  Harris- 
burg.     1915.  *3668.7i 

Phillips,  H.  A.  The  photodrama.  The  philosophy  of  its  principles, 
the  nature  of  its  plot,  its  dramatic  construction  and  technique. 
Larchmont,  N.  Y.      [1914.]  80393.91 

Rathbun,  J.  B.  Motion  picture  making  and  exhibiting.  A  compre- 
hensive volume  treating  the  principles  of  motography;  the 
making  of  motion  pictures;  the  scenario;  the  motion  picture 
theatre;  the  projector;  the  conduct  of  film  exhibiting;  methods 
of  coloring  films;  talking  pictures,  etc.  Chicago.  1914.  Illus. 
Plates.     Plans.  80393.55 

Richardson,  F.  H.  Motion  picture  handbook:  a  guide  for  managers 
and  operators  of  motion  picture  theatres.  New  York.  [1910.] 
Illus.     Plans.     Diagrams.  *8o393.50 

Ross,  E.  N.  Scenario  writing  [for  the  cinematograph].  Phila- 
delphia.     [1912.]  80393.68 

Sargent,  E.  W.  The  technique  of  the  photoplay.  New  York. 
[1912.]  80393.93 

ScHEUiNG,  F.  M.  Motion  picture  acting:  how  to  prepare  for  photo- 
playing,  what  qualifications  are  necessary,  how  to  secure  an 
engagement,  salaries  paid  to  photoplayers.  New  York.  [i9i3-] 
Portraits.     Plates.  80393.63 

Slevin,  J.  On  picture-play  writing.  A  hand-book  of  workmanship. 
Cedar  Grove,  N.  J.     [1912.]  80393.60 

Talbot,  F.  A.  Moving  pictures:  how  they  are  made  and  worked. 
Philadelphia.      1912.      Illus.      Plates.     Plans.  80393.49 

Practical   cinematography  and   its   applications.      Philadelphia. 

1913.     Plates.     Diagrams.  80393.51 

Walter,  F.  K.,  compiler.  The  modern  drama;  its  traits,  tendencies 
and  technique.  [Bibliographies.]  {In  Modern  drama  and  opera. 
Voh  2,  pp.  15-32.     Boston.     1915.)  *2i75.37-2 

Welsh,  R.  E.  A-B-C  of  motion  pictures.  New  York.  I  iQ"'! 
Plates.  80393.46 

[537] 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 

Moving  pictures.     (Continued.) 

Wright,  W.  L.     The  art  of  writing  scenarios.     Containing  helpful 
information  and  suggestions  for  beginners  and  others.      [Belle- 
^  fontaine,  O.?    1912?]  Soaga.ga 

Moving  pictures.    Actors.    See  Actors. 
Mowatt,  Anna  Cora.     See  Ritchie,  Anna  Cora. 

Moynet,  Georges. 

La  machinerie  theatrale.    Trues  et  decors.     Explication  raisonnee  de 

tous  les  moyens  employes  pour  produire  les  illusions  theatrales. 

/  Paris.     Librairie  illustree.      [1893.]      (5),  408  pp.     Illus.     Colored 

portrait.     Plates.     Plans.  8092.122;  **T.75.4 

.    Moynet,  Jules. 

^  L'envers  du  theatre.     Machines  et  decorations.     Paris.     Hachette  & 

^  cie.     1873.     (8),  290  pp.     Illus.     Plates.     Plans.     [Bibliotheque  des 

merveilles.]  **T.77.i37 

Mozart,  Johann  Chrysostom  Wolfgang  Amadeus. 

Engerth,  E.,  Ritter  von.  Zwischenbilder  zu  Figaro's  Hochzeit. 
Wandgemalde  im  K.  k.  Opernhause  zu  Wien.  Miinchen.  [188-?] 
17  photographs  in  a  portfolio.  **M.430.i6 

PossART,    E.,    Ritter   von.      Ueber    die    Neueinstudicrung    und    Neu- 
szenierung  des  Mozart'schen  Don  Giovanni   (Don  Juan)   auf  dem 
kgl.  Residenztheater  zu  Miinchen.     Munchen.     1896.       **T. 77.223 
Mozeen,  Thomas. 

Young  Scarron.  [Anon.]  London:  Printed  and  sold  by  W.  Trye. 
1752.     182  pp.  **T.88.8 

A   story   of   the   adventures   of   a   troop    of   strolJing   players. 

Much  ado  about  nothing.     [London.     1859.]     361-372  pp. 

Relates  to  Charles  John  Kean.  No.  20  in  **G.3930.I3.I 

Mueller,  Albert. 

Die  neueren  Arbeiten  auf  dem  Gebiete  des  griechischen  Biihnen- 
wesens.  Eine  kritische  tjbersicht.  Gottingen.  Dietrich.  1891. 
108  pp.  *2i72.84 

Separatabdruck   aus   dem    sechsten    Supplementbande   des    Philologus. 

Mueller,  Carl  Friedrich. 

Karl  Kraepelin.  Zur  Erinnerung  an  sein  Leben  und  seine  kiinst- 
ierische  Thatigkeit.  Hamburg.  Schlotke.  1884.  80  pp.  Portraits. 
Manuscript  facsimiles.  **T.97.86 

Mueller,  Curt  Carl  Friedrich,  editor. 

Iffland,  a.  W.  Ifflands  Briefwechsel  mit  Schiller,  Goethe,  Kleist, 
Tieck  und  anderen  Dramatikern.     Leipzig.     [1910.] 

No.  3  in  4896.50,522 
Mueller,  K.  Fr.    See  Mueller,  Carl  Friedrich. 
Mueller,  Otto. 

Charlotte  Ackermann.  Ein  Hamburger  Theater-Roman  aus  dem 
vorigen  Jahrhundert.  Frankfurt  a.  M.  Meidinger  &  cie.  1854. 
5-543  pp.  2873.58 

Same.  Charlotte  Ackermann.  Souvenirs  du  theatre  de  Hanibourg 
au  dixhuitieme  siecle.  Traduction  de  J. -Jacques  Porchat.  Paris. 
Klincksieck.     1854.     (3),  424  pp.  **T.86.2 

Same.  Charlotte  Ackerman:  a  theatrical  romance,  founded  upon 
interesting  facts  in  the  life  of  a  young  artist  of  the  last  century. 
Translated  from  the  German,  by  Mrs.  Chapman  Coleman  and 
her  daughters.  Philadelphia.  Porter  &  Coates.  [1871.]  3-357 
pp.  2873.85;  **T.87.33 

[5.38] 


BROWN   COLLECTION   OF  BOOKS    ON   THE   STAGE 


Mueller-Guttenbrunn,  Adam. 

Das   Wiener  Theaterleben.     Leipzig.     Spamer.      iSgo.      (5;,    113  pp. 

**T.76.64 
Wien  war  eine  Thcaterstadt.     [Anon.]     Wien.     Graeser.     1885.     38 
pp.     [Gegen  den  Strom.     2.]  **T.76.i44 

Mueller-Palm,  Adolf. 

Briefe  aus  der  Bretterwelt.  Ernstes  und  Heiteres  aus  der  Geschichte 
des  Stuttgarter  Hoftheaters.  Stuttgart.  Bonz  &  Comp.  18S1. 
viii,  333  PP-  **T.76.i7i 

Muellner,  Amadeus  Gottfried  Adolph. 

Geiger,    E.    L.      Milliners    Bcziehungen    zu    Berlin.      (In   Arciiiv    fiir 
Theatergeschichte.    Vol.  2,  pp.  151-168.     Berlin.     1905.)     *6907.i2.2 
Muensterberg,  Hugo. 

The  photoplay:  a  psychological  study.  New  York.  Appleton  & 
Co.     1916.     (6),  232,  I  pp.  80393.48 

Mugnier,  Frangois. 

Le  theatre  en  Savoie.  Les  vieux  spectacles,  les  comediens  dc  Made- 
moiselle et  de  S.  A.  R.  le  Due  de  Savoie,  la  comedie  au  college, 
les  troupes  modernes.  Chambery.  Menard.  1887.  304  pp. 
Manuscript  facsimile.  **T.76.i7 

Mullett,  Alfred  Edgar,  compiler. 

A  dramatic  scrap-book;  or  a  book  devoted  to  sketches  of  the  lives 
of  actors  &  to  criticisms  of  plays  &  acting.  [Boston.  1894-1899.] 
7  V.     lUus.     Portraits.  **T.ii.9 

"The  articles  not  otherwise  designated  are  from  the  Boston  Herald.     The  arti'-U-s 
signed  H.  A.  Clapp  are  from  the  Boston  Advertiser. 

Mummer's  wife,  A.     Moore,  G.  **T.87.6i  ;  etc. 

Mumming  plays  in  the  southern  Balkans.    Wage,  A.  J.  B.      *296oa.53.i9 
Munday,  Luther. 

A  chronicle  of  friendships.  New  York.  Frederick  A.  Stokes  Co. 
[1913.]     xi,  272  pp.     Portraits.     Plates.     Facsimiles.  4545-177 

Reminisceixces   of   English   actors  and   of  other  celebrities. 

Munden,  Joseph  Shepherd. 

A  statement  of  the  differences  subsisting  between  the  proprietors 
and  performers  of  the  Theatre-Royal,  Covent-Garden.  Given  in 
the  correspondence  that  has  passed  between  them.  By  John 
Johnstone,  Joseph  George  Holman,  Alexander  Pope,  Charles 
Incledon,  Jos.  S.  Munden,  John  Fawcett,  Thomas  Knight,  Henry 
Erskine  Johnston.  London:  Printed  by  J.  Davis  for  W.  Miller. 
1800.    69,  3  pp.  **T.77.io 

Another   copy   is   on    shelf-number    No.  2  in  **G.3824.3,    which   lacks    the    supple- 
ment. 

Munden,  Joseph  Shepherd.     Works  about. 

Munden,  T.  S.  Memoirs  of  Joseph  Shepherd  Munden,  comedian. 
By  his  son.     London.     1844.     Portrait.  **T.57.37 

Munden,  Thomas  Shepherd. 

Memoirs  of  Joseph  Shepherd  Munden,  comedian.     By  his  son.     Lon- 
don.    Bentley.     1844.     (3),  330  pp.     Portrait.  **T.57.37 
Mundus  dramaticus.     (The  new  Rosciad.)     A  satire.     London.     Lacy. 
1852.    44  pp.  **T.99.5 

Verses   about   English  actors. 

Munich,  Germany.     Theatres. 

Almanack  des  Konigl.  Hof-  und  National-Theaters  und  des  Konigl. 
Residenz-Theaters  zu  Miinchen  fiir  das  Jahr  1883.  Heraus- 
gegeben  von  Anton  Hagen.     Miinchen.     1884.     Portrait. 

No.  I  in  **M.ii5.i2 

[539] 


THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 


Munich,  Germany.     Theatres.     (Continued.) 

Anzeiger   fiir   die    Koniglichen   Theater,      i.   Januar-31.    Dezember, 

1874.     Miinchen.     1874.  **M.236.27 

PossART,  E.,  Ritter  von.     Die  Separat-Vorstellung  vor  Konig  Lmlwig 

II.     Erinnerungen.     Miinchen.     1901.  **T.77.22i 

Munich,  Germany.     Theatres.     Hof-  und  National-Theater. 

BiERBAUM,  O.  J.  Fiinfundzwanzig  Jahre  Miinchner  Hoftheater- 
Geschichte.  Ein  Riickblick  auf  die  fiinfundzwanzigjahrige  Anits- 
fiihrung  des  Freiherrn  Karl  von  Perfall  als  Leiter  der  Miinchner 
Hofhiihnen.     Miinchen.     1892.     Portraits.  **T.76.25 

PossART,  E.,  Riitcr  von.  Hermann  Levi.  Erinnerungen.  Miinchen. 
1901.     Portrait.  **T.77.220 

Munich,  Germany.     Theatres.     Koenigliches  Residenztheater. 

PossART,    E.,    Ritter    von.      Ueber    die    Neueinstudierung    und    Neu- 

szenierung  des  Mozart'schen  Don  Giovanni   (Don  Juan)   auf  dem 

kgl.  Residenztheater  zu  Miinchen.     Miinchen.     1896.        **T.77.223 

Municipal  and  repertory  theatres.    Jones,  H.  A.  **T.76,i86 

Murdoch,  James  Edward. 

Reminiscences   of  the   stage.      [Boston.     1874.]      4  ff. 

Relates  to  actors  and  their  speech.  No.  27  in  **G.3822.3 

The  stage;  or,  recollections  of  actors  and  acting  from  an  experience  of 
fifty  years.  A  series  of  dramatic  sketches.  Philadelphia.  Stoddart 
&  Co.     1880.     510  pp.     Portrait.     Autograph  facsimile.         2402.66 

Same.     [Author's  autograph  edition.]     510,  (4)  pp.  **T.55.3 

Another  copy  is  on  shelf-number  **K.34. i. 

Muret,  Theodore  Cesar. 

Histoire  theatrale.  Le  Theatre-frangais  de  la  rue  de  Richelieu. 
Rouen.     Briere.     1861.     36  pp.  **T.76.69 

Another  copy  is  on  shelf-number  **T.96.3i2. 

L'histoire  par  le  theatre,  1789-1851.  Serie  1-3.  Paris.  Amyot.  1865. 
3  v.  **T.48.6 

Contents.  —  i.   La  Revolution,  le  Consulat,   1'   Empire.     2.   La   Restauration.      3. 
Le  Gouvernement   de   1830,  la  Seconde  republique. 

Muriel,  Auguste. 

Le  theatre  aujourd'hui.  L'auteur,  le  directeur,  le  critique,  I'acteur, 
le  public.    Paris.    Levy.     1855.     (3),  86  pp.  **T.77.ii8 

A  general  consideration   of  the  theatre,  with  some  reference   to   Paris  theatres. 

Murphy,  Agnes  G. 

Melba:  a  biography.  With  chapters  on  the  selection  of  music  as  a 
profession,  &  on  the  science  of  singing.  New  York.  Doubleday, 
Page  &  Co.     1909.    xiv,  348  pp.     Portraits.     Plates.  4048.337 

Murphy,  Arthur. 

The  life  of  David  Garrick.     London.     Wright.     1801.     2  v.     Portrait. 

Other  copies  are   on  shelf-numbers   **G.3765.7;    **K.33.6.  **T.56.I43 

Vie  de  David  Garrick,  suivie  de  deux  lettres  de  Noverre  a  Voltaire 
sur  ce  celebre  acteur,  et  de  l'histoire  abregee  du  theatre  anglais, 
depuis  son  origine  jusqu'a  la  fin  du  xviiie  siecle.  [Anon.]  Paris. 
Riche  &  Michel.     An  ix.     [1800/01.]      (3),  324  pp.     Portrait. 

Traiislateil  and  altered  from  the  preceding  by  J.  E.  F.  de  Marignir.  **T.58.90 

Vie  de  Garrick.  [Anon.]  {In  Despres,  J.  B.  D.,  editor.  Menioires 
sur  Garrick  et  sur  Macklin.     Pp.  1-252.     Paris.     1822.)         **T.56.3 

Another  copy  is  on  shelf-number  **G.224.2.4. 

Same.  {In  Barriere,  J.  F.,  editor.  Bibliotheque  des  memoires  relatifs 
a  l'histoire  de  France  pendant  le  i8"ie  siecle.  Tome  6,  pp.  279-320. 
[Paris.     1846.])  *4667.2.4 

Same.     {In  Same.     [1857.])  **T.57.28o 

[540] 


BROWN   COLLECTION   OF  BOOKS   ON   THE   STAGE 


Murphy,  Arthur.     Works  about. 

Foot,   J.     The   life  of  Arthur  Murphy.     London.      1811.     Portraits. 

♦♦T.53.17 
Murray,  Alma. 

Alma  Murray.  Portrait  as  Beatrice  Cenci.  With  critical  notice 
containing  four  letters  from  Robert  Browning.  London.  Mathews. 
1891.     II,   (i)  pp.  **T.96.32 

Another  copy  is  on  shelf-number  *R. 9.634. 

Wilson,  F.     Miss  Alma  Murray  as  Juliet.     London.     1887.      4595.112 
Murray,  John  Tucker. 

English  dramatic  companies,  1558-1642.  Boston.  Houghton  Mifflin 
Co.     1910.     2  V.     Map.    Tables.  4574.171 

Contents.  —  i.  London  companies.     2.  Provincial  companies. 

Murray,  Lindley,  compiler. 

Sentiments  of  pious  and  eminent  persons,  on  the  pernicious  tendency 
of  dramatic  entertainments,  and  other  vain  amusements.  New 
edition.     London.     Graves.     1817.     24  pp.  **T.96.io8 

Murray,  William  Henry. 

The  farewell  and  occasional  addresses  delivered  by  W.  H.  Murray, 
Esq.,  in  the  Theatres  Royal  and  Adelphi,  Edinburgh;  with  a 
biographical  sketch.  Edinburgh.  Bertram  &  Co.  1851.  (3), 
160  pp.  **T.98.i38 

Murray,  William  Henry.     Works  about. 

Pit,  Patrick,  pseud.  The  Thespian  critique,  or  theatrical  censor. 
Inscribed  (without  permission)  to  William  Murray,  of  the  Theatre 
Royal,  Edinburgh.     No.  1-4.     [Edinburgh.     1816.]  **T.76.24 

Murville,  Pierre  Nicolas  Andre-.     See  Andre-Murville,  Pierre  Nicolas. 

Muses  frangoises,  Les.  Premiere  partie,  contenant  un  tableau  universel 
par  alphabet  &  numero  des  theatres  de  France,  avec  les  noms 
de  leurs  auteurs  &  de  toutes  les  pieces  anonimes  de  ces  theatres, 
depuis  les  misteres  jusqu'en  I'annee  1764.  A  Paris,  chez  Duchene. 
1764.     3-241,   (i)  pp.  No.  2  in  **G.3563.i8 

Relates  particularly  to  the  Paris  theatres. 

Museums.    Dramatic. 

Columbia  University.  Dramatic  Museum.  A  catalog  of  models  and 
of  stage-sets.  [With  a  preface  by  Brander  Matthews.]  New 
York.     1916.  **T.46.62.5 

[Music  and  drama.     Cuttings  from  Every  Saturday,  1869-73.]     (31.S)  PP- 

**M.i23.6 

Music  and  Drama.  A  review  of  the  stage,  art,  literature  and  societ3\ 
[Weekly.]  Vol.  1-7  (no.  1-12,  16-20).  January  7.  1882  -  September 
22,  November  3 -December  i,  1883.  New  York.  1882.  9,;^.  7  v. 
in  3.     Illus.     Portraits.     Plates.  *404oa.200 

Vols.  I,  2  ("no.  3)  have  the  title:  Music.  A  review.  Vol.  6  ("no.  1-9)  has  the 
title:  Weekly  Music  and  Drama.  John  C.  Freund  edited  vols.  1-7  (no.  i2>  ; 
Deshler  Welch  edited  vol.  7  (no.  1^-20).  Music  and  Drama  was  a  continuation 
of  Musical  and  Dramatic  Times,  founded  in  1875  by  John  C.  Freund.  It  was 
suspended  in  1880,  but  republished  by  him  in  1882  under  the  title  Music,  which 
was  changed  later  to  the  present  title.  In  December,  1883,  the  periodical  ceased 
publication.     It  was  succeeded  by   Freund's  Music  and   Drama    [*404oa.2o  i]. 

Music  and  the  drama.     Parker,  H.  W.,  editor.  Z.40C  22.1.9 

Music  hall.  The.     Spectator,  A,  pseud.  **T.96.20o 

Music-hall  land.     Fitzgerald,  P.  H.  **T.96.i99 
Music  halls.     See  Vaudeville. 

Musical  &  Dramatic  Review,  The.     [Weekly.]  No.  1-14.     Mar.  5-Tunc 

4,  1864.     [London.]     1864.     172  pp.  ^          **T.24.3 

No  more  was  published.  Nos.  1-9  have  the  title:  Boosey's  Musical  &  Dramatic 
Review. 

[541] 


THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 


Musical  prodigies. 

McGiBENY  family,   The.     Fred.   Pelham,  manager.      [Buffalo,   N.   Y. 

1883.1      Portraits.     Plate.  In**T.ii.3 

Musical   reminiscences   of  an   old   amateur.  [Anon.]      See   Edgcumbe, 

Richard,  2d  Earl  of  Mormi  Edgcumbe. 

Mute  singer,  The.     Ritchie,  A.  C.  **T.87.44 

My  double  life.     Bernhardt,  Sarah.  **T.56.io8 

My  lifetime.     Hollingshead,  J.  **T.57.i74;  etc. 

My  sister  the  actress.     Marryat,  F.  **T.87.54 

My  sweetheart!     Blyth,  H.  **T.95.78 

My  wife's  pinmoney.     Nelson,   M.   E.  E.  **T.88.4 
Myrtle,  Marmaduke,  Esq.,  pseud. 

The   histrionade:    or,   theatric   tribunal;   a  poem,   descriptive    of   the 

principal    performers    at    both    houses.  London.      Kirby.      1802. 

5-56  pp.  **T.56.i90 

Relates  to  Drur}'   I.ane  and  Covent   Garden  theatres.     Another  copy  is  on  shelf- 
number  No.  3  in  •*G.3824.i5. 

Mysteres,  Les,  de  la  main.     Desrarrolles,  A.  **T.97.249;  etc. 

Mysteres  des  theatres.     1852.     Goncourt,   E.  L.  A.   H.  rtE,  and   others. 

4676.100;  **T.75.58 
Mysteres,  Les,  des  theatres   de   Paris.     Tuffet,   S.  **T.78.39 

Mysteries  and  miracle  plays. 

Ancona,  a.  d'.  Origini  del  teatro  in  Italia.  Studj  sulle  sacre 
rappresentazioni  seguiti  da  un'  appendice  sulle  rappresentazioni 
del  contado  toscano.     Firenze.     1877.     2  v.  '        4775-50 

Same.     2a  edizione.     Torino.     1891.     2  v.  4772.21 

Baccini,    G.      Notizie    di    alcune    commedie    sacre    rappresentate    in 

Firenze  nel  secolo  xvri.     Firenze.     1889.  2772.70 

Bancel,   F.   D.     Les  mysteres:   etudes   litteraires   et  philosophiques. 

Paris.     1872.  76093.91 

Bapst,  C.  G.     fitude  sur  les  mysteres  au  moyen  age.     Paris.     1892. 

Plate.  2671. 141 

Bates,  K.  L.     The  English  religious  drama.     New  York.     1893. 

4557.134;  **T-47.96 
Bourke,  J.  G.    The  miracle  play  of  the  Rio  Grande.     [Boston.     1893.] 

4365.140 
Clarke,  S.  W.     The  miracle  play  fn   England.     An  account  of  the 
early  religious   drama.     London.      [1897.]      Plates. 

2537.35  ;**T.47.9i 
Cl^dat,  L.    Le  theatre  en  France  au  moyen  age.    Paris.     1896.     Plate. 

**T.46.2o 

Cohen,  G.     Histoirc  de  la  mise  en  scene  dans  le  theatre  religieux 

frauQais  du  moyen  age.     Paris.     1906.     Plates.  6674.92 

Same.     Geschichte  der  Inszenierung  im  geistlichcn  Schauspiele 

des  Mittelalters  in  Frankreich.     Leipzig.     1907.     Plates.      4676.165 

Davidson,    C.      Studies    in    the    English    mystery    plays.      A    thesis. 

Yale   College,   1892.      [New   Haven.     1892.]  4552.42 

Dubois,  A.     Les  mysteres  a  Amiens   dans  les  xve   et   xvie   siecles. 

Amiens.     187S.  2678.262 

Gaullteur,  E.  H.  a.     Des  mysteres  et  de  I'art  dramatique  en  Suisse 

apres    la    Reforme,    ou    essai    sur    queltjues    drames    en    langue 

frangaise,  des  xvie  et  xvii^  siecles.     [N.  p.     18 — ?]  **T.95.i4i 

Gen^e,  R.     Die  englischen  Mirakelspiele  und  Moralitatcn  als  Vor- 

laufer  des  englischcn  Dramas.     Berlin.     1878.     No.  15  in  *59i4.50.i3 

[542] 


BROWN   COLLECTION   OF  BOOKS    ON   THE   STAGE 

Mysteries  and  miracle  plays.     (Continued.) 

Hase,  C.  a.  von.  Miracle  plays  and  sacred  dramas.  A  historical 
survey.     London.     1880.  6257.36;  **T. 46. 31 

Hone,  W.  Ancient  mysteries  described,  especially  the  English 
miracle  plays,  founded  on  Apocryphal  New  Testament  story, 
extant  among  the  unpublished  manuscripts  in  the  British  Museum; 
including  notices  of  ecclesiastical  shows,  the  festivals  of  fools 
and  asses  —  the  English  boy-bishop  —  the  descent  into  hell  —  the 
Lord  Mayor's  show  —  the  Guildhall  giants  —  Christmas  carols. 
&c.     London.     1823.    Illus.     Plates.  2575.24;  **T.45.8;  etc. 

Klimke,  C.  Das  volkstiimliche  Paradiesspiel  und  seine  niittelaltor- 
lichen   Grundlagen.     Breslau.     1902.  2873.128 

LuMiNi,  A.  II  dramma  nelle  sacre  rappresentazioni  dei  secoli  xtv, 
XV   e   XVI.      Prato.      1875.  No.  3  in  **M. 127.41 

Martin,  W.  At  the  Ober-Ammergau  Passion  Play,  with  an  intro- 
duction on  the  ancient  mysteries.  A  lecture.  Buenos  Ayres. 
[1881?]  2866.13 

Meyer,  C.  R.  Das  geistliche  Schauspiel  des  Mittelalters.  Basel. 
1879.  2875.11 1 ; etc. 

Oberlaender,  H.  Die  geistige  Entwicklung  der  deutschen  Schau- 
spiclkunst   im   18.  Jahrhundert.     Hamburg.     1898.  6872.57 

Petit  de  Julleville,  L.  Histoire  du  theatre  en  France.  Les 
mysteres.     Paris.     1880.     2  v.  4673.55 

Reidt,  H.  Das  geistliche  Schauspiel  des  Mittelalters  in  Deutschland. 
Frankfurt  a/M.     1868.  4887.10 

Sepet,  M.  C.  a.     Le  drame  chretien  au  moyen  age.     Paris.     1878. 

4676.53;  **T.47.27 

Sharp,  T.  A  dissertation  on  the  pageants  or  dramatic  mysteries 
anciently  performed  at  Coventry,  by  the  trading  companies  of 
that  city;  chiefly  with  reference  to  the  vehicle,  characters,  and 
dresses   of   the   actors.     Coventry.      1825.     Plates.     Music. 

*.*T.42.3 ;  etc. 

Spencer,  M.  L.  Corpus  Christi  pageants  in  England.  A  dissertation. 
[University  of  Chicago.]     New  York.     1911.        25593.229;  **T.47.22 

Wright,  T.  On  the  history  of  the  drama  in  the  Middle  Ages.  A 
sketch.     [London?     185-?]  22593.45 


N 

Nantes,  France.    Theatres. 

Destranges,  L.  a.  fi.  R.  Le  theatre  a  Nantes  depuis  ses  origines 
jusqu'a  nos  jours.     i430?-i893.     Paris.     1893.  **T.77.6i;  etc. 

Nanteuil,   Gaugiran   de.     See   Gaugiran-Nanteuil,   Charles. 
Naples,  Italy.    Theatres.    San  Carlo. 

Almanacco  de'   reali   teatri   S.   Carlo   e   Fondo,   del   annata   teatrale 

1834.     Napoli.     1835.     Portraits.  **M.io9b.45 

GiAcoMO,    S.    Di.      Cronaca    del    teatro    San    Carlino    contributo   alia 

storia  della  scene  dialettale  Napoletana.     1738-1884.    Trani.     1895. 

Portrait.  **T.77.2i7 

Napoleon  I. 

Laugier,  D.  J.  C.  Documents  historiques  sur  la  Comedie  frangaise 
pendant  le  regne  de  S.  M.  I'Empereur  Napoleon  I«-,  precedes  de 
tous  les  actes  constitutifs  qui  regissent  la  societe  du  Theatre- 
frangais,  depuis  sa  fondation.     Paris.     1853.  **T.74.i;etc. 

[543] 


THE  PUBLIC  LIBRARY   OF  THE   CITY  OF  BOSTON 


Napoleon  I.     (Continued.) 

Lecomte,  L.  H.     Napoleon  et  le  monde  dramatique.     fitude  nouvelle 

d'apres  des  documents  inedits.     Paris.     1912.     Portrait.     2655.119 

MoNSELET.  C.     Chanvallon.     Histoire  d'un  souffleur  de  la  Comedie- 

franQaise.      [Roman.]      Paris.     1872.     Plate.  **T.87.77 

Rosen.  L.     Napoleon's  opera-glass.     An  histrionic  study.     London. 

1897-  **T.57.io5 

Napoleon  III. 

Lege.aux,  a.  Le  theatre  de  la  cour  a  Compiegne  pendant  le  regne 
de  Napoleon  IIT.     Paris.     1882-85.  **T.77.9i 

Napoleon's  opera-glass.    Rosen,  L.  **T.57.io5 

Nason,  Arthur  Huntington. 

James  Shirley,  dramatist.  A  biographical  and  critical  study.  New 
York.     Nason.     1915.    xv,  (i),  471,  (i)  pp.    Portraits.     Facsimiles. 

Annotated  bibliography,  i^p.   399-459.  4544.215 

Nathan,  George  Jean. 

Another  book  on  the  theatre.  (Being  a  collection  of  haphazard, 
fugitive  and  some  might  say  impudent  reflections  in  and  on  the 
mirror  which  the  theatre  is  supposed  to  hold  up  to  nature.)  New 
York.     Huebsch.     igi.S-     xii,    (3),  358  pp.  6257,111 

Bottoms  up.  An  application  of  the  slapstick  to  satire.  New  York. 
Philip   Goodman   Co.      1917.      (i),  73  pp.  6257.306 

Satires  on  the  drama  and  the  theatre. 

Mr.  George  Jean  Nathan  presents.  New  York.  Knopf.  1917.  310 
pp.     Plans.     [The  Borzoi  books.]  4395.224 

Essays  in  American  dramatic  criticism. 

Nathan,  George  Jean,  prefaccr. 

Hopkins.  A.     How's  your  second  act?     New  York.     1918.        6257.308 
Nathan,  Isaac. 

Memoirs  of  Madame  Malibran  de  Beriot.  London.  Thomas.  1836. 
(4),  72  pp.  No.  I  in  **M.i47.3.i 

Same.    2d  edition.  No.  4  in  **M.i02.4 

National  Board  of  Fire  Underwriters. 

Suggested  ordinance  regulating  the  construction  and  equipment  of 
theatres  adopted  by  the  National  Board  of  Fire  Underwriters, 
and  the  National  Fire  Protection  Association.    [New  York.    1913.] 

4oi9a.56 

Suggested    ordinance    to    regulate    the    installation,    operation    and 

maintenance  of  motion  picture  machines  adopted  by  the  National 

Board   of   Fire   Underwriters   and   the    National    Fire    Protection 

Association.      [New  York,  etc.]      1912.     8  pp.  40i9a.68 

National  Peace  Jubilee,  Boston,  1869. 

The  Peace  Jubilee.  Programme  for  the  celebration.  [June  15-19, 
1869.     Boston.      1869.]      (4)    pp.  No.  3  in  **M.409.35 

National  theatres. 

See  also  Repertory  theatres;  Subsidies.  Government. 

Archer,  W.,  and  H.  G.  Barker.     Scheme  &  estimates  for  a  national 

theatre.     New   York.     1908.  6252.73 

Jones,  H.  A.     The  foundations  of  a  national  drama.     A  collection 

of  lectures,   essays   and   speeches,   delivered   and   written    in   the 

years   1896-1912.     New  York.      [1912.]      Portrait.  4574.183 

Naturalisme,  Le,  au  theatre.     Zola,  £.  4660b. 54 

Navarre,  Octave. 

Dionysos.  fitude  sur  I'organisation  materielle  du  theatre  athenien. 
Paris.     Klincksicck.     1895.     (5),  vii,  320  pp.    Illus.     Plates.     Plans. 

2965.47;  **T.76.i56 
[544] 


BROWN   COLLECTION    OF   BOOKS    ON    THE   STAGE 


Navarro,  Gonzalo. 

Discvrsos  politicos,  y  morales  en  cartas  apologeticas,  contra  los  qve 
defiendcn  el  vso  de  las  comedias  modernas  que  se  represcntaii  en 
Espana,  en  comparacion  del  teatro  antiguo.     En   Madrid.      1684. 

**D. 176.20 
Navarro,  Mary  Anderson  de.  •  See  Anderson,  Mary  Antoinette. 

Nayler,  B.  S. 

Atkins,  H.  H.  A  letter  addressed  to  B.  S.  Nayler,  teacher  of 
elocution  —  on  his  review  of  the  English  performances.  By  H. 
H.  Atkins,  of  the  German  Theatre,  Amsterdam.  [Amsterdam. 
1826.]  **T.76.i57 

Nebe,  Harvey. 

Catalogue  of  [his]  collection  of  prints  (mcluding  pamphlets,  etc.). 
Including  original  drawings,  rare  portraits  and  play  bills,  New 
York  City  views,  etc.,  etc.  For  sale  at  auction  [by]  John  Ander- 
son, Jr.  New  York.  [Taylor  &  Co.  1902.]  89  pp.  [Catalogue 
no.  98.]  **T.66.26 

Relates  chiefly  to  the  American  drama. 

Negro  minstrels. 

See  also  Christy  minstrels. 

Day,  C.  H.  Fun  in  black;  or,  sketches  of  minstrel  life.  With  The 
origin  of  minstrelsy,  by  T.  Allston  Brown,  giving  a  history  of 
Ethiopian  minstrelsy  from  1799.  New  York.  De  Witt.  1874. 
70  pp.     Illus.  **T.97.32i 

DuMONT,  F.  Burnt  cork;  or,  the  amateur  minstrel.  A  collection 
of  humorous  speeches,  and  a  description  of  everything  necessary 
to  arrange  a  minstrel  entertainment.  New  York.  1881.  Plans. 
Music.  **T.97.255 

Keeler,  R.     Vagabond  adventures.     Boston.     1870.      **T.57.354;  etc. 
Moore  &  Burgess  Minstrels.     Programme.     [May  15,  1871  -  Dec.  31, 
1891;  May  21,  Oct.  22,  1892;  Dec.  26,  1893;  June  16,  1894.     Lon- 
don.    1871-94.]     41  V.  **T.i5.i2 
Negro   minstrelsy.      The    old-fashioned   troupes.     What    they   were 
and  how  managed.     Campaign  of  a  company,  by  an  ex-manager 
and  performer.     [Boston.     189-?]      (16)  pp.  **T.i5.9 
Neilson,  Adelaide.     See  Neilson,   Lilian  Adelaide. 
Neilson,  Lilian  Adelaide. 

De  Leine,  M.  a.  Lilian  Adelaide  Neilson.  A  memorial  sketch, 
personal  and  critical.     London.     1881.     Portrait. 

24593.61  ;**T.57.440 
HoLLOWAY,  L.  C.     Adelaide  Neilson:  a  souvenir.     New  York.     1885. 
/        Portraits.     Plate.  255ob.56;  **T.57.457 

l/^either-side,  Mr.,  psctid. 

^  An  impartial  examen  of  the  present  contests  between  the  town  and 
the  manager  [Charles  Fleetwood]  of  the  theatre.  With  some 
proposals  for  accommodating  the  present  misunderstandings 
between  the  town  and  the  manager.  London:  Printed  for  M. 
Cooper.     1744.  **T.77.i85 

Relates    to    Drury    Lane    Theatre.      Another    copy    is    on    shelf-number    No.  3  in 
**G. 3824.17. 

Nelson,  John  Arthur. 

The  photo-play,  how  to  write,  how  to  sell:  being  a  practical  and 
complete  treatise  upon  the  form,  structure  and  technique  of  the 
modern  picture  play.  2d  edition,  enlarged.  Los  Angeles.  Photo- 
play Publishing  Co.     1913.  80393.66 

[545] 
35 


THE  PUBLIC  LIBRARY   OF.THE   CITY   OF  BOSTON 

Nelson,  M.  E.  E. 

My  wife's  pinmoney;  or,  the  marriage  in  extremes.  London. 
Saunders,  Otley,  &  Co.     i860,     vii,  198,  (i)  pp.  **T.88.4 

Relates  to  the  second   marriage  of  the   dramatist  Wycherley,   eleven   days  before 
his  death. 
Netherlands.     Theatres. 

Coiix,  A.  Shakespeare  in  Germany  in  the  sixteenth  and  seven- 
teenth centuries:  an  account  of  English  actors  in  Germany  and 
the  Netherlands.     London.     1865.  *459i-3 

Heller  von  Hellw.ald,  F.  Geschichte  des  hollandischen  Theaters. 
Rotterdam.      1874-  2870.11 

KossM.\NN,  E.  F.  Nieuwe  bidragen  tot  de  geschiedenis  van  het 
Nederlandsche  tooneel  in  de  i7e  en  i8e  eeuw.  's-Gravenhage. 
1915.     Portrait.     Plates.  **T.75.78 

WoRP,  J.  A.  Geschiedenis  van  het  drama  en  van  het  tooneel  in 
Nederland.     Deel  i.  2.     Groningen.     1904,  1908.     2  v.  4874.133 

De  invloed  van  Seneca's  treurspelen  op  ons  tooneel.     Amster- 
dam.    1892.  2900b. 44 
Neuber,  Caroline.     See  Neuber,  Friederike  Karoline. 

Neuber,  Friederike  Karoline. 

Reden-Esreck.  F.  J..  Freiherr  von.  Caroline  Neuber  und  ihre  Zeit- 
genossen.  Ein  Beitrag  zur  deutschen  Kultur-  und  Theater- 
geschichte.     Leipzig.     1881.     Portrait.     Plate.  **T.55.66 

Neuendorf f,  B. 

Die  englische  Volksbiihne  im  Zcitalter  Shakespeares  nach  den 
Biihnenanweisungen.  Berlin.  Felber.  1910.  viii,  230  pp. 
[Literarhistorische  Forschungen.]  4874.154 

Neukomm,  Edmond. 

Fetes  et  spectacles  du  vieux  Paris.  Paris.  Dentu.  1886.  (3),  278 
pp.  **T.77.i6o 

Neuville,  Honore  Bourdon  de. 

HiPPEAU,  C.  Le  comedien  Neuville  et  M"'^  de  Montansier  au  theatre 
de  Rouen.     Rouen.     1862.  **T.96.3 

Neville,  Henry  G. 

Gesture.      (In    Voice,    speech    and    gesture.      Pp.    ioi-i6q.      London. 

1895.     Illus.     Plates.)  **M.2i8.2 

Same.     (In  Same.     1904.)  3599.182 

The  stage:  its  past  and  present  in  relation  to  fine  art.     Being  the 

subject  of  a  lecture  delivered  by  the  author  for  the  Society  for 

the    Encouragement    of    the    Fine    Arts,    on    the    13th    July,    1871. 

Revised  and  enlarged.    London.    Bentley.    T875.   xvi,  96  pp.   2473.57 

Neville  &  George,  London. 

A  catalogue  of  books  relating  to  the  drama  and  the  stage,  including 
purchases  from  the  libraries  of  the  late  "Charlie"  Warner,  Charles 
Hiatt,  E.  L.  Blanchard,  Esq.,  and  others.  London.  [Murray  & 
Co.]      1909.     12  pp.     [Catalogue  no.  9.]  **T.67.5 

Relates  mainly  to  the  English  drama. 

New  art,  The,  of  writing  plays.     Vega  Carpio,  L.  F.  de.         **T. 46.60.1 
New   Evening  Theatrical    Observer;   with   bills   of   the   play.      [ Daily. 1 

No.  10.     Jan.  I,  1830.     [London.]      1830.     i  v.  **T.25.28 

New  Hampshire.     General  Court.     Petitions. 

Attempt  to  establish  a  play-house  in  [Portsmouth]  New  Hampshire, 

1762.     (In  New  Hampshire  Historical  Society.     Collections.     Vol. 

5,  pp.     247-250.     Concord.     1837.)  *4337-44-5 

Petitions  for  and  against  the  project,  with  Assembly's  Address  to  prevent  acting 

plays. 

[546] 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 


New   Irish   drama,  The.      Bates,   K.   L.,   compiler.  2175.75 

New  miscellany,  A,  for  tlie  year  1737.     Containing  1.  The  vision  of  tlic 

golden    rump.     11.   A   dissertation   upon   kicking,     in.   The    Lord 

C d's   speech  against  the  play-bill,   in   the   House   of  Peers. 

IV.    C C r's    letter   to   the    Craftsman,    upon    the    l)ill    for 

restraining  the  stage.  London:  Printed  for  S.  Osborne.  1737. 
(l),  29  pp.  No.  I  in  **G.3823!i5 

The  first  two  articles  arc  reprinted  from  the  paper  called  Common  Sense.  All 
relate  to  the  English  theatre,  the  last  two  particularly  to  the  censorship  of  the 
stage. 

New  Monthly  Belle  Assemblee,  The.  Biographical  sketches  of  illustri- 
ous and  distinguished  ladies.  [London.  1812-18.]  (62)  pp.  **T.i5.io 
Composed  of  articles  about  actresses  cut  from  La  Belle  Assemblee  Hater  The 
New  Monthly  Belle  Assemblee).     The  volume  is  indexed. 

New  movement,  The,  in  the  theatre.     Cheney,  S.  6257.87 

New  Orleans,  La.     Theatres. 

Lorgnette,  La.  Revue  des  theatres,  courrier  des  salons,  journal  des 
artistes.  [Deux  fois  par  semaine.]  Vol.  i  (no.  1-28).  12  decem- 
bre,  1841  -  17  mars,  1842.  Nouvelle-Orleans.  1841,42.  **T.23.3 
New  theatrical  dictionary,  A,  containing  an  account  of  all  the  dramatic 
pieces.  Added,  an  alphabetical  catalogue  of  dramatic  writers, 
with  the  pieces  they  have  written  and  a  short  sketch  of  the  Eng- 
lish stage.     London:  Printed  for  S.   Bladon.     1792.     (8),  400  pp. 

**T.68.i 
New  Thespian  oracle.  The;   containing  original   strictures   on  oratory 
and  acting.     And  a  select  collection  of  all  the  modern  prologues, 
and  epilogues,  spoken  at  the  royal  and  private  theatres.     London: 
Printed  for  Bentley.     1791.     11-18,  21-58  pp.     Portrait.    **T.37.i8i 
New  way,  The,  to  act  old  plays.     A  familiar  epistle  to  the  management 
of  Drury  Lane  Theatre,  on  the  present  state  of  their  stage.     Lon- 
don.     Stodart.      1818.      36   pp.  No.  11  in  **G. 3823. 18 
New  wrinkle,  The,  at  Sweetbrier.     Hosmer,  J.  K.  4498.107 
New  York,  City.    Public  Library. 

Duplicates  from  the  New  York  Public  Library  including  some  rare 
Shakespeareana,  Works  of  the  Elizabethan  and  Restoration 
dramatists,  etc.  For  sale  at  auction.  May  4,  1906.  New  York. 
The  Anderson  Auction  Co.  1906.  37  pp.  [No.  457-]  **T.65.26 
Stage  scenery.  A  list  of  references  to  illustrations  since  1900  in 
the  New  York  Public  Library.  Compiled  by  William  P.urt 
Gamble.     New  York.     1917.     86  pp.  **T.64.6 

New  York,  City.     Theatres. 

Baker,   L.    C.     The    German   drama    in    English   on   the    New   York 
stage   to    1830.      [Philadelphia.]      1917.  4393.227 

Brown,   T.  A.     A  history  of  the   New  York   stage   from   the   first 
performance  in  1732  to  1901.    New  York.    1903.   3  v.  *4395.i76;  etc. 
CoAD,  O.  S.     William  Dunlap.     A  study  of  his  life  and  works  and 
of  his  place  in  contemporary  culture.     New  York.     1917-     Por- 
traits.    Plates.  **T.95-i52 
D.,   H.  N.     Fifty  years  of  a  play-goer's   journal;  or,  annals  of  the 
New  York  stage,  from  A.D.  1798  to  A.D.  1848.    With  biographical 
sketches  of  the  principal  performers.   New  York,   [i860.]   **T.77.i82 
Davis,   M.  M.,  Jr.     The  exploitation  of  pleasure.     A  study  of  com- 
mercial recreations  in   New  York  City.     New  York  City.     191 1. 

5577-229 

Dimmick,  R.  C.     Our  theatres  to-day  and  yesterday.     Beginning  of 

the  drama  on  Manhattan  Island  and  the  troublous  days  of  early 

[547] 


THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 


New  York,  City.     Theatres.     (Continued.) 

managers  and  players,  with  anecdotal  account  of  the  growth  of 
the  amusement  industry.  From  1732  to  1913.  New  York.  [1913.] 
Plates.  4395.206 

HuTTON,  L.     Plays  and  players.     New  York.     1875.    2405.59;  **T.76.56 

Ireland.  J.  N.  Records  of  the  New  York  stage,  from  1750  to  i860. 
New  York.     1866,67.    2  v.     Portraits.  **T.75.22;  etc. 

Lansing  &  Co.,  publishers.  Interior  views  (with  seats  numbered). 
New  York  &  Brooklyn  theatres.  [New  York.]  1880.  Plans.  **T.97.8t 

Pictorial    diagrams    of    Boston,    New    York,    and    Philadelphia 

theatres.      Boston.      [1881.]      Illus.      Plans.  **T.78.86 

McBride,  T.  J.,  compiler.  Diagrams  of  the  leading  New  York  theatres. 
[New    York.      1879.]  No.  3  in  *4388.5i 

NouTHALL,  W.  K.  Before  and  behind  the  curtain:  or,  fifteen  years' 
observations  among  the  theatres  of  New  York.     New  York.     1851. 

**T.77.i30 

Odell,   G.  C.  D.     'A  midsummer  night's  dream'  on  the   New  York 

stage.     (/;;  Matthews,  J.  B.,  and  A.  H.  Thorndike.  editors.     Shak- 

•  sperian  studies.     Pp.  117-162.     New  York.     1916.)  4596.159 

[Theatres  and  public  halls  of  New  York.  Plans  of  seats.  Boston. 
1870.]      Plate.     Plans.  **T.78.87 

New  York,  City.     Theatres.     Astor  Place  Opera  House. 

Account  of  the  terrific  and  fatal  riot  at  the  New- York  Astor  Place 
Opera  House,  May  loth,  1849;  with  the  quarrels  of  Forrest  and 
Macready.  including  all  the  causes  which  led  to  that  awful  tragedy. 
New- York.     1849.     Plate.  4374.27;  **T.56.ii6;  etc. 

American  citizen.  An,  pseud.  A  rejoinder  to  "The  replies  from 
England,  etc.  to  certain  statements  circulated  in  this  country 
respecting  Mr.  Macready."  With  an  impartial  history  and  review 
of  the  lamentable  occurrences  at  the  Astor  Place  Opera  House. 
New  York.      1849.  4374.72;  **T.56.ii7;  etc. 

New  York,   City.      Theatres.     Belasco  theatre. 

Ford,  J.  L.     The  story  of  Du  Barry.     Mrs.  Leslie   Carter   edition. 

[Privately  distributed  at  the  opening  of  the  Belasco  Theatre,  and 

containing   a    description    of   the    theatre.]      New    York.      [1902.] 

Portraits.     Plates.  **T. 46.72 

New   York,   City.     Theatres.      Century  theatre. 

William  Winter  testimonial.  The.  Century  Theatre,  March  four- 
teenth, nineteen  hundred  and  sixteen.  [Programme  and  tributes. 
New  York.]     tqi6.     Portrait.  **T.52.i3 

New  York,  City.     Theatres.     Children's  educational  theatre. 

Herts,  A.  M.  The  Children's  educational  theatre.  With  an  intro- 
duction by  Charles  W.  Eliot.    New  York.    1911.    Portrait.    Plates. 

5598.186 
New  York,  City.    Theatres.    Colosseum. 

Description  of  the  Colosseum,  Broadway,  35th  and  36th  Streets, 
New  York.  The  largest  iron  structure  in  the  world.  A  history 
of  the  world  renowned  cycloramas,  London  of  1828,  Paris  by 
moonlight,  and  London  of  1873,  by  night.  [New  York.  1874.] 
Plates.  6262.88;  etc. 

New  York,  City.     Theatres.     Daly's  theatre. 

D.,  E.  A.  Memories  of  Daly's  theatres.  With  passing  recollections 
of  others  including  a  record  of  plays  and  actors  at  the  Fifth 
Avenue  Theatre  and  Daly's  Theatre.  1869-95.  [New  York.] 
1897.    Illus.    Portraits.  **T.76.I95 

[548] 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 


New  York,  City.     Theatres.     Daly's  theatre  company. 

Lcs  2,  3  et  4  septembrc  iS86.  La  troupe  amcricaine  d'Augustin  Daly 
du  Daly's  Theatre,  New-York,  donnera  uiie  serie  dc  representa- 
tions au  Theatre  du  vaudeville.  [Programmes  et  resumes.  Paris. 
Imprimerie  nouvelle.]      i886.     8  pp.  **T.ii,8 

New  York,  City.    Theatres.    Eden  Musee. 

Catalogue.     New  York.     [1884.]      Diagrams.  6237.30;  **T.94.2o 

Monthly  catalogue.  June,  1887.  [New  York.]  1887.  Plate.  Plan. 
Diagrams.  **T.94.2i 

New  York,  City.     Theatres.     Fifth  Avenue  theatre. 

D.,  E.  A.     Memories  of  Daly's  theatres.    With  passing  recollections 

of  others,   including  a  record  of  plays  and  actors  at  the   Fifth 

Avenue    Theatre    and    Daly's    Theatre.      1869-95.      [New    York.] 

1897.    Illus.    Portraits.  **T.76.i95 

New  York,  City.     Theatres.     Fourteenth  Street  theatre. 

Memoir,  Marie  Seebach.  New  York.  [1870.]  (4),  9,  (3),  10-26  pp. 
Portrait.  **T.94.25;  etc. 

New  York,  City.     Theatres.    Lyceum  theatre. 

Frohman,  D.  Memories  of  a  manager.  Reminiscences  of  the  old 
Lyceum  and  of  some  players  of  the  last  quarter  century.  Garden 
City.     1911.     Portraits.     Plates.  6257.65;  **T.57.44i 

New  York,  City.     Theatres.     Madison  Square  theatre. 

Ei.LioT,  W.  G.  Ventilation  of  the  Madison  Square  theatre.  New 
York.      1880.     Illus.     Plan.  8098.6 

New  York,  City.     Theatres.     New  theatre.     1909-1911. 

The  New  Theatre,  New  York.      [New  York.     1909.]      16  pp.     Illus. 

Portraits.  4395.198 

New  York,  City.     Theatres.     New  theatre.     1909-1911.     Works  about. 

Howe,  P.  P.     The  Repertory  theatre.     A  record  &  a  criticism.     New 

York.     191 1.  6252.87 

New  York,  City.    Theatres.     Niblo's  Garden. 

Description  of  the  picture,  Belshazzar's  feast,  painted  on  near  2,000 
feet  of  canvas.     Open  at  the  diorama  at  Niblo's  Garden,  Broad- 
way.    [New  York.]     Booth.     [185-?]     16  pp.  80793.99 
English  opera  at  Niblo's  Garden.     [Prospectus.]     New  York.     1854. 
(8)  pp.  8059.56 
New  York,  City.     Theatres.     Park  theatre. 

Play  bills.     Sept.  i   [i82i-]July  5,  1822.     [New  York.     1821,  22.] 

**T,io.7o 

Opened  Jan.  29,  1798,  under  the  name  of  the  "New  Theatre."  Feb.  27,  1822, 
the  name  changed  to  "Theatre."  It  was  always  known  as  the  "Park  Theatre," 
and  was  destroyed  by  fire  Dec.  16,  1848. 
New  York,  City.  Theatres.  Raymond  Hitchcock's  44TH  Street  the.\tre. 
Souvenir  programme.  Edward  E.  Rice's  testimonial  in  celebration 
of  his  forty  years  in  management,  1877-1917,  tendered  by  members 
of  his  companies  and  other  friends,  Sunday,  October  28,  1917. 
[New  York.  The  Kane  Press.  1917.]  (18)  pp.  Portraits.  Plates. 
Autograph  facsimiles.  **T.i2.i3 

Contains  a  biographical  sketch  of  Mr.  Rice,  names  of  prominent  artists  and 
musicians  who  have  been  under  engagement  to  him,  and  a  list  of  his  productions. 

New  York,  City.     Theatres.     Theatre  du  vieux  colombier. 

A  new  French  theatre  in  America.  Theatre  du  vieux  colombier, 
Paris  —  New  York.  1917-1918.  [New  York.  I9i7-]  (18)  pp. 
Seal.     Autograph  facsimile.  **T.77.232 

A  short  account  of  the  Paris  theatre,  with  testimonials  of  its  success,  and  a 
biographical  sketch  of  Copeau,  its  founder.  Contains  also  a  prospectus  of  the 
1917-18  season  at  the  New  York  theatre. 

[549] 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 

New  York,  City.     Theatres.     Theatre  FRANgAis. 

Season  of  1868-69.  Lessee  and  director  J.  Grau.  New  York.  1868. 
II  pp.  **T,97.204 

A  prospectus  of  a  season  of  French  opera  bouffe. 

New  York,  City.     Theatres.     Theatre  of  arts  and  letters. 

[Certificate  of  incorporation,  by-laws,  lists  of  officers  and  members.] 
New  York.     1893.     54  pp.  *4479.2oo 

New  York,  City.     Theatres.    Union  Square  theatre. 

Palmer,  A.  M.  Catalogue  of  the  library  of  the  late  Albert  M. 
Palmer.  Including  Shakespeare  and  Shakespeariana,  costumes, 
biographies,  stage  histories,  rare  dramatic  magazines  and  tracts, 
old  plays;  works  of  the  dramatists.  History  of  the  Union  Square 
Theatre.  To  be  sold  at  auction  January  30th  and  31st,  1906.  By 
the  Merwin-Clayton  Sales  Company.  Part  i.  New  York.  1906. 
Portraits.  **T.65,3i 

New  York,  City.     Theatres.     Wallack's  theatre. 

Wallack,  J.  J.  Memories  of  fifty  years.  New-York.  1889.  Por- 
traits.     Plates.  4342.88;  **T.57. 107;  etc. 

New  York  Amusement  Gazette.  [Weekly.]  Dramatic,  musical,  athletic, 
social,  literary.  Vol.  1-12;  13  (no.  i,  33-39,  41-52);  14,  15,  16  (i, 
19-25);  17  (i-io);  18  (i).  New  York.  1885-91.  18  v.  in  4.  Por- 
traits.    Plans.  **T.23.i3 

New  York  Clipper.  [Weekly.]  The  oldest  American  sporting  and 
theatrical  journal.  Vol.  30  (no.  35) -31  (no.  36).  November  18, 
1882 -November  24,  1883.  New  York.  1882,83.  2  v.  Illus.  Por- 
traits. *N.i409.6 

New  York  Clipper  Annual  for  1875-99,  1901.  Containing  theatrical, 
musical,  and  sporting  chronologies,  aquatic  and  athletic  perform- 
ances, etc.  New  York.  Frank  Queen  Publishing  Co.,  Ltd.  1874- 
1901.     7  v.     Illus.     Portraits.     Plates.  *8oo7.ii 

Previous  to   1883  this  was  called  the   New   Vork   Clipper. 

New  York  Dramatic  Mirror,  The.  [Weekly.]  Vol.  62-.  July,  1909, 
to  date.     New  York.     Illus.  Portraits.  **T.22.2 

Edited  by  Harrison  Grey  Fiske  from  1879-1911. 

[Cuttings  from  the  New  York  Dramatic  Mirror  describing  the 
Edwin  Forrest  Home  for  retired  actors,  with  accounts  of  some 
of  its  occupants.     New  York.     1899?]      10  pp.     Illus.     Portraits. 

*4340.i40 

[Cuttings  from  the  Matinee  girl  column  of  the  New  York  Dramatic 
Mirror,  relating  principally  to  the  American  stage.  By  Kate 
Masterson.  Compiled  by  Allen  A.  Brown.  Boston.  1906,  12.] 
2  V.     Illus.     Portrait.  **T.i4.6 

[Cuttings  from  the  Lusher  column  of  the  New  York  Dramatic  Mirror, 
relating  principally  to  the  American  stage.  1900-1909.  Compiled 
by  Allen  A.    Brown.     Boston.     1909.]^  **T,i4.7 

New  York  Dramatic  News.  [Weekly.]  Vol.  12,  13;  15  (no.  4-26);  16-21; 
22  (no.  2-26);  23;  24  (no.  1-24);  25,  26;  29  (no.  i-ii,  13-22);  30 
(no.  6-17,  19-27,  29,  30);  33  (no.  2-4,  6-10,  12,  14-26);  34  (no.  1-4). 
Mar.  26,  i88i-Dec.  26,  1891.  New  York.  1881-91.  18  v.  in  10. 
Jllus.     Portraits.  **T.2i.i 

Newberry  Library,  Chicago. 

Materials  for  the  study  of  the  English  drama  (excluding  Shakespeare). 
A  selected  list  of  books  in  the  Newberry  Library.  Chicago,  111. 
[1912.]     vii,  89,   (i)  pp.  *2i44.io7.i 

[550] 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 


Newcastle-upon-Tyne.     Theatres.     Theatre  Royal. 

Theatrical  Critique.     [Nov.  7,  Dec.  10,  1829.     Newcastle.     1829.] 

**T.26.47 
Thoughts  on  the  kte  disturl^ance  at  the  Theatre-Royal,  Newcastle 
Newcastle.     1789.  **T.76.i2i;  etc! 

Newhall,  Fales  Henry. 

The  theater;  a  discourse,  March  15,  1863.  Boston.  Magee.  1863 
27  pp.   .  .  **T.76.i8o 

In  opposition  to  the  theatre. 

Newton,  Henry  Chance. 

Sixty   years'   stage    service,    being   a    record   of   the    life    of   Charles 

Morton,  "the  Father  of  the  Halls."     Compiled  by  W.  H.  Morton 

and  H.   Chance   Newton.     London.     Gale  &  Polden,   Ltd.      1905. 

viii,  208  pp.     Illus.     Portraits.     Plates.  **T.56.i63 

Newton,  William  Wilberforce. 

Christianity  and  popular  amusements;  or,  the  Church  and  the  theatre. 

A  paper  read  at  the  Church  Congress  of  the  Protestant  Episcopal 

Church,   New  York,   November   i,   1877.     Boston.     Mudge.     1877. 

19  pp.  **T.76.i8i 

Niboyet,  Jean  Alexandre  Paulin.     (Fortunio.) 

Les   marionnettes   parisiennes.     Paris.     Dentu.     1878.      (3),   368  pp. 

A  novel   of  theatrical  life.  **T.87.83 

Nichols,  John. 

The  progresses  and  public  processions  of  Queen  Elizabeth.  Among 
which  are  interspersed  other  solemnities,  public  expenditures  and 
remarkable  events.  Collected  from  original  manuscripts,  scarce 
pamphlets,  &c.,  &c.  Illustrated  with  historical  notes.  A  new 
edition.  London.  Nichols.  1823.  3  v.  Portraits.  Plates.  Fac- 
similes. **G.3752.3 
The  progresses,  processions,  and  magnificent  festivities,  of  King 
James  the  First,  his  royal  consort,  family,  and  court,  comprising 
forty  masques  and  entertainments;  ten  civic  pageants;  numerous 
original  letters.  Illustrated  with  notes.  London.  Nichols.  1828. 
4  V.     Illus.     Portraits.     Plates.     Facsimile.  *245i.3 

Another  copy  is  on  shelf-number  **G.37S2.4. 

Nichols,  John,  editor. 

Theatre,  The,  by  Sir  Richard  Steele;  [No.  1-28,  January  2 -April  5, 
1720];  to  which  are  added,  the  Anti-Theatre;  The  character  of 
Sir  John  Edgar;  Steele's  case  with  the  Lord  Chamberlain,  &c. 
London.     1791.     Portrait.  **T.26.23;  etc. 

Nichols,  Thomas  L. 

A  biography  of  the  Brothers  Davenport.  With  some  account  of  the 
physical  and  psychical  phenomena  which  have  occurred  in  their 
presence,  in  America  and  Europe.  London.  Saunders,  Otley  & 
Co.     1864.    viii,  360  pp.  **T.57.5i 

Nicholson,  Brinsley. 

Kemp  and  the  play  of  Hamlet  —  Yorick  and  Tarlton  —  a  short 
chapter  in  dramatic  history.  (In  New  Shakspere  Society.  [Publi- 
cations.] Series  i.  Transactions.  No.  8.  1880-6.  Part  i,  pp. 
57-66.     London.     1881.)  *6552.io.i88o-i886.i 

Another  copy  is  on  shelf-number  **G.  100.1.1880-1886. 

Nicholson,  Lord  Chief  Baron.     See  Nicholson,  Renton. 
Nicholson,  Renton. 

The  Lord  Chief  Baron  Nicholson.  An  autobiography.  London. 
Vickers.     [i860.]     (3),  380  pp.  ♦*T.58.io8 

[551] 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 


Nicholson,  Reiitoii.     (Continued.) 

Nicholson's  Sketches  of  celebrated  characters,  and  key  to  the  Judge 

and  Jury  Society,  Garrick's  Head  Hotel,  Bow  Street.  [London. 

1844?]     14  pp.     Plate.  **T.55.i22 

A  key  to  a  picture  by  Archibald  Henning. 

Nicholson,  Watson. 

The  struggle  for  a  free  stage  in  London.  Boston.  Houghton, 
Mifflin  &  Co.     1906.     xii,   (i),  476  pp.  2552.33 

Bibliography,   pp.   435-460. 
Nick,  A.  Friedrich. 

Die  Hof-  und  \^olks-Narren  sanimt  den  narrischen  Lustbarkeiten 
der  verschiedenen  Stande  aller  Volker  und  Zeiten.  Aus  Flogels 
Schriften  und  andern  Quellen.     Stuttgart.     Scheible.     1861.     2  v. 

2280.20 
Nicolet,  Jean  Baptiste. 

Manne.  a.  E.  D.  de.  and  C.  Menetrier.  Galerie  historique  des 
comediens  de  la  troupe  de  Nicolet.  Notices  sur  certains  acteurs 
et  mimes  qui  se  sont  fait  un  nom  dans  les  annales  des  scenes 
secondaires  depuis  1760.  Avec  des  portraits  graves  a  I'eau-forte 
par  Frederic   Hillemacher.     Lyon.      i860.  **T. 56.340 

Niemann,  Georg  Heinrich  Leonhard. 

Das  Theater  in  Ephesos.  Bearbeitet  von  R.  Heberdey,  G.  Niemann, 
W.  Wilberg.  [Wien.  Holder.  1912.]  (3),  ii,  230  pp.  lUus. 
Plates.  Plans.  Facsimiles.  [Osterreichisches  archaeologisches 
Institut,   Vienna.     Forschungen   in    Ephesos.      Band    2.] 

The  preface  is  written  by  Emil  Reisch.  *Cab. 30.39. 6.2 

Niggli,  Arnold. 

Faustina   Bordoni-Hasse.     Eine   Primadonna  des  achtzehnten   Jahr- 

hunderts.     (In   Sammlung  musikalischer  Vortrrige.     Neue    Rcihe. 

Pp.  261-318.     Leipzig.     1880.)  **M.io5.3.2;  *8o42.ioi..2 

Gertrud    Elisabeth    Mara:    eine    deutsche    Kiinstlerin    des    18.    Jahr- 

hunderts.      [Leipzig.      1881.]      163-208  pp.  No.  8  in  **M. 215.4 

Cut  from  Sammlung  musikalischer  Vortrage,  Reihe  3    [*8o42.ioi.3  ;   **M.  105.3.3]. 

Nights  at  the  play.     Cook,  E.  D.  2475.55;  **T.47,50 

Nilsson,  Christine. 

Charnace,  G.  de.  Les  etoiles  du  chant  [Patti,  Nilsson,  Gabrielle 
Krauss].     Paris,     i860.     Portraits.  **M.i96.i 

A  star  of  song!     The  life  of  Christina   Nilsson.     New   York. 

1870.     Portrait.  4048.37;  No.  i  in  **M. 207. 26 

Nimes,  France. 

Pelet,  a.  Description  de  I'amphitheatre  de  Nimes.  Nimcs.  1853. 
Plates.     Plans.  4094.102 

Nine  years  of  an  actor's  life.     Dyer,  R.  **T.57.222 

Nipclose,  Sir  Nicholas,  Baronet,  pseud.     See  Garrick,  David. 
Nirdlinger,  Charles  Frederic. 

Masques  and  mummers.  Essays  on  the  theatre  of  here  and  now. 
New  York.     De  Witt.     1899.     x,  370  pp.  4395.152;  **T.47.38 

Nirdlinger,  Charles  Frederic,  editor. 

Gallery  of  players.      [Quarterly.]      No.    1-9,    11.     From  The   Illus- 
trated American.     New  York.     1894  [-97].     10  parts  in  i  v.     Por- 
traits. **T.52.9 
Nisbet,  Charles,  editor. 

Bauer,  C.  Caroline  Bauer  and  the  Coburgs.  Translated  and  edited 
from  Nachgelassene  Memoiren  von  Karoline  Bauer.  London. 
1885.     Portraits.  2858.58 


[552] 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 

No  actress.     Besemeres,  J.  D.  **T.88.2o 

"No  salary  required."    R.,  N.  **T.86.8 

Nobles,  Milton. 

Milton  Nobles'  "Shop  talk."  [Milwaukee.  i88-?]  205  pp.  Illus. 
Portrait.    Plate.    Autograph  facsimile.  **T.97.i3i 

Contents.  —  The  palmy  day  tragedian,  six  papers.  —  Yorick's  skull.  —  Hard 
times.  —  Penalty  Uloggs.  —  The  Isaacs-Crummels'  boom.  —  "George."  —  Stage 
aspiranlts.  - —  A  chat  with  the  brakeman.  —  "Sary."  —  The  mission  of  the 
theatre.  —  And  the  villain  still  pursued  her.  —  Stage  anecdotes.  —  Wrecked 
geniuses.   —  A   running  conversation.  —  Flotsam   and  jetsam. 

Nobody,  pseud.    See  Richmond,  James  Cook. 
Noel,  fidouard. 

La  Comedie-frangaise  en  1877.  Precedee  d'une  etude  sur  I'etat  actuel 
du  theatre  en  province  par  Edmond  Got.  Paris.  Charpentier. 
1878.    xxii,  72  pp.    Portrait.    Autograph  facsimile.  **T.76.82 

Noel,  fidouard,  editor. 

Annales,  Les,  du  theatre  et  de  la  musique.  Annee  1-37.  1875-1911. 
Paris.     1876-1912.     37  V.     Portrait.  **T.27,i 

Noel,  Eugene. 

Moliere:  son  theatre  et  son  menage.  3e  edition.  Ornee  d'un  portrait 
par  A.   Esnault.     Paris.     Becus.     1880.     252  pp.     Portrait. 

**T.59.6 
*Noh'  or  accomplishment.     Fenollosa,  E.  F.,  and  E.  L.  Pound.     5028.43 

Nolan,  Kate  Ryan.    See  Ryan,  Kate. 

Nolan's   Theatrical    Observer.      [Daily.]      Jan.   26,    1822 -Jan.   28,    1823. 
[Dublin.     1822,  23.]     8  v.  in  i.     Portraits.  **T.28.i7 

The  set  is  very  incomplete  A  list  of  the  numbers  included  in  it  is  prefi.\ed  to 
the  volume. 

Nolle,  Alfred  Henry. 

The  German  drama  on  the  St.  Louis  stage.  A  thesis.  [Philadelphia.] 
University  of  Pennsylvania.  1917.  83  pp.  Tables.  [Americana 
Germanica.     New   series.     No.   32.]  4393.228 

Norman,  George  James,  compiler. 

Theatrical  woodcuts  collected  by  Geo.  James  Norman.  N.  p.  [1855?] 
232  pp.     Illus.     Portraits.     Plates.  **T.i3.2 

Relates  principally  to  London. 

Norman,  Sir  Henry. 

An  account  of  the  Harvard  Greek  play.  Boston.  Osgood  &  Co. 
1882.      129    pp.      Portraits.      Plates.      Music.         3006.8;  **T. 57. 125 

An  account  of  the  performance  of  the  CEdipus  Tyrannus  of  Sophocles  A  partial 
bibliography,    I'P-    127-129.      Another   copy    is    on    shelf-number   **K.254. it. 

Northall,  William  Knight. 

Before  and  behind  the  curtain,  or,  fifteen  years'  observations  among 
the  theatres  of  New  York.    New  York.    Burgess.     1851.    3-229  pp. 

**T.77.i30 
Northall,  William  Knight,  editor. 

Life  and  recollections  of  Yankee  Hill.  With  anecdotes  and  incidents 
of  his  travels.     New-York.     Burgess.     1850.     203  pp.     Illus. 

**T.57.287 
Northbrooke,  John.    , 

A  treatise  against  dicing,  dancing,  plays,  and  interludes.  With  other 
idle  pastimes.  From  the  earliest  edition,  about  A.D.  I577-  With 
an  introduction  and  notes.  London.  The  Shakespeare  Society. 
1843.     XX,  188  pp.  4596.62;  **T.96. 14 

Contains  a  reproduction  of  the  title-page  of  the  original  edition.  Other  copies 
are  on  shelf-numbers  No.  i  in*4S96.6;  **G. 3927.5. 

[553] 


THE  PUBLIC  LIBRARY  OF  THE   CITY  OF  BOSTON 


Norwich,  England.     Theatres.    Theatre  Royal. 

Bellamy,    B.   P.     A  letter   to   the   dramatic   censor   of   the    Suffolk 
Chronicle.     Ipswich.      [1813.]  **T. 56.249 

Nos  jolies  actrices.     See  Reutlinger,  .     Le  panorama. 

Nos  mosurs.    Giffard,  P.  L.  **T.77.iii 

Nos  theatres  de  1800  a  1880.     Leveaux,  A.  **T.77.i48 

Nossiter,  Miss  . 

Letter,  A,  to  Miss  Nossiter.     Occasioned  by  her  first  appearance 

on  the  stage:  in  which  is  contained  remarks  upon  her  manner  of 

playing   the    character    of   Juliet.      With    theatrical    observations. 

London.     1753.  **T.97.59;  etc. 

Nosworthy,  Louisa. 

The    stage    and    Christianity   reconciled.     The    simple    story    of   the 

real  troubles  of  an  inquirer  after  truth.    By  a  lady  amateur  actress 

of     Manchester.       Manchester.       The     Guardian     steam-printing 

offices.     1866.     16  pp.  **T.96.i07 

Nothing,  Marcus,  pseud.    See  Dreyfous,  Maurice. 

Notice  biographique  sur  Miss  Adah  Isaacs  Menken,  artiste  americaine. 

Paris.     Librairie   dramatique.      1867.      14  pp.  2344.56 

Notice  sur  I'enterrement  de  M"e  Raucourt,  actrice  du  Theatre  fran^ais, 

morte  le   15  Janvier  1815.     Paris.     Rougeron.     1821.      (3),   iv  pp. 

Plate.  **T.54.24 

Notices  of  the  acted  drama  in   London    [etc.     Edinburgh.      1818]. 

No.  19  in  **G.3822.3 
Nourrit,  Adolphe. 

BouTET  de   Monvel,   £.     Un  artiste   d'autrefois.     Adolphe    Nourrit: 

sa  vie  et  sa  correspondance.     Paris.     1903.     Portraits.       4049a.24i 

Quicherat,  L.  M.    Adolphe  Nourrit:  sa  vie,  son  talent,  son  caractere, 

sa  correspondance.     Paris.     1867.     3  v.     Portrait.  **M.ii4.i 

Nourry,  Guillaume  Antoine. 

Paroisse-Pougin,  F.  A.  A.     La  Comedie-frangaise  et  la   Revolution. 
Paris.     [190-?]  4676.128 

Noury,  J. 

M'l'^  de  Champmesle,  comedienne  du  roy.     Rouen.     Cagniard.     1892. 
179  PP-    Autograph  facsimile.  **T.54.2i 

Bibliographie,  pp.    162-167. 

Nouveau  calendrier  historique  des  theatres  de  I'Opera  et  des  Comedies 
frangoise  et  italienne  et  des  foires.     See  Almanach  des  spectacles 
de  Paris. 
Nouvelle  galerie  des  artistes  dramatiques  vivants.     Geoffroy,   C.   M. 

**T.53.9 
Nouvelle  grande  biographic  dramatique.     Claqueur  patente,  Un,  pseud. 

**T.59.26 
Nouvelle    Wjrgnette,    La,    de    spectacles.      Pillet,    F.,    and    others. 

**T.59.46 
Nouville,  Adolphe. 

Creation  d'un  llicatre  d'essai.    Memoire.     [Paris.]     Mascagna.     [1848.I 
16  pp.  No.  3  in  **M. 122.38 

Novello,  Clara  Anastasia.     See  Grigliucci,  Clara  Anastasia,  Conicssa. 
Novels.    See  Fiction. 
Noverre,  Jean  Georges. 

Lettres  sur  les  arts  imitateurs  en  general,  et  sur  la  danse  en  particu- 

lier.     Paris.     Collin.     1807.     2  v.     Portrait.  **T.97.53 

Lettres  sur  la  danse,  et  sur  les  ballets.     A  Stutgard,  et   se  vend  a 

Lyon,  chez  Aime  Delaroche.     1760.  **T.98.7i 

|5S4] 


BROWN   COLLECTION    OF   BOOKS    ON    THE   STAGE 


Noverre,  Jean  Georges.     (Continued.) 

Observations  sur  la  construction  d'une  nouvelle  sallc  dc  I'opera.  A 
Amsterdam.  Chez  Changuion,  et  se  trouve  a  Paris,  chcz  P.  de 
Lormel.     1781.     (i),  39  PP-  **T.77.48 

Relates  to  the  Opera,   Paris. 

Noverre,  Jean  Georges.     Works  about. 

Angiolini,  G.  Lettere  a  Monsieur  Noverre  sopra  i  balli  pantomimi. 
[Milano.     1773.]  4057.11 

Nuell,  Eduard  van  der,  and  August  von  Siccard  von  Siccardsburg. 
Das    Kaiserlich-koniglichc    Hof-Opernhaus    in    VVien.      Wien.      Lch- 
mann.     1885.     (19)  pp.     80  plates.     [Wiener  Monumental-Bauten. 
I.]  *Cab.6o.5o.i 

Nuitter,  Charles,  pseud.  See  Trviinet,  Charles  Louis  fitiennc. 
Nutt,  Comiuodorc.  See  Nutt,  George  Washington  Morrison. 
Nutt,  George  Washington  Morrison. 

History  of  Commodore  Nutt,  the  smallest  man  in  miniature  in  the 
known  world.  Now  exhibiting  at  Barnum's  Museum.  New  York. 
1862.     Portrait.  **T.58.i4 

Sketch  of  the  life,  personal  appearance,  character,  and  manners  of 
Charles  S.  Stratton,  known  as  General  Tom  Thumb,  and  his  wife, 
Lavinia  Warren  Stratton;  also,  of  Commodore  Nutt  and  Minnie 
Warren.    New  York.    1863.   Illus.    Portraits.    Plates.   **T.58.62;  etc. 


O.,  P.  d'.     See  Perrinet  d'Orval,  Jean  Charles. 

O ,  Mrs.  S . 

Law  outlaw'd:  or,  a  short- reply  to  Mr.  Law's  long  declamation 
against  the  stage.     Written  at  the  request  of  the  orange-women, 

and  for  the  publick  good  by  the  impartial  pen  of  Mrs.  S O . 

London,  Printed  for  the  benefit  of  the  candle-snuffers.     1726.     15 
pp.  No.  12  in  **G.382i,ii 

Law's   The   absolute  iinlawiulness   of   the   stage-entertainment   inWy  demonstrated 
may  be  found  on  shelf-numbers  **T. 76. 95  ;  etc. 

O.  p.  Amateur,  An,  pseud. 

A  plain  statement  of  facts;  containing  the  whole  of  the  particulars 
relative  to  the  existing  differences  between  the  present  manage- 
ment of  Covent  Garden  Theatre  and  Mr.  James  Brandon:  with 
remarks  on  the  impolicy  of  again  risking  another  theatrical  war, 
alias  an  O.  P.  row!     London.     Harris.     1823.     31  pp.  **T.95.37 

O.  P.  (Old  Prices)  Riot,  1809.     See  London.     Theatres.     Covent  Garden 

THEATRE.     O.   P.    (Old   Priccs)    Riot,   1809. 
Oberammergau  Passion  Play. 

Barnabee,  H.  C,  compiler.  [A  collection  of  portraits,  principally  of 
Henry  Clay  Barnabee  as  an  actor;  views  of  Oberammergau  and 
photographs  of  the  actors  in  the  Passion  Play  of  1900;  two  articles 
on  the  Passion  Play  cut  from  The  Metropolitan  Magazine  for 
December,  1900.  Boston.  191-?]  Illus.  Portraits.  Plates.  **T.53.24 
Blondel,  G.  Le  drame  de  la  Passion  a  Oberammergau.  Etude 
historique  et  critique,  avec  des  renseignements  pratiques.  Paris. 
1900.     Maps.     Plan.  6868.5 

Bullock,  C.  Popular  recreation.  (A  church  congress  paper.)  The 
theatre  as  it  is;  and  the  Ober-Ammergau  play.     London.     [1880.] 

**T.97.i6o 

Burton,  L,  Lady.     The  Passion-Play  at  Ober-Ammergau.     London. 

1900.     Portrait.  **T.47.65 

[555] 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 

Oberammergau  Passion  Play.     (Continued.) 

Butt,  E.  N.  A  flying  visit  to  Ober-Ammergau  with  an  account  of 
the  Passion  Play.     London.     1880.  **T,47.72 

DuBBERS,  W.  Das  Oberammergauer  Passionsspiel  nach  seiner 
geschichtlichen,  kiinstlerischen,  ethischen  und  culturhistorischen 
Bedeutung  und  unter  Beriicksichtigung  alterer  und  neuerer  Kritik 
dargestellt.     Frankfurt  a/M.     1872.  2866.11 

Farrar,  F.  W.  The  Passion  Play  at  Oberammergau,  1890.  London. 
1890.  2865.17 

Jackson,  J.  P.  The  Ober-Ammergau  Passion  Play:  (illustrated). 
Giving  the  origin  of  the  play,  and  history  of  the  village  and 
people,  a  full  description  of  the  scenes  and  tableaux  of  the  drama, 
and  the  songs  of  the  chorus,  in  German  and  English.  London. 
1880.     Illus.     Portraits.     Plates.     Plan.  **T.36.ioi;  etc. 

LocHEMEs,  M.  J.  Recollections  of  Oberammergau.  Dayton.  [1892.] 
Illus.     Portraits.  4879-77 

MacColl,  M.  The  Ammergau  Passion  Play.  With  some  intro- 
ductory remarks  on  the  origin  and  development  of  miracle  plays, 
and  some  practical  hints  for  the  use  of  intending  visitors.  Lon- 
don.    1870.  **T.47.io2;  etc. 

Martin,  W.  At  the  Ober-Ammergau  Passion  Play,  with  an  intro- 
duction on  the  ancient  mysteries.  A  lecture.  Buenos  Ayres. 
[1881?]  2866.13 

MoLLOY,  G.  The  Passion  Play  at  Ober-Ammergau  in  the  summer  of 
1871.     Boston.     1872.     Illus.  2866.7' 

Oberammergau  Passion  Play.  [A  collection  of  photographs  illus- 
trating the  Passion  Play.  Miinchen.  1910.]  35  photographs  in 
portfolio.  *Cab.34.35.2 

Oxenham,  H.  N.  Recollections  of  Ober-Ammergau  in  1871.  Lon- 
don.    1880.  **T.48.4 

Richards,  L.  P.  Oberammergau.  Its  Passion  Play  and  players.  A 
20th  century  pilgrimage  to  a  modern  Jerusalem  and  a  new  Geth- 
semane.    Munich.     1910.    Illus.     Portraits.     Plates.     Plan.     2866.16 

Sellar,  a.  C.  The  Passion-Play  in  the  Highlands  of  Bavaria.  Edin- 
burgh.    1871.  **T.97.i99 

Short,  J.  H.  Oberammergau.  New  York.  [1910.]  Portraits. 
Plates.  48793.102 

Stoddard,  J.  L.  The  Passion-Play  of  Ober-Ammergau.  ( /»  his  Red- 
letter  days  abroad.  Pp.  59-101.  Boston.  1884.  Illus.  Por- 
traits.) 2273.50 

Thomas,   G.   C.     The   Passion   Play   of   1871.      [Philadelphia.      1871.] 

2861.77 

Tweedie,  E.  B.  The  Oberammergau  Passion  Play,  1890.  London. 
1890.    Illus.    Plates.  **T.47.74 

Wyl  von  Wymental,  W.  Der  Christus-Mayr.  Neue  Studien  aus 
Oberammergau.     Berlin.     1890.  **T.97.90 

Oberlaender,  Hans. 

Die  geistige  Entwicklung  der  deutschen  Schauspielkunst  im  18.  Jahr- 
hundert.  Hamburg.  Voss.  1898.  viii,  (i),  216  pp.  fTheatcr- 
geschichtliche  Forschungen.     15.]  6872.57 

\  O'Bryan,  Daniel. 
"""^      Authentic  memoirs;  or,  the  life  and  character  of  that  most  celebrated 
comedian,  Robert  Wilks.    Added,  an  elegy  on  his  death.     London: 
Printed  for  S.  Slow.     1732.    30,  (2)  pp.  **T.57.i92 

I  556] 


BROWN   COLLECTION   OF  BOOKS    ON   THE   STAGE 


Observateur,  L',  des  spectacles,  ou  anecdotes  theatrales.  fBimensuel.] 
Tome  I,  2,  3  (no.  13).  Ouvrage  periodique  par  M.  de  Chcvricr. 
A  La  Haye.  Aux  depens  de  I'auteur  et  se  trouve  chez  les  liltraires 
nommes  dans  le  prospectus.     1762.    2  v.     Plates.  **T.28.2i 

A   continuation,  having   the   title   Suite   de   I'Observateur  des   spectacles,   may   be 
found   on  shelf-number  **T.28.22. 

Observations  on  Mrs".  Siddons,  in  the  following  characters:  Margaret 
of  Anjou,  Belvidera,  Jane  Shore,  Lady  Randolph,  Tsahclla  and 
Zara.  By  a  lady.  Dublin:  Printed  by. P.  Byrne.  1784.  (8"), 
47  pp.  **T.57.i35 

A   later   edition   entitled   The  beauties   of   Mrs.    Siddons  may   be   found    on   shelf- 
numbers  **T.56.iS5;  No.  i  in  **G.3824.i7. 

Observations  on  the  effect  of  theatrical  representations,  with  respect 
to  religion  and  morals:  occasioned  by  the  preface  to  the  third 
volume  of  the  Works  of  Mrs.  H.  More.  Bath.  Hume.  1801. 
32  pp.  No.  16  in  **G.3824.i5 

In   favor  of   the   theatre.      Another   edition,   without   imprint,   is   on    shelf-number 
No.  15  in  **G.3824.is, 

Observations    on    the    importance    and    use    of    theatres;    their   present 

regulation,  and  possible  improvements.     London:  Printed  for  M. 

Cooper.     1759.    3-40  pp.  **T.97.ii8 

Observer,  An,  pseud. 

The  theatre,  as  it  is:  or,  remarks  upon   a  pamphlet,  entitled  "The 

Bath   Theatre   vindicated."     London.     Hamilton,    Adams,    &    Co. 

1844.     20  pp.  **T.76.98 

The    Rath    Theatre    vindicated,    by    a    resident,    may    be    found    on    shelf-number 
**T. 76.97. 

Occasional  paper,  The.     [Anon.]      See  Willis,  Richard,  Bishop  of  Win- 
chester. 
O'Connor,  John  Bartholomew. 

Chapters  in  the  history  of  actors  and  acting  in  ancient  Greece, 
together  with  a  Prosopographia  histrionum  Graecorum.  A  dis- 
sertation, Princeton  University.  Chicago.  The  University  of 
Chicago   Press.     1908.     ix,   144  pp.  2965.105 

O'Connor,  Thomas  Power,  prefacer. 

HiEBERT,  H.  G.  Fifty  years  of  a  Londoner's  life.  London.  1916. 
Portraits.     Plates.  4545.151 

O'Conor,  Charles. 

Association  of  the  Bar  of  the  City  of  New  York.     Proceedings  on 

a    publication    in    the    New    York    Times    of    March    26th,    1876, 

censuring  the  counsel  for  the  plaintiff  in  the  Forrest  divorce  case 

[Charles  O'Conor].     New  York.     1876.  No.  2  in  *7686.52 

Odell,  George  Clinton  Densmore. 

'A  midsummer  night's  dream'  on  the  New  York  stage.  {In  Matthews. 
J.  B.,  and  A.  H.  Thorndike,  editors.  Shaksperian  studies.  Pp. 
1 17-162.     New  York.     1916.)  4596.159 

Oehmichen,  Gustav. 

Das  Biihnenwesen  der  Griechen  und  Romer.  3  Tafeln.  {In  Hand- 
buch  der  klassischen  Altertums-Wissenschaft.  Band  5.  Abt.  3. 
Pp-  179-304.     Miinchen.     1890.)  2973.50.5. Part  3 

tJber  die  Anfange  der  dramatischen  Weltkampfe  in  Athen.  iln 
Koeniglich-bayerische  Akademie  der'  AVissenschaften,  Munich. 
Philosophisch-philologische  und  historische  Classe.  Sitzungs- 
berichte.      1889,    Band   2,   pp.    103-167.      Miinchen.      1889.) 

♦3266.50.1889 

[557] 


a 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 

CEuvre  frangaise  des  trente  ans  de  theatre. 

CEuvre  frangaise  et  populaire  des  trente  ans  de  theatre.  1903.  Repre- 
sentations populaires  et  causeries.  Paris.  Nilsson.  1904.  11 1, 
(i)  pp.  **T.74.2i 

Contains  26  reprints  of  theatre  programmes  of  performances  given  by  the  society. 

CEuvre  frangaise  des  trente  ans  de  theatre.     Works  about. 

Bkrnheim,  a.  J.     Trente  ans  de  theatre.     Paris'.     1903,  04.    2  v. 

**T.77.iio;  etc. 
Of   plays   and    masqiier^idcs.      [Anon.]      See   Willis,    Richard,   Bisliop   of 

Winchester. 
Ohne  Schminke!     Sittenfeld,  C.  **T.97.85;  etc. 

Ohnet,  Georges. 

The  rival  actresses.     London.     A'izetelly  &  Co.     1889.     331   pp. 

**T.87.78 
O'Keeffe,  John. 

Personal  reminiscences  by  O'Keeffe,  Kelly  and  Taylor.  Edited  by 
Richard  Henry  Stoddard.  New  York.  Scribner,  Armstrong  & 
Co.     1875.     xxi,  341  pp.     Portraits.  6549.129 

Recollections  of  the  life  of  John  O'Keeffe.  London.  Colbuni.  1826. 
2  V.     Portrait.  6545.55;  **T.55.i29 

Another  copy  is  on  shelf-number  **K.45.io. 

Old  acquaintance,  An,  pseud. 

The  life  and  m^^sterious  transactions  of  Richard  Morris,  Esq.  Better 
known  by  the  name  of  Dick  Spot,  the  conjuror.  Particularly  in 
Derbyshire  and  Shropshire.  Written  by  an  old  acquaintance, 
who  was  a  critical  observer  of  all  his  actions,  for  near  fifty  years. 
London.      Printed   for  Ann   Lemoine.      1798.     47  pp.      Plates. 

**T.98.i47 
Old  actor.  An. 

Memoirs  of  the  life  of  Mr.  Booth,  containing  a  true  statement  of  all 

the  circumstances  attending  his  engagements  at  the  rival  theatres, 

with  a  few  remarks  upon  his  conduct.     London.     Keys.     [1817.] 

27  pp.  No.  6  in  **G.3824.i3 

Old  actor.  An. 

Secrets  of  the  stage;  or,  plaj^house  mysteries  unveiled.  New  York. 
Fox.     [1881.]     69  pp.     Portraits.     Plates.  **T.75.i9 

Old  and  new  magic,  The.     Evans,   H.   R.  7605.77 

Old  book  collector's  miscellany,  The. 

Actors'  remonstrance,  The,  or  complaint:  for  the  silencing  of  their 
profession,  and  banishment  from  their  several!  play-houses.     Lon- 
don.     1643.      [London.      1873.]  No.  19  in  *4555.52.3 
Stage-players   complaint.    The.      In    a    pleasant    dialogue.      London. 
1641.      [London.      1873.]                                              No.  14  in  *4555.52.3 
Taylor,  J.    The  trve  cavse  of  the  watermen's  suit  concerning  players, 
and    the    reasons    that    their    playing    on    London    side    is    their 
extreame  hindrances.     With   a  relation   how   farre  that  suit  was 
proceeded  in.  and  the  occasion  that  it  was  not  effected.      [Lon- 
don.    1872.]  **T.76.i45;  etc. 
Old  Boston  Museum  days.     Ryan,  K.                               6257.50;  **T. 76.194 
Old  Croney,  An,  pseud. 

The  life  and  adventures  of  John  Edwin,  comedian.  Added,  the 
whole  collection  of  his  songs,  oddities,  &c.  London:  Published 
by  J.  Aitkin.     1791.     (3),  36,  9-80  pp.  **T.58.89 

Another  copy  is  on  shelf-number  **T. 58.88. 

[558] 


BROWN   COLLECTION   OF  BOOKS    ON   THE   STAGE 

Old  hand,  The,  pseud. 

Of  the  Italian  opera.  By  the  old  hand.  [London.  1845.]  37i-^7S 
PP-  No.  23  in  **G.3822.i 

Relates   to   the   opera    season    of    1845    at   His    Majesty's   Theatre,    London.      Cut 
from   Fraser's   Magazine,  .September,   1845    [Per.  Room  "3 187. 1.32]. 

Old  lawyer,  An,  pseud. 

Review  of  the  Forrest  divorce.  Containing  some  remarkahle  dis- 
closures of  the  secret  doings  of  the  jury.  New  York.  Stringer 
&  Townsend.     1852.     31   pp.  No.  4  in  *7686.S2 

Old  man,  An,  of  the  town,  pseud. 

Three  original  letters  to  a  friend  in  the  country,  on  the  cause  and 
manner  of  the  late  riot  at  the  Theatre-Royal  in  Drury-Lanc. 
I-ondon.     1763.  **T.97.325;  etc. 

Old  naval  officer,  An,  pseud. 

A  peep  at  the  theatres!  and  bird's-eye  views  of  men  in  the  jubilee 
year!  A  novel,  satirical,  critical,  and  moral.  London.  Chappie. 
1812.     3  V.  in  I.  **T.87.7o 

Old  playgoer,  An,  pseud. 

Desultory  thoughts  on  the  national  drama,  past  and  present.     Lon- 
don.    Onwhyn.     1850.     (5),  62  pp.  **T.96.204 
Another  copy  is  on  shelf-number  **T.46.s6. 
Same.     2d  edition.     (5),  70  pp.  **T.96.i9i 

Another  copy  is  on  shelf-number  **T.76.36. 

Old   play-goer,   The.     Robson,    W.  4575.18;  **T.76.i43 

Old  Prices  Riot.     See  London.     Theatres.     Covent  Garden  theatre.     O. 

P.  (Old  Prices)  Riot,  1809. 
Old  showmen,  The,  and  the  old  London  fairs.     Frost,  T. 

2469.15;  **T.97.326;  etc. 
Old  stager,  An,  pseud. 

See  also  Hodson,  James  Shirley. 

Stage  reminiscences.  Recollections,  chiefly  personal,  of  performers 
during  the  last  forty  years.  Glasgow.  Hedderwick.  1866.  (4), 
236  pp.  '  **T.58.5 

Contents.  —  An  escapade  with  Edmund  Kean.  —  Braham  in  America.  —  Gustavus 
V.  Eiooke.  —  The  manager's  duel.  —  An  episode  in  the  early  life  of  Miss  Aitken. 
—  Madame  Vestris.  —  Two  theatres  under  one  roof.  —  The  rival  managers.  — 
Han-y  Johnstone.  —  Charles  Mathews'  debut.  —  Andrew  Ducrow.  —  A  fete  at 
Hamilton  Palace.  —  The  Glasgow  "Thespian  Club."  —  Destruction  of  the 
Theatre-Royal,  Queen-Street.  —  The  late  James  Aitken.  —  Glasgow  Fair  in 
the  olden  time.  —  Sire  and  son.  —  John  Henry  Alexander. 
These   articles   originally   appeared   in   The   Glasgow   Weekly   Citizen. 

Same.     2d  edition.     1870.  **T.58.6 

Old  timer,  An,  pseud.    See  Eaton,  William  O. 
Old  Westminster,  An,  pseud. 

The  Westminster  play,  its  actors  and  its  visitors.  [London.]  Ginger. 
1855-    35  PP-  **T.97.265 

An  account  of  the  performance  of  Terence's  Phormio  at  the  Westminster  School. 

Old  woman's  gossip.    Kemble,  F.  A.  **T.i5.ii 

Oldfield,  Anne. 

AuTHENTicK  memoirs  of  the  life  of  that  celebrated  actress  Mrs. 
Ann  Oldfield.  Containing  a  genuine  account  of  her  transactions 
from  her  infancy  to  the  time  of  her  decease.     London.     1730. 

No.  II  in  **G.3930.i3.2 
Egerton,  W.     Faithful  memoirs  of  the  life,  amours  and  perform- 
ances,   of    M"    Anne    Oldfield.      With    several    other    dramatical 
memoirs.     London.     1731.     Portrait.  **T.57.22i 

Oldys,  W.  Memoirs  of  Miss  Anne  Oldfield.  London.  i74i-  Por- 
trait. **T.56.3i5;ctc. 

[559] 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 


Oldfield,  Anne.     (Continued.) 

Robins,  E.  The  palmy  daj's  of  Nance  Oldfield.  London.  1898. 
Portraits.  4545.166;  **T.55.93 

Theatrical  correspondence  in  death.    An  epistle  fro):i  Mrs.  Old  field, 

in  the  shades,  to  Mrs.   Br.  .ceg. .  .rdle,  upon  earth:  containing  a 

dialogue  between  the  most  eminent  players  in  the  shades,  upon 

the  late  stage  desertion.     London.     1743-  **T.57  346;  etc. 

Oldmixon,  John. 

Reflections  on  the  stage,  and  Mr.  Collyer's  Defence  of  the  Short 
view.  In  four  dialogues.  [Anon.]  London.  Printed  for  R. 
Parker.      1699.      (14),    194  pp.  **G.382i.7 

In  favor  of  the  theatre.  ColHer's  Defence  of  the  Short  view  of  the  profaneness 
and  immorality!  of  the  English  stage,  etc.,  may  be  found  on  shelf-numbers 
**T.77.4i  ;    etc.      Another   copy    is   on    shelf-number    No.  2  in  **G. 3821. 8. 

Oldys,  William. 

The   history   of    the    English    stage,    from    the    Restauration    to    the 

/■ypresent  time.     Including  the  lives,  characters  and  amours,  of  the 

'  most  eminent  actors.     With  instructions  for  public  speaking.     By 

Mr.    Thomas    Betterton.      London:    Printed    for    E.    Curll.      1741. 

(6),  167  pp.     Portraits.  **T.56.3i4 

Wrongly    attributed    to    Thomas    Betterton    on    the   title-page.      Another    copy   is 
,       on  shelf-number   No.  5  in  **G.3823.i  i. 

-^/  Same.  The  history  of  the  English  stage.  Including  the  lives, 
characters  and  amours  of  the  most  eminent  actors  and  actresses. 
Revised,  with  additional  notes,  by  Charles  L.  Coles.  Boston. 
Spear.     1814.     148  pp.  No.  i  in  2553.21;  **T.55.iii 

•Another  copy  is  on  shelf-number  No.  i  in  **K.45.I9. 

Memoirs  of  Miss  Anne  Oldfield.  [Anon.]  London:  Printed  in  the 
year  1741.     (i),  86  pp.     Portrait.  **T. 56.315 

Another  copy  is  on  shelf-number  No.  6  in  **G. 3823. 11. 

Same.  [With  notes  by  Charles  L.  Coles.  Boston.  Spear.  1814.] 
60  pp.  No.  2  in  2553.21;  **T.55.ii2 

.\nother  copy  is  on  shelf-number  No.  2  in  **K.45.i9. 

Oliphant,  Margaret  Oliphant  Wilson. 

Sheridan.     London.     Macmillan  &  Co.     1883.     vi,  (i),  210  pp.     [Eng- 
lish  men  of  letters.]  24498.69;  **T.57. 165 
Same.     New  York.     Harper,     vi,   (i),   199  pp.         24493.76;  **T,57. 166 
Oliver,  D.  E. 

The  English  stage.  Its  origins  and  modern  developments.  A  critical 
and  historical  study.  [2d  edition.]  London.  John  Ouseley,  Ltd. 
[1912.]     xiv,   (i),  152  pp.  4579-241 

Bibliography,  pp.    149-152. 

Olivier,  Jean  Jacques. 

Les  comediens  franqais  dans  les  cours  d'Allemagne  au  xviiie  siecle. 
Serie  1-4.  Preface  de  Emile  Faguet.  Paris.  Societe  francaise 
d'imprimerie  et  de  librairie.  1901-05.  4  v.  Portraits.  Plates, 
some  colored.  **T.74.io 

Contents.  —  1.  La  cour  clectorale  palatine,  16 — ?-i778.  —  I.c  retour  de  Lindor 
ou  Ic  nouvel  hrureuscment.  Comedic.  2.  La  cour  royale  de  Prusse,  16 — ?-i786. 
—  Prologue  en  I'honncur  du  mariage  de  Joseph,  roi  des  Romain;,  :.\  0 ' 
\Vilhelmine  Amelic  de  Braunschweig-Liineburg.  —  Le  triomphe  des  amours  & 
dcs  plaisirs.  Ballet  royal  .  .  .  sur  le  mariage  du  roy  .  .  .  par  le  Sr.  Sevigny.  •-- 
L'impromptu  des  bergers  de  Potsdam.  —  Prologue  heroique  par  le  Sr.  Sevigny. 
3.  Les  cours  du  Prince  Henry  de  Prusse,  du  Margrave  Frederic  de  Bayreuth 
et  du  Margrave  Charles-.Mexandre  d'  Ansbach.  —  Le  bouquet.  Petit  opera 
comiquc.  4.  La  cour  du  Landgrave  Frederic  II  de  Hesse-Cassel.  —  Fragments 
de  la  partition  de  Constance  ou  I'heureuse  temerite.  Comedie  melee  d'ariettes 
.  .  .  de  M.  le  Chevalier  de  Nerciat. 
There  is  a  bibliography  at  the  end  of  each  volume. 

[560] 


BROWN   COLLECTION    OF  BOOKS   ON    THE   STAGE 


Olivier,  Jean  Jacques.     (Continued.) 

Voltaire  et  les  comedieiis  interpretes  de  son  theatre,  lltude  sui  I'ari 
theatral  ct  les  comediens  au  xviiie  siecle.  Paris.  Societc  francaisc 
d'imprimerie  et  de  librairie.     1900.     xxxv,  439,  (i)  pp.     Plate. 

Bibliographic,  pp.   365-.37I.  4676.23 

Olivier,  Leon,  translator. 

Jeux  olympiques,  Les,  776  av.  J.-C.  -  1896.     Athenes.     1896.     2  parts 

in   I   V.     Illus.     Plates.  *400o.i04 

Olympia,  oder   Darstellung  der  grossen   olympischen   Spiele.     K«.\use, 

J-   ^-  2965.35 

Olympic  games. 

CoRNFORD,  F.  M.     The  origin  of  the  Olympic  games.     (In  Harrison, 

J.  E.     Themis.     Pp.  212-259.     Cambridge.     1912.)  3486.130 

EsTREES,  M.  d'.    a  travers  I'figypte  et  la  Grece.    Les  jeux  olynipi(|ucs 

anciens  et  modernes.     Paris.     [1897.]  3058.172 

Jeux  olympiques,  Les,  776  av.  J.-C.-1896.     Trad,  frangaise  par  Leon 

Olivier.    Athenes.     1896.    2  parts  in  i  v.     Illus.    Plates.    *4ooo.i04 
Krause,  J.  H.     Olympia,  oder  Darstellung  der  grossen  olympischen 

Spiele  und  der  damit  verbundenen  Festlichkeiten,  sowie  sammt- 

licher  kleineren  Olympien  in  verschiedenen  Staaten.    Wien.     1838. 

2965.35 

Patterson,  J.     Pulvis  Olympicus.     [Paisley.     1896.]  4004.124 

West,  G.  A  dissertation  on  the  Olympick  games.  (/;;  Pindar. 
Odes.     Vol.  2,  pp.  1-275.     London.     1753.)  2999.21.2;  etc. 

O'Monroy,  RicharH,  pseud.     See  Saint-Genies,  Richard,   Vicomte  de. 
On  the  art  of  the  theatre.     Craig,  E.  G.  80693.162 

On  the  stage.     Cook,  E.  D.  2476.67;  **T.77.84 

On  the  stage  —  and  off.     Jerome,  J.  K.  **T.s8.42;  etc. 

On  theatrical  emancipation.     Thackeray,  T.  J.  **T.76.i84 

One  of  the  public,  pseud. 

Major  and  minor  theatres.  A  concise  view  of  the  question,  as 
regards  the  public,  the  patentees,  and  the  profession,  with  re- 
marks on  the  decline  of  the  drama,  and  the  means  of  its  restora- 
tion. Added,  the  petition  now  lying  for  signature.  By  one  of 
the  public.     London.     1832.  **T.76.72;  etc. 

One  who  dares  to  think  for  himself,  pseud. 

Reason  versus  passion;  or,  an  impartial  review  of  the  dispute 
between  the  public  and  the  proprietors  of  Covent  Garden  Theatre. 
London.     [1809.]  **T.76.i70 

O'Neill,  Eliza.    See  Becher,  Eliza,  Lady. 
O'Neill,  Francis. 

Irish  minstrels  and  musicians.  Chicago.  The  Regan  Printing  House. 
1913-     3-497  PP-     Illus.     Portraits.     Plates.    Autograph  facsimiles. 

4045.208 
Open-air  theatres. 

Waugh,  F.  a.  Outdoor  theatres.  The  design,  construction  and 
use  of  open-air  auditoriums.  Boston.  [1917-]  IHus.  Plates. 
Plans.  4098.86 

Opera. 

See  also  Actors;  Singers. 

Almanacco  de'  reali  teatri  S.  Carlo  e  Fondo,  del  annata  teatrale 
18.34.     NapoH.     1835.     Portraits.  **M.io9b.45 

Baker,  H.  B.     The  Italian  opera  in  England.     [London.     1S77.] 

No.  9  in  **M.i25.8 

[561] 

36 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 


Opera.     (Continued.) 

Bertrand,  J.  fi.  G.  fitudes  d'economie  theatrale.  Les  theatres 
lyriques  de  Paris.     [Paris.     1866.]  No.  2,  3  in  **M. 372. 20 

BiE,  O.  Das  Theater.  Biihnenbilder  und  Kostitme  von  Karl  Walser. 
Mit  Text  von  Oskar  Bie.  Berlin.  [1912.]  Colored  illus.  34 
colored  plates.  **T.72.i 

Blaze,  F.  H.  J.  De  I'opera  en  France.  Paris.  1820.  2  v.  Table. 
Music.  8045.15;  etc. 

BoiGNE,  C.  DE.     Petits  memoires  de  I'Opera.     Paris.     1857.     **M.i39.i 

Bosch,  M.  G.  Historia  de  la  opera  en  Buenos  Aires.  Origen  del 
canto  i  la  tnusica.  Las  primeras  compafiias  i  los  primeros 
cantantes.      Buenos   Aires.      1905.  40493.121 

Cambiasi,  p.  Rappresentazioni  date  nei  reali  teatri  di  Milano  1778- 
1872.  Opere  in  musica,  nome  dei  maestri,  poeti  ed  esecutori 
principali,  balli  dati  nel  R.  Teatro  alia  Scala,  nome  dei  coreografi, 
maestri,  ballerini,  elenco  dei  professori  componenti  I'orchestra, 
elenco   degli   impresarj.     Milano.      1872.  No.  i  in  **M. 123.4 

Cornet,  J.  C.  Die  Oper  in  Deutschland  und  das  Theater  der  Neu- 
zeit.  Aus  dem  Standpuncte  practischer  Erfahrung.  Hamburg. 
1849.  **M. 148.17 

Democritus,  Joseph,  pseud.,  and  William  Diogenes,  pseud.  The  re- 
markable trial  of  the  queen  of  quavers.  [Polly  Farmer,  pseud.] 
and  her  associates,  for  sorcery,  witchcraft,  and  enchantment,  at 
the  assizes  held  in  the  moon.     [London      1777.1         **M.ii7.9;  etc. 

Desarbres,  N.     Deux  siecles  a  I'Opera  (1668-1868).     Paris.     1868. 

8049.25;  **M.ii8.i 

Sept  ans   a   I'Opera.      Souvenirs   anecdotiques    d'un    secretaire 

particulier.     Paris.     1864.     Illus.  **M.ii8.2 

Ebers,  T.  Seven  years  of  the  King's  Theatre.  London.  1828.  Por- 
traits. **M.ii3.i3;  etc. 

Edgcumbe,  R.,  2d  Ear!  of  Mount  Edgcumhe.  Musical  reminiscences  of 
an  old  amateur,  chiefly  respecting  the  Italian  opera  in  England 
for  fifty  years,  from  1773  to  1823.    London.    1827.   **M. 109b. 28;  etc. 

Edwards,   H.   S.     Famous  first  representations.     London.      1886. 

**T.47.33 

History  of  the  opera,  from   its  origin   in   Italy  to  the  present 

time.      With    anecdotes    of    the    most    celebrated    composers    and 
vocalists  of  Europe.     London.     1862.     2  v.  8049.19;  etc. 

The  lyrical  drama.   Essays  on  subjects,  composers  Bz  executants 

of  modern  opera.     London.     1881.     2  v.  4046.59;  **M. 126.22 

Fair   enquiry.   A,    into    the    state    of   operas    in    England.      London. 

[17—?]  **T.96.i77 

Fischer,  G.     Opern  und  Concerte  im  Hoftheater  zu  Hannover  l)is 

1866.     Hannover.      1899.     Plate.  4045.153 

Fonseca  Benevides,  F.  da.     O  real  theatro  de  S.  Carlos  de   Lisboa. 

Desde  a  sua  fundagao   cm   1793  ate  a  actualidade.     Estudio   his- 

torico.      [Lisboa.      1883.]      Portraits.      Plate.      Plan.      Tables. 

3090.125 
Gaudefrov,  a.    Les  premieres  au  theatre  de  Lille.     1895-96 — 1896-97. 

Lille.     1897.  **T.97.ii5 

Geoffrov,    J.    L.      Cours    de    littcrature    dramatique,    ou    recueil    par 

ordre  de  matieres  des  feuilletons  de  Geoffrey,  precede  d'une  notice 

historique  sur  sa  vie.     Paris.     1819,  20.     5  v.  **T.46.46 

Grau,  R.     Forty  years  observation  of  music  and  the  drama.     New 

York.     1909.     Portraits.  4045.172 

[562] 


BROWN   COLLECTION   OF   BOOKS    ON    THE   STAGE 

Opera.     (Continued.) 

Gr^goir,  fi.   G.   J.     Des  gloires   de   I'Opera   et  la   musique   a   Paris. 

Documents  recueilHs   sur  I'Opera  et  autres   theatres  a   Paris,   et 

sur  tout  ce  qui  a  rapport   a   I'art   musical   en   cette   villc   jusqu'a 

I'annee  1880.    Bruxelles.     1878,  81.    3  v.    Portraits.  **M.i34.5 

Gruneisen,  C.  L.     The  opera  and  the  press.     London.     i86<). 

No.  3  in  **M. 125.8 
GuRA,  E.     Erinnerungen  aus  meinem  Leben.     Leipzig.     1905.     Por- 
trait.    Plates.  **M. 127.51 
HoiiLTON,  R.    A  review  of  the  musical  drama  of  the  Theatre  Royal, 
Drury  Lane,  for  the  years   1797-98-99  &  1800.     Addressed  to  the 
proprietors  of  the  theatre.     London.     1801. 

No.  4  in  **M. 134.10;  etc. 
Italian  opera,  The.   in   London.     The  Queen's  Theatre.      [London. 
1851.]  No.  24  in  **G.3822.i 

JuLLiEN,  J.  L.  A.  La  cour  et  I'opera  sous  Louis  xvi.  Marie  Antoi- 
nette et  Sacchini,  Salieri,  Favart   et  Gluck.     Paris.     1878. 

4676.52  ;**M. 127.39 

L'opera  secret  au  xviiie  siecle.  1770-1790.  Aventures  et  in- 
trigues secretes  racontees  d'apres  les  papiers  inedits  conserves 
aux  archives  de  I'fitat  et  de  I'Opera.     Paris.     1880. 

4674.60;  **M. 145.29 

Kelly,  M.     Reminiscences  of  Michael  Kelly,  of  the  King's  Theatre. 

and   Theatre    Royal,    Drury    Lane,    including   a    period    of   nearly 

half  a   century;  with  original   anecdotes  of  many  distinguished 

persons,   political,    literary,   and    musical.     London.      1826.      2   v. 

**T.57.45i;etc. 
Lajarte,  T.  £.  Du  F.  DE.  Curiosites  de  I'Opera.  Paris.  1883.  Fac- 
similes. **M. 138.10 
Lasalle,  a.  de.  Memorial  du  Theatre-lyrique.  Catalogue  raisonne 
des  cent  quatrevingt  deux  operas  qui  y  ont  ete  representes  depuis 
sa  fondation  jusqu'a  I'incendie  de  la  salle  de  la  Place  du  Chatelet, 
avec  des  notes  biographiques   et   bibliographiques.     Paris.      1877. 

No.  2  in  **M.i45.i8 

Les  treize  salles  de  I'Opera.    Paris.     1875.      6664.51;  **M. 139. 12 

Lehmann,  L.    Mein  Weg.    Leipzig.    1913.    Portraits.    Plates.    4043.125 

Same.     My  path  through  life.     Translated  by  Alice  Benedict 

Seligman.     New  York.     1914.     Portraits.     Plates.  4043.127 

Lyden,  £.  F.  M.  DE.  Le  theatre  d'autrefois  et  d'aujourd'hui.  Can- 
tatrices  et  comediens.     1532-1882.     Paris.     1882.  **M. 127.29 

Malliot,  a.   L.     La  musique  au  theatre.     Paris.     1863.     Tables. 

**M.I29.20 

Marcello,  B.  Le  theatre  a  la  mode  au  xviiie  siecle.  (II  teatro  alia 
m.oda.)     Paris.     1890.  No.  5  in  **M.i39.22 

Old  hand.  The,  pseud.  Of  the  Italian  opera.  By  the  old  hand. 
[London.     1845.]  No.  23  in  **G.3822.i 

Opera  Box,  The.  [Programmes,  plots  and  criticisms  of  operas  pro- 
duced at  Her  Majestj^'s  theatre.  London.]  1849-51.  218  nos.  in 
3  V.  **M.4i9.28 

Ortigue,  J.  L.  d'.  Du  Theatre  italien  et  de  son  influence  sur  le  .t,ni{it 
musical  frangois.     Paris.     1840.  **M.433.i7 

Paroisse-Pougin,  F.  A.  A.  Un  directeur  d'opera  au  dix-huitieme 
siecle  [Jacques  Devismes].  L'Opera  sous  I'ancien  regime:  I'Opera 
sous  la  Revolution.     Paris.     1914.  4048.264 

[563] 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 


Opera.     (Continued.) 

Philofiddle,  pseud.    A  letter  from  Philofiddle  [pseud.]  to  the  public, 

on  the  management  of  the  Opera.     London.     1805.  **T.96.36i 

PoNTECOULANT,  L.  A.  Le  D.,  Comte  de,  and  £.  Fournier.     La  musique 

chez  le  peuple,  ou  I'Opera-national,  son  passe  et  son  avenir  sur 

le  Boulevard  du  Temple.     Paris.     1847.  No.  4  in  **M.i47.3.i 

PossART,  E.,  Ritter  von.    Die  Separat-Vorstellungen  vor  Konig  Ludwig 

IL     Erinnerungen.     Miinchen.     1901.  **T.77.22i 

Rattler,  Morgan,  pseud.     The  German  opera.     [London.     1842.] 

No.  21  in  **G.3822.i 
Schneider,   L.     Geschichte   der   Oper  und   des    Koniglichen    Opern- 

hauses  in  Berlin.     Berlin.     1852.     Illus.  **M.2i5.i9;  etc. 

Seven  years  of  the  King's  Theatre.     By  John    Ebers.      [A   review. 

Edinburgh.]      1829.  No.  2  in  **G.3824.io 

Shea,  G.  E.    Acting  in  opera:  its  A-B-C.    With  descriptive  examples, 

practical  hints,  and  numerous  illustrations.     New  York.      [1915.] 

Plates.  40493.286 

SouBiES,  £.  J.  A.    Histoire  du  Theatre-lyrique.     1851-70.     Paris.     1899. 

Table.  4041.36 

Soixante-sept  ans  a  rOpera  enunepage.    Du  "Siege  de  Corinthe" 

a  "La  Walkyrie."     (1826-1893.)     Paris.     1893.     Table.     **M.2i4.i7 

SouBiES,  £.  J.  A.,  and  C.  T.  Malherbe.  Histoire  de  I'Opera-comique. 
La  seconde  Salle  Favart.     1840-1887.     Paris.     1892,  93.    2  v.    Plate. 

**M.i39a.ii 

Precis   de    I'histoire   de   I'Opera-comique.      Paris.      1887. 

26393.67;  **M.i29a.35;  etc. 
Thurner,  a.    Les  transformations  de  I'Opera-comique.    Paris.     1865. 

**M.i29.i8 

Touchard-Lafosse,  G.     Chroniques  secretes  et  galantes  de  I'Opera. 

1667-1844.     Paris.     1846.     4  V.  in  2.  **M.i43.i9 

Truinet,   C.   L.  fi.,  and  A.   E.  de  Roquet.     Les  origines   de   I'opera 

frangais.     Paris.     1886.     Map.     Plans.  4043.62;  **M.i  14.4 

Walter,  F.     Geschichte  des  Theaters  und  der  Musik  am  Kurpfiilzi- 

schen  Hofe.     Leipzig.     1898.     Plate.     Plan.  6871.40 

Wegelin,  O.     Micah  Hawkins  and  The  saw-mill.     A  sketch  of  the 

first  successful  American  opera  and  its  author.    New  York.     1917. 

Portrait.  *4047.349 

WoLZOGEN,   C.  A.   A..  Freilierr  von.     Wilhclmine   Schroder-Devrient. 

Ein  Beitrag  zur  Geschichte  des  musikalischon  Dramas.     Leipzig. 

1863.  8048.25;  **M. 129. 27;  etc. 

Opera,  The,  and  the  press.     Gruneisen,  C.  L.  No.  3  in  **M. 125.8 

Opera  bouffe. 

Contant  d'Orville,  a.  G.  Histoire  de  I'opera  bouffon  contenant  les 
jugemens  de  toutes  les  pieces  qui  ont  paru  depuis  sa  naissance 
jusqu'a  ce  jour.  Pour  servir  a  I'histoire  des  theatres  de  Paris. 
A  Amsterdam.     1768.  .    **M. 1293.14 

Opera,  L':  eaux-fortes  et  quatrains.     Par  un  abonne.     Paris.     Librairie 
des  bibliophiles.'     1876.      (7)    pp.     Plate.     51   portraits,   each   pre- 
ceded by  an  unnumbered  page  of  text.  **M.ii9.ii 
Opera  et   Comedie-frangaise.     Garnet   des   abonnes.     Paris.      La    Fare. 
[1894?]     231,  (8)  pp.  **T.79.26 
Opera  glass.  The.     Waters,  E.                                               **M.376.6i;  etc. 
Opera  Glass,  The.    A  musical  and  dramatic  magazine.     [Monthly.]     Vol. 
1-5.      1894-08.      Boston.      Opera    Glass    Publishing    Co.      1894-98. 
5  V.  in  3.    Illus.    Portraits.    Plates.    Autograph  facsimiles.    **T.25.9 

[564] 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 


Opera  Glass,  The;  a  series  of  criticisms  on  the  performances  of  the 
Glasgow  stage;  and  a  record  of  those  occurrences  of  interest, 
which  have  taken  place  on  the  London  and  provincial  boards. 
[Weekly.]  No.  1-27  and  Appendix.  Dec.  19,  1829 -June  s,  1R30. 
Glasgow.     Mitchell.     1830.     iv,  iii-vi,  208,  16  pp.  **T.28.9 

Opera-Glass,  The:  a  weekly  musical  and  theatrical  miscellany.  Vol.  i 
(no.  1-26,  28,  29);  2  (no.  1-25).  Apr.  10,  1840 -Apr.  16,  1841. 
Edinburgh.     Robinson.     1840,  41.    2  v.  in  i.  **T.25.29 

Opera  Glass,  The,  for  peeping  into  the  microcosm  of  the  fine  arts,  and 
more  especially  of  the  drama.  [Weekly.]  No.  1-26.  Oct.  2,  1826- 
Mar.  24,  1827.     [London.]     1826,  27.    96  pp.  **T.24.4 

Opera  houses. 

See  also  Theatre.     Construction. 

FoNSECA  Benevides,  F.  da.  O  real  theatro  de  S.  Carlos  de  Lisboa. 
Desde  a  sua  fundagao  em  1793  ate  a  actualidade.  Estudio  his- 
torico.    [Lisboa.    1883.]    Portraits.    Plate.    Plan.    Tables.    3090.125 

Opera,  L',  romanesque.     Gheusi,  P.  B.  6699.265 

Opera  singers.     Kobbe,  G.  404oa.ii8;  etc. 

Opera  ticket.  The;  a  dialogue.     London.     Nisbet  &  Co.     1843.     52  pp. 

In  opposition  to  the  theatre.  **X.96.I22 

Operatic  &  dramatic  album,  The.  [London.  1877?]  (53)  portraits. 
Autograph  facsimiles.  **T.5i.io 

Each  portrait  is  accompanied  by  a  page  of  text. 

Opinion  de  la  presse  frangaise  sur  Madame  Ristori  dans  Beatrix,  drame 

par  E.  Legouve.     Paris.     Morris  &  cie.     1867.     21  pp.        **T.55.2o 

Opinion,  L',  du  parterre,  ou  revue  de  tous  les  theatres  de  Paris.    Annee 

2,  4,  10.     An  XIII  [1805],  1807,  1813.     Paris.     Martinet.     [1805-]  13. 

3  V.  **M.i09b.6 

Opitz,  Richard. 

Schauspiel  und   Theaterwesen    der   Griechen  und    Romer.     Leipzig. 

Seemann.     1889.     viii,  328  pp.     Illus.     Plates.     [Kulturbilder  aus 

dem  klassischen  Altertume.     5.]  2969a.76 

O-Pceiad,  The.     Mad  Bull,  A,  pseud.  No.  3  in  **G.3824.5 

Orange,  France.    Theatres. 

Caristie,  a.  N.  Monuments  antiques  a  Orange;  arc  de  triomphe 
et  theatre.     Paris.     1856.     Illus.     54  plates.  **Cab.26.i6.4 

Notice    sur    I'etat    actuel    de    I'arc    d'Orange    et    des    theatres 

antiques   d'Orange  et   d'Arles.     Paris.     1839.     Plates.     Plans. 

2632.76 
Fernand-Michel,  .     Le  Theatre  antique  d'Orange  &  ses  repre- 
sentations modernes.     Paris.     1894.    Portraits.     Plates.    **T.97.27i 
Janvier,    T.   A.      The    Comedie    frangaise   at    Orange.      (In   his   The 
Christmas  kalends  of  Provence  and  some  other  Provence  festi- 
vals.    Pp.  207-262.     New  York.     1902.     Plates.)  4668.32 
Revoil,    H.   a.     Conference   sur  le  Theatre   antique   d'Orange   faite 
devant  le  Congres  de  la  Societe  frangaise  d'archeologie.     Tours. 
[1883.]  2636.71 
Orange-girl,  The,  at  Foote's  to  Sally  Harris:  or,  the  town  to  the  cotintry 
Pomona.     An  heroic  epistle.     A  new  edition.     London:   Printed 
for  S.   Bladon.     1773.     (3),   11   pp.                      No.  I4in  **G.3820.ii 
Oratory. 

Frobisher,  J.  E.     Acting  and  oratory.     New  York.     1879.        3597-76 

Garcia,  G.    The  actors'  art:  a  practical  treatise  on  stage  declamation, 

public  speaking  and  deportment,  for  the  use  of  artists,  students 

and  amateurs.     London.     1882.     Illus.     Plates.  3591-54;  etc. 

[565] 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 

Oratory  School,  Edgbaston,  England. 

Bellasis,  E.  The  money  jar  of  Plautus  at  the  Oratory  School:  an 
account  of  the  recent  representation.    London.    1885.    Illus.    Plate. 

**T.56.i35 
The  new  Terence  at  Edgbaston:  being  notices  of  the  perform- 
ances in  1880  and   1881.     London.     1885.  **T.56.i67 
Orcel,  Henri  Frangois  itlisabcth  Etienne.    See  Dumolard,  Henri  Francois 

Elisabeth  fitienne  Orcel. 
Ordish,  Thomas  Fairman. 

Early  London  theatres.  (In  the  Fields.)  London.  Stock.  1894. 
xvi,  298  pp.  Illus.  Plate.  Maps.  Plans.  Facsimiles.  [The 
Camden   library.]  2467.138;  **T,76.ii3 

O'Reilly,  Robert  Bray. 

An  authentic  narrative  of  the  principal  circumstances  relating  to  the 
opera-house  in  the  Hay-Market;  from  its  origin  to  the  present 
period;  but  more  particularly  including  the  transactions  from  the 
year  1778.  With  an  appendix.  London:  Printed  by  J.  Desmond. 
1791-     (3),  71  PP-  No.  4  in  **G.3823.io 

Original  Theatrical  Observer,  The.      [Daily.]     Apr.    18 -Aug.   13,   1822. 
[Dublin.     1822.]     3  V.  in   i.  **T.28.i6 

The   file   is   very    incomplete.      A   list   of   the   numbers   included   in    it   is   prefi.xed 
to  the  volume. 

Orleans,  Louis  Philippe,  Due  d'.     See  Lo"i«  Philippe,  of  France. 

O'Rorke,  J. 

Annals  of  the  Theatre  Royal,  Dublin,  from  its  opening  in  1821  to 
its  destruction  by  fire,  February,  1880;  with  occasional  notes  and 
observations.  By  R.  M.  Levey  and  J.  O'Rorke.  Dublin.  DoUard. 
1880.     (i),  271  pp.  **T.77.2i3 

Orta  ojnu. 

Das  tiirkische  Volksschauspiel  Orta  ojnu.  Gesammelt,  mit  Ein- 
leitung  versehen,  ins  Deutsche  iibertragen  und  mit  Illustrationen 
herausgegeben  von  Ignaz  Kunos.  Leipzig.  Haupt.  1908.  142 
pp.     lUus.^    Plates.     Plan.     Diagram.  6252.112 

The    introduction    contains    an   account    of    the    Turkish    theatre. 

Ortigue,  Joseph  Louis  d'. 

Du  Theatre  italien  et  de  son  influence  sur  le  gout  musical  frangois. 
Paris.  Depot  central  des  meilleures  productions  de  la  prcsse.  1840. 
(4),  xxviii,  347  pp.  **M.433.i7 

Ortmann,  Reinhold,  editor. 

PuESTERicH,  H.  Meine  Biihnen-Erlebnisse.  Wahrheitsgetreue 
Memoiren.     Berlin.     1886.  **T.57.274 

Orton,  Job. 

A  serious  dissuasive  from  frequenting  the  play-house.  Shrewsbury: 
Printed  by  J.  Eddowes  and  sold  by  J.  Buckland,  and  T.  Longman. 
London.     1776.     22  pp.  **T.96.ii8 

Osgood,  Whitman. 

Life,  history  and  handcuff  secrets  of  Houdini.  [New  York?  190-?] 
63,  (i)  pp.     Illus.     Portraits.     Plates.  **T.56.ii4 

Osmun,  Thomas  Embley.     (Alfred  Ayres.) 

Acting  and  actors,  elocution  and  elocutionists.  A  book  about 
theater  folk  and  theater  art.  With  preface  by  Harrison  Grey 
Fiske,  introduction  by  Edgar  S.  Werner,  prologue  by  James  A.. 
Waldron.     New  York.     Appleton  &  Co.     1894.     2S7  pp.     Portraits. 

35993.101 ;  **T.78.6i 
Other  days.     Winter,  \V.  4343.271 

[566] 


BROWN   COLLECTION   OF  BOOKS   ON   THE  STAGE 


vf 


Otis,  James,  l^send.    See  Kaler,  James  Otis. 
Ottley,  Henry. 

Fechter's  version  of  Othello  critically  analyzed,  prefatory  observa- 
tions on  the  stage,  the  audience,  and  the  critics.  London.  Lacy. 
1861.    32  pp.  No.  4  in  **G.394o.i3 

Otway, . 

Ap^ttempt  to  deduce  from  facts,  the  causes  of  the  present  disgraceful 
^ate  of  the  national   theatres.     London.     Harris.     1835.      15   pp. 

**T.76.i39 
0ulton,  Walley  Chamberlain. 

Barker's  Complete  list  of  plays,  exhibiting  at  one  view  the  title,  size 
date,  and  author,  from  the  commencement  of  theatrical  perform- 
ances, to  1803.  Added,  a  continuation  to  The  theatrical  remem- 
brancer.    London.     Barker.     [1804.]      (4),  350  pp.  **T.67.6 

Consists   of   corrections    to    Egerton's    Theatrical    remembrancer.      Another    copy 
is  on  shelf-number  *2i75.i2. 

It  history  of  the  theatres  of  London:  containing  an  annual  register 
of  all  the  new  and  revived  tragedies,  comedies,  operas,  farces, 
pantomimes,  &c.,  performed  at  the  Theatres-Royal  in  London, 
from  1771  to  1795.  London:  Printed  for  and  sold  by  Martin  and 
Bain.     1796.     2  v.  in  i.  **T.77.32 

A  continuation  of  Victor's  History  of  the  theatres  of  London  and  Dublin 
[1730-1771]    on   shelf-number  **T.77.3i. 

Same.  Being  a  continuation  of  Victor's  &  Oulton's  Histories,  from 
1795  to  1817.    London.     Chappie.     1817,  18.    3  v.  **T.77.33 

Contents.  —  I.  Drury-Lane.     2.  Covent  Garden.     3.  Haymarket.  —  English  Opera. 

Our  actors  and  actresses.     Pascoe,  C.  E.  **T.57.3o8 

Our  actresses.    Wilson,  M.  B.  **T.56.254 

Our  magic.     Maskelyne,  J.  N.  4006.217 

Our  Players'  Gallery.     See  Theatre,  The.     [Monthly.] 
Our  recent  actors.     Marston,  J.  W.  4547.119;  **T.57.292 

Our  theatres  to-day  and  yesterday.     Dimmick,  R.  C.  4395.206 

Ourry,  E.  T.  Maurice,  editor. 

Cahaisse,   H.  a.     Memoires  de  Preville,  et  de  Dazincourt    [Anon.], 

revus,  corriges,  et  augmentes  d'une  notice  sur  ces  deux  comediens, 

par  M.  Ourry.     Paris.     1823.  **T.56.6;  etc. 

Ours  et  fours.     Bergerat,  A.  fi.  **T.36.9i 

Out-Door  Players,  The,  Peterborough,  N.  H. 

The  story  of  the  Out-Door  Players  (a  summer  school-camp)  in 
pictures.      [Peterborough,   N.    H.      1917.]      Illus.      Portraits. 

A  school  of  dramatic  training.  5599*^92 

Out-door  theatres.     See  Open-air  theatres. 

Oven,  A.  H.  E.  von. 

Das  erste  stadtische  Theater  zu  Frankfurt  a.  M.  Ein  Beitrag  zur 
ausseren  Geschichte  des  Frankfurter  Theaters.  1751-1872.  Nach  den 
Acten  bearbeitet.  Frankfurt  am  Main.  Selbstverlag  des  Vereins. 
1872.  vi,  (2),  120,  (i)  pp.  Plates.  fVerein  fiir  Geschichte  und 
Alterthumskunde,  Frankfort-on-the-Main,  Germany.  Neujahrs- 
Blatt.     1872.]  **T.93.i3 

Overthrow,   The,   of   stage-players.     Rainolds,   J.  **T.77.i39;  etc. 

Owen,  Charles,  alleged  author. 

The  conduct  of  the  stage  consider'd.  See  Conduct,  The,  of  the 
stage  consider'd. 

Owens,  John  Edmond. 

Owens.  M.  C.  Memories  of  the  professional  and  social  life  of  John 
E.  Owens.    Baltimore.    1892.    Portraits.    Plates.   4344.148;  **T.56.25 

[567] 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 


Owens,  Mary  C. 

Memoiies  of  the  professional  and  social  life  of  John  E.  Owens,  by 

his  wife.    Baltimore.    Murphy  &  Co.     1892.    vii,  292  pp.    Portraits. 

Plates.     Autograph  facsimiles.  4344.148;  **T.56.25 

Owl,   The.      [Weekly.]      No.    1-24.     Apr.   9 -Oct.   29,    1831.      [London. 

Morton.]      1831.     i   v.     Portraits,  mostly  colored.  **T.26.63 

Relates  largely  to  the  London  theatres. 

Oxberry,  William. 

Memoirs   of   celebrated   performers.      New   York.     Turner.      [1827.] 
71  pp.  6549.38 

Contents.  —  Madame  Freron.  • —  C.  J.  Kean.  —  Master  Burke.  —  J.  Henderson. 
—  B.  Webster.  —  T.  Weston. 

Oxberiy's    Anecdotes    of    the    stage,    &c.      London.      Virtue.      1827. 

(i),  96  pp.     Portrait.  **T.57.278 

Oxberry,  William,  compiler. 

The  actor's  budget;  consisting  of  monologues,  prologues,  epilogues 

.  .  .  theatrical   anecdotes    and    comic    songs.      London.      Simpkin 

&   Marshall.     1820.      (4),  iv,   (4),  346  pp.  **T.97.334 

Another  copy  is  on   shelf-number  **G. 382 1.26. 

Oxberry,  William  Henry. 

Oxberry's   Dramatic   chronology.     Containing   the   names,    dates   of 

births,    first    appearances    and    deaths,    of    most   of   the   principal 

London   actors    and    actresses,   up    to    1849.      [London.]      Harris. 

[1850.]     43,    (i)   pp.  **T.98.24 

Oxberry's  Dramatic  biography,  or  the  green-room  spy.    Vol.  1-6.     New 

series,  vol.  i,  2.     London.     Virtue.     1825-27.     8  v.  in  7.     Portraits. 

Projected  by   William    Oxberry.      Edited   by   Mrs.    Oxberry.  **T.59.54 

Same.     Vol.  1-5.     New  series,  vol.  i.     6  v.  **G.382i.30 

Same.     New  series,  vol.  i.     1827.  **K.37,i7 

Oxberry's  Dramatic  mirror;  containing  the  biography  of  eminent  per- 
formers.    London.     Virtue  &  Co.     1827.     (i),  476  pp.     Portraits. 

**T.57.430 

I'roiectcd   by   William    Oxberry   and   edited  after  his   death   by  his   widow.      The 
running  title  is,  Dramatic  biogfraphy. 

Oxberry's  Theatrical  Inquisitor,  or  monthly  mirror  of  the  drama.  By 
the  editors  of  "Oxberry's  Dramatic  biography."  London.  Virtue. 
1828.     216  pp.     Portrait.     Plate.  **T.29.ii 

Oxenham,  Henry  Nutcombe. 

Recollections    of    Ober-Ammergau    in    1871.      London.      Rivingtons. 
1880.     X,   (i),  80  pp.  **T.48.4 

Oxford  amateurs,  The.     Mackinnon,  A.  2497.183 

Oxford  University.    See  University  of  Oxford. 
Oxford  University  Dramatic  Society. 

MacKinnon,  A.     The  Oxford  Amateurs.     London.     1910.     Portrait. 
Plates.  2497.183 


L. 

Le  theatre  au  College  des  Bons-Enfants  et  chez  les  Peres  Jcsnites 
de  Reims.     Paris.     Levy.     1883.     30  pp.  **T.77.202 


P.,  M.  D.  See  Pure,  Michel  de. 
P.,  M.  F..  pseud.  See  Coeuret,  P. 
P.,  M.  L,  pseud.    See  Coeuret,  P. 


[568] 


BROWN   COLLECTION    OF  BOOKS    ON    THE   STAGE 


Paccard,  Jean  Edme. 

Memoires  et  confessions  d'un  comedien.    Paris.     Pougin.     183Q.     (3), 

viij,  411  pp.  **T.56.i88 

Le  petit  homme  noir  aux  acteurs   et  actrices   du  Theatre   fraiic^ais. 

[Anon.]     Paris.     Bechet.     1815.    xx,  122  pp.  **T.57.368 

Paciaudi,  Paolo  Maria. 

Pavlli  M.  Paciavdi  De  athletarvm  KuPioxi'ioei  in  Palaestra  Graecorvni 
commentariolvm.    Romae.    Palearini.    1756.    33,  (2)  pp.    *4003.i35 
Padua,  Italy.     Theatres. 

Stratico,  S.,  Conte.  Dell'  antico  teatro  di  Padova.  In  Padova.  1795. 
6  plans.  4091.100 

Pageants. 

A   special   list   of   works  on   this   subject   is   in   preparation    by    the    Library,      in 
the    meantime    the    card    catalogue    may    be    consulted. 

Paine,  Robert  Treat,  Jr.,  formerly  Thomas. 

Dedicatory  address;  spoken  by  Mr.  Hodgkinson,  October  29,  1798, 
at  the  opening  of  the  new  Federal  Theatre,  in  Boston.  [Boston 
Theatre,  Federal  Street.]  {In  Paine,  R.  T.  Works  in  verse  and 
prose.     Pp.  197-205.     Boston.     1812.)  -  *4405.24 

The   first   theatre,   the    Boston   Theatre   on    Federal   Street,   opened   in    1794,    was 
destroyed  by  fire  in  1798  and  rebuilt  the  same  year. 

Palais-Royal,  Paris. 

Beynet,  a.     Les  chroniques  du  Palais-Royal.     Paris.     [1881.] 

2639.75;  **T.97.229 
Chabrol,   W.    F.      Le    Palais-Royal    et   le   Theatre   frangais.      Paris. 

1879.  **T.93.7 

Discussion  sur  les  apanages,  pour  S.  A.  S.  M&r  le  Due  d'  Orleans; 

contre  le  Sieur  Julien.     [Paris.     1818.]  **T. 75.34 

JuLiEN,  A.    Memoire  a  consulter  et  consultation  pour  le  Sieur  Julien. 

proprietaire  de  la  salle  du  Theatre-frangais;  contre  S.  A.  S.  Mon- 

seigneur  le  Due  d'Orleans.     [Paris.     1818.]     Plan.  **T.75.36 
Observations  de  M.  Julien,  additionnelles  a  I'expose  des  faits 

de  son  Memoire  a  consulter.     [Paris.     1818.]  **T.75.37 

Louis  xviii,  of  France.     Ordonnances  du  roi,  concernant  la  restitution 

des    biens    appartenant    a    Monseigneur   le    Due   d'Orleans,    et    la 

remise   des   titres,   plans,  papiers,   etc.,   qui   se   trouvent   dans   les 

archives  et  depots  publics.     Paris.     1818.  **T.75.33 

Memoire  a  consulter,   et  consultation,  pour  S.  A.   S.   Monseigneur 

le    Due    d'Orleans;    contre    le    Sieur    Julien.      [Paris.      1818.] 

**T.75.38 
Memoire  pour  S.  A.  S.  Monseigneur  le  Due  d'Orleans,  demandcur; 

contre  le  Sieur  Jullien,  defendeur.     [Paris.     1814?]  **T.75.29 

Plans  relatifs  au   Palais-Royal,   et  discussion   des   questions   qu'ils 

ont  fait  naitre  au  proces  entre  S.  A.  S.  Ms^"  le  Due  d'Orleans  et 

le  Sieur  Julien.     [Paris.     1818.]     Plates.    Colored  plans.    **T.75.35 
Points  de  fait  et  de  droit  les  plus  importans,  pour  les  adjudicataires 

originaires  de  la  salle  du  Theatre-frangais,  appeles   en  garantie 

frangais;  contre  S.  A.  S.  Monseigneur  le  Due  d'  Orleans.     |  Paris. 

1818?]  **T.75.40 

.    Resume  servant  de  reponse  pour  M.  Julien,  proprietaire  du  Theatre 

frangais;  contre  S.  A.  S.  Monseigneur  le  Due  d'  Orleans.     [Paris. 

1818?]  **T.75.39 

Palatinate.     Theatres. 

Walter,  F.     Geschichte  des  Theaters  und  der  Musik  am  kurpfiil/i- 

schen   Hofe.     Leipzig.     1898.     Plate.     Plan.  6871.40 

[569] 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 


Palestine. 

Pilgrimage,  A,  through  the  Holy  Land,  explanatory  of  the  Diorama 
of  Jerusalem  and  the  Holy  Land  painted  from  original  sketches 
made  by  W.  H.   Bartlett.     [London.     185-?]  3048.252 ;  etc. 

Palianti,  Louis. 

Souvenir  de  dix  ans.  Theatre  imperiale  de  I'Opera.  Paris.  Gosselin. 
1865.     46  pp.     [Petites  archives  des  theatres  de  Paris.] 

No.  4  in  **M.i37.io 
Palianti,  Louis,  editor. 

Alm.\nach  des  spectacles  pour  1852.     Annee   i.     Paris.     1852.     Dia- 
grams. **T.27.2I 
Palissot  de  Montenoy,  Charles. 

Lettre  du  citoyen  Palissot,  a  la  citoyenne  Bourguoin,  sur  ses  debuts 
au  Theatre  de  la  republiquc.  (In  Coste  d'Arnobat,  C.  P.  Lettre 
d'vm  comedien  du  Theatre  de  la  republique,  aux  demoiselles  Gros 
et   Bourguoin.     Pp.  42-60.     Paris.     An  ix    [1801].) 

No.  5  io  **G.3562.2 
Palladio,  Andrea. 

MoNTENARi,  G.,  Conte.  Del  Teatro  Olimpico  di  Andrea  Palladio  in 
Vicenza.     Discorso.     In  Padova.     1733.     Portrait.     5  plates. 

*4095.i07;  etc. 
Palm,  Adolf.    See  Mueller-Palm,  Adolf. 
Palmer,  Albert  Marshman. 

Catalogue  of  [his]  library.  Including  Shakespeare  and  Shake- 
speariana,  costumes,  biographies,  stage  histories,  rare  dramatic 
magazines  and  tracts,  old  plays;  works  of  the  dramatists.  His- 
tory of  the  Union  Square  Theatre.  To  be  sold  at  auction  January 
30th  and  31st,  1906.  By  the  Merwin-Clayton  Sales  Company. 
Part   I.     New  York.     1906.     116  pp.     Portraits.  **T.65.3i 

Palmer,  Frank. 

Censorship  in  England.     By  Frank  Fowell  and  Frank  Palmer.     Lon- 
don.    [1913.]     xii,  390,   (2)  pp.     Portraits.     Facsimiles.         6257.86 
Palmer,  John. 

Harral,  T.  a  monody  on  the  death  of  Mr.  John  Palmer,  the 
comedian.  Prefixed,  a  review  of  his  theatrical  powers;  with 
observations  on  the  most  eminent  performers  on  the  London 
stage.     London.     1798.  **T.56.i3i ;  etc. 

Sketch,  A,  of  the  theatrical  life  of  John  Palmer,  containing  an 
accurate  and  impartial  summary  of  the  incidents  of  his  public 
life.     London.     1798.  **T.97.58;  etc. 

Palmer,  John  Leslie. 

The  censor  and  the  theatres.     London.     Unwin.     1912.     307,  (i)   pp. 

Relates  to   England.  **T.77.228 

The  comedy  of  manners.  London.  G.  Bell  &  Sons,  Ltd.  1913.  vii, 
(4),  308  pp.    Portraits.    Plates.  4579-239 

Contains    pictures    and   notes    on    a    number    of    London    theatres.      Bibliography, 
pp.  299-304. 

The  future  of  the  theatre.  London.  G.  Bell  &  Sons,  Ltd.  1913.  (3), 
xi,   196  pp.  4579-245 

On  the  English  drama  and  theatre. 
Palmer,  Minnie. 

Blvtii,    H.      My   sweetheart!     The   life   and   adventures   of   Minnie 
Palmer.     A  tribute  to  grace  and  genius.     London.     [189-?]     Por- 
traits. **T.95-78 
Palmistry.    See  Chiromancy. 


[570] 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 


Pangloss,  Peter,  Esq.,  LL.D.  &  AS.S.,  pseud. 

The  Young  Rosciad:  an  admonitory  poem,  vvcll-seasoiied  with  Attic 
salt,  cum  notis  variorum.     London.     Gordon.     1805.     35  pp. 

Another  copy  is  on  shelf-number  No.  11  in  **G.3947.2.  **T.S'i-I'^^ 

Pangloss,  Peter,  Esq.,  LL.D.  &  A.S.S.,  pseud.,  editor. 

Daggervvood,  S.,  pseud.  Memoirs  of  Sylvester  Daggerwood,  comedian, 
&c.  deceased:  including  many  years  of  provincial  vicissitudes. 
London.     1807.    2  v.  in  i.  **T.87.34 

Panorama,  Le.     Reutlinger,  .  **T.52.5 

Panoramas. 

Bapst,  C.  G.  Essai  sur  I'histoire  des  panoramas  et  des  dioramas. 
Extrait  des  rapports  du  jury  international  de  TExpositioii  uni- 
versclle  de  1889.     Paris.     1891.     Plates.     Plans.  **T.93.8 

Barker.  H.  A.  Description  of  a  view  of  the  north  coast  of  Spitz- 
bergen,  now  exhibiting  in  Henry  Aston  Barker's  Panorama, 
Leicester-Square:  painted  from  drawings  by  Lieut.  I'eeclicy. 
London.     1819.     Plate.  **T.96.299 

Description  of  the  field  of  battle,  and  disposition  of  the  troops 

engaged  in  the  action,  fought  on  the  i8th  of  June,  1815,  near 
Waterloo;  illustrative  of  the  representation  of  that  great  event 
in  the  panorama,  Leicester-Square.     [London.]      1816.     Plate. 

**T.96.296 

Description  of  the  procession  on  the  coronation  of  His  Majesty 

George  the  Fourth:  July  19,  1821.  Now  represented  and  exhibiting 
in  Henry  Aston  Barker's  Panorama,  Leicester  Square.  London. 
1823.  **T.96.205 

Description  of  the  viev\'  of  the  Battle  of  Vittoria  now  exhibiting 

in  Henry  Aston  Barker's  Panorama,  Leicester  Square.  [London.] 
1814.      Plate.  **T.96.302;etc. 

A  short  account  of  the  view  of  Lisbon,  now  exhibiting  in  Henry 

Aston  Barker's  Panorama,  Leicester  Square.  [London.]  1812. 
Plate.  **T.96.298 

A  short  description  of  Badajoz,  and  the  surrounding  country, 

with  extracts  from  the  London  Gazette:  explanatory  of  the  picture 
exhibiting  in  the  panorama,  Leicester  Square,  representing  the 
siege  in  1812.     [London.]      1813.     Plate.  **T.96.30i ;  etc. 

Barker,  H.  A.,  and  J.  Burford.  Description  of  the  view  of  Athens, 
and  surrounding  country;  now  exhibiting  in  Henry  Aston  Barker 
and  John  Burford's  panorama,  Strand:  with  an  improved  explana- 
tion.    London.     1818.     Plate.  **T.96.295;  etc. 

Description    of    the    view    of    Venice;    taken,    and   painted    by 

Messrs.  Barker  and  Burford,  now  exhibiting  in  their  panorama, 
Strand.     London.     1819.     Plate.  **T.96.3oo 

An  explanation  of  the  view  of  Rome,  taken  from  the  tower  of 

the  Capitol.  Now  exhibiting  at  H.  A.  Barker  and  J.  Burford's 
panorama,  Strand.     [London.]     1818.     Plate.  **T.96.294 

Explanation  of  the  view  of  the  interior  of  the  city  of  Paris, 

now  exhibiting  in  Henry  Aston  Barker  and  John  Burford's  pano- 
rama, Strand.     [London.]     1816.     Plate.  **T.96.297 

Bayne, .     Description  of  Bayne's  gigantic  panorama  of  a  voyage 

to  Europe,  from  original  sketches  taken  by  the  artist  iiiniself. 
Boston.     1848.  6268.24;  etc. 

Burford,  R.  Description  of  a  view  of  the  great  temple  of  Karnak, 
and  the  surrounding  city  of  Thebes,  now  exhibiting  at  the  Pano- 

[571] 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 


Panoramas.     (Continued.) 

rama,  New  York.  Painted  from  drawings  taken  in  1834,  by  F. 
Catherwood.     New-York.     1839.     Plate.  3054-68 

Description  of  the  view  of  the  city  and  lake  of  Geneva,  and 

surrounding-  country,  now  exhibiting  in  the  Rotunda,  Chambers- 
street  .  .  .  1826.     New  York.     1829.     Illus.     Plate.       4864.25;  etc. 

Daguerre,  L.  J.  M.  Notice  explicative  des  tableaux  exposes  au 
Diorama.     [Paris.     1822?]  40793.213 

Description  of  the  Colosseum,  Broadway,  35th  and  36th  Streets,  New 
York.  The  largest  iron  structure  in  the  world.  A  history  of  the 
world  renowned  cycloramas:  London  of  1828,  Paris  by  moonlight, 
and  London  of  1873,  by  night.     [New  York.     1874.]     Plates. 

6262.88;  etc. 

Description  of  the  picture,  Belshazzar's  feast,  painted  on  near  2,000 
feet  of  canvas.  Open  at  the  diorama  at  Niblo's  Garden,  Broad- 
way.     [New  York.      185-?]  80793.99 

Donaldson,  T.  L.  Description  of  a  second  view  of  Pompeii,  and 
surrounding  country;  representing  the  tragic  theatre,  covered 
theatre,  temple  of  Isis,  small  forum,  now  exhibiting  in  the 
panorama,  Leicester-Square:  painted,  from  drawings  taken  on  the 
spot,  by  Mr.  Burford.    London.     1824.     Plate.  .Plan.        **T.96.293 

Description  of  a  view  of  the  ruins  of  the  city  of  Pompeii,  and 

surrounding  country,  now  exhibiting  in  the  panorama,  Strand; 
painted  from  drawings  taken  on  the  spot  by  Mr.  Burford.  [Lon- 
don.]    1823.     Plate.  **T.96.292 

Great  siege,  The,  of  Paris:  1870-71.  [By  Philippoteaux.]  Also, 
the  assassination  of  the  Archbishop  of  Paris  [Darboy]  at  the 
hands  of  the  Commune  of  1871.  [By  Desbrosses.  Description  of 
the  pictures.     Boston.     187-?]  26393.33 

HuTCHiNGS,  W.  E.  A  description  of  Hutchings'  grand  classical 
panorama  of  the  sea  and  shores  of  the  Mediterranean.  Executed 
by  A.   Hewins.     Boston.     1848.  6262.35 

[Manuscripts,  programmes,  etc.,  relating  to  his  Grand  classical 

panorama  of  the  sea  and  shores  of  the  Mediterranean,  executed 
by  A.  Hewins.     1848?]  **T.i2.3 

London.    Colosseum.    An  account  of  the  Colosseum.     [London.     1830.] 

45393.142 
Pilgrimage,  A,  through  the  Holy  Land,  explanatory  of  the  Diorama 

of  Jerusalem  and  the  Holy  Land  painted  froin  original  sketches 

made  by  W.  H.   Bartlett.     [London.     185-?]  3048.252;  etc. 

Wood,  J.  H.,  and  A.  Collins.    The  true  story  of  the  Sleeping  H canty 

and  the   Beast.     [London.     1900.]     Illus.     Plates.  **T.49.io 

Panor3m3S.     Buildings. 

LiEBLEix,    J.,    and    H.    Wagner.      Panoramen.      Illus.      Plans.      (In 

Handbuch  der  Architektur.     Theil  4.     Halb-Band  4,  pp.  410-425. 

Darmstadt.      1885.)  *8o92.52.4 

Pantomime, 

See    also    B3l]et;    D3ncing;    Gesture;    H3rlequin3de;    Puppet   pl3ys; 

Shsdow  pantomimes. 
Adams,  F.  A.  F.     Gesture  and  pantomimic  action.     New  York.     1891. 

Illus.     Music.  3596.106;  **T.75.2i 

Blasis,   C.     The  theory  of  theatrical  dancing.     With  a  chapter  on 

pantomime.      Edited    from    Carlo    Blasis'    Code    of    Terpsichore, 

with  the  original  plates,  by  Stewart  D.  Headlam.    London.     1888. 

Pl3tes.  **T.95.49 

[572] 


BROWN  COLLECTION   OF  BOOKS   ON   THE  STAGE 


Pantomime.     (Continued.) 

Broadbent,  R.  J.     A  history  of  pantomime.     London.      fiQoi.] 
. v>^  2576.179 ;  **T.97.3o6 

^y^  Calliachi,    N.      Nicolai    Calliachii    De    ludis    scenicis    mimorum,    & 
pantomimorum  syntagma  posthumum.     Patavii.     1713.     Portrait. 

**G.294.S4 

Driesen,  O.  Der  Ursprung  des  Harlekin.  Ein  kulturgeschichtliches 
Problem.     Berlin      1904.     Illus.     Plates  6252,72 

Grysar,  C.  J.  Der  romische  Mimus.  (In  Kaiserliche  Akademie  der 
Wissenschaften,  Vienna.  Philosophisch-historische  Classe.  Sit- 
zungsberichte.     Band  12,  pp.  237-337.     Wien.     1854.)        *3340.3.i2 

Ueber  die  Pantomimen  der  Romer.     (In  Rheinisches  Museum 

fiir  Philologie.     Band  2,  pp.  30-80.     Bonn.     1834.)  *69s6.2.2 

Halliday,  a.  Comical  fellows:  or,  the  history  and  mystery  of  the 
pantomime.     London.     1863.  **T.47.98 

HuGOUNET,  P.     Mimes  et  pierrots.     Notes  et  documents  inedits  pour 

/     servir  a  I'histoire  de  la  pantomime.    Paris.    1889.    Plate.   **T.95.i35 

v^JoHNSON.  J.     An  account  of  pantomime.     The  London  pantomimes, 

1881-1882.     Facsimiles  of  the  earliest  announcements  of  English 

pantomimes.     [London.     1882.]  **T.95.94 

L'Aulnaye,  F.  H.  S.  de.  De  la  saltation  theatrale,  ou  recherches 
sur  I'origine,  les  progres,  &  les  effets  de  la  pantomime  chez  les 
anciens.     A  Paris.     1790.     Plates.  **T.96.263 

Memoires  et  pantomimes  des  freres  Hanlon  Lees.  Avec  une  preface 
de  Theodore  de  Banville  et  six  gravures  a  I'eau  forte  de  Frederic 

/     Regamey.     Paris.     [1880.]     Portraits.  **T.58.69 

^^^>AVagner,  L.     The  pantomimes  and  all  about  them:  their  origin,  his- 

toiy,  preparation  and  exponents.     London.      [i88r.]  **T.48.8 

v/^Weaver,   J.     The  history  of  the  mimes  and   pantomimes,  with  an 

historical  account  of  several  performers  in  dancing,  living  in  the 

time  of  the  Roman  emperors.     To  which  will  be  added,  a  list  of 

the    modern    entertainments    that    have    been    exhibited    on    the 

English  stage.     London.     1728.  No.  7  in  **G.3824.i7 

Pantomimes. 

CoRALLi,  J.,  and  E.  Burat  de  Gurgy.  [The  devil  on  two  sticks.] 
Programme  of  the  story,  scenerj'-,  and  dances,  in  the  new  grand 
ballet  The  devil  on  two  sticks.     London.     [1836.]  **T.36.72 

Decombe,  F.  a.  [The  fairy  slipper.]  Programme  of  the  story, 
scenery,  and  dances,  in  the  new  grand  ballet,  in  three  acts,  called 
The  fairy  slipper.    London.     [1834.]  **T.36.67 

Storm,  The.  Programme  of  the  story,  scenery  &  dances,  in  the  new 
grand  fairy  ballet,  in  two  acts,  The  storm;  or,  the  Isle  of  the 
Genii!     London.     [1834-]  **T.36.68 

Taglioni,  P.  [The  revolt  of  the  harem.]  Programme  of  the  story, 
scenery,  and  dances,  in  the  fairy  tale,  in  three  acts.  The  revolt 
of  the  harem.     London.     [1834.]  **T.36.23;  No.  i  in  **M.i47.35 

Papillon  de  La  Ferte,  Denis  Pierre  Jean. 

L'administration  des  Menus.  Journal  de  Papillon  de  La  Ferte,  in- 
tendant  et  controleur  de  I'argenterie,  menus-plaisirs  et  affaires  de 
la  chambre  du  roi.  (1756-1780.)  Public  avec  une  introduction  et 
des  notes  par  Ernest  Boyasse.  Paris.  Ollendorff.  1887.  (3), 
454,  (i)-  pp.  **T.55.49 

Papillon  de  La  Ferte,   Denis   Pierre  Jean.     Works  about. 

JuLLiEN,  J.  L.  A.  Un  potentat  musical,  Papillon  de  La  Ferte:  son 
regne  a  I'Opera  de  1780  a  1790.     Paris.     1876.  4044-59 

[573] 


THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 

Papon,  Auguste,  Marquis. 

Lola  Montes:  or,  a  reply  to  the  "Private  history  and  memoirs"  of 
that  celebrated  lady,  recently  published  by  the  Marquis  Papon, 
formerly  secretary  to  the  King  of  Bavaria,  and  for  a  period  the 
professed  friend  and  attendant  of  the  Countess  of  Lansfeldt.  New 
York.     1851.     Portrait.  **T.97.239 

Paradox,  The,   of  acting.     Diderot,    D.  4673.73;  **T.77. 181;  etc. 

Paradoxe  sur  le  comedien.     Diderot,  D.  4672.1  ii 

Parfaict,  Claude,  and  Frangois  Parfaict. 

Histoire  de  I'ancien  theatre  italien  depuis  son  origine  en  France 
jusqu'  a  sa  suppression  en  1697.  Paris.  Laml^ert.  I75,3-  -^iv, 
(2).  455,  (3)  pp.  **M.io9b.3i 

Parfaict,  Frangois,  and  others. 

Dictionnaire  dcs  theatres  dc  Paris,  contenant  toutes  les  pieces  qui 
ont  ete  representees  jusqu'a  present,  des  faits  anecdotes  sur  les 
auteurs.  acteurs,  danseurs,  &c.  [Par  Frangois  et  Claude  Parfaict 
et  Godin  d'.\bguerbe.]     A  Paris,  chez  Lambert.     1756.     7  v.  in  6. 

**T.48.i3 
Contents.  —  i.  A-B.  2.  C-F.  3.  G-N.  4.  O-R.  5.  S-T.  6.  V-Z.  7.  Additions 
et  corrections. 

Same.     Chez   Rozet.      1767.     7  v.  *4639.35 

Parfaict,  Frangois,  and  Claude  Parfaict. 

Histoire  du  Theatre  frangois,  depuis  son  origine  jusqu'a  present. 
Avec  la  vie  des  plus  celebres  poetes  dramatiques,  des  extraits 
exacts  &  un  catalogue  raisonne  de  leurs  pieces,  accompagnes  de 
notes  historiques  &  critiques.  [Anon.]  Tome  i,  2.  A  Amsterdam, 
aux  depens  de  la  compagnie.     1735,  36.  **T.78.23 

Same.    Tome  1-15.    A  Paris,  chez  P.  G.  Le  Mercier.     1745-49.     15  v. 

**T.78.24 

Parfouru,  Paul   Desire   (Paul   Porel),  and   Georges  Hippolyte   Mondain 

Monval. 

L'Odeon.    Histoire  administrative,  anecdotique  et  litteraire  du  second 

Theatre  frangais.     Paris.     Lemerre.     1876,  82.     2  v.  26703.50 

Contents.  —  [i.]    1782-1818.     2.   1818-1853. 

Same.    Tome  i.  **T.75.4i 

Paris,  Antoine  Louis. 

Le  theatre  a  Reims  depuis  les  Romains  jusqu'a  nos  jours.  Reims. 
Michaud.      1885.      (6),   314  pp.     Plates.  **T.75.5 

Paris,  Louis.    See  Paris,  Antoine  Louis. 
Paris.     Theatres. 

See  also  Actors  abroad;  Italian  players  in  France. 
Albert,    M.      Les   theatres   de   la   foire.      (1660-1789.)      Paris.      1900. 
Tllus.     Plates.  4676.104;  **T.97.254 

Les   theatres   des   boulevards.      (1789-1848.)      Paris.      1002. 

4676.134;  **T.77. 112 

Arago,   J.   fi.  V.     Foyers   et    coulisses.     Panorama   des   theatres   de 

Paris.     Paris.     1852.  **T.57.382 

Physiologic  des  foyers  de  tous  les  theatres  de   Paris.     Paris. 

1841.  **T.79.8 

Audebrand,  p.  Un  foyer  de  theatre  d'il  y  a  50  ans.  Le  foyer  du 
\'audeville  de  la  rue  de  Chartres.  (In  Petits  memoires  du  xixe 
siecle.    2e  edition.     Pp.  293-321.     Paris.     1892.)  2646.105 

Petits   memoires   d'une   stalle   d'orchcstre.      (Acteurs,   auteurs, 

journalistes.)     Paris.     1885.  **T.77.i25 

[574] 


I 


BROWN   COLLECTION    OF  BOOKS    ON    THE   STAGE 


Paris.     Theatres.     (Continued.) 

AuRiAc,    P.    E.    J.    M.    d',   editor.     Theatre    de    la    foire.      Recucil    de 

pieces   representees   aux    foires    Saint-Germain    et    Saint-Laurent. 

Precede   d'un   essai   historique   sur  les   spectacles    forains.      Pnris 

1878.  **T.37.i46 

Bachaumont,  L.  p.  de.     Memoires  historiques,  litteraires,  politiqiics, 

anecdotiques   ct   critiques.     Extrait   des    Memoires    secrets    de   la 

republique  des  lettres.     Paris.     1809.     3  v.  **T.S7.9i 

Baisser,  Le,  du  rideau.    Anecdotes  theatrales  ancienncs  et  moderncs, 

tirees   des   memoires   des  temps.     Paris.      1837.  **T.58.i4i 

Banville,  T.  F.  de.  Mes  souvenirs.  Paris.  1882.  Plate.  4646.67 
Barba,  J.   N.     Souvenirs.     Paris.     1846.     Portraits.  **T.56.6i 

Barthelemy.  fi.  M.,  Comte  de,  editor.     Nouvelles  de  la  cour  et  dc  la 

ville  concernant  le  monde,  les  arts,  les  theatres  et  les  lettres.  1734- 

1738.     Paris.     1879.  **T.95.52 

Benjamin,  E.,  and  H.  Buguet.     Coulisses  de  bourse  et  de  theatre. 

Paris.     1882.     Illus.  **T.97.223 

Bernardin,  N.  M.     La  comedie  italienne  en  France,  et  les  theatres 

de   la  foire   et   du   boulevard.      (1570-1791.)      Paris.      1902.     Illus. 

Portraits.     Plates.  2679.277 

Bernheim,  a.  J.     Trente  ans  de  theatre.     Serie  [i,]  2.     Paris.     1903, 

04.    2  V.  ^  **T.77.iio;  etc. 

Bertrand,    J.    fi.    G.      Etudes    d'economie    theatrale.      Les    theatres 

lyriques  de  Paris.     [Paris.     1866.]  No.  2,  3  in  **M.372.20 

Bonnassies.    J.      Les    spectacles    forains    et    la    Comedie    frangaise. 

Paris.     1875.     Plate.      •  2677.76;  **T.77. 113 

BossuET,  P.  Histoire  des  theatres  nationaux.  Paris.  [1909.]  4674.33 
Bouis-Bouis,  bastring-ues  et  caboulots  de  Paris.  Paris.  1861.  **T.79.9 
Brazier,  N.    Histoire  des  petits  theatres  de  Paris  depuis  leur  oripine. 

Paris.     1838.     2  V.  **T.79.i3 

Same.     Chroniques  des  petits  theatres  de  Paris.     Paris.     1883. 

**T.78.63 
Buguet,  H.    Foj^ers  et  coulisses.     Histoire  anecdotique  des  theatres 

de  Paris.     Paris.     1873-85.     14  v.  in  7.     Portraits.  **T.79.2 

C  *  *  *  *  u,  Ch.  R.     Le  tribunal  volatile,  ou  nouveau  jugement  porte 

sur  les  acteurs,  auteurs,  et  sur  divers  endroits  publics  de   Paris. 

Paris.     An  xi.  [1803?]  **T.79.i9 

Cailhava  d'Estandoux,  J.  F.     Les  causes  de  la  decadence  du  theatre, 

et  les  moyens   de   le  faire   refleurir.     Paris.     1807. 

No.  4  in  **G.3562.2;  etc. 
Cain,  G.    Anciens  theatres  de  Paris.     Le  Boulevard  du  Temjile.     Les 

theatres  du  boulevard.  Paris.  1906.  Illus.  Portraits.  4677.107 
Camel,  J.  B.  L.  De  I'influence  des  theatres  et  particulierement  des 
-    theatres    secondaires    sur   les    moeurs    du   peuple.      [Paris.      1S22.] 

No.  19  in  **G.3562.i 
Campardon,  L.  fi.     Les  spectacles  de  la  foire.     Depuis  1595  jusqu'a 

1791.     Paris.     1877.     2  v.  **T.75.6 

Chaalons  d'Arge,  a.  P.     Histoire  critique  ct  litteraire  des  theatres 

de   Paris.     Annee    1822.     Paris.      1824.  **T.77.6;  etc. 

Chadourne,  a.     Les  cafes-concerts.     Paris.     1880.  **M. 129.7 

Charlemagne,     J.     A.      Le     melodrame    aux    boulevards.      Facetie 

litteraire,  historique  et  dramatique.  Paris.  1809.  **T.97.i84;  etc. 
Chaulin,    N.    p.      Biographic    dramatique    des    principaux    artistes 

anglais    venus    a    Paris;    precedee    de    souvenirs    historiques    du 

theatre  anglais  a  Paris,  en  1827  et  1828.     Paris.     1828.        **T.59.io 

[575] 


THE  PUBLIC  LIBRARY   OF  THE   CITY  OF  BOSTON 


Paris.     Theatres.     (Continued.) 

Child,  T.  The  ballet  in  Paris.  Illus.,  some  colored.  Portraits. 
(In  Matthews,  J.  B.    About  the  ballet.    Pp.  (i  10-152).    New  York. 

189I.)  **T.I2.II 

Claretie,    J.    A.    A.      La  vie    a    Paris.      1880-85.    95-i9i3-      Paris. 

fi88i-liQi4.     21   V.  **T.27.i6 

La  vie  moderne  au  theatre.      Causeries  sur  I'art   dramatique. 

Paris.     1869,  75.     2  V.  **T.47.2 

Clement,  J.  M.  B.,  and  J.  de  La  Porte.  Anecdotes  dramatiques; 
contenant  1°.  Toutes  les  pieces  de  theatre  joues  a  Paris  ou  en 
province.  20.  Tons  les  ouvrages  dramatiques  qui  n'ont  ete  repre- 
sentes  sur  aucun  theatre,  mais  qui  sont  imprimes,  ou  conserves 
en  manuscrit.  3°.  Anecdotes.  40.  Les  noms  de  tous  les  auteurs. 
poetes  ou  musiciens,  qui  ont  travaille  pour  tous  nos  theatres,  de 
tous  les  acteurs  celebres,  qui  ont  joue  a  tous  nos  spectacles.  5°. 
Un  tableau,  accompagne  d'anecdotes,  des  theatres  de  toutes  les 
nations.     A  Paris.     1775.     3  v.  **T.58.3;  etc. 

CoNSTANTiN,  M.  Histoirc  des  cafes-concerts  et  des  cafes  de  Paris. 
Paris.     1872.  **T.97.2i4;  No.  3  in  **M.i28.i8 

CoNTANT  d'Orville,  A.  G.  Histoirc  de  I'opera  bouffon  contenant  les 
jugemens  de  toutes  les  pieces  qui  ont  paru  depuis  sa  naissance 
jusqu'a  ce  jour.  Pour  servir  a  I'histoire  des  theatres  de  Paris. 
A  Amsterdam.     1768.  **M. 1293.14 

Costumes  of  the  modern  stage.  Part  1-5.  Edited  by  M.  Mobisson. 
Illustrations  by  MM.  Lebegue,  Mesples,  etc.  [London.  1889-90.] 
Colored  portraits.  **T.92,i 

Coup-d'ceil   sur   les   theatres   de   Paris.      Paris.      1821. 

»  No.  II  in  **G.3562.i 

Delaforest,  a.  Theatre  moderne.  Cours  de  litterature  dramatique. 
Paris.      1836.     2  V.  **T.46.2i 

Delvau,  a.  Les  plaisirs  de  Paris.  Guide  pratique  et  illustre.  Paris. 
1867.  **T.98.i42 

Deschaumes,  E.     Le  mal  du  theatre.     Paris.     1888.  **T.77.i4o 

Descombes,  J.  C.  F.  M.  fipaves.  Theatre  —  histoire  —  anecdotes  — 
mots.     Paris.     1865.  **T.96.i74 

Feu  le  Boulevart  du  Temple.     Resurrection  epistolaire.     Paris. 

1863.  **T.96.i73 

Tous  les  genres  du  theatre  et  sujets  correspondants.     Epitres 

en  vers  libres.     Paris,     i860.  **T.96.i72 

Desessarts,  N.  T.  L.  Les  trois  theatres  de  Paris,  ou  abrege  his- 
torique  de  I'etabHssement  de  la  Comedie  frangoise,  de  la  Comedie 
italienne  &  de  rOpera.    A  Paris.     1777.  **T.77.5i;  etc. 

Des  grands  et  des  petits  theatres  de  la  capitale.     Paris.     1816. 

**T.76.57 

Donnet,  a.  Architectonographie  des  theatres,  ou,  parallele  his- 
torique  et  critique  de  ces  edifices  consideres  sous  le  rapport  de 
I'architecture  et  de  la  decoration.  [Atlas  onh'.]  Paris.  [1837-] 
1840.     Illus.     Plates.      Plans.      Map.  *8o90.i2o;  etc. 

DuFLOT,  J.  Les  secrets  des  coulisses  des  theatres  de  Paris.  Mysteres 
—  mceurs  —  usages  —  anecdotes.     Paris.     1865.  **T.77.i89 

DuMONT, .     Le  vol  plus  haut,  ou  I'espion  des  principaux  theatres 

de    la    capitale;    contenant    une    histoire    abregee    des    acteurs    & 
actrices  de  ces  memes  theatres.     [Paris.]     1784.        **T.97.65;  etc. 

Bureau,  A.  Notes  pour  servir  a  I'histoire  du  theatre  et  dc  !a  nuisi(|ue 
en  France.    Annee  i.     i860.    Paris.     1861.  **T.77.i24 


I 


[576] 


BROWN   COLLECTION    OF   BOOKS    ON    THE   STAGE 


Paris.     Theatres.     (Continued.) 

Du  Tralage,  J.  N.  Notes  et  documents  sur  I'histoire  des  theatres  de 
Paris  au  xviie  siecle.     Paris.     1880.  **T.78.58 

Espiox,  T.'.  dcs  coulisses,  ou  nouvelle  critique  sur  les  acteurs  des 
principaux  theatres  de  Paris.     A  Paris.     An  viii.  [1799/1800.] 

**T.59.20 

Etrennes  dramatiques  pour  I'annee  1801.     Paris.     [1801?]     **T.49.i3 

Faguet,  a.  fi.  Notes  sur  le  theatre  contemporain.  Serie  1-3.  1888- 
90.     Paris.     1889-91.     3  V.  **T.47.55;  etc. 

Faucheur,  T.  Histoire  du  Boulevard  du  Temple  depuis  son  origine 
jusqu'a  sa  demolition.     Paris.     1863.  **T.77.ioi 

Fourxel,  F.  V.     Ce  (|u'on  voit  dans  les  rues  de  Paris.     Paris.     18^8. 

**T.98.22 

Tableaux   du   vieux    Paris.      Les    spectacles    populaires    et   les 

artistes  des  rues.     Paris.     1863.  **T.97.i73 

Le  vieux  Paris:  fetes,  jeux  et  spectacles.    Tours.    Mame.     1S87. 

525,   (i)   pp.     Illus.     Plates.  *463i.9 

FouRNiER,  fi.  Le  theatre  et  les  pauvres.  Paris.  [1869.]  **T.77.2io 
Framery,  N.  E.     De  I'organisation  des  spectacles  de  Paris,  ou  essai 

sur  leur  forme  actuelle.    A  Paris.     1790.  **T.77.i6 

Frebault,   fi.     Les  industriels  du  macadam.     Paris.     1868.     Plates. 

**T.99.43 
Galerie  dramatique,  ou  acteurs   celebres   qui  sont  illustres   sur  les 

trois  g-rands  theatres  de  Paris.     Paris.     1809.     Colored  portraits. 

**T.59.49 

Galerie  theatrale  ou  collection  des  portraits  en  pied  des  principaux 
acteurs  des  premiers  theatres  de  la  capitale.  Paris.  [1842?]  3  v. 
Portraits.  **T.5i.i4;  etc. 

Gautier,  T.  Histoire  de  I'art  dramatique  en  France  depuis  vingt- 
cinq  ans.     Leipzig  [&  Bruxelles].     1858,  59.    6  v.        **T.47.8o;  etc. 

Geoffroy,  C.  M.  Nouvelle  galerie  des  artistes  dramatiques  vivants. 
Contenant  40  portraits  des  principaux  artistes  dramatiques  de 
Paris.  Chaque  portrait  est  accompagne  d'une  notice  biographique 
et  d'une  appreciation  litteraire.     Paris.     1855.     2  v.  **T.53.9 

Geoffroy,  J.  "L.  Cours  de  litterature  dramatique,  ou  recueil  par 
ordre  de  matieres  des  feuilletons  de  Geoffroy,  precede  d'une  notice 
historique  sur  sa  vie.     Paris.     1819,  20.     5  v.  **T.46.46;  etc. 

Giffard,  p.  L.  Nos  moeurs.  La  vie  au  theatre.  Paris.  [1888.]  Illus. 
Plates,  some  colored.  **T.77.iii 

Les  succes  dramatiques.     Serie    [i-]3.     Analyse  de  I'ouvrage, 

biographies   de   I'auteur   et   des   artistes.     Paris.      1878,   79.     3   v. 
Portraits.     Diagrams.  **T.49.9 

Goncourt.  E.  L.  a.  H.  de,  and  others.  Mysteres  des  theatres.  1852. 
Par  Edmond  de  Goncourt,  Jules  de  Goncourt,  Cornelius  Holff 
[pseud,   de   Charles,    Comte   de   Villedeuil].     Paris.      1853. 

4676.100;  **T.75.58 

GouRiET,  J.  B.  Les  charlatans  celebres,  ou  tableau  historique  des 
bateleurs,  des  baladans  et  de  tous  les  personnages  qui  se  sont 
rendus  celebres  dans  les  rues  et  sur  les  places  publiques  de  Paris. 
Paris.     1819.     2  V.     Plate.  **T.96.327 

Gregoir,  E.  G.  J.  Des  gloires  de  I'Opera  et  la  musique  a  Paris. 
Documents  recueillis  sur  I'Opera  et  autres  theatres  a  Paris,  et 
sur  tout  ce  qui  a  rapport  a  I'art  musical  en  cette  ville  jusqu'*a 
I'annee  1880.    Bruxelles.     1878,  81.    3  v.    Portraits.  **M.i34-5 

[577] 
37 


THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 


Paris.     Theatres.     (Continued.) 

Grille,    F.    J.      Observations    sur    le    retablissement    d'un    second 

Opera-comique.     Paris.     1820.  No.  6  in  **G.3562.i 

Guide  dans  les  theatres.     Paris.     1855.     Illus.  _  **T.79.4 

Henriet,  F.     Monographie  du  spectateur  au  theatre.     Paris.     1892. 

**T.97.i64 
Hervey,  C.     The  theatres  of  Paris,  with  portraits  of  eminent  living 

actresses  by  Alexandre  Lacauchie.    Paris.    1846.    Portraits.   *"-=T.74.4 
Heulh.^ru,  L.  O.  a.     La  Foire  Saint-Laurent.     Son  histoire  &  ses 

spectacles.     Paris.     1878.     Plates.     Plans.  **T.96.305 

HopTEi.v,    J.    J.    R.    H.      Historiettes    et    souvenirs    d'un    homme    de 

theatre.     Paris.     1878.  **T.57.305 

Hubert.  E..  and  C.  dk  Trogoff.     Les  actrices  de  Paris.     Quatrains. 

Paris.     1872.  **T.57.427 

HuRET,  J.     Loges  et  coulisses.     Paris.     1901.  **T.77.7i 

Jallais.  a.  J.    B.   F.-R.  de.     Sur  la  scene   et   dans   !a   salle.      Miroir 

des  theatres  de  Paris.     Paris.     1854.  **T.79.2i 

JuLLiEN,  J.    L.   A.     Les   spectateurs   sur   le   theatre,     fitablissement 

et  suppression  des  bancs  sur  les  scenes  de  la  Comedie-frangaise 

et  de  rOpera.    Paris.     1875.     Plates.     Plan.  No.  6  in  **M.i22.i 

KoNiNG,  V.     Les  coulisses  parisiennes.     Paris.     1864.  **T.77.i79 

Laferrii:re,    A.      Souvenirs    d'un    jeune    premier.      Paris.      1884. 

**T.57.32i 
Lafitte,   J.    B.    P.      Memoires    de    Fleury    de    la    Comedie    franQaise. 

Paris.     1844.     2  V.  **T.58.44 

Same.  The  French  stage  and  the  French  people,  as  illus- 
trated in  the  Memoirs  of  M.  Fleury.  Edited  by  Theodore  Hook. 
London.     1841.     2  v.  **T,57.i03 

Same.      2d    edition.      Adventures    of    an    actor:    comprising    a 

picture  of  the  French  stage  during  a  period  of  fifty  years.     Lon- 
don.    1842.    2  V.  4565-3;  **T.57-7i 

Lan,  J.  Memoires  d'un  chef  de  claque.  Souvenirs  des  theatres. 
Paris.     1883.  **M.i27.36 

Lassouche.    B.    de.      Memoires    anecdotiques.      Paris.      [1903.] 

4649.101  ;**T.57.i85 

Laugier,  a.,  and  A.  Mottet.  Galerie  biographique  des  artistes  des 
theatres  royaux.  [Anon.]  Livraison  3:  Theatre-frangais.  Paris. 
1827.  **T.96.3io 

Lebeau  de  Schosne,  a.  T.  V.  Lettre  a  Monsieur  de  Crebillon  sur  les 
spectacles  de  Paris;  dans  laquelle  il  est  parle  du  projet  de  reunion 
de  rOpera-comique   a  la   Comedie   italienne.     A   la   Haye.      1761. 

**T.97.i82 

Lecomte,  L.'  H.  Histoire  des  theatres  de  Paris:  les  Fantaisies 
parisiennes  —  I'Athenee  —  le  Theatre  Scribe — I'Athenee-comique. 
1865-1911.      Paris.      1912.      Portrait.  *4677.ii4 

Histoire  des  theatres  de  Paris.     1902-1904.    Notice  prcliminaire. 

Paris,     1905.  *4677.io8 

Legouve,   G.   J.    B.    E.    W.     Sixty  years   of   recollections.      London. 

1893.     2  v.  .        2644.100;  **T. 56.203 

Lemonnier,  a.     Les  abus  du  theatre.     Quelques  directeurs  en  robe 

de  chambre.    Paris.    1895.  **T.98.i9 

Les    mille    et    un    souvenirs    d'un    homme    de    theatre.      Paris. 

1902.    Portraits.  **T. 77.80 

Les  petits  mysteres  de  la  vie  theatrale.     Souvenirs  d'un  homme 

de  theatre.     Paris.     1895.  **T.97.i68 

[578] 


1 
i 


BROWN   COLLECTION   OF  BOOKS   ON   THE   STAGE 


Paris.     Theatres.     (Continued.) 

Lepan,  fi.  M.  J.     Histoire  de  retablissemcnt  des  theatres  en  France. 

Paris.     1807.  **T.78  28 

Lekis,    a.    i)K.      Dictionnaire    portatif    historiquc    ct    litteraire    des 

theatres,  contenant  I'origine  des  differens  theatres  de   Paris.     A 

Paris.     1763.  **T.78.25;etc. 

Le  Senne,  C.     Le  theatre  a  Paris.     Serie   1-5.     Paris.     i888-(x>. 

**T.47.86 
Lettke  sur  les  theatres  a  M.  le  Vicomte  de  Larochefoucauld.     Paris. 

1825.  No.  12  in  **G.3562.2 

Leveaux,  a.    Nos  theatres  de  1800  a  1880.    Paris.    1881-86.    **T.77.i48 

Le    the«^tre    de    la    Cour    a    Compiegne    pendant    Ic    regnc    de 

Napoleon  in.     Paris.     1882-85.  **T.77.9i 

LoisEAu-RoussEAU,   P.     Les  theatres   de   Paris.     35   planches   a   I'oau 

forte.     [Paris.     190-?]  **T.Cab.i.3o 

Lorgnette,  La,  des  coulisses.     Paris.     1820.  No.  5  in  **G.3562.i 

Mahalin,  p.    Au  bout  de  la  lorgnette.     Paris.     1883.  **T.57.23 

Ces  petites  dames  du  theatre.     Paris.     1862.     Plate.      **T.59.i8 

Les  jolies  actrices  de  Paris.    Serie  [i-] 5.    Paris.     1868-89.    5  v. 

Illus.     Portraits.  **T.57.24 

Maillet-Duclairon,  A.  Essai  sur  la  connoissance  des  theatres 
frangois.     A  Paris.     1751.  **G.3563.i9 

Malliot,  a.   L.     La  musique  au  theatre.     Paris.     1863.     Tables. 

**M. 129.20 

Manne,  a.  E.  de,  and  C.  Menetrier.  Galerie  historique  des 
comediens  de  la  troupe  de  Nicolet.  Notices  sur  certaines  acteurs 
et  mimes  qui  se  sont  fait  un  nom  dans  les  annales  des  scenes 
secondaires  depuis  1760.  Avec  des  portraits  par  Frederic  Hillc- 
macher.      Lyon.      1869.     Illus.      Portraits.  **T.56.3/!io 

Matthews,  J.  B.  The  theatres  of  Paris.  New  York.  1880.  Illus. 
Portraits.     Plates.  2639.69;  **T.77. 205;  etc. 

Maugny,  a.,  Comte  de.  Le  demi-monde  sous  le  Second  Empire. 
Souvenirs  d'un  sybarite.     Paris.      [1892.]      Portraits.         **T.97.247 

Mayer.  M.  L.  The  Gaiety  French  plays.  Season,  1880.  Short 
biographies  of  the  actors  &  actresses  of  the  Comedie  francaise. 
Vaudeville,  Palais-Koyal,  and  other  theatres,  &c.     London.     i8?o. 

**T.97.igo 

Mendes,  C.  a.     L'art  au  theatre.     Paris.     1897-1900.     3  v.        **T.47.5 

Menetiere,  a.  Les  binettes  du  cafe-concert.  Paris.  1869.  Photo- 
graph. **T.99.22 

Meyan,  p.    Archives  theatrales.     1887.     Paris.     [1888.]  **T.77.i9i 

Miall,  B.  Pierre  Garat:  singer  and  exquisite.  His  life  and  his 
world    (1762-1823).     New  York.      1913.     Portraits.     Plates. 

2643.159 

Milliet,  p.     De  I'origine  du  theatre  a  Paris.     Paris.     1870.     Plate. 

**T.78.64 

Monselet,  C.  Acteurs  et  actrices.  Dessins  par  E.  Lorsay.  Paris. 
1867.     Plates.  **T.99.3i;etc. 

Les  annees  de  gaiete.    Paris.     1875.  2666.55 

Monsieur  Cothurne  ami   de   Mr  Botte  ou  la  delnitomanie:   histoire 

veritable,  theatrale  et  tragique.     Paris.     An  xi. — 1803.     Plate. 

**T.78.i6 
Montagne,  fi.  C.  P.  Le  manteau  d'Arlequin.  Paris.  1866.  **T.77.i28 
Mornand,  F.     La  vie  de  Paris.     Paris.     1855.  **T.98.83 

[579] 


THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 

Paris.     Theatres.     (Continued.) 

MouHY,  C.  DE  F.,  Chevalier  de.  Tablettes  dramatiques,  contenant 
I'abrege  de  I'histoire  du  Theatre  frangois,  retablissement  des 
theatres  a  Paris,  un  dictionnaire  des  pieces  et  I'abrege  de  I'histoire 
des  auteurs  &  des  acteurs.    A  Paris.     1752-58.  **T.78.67;  etc. 

Muriel,  A.  Le  theatre  aujourd'hui.  L'auteur,  le  directeur,  le 
critique,  I'acteur,  le  public.     Paris.     1855.  **T.77.ii8 

Muses  frangoises,  Les.  Premiere  partie,  contenant  un  tableau  uni- 
versel  par  alphabet  &  numero  des  theatres  de  France,  avec  les 
noms  de  leurs  auteurs  &  de  toutes  les  pieces  anonimes  de  ces 
theatres  depuis  les  misteres  jusqu'en  I'annee  1764.     A  Paris.     1764. 

No.  2  in  **G.3563.i8 

Neukomm,  E.     Fetes  et  spectacles  du  vieux  Paris.     Paris.     tS86. 

**T.77.i6o 

CEuvRE  frangaise  des  trente  ans  de  theatre.  Qiuvre  frangaise  et 
populaire  des  trente  ans  de  theatre.  1903.  Representations 
populaires  et  causeries.     Paris.     1904.  **T.74.2i 

Opinion,  L',  du  parterre,  ou  revue  de  tons  les  theatres  de  Paris. 
Annee  2,  4,  10.  An  xiii  [1805],  1807,  1813.  Paris.  [1805-I1813. 
3  V.  **M.i09b.5 

Parfaict,  F.,  and  others.  Dictionnaire  des  theatres  de  Paris,  con- 
tenant toutes  les  pieces  qui  ont  ete  representees  jusqu'a  present, 
des  faits  anecdotes  sur  les  auteurs,  acteurs,  danseurs,  &c.  A  Paris. 
1756.     7  V.  in  6.  **T.48.i3;  etc. 

Paris-portrait.  Collection  de  Paris-portrait:  ancien  Paris-theatre. 
[Hebdomadaire.l  Publication  litteraire  et  artistique  contenant 
les  portraits  &  les  biographies  des  celebrites  contemporaines. 
Annee  1-7.    Paris.    1873-80.    7  v.  in  4.  **T.2i.5 

Petit  moissonneur,  Le,  des  theatres,  dedie  aux  dames.  Paris.  [18 — ?] 
Portraits.  **T.79.24 

Petite  biographic  des  acteurs  et  actrices  des  theatres  de  Paris,  avec 
I'age  de  ces  dames.     Paris.     1831-1832.  **T.79.22 

Petite  biographie  dramatique,  faite  avec  adresse  par  un  moucheur 
de  chandelles  [pseud.].     Paris.     1826.  **T.99.56 

PiLLET,  F.  Melpomene  et  Thalie  vengees,  ou  nouvelle  critique 
impartiale  et  raisonnee  tant  des  differens  theatres  de  Paris,  que 
des  pieces  qui  y  ont  ete  representees  pendant  le  cours  de  I'annee 
derniere.     A  Paris.     An  vii.     [1799.]     Plate.  **T.79.6 

Verites  a  I'ordre  du  jour,  ou  nouvelle  critique  raisonnee,  tant 

des  acteurs  des  theatres  de  Paris,  que  des  pieces  qui  y  ont  ete 
representees  pendant  le  cours  de  I'annee  derniere.  A  Paris.  An 
VI.     1798.     Plate.  **T.79.7 

Pillet,  F.,  and  others.  La  lorgnette  de  spectacle  ou  la  revue  des 
acteurs.    A  Paris.    An  vii  de  la  Republique  [1798/99].        **T.59.45 

Same.      [3e    edition.]      La    nouvelle    lorgnette    de    spectacles. 

Paris.     A)i  ix.     (1801.)     Plate.  **T. 59.46 

Poinsot,  a.  E.  Foyers  et  coulisses.  Histoire  anecdotique  des 
theatres  de  Paris.    Paris.     1873-85.     14  v.  in  7.     Portraits.    **T.79.2 

Le  scandale  au  theatre.     Paris.     1861.  No.  2  in  **M.ii8.i3 

Portraits   des   artistes   des   theatres   de    Paris.      [Paris.      18 — ?]      70 

portraits.  **'r.5i.5 

PoujOL,  A.     Les  reflets  du  passe.    Types  extraordinaires,  anecdotes 

theatrales  peu   connues,  premiere  piece  de  Th.    Barriere.     Paris. 

[187-?]     Illus.  **T.57.395 

[580] 


BROWN   COLLECTION    OF  BOOKS    ON    THE   STAGE 


Paris.     Theatres.     {Continued.) 

Raphanel,  J.,  and   C.  Lkgrand.     Histoire  anecdotique   des  theatres 

de  Paris  (ecrite  au  jour  Ic  jour).     Vol.  i:  i  Janvier -31  mars  1896. 

Paris.     1896.    Portraits.  **T.77,ia7 

Reiffenberg.  F.  G.  fi.  C.  M.,  Baron  de.     Ce  que  c'est  qu'unc  act  rice. 

Paris.     1861.  **T.98.i36 

Remus.\t,  J.  P.  A.     Le   coup  de   fouet,  ou  nouvelle   revue   de   tons 

les  theatres  de    Paris.     Paris.     An  X1.-1803.     Plate.  **T.79.25 

Revue  des  livres  et  du  theatre.    Annee  13,  no  311,  313-315,  317.    Direc- 

teur:  H.  Le  Soudier.     Paris.     1893,  94.  ♦7221.51 

RicoRD,  A.     Les  fastes  de  la  Comedie-frangaise,  et  portraits  des  plus 

cclcbres  acteurs.     Precedes  d'un  apergu  sur  sa  situation  presente, 

et  sur  les  moyens  propres  a  prevenir  sa  ruine.     Paris.     1821,  22. 

2  V.  **T.77.8 

Robert,    C.      Le   dard:    tablettes    dramatiques.      [Avec]    Supplement. 

Paris.     1821.  No.  12,  13  in  **G.3562.i 

Rousseau,    P.   J.      Code    theatral,    physiologic    des    theatres,    manuel 

complet    de    I'auteur,    du    directcur,    de    I'acteur    et    de    Tamateur, 

contenant    les    lois,    regies    et    applications    de    I'art    dramatique. 

Paris.     1829.     Plate.  **T.78.65 

Saint  Hilaire,  A.  V.  de.     Petite  biographic  dramatique,  silhouette 

des  acteurs,  chanteurs,  directeurs,  etc.,  des  theatres  de  la  Capitale. 

Paris.     1821.  **T.57.389;etc. 

Saint-Mor,    G.    de.      Paris    sur    scene.      Saison    1886/87.      .\niiee    i. 

Paris.     1888.    Illus.    Portraits.  **T.47.io 

Sarcey,    F.      Comediens    et    comediennes.      Notices    par    F.    Sarcey. 

Portraits  par  L.  Gaucherel  &  Ad.  Lalauze.     Paris.     1876-84.     2  v. 

**T.55.i3;etc. 

Le  theatre.     Paris.     1893.     Ulus.     Plates.  **T.7S.77 

Sardou,   V.     L'heure   du   spectacle.     Lettre  pour   servir   de  preface 

au  second  volume  des  Annales  du  theatre  et  de  la  musique.     Paris. 

1878.  **T.97.22i 

S.WARD,  F.     Les  actrices  de  Paris.     Paris.     1867.  **T.57.302 

Sevelixges.   C.   L.  de.     Le   rideau  leve,  ou  petite  revue  des  grands 

theatres.     Paris.     1818.  **T.76.63 

Same.     Suivie  d'une  reponse  au  factum  de  M.  Valabregue,  et 

d'une  replique  d'un  des  chefs  de  son  orchestre.     Paris.     1818. 

**T.77.2i 

Soubies,  E.  J.  A.  Le  theatre  en  France  de  1871  a  1892.  Eaux-fortes 
par  Gaucherel  et  Lalauze.     Paris.     1893.     Portraits.  **T.7g.3 

Stapleaux,  L.  L.  L.  Les  courtisanes  du  Second  Empire.  Partie  3: 
Les  actrices.     Serie  i.     Bruxelles.     1871.  **T.96.5 

Strong,  R.  Where  and  how  to  dine  in  Paris,  with  notes  on  Paris 
hotels,  waiters  and  their  tips,  Paris  theatres,  minor  theatres, 
music  halls,  racing  round  Paris,  etc.     London.     1900.         2639.34 

Theatre,  Le.    Memoires  d'un  jeune  premier.     Paris.     1858.    **T.99.33 

Theatres,  acteurs  et  actrices  de  Paris.  Biographic  des  artistes  dra- 
matiques, et  notices  sur  les  theatres  de  Paris,  leur  origine,  leur 
administration,  etc.     Paris.     1842.  **T.78.42 

Truinet,  C.  L.  E.,  and  A.  E.  de  Roquet,  Les  origines  de  I'opera 
frangais.     Paris,     1886.     Map.     Plans.  4043.62;  **M.i  14.4 

Tuffet,  S.  Les  mysteres  des  theatres  de  Paris.  Observations!  In- 
discretions!!    Revelations!!!     Paris.     1844.    Plates.  **T.78.39 

Vaneu,  E.  Histoire  populaire  de  tons  les  theatres  de  Paris  depuis 
leur  origine  jusqu'a  nos  jours.     Paris.     1841.  **T.79.i8 

[581] 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 

Paris,     Theatres.     (Continued.) 

Veron,  P.    Paris  s'amuse.     Paris.     1861.  **T.97.2i3;  etc. 

ViLLEMAREST,  C.  M.  C.  DE.  Flus  dc  ridcau.  Lettre  sur  les  theatres. 
Paris.     1821.  No.  9  in  **G.3562.i 

ViZENTiNi.  A.  [Recueil  des  costumes  de  tous  les  ouvrages  dra- 
matiques  representes  avec  succes  sur  tous  les  grands  theatres  de 
Paris,  publie  par  Vizentini,  d'apres  les  dessins  d'Aug.  Garnerey 
et  Hipp.  Lecomte.     Paris.     18 — ?]     2  v.     371   colored  plates. 

*8o72.307 
Vizentini,  L.  A.    Derriere  la  toile.    (Foyers,  coulisses  et  comediens.) 
Petites    physiologies    des    theatres    parisiens.      Paris.      1868. 

**T.77.78 

Weiss,  J.  J.  A.     Trois  annees  de  theatre,   1883-1885.     Les   theatres 

parisiens.     Paris.     1896.  **T.47.84 

Zola,  E.     Le  naturalisme  au  theatre.     Les  theories  et  les  exemples. 

Paris.     1881.  466ob.54 

Paris.     Theatres.    Ambigu-coMique. 

Delignv,  E.  Histoire  de  rAmbigu-comique  depuis  sa  creation 
jusqu'a  ce  jour.     Paris.     1841.  **T.99.54 

Paris.     Theatres.     Bouffes-parisiens. 

Lasalle,  a.  de.     Histoire  des   Bouffes-parisiens.     Paris,     i860. 

**T.79.20 
Paris.    Theatres.    Casino  de  Paris. 

Casino  de  Paris.  [Newspaper  clippings,  etc.  Paris.  1894-1900.] 
3  V.     Illus.     Portraits.  **T.ii.i 

Paris.     Theatres.     Cirque-Olympique. 

B**,  Mme^  nee  de  \'**.  pseud.  Le  Cirque  Olympique,  ou  les  exercices 
des  chevaux  de  Franconi,  du  cerf  Coco,  ou  petits  paralleles  de 
I'instinct  perfectionne  des  animaux,  et  de  la  raison  naissante  des 
enfans.     Paris.     1817.    Plates.  **T.99.59 

Flaneur,  Un,  pseud.  Biographic  des  ecuyers  et  ecuyeres  du  Theatre 
national  du  Cirque-Olympique.     Paris.     1846.  **T.59.5i 

Paris.     Theatres.     Comedie  franqaise. 

La  Comedie-frangaise  a  Londres   (1871-1879).     Journal  inedit  de  E. 

Got. — Journal  de  F.  Sarcey.     Publics  avec  une  introduction  par 

Georges    d'Heylli    [pseud.    d'Antoine    Edmond    Poinsot].      Paris. 

1880.     Ollendo'rff.     (3).  Ixxxvii,   196,   (i)   pp.       2676.156;  **T.78.i2 

Decrets  et  ordonnances.     [Paris.     1859.]     64  pp.  **T.96.23 

Another  copy  is  on  shelf-number  **T.76. iii. 

Documents  sur  Le  malade  imaginaire.  Estat  de  la  recette  et  despence 
faite  par  ordre  de  la  compagnie.  Avec  une  introduction  et  des 
notes  par  Edouard  Thierry.  Paris.  Berger-Levrault  &  c'*".  1880. 
(5)>  391.  (2)  pp.     [Archives  de  la  Comedie  frangaise.]         **T.55.i8 

Expose  de  la  conduite  et  les  torts  du  Sieur  Talma,  envers  les  Come- 
diens frangais.     A  Paris,  de  I'imprimerie  de  Prault.     1790.     30  pp. 

**T.76.i09 

Memoire  a  consulter  pour  les  societaires  du  Theatre-frangais,  et 
consultation.  Deliberee  par  Me  Marie,  avec  adhesions  de  M^s  A. 
Paillet,  H.  de  \'atimesnil,  Ph.  Dupin,  Odilon  Barrot.  Fevrier 
1840.     Paris.     Malteste  &  c>e.     [1840.]      (2),  78  pp.  **T.95.i27 

Another  copy  is  on  shelf-number  "T.95.104. 

Memoire  au  Conseil  d'etat,  section  du  contentieux,  pour  la  Societe 
du  Theatre  frangais  demandant  Tannulation  de  deux  decrets  de 
M.  le  President  de  la  Republique,  en  date  du  15  novemhre  1849, 
14  decembre  1849.     [Paris.     1849.]     28  pp.  **T.95.76 

[582] 


BROWN   COLLECTION    OF  BOOKS   ON    THE   STAGE 


Paris.    Theatres.     Comkdie  kran(;^ai.se.     (Continued.) 

Mcmoirc  pour  la  Comedie  frangaise  [sur  le  travail  de  la  Commission 
des  theatres  royaux,  relatif  au  projet  d'ordonnance,  portant  rcgle- 
ment  de  la  Comedie.     Paris.     183-?]      (i),  45  pp.  **T.95.72 

Observations  pour  les  Comediens  frangais,  sur  la  petition  adrcsscc 
par  les  auteurs  dramatiques,  a  I'Assemblee  nationale.  .\  Paris, 
de  I'imprimerie  de  Prault.     1790.     (i),  36  pp.  **T.76.io8 

Reglement  intcrieur  du  Thcatre-frangais.     [Paris.     1833.]     (i),  27  i)p. 

**T.76.iio 

Soiree  historique  de  la  Comedie  frangaise.  (22  octobre  1852.) 
Representation  solennelle  en  presence  de  S.  A.  I.  Lonis-Na- 
poleon.     Paris.     Didier.     1852.     96  pp.  46693.79;  **T.98.i4o 

Le  Theatre-frangais.  [Paris.]  1900.  xii  pp.  Illus.  Portraits.  [  Lc 
theatre.     No  30  (supplement).     Mars  1900.]  26303.66 

Contains  articles  by  Henry  Fourquier,  Adolphe  Adcrer  and  Fr^d6ric  Masson, 
chiefly  relating  to  the  burning  of  the  theatre. 

Paris.     Theatres.     Comedie  FRANgAisE.     Works  about. 
See  also  Palais-Royal,  Paris. 

Banville,  T.  F.  de.  La  Comedie  frangaise  racontee  par  un  tcmoin 
de  se-s   fautes.      1680-1863.      Paris.      1863.  **T.77.i02 

La  lanterne  magique.  Camees  parisiens.  La  Comedie  fran- 
gaise.    Paris.     1883.     Plate.  **T.97.279 

BoLOT,  A.  Mademoiselle  Rachel  et  I'avenir  du  Theatre  frangais. 
Paris.     1839.  **T.46.5 

BoNNAssiES,  J.  Les  auteurs  dramatiques  et  la  Comedie-frangaise  a 
Paris  aux  xviie  et  xviiie  siecles.  D'apres  des  documents  inedits 
extraits   des   Archives   du  Theatre-frangais.     Paris.     1874. 

26693.75;  **T.78.48 

La   Comedie-frangaise.     Histoire  administrative.     (1658-1757.) 

Paris.     1874.     Table.  **T.77.i42 

Comedie  frangaise.    Notice  historique  sur  les  anciens  batiments. 

Paris.     1868.  **T.96.3ii;etc. 

La  Comedie-frangaise  et  les  comediens  de  province  aux  xvii^ 

et  xviiit;  siecles.     Contestations.     Debuts.     Paris.     1875.      *4676.96 

La  musique  a  la  Comedie-frangaise.     Paris.     1874. 

No.  5  in  **M.i22.i 

Les  spectacles  forains  et  la  Comedie  frangaise.     Le  droit  des 

pauvres  avant  et  apres  1789.  Les  auteurs  dramatiques  et  la 
Comedie  frangaise  au  dix-neuvieme  siecle  d'apres  des  documents 
inedits.      Paris.      1875.     Plate.  2677.76;  **T.77. 113 

BoNNEFONT,  G.  La  Comedie-frangaise.  Historique  —  statuts  —  bio- 
graphies—  notes    et    renseignements.      Paris.      1884.  **T.78.4 

BoucHERON,  M.     La  divine  Comedie-frangaise.     Paris.     [1888.]     Illus. 

**T.77.i32 

BouiLLY,  J.  N.     Soixante  ans  du  Theatre-frangais.     Paris.     1842. 

**T.98.48 

BouRGOGNE,  J.  DE.  Un  comedien  d'autrefois — 1750-1822.  Paris.  1914- 
Portrait.  4677.116 

Campardon,  L.  fi.  Les  comediens  du  roi  de  la  troupe  frangaise  p'endant 
les  deux  derniers  siecles.  Documents  inedits  recueillis  aux 
Archives  nationales.     Paris.     1876.  **T.55.37 

Chabrol,  W.  F.  Le  Palais-Royal  et  le  Theatre  frangais.  Paris. 
1879.  **T.93.7 

Claretie,  J.  A.  A.  Sainte-Beuve  et  la  Comedie-frangaise.  (/"  Le 
livre  d'or  de  Sainte-Beuve.     Pp.  31-45-    Paris.     1904.)        *264i.i76 

[583] 


THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 


Paris.     Theatres.     Comedie  FRAXt-visE.     Works  about.     (Continued.) 

Cochrane-Baillie,  a.   D.  R.  W.,  ist  Baron  Lainington.     The  Theatre 

frangais  in  the  reign  of  Louis  xv.     [A  novel  of  stage  life.]     Lon- 
don.    1879.  26703.70;  **T.86.3 
Delaun.-w,  L.  a.    Souvenirs  cle  M.  Delaunay,  de  la  Comedie-frangaise, 

Recueillis  par   le   Comte   Fleury.     Paris.      [1901.]      Portrait. 

26493.26 
Descombes,  J.   C.   F.   M.     Le  Theatre-frangais;   monument  et   dcpen- 

dances.     Paris,     i860.  **T.96.i70 

English  analyses   of   the   French   plays   represented   at   the    Gaiety 

Theatre,  Lorfdon.  June  and  July,  1879,  by  the  Comedie  frangaise. 

London.     [1879-]  **T.95.93 

fixiENNE,  C.  G.,  and  A.  L.  D.  Martainville.     Histoire   du  Theatre- 

frangais,    depuis    le    commencement    de    la    Revolution    jusqu'a    la 

reunion  generale.     Paris.     An  X.-1802.     4  v.  in  2.     Portraits. 

**T.78.3i 
Fauvety,  C.     Memoire  en  faveur  de  la  Comedie-frangaise  adresse  a 

la  Chambre  des  Deputes.    Paris.     1847.  **T.76.i77 

Febvre,  F.  a.     Au  bord  de  la  scene.     [Reminiscences,  some  of  which 

concern  his   career  at  the  Coniedie-frangaise.]      Paris.     1889. 

**T.57-323 
Febvre,    F.    A.,    and    T.    Johnson.      Album    de    la    Comedie-frangaise. 

Paris.     1880.     Portraits.  **T.7i.7 

France.     Acts  and  hii^'s.      Decrets   concernant   la    Comedie    frangaise. 

[Paris.     185-?]  **T.95.i28 

France.     Conseil  d'Etat.     Extrait  des   registres  du   Conseil   d'etat  du 

roi.     [Paris.    1782.]  No.  2  in  **G.3562.ii 

Reglement    pour    les    comediens    frangais    ordinaires    du    roi. 

[Paris.]     1781.  No.  I  in  **G.3562.ii 

Gallois,  L.  J.  U.  N.  Biographic  contemporaine  des  artistes  du 
Theatre-frangais.  Precedee  d'une  notice  historique  sur  la  Comedie- 
frangaise.    Paris.     1867.  **T.56.263 

Got,  F.  J.  E.  Journal  de  Edmond  Got,  societaire  de  la  Comedie- 
frangaise,    1822-1901.     Paris.     1910.     2   V.     Portrait.     Plate. 

26493.148 

GuEULLETTE,  C.  Actcurs  &  actriccs  du  temps  passe.  La  Comedie 
frangaise.  Serie  i.  Notices  par  Ch.  GueuUette.  Portraits  par 
Ad.  Lalauze.    Paris.     1881.  **T.55.i2 

Repertoire  de  la  Comedie-frangaise  (1883-91).     Paris.     1S85-92. 

8  V.     Portraits.  **T.48.2o 

HoussAVE,  A.  Behind  the  scenes  of  the  Comedie  frangaise  and  other 
recollections.     London.     1889.  2671.103;  **T.75. 71 

La  Comedie  frangaise,  1680-1880.  [Paris.]  1880.  lllus.  Por- 
traits.    Plates.     Map.  **C3b. 26.29.4 

James,  H.,  Jr.  The  Theatre  frangais.  {In  Oxford  book.  The,  of 
American  essays.     Pp.  368-393.     New  York.     1914.)  4396.223 

Janvier,  T.  A.  The  Comedie  frangaise  at  Orange.  {In  his  The 
Christmas  kalends  of  Provence  and  some  other  Provengal  festi- 
vals.    Pp.  207-262.     New  York.     1902.     Plates.)  4668,32 

Joannides,  a.    La  Comedie-frangaise,  1901-14.     Paris.     1902-15.     13  v. 

♦467 1. 84;  etc. 

La  Comedie-frangaise  de  1680  a  1900.     Dictionnaire  general  des 

pieces  et  des  auteurs.     Paris.     1901.  *467i.83 

JousLiN  de  La  Salle,  A.  F.  Souvenirs  sur  Ic  Theatre-frangais.  (1833- 
1837.)  Annotes  et  publics  par  G.  Monval  et  le  Comte  Fkury. 
Paris.    1900.  **T.75.55 

[584] 


BROWN   COLLECTION    OF  BOOKS   ON    THE   STAGE 

Paris.     Theatres.     Comedte  franc^'Aise.     Works  about.     (Continued.) 

Laboullaye,  F.  S.  de.  Le  Theatre  franguis,  Mademoiselle  Geor;^'es- 
Weinier  et  I'Odeon,  apprecies  dans  I'interet  de  I'art  dramatique. 
Paris.     1822.  No.  i8in  **G.356a.i 

Lagrange,  C.  V.,  Siciir  de.  Registrc  de  La  Grange  ( i65K-i(  ><5). 
Precede  d'une  notice  biographique.  Public  par  les  soins  de  la 
Comedie-frangaise.     Paris.     1876.     Portrait.  **T.72.4 

La  Harpe,  J.  F.  de,  and  others.  Reponse  aux  Observations  pour  les 
Comediens  frangais.     [Paris.     1790?]  **T.76.i64 

La  Jobardiere,  M.  de,  pseud.  M.  de  La  Jobardiere  anx  acteurs. 
actrices  et  critiques  du  Theatre  frangais.     Paris.     1815.    **T.76,i20 

La  Rounat,  a.  N.  C.  R.  de.  Etudes  dramatiques.  i.  Le  Theatre- 
frangais:  Mme  Arnould-Plessy;  MM.  Rcgnier,  Got,  De!',"iay. 
Paris.     1884.     Portrait.  **T.9S.75 

La  Thorilliere,  F.  Le  N.  de.  Premier  registre  de  La  Thoriliiere 
(1663-1664).  Public  avec  notice,  notes  et  index  par  Georges 
Monval.     Paris.     1890.  **T.78.57 

Laugier,  D.  J.  C.  De  la  Comedie  frangaise  depuis  1830;  ou,  resume 
des  evenemens  survenus  a  ce  theatre  depuis  cette  epoque  jusqu'en 
1844.     Paris.     1844,  **T.78.5 

Documents   historiques   sur   la   Comedie    frangaise   pendant   le 

regne  de  S.  M.  I'Empereur  Napoleon  ler,  precedes  de  tous  les  actes 
constitutifs  qui  regissent  la  societe  du  Theatre-frangais,  depuis 
sa  fondation,  jusqu'a  nos  jours.     Paris.     1853.  **T.74.i;etc. 

Lemazurier,  p.  D.  Galerie  historique  des  acteurs  du  Theatre  fran- 
gais, depuis  1600  jusqu'a  nos  jours.  Ouvrage  recueilli  des 
memoires  du  temps  et  de  la  tradition.     Paris.     1810.     2  v.     Plate. 

**T.56.297;  etc. 

Lerebours,  p.  v.,  editor.  Documents  pour  servir  a  I'histoire  du 
Theatre-frangais  sous  la  Restauration,  ou  recueil  des  ecrits  publics 
de  1815  a  1830.     Paris.     1834.  No.  2  in  **M.i4i.3 

LoLiEE,  F.  A.  La  Comedie-frangaise.  Histoire  de  la  maison  de 
Moliere  de  1658  a  1907.     Paris.     1907.     Illus.     Portraits.     Plates. 

*467i.3i 

London.  Gaiety  theatre.  The  Gaiety  programme.  June  2,  3,  5-30, 
July  1-12,  1879.     [London.     1879.]  **T.i5.i3 

Louis  xviir.,  of  France.  Ordonnance  sur  la  surveillance,  I'organisation 
sociale  et  I'administration  du  Theatre  frangais.     [Paris.     1816.] 

**T.95.74 

LuMiERE,  H.  Le  Theatre  frangais  pendant  la  Revolution,  1 789-1 799. 
Avec  plusieurs  lettres  inedites  de  Talma.    Paris.    [1894.]    **T.77.i43 

Manne,  a.  E.  D.  de.  Galerie  historique  des  comediens  de  la  troupe 
de  Talma.  Notices  sur  les  principaux  societaires  de  la  Comedie 
frangoise  depuis  1789  jusqu'  aux  trente  premieres  annees  de  ce 
siecle.     Lyon.     1866.     Portraits.  **T.56.93 

Galerie    historique    des    comediens    frangois    de    la    troupe    de 

Voltaire.     Lyon.     1877.     Portraits.  4644.51;  **T.56.92 

Manne,  A.  E.  D.  de,  and  C.  Menetrier.  Galerie  historique  de  la 
Comedie  frangaise.  Pour  servir  de  complement  a  La  troupe  de 
Talma.     Lyon.     1876.     Portraits.  2656.66;  **T.s6.94 

Monval,  G.  H.  M.  Comedie-frangaise.  (1658-1900.)  Liste  alpha- 
betique  des  societaires  depuis  Moliere  jusqu'a  nos  jours.  Paris. 
1900.  4671.87 

MouHY,  C.  DE  F.,  Chevalier  de.  Abrege  de  I'histoire  du  Theatre 
frangois,  depuis  son  origine  jusqu'au  premier  juin,  1780.  A  Paris. 
1780.    3  V.     Portrait.  **T.76.ii9 

[585] 


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Paris.     Theatres.     Comepie  FRANgAisE.     Works  about.     (Continued. J 

Tablettes    dramatiques,    contenant    I'abrege    de    I'histoire    du 

Theatre  frangois,  retablissement  des  theatres  a  Paris,  un  diction- 

naire  des  pieces  et  I'abrege  dc  I'histoire  des  auteurs  &  dcs  acteurs. 

A  Paris.     1752-58.  **T.78.67;etc. 

Ml'ret,  T.  C.     Histoire  theatrale.     Le  Theatre-frangais  dc-  la  rue  de 

Richelieu.     Rouen.      18O1.  **T.76.69;  etc. 

NoiiL,  £.     La  Comedie-frangaise  en  1877.     Paris.     1878.     Portrait. 

**T.76.82 
Opera  et  Comedie-frangaise.     Garnet  des  abonnes.     Paris.     [1894?] 

**T.79.26 
Paccard,   J.    E.     Le  petit   homme   noir   aux   acteurs    et   actrices   du 

Theatre  frangais.     Paris.     1815.  **T.57.368 

Parfaict,  F.,  and  C.  Parfaict.     Histoire  du  Theatre  frangois,  depuis 

son  origine  jusqu'a  present.     A  Amsterdam.     1745-49.     15  v. 

**T.78.24;etc. 
Paroisse-Pougin,  F.  A.  A.     La  Comedie-frangaise  et  la   Revolution. 

Scenes,  recits  et  notices.     Paris.     [190-?]  4676.128 

Perrin,  £.  C.  V.     Toast  porte  par  M.  fimile  Perrin  dans  le  baiKjuet 

d'adieux  offert  a  M.  Regnier  par  les  societaires  de  la  Comedie- 

frangaise,  le  14  octobre.     1875.     Paris.     1875.  **T.97.i28 

Pevre,  R.    Les  galeries  celebres.    Le  foyer  des  artistes  a  la  Comedie- 

frangaise.     Paris.     1895.  **T.95.66 

PoiNSOT,   A.    E.     Journal    intime    de    la    Comedie    frangaisc.      (1852- 

1871.)     Paris.     1879.  2639.68;**  T.77.145 

PoLiX)CK,    J.,    Lady.      The    Comedie    frangaise.        ("From    the     Con- 
temporary Review.)      [Boston.     1871.]  No.  12  in  **G.3822.3 
PoTiER  de  Lille,  L.    Justification  des  comediens  frangois.     Opinions 

sur    les    chefs-reuvres    des    auteurs    morts,    &    projet    de    decret 

portant    reglement    entre    les    auteurs    dramatiques    &    tous    les 

comediens  du  royaume.      [Paris?     1790.]  **T.76.i63 

Ricord,  a.     Les  fastes  de  la  Comedie-frangaise,  et  portraits  des  plus 

celebres  acteurs.     Precedes  d'un  apergu  sur  sa  situation  presente. 
•et  sur  les  moyens  propres  a  prevenir  sa  ruine.     Paris.     1821,  22. 

2  V.  **T.77.8 

Samson,  J.  I.    Theatre  frangais.     [Paris?    18 — ?]  **T.97.i8i 

SfevESTE,  E.    De  la  situation  du  Theatre  frangais,  et  des  ameliorations 

a  introduire  dans  son  administration.     [Paris.     1839.]  **T.gs.'jo 

SiMONNiN,  A.  J.  B.     Du  public,  de  I'autorite  et  du  theatre,  en   1821. 

Paris.     [1821?]  No.  ioin**G.3562.i 

SouEiES,  A.    La  Comedie  frangaise  depuis  I'epoque  romantique.     1825- 

1894.     Paris.     1895.     Tables.  **T.73.3 

Talma,  F.  J.    Reponse  au  memoire  de  la  Comedie  frangaise.    A  Paris. 

[1790.]  **T.76.i62 

Thierry,  £.     La  Comedie  frangaise  pendant  les  deux  sieges   ''1870- 

1871J.     Journal  de  I'administrateur  general.     Paris.     1887. 

4694.50;  **T,76.i72 
Villemarest,   C.    M.    C.   de.      Le    rideau    dechire.     Theatre    frangais. 

Paris.     1820.  No.  8  in  **G.3562.i 

Weiss,  J.  J.  A.     Trois  annees  de  theatre,  1883-1885.     Autour  de   la 

Comedie-frangaise.      Paris.      1892.  2676.142;  **T.47.8i 

Paris.    Theatres.    Com6die  fkancaise.    Mus6e. 

Ijacier,    £.     Le    Musee   de    la   Comedie-frangaise,    i68r>-i905.      I'aris. 

1905.     IIlus.     Portraits.     Plates.  *467i.34 

Dei^rme,  L.  R.     Le  Musee  de  la  Comedie-frangaise.     Paris.     1878. 

**T.74.i5 
[586] 


BROWN   COLLECTION    OF   HOOKS   ON   THE  STAGE 


Paris.    77/<i//rr,v.    (  dm  i  pu    i  u.\n\msk.     Mus^ck.    ll\»L-x  uluuit.     (Coulimu-ti.) 
MoNVM,  (I.   II.   M.     l-i-s  oi'ilcctious  (Ic  la  C"uMic'(lii'-fiaii(;aiso.     Cata- 
loKiU'  hislori.inc  it  laisoiiiu'".   Paris.   \i^v'/.   I'orltails,   IMatL-;..  ""4031.52 
Paris.     7 //ill// (.v.     (omkihk  itai.iknnk.     S<,'i'  Italian  playi-rs  in  I'^rancf. 
Paris,      riiralrcs.     Dfti.AssKMKNTS-coMiguKS,   1841-1863. 

I'im'nki,.  j.,  and  T.  J.  l'',.  C'akdon.  Lcs  tiu'-alrrs  dc  i'.iris,  ili-loiic 
(Ics  I  )i'lassi'iiuiils-coiiii(nu's.     Paris.     i86_'.  **T.79.a3 

Paris.     I'hcalrcs.      Diouama. 

I  )A(aii'i<i;i:,  I,.  I.  M.  Nntico  I'xpliiat  ivc  ih-s  lalilcadx  exposes  an 
Dior, una.      |  Paris.      i.S.j.>?|  40793.213 

Paris.      riiCiilrrs.      \<uvk  'riii:Aii(i:.     .See   Paris.      TliiUilrrs.     'riif'.ATKK   i.iiikk. 
Paris,      riinitrrx.     (i\MNAsi;. 

Villi     iiAiiiruf:,    Mil,    I'snid.       \  a-    coup    dr    l.uuc    du    (lynmasr,    on    la 

dnadciuc  (III   v.iudcviilc;  icviic  i-rili(pic  di'.s  afli'iirs  i-l  ai'tricos  dc 

n-  llir.iirc.     Pol  poiiiri  par  iiii  vioil  iiahiltir  Ip.si-iid.     Vors].     Paris. 

if^-'i.  No.  i()iii  **G.3562.i 

Paris,      riicalrrs.      Nouvkaut^is. 

Li'AOMii:,    I,.    II.      ilisloirc   dcs   llii'atros   <\v    Pari.s:    Lrs    Nouv('aul(!^s. 

i8j7   iS.;.;  iS()6-i873  i878-i(K)().      Paris,     igo;.      i'lah-. 

*4677.iio 
Paris,     riicdlrcs.     ( )iir:()N. 

Andk/o-M  uuvi  1  1  1:.  P.  N.  Pes  ill!  iniiiu-nt  priits,  on  precis  aiiiH-doli(|uc 
(Ics  rvriHiMciis  ipii  sr  Soul  passes  an  'I'liratrc  dc  {'Odron  Ics  22 
cl  .''/  novniilnr  iSi  •.  el  dclails  snr  Ics  vices  (radiiiiiiisl ral ion  dc 
cc    I  heal  re,   qui   soiit    (  aiise    de   lons   ces   desordicH.      Paris.      1813. 

**T,96.a77 

P.uiiNi.Ti  I'.KK,    M.    I"'.       Pes    t'poijiics    dii    Ihealre    liiUKjais.       (  l()3(i    1850. ) 

Paris.      t8(j2.  2694.93;  **T.47.76 

hl'.nx  (•oTf':s,   Pes,  (III   I  Idcaii  de   tide,      (.Sei-oiid  'riiealre   ii.ineais.)      P,ir 

nil    lioinine   <|iii   paie   sa    |)laee.      Paris,      iS.!i,  No.  I .|  in  **G.3562.I 

|)r\Ai,   .\.    \'.    P.      A II. lire   de    r(>deoii,      Mt'-nioire   en    \cis,   en    lepoiise 

an    inenioiie    en    piose    de    M.    I'aMieal    de    la    lisle    civile,      .\     Paris, 

i8i().  No.  .<  in  *46.S3.i5 

Pahohi  I  AN  K,    I'.   .S.   in,.      I  ,e     riicatrc    frangais,    MadiMiKusidle    (leor^es- 

VVeiinei    el    !'(  )di()n,   apprecics   dans   riiileret    de   I'art    dr.imalicinc. 

Paris.      iS.'.>,  No.  18  in  **G. 356a. I 

pAuidiiKii,     !',     I).,    and    (i.     11.     M.     Monvai,.       P'(  )deon.       Ilisloirc    a<P 

niinisl  I  al  i  ve,  anecdi  p|  icpn'  el    lillei.iiic  dii  sceoinl  'riicahi-   fi'ain,-ais. 

P.uis.      iS7(>,  H.;.     .:  v.  26700.50;  **T.75. 41 

Pkaimci.,     I.     I.     I'..     !''.    iiiv    ( '.,    ('mill,'    \)\:.       I  K'ej'lenienl     ponr    Ic    sccinnl 

'riieali'e    Ir.nieais.       Palis.       iSiu.  |  **T.95.I29 

yiiKSTKiN,  Pa,  de  I'*  )de(.n.     Pellic  a  Soil  cdileiii   p.ir  ++'.     Paris.     i87(j. 

'''♦T.77.I74 
Paris.     77/ri///r.v.      I ,'(  )i'Ai(a. 

All!    ( nie    ds    nienlenl'      |  Paris,      i8n,-,|  No.  .|  in  *'''G.i.'',7.io 

Aiiii'M  de  ]'(  )pii  1  I'lineip.iles  sceiics  des  iiicilleiifs  oii\  laKt'S  rcpie- 
seiiles  snr  la  seem  de  r.Ac.idcmic  royalc  de  innsii|ne,  Paris. 
I  |8.|    ?|       Porli.iils.      Pl.iles.  **M.i3a.i8;cte, 

Ahaco,  j.    P.    V.      Me ires  d'liii   pelil    h.iiie  de   I'Opeia.      Paris.      |8.|.|. 

■'"''M.i  .!()a.i6 

I'.AiiiiKV,    P.   j.    ,'\.       Pi-inlnre',    diMoral  ives   dn   ^.'^md    loycr   t\v    I'ltpi'ia. 

Notice  par   I'..  Alionl.      Paris,      i87().     33  plalcs,       '•'C.ib.So.i 43.3;  etc. 

\\]'M(AMAr,    A.    ('..      Peinlnres    decoralivcs   (Ic    Paul    H.indry    an    (.'.rand 

foyer     de     I'npera.       T'lliide     erilii|iie     avee     preface     de     'i'lieopliile 

Ganticr.     Paris.     1875.  **M.iia.i4 

|.W| 


THE   PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 


Paris.     Theatres.     L'Opera.     (Continued.) 

Beule,  C.  E.  L'Opera  et  le  drame  lyrique.  Replique  a  I'Assemblee 
nationale  a  propos  des  subventions  theatrales.     Paris.     1872. 

No.  4  in  **M. 206.19 
Blaze,  F.  H.  J.     L'Academie  imperiale  de  musique:  histoirc  lillcraire. 
musicale  .  .  .  de    1645    a    1855.      Paris.      1855.      2    v. 

4045.12;  **M.ii5.8 

Memorial  du  grand-opera.     Epilogue  de  I'Academie  royale  dc 

musique.     Paris.     1847.  No.  2  in  **M. 115. 10 

BoiGNE,  C.  DE.     Petits  memoires  de  I'Opera.     Paris.     1857.     **M.I39.t 
BouTROiN,  .     Declarations  de  M.  Boutron,  machiniste  en  chef  de 

I'Academie   imperiale    de   musique.      [Paris.      18 — ?] 

No.  S  in  **G.iS7.io 
BoYssE,    E.      Les    abonnes    de    I'Opera    (1783-1786).      Paris.       1881. 

Portraits.     Plates.  **M.ii3.5 

Bully,   E.  A.   R.  de.     L'Opera.     Paris.      1854.     Plate.         **M.377.30 
Campardon,   L.   fi.     L'Academie  royale  de  musique  au   xviiie  siecle. 

Documents    inedits    decouverts    aux   Archives    nationales.      Paris. 

1884.    2  V.  **M.372,i6 

Cochin,  C.  N.    Lettres  sur  I'Opera.     Paris.     1781.     No.  3  in  **M. 208. 21 
Crapelet,   G.   a.      Notice   sur   la  vie   et   les   ouvrages   de   Quinault, 

suivie   de   pieces   relatives    a    I'etablissement   de    I'Opera.      Paris. 

1824.  No.  3  in  **M. 136. 12;  etc. 

Desarbres,  N.     Deux  siecles  a  I'Opera  (1668-1868).     Paris.     1868. 

8049.25;  **M.ii8.i 

Sept   ans   a   I'Opera.     Souvenirs   anecdotiques   d'un    secretaire 

particulier.     Paris.     1864.     Illus.  **M.ii8.2 

Deville,  p.  F.  a.  Arnoldiana,  ou  Sophie  Arnould  et  ses  con- 
temporaines.     Paris.     1813.     Portrait.  **M.377.2i 

Didron,  a.   N.     Iconographie  de  I'Opera.     Paris.     1864. 

No.  4  in  **M.2i8.4 

DuPORT,  J.  L.  Reponse  a  un  pamphlet  intitule.  Opinion  d'un  habitue 
de  I'Academie  imperiale  de  musique,  dans  I'affaire  de  M.  Duport. 
[Paris.     1804?]  No.  6  in  **G.i57.io 

Ezvar   Du   Fayl,  .     Academic   nationale   de  musique,   1671-1877. 

Repertoire  general;  description  du  monument.  200  notices  sur 
les  artistes  de  I'Opera.  Plans  du  monument  et  de  la  salle.  Paris. 
1878.     Plates.     Plans.  2639a.55;  **M.i29a.ii 

Fantasmagorie,  La,  des  menus.      [Paris.     18 — ?]      No.  7  in  **G. 157. 10 

Faucon,  T.  T.  The  new  Opera.  The  monument  —  the  artists. 
Paris.     1875.     Portraits.     Plates,  2639.12 

FiLLES,  Les,  d'Opera  et  les  virtuoses  de  table  d'hote.     Paris.     1846. 

**T.99.28 

Gabriel,  J.  Examen  des  causes  destructives  du  theatre  de  I'Opera, 
et  des  moyens  qu'on  pourroit  employer  pour  le  retablir.  A 
Londres.     1776.  No.  3  in  **G.3562.2 

Garnier,   J.   L.    C.      [Nouvel    Opera.     Copies   of   the    original    jilans. 
•        Paris.     1867.1     4  v.    454  plans.  *Cab. 60.72.1 

Le  nouvel  Opera  de  Paris.     Paris.     1878-81.     Text,  2  v.:  Atlas, 

2  V.  in  I.     Portrait.     100  plates.  **M.i7.i 

Gheusi,  p.  B.     L'Opera  romanesque.     [Roman.]     Paris.     [1909.] 

6699.265 
Gr6coir,   fi.   G.   J.      Des   gloires   de   I'Opera   et   la   musique   a    Paris. 

Documents    recueillis    sur    I'Opera    et    autres    theatres    a    Paris. 

Bruxelles.     1878,  81.     3v.     Portraits.  **M. 134.5 

[588] 


BROWN   COLLECTION   OF  BOOKS   ON   THE   STAGE 


Paris.     Theatres.     L'Opera.     (Coniimied.) 

GuiLLAUMOT,  A.    Costumes  des  ballets  du  roy.    Archives  de  rO|)cra, 

xviiie  siecle.    20  planches  en  couleur.     Paris.     1885.  ♦♦T.92.7 

J    ,    T.    DE.      Do    la    nouvclle    sallc    de    rOprr;i.      I'aris.       i.Sji. 

Plate.  No.  17  in  **G.3s62.i 

JuLLiEN,  J.  L.  A.    L'opera  secret  au  xvine  siecle.     1 770-1 790.    Aven- 

tures   et   intrigues   secretes   racontces   d'apres   les   papiers   inedits 

conserves    aux    archives    de    I'fitat    et    de    I'Opera.      Paris.      iRSo. 

Tables.  4674.60;  **M. 145.29 

Paris    dilettante    au    commencement    du    siecle.      Paris.      i88.(. 

Illus.  2670.54;  **M.377.54 

Un  potentat  musical:  Papillon  de  La  Ferte:  son  regne  a  I'Opera 

de  1780  a  1790.     Paris.     1876.  4044.59 

Kerst,    L.      L'Opera   et    M.    Halanzier.      Paris.      1877. 

No.  5  in  **M.372.2i 
Lajarte,  T.  fi.  DU  F.  DE.     Bibliotheque  musicale  du  theatre  de  I'Opera. 

Catalogue   historique,   chronologique,   anecdotique.      Paris.      1878. 

2  V.     Portraits.     Plates.  **M.i32.i3;  etc. 

Curiosites  de  I'Opera.     Paris.     1883.     Facsimiles.        **M. 138.10 

Lasalle,   A.  DE.     Les  treize   sallcs   de   I'Opera.     Paris.      i!^75. 

6664.51;  **M.i39.i2 
Lays,  Frangois  Lay,  called  Lays.     Lays,  artiste  du  Theatre  dcs  arts 

a  ses  concitoyens.     [Paris.     1795.]  No.  2  in  **G.i57.io 

Lettre  a  Madame  de   B.,   sur  la  nouvelle  salle  de  I'Opera.     Paris. 

1821.     Map.  No.  5  in  **M. 126.8 

LussoN,  A.  L.     Projet  d'un  theatre  d'opera  definitif  pour  la  ville  de 

Paris.     En  remplacement  de  I'Opera  provisoire  et  recherches  sur 

le  lieu  propre  a  son  erection.     Paris.     1846.     Maps.     Plans. 

No.  5  in  **M.ii2.i6 
Merle,  J.  T.     De  I'Opera.     Paris.     1827.         No.  6  in  **M.370.65;  etc. 

Lettre  a  un  compositeur  frangais  sur  I'etat  actuel  de  I'Opera. 

Paris.     1827.  No.  3  in  **M. 373.23;  etc. 

Meusnier  de  Querlon,  a.  G.  Le  code  lyrique  ou  reglement  pour 
I'Opera  de  Paris.  Avec  des  eclaircissemens  liistoriques.  A  I'toiiie 
[i.  e.  Paris].     1743.  **M.377.37;  etc, 

Noverre,  J.  G.  Observations  sur  la  construction  d'une  nouvelle 
salle  de  I'Opera.     A  Amsterdam.     1781.  **T.77.48 

Opera,  L':  eaux-fortes  et  quatrains.    Paris.    1876.    Plate.    51  portraits. 

**M.ii9.ii 

Opera  et  Comedie-franqaise.     Carnet  des  abonnes.     Paris.      [1894?! 

**T.79.26 

Palianti,  L.  Souvenir  de  dix  ans.  Theatre  imperiale  de  I'Opera. 
Paris.     1865.  No.  4in  **M.i37.io 

Paroisse-Poi'gin,  F.  A.  A.  Un  directeur  d'Opera  au  dix-huitieme 
siecle  [Jacques  Devismes].  L'Opera  sous  I'ancien  regime: 
I'Opera   sous    la    Revolution.     Paris.      1914-  4048.264 

Pontecoulant,  L.  a.  Le  D.,  Comfe  de,  and  £.  Fournier.  La  nuisique 
chez  le  peuple,  ou  I'Opera-national:  son  passe  et  son  avcnir  sur 
le  Boulevard  du  Temple.    Paris.     1847.  No.  4  in  **M.i47.3.i 

QuATRE  tetes,  Les,  vision.     [Paris.     179-?!     7  PP-     No.  3  in  **G. 157. 10 

Requeste  de  deux  actrices  d'Opera  a  Momus  avec  son  ordonnance. 
A  la  Haye.     1763.  ^  _  **T.79.i5 

Roqueplan,  L.  V.  N.     Les  coulisses  de  I'Opera.     Paris.     1855. 

No.  2  in  **M.i29a.33 

Royer,  a.     Histoire  de  I'Opera.     Paris.     1875.     Portraits.      **M.t37.i 

[589] 


THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 


Paris.     Theatres.     L'Opera.     (Continued.) 

Second,   A.     Les   petits   mj'steres    de    I'Opera.     Paris.      1844.      Tlliis. 

**M, 143.17 

SouBiES,  £.  J.  A.  Soixantc-sept  ans  a  I'Opera  en  une  page.  Du 
"Siege  de  Corinthe"  a  "La  Walkyrie."  (1S26-1S93.)  Paris.  1893. 
Table.  **M.2i4.i7 

SuR  I'Opera  et  sur  le  danger  auquel  il  vient  d'echapper.  Paris. 
[182-?]  No.  4in**M.i26.8 

Toucii.xrd-Lafosse,  G.  Chroniques  secretes  et  galantes  de  rOjiera. 
1667-1844.     Paris.     1846.     4  V.  in  2.  **M. 143.19 

Travenol,  L.,  and  J.  B.  Durey  de  Noinville.  Histoire  du  theatre 
de  I'Opera  en  France.  Depuis  retablissement  de  I'Academie 
royale  de  musique  jusqu'a  present.     A  Paris.     1753.     2  v.  in   i. 

**M.i46.23;  etc. 

Truinet,  C.  L.  £.  Le  nouvel  Opera.  Paris.  1875.  Illus.  Plate. 
Map.     Plans.  2639.59;  **M.i39.ii 

ViEiL  abonne,  Un,  pseud.     Ces  demoiselles  de  I'Opera.     Paris.     1887. 

**M. 127.60 

[Views.     Paris.     1875.]     3  wood  cuts  on  2  sheets.  *463i.2 

Paris.     Theatres.     Opera  comique. 

Chenevier.  p.  L'incendie  de  I'Opera-comique  de  Paris  et  le  theatre 
de  surete.     Paris.     1888.  No.  i  in  **M.i22.i 

GiLARDONE.  F.  Zum  Brand  der  „Koniischen  Oper"  in  Paris.  Wie 
schiitzt  man  die  alteren  Theatergebaude  am  Besten  gegen  Feuers- 
gefahr — wie  beugt  man  in  ihnen  moglichst  einer  Panik  vor?  Wie 
bant  die  Neuzeit?  Eine  zeitgemasse  Studie.  Hagenau  i.  Elsass. 
1887.     Illus.     Portrait.     Plates.     Plans.  **T.75.59 

Heulhard,  L.  O.  A.  Jean  Monnet.  Vie  et  aventures  d'un  entre- 
preneur de  spectacles  an  xviiie  siecle  avec  un  appendice  sur 
I'Opera-comique  de  1752  a  1758.  Paris.  1884.  Portrait.  Plate. 
Table.  **T.96.2;  etc. 

HuRET,  J.  Le  Theatre  national  de  I'Opera  comique.  Avec  la  col- 
laboration artistique  de  F.-G.  Dumas.  Paris.  [1898.]  Illus.  Por- 
traits.    Plates.  4092.78;  **M. 375. 26 

JuLLiEN,  J.  A.  Histoire  du  theatre  de  I'Opera  comique.  A  Paris. 
1769.     2  V.  **M. 1293.15 

Lettre  des  societaires  pretendus  revokes  du  Theatre  royal  de 
rOpera-comiquC:  a  Monsieur  Guilbert  de  Pixerecourt,  directeur  du 
meme  theatre.     Paris.     1827.  **T.97.i8 

Paroisse-Pougin,  F.  A.  A.  Figures  d'Opera-comique:  Madame 
Dugazon,  Elleviou.  les  Gavaudan.  Paris.   1875.  Portraits.  **M.i37.2 

Raphanel,  J.  Histoire  au  jour  le  jour  de  I'Opera-comique.  Premiere 
serie:  ler  Janvier- 30  juin,  1898.    Paris.     1898.      No.  2  in  **M. 102. 22 

Soubies,  fi.  J.  A.  Soixante-neuf  ans  a  rOpera-comique  en  deux  pages. 
De  la  premiere  de  "La  daine  blanche"  a  la  millieme  de  "Mignon." 
1825-1894.    Paris.     1894.    Charts.  *404i.i28 

Soubtes,  £.  J.  A.,  and  C.  T.  Malherbe.  Histoire  de  I'Opera-coniiciue. 
La  seconde  Salle  Favart.    1840-1887.    Paris.    1892,  93.    2  v.    Plate. 

**M.i39a.ii 

Precis   de   I'histoire   de   I'Opera-comiriue.      Paris.      i!^S7. 

26393.67;  **M. 1 293.35;  etc. 

Soulier,  fi.  L.  Histoire  du  Theatre  royal  de  I'Opera-comique.  Paris. 
1847.  No.  8  in  **M.37o.65 

Thurner,  a.     Les  transformations  de  I'Opera-comique.     Paris.     1865. 

**M. 129.18 
[590] 


BROWN   COLLECTION   OF  BOOKS   ON   THE   STAGE 

Paris.    Theatres.    Opera  italien.    See  Paris.    Theatres.    Theatre  italien. 
Paris.     Theatres.     Panorama  dramatique. 

Lecomte,  L.  H.  Histoirc  des  theatres:  Le  Panorama  dramatique. 
1821-1823.     Paris.     1900.     Plate.  **T.96.34i 

Histoire  des  theatres  de  Paris:  Les  Jeux  gymniques  i.Sio-iRu. 

Le  Panorama  dramatique  1821-1823.    Paris.    1908.    Plate.    *4677.iii 
Paris.    Theatres.     Porte  St.  Martin. 

T.,  E.  B.  Le  theatre  St  Martin,  revue  satirique,  critique,  ou  tout  ce 
que  Ton  voudra,  en  82  lignes  de  prose  soi-disanl  rimcc.  Paris. 
1820.  No.  7  in  **G.3562.i 

Paris.     Theatres.     La  Renaissance. 

Lecomte,  L.  H.  Histoire  des  theatres  de  Paris:  La  Renaissance. 
1838-1841,   1868,   1873-1904.     Paris.     1905.     Plate.  *4677.i02 

Paris.    Theatres.    Salle  des  jeux  gymniques. 

Lecomte.  L.  H.  Histoire  des  theatres  de  Paris:  Les  Jeux  gymniques 
1810-1812;  Le  Panorama  dramatique  1821-1823.  Paris.  1908. 
Plate.  *4677.iii 

Paris.     Theatres.     Theatre  d'application. 

Auteurs  et  acteurs.     Catalogue  de  I'exposition  de  portraits  installee 
dans  les  galeries  du  Theatre  d'application.     Precede  d'une  i^reface 
de  Jules  Claretie.     Paris.     1889.     Portraits.    Plates.    **T.66.i4;  etc. 
Paris.     Theatres.     Theatre  de  l'egalite. 

Lecomte,  L.  H.     Histoire  des  theatres  de  Paris:  Le  Theatre  national; 
Le  Theatre  de  Tegalite,  1793-1794.     Paris.     1907.     Plate.     *4677.i09 
Paris.     Theatres.     Theatre  de   l'Hotel  de    Bourgogne. 

RiGAL,   E.   P.   M.     Hotel  de   Bourgogne  et  Marais.     Esquisse  d'une 
histoire  des  theatres  de  Paris  de  1548  a  1635.   Paris.    1887.  **T.79.i 
Paris.    Theatres.    Theatre  de  la  cite. 

Lecomte,  L.  H.  Histoire  des  theatres  de  Paris:  Le  Theatre  de  la 
cite.     1792-1807.     Paris.     1910.     Plate.  *4677.ii3 

Paris.     Theatres.     Theatre  de  la  republique. 

CosTE  d'Arnobat,  C.  p.  Lettre  d'un  comedien  du  Theatre  de  la 
republique,  aux  demoiselles  Gros  et  Bourguoin,  dont  les  debuts 
doivent  suivre  celui  de  mademoiselle  Volnay.  fAussi]  Lettre  du 
citoyen  Palissot,  a  la  citoyenne  Bourguoin,  sur  ses  debuts  au 
Theatre  de  la  republique.  Paris.  An  ix  [1801].  No.  5  in  **G.3562.2 
Paris.     Theatres.    Theatre  de  Seraphin. 

Feu  le  Theatre  de  Seraphin  depuis  son  origine  jusqu'a  sa  disparition. 
1776-1870.     Paris.     1872.  **T.96.i4S 

Paris.     Theatres.     Theatre  des  folies-nouvelles. 

Lecomte,  L.  H.    Histoire  des  theatres  de  Paris:  Les  Folies-nouvelles. 

1854-1859 1871-1872 1880,     Paris.     1909.    Plate.    *4677.ii2 

Paris.     Theatres.    Theatre  des  jeunes  artistes. 

Savard,  F.  Les  petits  mysteres  de  I'ficole  lyrique.  Paris.  1862, 
Portrait.  **T.59.i7 

Paris.     Theatres.     Theatre  des  petits  cabinets. 

JuLLiEN,  J.  L.  A.     Histoire  du  theatre  de  Madame  de  Pompadour  dit 
Theatre  des  petits  cabinets.   Paris.    1874     Plates.   No.  3  in  **M.i22.i 
Paris.     Theatres.     Theatre  des  varietes. 

BouTET  DE  MoNVEL,  R.     Lcs  Varictcs.     1850-1870.     Paris.     [1005.] 

**T.77.i2i 

Paris.     Theatres.     Theatre  du  Chatelet. 

Daly,  C,  and  G.  J.  A.  Davioud.  Architecture  contemporaine.  Les 
theatres  de  la  Place  du  Chatelet:  Theatre  du  Chatelet:  Theatrc- 
lyrique.     Paris.      [1874.]     64  plates.  *Cab.6o.74.2 

[591] 


THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 

Paris.     Theatres.     Theatre  du  Marais. 

RicAL,   E.   P.   M.     Hotel  de   Eourgogne   et  Marais.     Esquisse   d'une 
histoire  des  theatres  de  Paris  de  1548  a  1635.    Paris.    1887.   **T.79,i 
Paris.     Theatres.    Theatre  du  Palais  ro^al. 

HuGOT,  E.  Histoire  litteraire,  critique  et  anecdotique  du  Theatre 
du   Palais-royal,   1784-1884.     Paris.      1886.  **T.7'/.i49;  etc. 

Paris.     Theatres.    Theatre  du  vaudeville. 

Les  2,  3  et  4  septembre  1886.  La  troupe  americaine  d'Augustin  Daly 
du  Daly's  Theatre,  New-York,  donnera  une  serie  de  representa- 
tions au  Theatre  du  vaudeville.  [Programmes  et  resumes.  Pans. 
Imprimerie  nouvelle.]     1886.    8  pp.  **T.ii.8 

Paris.     Theatres.     Theatre  du  vaudeville.     Works  about. 

Magne,  a.  Monographies  du  nouveau  Theatre  du  vaudeville,  erige 
par  la  ville  de  Paris.     Paris.     1873.     30  plates.  *Cab. 60.81.3 

Paris.     Theatres.     Theatre  du  vieux  colombier. 

A  new  French  theatre  in  America.*  Theatre  du  vieux  colombier, 
Paris  —  New  York.  1917-1918.  [New  York.  1917.]  (18)  pp. 
Autograph  facsimile.  **T.77.232 

A  short  account  of  the  Paris  theatre,  with  testimonials  of  its  success  and  a 
biographical  sketch  of  Copeau,  its  founder.  There  is  also  a  prospectus  of  the 
1 91 7-18  season  at  the  New  York  theatre. 

Paris.     Theatres.    Theatre  erotioue  francais. 

Delvau,  a.  Le  Theatre  erotique  frangais  sous  le  Bas-Empire.  Paris. 
[186-?]  **T.77.203 

Paris.    Theatres.    Theatre  francais,  second.    See  Paris.    Tlicatres.    Odeon. 
Paris.     Theatr-cs.     Theatre  historique. 

Lecomte,  L.  H.  Histoire  des  theatres  de  Paris:  Le  Theatre  historique. 
1847-1851,  1862,  1875-1879,  1890-1891.  Paris.  1906.  Plate.  *4677.io3 
Smith,  A.  R.  Why  our  theatres  are  not  supported;  with  a  few  words 
about  the  late  riots  at  Drury  Lane  [which  took  place  at  the 
performances  given  by  the  company  of  the  Theatre  historique  of 
Parisl.     London.     1848.  **T.96.i9o;  etc. 

Paris.     Theatres.    Theatre  italien. 

Blaze,  F.  H.  J.     L'Opera  italien,  de  1548  a  1856.     Paris.     1856. 

8045.13;  **M.ii5.9 

Dilettante,  Pn,  pseud.     Observations  desinteressees  sur  I'administra- 

tion  du  Theatre  royal  italien,  adressees  a  M.  Viotti.     Paris.     1821. 

No.  15  in  **G.3562.i 
Isidore  Baurel,  ou  les  mj^steres  du  Theatre  idalien.     Conte  chinois. 
Paris.     1884.  No.  i  in  **M. 138.15;  etc. 
Ortigue,  J.  L.  d'.     Du  Theatre  italien  et  de  son  influence  sur  le  gout 
musical  frangois.     Paris.     1840.  **M.433.i7 
SouBiES,  fi.  J.  A.     Le  Theatre-italien  au  temps  de   Napoleon   et   de 
la    Restauration.      D'apres    des    documents    inedits.      Paris.      1910. 
Illus.     Portraits.     Plates.  4671.36 
Le  Theatre-italien  de   1801  a   1913.     Paris.     1913.     Illus.     Por- 
traits.    Plates.     Plans.                                                                     *467i.42 
Paris.     Theatres.     Theatre  libre. 

Le  Theatre  libre.  Mai  1800.  [Paris.  1890.]  (2),  iv.  t86.  (6)  pp. 
Plans.  4693-53;  **T  77-23 

Paris,     Theatres.     Theatre  libre.     Works  about. 

Darzens,  R.  Le  Theatre  libre  illustre.  Dessins  de  Lucien  Met! vet. 
Paris.     1890.     2  V.  in  i.     Illus.     Portraits.  **T.74.i4 

Thalasso,  a.  Le  Theatre  libre.  Essai  critique,  historic|ue  et  docu- 
mentaire.  Suivi  de  notices  biographiques,  et  precede  d'une  pre- 
face par  Jean   Jullien.     Paris.      1909.  4677.141 

[592] 


BROWN   COLLECTION   OF  BOOKS   ON   THE   STAGE 


Paris.     Theatres.    Theatre  lyrique. 

Daly,  C,  and  G.  J.  A.  Davioud.     Architecture  contcniporaine.     Les 

theatres  de  la  Place  du  Chatelet:  Theatre  du  Chatelet:  Thcatre- 

lyrique.     Paris.     [1874.]     64  plates.  *Cab.6o.74.2 

Lasalle,  a.  de.     Memorial  du  Theatre-lyriquc.     Cataloyuc   raisoinie 

des    cent    quatre-ving:t    deux    operas    qui    y    ont    ete    rcprcsentes 

depuis  sa  fondation  jusqu'a  I'incendie  de   la  salle  de  la    Place  du 

Chatelet,  avec  des  notes  biographiques  ct  bibliographi(|ucs.    J'aris. 

1877-  No.  2  in  **M. 145. 18 

SouBiES,    £.    J.    A.      Histoire    du    Theatre-lyrique.      1851-70.      Paris. 

1899.     Table.  4041.36 

Paris.     Theatres.     Theatre  Montparnasse. 

Thelmier,  J.  A.  Histoire  du  Theatre  Montparnasse.  1 8 1  r>- 1 S(86. 
Paris.     1886.    Plan.  **T.98.i8 

Paris.     Theatres.    Theatre  national. 

Lecomte,  L.  H.  _Jd[istoire  des  theatres  de  Paris:  Le  Theatre  national; 
Le   Theatre    de    I'egalite,    1793-1794.      Paris.      1907.      Plate. 

*4677.io9 
Paris.     Theatres.    Theatre  Scribe. 

Lecomte,  L.  H.  Histoire  des  theatres  de  Paris:  Les  Fantaisics 
Parisiennes  —  I'Athenee — Le  Theatre  Scribe — I'Athenee-Comique. 
1865-1911.     Paris.     1912.     Portrait.  *2639a.i38 

Paris.     Theatres.     Theatre- Ventadour. 

FouQUE,  P.  O.  Histoire  du  Theatre-Ventadour. — 1829-1879. — Opera- 
comique. —  Theatre  de  la  Renaissance.  —  Theatre-italicn.  Paris. 
1881.  **T.95.86 

Paris.     Theatres.     Varietes  amusantes. 

Lecomte,  L.  H.  Histoire  des  theatres  de  Paris:  Les  Varietes 
amusantes,  1778-1789,  1793-1798,  1803,  1804,  1815.  Paris.  1908. 
Plate.  *4677.ii5 

Paris,     Viezvs. 

Barker,    H.   A.,  and   J.    Burford.     Explanation   of   the   view   of   the 

interior   of   the   city   of    Paris,   now   exhibiting   in    Henry   Aston 

Barker  and  John  Burford's  panorama.  Strand.     [London.]      1816. 

Plate.  '  **T.96.297 

Paris  galant  au  dix-huitieme  siecle.     Capon,  G.,  and  R.  Yve-Pt.essts. 

**T.75.42 
Paris  I'ete.     Vitu,  A.  C.  J.  **T.98.i4i 

Paris-portrait. 

Collection  de  Paris-portrait:  ancien  Paris-theatre.     [Hebdomadaire.] 

Publication   litteraire   et  artistique   contenant  les  portraits   &  les 

biographies  des  celebrites  contemporaines.     Annee  1-7.     1873/74- 

79/80.    Paris.    1873-80.    7  V.  in  4.    Portraits.  **T.2i.s 

Paris  s'amuse.     Veron,  P.  **T.97.2i3;  etc. 

Paris-theatre,     See  Paris-portrait. 

Parish  theatre,  The.     Smith,  J.  T.  6257.145 

Parisis,  ,  Ahbe. 

Questions  importantes  sur  la  comedie  de  nos  jours.  Bruxelle?. 
Vanderborght.     1829.     (3),  x,  241,   (i)  pp.  **T.78.36 

Park,  A.  J. 

The  variety  stage.  A  history  of  the  music  halls  from  the  earliest 
period  to  the  present  time.  By  Charles  Douglas  Stuart  and  A.  J. 
Park.     London.     Unwin.     [1895.]     xii,  255,   (l)  pp.  **T.97.r74 

[593] 

38 


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Parker,  George. 

A   view   of    society   and    manners    in    high    and    low    life:    being    the 
adventures    in    England,    Ireland,    Scotland,    Wales.    France.    &c., 
of  G.  Parker.     Comprised,  a  history  of  the  stage  itinerant.     Lon- 
don: Printed  for  the  author.     1781.     2  v.  **T.58.66 
Parker,  Horatio  William,  editor. 

Music  and  drama.  Boston.  Hall  &  Locke  Co.  [iQH-]  xxii,  393, 
.(i)  pp.  Portraits.  Colored  plates.  Autograph  facsimile.  [Hyde, 
William  De  Witt,  editor.     Vocations.     Vol.  9.]  Z.40C  22.1.9 

Contents.  (Section  on  drama  )  —  Sir  Henry  Irving:  The  art  of  acting. — Brander 
Matthews:  Must  a  great  actor  he  a  genius?  —  Julia  Marlowe:  The  art  of  the 
theater.  —  Richard  Mansfield:  Concerning  acting.  —  Louise  Closser  Hale:  The 
theater :  a  school  for  discipline.  —  Sarah  Bernhardt :  A  word  to  "stage-struck" 
girls.  —  Ethel  Alcc-Tweedie:  The  glamour  of  the  stage.  —  Nathaniel  C.  Fowler: 
The  stage.  —  James  Lauren  Ford:  The  appeal  of  the  stage.  —  William  Winter: 
Famous  actors  of  the  nineteenth  century.  —  Lilian  Whiting;  Charlotte  Cushman. 
—  Ellen  Terry:  The 'end  of  my  apprenticeship.  —  Clara  Morris:  Recollections 
of  the  stage  and  its  people.  —  John  N.  Raphael:  Coquelin. 
Supplementary   readings   p.    (394).      Forms   part    of   Young    folks'    library. 

Parker,  John,  editor. 

Green  Room  Book,  The,  or.  Who's  who  on  the  stage.  1906-09.  New 
"Vork  [&  London.     1906-09].     4  v.     Portraits.  **T.27.i5 

Who's    who    in    the    theatre.      A    biographical    record    of    the    con- 
temporary stage.     London.     1914.     Plans.  *6252.77 
Parkes,  Joseph. 

The  plagiary  "warned."  A  vindication  of  the  drama,  the  stage,  and 
public  morals,  from  the  plagiarisms  and  compilations  of  the  Revd 
John  Angell  James,  in  a  letter  to  the  author.  [Anon.]  Birming- 
ham.    Drake.     1824.     vii,  113  pp.  **T.75.62 

Another  copy  is  on  shelf-number  No.  2  in  **G.3824.i3. 

Same.  2d  edition,  with  alterations.  (/;/  The  Pamphleteer.  Vol.  25, 
pp.  217-275.     London.     1825.)  *657i.i.25 

Parodi,  Teresa. 

Pray,  L  C.  Teresa  Parodi  and  the  Italian  opera.  New  York.  1851. 
Portraits.  **M.io5.30 

Parodies  and  burlesques. 

A  Beckett,  G.  A.  The  quizziology  of  the  British  drama.  Com- 
prising I. — Stage  passions.  11. — Stage  characters,  iii. — Stage 
plays.     London.     1846.     Illus.  .  **T.48.3 

Adams,  W.  D.  A  book  of  burlesque.  Sketches  of  English  stage 
travestie   and   parody.     London.      1891.      Portraits. 

4573-130;  **T.47.63 

Parody,  A,  and  answer  to  W.  C.  C.'s  essay  on  the  evil  tendency  of  the 

theatre.     By  "a   man  of  the  world;"  but  not  a  "Macsycophant" 

[])scud.].    Edinburgh.    The  Author.     1834.     (^i)>  27  PP-       **T.95.34 

Paroisse-Pougin,  Frangois  Auguste  Arthur. 

Acteurs  et  actrices  d'autrefois.     Histoire  anecdotique  des  theatres  a 

Paris  depuis  trois  cent  ans.     Paris.     Juven  &  c'^.      [1897.]      (5), 

278  pp.     Illus.     Portraits.     Autograph   facsimiles.  **T.56.269 

La   Comedie-frangaise   et   la   Revolution.      Scenes,   recits   et   notices. 

Paris.    Gaultier,  Magnier  &  cie.    [190-?]    (5),  332,  (i)  pp.    4676.128 

Contents.  —  La  Comedie  fran(;aise  et  la  Revolution.  —  Vic  ct  mort  tragiques 
d'une  tragedienne  [Mile  Des  Garcins].  —  Un  comedien  revolutionnairc  [Ciram- 
mont] . 

Dictionnaire  historique  et  pittoresque  du  theatre  et  des  arts  qui  s'y 
rattachcnt.  Paris.  Firmin-Didot  &  cie.  1885.  xv,  775  pp.  Illus. 
Portraits.     Plates,  some  colored.  **T.73.6 

Another  copy  is  on   shelf-number  *467i.82. 

[594] 


BROWN   COLLECTION   OF  BOOKS   ON    THE   STAGE 


Paroisse-Pougin,   Frangois  Auguste   Arthur.      (Continued.) 

Un    directeur    d'opera    au    dix-huitienie    siecle    [Jacques    Dcvismes]. 

L'Opera  sous  rancien  regime:  I'Opera  sous  la  Revolution.     Paris. 

Fischbacher.      1914.      143   pp.  4048.264 

Figures  d'Opera-comique:  Madame  Dugazon,  Elleviou,  les  Gavrnulau. 

Paris.     Tresse.     1875.     (3),  234,   (i)   pp.     Portraits.  **M. 137.2 

Marie  Malibran.    The  story  of  a  great  singer.    London.    Nash.     i<;ii. 

324  pp.     Portrait.  4047.303 

Moliere   et  I'opera-comique.     Le  Sicilien  ou  I'amour  pcintre.      Paris. 

Baur.     1882.     C3),  64  pp.  **T.s6.33 

Paroisse-Pougin,  Frangois  Auguste  Arthur,  editor. 

Desbordes,  M.  F.  J.,  Dame  Valmore.  La  jeunesse  de  Mme.  Desbordes- 
Valmore,  d'apres  des  documents  nouveaux.  Suivie  dc  fscs] 
Lettres  inedites.     Paris.     1898.  2647.82 

Paroisse-Pougin,  Frangois  Auguste  Arthur,  prefacer. 

IsNARDON,  J.  Le  Theatre  de  la  Monnaie  depuis  sa  fondation  jus(|u'a 
nos  jours.     Bruxelles.     1890.     Portraits.     Plates.  **T.74.5 

Parry,  Edward  Abbott. 

Charles  Macklin.  London.  Kegan  Paul,  Trench,  Triibner  &  Co..  Lt''. 
1891.     (7),  208  pp.     [Eminent  actors.]  2546.116 

Same.     New  York.     Longmans,  Green,  &  Co.  **T.57.3 

Parsons,  Mrs.   Clement.     See  Parsons,   Florence   Mary. 
Parsons,  Florence  Mary. 

Garrick  and  his  circle.  New  York.  Putnam.  1906.  xxiii,  418  pp. 
Portraits.  Plates.  Facsimiles.  Autograph  facsimile.  4544.221 
Some  works  consulted,  pp.  xvii-xx.  An  almanack  of  contemporary  events,  pp. 
xxi-xxiii. 

The  incomparable  .Siddons.  London.  Methuen  &  Co.  [1909.]  xix, 
298,  (i)  pp.    Portraits.    Plates.    Facsimile.    Manuscript  facsimiles. 

Works  consulted,  pp.   xv-xvii.  **X.56.I07 

Same.     New  York.     Putnam.  4547.219 
Parsons,  Louella  O. 

How  to  write  for  the  "movies."     Chicago.     McClurg  &  Co.     1915. 

(9),  202  pp.  80393.70 
Parsons,  Thomas  William. 

Address  to  the  assembly  at  the  opening  of  the  Player's  Clul)  in  New 

York.     [Verse.     New  York.     1888.]      (3)  pp.  *A.6728.4 

The  address  was  accompanied  by  the  presentation  of  a  wreath  to  Edwin   Rooth. 

Parsons,  William. 

Bellamy,  T.  The  life  of  William  Parsons,  comedian.  Added,  his 
Dramatic  character,  by  John  Litchfield,  and  A  letter  of  intel- 
ligence, from  Charles  Dibdin.     London.     1795.     No.  2  in  **T.96.228 

Parterre,  The,  of  fiction,  poetry,  history,  and  general  literature.  [Weekly.] 
No.  133-140.    Jan.  7-Feb.  25,  1837.     [London.     1837.]     96  pp.     lllus. 

Contains  a  few  articles  on  theatrical  matters.  **T.26.4I 

Partridge,  J.  Bernard,  illustrator. 

Jerome,   J.    K.      Stage-land:    curious    habits   and   customs   of    its    in- 
habitants.    London.     1890.     lllus.     Plates.  **T.46.33;  etc. 
London.     Theatres.    Lyceum  theatre.    Souvenir  of  Becket.  by  Alfred, 
Lord   Tennyson.      First   presented   at   the    Lyceum   Theatre,   6th 
February,    1893,   by  Henry  Irving.     London.     1893.     (12)   plates. 

**T.58.i52;etc. 

Souvenir  of  King  Arthur,  by  J.  Comyns  Carr.     First  presented 

at    the    Lyceum    Theatre    by    Henry    Irving.      Illustrated    by    J. 
Bernard   Partridge  and   Hawes   Craven.     London.      [1895.] 

**T.58.i50 

[595] 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 


Partridge,  J.  Bernard,  illustrator.     (Continued.) 

Souvenir  of  King  Henry  the  Eighth,  presented  at  the  Lyceum 

Theatre,  5th  January,  1892,  by  Henry  Irving.     London.     1892.     (15) 
plates.  **T.58.i5i;etc. 

Souvenir   of    Macbeth    produced    at   the    Lyceum   Theatre,    by 

Henry  Irving,  29th  December,  1888.    Illustrated  by  Charles  Catter- 
mole  &  J.  Bernard  Partridge.     London.     1888.     Illus.     Plates. 

6594-26;  **T.58.i49 

Souvenirs   of   the   Dead   Heart,   by   Watts   Phillips,    presented 

at  the  Lyceum  Theatre,  by  Henry  Irving,  28th  Sept.,  1889.     Lon- 
don.    1889.     (13)  plates.  65703.13 

Partridge,  Simon,  pseud.     See  Woodward,   Henry. 
Pascoe,  Charles  Eyre. 

The  dramatic  list:  a  record  of  the  principal  performances  of  living 
actors  of  the  British  stage.  With  criticisms  from  contemporary 
journals.     London.     Hardwicke  &  Bogue.     1879.     (i),  v,  35S  pp. 

**T.57-307 

Same.     Boston.     Roberts.  *2459.72 

Saine.    2d  edition,  enlarged.    Our  actors  and  actresses.    The  dramatic 

list.     London.     Bogue.     1880.     iv,  432  pp.  **T.57.3o8 

Pascoe,  Charles  Eyre,  editor. 

Dramatic   Notes.     A  year-book  of   the    stage.      1879,    1880/81-84/85, 
89-92.     London.     1879-92.    8  v.  in  5.    Illus.     Portraits.        **T.26.38 
Pasque,  Ernst  Heinrich  Anton. 

Goethe's  Theaterleitung  in  Weimar.  In  Episoden  und  Urkunden 
dargestellt.     Leipzig.     Weber.      1863.     2  v.  48893.8 

Pasquin,  Anthony,  Esq.,  pseud.     See  Williams,  John. 
Past  and  present  state.  The,  of  dramatic  art  and  literature.      [Anon.] 

See  Tomlins,  Frederick  Guest. 
Pastor,  Cristobal  Perez.     See  Perez  Pastor,  Cristobal. 
Paterson,  Peter. 

The  confessions  of  a  strolling  player;  or  three  j^ears'  experience  in 
theatres  rural.    London.     Bertram  &  Co.     1852.    42  pp.    **T.57.442 
Glimpses  of  real  life  as  seen  in  the  theatrical  world  and  in  Bohemia. 
The  confessions  of  Peter  Paterson,  a     strolling  comedian.     Edin- 
burgh.    Nimmo.     1864.     xii,  352  pp.  2576.i74;**T.57.i52 

On  the  English  theatres.     This  is  a  much  enlarged  edition  of  the  preceding. 

Paton,  Mary  Anne. 

Memoir  of  Mr.  and  Mrs.  Wood,  containing  an  account  of  the  prin- 
cipal events  in  the  lives  of  these  celebrated  vocalists;  and  a  full 
statement  of  the  popular  disturbances  at  the  Park  Theatre,  New 
York.      Boston.      1 1840.]  No.  i  in  **M. 377.53 

Patte,  Pierre. 

Essai  sur  I'architecture  theatrale.  Ou  de  Tordonnance  la  plus  avan- 
tageuse  a  une  salle  de  spectacles,  relativement  aux  principes  de 
I'optique  &  de  I'acoustique.  Avec  un  examen  des  principaux 
theatres  de  I'Europe,  &  une  analyse  des  ecrits  les  plus  importans 
sur  cette  matiere.     A   Paris,   chez  Moutard.      1782.      (3),    112  pp. 

**T.77.47 

.Same.     Saggio  sull'  architettura  teatrale.     (In  Ferrario,  G.     Storia  e 

descrizione    de'   principali   teatri   antichi    e   moderni.      Pp.    87-256. 

Milano.     1830.)  **T.75.7o 

Pattee,  Charles  H. 

Recollections  of  old  play-bills.  (/;;  Bostonian,  The.  Vol.  2,  pp. 
254-258.     Portraits.     Boston.     1895.)  *530t.45.2 

;\n   account  of  the  plays   and  actors   in   early    Koston  theatres. 

[596] 


BROWN   COLLECTION    OF  BOOKS    ON    THE   STAGE 


Patterson,  Ada,  and  Victory  Bateman. 

By  the  stage  door.    New  York.    The  Grafton  Press.    [1902.]    **T.86.9 

CoKtents.  —  The   story  of  a   friendship.   —  Autobioprraphy  of  an   actress. The 

passing   of  the   leading  lady.   —    Her   one    superstition.   —   Griniston's   school   of 

acting.  —  A  triumph  of  temperament.  —  lie  married  an  actress.  —  Three  friends. 

The  understudy.  —  Heard  at  the  Managers'  Club.  —  An  early  jump. 
Patterson,  Arthur. 

Shadow    entertainments   and    how    to    work    thcni,    being    something 

about  shadows,  and  the  way  to  make  them  profitable  and  funny. 

London.     Gill.     [1895?]     76  pp.     Illus.     Diagrams.  8009.49 

Patterson,  John. 

Pulvis  Olympicus.     [Paisley.     1896.]     16  pp.  4004.124 

Patti,  Adelina. 

Charnace,    G.   de.      Les   etoiles    du   chant    [Patti,   Nilsson,    Gabrielle 

Krauss].     Paris,     i860.     Portraits.  **M.i96.i 

Dalamazzo,  D.  E.  M.     The  life  of  Adelina  Patti.     [Anon.     London. 

1877.1      48  pp.     Portrait.  No.  i  in  **M.i39.i9 

Grave,  T.  de.     Biographic  d'Adelina  Patti.     Paris.     1865.    **M. 104.17 
Lauw,  L.     Fourteen  years  with  Adelina  Patti.     Translated  by  Clare 

Brune.     London.     1884.  4049.96;  **M. 146.12 

MoRTiER,  M.     Biographical  sketch  of  Madame  Adelina  Patti.     [.\'ew 

York.      1882.]      Portrait.  4049.110;  No.  8  in  **M. 207. 26;  etc. 

Schuermann,   J.   J.      Les   etoiles   en   voyage.     Paris.      1893. 

**T.57-3i5;  etc. 
Strakosch,  C.  L.    Italian  opera  as  illustrated  by  Adelina  Patti.    Illus. 
Portraits.     {In  The  music  of  the  modern  world.     Vol.  i,  pp.  6-10. 
New  York.     [1895.])  **M.i4.i.i 

Vacano,  E.  a.  F.     Der  Roman  der  Adelina  Patti.     Nach  spanischcn, 
englischen  utid  miindlichen   Quellen.     Wien.     1875.     Illus.     Por- 
traits. 4041.102 
Paul,  G.  Henry  Howard,  and  George  Gebbie,  editors. 

The  stage  and  its  stars,  past  and  present.  A  gallery  of  dramatic 
illustration  and  critical  biographies  of  distinguished  English  and 
American  actors  from  the  time  of  Shakespeare  till  to-day.  Pliila- 
delphia.     Gebbie  &  Co.     [1895?]     2  v.     Illus.     Portraits.     Plates. 

**T.5i.3 
Paul,  Howard.     See  Paul,  G.  Henry  Howard. 
Paul,  ]&SLn, 'pseud.    See  Coeuret,  P. 
Paul,  Robert  Bateman,  translator. 

V'/iTzscHEL,    A.      The    Athenian    stage;    a    handbook    for    students. 

Translated  from  the  German  by  R.  B.  Paul;  and  edited  by  T.  K. 

Arnold.     London.     1850.     Plan.  4969a.7;  **T.78.i 

Paul  Pyne;  actor  and  gentleman.    Aldrich,  T.  B.  *A.i503.4 

Paulet,  Lavinia,  Duchess  of  Bolton. 

Pearce,  C.  E.  "Polly  Peachum,"  being  the  story  of  Lavinia  Fenton 
(Duchess  of  Bolton)  and  "The  beggar's  opera."  New  York.  1913. 
Portraits.     Plates.  4574.176 

Pauli,  B.  O.  Carl. 

Die  Befreiung  der  deutschen  Buhne  vom  Drucke  der  Geldspckulation. 
Berlin.    Dreyer.     [1887.]     24  pp.  **T.96.355 

Pauli,  Carl.     See  Pauli,  B.  O.  Carl. 
Paulmier,  Charles  Henri  Paul.    • 

Traite  de  la  legislation  et  de  la  jurisprudence  des  theatres.  Par 
Adolphe  Lacan  et  Charles  Paulmier.     Paris.     Durand.     185.^.    2  v. 

**T.76.i6 
Pauvres  saltimbanques,  Les.     Banville,  T.  F.  de.  **T.98.i3i 

[597]     . 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 


Pavlowa,  Anna. 

Mlle  Anna  Pavlowa.  [New  York.  Blanchard  Press.  iQU-]  (i6) 
pp.     Illus.     Portraits.     Autograph   facsimile.  40403.145 

This  description   of   Mile.   Pavlowa  and   her   company  of  ballet   dancers   was   sold 
at  the  Boston  Opera  House  at  her  performance  there  in  October,    1913. 

Payne,  George  Henry. 

A  great  part,  and  other  stories  of  the  stage.  New  York.  Continental 
Publishing  Co.     1902.  **T.87.95 

Contents.  —  A  great  part.  —  Filby's  boy.  —  Love  letters  of  an  actor. — .X  romance 
a   la  russe.  — -  Peter's   fortune.  —  The   horse  that   starred.   —  An   eloping  party. 

Payne,  John  Howard. 

The  life  and  writings  of  John  Howard  Payne,  the  author  of  Home, 
sweet  home;  The  tragedy  of  Brutus;  and  other  dramatic  works. 
Albany.     Munsell.     1875.     ix,  410  pp.     Portrait.     Facsimiles. 

Contains  much  that  relates  to  the  stage.  *234I,62 

Payne,  John  Howard.     Works  about. 

Brainard,  C.  H.  John  Howard  Payne:  a  biographical  sketch.  Wash- 
ington, D.  C.    Coolidge.    1885.     Portraits.     Plates.    **T.55.i35;  etc. 

Hanson,  W.  T.,  Jr.  The  early  life  of  John  Howard  'Payne.  With 
contemporary  letters  heretofore  unpublished.  Boston.  1913. 
Portrait.  *A.6770.3 

Harrison,  G.  John  Howard  Payne,  dramatist,  poet,  actor,  and  author 
of  Home,  sweet  home!  His  life  and  writings.  Philadelphia. 
1885.     Illus.     Portrait.  4242.67 

Memoirs  of  John  Howard  Payne,  the  American  Roscius:  with  criti- 
cisms on  his  acting,  in  the  various  theatres  of  America,  England 
and  Ireland.     London.     1815.     Portrait.  **T.96.23o;  etc. 

Sketch    of   the   life   of   John    Howard    Payne,   as   published    in    the 

Boston    Evening    Gazette,    compressed    (with    additions    bringing 

it  forward  to  a  later  period).     By  one  of  the  editors  of  The  New 

York  Mirror.    Boston.     1833.  **T.56.i75 

Payne,  William  Morton,  translator. 

J.EGER,  H.  B.  Henrik  Ibsen.  1828-1888.  Chicago.  1890.  Portraits. 
Plates.  2856.75 

Peake,  Richard  Brinsley. 

Memoirs  of  the  Colman  family,  including  their  correspondence  with 
the  most  distinguished  personages  of  their  time.  London.  Bentley. 
1841.    2  v.     Portraits.  **T.55.io7 

Relates  almost   entirely  to  the   elder  and  the  younger   George   Colman.      Another 
copy  ii>  on  shelf-number  **G. 3756.6. 

Same.     [1841.]     2  v.  in  i.  **K.33.8 

Pearce,  Charles  E. 

The  jolly  duchess.  Harriot  Mellon,  afterwards  Mrs.  Coutts  and  the 
Duchess  of  St.  Albans.  A  sixty  years'  gossipping  record  of  the 
stage  and  society  (1777  to  1837).  New  York.  Brentano's.  [1915.] 
XX,  332  pp.     Portraits.     Plates.  2548.85 

Relates  to   England.     Authorities,  pp.   323-326. 

"Polly  Peachum,"  being  the  story  of  Lavinia  Fenton  (Duchess  of 
Bolton)  and  "The  beggar's  opera."  New  York.  Brentano.  1913. 
xvi,   382  pp.     Portraits.      Plates.  4574.176 

Pearl,  Cora. 

Memoires  de  Cora  Pearl.  2^  mille.  Paris.  Levy.  1886.  (3),  360  pp. 
Manuscript  facsimile.     [Bibliotheque  moderne.]  **T.57.333 

Same.  The  memoirs  of  Cora  Pearl,  the  English  beauty  of  the 
French  Empire.  .Authentic  and  authorised  translation  from  the 
original.    London.     Vickers.     [1886.]     (3),  188  pp.  **T.57.375 

[5981 


BROWN   COLLECTION   OF  BOOKS   ON    THE   STAGE 


Pearse,  Mrs.  Godfrey,  and  Frank  Hird. 

The  romance  of  a  great  singer.  A  memoir  of  Mario.  London.  Smith, 
Elder  &  Co.  1910.  ix,  (i),  309  pp.  Portraits.  Plates.  Coats  of 
arms.     Facsimile.  4048.336 

Pearson,  Cyril  Arthur,  publisher. 

Pearson's  Photographic  portfolio  of  footlight  favourites.  London. 
Pearson.      [189-?]      128,   16,  65-80  pp.     Portraits.  **T.5a.2 

Peel,  Sir  Robert,  2d  Baronet. 

Letter  to  the  Right  Hon.  Robert  Peel,  respecting  the  proposed 
introduction  of  a  bill,  to  repeal  so  much  of  the  Act  of  loth  Geo.  1 1. 
cap.  28,  as  requires  notice  to  be  sent  to  the  Lord  Chamberlain, 
previously  to  the  representation  of  any  new  play  or  entertain- 
ment of  the  stage,  or  any  addition  to  an  old  play;  and  showing 
that  the  consequence  would  be,  to  confirm  the  monopoly  claimed 
by  Drury  Lane  and  Covent  Garden  theatres.     London.     1829. 

**T.76.73;etc. 
Peele,  George,  alleged  author. 

HisTRio-MASTix,  1610.     [London.]     1912.  *Q-58.85 

Peep,  A,  at  the  theatres!     Old  naval  officer,  An,  f)seud.  **T.87.7o 

Peep,  A,  behind  the  curtain.     Ford,  T.  **T.98.45  ;  etc. 

Peg  Woffington.     Reade,  C.  **T.87.22;  etc. 

Peiba,  Abraham,  alleged  author. 

Gallerie  von  teutschen  Schauspielern  und  Schauspielerinnen,  nebst 
Tohann  Friedrich  Schinks  Zusatzen  und  Berichtigungen.  Mit  Ein- 
Isitung  und  Anmerkungen  herausgegeben  von  Richard  Maria 
^\'erner.  Berlin.  1910.  Lxviii,  xiv,  401  pp.  Facsimile  title-page. 
[Gesellschaft  fiir  Theatergeschichte.  Schriften.  Band  13.]  6907.23 
Peigne-Delacourt,  Achille. 

Le  Theatre  de  Champlieu.  Noyon.  Andrieux-Letellier.  1858.  39  pp. 
viii  plates.     Map.     Plan.  No.  i  in  4098.118;  **T.76.42 

Relates  to  the  ruins  of  a  Roman  theatre. 

Same.  Supplement.  Noyon.  Andrieux-Duru.  1859.  15  pp.  Colored 
plan.  No.  2  in  4098.118;  **T.76.43 

Pelby,  William. 

Letters  on  the  Tremont  Theatre,  respectfully  addressed  to  the 
primitive  subscribers,  its  friends  and  patrons.  Boston.  Eastburn. 
1830.    44  pp.  **T.76.46 

Another    copy    is    on    shelf-number    No.  36  in  **G.3822.3. 

Pelet,  Auguste. 

Description  de  I'amphitheatre  de  Nimes.     Nimes.     Baldy  &  Roger. 

1853.     147.  (i)  pp.    Plates.    Plans.  4094.102 

Pelham-HoUes,   Thomas,   2d  Duke   of  Neiccastle.      See    Holies,   Thomas 

Pelham-,  2d  Duke  of  Newcastle. 
Pelissier,  Marie. 

Desforges,  -.     Memoires  anecdotes  pour  servir  a  I'histoire  de  M. 

Duliz  et  la  suite  de  ses  avantures,  apres  la  catastrophe  de  celle  de 
Mademoiselle  Pelissier,  actrice  de  I'Opera  de  Paris.  A  Londres. 
1739.     Plate.  **T.58.92;etc. 

Felletier,  Mabel  C. 

The  winter's  tale.  As  performed  by  the  Saturday  Morning  Club. 
{In  Bostonian,  The.     Vol.  2,  pp.   1-16.     Plates.     Boston.     1895.) 

*S30i.45-2 
Pellicer,  Casiano. 

Tratado  historico  sobre  el  origen  y  progresos  de  la  comedia  y  del 
histrionismo  en  Espafia:  con  las  censuras  teologicas,  reales  reso- 

[599.] 


THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 


Pellicer,  Casiano.     (Continued.) 

luciones  y  providencias  del  Consejo  supremo  sobre  comedias:  y 
con  la  noticia  d'algunos  celebres  comediantes  y  comediantas  asi 
antiguos  conio  modernos.  Madrid.  Imprenta  de  la  adminis- 
tracion  del  Real  arbitrio  de  beneficencia.  1804.  2  v.  in  i.  Por- 
traits. **D.i7ob.8i 

Another  copy  is  on  shelf-number  **D.i7ob.3i. 

Pellisson,  Maurice,  translator. 

Maxtzius,  C.  Moliere.  Les  theatres,  le  public  &  les  comediens  de 
son   temps.     Paris.      1908.     Illus.     Portraits.     Plates.     Plan. 

**T.55.io2 
Pemberton,  Charles  Reece. 

Life  and  literary  remains.  With  remarks  on  his  character  and  genius, 
by  W.  J.  Fox.  Edited  by  John  Fowler.  London.  Fox.  1843. 
506  pp.     Portrait.     Autograph  facsimile.  **T.56.i65 

Another  copy  is  on  shelf-number  **G.3932.i7. 

Pemberton,  T.  Edgar. 

The  Birmingham  theatres:  a  local  retrospect.    Birmingham.     Cornish. 

[1889.]      (5),  216  pp.  **T.78.9 

Charles  Dickens  and  the  stage.     A  record  of  his  connection  with  the 

drama  as  playwright,  actor  and  critic.     London.     Redway.     1888. 

(7),  260  pp.     Portraits.  4549.125;  **T.57. 131 

Ellen  Terry  and  her  sisters.     New  York.     Dodd,  Mead  &  Co.     1902. 

(10),  314  pp.     Portraits.     Plates.  4545.178;  **T. 56.112 

John  Hare,  comedian.    1865-1895.    A  biography.    London.    Routledge. 

1895.     (i),  202  pp.     Portraits.  **T.57.297;  *A.68io 

The  Kendals.    A  biography.    London.    C.  Arthur  Pearson,  Ltd.     1900. 

xii,  340  pp.     Portraits.     Plates.  **T.56.66 

Same.     New  York.     Dodd,  Mead  &  Co.     1900.  4545.170 

The  life  and  writings  of  T.  W.  Robertson.     London.     Bentley.     1893. 

vi,   (3),  320  pp.     Portrait.     Plates.     Manuscript  facsimiles. 

2543.115;  **T.55.79 
A  memoir  of  Edward  Askew  Sothern.     London.     Bentley.     1889.     iv, 
(3),  314,    (i)    pp.     Portraits.     Manuscript  facsimiles. 

4540.100;  **T.55.96 
Pen,  pencil,  baton  and  mask.  Black,  H.  C.  2543.153;  **T.56.29 

Pence,  James  Harry. 

The  magazine  and  the  drama.  An  index.  New-York.  1896.  xiii, 
(3),  190  pp.     [Dunlap  Society.     Publications.     New  series,  no.  2.] 

**T.95.i5 
Pene,  Henri  de,  prcfaccr. 

Savakd,  F.     Les  actrices  de  Paris.     Paris.     1867.  **T.57.302 

Penley,  Belville  S. 

The  Bath  stage:  a  history  of  dramatic  representations  in  Bath. 
London.     Lewis.     1892.     xv,   180  pp.     Portraits.     Plate. 

2552.27;  **T.77.74 
Pennell,  Joseph. 

Les  affiches  etrangeres  illustrees,  par  M.  Bauwens,  T.  Hayashi,  La 
Forgue,  Meier-Graefe,  J.  Pennell.  Paris.  Boudet.  1897.  (3), 
iii,  206,   (i)  pp.     Illus.     Plates,  some  colored.  *4072.i8 

Pennie,  John  Fitzgerald. 

The  tale  of  a  modern  genius;  or,  the  miseries  of  Parnassus.  In  a 
series  of  letters.     London.     Andrews.     1827.     3  v.  **T.57.20 

The  letters  are  signed,  Sylvaticus. 

Pennsylvania.    State  Board  of  Censors. 

Rules  and  standards.    Harrisburg.     1915.    20  pp.     Facsimile.    *3668.7i 

[600] 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 


Pensions. 

Association  de  secours  mutuels  des  artistes  dramatiques.  Anmiairc 
Annee  30,  37-39,  41.  42.    Paris.     1869-81.    6  v.  in  2.  **T.25.i9 

People,  The,  I've  smiled  with.     Wilder,   M.  P.  4348.235;  **T. 57. 254 

Pepita,  Sefiora. 

Memoires  de  la  Senora  Pepita.  Aveux  et  confidences  d'une  danscusc. 
Traduit  de  I'espagnol  par  A.  X.  Tome  i.  Liege.  Kornicker  & 
Gnuse.     1855.     245  pp.  **T.99.47 

Pepys,  Samuel. 

McAfee,  H.  F.  Pepys  on  the  Restoration  stage.  New  Haven.  1016. 
Portraits.     Plates.  4574.191 

Wheatley,  H.   B.     Samuel  Pepys  and  the  world  he  lived  in.     Lon- 
don.    1880.  24503.53;  etc. 
PercivaL  John. 

Society  for  the  Suppression  of  Vice.  A  few  observations  in  defence 
of  the  scenic  exhibitions  at  the  Royalty  Theatre,  and  on  the 
intolerant  censure  of  the  drama  in  general;  contained  in  the 
"Solemn  protest"  of  the  Rev.  Tho.  Thirlwall,  in  the  name  of  the 
Society  for  the  Suppression  of  Vice.  London.  Griffiths.  1804. 
(3),  42  pp.  **T.76.6i 

Other  copies  are  on  shelf-numbers  **T.96.5o;  **T.96.365. 

Peregrine  Proteus. 

Egan,  p.,  the  Elder.    The  life  of  an  actor  [Peregrine  Proteus].     Lon- 
don.    1892.     Illus.     Colored  plates.  2573.143 
Perez  Martinez,  Jose  V.,  editor. 

Critica  dramatica  y  musical,  y  biografias  de  autores,  compositores 
y  artistas.  Anales  del  teatro  y  de  la  miisica.  Aiio  i.  1883/84. 
Madrid.     1884.  **T.26.22 

Perez  Pastor,  Cristobal. 

Nuevos  datos  acerca  del  histrionismo  espanol  en  los  siglos  xvi  y 
XVII.  Madrid.  Imprenta  de  la  Revista  espaiiola.  1901.  418,  (i) 
pp.  30993.269 

Perfall,  Carl,  Frciherr  von. 

Bierbaum,    O.    J.      Fiinfundzwanzig    Jahre    Miinchner    Hoftheater- 

Geschichte.     Ein  Riickblick  auf  die  fiinfundzwanzigjahrige  Amts- 

fiihrung  des  Freiherrn  Karl  von  Perfall  als  Leiter  der  Miinchner 

Hofbiihnen.     Miinchen.     1892.     Portraits.  **T.76.25 

Pericaud,  Jean  Louis. 

Bibliotheque  de  Louis  Pericaud.  Ouvrages  sur  le  theatre.  Partie 
I.     Vente  des  8  et  9  avril  1907.     Paris.     Jorel.     1907.     34,  d)  pp. 

**T.65.33 
Pericaud,  Louis.    See  Pericaud,  Jean  Louis. 
Perignon,  Eugenie. 

Rosine  Stoltz,  Maxime,  M'les  Lavoye.  [Paris.]  1847.  51  pp.  Por- 
trait. No.  7in  **M.i97.3 

Contains  a  notice  of  Madame  Stoltz  only. 

Periodicals. 

Actors  by  daylight;  or,  pencilings  in  the  pit.  [Weekly.]  Contain- 
ing memoirs  of  the  most  celebrated  London  performers.  Vol.  i 
(no.  1-40,  42-51).     London.     [1838,  39.]     Portraits.  **T.26.27 

Actors  by  gaslight,  or  "Boz"  in  the  boxes.  [Weekly.]  No.  i-37- 
Apr.  21  -  Dec.  29,  1838.     [London.     1838.]     Portraits.     Plates. 

**T.26.i4 

Album  des  theatres,  par  Guyot  et  A.  Debacq.  Tome  i.  Annee  i. 
Paris.      1837.     Plates.  **T.24.8 

[601] 


THE  PUBLIC  LIBRARY  OF  THE   CITY  OF  BOSTON 


Periodicals.     (Continued.) 

Almanack  de  "La  Rampe."  Actrices  parisiennes.  [Paris.  iQoi.] 
Portraits.  **T.26.2i 

Almanack  des  spectacles  de  Paris.  Partie  [i-]46.  1751-94,  an  viii, 
IX  de  la  Republique  [1800,  01],  1815.  [Paris.  I75i-]i8i5.  50  v. 
in  27.     Plates.  **G.3568.i ;  etc. 

Almanack  des  spectacles  par  K.  Y.  Z.  [pseud.].  Annee  [i-]S.  Paris. 
[1818-25.]     8  V.     Colored  portraits.  **T.29.i8 

Almanack  des  spectacles.    Annee  [i-]i2.    Paris.     [i822-]i837.     12  v. 

**T.29.5 

Almanack  des  spectacles  pour  1852.  Annee  i.  Paris.  1852.  Dia- 
grams. **T.27.2I 

Almanack  des  spectacles.  Continuant  I'ancien  Almanach  des  spec- 
tacles (1752  a  1815).  [Publie  par]  Albert  Soubies.  Annee  1874- 
91,93-1911.     Paris.     1875-1912.    37  V.     Portraits.     Plates.    **T.29.2 

Same.     Table.     [1874/91.],  1892/1901.     Paris.     1892,   1902.     2  v. 

Portrait.     Plate.  **T.29.3 

Almanack  des  theatres.  Pieces  nouvelles.  —  Reprises.  —  Debuts. — 
Biographies. — Theatres  de  la  province  et  de  I'etranger. — Nouvelles 
dramatiques.- — Anecdotes,  etc.     No.  i.     Paris.     1851.  **T.29.i2 

Annales,  Les,  du  theatre  et  de  la  musique.  Annee  i-  1875  to  date. 
Paris.     Portrait.  **T.27.i 

Annee,  L',  litteraire  et  dramatique.  Revue  annuelle.  Par  G.  Vapereau. 
Annee  i-ii.    1858-68.    Paris.    1859-69.     11  v.  **T.27.i4 

Annee  theatrale.  Almanach  pour  I'an  x.  Contenant  une  notice  sur 
chacun  des  theatres  de  Paris,  les  acteurs,  les  pieces  nouvelles  et 
les  debuts.     Paris.     An  x.=:i8oi.  **T.29.io 

Annee  theatrale,  L'.  Nouvelles,  bruits  de  coulisses,  indiscretions, 
comptes  rendus,  racontars,  etc.  Par  J.  Georges  Duval.  Annee 
1-3.     Paris.     1875-77.     3  V.  **T.27.4 

Annuaire  des  lettres,  des  arts  et  des  theatres.  [1845/46.]  Paris. 
1846-1847.     Colored   portraits.     Plates.  **T.26.i3;  etc. 

Annuaire  dramatique.  Annee  7-10,  13.  Paris.  1811-1817.  5  v.  Por- 
traits. **T.29.i7 

Anti-tkeatre,  The.  [No.  1-15,  February  15 -April  4,  1720.  By  Sir 
John  Falstaffe,  pseud.]  (In  The  Theatre.  Pp.  217-299.  London. 
1791.)  **T.26.23;  **G.3824.7 

Arcadian,  The.  [Monthly.]  Vol.  i  (no.  i).  March  i,  1820.  [Lon- 
don.    1820.]  **T.26.6i 

Arcker,  W.  The  theatrical  'world'  of  1893-97.  London.  [1894-] 
1898.     5  V.  **T.27.33 

Arciiiv  fiir  Thcatergeschiclite.  Im  Auftrage  der  Gesellschaft  fiir 
Theatergeschichte  herausgegeben  von  Hans  Devricnt.  Band  i,  2. 
Berlin.     1904,  05.    2  v.     Plate.  *6907.i2 

Argus;  or,  the  theatrical  observer:  containing  critical,  yet  impartial 
strictures,  on  the  merits  and  demerits  of  the  principal  performers, 
of  the  Theatre  Royal,  Manchester.  No.  1-6.  Nov.  24,  1804 -Feb. 
9,  1805.     Manchester.     1804,  05.  **T. 98.64 

Art,  L',  du  theatre.  Revue  mensuelle.  Annee  i,  2.  Paris.  h)oi,  02. 
2  V.    Illus.    Portraits.    Plates.    Plans.  **T.2i.io 

Authentic  memoirs  of  the  green-room;  (for  1801-03:)  involving 
sketches  of  the  performers  of  the  Theatres  Royal,  Drury-Lane, 
Covent-Garden,  and  the  Hay-Market.  London.  1801-03.  3  v. 
in  2.     Portraits.  **T. 29.19 

[602] 


BROWN  COLLECTION   OF  BOOKS   ON   THE   STAGE 


Periodicals.     (Continued.) 

Authentic  memoirs  of  the  green-room;   including  sketches  of  the 

performers  of  the  Theatres  Royal,  Drury-Lane,  Covent-Garden, 

and  the  Haymarkct.     London.     [1814?]     Portrait.  **T.29.22 

Same.     [1815?]  **T.29!23 

Bill,  The,  of  the  Play.     An  illustrated  record  of  the  chief  dramas, 

plays,  operas  bouffe,  etc.,  produced  or  revived  during  the  year 

1881.     Edited   by  J.    Higden   Thornell.     London.      [188^.  |      Plus. 

Portraits.  **T.96.i63 

Birmingham  Reporter,  The;  and  theatrical  review.     [Weekly.]     V'ul. 

I  (no.  1-12).     1823.     [Birmingham.     1823.]  **T. 28.11 

Birmingham    Spectator,    The,    a    miscellany    of    literature,    and    of 

dramatic  criticism.     [Weekly.     No.  1-24.     May  29 -Nov.  6,  1824.] 

Birmingham.      1824.  **T.27.23 

BuEHNE  und  Welt.      [Semi-monthly.]      Zeitschrift  fiir  Theaterwesen, 

Literatur  und  Musik.     Herausgegeben  von  H.  Stiimckc.    Jahrgang 

1-17.     Berlin.     [1898-11915.     17  v.  in  33.     Illus.     Portraits.     Plates. 

**T.24.i 
Burr  McIntosh   Monthly,  The.     Vol.  1-22.     New  York.     1903-1910. 

22  v.  in  21.     Illus.     Portraits.     Plates.  **T.23.i 

Cabinet,   The;    or,   monthly   report   of  polite    literature.     Vol.    1-4. 

Feb.   1807 -Dec.   1808.     London.     1807,  08.     4  v.     Portraits. 

**T.27.3i;  etc. 
Camees  artistiques.     Theatre,  litterature,  musique,  beaux-arts,  sport, 

finance.    Journal  hebdomadaire.     Redacteur  en  chef,  Felix  Jahyer. 

Tome  1-3.     Paris.     [1880-83.]     3  v.     Portraits.  **T.2i.6 

Carillon  theatral,   Le.     Le  pour  et  le  contre  de  la  critique  sur  les 

principales    pieces    de    I'annee.       [Par]     L.-P.    Laforet.      Saison 

theatrale,  1887/88.     No.  1-15.     Paris.     1889.  **T.95.6o 

Casket,  The.     No.  58.     Mar.   5,    1828.      [London.]      1828.      Illus. 

**T.76.i75 
Casket,  The,  of  literature,  science,  and  entertainment.     [Weekly.] 

No.  47,  SO,  53.    Nov.  12,  26,  Dec.  17,  1836.     [London?     1836.]     Illus. 

**T.26.55 
Catholic    theatre    movement,    The.      [Monthly.]      Oct.    5,    Xov.    15, 

1916-Jan.  15,  1917.     [New  York.     1916,  17.]  **T.75.79 

Censeur,    Le,   dramatique.      Ou   journal   des   principaux   theatres   de 

Paris  et   des   departemens.     Redige  par  A.    B.   L.   Grimod   de  la 

Reyniere.    Tome  1-3.    Paris.     1797.98.    3  v.  **G.3562.5;  etc. 

Charles  M.  Cashin's  Amusement  guide,  with  theatre  diagrams.     For 

week  ending  April  26,  [1884].     Boston.     [1884.]     Plans.    **T.97.79 
Cicerone,  The.     A  record  of  the  drama,   music  and  the  fine  arts. 

[Weekly.]     No.  1-24.     Sept.  30,  1843 -March  9,  1844.     [London.] 

1843,  44.     Illus.     Plate.  **T.23.ii 

Claretie,  J.  A.  A.     La  vie  a  Paris.     1880-85,  95-i9i3-     Paris.     ( [881-] 

1914.     21  v.  **T.27.i6 

Clown,  The,  of  London,  at  all  the  theatres,  sights,  pleasures,  and 

amusements.     No.    [i-]i4.      [London.     1845.]      Illus.     Plates. 

**T.2S.26 
Columbine,  The,  and  weekly  review  of  literature,  the  sciences,  fine 

arts,  theatricals,   &c.     No.   1-5,  7-10.     July  4 -Aug.    i,  Aug.    15- 

Sept.  19,  1829.     [London.]     1829.  **T.26.i9 

Columbine,   The,  or,  dramatic  mirror.     No.   i,  2,  4,  5,  7,  27.     Apr. 

24,  May  I,   15,  22,  1830;  June  18,   1831.     [London.]      1830.  31. 

**T.26.20 

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THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 

Periodicals.     (Continued.) 

Comet,  The.  [Weekly. 1  By  Walter  Wildfire  [pseud,  of  J.  T.  Buck- 
ingham]. No.  [i-]i3.  Oct.  19,  i8ii-Jan.  11,  1812.  [Boston.] 
181 1,  12.  **T.26.40 

Companion,  The.  [Weekly.]  No.  1-29.  Jan.  9- July  23,  1828.  [Pub- 
lished]   By   Leigh   Hunt.     London.     1828.  *A.4369.7;  etc. 

Companion,  The,  to  the  theatres  and  other  amusements  of  Edin- 
burgh. [Daily.]  Vol.  i  (no.  1-19,  21,  22).  Sept.  4-29.  1852. 
[Edinburgh.    1852.]  **T.27.ii 

Connoisseur,  The.  [Monthly.]  Vol.  2  (no.  10-17),  Jan.-Aug.,  1846. 
[London.]     1846.     Portraits.     Music.  **T,23.4 

CoNSTiTUTioNNEL,  Le.  Annuaire  des  lettres,  des  arts  et  des  theatres, 
du  journal  Le  Constitutionnel.  1845-46.  Paris.  1846,  47.  Plates, 
some  colored.  **M.373.32 

Cornucopia,  The;  or,  literary  and  dramatic  mirror,  containing  a 
variety  of  interesting  subjects  under  the  head  of  miscellanies. 
Vol.  I.     Sept.  1820 -Sept.  1821.     London.     1826.     Colored  plates. 

**T.27.io 

Courier  lyrique  et  amusant,  ou  passe-temps  des  toilettes.  Par  M^<^ 
Dufrenoy.  [Bimensuel.]  Juin  i,  1786-sept.  i,  1787,  oct.  i  -  dec. 
I5>  1787-     [Paris.     1786,  87.]     2  v.  in  i.  **T.27.i3 

CouRRiER  des  spectacles,  de  la  litterature,  des  arts  et  des  modes, 
pour  Paris,  les  departemens  et  les  pays  etrangers.  [Quotidien.] 
No.  110-286,  622-788.  Janvier  i-juin  30,  1819;  juillet  i-decembre 
31,  1820.     [Paris.]     1819,  20.    2  V.  **T.24.io 

Court  Journal,  The.  [Weekly.]  No.  36-87.  1830.  London.  1830. 
Portrait.  **T.23.i6 

Covent-Garden  Theatrical  Gazette.  No.  69.  Dec.  13,  1816.  [Lon- 
don.]    1816.  No.  12  in  **G.3823.i3 

Critic,  The:  a  journal  of  theatricals,  music,  and  the  exhibitions. 
No.  I.     Oct.  7,  1843.     [London.     1843.]  **T.26.42 

Critic,  The.  A  weekly  review  of  literature,  fine  arts,  and  the 
drama.  Edited  by  William  Leggett.  Vol.  i.  Nov.  i,  1828 -May 
2,  1829.     New-York.     1828,  29.  **T.25.i8 

Critica  dramatica  y  musical,  y  biografias  de  autores,  compositores 
y  artistas.  Anales  del  teatro  y  de  la  musica.  Por  Jose  V.  Perez 
Martinez.    Afio  i.    1883/84.     Madrid.     1884.  **T.26.22 

Curtain,  The;  or,  English  entr'acte,  adapted  to  the  use  of  the  royal 
Italian  operas  and  all  the  principal  theatres.  No.  1-98,  100-149. 
[London.     1847.]     3  v.  **T.22.5 

CvNicK,  The.  [Weekly.]  Vol.  i  (no.  i,  2,  4-12).  Sept.  21,  28,  Oct. 
12- Dec.  12,  1811.     Philadelphia.     1812.  **T.28.20 

Deutscher  Biihnen-Almanach.  Jahrgang  38.  Herausgegcben  von  A. 
Entsch.     Berlin.     1874.     Portrait.  **T.29.6 

Drama,  The.  A  companion  to  the  theatre  and  concert  room.  No. 
1-7.     Oct.  lO-Nov.  21,  1846.     [London.     1846.]     Illus.     Portraits. 

**T.24.ii 

Drama,  The:  a  daily  register  of  histrionic  performances  on  the 
Dublin  stage;  and  critical  review  of  general  dramatic  literature. 
Vol.  I  (no.  1-42).  Oct.  23 -Dec.  10,  1821.  Dublin.  1821.  Por- 
traits. **T.26.49 

Drama,  The.  A  quarterly  review  of  dramatic  literature.  Editor. 
Theodore  Ballon  Hinckley.  Vol.  i-  Chicago.  191 1  to  date.  **T.i5.i7 

Drama,  The;  or,  theatrical  pocket  magazine.  [Monthly.]  Vol.  1-7, 
new  series  (vol.  i,  2).  London.  1821-26.  9  v.  in  6.  Portraits. 
Plates.  **T.29.4;etc. 

[604] 


BROWN   COLLECTION   OF  BOOKS   ON   THE   STAGE 


Periodicals.     (Continued.) 

Drama  League,  The,  of  America.  Bulletin.  [Published  irregularly.] 
No.  I,  3-32,  34,  35,  2,7,  38,  40,  40a,  41-62,  64-78.  August,  iqi  i  - 
January,  1917.     Boston.     1911-17.  **T.62.a 

Drama   League   Monthly.     Vol.   i,  2    (no.    1-3).     April,    1916- 

Sept.,   1917.     [Mount  Morris,  111.,  etc.l      1916,   17.  **T.25.34 

Dramatic  Almanack  for   1871,  by  J.  W.  Anson.     [London.     1R71?] 

**T.29.i5 

Dramatic  and  Musical  Review.  [Weekly.]  Vol.  1-4.  London. 
1842-45.     4  V.     Portrait.  **M. 167.7 

Dramatic  Censor:  or,  critical  and  biographical  illustration  of  thi- 
British  stage.  [Monthly.]  1811.  Involving  a  correct  register  of 
every  night's  performances  at  our  Metropolitan  theatres.  Edited 
by  J.  M.  Williams.     London.     [1812.]      Portrait.  **T.2s.ii 

Dramatic  Censor,  The:  or,  monthly  epitome  of  taste,  fashion  and 
manners.     By  Thomas  Dutton.    Vol.  1-4.     London.     1800,  01.    4  \. 

**T.26.3o;etc. 

Dramatic  Chronicle  and  Observer,  The.  [Weekly.]  Vol.  i  Cno. 
1-3)-     Jan.  4-18,   1870.      [London.     1870.]  **T.2S.i7 

Dramatic  Correspondent,  The,  and  amateur's  place  book.  [Weekly.] 
No.  13-21.     Oct.  18,  1828 -Jan.  31,  1829.     [London.     1828,  29.] 

**T.27.29 

Dramatic  Gazette,  The;  or,  w^eekly  record  of  the  stage,  music, 
public  exhibitions,  &c.  Vol.  i  (no.  1-12).  Oct.  9,  1830 -Jan.  i, 
1831.     [London.]     1830,  31.     Portrait.  **T.24.9 

Dramatic  Index,  The,  for  1909-17.    Boston.     1910-18.    9  v.    **T.65.47 

Dramatic  Magazine,  The,  embellished  with  numerous  engravings 
of  the  principal  performers.  [Monthly.]  Vol.  i,  2;  3  (no.  i). 
March  1829  -  Feb.  1831.     London.     1829-31.     3  v.  in  i.     Portraits. 

**T.26.29 

Dramatic  Mirror,  The;  containing  critical  remarks  upon  the 
theatrical  performances  of  every  night,  in  the  city  of  Boston, — 
with  bills  of  the  play.  No.  1-36.  Jan.  24  -  March  19,  1829.  [Bos- 
ton.]    1829.  **K.35.8 

Dramatic  Mirror,  The;  containing  critical  remarks  upon  the  theatrical 
performances  of  every  night,  in  the  city  of  Boston,  —  with  bills 
of  the  play.     No.   1-56.     Sept.  14- Dec.  8,  1829.     [Boston.]     1829. 

**T.25.2I 

Dramatic  Mirror,  The:  a  journal  of  theatrical  literature,  contributed 
by  members  of  the  dramatic  profession.  T.  C.  Faulkner,  editor. 
Monthly.  Vol.  i  (no.  i).  Oct.,  1866.  New  York.  [1866.]  Por- 
traits. **T.26.26 

Dramatic  Mirror,  and  literary  companion.  The.  [Weekly.]  De- 
voted to  the  stage  and  the  fine  arts.  Vol.  i,  2  (no.  i).  Edited 
by  James  Rees.     New  York.     1842.    2  v.  in  i.     Portraits.    **T.23.5 

Dramatic  Mirror,  The,  and  review  of  music  and  the  fine  arts. 
[Weekly.]     Apr.   14 -Dec.  9,   1847.      [London.      1847.]      Portraits. 

**T.24.6 

Dramatic  Mirror  Quarterly,  The.  Edited  by  Harrison  Grey  Fiske. 
Vol.  I  (no.  i).    June,  1890.    New  York.    1890.  **T.25.8 

Dramatic  Notes.  A  year-book  of  the  stage.  1879,  1880/81-84/85, 
89-92.     London.     1879-92.    8  v.  in  5.    Illus.     Portraits.      **T.26.38 

Dramatic  peerage,  The,  1891.  Personal  notes  and  professional 
sketches  of  the  actors  and  actresses  of  the  London  stage.  Com- 
piled by  Erskine  Reid  and  Herbert  Compton.     London.     [1801.] 

**T.28.6 

[605] 


THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 


Periodicals.     (Continued.) 

Dramatic  Register  for  1851-53.  London.  [1852-54.]  3  v.  in  i.  Illus. 
Plate.  '  **T.27.28 

Dramatic  Review,  The.  [\\'eekly.]  No.  1-8.  Mar.  15 -May  3, 
1848.     [London.     1848.]  **T.24.i2 

Dramatic  Review,  The.  [Weekly.]  Vol.  6,  no.  38;  7,  no.  4,  6.  May 
26,  October  6,  20,  1900.     Boston.     1900.     Illus.     Portraits.     Plates. 

**T.23.i8 

Dramatic  Spectator,  The.  Edited  by  Poz,  Quiz  &  Company.  No.  i- 
10.     July  29- September  30,    1837.     Edinburgh.     1837. 

No.  I  in  **G.382i.24 

Dramatic  Year,  The.  1887/S8.  Brief  criticisms  of  important  theatrical 
events  in  the  United  States.  With  a  sketch  of  the  season  in  Lon- 
don by  William  Archer.  Edited  by  Edward  Fuller.  London. 
1888.  **T.27.i9 

Dram.\tic  Year  Book,  The,  for  the  year  ending  December  31st,  1891. 
An  annual  chronicle  of  the  drama  in  Great  Britain,  France,  United 
States  of  America  and  Australasia,  and  stage  directory  for  the 
United  Kingdom.  Edited  by  Charles  S.  Cheltnam.  London. 
1892.     Portraits.  **T.25.23 

Dramatist,  The.  A  journal  of  dramatic  technology.  Edited  by 
Luther  B.  Anthony.  Quarterly.  Vol.  i-  Oct.,  1909  to  date. 
Easton,   Penna.     Portraits.  **T.26.8;etc. 

Dublin  Inquisitor,  The,  for  1821.  [Monthly.]  Vol.  i,  2.  London. 
1821.  **T.26.28 

Edinburgh  Dramatic  Review,  The.  [Daily.]  Vol.  1-9.  Oct.  7,  1822- 
July  6,   1824.     Edinburgh.      1822-24.     9  v.     Portrait.  **T.27.22 

Edinburgh  Theatrical  and  Musical  Review.  Published  weekly.  No. 
13-15,  16  (quarterly  supplement),  18-20,  23-29,  31,  33,  34.  [Edin- 
burgh.    1835.]     17  nos.  **T.98.77 

Edinburgh  Theatrical  Censor,  The.  [Weekly.]  No.  1-12.  [Edin- 
burgh.    1803.]  **T.28.8 

Edinburgh  Theatrical  Observer,  and  musical  review,  The.  [Daily.] 
Vol.  I.  July  15  to  Dec.  31,  1823.    Edinburgh.     1823.  **T.27.i2 

Encore  annual,  The.  1894.  Edited  by  Edward  Lawrance  and  Charles 
Douglas  Stuart.     London.     [1894.]     Portraits.  **T.93.i5 

Englische  Studien.  Organ  fiir  englische  Philologie.  Herausgegeben 
von  Johannes  Hoops.  Band  1-48.  Leipzig  [etc.].  1877-1915.  48 
v.  in  40.  *2487.62 

Entr'acte  Annual,  The.  1873,  74.  76,  78-99.  Compiled  by  W.  H. 
Combes.  Illustrated  by  Alfred  Bryan.  London.  1873-99.  25  v. 
in  8.     Illus.     Portraits.     Plates.  **T.25.5 

Era,  The.  [Weekly.]  Vol.  31  (no.  1571),  33  (no.  1 700-1 72o)-78,  80. 
Nov.  I,  1868;  April  22,  1871-Aug.,  1915;  Sept.,  1916-Aug..  1918. 
[London.]  1868-1918.  47  v.  and  unbound  parts.  Illus.  Por- 
traits. *N.i66o.i 

Era  Almanack  and  Annual.  The.  [London.  1868-1913.]  46  v.  in  15. 
Portraits.  **T.26.7 

£tat  actuel  de  la  musique  du  roi,  et  des  trois  spectacles  de  Paris. 
[1775.]     A  Paris.     1775-     Plate.  **T.29.i6 

FiGARO-Modes,  Les.  A  la  ville — au  theatre — arts  decoratifs.  Publica- 
tion mensuelle.  1901-06.  Paris.  1901-06.  6  v.  Illus.  Portraits. 
Plates.  *6ooo.28 

Footlights.  [Weekly.]  A  clean  paper  for  the  theatre  goer.  \'n\.  i 
(no.  20).    Oct.  5,  1895.     Philadelphia.     [1895.]     Illus.  **T.92.6 

[606] 


BROWN   COLLECTION    OF  BOOKS    ON    THE   STAGE 


Periodicals.     (Continued.) 

Freuxd's  Daily.  Vol.  i.  Nov.  25,  1882 -May  17,  1883.  New  York. 
1882,  83.  ♦♦M.15.2 

Freund's  Music  and  Drama.  Vol.  1-16.  November  10,  1883-Octobcr 
24,   1891.     New  York.     1883-91.     16  v.     Illus.     Portraits.     Plates. 

*404oa.2oi 

G.\LLERY  of  players.  [Quarterly.]  No.  1-9,  11.  From  The  Illus- 
trated American.     New  York.     i894[-97].     Portraits.  **T.52.9 

GESELL.SCHAFT  fijr  Theatcrgeschichte.  Kleine  Schriften.  Heft  i. 
Berlin.     1906.  •  *6907.ii 

Gl.^sgow  Dramatic  Review,  The,  containing  original  essays  on  sub- 
jects connected  with  the  drama  and  the  stage.  Also,  critical 
notices  of  the  performances  at  the  Glasgow  theatres.  [Fort- 
nightly.] No.  1-54.  Nov.  13,  1844 -July  8,  1846.  Glasgow.  1844- 
5-6.     Plate.  **T.26.i6 

Green  Room  Book.  The,  or,  Who's  who  on  the  stage.  New  York 
[&   London.      1906-09].     4  v.     Portraits.  **T.27.i5 

Harlequin.  The.  A  journal  of  the  drama.  [Weekly.]  Conducted 
by    [John   Timbs].     No.    1-9.     May   16 -July   11,    1829.     London. 

/  1829.     Illus.     Portrait.  **T.26.i8 

^■^Have  at  you  all.  or,  the  Drurj^-Lane  Journal.     [No.  i.    Jan.  16,  1752.] 

Continued  every  Thursday.     London.     1752.  **T.26.25 

Henry  Butler's  Theatrical  Directory  and  dramatic  almanack.  rSfo. 
Edited  by  John  A.  Heraud.    London,    i860.    Map.    **T.98.io9;  etc. 

Hub  Theatre  Bulletin.  Published  weekly.  Vol.  5.  1897/98.  Boston. 
1897,  98.    Plans.  **T.2i.2 

Iconoclast,  The.  (The  man  who  paj's.)  A  publication  with  the 
truth-habit.  [Weekly.]  Vol.  3  Cno.  6-8,  10);  5  (6);  6,  (5,  7.  8). 
July  8-22,  August  5,  1905,  Januarj'  6,  March  31,  April  14-21.  1906. 
Boston.     1905,  06.     8  parts.     Illus.    "Portraits.  **T.24.i5 

Idler,  The,  and  breakfast-table  companion;  a  new  and  fashionable 
journal  of  literature,  fine  arts,  satire  and  the  stage.  [Weekly.] 
Vol.  1-3.     London.    1837-39.    3  v.  in  2.    Plates.  **T.26.i2 

Illustrated  Rambler,  The,  and  dramatic  weekly.  Vol.  i  (no.  5-26); 
2  (1-3).  Feb.  22 -Aug.  30,  1879.  New  York.  1879.  2  v.  in  i. 
Illus.    Portraits.    Plates.  **T.22.4 

Illustrated  Review,  The.  A  weekly  journal  of  literature,  drama, 
music,  art.  Jan.  i-June  24,  1874.  New  series,  vol.  i.  London. 
1874.    Illus.    Portraits.    Plates.  **T.22,6 

Illustrated  Sporting  &  dramatic  news.  The.  A  high-class  weekly 
journal  of  sports,  art.  literature,  music  and  the  drama.  Vol.  i.  2. 
London.     1874.  75.     2  v.     Illus.     Portraits.     Plates.  **T.2i.3 

Same.    Vol.  17-35,  40-42.    1882-94.  *N.209o.i 

Illustre  theatral,  L'.  Paraissant  le  samedi.  Annee  i.  2  rno.  1-23). 
Nov.  21,  1896 -juin  26.  1897.  Paris.  1896,  97.  Illus.  Portraits. 
Plates.  **T.22.9 

Independance  musicale  et  dramatique.  Directeur:  Ernest  Thomas. 
Annee  i,  2  (no.  19).     Paris.     1887,  88.  **M.i35.i4 

Independent  Theatrical  Observer,  The.  [Daily.]  Vol.  10  (no.  33); 
II  (no.  2,  8).     [Dublin.     1822.]  **T.28.i5 

Indic.'Vteur  dramatique  ou  almanach  des  theatres  de  Paris,  contenant 
les  noms  et  demeures  des  administrateurs,  artistes,  musiciens,  etc. 
L'analyse  des  pieces  nouvelles  et  les  debuts  qui  ont  eu  lieu 
pendant  I'an  vi  [1797/98].     A  Paris.     An  vii  [1798?]-        **T.29.i3 

[607] 


THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 

Periodicals.     (Continued.) 

IxDicATEUR  general,  L',  des  spectacles  de  Paris,  des  departemens  de 

la  France  et  des  principales  villes  etrangeres.     Par  A***  et  D***. 

Annee  3.    Paris.     1821/22.  **T.28.i 

Jahrbuch  fiir  das  deutsche  Theater.     Von  Joseph  Kiirschner.     Jahr- 

gang  2.     1S78/79.     Leipzig.     1880.  **T.25.io 

JoANNiDEs,  A.     La  Comedic-frangaise,  1901-14.     Paris.     1902-15.     14  v. 

*467i.84;  etc. 
Lincoln   Dramatic    Censor.   The.      No.    i.     Oct.   21,    1809.      Lincoln. 
1809.  No.  10  in  **G.3824.6 

Literary  Expose,  The,  and  fashionable  proteus.  A  new  scries,  con- 
tinued from  No.  6,  of  The  Literary  Humbug;  or,  weekly  take-in. 
No.    1-13.      May    14- Sept.    10,    1823.      London.      1823.      Illus. 

**T.26.32 

Literary   Magnet,  The;   or,  monthly  journal   of  the   belles   lettres, 

from  January  to 'July,  1828.     New  series.     London.     1828.     Plates. 

**T.96.3i 
Liverpool  Dramatic  Censor,  The,  or  theatrical  recorder;  containing 
strictures    on    actors,    and    a    critical    analysis    of    every    popular 
dramatic  composition  represented  at  the  Theatre  Royal.     Vol.   i. 
Liverpool.     1806.     Plates.  **T.29.7 

Liverpool  Theatrical  Investigator,  The,  and  review  of  amusements. 
Vol.  I  (no.  3-5.  7-15,  18,  21,  24-28,  30-79,  103,  104,  126);  2  (i-2G, 
22-26).     May  31,  1821-N0V.  23,  1822.     [Liverpool.]     1821,  22. 

**T.27.5 
London  Sketch-Book,  The.     [Monthly.]     Vol.  i,  2.     Jan.  1874 -June 
1875.     London.     1874,  75.     Illus.     Portraits.    Plates.  **T.25.i3 

Looking  Glass,  The;  or,  daily  theatrical  mirror.  No.  2,  3.  Aug.  16, 
17,   1832.     [Liverpool.     1832.]  **T. 26.44 

Lorgnette,  La.  Revue  des'theatres,  courrier  des  salons,  journal  des 
artistes.  [Deux  fois  par  semaine.]  Vol.  i  (no.  1-28).  12  decem- 
bre,  1841  -  17  mars,  1842.  Nouvelle-Orleans.  1841,  42.  **T.23.3 
Lyon  theatre.  Journal  paraissant  tous  les  dimanches.  Litterature — 
beaux-arts  —  musique  —  biographies  —  nouvelles.  Annee  2.  1874. 
Lyon.     1874.     Portraits.  **T.2i.8 

Lyre,   The;   a   musical   and   theatrical    register.      [Edited   by   J.   W. 
Hudson.]     Vol.  i,  2.     [London.]     1841.    2  v.    Portraits.    **M.i22.2i 
J  Macaroni,  Scavoir  vivre,  and  theatrical  magazine,  The.     Oct.  1772- 
Dec,  1773.     London.     1772.     Portraits.     Plates.  **T.26.52 

Man,  The,  in  the  Moon.  [Weekly.]  Consisting  of  essays  and 
critiques  on  the  politics,  morals,  manners,  drama,  &c.  of  the 
present  day.  No.  1-24.  Nov.  12,  1803 -Jan.  28,  1804.  London. 
1804.  **T.26.io 

Manchester  Dramatic  and  Musical  Review,  The.  [Weekly.]  No.  i, 
2,  4-12,  12  (supplement),  13-16,  16  (supplement),  17-28,  28  (sup- 
plement), 29-43.  Nov.  14,  1846 -Sept.  4,  1847.  [Manchester.] 
1846,  47.  **T.26.39 

Mask,  The:  a  humorous  and  fantastic  review  of  the  month.  Edited 
by  Alfred  Thompson  and  Leopold  Lewis.  Vol.  i.  Feb.-Dec, 
1868.     London.     1868.     vi,  375  pp.     Illus.     Portraits.     Plates. 

**T.24.5 

Mask,   The:   a   quarterly   journal   of   the   art   of   the   theatre.      Vol.   6 

(no.  I).     Florence,  Italy.     1913.     Illus.     Plates.  **T.25.3i 

MEMORIAL   dramatique,    ou    almanach    theatral    pour    I'an    i8(, 7-1818. 

Annee   1-12.     Paris.      |i8o7-]i8i8.      12  v.   in   7.     Portraits. 

**G.3578.i;  etc. 
[608] 


BROWN   COLLECTION   OF  BOOKS   ON   THE   STAGE 


Periodicals.     (Continued.) 

Milan,  Italy.  Theatres.  Teatro  della  Scala.  I.  R.  Tcatro  alia  Scala. 
Almanacco.  1826.  Milano.  [1825.]  Colored  plates.  Colored 
portraits.  **T.29.24 

Mirror,  The,  of  Literature,  amusement,  and  instruction:  coiU;iiiiiii^; 
original  essays,  anecdotes,  &c.  [Weekly.]  Vol.  i-io  and  odd 
numbers.     1822-1837.     London.     1824-37.     11  v.     Illus.     Portraits. 

**T.26.i 

Mirror,  The,  of  Taste,  and  dramatic  censor.  Vol.  1-4.  [Monthly.] 
Philadelphia.     1810,  11.     4  v.     Portraits.     Plates.        **T.26.34;  etc. 

Mirror,  The,  of  the  Stage,  and  New  theatrical  inquisitor.  [Fort- 
nightly.] Vol.  3  (no.  2-12);  4  (no.  20).  Aug.  25,  1823 -Jan.  5, 
July  5,  1824.     London.     [1823,  24.]     Colored  portrait.       **T.26.56 

Molieriste,  Le.  Revue  mensuelle.  Publiee  par  Georges  Monval. 
Annee  i-io.  Paris.  1879-89.  10  v.  Illus.  Portrait.  Plates. 
Plan.  **T.26.6 

Monde  dramatique,  Le,  histoire  des  theatres  anciens.  Rovuc  des 
spectacles  modernes.  [Hebdomadaire.]  Tome  1-7.  Paris.  1835- 
38.     7  V.     Illus.     Portraits.     Plates.  **T.2S.i5 

Monthly  Mirror,  The:  reflecting  men  and  manners.  With  strictures 
on  their  epitome,  the  stage.  Vol.  1-22;  new  series,  1-8.  London. 
[1795-I1810.     30  V.     Portraits.     Plates.  **T.26.3 

Moving  Picture  World.  The  organ  of  the  photo  play  and  allied 
interests.  Vol.  8  (no.  i);  vol.  24-.  January  7,  191 1;  .\pril,  1916 
to  date.     New  York.  *407i.247 

Music  and  Drama.  A  review  of  the  stage,  art,  literature  and 
society.  [Weekly.]  Vol.  1-7  (no.  1-12,  16-20).  Jan.  7.  1882- 
Sept.  22,  Nov.  3 -Dec.  i,  1883.  New  York.  1882,  83.  7  v.  in  3. 
Illus.     Portraits.     Plates.  *404oa.2oo 

Musical  &  Dramatic  Review,  The.  [Weekly.]  No.  1-14.  Mar.  5- 
June  4,  1864.     [London.]     1864.  **T.24.3 

New  Evening  Theatrical  Observer;  with  bills  of  the  play.  [Daily.] 
No.  10.    Jan.  I,  1830.     [London.]     1830.  **T.25.28 

New  York  Amusement  Gazette.  [Weekly.]  Dramatic,  musical, 
athletic,  social,  literary.  Vol.  1-12;  13  (no.  i,  33-39,  41-52);  14, 
15,  16  (i,  19-25);  17  (i-io);  18  (i).  New  York.  1885-91.  18  v. 
in  4.     Portraits.     Plans.  **T.23.i3 

New  York  Clipper.  [Weekly.]  The  oldest  American  sporting  and 
theatrical  journal.  Vol.  30  (no.  35) -31  (no.  36).  November  18, 
1882 -November  24,  1883.  New  York.  1882,  83.  2  v.  Illus. 
Portraits.  *N.i4T)9.6 

New  York  Clipper  Annual  for  1875-99,  1901.  Containing  theatrical, 
musical,  and  sporting  chronologies,  aquatic  and  athletic  perform- 
ances, etc.    New  York.     1874-1901.    7  v.    Illus.     Portraits.     Plates. 

*8oo7.ii 

New  York  Dramatic  Mirror,  The.  [Weekly.]  Vol.  62-.  July,  1909 
to  date.     New  York.     Illus.     Portraits.  **T.22.2 

New  York  Dramatic  News.  [Vv'eekly.]  Vol.  12;  13;  15  (no.  4-26); 
16-21;  22  (no.  2-26);  23;  24  (no.  1-24);  25;  26;  29  (no.  i-n,  13- 
22);  30  (no.  6-17,  19-27,  29,  30);  33  (no.  2-4,  6-10,  12,  14-26);  34 
(no.  1-4).  Mar.  26,  i88i-Dec.  26,  1891.  New  York.  1881-Q1. 
18  V.  in  10.     Illus.     Portraits.  *^T.2i.i 

Nolan's  Theatrical  Observer.  [Daily.]  Jan  26,  1822 -Jan.  jS,  1823. 
[Dublin.     1822,  23.]     8  v.  in  i.     Portraits.  **T.28.i7 

[609] 
39 


THE  PUBLIC  LIBRARY   OF   THE    CITY   OF  BOSTON 

Periodicals.     (Continued.) 

Observateur,  L',  des  spectacles,  ou  anecdotes  theatrales.  [Bimen- 
suel.]  Tome  i,  2,  3  (no.  13).  Ouvrage  periodique  par  M.  de 
Chevrier.     A  La  Haye.     1762.     2  v.     Plates.  **T.28.2i 

Same.   Suite  de  I'Observateur  des  spectacles.    [Hebdomadaire.l 

Annee    1763.     No.    1-13.     Jan.  4 -mars   29,    1763.     A   Amsterdam. 

1764.  **T.28.22 

Opera  Box,  The.  [Programmes,  plots  and  criticisms  of  operas 
produced  at  Her  Majesty's  theatre.  Usually  published  three 
times  a  week.     London.]      1849-51.     218  nos.  in  3  v.     Plan. 

**M.4i9.28 

Opera  Glass,  The.     A  musical  and  dramatic  magazine.     [Monthly.] 

Vol.  1-5.     Boston.     1894-98.     5  V.  in  3.     Illus.     Portraits.     Plates. 

**T.25.9 

Opera  Glass,  The;  a  series  of  criticisms  on  the  performances  of  the 

Glasgow   stage.      [Weekly.]      No.    1-27  and   Appendix.     Dec.    19, 

1829 -June  5,  1830.     Glasgow.     1830.  **T.28.9 

Opera-Glass,  The:  a  weekly  musical  and  theatrical  miscellany.     Vol. 

I   (no.  1-26,  28,  29);  2   (no.   1-25).     Apr.   10,   1840 -Apr.    16,   1841. 

Edinburgh.     1840,  41.  **T.25.29 

Opera  Glass,  The,  for  peeping  into  the  microcosm  of  the  fine  arts, 

and  more  especially  of  the  drama.     [Weekly.]     No.  1-26.     Oct.  2, 

1826 -Mar.  24,   1827.     [London.]      1826,  27.  **T.24.4 

Opinion,   L',   du  parterre,   ou   revue   de   tous   les   theatres   de   Paris. 

Annee  2,  4,  10.     An  xiii  [1805],  1807,  1813.     Paris.     [i8o5-]i3.     3  v. 

**M.i09b.6 

Original   Theatrical    Observer,    The.      [Daily.]      A])r.    18 -Aug.    13, 

1822.      [Dublin.      1822.]      3  V.   in   i.  **T.28.i6 

Owl,  The.     [Weekly.]     No.  1-24.     Apr.  9- Oct.  29,  1831.     [London.] 

1831.     Portraits,    mostly   colored.  **T.26.63 

Oxberry's  Dramatic  biography,   or  the  green-room   spy.     Vol.    1-6. 

New  series,  vol.  i,  2.     London.     1825-27.     8  v.  in  7.     Portraits. 

**T.59.54;  etc. 

Oxberry's  Theatrical   Inquisitor,  or  monthly  mirror  of  the  drama. 

London.      1828.     Portrait.     Plate.  **T.29.ii 

Paris-portrait.      Collection    de    Paris-portrait:    ancien    Paris-theatre. 

[Hebdomadaire.]      Publication    litteraire    et    artistique    contenant 

les    portrait    &    les    biographies    des    celebrites    contemporaines. 

Annee  1-7.     Paris.     1873-80.     7  v.  in  4.     Portraits.  **T.2i.5 

Parterre,   The,   of   fiction,   poetry,   history,   and   general    literature. 

[Weekly.]     No.  133-140.     Jan.  7  -  Feb.  25,  1837.     [London.     1837.] 

Illus.  **T.26.4i 

Pic  Nic,  The.    Vol.  i,  2.     [Jan.  8 -Apr.  9,  1803.]     London.     1803.     2  v. 

**T.28.7 

Players,  The:  a  dramatic,  musical  and  literary  journal.     Vol.  i;  2;  3 

(no.  54-78);  4  (no.  80-82).    Jan.  2,  i860 -July  20,  1861.     [London.] 

i860,  61.    4  V.  in  I.     Portraits.  **T,22.7 

Playgoer,  The.     [Monthly.]     No.  11-20,  27,  28.     Aug.  15,  1902- Mar. 

1904.    London.     1902-04.     12  nos.  in  i  v.     Illus.     Portraits.     Plates. 

Plans.  **T.25.i2 

Playgoers'  Magazine,  The.    A  monthly  magazine  for  all  players  and 

playgoers.     Edited  by  Paul  Vedder.     Vol.   i    (no.   i-[3]).     [Jan.- 

Mar.  1888.1    London.    [1888.]    Illus.    Portraits.    Plates.'  **T.96.274 

Playgoers'  Pocket-Book,  The.     The  dramatic  year,   1886,  87.     With 

descriptions   and   illustrations   of  all   the   new   plays   of   the   year; 

[610] 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 


Periodicals.     (Continued.) 

copies  of  many  of  the  play-bills,  and  'a  complete  record  of 
dramatic  events.  By  Paul  Vedder.  London.  [1887,  88.]  2  v. 
in   I.     Illus.     Portraits.     Plates.  **T.28.i2;  etc. 

Playgoers'  Year-Book,  The,  for  1888.  Story  of  the  staj?e  the  past 
year,  with  especial  reference  to  Boston.  By  Charles  E.  L.  Win- 
gate.     Boston,  Mass.     [1888.]     Illus.     Portraits     Plates.    **T.25.24 

Premieres,  Les,  illustrees.  Notes  et  croquis.  Saison  thcfitralc 
1881/82-83/84,85/86-87/88.  [Annee  1-3,  5-7.]  Paris.  [  i8Sj-88.1 
6  V.     Illus.     Portraits.     Plates.  **T.23,i4 

Prompter,  The;  a  weekly  miscellany,  devoted  to  public  amusements. 
[June  I,  1850 -Aug.  5,  1850.]  Edited  by  Cornelius  Mathews. 
[New  York.]     1850.     Portraits.  **T.27.35;  etc. 

Prompter,  The,  and  Scottish  dramatic  review.  Vol.  i;  2  (no.  i). 
Nov.  12,  184? -May  20,  1843.     Edinburgh.     1842,43.  **T.27.25 

Prompter,  The;  or,  theatrical  investigator.  [Weekly.]  No.  [i-jiQ. 
Manchester.      [1815,    16.]  **T.28.io 

Prompter's  whistle.  The.  A  weekly  miscellany,  devoted  to  public 
amusements.  Edited  by  the  man  behind  the  curtain  [Cornelius 
Mathews].  Aug.  31,  1850 -Sept.  28.  1850.  [New  York.]  1850. 
Portraits.  **T.27.36;  etc. 

Psyche,  The.  A  magazine  of  belles  lettres,  the  drama,  poetry, 
music,  and  the  fine  arts.  Monthly.  No.  4.  May,  1840.  London. 
1840.    Colored  portrait.  _  **T.97.i88 

Ramblers'  Magazine.  The,  and  New- York  theatrical  register.  1800/ 
10.    Vol.  I.     New- York.     [1810.]     Portrait.  **T.28.i9 

Rampe  illustree,  La.  [Hebdomadaire.]  Annee  i  (no.  i-g).  Jan.- 
mars  1890.     Paris.     1890.     Portraits.     Plates.     Plans.  **T.25.2o 

Recueil  d'anecdotes  &  curiosites  de  toutes  sortes  sur  la  litterature, 
le  theatre,  la  galanterie,  etc.     Paris.     1871.  **T.96.348 

Revue  d'art  dramatique.  [Semi-monthly.]  Tome  1-16,  29-32.  t886- 
89,  93.     Paris.     1886-93.     20  V.  **T.25.4 

Revue  des  livres  et  du  theatre.  Annee  13,  no  311,  313-315,  317. 
Directeur:  H.  Le  Soudier.     Paris.     1893,  94-  *722i.5i 

Revue  generale  des  theatres  de  Londres  et  de  Paris,  ou  journal 
historique,  critique,  et  litteraire,  des  pieces  les  plus  remarquables, 
representees  sur  les  differens  theatres  des  deux  capitales.  [Bimen- 
suelle.]     Annee  1819.     [No.  1-6.]     Londres.     1819.  **T.26.3i 

Roscius,  The,  consisting  of  original  memoirs  of  the  principal  actors 
and  actresses;  strictures  on  the  drama,  and  its  interests;  original 
essays,  green-room  gossips,  anecdotes,  &c.  [Vol.  i  (no.  1-5,  7). 
Jan.  4 -Aug.  9,  1825.]     London.     [1825.]     Portraits.  **T.27.26 

Saturday  Programme,  The,  and  sketch-book.  [Weekly.]  (With 
which  is  incorporated  the  Figaro-Programme.)  Vol.  1-5.  1874- 
76.    London.     1874-76.    5  v.    Illus.     Portraits.     Plates.      **T.25.i4 

Scene,  La.  Revue  des  succes  dramatiques.  Vol.  i  (no.  1-19,  21-24). 
Redacteur:    E.    Grand.      Paris.      1877-81.     Illus.      Colored    plates. 

**T.22.8 

Scene  Shifter,  The,  or  dramatic  indicator  and  panorama  of  life  as 
it  is.  [Weekly.]  Vol.  i  (no.  1-3).  Nov.  27 -Dec.  11,  1848. 
[London.]      1848.     Illus.     Portraits.  **T.23.9 

Scrap  Book.  [Weekly.]  New  series,  no.  1-4.  Apr.  23 -May  14, 
1831.     [London.]     1831.    Illus.  **T.26.43 

Season,  The.  [Weekly.]  An  independent  critical  journal.  Vol.  i,  2 
(no.  1-13).  Oct.  8,  1870 -Apr.  i,  1871.  New  York.  1S70.  71- 
Illus.     Portraits.  **T.2i.9 

[611] 


THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 


Periodicals.     (Continued.) 

SociETE  de  I'histoire'du  theatre.     Bulletin.     No.  i-8.     1902,  03.     Paris. 
1902,  03.    4  V.    Illus.     Portraits.     Plates.    Maps.     Plans.      **T.24.2 
Soirees  parisiennes,  Les,  de   [1874,]    1876-84.     Par  Un  monsieur  de 
I'orchestre   (Arnold  Mortier).     Paris.     1875-85.     10  v.     Plates. 

**T.27.2 

Spectateur,  Le.  Revue  theatrale,  litteraire  et  artistique.  [Heb- 
domadaire.]  Redacteur  en  chef:  Jules  de  Clerville.  No.  1-15. 
Dec.  2,  1875 -mars  9,  1876.    Paris.     1875,  76.  **T.27.7 

Sporting  Pilot,  The,  and  the  Age,  theatrical,  musical,  and  sporting. 
[Weekly.]  Vol.  [i,]  2  (no.  23-27).  Apr.  2  -  Oct.  i,  1864.  [Lon- 
don.    1864.]     Illus.     Portraits.  **T.2i.4 

Squib,  The:  a  granulation  of  wit,  satire,  and  amusement.  [Weekly.] 
No.   1-29.     June  4 -December   10,   1842.     London.     1842.     Illus. 

**T.21.II 

Squib,  The;  being  a  satire  on  passing  events  i!i  Lancashire. 
[Weekly.]     No.  26,  27.    Jan.  26,  Feb.  2,  1833.     [Manchester.     1833.] 

**T.26.6o 

Stage,  The.  Edited  by  Roland  Burke  Hennessy.  [Weekly.]  Vol. 
II,  no.  I.  December  24,  1904.  [New  York.]  1904.  Illus.  Por- 
traits. **T.23.i7 

Stage,  The:  a  weekly  magazine  of  generalities,  and  a  special  guide 
to  the  sights  of  London.     1-14.     London.     1849.  **T.24.i3 

Stage,  The;  or  theatrical  inquisitor.  [Monthly?  London.  1828?] 
Portrait.     Plate.  **T.29.9;  etc. 

Stage  Year  Book,  The.  1908-11,  13-17.  Edited  by  Lionel  Carson. 
London.     1908-17.    9  v.     Illus.     Portraits.     Plates.  **T.26.9 

Stage- Manager,  The;  a  weekly  journal  of  music  and  the  drama.  Vol. 
I  (no.  1-4,  6-20);  New  series  (no.  4,  5,  7-9,  11,  12).  [London.] 
1849.    2  V.  in  I.    Illus.     Portraits.  **T.23.6 

Stratford  Theatrical  Review,  and  stage  reporter.  No.  i.  Dec.  10, 
1827.     [Stratford.]      1827.  No.  2  in  **G.382i.24 

Surrey  Dramatic  Spectator,  The:  or,  critical  remarks  on  the  daily 
performances,  with  the  bills  of  the  play.  Vol.  i  (no.  79).  Jan, 
30,  1828.     [London.]     1828.  **T.26.i7 

Tableau,  Le,  des  theatres,  almanach  nouveau.  Pour  I'annec  1750. 
A  Paris.     1750.  No.  i  in  **G.3568.i.i 

Tatler,  The,  a  miscellany  of  literature,  fine  arts,  music,  and 
theatricals.  Edited  by  R.  Seton.  [Tri-weekly.]  New  series, 
no.    1-56,  58,  59.     April  2 -October  6,   1832.     London.     1833. 

**T.25.30 

Theatre,  The.  A  monthly  review  and  magazine.  July  1877  -  Dec. 
1897.    London.     1877-1897.    41  v.    Illus.    Portraits.    Plates.    Plans. 

**T.25.i 

Theatre,  The.  [Monthly.]  Vol.  i-  New  York.  1901  to  date. 
Illus.     Portraits.     Plates.  **T.22.i 

Theatre,  The.  [Semi-monthly.]  Vol.  i.  Dec.  i,  1851-May  15, 
1852.     Edinburgh.     185 1,  52.  **T.27.32 

Theatre,  The.  [Weekly.]  Vol.  i  (no.  1-4).  Oct.  4-25,  1828.  [Lon- 
don.]     1828.  **T.26.46 

Theatre,  The.  [Weekly.]  An  illustrated  magazine  of  drama,  music, 
art.  Deshler  Welch,  editor.  Vol.  1-6;  7  (no.  1-18).  Mar.  20, 
1886- Mar.  2,  1801.  New  York.  1886-90.  7  v.  Illus.  Portraits. 
Plates.    Plans.    Music.  **T25.2;etc. 

[612] 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 


Periodicals.     (Continued.) 

Theatre,  The;  or,  dramatic  and  literary  mirror.     [Fortnightly.]     Vol. 
I    (no.   1-14);   2    (no.    I    [i.   e.    i5]-23).     Feb.   20 -Oct.   30,    1819! 
^    London.    1819.    2  v.  in  i.    Colored  portraits.  **T.26.53;  etc. 

.^Theatre,  The,  by  Sir  Richard  Steele.  [No.  1-28,  January  2 -April  5, 
1720.]  To  which  are  added,  the  Anti-Theatre;  The  character  of 
Sir  John  Edgar;  &c.  Illustrated  with  literary  and  historical 
anecdotes  by  John   Nichols.      London.      1791.     Portrait. 

**T.26.23;etc. 
Theatre.   Le.     Revue   bi-mensuelle.     No.    1-4.     Decembre   1,   1874- 
janvier   15,   1875.     Paris.     1874,  75-     lUus.     Portrait.     Plates. 

♦*T.23.8 
Theatre,    Le.      Revue    bimensuelle    illustree.      Annee    1-17.      Paris. 
[1898-1914.]      17  V.  in  29.     Illus.     Portraits.     Plates.     Music. 

**T.22.3 

Theatre  Annual,  The.     Edited  by  Clement  Scott.     London.     1884-88. 

5  V.  in   I.     Portraits.  **T.25.3 

Theatre  Arts    Magazine.      [Quarterly.]      Vol.    i-      November,    1916 

to  date.     [Detroit.]      Plates.  **T.25.35 

Theatrical  Censor,  The.     [Semi-weekly.]     No.  1-17.     Dec.  9,   1805  - 

Mar.  3.  1806.     [Philadelphia.    1805,06.]     Plate.  **T.26.58 

Theatrical  Censor,  The.      [Weekly.]      No.   1-6.     May  24 -June   28, 

1828.     [Manchester.     1828.]  **T.98.66 

Theatrical  Censor,  The,  and  musical   review.     No.   1-28.     Oct.    i  - 

Nov.  29,  1828.     Philadelphia.     1828.  '  **T.25.22 

Theatrical  Chronicle,  and  dramatic  review;  with  notes  of  London 

life.     [Weekly.]     Vol.  [i]   (no.  [i-]2o);  2  (i-io);  3  (g,  19-21,  23- 

25,  34,  36);  5  (2-6,  9-13)-     London.     1841-48.    4  v.  in  2.     Portraits. 

**T.23.7 
'Theatrical   Critique.      [Nov.    7,   Dec.    10,    1829.     Newcastle.      1829.] 

**T.26.47 
Theatrical  Examiner,  The,  for  Sheffield.     [Weekly.]     Vol.  i.     Oct. 

28,  1824 -Jan.  24,   1825.     Sheffield.     1825.  **T.27.24;  etc. 

Theatrical   Examiner,   The:   or,  critical  remarks  on   the  daily  per- 
formances, with  the  bills  of  the  play.     Vol.  6  (no.  294);  7  (3,  17, 

22,  56,   131,   156,   187);  8    (70,   128,   172).      [London.]      1828-30. 

**T.26.ii 
Theatrical  Guardian,  The.     Mar.  5 -Apr.  9,  1791.     No.  1-6.     (To  be 

continued  weekly.)     London.     1791.  **T.24.7 

Theatrical    Inquisitor,    The.      [Monthly.]      April,    1818.      London. 

1818.  **T.26.54 

Same.    Jan.-June,  1820.  **K.34.io 

Theatrical  Inquisitor,  The,  and  monthly  mirror.     Vol.  1-4.     [Sept. 

1812-June,  1814.].    London.     1812-14.    4  v.     Portraits.      **T.26.36 
Theatrical  John    Bull,  The.     [WeekJy.     Vol.   i.     May  29 -Oct.   16. 

I&24.     Birmingham.]     1825.  **T.28.4 

Theatrical  Journal,  The.     [Weekly.]     Vol.  3  (no.  107,  116,  117);  4 

(171-192,  195-204,  206-211);  5   (212-220.  222-232,  246-253,  256-259, 

261-263);  20-28.     [London.     1842-67.]     12  v.  in  5.  **T,25.i6 

Theatrical    Looker-On,    The.      [Weekly.]      Vol.    i     (no.    2-25);    2. 

Birmingham.     1822,  23.     2  v.     Plate.  **T.28.i3;  etc. 

Theatrical   Mince    Pie,   The,    entirely   original.     Vol.    i    (no.    1-8). 

Jan.   I  -  Feb.   19,  1825.     London.     1825.  **T.28.3 

Theatrical  Mirror,  The;  or,  daily  bills  of  the  performances.     Vol. 

I    (no.    1-36).     Oct.    I -Nov.    10,    1827.      [London.     1827.]      Illus. 

Portraits.  **T.26.57 

[613] 


/ 


THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 


Periodicals.     (Continued.) 

Theatrical  Observer,  The.     [Daily.]     Vol.  1-4.     Dublin.     1821.    4  v. 

**T.28.i4 

Theatrical  Observer,  The:  and  daily  bills  of  the  play.  Nov.  3,  1821- 
June  30,  1876.     [Incomplete.    London.]     1821-76.     53  v.        **T.26.2 

Theatrical  Programme,  The,  and  Entr'acte.  [Weekly.]  No.  1-8. 
June  4- July  23,  1849.     [London.]     1849.  **T.26.24 

Theatrical  Recorder,  The:  by  Thomas  Holcroft.  Vol.  i,  2.  Lon- 
don.    1805,  06.     Portraits.     Plates.  **T,26.5i 

Theatrical  Repertory,  The;  or,  weekly  Rosciad.  No.  1-26.  Sept. 
19,  1801  -  Mar.  29,  1802.     [London.]     1801,  02.  **T.26.66 

Theatrical  Review,  The.  Jan. -Mar.  1807.  [Monthly.  London.] 
1807.  **T.26.33 

Theatrical  Rod,  The!  A  weekly  journal  of  the  stage,  literature, 
and  general  amusement.     No.  1-3.     [London.     1831.]  **T.26.59 

Theatrical  Tattler,  The.  Vol.  i,  no.  3.  May  i,  1830.  Birmingham. 
1830.  No.  4  in  **G.3942.i5 ;  etc. 

Theatrical  Times,  The.  A  weekly  magazine  of  Provincial,  Con- 
tinental, American,  Metropolitan  theatricals.  Vol.  1-3.  June  13, 
1846- Dec.  30,  1848.     London.     1847,48.     3  v.     Portraits.     **T.25.6 

Thespian,  The.  Vol.  i  (no.  3,  15,  60).  Aug.  3,  15;  Oct.  11,  1821. 
[Liverpool.]     1821.  **T.98.55 

Thespian,  The.     Vol.   i    (no.  2).     Jan.    13,    1823.     Bristol.      1823. 

**T.26.45 

Thespi.\.n,  The,  and  dramatic  record:  a  journal  especially  designed 
to  promote  the  interests  of  the  British  stage.  [Weekly.]  No. 
1-15.     Apr.   29 -Aug.    5,    1857.      [London.      1857.]      Portraits. 

y  **T.24,I4 

Thespian  Magazine,  The,  and  literary  repository.  [Monthly.]  Vol. 
1-3.  June  1792 -Sept.  1794.  London.  1793,  94.  3  v.  Portraits. 
Plates.  **T.26.35;etc. 

Thespian  Monitor,  The,  and  dramatick  miscellany.  Vol.  i  (no. 
1-4).  Nov.  25  -  Dec.  16,  1809.  By  Barnaby  Bangbar  [pseud.]. 
Philadelphia.     1809.  **T.28.i8 

Thespian  Oracle,  or  monthly  mirror,  consisting  of  original  pieces 
and  selections  from  performances  of  merit,  relating  chiefly  to 
the  most  admired  dramatic  compositions,  and  interspersed  with 
theatrical  anecdotes.  Vol.  i  (no.  i).  [Jan.  1798.]  Philadelphia. 
1798.     Portrait.  **T.26.62 

Thespian  Sentinel,  The;  or,  theatrical  vade-mecum.  [Daily.]  Vol. 
I,  2,  3  (no.  1-40).    Sept.  26,  1825  -  Mar.  3,  1826.    London.    1825,  26. 

**T.27.9 

Touchstone;  or,  the  new  era.  [Weekly.]  Vol.  i,  2.  [London.  1877, 
78.]     2  V.     Plates.  **T.2i.7 

Townsman,  The.  No.  1-24;  (to  be  continued  occasionally).  Ad- 
dressed to  the  inhabitants  of  Manchester,  on  theatricals.  Man- 
chester.    [1803-05.]  **T.26.65;  etc. 

Under  the  Clock.  A  weekly  journal  for  playgoers.  No.  1-40,  46, 
49.     Jan.   30,    1884 -Jan.   3,    1885.     London.      1884,   85.      Portraits. 

**T.23.3 

Union  Pilot,  The,  and  co-operative  intelligencer.  Vol.  i  (no.  2). 
Jan.  21,   1832.     [Manchester.]      1832.  **T.26.48 

Universal  musical  and  dramatic  directory.  1913.  The  English 
edition  of  the  Annuaire  des  artistes.  English  section  giving  all 
particulars  of  the   music  and  dramatic   trades  and   professions   in 


/. 


[6141 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 


4 


Periodicals.     (Continued.) 

Gt.  Rritain  and  Ireland.     London.     1913.    Ulus.     Portraits.     Plates 

Plans.  *404i.99 

Variety.      [Weekly.]  •    Vol.    33-.      Dec.    1913    to    date.      New    York. 

Portraits.  **T.22.io 

Weekly  Dramatic  Register,  The:  a  concise  history  of  the  London 

stage  for  1825-27.     Compiled  from  The  Theatrical  Observer.    Vol. 

1-3.     London.     1825-27.     3  v.  **T.26.is;  etc. 

Weekly  Review,  The,  and  dramatic  critic.     Vol.   1-3.     Edinburgh. 

1852,  53-  **T.27.6 

Weekly   Theatrical   Reporter,  The,  and   Music   Hall   review.     No. 

1-14.    Dec.  14,  1867 -Mar.  14,  1868.     [London.]     1867,68.    **T.23.io 
Perrault,  Charles. 

Jean-Baptiste  Poquelin  de  Moliere.     {In  Poulet-Malassis,  Paul  E.  A., 

editor.  Moliere  juge  par  ses  contemporains.  Pp.  139-148.  Paris.  1877.) 

Another  copy  is  on  shelf-number  '46493. 55.  **T.S9.I'^ 

Perrie,  George  W. 

Buckskin  Mose  [pseud.] ;  or,  life  from  the  Lakes  to  the  Pacific,  as 
actor,  circus-rider,  detective,  ranger,  gold-digger,  Indian  scout 
and  guide.  Written  by  himself.  Edited,  and  with  illustrations 
by  C.  G.  Rosenberg.    New  York.     Hinton.     1873.     285  pp.     Plates. 

*2349a.i49 
Perrin,  Emile  Cesar  Victor. 

Etude  sur  la  mise  en  scene.     Lettre  a  M.  Francisque  Sarcey.     Paris. 

Quantin.     1883.     88  pp.  **T.9S.59 

Toast  porte  dans  le  banquet  d'adieux  offert  a  M.   Regnier  par   les 

societaires  de  la  Comedie-frangaise,  le   14  octobre.     1875.     Paris. 

Claye.     1875.    15,  (i)  pp.  **T.97.i28 

Perrin,  Emile  Cesar  Victor.     Works  about. 

Tregoff,  C.  de.  M.  fimile  Perrin,  administrateur  general  de  la 
Comedie-frangaise,  membre  du  Conseil  municipal  de  la  ville  de 
Paris.     Paris.     1873.  **T.9S.io8 

Perrinet  d'Orval,  Jean  Charles. 

Essay  sur  les  feux  d'artifice  pour  le  spectacle  et  pour  la  guerre.     A 
Paris,  chez  Coustelier.    1745.    xij,  (4),  224  pp.     13  plates.    **T.97.2o 
Perrodil,  Edouard  de. 

Monsieur  Clown!  Illustrations  de  J.  Blass.  Paris.  Dalou.  1889. 
183,  (3)  pp.     Illus.  2679CL262 

Perronet,  Vincent. 

An  essa}^  on  recreations.  London,  Printed,  and  sold  by  J.  and  P. 
Knapton.     1745.     27  pp.  No.  2  in  **G.3823.4.2 

In  opposition  to  dancing  especially. 
Persia.     Theatres. 

Chodzko,  a.  E.  B.     Le  theatre  en  Perse.     [Paris.     1844?]     **T.95.i42 
Person,  Beatrix. 

HouNAU,  J.     Mile  Person   (Beatrix).     Paris.     1854.  **T.95.65 

Perugini,  Mark  E. 

The  art  of  ballet.  Philadelphia.  The  J.  B.  Lippincott  Co.  [i9i5-l 
339,  (i)  PP-     Portraits.     Plates.  40493.376 

Bibliography,  p.  8. 

Petersen,  Julius. 

Schiller  und  die  Biihne.  Ein  Beitrag  zur  Litteratur-  und  Theater- 
geschichte  der  klassischen  Zeit.  Berlin.  Mayer  &  Muller.  1004. 
(11),  497  pp.     [Palaestra.     32.]  .  6872.84 

"Einleitung  und  Abschnitt   i-.^  wurden  im  Sommer  1903  als  Berliner  DissertaUon 
gedruckt. " ' — Vorwort. 

[615] 


THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 


Peth,  Jakob. 

Geschichte  des  Theaters  und  der  Musik  zu  Mainz.     Ein  Beitrag  zur 

deutschen  Theatergeschichte.  Mainz.     Prickarts.     1879,  83.     2  v. 

in  I.  **T.76.23 

Appended  is  a  continuation  to   1883. 

Petit  de  Julleville,  Louis. 

Histoire  du  theatre  en  France:  Les  comediens  en  France  au  moyen 

age.     Paris.     Cerf.     1885.     (3),  363,  (i)  pp.  4671.74;  **T.77.i59 

Histoire  du  theatre  en   France:   Les  mysteres.  Paris.     Hachette   & 

cie.     1880.     2  V.  4673.55 
Histoire   du  theatre   en   France:   Repertoire   du   theatre   comique   en 

France  au  moyen-age.     Paris.     Cerf.     1886.  vi,   (i),  409,   (i)   pp. 

4670.5 

Petit  moissonneur,  Le,  des  theatres,  dedie  aux  dames.  Paris.  Lefuel. 
[18 — ?]     192  pp.    Portraits.  **T.79.24 

Petite  biographic  des  acteurs  et  actrices  des  theatres  de  Paris,  avec 
I'age  de  ces  dames.     Paris.     1831-1832.     108  pp.  **T.79.22 

Petite  biographic  dramatique.     Saint  Hilaire,  A.  V.  de.    **T.57.389;  etc. 

Petite  biographic  dramatique,  faite  avec  adresse  par  un  moucheur  de 
chandelles   [pseud.].     Paris.     1826.     yy  pp.  **T.99.56 

Petite  Bunkum,  pseud.     See  Bunkum,  Petite,  pseud. 

Petite  revue,  La,  du  samedi. 

Recueil  d'anecdotes  &  curiosites  de  toutes  sortes  sur  la  litterature, 
le  theatre,  la  galanterie,  etc.  [Composed  of  the  weekly  issues  of 
La  petite  revue  du  samedi,  19  mai-ii  aout  1866.  bound  together 
with  title-page  and  index.]     Paris.     1871.  **T.96.348 

Petites  etudes.     Banville,  T.  F.  de.  **T.97.279;  etc. 

Petites  Manchaballe,  Les.     Saint-Genies,   R.,   Vicomte  de.  **T.87.66 

Petites  verites  au  grand  jour,  sur  les  acteurs,  les  peintres,  les  journalistes, 
rinstitut,  le  Portique  Republicain,  Bonaparte,  etc.  Par  un  societe 
d'envieux,  d'intrigans  et  de  cabaleurs  [pseud.  Paris].  Se  trouve 
par-tout.     An  viii.     [1800.]      (4),  136  pp.  **T.57.399 

Petits  memoires  d'une  stalle  d'orchestre.     Audebrand,  P.  **T.77.i25 

Petits  mysteres,  Les,  de  I'ficole  lyrique.     [Anon.]     See  Savard,  Felix. 

Petits  mysteres,  Les,  de  I'Opera.     Second,  A.  **M.i43.i7 

Petits  mysteres,  Les,  de  la  vie  theatrale.     Lemonnier,  A.  **T.97.i68 

Petits  secrets,  Les,  de  la  comedie.     Scholl,  A.  **T.97.248 

Petronius  Arbiter,  Esq.,  pseud. 

Memoirs  of  the  present  Countess  of  Derby,  (late  Miss  Farren); 
including  anecdotes  of  several  distinguished  persons.  London: 
Published  by  Symonds.     [1797.]     27,  (i)  pp.  **T.55.2 

Petronius  Arbiter,  Esq.,  pseud.     Works  about. 

Testimony,  The,  of  truth  to  exalted  merit:  or,  a  biographical  sketch 
of  the  Right  Honourable  the  Countess  of  Derby;  in  refutation  of  a 
false  and  scandalous  libel.    London.     1797.  **T.57.347 

Peyre,  Roger. 

Les  galeries  celebres.  Le  foyer  des  artistes  a  la  Comedie-francjaise. 
Paris.     Charles.     1895.    29  pp.  **T.95.66 

Phelps,  Henry  P. 

iMayers  of  a  century.  A  record  of  tlie  Albany  stage.  Including 
notices  of  prominent  actors  who  have  appeared  in  America. 
[Subscribers'  edition.]     Albany.    McDonough.    1880.    x,  13-424  pp. 

**T.77.7 
Same.     2d  edition.     Portraits.     Autograph  facsimiles.  2398.71 


[616] 


J 


BROWN   COLLECTION   OF  BOOKS   ON    THE   STAGE 


Phelps,  Henry  P.     (Continued.) 

The  stage  history  of  famous  plays.  Hamlet  from  tho  actors'  stand- 
point. Its  representatives,  and  a  comparison  of  their  perform- 
ances.    New  York.     Werner.     1890.     x,  180  pp.     Portraits. 

4S97-ii6;**T.S7.4i 
Phelps,  Samuel. 

Coleman,  J.,  and   E.   Coleman.     Memoirs  of  Samuel   Phelps.     Lon- 
don.    1886.     Portrait.  **T.56.2i9 
Phelps,  W.   M.,  and   J.   Forbes-Robertson.     The   life  and   work   of 
Samuel    Phelps.     London.     1886.     Portraits.         4550.54;  **T.56.64 
Phelps,  William  May,  and  John  Forbes-Robertson. 

The  life  and  work  of  Samuel  Phelps.  London.  Sampson  Low, 
Marston,  Searle,  &  Rivington.  1886.  x,  (i),  436  pp.  Portraits. 
Autograph  facsimile.  4550.54;  **T.56.64 

Philadelphia.     Theatres. 

Armstrong,  W.  G.     A  record  of  the  opera  in  Philadelphia.     Pliila- 

delphia.     1884.  4044.82 

Brede,   C.  F.     Schiller  on  the   Philadelphia  stage  to  the  year   1830. 

(In  German  American  Annals.     Vol.  7,  pp.  254-275.     Philadelphia. 

1905.)  *722i.35.7;  etc. 

Lansing  &  Co.,  publishers.     Pictorial  diagrams  of  Boston,  New  York, 

and  Philadelphia  theatres.    Boston.    [1881.]    Illus.    Plans.   **T. 78.86 

Philadelphia.     Theatres.     American  Academy  of  Music. 

Annual  report  of  the  directors  to  the  stockholders,  i6th,  24th -37th. 
1869,  77-90.     Philadelphia.     Hallowell  &  Co.     1869-90.     15  v.  in  2. 

The  report   for   1879   reproduces  programmes  offered   since    1857.  *8o57.6o 

Charter  and  prospectus  of  the  opera  house,  or  American  Academy 
of   Music.      Philadelphia.     Crissy  &   Markley.     1852.      16  pp. 

Another  copy  is  on  shelf-number  No.  7  in  **G.3822.2.  No.  I3  in  *4478.26 

Philadelphia.     Theatres.    American  Academy  of  Music.     Works  about. 
History  and  description  of  the  Opera  House  or  American  Academy 
of    Music,    in    Philadelphia.      Philadelphia.      [1857.] 

No.  6  in  *437oa.79 

Security.    Letters  from  John  R.  Cantlin,  C.  John  Hexamer,  William 

M'Devitt    [relating    to    precautions    against    fire].      Philadelphia. 

[1885.]  40i9a.98 

Philadelphia.     Theatres.     Chestnut  Street  Theatre. 

Ewing,  R.  W.  The  theatrical  contributions  of  "Jacques"  [pseud.] 
to  the  ''United  States'  Gazette:"  being  an  account  of  the  perform- 
ances at  the  new  theatre,  Philadelphia;  during  the  season  of 
1825-6.     Philadelphia.      1826.  **T.49.i2;  etc. 

Philalethe,  pseud. 

Deu-x;  avis  sur  ce  siecle,  ou  le  vieillard  d'autrefois  refute  par  I'homme 

d'aujourdhui.     Critique  pour  les  uns,  panegyrique  pour  les  autres, 

poeme  philosophique  et  moral  pour  tout  le  monde.     Suivi  d'une 

epitre  a  M""  Talma.     Paris.     Dubois.     [18 — ?]  **T.97.i33 

Philipi,  pseud. 

A  peep  into  the  Theatre-Royal,  Manchester;  with  some  remarks  on 
the  merits  and  demerits  of  the  performers.  Manchester.  Bancks. 
1800.     31,   (0  pp.  **T.98.63 

Philipp,  Adolf,  editor. 

Hamburger  Theater-Dekamerone.  2.  Auflage,  erweitert  durch  eine 
Geschichte  des  Thalia-Theaters.  Hamburg.  Rademacher.  1881. 
xxxii,  342,  (2)  pp.     Autograph  facsimiles.  **T.57.252 

Autobiographical  sketches  of  actors. 

[617] 


THE  PUBLIC  LIBRARY  OF  THE   CITY  OF  BOSTON 

Philippoteaux,  Felix  Emmanuel  Henri. 

The  great  siege  of  Paris:  1870-71.  [By  Philippoteaux.]  Also,  the 
assassination  of  the  Archbishop  of  Paris  [Darboy]  at  the  hands 
of  the  Commune  of  1871.  [By  Desbrosses.  Description  of  the 
pictures.     Boston.     187-?]     22  pp.  26393.33 

"On    exhibition   cor.    Columbus   Ave.    and    Ferdinand    Street,    Boston." 

Phillipps,  Adelaide. 

Waterston,  A.  C.  Q.  Adelaide  Phillipps.  A  record  by  Mrs.  R.  C. 
Waterston.      Boston.      1883.     Plate.  4345.81;  **M.ioi. 10 

Same.     2d  edition.     Cupples,  Upham  &  Co.  *P.ii.69i7 

Phillips,  E.  Watts. 

Watts  Phillips:  artist  and  playwright.  London.  CasscU  &  Co.,  Ltd. 
i8gi.     174  pp.     Portraits.     Facsimiles.  4541.122;  **T.55.43 

Phillips,  Edward. 

The  players:  a  satire.  [Poetry.  Anon.]  London:  Printed  for  W. 
Mears.     1733.     (46)  pp.  No.  4  in  **G.3823.3 

Phillips,  Henry. 

Musical  and  personal  recollections  during  half  a  century.  London. 
Skeet.     1864.    2  V.    Portrait.  **M. 1498.2 

Phillips,  Henry  Albert. 

The  photodrama.  The  philosophy  of  its  principles,  the  nature  of  its 
plot,  its  dramatic  construction  and  technique  illumined  by  copious 
examples,  together  with  a  complete  photoplay  and  a  glossary, 
making  the  work  a  practical  treatise.  Introduction  by  J.  Stuart 
Blackton.  Larchmont,  N.  Y.  The  Stanhope-Dodge  Publishing 
Co.  [1914.]  221  pp.  [The  authors'  hand-book  series.]  80393.90 
Phillips,  Watts. 

The  wild  tribes  of  London.  London.  Ward  &  Logk.  1855.  120  pp. 
lUus.    Plates.  **T.97.297 

An  account  of  the  London   slums  and  some  of  its  amusements. 
PhilUps,  Watts.     Works  about. 

Coleman,  J.  The  truth  about  The  dead  heart,  with  reminiscences 
of  the  author  [Watts  Phillips]   and  the  actors  thereof.     London. 

1890.  Illus.     Portraits.     Plates.  **T.57.267 
London.     Theatres.     Lyceum  theatre.     Souvenirs  of  The  dead  heart, 

by  Watts  Phillips,  presented  at  the  Lyceum  Theatre,  by  Henry 

Irving,  28th  Sept.,  1889.    London.     1889.     (13)  plates.  65703.13 

Phillips,  E.  Watts.    Watts  Phillips:  artist  and  playwright.     London 

1891.  Portraits.  4541.122;  **T.55.43 
Philo-Dramaticus,  pseud. 

A  letter  to  C.  Kemble  and  R.  W.  EUiston,  on  the  present  state  of 
llic  stage.     London.     Marsh.     1825.     (2),  17  pp.  **T.76.i22 

Philofiddle,  pseud. 

A  letter  to  the  public,  on  the  management  of  the  Opera.  London. 
Ginger.    1805.    3-30  pp.  **T.96.36i 

Philomusus,  S.,  M.A.,  pseud. 

Mr.  Law's  Unlawfulness  of  the  stage  entertainment  examin'd:  and 
the  insufficiency  of  his  arguments  fully  demonstrated.  London, 
Printed:  and  sold  by  J.  Roberts.     1726.    31,  (i)  pp.  **T.76.9i 

Other  copies  are  on  shelf-numbers  No.  9  in  **G. 3824.14 ;  No.  i  in  **G.3823.2i. 
Law's  The  absolute  unlawfulness  of  the  staRe-entertainment  fully  demonstrated 
may  be   found  on   shelf-numbers   **T.76.95  ;    **T.96.56;    No.  10  in ''G. 3823. 3. 

Philo-technicus  Miso-mimides,  pseud. 

Foote's  Prologue  detected;  with  a  miniature-prose  epilogue  of  his 
manner  in  speaking  it.  [2d  edition.]  London.  Printed  for  the 
author.     1770.     35  pp.  No.  4  in  **G.3824.i 

[618] 


BROWN   COLLECTION   OF  BOOKS    ON   THE   STAGE 


Philo-technicus  Miso-mimides,  pseud.     (Continued.) 

Same.  Appendix.  Containing  with  other  curious  articles  a  new 
occasional  epilogue,  for  the  close  of  his  Theatre.  London.  Printed 
for  the  author.     1770.     39,    (i)    pp.  No.  4a  in  **G.3824.i 

Phippen,  Francis,  reporter. 

Authentic  account.  An,  of  the  late  Mr.  Whitbread.     Consisting  of 

facts  &  anecdotes  relating  to  his  latter  days  and  death.     With  the 

genuine   report   of   the   inquest   taken    in    short-hand   by    Francis 

Phippen  including  a  memoir  of  his  life.    London.    1815.    **T.96.3i8 

Phister,  Montgomery,  editor. 

Official  hand-book  of  the  Dramatic  Festival  held  in  Music  Hall, 
Cincinnati,  April  30 -May  5,  1883.  Cincinnati.  Hall.  1S83.  71 
pp.     Plates.     Plans.  **T.94.7 

Phiz,  pseud.     See  Browne,  Hablot  Knight. 

Photodrama,  The.     Phillips,  H.  A.  80393.91 

Photographies  a  la  plume.     Gilbert,  F.,  and  E.  Coulon.  **T.57.379 

Photoplay,  The:  a  psychological  study.     Muensterberg,  H.  80393.48 

Photoplays.     See  Moving  pictures. 

Physical  culture.     Emerson,  C.  W.  **T.96.233;  etc. 

Physiognomy. 

BoREE,  A.     £tudes  physiognomiques.     Les  expressions  de  la  figure 

humaine.      119    fac-simile    d'apres    nature,    avec    texte    explicatif. 

Paris.     [1900.]  *76oo.48 

PiDERiT,  T.     Le  mimique  et  la  physiognomie.     Paris.     1888.    *56o6.32 

Physiologic  des  foyers  de  tous  les  theatres  de  Paris.     Arago,  J.  fi.   V. 

**T.79.8 
Physiologie  du  theatre.     Auger,   H.   N.   J.  **T.76.27;  etc. 

Couailhac,  J.  J.  L.  **T.99.29 

Physionomies  parisiennes. 

Frebault,  E.     Les   industriels  du  macadam.     Paris.     1868.     Plates. 

**T.99.43 
Monselet,  C.     Acteurs  et  actrices.     Paris.     1867.     Plates. 

**T.99.4o;  etc. 
Pi  Eta  Society.    Harvard  College. 

Pi  Eta  theatricals.    The  Viking.     Presented  April  15-25,  1901.     [Pro- 
gramme.   Cambridge.     1901.]     48  pp.     Plates.     Portraits.    **T.32.3 
Picard,  Louis  Benoit. 

Notice  sur  Iffland  et  sur  Brandes.  (/m  Iffland,  A.  W.  Memoires  de 
Aug.  Guil.  Iffland.     Pp.  i-lv.     Paris.     1823.)  **T.56.8 

Another  copy  is  on  shelf-number  **G. 224.2.10. 

Picardy,  Fiance.     Theatres. 

Lecocq,  G.  Histoire  du  theatre  en  Picardie  depuis  son  origine  jusqu'a 
la  fin  du  xvi^  siecle.     Paris.     1880.     Plans.  **T.74.i7 

Pichler,  Anton. 

Chronik  des  Grossherzoglichen  Hof-  und  National-Theaters  in  Mann- 
heim. Zur  Feier  seines  hundertjahrigen  Bestehens.  Mannheim. 
1879-    Plate.  **T.75.69 

Pichot,  Pierre  Amedee. 

Les  memoires  d'un  dompteur  rediges  d'apres  les  souvenirs  personnels 
du  celebre  Martin.  2^  edition.  Paris.  Ghio.  1881.  viii,  247  pp. 
Portrait.  **T.57.23i 

Pick,  Albert. 

Erfurter  Theatervorstellungen  in  der  guten  alten  Zeit.  Hamburg. 
Richter.  1899.  29  pp.  [Sammlung  gemeinverstandlicher  wissen- 
schaftlicher    Vortrage.J  *59i4.5o.N.F.i3 

[619] 


THE  PUBLIC  LIBRARY  OF  THE   CITY   OF  BOSTON 


Pick,  Robert  Freeman. 

The  private  library  of  Robert  Freeman  Pick  (with  some  additions). 
For  sale  at  auction  by  the  Anderson  Auction  Company.  New 
York.     [1907.]     112  pp.  **T.65.29 

Pickard,  John. 

Der  Standort  der  Schauspieler  und  des  Chors  im  griechischen 
Theater  des  5ten  Jahrhunderts.  Miinchen.  Ackermann.  1892. 
36  pp.     Plates.  2972.27 

Pickett,  La  Salle  Corbell. 

Across  my  path.  Memories  of  people  I  have  known.  New  York. 
Bren'tano.     1916.     ix,  148  pp.     Portraits.     Plates.  22493.113 

Recollections  of  actresses  and  American  authoresses.  Actresses:  Helena 
Modjeska,  Charlotte  Cushman,  Adelaide  Neilson,  Adelaide  Ristori,  Laura 
Keene,  Jean  Davenport  Lander,  Fannie  Janauschek,  Fanny  Kemble,  Anna  Cora 
Mowatt,  Ellen  Tree. 
Pic  Nic,  The.  Vol.  i,  2.  [Jan.  8 -Apr.  9,  1803.]  London.  Hughes. 
1803.      2  V.  **T.28.7 

No  more  was  published.     This  edition  is  a  reprint  of  the  fourteen  original  weekly 
issues.     Edited  by  William  Combe. 

Picot,  Auguste  Emile. 

Bibliographie   cornelienne;    ou,    description   raisonnee    de   toutes    les 
editions  des  ocuvres  de  Pierre  Corneille,  des  imitations  ou  traduc- 
tions qui  en  ont  ete  faites,  et  des  ouvrages  relatifs  a  Corneille  ct  a 
ses  ecrits.    Paris.    Fontaine.    1876.    xv,  552  pp.    Portrait.    **T.56.ii3 
Picot,  Emile.    See  Picot,  Auguste  fimile. 
Piderit,  Theodor. 

Le  mimique  et  la  physiognomonie.  Trad,  d'apres  le  2e  edition,  par 
A.  Girot.  Paris.  Alcan.  1888.  (3),  vii,  280  pp.  [Bibliotheque 
de  philosophic  contemporaine.]  *56o6.32 

Piermarini,  Giuseppe. 

Teatro  della  Scala*  in  Milano.  [Piante  ecc]  Roma.  Calcografia 
camerale.      1826.     8  plates.  *Cab.6o.i85.2 

Pierron,  Eugene  Athanase. 

Virginie   Dejazet.     Paris.     Bolle-Lasalle.     1856.      (5),  359  pp.     Por- 
trait.    Manuscript  facsimile.  **T,57.4i3 
Pierrot. 

HuGOUNET,  P.  Mimes  et  pierrots.  Notes  et  documents  inedits  pour 
servir  a  I'histoire   de  la  pantomime.     Paris.     1889.     Plate. 

**T.95.i35 
Pifteau,  Benjamin  Julien. 

Les  maitresses  de  Moliere.  Amours  du  grand  comique.  Leur  in- 
fluence sur  son  caractere  et  son  oeuvre.  Paris.  Willem.  1879. 
loi,  (i)  pp.    Portrait.    Plates.  **T.57.33i 

Moliere  en  province:  etude  sur  sa  troupe  ambulante.  Suivie  de 
Moliere  en  voyage,  comedie  en  un  acte,  en  vers.  Paris.  Willem. 
1879.     103,  (i)  pp.     Portrait.     Plates.  **T.57.332 

Pifteau,  Benjamin  Julien,  and  Julien  Goujon. 

Histoire  du  theatre  en  France  des  origines  au  Cid  (1398-1636).  Paris. 
1879.  **T.48.i9 

Pigeonnier,  Marie,  pseud.    See  Colombier,  Marie. 
Pilgrim,  A,  pseud. 

An  essay  on  some  of  the  fashionable  amusements  of  the  world,  as 
cards,  balls,  and  plays.     High  Wycombe.     [1801.]  **T.96.55 

Pillet,  Fabien. 

Melpomene  et  Thalie  vengees,  ou  nouvelle  critique  impartiale  et 
raisonnee  tant  des  differens  theatres  de  Paris,  que  des  pieces  qui 

[620] 


i 


BROWN  COLLECTION   OF  BOOKS   ON   THE  STAGE 


Pillet,  Fabien.     (Continued.) 

y  ont  ete  representees  pendant  le  cours  de  I'annec  dcmiere.  2e 
annee.  [Anon.]  A  Paris,  chez  Marchand.  An  vii.  fi7c>g.]  i88 
pp.    Plate.  **T.79.6 

The  issue  for  the  preceding  year  is  entitled:  Verit6s  a  I'ordre  du  jour  ["7.79.7]. 
Revue  des  comediens,  ou  critique  raisonnce  de  tous  les  actcurs, 
danseurs  et  mimes  de  la  capitale.  Par  M.*  *  *,  vicux  comcdien 
[pseud,  of  A.  B.  L.  Grimod  de  La  Reyniere] ;  et  par  I'auteur  de 
La  lorgnette  des  spectacles.     Paris.     Favre.     1808.     2  v.  in   i. 

**T.59.32 

Verites  a  I'ordre  du  jour,  ou  nouvelle  critique  raisonnee,  tant  des 
acteurs  des  theatres  de  Paris,  que  des  pieces  qui  y  ont  ete  repre- 
sentees pendant  le  cours  de  I'annee  derniere.  2^  edition,  revue. 
[Anon.]     A  Paris,  chez  Garnier.     An  vi.     1798.     160  pp.     Plate. 

**T.79.7 
The    issue    for   the    following   year   is    entitled:    Melpomene    et    Thalie    vcngles 
'  l**T.79.6-]. 

Pillet,  Fabien,  and  others. 

La  lorgnette  de  spectacle  ou  la  revue  des  acteurs.  Par  Fabien  Pillet 
et  autres  habitues  du  parterre.  2e  edition.  A  Paris,  chez  Hollier, 
An  VII  de  la  Republique  [1798/99].     (2),  292  pp.  **T. 59.45 

La  nouvelle  lorgnette  de  spectacles.  Par  Fabien  Pillet,  ct  autres. 
Paris.     Dufay.     An  ix.     (1801.)     287  pp.     Plate.  **T.59.46 

Brief  notes  of  the  actors  of  the  theatres  of  Paris,  arranged  alphabetically. 
Pilon,  Frederick. 

An  essay  on  the  character  of  Hamlet.    As  performed  by  Mr.  Hender- 
son, at  the  Theatre  Royal  in  the  Hay-Market.     [Anon.]     London, 
Printed  for  N.  Flexney.     [1777.]     (4),  25  pp.     No.  4  in  **G.3937.ii 
Pin-basket,  The,  to  the  children  of  Thespis.     Williams,  J.  **T.58.38 

Pindar,  Peter,  of  Philadelphia.  , 

A  short  and  correct  sketch  of  the  life  of  Mad'lle  Fanny  Elssler.  (The 
celebrated  danseuse.)      Philadelphia.     [1841.]     8  pp. 

No.  3  in  **G.3822.4.2 
Pindar,  Peter,  Esq.,  pseud.    See  Wolcot,  John. 

Pine,  Robert  Edge. 

Verplanck,  G.  C.     Garrick:  his  portrait   [by  Robert  Edge  Pine]   in 
New  York,  its  artist,  and  history.     [A  letter  addressed  to  A.  M. 
Cozzens  at  the  Sketch  Club,  January  9.]     New  York.     1857.     Por- 
trait. *6545-9 
Pinkham,  George  Ripley. 

Studies  of  the  drama.  Issue  i.  The  general  characteristics  and 
dramatic  unities  of  the  Greek  plays.     [Baltimore.]      1849.     27  pp. 

Contains  also  an  account  of  the  Greek  theatre.  **T.46.49 

Pipes,  Jeenis,  of  Pipesville,  pseud.     See  Massett,  Stephen  C. 
Pischel,  Richard. 

The  home  of  the  puppet  play.     An  address  on  assuming  the  office 

of    Rector    of    the    Konigliche    Vereinigte    Fricdrichs-Universitat, 

Halle-Wittenberg,  on  the  12th  July,  toqo.    Translated  by  Mildred 

C.  Tawney  (Mrs.  R.  N.  Vyvyan).     London.     Luzac  &  Co.     1902. 

(2),   32  pp.  2256.18 

Pit,  Patrick,  pseud. 

The    Thespian    critique,    or    theatrical    censor.      Inscribed    (without 

permission)  to  William  Murray,  of  the  Theatre  Royal,  Edinburgh. 

No.   1-4.     [Edinburgh.     1816.]  **T.76.24 

Criticisms  of  the  performances  of  Oct.  8-12,  1816. 

[621] 


THE  PUBLIC  LIBRARY  OF  THE   CITY  OF  BOSTON 


Pitou,  Augustus. 

Masters  of  the  show  as  seen  in  retrospection  by  one  who  has  been 
associated  with  the  American  stage  for  nearly  fifty  years.  New 
York.     Thomas  Y.  Crowell   Co.     [1914.]      Portraits.     Facsimiles. 

6257.369 
Pitt,  William,  the  Younger. 

Review,  A,  of  the  present  state  of  the  British  theatre,  on  [or] 
useful  hints  to  Mr.  Pitt,  on  taxation.  [A  satire  in  verse.]  London. 
[1795?]  No.  8  in  **G.3820.ii 

Pittard,  Joseph. 

Observations  on  Mr.  Garrick's  acting;  in  a  letter  to  the  Right  Hon. 
the  Earl  of  Chesterfield.  London:  Printed  for  J.  Cooke  and  J. 
Coote.     1758.    3-24  pp.  **T.97.ii9 

Relates   to    Garrick's   acting   of   King   Lear.      Another   copy    is   on    shelf-number 
No.  8  in  •*G.3824.i5. 
Pixerecourt,  Rene  Charles   Guilbcrt  de.     See   Guilbert  de   Pixerecourt, 

Rene  Charles. 
Place  au  theatre!     Saint-Gentes,  R.,  Vicomte  de.  **T.87.67 

/t*lacide  le  vieux,  pseud.     See  Charlemagne,  Jean  Armand. 
wPlagiarism. 

Langbaine.  G.     Momus  triumphans:  or.  the  plagiaries  of  the  English 

stage;  expos'd  in  a  catalogue  of  all  the  comedies,  tragi-comedies, 

masques,   tragedies,   operas,  pastorals,   interludes,   &c.,   that   were 

ever   yet  printed    in    English.     With    an   account    of   the   various 

originals.     London.      1688.  **T.66.ii;  etc. 

Plagiary,  The,  "warned."     Parkes,  J.  **T.75.62;  etc. 

Plaidoyer  pour  ma  maison.     Tisserant,  J.  H.  No.  4  in  **M. 138.15 

Plain,   Timothy,   pseud.     See  Threepland,   Moncrieff. 

Plain  English.     Hollingshead,  J.  **T.77.66 

Plain  talk.  A,  about  the  theatre.     Johnson,  H.  **T.78.77 

Plaisirs,  Les,  de  Paris.     Delvau,  A.  **T.98.i42 

Planche,  James  Robinson. 

Personal  reminiscences  by  Chorley,  Planche  and  Young.  New  York. 
Scribner,  Armstrong  &  Co.     1874.     xxiii,  297  pp.  4559^.173 

The  recollections  and  reflections  of  J.  R.  Planche.  A  professional 
autobiography.  London.  Tinsley.  1872.  2  v.  Portrait.  Plate. 
Facsimiles.  4543.52;  **T.56.23o 

Remarks  on  the  costume,  etc.,  of  some  of  the  sketches  by  Inigo 
Jones.  Plates.  (Jti  Collier,  John  P.,  editor.  Inigo  Jones.  Pp. 
53-62.      London.      1848.)  No.  2  in  *4596.i6 

Another  copy  is  on  shelf-number  **G.3927,i5. 

Plans  relatifs  au  Palais-Royal,  et  discussion  des  questions  qu'ils  ont 
fait  naitre  au  proces  entre  S.  A.  S.  M^r  le  Due  d'  Orleans  et  le 
Sieur  Julien.     [Paris.     1818.]      (i),  17  pp.     Plates.     Colored  plans. 

**T.75.35 

The  suit  concerned  the  ownership  of  the  Theatre-fran?ais  in  the  Palais-Royal. 

Plautus,  Titus  Maccius. 

Bellasis,  E.  The  money  jar  of  Plautus  at  the  Oratory  School:  an 
account  of  the  recent  representation.    London.    1885.    Illus.    Plate. 

**T.56.i35 
Play,  The,  and  the  public.     Fitch,  W.   C.  4409b. 179.4 

Play,  The,  of  today.     Hunt,  E.   R.  6257.64 

Play  production.     See  Theatre.    Management. 

Play  production  in  America.     Krows,  A.  E.  8o69a.i63;  **T.76.i96 

Play  writing.     See  Drama.    Construction. 

[622] 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 


Player's  tragedy,  A.     Fvfe,  H.  H.  **T.88.2i 

Players,  The,  Nnv  York  City. 

[Constitution,  house  rules,  list  of  members,  etc.     1888-91,  95.     New 
York.     1888-95.]     8  V.  *4378.i42 

The  issue  for  1888  contains  the  constitution  only. 
Memorial    celebration    of   the    sixtieth    anniversary    of    the   birth    of 
Edwin    Booth.      Held    in    the    Madison    Square    Garden    Concert 
Hall,  November  the  thirteenth.     [New  York.]     1893.     (0,  f>o  pp. 
Portrait.     Plate.  *434i-i37;  **T.S5.i34 

The  pictures  and  relics  of  The  Players.     New  York.     1907.     32  pp. 

**T.98.2i 
The  pictures  of  The  Players.     [Catalogue.     New  York.     1895.]     7  PP- 
Mostly  of  actors.  8077.';'; 

Players,  The,  Neiv  York  City.     Works  about. 

Parsons.   T.   W.     Address   to  the  assembly   at   the   opening  of   the 

Player's  Club  in  New  York.    [Verse.    New  York.    1888.]    *A.6728.4 

Players,  The:  a  dramatic,   musical  and  literary  journal.     Vol.    i;   2;   3 

(no.  54-78);  4  (no.  80-82).    Jan.  2,  i860 -July  20,  1861.     [London.] 

i860,  61.     4  V.  in  I.     Portraits.  **T.22.7 

Players,  The:  a  satire.     [Anon.]     See  Phillips,  Edward. 

Players,  The;  or,  the  stage  of  life.    Serle,  T.  J.  **T.87.i 

Players  and  plays  of  the  last  quarter  century.     Strang.  L.  C. 

4343.215;  **T.77. 18 
Players,  The,  and  the  Puritans.     [New  York.     1863.]      104-110  pp. 

No.  25  in  **G. 3822.3 

In  favor  of  the  theatre.     Cut  from  Harper's  New   Monthly  Magazine,  June,    1863 
[Periodical  Room  *S2io. 12.1863]. 

Players  blue  book.  The.     Storms,  A.  D.  **T.55.56 

Players  of  a  century.     Phelps,  H.  P.  **T.77.7;etc. 

Players,  The,  of  London.     Chancellor,  L.  B.  *4574.i95 

Players  of  the  day.  A  series  of  portraits  in  colour  of  theatrical 
celebrities  of  the  present  time.  London.  George  Newncs,  Ltd. 
[1903.]     (48)  colored  portraits.  **T.5i.ii 

Each  portrait  is  accompanied  by  a  biographical  sketch. 
Players  of  the  period.     Goddard,  A.  2546.114;  **T.56.i6 

Players  of  the  present.     Clapp,  J.  B.,  and  E.  F.  Edgett.  **T.95.22 

Players  scourge,  The.     Haldane,  J.  **T.96.8o;  etc. 

Playgoer,  The.  [Monthly.]  No.  11-20,  27,  28.  Aug.  15,  1902 -Mar. 
1904.  London.  Dawbarn  &  Ward,  Ltd.  [and  Greening  &  Co., 
Ltd.].     1902-04.     Illus.     Portraits.     Plates.     Plans.  **T.25.i2 

Playgoers'  Magazine,  The.  A  monthly  magazine  for  all  players  and 
playgoers.  Edited  by  Paul  Vedder.  Vol.  i  (no.  i-[3]).  [Jan.- 
Mar.  1888.]  London.  Kent  &  Co.  [1888.]  128  pp.  Tllus.  Por- 
traits.    Plates.     Autograph  facsimiles.  **T.96.274 

No  more  was  published. 

Playgoers'  Pocket-Book,  The.  The  dramatic  year,  1886,  87.  With 
descriptions  and  illustrations  of  all  the  new  plays  of  the  year; 
copies  of  many  of  the  play-bills,  and  a  complete  record  of  dramatic 
events.  By  Paul  Vedder.  London.  Maxwell  [&  Blackett.  1887, 
88].     2  v.  in  I.     Illus.     Portraits.     Plates.  **T.28.i2 

Same.     1886.  **T.98.92 

Criticisms  of  the  London  theatres. 

Playgoers'  Year-Book,  The,  for  1888.  Story  of  the  stage  the  past  year, 
with  especial  reference  to  Boston.  By  Charles  E.  L.  Wingate. 
Boston,  Mass.  The  Stage  Publishing  Co.  [1888.]  86  pp.  lUus. 
Portraits.     Plates.  **T.25.24 

[623] 


THE  PUBLIC  LIBRARY  OF  THE   CITY  OF  BOSTON 


Playhouse,  The,  and  the  play.     Mackaye,   P.  6257,55;  **T.47.34 

Playhouse  impressions.     Walkley,  A.   B.  4577.141;  **T.47. 107 

Playhouse  pocket-companion,  The,  or  theatrical  vade-mecum:  contain- 
ing, I.  A  catalogue  of  all  the  dramatic  authors  who  have  written 
for  the  English  stage.  11.  A  catalogue  of  anonymous  pieces,  iii. 
An  index  of  plays  and  authors.  Prefixed,  a  critical  history  of  the 
English  stage.  London:  Printed  and  sold  by  Messrs.  Richardson 
and  Urquhart.     1779.    9-179  pp.  **T.47.ioi 

Other  copies  are  on  shelf-numbers  **K.48.is;  No.  8  in  **G.3823.4. 
Playing  about.     Hill,  B.  E.  **T.56.i5 

Play-making.     Archer,  W.  6257.377;  etc. 

Plays  and  players.     Eaton,  W.  P.  6257.301;  **T.46. 70 

HuTTON,  L.  2405.59;  **T. 76.56 

Plays    and    players    at    the    Edinburgh    Adelphi    Theatre.      July,    1834. 

[Anon.]     See  Logan,  William  Hugh. 
Plays  and  players  in  modern  Italy.     McLeod,  A.  6257.68 

Plays  of  our  forefathers.     Gayley,  G.  M.  2571. 114 

Plays  of  the  present.  Glapp,  J.  B.,  and  E.  F.  Edgett.  *4504.47;  **T.95.27 
Plays,  players  and  playhouses.  Lennox,  Lord  W.  P.  2454.59;  **T.77.82 
Playwright's  adventures,  A.     Reynolds,  F.  **T.89.i 

Playwright's  daughter,  A.     Edwards,  A.  **T.87.94 

Playwrights.     See  Dramatists. 

Pleadings    in    a   theatrical    law    suit.     Temp.    Henry   viii.      (From    the 

Records    of   the    Court    of    Requests.)      [John    Rastell   v.    Henry 

Walton.]      (In  English  garner,  An.     Fifteenth  century  prose  and 

verse.     Pp.  305-321.     Westminster.      1903.)  4557-43 

Pleasure  gardens. 

Wroth,  W.  W.,  and  A.  E.  Wroth.    The  London  pleasure  gardens  of 

the  eighteenth  century.     London.     1896.     Portraits.     Plates,  some 

colored.     Map.  2493.157 

Pleasures  and  palaces.   Lazarovich-Hrebelianovich,  E.,  Princess.   6252.119 

Plouvier,  fidouard,  prefacer. 

Geoffroy,  G.  M.  Nouvelle  galerie  des  artistes  dramatiques  vivants. 
Paris.     1855.     2  V.     Portraits.  **T.53.9 

Plumptre,  Anne,  translator. 

Kotzebue,  a.  F.  F.  von.  Sketch  of  the  life  and  literary  career  of 
Augustus  von  Kotzebue;  with  the  journal  of  his  tour  to  Paris, 
at  the  tlose  of  1790.    London.     r8oo.    Portrait.  **T.56.i37 

Plumptre,  James. 

Four  discourses  on  subjects  relating  to  the  amusement  of  the  stage: 
preached  at  Great  St.  Marj-'s  Ghurch,  Gambridge.  September  25, 
and  October  2,  1808;  with  notes.  Gambridge.  Hodson.  1809.  xv, 
281  pp.  **T.75.49 

In  favor  of  the  theatre.     Other  copies  are  on  shelf-numbers  **G.3953.2 ;   No.  4  in 
••G.3823.19. 

An  inquiry  into  the  lawfulness  of  the  stage.  Taken  principally  from 
Four  discourses  on  subjects  relating  to  the  amusement  of  the 
stage.   .Gambridge.     Hodson.     1812.    30  pp.        No.  5  in  **G.3823.i9 

A  letter  to  the  author  of  a  tract  entitled  The  stage:  three  dialogues 
between  Mr.  Glement  and  Mr.  Mortimer.  Published  by  the 
Religious  Tract  Society.  Gambridge.  Hodson.  1819.  21,  (i)  pp. 
Another  copy  is  on  shelf-number  No.  i  in  **G.382i.5.  **T.96.70 

A  letter  to  the  most  noble  the  Marquis  of  Hertford,  Lord  Ghamber- 
lain  of  His  Majesty's  Household,  and  Master  of  the  Revels,  on  the 
subject  of  a  dramatic  institution.  Gambridge.  Hodson.  1820.  13  pp. 
Another  copy  is  on  shelf-number  No.  2  in  ••G.3824. 15.  **T.76.75 

[624] 


BROWN   COLLECTION   OF  BOOKS   ON    THE   STAGE 


Plus  de  rideau.     Villemarest,  C.  M.  C.  de.  No.  9  in  **G.356a.i 

Plutarchus. 

Flickinger,  R.  C.  Plutarch  as  a  source  of  information  on  the  Greek 
theater.     A  dissertation,  University  of  Chicago.     Chicago.     1004. 

3002.79 

Poetical  review,  The,  a  poem.     Being  a  satirical  display  of  the  literal 

characters  of  Mr.  G*rr*ck  [Garrick],  Mr.  C*lm*n  [Colman]    Mr 

Sh*r***n   [Sheridan],   Genl.  B**rg***e   [Burgoyne],  Mr.  M*ckl*n 

[Macklin],   Dr.   K*nr**k   [Kenrick].     The  canonical   duellist    (H. 

Bates],  &c.  &c.  &c.     With  a  v^ord  to  the  Critical,   London,  and 

Monthly  reviewers.     The  third 'edition,  with  additions.     London; 

Printed  for  the  author.     [1780?]     iv,  28  pp.        No.  13  in  **G.382o.ii 

Poets  and  profits  at  Drury  Lane  Theatre.     Kenney,  C.  L.  **T.78.20 

Poilow    de    Saint-Mars,    Gabrielle    Anne    de    Cisternes    de    Courtj^ras, 

Vicomtesse  de.     (Jacques  Reynaud.) 

Portraits   contemporains.     Paris.     Amyot.     1864.      (3),  286.    (i)    pp. 

**T.57.423 

Contains  sketches  of  Rosina  Stoltz,  Adelaide  Ristori,  Rose  Chcri  Qlmc 
Montigny). 

Poinsot,   Antoine   Edmond.      (Georges   D'Heylli.) 

Brindeau,  societaire  retire  de  la  Comedie-frangaise.  (1814-1882.) 
Paris.     Tresse.      1882.     40  pp.     Portrait.  **T.57.i7 

Comedie-frangaise.  Bressant  (1833-1877).  Documents  recueillis  aux 
archives  des  Varietes,  du  Theatre  imperial  de  Saint-Pctersbourg, 
du  Gymnase  et  de  la  Comedie-frangaise.  Paris.  Librairie  generale. 
1877.     (3),  74,  (2)  pp.     Portrait.  **T.57.432 

Pp-  35-74  contains  a  list  of  the  roles  played  by  Bressant  at  Paris  and  at  St. 
Petersburg. 

Delaunay,  societaire  de  la  Comedie-frangaise.     Paris.     Tresse.     1883. 

(3),  68  pp.     Portrait.     Manuscript  facsimile.  **T.57.i8 

Foyers    et    coulisses.      Histoire    anecdotique    des    theatres    de    Paris. 

Paris.     Tresse.      1873-85.     14  v.  in   7.     Portraits.  **T.79.2 

Contents.  —  i.  Folies-dramatiques.  2.  Bouffes-parisiens.  3.  Varietes.  4.  Palais- 
royal.  5.  Comedie-frangaise.  6.  Vaudeville.  7.  Gaite.  8.  Opera.  9.  Cymnase. 
10.  Porte-Saint-Martin.  11.  Odeon.  12.  Ambigu-comique.  13.  Renaissance.  14. 
Opera-comique. 

Livraisons  1-4,  6,  7,  10-13  are  by  Henry  Bugnet;  livraisons  5,  8  and  14,  by 
Poinsot.  Livraison  9  is  anonymous,  but  is  attributed  in  the  catalogue  of  the 
Bibliotheque  Nationale  to  Henry   Bugpuet. 

Journal  intime  de  la  Comedie  frangaise.  (1852-1871.)  Paris.  Dentu. 
1879.     xii,  562,  (2)  pp.  2639.68;  **T.77.i45 

Leon  Guillard,  archiviste  de  la  Comedie  frangaise.  (1810-1878.) 
Paris.     Librairie  generale.     1878.     35  pp.     Portrait. 

No.  3  in  **M. 138.15 

Madame  Arnould-Plessy  (1834-1876).  Notice  avec  documents  re- 
cueillis aux  archives  du  Theatre-frangais.  Paris.  Tresse.  1876. 
34,    (i)    pp.  **T.97.273 

Regnier,  societaire  de  la  Comedie-frangaise.  (1831-1872.)  Paris. 
Librairie  generale.     1872.     140,   (i)   pp.     Portrait.  **T.98.5o 

Le   scandale   au   theatre.      Paris.     Taride.      1861.      142  pp- 

List  of  the  Paris  theatres,  pp.   115-142.  No.  2  in  **M.Il8.I3 

Poinsot,  Antoine  Edmond,  editor. 

Felix,  £.  R.  Rachel  d'apres  sa  correspondance.  Paris.  1882.  Por- 
traits. .       ^    **T.55.7 

Paris.  Theatres.  Comedie  francaise.  La  Comedie-frangaise  a  Londres 
(1871-1879).  Journal  inedit  de  E.  Got— Journal  de  F.  Sarcey. 
Paris.     1880.  2676.156;  **T.78.i2 

[625] 

40 


THE  PUBLIC  LIBRARY   OF  THE   CITY  OF  BOSTON 

Poinsot,  Antoine  Edmond,  prefacer. 

Brazier,  N.     Chroniqnes  des  petits  theatres  de  Paris.     Reimprimees 

avec  notice,  variantes  et  notes.     Paris.     1883.  **T.78.63 

GuEULLETTE,  T.   S.     Theatre   des  boulevards.      [Anon.]      Reimprime 

pour  la  premiere  fois.     Paris.     1881.     2  v.     Plate.  *4699a.50 

Poinsot,  Euphrasie. 

Failly,  E.  J.  Sur  I'art  du  comedien.  Lettre  a  Ml'e  Euphrasie 
Poinsot.     3  Janvier  1852.     Paris.     1852.  **T.95.6i 

Poitiers,  France.     Theatres. 

Bricaulu  de  Verneuii.,  C.  fi.  Moliere  a  Poitiers  en  1648  et  les 
comediens  dans  cette  ville.  de  1648  a  1658.  Public  par  Alfred 
Richard.     Paris.     1887.  4670.12 

Pola.    I  stria.    Amphitheatre. 

Stancovich,  p.  Dello  anfiteatro  di  Pola,  dci  gradi  marmorei  del 
medesimo,  nuovi  scavi  e  scoperte.  Venezia.  1822.  Portrait. 
Plates.     Plans.     Table.  *2758.68 

Politis,  Nicolaos  G. 

Les  jeux  olympiques,  776  av.  J.-C.  -  1896.  Trad,  frangaise  par  Leon 
Olivier.     Athenes.     Beck.     1896.     2  parts  in   i.  v.     Illus.     Plates. 

*4000.i04 
Contents.  —  i.  Les  jeux  olympiques  dans  I'antiquite,  par  S.  P.  Lambros  et  N.  G. 
Politis.     2.   Les  jeux  olympiejues  de   1896,  par  le  baron  de  Coubertin,  Timoleon 
Philemon,  N  G.  Politis  &  Charalambos  Anninos. 
Modern  Greek  text  and  French  translation. 

Polkinhom,  Joseph  H. 

New  National  Theater,  Washington,  D.  C.  A  record  of  fifty  years. 
By  Alexander  Hunter  and  T.  H.  Polkinhorn.  Washington.  Polkin- 
horn.     1885.     loi  pp.     Illus.     Portrait.     Plate.  *4379a-i34 

Polko,  Elise. 

Faustina  Hasse.  Musikalischer  Roman.  2.  Auflage.  Leipzig. 
Schlicke.     1870.     Portrait.  2875.60 

Pollard,  Percival. 

Masks  and  minstrels  of  new  Germany.  Boston.  Luce  &  Co.  191 1. 
viii,   (i),  209,   (i)   pp.  28693.9 

Pollock,  Channing. 

The  footlights  fore  and  aft.    With  illustrations  by  Warren  Rockwell. 

Boston.     Badger.     [1911.]     436  pp.     Plates.  4395.202 

Pollock,   Sir  Frederick,   Baronet.     See   Pollock,   Sir   William    Frederick, 

Baronet. 
Pollock,  Juliet,  Lady. 

Amateur  theatricals.  By  Walter  Herries  Pollock  and  Lady  Pollock. 
London.  Macmillan  &  Co.  1879.  viii,  (3),  71,  (i)  pp.  Illus. 
Plates.  2576.177;  **T.97. 301 

The  Comedie  frangaise.     (From  the  Contemporary  Review.)      [Bos- 
ton.    1871.]     812-819  PP-  No.  12  in  **G.3822.3 
Macready  as  I  knew  him.     London.     Remington  &  Co.     1884.     (7), 
141   pp.                                                                            254ob.86;  **T.57.2o8 
Pollock,  Walter  Herries. 

Impressions  of  Henry  Irving  gathered  in  public  and  private  during 

a   friendship   of  many  years.     With   a  preface   by   H.    B.    Irving. 

London.     Longmans,  Green,  &  Co.     1908.    vii,  140  pp.  4545.161 

J.'s  love  of  the  theatre.     {In  Shipley,  Arthur  E.     "J."     A  memoir  of 

John  Willis  Clark.     Pp.  231-256.     London.     1913.)  4544.254 

[626] 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 


Pollock,  Walter  Hcrries.     (Continued.) 

The  modern  French  theatre,  with  critical  notes  on  some  of  the 
principal  French  actors.     Paris.    Fotheringham.     1878.    61,  (1)  pp. 

4672  *%7 

Contents.  —  The  modorn   French  theatre.   —  Introduction.   —   Got.  —   Dil.iun'ay 

—  Bernhardt.  —  Mounct-.Sully.  —  Favart.  —  Bressant.  —  Croizette.  —  Fcbvrc.'  — 
Reicheniberg-.  —  Thiron.  —  Coquelin.  —  Jouassain.  —  Barrc,  Garraud,   Boucher 

—  Maubant.   —  Prudhon,   T.arochc.   —  Trebelli.   —  Faurc. 
Pollock,  Walter  Herries,  translator. 

Diderot,   D.     The  paradox  of  acting.     Translated   with   annotati(jns 
from  Diderot's  'Paradoxe  sur  le  comedien.'     With  a  preface  by 
.  Henry  Irving.  •    London.     1883.  4673.73;  **T.77. 181 ;  etc. 

Pollock,  Walter  Herries,  and  Juliet,  Lady  Pollock. 

Amateur  theatricals.  London.  Macmillan  &  Co.  1879.  viii,  (3), 
71,  (r)  pp.     Illus.     Plates.  2576.177;  **T.97.3oi 

Pollock,  Sir  William  Frederick,  Baronet,  editor. 

Macready,  W.  C.  Macready's  Reminiscences,  and  selections  from 
his  diaries  and   letters.     London.     1875.     2  v.     Portraits. 

**T,56.204;  etc. 
Polti,  Georges. 

Les  trente-six  situations  dramatiques.  Paris.  Mercure  dc  France-. 
1895.      (5),  200,    (3)    pp.  6257.383 

Polyphony.     See  Ventriloquism. 
Pompadour,  Jeanne  Antoinette  Poisson,  Marquise  de. 

Campardon,  L.  £.  Madame  de  Pompadour  et  la  cour  de  Louis  xv 
au  milieu  du  dix-huitieme  siecle.  Ouvrage  suivi  de  (locumcnts 
inedits  sur  le  theatre  des  petits  cabinets.     Paris.     1867.     Portrait. 

**T.56.5i 
JuLLiEN,  J.  L.  A.  La  comedie  a  la  cour.  Les  theatres  de  societe 
royale  pendant  le  siecle  dernier.  La  Duchesse  du  Maine  et  les 
grandes  nuits  de  Sceaux,  Madame  de  Pompadour  et  le  Theatre  des 
petits  cabinets,  le  theatre  de  Marie-Antoinette  a  Trianon.  Paris. 
[1883.]      Portraits.      Plates.  **T.73.4 

Histoire  du  theatre  de  Madame  de  Pompadour  dit  Theatre  des 

petits  cabinets.     Paris.     1874.     Plates.  No.  3  in  **M. 122.1 

Pompeii,  Italy.     Vieivs. 

Donaldson,  T.  L.  Description  of  a  second  view  of  Pompeii,  and 
surrounding  country;  representing  the  tragic  theatre,  covered 
theatre,  temple  of  Isis,  small  forum,  now  exhibiting  in  the 
panorama,  Leicester-Square:  painted,  from  drawings  taken  on 
the  spot,  by  Mr.  Burford.    London.    1824.    Plate.    Plan.    **T.96.293 

Description  of  a  view  of  the  ruins  of  the  city  of  Pompeii,  and 

surrounding  country,  now  exhibiting  in  the  panorama.  Strand; 
painted  from  drawings  taken  on  the  spot  by  Mr.  Burford.  [Lon- 
don.]     1823.     Plate.  **T.96.292 

Pompon,  Rose. 

Les  souvenirs  de  Rose  Pompon.  Avec  preface  dc  Ryno  f pseud.]. 
Paris.     Ollendorff.     1887.     (3),  vii,  283  pp.  **T.57.232 

Pond,  James  Burton. 

Eccentricities  of  genius.  Memories  of  famous  men  and  women  of 
the  platform  and  stage.  New  York.  G.  W.  Dillingham  Co. 
[1900.]     xxvi,  (i),  564  pp.    Portraits.    Plate.    Autograph  facsimile. 

2246.76;  **T.56.75 
Pont  de  Veyle,  Antoine  de  Ferriol,  Comte  de. 

Bibliotheque  dramatique  de  Pont  de  Vesle  augmentee  et  completee 
par   les    soins    du    Bibliophile  Jacob    [pseud.].     Catalogue    redige 

[627] 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 

Pont  de  Veyle,  Antoine  de  Ferriol,  Comte  de.     (Continued.) 

d'apres  le  plan  du  catalogue  Soleinne,  et  destine  a  servir  de  com- 
plement a  ce  catalogue.  Paris.  Administration  de  I'Alliance  des 
arts.     1846.     viii,  279  pp.  *6i74.i7;  **T.66.i 

Same.     1847.     (8),  279  pp.  No.  4  in  **T.66.i3.5 

Pontecoulant,    Louis    Adolphe    Le    Doulcet,    Comtc    de,    and    fidouard 
Foumier. 
La  musique  chez  le  peuple,   ou   I'Opera-national:   son  passe   et   son 
avenir  sur  le  Boulevard  du  Temple.    Paris.     Garnicr.     1847.    72  pp. 

No.  4  in  **M.i47.3.i 
Poole,  John. 

Recollections  of  certain  French  actors.  {In  his  The  comic  sketch- 
book. 2d  edition.  Vol.  2,  pp.  179-255.  London.  1836.  Portrait. 
Autograph  facsimile.  **T.97.2i6 

Two  papers:  a  theatrical  critique,  and  an  essay  (being  No.  999  of 
The  pretender)  on  sonnet-writing,  and  sonnet-writers  in  general, 
including  a  sonnet  on  myself;  attributed  to  the  editor  of  The 
Ex-m-n-r.  [Anon.]  London.  Miller.  1819.  xi,  24  pp.  **T.55.7i 
A  satirical  attack  on  Leigh  Hunt.  Other  copies  are  on  shelf-numbers  No.  12  in 
•*G.3824.i3  ;  No.  3  in  **G.3822.4. 

Poole,  Lucius. 

Catalogue  of  [his]  dramatic  collection.  To  be  sold  by  auction, 
April  20th  and  21st,  1905.  C.  F.  Libbie  &  Co.,  auctioneers.  Boston. 
1905.     (2),  125  pp.     Portrait.    Autograph  facsimile.  **T.65.23 

Life  and  memoirs  of  William  Warren,  Boston's  favorite  comedian. 
[By  W.  T.  W.  Ball.  Extra-illustrated  by  Lucius  Poole.  Boston. 
1888.]  **T.54.33 

^^"^rooT   Covent   Garden!    or,   a    scene    rehearsed;   an    occasional   prelude, 
intended   for   the    opening   of   the    New   Theatre    Royal,    Covent- 
~<5arden,  this  season.     London:  Printed  by  T.  Wilkins.     1792.     16 
pp.  No.  4in  **K.34.22.iA 

Pope,  Alexander.     1688-1744. 

Blast,  A,  upon  bays;  or,  a  new  lick  at  the  laureat.  Containing 
remarks  upon  a  late  tatling  performance,  entitled,  A  letter 
from  Mr.  Cibber  to  Mr.  Pope,  &c.     London.     1742. 

No.  7  in  **G.3824.i4 

Roberts,  J.  An  answer  to  Mr.  Pope's  Preface  to  Shakespear.  In  a 
letter  to  a  friend.  Being  a  vindication  of  the  old  actors  who 
were  the  publishers  and  performers  of  that  author's  plays. 
Whereby  the  errors  of  their  edition  are  further  accounted  for, 
and  some  memoirs  of  Shakespear  and  stage-history  of  his  time 
are  inserted,  which  were  never  before  collected  and  publish'd. 
London.     1729.  No.  2  in  **G.3944.3 

Pope,  Alexander,  1763-1835. 

A  statement  of  the  differences  subsisting  between  the  proprietors 
and  performers  of  the  Theatre-Royal,  Covent-Garden.  Given  in 
the  correspondence  that  has  passed  between  them.  By  John 
Johnstone,  Joseph  George  Holman,  Alexander  Pope,  Charles 
Incledon,  Jos.  S.  Munden,  John  Fawcett,  Thomas  Knight,  Henry 
Erskine  Johnston.  London:  Printed  by  J.  Davis  for  W.  Miller. 
1800.     vii,  69,  3  pp.  **T.77.io 

Another  copy  is  on  shelf-number  No.  2  in  **G. 3824.3. 
Pope,  Alexander  Winthrop. 

Theatrical  bookplates.    Kansas  City.    Fowler.    TQ14.     (20)  ])]i.    Plates. 

Contains  a  check  list  of  some  theatrical  bookplates.  *8o75.26o 

[628] 


BROWN   COLLECTION    OF  BOOKS    ON    THE   STAGE 


Porchat,  Jean  Jacques,  translator. 

Mueller,  O.  Charlotte  Ackcrmann.  Souvenirs  du  theatre  de  Hani- 
bourg  au  dix-huitieme  siecle.     Paris.     1854.  **T.86.2 

Poree,  Charles. 

An  oration,  in  which  an  enquiry  is  made  whether  the  stage  is,  or  can 
be  made  a  school  for  forming  the  mind  to  virtue;  and  proving  the 
superiority  of  theatric  instruction  over  those  of  history  and  moral 
philosophy.  With  reflections  on  operas.  Translated  into  English 
by  J.  Lockman.     London.     Printed  for  C.  Davis.     1734.     (4).   in 

PP-.  No.  9  in  **G.3823.i4 

Latin  text  and  English  translation,  on  opposite  pages. 

Porel,  Paul,  pseud.    See  Parfouru,  Paul  Desire. 
Porteous,  George  Bain. 

Rev.  Dr.  Porteous  on  the  pulpit  and  stage;  or,  churches  and  theatres, 

and   players   and   preachers.     An    anticipated    reply    to    Rev.    Dr. 

Talmage's   tirade   against  theatres.     New   York.     The   American 

News  Co.     1874.    20  pp.  7464.134;  **T.95.35 

Porter,  Henry  C. 

The  history  of  the  theatres  of  Brighton,  from  1774  to  1885.    Brighton. 
King  &  Thorne.    1886.    206,  xiv  pp.    Engraved  title-page.    **T.76.48 
Porter,  T.  H. 

A  maid  of  the  Malverns:  a  romance  of  the  Blackfriars  Theatre.  Lon- 
don.    Lynwood  &  Co.,  Ltd.     [1911.]     269  pp.  **T  87.101 

An  historical  novel,  the  scene  of  which  is  laid  in  England  during  Elizabeth's 
reign.  Contains  much  theatrical  history.  Bacon,  Shakespeare  and  others 
appear.     Another  copy  is  on  shelf-number  *4S78.334. 

Portfolio,  A,  of  players.  With  a  packet  of  notes  thereon  by  H.  C. 
Bunner,  E.  A.  Dithmar,  Laurence  Hutton,  Brander  Matthews  and 
William  Winter.  New  York.  Bouton.  1888.  89  pp.  Portraits. 
Plates.  **T.52,i2 

Relates  to  Augustin  Daly's  company. 

Portland,  Me.     Theatres.    Jefferson  theatre. 

Jefferson  theatre,  Portland,  Maine.     [Newspaper  clippings,  principally 

reviews  of  plays.]     N.  p.     [189-?]     Unpaged.     Illus.  **T.i2.io 

Portraits.     Collections.     Actors.     See  Actors.     Portraits. 
Portraits  contemporains. 

Reference,  La,  des  Portraits  contemporains  pour  1897-1900.     Annee 

1-4.     Paris.     1897-1900.    4  V.     Portraits.  **T.25.27 

Portraits  des  artistes  des  theatres  de   Paris.     [Paris.     18 — ?]      70  por- 
traits. **T.5i.5 
Portraits   of  actors   and   actresses.      [Boston.      1912.]      2  v.     Portraits. 

Plates.  **T.i4.io 

Contents.  —  i.  Actors.     2.  Actresses. 

A  collection  of  engraved  portraits  of   English  actors.     Each  volume  is  arranged 

alphabetically. 

Portraits  of  dramatic  celebrities.    N.  p.     N.  d.     (60)  portraits.    **T.i2.2 

Engraved  portraits   of  actors. 

Portraits  of  favorite  actors  and  actresses.  N.  p.  N.  d.  Unpaged.  Illus. 
Portraits.  **T.ii.3 

Composed  principally  of  portraits  of  actors  and  programmes. 

Portsmouth,  N.  H.    Theatres. 

New  Hampshire.  General  Court.  Attempt  to  establish  a  play-house 
in  [Portsmouth]  New  Hampshire,  1762.  [Petitions  for  and 
against  the  project,  with  Assembly's  Address  to  prevent  acting 
plays.]  (In  New  Hampshire  Historical  Society.  Collections. 
Vol.  5,  pp.  247-250.     Concord.     1837.)  *4337-44-5 

[629] 


THE  PUBLIC  LIBRARY  OF  THE   CITY  OF  BOSTON 


Portugal.     Theatres. 

[A  COLLECTION  of  Portuguese  theatre  posters.]     Lisboa.     1880.     (14) 

posters,  in  (27)  pieces.  **T.Cab.i.io 

Lyonnet,   H.     Le  theatre  hors   de   France.     Serie  2;    Le   theatre  au 

Portugal.      Paris.      1898.      Illus.      Portraits.      Plates.      Facsimiles. 

Plans.  6257.70;  **T.77.86 

Possart,  Ernst,  Ritter  von. 

Der  Lehrgang  des  Schauspielers.     2.  Auflage.     Stuttgart.     Spemann. 

[1902.]     81,  (i)  pp.     Portrait.    Autograph  facsimile.  **T.76.i9i 

Hermann  Levi.     Erinnerungen.     Miinchen.     Beck.     1901.     (5),  53  pp. 

Portrait.  **T.77.220 

Levi    was   for   many    years    musical    director    at    the    Hof-    und    National-Theater, 

Munich. 
Schiller  und  das  Theater.     Festrede  zur  Mannheimer  Gedachtnisfeier 

von  Schillers  hundertstem  Todestage  (8.  Mai  1905).     Berlin.    Ahn. 

[1905.]     35  pp.  **T.76.i89 

Die    Separat-Vorstellungen    vor    Konig    Ludwig    II.      Erinnerungen. 

Miinchen.    Beck.    1901.     (3),  65  pp.  **T.77.22i 

On  representations  of  the  opera  in  Munich  specially  for  Ludwig  II. 

Ueber  die  Neueinstudierung  und  Neuszenierung  des  Mozart'schen 
Don  Giovanni  (Don  Juan)  auf  dem  kgl.  Residenztheater  zu 
Miinchen.     Miinchen.     Bruckmann.     1896.     36  pp.  **T.77.223 

Welches  System  der  Scenerie  ist  am  besten  geeignet  fiir  die  Dar- 
stellung  verwandlungsreicher,  klassischer  Dramen,  insbesondere 
der  Shakespeare'schen?  Festvortrag,  gehalten  bei  der  Tagung  der 
deutschen  Shakespeare-Gesellschaft  zu  Weimar  am  23.  April 
1901.     Miinchen.     Beck.     1901.    40  pp.  **T.77.224 

Posters.    See  Theatre  posters. 

Postscript  to  the  Letter  to  the  Rev.  G.  Burder,  occasioned  by  his 
appendix  to  his  sermon  on  lawful  amusements.  London.  Symonds. 
1805.     (3),  39  PP-  **T.96.62 

Another  copy  is  on  shelf-number  No.  4  in  **G.3824.9.  A  letter  to  the  Rev. 
George  Burder  may  be  found  on  shelf-numbers  No.  3  in  **G.3824.9 ;  **T.96.6i. 
Burder's  Lawful  amusements  may  be  found  on  shelf-numbers  No.  2  in  **G.3824.9; 
**T. 96.49. 

Potier  de  Lille,  L. 

Justification  des  comediens  frangois.  Opinions  sur  les  chefs-d'oeuvres 
des  auteurs  morts,  &  projet  de  decret  portant  reglement  entre 
les  auteurs  dramatiques  &  tons  les  comediens  du  royaume.  [Anon. 
Paris?     1790.]     15  pp.  **T.76.i63 

Relates  also  to  the  quarrel  between  Talma  and  the  Comedie  frangaise. 

Pottecher,  Marie  Benjamin  Maurice. 

Le  theatre  du  peuple.  Renaissance  et  destinee  du  theatre  populaire. 
Paris.     Ollendorff.     1899.     xxi,  280,   (3)   pp.  **T.77.99 

Relates  chiefly  to  France. 
Pottecher,   Maurice.     See   Pottecher,   Marie    Benjamin   Maurice. 
Potter,  Alfred  Claghorn. 

A  bibliography  of  Beaumont  and  Fletcher.  Cambridge.  1890.  20 
pp.  [Harvard  College.  Library.  Bibliographical  contributions. 
No.  39.]  *6i94.i2.39 

Potter,  John. 

The  theatrical  review;  or,  new  companion  to  the  play-house:  con- 
taining a  critical  and  historical  account  of  every  tragedy,  comedy, 
opera,  farce,  &c.,  exhibited  at  the  theatres  last  season;  with 
remarks  on  the  actors.     By  a  society  of  gentlemen,  independent 

[630] 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 


Potter,  John.     (Continued.) 

of  managerial  influence.     London:  Printed  for  S.  Crowdcr      177^ 
?,J-  .  .  **T.48.22 

First  appeared  in  numbers  in  the  Public  l.edger."Preface. 
Criticisms  of  the  performances  at  the  Covent   Garden  and   Drury   I,anc  Thcatrcg 
London.  ' 

Pougin,  Arthur.     See   Paroisse-Pougin,   Frangois  Auguste   Arthur. 
Poujol,  Adolphe. 

Les   reflets   du   passe.     Types   extraordinaires,  anecdotes    thcatralcs 

peu   connues,    premiere   piece    de   Th.    Barriere.      Paris.      P.arhre. 

[187-?]      100  pp.     Illus.  **T.57.395 

On   the   Paris  theatres. 

Poujol,  Adolphe,  alleged  author. 

Theatres,    acteurs    et   actrices    de    Paris.      See    Theatres,    acteurs    et 
actrices  de  Paris. 
Poulet-Malassis,  Paul  Emmanuel  Auguste,  editor. 

Moliere  juge  par  ses  contemporains.  Avec  une  notice  par  A.  P.- 
Malassis.     Paris.     Liseux.     1877.     xxvii,  148,  (4)  pp.     Plate. 

*4649a.55;**T.59.i3 
Poulet-Malassis,  Paul  Emmanuel  Auguste,  prefacer. 

Grimarest,  J.  L.  Le  G.,  Sieur  de.  La  vie  de  M^  de  Moliere.  Reim- 
pression  de  I'edition  originale  (Paris,  1705)  et  des  pieces  annexes. 
Paris.     1877.     Plate.  **T.5g,5;  etc. 

Pound,  Ezra  Loomis. 

'Noh'  or  accomplishment.  A  study  of  the  classical  stage  of  Japan. 
By  Ernest  Fenollosa  and  Ezra  Pound.  New  York.  Knopf.  191 7. 
viii,  267,    (i)   pp.     Portrait.     Music.  5028.43 

Contains  translations  of  Japanese  'Noh'  plays. 
Powell,  William. 

CoLMAN,  G.,  the  Elder.  A  true  state  of  the  differences  subsisting 
between  the  proprietors  of  Covent-Garden  Theatre;  in  answer  to 
a  manuscript  libel  and  to  a  printed  Narrative  by  T.  Harris  and 
J.  Rutherford.  [Published  with  the  endorsement  of  William 
Powell,  the  fourth  Patentee.]  London.  1768.  **T.95.ii6;  etc. 
Power,  Richard. 

Private  theatre,  The,  of  Kilkenny  [under  the  leadership  of  Richard 
Power].  With  introductory  observations  on  other  private  theatres 
in  Ireland,  before  it  was  opened.     [Kilkenny?]      1825.     Portraits. 

**T.74.2 
Power,  Tyrone. 

Winter,  W.     Tyrone  Power.     New  York.     1913.     Portraits.     Plate. 

4343.262 
Poz,  Quiz  &  Company,  pseud.,  editors. 

Dramatic  Spectator,  The.  Edited  by  Poz,  Quiz  &  Company.  No. 
i-io,  July  29 -September  30,  1837.     Edinburgh.     1837. 

No.  I  in  **G.382i.24 
Pradel,  Jules  Jean   Baptiste  Frangois  de  Chardeboeuf,  Comte  de. 

[Reglement  pour  le  second  Theatre  francais.     Paris.     1819.]      51   PP- 

**T.95.i29 

Prague,  Bohemia.     Theatres. 

Teuber,  O.     Geschichte  des  Prager  Theaters.     Von  den  Anfangen 

des  Schauspielwesens  bis  auf  die  neueste  Zeit.     Prag.     1883-1888. 

3  V.  2875.152 

Pratique,  La,  du  theatre.     Aubignac,  F.  H.,  Abbe  d'.  **T.47.4I  ;  etc. 

Pratolascio,  Florence,  Italy.     See  Florence,  Italy.     Theatres.     Parlagio. 

[631] 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 


Pray,  Isaac  Clark.     (Clercpret.) 

Teresa  Parodi  and  the  Italian  opera.     New  York.     Parsons.     1851. 
159  pp.     Portraits.  **M. 105.30 

Precis  de  I'art  theatral  dramatique  des  anciens  et  des  modernes.  La- 
combe,  J.  **T.46.53 

Prelude,  A,  to  the  plays:  or,  a  few  serious  questions  proposed  to  the 
gentlemen,  ladies,  and  others,  that  frequent  the  playhouse.  Lon- 
don: Printed  for  J.  Roberts.     1729.     23  pp.  **T.96.89 

In    opposition    to    the     theatre.       Another    copy     is     on     shelf-number     No.  5  in 
*»G.3823.i8. 

Same.     2d  edition.     24  pp.  No.  3  in  **G.3823.4 

Another  copy  is  oh  shelf-number  No.  3  in  **G.3823.3. 

Premiere,  Une,  par  jour.    Soubies,  E.  J.  A. 

Premieres,  Les,  illustrees.  Notes  et  croquis.  Saison  theatrale  1881/82- 
83/84,  85/86-87/88.  [Annee  1-3,  5-7.]  Paris.  Monnier  &  c^e 
[etc.     1882-88].     6  V.     Illus.     Portraits.     Plates.  **T.23.i4 

Present  state.  The,  of  the  stage  in  Great  Britain  and  Ireland.  And  the 
theatrical  characters  of  the  principal  performers,  in  both  king- 
doms, impartially  considered.  London:  Printed  for  Paul  Vaillant. 
1753.    55  pp.  **T.77.i5i 

Other  copies  are  on  shelf-numbers  No.  27  in  **G. 3822.1  ;   No.  9  in  **G.3823.3  ;   etc. 

Press,  The. 

Press  privilege,  The,  at  the  theatres.     [London.     1853.] 

No.  9  in  **G.3822.3 

Spillan,  H.  G.     The  stage  and  the  press:  or,  revelations  theatrical 

and  journalistic.     No.  i.  —  May,  1852.     London.     1852.     **T, 76.45 

Winter,  W.    The  press  and  the  stage.    An  oration  before  the  Goethe 

Society,  New  York,  January  28.     New  York.     1889.  **T.75.i2 

Press-agents  handbook,  The.     Johnson,  F.  G.  6197.128 

Press  privilege.  The,  at  the  theatres.      [London.     1853.]      3  pp. 

Relates  to  the  London  theatres.  No.  9  in  **G.3822.3 

Prestidigitation.    See  Legerdemain. 
Preston,  Harriet  Waters,  translator. 

Sainte-Beuve,    C.    a.      Memoirs    of    Madame    Desbordes-Valmore. 
With  a  selection  from  her  poems.     Boston.     1873.       2648.62;  etc. 
Prevel,  Jules,  and  Theodore  Jules  fimile  Cardon. 

Les  theatres   de   Paris.     Histoire   des   Delassements-comiques.      Par 

deux  habitues  de  I'endroit.     Paris.     Vallee  &  c^.     1862.     (3),  105 

pp.  **T.79.23 

Pre-Victorian  drama.  The,  in  Dublin.     Hughes,  S.  C.  4576.189 

Preville,  Pierre  Louis  Dubus-. 

Cahaisse,  H.  a.     Memoires  de  Preville.     Paris.     1812.     **T.56.i3;  etc. 

Dazincourt,   J.  J.    B.   A.      Notice   historique    sur   Preville.      Lue   au 

Lycee,  le  19  nivose,  an  8  (Janvier  1800).    A  Paris.    An  viii.     [1800.] 

**T.56.i2 
Prevost,  Eugene  Marcel. 

Cousine   Laura.     Moeurs  de   theatre.     Paris.     Lemerre.      1890.      (5), 
283,  (i)  pp.  **T.87.30 

A  novel  of  theatrical  life. 

Prevost,  Marcel.    See  Prevost,  Eugene  Marcel. 
Price,  William  Thompson. 

The    analysis    of    play    construction    and    dramatic    principle.      New 

York.      Price.      [1908.]      vi,   415   pp.  6257.90 

A  life  of  Charlotte  Cushman.     New  York.     Rrentano's.     [1894.]     (5), 

iii,  (i),  180,  xviii  pp.     Portrait.     [A  library  of  masks  and  faces.] 

**T.59-39 
[6.32] 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 


Price,  William  Thompson.     (Continued.) 

The  technique  of  the  drama.     New  York.     Brcntano.     1909.     viii,  2S7 

PP-  6257.88 

Same.     1913.  6257.89 

A    life    of    William    Charles    Macready.      New    York.      Brcntano's. 

[1894.]      (5),  iii,   (i),  201,  xii  pp.     Portrait.     |A  library  of  masks 

and  faces.]  **T.59.4o 

Prichard,  Joseph  Vila,  translator. 

FiLON,  P.  M.  A.    Garrick's  pupil.     Chicago.     1893.     IHus.         **T.88.2 
Prima  donna.  The.     Edwards,  H.  S.  4044.83;  **M. 371. 52 

Prima  donnas  and  soubrettes.     Strang,  L.  C.  4048.183;  **T.58.26 

Princesses  de  comedie  et  deesses  d'opera.     Houssaye,  A. 

4693.1.5 ;  **T.56.320  ;  etc. 
Private  Theatre,  The,  of  Kilkenny,   with  introductory  observations  on 
other  private  theatres   in   Ireland,   before   it  was   opened.      [Kil- 
kenny?]     1825.     (3),  134  pp.     Portraits.  **T.74.2 
The  leader  of  the  Private  Theatre  was  Richard  Power. 

Private  theatricals.     Hodson,  J.  S.  6003.53;  **T.97. 193 

Private  theatricals.     See  Amateur  theatricals;  Student  theatricals. 
Problems  of  the  actor.     Calvert,  L.  6257.29 

Problems  of  the  playwright.     Hamilton,   C.  M.  6257.370 

Procter,  Bryan  Waller. 

The  life  of  Edmund  Kean.     [Anon.]     London.     Moxon.     1835.     2  v. 

Portrait.    Autograph  facsimile.  6540.75;  **T.57.299 

Another  copy  is  on  shelf-number  **K. 36.26. 

Same,     xi-239  pp.  6,6028.55;  **T.57.30o 

This  edition  lacks  the  portrait. 
Procter,  Richard  Wright. 

Manchester  in  holiday  dress.  London.  Simpkin,  Marshall  &  Co. 
1866.     viii,  179  pp.  **T.77.89 

Relates  to  Manchester  theatres. 

Our  turf,  our  stage,  and  our  ring.  With  illustrations  by"  William 
Morton.    Manchester.    Dinharji  &  Co.     1862.    91  pp.    Illus.    Plate. 

Relates  to  Manchester,  Eng.  **T.97.l62 

Production  of  plays.    See  Theatre.    Management. 

Proelss,  Carl  Robert. 

Von  den  altesten  Drucken  der  Dramen  Shakespeares,  und  dem  Ein- 
flusse,  den  die  damaligen  Londoner  Theater  und  ihre  Einrich- 
tungen  auf  diese  Dramen  ausgeiibt  haben.  Eine  Untersuchung 
vom  literarischen  und  dramaturgischen  Standpunkte.  Leipzig. 
Berger.     1905.    iv,  141  pp.  4579.150 

Profils  de  theatre.     Claretie,  J.  A.  A.  **T.57.7o;  etc. 

Profils  et  grimaces.     Vacquerie,  A.  fi.  **T.47.i2 

Programmes. 

Many  of  the  plays  listed  at  the  end  of  this  catalogue  contain  inserted  programmes 
of  special  performances. 

Benevolent  and  Protective  Order  of   Elks.     Boston  Lodge.     No.   10. 

[Programmes  of  annual  benefits.]     2d,   17th.     Boston.     1880,  94. 

2  V.     Illus.     Portraits.     Plate.  **T.i4.i3 

Dramatic  and  musical  prospectuses  and  programmes,   etc.      [1876- 

86.]     39  pphs.  **M.i39.i7 

Fashions  of  two  centuries.     1776-1870.     Presented  by  the  Hingham 

Historical  Society,  September  20th.     [Programme  of  the  pageant. 

Hingham.]      1916.  8076.246 

Lee,    W.    H.,   compiler.     Dramatic    &   musical   programs.      [Cuttings. 

Boston.     1897-1913.]     13  V.     Illus.,  some  colored.     Portraits,  some 

colored.  **T. 10.68 

[633] 


THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 


Programmes.     (Continued.) 

Maindron,  C.  E.  Les  programmes  illustres  des  theatres  et  des  cafes- 
concerts,  menus,  cartes  d'invitation,  petites  estampes,  etc.  Paris. 
[1S97.]      (62)    plates,   mostly  colored.  **T.i2.6;  etc. 

May  Festival,  Boston.  Official  programme,  17th,  i8th  annual  May- 
Festival.  [Given  under  the  direction  of  Mrs.  William  S.  Butler. 
Boston.]      1905,  06.     Portraits.  **T. 14.14 

William  Winter  testimonial,  The.  Century  Theatre,  March  four- 
teenth, nineteen  hundred  and  sixteen.  [Programme  and  tributes. 
New  York.]     1916.    Portrait.  **T.52.i3 

Programmes.    Operas. 

Boston.  Theatres.  Boston  Opera  House.  Programs.  Season  of 
grand  opera.  1909/10-1913/14.  Nov.  8,  1909-March  28,  1914.  Bos- 
ton.   1909-1914.  **M.Cab.2.i5;  etc. 

French,  C.  E.  A  year  of  opera  at  the  Castle  Square  Theatre,  from 
May  6,  '95,  to  May  6,  '96.  Containing  portraits  and  sketches  of 
the  principal  singers,  and  a  record  of  the  casts  of  characters  of 
the  various  operas  produced.     Boston.     1896.     Portraits. 

8048.69;  **M.375.8 

London.  Theatres.  His  Majesty's  theatre.  Programmes.  Pel).  20- 
Aug.  3,  1847.     London.     1847.  **M.i3i.i 

Opera  Box,  The.  [Programmes,  etc.,  of  operas  produced  at  Her 
Majesty's    theatre.      London.]      1849-51.      218    nos.    in    3   v. 

**M. 419.28 

Rouen,   France.      Theatres.      Theatre   des  arts.      Le    theatre-des-arts. 
1776-1886.   Repertoire  lyrique.  Rouen.   1886.   Illus.   Plates.  4048.100 
Programmes.     Theatre. 

Actors'  Fund  of  America.  Complimentary  souvenir  programme. 
Benefit  performance,  Boston  Theatre,  April  21st,  1910.  [Boston. 
1910.]  **T.i5.2i 

Anzeiger  fiir  die  Koniglichen  Theater,  i.  Januar-31.  Dezember, 
1874.     Miinchen.     1874.     350  nos.  in  i  v.  **M. 236.27 

Bishop,  A.  Tour  in  the  U.  S.  &  Canada,  from  Aug.,  1847,  to  Sept., 
1848.     Programmes.     Nevi?  York   [etc.].     1847-48.     56  sheets. 

**M.446.87 

Boston.  Theatres.  Bijou  theatre.  Play  bills  and  programmes. 
March  4,  1843 -April  5,  1865;  October  15,  1878 -June  5,  1882; 
Jan.  22,  1883 -June  8,  1885;  Season  of  1885/6.  [Boston.  1843-86.] 
4  V.  **T.io.4i 

Boston.  Theatres.  Boston  museum.  Performance  in  aid  of  The 
Mrs.  J.  R.  Vincent  Hospital  Fund  at  the  Boston  Museum,  April 
24,  1890.  Presented  w^ith  the  compliments  of  the  Boston  Herald. 
[Boston.]     1890.  **T.io.i2 

Playbills  and  programmes.  [ist-62d  dramatic  season.  Bos- 
ton.    1843-1903.]     62  V.  in  47.  **T.io.io 

History  of  the  Boston  Museum.  [Accompanied  by  30  pro- 
grammes, 1855-1903.]     Boston.    1892.    Portraits.    No.  4  in  **T. 54.33 

[Souvenir  programme  for]  Monday  evening,  June  i,  1903.    Last 

night  of  the  existence  of  the  Boston  Museum  as  a  theatre. 
Charles  Frohman's  Empire  Theatre  Company  presenting  Mrs. 
Dane's  defense.     Boston.     1903.     Portraits.     Plate.  **T.i6.6 

Boston.  Theatres.  Boston  museum  company.  [Suburban  play  bills 
of  the  Boston  Museum  Company.]      Boston.     1870-83.     **T.io.i4 

Boston.  Theatres.  Boston  theatre,  Washington  Street.  Play-l)ills. 
1854-90/91,  93/04,  95/96-99/1900,  T901-06.  [Boston.  1854-1905. 1 
46  v.  **T.io.i 

[634] 


BROWN   COLLECTION   OF  BOOKS   ON   THE  STAGE 


Programmes.    Theatres.     (Continued.) 

Boston.     Theatres.     Boston  theatre  company.     [Suburban   play  I)ills 

of  the  Boston  Theatre  Company.]      Boston.     1870-80.       **T.io.3 
Boston.     Theatres.     Boylston  museum.     Programmes.     Oct.  5,   1874- 

July  30,   1881.     [Boston.     1874-1881.]  **T. 10.43 

Boston.      Theatres.      Castle    Square    theatre.      The    Castle    Square 

Program   Magazine.     Vol.   i,   2.     Boston.     191 1,   12.     2  v.     Illus. 

Portraits.    Plans.  **T.i5.i4 

Boston.      Theatres.      Continental   theatre.      Play-bill.s.      January    i, 

1866 -March  6,   1869;   December   12,    1870,  April  6 -June  3,    1871. 

[Boston.     1866-71.]     2  V.  **T.io.39 

Boston.      Theatres.      Globe  theatre.      Complimentary    testimonial    to 

Mr.    Arthur    Cheney,    Globe    theatre,   June    7th,    1872.      [Boston. 

1872.]  No.  3iain**G.3822.3 
Play-bills.     Oct.  28,  1867 -April  10,  1873;  Dec.  3,  1874 -July   i, 

1878;  Jan.  6,  1879 -Dec.  25,  1893.     [Boston.     1868-1893.]      18  v. 

**T.I0.2I 

Boston.  Theatres.  Grand  Opera  House.  Programmes.  January  9, 
1888 -May  29,   1893.     [Boston.     1888-1893.]     2  v.  **T.io.45 

Boston.  Theatres.  Hollis  Street  theatre.  Programmes.  April  11, 
1870- May  31,  1890;  August  31,  1891 -June  6,  1903.  [Boston. 
1870-1903.]  **T.io.33 

Boston.  Theatres.  Howard  Athen.«um.  Play  bills.  October  20, 
1845 -February  II,  1884.     [Boston.     1845-84.]     23  v.  **T.io.i8 

Boston.  Theatres.  National  theatre,  Portland  Street.  Play  bills. 
July  5,  1832 -April  21,  i860.     [Boston.     1832-60.]     11  v.    **T.io.i5 

Boston.  Theatres.  Park  theatre.  Programmes.  April  19,  1879  - 
June  29,  1889;  1890-1901;  1903/04-12/13.  [Boston.  1879-1913.] 
20  V.  and  I  box.  **T.io.30 

Boston.  Theatres.  Tremont  theatre.  1827-1843.  Play  bills.  Feb- 
ruary 16,  1829 -June  15,  1843.     [Boston.     1829-43.]     2  v.    **T.io.25 

Boston.  Theatres.  Tremont  theatre.  1863-1865.  Play  bills.  Feb. 
26-28,  Nov.  30,  1863;  Oct.  31,  1864;  Jan.  2,  Feb.  3,  Feb.  10,  April  3, 
April  25,  1865.     [Boston.     1863-65.]  **T.io.26 

Boston.  Theatres.  Tremont  theatre.  1889-.  Programmes.  October 
14,  1889-August  19,  1901;  June  30,  1901-.    [Boston.    1889-.]    **T.io.27 

Boston.  Theatres.  Windsor  theatre.  Programmes.  September  10, 
1881-February  28,  1887.     [Boston.    1881-81.]     Unpaged.    **T.io.47 

Boston  stage,  The.  Its  history  from  1854  to  the  present  time.  [A 
series  of  articles  published  in  the  Boston  Courier,  1874-1876. 
Mounted  in  a  scrap-book.  38  contemporaneous  play-bills  are 
inserted.     Boston.     1874-76.]  **T.io.9 

Brown,  A.  A.,  compiler.  [Programmes,  musical  and  dramatic.  Bos- 
ton, etc.     1887-94.]     2  V.  **M.37i.i3 

Cedar  Rapids,  lozc'a.     Theatres.     Greene's  Opera  House.     [Play  bills, 

/     season  1883-84.     No.  1-69.     Cedar  Rapids.     1883,  84.]        **M.37i.5 

^^[CoLLECTioN  of  play  bills  of  English  theatres,  chiefly  those  of  Lon- 

/^  don.     1718-1825;    1825-1864.]      N.  p.     2  V.  **G.50.30 

Deutscher  Verein  der  Harvard  Universitat.  Grillparzer's  Medea 
dargestellt  von  Mitgliedern  des  Irving  Place  Theaters  0.  Decem- 
ber  1906.      [Programme.     Boston.     1906.I  44803.168 

Edwards,  F.  Playbills.  A  collection  and  some  comments.  Lon- 
don.    1893.  **T.96.33 

Ellis,  J.  [A  collection  of  articles  and  items  on  Stratford  as  con- 
nected with  Shakespeare,  cut  from  books,  periodicals  and  news- 

[635] 


THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 

Programmes.     Theatres.     (Continued.) 

papers;  with  a  circular,  and  programmes  of  performances  in  aid 
of  the  fund  for  the  purchase  and  preservation  of  Shakespeare's 
house.     Stratford?]     1840.     Illus.     Portraits.     Plates.  **G.70.27 

GosNELL,  John,  &  Co.  The  graphic  theatrical  programme.  [London. 
187-?]  **T.i4.i2 

Incorporated  Stage  Society,  London.  Ten  years.  1899  to  1909.  Lon- 
don.    1909.  **T.i6.4 

Junius  Brutus  Booth.  [Manuscript  copies  of  programmes  with  a 
few  letters,  etc.]     N.  p.    N.  d.     Portrait.  **T.i3.6 

London.  Theatres.  Covent  Garden  theatre.  [Theatre  Royal,  Covent 
Garden.  40  play-bills,  May  2- July  2,  1842;  entire  season  of  German 
opera;  M.  Thalberg;  the  famous  actress,  Mile.  Dejazet,  her  last 
appearance  in  England.    London.    1842.]  **T.Cab.i.i5 

London.    Theatres.    Gaiety  theatre.    The  Gaiety  programme.    June  2, 
v_         3,  5-30,  July  1-12,  1879.     [London.     1879.]  **T.i5.i3 

^'  London  play   bills  and   dramatic  cuttings.      1766-1825.     Illus.      Por- 
^y      traits.  **T.ii.5 

^ -London   playbills,    pictures    and    cuttings.      1774-1874.      Illus.      Por- 
traits.    Plates.     Plan.  **T.ii.2 

MacCarthy,  D.  The  Court  Theatre,  1904-1907:  a  commentary  and 
criticism.  With  an  appendix  containing  reprinted  programmes 
of  the  "Vedrenne-Barker  performances."    London.    1907.   **T.78.73 

Militia  of  Mercy,  The.  Children's  Ambulance  Service.  Benefit 
performance  in  aid  of  the  children  of  Boston,  crippled  by 
infantile  paralysis,  Boston  Opera  House,  Friday  afternoon,  No- 
vember 3,  1916,  under  the  auspices  of  The  Militia  of  Mercy. 
[Boston.     1916.]     Illus.     Portraits.     Plans.  **T.i2.i2 

Moore  &  Burgess  Minstrels.  Programmes.  May  15,  1871  -  Dec.  31, 
1891;  May  21,  Oct.  22,  1892;  Dec.  26,  1893;  June  16,  1894.  [Lon- 
don.    1871-94.]     41  v.  **T.i5.i2 

New  York,  City.  Theatres.  Park  theatre.  Playbills.  Sept.  i  [1821-] 
July  5,  1822.     [New  York.     1821,  22.]  **T.io.70 

New  York,  City.  Theatres.  Raymond  Hitchcock's  44TH  street 
theatre.  Souvenir  programme.  Edward  E.  Rice's  testimonial 
in  celebration  of  his  forty  years  in  management,  1877-1917, 
tendered  by  members  of  his  companies  and  other  friends,  Sunday, 
October  28,   1917.      [New  York.     1917.]      Portraits.     Plates. 

**T.i2.i3 

CEuvRE  frangaise  des  trente  ans  de  theatre.  CEuvre  frangaise  et 
populaire  des  trente  ans  de  theatre.  1903.  Representations 
populaires  et  causeries.     Paris.     1904.  **T.74.2i 

Paris.  Theatres.  Theatre  du  vaudeville.  Les  2,  3  et  4  septembre 
1886.  La  troupe  americaine  d'Augustin  Daly  du  Daly's  Theatre, 
New- York,  donners  une  serie  de  representations  au  Theatre  du 
vaudeville.     [Programmes  et  resumes.     Paris.]      1886.         **T.ii.8 

Portraits  of  favorite  actors  and  actresses  [with  programmes].  N.  p. 
N.  d.     Illus.     Portraits.  **T.ii.3 

[Seventeen  playbills  of  American  performances  of  plays  based  on 
Dickens's  works,  Sept.  27,  1855-  Nov.  23,  1885.  Boston,  etc.  1855- 
1885.]  **T.Cab.i.3 

Theatrical  Observer,  The:  and  daily  bills  of  the  play.  Nov.  3,  1821- 
June  30,   1876.     [London.]      1821-76.     S3  v.  **T.26.2 

Washington,  D.  C.  Theatres.  Ford's  theatre.  [Programme.]  April 
T4th,  1865.  Benefit  and  last  night  of  Miss  Laura  Keene.  [Wash- 
ington, b.  C.     1891.]  **T.ii.7 

[636] 


BROWN  COLLECTION   OF  BOOKS   ON   THE  STAGE 


Programmes.     Theatre.    Amateur. 

See  also  Amateur  theatricals;  Student  theatricals. 

Amateur  performance,  The,  on  behalf  of  the  family  of  the  late  C. 
H.  Bennett,  at  the  Theatre  Royal,  Adelphi.  [A  proKraininc  with 
the  texts  of  the  plays  performed.     London.]      1867.  **T.38.4 

Amateurs,  The,  Brookline.  [Programmes.]  2d  season,  2d,  3d  play; 
3d  season,  ist  play.     Brookline.     1909.    3  playbills.  **T.i5.i9 

Bank  Officers'  Association  of  Boston.  Coreopsis,  or  the  king's 
amulet:  an  Egyptian  comic  opera  in  three  acts.  Presented  at 
Keith's  Bijou  Opera  House,  Jan.  26-29,  1898.  [Programme.  Bos- 
ton.    1898.]     Illus.     Portraits.  4454.301 

Miss    Simplicity.      An    original    musical    comedy.      [Presented 

at  the]    Tremont  Theatre,   one  week,   commencing   February  25, 
1901.     [Boston.]     1901.     Illus.     Portraits.  **T.32.9 

Pinafore  on  the  half  shell.    A  nautical  vaudeville  presented  at 

Keith's  Bijou  Opera  House,  Jan.  22,  23,   1897.     [Boston.     1897.] 
Portraits.     Plates.  **T.95.8i 

Boston.  Theatres.  Boston  theatre,  Washington  Street.  Aladdin,  or 
the  wonderful  lamp.  [For  the  benefit  of  the  George  Junior  Re- 
public]    Boston  theatre,  January  8-11,  1904.    Boston.    1904.    Plan. 

4455296 

Boston  Press  Club.  Annual  entertainment,  ist,  3d,  6th-Qth,  13th- 
14th.    Boston.    1886-1889.    Portraits.    Plates.    Music.    **T.33.7;  etc. 

Cambridge  Social  Dramatic  Club.  Fiftieth  performance  given  in 
Brattle  Hall,  February  fourteenth,  1903.  [With  list  of  plays 
given  by  the  Club  since  its  formation  in  1891.     Cambridge.     1003.] 

445oa.i49;**T.i3.8 

Cercle  frangais  de  Radcliffe  College.  Edmond  Rostand.  Les 
romanesques.  Comedie  en  trois  actes  en  vers.  [Programme. 
Cambridge.      1906.]  4456.181 

College  Equal  Suffrage  League  of  Massachusetts.  [Programme 
of  three  plays  given  at  Potter  Hall,  January  31,  1905.  Boston. 
1905.]  4459-169 

Delta  Upsilon  Society,  Harvard  Chapter.  The  comedy  of  errors.  A 
comedy  by  William  Shakespeare.  Being  the  annual  theatricals 
for  Anno  Domini  mdccccxiii.  [Programme.]  Cambridge.  1913. 
Portraits.     Plates.  44503.154 

Eastward,  ho!     A  comedie  by  Marston,  Jonson  and  Chapman. 

Being  the  annual  theatricals.     [Programme.     Cambridge.     1903.] 
Illus.     Portraits.  44503.152 

The   elder  brother.     A   comedie   by   Fletcher  and    Massinger. 

Being  the  annual  theatricals.     [Programme.     Cambridge.     1901.] 
Illus.     Portraits.  44503.151 

Henry  IV.    Part  II.    By  William  Shakespeare.    Being  the  annual 

theatricals.     [Programme.]     Boston.    1916.    Illus.    Plate.    4592.158 

The  maid  of  the  mill.     A  comedy  by  Fletcher  and   Rowley. 

Being  the  annual  theatricals.     [Programme.     Cambridge.     1900.] 
Illus.  .  44803.139 

The  wise-woman  of  Hogsdon.     A  comedie  by  Tho:  Hey  wood. 

Being  the  annual  theatricals.     [Programme.     Cambridge.     1906.] 
Illus.     Plates.  44Soa.i53 

First  Corps  of  Cadets  of  the  Massachusetts  Volunteer  Militia. 
Cadet  theatricals.  Cinderella  &  the  prince.  [Programme.  Bos- 
ton.]     1904.     Plates.  44503.161 

"1492."     [Programme.     Boston.     1892.]     Portraits.     Plates. 

*445oa.i03 

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THE  PUBLIC  LIBRARY  OF  THE   CITY  OF  BOSTON 

Programmes.     Theatre.    Amateur.     (Continued.) 

Injured  innocents.     [Programme.     Boston.     1891.]     445oa.io5 

Miss  Po-ko-hon-tas.  [Programme.]  Boston.  1906.  Por- 
traits.    Plates.  445oa.i67 

Simple  Simon.    [Programme.    Boston.    1897.]    Plates.    44503.106 

The  strange  adventures  of  Jack  and  the  beanstalk.     [A  fairy 

Mother  Goose  burlesque,  by  R.  A.  Barnet  and  A.  B.  Sloane.     Pro- 
gramme.]    Boston.     [1896.]     Illus.     Portraits.     Plates.     Plan. 

445oa.io7 

Tabasco.      [Programme.      Boston.      1894.]      Illus.      Portraits. 

Plates.  *445oa.i04 

FooTLiGHT  Club,  Jamaica  Plain,  Mass.     [Programme  of]   A  scrap  of 

paper,  May  4-5,  1906.     looth  performance  [of]  the  Footlight  Club. 

[Cambridge.      1906.]  4009.329 

Harvard   Classical    Club.     Scenes   from   The   birds   of  Aristophanes. 

[With  a  programme  of  the  performances  of  these  scenes  by  the 

Harvard  Classical  Club,  May  8  and  10,  1901.]     Cambridge.     1901. 

2977.27;  **T.36.29 
Harvard  College.     [Programme  of  Terence's  Phormio  as  given  by 

the  students  in  Sanders  theatre,  April,  1894.     Cambridge.     1894.] 

*4483.i83 
Harvard  College.     Department,  of  the  Classics  and  Department  of  Indie 

Philology.    AloxvXov  'Aya^eiLivrov.     [Programme.    Cambridge.    1906.] 

*4490.I9 
Harvard    College.      Germanic    Museum.      Akademisches    Theater    der 

Harvard   Universitat.     Festvorstellung   zur  Feier  der    Eroffnung 

des     Germanischen     Museums,    Dienstag,     10.       November     1903. 

[Programm.     Cambridge.]      1903.  44803.153 

Hasty  Pudding  Club,  Harvard  College.    Spring  theatricals,  1897,  April 

29,  30,  and  May  i,  3  and  4.     ["The  flying  Dutchmen."    Programme. 

Cambridge.     1897.]     Plates.  44803.140 

Spring    theatricals,    1900,    May    9th    to    May    12th.      "Wytche 

Hazelle."     A  masque  in  tw^o  musical  movements.      [Programme. 
Cambridge.     1900.]     Illus.     Portraits.     Plates.  **T.33.4 

Spring  theatricals.     Boodle  &  Co.     An  original  musical  play, 

in  prologue,  two  acts  and   epilogue.      [Programme.      Cambridge. 
1904.]     Plates.  44803.156 

Massachusetts  Institute  of  Technology.  Plays  and  entertainments. 
Hollis  Street  Theatre.  Souvenir  program  of  the  Tech  show^: 
'The  grand  duke."  Given  .  .  .  May  3d  [1901.  Boston.  1901]. 
Illus.  *4450.i62 

Millet.  F.  D.  Illustrations,  with  descriptive  reading  matter,  from 
the  November  number  of  the  Century  Magazine.  Oi8i'jtov>g 
TVQavvoz.  Oedipus  the  King.  The  Greek  tragedy  as  recently 
presented  at  Harvard  University.  [Programme.  Boston.  1881.] 
Illus.  44503.150 

Pi  Eta  Society,  Harvard  College.  Pi  Eta  theatricals.  The  Viking. 
Presented  April  15-25,  1901.  [Cambridge.  1901.]  Plates.  Por- 
traits. **T.32.3 

Saturday  Morning  Club,  Boston.  [Programme  of  the  Winter's  tale, 
given  in  Copley  Hall,  February  18-21,  1895,  by  the  Saturday 
Morning  Club.]      Boston.     1895.  *Artz  Cab. 19.25 

Sociedad  espanola  de  la  Universidad  Harvard.  Los  tres  ramilletes. 
Presented  by  the  members  of  La  Sociedad  espanola  dc  la  Uni- 
versidad Harvard,  Brattle  Hall,  May  10,  1906.  [Programme. 
Cambridge.]     1906.  4483.319 

[638] 


BROWN  COLLECTION   OF  BOOKS   ON   THE  STAGE 


Programmes.    Theatre.    Amateur.     (Continued.) 

University  of  California.  Greek  theatre.  A  midsummer  night's  dream. 
A  comedy  by  Shakespeare,  with  music  by  Mendelssohn.  Septem- 
ber I,  1906.  [Cast  of  characters,  etc.  Berkeley.  1906.]  4474.307 
Westminster  School,  London.  Plot  of  the  Phormio.  [Verse.  Anon. 
Accompanied  by  two  leaflets,  entitled  Phormio,  1873  [cast]  and 
Plot  of  epilogue,  1873;  also  a  programme,  and  a  leaflet  containing 
two   songs.      London.      1873.]  **'r.97.35i 

Women's  Educational  and  Industrial  Union,  Boston.  Fairyland:  an 
enchantment  devised  by  Laura  Coombs  Hills.  Dances,  panto- 
mime and  groupings  by  Melvin  Ballou  Gilbert.  [Programme.] 
Boston.     [1900.]  44503.169 

Programmes.     Theatre.     Catalogues. 

ToEDTEBERG,    A.      A   particularly    interesting   collection    of    English 

and  American  play-bills  mainly  formed  by  Augustus  Toedteherg. 

For  sale  at  auction  by  the  Anderson  Auction  Company,  March  iq, 

1907.     New  York.     1907.  **T.65.36 

Projet  d'une  salle  de  spectacle  pour  un  theatre  de  comedie.     [Anon.] 

See  Cochin,  Charles  Nicolas. 
Prologue. 

B.,  G.  S.    A  study  of  the  prologue  and  epilogue  in  English  literature 

from  Shakespeare  to  Dryden.     London.     1884.     2553.69;  **T. 47.48 

Prompter,   The;   a  weekly  miscellany,   devoted   to   public   amusements. 

[June  I,  1850-Aug.  5,  1850.]    Edited  by  Cornelius  Mathews.    [New 

York.]     1850.     96  pp.     Portraits.     Autograph  facsimile.     **T.27.35 

Same.     No.   3.      [July   i,    1850.]      New   York.     Taylor    &   Co.      1850. 

49-72  pp.  **T.27.3o 

Prompter,    The;    or,    theatrical    investigator.      [Weekly.]      No.    [i-ii9. 

Manchester.     Wilson  [etc.     1815,  16].     i  v.  **'r.28.io 

Criticisms  of  the  performances  at  the  Theatre  Royal,  Manchester. 

Prompter,  The,  and  Scottish  Dramatic  Review.    Vol.  i;  2  (no.  i).    Nov. 

12,  1842 -May  20,  1843.    Edinburgh.    Robinson.    1842,  43.    2  v.  in  i. 

**T.27.25 
Prompter's    whistle.    The.      A    weekly    miscellany,    devoted    to    public 

amusements.     Edited  by  the  man  behind  the  curtain    [Cornelius 

Mathews].     Aug.   31,    1850  -  Sept.   28,    1850.      [New   York.]      1850. 

96  pp.     Portraits.  **T.27.36 

A  continuation  of  the  Prompter  [**T.27.3s]. 
Same.     August  31,  1850.  **T.98.44 

Propiac,  Catherine  Joseph  Ferdinand  Girard  de. 

Histoire    veritable    de    Fanchon    la   vielleuse,    extraite    de    memoires 

inedits.      [Anon.     Par  J.   B.   Dubois  et  C.  J.   F.   G.   de   Propiac] 

Paris.     Capelle.    An  XI.-1803.    203,  (i)  pp.    Plate.  **T.88.i4 

Propos,  Les,  d'un  escamoteur.     Raynaly,  E.  **T.97.246 

Proposal,  A,  for  the  better  regulation  of  the  stage.    With  some  remarks 

on  the  state  of  the  theatre  among  the  ancient  Greeks  and  Romans. 

London:  Printed  for  J.  Peele.     1732.     (8),  55  pp.  **T.77.2i5 

Proposes  a  new  theatre  in   London,  to  be  controlled  by   shareholders. 

Prospero,  pseud. 

An  imaginary  history  of  the  American   theatre  from    1890  to   1900. 

New  York.  1890.     64  pp.                                                            **T.77.56 

Providence,  R.  I.  Theatres. 

Blake,  C.     An  historical  account  of  the  Providence  stage;  being  a 

paper  read  before  the  Rhode  Island  Historical  Society,  October 

25th,   i860.  (With  additions.)      Providence.     1868.                4487-15 

[639] 


THE  PUBLIC  LIBRARY  OF  THE  CITY  OF  BOSTON 

Providence,  R.  I.     Theatres.     (Continued.) 

WiLLARD,  G.  O.  History  of  the  Providence  stage,  1762-1891.  In- 
cluding sketches  of  many  prominent  actors  who  have  appeared 
in  America.     Providence.      1891.  4395.166;  **T.75.68 

Provinciaal  Utrechtsch   Genootschap  van   Kunsten  en  Wetenschappen. 
WoRP,  J.  A.     De  invloed  van   Seneca's  treurspelen  op  ons  tooneel. 
Amsterdam.     1892.  2goob.44 

Provost,  Jean  Baptiste  FranQois. 

A  Jean-Baptiste  Provost,  societaire  de  la  Comedie-frangaise,  pro- 
fesseur  au  Conservatoire  imperial  de  musique  &  de  declamation. 
Paris.     Claye.     1867.     31  pp.    .Portraits.  **T,5i.7 

Prunieres,  Henry. 

Le  ballet  de  cour  en  France  avant  Benserade  et  Lully,  suivi  du  Ballet 
de  la  delivrance  de  Renaud.  Paris.  Laurens.  1914.  (5),  vi,  282, 
(i)   pp.     Plates.  *404oa.i69 

Bibliographic,  pp.  267-270. 

Prynne,  William. 

Histrio-mastix.  The  players  scovrge,  or,  actors  tragaedie.  Wherein 
it  is  largely  evidenced  that  popular  stage-playes  are  sinful,  ungodly 
spectacles.  London,  Printed  by  E.  A.  and  W.  L  for  Michael 
Sparke.     1633.     (34),  1006,  (40)  pp.  **T.77.i9 

Another  copy  is  on  shelf-number  **G.4075.i6. 

Prynne,  William.     Works  about. 

Baker,  Sir  R.  Theatrum  redivivum,  or  the  theatre  vindicated  by  Sir 
Richard  Barer  [sic].  In  answer  to  Mr.  Pryn's  Histrio-mastix. 
London.     1662.  **G.382i.i2 

Mr.  William  Prynn  his  defence  of  stage-plays,  or  a  retraction  of 
a  former  book  of  his  called  Histrio-mastix.  London,  printed  in 
the  year  1649.     [London.     1822.]  **T.77.22;  etc. 

Pryor,  Francis  Robert,  editor. 

Sophocles.  GLdiptis  Tyranmis.  The  Oedipus  Tyrannus.  A  record  by 
L.  Speed  and  F.  R.  Pryor  of  the  performance  [at  the  University 
of  Cambridge]  in  November  1887.  Cambridge.  [1888.]  lUus. 
Plate.  **T.3i.6 

Psyche,  The.  A  magazine  of  belles  lettres,  the  drama,  poetry,  music, 
and  the  fine  arts.  Edited  by  the  author  of  "The  Czar,"  &c. 
Monthly.     No.  4.     May,   1840.     London.     1840.     Colored  portrait. 

**T.97.i88 

Psychonomy,  The,  of  the  hand.     Beamish,  R.  5600.2 

Public  and  private  life  of  that  celebrated  actress.  Miss  Bland,  otherwise 
Mrs.  Ford,  or,  Mrs.  Jordan;  late  mistress  of  H.  R.  H.  the  D.  of 
Clarence;  now  King  William  IV.,  founder  of  the  Fitzclarence 
family.  By  a  confidential  friend  of  the  departed.  London.  Dun- 
combe.     [188-?]      X17  pp.  45493.107 

Another  copy  is  on  shelf-number  **K.263.8.     An  earlier  edition,  having  the  title 
The   great   illegitimates!!,  may   be   found  on   shelf-number  **T.57.340. 

Public  speakers. 

Bangs,  J.  K.  From  pillar  to  post:  leaves  from  a  lecturer's  note-book. 
New   York.      1916.     Illus.  24093.349 

Puchstein,  Otto. 

Die  griechische  Biihne.  Eine  architektonische  Untersuchung.  Berlin. 
Weidmann.     1901.     vi,   (i),   144  pp.     Illus.  4093.87 

Puesterich,  Hermann. 

Meine  Biihnen-Erlebnisse.  Wahrheitsgetreue  Memoiren.  Heraus- 
gegeben  und  eingeleitet  von  Reinhold  Ortmann.  Berlin.  Fried- 
rich.     1886.     (3).  347,  (i)  pp.  **T.57.274 

[640] 


BROWN   COLLECTION   OF  BOOKS   ON   THE   STAGE 


Pulvis   Olympicus.     Patterson,  J.  4004.124 

Puppet  shows. 

Collier,  J.  P.  Punch  and  Judy,  with  illustrations,  designed  and 
engraved  by  George  Cruikshank.  Accompanied  by  the  dialogue 
of  the  puppet  show,  and  an  account  of  its  origin,  and  of  pupi)ot 
plays  in  England.     London.     1870.     Illus.     Plates.    **T.37.249;  etc. 

Delvau,  a.  Le  Theatre  erotique  frangais  sous  le  Bas-Empire.  i^aris. 
[186-?]  **T.77.203 

Feu  le  Theatre  de  Seraphin  depuis  son  origine  jusqu'a  sa  disparition. 
1 776-1870.     Paris.     1872.  **T.96.i45 

Magnin,  C.  Histoire  des  marionnettes  en  Europe  depuis  I'antiquitc 
jusqu'a  nos  jours.     Paris.     1852.  **T.95.84 

Same.     2e  edition.     1862.  6297.25 

Maindron,  C.  E.  Marionnettes  et  guignols,  les  poupees  agissantcs 
et  parlantes  a  travers  les  ages.  Paris.  [1900.]  Illus.  Portraits. 
Plates,   some    colored.  4671.88 

PiscHEL,  R.  The  home  of  the  puppet  play.  An  address  on  assum- 
ing the  office  of  Rector  of  the  Konigliche  vereinigte  Friedrichs- 
Universitat,  Halle-Wittenberg,  on  the  12th  July,  1900.  London. 
1902.  2256.18 

Rehm,  H.  S.  Das  Buch  der  Marionetten.  Ein  Beitrag  zur  Gc- 
schichte  des  Theaters  aller  Volker.  Berlin.  [1905.]  Illus.  Por- 
traits.    Plates.     Plan.  62508.45 

Serrurier,  L.    De  wajang  poerwa,  eene  ethnologische  studic.    Leiden. 

1896.     Text  und  Atlas  of  21  colored  plates.  *Cab. 80.29.3 

Pulpit,  The,  and  the  stage.     Ham,  J.  P.  **T.77.i34 

Pulpit,  The,  justified,  and  the  theatre  condemned.     East,  J.       **T.76.99 

Pure,  Michel  de. 

Idee  des  spectacles  anciens  et  novveavx.  Par  M.  M.  D.  P.  Paris. 
Michel  Brunet.     1668.     (6),  318,  (10)  pp.  **G.3537.4 

Puritans. 

Thompson,  E.  N.  S.  The  controversy  between  the  Puritans  and  the 
stage.     A  thesis  .  . .  Yale  University.     New  York.     1903.     4583.148 

Wilson,  J.  D.  The  Puritan  attack  upon  the  stage.  (In  Cambridge 
history  of  English  literature.  Vol.  6,  pp.  421-558.  New  York. 
1910.)  4551.118.6 

Purnell,  Thomas.     ("Q.") 

Dramatists  of  the  present  day.  London.  Chapman  &  Hall.  1871- 
vi,    (i),    140  pp.  2479.52;  **T.47.i4 

Contents.  —  The  drama  of  the  present  day.  —  Lord  Lytton.  —  Dr.  Westland 
Marston.  —  Mr.  F.  C.  Burnand.  —  Mr.  Dion  Boucicault.  —  Mr.  John  Oxcnford. 
—  Mr.  T.  W.  Robertson.  —  Mr.  Tom  Taylor.  —  Mr.  Charles  Reade. 

London  and  elsewhere.     London.     Unwin.     1886.      (4),    144  pp. 

**T.98.90 
Pursuit  after  happiness:  a  poem.     To  which  is  added,  an  Ode  to  Mr. 
Garrick,  on  his  quitting  the  stage.     Also  An  elegy  on   the  death 
of  Mr.  [Spranger]   Barry.     London:  Printed  for  the  author;  pub- 
lished by  G.   Kearsly.     1777-     iv,  43  PP-  *657i.3 
Purvis,  William. 

RoBsoN,  J.  P.  The  life  and  adventures  of  the  far-famed  Billy 
Purvis.     Newcastle-upon-Tyne.     1849.     Portrait.  **T.58.57 

Putlitz,  Gustav  Heinrich  Gans,  Edler  Herr  su. 

Theater-Erinnerungen.  2.  mit  Register  vcrsehene  Auflage.  Berlin. 
Paetel.     1875.     2  v.  in  i.  2879.178 

Relates  to  German  drama. 

[641] 

41 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 

Puttick  &  Simpson,  auctioneers. 

Shakespeare  tercentenary,  Stratford-upon-Avon.  Catalogue  of  the 
fittings  and  effects,  comprising  the  elegant  proscenium,  new  act 
drop,  stage  machinery  and  appliances,  new  gas  fittings,  chairs, 
tables,  etc.  Which  will  be  sold  by  auction  May  31st.  fLondon? 
1864.1     (2),  12  pp.  No.  14  in  **G.3942.25 

Pyrotechnics. 

Perrinet    d'Orval,    J.    C.      Essay    sur    les    feux    d'artifice    pour    le 
spectacle  et  pour  la  guerre.    A  Paris.     1745.     13  plates.     **T.97.20 
Pythagoras,  pseud. 

A  vindication  of  a  right  in  the  public  to  a  one  shilling  gallery  either 
at  the  new  Theatre  Royal  in  Covent-Garden,  or  somewhere  else. 
London:  Printed  for  J.  Owen.     1792.     40  pp.  **T.76.70 


Q.,  pseitd.    See  Rosenberg,  Charles  G. 

Quarante  ans  de  theatre.     Sarcey,  F.  4676.114;  **T.47.i 

Quatre  tetes,  Les,  vision.     [Paris.     179-?]     7  PP-  No.  3  in  **G.i57.io 

Relates  to  the  Paris  Opera. 

Quearmoode,  Humphrey,  Esq.,  pseud. 

An   essay  on   the   summer  entertainments   in    the   neighbourhood   of 

London.     London:  Printed  for  D.  Job.     1750.     3-21  pp.      **T.97.39 

Queen  of  quavers,  pseud.  ^  See  Farmer,   Polly,  pseud. 

Queen's  progress,  The.     Schelling,  F.   E.  2556.108 

Queens  of  song.     Clayton,   E.  C.  **M.io6.i3;  etc. 

Stephens,   R.   N.  *4040.ii7 

Queens  of  the  drama.     Stephens.  R.   N.  **T.5i.i2 

Queens  of  the  French   stage.     Williams,   H.   N.  467446 

Queries    to    be    answer'd    by    the    manager    of    Drury-Lane    Theatre 

[Charles  Fleetwood],  for  the  satisfaction  of  the  publick,  in  regard 

to    the    present   dispute   between    him    and    his    actors.      London: 

Printed  for  J.  Roberts.     1743.     19  PP-  No.  i  in  **G.3823.i3 

Another  copv  is  on  shelf-number  No.  8  in  **G.3824.2. 

Queries  upon  queries,  to  be  answer'd  by  the  male-content  players.  For 
the  satisfaction  of  the  publick,  in  regard  to  the  present  dispute 
between  them  and  the  manager  [Charles  Fleetwood].  London: 
Printed  for  W.  Bickerton.     [1743.]      19  pp.  **T.77.3 

A   full   answer  to   Queries  upon   queries   may   be   found   on   shelf-number    No.  9  in 
**n.3824.2. 

Question,  La,  de  I'Odeon.     Lettre  a  son  editeur  par  ***.     Paris.     Ollen- 
dorff.    1879.     35  PP-  **T.77.i74 
Queue,  La,  au  theatre.     Toyon,  P.  M.  de.  **T.76.68 
Quicherat,  Louis  Marie. 

Adolplie  N'ourrit:  sa  vie,  son  talent,  son  caractere,  sa  correspondance. 
Paris.     Hachette  &  cie.     1867.     3  v.     Portraits.  **M.ii4.i 

Quick,  John. 

Quick's  Whim;  or,  the  merry  medley:  containing  a  collection  of 
jests  and  repartees.  London:  Printed  for  W.  Lane.  [1795]  72 
pp.     Portrait.  **T.98.88 

Quin,  James. 

FooTE,  S.  A  treatise  on  the  passions,  so  far  as  they  regard  the 
stage;    with    a   critical    enquiry    into   the   theatrical    merit   of    Mr. 

G k,   Mr.   Q n,   and   Mr.    B y.     The   first   considered   in 

the    part    of    Lear,    the    last    two    opposed    in    Othello.      London. 
[1747]  **T.77.27;etc. 

[642] 


^0uin.  J 


BROWN   COLLECTION   OF  BOOKS   ON    THE   STAGE 


fames.     (Continued.) 
Life,  The,  of  Mr.  James  Quin,  comedian.     VVitli  the  history  of  the 
stage  from  his  commencing  actor  to  his  retreat  to    liath      I  cn- 
don.     1766.     Portrait.  **T  nitii -r^tr 

Quinault,  Philippe.  •s/-5J.«c. 

Crapelet,  G.  a.  Notice  sur  la  vie  et  les  ouvragcs  de  r)ninault. 
suivie    de   pieces    relatives   a    I'etablissement    de    rOpera~     Paris. 

^   .     ^^^4.  No.  3  in  **M. 1 36.12:  etc". 
Quinault,  Mane  Anne  Catherine. 

Memoires  de   Mademoiselle   Quinault  aince  de    1715  a    179 1.      f'aris. 

Allardin.     1836.     2  v.  ^             **T. 56.215 

Quizziology,  The,  of  the  British  drama.  A  Beckett,  G.  A.         **T.48.3 

V'R.,  C,  of  C.  C.  C.  Oxford. 

The  danger  of  masquerades  and  raree-shows,  or  the  complaints  of 
the  stage,  against  masquerades,  opera's,  assemblies  and  other 
irrational  entertainments,  as  being  the  ground  and  occasion  of 
the  late  decay  of  wit  in  Great-Britain.  London,  Printed  for  \V. 
Boreham.      1718.     Ci),  27  PP-  **'r.97.343 

R.,  G.  F. 

The  actress  of  the  day.  A  poem.  London.  Dugdale.  [18 — ?]  12 
pp.  **T.s8.2Q 

R.,  N. 

"No  salary  required";  or,  theatricals  at  Winklegate,  by  N.  R.     Being 

a  satirical  expose  of  some  of  the  advertisements  which  appear  in 

several  of  our  leading  papers.     [London.]     Wright  &  Co.     fi8 — ?] 

20  pp.     Illus.  **T.86.8 

Rabany,  Charles. 

Carlo  Goldoni.  Le  theatre  et  la  vie  en  Italic  au  xviiie  siecle.  Paris. 
Berger-Levrault  &  cie.     1896.     ix,  429  pp.     Portraits.  2771.79 

Chronological    list    of    Goldoni's    dramatic    works,    pp.    321-407.      Sources    biblio- 
graphiques,  pp.  409-423. 

Rabou,  Charles  Felix  Henri. 

Les  grands  danseurs  du  roi.  Bruxelles.  Meline,  Cans  &  cie.  1846. 
( I),  267  pp.  **T.89.3 

A  novel  dealing  with  theatrical  life. 

Rachel,  filisa  Rachel  Felix,  called  Rachel.     See  Felix,  filisabeth  Rachel. 

Racovitza-Schewitsch,  Helcne,  Baronin  von. 

Princess  Helene  von  Racowitza.  An  autobiography.  Authorised 
translation  from  the  German,  by  Cecil  Mar.  New  York.  The 
Macmillan   Co.     1910.     xiii,  421    pp.     Portrait.       *  2845. log 

.'Vutobiography  of  an  actress. 

Radcliffe  College  Alumnae  Association. 

Pirates  of  Penzance.  For  the  benefit  of  Radcliffe  College  Library. 
[Announcement.     Boston.     1905.]     (5)  PP-  4358.66 

Radcliffe  College.    Plays  and  entertainments. 

Cercle  fran^ais  de  Radcliffe  College.  Edmond  Rostand.  Les 
romanesques.  Comedie  en  trois  actes  en  vers.  [Programme. 
Cambridge.      1906.]  4456.181 

Rae,  William  Fraser. 

Sheridan.     A  biography.     With  an  introduction  by  Sheridan's  .i^reat- 

grandson  the  Marquess  of  Dufferin  and  Ava.  London.  Bentley.  1896. 

2v.  Portraits.  Plates.  Facsimiles.  Manuscript  facsimiles.  **T.s6.53 

Same.     New   York.     Holt  &   Co.  4545-149 

[643] 


J, 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 


Rag,  Timothy,  pseud. 

An  answer  to  a  whimsical  pamphlet,  call'd  The  character  of  Sir  John 
Edgar,  &c.  Humbly  inscrib'd  to  Sir  Tremendous  Longinus. 
Written  by  Sir  John  Edgar's  baker.  London,  Printed  for  J. 
Roberts.     1720.     (8),  22  pp.  No.  10  in  **G. 3821. 11 

The  characters  and  conduct  of  Sir  John  Edgar  [pseud,  of  Sir  Richard  Steele], 
by    Dennis,  may   be  found   on   shelf-numbers   **T.77.io7;    etc. 

Rainoldes,  John.    See  Rainolds,  John. 

Rainolds,  John. 

The  overthrow  of  stage-playes,  by  way  of  controversie  betwixt  D. 
Gager  and  D.  Rainoldes,  wherein  all  the  reasons  that  can  be  made 
for  them  are  notably  refuted.  Added,  Latine  letters  betwixt 
Rainolds  and  Gentiles.  2d  edition.  At  Oxford,  Printed  by  lohn 
Lichfield,  printer  to  the  famous  Vniversitie,  for  E.  Forrest,  and 
W.  Webbs,  anno  Dom.  1629.     (7),  190  pp.  **T.77.i39 

Other   copies   are   on    shelf-numbers    **G.382i.i5;    **G.382i.i4. 

Rainolds,  John.     Works  about. 

Young,  C.  An  Elizabethan  defense  of  the  stage.  [Containing  the 
correspondence  of  William  Gager  and  Dr.  Rainolds  in  their 
controversy  in  regard  to  the  theatre.]  (In  Shakespeare  studies. 
By  members  of  the  Department  of  English  of  the  University  of 
Wisconsin.     Pp.   103-124.     Madison.     1916.)  4593.211 

//Ralph,  James. 

^  The  case  of  our  present  theatrical  disputes,  fairly  stated.  In  which 
is  contained  a  succinct  account  of  the  rise,  progress  and  declen- 
sion of  the  ancient  stage;  a  comprehensive  view  of  the  manage- 
ment of  the  Italian,  Spanish,  French  and  Dutch  theatres,  with 
remarks  upon  our  own.  [Anon.]  London:  Printed  for  Jacob 
Robinson.     1743.     (i),  64  pp.  **T.76.i5i 

Relates  principally  to  London.  Other  copies  are  on  shelf-numbers  No.  9  in 
**G.3823.i2;  No.  9  in  **G.3823.i8,  the  first  of  which  lacks  the  title-page  and 
pages  5,  6,  9-24. 
The  taste  of  the  town:  or,  a  guide  to  all  publick  diversions.  [Anon.] 
London.  Printed,  and  sold  by  the  booksellers  of  London  and 
Westminster.     1731.     xxviii,  237  pp.  **T.78.54 

The  touch-stone:  or,  historical,  critical,  political,  philosophical,  and 
theological  essays  on  the  reigning  diversions  of  the  town.  By 
a  person  of  soine  taste  and  some  quality.  London:  Printed,  and 
sold  by  the  booksellers  of  London  and  Westminster.  1728.  xxviii, 
237  pp.  **T.98.89 

Ram  Baud,  Yveling,  pseud.    See  Gilbert,  Frederic. 

Rambler,  Harry,  pseud. 

Bays  in  council:  or,  a  picture  of  a  green-room.  A  dramatic  poem. 
Containing   the   speeches   of    Mr.    G  -  rr  -  -  k,    Mr.    H  -  v  -  -  d,    Mr. 

S  -  wd  -  n,  Mr.  W  -  -  d  -  -  d.   Mrs.   C e,  and   Mrs.   P  -  -  tc d, 

a  few  days  before  Drury  Lane  Theatre  was  open'd.  To  which 
is  added,  a  poem  on  Mrs.  Bland.  Dublin:  Printed  for  the  author. 
1751.     22  pp.  No.  13  in  **G.3824.i4 

Rambler   and    dramatic    weekly.    The.      See    Illustrated    Raml)ler,    The, 
and  dramatic  weekly. 

Rambler's  recollections  and  reflections,  A.     Capper,  A.  O.  4545-155 

Ramblers'  Magazine,  The,  and  New-York  theatrical  register.      i8og/io. 
Vol.   I.     New- York.     Longworth.     [1810.]     216  pp.     Portrait. 

**T.28.i9 

Ramblings,  The,  of  an  old  mummer.     Craufurd,  R.  **T.57.i99 

[644] 


i 


BROWN   COLLECTION    OF  BOOKS    ON    THE   STAGE 


Ramirez,  James. 

Carmencita,  the  Pearl  of  Seville.  New  York.  The  Law  &  Trade- 
Printing  Co.  1890.  144  pp.  Portraits.  **T,57.4i9 
A  novel  written  to  advertise  the  dancing  of  Carmencita.  Appended  is  a  sketch 
of  her  life. 

Rampe,  La,  et  les  coulisses.     G^reon,  L.  de.  **T.57.36 

Rampe  illustree,  La.     [Hebdomadaire.]     Annce  i  (no.  1-9).    Jan. -mars 
1890.     Paris.     1890.    9  nos.  in  i  v.     Portraits.     Plates.     Plans. 

**T.25.20 

Ramsden,  Hermione,  translator. 

Hansson,  L.  M.     The  modern  woman  on  the  stage:  Eleonora  Dusr. 

(In  her  Six  modern  women.    Pp.  95-128.     Boston.     189C.)     5588.107 

Random  recollections  of  an  old  actor.    Belton,  F.  **T.56.i7o 

Random   recollections,  The,  of  an   old  play-goer.     Flynn,  J.    VV. 

**T.57.349 
Random  records.     Colman,  G.,  the  Younger.  **T.57.38 

Raper,  G.  A.,  translator. 

HuRET,  J.  Sarah  Bernhardt.  With  a  preface  by  Edmond  Rostand. 
London.     1899.     Illus.     Portraits.     Plates.  2647.170;  **T.56.283 

Raphanel,  Jean. 

Histoire  au  jour  le  jour  de  I'Opera-comique.  Premiere  serie,  ler 
Janvier -30  juin,  1898.  Avec  une  etude  sur  le  role  de  la  critique 
par  fimile  Mas.     Paris.    ,,La  vie  theatrale."     1898.    xi,  (i),  128  pp. 

No.  2  in  **M. 102.22 
Raphanel,  Jean,  and  Camille  Legrand. 

Histoire  anecdotique  des  theatres  de  P^ris   (ecrite  au  jour  le  jour). 

Avec  une  preface  de  Jules   Barbier.     Illustrations  de  Valverane. 

Vol.  i:  I  Janvier -31  mars  1896.     Paris.     Aux  bureaux  des  "Feux 

de  la  rampe."     1896.    383,  (i)  pp.     Portraits.  **T.77.i27 

Rastell,  John. 

Pleadings  in  a  theatrical  lawsuit.     Temp.  Henry  viii.     (From  the 

Records    of    the    Court    of    Requests.)      [John    Rastell   v.    Henry 

Walton.]      (In  English  garner,  An.     Fifteenth  century  prose  and 

verse.     Pp.  305-321.     Westminster.^    I903-)  4557-43 

Rathbun,  John  B. 

Motion  picture  making  and  exhibiting.  A  comprehensive  volume 
treating  the  principles  of  motography;  the  making  of  motion 
pictures;  the  scenario;  the  motion  picture  theatre;  the  projector; 
the  conduct  of  film  exhibiting;  methods  of  coloring  films;  talking 
pictures,  etc.  Chicago.  Charles  S.  Thompson  Co.  1914.  (6),  236 
pp.     Illus.     Plates.     Plans.  8o39a.55 

Rattler,  Morgan,  pseud. 

The    German    opera.      [London.      1842.]      121-126   pp. 

Relates  to  the  CTerman  opera  at  Covent  Ciarden  Theatre.         No.  21  in  **G.3822.I 

Raucourt,  Frangoise  Marie  Antoinette  Saucerotte,  called  Mile  Raucourt. 

Notice    sur    I'enterrement    de    M^e    Raucourt,    actrice    du    Theatre 

frangais,  morte  le  15  Janvier  1815.     Paris.     1821.     Plate.    **T.54.24 

Ray,  The.      [Programmes.]      See   Boston.     Theatres.      Boston  theatre, 

Washington  Street. 
Raymond,  Emmanuel. 

Histoire  des  peregrinations  de  Moliere  dans  le  Langucdoc,  d'apres 
des  documents  inedits.  1642-1658.  Paris.  Dubuisson  &  cie.  1858. 
173  pp.  4667.14 

The  appendi.x  contains  a  chronological  list  of  events  in  Molicre's  life,  i6s8-i'>7,i. 
and  a  List  of  the  first  representations  of  his  plays  with  curious  details  of  the 
performances. 

[6451 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 


Raymond,  George. 

Memoirs  of  Robert  William  Elliston,  comedian.  London.  Mortimer. 
1844,  45.    2  V.     Portrait.     Plates.    Autograph  facsimile.    **T.56.2i6 

Contents.  —  [1.]  1774-1810.  With  illustrations  by  George  Cruikshank.  [2.] 
Concluding  series.  With  illustrations  by  "Phiz"  [pseud,  of  Hablot  Knight 
Browne] . 

Same.     [Re-edited  and  abridged.]     The  life  and  enterprises  of  Robert 

William   Elliston,   comedian.     Illustrated   by   George   Cruikshank 

and  "Phiz"  [pseud.].     London.     Routledge  &  Co.     1857.     xiv,  (2), 

416  pp.    Portrait.    Plates.    Autograph  facsimile.    6549.34;  **T.58. 65 

Raymond,  John  T. 

Souvenir  of  the  representative  American  comedian  John  T.  Ray- 
mond, in  his  last  &  greatest  success,  the  political  satire  in  (4) 
acts,  by  David  D.  Lloyd,  Esq.,  entitled  For  Congress.  Boston. 
[1885?]     8  plates.     Portrait.  **T.55.i36 

Raymond,  R.  G.,  compiler. 

Sketches  from  the  footlights.  47  pp.  {In  Gore,  Catherine  G.  F., 
alleged  author.     Richelieu;  or,  the  broken  heart.     London.     1876.) 

Anecdotes  and  other  items  about  the  British  stage.  No.  2  in  **T.97.304 

Raymond,  T.  G. 

Moore,  P.    Copy.    Letter  from  Mr.  Moore  to  Mr.  Raymond  [relating 

to    Drury    Lane    Theatre    of    which    T.    G.    Raymond    was    the 

manager].    Dated  October  14,  1817.     [London.     1817.]        **T.75.65 

Raymond  Hitchcock's  44th   Street  Theatre,  Nciv   York  City.     See  New 

York,  City.     Theatres.     Raymond  Hitchcock's  44TH  street  theatre. 

Raynaly,  E. 

Les.  propos  d'un  escamoteur.  Etude  critique  et  humoristique.  Paris. 
Noblet.     1894.     xii,  242,  (i)  pp.     Portrait.  **T.97.246 

Read,  T. 

The  history  of  the  Royal  Circus,  introductory  to  the  case  of  Mr. 
Read,  late  stage  manager  of  that  theatre;  in  a  letter,  to  a  friend. 
London:  Printed  in  the  year,  M  DCC  XCL     (4),  138  pp. 

No.  4  in  **G.3824.6 
Reade,  Amye. 

Ruby.     A  novel.     Founded  on  the  life  of  a  circus  girl.     Illustrated 

by  Talbot  Hughes.     London.     Authors'   Co-operative   Publishing 

Co.,  Ltd.     1889.     viii,  416,   (i)  pp.     Plates.  **T.87.7 

Slaves   of  the   sawdust.     New   York.     Hovendon   Co.      [1892.]      (i), 

312  pp.  **T.87.27 

A  novel  of  circus  life. 

Reade,  Charles. 

The  eighth  commandment.  London.  Triibner  &  Co.  i860.  (3), 
379i  (0  PP-     Portrait.     Facsimiles.  **G.3936.25 

On  literary  property  and  stage  copyright.  Relates  primarily  to  the  English 
drama.  , 

Same.      [Author's  edition.]      Boston.     Ticknor  and   Fields.     276  pp. 

This  edition   lacks  the  portrait.  6577. l8 

Same.     Extracts.     [London?     i860.]     (19)  ff.  No.  i  in  **G.3822.i 

Peg  Woffington.     A  novel.     New  edition.     London.     Bentley.     1857. 

255,  (i)  pp.    Plate.  **T.87.22 

Same.     Ward,  Lock,  &  Tyler.     [187-?]      255  pp.  *456oa.6o 

Same.  New  York.  The  Grolier  Club.  1887.  2  v.  *Q.i6.7(*2579a.227) 
Same.     Dodd,  Mead  &  Co.      [189-?]     276  pp.  *4578.3i8 

Same.     With  an  introduction  by  Austin  Dobson  and  illustrations  by 

Hugh  Thomson.     New  York.     Doubleday  &  McClure  Co.     1899. 

li,  298,   (i)   pp.      llhis.      Portrait.     Plates.  6577.128;  **T.87.23 

[6461 


BROWN   COLLECTION   OF  BOOKS   ON    THE   STAGE 


Reader,  The,  or  reciter;  by  the  assistance  of  which  any  person  may 
teach  himself  to  read  or  recite  English  prose  with  the  utmost 
elegance  and  effect.  To  which  are  added,  instructions  for  reading 
plays.  On  a  plan  never  before  attempted.  London.  rrintc.I  for 
T.  Cadell  jun.  and  W.  Davies.     1799.    iv,  186  pp.  **K.34.6 

Reading.     As  an  art. 

Anderson,  J.  W.  Garrick's  mode  of  reading  the  Liturgy  of  the 
Church  of  England.  New  edition,  with  notes,  and  a  preliminary 
discourse  on  public  reading,  by  Richard  Cull.     London.     1840, 

5591.26;  **T.76.i 
pRANgois  DE  Neufchateau,  N.  L.,  Cointc.    Methode  prati(|ue  do  lertun-. 
A  Paris.     An  vii   [1798/99].  **T.97.73 

Murdoch,  J.   E.     Reminiscences  of  the  stage.     [Boston.     1874.) 

No.  37  in  **G.3822.3 

Reader,  The,  or  reciter:  by  the  assistance  of  which  any  person  may 

teach   himself  to  read   or  recite   English   prose  with   the   utmost 

elegance  and  effect.    To  which  are  added,  instructions  for  reading 

plays.     London.     1799.  **K.34.6 

Realism. 

Sittenberger,  H.  Die  Wahrheit  auf  der  Biihne.  Eine  Studie.  VVien. 
1893-  **T.75.26 

Reason  versus  passion;  or,  an  impartial  review  of  the  dispute  between 
the  public  and  the  proprietors  of  Covent  Garden  Theatre:  with 
strictures  on  the  Times  and  Morning  Chronicle  newspapers:  com- 
prising a  defence  of  the  committee.  By  one  who  dares  to  think 
for  himself.    London.    Wilson.     [1809.]     iv,  60  pp.  **T.75.i7o 

Relates  to  the  O.  P.  Riots. 

Rebellion,  The;  or,  all  in  the  wrong.  A  serio-comic  hurly-burly  as 
it  was  performed  for  two  months  at  the  new  Theatre  Royal, 
Covent-Garden,  by  His  Majesty's  servants,  the  players,  and  his 
liege  subjects,  the  public.  Added,  a  poetical  divertisement,  con- 
cluding with  a  panoramic  view  of  the  new  theatre,  in  prose. 
London.  Vernor,  Hood,  &  Sharpe.  1809.  viii,,  128  pp.  Portrait. 
Relates  to  the  O.  P.  Riots.  No.  I  in  **G.3823.2 

Same.     2d  edition.  **T.96.33i 

Recherches  sur  les  costumes  et  sur  les  theatres  de  toutes  les  nations. 
[Anon.]      See   Le  Vacher  de  Chamois,  Jean   Charles. 

Recherches  sur  les  theatres  de  France.     Beauchamps,  P.  F.  G.  de. 

**T.48.i4;etc. 

Recollections  and  wanderings.     Bedford,   P.  **T.57.247;  etc. 

Recollections  of  a  player.     Wilson,  F.  '  **T.54.i7 

Recollections  of  an  actor.     Donaldson,  W.  A.  45493.243;  **T.58.84 

Recollections   of  an   equestrian   manager.     Montague,   C.   W. 

4007.35;  **T.58.33 

Recollections  of  the  mess-table  and  the  stage.    Curling,  H.         **T.57.40 

Record  of  a  girlhood.     Kemble,  F.  A.  2457.55;  etc. 

Records  of  a  stage  veteran.  Parts  3,  4,  6.  January,  March,  Septcnil)cr, 
1835.      [London.      1835.]      Pp.  84-88,   35^^-360,  33-3?- 

No.  10  in  **G.3822.3 

From    the    New    Monthly    Magazine     [Colburn's],    vol.    43,     1835     [Per.     Room 
*5,3i7.i.i835].     Relates  to  the  British  stage. 

Recueil  d'anecdotes  &  curiosites  de  toutes  sortes  sur  la  litterature,  le 
theatre,  la  galanterie,  etc.  Paris.  1871.  (i),  208  pp.'  Autograph 
facsimiles.  **T.96.348 

Composed  of  the  weekly  issues  of  La  petite  revue  du  samcdi,   19  mai  -  1 1   aout 

1866.  hound  together  with  title-page  and  index. 

[647] 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 

'Red-light'  recollections.     Carragher,  P.  C.  2576.175 

Rede,  Leman.    See  Rede,  William  Leman. 
Rede,  Leman  Thomas. 

The  guide  to  the  stage:  or,  how  to  enter  the  theatrical  profession, 
obtain  an  engagement,  and  become  an  actor.  Founded  on,  and 
partly  taken  from  Leman  Rede's  book;  with  modern  list  of 
theatres,  &c.  Corrected  to  August,  1871.  London.  [1871.]  Dia- 
gram. **T.77.i55 
The  road  to  the  stage,  contains  instructions  for  obtaining  theatrical 
engagements;  with  a  list  of  the  provincial  theatres,  and  a  clear 
elucidation  of  all  the  technicalities  of  the  histrionic  art.  Added, 
a  list  of  the  London  theatres,  an  account  of  the  Dramatic  Authors' 
Society.  New  edition,  revised.  London.  Onwhyn.  1835.  viii, 
100  pp.  Portrait.  **T.79.io 
Same.  The  guide  to  the  stage,  containing  instructions  for  obtaining 
theatrical  engagements,  with  a  list  of  Provincial  theaters,  and  a 
clear  elucidation  of  all  the  technicalities  of  the  histrionic  art. 
Added,  a  list  of  the  London  theaters.  With  additional  informa- 
tion, making  it  applicable  to  the  American  stage;  also,  a  list  of 
the  American  theaters.  Edited  by  Francis  C.  Wemyss.  New 
York.  French.  1864.  58  pp.  **T.97.307 
Rede,  William  Leman. 

The  late  John  Reeve.     [London.     1838.]     405-410  pp. 

No.  13  in  **G.3930.i3.2 
Reden-Esbeck,  Friedrich  Johann,  Frcihcrr  von. 

Caroline  Neuber  und  ihre  Zeitgenossen.  Ein  Beitrag  zur  deutschen 
Kultur-  und  Theatergeschichte.  Leipzig.  Barth.  1881.  xii,  357, 
(i)  pp.     Portrait.     Plate.     Facsimiles.  **T.55.66 

Reed,  Alfred  German. 

Williamson,  D.  The  German  Reeds  and  Corney  Grain:  records 
and  reminiscences.     London.     1895.     Portraits.  **T.58.9 

Reed,  German.    See  Reed,  Thomas  German. 
Reed,  Mrs.  German.    See  Reed,  Priscilla. 
Reed,  Isaac. 

Bibliotheca    Reediana.      A    catalogue    of    [his]    curious    &    extensive 

library,  particularly  relating  to  the   English   drama,   and   poetry, 

which    will   be    sold    by    auction    by    King   and    Lochee,    Nov.    2. 

[London.]     1807.'     (2),  405  pp.  **T.66.3 

Theatrical  obituary.     Manuscript.      [London?]      1799.     Unpaged. 

**T.57.73 
Reed,  Isaac,  editor. 

Baker,  D.  E.  Biographia  dramatica,  or,  a  companion  to  the  play- 
house. A  new  edition  continued  from  1764  to  1782.  Dublin. 
1782.    2  V.  *2i75.i5;  etc. 

Reed,  Isaac.     Works  about. 

Isaac  Reed,  Esq.,  F.A.S.     Manuscript.     [180-?]      (40)  pp.     Portrait. 

**T.55.45 

Composed    of    biographical    sketches    and    other    information    about    Isaac    Reed. 
There  are  two  different   handwritings  in   this  volume. 

Reed,  Joseph. 

The  retort  courteous;  or  a  candid  appeal  to  the  public  on  the  conduct 
of  Thomas  Linley,  Esq,  manager  of  Drury-Lane  Theatre,  to  the 
author  of  Dido.  By  the  author  of  The  Register-Office.  London: 
Printed  for  the  author.     1787.    48  pp.  No.  8  in  **G.3824.i 

Rccd    was   the   author   both   of   Dido  and   of   The   Register-Office. 

[648] 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 


Reed,  Priscilla. 

Williamson,  D.  The  German  Reeds  and  Corncy  Grain:  records  and 
reminiscences.     London.     1895.     Portraits.  **T.58.9 

Reed,  Thomas  German. 

Williamson,  D.  The  German  Reeds  and  Corney  Grain:  records  and 
reminiscences.     London.     1895.     Portraits.  **T.58.9 

Rees,  James.     (Colley  Gibber.) 

The  dramatic  authors  of  America.  Philadelphia.  Ziebcr  &  Co. 
1845.     144  pp.  **T.27.37 

Other  copies  ai e  on  shelf-numbers   **T.s8.67;    **G.3647.3. 

The  life  of  Edwin  Forrest.  With  reminiscences  and  personal  recol- 
lections. Philadelphia.  Peterson.  [1874.]  17-524  pp.  Portrait. 
Autograph  facsimile.  4347-152;  **T.S7.i69 

Rees,  James,  editor. 

Dramatic  Mirror,  and  literary  companion.  The.  [Weekly.]  De- 
voted to  the  stage  and  the  fine  arts.  Vol.  i;  2  (no.  i).  New 
York.     1842.     Portraits.  **T.23.5 

Reeve,  John. 

Banister,  D.  Life  of  Mr.  John  Reeve,  with  original  anecdotes. 
London.     [1838.]     Portrait.  **T.56.86;  etc. 

Rede,  W.  L.     The  late  John  Reeve.     [London.     1838.] 

No.  13  in  **G.393o.i3.2 
Reeve,  Wybert. 

From  life.  By  Wybert  Reeve  (comedian).  London.  White  &  Co. 
1892.  vi,  (i),  248  pp.  Portrait.  Autograph  facsimile.  **T.57.i84 
Autobiographical  sketches. 

Reeves,  John  Sims. 

Edwards,  H.  S.     The  life  and  artistic  career  of  Sims  Reeves.     Lon- 
don.    1881.     Portraits.  4049.85;  No.  2  in  **M. 139. 19 
Reference,  La,  des  Portraits  contemporains  pour  1897-1900.    Annee  1-4. 
Paris.     Nilsson.     1897-1900.    4  v.    Portraits.  **T.25.27 
Reflections    upon    theatrical    expression    in    tragedy.      With    a    proper 
introduction,  and  appendix.     London:   Printed  for  W.  Johnston. 
1755-     (i),  81  pp.                                                           No.  2  in  **G.3823.8 
Reflets,  Les,  du  passe.     Poujol,  A.                                                  **T.57.395 
Reflexions  on  the  actor's  art.    Talma,  F.  J.                                  **T.46.6i.4 
Reflexions  sur  I'art  theatral.     Larive,  J.   M.   de.                **T.96.3o6;  etc. 
Reforme,  La,  des  theatres.     Mague  de  Saint-Aubin,  J.  A.          **T.76.ii2 
Regnault-Warin,  Jean   Baptiste  Joseph  Innocent   Philadelphe. 

Memoires  historiques  et  critiques  sur  F.-J.  Talma,  et  sur  I'art  theatral. 
Paris.      Henry.      1827.      (3),  viij,   554  pp.  **T.56.i76 

Another  copy  is  on  shelf-number  **G.3562.9. 

Regnier,  Frangois  Joseph  Pierre  Tousez. 

Souvenirs  et  etudes  de  theatre.  Paris.  Ollendorff.  1887.  (4),  354, 
(i)  pp.     Portrait.  **T.57.384 

Contents.  —  J.   Boutet  de  Monvel.  —  Mademoiselle  de  Champmesle.  —  .'Vdrieiine 
Le  Couvreur.  —  £tat  de  la  fortune  de  Moliere.  —  Talma. — Scdaine. — Appendice. 

Regnier,  Frangois  Joseph  Pierre  Tousez.  ^  Works  about. 

Perrin,  £.  C.  V.     Toast  porte  par  M.  Emile  Perrin  dans  le  banquet 

d'adieux  offert  a  M.  Regnier  par  les  societaires  de  la  Comcdie- 

frangaise,  le  14  octobre.     Paris.     1875.  **T.97.i28 

PoiNsoT,  A.  E.     Regnier,  societaire  de  la  Comedie-frangaise.     (1831- 

1872.)     Paris.     1872.     Portrait.  **T.98.50 

Regnier,  Marie  Louise  de.     (Gerard  d'Houville.) 

Les  masques  et  les  personnages  de  la  comedie  italienne,  expliques 
par   Gerard   d'Houville    [pseud.],   et  interprctes   par    Brunelleschi. 

[649] 


THE  PUBLIC  LIBRARY  OF  THE   CITY   OF  BOSTON 


Regnier,  Marie  Louise  de.     (Gerard  d'Houville.)      (Continued.) 

Paris.    Journal  des  dames  et  des  modes.     1914.     (8)  pp.     Colored 
plates.  **T,Cab.i.i 

Regnier,  P.     See  Regnier,  Frangois  Joseph  Pierre  Tousez. 
Rehan,  Ada. 

D.,  E.  A.  Memories  of  Daly's  theatres.  [New  York.]  1897.  Illus. 
Portraits.  **T.76.i95 

Winter,  W.     Ada  Rehan:  a  study.     New  York.     1891.     Portraits. 

**T.55-55;etc. 
Rehm,  Hermann  Siegfried. 

Das  Buch  der  Marionetten.  Ein  Beitrag  zur  Geschichte  des  Theaters 
aller  Volker.  Berlin.  Frensdorff.  [1905.]  (3),  307  pp.  Illus. 
Portraits.     Plates.     Facsimile.     Plan.  62503.45 

Reichenberg,  Suzanne  Angelique  Charlotte. 

Alex.'^ndre,  a.  P.  U.  Suzanne  Reichenberg.  Les  ingenues  au  theatre. 
Paris.     [1898.]     Illus.     Portraits.     Music.  **T.93.i3 

Reid,  Erskine,  editor. 

Dramatic    peerage,    The,    1891.      Personal    notes    and    professional 
sketches  of  the  actors  and  actresses  of  the  London  stage.    Compiled 
by  Erskine  Reid  and  Herbert  Compton.    London.     [1891.]    **T.28.6 
Reidt,  Heinrich. 

Das  geistliche  Schauspiel  des  Mittelalters  in  Deutschland.  Frankfurt 
a/M.      Winter.      1868.     vi,    (i),    175   pp.  4887.10 

Reiffenberg,  Frederic  Auguste   Ferdinand   Thomas,  Baron  de. 

[Epitre  a  Talma.    Anon.]     N.  p.     [18 — ?]     7  pp.  **T.97.i34 

The    title-page    is    missing    and    the    identification    is    uncertain.       The    half-title 
is  used. 

Reiffenberg,  Frederic  Guillaume  fimeric  Cuno  Marsilius,  Baron  de. 

Ce  que  c'est  qu'une  actrice.  2^  edition.  Paris.  Sartorius.  1861. 
139  pp.  **T,98.i36 

Reims,  France.     See  Rheims,  France. 

Reine,  Une,  de  theatre.     Ricault,  C.  J.  de.  **T.87.64 

Reines,  Les,  de  la  rampe.    Sorel,  J.,  and  C.  Mosont,  pseud.         **T. 57.353 
Raines,  Les,  du  chant.    Thurner,  A.  4047.81;  **M. 127.17 

Reinhardt,  Max. 

Carter,  H.  The  theatre  of  Max  Reinhardt.  New  York.  1914.  Por- 
traits.    Plates.     Plan.  6252.118 

Jacobsohn,  S.     Max  Reinhardt.     Berlin.     [1914.]      Portrait.     Plates. 

6873.54 
Reisch,  Emil. 

Das  griechische   Theater.      Beitrage   zur   Geschichte   des    Dionysos- 

Theaters  in  Athen  und  anderer  griechischer  Theater.     Von  Wil- 

helm   Dorpfeld   und   Emil   Reisch.     Athen.     Barth    &  von    Hirst. 

1896.     xiv,   (i),  396  pp.     Illus.     Plates.     Plans.  4090.43 

Reisch,  Emil,  prefacer. 

Heberdey,  R.,  and  others.  Das  Theater  in  Ephesos.  Bearbeitet 
von  R.  Heberdey,  G.  Niemann,  W.  Wilberg.  [Wicn.  1912.] 
Illus.     Plates.     Plans.  *Cab.3o.39.6.2 

Remarkable  trial,  The,  of  the  queen  of  quavers.     Democrttus,  Joseph, 
pseud.,  and  William  Diogenes,  pseud.  **M.ii7.9;etc. 

Remarks  on  the  character  of  Richard  the  Third;  as  played  by  Cooke 
and  Kemble.     London.     Parsons.     1801.     55  pp.  **T.96.3i4 

AniHher    copy    is    on    shelf-number    No.  i  in  **G.3937.32.      A    reply,    having    the 
title  Kemble  \-  Cooke,  may  be  found  on  shelf-numbers  **(i.3924.26 ;   **T.96.3i3; 
No.  2  in  **G.3937-.32  ;  etc. 
Same.     2d  edition,  corrected.     [1801.]     56  pp.  No.  4  in  **G.3824.3 

[650] 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 


Remarks  on  the  theatre,  and  on  the  late  fire  at  Richmond,  in  Virjfinia. 

[Anon.]     See  Alexander,  Anne  Take. 

Remarks  on  the  theatre,  occasioned  by  the  awful  death  of  Mr.  Cuniniins. 

which    took   place    at   the   play-house   in    this    town,    the    -'oth    of 

June.     Leeds.     Dewhirst.     1817.     3-34  pp.  **T.96.i05 

Same.     2d  edition.     34  pp.  **T.78.43 

Remembrancia. 

London,  England.     Corporation.     Dramatic  records  of  the  city  of  Lon- 
don.     TJie    Remembrancia.      (In    Malone    Society.      Collections. 
Vol.  I,  part  I,  pp.  43-100.     [Oxford.]     1907.)        **G.4077.i5.i.Part  i 
Reminiscences  of  a  dramatic  critic.   Clapp,  H.  A.  4395.168;  *Art2  Cab.12.3 
Reminiscenzen    und    Reflexionen    eines    alten    Schauspiclcrs.      Kcrlin. 
Duncker  &  Humblot.     1852.     (7),  86  pp.  **T.57.362 

Remond  de  Sainte-Albine,  Pierre. 

Le  comedien.    A  Paris,  chez  Dessaint  &  Saillant.     1748.    312,  (5)  pp. 

**T.77.64 
Same.     (In   Mole,   Frangois   R.     Memoires.     Pp.  95-330.      1825.) 

Another  copy  is  on  shelf-number  **G.224.2.i4  **T.s6.II 

Remonstrances  des  comediens  frangois  au  roi.     [Anon.]     See  Marchand, 

Jean  Henri. 
Remusat,  Jean  Pierre  Abel. 

Le  coup  de  fouet,  ou  nouvelle  revue  de  tous  les  theatres  de  Paris. 

[Anon.]     3e  edition.    Paris.    Imprimerie  Expeditive.    An  XI.-1803. 

7-221  pp.    Plate.  **T. 79.25 

Renascence,  The,  of  the  English  drama.    Jones,  H.  A.  **T.47,43 

Rennel,  Gabriel. 

Tragi-comical  reflections,  of  a  moral  and  political  tendency,  occa- 
sioned by  the  present  state  of  the  two  rival-theatres  in   Drury- 

Lane  and   Lincolns-Inn-Fields.     London:    Printed  for  A.   Moore. 

[1725?]     30  pp.  No.  8  in  **G.3823.i4 

Renner,  A.  L. 

Sarah  Bernhardt:  artist  and  woman.    With  autograph  pages  by  Sarah 

Bernhardt.     New  York.     Blanck.     [1896.]      (65)   pp.     (20)   plates. 

Illus.     Portraits.     Manuscript  facsimiles.  **T.53.ii 

Rennert,  Hugo  Albert. 

The  Spanish  stage  in  the  time  of  Lope  de  Vega.     New  York.     1909. 

(i),  XV,  635,  (i)  pp.     [The  Hispanic  Society  of  America.]     3096.258 
Repertoire  du  theatre  frangais.     Colson,  J.  B.  **T. 46.50 

Repertoire  of  Eleonora  Duse  with  her  company  at  the   Fifth  Avenue 

Theatre.     Synopsis   of  the  plays.     With   full  cast   of  characters. 

[New  York.     McGrath.     1896.]     3  parts  in   i  v.  **T.55.i38 

Contents.  —  Cavalleria  rusticana,  by  Giovanni  Verga.  —  La  locandiera,  by  Carlo 
Goldoni.  —  Eleonora  Duse,  by  Antonio  Bracco. 

Repertory  theatres. 

See  also  National  theatres. 

Howe,  P.  P.  The  repertory  theatre.  A  record  &  a  criticism.  New 
York.     191 1.  6252.87 

Jones,  H.  A.  Municipal  and  repertory  theatres:  a  lecture  delivered 
to  the  Sheffield  Playgoers'  Society.  With  an  introductory  letter 
to  Sir  Johnston  Forbes  Robertson.  London.  1913.  **T.76.i86 
Replies,  The,  from  England,  etc.,  to  certain  statements  circulated  in 
this  country  respecting  Mr.  Macready.  New  York.  Stringer  & 
Townsend.     1849.    21  pp.  **T.s6.i24 

Another  copy  is  on  shelf-number  No.  8  in  **G.3930.i3.2.  Relates  to  the  quarrel 
between  Forrest  and  Macready.  A  rejoinder  to  the  above,  by  an  American 
citizen,  may   be  found  on  shelf-numbers   No.  6  in '7686.52 ;    **T.56.ii7. 

[651] 


THE  PUBLIC  LIBRARY  OF  THE   CITY  OF  BOSTON 


Report  of  the  Holland  benefit  testimonial  fund,  by  Theodore  Moss  and 
J.  H.  Magonigle,  treasurers.  New  York.  Thitchener  &  Glastaeter. 
1871.     27  pp.  **T.57.377 

Representation,  A,  of  the  impiety  &  immorality  of  the  English  stage, 
with  reasons  for  putting  a  stop  thereto:  and  some  questions 
addrest  to  those  who  frequent  the  play-houses.  London,  Printed, 
and  are  to  be  sold  by  J.  Nutt.  1704.  24  pp.  No.  i  in  **G.3823.i2 
This  work  has  been  attributed  to  Jeremy  Collier.  Another  copy  is  on  shelf- 
number   No.  I  in  **G.3823.i4. 

Same.     3d  edition,  **T.96.ii6 

Representative  actors.     Russell,  W.  C.  4548.50;  **T.57.374;  etc. 

Requeste  de  deux  actrices  d'Opera  a  Momus  avec  son  ordonnance.     A 

la  Haye.     1763.    21  pp.  **T.79.i5 

The   actresses   referred  to  are   Marten    Coupee   and   Alix    Desgranges. 

Rescue,  The;   or,  Thespian  scourge.     Brownsmith,  J.  **T.54.27 
Resident,  A,  pseud. 

The  Bath  Theatre  vindicated  from  the  aspersions  of  the  Rev.  John 

East.    3d  edition.     Bath.     Keene.     1844.     16  pp.  **T.76.97 

East's  The  theatre,  may  be  found  on  shelf-numbers  **T. 76.96;  **T.96.67.  A 
reply,  having  the  title  The  theatre  as  it  is,  by  An  observer,  may  be  found  on 
shelf-number  **T.76.98. 

Restif  de  la  Bretonne,  Nicholas  Edme. 

La  mimographe,  ou  ideas  d'une  honnete-femme  pour  la  reformation 
du  theatre  national.  [Anon.]  A  Amsterdam,  chez  Changuion. 
1770.     5-466  pp.  **T.77.4 

Relates  to  France. 

Reszke,  Edouard  de,  and  Jean  de  Reszke. 

Jean  and  fidouard  de  Reszke.  [With  a  sketch  of  Sofia  Scalchi.] 
Illus.  Portraits.  (In  The  music  of  the  modern  world.  Vol.  i,  pp. 
138-140.     New  York.     [1895.])  **M.i4.i.i 

Retired  performer,  A,  pseud. 

The  amateur,  or  guide  to  the  stage,  containing  lessons  for  theatrical 
novices.  The  rudimental  information  necessary  to  lead  a  stranger 
to  the  stage,  from  the  novice  up  to  the  actor.  Philadelphia. 
Fisher.     [185-?]     64  pp.     Plate.  No.  i  in  **T.99.6i 

Retort  courteous,  The.    Reed,  J.  No.  8  in  **G.3824.i 

Reutlinger,  . 

Le  panorama.  Nos  jolies  actrices.  Photographiees  par  Reutlinger. 
Paris.     Baschet.     [189-?]     (87)  pp.     Portraits.  **T.52.5 

Reve,  Un,  de  Mademoiselle  Clairon.  See  Epinay,  L.  F.  P.  de  T.  d'E. 
de  la  L.  de.    L'amitie  de  deux  jolies  femmes. 

Revels  at  Court.     See  Court  revels;  Elizabethan  theatre. 

Review  of  Burder's  Sermon  on  amusements,  and  of  a  reply  to  it.  [Lon- 
don.] 1805.  234-243,  306-313  pp.  No.  12  in  **G.3824.9 
Cut  from  the  April  and  May  numbers  of  The  Christian.  Observer  for  1805 
[Periodical  Room  *3i47.i].  The  running  title  is  used.  Burder's  Lawful 
amusements  may  be  found  on  shelf-numbers  **T.96.49;  No.  2  in  **G. 3824. 9. 
The  reply,  called  A  letter  to  the  Rev.  George  Burder,  may  be  found  on  shelf- 
numbers  No.  3  in  **G.3824.9;    **T.96.6i. 

Review  of  the  late  correspondence  between  Mr.  John  Henry  Alexander, 
manager  and  proprietor  of  the  Glasgow  Theatre,  and  Mr.  Lloyd, 
of  the  Theatre-Royal,  Edinburgh.     [Glasgow.     1843.]      16  pp. 

Relates    to    Lloyd's   appearances   at    the    Dunlop    Street    Theatre.  **T.76.40 

Review,  A,  of  the  performances  of  Mademoiselle  Jenny  Lind,  at  Her 
Majesty's  Theatre.    London.    Dickinson.    1847.    36  pp.    **M. 148.25 

[652] 


BROWN   COLLECTION   OF  BOOKS   ON   THE   STAGE 


Review,  A,  of  the  present  contest  between  the  managers  of  the  winter 
theatres,  the  Little  Theatre  in  the  Hay-Market  and  the  Royalty 
Theatre  in  Well-Close  Square.  Added,  several  authentic  papers. 
London:  Printed  for  Charles  Stalker.     1787.     (3),  79  pp.    **T.75.5i 

Review,  A,  of  the  present  state  of  the  British  theatre,  on  for]  useful 
hints  to  Mr.  Pitt,  on  taxation.  [A  satire  in  verse.]  London: 
Printed  for  the  author.     [i79S?]     12  pp.  No.  8  in  **G.382o.ii 

Revoil,  Henri  Antoine. 

Conference  sur  le  Theatre  antique  d'Orangc  faite  devant  le  Conpres 
de  la  Societe  frangaise  d'archeologie.  Tours.  Bousrez.  |  rR^j?.] 
23  PP-  2636.71 

Revolt,  The,  of  the  harem.    Taglioni,  P.      **T.36.23;  No.  i  in  **M. 147.35 

Revue  d'art  dramatique.  [Semi-monthly.]  Tome  1-16,  29-32.  i8S6-f!o. 
93.     Paris.     1886-93.     20  V.  **T.2S.4 

Tomes   1-7  were  edited  by   Edmond  Stoullig.     Tome  2  lacks  the  title-page   and 
index. 

Revue  des  comediens.    Grtmod  de  La  Reyniere,  A.  B.  L.,  and  F.  Pfllet, 

**T.59.32 
Revue  des  livres  et  du  theatre.     Annee  13,  no  311,  313-315,  317.     Dircc- 

teur:  H.  Le  Soudier.    Paris.     1893,  94.    5  numbers  in  i  v.    *722i.5i 

Relates  to  Paris  theatres. 

Revue  generale  des  theatres  de  Londres  et  de  Paris,  ou  journal  his- 
torique,  critique,  et  litteraire,  des  pieces  les  plus  remarquables, 
representees  sur  les  differens  theatres  des  deux  capitales.  fBimen- 
suelle.]  Annee  1819.  [No.  1-6.]  Londres.  Schulze  &  Dean. 
1819.     164  pp.  **T.26.3i 

Reyher,  Paul. 

Les  masques  anglais,  fitude  sur  les  ballets  et  la  vie  de  cour  en  Angle- 
terre  (1512-1640).  Paris.  Hachette  &  cie.  1909.  x,  563,  (i)  pp. 
Plans.  4551.122 

Bibliographie  des  ballets  de  1603  a  1640. 

Reynaud,  Jacques,  pseud.     See  Poilow  de  Saint-Mars,  Gabrielle  Anne  de 

Cisternes  de  Courtiras,  Vicomtcsse  de. 
Reynolds,  Frederick. 

The  life  and  times  of  Frederick  Reynolds.  Philadelphia.  Carey  & 
Lea.     1826.  **K.33.i5 

Same.     2d  edition.     London.     Colburn.     1827.     2  v.     Portraits. 

4543-52;  **T.55-95 

A  playwright's  adventures.  London.  Longman,  Rees,  Ormc,  Firown, 
&  Green.  1831.  (4),  336  pp.  Illus.  [Dramatic  Annual.-  1831.]  **T.89.i 
Reynolds,  Frederick,  alleged  author. 

Impartial  observations  on  the  proceedings  nstituted  by  the  pro- 
prietors of  the  Theatres  Royal.  Drury  Lane  and  Covent  Garden, 
against  the  minor  establishments.     [Anon.]     London.    Boys.     1820. 

(I),  33  pp.  **T.76.74 

Another  copy  is  on  shelf-number  No.  10  in  •*G.3824.3. 

Reynolds,  George  Fullmer. 

Some  principles  of  Elizabethan  staging.  A  dissertation  [Univer- 
sity of  Chicago].  Chicago.  The  University  of  Chicago  Press. 
1905.     2  parts  in  i  v.     Facsimile.  2557.136 

Reynolds,  George  William  MacArthur. 

Ellen  Percy;  or,  the  memoirs  of  an  actress.  [Anon.  London.  1856.] 
415  pp.     Illus.  **T.85.i 

Reznicek,  F.  von. 

Der  Tanz.  Album.  7.  bis  10.  Tausend.  Miinchen.  Langen.  1908. 
2  ff.     30  colored  plates.  *Cab.8o.i39.io 

[653] 


THE  PUBLIC  LIBRARY  OF  THE   CITY  OF  BOSTON 


Rheims,  France.     Theatres. 

P.,  L.  Le  theatre  au  College  des  Bons-Enfants  et  chez  les  Peres 
Jesuites  de  Reims.     Paris.     1883.  **T.77.202 

P.ARis,  A.  L.  Le  theatre  a  Reims  depuis  les  Remains  jusqu'a  nos 
jours.     Reims.     1885.     Plates.  **T.75.5 

Rhyming  Dick  and   the   strolling  player:   being  a  true  account   of  the 
life  and  death  of  Richard  Nancollas,  the  alehouse  poet;  and  of  a 
Portuguese  player  [Henry  Hitchcock]  who  died  in  London.     Not- 
tingham.    Sutton.      [1805.]      8  pp.  No.  1  in  **K.27.9 
Rhys,  Charles  Horton.     ("Morton  Price.") 

A  theatrical  trip  for  a  wager!  through  Canada  and  the  United  States. 
London.  Dudley.  1861.  (3),  140  pp.  Portrait.  Plates,  some 
colored.     Autograph  facsimile.  **T.56.20 

Rhys,  Horton.     See  Rhys,  Charles  Horton. 
Ricault,  Charles  Joseph  de.     (Ch.  d'Hericault.) 

Une  reine  de  theatre.  Souvenirs  de  jeunesse,  de  theatre  et  de  cour. 
Paris.     Perrin  &  c'e.     1891.     (3),  xi,  275  pp.  **T.87.64 

FuriJorts  to  be  the  autobiography  of  Stella  de  Basoa. 

Riccardi,  Adolfo  Re. 

Proprieta  artistica.  Catalogo  generale  (drammatica,  vaudevilles, 
opere,  operette,  pantomime).  loa  edizione.  Roma.  Forzani  &  C. 
1910.    91  pp.  **T,66.29 

Relates  to  French  and  Italian  drama. 
Ricci,  Corrado. 

I  Bibiena,  architetti  teatrali.  Milano.  Alfieri  Ba  Lacroix.  1915. 
Text,  32,   (2)  pp.     Illus.     Portraits.     Facsimiles;  Atlas,  94  plates. 

Bibliografia,  Text,  pp.  31,  32.  *4090a.50 

I  teatri  di  Bologna  nei  secoli  xvii  e  xviii.  Storia  aneddotica. 
Bologna.  Successori  Monti.  1888.  xxi,  736,  (i)  pp.  Plates. 
Tables.  2762.73 

The  appendices  contain:  Gli  spettacoli  de  Bologna  (1600-1800).  —  Bandi  Bulle 
coniniedie.  —  Rendiconti  amministrativi  di  vari  spettacoli.  —  Nota  bibliografica 
intorno  al  "Comunale."  —  Satire  per  la  costruzione  del  "Comunale."  — 
Rendiconto  del  "Trionfo  di  Clelia"  del  Gluck  nel  1763.  —  Document!  intorno 
I'esecuzione  dell'  "Alceste"  del  Gluck  nel  1778.  —  I  burattini  a  Bologna.  —  II 
giuoco  del  pallone  in  Bologna.  — r  Acrobati  ed  altri  giuochi  in  Bologna.  — 
Animali  esotici  in  Bologna. 

Ricci,  Serafino. 

II  teatro  romano  di  Verona  studiato  sotto  il  rispetto  storico  ed 
archeologico  con  la  biografia  di  Andrea  Monga  suo  scopritore  e 
con  un'  appendice  di  documenti  editi  ed  inediti.  Venezia.  1895. 
205  pp.  Portrait.  Plates.  Plans.  [Regia  deputazione  veneta  di 
storia  patria.     Miscellanea.     Ser.  2,  vol.  3.] 

No.  I  in  *27ioa.5o.Ser.2,Vol.3 
Riccoboni,  Luigi. 

Dell'  arte  rappresentativa  capitoli  sei.  {In  Engel,  J.  J.  Lettere  in- 
torno alia  mimica.  Tomo  2,  pp.  183-229.  Milano.  1819.)  **T.76.i36 
Histoire  du  theatre  italien  depuis  la  decadence  de  la  comedie  latine; 
avec  un  catalogue  des  tragedies  et  comedies  italiennes  imprimees 
depuis  I'an  1500,  jusqu'a  I'an  1660.  Et  une  dissertation  sur  la 
tragedie  moderne.  [Paris.  1728.]  (20),  319  pp.  Plates.  **T.46.32 
Reflexions  historiques  et  critiques  sur  les  differens  theatres  de 
I'Eurupe.  Avec  les  Pensees  sur  la  declamation.  A  Paris,  de 
rimprinierie  de  Jacques  Guerin.     1738.     viij,  303,   (8),  45,   (2)   pp. 

**T.47.49 

Same.     A  Amsterdam,  aux  depens  de  la  Compagnie.     1740.     (8),  2y^, 

(7)  pp.  No.  2  in  **4697.6 

[654] 


BROWN   COLLECTION    OF  BOOKS    ON   THE   STAGE 


Riccoboni,  Luigi.     (Continued.) 

Same.  An  historical  and  critical  account  of  the  theatres  in  Europe. 
With  An  essay  on  action,  or,  the  art  of  speaking  in  public:  and, 
A  comparison  of  the  ancient  and  modern  drama.  London:  Printed 
for  T.  Waller.     1741.     (12),  333,  (18)  pp.  •*T.46.52 

Pages  235-240  are  missing. 
Rice,  Daniel. 

Sketches  from  the  life  of  Dan  Rice,  the  Shakspearian  jester  & 
original  clown.    Albany.     1849.     Portrait.    Plates.  **T.56.is3 

Rice,  Edward  Everett. 

New  York,  City.  Theatres.  Raymond  Hitchcock's  44TH  street 
THEATRE.  Souvcnir  programme.  Edward  E.  Rice's  testimonial 
in  celebration  of  his  forty  years  in  management,  1877-1917, 
tendered  by  members  of  his  companies  and  other  friends,  Sunday. 
October  28,    1917.      [New   York.      1917.]      Portraits.      Plates. 

**T.i2.i3 
Rich,  John. 

Mr.  Rich's  Answer  to  the  many  falsities  and  calumnies  advanced 
by  Mr.  John  Hill,  apothecary,  and  contained  in  the  preface  to 
Orpheus,  an  English  opera  as  he  calls  it,  publish'd  the  26th  of 
December  last.  London.  Printed  for  J.  Roberts.  1739.  (3),  27 
PP-  **T.96.357 

Other  copies  are  on  shelf-numbers   No.  6  in  •*G. 3823. 9 ;    No.  6  in  **G. 3823. 18. 

iich,  John.     Works  about. 

Miller,  J.  Harlequin-Horace:  or,  the  art  of  modern  poetry.  [A 
satire,  in  verse,  relating  largely  to  the  work  of  the  London  theatres. 
Anon.]     London.     1731.     Plate.  No.  15  in  **G.3824.i4 

Richard,   Vicomte.  pseud.     See  Saint-Genies,  Richard,    Vicomte  de. 
Richard,  Alfred.     See  Richard,  Guy  Alfred. 

Richard,  Guy  Alfred,  editor. 

Bricauld  de  Verneuil,  C.  £.  Moliere  a  Poitiers  en  1648  et  les 
comediens  dans  cette  ville,  de  1648  a  1658.     Paris.     1887.       4670.12 

Richard  O'Monroy,  pseud.     See  Saint-Genies,   Richard,   Vicomte  de. 

Richards,  George  Chatterton. 

Excavations  at  Megalopolis,  1890-1891.  By  Ernest  Arthur  Gardner. 
William  Loring,  G.  C.  Richards,  W.  J.  Woodhouse.  With  an 
architectural  description  [of  the  ancient  amphitheatre]  by  Robert 
Weir  Schultz.  London.  Macmillan.  1892.  vii,  (3),  141  pp.  Illus. 
Plates.  Plans.  [Society  for  the  promotion  of  Hellenic  studies. 
Suppl.  papers,      i.]  *296o.8i.i 

Richards,  Louise  Parks-. 

Oberammergau.  Its  passion  play  and  players.  A  20th  century 
pilgrimage  to  a  modern  Jerusalem  and  a  new  Gethsemane.  2d 
edition.  Munich.  Piloty  &  Loehle.  1910.  258,  (i)  pp.  Illus. 
Portraits.     Plates.     Plan.     Autograph  facsimile.  2866.16 

Richardson,  Frank  Herbert. 

Motion  picture  handbook:  a  guide  for  managers  and  operators  of 
motion  picture  theatres.  Nev/  York.  The  Motion  Picture  World. 
[1910.]     vii,  2-186  pp.     Illus.     Plans.     Diagrams.  *8o39a.50 

Richardson,  James  Bailey. 

Mrs.  James  R.  Vincent.  A  memorial  address  delivered  at  a  meeting 
of  the  managers  of  the  Vincent  Memorial  Hospital  April  9,  1911- 
[Cambridge,  Mass.]  The  Vincent  Club.  [1911.]  (2),  39  PP-  Por- 
trait.    Autograph  facsimile.  **T.56.334 

[655] 


THE  PUBLIC  LIBRARY  OF  THE   CITY  OF  BOSTON 


Richepin,  Jean. 

La  miseloque.  Choses  et  gens  de  theatre.  3^  mille.  Paris.  Char- 
pentier.     1893.     270  pp.  **T.87.85 

Principally  stories  of  stage  life. 
Richepin,  Jean,  prefacer. 

Armade,  F.  d'.  Le  theatre  frangais  des  origines  a  nos  jours.  Extraits 
et  analyses.     Notices  biographiques.     Paris.     [1910.]  4676.169 

Richmond,  James  Cook. 

No  Slur,  Else-Slur:  a  dancing  poem,  or  satyr;  by  Nobody  [pseud.]. 
New  York.     Published  by  Anybody.     1840.     12  pp.  4507.126 

Relates  to  Fanny  Elssler. 

Richmond,  England.     Theatres. 

Bingham,  F.  A  celebrated  old  playhouse.  The  history  of  the 
Richmond  Theatre  (in  Surrey),  from  1765  to  1884.  London.  1886. 
Plates.  **T.96.236 

Squabble,  The,  of  the  Richmond  players:  a  pleasant,  melancholy, 
occasional,  egotic,  poetic  doggrel  narrative.  Including  some  choice 
hints,  and  curious  theatrical  remarks.  With  a  criticisrn^  on  a 
remarkable  Twickenham  play-bill.  London:  Printed  for  the 
author,  Don  Buskinsocko,  member  of  the  company;  and  sold  by 
J.  Wakelin.     [17—?]     38  pp.  **T.57.i34 

Waldron,  F.  G.  To  the  nobility,  gentry,  and  others,  inhabitants 
of  Richmond,  and  the  adjacent  villas  and  villages.  [Richmond. 
1776.]  No.  2  in  **G.3824.6 

Richmond,  Va.     Theatres.    Richmond  theatre. 

Alexander,  A.  A  discourse  occasioned  by  the  burning  of  the 
theatre  in  the  city  of  Richmond,  Virginia.  Delivered  in  Phila- 
delphia, eighth  of  January,  1812.     Philadelphia.     1812.     **T.76.i98 

Alexander,  A.  T.  Remarks  on  the  theatre,  and  on  the  late  fire 
at  Richmond,  in  Virginia.     [Anon.]     York.     1812.  **T.76.87 

Calamity  at  Richmond,  being  a  narrative  of  the  affecting  circum- 
stances attending  the  awful  conflagration  of  the  theatre.  Col- 
lected from  various  publications,  with  a  preface,  containing 
appropriate  reflections  to  awaken  the  attention  of  the  public, 
to  the  frequency  of  the  destruction  of  theatrical  edifices.  Phila- 
delphia.    1812.     Illus.  **T.77.229 

Miller,  S.  A  sermon,  delivered  January  19,  1812,  at  the  request 
of  a  number  of  young  gentlemen  of  the  city  of  New-York,  who 
had  assembled  to  express  their  condolence  with  the  inhabitants 
of  Richmond,  on  the  late  mournful  dispensation  of  Providence  in 
that  city.     New- York.     1812.  **T.76.i24;  etc. 

Sabin,    E.   R.     a   discourse,  preached    in   presence   of   the   supreme 

executive   of    Massachusetts,   by    request   of   the   young   men    of 

Boston,  commemorative  of  the  late  calamitous  fire  at  Richmond. 

Boston.    1812.  **T.76.i99;  etc. 

Richomme,  Charles. 

Album  Castelli.  Portraits  des  principaux  artistes  de  la  troupe  en- 
fantine  de  M.  Castelli,  avec  des  notices  sur  chaque  petit  acteur, 
prccedees  d'un  essai  sur  les  theatres  d'enfants.  Dessins  de  Louis 
Lassalle.     Paris.     Janet.      [1839?]      28,   (49)   pp.     Colored   plates. 

**T.56.339 
Richter,  Helene. 

Josef  Kainz  als  Torquato  Tasso.  {In  Goethe  Jahrbuch.  Hand  30. 
pp.  180-186.     Frankfurt  a/M.     1909.)  *284oa.54.30 

[656] 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 


Richter,  Helene.     (Continued.) 

Schauspieler-Charakteristiken.     Leipzig.    Voss.     1914.    vi,  (2),  _'20  jjp. 
fTheatergeschichtliciic  Forschungen.]  '        '  6872.70 

Relates   to    the   theatres   of    Vienna,    especially    the    Burptheater. 
Contents.  —  Charlotte   Welter.   —  Josef   Lewinsky.   —  Adolf  von   Sonnenthal     — 
Josef    Kainz.    —    Stella    Tlohenfels:    Ophelia.    —    Clavigo    ini    alten    nurglheater 

—  Bernhard  Baumeister.  —  Mephisto  (Kainz-Lcwinsky).  —  John  Gahriel  Bork- 
man  (Ernst  Hartmann  —  Hedvvig  Bleibtreoi  —  Olga  Lewinsky).  —  Kainz:  Narr 
im  Lear.  —  Iphigcnie  im  Burgtheatcr  (Josef  Kainz:  Orest  -  Stella  Hi.ln  nf.'ls 
Iphigenie).  —  Ernst  Hartmann.  —  Nathan  (Sonnenthal  —  Lewinsky).  —  Fried- 
rich  Mitterwurzer :  Hjalmar  Ekdal.  —  Josef  Kainz:  Torquato  Tasso.  —  Ludwig 
Gabillon   (Hagen  —  Kattwald  —  Dclobelle).  —  Sonnenthal:   Wallenstein.  —  Die 

Oespenstcr    (Josef  Kainz:    Oswald  —  Hedwig   Bleibtreu :    Fran   .Mving).   Grill- 

parzergestalten  (Ernst  Hartmann:  Leon  —  Hedwig  Bleibtreu:  Medea  —  Olga 
Lewinsky:  Margarethe).  —  Kainz:  Konig  in  „Die  Jiidin  von  Tole<lo."  — 
Charakterkomik    (Albert   Heine:    Flachsmann  —  Hugo   Thimig:    Meyer   Amschel 

—  Ferdinande    Schmittlein:    Frau   Wolff).   —    Publikum. 

Ricord,  Alexandre. 

Les   fastes   de  la   Comedie-frangaise,  et  portraits   des   plus  celehres 

acteurs.     Precedes  d'un  apergu  sur  sa  situation  presente,  et  sur 

les  moyens  propres  a  prevenir  sa  ruine.     Paris.     Alexandre  fete.]. 

1821,  22.     2  V.  **T.77.8 

Riddle,  George. 

Impressions.      [Clippings  from   the   Boston  Journal.]      N.   p.     N.   d. 

(22)  pp.     Portraits.  **T.i5.5 

Rideau,    Le,    dechire.      Theatre    frangais.      [Anon.]      See    Villemarest, 

Charles  Maxime  Catherinet  de. 
Rideau,   Lc,  leve.  ou  petite  revue  des   grands  theatres.      [Anon.]      See 

Sevelinges,  Charles  Louis  de. 
Rideing,  William  Henry,  editor. 

Dramatic   Notes.     A  year-book   of  the   stage.      1879,    1880/81-84/85, 
89-92.    London.     1879-92.    8  v.  in  5.    Illus.     Portraits.        **T.26.38 
Riedel,  Emil. 

Schuldrama  und  Theater.     Ein  Beitrag  zur  Theatergeschichte.     Ham- 
burg.    Voss.     1885.     76  pp.  2871.76 
Rigal,  Eugene  Pierre  Marie. 

Alexandre  Hardy  et  le  theatre  frangais  a  la  fin  du  xvie  et  au  com- 
mencement du  xviie  siecle.  Paris.  Hachette  &  cie.  1889.  xxiv, 
715  pp.     Plate.  2672.142 ;**T.56.36 

Bibliographic,  pp.   ix-xxiv. 

Hotel  de  Bourgogne  et  Marais.  Esquisse  d'une  histoire  des  theatres 
de  Paris  de  1548  a  1635.     Paris.     Dupret.     1887.     116  pp.      **T.79.i 

Le  theatre  frangais  avant  la  periode  classique  (fin  du  xvie  et  com- 
mencement du  xviie  siecle).  Paris.  Hachette  &  cie.  1901.  viii, 
363  pp.     Plate.  26793.261 

Bibliographic,  pp.   343-358- 

Rigolboche,   Marguerite  Badel,  called  Rigolboche. 

Blum,   E.,  and   L.   Huart.     Memoires  de  Rigolboche.     Paris,     i860. 

Portraits.  **T.9g.25 

Charnal,  S.  de,  and  E.  M.  de  Bauviere.     A  bas  Rigolboche.     [Anon.] 

Paris,     i860.  **T.59-35 

Rimbault,  Edward  Francis. 

Who  was  "Jack  Wilson,"  the  singer  of  Shakespeare's  stage?  An 
attempt  to  prove  the  identity  of  this  person  with  John  Wilson, 
Doctor  of  Musick,  in  the  University  of  Oxford,  A.D.  1664.  Lon- 
don.    Smith.     1846.     16  pp.  2595.14;  No.  i  in  **M. 144.18 

Other  copies  are  on   shelf-numbers  No.  14  in  •*G. 3940.7 '.   **<^-3954' "  ;    '"G.39S4-- 
12.     A  copy  printed  on  vellum  may  be  found  on  shelf-number  ••G.39S4-«3- 

[657] 
42 


THE   PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 


Ripley,  Philip. 

Stage  spectacles.     [New  York.     1868.]  No.  15  in  **G.3822.3 

Relates  mainly   to   the  presentation   of   Shakespearean   plays. 

Ristori,  Adelaide. 

Adelaide  Ristori.  Etudes  et  souvenirs.  Paris.  Ollendorff.  1887. 
(3),  364  pp.     Portrait.  2749.72 

Same.     3e  edition.  **T.57.328 

Same.  Adelaide  Ristori.  Studies  and  memoirs.  London.  Allen  & 
Co.     1888.     viii,  303,  (i)  pp.  2749.71 ;  **T.57.i55 

Same.     Boston.     Roberts.     1888.     vi,  (i),  297  pp.     [Famous  women.) 

2749.73 

Same.     Memoirs  and  artistic  studies  of  Adelaide   Ristori,  rendered 

into   English   by   G.    Mantellini.      With   biographical   appendix   by 

L.  D.  Ventura.     New  York.     Doubleday,  Page  &  Co.     1907.     xvi, 

263  pp.     Portraits.     Plates.  2742.95 

Ristori,  Adelaide.     IVorks  about. 

Adelaide  Ristori.  [Newspaper  clippings,  programmes,  circulars,  etc., 
relating  to  her.     Boston?     1866-68.]  **T.i2.9 

CuRTi,  P.  A.    Adelaide  Ristori.     Milano.     1855.    Portrait.       **T.55.88 

Field,  M.  K.  K.    Adelaide  Ristori.    [Boston.    1867.]     No.  32  in  *6242. 54 

Adelaide  Ristori.   A  biography.    New-York.    1867.    **T.59.9;  etc. 

Same.     Paris.     1873-  **T.54.i6 

Ristori  as  Marie  Antoinette.     [Philadelphia.     1868.] 

No.  16  in  **G.3930.i3.2 
HiNGSTON,  E.  P.  The  Siddons  of  modern  Italy.  .Adelaide  Ristori, 
(Marquise  Capranica  del  Grillo:)  a  sketch  of  her  life,  and  twenty  , 
words  relative  to  her  genius.  London.  1856.  Portrait.  **T.56.292 
Memoir  of  Adelaide  Ristori,  Marchioness  Capranica  del  Grillo, 
published  from  authentic  sources,  in  anticipation  of  the  arrival, 
in  October,   1863,  of  the  great  tragedienne.     New  York.     [1863.] 

4745-30;  **T.56.293 

Same.     [1866.]  **T.55.74;  etc. 

Opinion  de  la  presse   frangaise   sur   Madame    Ristori   dans    Beatrix, 

drame  par  E.  Legouve.     Paris.     1867.  **T.55.20 

Ri.sTORi  —  clippings   relating  to  her.      [1863.]      6  ff. 

No.  15  in  **G.3930.i3.2 
Ritchie,  Anna  Cora.     (Anna  Cora  Mowatt.) 

Autobiography  of  an  actress;  or,  eight  years  on  the  stage.     Boston. 

Ticknor,  Reed,  &  Fields.     1854.     448  pp.     Portrait.  4447.242 

Same.     8th  thousand.      Portrait.     Autograph   facsimile.  **K.36.23 

Same.    20th  thousand.  **T.57.330 

Mimic  life;  or.  before  and  behind  the  curtain.     A  series  of  narratives. 

Boston.    Ticknor  &  Fields.     1856.    xiv,  7-408  pp.     Plate.    **T.87.79 

CotitcKts.  —  Stella.  —  The  prompter's  daughter.  —  The  unknown  tragedian. 
Another  copy  is  on  .shelf-number  *4395.i8o. 

The  mute  singer.     A  novel.     New  York.     Carlcton.     1866.     360  pp. 

**T.87.44 
Ritorni,  Carlo. 

Commentarii  della  vita  e  delle  opere  coredrammatiche  di  Salvatore 
Vigano,  e  della  coregrafia  e  de'  corepei.  Milano.  Guglielmini  & 
Redaelli.     1838.     413  pp.     Portrait.     Plate.  **T.96.370 

Ritter,  John  Henry. 

War  among  the  blacks.  A  full  report  of  the  celebrated  chancery 
suit,  Montague  &  Wilsom  versus  Moore,  Crocker,  Ritter,  and 
Hamilton,  proprietors  and  managers  of  the  Christy  Minstrels. 
Liverpool.     1865.  **T.96.i76 

[658] 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 


Rival  actresses,  The.    Oiinkt,  G.  **T,87  78 

Rival  roses.  The.  A  poem.  Addressed  to  Miss  O'Neil  and  Miss  Soni- 
merville,  of  the  Theatre  Royal.  Covent  Garden.  London.  Handy. 
1819.     8  pp.  No.  9  in  **G.3824.3 

Rivalta,  Valentino. 

Storia  e  sistema  del  diritto  dei  teatri  secondo  I'etica  e  i  principii 
delle  leggi  canoniche  e  civili.  Bologna.  Zanichelli.  i88f).  (4), 
444,  (i)  pp.  **T.75.47 

Riviere,  Henri  Laurent. 

La  tentation  de  Saint-Antoine:  feerie  a  grand  spectacle  en  2  actes 
et  40  tableaux  par  Henri  Riviere,  representee  pour  la  premiere  fois 
sur  le  Theatre  du  chat  noir  le  28  decembre.  Paris.  Plon,  Nourrit 
&  cie.     fi887?l     87.  (i)  pp.     Colored  plates.  4043.115 

The  Theatre  du  chat  tioir  is  a  shadow  pantomime  theatre. 

Roach,  John. 

Roach's  Authentic  memoirs  of  the  green  room,  containing  the  lives 
of  all  the  performers  of  the  Theatres  Royal.  Drury  Lane.  Covent 
Garden  and  the  Haymarket,  with  poetic  criticisms  to  each  and 
characteristics  of  the  patentees.  London.  Printed  for  &  by  I. 
Roach.    Feby.  iQth,  1796.    142  pp.    Plate.  **T.59.23 

Roach's  New  and  complete  history  of  the  stage,  from  its  origin  to 
its  present  state.  London.  Printed  for  &  by  J.  Roach.  1796. 
144  PP-     Plate.  **T.78.70 

Intended  as  a  companion   to  Roach's   Authentic  memoirs  of  the   green   room. 

Road,  The,  to  the  stage.     Rede,  L.  T.  **T.79.io 

Robert,  pseud.     See  Castel,  Louis. 
Robert,  . 

Aux  indifferens.     [Paris.     1800?]     16  pp.  No.  8  in  **G.i57.io 

A  criticism  of   Sarette  and  his  management  of  the   Conservatoire  de  musique. 

Robert,  Carl. 

Die  Masken  der  neueren  attischen  Komoedie.    Halle  a.  S.    Niemeyer. 

1911.     (i),  112,  (i)  pp.     Illus.  Plate.     [Hallisches  Winckelmanns- 

programm.]  2961.13 
Robert,  Charles. 

Le   dard,    tablettes    dramatiques.  Paris.      Constant-Chantpic.      1821. 

(i),  iv,  26  pp.  No.  i2in**G.3562.i 

On  the  Paris  theatres. 

Same.     Supplement,     (i),  ii,  5-23  pp.  No.  13  in  **G.3562.i 

Robert,  Ulysse  Leonard  Leon. 

Moliere  en  province.  Conference  faite  a  Niort,  le  20  mars  1869. 
Niort.     Clouzot.     1869.     30  pp.  2673.78 

Robert-Houdin,  Jean  Eugene. 

Life  of  Robert  Houdin,  the  king  of  the  conjurors.  Written  by  him- 
self. Translated  from  the  French  by  Dr.  R.  Shelton  Mackenzie. 
Philadelphia.     Porter  &  Coates.     [1859.]     445  PP-     Diagrams. 

**T.97.353 
Same.     Memoirs.     Written  by  himself.     Edited  by  R.  Shelton  Mac- 
kenzie.    Philadelphia.     Evans.     1859.     445  PP-  6647." 
Same.      Memoirs   of   Robert-Houdin,  ambassador,   author,   and   con- 
juror.    3d  edition.     London.     Chapman  &  Hall.     i860,     xii,  339  PP- 

**T.57-392 
Robert-Houdin,  Jean  Eugene.     Works  about. 

HouDiNi,  H.  The  unmasking  of  Robert-Houdin.  New  York.  1908. 
Portraits.     Plates.  4006.219;  **T.96.37i 

[659] 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 


Roberts,  Arthur. 

The  adventures  of  Arthur  Roberts  by  rail,  road  and  river.  Told  by 
himself  and  chronicled  by  Richard  Morton.  Bristol.  Arrow- 
smith.      [1895.]      198  pp.     Autograph   facsimile.  **T.58.i09 

Roberts,  John. 

An  answrer  to  Mr.  Pope's  Preface  to  Shakespear.  In  a  letter  to  a 
friend.  Being  a  vindication  of  the  old  actors  who  were  the 
publishers  and  performers  of  that  author's  plays.  Whereby  the 
errors  of  their  edition  are  further  accounted  for,  and  some 
memoirs  of  Shakespear  and  stage-history  of  his  time  are  inserted, 
which  were  never  before  collected  and  publish'd.  By  a  stroling 
player.     London.     1729.     48  pp.  No.  2  in  **G.3944.3 

-Signed,   Anti-Scriblerus   Histrionicus.      Contains   short    sketches   of   many    Shake- 
spearian actors. 

Roberts,  Richard  Earnshaw,  editor. 

Best,  Rev.  T.     Sermons  on  theatrical  amusements.     London.     1865. 

**T.77.i46 
Robertson,  A. 

The  Haymarket  Theatre,  Boston.  Water  color.  Dated,  28  Sept. 
1798.    Size  9X13  inches.    Framed.  Librarian's  Room 

Shows  Tremont  Street  from  the  corner  of  West  Street,  looking  toward  Boylston 
Street. 

Robertson,  John  Forbes-. 

The  life  and  work  of  Samuel  Phelps.     By  his  nephew  W.  May  Phelps 

and  John  Forbes-Robertson.     London.     Sampson  Low.  Marston, 

Searle,  &  Rivington.     1886.    x,  (i),  436  pp.     Portraits.     Autograph 

facsimile.  4550.4;  **T.56.64 

Robertson,  Sir  Johnston  Forbes-. 

Jones,  H.  A.  Municipal  and  repertory  theatres:  a  lecture  delivered 
to  the  Sheffield  Playgoers'  Society.  With  an  introductory  letter 
to  Sir  Johnston  Forbes  Robertson.     London.     1913.  **T.76.i86 

Scott,  C.  W.  Some  notable  Hamlets  of  the  present  time  [Sarah 
Bernhardt.  1899;  Henry  Irving.  1874;  Wilson  Barrett,  1884;  Beer- 
bohm  Tree,  1892;  Forbes  Robertson,  1897;  Henry  Irving,  1885]. 
London.     1900.     Portraits.  45493.191 

Robertson,  Thomas  William. 

David  Garrick.  A  love  story.  London.  Beeton.  1865.  (i),  x,  (i),  258  pp. 
.\nother  copy  is  on  shelf-number  "6577.112.  **T.87.76 

Robertson,  Thomas  William,  editor. 

Browne.  C.  F.  Artemus  Ward's  lecture.  (As  delivered  at  the 
Egyptian  Hall,  London.)  Edited  by  his  executors,  T.  W.  Robert- 
son &  E.  P.  Hingston.     London.     1869.     Illus.     Portrait.     Plates. 

4507.31 ;  etc.. 

Same.      Artemus    Ward's    panorama.      (As    exhibited    at    the 

Egyptian  Hall,  London.)     Edited  by  his  executors,  T.  W.  Robert- 
son &  E.  P.  Hingston.     New  York.     1869.     Illus.     Plates. 

450739;  **T.97.257;  etc. 
Robertson,  Thomas  William.     Works  about. 

Lei(;ht()N.  Sir  B.,  Baronet.  The  late  Thomas  William  Robertson,  and 
the  modern  theatre.     London.     1875.  **T.96.34 

Pemberton.  T.  E.     The  life  and  writings  of  T.  W.  Robertson.     Lon- 
don.    1893.     Portrait.     Plates.  2543.115;  **T.55.79 
Robins,  Edward. 

Echoes  of  the  playhouse.  Reminiscences  of  some  past  glories  of  the 
English  stage.  New  York.  Putnam.  1895.  vi,  (i),  331  pp.  Por- 
traits.     Plate.      Facsimile.  4575-157;  **T. 57.81 

[6601 


BROWN   COLLECTION    OF  BOOKS    ON    THE   STAGE 


Robins,  Edward.     (Continued.) 

The   palmy   days   of   Nance   Oldfield.      London.      Hcincmann.      ifV>K 

(7).  277  pp.     Portraits.  4545-i66;  **T.5S.93 

Twelve  great  actors.     New  York.     Putnam.     1900.     (2),  .\iv.  .}74  p), 

Portraits.     Plate.     Facsimile.  2245.79;  **T. 56.309 

Contents.  —  David  Garrick.  —  John  Philip  Kemble.  —  Edmund   Kcan.  —  Junius 
Brutus  Booth.  —  Edwin  Forrtst.  -  -  William  Charles  Macready.  —  Charles  Jamrs 
.Vlathews,  —  Edwin   Booth.  —  Charles  Albert  Fechttr.  —  William   E.   Burton. 
t!.dward  A.  Sothern.  —  John  Lester  Wallack. 

Twelve  great  actresses.     New  York.     Putnam.     1900.     U).  x,  441.  \)],. 

Portraits.  2245.77;  **T.56.3io 

Cu!),cuts.   —   Anne    Bracegirdle.   —   Anne    Oldfield.   —    Margaret    WoffinRton 
Frances   Abington.   —  Sarah    Siddons.   —   Dora   Jordan.   —  "Perdita"    Robinson 

—  Frances  Ann  Kemble.  —  Rachel.  —  Charlotte  Cushman.  —  Adelaide  Neilson 

—  Ristori. 

Robinson,  John  Robert. 

The  last  Earls  of  Barrymore.  1 769-1824.  London.  Sampson  Low. 
Marston  &  Co.,  Ltd.     1894.     xiv,  (i),  272  pp.     Portraits.     I'latcb. 

2543.124;  **T.56.90 

Relates  almost  entirely  to  Richard  Barry,  7th  Earl  of  Barrymore. 

Robinson,  John  Robert,  and  Hunter  H.  Robinson. 

The  life  of  Robert  Coates  better  known  as  'Romeo'  and  'Diamond' 
Coates,  the  celebrated  "amateur  of  fashion.'  London.  Sampson 
Low,  Marston  &  Co.,  Ltd.     1891.     viii,  255,  (i)  pp.     Portraits. 

**T.57.7 
Robinson,  Maria.     See  Robinson,  Mary  Elizabeth. 
Robinson,  Mary. 

Memoirs  of  the  late  Mrs.  Robinson,  written  by  herself.  With  some 
posthumous  pieces.  [Edited  by  her  daughter,  Mary  Elizabeth 
Robinson.]     London.     Phillips.     1801.     4  v.  in  2.  **T.58.i32 

Same.     Philadelphia.     Bradford.     1802.     237  pp.  *4549a.3 

Same.  From  the  edition  edited  by  her  daughter.  London.  Whit- 
taker,  Treacher,  &  Arnot.  1829.  3-155  pp.  [Autobiography.  .A 
collection  of  the  most  instructive  and  amusing  lives  ever  pul)- 
lished.]  No.  i  in  62493.27 

Same.  Memoirs  of  Mary  Robinson,  "Perdita."  From  the  edition 
edited  by  her  daughter.  With  introduction  and  notes  by  J.  Fitz- 
gerald Molloy.  London.  Gibbings  &  Co.,  Ltd.  1894.  xv,  (!)• 
251,  (i)  pp.     Portraits.  *P.ii.7525 

Same.     1895.  4548.123 

Robinson,  Richard. 

Cunningham.  P.  Did  General  Harrison  kill  "Dick  Robinson"  the 
player?  (/n  Shakespeare  Society,  London.  Papers.  Vol.  2,  pp. 
11-13.     London.     1845.)  **G.3927.37.2;  etc. 

Robson,  Frederick.     See  Robson,  Thomas  Frederick. 
Robson,  Joseph  Philip. 

The  life  and  adventures  of  the  far-famed   Billy   Purvis.     Newcastle- 
UDon-Tyne.      Clarke.      1849.     240  pp.     Portrait.     Autograph    fac- 
simile. **T.58.57 
Robson,  Stuart,  and  William  H.  Crane. 

Shakespeare's  Comedy  of  errors.  Produced  by  Robson  and  Crane. 
Arranged  for  the  stage  and  illustrated  by  Alfred  Thompson. 
[Prospectus.     Detroit.      1885.]      15,    (i)   PP-     IHus.     Plates. 

**T.94.24 

Robson,  Thomas  Frederick. 

Sala,  G.  A.  H.     Robson.     [Boston.     1864.]  No.  17  in  **G.393o.i3-2 
Robson:  a  sketch.     London.     1864.  **T.58.97 

[661] 


THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 


Robson,  William. 

The  old  play-goer.     London.     Masters.     1846.     xi,  252  pp. 

4575.18;  **T.76.i43 

Principally  composed  of  criticisms  of  actors  and  notes  on   the   I,ondon   stage. 

Rochefort-Lugay,  Claude  Louis  Marie,  Marquis  de.     (A.  de  Rochefort.) 
Memoires  d'un  vaudevilliste.     Paris.     Charlieu   &  Huillery.      [1863.] 
(3),  248  pp.  **T.57.397 

Rockstro,  William  Smyth. 

A  memoir  of  Madame  Jenny  Lind-Goldschmidt,  her  early  art-life 
and  dramatic  career,  1820-1851.  [By]  Henry  Scott  Holland  and 
W.  S.  Rockstro.  From  original  documents,  letters,  MS.  diaries, 
etc.,  collected  by  Mr.  Otto  Goldschmidt.  London.  Murray.  1891. 
2  V.     Portraits.  8045.104;  **M. 134.6 

Same.     Jenny    Lind   the   artist,    1820-1851.     A   memoir.      New 

and  abridged  edition.  London.  Murray.  1893.  xix,  474  pp.  Illus. 
Facsimiles.     Portraits.  8045.129 

Roden,  Robert  F. 

Later  American  plays,    1831-1900:   being  a  compilation  of  the  titles 

of  plays  by  American  authors  published  and  performed  in  America 

since    1831.      New    York.      1900.      (7),    132  pp.      [Dunlap    Society. 

Publications.]  **T.95.24 

Rodocanachi,  Emmanuel  Pierre. 

Le  sifflet  au  theatre.  Etude  de  moeurs  et  d'histoire.  Conference  faite 
au  Cercle  Saint-Simon  le  19  mai  1896.  Paris.  Ollendorff.  1896. 
24  pp.  2671. 171 

Relates  to  France. 
Roetscher,  Heinrich  Theodor. 

Die    Kunst    der    dramatischen    Darstellung.      In    ihrem    organischen 

Zusammenhange    wissenschaftlich    entwickelt.      Berlin.      Thome. 

1841.    xii,  419,  (i)  pp.  **T.76.78 

Same.     2.   vermehrte   Auflage.      Leipzig.      Wigand.      1864.      xx,   453, 

(I)  pp.  _  2876.65 

Seydelmann's    Leben    und    Wirken.     (nebst    einer    dramaturgischen 

Abhandlung   uber   den   Kiinstler)    mit   Benutzung   und   Yeroffent- 

lichung  des  handschriftlichen  Nachlasses  und  der  Briefe  desselben 

dargestellt.    Berlin.    Duncker.     1845.    xiv,  357,  (i)  pp.    Manuscript 

facsimile.  **T.55.38 

Rogers,  Francis. 

Some  famous  singers  of  the  19th  century.  New  York.  The  H.  W. 
Gray  Co.     [1914.]     (3),  128  pp.     Portraits.  4049a.297 

Contents.  —  The  two  Manuel  Garcias.  —  Maria  and  Pauline  Garcia.  —  Catalani 
and  Pasta.  —  Luigi  Lablache.  —  Three  tenors:  Giovanni  Battista  Rubini; 
Adolphe  Nourrit ;  Gilbert  Duprez.  —  Sontag  and  Lind.  —  Grisi,  Mario  and 
lamburini.   —  Some  conclusions. 

Rogivue,  Henry. 

Appreciation  de  la  theorie  des  trois  unites.  Dissertation  inaugurale, 
Jena.     Jena.     Ratz.     1872.     42,    (i)   pp.  .  4672.73 

Rojas,  Agustin  de. 

El  viage  entretenido,  con  vna  exposicion  de  los  nombres  historicos 
y  poeticos  que  no  van  declarados.  En  Madrid,  en  la  Emprenta 
Real.  1604.  (In  Menendez  y  Pelayo,  M.  Origines  de  la  novela. 
Vol.  4,  pp.  460-614.     Madrid.     1915.)  **D. 163.4.4 

.\  sketch  of  Spanish  manners  and  customs,  with  special  reference  to  theatrical 
matters,  in  the  form  of  dialogues  interspersed  with  verse. 

Roman,  Le,  d'une  figurante.     Mary,  J.  **T.87.25 

Roman  spectacles.     See  Circus.     Roman. 

[662] 


BROWN   COLLECTION   OF   BOOKS    ON    THE   STAGE 


Romance,  The,   of  tlie   American   theatre.     Crawford,   M.   C. 

_  4395-177;  **T.76.io7 

Romance,  The,  of ■  the  English  stage.     Fitzgerald,  P.  H. 

2572.55;  **T.56.2i3;  etc. 
Romance  of  the  French  theatre.     Gribble,  F.  H.  **T. 56.70 

Romance,  The,  of  the  Irish  stage.     Molloy,  J.  F.  **T.77.85;  etc. 

Romanticism. 

Gross,  E.     Die  altere  Romantik  und  das  Theater.     Hamhurg.      igio. 

6872.64 
Rome.     Theatres. 

See  also  Colosseum,  Rome. 

Ademollo,  a.     Gli  spettacoli  dell'  antica  Roma.     Descrizione  istorica. 

Firenze.     1837.  *29So.i3 

I  teatri  di  Roma  nel  secolo  decimosettimo.     Roma.     1888. 

2762.74 
Bethe,    E.    J.    A.      Prolegomena    zur    Geschichte    des    Theaters    mi 

Alterthum.     Untersuchungen  iiher  die  Entwickelung  des   Dramas. 

der  Biihne,  des  Theaters.     Leipzig.     1896.     Illus.  2968.76 

Bodensteiner,   E.     Das  antike  Theater.     Leipzig.     1902.     i    v.  and   j 

colored  plates.  No.  12,  13  in  *Cab.29.32.i 

Calliachi,    N.      Nicolai    Calliachii    De    ludis    scenicis   mimorum,    & 

pantomimorum  syntagma  posthumum.     Patavii.     1713.     Portrait. 

**G.294.54 
DucLOS,   C.   P.      Memoire  sur  I'art   de  partager   Taction   theatralc,  cl 

sur  celui  de  noter  la  declamation  qu'on  pretend  avoir  ete  en  usage 

chez  les  Romains.     (In  Duclos,  C.  P.     Oeuvres  completes.     Xou- 

velle  edition.     Vol.  8,  pp.  345-372.     Paris.     1821.)  *27o6.i.8 

Memoire  sur  les  jeux  sceniques  des  Romains,  et  sur  ceux  qui 

ont  precede  en  France  la  naissance  du  poeme  dramatique.  {Jit 
Duclos,  C.  P.  Oeuvres  completes.  Nouvelle  edition.  Vol.  8. 
PP-  311-343-     Paris.     1821.)  *27o6.i.8 

FicoRONi,   F.  DI.     Francisci   Ficoroni   Dissertatio  de   larvis   scenicis 

et   figuris   comicis   antiquorum    Romanorum.      Romae.      1754.     85 

plates.  2953.24 

Grysar,  C.  J.     Uber  das   Canticum  und  den   Chor  in  der   romischen 

Tragodie.     {In  Kaiserliche  Akademie  der  Wissenschaften.  \'ienna. 

Philosophisch-historische  Classe.     Sitzungsberichte.     Band  15,  pp. 

365-423.    Wien.    1855.)  *3340-3-i5 

KoERTiNG,    G.    C.    O.      Geschichte    des    griechischen    und    romischen 

Theaters.     Paderborn.     1897.  2963.35 

Oehmichen,    G.      Das    Biihnenwesen    der    Griechen    und    Romer.      .^ 

Tafeln.     {In  Handbuch   der  klassischen   Altertums-Wissenschaft. 

Band  5,  Abt.  3.     Pp.  179-304.     Miinchen.     1890.)        2973.5o.5.Part  3 
Opitz,  R.     Schauspiel  und  Theaterwesen  der  Griechen  und   Ronier. 

Leipzig.      1889.     Illus.     Plates.  2969a.76 

Saint-Saens,  C.  C.     Note  sur  les  decors  dc  theatre  dans  I'antiquite 

romaine.     Paris.      1886.     32  pp.     Illus.     Plates.     Plan. 

29503.50;  **T.75.ii 
Wells,  C.  L.    The  amphitheatres  of  ancient  Rome.     Boston.     I1883.) 

2752.57;  **T-95-79 
WiESELER,   F.  J.  A.     Theatergebaude  und    Denkmaler  des    I'.uhneii- 

wesens    bei    den    Griechen    und    Romern.      Gottingen.      1851.      14 

plates,  some  colored.  *296o.66 

[663] 


THE  PUBLIC  LIBRARY  OF  THE   CITY  OF  BOSTON 


Rome.     Theatres.    Theatre  of  Marcellus. 

Vaudoyer,  a.  L.  T.     Description  du  theatre  de  Marcellus  a  Rome, 

retabli  dans  son  etat  primitif,  d'apres  les  vestiges  qui  en  restent 

encore:    niemoire   joint   aux   plans,    coupes,   elevations    et   details. 

Paris.     1812.     Tables.  4093.134 

Rome.     Views. 

Barker,  H.  A.,  and  J.  Burford.    An  explanation  of  the  view  of  Rome, 

taken  from  the  tower  of  the  Capitol.     Now  exhibiting  at  H.  A. 

Barker   and    J.    Burford's    panorama,    Strand.      [London.]      1818. 

Plate.  **T.96.294 

Roosevelt,  Blanche.     See  Macchetta,   Blanche  Roosevelt. 

Roqueplan,  Louis  Victor  Nestor. 

Les  coulisses  de  I'Opera.  Paris.  Librairie  nouvelle.  1855.  (3),  92 
pp.  No.  2  in  **M. 1293.33 

Roqueplan,  Nestor.     See  Roqueplan,  Louis  Victor  Nestor. 
Roquet,  Antoine  Ernest  de. 

Les  origines  de  I'opera  frangais.  Par  Charles  Nuitter  [pseud,  of  C. 
L.  fi.  Truinet]  et  Er.  Thoinan  [pseud,  of  A.  E.  de  Roquet].  Paris. 
Plon,   Nourrit  &  cie.     1886.     Ixxii,  340  pp.     Map.     Plans. 

4043.62;  **M.ii4.4 
Roquette,  Gabriel  de,  Bishop  of  Aiitun. 

Lacour  de  La  Pijardiere,  L.  de.  fitudes  sur  Moliere.  Le  Tartuffe 
par  ordre  de  Louis  xiv.  Le  veritable  prototype  de  I'imposteur 
[Gabriel  de  Roquette].     Recherches  nouvelles.     Paris.     1877. 

**T.59.i4;  etc. 
Rosciad,  The.     Churchill,  C.  **T.52.7 

Roscius,  Quintus. 

Destaville,  ,  Abbe.     Le  secret  du  celebre  Roscius,  acteur  romain, 

devoile;   ou,   cours   d'action  oratoire   fondee   sur   les  principes   de 
science  mimique.    Paris.     1866.  **T.77.92 

Roscius,  The  African.    See  Aldridge,  Ira. 

Roscius,  The  American.     See   Payne,  John   Howard. 

Roscius,  The  Bath.    See  Henderson,  John. 

Roscius,  The  English.     See  Betty,  William  Henry  West. 

Roscius,  The  Infant.     See  Betty,  William   Henry  West. 

Roscius,  The  Irish.    See  Burke,  Joseph. 

Roscius,  The  Young.     See  Betty,  William  Henry  West. 

Roscius  Anglicanus.     Downes,  J.  No.  i  in  *4575.ioo 

Roscius,  The,  consisting  of  original  memoirs  of  the  principal  actors 
and  actresses;  strictures  on  the  drama,  and  its  interests;  original 
essays,  green-room  gossips,  anecdotes,  &c.  [Vol.  i  (no.  1-5,  7), 
Jan.  4- Aug.  9,  1825.]  London.  Duncombe.  [1825.]  120,  145- 
168  pp.     Portraits.  **T.27.26 

The  f  ii  St  four  numbers  were  issued  fortnightly:   the  others  at  irregular  intervals. 

Roscius  in  London.  Biographical  memoirs  of  William  Hen.  West 
Betty,  from  the  earliest  period  of  his  infancy.  Including  the 
history  of  his  Irish,  Scotch,  and  English  engagements.  With 
analytical  strictures  on  his  acting  at  the  London  theatres.  2d 
edition.      London.      Crosby   &   Co.      1805.      (3),   62   pp.      Portrait. 

**T.56.i93 
Another  copy  is  on  shelf-number  No.  6  in  **G. 3824. 8.  Another  edition,  having 
the  title  The  young   Roscius  may  be  found   on   shelf-number  **T.57.243. 

Rose.     Cadol,  V.  t.  **T.8j.Si 

[664] 


BROWN  COLLECTION   OF  BOOKS   ON   THE  STAGE 


Rosegger,  Hans  Ludwig. 

Die  Komodiantin  Magdalene.  Roman.  Umschlagzcichnunj?  von 
Camilla    Sodoma-Wien.      Kostritz.      Seifert.      igii.      295,    (i)    j)p. 

The  Umschlagzeichnung  is  missing.  68QQ.22I 

Rosen,  Lew. 

Napoleon's  opera-glass.  An  histrionic  study.  London.  Matlicws. 
1897.     (7),  122,  (i)  pp.  **T.57.io5 

Authorities,  pp.    1 19-122. 

Rosenbach,  Abraham  S.  Wolf,  editor. 

Johnson,  S.  Samuel  Johnson's  prologue  spoken  at  the  opening  of 
the  theatre  in  Drury-Lane  in  1747  with  Garrick's  epilogue.  New 
York.     1902.  *4570.ii5 

Rosenberg,  Charles  G. 

Jenny  Lind  in  America.     New  York.     Stringer  &  Townsend.     1851. 

226  pp.     Portrait.     Autograph  facsimile.  4468.30;  **M. 149a. 6 

You  have  heard  of  them.     By  Q    [pseud.].     New   York.     Redfield. 

1854.    353  PP-    Portraits.    Autograph  facsimile.    2248.85;  **T.57. 108 

This  work  contains  sketches,  among  others,  of  Fanny  Cerito,  Giulia  Grisi, 
Lablache,  Lola  Montez,  Ranconi,  Catharine  Hayes,  Carlotta  Grisi,  Charles  Kean, 
Dion    BourcicauJt    [sic],   Jenny    Lind,   Charlotte   Cushman. 

Rosenberg,  Charles  G.,  editor. 

Perrie,  G.  W.  Buckskin  Mose  [pseud.] ;  or,  life  from  the  Lakes  to 
the  Pacific,  as  actor,  circus-rider,  detective,  ranger,  gold-digger, 
Indian  scout  and  guide.     New  York.     1873.     Plates.  *2349a.i49 

Ross,  Charles  Henry. 

"Stage  whispers,"  and  "shouts  without."  A  book  about  plays  and 
playgoers,  actors  and  actresses.  With  colored  costumes  by 
Archibald  Chasemore,  heads  by  Alfred  Bryan,  comic  scenes  by 
Judy's  artists,  and  chatter  at  the  wing  by  Charles  H.  Ross.  Lon- 
don. "Judy"  office.  [1880?]  9-100,  (2)  pp.  Illus.  Portraits. 
Plates,  some  colored.  **T.96.237 

Ross,  David. 

Address,  An,  to  the  public  [regarding  the  claims  of  David  Ross  to 
the  Theatre  Royal,  Edinburgh].     Edinburgh.     1767.  **T.96.i82 

Ross,  Ernest  Nathaniel. 

Scenario  writing  [for  the  cinematograph].  Philadelphia.  [1912.] 
92  pp.     [Penn  Association.]  80393.68 

Includes  a  number  of  plots. 

Rossi,  Ernesto. 

Studien    tiber    Shakespeare    und    das    moderne    Theater    nebst    einer 

autobiographischen  Skizze  von  Ernesto  Rossi.     Aus  dem  Italieni- 

schen  iibersetzt  von  Hans  Merian.    Autorisirte  Ausgabe.     Leipzig. 

Schloemp.      1885.     iv,   312,    (i)    pp.  4596.103;  **T.47. 113 

Rossi,  Ernesto.     Works  about. 

Ernesto    Rossi.      A    biographical    and    critical    sketch.      New    York. 

Seer.     1881.     11   pp.  **T.57.72 

JuGEMENT  de  la  presse  parisienne  sur  Ernesto  Rossi.     Paris.     Levy. 

1866.     105  pp.  **T.98.i7 

Rostand,  Eugene  Alexis  Edmond,  prefacer. 

HuRET,  J.     Sarah   Bernhardt.     Paris.     [1899.]      Illus.     Portraits. 

**T.53.io;  etc. 

Roth,  Walter  Edmund. 

Theatre  hygiene:  a  scheme  for  the  study  of  a  somewhat  neglected 
department  of  the  public  health.  London.  Bailliere,  Tindall  & 
Cox.     [1888.]     53  pp.     Illus.     Plan.     Diagram.  **T.76.37 

[665] 


THE  PUBLIC  LIBRARY   OF  THE   CITY  OF  BOSTON 


Rotrou,  Jean  de. 

Chardon,    E.    H.  La    vie    de    Rotrou    mieux    connue.      Documents 

inedits  sur  la  societe  polie  de  son  temps  et  la  querelle  du  Cid. 

Paris.     1884.  **T.55.i4 
Rouanet,  Leo. 

Le  theatre  espagnol.    Par  Alfred  Morel-Fatio  et  Leo  Rouanet.    Paris. 

Fontemoing.  [1900.]      47   pp.      [Bibliotheque    des    bibliographies 

critiques.     7.]  *2i62.68 

Contents.  —  Histoires  generales ;  etudes  d'ensemble  ou  de  certaines  periodes  du 
theatre.  —  Repertoires  biographiques  et  bibliographiques.  —  Le  theatre  anterieur 
a  Lope  de  Vega.  —  La  grande  epoque  du  theatre.  —  Le  theatre  du  xviiie  siecle. 
—  Le  theatre  moderne.  —  Histoire  externe  du  theatre:  la  scene,  les  comediens, 
It  public.  • —  Traductions  frangaises. 

Rouche,  Jacques. 

L'art  theatral  moderne.     Paris.     Cornely  &  cie.     1910.     (3),  79,   (3) 

pp.     lUus.     Plates.     Plans.  6252.83 

Rouen,  France.     Theatres. 

AiGUEBERRE,    J.    B.    DU    M.    d'.      Scconde    lettre    du    souffleur    de    la 

Comedie  de  Roiien  au  gargon  de  caffe  ou  entretien  sur  les  defauts 

de  la  declamation.     [Anon.]     A  Paris.     1730.     Plates.     (In  Allain- 

val,  L.  J.  C.  S.  d'.     Lettre  a  Mylord  ***  sur  Baron  et  la  Dlle  Le 

Couvreur.     Paris.      1870.)  No.  2  in  **T.58.64 

Bouquet,  F.     La  troupe  de  Moliere  et  les  deux  Corneille  a   Rouen 

en  1658.     Paris.     1880.    Plates.  **T.59.i2 

BouTEiLLER,   J.    E.      Histoire    complete    et    methodique    des    theatres 

de  Rouen.     Rouen,     i860,  63.     2  v.     Illus.  **T.76.9 

Les  theatres  de  societe  de  Rouen.     Rouen.     1877.  **T.76.5 

HiPPEAU.  C.     Le  comedien  Neuville  et  M^e  de  Montansier  au  theatre 

de  Rouen.     Rouen.     1862.  **T.96.3 

GosSELiN,    E.      Moliere    a    Rouen    en    1643.      Discours    de    reception. 

[Rouen.     1870.]  2648.83 

Rouen,  France.     Theatres.     Theatre  des  arts. 

Le  theatre-des-arts.    1776-1886.    Repertoire  lyrique.    Rouen.    Deshays. 

1886.     142  pp.     Illus.     Plates.  4048.100 

A  list  of  operas  showing  the  characters  in  each,  with  date  and  place  of  their  first 
performances. 

Rouen.    Theatres.    Theatre  des  arts.    Works  about. 

Sauvageot,  L.  Considerations  sur  la  construction  des  theatres  a 
propos  de  la  reconstruction  du  Theatre  des  arts  a  Rouen.  Paris. 
[1877.]      Plates.     Plans.  No.  4  in  **M. 122.38 

Roujon,  Henry  Frangois  Joseph,  f^refacer. 

Bernheim,  a.  J.     Trente  ans  de  theatre.     Serie  [i,]  2.     Paris.     1903, 

04.     2  V.  **T.77.iio;  etc. 

Round  the  world  with  "A  Gaiety  girl."     Bantock,  G.,  and  F.  G.  Aflalo. 

**T.57.i48 
Rousseau,   J.,    I'un    des    auteurs    du    Code   civil.      See    Rousseau,    Pierre 

Joseph. 
Rousseau,  Jean  Jacques. 

A  letter  from  M.  Rousseau,  of  Geneva,  to  M.  d'Alembert,  of  Paris, 
concerning  the  effects  of  theatrical  entertainments  on  the  manners 
of  mankind.  Translated  from  the  French.  [London.]  Printed 
for  J.  Nourse.     1759.    xii,  190  pp.  **T.76.3 

Another  copy  is  on  shelf-number  No.  2  in  **G.382.3.io. 

Rousseau,  Jean  Jacques.     Works  about. 

Laval,  P.  A.  P.  A.  Laval  comedien,  a  J.  J.  Rousseau,  sur  les  raisons 
qu'il  expose  pour  refuter  M.  d'Alembert,  qui  dans  le  vii.  volume 

[666] 


BROWN   COLLECTION    OF   BOOKS    ON    THE   STAGE 


Rousseau,  Jean  Jac(|ucs.     Works  about.     (Continued. ) 

de  rEncycIodedie,  article  Geneve,  prouve  qiie  retalilisscnunt  d'une 
comedie  dans  cette  ville  y  feroit  reunir  la  sagcsse  do  Lacedcinone 
a  la  politesse  d'Athenes.    A  la  Hayc.     1758.  **T.77.87 

Rousseau,   Paul    Loiseau-.     See   Loiseau-Rousseau,    Taul. 

Rousseau,  Pierre  Joseph. 

Code  theatral,  physiologic  des  theatres,  maniiol  coniplct  do  I'aulcur, 
du  dirocteur,  de  I'acteur  et  de  I'amateur,  contenant  les  lois,  rcKlcs 
et  applications  de  I'art  draniatiquc;  par  J.  Rousseau,  I'un  des 
auteurs  du  Code  civil.  Paris.  Roret.  1829.  (3),  301  pp.  Plate. 
Refers  to  the  thcatre.s  of  Paris.  **T.78.65 

Rowe,  Harry. 

Croft,    J.,    editor.       Memoirs    of    Harry     Rowe:     constructed     ironi 
materials  found  in  an  old  box,  after  his  decease;  by  John  Croft. 
York.     Wilson  &  Spence.     [180-?]     144  pp.     Portrait.      **T.S7.4t4 
Rowlands,  Walter. 

Among  the  great  masters  of  drama.  Scenes  in  the  lives  of  famous 
actors.  Boston.  Dana  Estes  &  Co.  [1903.]  (13),  2^  pp.  Por- 
traits.    Plates.  224ga.2g 

Contents.  —  Shakespeare.  —  Molicre.  —  Voltaire.  —  Adrienne  Lecouvrcur.  — 
Garrick.   —   Peg   Woffington.   —   Mrs.    Abington.   —    Mrs.    Siddons.    —    Kembli. 

—  Mrs.  Jordan.  —  Tahna.  —  Listoii.  —  Mademoiselle  Mars.  —  Kean.  — "Mac- 
ready.  —  Dejazet.  —  Forrest.  —  William  Warren.  —  Charlotte  Cushman.  — 
Rachel.  —  Ristori.  —  Fecliter.  —  Jefferson.  —  Salvini.  —  Edwin  Booth.  —  John 
McCullough.  —  Lawrence  Barrett.  —  Henry  Irving.  —  Ellen  Terry.  —  Coquelin. 

—  Sarah   Bernhardt.  —  Modjeska.   —  Adelaide  Neilson.   —   Mary  Anderson. 

Roxas,  Agustin  de.    See  Rojas,  Agustin  de. 

Royal  and  Royalty  theatres.  Letter  to  Phillips  Glover  in  a  dedication 
to  the  burletta  of  Hero  and  Leander,  now  performing  at  the 
Royalty  Theatre.     [Anon.]     See  Jackman,  Isaac. 

Royal  Circus,  The,  epitomized.    Dibdin,  C.  **T.77,i72 

Royal  Dramatic  College. 

A  catalogue  of  the  valuable  and  interesting  collection  of  pictures, 
water-color  drawings  and  prints,  books,  manuscript  plays,  and 
a  variety  of  items  connected  with  the  drama.  The  property  l: 
the  Trustees  of  the  Royal  Dramatic  College,  and  others.  Which 
will  be  sold  by  auction  by  Farebrother,  Lye  &  Palmer,  the  24th 
of  February,  1881.     [London.]      1881.     20  pp.  **T.95.97 

Royal  Dramatic  College.     Works  about. 

DoDD,  H.  Royal  Dramatic  College.  Correspondence  respecting 
proposed  gift  of  land  at  Langley,  Bucks,  by  Mr.  Henry  Dodd. 
London.     1859.  **T.96.i75 

Royer,  Alphonse. 

Histoire  de  I'Opera.  Paris.  Bachelin-Deflorenne.  1875.  (7),  228  pp. 
Portraits.  **M.i37.i 

Rub,  Otto,  compiler. 

Das  Burgtheater:  statistischer  Ruckblick  auf  die  Tatigkeit  und  die 
Personalverhaltnisse  wahrend  der  Zeit  vom  8.  April  1776  bis  i. 
Januar  1913.  Gelegentlich  des  25jahrigen  Bestehens  des  neuen 
Hauses  am  14.  Oktober  1913.  Mit  eincm  Geleitwort  von  Hugo 
Thimig.  Ein  theaterhistorisches  Nachschlagebuch.  Wien.  Kncpler. 
1913.    xvi,  307  pp.  6252.117 

Bibliographie  des   Burgtheaters,  pp.  xv,  xvi. 

Rubini,  Giovanni  Battista. 

LocATELLi,  A.  Anni  biografici  sulla  straordinaria  carriera  teatrale 
percorsa    da    Gio.    Battista    Rubini.      Milano.      1844. 

No.  4  in  **M.207.9 

[667] 


THE  PUBLIC  LIBRARY  OF  THE  CITY  OF  BOSTON 


Ruby.    Reade,  A.  **T.87.7 

Rucca,  Giacomo. 

Capua  vetere  o  sia  descrizione  di  tutti  i  monumenti  di  Capua  antica, 
e  particolarmente  del  suo  nobilissimo  anfiteatro.  Napoli.  Nobile. 
1828.     (4),  xi,  335  pp.     Plate.     Plan.  2738.25 

Rueegg,  Reinhold. 

Blatter  zur  Feier  des  fiinfzigjahrigen  Jubilaums  des  Ziircher  Stadt- 
theaters  am  10.  und  11.  November  1884.  Zurich.  Verlag  dor 
"Ziiricher  Post."     1884.     (3),  100  pp.  **T.96.356 

Ruggieri,  Claude  Fortune. 

Precis  historique  sur  les  fetes,  les  spectacles  et  les  rejouissances 
publiques.     Paris.     L'auteur.     1830.     (4),  vijj,  380  pp.       **T.96.272 

Relates   partly   to   France.      Another  copy  is   on   shelf-number   **G.  144.7. 

Ruhl,  Arthur  Brown. 

Second  nights.     People  and  ideas  of  the  theatre  to-day.     New  York. 

Scribner.     1914.     ix,  374  pp.  6257.112 

On  the  theatre  in  England  and  America. 
Russell,  Sir  Edward  Richard. 

Irving  as  Hamlet.     2d  edition.     London.     King  &  Co.  1875.     (3),  54 

pp.  **G.76.2 

That  reminds  me.     3d  impression.     London.     Unwin.  1899.     xi,  334 

pp.     Portrait.  4543.149 

Same.     1900.  4543.150 

Miscellaneous   reminiscences  and  anecdotes   of  celebrities   with   two  chapters  on 
English   actors. 

Russell,  William  Clark. 

Representative  actors.  Criticisms,  anecdotes,  personal  descriptions, 
etc.,  referring  to  British  actors  from  the  sixteenth  to  the  present 
century;  with  notes,  and  a  short  account  of  English  acting. 
London.  Warne  &  Co.  [1872.]  xv,  496  pp.  Portraits.  [The 
Chandos  library.]  4548.50;  **T.57,374 

Another  copy  is  on  shelf-number  **K.36.2. 

Same.     [1894?]  4547.140 

Russia.     Theatres. 

Bernstein,  N.  D.  Russlands  Theater  und  Musik  zur  Zeit  Peters 
des  Grossen.     Riga.     [1903.]  4046.198 

CoRviN,  P.  DE.  Le  theatre  en  Russie  depuis  ses  origines  jusqu'a  nos 
jours.     £tude  historique  et  litteraire.     Paris.     1890. 

3061.40;  **T.47.28 

LiRONDELLE,  A.    Shakespcarc  en  Russie,  1748-1840.    (fitude  de  littera- 

ture  comparee.)     Paris.     1912.  4597.222 

MoDERWELL,  H.  K.    The  theatre  of  to-day.    New  York.     1914.    Plates. 

Plans.  6257.84 

Newmarch,    R.      The    Russian    opera.      London.      1914.      Portraits. 

Plates.  4049a,299 

Russian  ballet.     See  Ballet.  Russdaii. 

Rutherford,  John. 

A  narrative  of  the  rise  and  progress  of  the  disputes  subsisting 
between  the  j)atentees  of  Covent-Garden  Theatre.  London: 
Printed  for  Messrs.   Fletcher  and  Anderson.     1768.     (3),   38  pp. 

Another  copy   is  on  shelf-number  No.  ii  in  **G.3824.2.  **T.95.II5 

Rutherford,  John.     Works  about. 

CoLMAN,  G.,  the  Elder.  A  true  state  of  the  differences  subsisting 
between  the  proprietors  of  Covent-Garden  Theatre;  in  answer  to 
a  manuscript  libel  and  to  a  printed  Narrative  by  T.  Harris  and 
J.Rutherford.     London.     1768.  **T.95.ii6;  etc. 

[668] 


BROWN  COLLECTION   OF  BOOKS   ON   THE  STAGE 


Ryan,  Kate. 

Old  Boston  Museum  days.  Boston.  Little.  Brown  &  Co.  1915. 
xii,  264  pp.     Portraits.     Plates.     Autograph   facsimile. 

6257.50;  **T.76.i94 

Recollections  of  members  of  the  Boston  Museum  Stock  Company,  to  which  the 
author  belonged  from   1872  to  1893. 

Ryan,  Richard,  compiler. 

Dramatic  table  talk;  or,  scenes,  situations.  &  adventures,  serious  & 
comic,  in  theatrical  history  &  biography.  London.  Knipht  & 
Lacey.  1825-30.  3  v.  Portraits.  Plates.  Tables.  Genealogical 
chart.     Manuscript  facsimiles.  22593.57;  **T.78. 13 

Another  copy  is  on  shelf-number  ••G. 3926. 15. 

Ryder,  Corbet. 

Report  of  the  trial  of  the  proceedings  in  the  action  of  suspension 
and  interdict  at  the  instance  of  Mrs.  H.  Siddons.  of  the  Theatre 
Royal,  against  Corbet  Ryder,  of  the  Caledonian  theatre.  Edin- 
burgh.    West  &  Co.     1825.     78  pp.  **T.76.4i 

Ryland,  Richard. 

A  second  edition  of  "The  statement,"  "The  address,"  and  "The  re- 
marks" on  the  "Counter-statement,"  relative  to  a  late  withdraw- 
ment  from  a  dissenting  Independent  congregation.  With  a  post- 
script, by  the  writer  of  the  statement.  [Anon.]  London.  Bye  & 
Law.      1805.      (2),   202  pp.  No.  7  in  **G.3824.9 

Letters   on   a  controversy   with  the   Rev.   John    Clayton   relating   to   dancing   and 

the   theatre. 

Ryland,  Richard.     Works  about. 

Clayton,  J.,  the  Elder.  A  counter  and  impartial  statement  of  circum- 
stances relative  to  a  late  withdrawment  from  a  dissenting  Inde- 
pendent church.  To  which  are  added  notes  artd  an  appendix, 
designed  as  a  reply  to  Mr.  Ryland's  "Remarks."  [Anon.]  Lon- 
don. 1805.  No.  8  in  **G.3824.9 
Clayton,  J.,  the  Younger.  Letters,  occasioned  by  a  recent  contro- 
versy between  R.  R.  Esq.  and  the  Rev.  J.  C.     London.     1805. 

No.  II  in  **G.3824.9 
Ryley,  Samuel  William. 

The  itinerant,  or  memoirs  of  an  actor.  London.  Taylor  &  Hessey 
[etc.].     1808-27.    9  V.     Portrait.  **T.57.3i3 

Vols.   7-9  have  the  title:   The  itinerant  in  Scotland. 
Same.     Vol.  i.     New-York.     Inskeep  &  Bradford.     1810.        *45o8.223 
Same.      Reprinted    from    the    author's    edition.      Oldham.      Hirst    & 
Rennie.     1880.     128  pp.  _  _  **T.54.8 

This    edition   includes   only   Vols.    1-3   of   the   first   edition. 
Ryno,  pseud.,  pre  facer. 

Pompon,  R.    Les  souvenirs  de  Rose  Pompon.    Paris.    1887.    **T.57.232 


S. 

Signora  Angelica  Catalani.  Beschreibung  ihres  Lebens  und 
Charakters,  nebst  einer  Beleuchtung  ihres  Gesanges.  Hamburg. 
Wichers.      1819.     24  pp.  No.  i  in  **M. 102.37 

S..  G.    See  Scharf,  Sir  George. 
S.,  H.  T. 

An  account  of  Miss  Foote's  re-appearance  at  the  Theatre-Royal. 
Covent-Garden,  on  the  fifth  of  February.  1825;  and  of  her  recep- 
tion and  performances,  during  a  tour  of  eight  months,  at  the 
theatres  royal  of  Dublin,  Edinburgh,  and  Bath,  &c.  [Edinburgh' 
1826?]     V,  85  pp.  **T.56.305 

[669] 


THE  PUBLIC  LIBRARY  OF  THE   CITY  OF  BOSTON 


Sabin,  Elijah  Robinson. 

A  discourse,  preached  on  February  ii,  1812,  in  presence  of  the 
supreme  executive  of  Massachusetts,  by  request  of  the  young  men 
of  Boston,  commemorative  of  the  late  calamitous  fire  at  Rich- 
mond. Boston.  Scott.  1812.  19  pp.  **T. 76.199 
Refers  to  the  burning  of  the  Richmond  Theatre,  and  attacks  theatrical  amuse- 
ments.     Another   copy   is   on    shelf-number    No.  2  in  *437i.7i. 

Sabin,  Joseph,  compiler. 

Catalogue  of  the  library  of  Edwin  Forrest.  Philadelphia.  Collins. 
1R63.     iv,    188  pp.      Portrait.  *2202.4 

Sacchini,  Antonio  Maria  Gasparo. 

JULLIEN,  J.  L.  A.  La  cour  et  I'opera  sous  Louis  xvi.  Marie 
Antoinette   et   Sacchini,   Salieri,   Favart   et   Gluck.     Paris.      1878. 

4676.52;  **M.i27.39 
Sachs,  Edwin  Otho. 

The  Chicago  theatre  fire.  Plans.  (In  British  Fire  Prevention  Com- 
mittee. The  fire  at  the  Iroquois  Theatre.  Pp.  7-18.  London. 
1904.)  4019.263 

Fires  and  public  entertainments.  A  study  of  some  iioo  notable  fires 
at  theatres,  music  halls  .  .  .  during  the  last  100  years.  London. 
Layton.     1897.     58  pp.  *Cab.4o.44.i 

Sachs,  Edwin  Otho,  pre  facer. 

Bourdon,  G.     Les  theatres  anglais.     Paris.     1903.  2552.59 

Sachs,  Edwin  Otho,  and  Ernest  A.  E.  Woodrow. 

Modern  opera  houses  and  theatres.  Examples  selected  from  play- 
houses recently  erected  in  Europe.  London.  Batsford.  1896-98. 
3  V.     Illus.     220  plates.  *Cab.6o.77.4 

Sadler,  L.  R.     (Jacob  Larwood.) 

Theatrical  anecdotes;  or,  fun  and  curiosities  of  the  play,  the  play- 
house, and  the  players.  London.  Chatto  &  Windus.  1882.  (5), 
328  pp.     [The  Mayfair  library.]  2554.61 ;  **T.58.8o 

Relates  to  Great  Britain. 
St.  Albans,   Harriot   Mellon,  Duchess  of.     See  Mellon,   Harriot.  Duchess 

of  St.  Albans. 
Saint-Aubin,  M***  de.     See  Mague  de  Saint-Aubin,  Jacques  Antoine. 
Saint-Cyr,  France.     Theatres. 

Taphanel,  a.  Le  Theatre  de  Saint-Cyr.  (1689-1792.)  D'apres  des 
documents  inedits.     Versailles.     1876.     Plan.  2674.51 ;  **T.76. 14 

Saint-Genies,  Richard,   Vicomte  de.      (Richard   O'Monroy.) 

Les    pctites    Manchaballe.      4e    edition.      Paris.      Levy.      1893.      (3). 

310  pp.  **T.87^66 

A  novel  of  stage  life. 

Place   au    theatre!      2e    edition.      Paris.      Levy.      1894.      (3),    338   pp. 

A  novel  of  stage  life.  **T.87.67 

La  soiree  parisienne.    Annee  [i,]  2.     Paris.     Arnould.     1890,  91.     2  v. 

Criticisms  of  plays  at  the  Paris  theatres.  **T.27.3 

Saint  Hilaire,  .\mable  Villain  de.     (Guillaume  le' Flaneur.) 

Petite    biographic    dramatique,    silhouette    des    acteurs.     chanteurs, 

directeurs,  etc.,  des  theatres   de  la  Capitale.     Paris.     Lemonnier. 

1 82 1.      (3),   viij,   5-229  pp.  **T.57.389 

Same.     2e  edition.     Domere.  **T.57.3go 

Saint-Huberty,  Antoinette  Cecile. 

GoxcouRT,  E.  L.  A.  H.  de.  Madame  Saint-Huberty.  D'apres  sa 
correspondance    et    ses    papiers    de    famille.      Paris.      1885. 


**M.377.57 


[670] 


BROWN   COLLECTION   OF  BOOKS   ON   THE   STAGE 


St.  James's  Palace,  London.    Chapel  Royal. 

Stopes,  C.  C.     William  Hunnis  and  the  revels  of  the  Chapel  Royal. 
A  study  of  his  period  and  the  influences  which  affected  Shake- 
speare.    Louvain.     1910.  2553.130 
St.  John,  Christopher,  psend.     See  Marshall,  Christabel. 
St.  John's  Gate,  London. 

Jeremiah,  J.  Notes  on  Shakespeare,  and  memorials  of  the  Urban 
Club,  and  an  account  of  the  boar's  head  feast  and  ceremonies 
formerly  observed  at  St.  John's  Gate.  [With  an  appendix: 
"Memorials  of  the  Urban  Club,  being  a  complete  collection  of 
the  programmes  and  circulars,  April  24th,  1875,  to  July  7th.  1876."! 
London.     1876.     Illus.     Portrait.     Plate.  **T.56.44;  etc. 

St.  Louis,  Mo.     Theatres. 

Nolle,  A.  H.  The  German  drama  on  the  St.  Louis  stage.  A  thesis. 
[Philadelphia.]      1917.  4393.228 

Saint-Marc,  B.,  pseud.     See  Beynet,  Agricol. 
Saint-Mor,  Guy  de. 

Paris  sur  scene.  Saison  1886/87.  Annee  i.  Paris.  Piaget.  t888. 
(3),  ii,  (i),  376  pp.     Illus.     Portraits.  **T.47.io 

St.  Quentin,  France.     Theatres. 

Lecocq.  G.  Histoire  du  theatre  de  S'-Quentin.  Paris.  1878.  Plates. 
Plans.  **T.74.i3 

Saint-Saens,  Camille.     See  Saint-Saens,  Charles  Camille. 
Saint-Saens,  Charles  Camille. 

Note  sur  les  decors  de  theatre  dans  I'antiquite  romaine.  Paris. 
Baschet.     1886.     32  pp.     Illus.     Plates.     Plan.     29503.50;  **T.75. 11 

Saint- Vital, . 

De  I'organisation  des  artistes  dramatiques.  A  S.  Ex.  le  Ministre 
d'fitat.     Paris.     Dubuisson  &  c'e.     1863.     16  pp.  **T.95.62 

Signed,  Ernest  Fanfemot,  et  Saint-Vital. 

Sainte-Albine,  Remond  de.     See  Remond  de  Sainte-Albine,  Pierre. 
Sainte-Beuve,  Charles  Augustin. 

Madame    Desbordes-Valmore,   sa  vie   et   sa   correspondance.     Paris. 

Levy.     1870.     (3),  246  pp.  2647.60 

Same.     Memoirs  of  Madame  Desbordes-Valmore.     With  a  selection 

from   her  poems.     Translated   by   Harriet   W.   Preston.      Boston. 

Roberts.     1873.     viii,  227  pp.  2648.62 

Another  copy  is  on  shelf-number  P.i  1.2242. 

Sainte-Beuve,  Charles  Augustin.     Works  about. 

Claretie,  J.  A.  A.     Sainte-Beuve  et  la  Comedie-frangaise.      (In  Le 
livre  d'or  de  Sainte-Beuve.     Pp.  31-45.     Paris.     1904)        *264i.i76 
Sala,  George  Augustus  Henry. 

The  life  and  adventures  of  George  Augustus  Sala.  Written  by  him- 
self. London.  Cassell  &  Co.,  Ltd.  1895.  2  v.  Portraits.  Auto- 
graph facsimile.  4544.142;  **T.56.84 

Vol.    I    of  the   copy   on   shelf-number   **T.56  84   is   of   the   2d   edition. 

Living  London:  being  "echoes"  re-echoed.  London.  Remington  & 
Co.  1883.  xxi,  (i),  568  pp.  Illus.  Plates.  Facsimile.  2463.68 
A  selected  republication  of  the  'Echoes  of  the  week'  and  'The  playhouses'  which 
appeared  in  1882  in  the  columns  of  the  Illustrated  London  News.  —  Prcf.ice 

On  a  remarkable  dramatic  performance  fSothern's  Lord  Dundreary], 
(In  his  Breakfast  in  bed.     Pp.  7-32.     New  York.     1863.)     65593.43 

Same.     (In  Same.     Boston.     1863.)  **T.97.i87 

[671] 


THE  PUBLIC  LIBRARY  OF  THE   CITY  OF  BOSTON 


Sala,  George  Augustus  Henry.     (Continued.) 

Robson:  a  sketch.     London.     Hotten.     1864.     64  pp.  **T.58.97 

The  prefatory  article:  The  late  Frederick  Robson  is  signed  J.  C.  H.  Reprinted 
from  The  Atlantic  Monthly,  June,  1864  [Periodical  Room  *53i4. 1.13].  Another 
copy,   without  the  prefatory  article,  is  on   shelf-number   No.  17  in  **G. 3930. 13.2. 

Things  I  have  seen  and  people  I  have  known.     London.     Cassell  & 
Co.,  Ltd.     1894.     xxiii.  268  pp.     Portrait.     Autograph  facsimile. 

Contains  chapters  on  the  theatre  and  the  opera.  4545. 143 ;  **T.57. 242 

The  two  prima  donnas,  and  The  dumb  door  porter.    London.    Tinsley. 
1862.    viii,  246  pp.  **M. 108.13 

Sala,  George  Augustus  Henry,  prefacer. 

Brough.  R.  B.     Marston  Lynch,  his  life  and  times.     London,     i860. 

**T.58.i26 
Salieri,  Antonio. 

JuLLiEN,  J.   L.  A.     La  cour  et  I'opera  sous  Louis  xvi.     Marie   An- 
toinette et  Sacchini,  Salieri,  Favart  et  Gluck.     Paris.     1878. 

4676,52;  **M. 127.39 
Salle,  Marie.^ 

Dacier,    E.      Une    danseuse    de    I'Opera    sous    Louis    xv:    M^e    Salle 
(1707-1756).     D'apres  des  documents  inedits.     Paris.     1909.     Por- 
trait. **T.57.3io 
Saltarino,  Signor,  pseud. 

Das   Artistentum  und  seine   Geschichte.     Leipzg.     Backhaus.      1910. 
244.  pp.     Illus.     Portraits.  2243.87 

Deals  for   the  most  part   with   vaudeville   actors   and   circus   performers. 
Saltimbanques  et  marionnettes.     Avril,  A.  **T.77.i26 

Salvini,  Tommaso. 

Leaves   from  the  autobiography  of  Tommaso   Salvini.     New   York. 
The  Century  Co.     1893.     (S),  240  pp.     Portraits.     2747.81 ;  **T.57.4 

Another  copy  is  on  shelf-number  *Artz  Cab.17.11. 

Salvini,  Tommaso.     Works  about. 

Mason.   E.   T.     The  Othello  of  Tommaso   Salvini.     With   portraits 
by  Robert  Frederick  Blum.  New  York.     1890.     Portraits.     Dia- 
grams. **T.57.45;  etc. 
Sam  Spangles.    Coyne,  J.  S.  **T.88.i9 
Samson,  Joseph  Isidore. 

L'art  theatral.     Partie  i.     Paris.     Dentu.     1863.     (8),   188  pp.     Por- 
traits. **T.75.i4 

A  poem  on  acting. 

Same.      Nouvelle    edition,    precedee  d'une   lettre    d'fimile    Augier    et 

d'une  preface  de  Coquelin  aine.  Paris.     Dentu.      1889.     xx.  304, 

4  pp.  2678.112;  **T.97.35o 

Another  copy  is  on  shelf-number  **M.2o8.io. 
Lettre  a  Monsieur  Jules  Janin.     [Paris.     1859.]     55  pp.  **T.95.io5 

A  reply  to  Janin's  Rachel  et  la  tragedie  [**T.54.6]. 
Memoires.      Paris.      Ollendorff.      1882.      (3),   xxi,   338   pp.      Portrait. 

2649.126 
Same.     2e  edition.  **T.57.326 

Theatre  frangais.     [Paris?     18 — ?]     281-321  pp.  **T.97.i8i 

C"ut  from  Paris  moderne. 

Samson,  Joseph  Isidore.     Works  about. 

Jacquot,  C.  J.  B.     Samson.     Paris.     1854.     Portrait.  6649a.11 

Legouve,  G.  J.  B.  E.  W.     M.  Samson  et  ses  eleves.     Paris.     [1875.] 

**T.96.i57 

Samson,  Madame  J.  I.     Rachel  et  Samson.     Souvenirs  de  theatre  par 

la  veuve  de  Samson.     Paris.     1898.  **T.57.336 

[672] 


BROWN   COLLECTION    OF  BOOKS    ON    THE   STAGE 


Samson,  Madame  Joseph  Isidore. 

Rachel  et  Samson.     Souvenirs  de  theatre  par  la  veuve  de   Samson. 

Avec   une   preface   de  Jules    Claretie.      Paris.     Ollendorff.      1898. 

xix,  271   pp.  **T.57.336 

Sand,  George,  pseud.     See  Dudevant,  Amantine  Lucilc  Aurorc  Dupin. 

Sand,  Maurice,  pseud.     See  Dudevant,  Jean   Francois  Maurice  Arnauld. 

Baron. 
Sanders,  Lloyd  Charles. 

Life  of  Richard   Brinsley  Sheridan.     London.     Scott.      [i8qo.|      177 
xi  pp.      [Great  vi^riters.]  45408.128 

Bibliography,  by  John  P.  Anderson,  pp.  i-xi. 
Sangalli,  Rita,  prcfacer. 

Duval.    G-     Terpsichore.      Petit   guide    a    I'usage   des   amateur.s    de 
ballet.     Paris.     1875.  6oo9a.8o 

Sanson,  Victor. 

La  Boutraye,  J.  de.  Essai  sur  I'art  dramatique.  fipitre  a  VictMr 
Sanson.     Avranches.     Tostain.     1849.     3-83  pp.  **T.96.i59 

Verses   on   acting.      Another   copy   is  on   shelf-number   **T. 46.57. 

Santley,  Sir  Charles. 

Reminiscences  of  my  life.     London.     Sir  Isaac  Pitman  &  Sons,  Ltd. 

1909.    xiv,  (i).  319  pp.    Portraits.    Plates.     Facsimiles.         4047.289 

Introduces  many  singers  and  actors,  especially  those  in  the  London  theatres. 

Student  and  singer.     Reminiscences.     London.     Arnold.     1892.     xv. 

( i),  ^,2"/  pp.     Portraits.    Autograph  facsimile.  **M. 106.20 

Same.     2d  edition.  8043.107 

Sapajou.     Dhormovs,  P.  **T.98.i45 

Sarah   Bamum's  reply.     The   life  of   Marie   Colombier.      [Anon.]      See 

Gaillet,  Eugene,  and  Liebold. 

Sarcey,  Francisque. 

La  Comedie-franQaise  a  Londres  (1871-1879).  Journal  inedit  de  E. 
Got. — Journal  de  F.  Sarcey.  Publics  avec  une  introduction  par 
Georges  d'Hcylli  [pseud.  d'Antoine  Edmond  Poinsot].  Paris 
Ollendorff.  1880.  (3),  Ixxxvii,  196,  (i)  pp.  2676.156;  **T.78.i2 
Comediens  et  comediennes.  Notices  par  F.  Sarcey.  Portraits  par 
L.  Gaucherel  &  Ad.  Lalauze.  Paris.  Librairie  des  Bibliophiles. 
1876-84.     2  V.     Portraits.  *464oa.5o;  **T.55.i3 

Contents.  —  i.   Comediefranqaise.     2.  Theatres  divers. 

Serie  2  of  the  copy  on  shelf-number  **T.S5.i3  lacks  livraisons  8-16  and  the  title- 
page. 

Quarante  ans  de  theatre.  (Feuilletons  dramatiques.)  Paris.  Biblio- 
thcque  des  annales  politiques  et  litteraires.  1900-1902.  8  v.  Por- 
traits. 4676.114;  **T.47.i 

Contents.  —  [i.]  Avant-propos,  par  Adolphe  Brisson.  —  Francisque  Sarcey. 
Articles  par  Jules  Claretie,  fimile  Faguet.  Henry  Fouquier,  Gustave  Larroumet. 
Jules  Lemaitre,  Andre  Theuriet,  Adolphe  Brisson.  —  La  critique  et  les  critique?. 

—  Les  lois  du  theatre.  —  La  Comedie-frangaise.  [2.]  Moliere.  —  Reynard.  — 
Marivaux.  —  Beaumarchais.  —  Lesage,  Piron,  Gressert,  Favart,  Sedaine.  [3.] 
Corneille.  —  Racine.  —  Voltaire.  —  Les  grecs.  —  Shakespeare.  [4.]  Victor 
Hugo.  —  Dumas  pere.  —  Scribe.  —  Casimir  Delavigne.  —  Balzac.  —  George 
Sand.  —  Ernest  Legouve.  —  Alfred  de  Musset.  —  J'iles  Sandeau.  —  Ponsard.  — 
D'Ennery.  —  Camille  Doucet.  —  Eugene  Labiche.  —  Auguste  Vacquerie.  — 
Leconte  de  Lisle.     [5.]   fimile  Augier.  —  Octave  Feuillet.  —  Erckmann-Chatrian. 

—  Theodore  Barriere.  —  Alexandre  Dumas  fils.  —  Henri  de  Bornier.  [6.] 
Victorien  Sardou.  —  Meilhac  et  Halevy.  —  Henri  Meilhac.  —  fidouard  Pailleron. 

—  Henry  Becque.  —  Armand  Silvestre.  —  Alphonse  Daudet.     [7.]   limiie  Zola.  — 
Jules  Claretie.  —  Catulle   Mendes.  —  Frangois  Coppee.  —  Alexandre  Parodi.  — 
fimile  Bergerat.  —  Paul  Deroulede.  —  Jean  Aicard.— Georges  Ohnet.— Alexandre 
Bisson.   —  Jean   Richepin.   —  Georges   de   Porto-Riche.    —   Octave    Mirbcau.    - 
Jules   Lemaitre.   —  Frangois  de  Curel.   —  Jean   Jullien.      [8.]    Paul   Hervieu.    - 

[673] 
43 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 

Sarcey,  Francisque.     (Continued.) 

F.ugene    Brieiix.    —    Alfred    Capus.    —   Henri    Lavedan.    —    Maurice    Donnay.    — 
Georges  Courteline.  —  I.eon  Gandillot.  —  Georges  Feydeau.  —  Edmond  Rostand. 

—  M.     Antoine    et    le    Theatre-Libre.    —    Les    etrangcrs :     Ostrowsky :     Ibsen; 
Bjoernstjerne-Bjoernson  :   Gerhart   Hauptmann  :   Strindberg ;    Maurice  Maeterlinck. 

—  Aux  lecteurs.  —  Profession  de  foi. 

\'ol.    [i]    is   of   the    nth   edition    and   vol.    \2^,   of   the    3d,    in   the   copy    on    shelf- 
number   **T.47. 1. 

Sarah  Bernhardt.     [Paris.     1879.]     27  pp.     Portrait.     No.  3  in  *6246.55 

Reprinted     from    his    Comediens    et    comediennes.       Serie     i,     fasc.     s     [No.  5  in 
*464oa.50.];    **T.55,T3.i]. 

Le    theatre.      Paris.      [Lahure.]      1893.     63,    (i)    pp.      Illus.      Plates. 

fSocitte  artistique  du  livre  illustre.     Publication.]  **T.75.77 

.\    theory    of    the    theatre.      With    an    introduction     [and    notes]    by 

Brander  Matthews.     [Translated  by  H.  H.  Hughes.]      New  York. 

1916.,    (5).  62  pp.     [Columbia  University.     Dramatic  Museum.] 

On  the  relationship  of  the  technique  of  the  drama  to  the  audience.  **T.46.62.4 

Sarcey,  Francisque.     Works  about. 

Perrin,  E.  C.  V.  fitude  sur  la  mise  en  scene.  Lettre  a  M.  Francisque 
Sarcey.     Paris.     1883.  **T.95.59 

Sardou,  Victorian. 

L'heure  du  spectacle.  Lettre  pour  servir  de  preface  au  second 
volume  des  Annales  du  theatre  et  de  la  musique.  Paris  Char- 
pentier.     1878.    35  pp.  **T.97.22i 

Relates  to  the  conflict  between  the  dinner  hour  and  the  time  for  the  commence- 
ment of  the  plays  in  Paris. 

Sardou,  Victorien.     Works  about. 

Macchetta,  B.  R.     Familiar  faces.     Victorien   Sardou,  poet,  author 

and    member    of    the    Academy    of    France.      A    personal    study. 

London.     1892.     Portrait.  **T.58.5i ;  etc. 

ScHOEN.  H.     Victorien  Sardou  et  Constant   Coquelin.     Paris.     1910. 

4672.34 
Sarette,  Bernard. 

Robert,  .     Aux   indifferens.      [Paris.      1800?]      16  pp. 

No.  8in**G.i57.io 
Sargent,  Epes  Winthrop. 

The  technique  of  the  photoplay.     New  York.     The   Moving   Picture 

World.      [1912.]      51   PP-  80393,93 

Sartine,  Antoine  Raymond  Jean   Gaulbert  Gabriel  de,  Comte  d'Alby. 

Documents  inedits  sur  le  regne  de  Louis  xv,  ou,  anecdotes  galantes 

sur  les  actrices,  demoiselles  entretenues,  grisettes,  etc.,  formant 

le  journal  de  M.  le  Lieutenant  de   Police  De  Sartines  trouve  en 

1789  dans  la  Bastille.     Avec  une  table  de  noms  et  des  notes  his- 

toriques  et  biographiques  par  L.  Larchey.     Bruxclles.     1863.     xii, 

339  PP-  **T.57.268 

Satan,  Junior,  pseud.,  editor. 

Kellar.   H.     a  magician's  tour  up  and   down  and   round  about   the 
earth.    Chicago.    1886.    Illus.    Portrait.    Plates.    6267.69;  **T. 57. 356 
Satires. 

Art,  L',  de  cabaler  dans  les  spectacles,  poeme  didactique,  en  prose 
et  en  trois  chants.     Paris.     181 1.  No.  9  in  **G.3562.2 

B N,  B T.     The  stage:  or  coronation  of  King  Tom 

[Sheridan].     A  satyr.     Dublin.     1753.  No.  8  in  **G.3824.i7 

Democritus,  Joseph,  pseud.,  and  William  Diogenes,  pseud.  The  re- 
markable trial  of  the  queen  of  quavers,  [Polly  Farmer,  pseud.] 
and  her  associates,  for  sorcery,  witchcraft,  and  enchantment,  at 
the  assizes  held  in  the  moon.      [London.     T777.]         **M.ii7.9;etc. 

[674] 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 


Satires.     (Continued.) 

Button.  T.  The  wise  man  of  the  East;  or.  the  apparuion  ..i 
Zoroaster,  the  son  of  Oromases,  to  the  theatrical  midwife  of 
Leicester-Fields.     A   satirical   poem.     London.      1800. 

No.  8  in  **G.3824.6 

Fenton.  W.  The  itinerant  Thespians,  or  the  theatre  dissected.  |.\ 
satire  in  verse.     I^^ondon.]      1792.  No.  5  in  **G.3824.6 

Laureat,  The:  or,  the  right  side  of  Collcy  Cihber,  Esq.;  containing, 
explanations,  amendments  and  observations,  on  a  book  intituled! 
An  apology  for  the  life,  and  writings  of  Mr.  Colley  Cil)bi-r.  \..t 
written  by  himself,  .\dded.  The  history  of  the  life,  manners  and 
writings  of  ^sopus  the  tragedian,  from  a  fragment  of  a  Greek 
manuscript  found  in  the  library  of  the  Vatican;  interspers'd  with 
observations  of  the  translator.     London.     1740.  **T.57  437 

Letter.  A,  of  abuse,  to  D...d  G k,  Esq.     London.     1757. 

No.  10  in  **G.3824.i6 

Mad  Bull,  A.  pseud.     The  O-Pneiad,  a  satire.     London.     1810. 

No.  3  in  **G.3824.s 

Meusnier  de  Querlon,  a.  G.  Le  code  lyrique  ou  reglement  pour 
rOpera  de  Paris.  Avec  des  eclaircissemens  historiqucs.  .\  Utnpir 
[i.  e.  Paris].     1743.  **M.377.37;  etc. 

Nathan,  G.  J.  Bottoms  up.  An  application  of  the  slapstick  to  satire. 
New  York.     1917.  6257.306 

Phillips.  E.     The  players:  a  satire   [in  verse].     London.     1733. 

No.  4  in  **G.3823.3 

Squib,  The:  a  granulation  of  wit,  satire,  and  amusement.  [Weekly.] 
No.  1-29.     June  4 -December  10,  1842.     London.     1842.     Illus. 

**T.2I.II 

Snow,  W.  R.    The  drama  on  crutches.    A  satire  of  the  day.     [Poem.] 

London.     1872.  **T.97.26o 

Williams,    J.      The    children    of    Thespis.      A    poem.      [London] 

1786,  88.  **G.3947.i8;etc. 

Saturday  Morning  Club,  Boston. 

[Programme  of  The  winter's  tale,  given  in  Copley  Hall,  Fei)ruary 
18-21,   1895,  by  the  Saturday  Morning  Club.]     Boston.     1895. 

*Artz  Cab. 19.25 
Saturday  Morning  Club,  Boston.     Works  about. 

Pelletier,  M.  C.  The  winter's  tale.  As  performed  l)y  the  Saturday 
Morning  Club.  (In  Bostonian,  The.  Vol.  2,  pp.  1-16.  Plates. 
Boston.      1895.)  *53or,45.2 

Saturday  Programme,  The.  and  Sketch-book.  [Weekly.]  (With  which 
is  incorporated  the  Figaro-Programme.')  Vol.  1-5.  1874-76. 
London.     1874-76.     5  v.     Illus.     Portraits.     Plates.  **T.25.i4 

Until  June  19.  1875,  the  title  was  Figaro  Programme;  then  for  two  issues  it  w^.< 
The  London  Programme  and  Sketch-book,  The  London  Sketch-book  [**T.2S.i3] 
having  been  incorporated  with  it.  Contains  theatrical  and  musical  notes  and 
portraits. 

Saunders,  Catherine. 

Costume  in  Roman  comedy.  New  York.  Columbia  University 
Press.  1909.  X,  145  pp.  [Columbia  University.  Studies  in  classical 
philology.]  '  2949.127 

Bibliography,  pp.    143-145. 

Saunders,  George. 

A  treatise   on   theatres.      London:   Printed   for  the   author,  and   sold 
by  L  and  J.  Taylor.     1790.     x,  (4),  94  PP-     '^i"  plates.     Plans. 
Another  copy  is  on  shelf-number  **G.3820. 10.  l'73-2 

[675] 


THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 


Sauvageot,  Louis. 

Considerations  sur  la  construction  des  theatres  a  propos  de  la 
reconstruction  du  Theatre  des  arts  a  Rouen.  Paris.  Morel  &  cK 
[1877.]      (3),  55  pp.     Plates.     Plans.  No.  4 in  **M. 122.38 

Savage  Club,  The,  Loudon. 

Watson,  A.     The  Savage  Club.     A  medley  of  history,  anecdote  and 
reminiscence.     With  a  chapter  by   Mark   Twain    [pseud.].     Lon- 
don.    1907.     IIlus.     Portraits,  some  colored.     Plates.  *2497.202 
Savard,  Felix. 

Les  actrices  de  Paris.     Preface  par  Henri  de  Pene.     Paris.     Librairie 

centrale.     1867.     (3),  viii,  260  pp.  **T.57.302 

Les  petits  mysteres  de  I'ficole  lyrique.     2^  edition.     [Anon.]     Paris. 

Sausset.     1862.     (3),  122,  (i)  pp.     Portrait.  **T.59.i7 

Savoy.     Theatres. 

MuGNiER,  F.  Le  theatre  en  Savoie.  Les  vieux  spectacles,  les 
comediens  de  Mademoiselle  et  de  S.  A.  R.  le  Due  de  Savoie,  la 
comedie  au  college,  les  troupes  modernes.     Chambery.     1887. 

**T.76.i7 
Savoy  opera,  The,  and  the  Savoyards.     Fitzgerald,  P.  H.  2578.113 

Sawdust  &  spangles.     Coup,  W.  C.  4009.32;  **T.57. 150 

Scalchi,  Sofia. 

Jean  and   fidouard   de   Reszke.      [With   a   sketch   of   Sofia   Scalchi.] 

Illus.     Portraits.      (In  The  music  of  the  modern  world.     Vol.    i, 

pp.  138-140.     New  York.     [1895.])  •  **M.i4.i.i 

Scandale,  Le,  au  theatre.     Poinsot,  A.  E.  No.  2  in  **M.ii8.i3 

Scandale,  Le,  d'hier.    See  Mirbeau,  O.    Les  comedien. 

Scanlan,  Robert  R. 

Nine  portraits  forming  a  series  of  characters,  illustrative  of  Mathews. 

In  his  fourteenth  &  last  comic  annual,  performed  in   England   & 

America,  in  1833.     Drawn  on  stone  by  Edward  Morton.     London. 

Mitchell.    [183-?]    fi)  p.    (9)  plates.    Autograph  facsimile.    **T.si.9 

Scaramouche,  Tiberio  Fiorilli,  called  Scaramouche.     See  Fiorilli,  Tiberio. 

Sceaux,  chateau,  France. 

JuLLiEN,  J.  L.  A.  Les  grandes  nuits  de  Sceaux.  Le  theatre  de  la 
Duchesse  du  Maine.     D'apres  des  documents  inedits.     Paris.     1876. 

**T.95.5i 

Scenarios.     See  Drama.  Construction :  Moving  pictures. 

Scene,   La.     Revue  des   succes  dramatiques.     Vol.    i    (no.    1-19,   21-24). 

Redacteur:    E.   Grand.     Paris.      1877-81.     23  parts   in    i    v.     Illus. 

Colored  plates.  **T.22.8 

Contains    colored    illustrations    of    costumes.      It    was    intended    to    publish    this 
paper  bi-monthly  but  the  numbers  were  actually  issued  at  irregular  intervals. 

Scene  painting.     See  Theatre.    Scenery. 

Scene  Shifter,  The,  or  dramatic  indicator  and  panorama  of  life  as  it  is. 
[Weekly.]  Vol  i  (no.  1-3).  Nov.  27  -  Dec.  11,  1848.  [London.] 
1848     24  pp.     Illus.     Portraits.  **T.23.9 

Scenery.     Theatrical.     See  Theatre.    Scenery. 

Scenes  de  la  vie  de  theatre      Dreyfus,  A.  4665.58;  **T. 87. 51 

Scharf,  Sir  George. 

Recollections  of  the  scenic  effects  of  Covent  Garden  Theatre  during 
the  season   1838-9.     London.     Pattie.     1839.     (5)  pp.     (39)  plates. 

Illustrations  of  Macready's  productions,  principally  Shakespearean.  **X.57.I 

Scharfenstcin,  Helene,  pseud. 

Aus  .dem  Tagebuche  einer  deutschen  Schauspielerin.  11.  Auflage. 
Stuttgart.  Lutz.  [1912.]  393  pp.  [Memoiren  Ribliothek.  Serie 
4,  Band  4.]  **T.47.i09 

[676] 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 


Schauspiel-Kunst,  Die,  ein  Kapitel  der  Scelcnkuiule.   THEINERT-MICKI.I,^ , 

^-  **T.96.354 

Schauspieler,  Der.     Martersteig,  M.  **T.77.225 

Schauspieler-Charakteristiken.     Richter,  H.  6872.70 

Schelling,  Felix  Emmanuel. 

Elizabethan  drama.  1 558-1642.  A  history  of  the  drama  in  England 
from  the  accession  of  Queen  Elizabeth  to  the  closing  of  the 
theatres,  to  which  is  prefixed  a  resume  of  the  earlier  drama 
from  its  beginnings.  Boston.  Houghton,  Mifflin  &  Co.  100)^. 
2  V.  2556.144 

Bibliographical  essay,  pp.  433-537-  A  list  of  plays  and  like  productibns  writuii, 
acted,  or  published  in  England  between  the  years   1558  and   1642,  pp.  538-624. 

The  Queen's  progress  and  other  Elizabethan  sketches.  Boston. 
Houghton,  Mifflin  &  Co.     1904.     ix,  268  pp.     Portraits.     Plate. 

2556.108 

Contents.  —  The  Queen  s  progress.  —  An  Elizabethan  will.  —  Thomas  Stuclcy. 
gentleman  adventurer.  —  An  old-time  friendship,  —  "An  aery  of  children,  little 
eyases."  —  A  groatsworth  of  wit.  —  Plays  in  the  making.  —  When  music  and 
sweet  poetry  agree.  —  Thalia  in  Oxford.  —  A  journey  to  the  north. 

Scheme,   A,    for   having  an   Italian   opera   in    London,  of  a   new   taste. 
London:  Printed  for  W.  Owen.     1753.    22  pp.  **T.96.95 

A  proposal  to  employ  parodies  to  increase  the  popularity  of  the  operas  to  Ik- 
given  at  the  King's  Theatre,  Haymarket.  The  text  is  in  English  and  French 
on  opposite  pages.  —  The  last  page  of  the  English  text  has  no  corresponding 
page  in   French.     Another  copy   is  on   shelf-number   No.  11  in  **G.3823.i2. 

Scherillo,  Michele. 

La  commedia  dell'  arte  in  Italia.  Studi  e  profili.  Torino.  Loeschcr. 
1884.     xi,   162,    (i)   pp.  2776.84 

Scheuing,  Frances  May.     (Frances  Agnew.) 

Motion  picture  acting:  how  to  prepare  for  photoplaying,  what  quali- 
fications are  necessary,  how  to  secure  an  engagement,  salaries 
paid  to  photoplayers.  New  York.  Reliance  Newspaper  Syndicate. 
[1913.]      loi   pp.     Portraits.     Plates.     Autograph   facsimiles. 

80393.63 
Schick,  Margareta  Luise. 

Levezow,  C.  von.  Leben  und  Kunst  der  Frau  Margarete  Luise 
Schick.     Berlin.     1809.  No.  4  in  **M. 145. 20 

Schiessler,  Sebastian  Willibald.     (Justus  Hilarius.) 

Coulissen-Blitze  in  Anekdoten,  Schwanken,  Schnurren  und  witzigcii 
Einfallen,  auf  Theater  und  Schauspieler  geschleudert.  Schleuder 
1-6.     Meissen.     Goedsche.     1828,  29.     6  v.  in   i.     Colored  plates. 

**T.59.53 
Schiller,  Johann  Christoph  Friedrich  von. 

Brede,  C.  F.  Schiller  on  the  Philadelphia  stage  to  the  year  1830. 
(In  German  American  Annals.  Vol.  7,  pp.  254-275.  Philadelphia. 
1905.)  No.  I  in  **H.8o.i88.2;  etc. 

Martersteig,  M.  Die  ethische  Aufgabe  d,er  Schaubiihnc.  Einc- 
Schillerrede.  [Gehalten  bei  der  Feier  am  10.  November  1911  im 
Schillerverein  zu   Leipzig.]      Leipzig.     1912.  **T.76.i90 

Petersen,  J.  Schiller  und  die  Biihne.  Ein  Beitrag  zur  Litteratur- 
und  Theatergeschichte   der   klassischen   Zeit.      Berlin.      1904. 

•  6872.84 

PossART,    E.,   Rittcr  VON.      Schiller   und   das   Theater.      Festredc    zur 

Mannheimer  Gedachtnisfeier  von  Schillers  hundertstem  Todestagf 

(8.  Mai  1905).     Berlin.     [1905.]  **T.76.i89 

Stahl,    E.    L.      Joseph    von    Auffenberg    und    das    Schauspiel    der 

Schillerepigonen.     Hamburg.      1910.  6872.63 

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THE  PUBLIC  LIBRARY  OF  THE   CITY  OF  BOSTON 


Schilling,  B. 

Das  neue  Stadttheater  in  Koln.  Architekt  Karl  Moritz,  mitgeteilt 
von  B.  Schilling.  Berlin.  Ernst.  1904.  14  pp.  Illus.  Plates, 
one  colored.     Plans.  *Cab.6o.i44.8 

Schink,  Johann  Friedrich. 

Ueber  Brockmann's  Hamlet.    [Anon.]    Berlin.    Wever.    1778.   3-70  pp. 

**G.39i6.5 

Zusatze   und    Berichtigungen   zu    der    Gallerie    der    teutschen    Schau- 

spieler  und  Schauspielerinnen.     Wien.     1783.     Facsimile  title-page. 

(In  Gallerie  von  teutschen   Schauspielern  und   Schauspielerinnen. 

Pp.   169-255.     Berlin.      1910.)  6907.23 

Schlager,  Johann  Ev. 

Ueber  das  alte  Wiener  Hoftheater.  (In  Kaiserliche  Akademie  der 
Wissenschaften,  "Vienna.  Philosophisch-historische  Classe.  Sitz- 
ungsberichte.     Band  6,  pp.   147-171.     Wien.     1851.)  *3340.3.6 

Schlenther,  Paul. 

Adolf  von  Sonnenthal.  Fijnfzig  Jahre  im  Wiener  Burgtheater.  1856- 
1906.     Als  Manuskript  gedruckt.     Wien.     1906.     22,  pp.     Portraits. 

A  list  of  Sonnenthal's  roles  at  the  Burgtheater.  **T.77.227 

Bernhard  Baumeister.  Fiinfzig  Jahre  Burgtheater.  1852-1902.  Eine 
Statistik.     Wien.     Konegen.     1902.    32  pp.     Portraits.     Facsimiles. 

**T.73.8 

Botho  von  Hiilsen  und  seine  Leute.  Eine  Jubilaumskritik  iiber  das 
Berliner  Hofschauspiel.  2.  Auflage.  Berlin.  Gerstmann.  1883. 
(2),  64  pp.  **T.76.i92 

Relates  to  the  Koenig-liches  Schauspielhaus  in  Berlin. 

Der  Frauenberuf  im  Theater.  Berlin.  Taendler.  1895.  33-60  pp. 
[Der  Existenzkampf  der  Frau  im  modernen  Leben.]  **T.56.329 

Schlenther,  Paul,  editor. 

FoxT.\NE,  T.     Causerien  iiber  Theater.     Berlin.      1905.  6252.75 

Schliepmann,  Hans  Carl  Gottfried. 

Die  neuen  Entwiirfe  zum  Berliner  Koniglichen  Opernhaus.  Mit 
Text  von  Hans  Schliepmann.  Berlin.  Wasmuth,  A.-G.  1913. 
xxii,  2  pp.     Illus.     131   plates.     Plans.  4091.135 

Schloesser,  Rudolf. 

Friedrich  Wilhelm  Gotter:  sein  Leben  und  seine  Werke.  Ein 
Beitrag  zur  Geschichte  der  Biihne  und  Biihnendichtung  im  18. 
Jahrhundert.  Hamburg.  Voss.  1894.  xi,  308  pp.  [Theater- 
geschichtliche  Forschungen.]  6872.52 

Vom  Hamburger  Nationaltheater  zur  Gothaer  Hofbiihne.     1767-1779. 

Dreizehn  Jahre  aus  der   Entwrickelung  eines   deutschen   Theater- 

spielplans.     Hamburg.     Voss.     1895.     (8),  108,   (i)  pp.     [Theater- 

geschichtliche   Forschungen.]  6872.55 

Schmid,  Christian  Heinrich. 

Christian  Heinrich  Schmids  Chronologic  des  deutschen  Theaters. 
Neu  herausgegeben  von  Paul  Legband.  Berlin.  1902.  xxix,  (i), 
339,  (1),  16  pp.  Portrait.  Facsimiles.  [Gesellschaft  fur  Theater- 
geschichte.     Schriften.     Band  i.]  *6907.i3 

'l"hc  last    16  pages  contain  Jahrcsbericht  der  Gesellschaft  for    1902. 

Schmid,  D.  • 

George    Farquhar,   sein    Leben   und   seine  Original-Dramen.     Wien. 

BraumiJller.       1904.      vi,     (i),    372    pp.  [Wiener     Beitrage     zur 

englischen   Philologie.     Band   18.]  *4552.55.i8 
Schmidt,  Kxpeditus,  Pater. 

Die  Biihnenverhaltnisse  des  deutschen  Schuldramas  und  seiner 
volkstiimlichen  Ableger  im  sechzehnten  Jahrhundert.     (.Gekronte 

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BROWN   COLLECTION    OF  BOOKS   ON    THE   STAGE 


Schmidt,  Expeditus,  Pater.     (Contimied.) 

Preisschrift.)      Berlin.     Duncker.     1903.     x,   (2),    193   pp.      I'laK.- 
[Forschungen  zur  neueren  Literaturgeschichte.]  4873.1  n 

Zu>.animenstellung  der  meistzitierten   Literatur,  p.    (i). 

Schmidt,  Friedrich  Ludwig. 

Denkwiirdigkeiten  des  Schauspielers,  Schauspieldichters  und  Schau- 
spieldirectors  Friedrich  Ludwig  Schmidt  (i  772-1841).  Nach 
hinterlassenen  Entwiirfen  zusammengestelh  und  herausgCKchcn 
von  Hermann  Uhde.  Hamburg.  Mauke.  1875.  2  v.  **T. 58.52 
Dramaturgische  Aphorismen.  Hamburg.  Hoffmann  und  (  ampi- 
1820.     (5),  236,  (i)   pp.  6257.39 

Schmidt,  Heinrich. 

Erinnerungen  eines  weimarischen  Veteranen  aus  dem  geselligen, 
literarischen  und.  Theater-Leben.  Leipzig.  Brockhaus.  1836. 
(3),  228  pp.  **T^^_2^j 

Schmitt,  Eduard. 

Zirkus-  und  Hippodromgebaude.  Stuttgart.  Bergstrasser.  1904. 
(4),  113  pp.  Illus.  Plates.  Plans.  [Handbuch  der  Architektur. 
Theil  4.    Halb-Band  6.    Heft  6.]  *8o92.52.6.Heft  6 

Literatur,  pp.    112,   113. 

Schneider,  Gottlieb  Carl  Wilhelm. 

Das  attische  Theaterwesen.  Zum  besseren  Verstehen  der  griechi- 
schen  Dramatiker  nach  den  Quellen  dargestellt.  Mit  einer 
Abbildung.      Weimar.      Hoffmann.      1835.      iv,    268   pp.      Plan. 

4969.21 
Schneider,  Louis. 

Aus   meinem   Leben.     2.  Auflage.     Berlin.     Mittler.      1879,  80.     3   \. 

**T.56.247 

Geschichte    der   Oper   und   des    Koniglichen    Opernhauses    in    Berlin. 

Berlin.     Duncker  &  Humblot.     1852.     (i),  ii,  309,   133,  63,  xv  pp. 

Illus.  **M.2i5.i9 

The   folio  edition   with   plates  may   be  found  on   shelf-number   *Cab. 80. 183.3. 

Schneider,  Ludwig.    See  Schneider,  Louis. 
Schoen,  Henri. 

Le    theatre    alsacien.      Bibliographic    complete    du    theatre    alsacien. 

Biographic  des  auteurs.     Strasbourg.     Revue  alsacienne  illustree. 

1903.     329',  xxx,    (11)   pp.     Illus.     Portraits.     Plates.     Facsimiles. 

Bibliography,  pp.  i-xxx.  4676. 148 

Le  theatre  populaire  en  Alsace.  Paris.  Fischbacher.  1903.  39.  (i) 
pp.  4671-43 

Victorien  Sardou  et  Constant  Coquelin.  Paris.  Fischbacher.  1910. 
40,  (i)  pp.  4672.34 

Schoenborn,  A. 

Die  Skene  der  Hellenen.  Ein  Versuch.  Nach  dem  Tode  des  Ver- 
fassers  herausgegeben  von  Carl  Schoenborn.  Leipzig.  Hirzel. 
1858.     x,  362  pp.     Plan.  2964-58 

Schoenbrunn,  Austria.     Theatres.     Schlossthe.».ter. 

Kronfeld.  E.  M.  Das  Schonbrunner  Schlosstheater.  Teil  i.  2.  {In 
Archiv  fiir  Theatergeschichte.  Vol.  i,  pp.  43-62;  vol.  2,  pp.  169- 
192.     Berlin.     1904.   1905.)  *6907. 12.1,2 

Schoene,  Hermann. 

Aus  den  Lehr-  und  Flegeljahren  eines  alten  Schauspielers.  Mit 
einem  biographischen  Vorwort  von  Hugo  Thimig.  Leipzig. 
Reclam.  [1903.]  141.  (i)  pp.  Portraits.  [Universal-Bibliothek. 
4461,  4462.]  No.  1  in  4896.50.453 

[679] 


THE  PUBLIC  LIBRARY  OF  THE   CITY   OF  BOSTON 


Schoenemann,  Johann  Friedrich. 

Devrient,  H.  F.  F.  Johann  Friedrich  Schonemann  und  seine  Schau- 
spielergesellschaft.  Ein  Beitrag  zur  Theatergeschichte  des  i8. 
Jahrhunderts.     Hamburg.     1895.  6872.53 

SchoU,  Aurelien. 

Les  amours  de  theatre.     Paris.     Hetzel.      [1862.]      (3),  236,    (i)   pp. 

**T.87.93 

L'esprit  du  Boulevard.     Les  coulisses.     Paris.     V'ictor-Havard.     1887. 

(3),  344  pp.  .   **T.87.6o 

Les  petits  secrets  de  la  comedie.     Paris.     Levy.     1867.     (3),  351  pp. 

**T.97.248 
SchoUe,  Friedrich. 

Ueber    Theaterbrande.    deren    Ursachen    und    Verhiitung.    sowie    die 
Einrichtung    des    Feuersicherheitswesens    in    den    Konigl.    Hof- 
theatern  zu  Dresden.    Dresden.    Meinhold.    1882.    75  pp.    **T, 75.61 
Schomburgk,  Hans,  pre  facer. 

Gehrts,   M.     a  camera  actress   in   the   wilds   of   Togoland.     Phila- 
delphia.     1915.      Portraits.      Plates.  3057.239 
School  drama,  The.     McConaughy,  J.  L.                                      *3592. 220.57 
School,  The,  of  abuse.     See  Gosson,  Stephen. 

School,    The,    of    Roscius,    or    theatrical    orator.      Containing    a    select 

collection  of  all  the  modern  prologues  &  epilogues,  spoken  at  the 

Theatre's  Royal,  &c.,  with  a  preface  on  oratory  &  acting.     London. 

Printed  by  V.  for  J.  Roach.     1792.     (i),  94  pp.  **T.37.i88 

Schoole,  The,  of  abuse.     See  Gosson,  Stephen. 

Schosne,  L.  B.  de.    See  Lebeau  de  Schosne,  Augustin  Theodore  Vincent. 
Schreyvogel,  Joseph. 

Josef  Schreyvogels  Tagebiicher,  1810-1823.  Mit  Vorwort,  Einleitung 
und  Anmerkungen,  herausgegeben  von  Carl  Glossy.  Berlin.  1903. 
2  V.     [Gesellschaft  fiir  Theatergeschichte.     Schriften.     Band  2,  3.] 

6907.14 

Contains  references   to  theatrical   performances   at   the   Burgtheater,   Vienna. 

Schroeder,  Antoinette  Sophie. 

Briefe  von  Sophie  Schroder  (1813-1868).  Gesammelt,  herausgegeben 
und  mit  Einleitung  und  Erlauterungen  versehen  von  Heinrich 
Stiimcke.  Berlin.  1910.  xxi,  234  pp.  Portraits.  Manuscript 
facsimile.  [Gesellschaft  fiir  Theatergeschichte.  Schriften.  Band 
16.]  6907.26 

Schroeder,  Friedrich  Ulrich  Ludewig. 

Schroder  und  Gotter.  Eine  Episode  aus  der  deutschen  Theater- 
geschichte. Briefe  Friedrich  Ludwig  Schroders  an  Friedrich 
VVilhelm  Gotter  1777  und  1778.  Eingeleitet  und  herausgegeben 
von  Dr.  Berthold  Litzmann.   Hamburg.   Voss.    1887.   v,  (4),  136  pp. 

2873.91 
Schroeder,   Friedrich   Ulrich   Ludewig.     Works  about. 

Brunier,  L.  Friedrich  Ludwig  Schroder.  Ein  Kiinstler-  und  Lebens- 
bild.     Leipzig.      1864.  2849a.53;  **T.57.383 

LiTZMAisiN,  B.  Friedrich  Ludwig  Schroder.  Ein  Beitrag  zur 
deutschen  Litteratur-  und  Theatergeschichte.  Hamburg.  1890, 
1894.     2  V.     Portraits.  4845.68 

Meyer,  F.  L.  \V.  Friedrich  Ludwig  Schroder.  Hamburg.  1819. 
2  V. .  2847.9;  etc, 

Uhde,  H.  Friedrich  Ludwig  Schroder  in  seinen  Briefen  an  K.  A. 
Bottiger,  1794-1816.  (In  Historisches  Taschenbuch.  Jahrgang  45, 
pp.   245-320.      Leipzig.      1875.)  *2309.i.45 

[680  J 


BROWN   COLLECTION   OF  BOOKS   ON    THE   STAGE 


Schroeder,  Sophie.     Sec  Schroeder,  Antoinette  Sophie. 
Schroeder-Devrient,  Wilhelmine. 

Ellet,    E.    F.      Wilhelmine    Schroder   Devrient.      New    York.      1845. 

No.  18  in  **G.393o.i3.2 

Gluemer,  C.  von.     Erinnerungen  an   Wilhelmine  Schroder- [)c\rieiit. 

Leipzig.     1862.     Portrait.  **M. 109.28;  etc! 

WoLZOGEN,    C.   A.   A.,   Freiherr  von.      Wilhelmine    Schroder- Dtvrient. 

Ein  Beitrag  zur  Geschichte  des  musikalischen   Dramas.     Leipzig. 

1863.  8048.25;  **M. 1 29.27;  etc. 

Schuermann,  Joseph  Johan. 

Les  etoiles  en  voyage.     Paris.     Tresse  &  Stock.     1893.     (3),  206  pp. 

This  is  called  the  2e  edition  on  the  cover.  22';'i  6? 

Contents.  —  L'impresario.  —  Adeiina  Patti.  —  Sarah   Bernhardt.   —   (.ociucliii' 

Same.    3e  edition.  **T.57.3i5 

Une  tournee  en  Amerique.     Paris.     Juven.     [1900.]      (5),  248  pp. 

**T.97.i75 
Schultz,  Robert  Weir. 

Excavations  at  Megalopolis,  1890-1891.  By  Ernest  Arthur  Gardner, 
William  Loring,  G.  C.  Richards.  W.  J.  Woodhouse.  With  an 
architectural  description  by  Robert  Weir  Schultz.  London.  Mac- 
millan.  1892.  vii,  (3),  141  pp.  Illus.  Plates.  Plans.  [Society 
for  the   promotion   of  Hellenic   studies.     Suppl.   papers,      i.l 

Describes  the  ancient  amphitheatre.  *296o.8l.I 

Schuyler,  Montgomery. 

A  bibliography  of  the  Sanskrit  drama,  with  an  introductory  sketch 
of  the  dramatic  literature  of  India.  New  York.  1906.  xi,  105  pp. 
(Columbia  Universitj'.     Indo-Iranian  series.]  *2954.io7 

Schwab,  Frederick  A. 

Parisian  cafes-concerts.  Illus.  Portraits.  (In  The  music  of  the 
modern   world.      Vol.    i,    pp.    185-187.      New    Y'ork.      [1895.]) 

**M.i4.i.i 
Singers  of  the  [19th]  century.  Later  singers  of  the  [19th]  century. 
The  rule  of  the  singer.  Modern  singers.  Two  great  singers 
[Nilsson  and  Lucca].  The  great  male  voices  of  the  [19th] 
century.  Illus.  Portraits.  Plates.  (In  The  music  of  the  modern 
world.     Vol.  I.     New  York.     [1895.])  **M.i4.i.i 

Schwering,  Julius. 

Zur    Geschichte    des    niederlandischen    und    spanischen    Dramas    in 

Deutschland.     Neue  Forschungen.     Miinster.     Coppenrath.     1895. 

(5),   IOC  pp.  4874.82 

Science,    La,   au   theatre.     Vaulabelle,   A.   de,   and    C.    Hemardinquer. 

6252.71 
Scientific  amusements. 

Faideau,    F.      Les    amusements    scientifiques.      Recreations    sur    les 
illusions  ou  erreurs  des  sens.     Paris.     [1896.]     Plates.        **T.96.26i 
Scotch  play-house,  A.    Angus,  J.  K.  **T.77.i68 

Scotland.     Theatres. 

Jackson,  J.  The  history  of  the  Scottish  stage,  from  its  first 
establishment  to  the  present  time;  with  a  distinct  narrative  of 
some  recent  theatrical  transactions.  Wih  memoirs  of  his  own  life. 
Edinburgh.     1793.  **T.76.2i ;  etc. 

Lawson,  R.  The  story  of  the  Scots  stage.  Paisley.  1917.  Portraits. 
Plates.  4579-259 

Stoddart,  J.  H.  Recollections  of  a  player.  [Reminiscences  of  stage 
life  in  Scotland,  England,  and  the  United  States.]  New  York. 
1902.     Portraits.  4343-239;  **T.56.246 

[681] 


THE  PUBLIC  LIBRARY  OF  THE   CITY   OF  BOSTON 


Scott,  Clement  William. 

The  drama  of  yesterday  &  today.  London.  Macmillan  &  Co.,  Ltd. 
1899.     2  V.     Portraits.     Autograph  facsimiles.       4557.164;  **T.76.i2 

Ellen  Terry.  [2d  edition.]  New  York.  Frederick  A.  Stokes  Co. 
[1900.]      vi,    150  pp.  45493.189;  **T.58.i44 

From  "The  bells"  to  "King  Arthur."  A  critical  record  of  the  first- 
night  productions  at  the  Lyceum  Theatre  from  1871  to  1895. 
London.  John  Macqueen.  1896.  x,  (i),444pp.  Portraits.  Plates. 
Autograph  facsimile.  4545.150;  **T.76.i9 

Relates  to  Sir  Henry  Ir\ang's  productions. 

Some  notable  Hamlets  of  the  present  time.  Illustrated  by  W.  G. 
Mein.  London.  Greening  &  Co.,  Ltd.  1900.  193,  (i)  pp.  Por- 
traits. 45493.191 
Contents.  —  Clement  Scott.  An  appreciation  by  L.  Arthur  Greening.  —  Sarah 
Bernhardt,  1899.  —  Henry  Irving,  1874.  —  Wilson  Barrett,  1884.  —  Beerbohm 
Tree,    1892.   —  Forbes   Robertson,    1897.   —  Henry   Irving,    1885. 

Thirty  years  at  the  play  and  dramatic  table  talk.  London.  The 
Railway  and  General  Automatic  Library,  Ltd.  [1892.]  (5),  246 
pp.  **T.98.ii2 

Recollections  of  London   theatres. 

Scott,  Clement  William,  editor. 

Blanchard,  E.  L.  L.  The  life  and  reminiscences  of  E.  L.  Blanchard, 
with  notes  from  the  diary  of  Wm.  Blanchard.  By  Clement  Scott 
and  Cecil  Howard.     London.     1891.    2  v.     Portraits.  **T.56.2i8 

Green  room,  The.  Stories  by  those  who  frequent  it.  London. 
[1880.]     Portrait.  **T.86.4 

Theatre,  The.     A  monthly  review  and  magazine.     July  1877 -Dec. 

1897.  London.    1877-1897.    41  v.    Illus.    Portraits.    Plates.    Plans. 

**T.25.i 
Theatre  Annual,  The.     London.     1884-88.     5  v.  in  i.     Portraits. 

**T.25.3 
Scott,  Clement  William,  prefacer. 

Smythe,   a.    J.     The   life   of   William   Terriss,    actor.      Westminster. 

1898.  Portraits.     Plates.  **T.55.57 
Vincent,  W.  T.     Recollections  of  Fred  Leslie.     London.     1894.     2  v. 

Illus.     Portraits.     Plates.  4543.121;  **T.56.62 
Scott,  Sir  Walter,  Baronet. 

The  life  of  John   Philip  Kemble.  [A  review  of  the   Reminiscences 

of  Michael   Kelly,   of  the   King's   Theatre,   etc.      London.      1826.] 

197-248  pp.  Nos.  2,  3  in  **G.3930.i3.2 

Scrsp  Book.     [Weekly.]     New  series.  No.  1-4.     Apr.  23 -May  14,  1831. 

[London.]     1831.     32  pp.     Illus.  **T.26.43 

Contains  some  notes  on  theatrical  matters. 

Scrap-book  of  scenes  and  views.     [Boston.     187-?]     289  pp.     Portraits. 
-  Autograph  facsimiles.  *626o.i3 

Illustrations,  portraits   and   plates  cut   from   various  books,   and   containing  many 
I'ortraits  of  actors  and  pictures  of  stage  scenes. 

Scrap-books.     Theatre.     See  Theatre.     Scrap-books. 
Scriven,  Patrick,  pseud,  f 

A  familiar  dialogue  between  Mr.  Crowe  and  Mr.  Alley,  two  theatrical 
taylors.     Dublin:   Printed  by  James  Hunter.     1762.     16  pp. 

No.  3  in  **G.3824.i6 

Season,  The.      [Weekly.]      An   independent   critical  journal.     Vol.    i,   2 

(no.  1-13).     Oct.  8,  1870-Apr.  I,  1871.     New  York.     1870,  71.     2  v. 

in  I.     Illus.     Portraits.    Autograph  facsimile.  **T.2i.9 

Relates  largely   10   music   and   the  drama  in   New   York. 

[682] 


BROWN   COLLECTION    OF  BOOKS    ON    THE   STAGE 


Seasonable  examination,  A,  of  the  pleas  and  pretensions  of  the  pro- 
prietors of  and  subscribers  to,  play-houses,  erected  in  defiance  of 
the  royal  licence.  With  observations  on  the  printed  case  of  the 
players  belonging  to  Drury-Lane  and  Covent  Garden  theatres. 
London:  Printed  for  T.  Cooper.     1735.    32  pp.  **T.77.68 

Other  copies  are  on  shelf-numbers  No.  7  in  **G.3823. 12  ;  No.  4  in  "0.3823.9; 
No.  3  in  **G.3823.2i. 

Sechan,  Polycarpe  Charles. 

Souvenirs  d'un  homme  de  theatre.  1831-1855.  Recueillis  par 
Adolphe  Badin.  Paris.  Levy.  1883.  (3),  xvi,  32J  pp.  [Hiblio- 
theque  contemporaine.]  4660.75;  **T.57.322 

Second,  Alberic. 

Les  petits  mysteres  de  I'Opera.     Illustrations  par  Gavarni   [pseud. |. 

Paris.     Kugelmann.     1844.     (3),  320  pp.     Illus.  **M.i43.i7 

Second  nights.     Ruhl,  A.    B.  6257.112 

Second  sight  explained.     Bishop,  W.  I.  **T.97.26i 

Second-sight;  or,  the  consequences  of  the  reception  given  to  Miss  Foote. 

M'MoRAL,  A.,  pseud.  **T.56.26o 

Seconde  lettre  a  M.  le  Vicomte  de  Larochefoucauld.     Paris.     Duvernois. 

1825.     16  pp.  No.  13  in  **G.3562.2 

On    the   law   of   copyright   as   it   relates   to    dramatic   authors. 

Seconde  lettre  du  souffleur  de  la  Comedie  de  Roiien  au  gargon  do 
caffe.     [Anon.]     See  Aigueberre,  Jean  Baptiste  du  Mas  d'. 

Secret,  Le,  du  celebre  Roscius.     Destaville,  ,  Abbe.  **T.'jj.g2 

Secret    history,    The,    of   the    green    room.      [Anon.]      See    Haslewood, 

Joseph. 

Secrets,  Les,  des  coulisses  des  theatres  de  Paris.     Duflot,  J.      **T.77.i89 

Secrets  of  the  stage.     Old  actor.  An.  **T.75.i9 

Security.     Letters   from  John    R.   Cantlin,   C.  John   Hexamer,    William 

M'Devitt.     Philadelphia.     [1885.]     8  pp.  40193.98 

Relates  to  precautions  against  fire  in  the  American  Academy  of  Music,  Phila- 
delphia. 

See  and    seem   blind.      B ,  Right  Honourable   the  Lord,  pseud. 

**T.77.55;etc. 
Seebach,  Marie. 

New  York,  City.  Theatres.  Fourteenth  Street  theatre.  Memoir. 
Marie  Seebach.     Nevi^  York.     [1870.]     Portrait.  **T.94.25;  etc. 

Seilhamer,  George  Overcash. 

History  of  the  American  theatre.  Philadelphia.  Globe  Printing 
House.     1888-91.     3  V.  *440i.ioi;**T.74.7 

Contents.  —   [i.]    Before  the  Revolution.      [2.]    During  the   Revolution  and  after. 
[3.]   New  foundations. 
An  interviewer's  album:  comprising  a  series  of  chats  with  eminent 
players   and   playwrights.      New    York.      Perry    &    Co.      1881,   82. 
128  pp.     Portraits.  **T.53.i3 

Contents.   —   Madame   Achille.   —    Mademoiselle   Augusta.   —   Mary   Ann   Horton. 

—  Cornelius  Mathews.  —  Herr  Cline.  —  Charles  R.  Thome.  —  Henry  C. 
Timm.  —  John  Banvard.  —  Anne  Seguin.  —  Alexina  Fisher  Baker.  —  Fitz 
William  Rosier.   —   EdiVion  S.   Conner.  —  Benjamin   A.    Baker.  —  Anna    Bishop. 

—  Thomas  H.  Hadaway.  ■ —  Alexander  Allan. 

Seligman,  Alice  Benedict,  translator. 

Lehmann,  L.  My  path  through  life.  New  York.  1914.  Portraits. 
Plates.  4043-127 

Sellar,  Alexander  Craig. 

The  Passion-Play  in  the  Highlands  of  Bavaria.  Edinburgh.  IJlack- 
wood.     1871.     62  pp.  **T.97.i99 

Seltsame    Leiden    eines   Theater-Direktors.      Hoffmann,    E.    T.    W. 

**T.78.37 
[683] 


THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 


Semper,  Gottfried. 

Das  Konigliche  Hoftheater  zu  Dresden.  Braunschweig.  Vieweg. 
1849.     (3),  20  pp.     Plates.     Plans.  *Cab.6o.99.3 

Serriper,  Manfred. 

Theater.  Stuttgart.  Bergstrasser.  1904.  viii,  523  pp.  Illus.  Plates. 
Plans.  [Handbuch  der  Architektur.  Theil  4.  Halb-Band  6. 
Heft  5.]  *8o92.52.6.Heft  5 

Seneca,  Lucius  Annaeus. 

WoRP,  J.  A.  De  invloed  van  Seneca's  treurspelen  op  ons  tooneel. 
Amsterdam.     1892.  29oob.44 

Sepet,  Marius  Cyrille  Alphonse. 

Le  drame  chretien  au  moyen  age.  Paris.  Didier  &  c'e.  1878.  xii, 
296  pp.  4676.53;  **T.47.27 

Serge-Basset.     See  Basset,  Serge. 

Serious  address,  A,  to  the  frequenters  of  play-houses;  or  rather,  serious 
motives  to  draw  people  to  a  just  consideration  of  the  folly,  sin 
and  danger  of  encouraging,  and  being  present  at  those  unlawful 
assemblies.  [London?]  Printed  in  the  ever  memorable  year  of 
the  Scottish  Rebellion.     1746.     (i),  21  pp.  **T.96.ii7 

Serious  and  earnest  address,  A,  to  the  inhabitants  of  this  city,  upon  a 
subject  in  which  they  are  all  most  nearly  concerned.  [Edin- 
burgh. 1767.]  II  pp.  **T.97.293 
JRelates  to  the  troubles  of  the  Canongate  Music  Hall. 

Serle,  Thomas  James. 

The  players;  or,  the  stage  of  life.     London.     Colburn.     1847.     3  v. 

A  novel  of  theatrical  life.  **T.87.I 

Serrnrier,  Lindor. 

De  wajang  poerwa,  eene  ethnologische  studie.  Leiden.  Brill.  1896. 
2  V.  Text,  vii,  (4),  352  pp.  Illus.  Plates,  many  colored.  Maps; 
Atlas,  21   colored  plates.  *Cab.8o.29.3 

A  study  of  the  Javanese  puppet  plays. 
Seton,  R.,  editor. 

Tatler,  The,  a  miscellany  of  literature,  fine  arts,  music,  and  theatri- 
cals.    [Tri-weekly.]     New  series,  no.  1-56,  58,  59.     April  2 -Octo- 
ber 6,   1832.     London.     1833.  **T.25.3o 
Sevelinges,  Charles  Louis  de. 

Le  rideau  leve,  ou  petite  revue  des  grands  theatres.  [Anon.]  Paris. 
Maradan.     1818.     (i),  221,   (i)   pp.  **T.76.63 

Relates  to  Paris. 

Same.     Suivie  d'une  reponse  au  factum  de  M.  Valabregue,  et  d'une 

replique  d'un  des  chefs  de  son  orchestre.     Nouvelle  edition,  aug- 

mentee.     Paris.     Maradan.     1818.     (3),  252,  (i)  pp.  **T.77.2i 

Seven   years  of  the    King's  Theatre.      Ebers,   J.  **M.ii3.i3;  etc. 

Seveste,  Edmond. 

De  la  situation  du  Theatre  franqais,  et  des  ameliorations  a  introduire 
dans  son  administration.     [Paris.     1839.]     40  pp.  **T.95.7o 

Seydelmann,  Carl. 

RoETSCHER.    H.   T.     Seydelmann's   Leben    und    VVirken,    (nebst    einer 

dramaturgischen  Abhandlung  iiber  den  Kiinstler)   mit  Benutzung 

und    Veroffentlichung   des   handschriftlichcn    Nachlasses    und    der 

Briefe  desselben   dargestellt.     Berlin.      1845.  **T.55.38 

Seyfried,  Ferdinand,  Ritter  von. 

Riickschau  in  das  Theaterleben  Wiens,  seit  den  letzten  fiinfzig 
Jahren.     Wien.    The  Author.     1864.    x,  334,  (i)  pp.  **M.373.4i 

Another  copy  is  on  shelf-number  ••G.36.2. 

[684] 


1 


BROWN   COLLECTION   OF  BOOKS   ON   THE  STAGE 


Seymour,  Francis  Ingram,  2d  Marquis  of  Hertford. 

Elliston,  R.  W.  Copy  of  a  memorial  presented  to  tlic  i.ord 
Chamberlain  [the  Marquis  of  Hertford]  by  the  committee  of 
management  of  the  Theatre-Royal  Drury-Lane.  and  by  the  pro- 
prietors of  the  Theatre-Royal  Covent-Garden,  against  the  Olympic 
and  Sans  Pareil  theatres;  with  copies  of  two  letters,  in  reply  by 
Robert  William   Elliston.     London.      1818.  **T.76.i28;  etc. 

Plumptre,  J.     A  letter  to  the  most  noble  the  Marquis  of  Hertford. 
Lord  Chamberlain  of  His  Majesty's  Household,  and    Master  of 
the  Revels,  on  the  subject  of  a  dramatic  institution.     Cambrid).;( 
1820.  **T.76.75;«tc. 

Seymour,  John. 

Memoirs  of  the  life  of  Eleanor  Gwinn,  a  celebrated  courtezan,  in  the 
reign  of  King  Charles  11.,  and  mistress  of  that  monarch.  f.\nr)ii.l 
London:  Printed  for  F.  Stamper.     1652.  No.  6  in  **G.3823.2i 

Shadow  pantomimes. 

Bertrand.  v.,  effendi.  Les  silhouettes  animees  a  la  main.  Paris. 
1892.     Illus.  4003.73 

Ch.\se,  E.  F.  Ballads  in  black.  A  series  of  original  shadow  panto- 
mimes, with  forty-eight  full-page  silhouette  illustrations  and 
full  directions  for  producing  shadow  pictures  with  novel  effects. 
Boston.      1882.  40093.75 ;  **T.99.6o 

Denier.  T.  The  great  secret  of  shadow  pantomimes;  or,  harkquin 
in  the  shades.  How  to  get  them  up  and  how  to  act  them.  New 
York.      [1868.]      Illus.  No.  3  in  *4504.64 

Feu  le  Theatre  de  Seraphin  depuis  son  origine  jusqu'a  sa  disparition. 
1776-1870.     Paris.     1872.  **T.96.i45 

Frost,  S.  A.  The  book  of  tableaux  and  shadow  pantomimes.  New- 
York.      [1869.]  40093.260 

Jacob,  G.  Das  Schattentheater,  in  seiner  Wanderung  vorrt  Morgen- 
land  zum  Abendland.     Vortrag.     Berlin.     1901.     Plate.        4001.79 

Same.     Geschichte  des  Schattentheaters.     Erweiterte  Neubear- 

beitung  des  Vortrags  Das  Schattentheater  in  seiner  Wanderung 
vom   Morgenland   zum  Abendland.      Berlin.      1907.  4009.361 

Kahle.  p.  E.  Zur  Geschichte  des  arabischen  Schattentheaters  in 
Egypten.     Leipzig.     1909.  6252.113 

Kern.  F.  Das  egyptische  Schattentheater.  (In  Horovitz.  J.  Spuren 
griechischer   Mimen   im   Orient.     Pp.  98-104.     Berlin.     1905.) 

3028.147 

Patterson,  A.  Shadow  entertainments  and  how  to  work  them,  being 
something  about  shadows,  and  the  way  to  make  them  profitable 
and   funny.      London.      [1895?]      Illus.     Diagrams.  8009.49 

Riviere,  H.  L.  La  tentation  de  Saint-Antoine:  feerie  a  grand 
spectacle  en  2  actes  et  40  tableaux,  representee  pour  la  premiere 
fois  sur  le  Theatre  du  chat  noir  le  28  decembre.  Paris.  [1887?! 
Colored  plates.  4043-ii5 

Thalasso,  a.  Moliere  en  Turquie.  fitude  sur  le  theatre  de  Karagueuz. 
Paris.     1888.  **T.56.58 

Shadow  pantomimes.     Bibliography. 

Jacob,  G.     Bibliographic  iiber  das  Schattentheater.     Erlangen.     1002 

2173.16 

Die  wichtigsten  alteren  Nachrichten  iiber  das  arabische  Schat- 

tenspiel.    Schattenspiel-Bibliographie.    (In  Littmann,  E.   Arabische 
Schattenspiele.     Pp.  69-83.     Berlin.     1901.)  40O3-47 

Shadows  of  the  stage.     Winter,  W.  2409.130;  **T.49. 8:  etc 

[685] 


THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 

/  Shakespear's-Head,  Covcnt-Gardcn.  London. 

I  Ghost  of  Shakespeare,  pseud.     Memoirs  of  the    Shakespear's-Head, 

in    Covent-Garden:    in    which    are    introduced    many   entertaining 

adventures,   and   several    remarkable   characters.      London.      1755. 

2  V.  **G.3934.2 

Shakespeare,  William. 

The  complete  works  of  Shakespeare.  Illustrated  with  steel  engrav- 
ings, chiefly  portraits  in  character  of  celebrated  American  actors, 
drawn  from  life,  expressly  for  this  edition.  New  York.  Johnson 
&   Co.      [1856.]     3  V.     Portraits.     Plates.  *459i.4 

Shakespeare,  William.     Works  about. 

Only  such  general  works  on  Shakespeare  as  bear  upon  the  stage  of 
his  day  have  been  included  in  this  list.  These  will  be  found  under 
the  heading  Elizabethan  theatre.  For  special  biographical  and 
critical  studies  of  Shakespeare  the  catalogue  of  the  Barton  Li- 
brary should  be  consulted. 
Shakespeare,  William.    As  an  actor. 

Bruce.  J.  Who  was  "Will,  my  lord  of  Leycester's  jesting  player?" 
(In  Shakespeare  Society,  London.  Papers.  Vol.  i,  pp.  88-95. 
London.     1844.)  *4596.ii.i ;  etc. 

Fleav.  F.  G.     a  chronicle  history  of  the  life  and  work  of  William 
Shakespeare,  player,  poet,  and  playmaker.     London.     1886.     Por- 
trait.    Plate.  2590.19;  **T. 55. 131 
Shakespeare,  William.     Celebrations. 

CoN'cisE  account,  An,  of  Garrick's  Jubilee  held  at  Stratford-upon- 
Avon,  in  honour  of  Shakspeare.  in  1769.  And  of  the  commemora- 
tive festivals  in    1827  and   1830.     Stratford-upon-Avon.      1830. 

No.  4  in  **G.3942.3 
Drama  League.  The,  of  America.     Shakespeare  festival  in  honor  of 
the  poet's  birthday.     April  23,  1912,  Lincoln  Park,  Chicago.     Chi- 
cago.    [1912.]     Plans.  8076.234 
Hunter,  R.   E.     Shakespeare  and  Stratford-upon-Avon,   comprising 
the  salient  facts  and  traditions  connected  with  the  poet  and  his 
birthplace:  together  with  a  full  record  of  the  Tercentenary  cele- 
bration.    London.     1864.     Plates.     Plan.                     **T.57.279;  etc. 
Shakespeare,  William.    Fiction  relating  to  him. 

A   Beckett,  A.  W.     William  Shakespeare  behind  the  scenes  of  the 

Globe  Theatre.     From  a  rare  M.S.     London.     1864.  **T.96.268 

Chancellor,  L.  B.    The  players  of  London:  a  tale  of  an  Elizabethan 

smart  set.     New  York.     [1909.]     Plates.  *4574-i95 

Shakespeare,  William.     Illustrations.     See  Theatrical  illustrations. 

Shakespeare,  William.    Memorials. 

HiFFEKNAN,  P.  Dramatic  genius  [containing  a  plan  for  erecting  a 
temple   as  a   memorial    to   Shakespeare],      London.      1770. 

**T.74.9;  etc. 
Wilson,  W.     A  house  for  Shakspere.     A  proposition  for  the  con- 
sideration of  the  nation.     London.     1848.  **T.96.i88;;etc. 

Same.     The  second  and  concluding  paper,  containing  a  review 

of  the    reception    of  the   first,   and   a   few   digressions.      London. 
[1849,]  **T.96.i87;etc. 

Shakespeare,  William.    Representations  of  his  plays. 
See  also  Theatrical  illustrations. 

Brereton,  a.  Shakespearean  scenes  and  characters:  with  descriptive 
notes  on  the  plays,  and  the  principal  Shakespearean  players,  from 
Betterton  to  Irving.     London.     1886.     Portrait.     Plates.     **G.6i.7 

[686] 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 


Shakespeare,  William.     Representations  of  his  plays.     (Continued J 

Some   famous   Hamlets  from   Burbage   to   Fccliter.      With   an 

appendix  giving  extracts  from  the  criticisms  on   Hamlet.     Lon- 
don.    1884.  66oob.ii;**T.97.96 

Caine,  T.  H.  H.  Richard  in  and  Macbeth:  the  spirit  of  rrnnantic 
play  in  relationship  to  the  principles  of  Greek  and  of  Gothic  art. 
and  to  the  picturesque  interpretations  of  Henry  Irvinf;:  a  dramatic 
study.     London.     1877.  4594-1 1 ;  **T.97.95 

CoHN,  A.  Shakespeare  in  Germany  in  the  sixteenth  and  seventeentii 
centuries:  an  account  of  English  actors  in  Germany  and  the 
Netherlands  and  of  the  plays  performed  by  them  during  the  same 
period.     London.     1865.  *459i.3 

Cole,  J.  A  critique  on  the  performance  of  Othello  by  F.  VV.  Kerne 
.\ldridge,  the  African  Roscius.     Scarborough.     1831. 

No.  3  in  **G.3924.i7 

Critical  examination,  A,  of  the  respective  performances  of  Mr. 
Kean  &  Mr.  Macready,  in  Gibber's  alteration  of  Shakespeare's 
historical  play  of  King  Richard  the  Third.     London.      iRk). 

**G.3937.33;  etc. 

Daly.  C.  P.  Letter  to  James  Henry  Hackett  [regarding  his  Notes 
and  comments  upon  certain  plays  and  actors  of  Shakespeare]. 
February  24.  1863.     [Copy.]  **G.3930.8 

Essay.  An,  on  acting:  in  which  will  be  considered  the  mimical  be- 
haviour of  a  certain  fashionable  faulty  actor  [David  Garrick] : 
to  which  will  be  added  a  short  criticism  on  his  acting  Macbeth. 
London.    1744.  **G.3925.2o 

Fechter  in   Hamlet  and  Othello.     [Edinburgh.     1861.] 

No.  2  in  **G.3940.i3 

Fitzgerald,  P.  H.  Shakespearean  representation:  its  laws  and  iiniit.s. 
London.     1908.  4593.228 

FooTE,  S.    A  treatise  on  the  passions,  so  far  as  they  regard  the  stage ; 

with  a  critical  enquiry  into  the  theatrical  merit  of  Mr.  G k. 

Mr.  Q n,  and  Mr.  B y.    The  first  considered  in  the  part  of 

Lear,  the  two  last  opposed  in  Othello.     London.     [1747.] 

**T.77.27;  etc. 

Frost.  J.  B.  The  greatest  Hamlet,  an  appreciative  review  of 
Hamlet  as  presented  by  John  E.  Kellerd.  Atlanta.  [1915.1  Tllus. 
Portraits.     Plates.  *4590.i25 

Hackett,  J.  H.  Notes  and  comments  upon  certain  plays  and  actor? 
of  Shakespeare,  with  criticisms  and  correspondence.  New  York. 
1863.     Portrait.  **T.57.i78;  etc. 

Horne,  R.  H.,  editor.  Was  Hamlet  mad?  Being  a  series  of  critiques 
on  the  acting  of  the  late  Walter  Montgomery:  written  in  Mel- 
bourne in  1867,  by  Archibald  Michie,  J.  E.  Neild,  R.  H.  Horne 
[etc.].     Edited  by  R.  H.  Horne.     London.     [187'.]  4598.105 

Jenkin,  H.  C.  F.  Mrs.  Siddons  as  Lady  Macbeth  and  as  Queen 
Katharine.  With  an  introduction  by  Brander  Matthews.  New 
York.     1915.  **T.46.6i.3 

Jones,  H.  A.  Municipal  and  repertory  theatres:  a  lecture  [com- 
paring the  production  of  Shakespeare's  plays  in  England  and  in 
Germany]  delivered  to  the  Sheffield  Playgoers'  Society.  London. 
1913.  **T.76.i86 

Jusserand,  J.  A.  A.  J.  Shakespeare  in  France  under  the  ancien 
regime.     London.     1899.     Portraits.     Plates.  **T.55.8o;  etc 

[687] 


THE  PUBLIC  LIBRARY   OF  THE  CITY   OF  BOSTON 

Shakespeare,  William.     Representations  of  his  plays.     (Continued.) 

Kemble  &  Cooke:  or,  a  critical  review  of  a  pamphlet  published 
under  the  title  of  Remarks  on  the  character  of  Richard  the  Third, 
as  played  by  Cooke  &  Kemble.  With  other  critical  remarks  on 
the  performances  of  these  two  gentlemen.     London.      fi8oi.] 

**T.96.3i3;  etc. 

Letter.  A,  to  Miss  Nossiter.  Occasioned  by  her  first  appearance 
on  the  stage:  in  which  is  contained  remarks  upon  her  manner  of 
playing  the  character  of  Juliet.  With  theatrical  observations. 
London.     i753-  ***T.97.59r  etc. 

London.  Theatres.  His  Majesty's  theatre.  King  John  souvenir. 
Shakespeare's  historical  drama.  King  John,  produced  at  Her 
Majesty's  theatre  by  Herbert  Beerbohm  Tree,  on  the  20th  of 
September,  1899.     [London.     1899.]      18  photographs.       **G.70.23 

London.  Theatres.  Lyceum  theatre.  Souvenir  of  King  Henry  the 
Eighth,  presented  at  the  Lyceum  Theatre,  5th  January.  1892,  by 
Henry  Irving.  Illustrated  by  J.  Bernard  Partridge.  London. 
1892.     (15)  plates.  4599a.i09;  **T.58.i5i 

Souvenir   of   Macbeth    produced    at   the    Lyceum    Theatre,    by 

Henry  Irving,  29th  December,  1888.    Illustrated  by  Charles  Catter- 
mole  &  J.  Bernard  Partridge.     London.     1888.     lUus.     Plates. 

6594.26;  **T.58.i49 

Martin,  H.  Remarks  on  Mr.  John  Kemble's  performance  of  Hamlet 
and  Richard  the  Third.     London.     1802.  **T.96.2i4;  etc. 

Mason,  E.  T.  The  Othello  of  Tommaso  Salvini.  With  portraits 
by  Robert  Frederick  Blum.     New  York.     1890.         **T.57.45;  etc. 

Matthews,  J.  B.  Shaksperian  stage  traditions.  (In  Matthews.  J. 
B.,  and  A.  H.  Thorndike,  editors.  Shaksperian  studies.  Pp.  1-27. 
New  York.     1916.)  4596.159 

Merschberger.  ,  Dr.  Die  Anfange  Shakespeares  auf  der  Ham- 
burger Biihne.     [Hamburg.     1890.]  45903.123 

Mr.  Fechter's  Othello.     [London.     1861.]       No.  7  in  **G.3940.i3;  etc. 

Nicholson,  B.  Kemp  and  the  play  of  Hamlet  —  Yorick  and  Tarlton 
—  a  short  chapter  in  dramatic  history.  (In  New  Shakspere  So- 
ciety. [Publications.]  Series  i.  Transactions.  No.  8.  1880-6. 
Part  I.,  pp.  57-66.     London.     1881.)  *6552.io.i88o-i886.i  ;etc. 

Observations  on  Mr.  Kemble  in  the  characters  of  Cato,  Wolsey,  and 
Coriolanus.      London.      1817.  No.  5  in  **G.3824.3;  etc. 

Odell,  G.  C.  D.  'A  midsummer  night's  dream'  on  the  New  York 
stage.  (In  Matthews,  J.  B.,  and  A.  H.  Thorndike,  editors.  Shak- 
sperian studies.     Pp.  117-162.     New  York.     1916.)  4596.159 

Ottley,  H.  Fechter's  version  of  Othello  critically  analyzed,  pre- 
fatory observations  on  the  stage,  the  audience,  and  the  critics. 
London.     1861.  No.  4  in  **G.3940.i3 

Pelletier,  M.  C.  The  winter's  tale.  As  performed  by  the  Saturday 
Morning  Club.  (In  Bostonian,  The.  Vol.  2,  pp.  i-t6.  Plates. 
Boston.     1895.)  *530i.45-2 

Phelps,  H.  P.  The  stage  history  of  famous  plays.  Hamlet  from 
the  actors'  standpoint.  Its  representatives,  and  a  comparison  of 
their  performances.  New  York.   1890.  Portraits.  4597.116;  **T. 57.41 

Pilon,  F.  An  essay  on  the  character  of  Hamlet.  As  performed  by 
Mr.  Henderson,  at  the  Theatre  Royal  in  the  Hay-Market.  Lon- 
don.    [I777-]  No.  4in  **G.3937.ii 

PiTTARD,  J.  Observations  on  Mr.  Garrick's  acting  [of  King  Lear]  ; 
in  a  letter  to  the  Right  Hon.  the  Earl  of  Chesterfield.  London. 
1758.  **T.97.ii9;  etc. 

[688] 


BROWN  COLLECTION   OF  BOOKS   ON    THE   STAGE 


Shakespeare,  William.     Representations  of  his  plays.     (Continued.) 

rossART,  E.,  Ritfcr  von.  Welches  System  dcr  Scenerie  ist  am  bcsicii 
geeignet  fiir  die  Darstellung  verwandluiigsreicher.  klassischer 
Dramen,  insbesondere  der  Sliakespeare'schen?  Febtvortra;,' 
Miinchen.     1901.  **T.77.224 

Remarks  on  the  character  of  Richard  the  Third;  a.s  played  l.y  roi.ke 
and  Kemble.     London.     1801.  **T.96.3i4;  etc 

Ripley,   P.     Stage   spectacles.      [New    York.      1868.] 

No.  15  in  **G.3822.3 

Robson,    S.,   and    W.    H.    Crane.     Shakespeare's    Comedy    of   errors. 

Troduced   by   Roljson   and   Crane.     Arranged   for   the   stage   and 

illustrated  by  Alfred  Thompson.     [Prospectus.     Detroit.     1885. | 

Illus.     Plates.  **T.94.24 

Russell,  Sir  E.  R.     Irving  as  Hamlet.     London.     1875.  **G.76.2 

ScHARF,  Sir  G.     Recollections  of  the  scenic  effects  of  Covent  Garden 

Theatre   during  the  season   1838-9.     London.     1839.     (39)   plates 

**T.57.i 

ScHiNK,   J.   F.     Ueber    Brockmann's   Hamlet.      Berlin.      1778. 

**G.39i6.5 

Scott,  C.  W.  Some  notable  Hamlets  of  the  present  time.  London. 
1900.     Portraits.  45493.191 

Shakespearean  actors.     [Scrap-book.     18 — ?]     2  v.  **G.393o.i3 

Shakspeare  travestied.      [Dublin.     1862.]  No.  3  in  **G.394o.i3 

Short  criticism.  A,  on  the  performance  of  Hamlet  by  Mr.  IJobii 
Philip]    Kemble.      London.      1789.  No.  5  in  **G.3937.ii 

TiECK,  J.  L.  Dramaturgische  Blatter.  Nebst  einem  Anhange  nach 
ungedruckter  Aufsatze  fiber  das  deutsche  Theater  und  Berichten 
iiber  die  englische  Biihne  geschrieben  auf  einer  Reise  im  Jahre 
1817.     Breslau.      1826-1852.     3  v.  2908.3 

Timothy,  pseud.  The  first  play  of  the  season.  [Charles  Mayne 
Young  in  Hamlet.     Edinburgh.     1828.]  No.  16  in  **G.3937.ii 

ViNCKE,  C.  F.  G.,  Freiherr  von.  Gesammelte  Aufsatze  zur  Kiihnen- 
geschichte.     Hamburg.      1893.  6892.48 

Weilen,  a.  W.,  Ritter  von.  Hamlet  auf  der  deutschen  P.iihne  his  zur 
Gegenwart.     Berlin.     1908.  4593.202 

WiLMOT,  .     A  retrospective  glance  at  Mr.  Fechter's    lago.  and 

acting  edition  of  Othello.     London.     1862.         No.  5  in  **G.3940.i3 

Winds,  A.  Hamlet  auf  der  deutschen  Biihne  bis  zur  Gegenwart. 
Berlin.     1909.  6907.22 

Wingate.  C.  E.  L.  Shakespeare's  heroes  on  the  stage.  New  York. 
1896.     Portraits.  4596.135;  **T.47.90 

Shakespeare's    heroines    on    the    stage.      New    York.      [1893.] 

Portraits.  4595-I34;  **T.47.89 

Winter,  W.     Shakespeare   on   the   stage.     New   York.      1911.      Por- 
traits. 4597-165;  **T.56.57 
Shakespeare,  William.    Shakespeare's  company  of  actors. 

Halliwell-Phillipps,  J.  O.  The  visits  of  Shakespeare's  company 
of  actors  to  the  provincial  cities  and  towns  of  England,  illus- 
trated by  extracts  gathered  from  corporate  records.  Brighton. 
1887.  **G.74.29 

Nicholson,  B.  Kemp  and  the  play  of  Hamlet  —  Yorick  and  Tarlt.m 
—  a  short  chapter  in  dramatic  history.  (In  New  Shakspere  So- 
ciety. Transactions.  No.  8.  1880-6.  Part  i,  pp.  57-66.  London. 
i88t.)  *6552.io.i88o-86.i;etc. 

Shakespeare,  William.     Theatre  of  his  time.     See  Elizabethan  tluatre. 

[689] 
44 


THE  PUBLIC  LIBRARY   OF  THE   CITY  OF  BOSTON 

Shakspeare  and  his  contemporaries.     Tegg,  W.  2597.38;  **T.57.273 

Shakspeare,  and  his  latest  stage  interpreters.      [London.     1861.I      772- 
786  pp.  No.  I  in  **G.3940.i3 

Relates  chiefly   to   Charles   Albert   Fechter.      Cut    from    Eraser's  Magazine,    De- 
cember, 1861    [Periodical  Room  *3 187. 1.64]. 
Shakspere   gallery    of    engravings.      See    Tallis's    Shakspere    gallery    of 

engravings. 
Shakespeare  in  Germany. 

CoHN.  A.  Shakespeare  in  Germany  in  the  sixteenth  and  seventeenth 
centuries:  an  account  of  English  actors  in  Germany  and  the 
Netherlands.      London.      1865.  *459i-3 

Merschberger,  .  Dr.     Die  Anfange  Shakespeares  auf  der  Ham- 
burger  Biihne.      [Hamburg.      1890.]  45903.123 
Wetlen,  a.  W.,  Ritter  von.     Hamlet  auf  der  deutschen  Biihne  bis  zur 
Gegenwart.     Berlin.     1908.  4593.202 
Winds,   A.      Hamlet   auf   der   deutschen    Biihne"  bis   zur    Gegenwart. 
Berlin.     1909.  6907.22 
Shakespeare  in  Ttaly. 

MoRLEY.  L.  C.  C.  Shakespeare  in  Italy.  Stratford-upon-Avon.  1916. 
Portraits.     Plate.  4598-58 

Shakespeare  in  Russia. 

LiRONDELi.E,  A.     Shakespeare   en   Russie,   1748-1840.     Paris.      1912. 

4597.222 
Shakespeare  on  the  stage.     Winter,  W.  4597-i65;  **T.56.57 

Shakespeare  revival.  The.     Buckley,  R.  R.  4598-50 

Shakespeare  Society,  London.     Publications. 

Alleyn,  E.     The  Alleyn  papers.     A  collection  of  original  documents 
illustrative  of  the  life  and  times  of  Edward  Alleyn,  and  of  the 
early   English  stage   and   drama.      London.      1843.         4596-53;  etc. 
Armin,  R.    Fools  and  jesters;  with  a  reprint  of  Robert  Armin's  Nest 
of  ninnies.     1608.     London.     1842.  4596.67;  etc. 

Collier,  J.  P.  Memoirs  of  Edward  Alleyn,  founder  of  Dulwich 
College:  including  some  new  particulars  respecting  Shakespeare. 
Ben  Jonson,  Massinger,  &c.     London.     1841.  **T.55.77;  etc. 

Memoirs  of  the  principal  actors  in  the  plays  of  Shakespeare. 

London.     1846.  **T.55.i3o;  etc. 

Cunningham,  P.,  editor.  Extracts  from  the  accounts  of  the  Revels 
at  court,  in  the  reigns  of  Queen  Elizabeth  and  King  James  L 
London.      1842.  4596.56;  etc. 

Gosson.  S.  The  school  of  abuse,  containing  a  pleasant  invective 
against   poets,  pipers,   players,   jesters,    &c.      London.      1841. 

2575-8;  etc. 
Henslowe,   p.     The  diary  of   Philip   Henslowe,   from    1591   to   1609. 
Printed  from  the  original  manuscript  preserved  at  Dulwich  Col- 
lege.   London.     1845.  4596.46;  etc. 
Hevwood,  T.     An  apology  for  actors.     In  three  books.     From  the 
edition  of  1612,  compared  with  that  of  W.  Cartwright.     London. 
1 84 1.  4575.17;  etc. 
Lodge.  T.     .\   defence  of  poetry,  music,  and   stage  plays.     London. 
1853.                                                                               No.  2  in  *4596.2o;  etc. 
NoRTHBROOKE.  J.     A  treatise  against  dicing,  dancing,  plays,  and  inter- 
ludes.     With    other    idle    pastimes.      From    the    earliest    edition, 
about  A.D.   1577.     London.     1843.                    4596.62;  **T.96.i4;  etc. 
Tarlton,  R.     Tarlton's  jests;  with  notes,  and  some  account  of  the 
life  of  Tarlton.     By  J.  O.  Halliwell.     London.     1844.       4596.57;  etc. 

[690] 


BROWN   COLLECTION    OF  BOOKS    ON    THE   STAGE 


Shakspeare    travestied.      [Dublin.      1862.]      170-182   pp. 

On   Fechter's  Othello.  No.  ^  in  **G.3940  13 

Shakespeare's  environment.     Stopes,  C.  C.  4595.141 

Shakespeare's  theater.     Thorndike,  A.  H.  6595.30:610 

Shakespearean  actors.     See  Elizabethan  theatre;  Shakespeare.  W  illiain. 
Representations  of  his  plays. 

Shakespearean  playhouses.     Adams.  J.  Q.,  Jr.  4594.156 

Shakespearean  stage.     See  Elizabethan  theatre. 

Shaksperian  stage  traditions.     Matthews,  J.   B.  4596.159 

Sharp,  Thomas. 

A  dissertation  on  the  pageants  or  dramatic  mysteries  anciently  per- 
formed at  Coventry,  by  the  trading  companies  of  that  city;  chiefly 
with  reference  to  the  vehicle,  characters,  and  dresses  of  the  actors. 
Added,  the  Pageant  of  the  Shearmen  &  Taylors'  Company,  and 
other  municipal  entertainments  of  a  public  nature.  Coventry. 
Merridew.     1825.     (5),  226,   (4)   pp.     Plates.     Music.  **T.42.3 

Another  copy,  on   large  paper,  is  on  shelf-number  **G.3830.2. 

Shaw,  Bernard.     See  Shaw,  George  Bernard. 
Shaw,  Eyre  Massey. 

Fires   in   theatres.     2d   edition.     London.     Spon.      1889.     xx.  86  pp. 

8018.103 
Shaw,  George  Bernard. 

Love  among  the  artists.  Chicago.  Stone  &  Co.  1900.  viii,  3-443. 
(i)  pp.  **f.87.io 

A  novel  of  stage  life. 

Shaw,  Robert  Gould. 

Club  of  Odd  Volumes.  Boston.     Exhibition  of  prints  and  playbills  to 

illustrate   the  history  of  the    Boston   stage    (1825   to    1850),   from 

the  collection   of   Robert   Gould    Shaw.     May   3  to    May  8.    1915. 

[Boston.     1915.]  **Q. 17.31 

Shea,  George  E. 

Acting  in  opera:  its  A-B-C.  With  descriptive  examples,  practical 
hints,  and  numerous  illustrations.  New  York.  Schirmer.  [1915.] 
xiii,  90  pp.     Plates.  40493.286 

Sheffield,  England.     Theatres. 

Theatrical  Examiner,  The,  for  Sheffield.     [Weekly.]     Vol.  i.     Oct. 
28,  1824 -Jan.  24,  1825.     Sheffield.     1825.     16,  80  pp.    **T.27.24;  etc. 
Sheffield  Playgoers'  Society. 

Jones,  H.  A.  Municipal  and  repertory  theatres:  a  lecture  delivered, 
to  the  Sheffield  Playgoers'  Society.    London.     1913-  **T.76.i86 

Sheridan,  Richard  Brinsley  Butler. 

Verses  to  the  memory  of  Garrick.  Spoken  as  a  monody,  at  the 
Theatre  Royal  in  Drury-Lane.  London:  Published  by  T.  Evans. 
1779.     15  pp.  No.  2  in  **G.3820.ii 

Same.     2d  edition.     Plate.  **T.94.4 

Same.  The  tears  of  genius.  A  monody.  On  the  death  of  Mr.  Gar- 
rick.    Dublin:   Printed  for  C.  Jackson  by  J.   Byrn.      1780.      14  pp. 

**T.57.403 
Sheridan,   Richard   Brinsley  Butler.     Works  about. 

Earle,  W.     Sheridan  and  his  times.     London.     1859.     2  v.     Portrait. 

4549.29;  **T.57.29 

Fitzgerald,  P.  H.     The  lives  of  the  Sheridans.     London.     1886.     2  v. 

Portraits.  4550.67;  **T.56.233 

Same.      The    Sheridans.      London.       [190-^]      2    v.     Portraits. 

Plates.  '  *2545-25i 

[691] 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 

Sheridan,  Richard  Brinsley  Butler.     Works  about.     (Continued.) 

Heroic  epistle.  An,   from  cunning  little   Isaac  to  the  modern   Con- 

greve.     London.     1781.  No.  2  in  **G.3820.9 

Moore,    T.      Memoirs    of    the    life    of    Richard    Brinsley    Sheridan. 

Philadelphia.      1825.  6542.41 ;  **K.33.7 

Same.      5th    edition.      London.      1827.      2    v.      Portrait. 

**T.56.i42;etc. 
Oliphant,    M.   O.    W.      Sheridan.      London.      1S83. 

24493.69;  **T.57.i65;  etc. 

Rae,    W.    F.      Sheridan.      A    biography.      With    an    introduction    by 

Sheridan's   great-grandson    the    Marquess    of    Dufferin    and    Ava. 

London.     i8q6.     2  v.     Portraits.     Plates.  **T.56.53;  etc. 

Sanders,  L.  C.    Life  of  Richard  Brinsley  Sheridan.     London.     [1890.] 

454oa.i28 
Sheridaniana;  or,  anecdotes  of  the  life  of  Richard  Brinsley  Sheridan  ; 
his  table-talk,  and  bon  mots.     London.     1826.     Portrait. 

4549.26;  **T.57.238 
SiCHEL.  W.  S.    Sheridan.     From  new  and  original  material,  including 
a  manuscript  diary  by  Georgiana,  Duchess  of  Devonshire.     Lon- 
don.    1Q09.     2  V.     Portraits.     Plates.  2544.192 
Theatrical  monopoly:  being  an  address  to  the  public  on  the  present 
alarming  coalition  of  the  managers  of  the  winter  theatres.     Lon- 
don.    1779.     Portrait.                                          No.  4  in  **G.3824.i4;  etc. 
Sheridan,  Thomas. 

The  buskin  and  sock;  being  controversial  letters  between  Mr.  Thomas 
Sheridan,  tragedian,  and  Mr.  Theophilus  Gibber,  comedian,  just 
published  in  Dublin.  Dublin  printed:  London  reprinted  for  Jacob 
Robinson.    1743.     (i),  56  pp.  No.  i  in  **G.3823.i6 

A  full  vindication  of  the  conduct  of  the  manager  of  the  Theatre-Royal. 
Written  by  himself.     Dublin:  Printed  by  S.  Powell.     1747.     19  pp. 

**T.97.46 
An  humble  appeal  to  the  public,  together  with  some  considerations 
on  the  present  critical  and  dangerous  state  of  the  stage  in  Ireland. 
Dublin:   Printed.     London:   Re-printed   for   W.   Faden.     1758. 

No.  6  in  **G.3823.i6 

Relates  particularly  to  the  Smock  Alley  Theatre  of  which  Sheridan  was  manager. 

A  state  of  the  case  in  regard  to  the  point  in  dispute  between  Mr. 
Mosse  and  Mr.  Sheridan.  [Anon.]  Dublin:  Printed  in  the  year, 
1750.     26,  xix  pp.  No.  4  in  **G.3823.i6 

Same.     2d  edition.  **T.57.436 

A  vindication  of  the  conduct  of  the  late  manager  of  the  Theatre-Royal 
Ininibly  address'd  to  the  publick.  Dublin:  Printed  in  the  year, 
1754.    23  pp.  **T.77.49 

Sheridan,  Thomas.     Works  about. 

B N,  B T.    The  stage :  or  coronation  of  King  Tom. 

A  satyr.     Dublin.     1753.  No.  8  in  **G.3824.i7 

Gase,  The,  of  the  stage  in  Ireland;  containing  the  reasons  for  and 
against  a  bill  for  limiting  the  number  of  theatres  in  Dublin; 
wherein  the  qualifications  of  a  manager  are  considered  and  the 
conduct  and  al)ilities  of  the  manager  of  the  Theatre  in  Smock- 
Alley    [Thomas    Sheridan]    are    examined.      Dublin.      1758. 

**T.77.7o;  etc. 

Dublin  in  an  uproar:  or,  the  ladies  robb'd  of  their  pleasure.  Being 
a  full  and  im])artial  relation  of  the  remarkable  tumult  that  lately 
happen'd    at    the    Dublin    theatre.      Dulilin.      [1747.] 

No.  2  in  **G.3823.i6 
[692] 


BROWN   COLLECTION    OF   BOOKS    ON    THE   STAGE 


Sheridan,  Thomas.     Works  about.     (Continued.) 

Lee,  J.     A  letter  from  Mr.  Lee  to  Mr.  Sheridan.     Dublin.     1757. 

No.  2  in  **G.3824.i 
Sheridan  family. 

Fitzgerald,  P.  H.     The  lives  of  the  Sheridans.     London.     iRK().     2  \ 
Portraits.  4550.67;  »*T.56.233 

Same.      The    Sheridans.      London.      [190-?]      2    v.      Portraits 

Plates.  *2545.25i 

Sheridaniana ;  or,  anecdotes  of  the  life  of  Richard    P.rinslcy   Sheridan. 

his  table-talk,  and  bon  mots.     London.     Colburn.      18.26.     xi,  .334 

pp.     Portrait.     Autograph   facsimile.  4549.26;  **T.57.238 

Sherwood,  Mary  Neal,  translator. 

Feydeau,  E.  A.   The  ballet  dancer's  husband.   Chicago.    1880.   **T.87.72 
Shifting  scenes  in  theatrical  life.     Winstanley,  E.  **T.88.i6;  etc. 

Shinn,  George  Wolfe. 

The  Actors'  Church  Alliance.     [New  York.     1902.]     8  pp.        5549.38 

The  stage  as  a  teacher.     A  sermon.     Delivered  in    Boston,    May  '>. 

1900;  New  York,  June  17,  1900.     [Newton.    1900.]     No.  2  in  3589.214 

The  teaching   function  of  the  stage  from   a  clergyman's  standpoint. 

An  essay.     Boston.     1900.    28  pp.  No.  i  in  3589.214 

Shipman,  Louis  Evan. 

A  group  of  theatrical  caricatures:  being  twelve  plates  by  W.  J. 
Gladding  with  an  introduction  and  biographical  sketches  by  Louis 
Evan  Shipman.  New  York.  1897.  viii,  (l),  78,  (i)  pp.  Portraits. 
[Dunlap  Society.    Publications.]  **T.95.i7 

,  The  true  adventures  of  a  play.     New  York.     Kennerley.     1914.     181, 
(i)  pp.     Portraits.     Colored  plates.     Facsimiles.  4409b. 231 

The  play  was  D'Arcy  of  the  guards. 

Shirley,  James. 

Nason,  a.  H.  James  Shirley,  dramatist.  A  biographical  and  critical 
study.     New  York.     1915.     Portraits.  4544.215 

Short,  Josephine  Helena. 

Oberammergau.  New  York.  Crowell  &  Co.  [1910.]  x,  84  pp.  Por- 
traits.    Plates.  48793.102 

An  account  of  the  Passion  Play. 
Short  criticism,  A,  on  the  performance  of  Hamlet  by  Mr.  [John  Philip) 
Kemble.     London:   Printed  for  T.   Hookham.     1789.     (9),  21   pp. 

No.  5  in  **G.3937.ii 
Short  struggle,  A,  for  stage  or  no  stage.     Mansel,  R.  **T.96.63;  etc. 

Short  view.  A,  of  the  immorality,  and  profaneness  of  the  English  stage. 
Collier,  J.  **T.77.34;  etc. 

Shorte  treatise,  A,  against  stage-playes.      [London.]      Printed  in    1625. 
28  pp.  **G.382i.i3 

Show  folks.  The!     Egan,  P.,  the  Elder.  6579.13;  **T.98.56;  etc. 

Showman's  daughter,  The.     Graham,  S.  **T.87.8 

Showman's  guide.  The.     Brown,  T.  A.  **T,77.200 

Shuter,  Edward. 

Stevens,  G.  A.  The  drainatic  history  of  Master  Edward,  Miss  Ann, 
and  others,  the  extraordinaries  of  these  times.  London.  17^- 
Plates.  **G.3977-i7 

Shuttleworth,  Henry  Cary,  editor. 

Diary,  The,  of  an  actress;  or,  realities  of  stage  life.     London.     1885. 

**T.58.iio 

Siamese  twins. 

Account,  An,  of  Chang  and  Eng,  the  world  renowned  Siamese  twms. 
New  York.     1853.     Plates.     Portraits.  6246.24 

[693] 


THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 


Siamese  twins.     (Continued.) 

Hale,  J.  W.  An  historical  account  of  the  Siamese  twin  brothers 
from  actual   observation.      New-York.      183T.  *6242.8;  etc. 

The  Siamese  twins,  Chang  and  Eng.     A  biographical  sketch.     With 
sketches  of  the   lives  of   Miss   Swan,   the   Nova-Scotian   giantess, 
and   Zoebida   Luti,   the   lady  of  beauty.      London.      [1869.]      Por- 
traits. *  **T.56.234 
Siccard  von  Siccardsburg,  August  von. 

Das  k.k.  Hof-Opernhaus  in  Wien.  Von  Van  der  Null  und  von 
Siccardsburg.  Wien.  Lehmann.  1885.  (iq)  PP-  80  plates. 
[Wiener   Monumental-Bauten.      i.]  *Cab.6o.50.i 

Sichel,  Walter  Sydney. 

Sheridan.  From  new  and  original  material,  including  a  manuscript 
diary  by  Georgiana,  Duchess  of  Devonshire.  London.  Constable 
&  Co.,  Ltd.     1909.     2  v.     Portraits.     Plates.  2544,192 

Sicily.     Theatres. 

Jones,  H.  F.     Diversions  in  Sicily.     London.     1909.  4768.85 

Siddons,  Harriet. 

Report  of  the  trial  of  the  proceedings  in  the  action  of  suspension 
and  interdict  at  the  instance  of  Airs.  H.  Siddons,  of  the  Theatre 
Royal,  against  Corbet  Ryder,  of  the  Caledonian  Theatre.     Edin- 
burgh.   1825.  **T.76.4i 
Siddons,  Henry,  editor. 

Engel,  J.  J.  Practical  illustrations  of  rhetorical  gesture  and  action; 
adapted  to  the  English  drama:  from  a  work  on  the  subject  by  M. 
Engel.     London.     1807.     Plates.  **T.76.i93;  etc. 

Siddons,  Maria. 

Knapp,  O.  G.,  editor.  An  artist's  love  story.  Told  in  the  letters  of 
Sir  Thomas  Lawrence,  Mrs.  Siddons  and  her  daughters.  New 
York.      1904.     Portraits.  4545.190;  **T.56.335 

Siddons,  Sarah  Kemble. 

Beauties,  The,  of  Mrs.  Siddons.     See  below:  Observations  on  Mrs. 

Siddons. 
Boaden,  J.     Memoirs  of  Mrs.  Siddons.     Interspersed  with  anecdotes 
of  authors  and   actors.      London.      1827.     2   v.      Portrait. 

**T.56.2ii;etc. 
Same.      Mrs.    Sarah    Siddons.      London.      [190-?]      2   v.      Por- 
traits.    Plates.  *2545.252 
Campbell,  T.     Life  of  Mrs.  Siddons.     London.     1834.     2  v.     Portrait. 

**T.55.iic;  etc. 
Edwin's   Pills  to  purge  melancholy:   containing  all   the   songs   sung 
by  Mr.  Edwin;  with  an  humourous  account  of  Mrs.  Siddons's  first 
reception  in  Dublin.     London.     1788.     Portrait.  **T.96.2ii 

Fitzgerald,  P.  H.  The  Kembles.  An  account  of  the  Kemble  family, 
including  the  lives  of  Mrs.  Siddons,  and  John  Philip  Kemble. 
London.     [1871.]     2  v.     Portraits.     Facsimiles. 

6543-15;  **T.56.2i7;  etc. 
Galindo,  C.     Mrs.  Galindo's  Letter  to  Mrs.  Siddons:  being  a  circum- 
stantial detail  of  Mrs.  Siddons's  life  for  the  last  seven  years;  with 
several   of  her  letters.     London.      1809.  **T.96.338;  etc. 

Hicks,  J.  Performances  in  London  of  Mrs.  Siddons  and  Mr.  John 
Philip  Kemble.  Collected  from  the  bills  by  John  Hicks  circa 
1821.     Manuscript.     N.  p.     [1821.]  **T.52.6 

Jenkin,  H.  C.  F.  Mrs.  Siddons  as  Lady  Macbeth  and  as  Queen 
Katharine.  With  an  introduction  by  Brander  Matthews.  New 
York.     1915.  **T.46.6i.3 

[694  J 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 


Siddons,  Sarah  Kemble.     (Continued.) 

Kennard,  N.  H.     Mrs.  Siddons.     Boston.     1887.  25506.79;  etc. 

Knapp,  O.  G.,  editor.  An  artist's  love  story.  Told  in  the  lclicr.s  of 
Sir  Thomas  Lawrence,  Mrs.  Siddons  and  her  daughters.  New 
York.     1904.     Portraits.  4545-i9o;  **T.56.335 

Observations  on  Mrs.  Siddons,  in  the  following  characters:  Margaret 
of  Anjou,  Belvidera,  Jane  Shore,  Lady  Randolph,  Isabella  and 
Zara.     Dublin.     1784.  **T.57.i35 

Same.      Beauties,  The,   of   Mrs.   Siddons;   or,   a   review   <.f   her 

performance  of  the  characters  of  Belvidera,  Zara.  Lsal)ella 
Margaret  of  Anjou,  Jane  Shore,  and  Lady  Randolph;  in  letter^ 
from  a  lady  of  distinction,  to  her  friend  in  the  country.  Londi.n. 
1786.  **T.56.i55;  etc. 

Parsons,  F.  M.    The  incomparable  Siddons.     London.     [1909.  |     Pur- 
traits.     Plates.  **T.56.io7;  etc. 
Whalley,  T.  S.     Verses  addressed  to   Mrs.  Siddons,  on  her  being 
engaged   at   the   Theatre-Royal,    Drury-Lane,    in    1782.      London. 
1782.  **T.54.5 
Wonderful  secrets.  The,  of  stage  trick;  or  a  peep  behind  the  curtain. 
[London.     1793.]                                                                           **T.56.304 
Siddons,  Sarah  Martha. 

Knapp,  O.  G.,  editor.  An  artist's  love  story.  Told  in  the  letters  of 
Sir  Thomas  Lawrence,  Mrs.  Siddons  and  her  daughters.  New 
York.      1904.      Portraits.  4545.i9o;  **T.56.335 

Siebs,  Theodor. 

Deutsche    Biihnenaussprache.     Ergebnisse   der    Beratungen   zur  aus- 

gleiclienden  Regelung  der  deutschen    Biihnenaussprache  die  vom 

14.  bis  [6.  April  1898  zu  Berlin  stattgefunden  haben.    Im  Auftrage 

der  Kommission    [des  deutschen   Biihnenvereins]    herausgegeben. 

2..Auflage.     Berlin.     Ahn.     1901.     103  pp.  2886.88 

Deutsche  Biihnenaussprache  nach  den  Beratungen  zur  ausgleichenden 

Regelung  der  deutschen   Biihnenaussprache,  die  im  April    1898  in 

Berlin  unter  Mitwirkung  der  Herren  Graf  Von  Hochberg,  Freiherr 

von  Ledebur,  Dr.  Tempeltey,  Prof.  Dr.  Sievers,  Prof.  Dr.  Luick. 

Prof.   Dr.  Siebs,  und  nach  den   erganzenden  Verhandlungen,   die 

im    Marz     1908    in     Berlin    mit    der    Genossenschaft    deutscher 

Biihnenangehoriger    bearbeitet.    8.    und    9.    Auflage    den    Gesang 

beriicksichtigend  und  mit  kurzem  Aussprachworterbuche  versehen. 

Koln  a.  Rh.  Ahn.     1910.     (2),  232  pp.  2887.35 

Sifflet,  Le,  au  theatre.     Rodocanaciji,  E.  P.  2671. 171 

Signora,  a  child  of  the  opera  house.     Knobb6,  G.  *24o6.i87 

Sikes,  Olive.    See  Logan,  Olive. 

Silhouettes,  Les,  animees  a  la  main.     Bertrand,  V.,  effendi.  4003-73 

Silhouettes  parisiennes.     Audouard,   F.   O.  **T.57.I29 

Sillard,  Robert  M. 

Barry  Sullivan  and  his  contemporaries.  A  histrionic  record.  Lon^ 
don.     Unwin.     1901.     2  v.     Portraits.     Autograph  facsimiles. 

4545-176;  **T.56.30 

Simonnin,  Antoine  Jean  Baptiste. 

Du  public,  de  I'autorite  et  du  theatre,  en  1821.  Paris.  Lad\ocat. 
[1821?]      viii,   43    pp.  No.  10  in  **G.3562.i 

On   the   theatre   in    France,    particularly    the   Comedie    frangaise. 

Simonnin,  J.     See  Simonnin,  Antoine  Jean  Baptiste. 
Simpson,  Arthur. 

Secret  memoirs  of  Madame  Catalani.     Bath.     Gye.     181 1.     vii,  46  pp. 

No.  7  in  **M.i44.i8 

[695] 


THE  PUBLIC  LIBRARY   OF  THE   CITY  OF  BOSTON 

Simpson,  David. 

A  discourse  on  stage  entertainments.  Birmingham:  Printed  and  sold 
by  M.  Swinney.     1788.     88  pp.  **T.96.78 

Simpson,  Edwin. 

The  dramatic  unities  in  the  present  day.  London.  Triibner  &  Co. 
1874.     (3),  100  pp.  2576.63;  **T,48.i2 

Simpson,  Harold. 

Yvette  Gtiilbert:  struggles  and  victories.  By  Yvette  Guilbert  and 
Harold  Simpson.  London.  Mills  &  Boon,  Ltd.  fiQio.]  vi,  348 
pp.     Portraits,  some  colored.     Manuscript  facsimiles.  **T.56.35 

Contents.  —  Struggles  and  victories  of  my  life.     By  Yvette   Guilbert.  —  The  life 
of  Yvette  Guilbert.     By  Harold  Simpson. 
-    Yvette    Guilbert's    article    is    in    French    with    an.    English     translation    on    the 
opposite  pages. 

Simpson,  Harold,  editor. 

Calvert,  A.  H.  Sixty-eight  years  on  the  stage.  London.  [191 1.] 
Portraits.     Plates.  **T.56.34 

Simpson,  J.  Bell. 

Literary  and  dramatic  sketches.  Glasgow.  Bryce.  1872.  (5),  150 
pp.  **T.97.ii7 

Contains,  among  other  things,  essays  on  Stock  companies.  The  illegitimate 
drama.  Drawing-room  comedy,  and  A  painted  world. 

Simpson,  Robert. 

A  solemn  warning  against  theatres  and  races.  A  sermon  preached 
in  Derby,  August  2nd,  1829.    Derby.    The  Author.     [1829.]     23  pp. 

**T.96.65 
Sims,  George  Robert. 

Without  the  limelight.  Theatrical  life  as  it  is.  London.  Chatto  & 
Windus.     1900.     vi,  (i),  208  pp.  **T.87.2i 

Contents.  —  The  Christmas  fairy.  —  Two  New  Year's  days.  —  At  the  agent's 
—  A  great  success.  —  A  Sunday  journey.  —  'Resting.'  —  Jonah.  —  The  joint 
engage.ricnt.  —  Among  the  wreckage.  —  The  story  of  a  scenario.  —  She  would 
be  an  actress.  - —  'Hereinafter  called  the  artist.' 

Zeph:  a  circus  story,  etc.  A  new  edition.  London.  Chatto  & 
Windus.     1892.    vi,  279  pp.  **T.88.i2 

Contents.  —  Zeph.  —  Jo  Powell's  pilgrimage.  — -  Urbain  and  Isette.  - —  My  dog 
Pickle.  —  A  tale  of  italics.  —  Mr.  Strickland's  black  eye. — Her  Royal  Highness's 
husband.  —  The  old  lady  opposite.  ■ —  One  winter  night.  —  Jack  Palmer's  little 
trick.  —  The  peculiar  nose  ;   or,  the  hangman's  daughter. 

Sin,  The,  and  danger  of  frequenting  the  theatre.     [Sunderland.     1828.] 
16  pp.  **T.96.58 

A  collection  of  extracts  from  various  authors. 

Singers. 

Bremont,  a.,  Comtesse  de.  The  world  of  music.  Vol.  2:  Great  singers. 
London.     1892.  8049.120;  **M. 109. 27,2 

Buck,  L.  W.  B.  Some  players.  Personal  sketches.  Chicago.  1899. 
Portraits.  **T.55.6;  etc. 

Campardon,  L.  fi.  L'Academie  royale  de  musique  au  xviiie  siecle. 
Documents  inedits  decouverts  aux  archives  nationales.  Paris. 
1884.    2  V.  **M.372.i6 

Claqueur  patente,  Un,  pseud.  Nouvelle  grande  biographic  draniatiquc, 
ou  silhouette  des  acteurs,  chanteurs,  danseurs,  de  1825  a  1830,  de 
Paris  et  des  departemens.     Paris.     1851.  **T.59.26 

Clayton,  E.  C.  Queens  of  song:  being  memoirs  of  the  most  cele- 
brated female  vocalists  who  have  appeared  on  the  lyric  stage, 
from  the  earliest  days  of  opera  to  the  present  time.  London.  1863. 
2  V.     Portraits.  **M. 106.13;  etc. 

CuRZON,  E.  H.  P.  de.     Croquis  d'artistes.     Paris.     1898.     16  portraits. 

**M.373.2 
[696] 


BROWN   COLLECTION    OF   BOOKS    ON    THE   STAGE 


Singers.     (Continued.) 

Deville,  p.  F.  a.     Arnoldiana,  ou  Sophie  Aniould  cl  sc-s  contcmix)- 

raines.     Paris.     1813.     Portrait.  **M.377.ai 

Edwards,   H.   S.     The  prima   donna;   her  history   and   surroundings 

from  the  seventeenth  to  the  nineteenth  century.     London.     1888. 

^  2  V.  4044.83;  ♦♦M.37I.52 

EscuDiER,  L.,  and  M.  Escudier.  Etudes  biograpliiciius  sur  k--,  dian- 
teurs  contemporains.     Paris.     1840.     Portraits. 

8049.58;  **M. 169a. 20 

Vie     et    aventures    des    cantatrices    celebres    i)rccedcc-s    des 

musiciens  de  I'Empire  et  suivies  de  la  vie  anecdotique  dc  I'awanini. 
Paris.     1856.  **M. 108.38 

EzvAR   Du   Fayl,  .     Academie   nationale   de   musi(iuc,    1^)71-1X77 

200    notices    sur    les    artistes    de    I'Opera.      Paris.      187K.      I'lates. 
Plans.  26393.55;  **M. 1 29a.  1 1 

Farrar,  G.  The  story  of  an  American  singer  by  herself.  i!u.st'>n. 
1916.     Portraits.     Plates.  4047.330 

Ferris,  G.  T.    Great  singers.    New  York.    1880,81.    2  v.    4049.75;  etc. 

French,  C.  E.  A  year  of  opera  at  the  Castle  Square  Theatre,  from 
May  6,  '95.  to  May  6,  '96.  Containing  portraits  and  sketches  of 
the  principal  singers,  and  a  record  of  the  casts  of  characters  of 
the  various  operas  produced,  with  a  short  story  of  each.  Boston. 
1896.     Portraits.  8048.69;  etc. 

Grau,  R.  Forty  years  observation  of  music  and  the  drama.  New 
York.     1909.     Portraits.  4045.172 

Houssaye,  a.  Princesses  de  comedie  et  deesses  d'opera.  Paris.  iX(x). 
Plate.  4693.1.5;  **T.56.32o;  etc. 

KoBBE,  G.  Opera  singers.  A  pictorial  souvenir,  with  biographies 
of  some  of  the  most  famous  singers  of  the  day.  Boston.  1 1906.] 
Portraits.  40403.118;  etc. 

KoHUT,  A.  Die  Gesangskoniginnen  in  den  letzten  drei  Jahrhunderten. 
Berlin.     [1906.]     2  v.     lUus.     Portraits.  4045.171 

Laget,  a.    Le  chant  et  les  chanteurs.    Paris.     [1874.]  **M. 144.20 

Lahee,  H.  C.  Famous  singers  of  today  and  yesterday.  B(jston. 
1898.     Portraits.  40493.36 

Laroque,  a.     Acteurs   et  actrices   de   Paris.     Paris.     1888. 

**T.56.262;  etc. 

Lyden,  £.  F.  M.  DE.  Le  theatre  d'autrefois  et  d'aujourd'hui.  Can- 
tatrices et  comediens.     1532-1882.     Paris.     1882.  **M. 127.29 

Mackinlay,  M.  S.  Antoinette  Sterling  and  other  celebrities.  Stories 
and  impressions  of  artistic  circles.  London.  1906.  Illus.  Por- 
traits. 4044.126 

Garcia  the  centenarian  and  his  times.  Edinburgh.  1908.  Por- 
traits. 4047-302 

Martin,  J.  Nos  artistes.  Portraits  et  biographies.  Paris.  iS<j5. 
Portraits.  **T.59.47 

Paroisse-Pougin,  F.  A.  A.  Figures  d'  Opera-comique:  Madame 
Dugazon,   Elleviou,  les   Gavandan.     Paris.     1875.     Portraits. 

**M. 137.2 

Rogers,  F.  Some  famous  singers  of  the  19th  century.  New  York. 
[1914.]      Portraits.  40493.297 

Santley,  Sir  C.  Reminiscences  of  my  life.  London.  1909-  {Por- 
traits.    Plates.  4047-289 

Schwab,  F.  A.  Singers  of  the  [19th]  century.  Illus.  Portraits. 
Plates.  (In  The  music  of  the  modern  world.  Vol.  r.  New  York. 
[1895.])  **M.i4.i.i 

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THE  PUBLIC  LIBRARY   OF  THE   CITY  OF  BOSTON 


Singers.     (Continued.) 

Strang,  L.  C.  Prima  donnas  and  soubrettes  of  light  opera  and 
musical  comedy  in  America.     Boston.     1900.     Portraits. 

4048.183;  **T.58.26 
Thurner,  a.     Lcs  reines  du  chant.     Paris.     1883.     Portraits. 

4047.81;  **M.i27.i7 
Wagnalls,  M.  Stars  of  the  opera.  A  description  of  operas  &  a 
series  of  personal  interviews  with  Marcella  Sembrich,  Emma 
Eames,  Emma  Calve,  Lillian  Nordica,  Lilli  Lehmann,  Geraldine 
Farrar  &  Nellie  Melba.  New  York.  1907.  Portraits.  *4049a.346 
Wild,  C,  comp>iler.  Bayreuth  1894.  Manuel  pour  les  visiteurs  de 
Bayreuth.      Leipzig.      [1894.]      lUus.      Portraits.      Plan. 

No.  I  in  **M.370.7i 
Singers.     Biography.     Individual.     (Arranged  by  subjects.) 

Abbott,  Emma.  Lippincott,  S.  J.  Emma  Abbott,  prima  donna. 
[New   York.     1879.]  No.  i  in  *6242.59 

Martin,    S.    E.     The   life   and   professional    career   of    Emma 

Abbott.     Minneapolis.     1891.     Portraits.  4344.145;  **M.  143. 25 

Belocca,  Anna  de.  Berlioz,  V.  Anna  de  Belocca:  a  biographical 
sketch.     [New  York.     1876.]  4048.76;  **M.ii5.4 

Billington,  Elizabeth.  Answer,  An,  to  the  Memoirs  of  Mrs.  Billing- 
ton.  With  the  life  and  adventures  of  Richard  Daly,  Esq.,  and  an 
account  of  the  present  state  of  the  Irish  theatre.     London.     1792. 

**T.56.338;etc. 

[Biographical   notices,   portraits,    programmes,    etc.,    relating 

to  Elizabeth  Billington.    London?    185-?]     Portraits.    **M.Cab.2.i 

Memoirs  of  Mrs.  Billington.     London.     1792.     Portrait. 

**T. 56.332;  etc. 

Bishop,  Anna.  Foster.  G.  G.  Biography  of  Anna  Bishop,  the  cele- 
brated cantatrice.      [New  York.     1853.]  No.  2  in  **M.373.63 

Blasis,  Virginia.  Blasts,  C.,  compiler.  Biografia  di  Virginia  Blasis 
e  onori  poetici.     Milano.     1853.     Portrait.  **T.56.3i8 

Calve,  Emma.  Gallus,  A.  Emma  Calve.  New  York.  1902.  lUus. 
Portraits.  4041. 116 

Capoul,  Joseph  Amedee  Victor.  Grand,  G.  Victor  Capoul.  Paris. 
1877.     Portrait.  No.  3  in  **M. 128.31 

Carvalho,  Marie  Caroline  Felix  Miolan.  Leprieur-Accover,  £.  M^e 
Carvalho.     Notes  et  souvenirs.     Paris.     1885.     Portrait. 

**T.58.i33;  **M.377.63 

Catley,  Ann.     Ambross,  Miss .     The  life  and  memoirs  of  the  late 

Miss  Ann  Catley,  the  celebrated  actress.     London.     [1790?]     Por- 
trait. **T.56.i79;etc. 

Life,  The,  of  Miss  Anne  Catley.     London.     1888.     Portrait. 

**M.377.43 
Crouch,    Anna    Maria.      Young,    M.    J.      Memoirs    of    Mrs.    Crouch. 
Including  a   retrospect   of  the   stage   during  the   years   she   per- 
formed.    London.     1806.    2  v.     Portrait.  **T.58.99;  etc. 
Duprez,    Gilbert    Louis.      Duprez,    G.    L.      Souvenirs    d'un    chanteur. 
Paris.     1880.                                                                      4046.55;  **M.i  18.5 

Elwart,  a.  a.  £.  Duprez:  sa  vie  artistique.  Avec  une  bio- 
graphic de  son  maitre  Alexandre  Choron.     Paris.     1838.     Portraits. 

No.  I  in  **M.i29a.33 

Garat.    Dominique    Pierre   Jean.      Miall,    B.      Pierre    Garat,    singer 

and    exquisite:   his   life   and   his   world    (1762-1823).      New    York. 

1913.    Portraits.    Plates.  2643.159 


[698] 


BROWN   COLLECTION    OF  BOOKS    ON    THE   STAGE 


Singers.     Biography.     Individual.      (Arranged  by  subjects.)      (Continued.) 

Gigliucci.  Clara  Aiiastasia,  Cuiilcssa.  Ginuuixi.  C.  A.,  Cotitessa.  Clara 
Novello's  reminiscences.  With  a  memoir  by  A.  D.  Coleridpc. 
London.     1910.     Portraits.     Plate.  4044.120 

Hall,  Pauline  Margaret.  Hall,  P.  M.  Life  of  I'aulinc  .MurkiMin 
[pseud.].     Written  by  herself.     New   York.      1871.      I'orlrail.        * 

**T.97.i98 

Hasse,  Faustina  Bordoni.  Niggli,  A.  p-austina  Bordoni-lIa.s>,c 
Eine  Primadonna  des  achtzehnten  Jahrhunderts.  iln  Sainmiunk' 
musikalischer  \'ortrage.  Neue  Reihe.  Pp.  _'6i-3i8.  Li;iiJziK. 
1880.)  **M.io5.3.2;  etc. 

Hayes,  Catherine.  Memoir  of  Miss  Catherine  Hayes,  "the  Swan  of 
Erin,"  by  a  contributor  to  the  Dublin  University  magazine.  Lon- 
don.     [1852?]      Portrait.  4591.U ;  **M.i32.i8 

Miss  Catherine  Hayes.     [A  biographical  sketcii.     Mellx.urnc. 

185-?]  No.  I  in  **M. 149.8 

Opinions  of  the  press  on  the  performances  of  Mi.ss  CailK-ruie 

Hayes  in  London,  and  in  the  chief  cities  and  towns  of   Ireland 
London.     1851.  404j9a.iii 

Huntington,     Agnes.       Miss     Agnes     Huntington.       London     press 

notices  on  her  operatic  performances  in  "Paul  Jones."     London. 

1890.  **T.96.234 

Kraepelin,   Carl   Wilhelm.     Mueller,    C.    F.     Karl    Kraepclin.      Zui 

Erinnerung  an    sein    Leben    und    seine    kiinstlerische    Thatigken. 

Hamburg.     1884.     Portraits.  **T.97.86 

Krauss,    Marie    Gabrielle.     Ch.arnace,    G.   de.     Les   etoiles   du    chant 

[Patti,  Nilsson,  Gabrielle  Krauss].    Paris,    i860.    Portraits.    M.196.1 

Gabrielle  Krauss.      [Biographic.     Paris.     187-?] 

No.  4  in  **M. 134.9 

Lehmann,  Lilli.    Lehmann,  L.    Mein  Weg.    Leipzig.    1913.    Portraits. 

Plates.  4043.125 

Same.  My  path  through  life.  New  York.  1914.  Por- 
traits.    Plates.  4043.127 

Lind,  Jenny.  Becher,  A.  J.  Jenny  Lind.  Eine  Skizze  ihres  Lebens 
und  ihrer  Laufbahn  bis  auf  die  neueste  Zeit.  2.  vermehrte  Auf- 
lage.     W^ien.     1847.     Portrait.  No.  7  in  **M.372.i8 

Benedict,  Sir  J.     Jenny  Lind.     [New  York.     1881.]      Portrait. 

No.  4  in  **M.372.i8 

Haweis,   H.  R.     Jenny   Lind.      [London.     1891.] 

No.  5  in  **M.372.i8 

Rosenberg,  C.  G.     Jenny  Lind  in  America.     New  York.     185 1. 

Portrait.  4468.30;  **M. 149a. 6 

Willis,  N.  P.  -Memoranda  of  the  life  of  Jenny  Lind.  Phila- 
delphia.    1851.     Portraits.  **M. 108.24 

Malibran.  Maria  Felicita  Garcia.  B.^jibieri,  G.  Notizie  biografiche 
di  M.  F.  Malibran.     Milano.     1836.     Portrait.       No.  3  in  **M. 125.7 

Bertrand,  J.     La  Malibran.     Anecdotes.     Paris.     1864.     f'or- 

trait.  **M. 128.59 

Bunn,   a.     a   grand   commemoration   of   the   departed   genius 

of  music!  .  .  .   Malibran.     [Verses.]     London.     [1836.]     Plate. 

**T.36.7i ;  No.  2  in  M. 147.34 

Husk,  W.  H..  editor.     Templeton  &  Malibran.     Reminiscences, 

with  original  letters   &  anecdotes.     London.      [1880.]      Portraits. 

4057-39;  **M.  149-29 

Legouve,  G.  J.  B.  E.  W.     Maria  Malibran.     Paris.     [1880.] 

4669.66;  **M.i09.i4;  etc. 
[699] 


THE  PUBLIC  LIBRARY  OF  THE   CITY  OF  BOSTON 

Singers.     Biography.     Individual.     (Arranged  by  subjects.)      (Continued.) 

Merlin,    M.    de    S.    C,   Comtesse  de.      Memoirs    and    letters    of 

Madame  Malibran.     Philadelphia.     1840.     2  v.  4049.265 ;  etc. 

Nathan,  I.     Memoirs  of  Madame  Malibran  de   Beriot.     Lon- 

,  don.     1836.  No.  I  in  **M. 147.3,1;  etc. 

Paroisse-Pougin,  F.  A.  A.     Marie  Malibran.     The  story  of  a 

great  singer.     London.     191 1.     Portrait.  4047.303 

[Press  notices   on  the  life  and  death   of    Madame    Malibran. 

London.     1836?]  **M.376.22 

Mara,  Gertrud  Elisabeth.  Niggli,  A.  Gertrud  Elisabeth  Mara: 
eine  deutsche  Kiinstlerin  des   18.  Jahrhunderts.      [Leipzig.      1881.] 

No.  8  in  **M. 215.4 

Ungern-Sternberg,  a.,  Freilicrr  von.     Kiinstlerbilder.     Band   i: 

Gertrud  Mara.     Leipzig.     1861.  6898.144.1 

Mario,    Giuseppe,   Conte  di  Candia.      Pearse,   Mrs.    G.,   and    F.    Hird. 

The  romance  of  a  great  singer.     A  memoir  of   Mario.     London. 

1910.     Portraits.     Plates.  4048.336 

Maurel,  Victor.     Maurel,  V.     Dix  ans  de  carriere.     Paris.      [1897.] 

Portraits.  4049a.i38 

Melba,    Nellie    Mitchell,    called    Melba.      Murphy,    A.    G.      Melba:    a 

biography.     New  York.     1909.  4048.337 

Nilsson,  Christine.     Charnace,  G.  de.     A  star  of  song!     The  life  of 

Christina  Nilsson.     New  York.     1870.     Portrait. 

4048.37;  No.  I  in  **M.207.26 

Les  etoiles  du  chant  [Patti,  Nilsson,  Gabrielle  Krauss]. 

Paris,     i860.     Portraits.  **M.i96.i 

Nourrit,  Adolphe.  Boutet  de  Monvel,  £.  Un  artiste  d'autrefois. 
Adolphe  Nourrit:  sa  vie  et  sa  correspondance.  Paris.  1903.  Por- 
traits. 40493.241 

QuiCHERAT,   L.   M.     Adolphe   Nourrit:  sa  vie,   son   talent,   son 

caractere,   sa   correspondance.     Paris.      1867.     3  v.      Portrait. 

**M.ii4.i 

Parodi,  Teresa.     Pray,  L  C.     Teresa  Parodi  and  the  Italian  opera. 

New  York.     1851.     Portraits.  **M. 105.30 

Paton,  Mary  Anne.     Memoir  of  Mr.  and  Mrs.  Wood,  containing  an 

account  of  the  principal  events  in  the  lives  of  these  celebrated 

vocalists;  and  a  full  statement  of  the  popular  disturbance  at  the 

Park  Theatre,  New  York.     Boston.     [1840.]       No.  i  in  **M.377.53 

Patti,    Adelina.      Charnace,    G.    de.      Les    etoiles    du    chant    |  Patti, 

Nilsson,   Gabrielle   Krauss].     Paris,      i860.     Portraits.  M.196.1 

Dalamazzo,   D.   E.   M.     The  life  of  Adelina   Patti.      [London. 

1877.]      Portrait.  No.  i  in  **M. 139.19 

Grave,  T.  de.     Biographic  d'Adelina  Patti.     Paris.     1865. 

**M. 104.17 

Lauw,  L.     Fourteen  years  with  Adelina  Patti.     London.     1884. 

4049.96;  **M. 146.12 

MoRTiER,  M.     Biographical  sketch  of  Madame  Adelina  Patti. 

[New   York.      1882.]      Portrait.  4049.110;  No.  8  in  **M. 207. 26 

Strakosch,    C.    L.      Italian    opera    as    illustrated    by    Adelina 

Patti.     {In  The  music  of  the  modern  world.    Vol.  i,  pp.  6-10.    New 
York.      [1895.1      Illus.     Portraits.)  **M.i4.i.i 

Vacano,    E.    a.    F.      Der    Roman    der    Adelina    Patti.      Nach 

spanischen,    englischen    und    miindlichen    Quellcn.      Wien.      1875. 
Illus.     Portraits.  4041.102 

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Singers.     Biography.     Individual.     (Arranged  by  subjects.)      (Continued) 
Paulet,  Lavinia,  Duchess  of  Bolton.     Pearce.  C.  E.     "Polly  Peachuin  " 
being    the    story    of    Lavinia    Fenton    (Duchess    of    Rolton)    ami 
"The  beggar's  opera."     New  York.      1913.     Portraits,      ['hitrs. 

4574.176 

Phillipps.  Adelaide.  Waterston,  A.  C.  Q.  Adelaide  Phillipps.  Bos- 
ton.    1883.  4345-81  ;**M.ioi. 10:  etc. 

Reeves,  John  Sims.  Edwards,  H.  S.  The  life  and  artistic  career  of 
Sims  Reeves.     London.     1881.  4049.85;  No.  2  in  M. 139. 19 

Rubini,  Giovanni  Battista.  Locatelli,  A.  Cenni  biografici  sulla 
straordinaria  carriera  teatrale  percorsa  da  Gio.  Battista  Rubini. 
Milano.     1844-  No.  4in  **M.207.9 

St.  Huberty,  Antoinette  Cecile.  Goncourt,  E.  L.  A.  H.  de.  Madame 
Saint-Huberty.  D'apres  sa  correspondance  et  ses  papiers  de 
famille.     Paris.     1885.  **M.377.57 

Schick,  Margarete  Luise.  Levezow.  C.  von.  Lebcn  und  Kunst  dcr 
Frau    Margarete    Luise    Schick.      Berlin.      1809. 

No.  4  in  **M.i45.20 

Schroeder-Devrient,  Wilhelmine.  Ellet,  E.  F.  Wilhelmine  Schrrider- 
Devrient.     New  York.     1845.  No.  18  in  **G.393o.i3.2 

Gluemer,    C.    von.      Erinnerungen    an    Wilhelmine    Schroder- 

Devrient.     Leipzig.     1862.     Portrait.  **M.i09.28;  etc. 

Sontag,  Henriette  Gertrude  Walpurgis,  Confcssa  di  Rossi.  GuNDLiNf;, 
J.  Henriette  Sontag.  Kiinstlerlebens  Anfange  in  Federzeich- 
nungen.     Leipzig.     i86r.     2  v.  **M.377.5 

Life  of  Henriette  Sontag,  Countess  de  Rossi.     With  sketches 

by   Scudo,   Berlioz...      New  York.     1852.     Portrait. 

No.  I  in  **M. 144.12 

Memoir,    A,    of    the    Countess    de    Rossi    ("Madame    Sontag). 

[London.     1850.]  **M.i29a.io 

Stuemcke,    H.    C.    a.      Henriette    Sontag.      Ein    Lebcn.^-    und 

Zeitbild.     Berlin.     1913.     Portraits.     Plates.  6907.30 

Stoltz,  Rosine.     Perignon,  E.     Rosine  Stoltz.     [Paris.]      1847. 

No.  7  in  **M. 197.3 

Strakosch,  Clara  Louise.  Strakosch,  C.  L.  Memoirs  of  an  Ameri- 
can prima  donna.     New  York.     1913.     Portraits.     Plates.    4045.155 

Tamburini,  Antonio.  Biez,  J.  de.  Tamburini  et  la  musique  italienne. 
Paris.     1877.     Portrait.  27493.51;  No.  4  in  **M. 128.31 

Maccolini,  G.     Delia  vita  e  dell'  arte  di  Antonio  Tamburini 

fino  al  giugno  del  1842.     Breve  commentario.     Faenza.      [i8_|2.1 

4049.187 
Templeton,    John.      Husk,    W.    H.,   editor.     Templeton    &    Malibran. 

Reminiscences,     with     original     letters     &     anecdotes.       London. 

[1880.]      Portraits.  4057.39;  **M. 149.29 

Theresa,   Emma   Valadon,   called   Mademoiselle   Theresa,     Monmer. 

V.     Theresa  et  ses  memoires.     Paris.     1865.     Portrait.     **T.97.274 

Morel,    H.      Nouveaux    memoires   de    Theresa.      Paris.      1868. 

Portrait.  **T.57.i6 

Viardot,  Michelle  Pauline  Garcia.  Lipsius,  M.  Pauline  Yiardot- 
Garcia.  (In  Sammlung  musikalischer  Vortrage.  Reihe  4.  pp. 
259-278.     Leipzig.     1882.)  **M.i05.3.4 

Singers.    Portraits. 

Beauties  of  the  stage.     N.  Y.     [187-?]     Portraits.  **T.53.6 

Boston    Budget,    The.      Grand    opera   number,    1902,    1903.      Boston. 

1902,  03.     2  V.     Portraits.  *4040.42 

[701] 


THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 


Singers.     Portraits.     (Continued.) 

pRtuND's  Musical  Weekly.  Business  Bureau.  Souvenir.  Opera 
season.  1893-1894.  Portraits  of  prominent  artists.  New  York. 
1894.     15  portraits.  No.  2  in  **M.372.55 

Mason.  H.  L..  Opera  stories  of  100  operas;  also  portraits  of  leading 
singers,  and  of  the  managing  directors  of  the  Boston  Opera  Com- 
pany, the  Metropolitan  Opera  Company  and  the  Chicago  Opera 
Company.     Boston.     1910.  4044.103 

Stories   of  the   operas   produced    by   the    Metropolitan    Opera 

Company  and  by  the  Damrosch  Opera  Company,  1895-96.     Boston. 
[1896.]  No.  3in**M.372.55 

Oper.\.  U:  eaux-fortes  et  quatrains.     Paris.     1876.     51  portraits. 

**M.ii9.ii 

Operatic  &  dramatic  album.  The.     [London.     1877?]      (53)  portraits. 

**T.5i.io 

Stephens,  R.  N.  Queens  of  song.  Portraits  designed  and  etched  on 
copper  by  F.  L.  Kirkpatrick  and  C.  A.  Worrall.  Troy.  [1889.] 
lllus.     Portraits.  *4040.ii7 

Sinks,  Perry  Wayland. 

Popular  amusements  and  the  Christian  life.  New  York.  Fleming 
H.  Revell  Co.     [1896.]     176  pp.  3589.143 

Includes  one  chapter  in  opposition  to  the  theatre. 

Sittard,  Josef. 

Zur  Geschichte  der  Musik  und  des  Theaters  am  wiirttembergischen 
Hofe.  Nach  Originalquellen.  Stuttgart.  Kohlhammer.  1890.  91. 
2  V.  in  I.  **T.75.57 

Contents.  —  l.    1458-1733.      2.   T733-1793. 

Sittenberger,  Hans. 

Die  Wahrhcit  auf  der  Biihne.  Eine  Studie.  Wien.  Bauer.  1893. 
34  pp.  **T,75.26 

Contents.  —   Biihne  und   Buhnenspiel.   . —   Die  dramatische   Composition. 

Sittenfeld,  Conrad.     (Conrad  Alberti.) 

Ohne  Schmink^e!     Wahrheiten  uber  das  moderne  Theater.     Dresden. 

Pierson..    1887.     119  pp.  **T.97.85 

Same.    2.  Auflage.     1889.  **T.96.226 

Six  years  of  drama  at  the  Castle  Square  Theatre.     [Anon.]     See  French, 

Charles  Elwell. 
Sixty-eight  years  on  the  stage.    Calvert,  A.  H.  **T.56.34 

Sixty  years  of  the  theater.     Towse,  J.  R.  6257.109 

Skelton,  Edward  Oliver. 

Historical  review  of  the  Boston  Bijou  Theatre,  with  the  original 
casts  of  all  the  operas  that  have  been  produced  at  the  Bijou. 
Boston.     Skelton.     1884.     (72)   pp.     Portraits.     Plates.     **T.95.53 

Another  copy  is  on  shelf-number  *4452.45. 

Skelton,  Sir  John. 

Early  English  life  in  the  drama.      [Edinburgh.      1857.]     42-94  pp. 

No.  9  in  **G.3822.i 

Cut    from     Edinburgh    essavs    by    members    of    the    university,     1856     [2^^5.17; 
"G.3853.3]. 

Sketch  of  the  history  of  the  Edinburgh  Theatre-Royal.     [Anon.]      See 

Chambers,  Robert. 
Sketch,  A.  of  the  life  of  James  William   Wallack,   (Senior),  late  actor 

and   manager.     [Anon.]      See  Morrell,  Thomas   H. 
Sketch  of  the  life  of  the  late   Mr.  Hodgkinson.     [Philadelphia.      1810.] 

Unpaged.  **T.56.i48 

Cut     fiom     Tlic     Mirror    of    Taste     and     Dramatic     Censor,     March  -  Nov.     i8to 
[••T.26.34.1.2]. 

[702] 


BROWN   COLLECTION    OF  BOOKS    ON    THE   STAGE 

Sketch  of  the  life,  personal  appearance,  character,  and  manners  of 
Charles  S.  Stratton,  the  man  in  miniature  known  as  General  Tom 
Thumb.  With  some  account  of  remarkable  dwarfs,  giants,  & 
other  human  phenomena,  of  ancient  and  modern  times.  Vew- 
York.     Van  Norden  &  Amerman.     1847.     22  pp.  **T.58.6o 

Same.    24  pp.  No.  29  in  *6242.52 

Same.     London.     Brettell.     1857.     32  pp.     Portraits.     Manuscript  fac- 
simile. **T.58.59 
Same.     New  York.     Wynkoop,  Hallenbeck  &  Thomas,      i860. 

Another  copy  is  on  shelf-number  No.  8  in  '4346. 46.  **T.s8.6l 

Sketch  of  the  life,  personal  appearance,  character,  and  manners  of 
Charles  S.  Stratton.  the  man  in  miniature,  known  as  General  Tom 
Thumb,  and  his  wife,  Lavinia  Warren  Stratton,  including  the  his- 
tory of  their  courtship  and  marriage;  also,  of  Commodore  Nutt 
and  Minnie  Warren;  with  some  account  of  remarkable  dwarfs, 
giants.  &  other  human  phenomena,  of  ancient  and  modern  times. 
Also,  songs  given  at  their  public  levees.  New  York.  Wynkoop. 
Hallenbeck  &  Thomas.     1863.     48  pp.     Illus.     Portraits.     Plates. 

**T.58.62 
Same.     New  York.     Wynkoop  &  Hallenbeck.     1869.     47  pp.     Plate. 

The  title  varies.     The  date  on  the  cover  is  1867.  **T.59.63 

Sketches  from  Bohemia.     Fitz-Gerald,  S.  J.  A.  **T.97.276 

Sketches  from  the  footlights.     Raymo.n'd,   R.  G..  compiler. 

No.  2  in  **T.97.304 
Sketches  from  the  life  of  Dan  Rice,  the  Shakespearian  jester  &  original 
y  clown.    Albany.    James.    1849.   93  pp.    Portrait.    Plates.    **T.56.i53 

//§kewball,  Peter,  -pseud. 

A  catalogue  of  curiosities,  chiefly  theatrical,  which  are  to  be  sold  by 
auction;  being  part  of  the  effects  of  a  virtuoso,  lately  deceas'd. 
London;  Printed  for  M.  Cooper.     1748.    22  pp.  **T.S7.i4i 

A   list   of   imaginary   articles   satirizing^  the   leading   actors   of   the   day.      Another 
copy  is  on  shelf-number  No.  11  in  •"0.3824.16. 

Slaves  of  the  sawdust.    Reade,  A.  **T.87.27 

Sleeping  Beauty,  The,  and  the  Beast. 

Wood,  J.  H.,  and  A.  Collins.  The  true  story  of  the  Sleeping  Beautj- 
and  the  Beast.     [London.     1900.]     Illus.     Plates.  **T.49.io 

Sleight  of  hand.     See  Legerdemain. 
Slevin,  James. 

On  picture-play  writing.  A  hand-book  of  workmanship.  Cedar 
Grove,  N.  J.     Farmer  Smith,  Inc.     [1912.]     92  pp.  80393.60 

Sloper,  William. 

Account,  An,  of  the  life  of  that  celebrated  actress.  Mrs.  Susannah 

Maria    Cibber   with   anecdotes.     Also,   the   two    remarkable    and 

romantic  trials  between  Theophilus  Cibber  and  William  Sloper. 

London.     1887.     Portrait.  **T.57.i57;  etc. 

Cibber,   T.      Four   original   letters,   viz.   two    from   a   husband    to   a 

gentleman   [William  Sloper]  ;  and  two  from  a  husband  to  a  wife. 

[Anon.]      London.      1739.  **T.57.i3o;  etc. 

Tryal,     The,     of     a     cause     for     criminal     conversation,     between 

Theophilus    Cibber,    plaintiff,    and    William    Sloper,    defendant. 

London.     1739.  **T.57.i54;  etc. 

Small,  Roscoe  Addison. 

The  stage-quarrel  between  Ben  Jonson  and  the  so-called  Poetasters. 
Breslau.  Marcus.  1899.  viii,  Ci),  204  pp.  [Forschungen  zur 
englischen    Sprache   und    Litteratur.]  455^.25 

[703] 


THE  PUBLIC  LIBRARY  OF  THE   CITY  OF  BOSTON 


Smeeton,  George.  r     u      j       jr  i  n         .•  ( 

Smccton's  Authentic  statement  of  the  dreadful  conflagration  of 
Covent  Garden  Theatre.  September  20th,  1808.  Also,  an  account 
of  the  accident  whereby  near  fifty  persons  were  killed  and 
dangerously  burnt.  London.  Smeeton.  [1808.]  14,  11-12  pp. 
Colored  plate.  **T.76.ii7 

Smith,  Albert  Richard.  .  ,      -r,. 

Sketches  of  the  day.     Series  2,  part  2:  The  ballet-girl.     Illustrated 

by    Kenning.    Gavarni,    and    Gilbert.      London.      Ward    &    Lock. 

[1856.]     103  pp.     Illus.  No.  2  in  **T.99.48 

Why  our  theatres  are  not  supported;  with  a  few  words  about  the 

late  riots  at  Drury  Lane.     London.     The  Author.     1848.     40  pp. 

No.  10  in  **M. 149.8;  **T.96.i90 
The  riots  referred  to  took  place  at  the  performances  given  by  the  company  of 
the  Theatre  historique  of  Paris. 
Smith,  Charles  William. 

The  actor's  art:  its  requisites,  and  how  to  obtain  them;  its  defects, 
and  how  to  remove  them.  London.  French.  [187-?]  48  pp. 
[French's  Acting  edition.]  **T.77.52 

Smith,  Edward. 

The  theatre:  its  history  and  moral  tendency.  A  paper  read  at  the 
Islington  Literary  and  Scientific  Institution,  February  2,  1844. 
[London. 1     Printed  for  private  circulation.     [1844?]     42  pp. 

**T.76.94 
Smith,  George. 

Memoirs  and  anecdotes  of  Mr.  Love,  the  polyphonist.  Added,  ex- 
planation of  the  phenomena  of  polyphony.  [Boston.  1850.!  12 
pp.  '  6543.106 

Principally  abridg-ed  from  the  volume  by  W.  Kenneth.  London.  1834. 
Programme  of  the  entertainment:  preceded  by  memoirs  of  Mr.  Love, 
the  dramatic  polyphonist;  remarks  on  single-handed  entertain- 
ments; anecdotes  of  eminent  by-gone  professors;  an  explanation 
of  the  phenomena  of  pob^phony,  &c.  London.  Kenneth.  [1855.I 
(I),  48  pp.  **T.55.40 

Smith,  George  Barnett. 

Rachel.     (In  his  Women  of  renown.     Pp.  377-420.     London.     1893.) 

2255.68 
Smith,  George  Charles. 

Dreadful  catastrophe.  An  authentic  narrative  of  the  destruction  of 
the  Brunswick  Theatre,  Wellclose  Square.  Parts  [i-]6.  London. 
Wakefield.     [1828.]     6  parts.  **T.76.i73 

Parts  2-6  have  the  title:   Brunswick  Theatre;  or,  the  2d-6th  part  of  observations 

on  the  destruction  of  the  new  Brunswick  Theatre. 

Same.     [Part  i.]     Destruction  of  the  Brunswick  Theatre.     London. 

Wakefield.     [1828.]     12  pp.  No.  2  in  **G.3822.3 

Same.      Falling  of   the    Brunswick   Theatre.      [London.]      Fairburn. 

[1828.]     14  pp.  **T.76.i74 

Smith,  George  D. 

A  catalogue  of  rare  books,  original  drawings,  extra  illustrated  works 
and  other  interesting  literary  material  chiefly  from  the  library  of 
the  late  Augustin   Daly.     New  York.     Smith.     1900.     (2),  68  pp. 

**T.64-3 
Smith,  Hamilton  Lavers-,  editor. 

Angelo,  H.  The  reminiscences  of  Henry  Angelo.  With  an  intro- 
duition  by  Lord  Howard  dc  Waldcn,  and  notes  and  memoir 
by  H.  Lavers  Smith.     Philadelphia.     1904.    2  v.    Portraits.     Plates. 

*254i.i44 
[704] 


BROWN   COLLECTION    OF   BOOKS    ON    THE   STAGE 


Smith,  Harry  Bache. 

Stage  lyrics.     With   ilkistrations  by  Archie  Gunn,   Ray   Brown   and 

E.    W.    Kemble.      New    York.      Russell.  1900.      158    pp.      IlUis. 

Plates.     Portraits.  *4396.i7S 

There  are  forty-one  character  portraits  of  stage  favorites.     The  verses  are  from 
operas  and   musical   comedies. 

Smith,  Horace. 

Festivals,  games,  and  amusements.  Ancient  and  modern.  London. 
Coll)urn  &  Bentley.     1831.     vi,  (2),  3^2  pp.     Plates.     Map.     Table. 

**T.98.8o 

Contains   chapters   on    the    Olympic   games,    field   sports  —  such    as   hawking   and 
archery  —  bull    fights,    dancing,    morris-dancers,   jugglery,    music,   drama,    etc. 

Same.    With  additions,  by  Samuel  Woodworth.     New  York.     Harper. 

1832.    355  pp.     Plate.    Plans.     [Harper's  Family  library.]     60093.21 

Same.     1833.  60093.130 

Same.     1836.  60093.132 

Same.      1855.  60093.40 

Same      1868.  60093.138 

Smith,  Horatio.    See  Smith,  Horace. 

Smith,  John  Talbot. 

Augustin  Daly.  (In  D.,  E.  A.  Memories  of  Daly's  theatres.  Pp. 
135-143-     Portrait.     [New  York.]     1897.)  **T.76.i95 

The  parish  theatre:  a  brief  account  of  its  rise,  its  present  condition, 
and  its  prospects.  To  which  is  added  a  descriptive  list  of  one 
hundred  choice  plays  suitable  for  the  parish  theatre..  New  York. 
Longmans,  Green  &  Co.     1917.     v,  90  pp.  6257.145 

Smith,  Kendall  Kerfoot. 

The  use  of  the  high-soled  shoe  or  buskin  in   Greek  tragedy  of  the 
fifth  and  fourth  centuries  B.C.     (In  Harvard  studies  in  classical 
philology.    Vol.  16,  pp.  123-164.     Cambridge.     1905.)        '"4957. 15.16 
Smith,  Solomon  Franklin. 

The   theatrical   apprenticeship   and   anecdotical   recollections   of   Sol. 
Smith.     Comprising  a  sketch  of  the  first  seven  years  of  his  pro- 
fessional life.     With   some  sketches  of  adventure  in  after  years. 
Philadelphia.     Carey  &  Hart.     1846.     215,    (i)   pp.     Plates. 
Illustrated  by  F.  O.  C.  Darley.  **T.58.30 

Same.    1847.  **T.58.3i 

Same.     Peterson.     [1854.]     215  pp.  **T.58.32 

The   theatrical   journey-work   and   anecdotical    recollections    of   Sol. 
Smith.     Comprising  a   sketch   of  the   second   seven   years   of  his. 
professional    life.      With    sketches    of    adventure    in    after    years. 
Philadelphia.     Peterson.      [1854.]      254  pp.     Portrait.     Autograph 
facsimile.     [Library  of  humorous  American  works.]  **T.57.83 

Another  copy  is  on  shelf-number  *4395.i8s. 

Theatrical  management  in  the  West  and  South  for  thirty  years.  With 
anecdotical  sketches:  autobiographically  given.  New  York. 
Harper.     1868.     275  pp.     Illus.     Portrait.     Autograph  facsimile. 

4395-187;  **T.55.39 
Smith,  William  Henry. 

Bacon  and  Shakespeare.  An  inquiry  touching  players,  playhouses, 
and  play-writers  in  the  days  of  Elizabeth.  London.  Smith.  1857. 
viii,  162  pp.  **T.58.83 

Another  copy  is  on  shelf-number  **G.3933.2i. 

Same,     viii,  4,   162  pp.  2598.15 

Other  copies  are  on   shelf-numbers   **G.3933.2o;    •*G. 3933.22. 

[705] 

45 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 


Smith.  Winifred. 

The  Commedia  dell'  arte:  a  study  in  Italian  popular  comedy.     New 

York.-  The  Columbia  University  Press.     1912.     xv,  290  pp.     Illus. 

Plates.     [Columbia  University  studies  in  English  and  comparative 

literature.]     "  4559-338 

Smithson,  David  J. 

Elocution  and  the  dramatic  art.  London.  Bickers.  1887.  xvi,  416 
pp.    Portrait.     .Autograph  facsimile.  5596-73;  **T.77.65 

The    portrait    and    the    autograph    facsimile    are    missing    in    the    copy    on    shelf- 
number  **T.77.65. 

Smyth,  Tames. 

David  Garrick.     London.     Reeves.     [1807.I     80  pp.  **T.59.i6 

Smythe,  .Arthur  J. 

The  life  of  \\'illiam  Terriss,  actor.  With  an  introduction  by  Clement 
Scott.  \\'estminster.  Constable  &  Co.  1898.  xxviii,  212  pp. 
Portraits.    Plates.    Facsimiles.  **T.55.57 

Snow,  William  R. 

The  drama  on  crutches.  A  satire  of  the  day.  [Poem.]  London. 
Hotten.     1872.    32  pp.  **T.97.26o 

Sociedad  espaiiola  de  la  Universidad  Harvard. 

Los  tres  ramilletes.  [By  Breton  de  los  Herreros.]  Presented  by  the 
members  of  La  Sociedad  espaiiola  de  la  Universidad  Harvard. 
Brattle   Hall,    May    10,    1906.      [Programme.      Cambridge.]      igo6. 

(4)   PP-  .  4483-319 

Societe,  Une,  d'envieux,  d'intrigans  et  de  cabaleurs,  pseud. 

Pktites  verites  au  grand  jour,  sur  les  acteurs,  les  peintres,  les 
journalistes.  ITnstitut,  le  Portique  Republicain,  Bonaparte,  etc. 
[Paris.]     An  viii.     [1800.]  **T.57.399 

Societe  de  I'histoire  du  theatre. 

Bulletin.     Revue  trimestrielle.     No.   1-8.     Paris.     Schmid.     1902,  03. 
4  V.    Illus.    Portraits.    Plates.    Maps.    Plans.    Facsimiles.    **T.24.2 
Societe  des  auteurs  et  compositeurs  dramatiques. 

Annuaire.     Tome  i   (fasc.  i,  2,  4,  5);  2  (3-5);  3   (2-4).     Annee  i,  2, 

4,   5,  8-10,    12-14.      Exercice,    1879/80,   80/81.   82/83,   83/84,   86/87- 

88/89,  90/91-92/93.     Paris.     1880-93.    3  V.  in  4.  **T.26.4 

Bulletin.    Tome  i,  2.     Nouvelle  serie,  no.  1-3.  5-1 1,  13-19.     Exercice. 

1872-79.  83-87.     Paris.     1876-87.    3  V.  **T.26.5 

Issued    bimonthly    before    July,     1883;     thereafter,     quarterly.       A     few     of     the 
numbers  of  the  first  series  were  issued  monthly. 

Catalogue  general  des  oeuvres  dramatiques  et  lyriques  faisant  partie 

du  repertoire  de  la  Societe.    Catalogue  recapitulatif  contenant  tons 

les  ouvrages  representes  du  i^f  Janvier  1879  au  31  decembre  1888. 

[Paris.     1891.]     (i),  88  pp.  **T.65.i 

Societes  badines,  Les,  bachiques,  litteraires  et  chantantes.     Dixaux,  A. 

M.  **T.96.i5 

Society  clown,  A.     Grossmith,  G.  45793.113;  **T.98. 91 

-Society  for  the  Suppression  of  Vice. 

Percual,  J.  Society  for  the  Suppression  of  Vice.  A  few  observa- 
tions in  defence  of  the  scenic  exhibitions  at  the  Royalty  Theatre, 
and  on  the  intolerant  censure  of  the  drama  in  general;  contained 
in  the  "Solemn  protest"  of  the  Rev.  Tho.  Thirlwall,  in  the  name 
of  the  Society  for  the  Suppression  of  Vice.     London.     1804. 

**T.76.6i ;  etc. 
Society  of  Arts  and  Crafts,  Detroit,  Mich. 

Theatre  Arts  Magazine.  [Quarterly.]  Vol.  i-  November.  1916, 
to  date.     [Detroit.  Mich.]     Plates.  **T.25.35 

[706] 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 

Society,   A,   of   gentlemen,    independent    of    managerial    influence.      See 

Potter,  John. 
Soergel,  Oscar  Alfred. 

Die  englischen  Maskcnspiele.  Iiiaug.-Disscrtation.  Halle  a/S.  1R82. 
92,   (i)   pp.  4557-128 

Soiree  parisienne.  La.     Saint-Genies,  R.,  Vdcomte  de.  **T.27.3 

Soirees  parisiennes,  Les.     Mortj6,  A.  **T.27.2 

Soixante  ans  du  Thcatre-frangais.    Bouilly,  J.  N.  **T.98.48 

Soixante-neuf  ans  a  TOpera-comique.     Soubies,  fi.  J.  A.  *404i.i28 

Soldene,  Emily. 

My  theatrical  and  musical  recollections.  London.  Downey  &  Co., 
Ltd.     1897.     xviii,  (i),  315,  (i)  pp.     Portraits.  **T.56.325 

Soleinne, de. 

Bibliotheque  dramatique  de  Monsieur  de  Soleinne.  Catalogue  redige 
par  P.  L.  Jacob,  bibliophile  f pseud.].  Paris.  z\dministration  de 
I'Alliance  des  arts.     1843-45.    9  v.  in  3.  **T.66.i3 

The  Table  generale  is  by  Goizet.  Appended  is  a  catalogue  of  the  dramatic 
library  of  Pont  de  Vesle.  Another  copy  of  vols,  i  and  3  is  on  shelf-number 
**G. 3703.15. 

S.oleirol,  H.  A. 

Catalogue  de  la  galerie  theatrale  recueillie  par  feu  M.  H.  A.  Soleirol. 
Portraits  d'artistes  dramatiques  dont  la  vente  aura  lieu  les  29 
avril  -  2  mai.     Paris.     i86r.     51  pp.  **T.66.2o 

Moliere  et  sa  troupe.     Paris.     L'auteur.     1858.     (3),  iv,  131  pp.     Por- 
traits. **T.54.i4 
Solie,  Emile,  pseud.     See  Soulier,  fimile  Leon. 
Solly,  J.  Raymond. 

Acting  and  the  art  of  speech,  at  the  Paris  Conservatoire.     Hints  on 

reading,  reciting,  acting,  and  the  cure  of  stammering.     London. 

Stock.     1891.     vi,  (i),  63  pp.  3599.126 

Some  account  of  the  English  stage,   from  the   Restoration   ip    1660   to 

1830.     [Anon.]     See  Genest,  John. 

Some  considerations  about  the  danger  of  going  to  plays.     In  a  letter 

to  a  friend.     London,  Printed  for  M.  Wotton.     1704.    23  pp. 

»  y  No.  I  in  **G.3823.9 

^S[6me  considerations  on  the  establishment  of  the  French  strolers;  the 

behaviour  of  their  bully-champions,  and  other  seasonable  matters, 

at   this   critical   juncture.      Humbly   addressed   to    the   publick    in 

general;    but,    particularly,    to    the    inhabitants    of    Westminster. 

[London.]     Printed  for  R.  Freeman.     [1749.]     25  pp.        **T.97.5o 

The  French  company  referred  to  was  that  brought  over  by  Jean  Mounet  in   1749. 

Some  interesting  fallacies  of  the  modern   stage.     Tree,  Sir  H.   B. 

**T.47-73 
Some  notable  Hamlets  of  the  present  time.     Scott,  C.  W.  45493.191 

Some  players.     Buck,  L.  W.   B.  **T.55.6;etc. 

Some  pros  and  cons  of  theatrical  life.    Kendal,  M.  55893.351 

Some  remarks  upon  the  Rev'l  Mr.  Anderson's  positions  concerning  the 
unlawfulness  of  stage-plays.  In  a  letter  to  the  author.  Edin- 
burgh.   Printed  by  R.  Fleming.     1733.    27  pp.     No.  3  in  **G.382i.i9 

The  Rev.  George  Anderson's  The  use  and  abn«p  of  diversions,  may  be  found  on 
shelf-numbers   No.  6  in  **T. 96.42  ;   No.  i  in  **G.3824. 18. 

Some  thoughts   concerning   the   stage   in   a  letter  to   a   lady.      [Anon.] 

See  Woodward,  Josiah. 
Somebody,  Gent.,  pseud.,  editor. 

Theatrical   Mince   Pie,   The,    entirelj^   original.      Vol.    i    (no.    1-8). 

Jan.  I  -  Feb.  19,  1825.     London.     1825.  **T.28.3 

[707] 


THE   PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 


Somerville,  Miss.    See  Bunn,  Margaret  Agnes. 

Sommers,  William.  

Cutter,  A.  E..  compiler.    William  Sommers  and  Archibald  Armstrong, 

jesters  to  Henry  the  Eighth  and  Charles  First,  Kings  of  England. 

Scrap  book.     Boston.     1887.     Portraits.  **T.i3.9 

Pleas.\nt  history.  A,  of  the  life  and  death  of  Will  Summers:  how  he 

came  first  to  be  known  at  court,  and  by  what  means  he  got  to 

be  King  Henry  the  Eighth's  jester.     London:  Printed  for  T.  Vere 

and    T     Wright,    1676.      Reprinted    and    sold    by    James    Caulfield. 

I794-'    l.^).  34  pp.     Plates.  **T.57.257 

Sommerville,  Miss.     See  Bunn,  Margaret  Agnes. 

Sonnenfels,  Joseph,  Freiherr  von. 

Brieti-  iiber  die  wienerische  Schaubiihne.  1768.  Wien.  Konegen. 
1884.     xix,  354  pp.     [Wiener  Neudrucke.l  *487oa.9.7 

Sonnenfels,  Joseph,  freiherr  von.     Works  about. 

GoERNER,  C,  Ritter  vo.\.  Der  Hans  Wurst-Streit  in  Wien  und  Joseph 
von   Sonnenfels.     Wien.      1884.  2870.48 

Sonnenthal,  Adolf,  Ritter  von. 

.\dolph  von  Sonnenthals  Briefwechsel.  Nach  den  Originalen  heraus- 
gegeben  von  Hermine  von  Sonnenthal.  Stuttgart.  Deutsche 
Ve'rlags-Anstalt.  1912.  2  v.  Portraits.  Plates.  Autograph  fac- 
similes. 68993.170 
To  these  letters  is  appended  a  list  of  the  roles  which  Sonnenthal  played  in  the 
Burgtheater,    Vienna,    with    which    he    was    connected    for    over    half    a    century. 

Sonnenthal,  Adolf,  Ritter  von.     Works  about. 

EisENBERG,    L.    J.      Adolf    Sonnenthal.      Eine    Kiinstlerlaufbahn    als 

Beitrag   zur    Geschichte    des    modernen    Burgtheaters.      Dresden. 

1900.     Portrait.  **T.57.io6 

ScHLENTHER.   P.     Adolf  vou  Sonneuthal.     Fiinfzig  Jahre  im  Wiener 

Rurgtheater.     1856-1906.     .Ms  Manuskript  gedruckt.     Wien.     1906. 

Po'rtraits.  **T.77.227 

Sonnenthal,  Hermine  von,  editor. 

Adolph  von  Sonnenthals  Briefwechsel.     Stuttgart.     1912.     2  v.     Por- 
traits.    Plates.  68993,170 
Sontag,  Carl. 

Vom  Nachtwachter  zum  tiirkischen  Kaiser!   Bithnen-Erlebnisse  aus 

dem    Tagebuche    eines    Uninteressanten.      Hannover.      Helwing. 

1875.    xvi,  524  pp.  **T.57.283 

Sontag,  Henriette  Gertrude  Walpurgis,  Contessa  de  Rossi. 

Bar.n.^bee,    H.    C.   compiler.      [A   collection    of   portraits,    views,    etc., 

including  concert  programmes   of    Ole    Bull,    1852,    and    Madame 

Henriette  Sontag,   1853.     Boston.     191-?]  **T.53.24 

Memoir.  A,  of  the  Countess  de  Rossi,  (Madame  Sontag).     [London. 

1850.]  **M. 1293,10 

Stuemcke,  H.  O.  a.     Henriette  Sontag.     Ein  Lebens-  und  Zeitbild. 

Berlin.      1913.     Portraits.      Plates.  6907.30 

Sophocles.     Qidipus  Tyrannus. 

Fakke.n,  R.     The  Oedipus  Tyrannus  of  Sophocles  as  performed  at 

Cambridge,  Nov.  22-26,  1887.   Cambridge.    1887.    (6)  plates.  **T.4i.3 
N'oRMAN.  Sir  H.    An  account  of  the  Harvard  Greek  play  [the  CEdipus 

Tyrannus  of  Sophocles].     Boston.     1882.     Portraits.     Plates. 

**T.57.i25;etc. 
Pbvor,  F.  R.     The  Oedipus  Tyrannus.     A  record  by  L.  Speed  and 

F.  R.  Pryor  of  the  performance  [at  the  University  of  Cambridgel 

in  November  1887.    Cambridge.     [1888.!     Tllus.     Plate.        **T.3i.6 

[708] 


BROWN   COLLECTION    OF  BOOKS    ON    THE   STAGE 


Sorel,  Jacques  ( L.  de  Montchamp),  and  Charles  Mosont,  pseud. 

Les  reines  de  la  rampe.     Paris.     Cournol.     1863.     (3),  303,  (i)  pp. 

**T.57.353 

Contents.  —  La  Champmesle.  —  Adrienne  Lecouvreur.  —  Clairon.  . —   numosnil. 
—  Duchesiiois.  —  Georges  Weimer.  —  Mars.  —  Dorval.  —  Rachel.  —   Dejazct. 

Soria,  Henri  de. 

Histoire  pittoresque  de  la  danse.  Precedee  d'une  lettre-preface  par 
Jules  Claretie.  Paris.  Noble.  1897.  iv,  302,  (i)  pp.  IlKis. 
Plates.     Music.  40403.157;  **T.93. 16 

Sorrell,  William  J. 

The  amateur's  hand-book  and  guide  to  home  drawing  room  theatri- 
cals. How  to  get  them  up  and  how  to  act  in  them.  Added,  How 
to  "get  up"  theatricals  in  a  country  house.  By  Captain  Sock- 
Buskin  [pseud.].  London.  Lacy.  [1866.]  (2),  120  pp.  Diagram. 
[Amateur  series.     Lacy.]  **T.77.i36 

Sothern,  Edward  Askew. 

De  Fontaine,  F.  G.,  editor.  Birds  of  a  feather  flock  together;  or.  talks 
with  Sothern.     New  York.     1878.    Portraits.    45493.192;  **T. 57. 428 

Pemberton,  T.  E.  a  memoir  of  Edward  Askew  Sothern.  London. 
1889.      Portraits.  4540.100;  **T.55. 96 

Sala,  G.  a.  H.  On  a  remarkable  dramatic  performance  [Sothern's 
Lord  Dundreary].  {In  his  Breakfast  in  bed.  Pp.  7-32.  Boston. 
1863.)  **T.97.i87;etc. 

Sothern,  Edward  Hugh. 

The    melancholy    tale    of    "Me."      My    remembrances.      New    York. 
Scribner.   1916.  xvi,  409  pp.   Portraits.   Plates.   Facsimiles.  4545.157 
Soubies,  Albert.     See  Soubies,  fimile  Jean  Albert. 
Soubies,  Emile  Jean  Albert. 

La  Comedie  frangaise  depuis  I'epoque  romantique.  1825-1894.  Paris. 
Fischbacher.     1895.    viii,  158,  (i)  pp.    Tables.  **T.73.3 

Histoire  du  Theatre-lyrique.  1851-70.  Paris.  Fischbacher.  1899, 
vii,  59,  (i)  pp.     Table.  4041.36 

Une  premiere  par  jour.  Causeries  sur  le  theatre.  Paris.  Dupret. 
1888.     vi,  443,  (i)  pp.  **T.47.i3 

Soixante-sept  ans  a  I'Opera  en  une  page.  Du  "Siege  de  Corinthe"  a 
"La  Walkyrie."  (1826-1893.)  Paris.  Fischbacher.  1893.  viii, 
24  pp.    Table.  **M.2i4.i7 

Soixante-neuf  ans  a  I'Opera-comique  en  deux  pages.  De  la  premiere 
de  "La  dame  blanche"  a  la  millieme  de  "Mignon."  1825-1894. 
Paris.     Fischbacher.     1894.     x,  30  pp.     Charts.  *404i.i28 

Le  theatre  en  France  de  1871  a  1892.  Eaux-fortes  par  Gaucherel  et 
Lalauze.  Paris.  Librairie  des  Bibliophiles.  1893.  (3),  208,  (3) 
pp.     Portraits.  **T.79.3 

Relates  principally  to  the  Paris  theatres. 

Le  Theatre-italien  au  temps  de  Napoleon  et  de  la  Restauration. 
D'apres  des  documents  inedits.  Paris.  Fischbacher.  1910.  30 
pp.     Illus.     Portraits.     Plates.  4671-36 

Le  Theatre-italien  de  1801  a  1913.     Paris.     Fischbacher.     1913.     (3). 
iv,    186,   iv  pp.     Illus.     Portraits.     Plates.      Plans.     Table.      Fac- 
similes. 4671.42 
Soubies,  £mile  Jean  Albert,  editor. 

Almanack  des  spectacles.  Continuant  I'ancien  Almanach  des  spec- 
tacles (1752  a  1815).  Annee  1874-91,  93-191 1.  Paris.  1875-1912. 
37  V.     Portraits.     Plates.  **T.29.2 

Same.     Table    [1874/91,]    1892/1901.     Paris.      1892,    1902.     2  v. 

Portrait.     Plate.  **T.29.3 

[709] 


THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 


Soubies,  fimile  Jean  Albert,  and  Charles  Theodore  Malherbe. 

Histoire  de  i'Opera-comique.  La  seconde  Salle  Favart.  1840-1887. 
Paris.     Marpon  &  Flammarion.     1892,  93.    2  v.     Plate.     Facsimile. 

**M.i39a.ii 

Precis  de  I'histoire  de  I'Opera-comique.     Paris.     Dupret.     1887.     68 

pp  26393.67;  No.  I  in  **M. 208.31 

Another  copy  is  on  shelf-number  •*M.i29a.35. 

Soulie,  Eudoxe.  . 

Rccherches  sur  Moliere  et  sur  sa  famiUe.  Pans.  Hachette  &  c'e. 
1863.    (5),  385,  (I)  pp.  **T.55.ii5 

Another  copy  is  on  shelf-number  **4696. 12. 

Soulier,  Iimile  Leon.     (£mile  Solie.) 

Histoire  du  Theatre  royal  de  I'Opera-comique.  Paris.  1847.  (2), 
29  pp.  No.  8  in  **M.370.65 

Soutar,  Robert,  editor. 

Cave,  J.  A.  A  jubilee  of  dramatic  life  and  incident  of  Joseph  A. 
Cave,  author,  manager,  actor,  and  vocalist.  London.  [1892.] 
Portraits.  **T,57.298 

Southall,  John  E. 

Leeds,  J.  W.  The  theatre:  an  essay  upon  the  non-accordancy  of 
stage-plays   with   the    Christian   profession.     Nev^'port.      1890. 

**T.78.i8 
Southwark,    London.      Theatres.      See    London.       Theatres.       Southwark 

THEATRES. 

Souvenir  of  the  150  performance  in  Boston  of  The  Soudan  [at  the 
Boston  theatre].     April  30,   1891.      [Boston.      1891.]      (24)    plates. 

**T.49.i4 

Souvenir  of  the  representative  American  comedian  John  T.  Raymond, 
in  his  last  &  greatest  success,  the  political  satire  in  (4)  acts,  by 
David  D.  Lloyd,  Esq.,  entitled  For  Congress.  Boston.  Heliotype 
Printing  Co.     [1885?]     8  plates.     Portrait.  **T.55.i36 

Composed    of   plates   illustrating    scenes    from    the   play,    and    the    cast,    which    is 
printed  on  the  back. 

Souvenirs  d'un  jeunc  premier.     Laferriere,  A.  **T.57.32i 

Souvenirs  de  la  vie  de  theatre.     Berton,  P.  F.  S.  Montan,  called  Berton. 

4677.117 

Souvenirs  des   funambules.     Fleurv,  J.   F.   F.   H.  4679.58;  **T.87.86 

Souvenirs,   Les,   et  les   regrets   du   Vieil  amateur   dramatique    [pseud.], 

ou  lettres  d'un   oncle  a   son   neveu   sur   I'ancien   theatre   frangais, 

depuis  Bellecour,  Lekain,  Preville,  jusqu'a  Mole,  Larive,  Monvel, 

\'e.stris.    Paris.    Froment.     1829.    viij,  214,  (2)  pp.    Colored  plates. 

**T.58.i45 

Sowdon, . 

Letter,  A,  to  Messieurs  Victor  and  Sow^don,  managers  of  the 
Theatre-Royal.     Dublin.     1755.  **T.76.i58 

Sowerby, .     (Mad  Tom.) 

A  series  of  letters  on  the  late  theatric  festival,  with  remarks  on 
some  serio-comic  pantomimes.  By  Mad  Tom  [pseud.],  "a  daring, 
obstinate  enthusiast."  London.  Sherwood,  Neeley,  &  Jones. 
1810.     xii,  {2),  64  pp.  **T.96.3i7 

K'.lates    to    the    O.     P.    Riots.       Another    copy    is    on    shelf-number     No.  10  in 
••0.3824.8. 

Spain.     Theatres. 

CoTARELO  Y  MoRi,  E.  Estudios  sobre  la  historia  del  arte  escenico 
en  Espana.     Madrid.     1896,  97.     2  v.     Portraits.  3098.167 

[710] 


BROWN   COLLECTION    OF  BOOKS    ON    THE   STAGE 


Spain.     Theatres.     (Continued.) 

Crosbv,    M.    R.      Maiquez.     Read   before   The    Castilian    Club.      (In 

Castilian   Club.     Original   papers.     Vol.   33,   pp.  35-47.      Portrait. 

Boston.     1911.)  **G.i6i.i.33 

FouRNiER,  £.     L'Espagne  et  ses  comediens  en  France  au  xvii<^  siecie. 

Paris.     1864.  **T.95.64 

Lewes,   G.   H.     The   Spanish   drama:    Lope  de   Vega   and    Calderon. 

London.     1846.  **T.49.6;  etc. 

LoMBiA,   J.      El   teatro.      Madrid.      1545    [misprint   for    1845]. 

**D. 1706.51 
LvoNNET,   H.      Le    theatre   hors   de   France.      Serie    i:    Lc    theatre   en 
Espagne.      Paris.      1897.      IHus.      Portraits.      Plates. 

6257.70;  **T.77.86 

Pellicer,  C.     Tratado  historico  sobre  el  origen  y  progresos  de  la 

comedia  y  del  histrionismo  en  Espana:  con  las  censuras  teologicas. 

reales    resoluciones    y    providencias    del    Consejo    supremo    sobre 

comedias:    y    con    la    noticia    d    algunos    celebres    comediantes    y 

comediantas  asi  antiguos  como  modernos.     Madrid.      1804.     2  v. 

in    I.     Portraits.  **D.i7ob.8i;  etc. 

Perez  Pastor,  C.     Nuevos  datos  acerca  del  histrionismo  espaiiol  en 

los  siglos  XVI  y  xvii.     Madrid.     1901.  30993.269 

Rennert,  H.  a.     The  Spanish  stage  in  the  time  of  Lope  de  Vega. 

New  York.     1909.  3096.258 

Rojas,   a.   de.      El-  viage    entretenido.      Con   vna   exposicion    de    los 

nombres  historicos  y  poeticos  que  no  van  declarados.    En  Madrid. 

1604.     (In  Menendez  y  Pelayo,  M.     Origines  de  la  novela.     Vol. 

4,  pp.  460-614.     Madrid.     1915.)  **D. 163.4.4 

YxART,  J.     El  arte  escenico  en  Espana.     Barcelona.     1894,  96.     2  v. 

3098.171 

Spangled  world,  A;  or,  life  with  the  circus.     By  the  author  of  "Secrets 

of  the  stage,"  etc.     New  York.     Fox.     [1882.]     83  pp.     Portrait. 

Plates.  **T.95.io2 

Spaulding,  Alice  Howard,  editor. 

Drama  League,  The,  of  America,  Boston.  A  selected  list  of  plays 
for  amateurs.     Boston.     1914.  *2i75.6"9 

Spectacles.     Theatrical. 

Menestrier,  C.  F.     Traite  des  tovrnois,  iovstes,  carrovsels,  et  avtres 

spectacles  pvblics.    A  Lyon.     1669.  **T.94.3 

Spectacles  antiques,  Les.    Auge  de  Lassus,  L.  29693.73 

Spectacles,  Les,  de  Paris.     See  Almanach  des  spectacles  de  Paris. 

Spectateur,   Le.     Revue  theatrale,  litteraire   et  artistique.      [Hebdoma- 

daire.]      Redacteur  en  chef:  Jules  de  Clerville.     Secretaire  de   la 

redaction:   Louis  de  Gramont.     No.   1-15.     Dec.  2,   1875 -mars  9, 

1876.     Paris.     1875,  76.     (3),  491  pp.  **T.27.7 

Spectator,  A,  pseud. 

The  music   hall.     London.     Smart  &  Allen.     1880.      (i),  93   pp. 

Relates  to  Great   Britain.  **T.96.200 

Speculation  or  scalping  in  amusement  tickets.  Analysis  of  municipal 
ordinances  prohibiting  or  regulating  the  sale  of  tickets  of  admis- 
sion at  advanced  prices.     [Chicago.     1915.]     20  pp.        *9352a.4i.5 

Spencer,  Matthew  Lyle. 

Corpus  Christi  pageants  in  England.  A  dissertation  [University  of 
Chicago].  New  York.  The  Baker  &  Taylor  Co.  1911.  (n), 
276  pp.  25593.229;  **T.47.22 

Bibliography,  pp.   263-269. 

[7111 


THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 


Spillan,  Harry  Gerald. 

The  stage  and  the  press:  or,  revelations  theatrical  and  journalistic. 
No.    I.  —  May,    1852.      London.     The   Author.      1852.      16  pp. 
Relates  to  Drury  Lane  Theatre.  **T.76.45 

Spiller,  James. 

Akerbv.  G.  Spiller's  jests:  or  the  life  and  pleasant  adventures  of 
the  late  celebrated  comedian  Mr.  James  Spiller.  London.  [1729.] 
Portrait.  No.  5  in  **G.3823.3 

Spingam,  Joel  Elias. 

A  note  on  dramatic  criticism.  {In  Essays  and  studies  by  members 
of  the  English  Association.     Vol.  4,  pp.  7-28.     Oxford.     1913) 

4558.250.4 
Spink,  William. 

The  autocrat  in  the  greenroom;  with  a  play  after  "Othello."  Lon- 
don. Bickers.  1890.  137  pp.  **T.47.ioo 
Sets   up   Shakespeare  as   a  model  for   the  highest   modern   dramatic   art. 

Spitzbergen.     Vieivs. 

Barker,  H.  A.  Description  of  a  view  of  the  north  coast  of  Spitz- 
bergen,  now  exhibiting  in  Henry  Aston  Barker's  Panorama, 
Leicester-Square;  painted  from  drawings  by  Lieut.  Beechey,  who 
accompanied  the  polar  expedition  in  1818.     London.     1819.     Plate. 

**T.96.299 

Spoil,  E.  A.,  pseud.     See  Leprieur-Accoyer,  Emile. 

Sporting  Pilot,  The,  and  the  Age,  theatrical,  musical,  and  sporting. 
[Weekly.]  Vol.  [i,]  2  (no.  23-27).  Apr.  2 -Oct.  i,  1864.  [Lon- 
don.    1864.]     2  v.  in  I.     lUus.     Portraits.     Autograph  facsimiles. 

**T.2i.4 

Squabble,  The,  of  the  Richmond  players:  a  pleasant,  melancholy,  occa- 
sional, egotic,  poetic  doggrel  narrative.  Including  some  .choice 
hints,  and  curious  theatrical  remarks.  With  a  criticism,  on  a 
remarkable  Twickenham  play-bill.  London:  Printed  for  the 
author,  Don  Buskinsocko,  member  of  the  company;  and  sold  by 
J.  Wakelin.     [17 — ?]     38  pp.  **T.57.i34 

Squib,  The:  a  granulation  of  wit,  satire,  and  amusement.  [Weekly.] 
No.   1-29.     June  4 -December   10,   1842.     London.     1842.     Hlus. 

Many  numbers  contain   dramatic   criticisms.  **T.2I.II 

Squib,  The;  being  a  satire  on  passing  events  in  Lancashire.  [Weekly.] 
No.  26,  27.  Jan.  26,  Feb.  2,  1833.  [Manchester.  1833.]  205-220 
pp.  **T.26.6o 

Contains  criticisms  on  performances  at  the  Manchester  theatres. 

Staatsbeamter,  Ein,  Pseud.    See  Hahn,  Ludwig. 

Stage,  The.     Brown,  J.  No.  13  in  **G.3823.i8 

Clement,  D.  X..  Abbe.  No.  8  in  **G.3824.4 

Murdoch,  J.   E.  **T.55.3;etc. 

WoTV,  W.  **G.3947.7;  etc. 

Stage,  The.     Edited  by  Roland  Burke  Hennessy.     [Weekly.]     Vol.  11, 

no.   I.     December  24,   1904.     [New  York.     Stage  Publishing  Co.] 

1904.     18  pp.    Hlus.     Portraits.  **T.23.i7 

Stage,  The.    Three  dialogues  between  Mr.  Clement  and  Mr.  Mortimer. 

London.     The    Religious   Tract   Society.      [181-?]      36  pp.      [No. 

112.]  **T.96.ioo 

A   letter   to   the   author   of  a   tract   entitled    The   stage  ...  by   James    Plumptre 

may    be   found    on   shelf-numbers    No.  i  in  **G.382i.5 ;    **T.96.7o. 

Stage,  The:  a  weekly  magazine  of  generalities,  and  a  special  guide  to 
the  sights  of  London.    1-14.    London.    Vickers.    1849.     (3),  84  pp. 

Xo  more  was  published.  **T.24.I3 

[712] 


BROWN   COLLECTION    OF  BOOKS    ON    THE   STAGE 

Stage,   The,   acquitted.      Being   a    full    answer    to    Mr.    Collier   and   the 
other  enemies  of  the  drama.     With  a  vindication  of  King  Charles 
the  martyr,  and  the  clergy  of  the  Church  of  England,  from  the 
abuses  of  a  scurrilous  book,  called,  The  stage  condemned.     Lon- 
don, Printed  for  John  Barnes.     1699.     (6),  185  pp.  **G.382i.9 
Stage  affairs  in  America  today.     Davenport,  A.  B.  **T.77.ii7 
Stage,  The,  and  Christianity  reconciled.     Nosworthv,  L.  **T.96.io7 
, Stage,  The,  and  its  stars.    Paul,  G.  H.  H.,  and  G.  Gebbie,  editors.    **T.5i.3 
Stage,  The,  and  the  press.     Spillan,  H.  G.  **T.76.45 
Stage,  The,  and  the  pulpit.     Lewes,  C.  L.                     No.  7  in  **G.3824.i5 
Stage,  The,  as  a  career.     Hubert,  P.  G.                        2576.159;  **T.77. 123 
Stage,  The,  as  it  is.     Dramaticus,  pseud.                          6257.59;  **T. 78.76 
Stage,  The:  both  before  and  behind  the  curtain.     Bunn,  .\. 

6574-15;  **T.76.i65;  etc. 
Stage  censorship.     See  Censorship  of  the  stage. 
Stage  children.     See  Children.     As  actors. 

Stage,  The,  condemn'd  and  the  encouragement  given  to  the  immorali- 
ties and  profaneness  of  the  theatre,  by  the  English  schools,  uni- 
versities and  pulpits,  censur'd.  King  Charles  I.  Sundays  mask 
and  declaration  for  sports  and  pastimes  on  the  Sabbath,  largely 
related  and  animadverted  upon.  The  arguments  of  all  the  authors 
that  have  writ  in  defence  of  the  stage  against  Mr.  Collier,  con- 
sider'd.     London:  Printed  for  John  Salusbury.     1698.     (8),  216  pp. 

No.  I  in  **G.3823,20 
Stage  confidences.     Morris,  C.  **T.57.ii9 

Stage  copyright  at  home  and  abroad.    Weller,  B.  W.   *Patent  Room  23.87 
Stage  costume.     See  Theatre.     Costumes  and  properties. 
Stage  cyclopaediaj  The.     Clarence,  R.  **T. 66.12 

Stage  decoration  in  France  in  the  Middle  Ages.    Stuart,  D.  C.    4676.123 
Stage  effect.     Mayhew,  E.  **T.79.ii 

Stage  fright. 

Hunt,   H.    E.     Nerve   control:   the   cure   of   nervousness   and   stage- 
fright.     Philadelphia.     [1915.]  5609.125 
KiELBLOCK,  A.     The  stage  fright,  or  how  to  face  an  audience.     Bos- 
ton.    1891.                                                                                         55993.107 
Stage  gossip  on  theatrical  tit-bits,  ancient  and  modern.     London.     Jen- 
nings.    [188-?]     96  pp.                                                                 **T.55.46 
A  collection  of  stage  anecdotes. 
Stage  hardware.     See  Theatre.     Machinery. 

Stage  history,  The,  of  famous  plays.    Phelps,  H.  P.       4597.116;  **T.57.4i 
Stage,  The,  in  the  drawing  room.     Dakin,  H.  J.  6003,52 

Stage,  The,  in  the  twentieth  century.     Grau,  R.  4045.180 

Stage  lovers'  series. 

Strang,   L.    C.      Celebrated   comedians   of    light   opera   and   musical 
comedy  in  America.     Boston.     1901.    Portraits.    4343.208;  **T.58.25 

Famous  actors  of  the  day  in  America.     Series  [i,]  2.     Boston. 

1900,02.    2  V.     Portraits.  4343.209;  **T.58.23 

Famous  actresses  of  the  day  in  America.     Boston.     1899.  1902. 

2  v.     Portraits.  4343.210;  **T.58.24;  etc. 

Players  and  plays  of  the  last  quarter  century.     An  historical 

summary  of  causes  and  a  critical  review  of  conditions  as  existing 
in  the  American  theatre  at  the  close  of  the  nineteenth  century. 
Boston.     1903.     2  v.     Portraits.     Plates.  4343.215;  **T.77.i8 

Prima    donnas    and    soubrettes    of    light    opera    and    musical 

comedy  in  America.    Boston.     1900.    Portraits.    4048.183;  **T.58.26 

[713] 


THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 


Stage  machinery.     See  Theatre.    Machinery. 

Stage,  The,  of  i8;i.    Hawk's- Eve, /'^c"(i.  **T.97.i9i ;  etc. 

Stage,  The:  or  coronation  of  King  Tom.     B n,  B r. 

Xo.  8  in  **G.3824.i7 
Stage,  The;  or,  recollections  of  actors  and  acting.     Murdoch,  J.   E. 

**T.55-3;etc. 

Stage,  The;  or  theatrical  inquisitor.     [Monthly?     London.     1828?]     5-38 

pp.     Portrait.     Plate.  **T.29.9 

Same.     1828.    213-220  pp.  No.  6  in  **G.382i.24 

Stage  policy  detected.     Impartial  hand.  An,  pseud.  **T.77.i75 

Stage  reminiscences.     Old  stager,  An,  pseud.  **T,58.5 

Stage  secrets  and  tricks  of  the  trade.-    [Anon.]     See  Birch,  John  Francis. 

Stage  Society,  Loudon.     See  Incorporated  Stage   Society,  London. 

Stage  struggles,  The,  of  a  bad  actor.     Laceby,  A.  **T.58.i24 

Stage,  The,  the  high   road   to  hell:   being  an   essay  on  the  pernicious 

nature    of    theatrical    entertainments.      London:    Printed    for    W. 

Nicoll.     [1767.]     (II),  43  pp.  **T.96.76 

A  reply  by  Henry  Flitcroft,  having  the  title  Theatrical  entertainments  con- 
sistent with  society,  morality,  and  religion,  may  be  found  on  shelf-numbers 
No.  8  in  **G.3823.i3 ;  **T.96.i85.  A  reply  by  John  Chater,  having  the  title 
Another  high  road  to  hell,  may  be  found  on  shelf-numbers  **T.96.328;  **H.  16.138. 

"Stage  whispers,"  and  "shouts  without."     Ross,  C.  H.  **T.96.237 

Stage,  The,  with  the  curtain  raised.     Wagner,  L.  **T.77.2o8;  etc. 

Stage  Year  Book,  The.  1908-11,  13-17.  Edited  by  Lionel  Carson. 
London.  Carson  &  Conierford,  Ltd.  [and  "The  Stage"  Offices]. 
1908-17.    9  V.     Illus.     Portraits.     Plates.  **T.26.9 

Stage-beaux,  The,  toss'd  in  a  blanket.     [Anon.]     See  Brown,  Thomas. 

Stage-door  keeper.  A,  pseud. 

Through  the  stage-door.  A  complete  hand-book'  of  the  theatre. 
With  advice  upon  this  subject  by  Joseph  Jefferson.  Added  a  list 
of  the  largest  theatres  in  the  United  States.  [Boston.  1896.] 
30,  (6)  pp.     Illus.     Portrait.     Plates.  **T.95.46 

Relates  principally  to  Boston  theatres. 

Stage-land.     Jerome,   J.   K.  **T.46.33;  etc. 

Stage-Manager,  The;  a  weekly  journal  of  music  and  the  drama.     Vol. 

I    (no.   1-4,  6-20);  New  series   (no.  4,  5,  7-9,   11,   12).     [London.] 

1849.    2  V.  in  I.     Illus.     Portraits.  **T.23.6 

"Stage-players  complaint.  The":  from  the  rare  tract  printed  at  London 

in  1641.     London.     1868.     (i),  6  pp.     [Ashbee,  Edmund  W.,  editor. 

Occasional  fac-simile   reprints.     3.]  No.  3  in  *2423.50.i 

Same.     In   a  pleasant  dialogue.     London,    Printed   for  Tho:    Bates. 

1641.     [London.     Reeves  &  Turner.     1873.]      (2),  8  pp.     [The  old 

book   collector's    miscellany.]  No.  14  in  *4555.52.3 

Stage-plays  considered,  and  contrasted  with  the  Bible.     Sheffield.     The 

Author.     1819.     14,  (i)  pp.  **T.76.89 

.Another  copy  is  on  shelf-number  **T.96.S7. 
Stageright.     Corvton,  J.  **T.96.i62 

Stage-struck;  or  she  would  be  an  opera-singer.     Macchetta,   B.  R. 

**M. 104.38 
Staging  of  plays.    See  Theatre.  Management. 
Stahl,  ICrnst  Leopold. 

Das  englische  Theater  im   19.  Jahrhundert.     Seine  Biihnenkunst  und 

Literatur.     Miinchen.     Oldenbourg.     1914.     x,  258  pp.     Portraits. 

Plates.      [Die    Kultur    des    modernen    England    in    Einzeldarstel- 

lungen.]  3565-29-5 

Litcraturn-r/rirluii?;,    pp.    239-246. 

[714] 


BROWN   COLLECTION   OF  BOOKS   ON    THE  STAGE 

Stahl,  Ernst  Leopold.     (Continued.) 

Joseph  von  Auffenberg  und  das  Schauspiel  der  Schillerepigonen. 
Hamburg.  \'oss.  igio.  x,  235  pp.  [Theatergeschichtlichc  For- 
schungen.]  6872.63 

Stamma,  Louis. 

The  Kellyad:  or  a  critical  examination  into  the  merits  of  Thespis. 
[Verse.]     London:  Printed  for  J.  Williams.     1767.     (3),  36  pp. 

No.  8  in  **G.3947.2 

A  satirical  poem  upon  Hugh  Kelly  with  criticisms  of  the   London   actors. 

Stancovich,  Pietro. 

Dello  anfiteatro   di    Pola,   dei   gradi  marmorei   del   medcsimo,   nuovi 

scavi  e  scoperte  e  di  alcune  epigrafi  e  figuline  inedite  dell'  Istria. 

Venezia.      Picotti.      1822.      (4),    144,    (2)    pp.      Portrait.      Plates. 

Plans.     Table.  *2758.68 

Stanford,  Stephen  Stanley,  editor. 

Glenroy,   J.   H.      Ins   and   outs   of  circus   life;   or,   forty-two  years 

travel  through  United  States,  Canada,  South  America  and  Cuba. 

Boston.     1885.    Portrait.  **T.58.ii2 

Stanford  University,  Palo  Alto,  California.     See  Leland  Stanford  Junior 

Universit3%  Palo  Alto,  California. 
Stanhope,  Philip  Dormer,  4th  Earl  of  Chesterfield. 

A   dialogue   between   the    Earl    of   C d   and    Mr.    Garrick,    in   the 

Elysian  shades.     [Verse.]     London:  Printed  by  J.  Nichols.     1785. 

(i),  30  pp.  No.  5  in  **G.382o.ii 

A  tribute  to  the  friendship  of  Garrick  and  Dr.  Johnson. 

The  E. .  .  of  C f . .  .d's  Speech  in  the  H. .  .se  of  L.  .  .  .ds,  against 

the  bill  for  licencing  all  dramatic  performances.  Prefixed,  some 
loose  thoughts,  that  were  found  in  the  closet  of  a  gentleman  lately 
deceased.     Dublin:  Printed  in  the  year  1749.     16  pp.  **T.77.2i2 

Relates  to  the  censorship  of  the  stage  in  England. 

Same.  London,  Printed:  and,  Dublin,  re-printed  for  Thomas  Walker. 
1772.     35  PP-  **T.76.84 

The    Lord   C d's    speech    against   the   play-bill,    in    the   House   of 

Peers.  (In  New  miscellany.  A,  for  the  year  1737.  Pp.  17-21. 
London.      1737.)  No.  i  in  **G.3823.i5 

Stanhope,  Philip   Dormer,  4th  Earl  of  Chesterfield.     Works  about. 

PiTTARD,  J.  Observations  on  Mr.  Garrick's  acting  [of  King  Lear] ; 
in  a  letter  to  the  Right  Hon.  the  Earl  of  Chesterfield.  London. 
175^-  **T.97.ii9;etc. 

Stanley,  Montague. 

Drummond,  D.  T.  K.  Memoir  of  Montague  Stanley.  Edinburgh. 
[1852.J     Portrait.  **T.57.366 

Stapleaux,  Leopold  Louis  Lambert. 

Les  courtisanes  du  Second  Empire.     [Anon.]     Partie  3:  Les  actrices. 

Serie  i.     2e  edition.     Bruxelles.     Office  de  publicite.     1871.     122, 

(i)   pp.  **T.96.5 

Star,  The.     [Play  bills.]     See  Boston.     Theatres.     Howard  Athen.i^um. 

Star,  A,  for  a  night.     Janis,  E.  **T.87.ioo 

Stars  of  the  opera.     W^agnalls,  M.  *4049a.346 

Stars  of  the  photoplay.     Chicago.     Photoplay  Magazine.     1916.     (5)  pp. 

Portraits.  8061.253 

Over  ICO  art  portraits  of  famous  film  favorites  with  short  biographical  sketches. 
The  running  title  is  Photoplay  Magazine's   Popular  players. 

Stars  of  the  stage. 

Browne,  E.  A.     W.  S.   Gilbert.     London.     1007.     Portraits.     Plates. 

45493.198 

[715] 


THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 


Stars  of  the  stage.     (Continued.) 

Cran,  Mrs.  G.  Herbert  Beerbohm  Tree.  London.  1907.  Portraits. 
Plate.  45493.197 

M.\RSHALL,  C.     Ellen  Terry.     London.     1907.     Portraits.     Plates. 

45493.196 
State  of  the  British  stage.     [London.     1834.]     151-168  pp. 

No.  23  in  **G.3822.3 

Cut  from  the  Westminster  Review,  January,  1834   [Periodical  Room  *3i46. 1.1834] . 

State,  The,  of  the  case,  between  the  Lord  Chamberlain  of  His  Majesty's 
houshold,  and  Sir  Richard  Steele,  as  represented  by  that  knight. 
Restated,  in  vindication  of  King  George,  and  the  most  noble  the 
Duke  of  Newcastle.  With  a  true  copy  of  King  Charles's  patent, 
to  Sir  William  Davenant,  for  erecting  a  play-house,  &c.  London, 
Printed  and  sold  by  John  Applebee.  1720.  (4),  35  pp.  **T.97.34i 
This  is  an  answer  to  Sir  Richard  Steele's  State  of  the  case  between  the  Lord- 
Chamberlain  and  the  Governor  of  the  Royal  Company  of  Comedians,  in  which 
Steele  protests  against  the  withdrawal  of  the  Drury  Lane  patent  by  the  Duke 
of  Newcastle. 

Same.     {In  Theatre,  The.     Pp.  468-509.     London.     1791.)     **T.26.23 

Another  copy  is  on  shelf-number  **G.3824.7. 

State,  A,  of  the   case   in   regard   to  the  point   in   dispute   between    Mr. 

Mosse  and  Mr.  Sheridan.  [Anon.]     See  Sheridan,  Thomas. 
Statistischer   Riickblick  auf   die    Kciniglichen   Theater   zu    Berlin,    Han- 
nover, Kassel  und  Wiesbaden  fiir  das  Jahr  1895.     Berlin.     Mittler. 
1896.    48  pp.  **T.94,i6 

Statuettes  parisiennes.     Diguet,  C.  **T.57.334 

Stebbins,  Emma,  editor. 

CusHMAN,  C.  S.  Charlotte  Cushman:  her  letters  and  memories  of 
her  life.     Boston.     1878.     Portrait.  4345-53;  **T.56.28o 

Stebbins,  Genevieve. 

Delsarte  system  of  dramatic  expression.  New  York.  Werner.  1886. 
Illus.  3591.60 

Same.     2d  edition.     1887.  3591-75 

Stebbins,  Oliver  B. 

A  famous  Boston  amateur  dramatic  club  [the  Aurora  Club].  {In 
Bostonian,  The.     Vol.  2,  pp.  131-140.     Facsimiles.     Boston.     1895.) 

*530i-45-2 

The  oldest  theatre  now  in  Boston.     {In  Bostonian,  The.     Vol.  i,  pp. 

1 13-130.     Illus.     Portraits.     Plates.     Boston.     1894.)  *530i.45.i 

Relates  to  the  Boston   Museum.     Reprinted   from   Boston   sights  and   strangers' 

guide,   1856. 

Steele,  Elizabeth. 

The  memoirs  of  Mrs.  Sophia  Baddeley.  A  new  edition.  London: 
Printed  for  the  author.       1787.     6  v.  **T.58.i 

Same.     Dublin:   Printed  for  Messrs.   Colles.     3  v.  **T.58.2 

Steele,  Sir  Richard. 

The  state  of  the  case  between  the  Lord-Chamberlain  of  His  Majesty's 
houshold,  and  the  Governor  of  the  Royal  Company  of  Comedians. 
With  the  opinions  of  Pemberton,  Northey,  and  Parker,  concerning 
the  theatre.  London:  Printed  for  W.  Chetwood.  1720.  30  pp. 
Portrait.  No.  2  in  **G.3823.9 

A  protest  against  the  withdrawal  of  the  Drury  Lane  patent  by  tlie  Lord 
Chamberlain,  the  Duke  of  Newcastle.  Steele  was  Governor  of  the  Royal  Com- 
pany of  Comedians. 

Same,  (/m  Theatre,  The.  Pp.  447-467.  London.  1791.)  **T.26.23 
Another  copy  is  on  shelf-number  •*G.3824.7. 

[716] 


BROWN  COLLECTION   OF  BOOKS   ON   THE   STAGE 

Steele,  Sir  Richard,  editor. 

Theatre,  The,  by  Sir  Richard  Steele.  [No.  1-28.  Jan.  2 -Apr.  5, 
1720.1  Added,  the  Anti-theatre  [by  Sir  John  Falstaffe,  pseud. 
No.  1-15.  Feb.  15 -Apr.  4,  1720];  the  character  of  Sir  John  Edgar 
[pseud,  of  Sir  Richard  Steele] ;  Steele's  case  with  the  Lord 
Chamberlain;  the  crisis  of  property,  with  the  sequel,  Two 
Pasquins,  &c.     London.      1791.     Portrait.  **T.26.23;  etc. 

Steele,  Sir  Richard.     Works  about. 

Baldassari,  B.  a  letter  from  Sig.  Benedetto  Baldassari  of  the  Hay- 
Market,  to  Sir  R d  S e  of  Drury-Lane.     London.     1720. 

No.  2  in  **G.3823.i8 
Battle,  The,  of  the  authors  lately  fought  in  Covent-Garden,  between 
Sir  John  Edgar  [pseud,  of  Sir  Richard  Steele],  generalissimo  on 
one  side,  and  Horatius  Truewit,  on  the  other.     London.     1720. 

No.  4in**G.3823.i8 
Dennis,  J.     The  characters  and  conduct  of  Sir  John  Edgar  [pseud, 
of   Sir    Richard    Steele],   call'd    by   himself   sole    monarch    of   the 
stage    in    Drury-Lane;    and    his    three    deputy-governors,    in    two 
letters  to  Sir  John  Edgar.     London.     1720.  **T.77.io7;  etc. 

FoRSTER,  J.  Sir  Richard  Steele.  (In  his  Historical  and  biographical 
essays.     Vol.  2,  pp.  105-207.     London.     1858.)  45193.17;  etc. 

Rag,  Timothy,  pseud.  An  answer  to  a  whimsical  pamphlet,  call'd  The 
character  of  Sir  John  Edgar.  &c. .  Humbly  inscrib'd  to  Sir  Tre- 
mendous Longinus.  Written  by  Sir  John  Edgar's  baker.  London. 
1720.  No.  ID  in  **G.382i.ii 

State,  The,  of  the  case,  between  the  Lord  Chamberlain  of  His 
Majesty's  houshold,  and  Sir  Richard  Steele,  as  represented  by 
that  knight.  Restated,  in  vindication  of  King  George,  and  the 
most  noble  the  Duke  of  Newcastle.  With  a  true  copy  of  King 
Charles's  patent,  to  Sir  William  Davenant,  for  erecting  a  play- 
house, &c.  London.  1720.  **T.97.34i ;  etc. 
Steevens,  George,  editor. 

Malone,  E.     An  historical  account  of  the  rise  and  progress  of  the 

English   stage,  and   of  the   economy  and   usages   of  our  ancient 

theatres.      [With    additions    by    G.    Steevens.]      (In    Shakespeare, 

William.     Plays.     Vol.  3.     Basil,     m.dcc.ic.)  6602.18;  etc. 

Stegmann,  Carl  David. 

Mentzel,  E.  Karl  David  Stegmann.  Aus  dem  Leben  eines  Biihnen- 
kiinstlers  des  18.  Jahrhunderts.  (In  Archiv  fiir  Theatergeschichte. 
Vol.  I,  pp.  129-159.     Berlin.     1904.)  6907.12. i 

Stein,  Philipp. 

Deutsche  Schauspieler.  [Teil]  i,  2.  Berlin.  1907,  08.  2  v.  Por- 
traits.     [Gesellschaft   fiir  Theatergeschichte.]  *6907.i9 

Contents.    —    i.    Das    achtzehnte    Jahrhundert.      Eine    Bildnissammlung.      2.    Das 
ncunzehnte  Jahrhundert.      Eine  Bildnissammlung. 
A  collection  of  portraits  with  short  biographies. 

Stephens,  Robert  Neilson. 

A  gentleman  player.  His  adventures  on  a  secret  mission  for  Queen 
Elizabeth.      Boston.      Page    &    Co.      1899.      43^    pp.      Plates. 

**T.87.i8 

Queens  of  song.     Portraits  designed  and  etched  on  copper  by  F.  L. 

Kirkpatrick  and  C.  A.  Worrall.     Troy.     Nims  &  Knight.     [1889.] 

(22)   pp.     IIlus.     Portraits.  *4040.ii7 

Contents.  —  Patti.  —  Juch.  —  Nilsson.  —  Gerster.  • —  Lehmann.  ■ —  Materna.   — 
-Mhani.  —  Fursch-Madi.  —  Nevada. 

[717] 


s/ 


THE  PUBLIC  LIBRARY   OF  THE   CITY  OF  BOSTON 


Stephens,  Robert  Neilson.     (Continued.) 

Queens  of  the  drama.  Portraits  by  F.  L.  Kirkpatrick  and  C.  A. 
Worrall.  Biographies  bj^  Robert  N.  Stephens.  Troy.  N.  Y.  Nims 
&  Knight.     [189-?]      (22)   pp.     Portraits.  **T.si.i2 

Contents.  —  Jane  Hading.  —  Julia  Marlowe.  —  Mrs.  Langtry.  —  Mme.  Modjeska. 
—  Adelaide  Neilson.  —  Fanny  Davenport.  —  Ada  Rehan.  — ■  Sara  Bernhardt.  — 
Elien  Terry.  —  Mary  Anderson. 

Stern,  Adolf  Ernst. 

Der     Untergang     des     altenglischen     Theaters.       (In     Historisches 
Taschenbuch.   Jahrgang  46,  pp.  155-209.    Leipzig.    1876.)    *2309.i.46 
Stevens,  George  Alexander. 

The  dramatic  history  of  Master  Edward,  Miss  x^nn,  and  others,  the 
extraordinaries  of  these  times.  Prefixed,  memoirs  of  the  life  of 
the  author.  New  edition.  London:  Printed  for  J.  Murray.  1786. 
(i),  xi,  (i),  192  pp.     Plates.  **G.3977.i7 

Relates  to   Edward   Shuter,   Nancy   Dawson   and   others. 

Stevens,  Major. 

HooTON,  R.  T.  Life  and  frolics  of  Major  Stevens,  the  wonderful 
dwarf.    Boston.     1832.  **T.55.i27 

Stewart,  Douglas. 

Tales  from  the  note-book  of  a  stroller.  London.  Douglas  &  Co. 
1862.     (4),  211  pp.  **T.57.266 

I    Sticotti,  Antonio  Fabio. 

Garrick,  ou  les  acteurs  anglois,  ouvrage  contenant  des  observations 
sur  I'art  dramatique,  sur-  I'art  de  la  representation,  &  le  jeu  des 
acteurs.  Avec  des  notes  historiques  &  critiques,  &  des  anecdotes 
sur  les  differens  theatres  de  Londres  &  de  Paris.  Traduit  de 
I'anglois.   A  Paris,  chez  Lacombe.    1769.    (8),  199,  (i)  pp.   **T.58.ii6 

A  very  free  translation,  with  many  additions,  of  Sir  John  Hill's  The  actor:  a 
treatise  on   the  art   of   playing    [No.  i  in  **G.3823.6 ;    **T.78.40;    etc.]. 

Stirbey,  Prince  Georges,  prefacer. 

Weiss,  J.  J.  A.  Trois  annees  de  theatre,  1883-1885.  Les  theatres 
parisiens.     Paris.     1896.  **T.47.84 

Stirling,  Edward. 

Old  Drury  Lane.  Fiftj'  years'  recollections  of  author,  actor,  and 
manager.     London.     Chatto  &  Windus.     t88i.     2  v.  **T. 77.83 

Another  copy  is  on  shelf-number  *2454.52. 

Stockdale,  John  Joseph. 

The  Covent  Garden  journal.  [Anon.]  London.  Stockdale.  1810. 
2  V.     Plates.  **T.75.i3 

Other  copies  are  on   shelf-numbers  **G.3822.6;   **K.35.2. 
Stockmar,  Christian  Friedrich,  Freiherr  von. 

Martin,  Sir  T.  Monographs.  Garrick,  Macready,  Rachel  and  Baron 
Stockmar.     London.      1906.     Portraits.  **T.55.75;  etc. 

Stoddard,  John  Lawson. 

The    Passion    Play    of    Ober-Ammergau.      (In    his    Red-letter    days 
abroad.  Pp.  59-101.  Boston.  1884.  Illus.  Portraits.  Plates.)   2273.50 
Stoddard,  Richard  Henry,  editor. 

DoRAN,  J.    "Their  majesties'  servants."    Annals  of  the  English  stage, 
from  Thomas   Betterton  to   Edmund   Kean.     With  a  memoir  of 
Dr.  Doran,  and  an  introduction  and  conclusion,  l)y  R.  H.  Stod- 
dard.    New  York.     1880.     2  v.  4572-99 
Stoddart,  James  Henry. 

Recollections  of  a  player.  New  York.  The  Century  Co.  1902.  xxi,  255 
pp.  Portraits.  Facsimiles.  Autograph  facsimile.  4343.239;  **T. 56.246 

Reminiscences   of  stage  life  in   Scotland,    England,  and   the   United  States. 


[718] 


BROWN   COLLECTION    OF  BOOKS    ON    THE   STAGE 


Stoker,  Abraham. 

Personal   reminiscences  of  Henry  Irving.      By    Bram  Stoker.     New 

York.     The   Macmillan   Co.     1906.     2  v.     Portraits,  one   colored 

Plates.      Manuscript   facsimiles.  Ac^^aai 

Stoltz,  Rosine.  ^^^  ^ 

Perignon,   E.     Rosine  Stoltz.     [Paris.]      1847.  No.  7  in  ♦•M. 197.3 

Stone,  Henry  Dickinson. 

Personal  recollections  of  the  drama  or  theatrical  reminiscences,  cm- 
bracing  sketches  of  prominent  actors.    Albany.  N.  Y.   Van  Bctitln.iy- 
sen.    1873.   xii,  316  pp.    Portraits.    Autograph  facsimile.    **T.56.i94 
Stopes,  Charlotte  Carmichael. 

Shakespeare's  environment.  London.  G.  Bell  &  Sons,  Ltd.  1Q14. 
xii,  369  pp.  4595.141 

Contains  information  regarding  the  Elizabethan   stage. 

William  Hunnis  and  the  revels  of  the  Chapel  Royal.    A  study  of  his 

period  and  the  influences  which  affected  Shakespeare.     Louvain. 

Uystpruyst.     1910.     xiv,  362,  (i)  pp.     Coat  of  arms.     fMaterialien 

zur  Kunde  des  alteren  englischen  Dramas.]  2553.139 

Stoppato,  Lorenzo. 

La  commedia  popolare  in  Italia.  Saggi.  Padova.  Draghi.  iH.S; 
234,   (i)  pp.  2779.128 

Storer,  James  Sargant,  and  Henry  Sargant  Storer,  illustrators. 

Brewer,  J.  N.  Histrionic  topography:  or,  the  birth-places,  resi- 
dences, and  funeral  monuments  of  the  most  distinguished  actors. 
London.     1818.     Plates.  **T.96.229;  etc. 

Stories  of  the  Boston  stage.     E.aton,  W.  O.  **T.i5.7 

Stories,  The,  of  the  Russian  ballet.     Applin,  A.  **T.93.i 

Storm,  The. 

Programme  of  the  storjr,  scenery,  &  dances,  in  the  new  grand  fairy 
ballet,  in  two  acts  The  storm;  or,  the  Isle  of  the  Genii!  (Pre- 
ceded bv  an  introduction.)  Founded  on  'La  tempete.'  London. 
Miller.   '[1834.]     20  pp.  **T.36.68 

Storms,  A.  D. 

The  players  blue  book.  Worcester,  Mass.  Sutherland  &  Storms. 
[1901.]     304  pp.     Portraits.    Autograph  facsimiles.  **T.55.56 

Brief  biographical   sketches  of   American  actors  and   actresses. 

Story,  The,  of  a  play.     Howells,  W.  D.  **T.87.73 

Story,  The,  of  the  Scots  stage.     Lawson,  R.  4579-259 

Story,  The,  of  the  tragedy  of  Agis.  With  observations  on  the  play, 
the  performance,  and  the  reception.  London.  Printed  for  M. 
Cooper.     1758.     15  pp.  **T.96.83 

StouUig,  Edmond,  editor. 

AxNALES,  Les,  du  theatre  et  de  la  musique.     Annee  i-39-     1875-1913- 

Paris.     1876-1914.    39  V.    Portrait.  **T.27.i 

Revue  d'art  dramatique.     [Semi-monthly.]     Tome  i-t6,  29-32.     1886- 

89,  93.     Paris.     1886-93-    20  V.  **T.25.4 

Strack,  Johann  Heinrich. 

Das  altgriechische  Theatergebaude.  Potsdam.  Riegel.  1843-  M''- 
8  pp.     9  plates.  *Cab.6o.i38.3 

Straeten,  Edmond  Vander.     See  Vander  Straeten,  Edmond. 
Strakosch,  Clara  Louise.     (Clara  Louise  Kellogg.) 

Italian  opera  as  illustrated  by  Adelina  Patti.     Illus.     Portraits.  ^  (In 

The  music  of  the  modern  world.     Vol.   i,  pp.  6-10.     New  York. 

[1895.])  **M.i4.i.i 

Memoirs  of  an  American  prima  donna.     New  York.     G.  P.  Putnam  s 

Sons.  1913.  xiii,382pp.  Portraits.  Plates.  Facsimile.  Music.  4045-155 

[719] 


THE  PUBLIC  LIBRARY  OF  THE   CITY  OF  BOSTON 


Stralsund,  Germany.     Theatres. 

Strixk.  F.  Die  altesten  Zeiten  des  Theaters  zu  Stralsund.  (1697- 
1834.)  Ein  Beitrag  zur  Geschichte  des  deutschen  Theaters. 
Stralsund.     1895.  **T.75.24 

Strang,  Lewis  Clinton. 

Celebrated  comedians  of  light  opera  and  musical  comedy  in  America. 
Boston.    Page  &  Co.    1901.    293  PP-     Portraits.    4343.208;  **T.58.25 

Contents.  —  Introductory.  —  Francis  Wilson.  —  James  T.  Powers.  —  Walter 
Tor.es.  De  Wolf  Hopper.  —  Richard  Golden.  —  Dutch  comedy  and  its  deline- 
ators. —  Thomas  Q.  Seabrooke.  —  Frank  Daniels.  —  Jerome  Sykes.  —  Dan  Daly. 
Henry  Clay  Barnabee.  —  Henry  E.  Dixey.  —  Otis  Harlan.  —  Richard  Carle.  — 
Digby  Bell.  —  Jefferson  De  Angelis.  —  Peter  F.  Dailey.  —  Light  comedy  in 
opera  and  its  exponents. 

Famous  actors  of  the  day  in  America.  Series  [i,]  2.  Boston.  Page 
&  Co.     1900,02.     2  V.     Portraits.  4343.209;  **T.58.23 

Contents.  —  I.  Preface.  —  Joseph  Jefferson.  —  James  A.  Heme.  —  Richard  Mans- 
field. —  E.  M.  Holland.  —  Edward  H.  Sothern.  —  John  Drew.  —  William 
Faversham.  —  John  B.  Mason.  —  Nat  C.  Goodwin.  —  James  O'Neill.  —  William 
H.  Crane.  —  Wilton  Lackaye.  —  William  Gillette.  —  Henry  Miller.  —  James  K. 
Hackett.  —  Henry  Jewett.  —  Stuart  Robson.  —  Melbourne  MacDowell.  —  Sol 
Smith  Russell.  —  Otis  Skinner.  —  J.  E.  Dodson.  —  Robert  B.  Mantell.  — 
Roland  Reed.  —  Joseph  Haworth.  —  Herbert  Kelcey.  2.  Preface.  —  The  new 
E.  n.  Sothern.  —  John  Drew  in  comedy  and  romance.  —  N.  C.  Goodwin,  the 
comedian.  —  John  B.  Mason  in  modern  comedy.  —  Fritz  Williams.  —  William 
Gillette  and  "Sherlock  Holmes."  —  Edwin  Arden.  —  Richard  Mansfield's  Henry 
V.  —  William  Faversham.  —  Stuart  Robson  in  "Oliver  Goldsmith."  —  The 
melodramatic  James  O'Neill.  —  James  A.  Heme's  "Sag  Harbour."  —  Maclyn 
Arbuckle.  —  John  Hare.  —  William  H.  Crane.  —  Henry  Miller  in  melodrama.  — 
John  Blair  and  the  Independent  Theatre.  —  Henry  Jewett.  —  Edward  S. 
Willard.  —  Louis  Mann.  —  Charles  J.  Richman. 

Famous  actresses  of  the  day  in  America.  Boston.  Page  &  Co.  1899, 
1902.     2  V.     Portraits.  4343.210;  **T,58.24 

Another  copy  is  on  shelf-number  *P.  10.860. 

Contents.  —  i.  Preface.  —  Maude  Adams.  —  Julia  Marlowe.  —  Sarah  Cowell  Le 
Moyne.  —  Minnie  Maddern  Fiske.  —  Ida  Conquest.  —  Blanche  Walsh.  —  Annie 
Russell.  —  Isabel  Irving.  —  Maxine  Elliott.  —  Ada  Rehan.  —  Virginia  Harned. 
— ■  V'iola  Allen.  —  Corona  Riccardo.  —  Mary  Mannering.  —  Julia  Arthur.  — 
May  Irwin.  —  Effie  Shannon.  —  Mrs.  Leslie  Carter.  —  Mary  Shaw.  —  Olga 
Nethersole.  —  Lillian  Lawrence.  —  Blanche  Bates.  —  Elsie  De  Wolfe.  —  Rose 
Coghlan.  —  Margaret  Anglin.  —  Fay  Davis.  —  Odette  Tyler.  —  Marie  Bur- 
roughs. —  Kathryn  Kidder.  —  Helena  Modjeska.  —  May  Robson.  2.  Julia 
Marlowe  in  melodrama.  —  Henrietta   Crosman.  • —  Mary   Shaw  and   "Ben   Hur." 

—  Maude  Adams  in  "L'Aiglon."  —  Amelia  Bingham.  —  Ida  Conquest.  — 
Phoebe  Davies.  —  Mrs.  Fiske  as  Becky  Sharp.  • —  Hilda  Spong.  ■ —  Annie  Russell 
in  light  comedy.  —  Valerie  Bergere.  —  Mary  Mannering  as  a  star.  • —  "Zaza" 
and  Mrs.  Leslie  Carter.  —  Anna  Held.  —  Sarah  Cowell  Le  Moyne.  —  Mary 
Sanders.  —  Ada  Rehan's  Nell  Gwyn.  —  Elizabeth  Tyree.  —  Grace  George.  — 
Margaret  Anglin.   —  Viola   Allen.  —  Maxine   Elliott. 

Players  and  plays  of  the  last  quarter  century.  An  historical  summary 
of  causes  and  a  critical  review  of  conditions  as  existing  in  the 
American  theatre  at  the  close  of  the  nineteenth  century.  Boston. 
Page  &  Co.  1903.  2  V.  Portraits.  Plates.  4343.215;  **T.77. 18 
Contents.  —  i.  The  theatre  of  yesterday.     2.   The  theatre  of  to-day. 

Prima  donnas  and  soubrettes  of  light  opera  and  musical  comedy  in 
America.     Boston.     Page  &  Co.     1900.     xiv,  270  pp.     Portraits. 

4048.183;  **T.58.26 

Contents.  —  Introduction.  —  Alice  Nielsen.  —  Virginia  Earle.  —  Lillian  Russell. 

—  Josephine  Hall.  —  Mabelle  Gilman.  —  Fay  Templeton.  —  Madge  Lessing.  — 
Jessie  Bartlett  Davis.  —  Edna  Wallace  Hopper.  —  Paula  Edwardes.  —  Lulu 
Glaser.  —  Minnie  Ashley.  —  Edna  May.  —  Marie  Celeste.  —  Christie  Mac- 
Donald.  —  Marie  Dressier.  —  Delia  Fox.  —  Camille  D'Arville.  —  Marie  Tempest. 

—  Maud  Raymond.  . —  Pauline  Hall.  —  Hilda  Clark. 

.Ml   the  foregoing  volumes   by   Strang  belong  to  the   Stage   lovers'    series. 

Stranger,  The,  in  England.     Goede,  C.  A.  G.  65793.71;  **T.98.ioi 

[720] 


BROWN   COLLECTION    OF   BOOKS    ON    THE   STAGE 


Strantz,  Ferdinand  Carl  Felix  Alexander  von. 

Erinnerungen  aus  meinem  Leben.  Hamburg.  Richter.  [1901. J 
(S),  272  pp.     Portrait.     Facsimiles.  4049.224 

Stratford  Theatrical  Review,  and  stage  reporter.     No.  1.     Dec.  10,  1827. 
[Stratford.     Bacon.]      1827.     4  pp.  No.  2  in  **G. 3821. 24 

tratford-upon-Avon,  England.     Celebrations. 
Concise  account,   A,   of    Garrick's   Jubilee   held   at    Stratford-upon- 
Avon,  in  honour  of  Shakspeare,  in  1769.    And  of  the  commemora- 
tive festivals  in  1827  and  1830.     [With  a  brief  notice  of  the  rise  and 
progress  of  the  Shakespearean  Club.]    Stratford-upon-Avon.    1830. 
/  No.  4  in  **G.3942.3 

AAa^vis,  J.,  reporter.     Correct  detail  of  the  ceremonies  attending  the 
"-^    Shakespearean  gala,  celebrated  at  Stratford-upon-Avon,  April  23- 
25,  1827,  with  some  account  of  "Garrick's  Jubilee,"  in  1769.     Strat- 
ford-upon-Avon.    [1827.]     Plate.  **T.56.i96;  etc. 
Stratford-upon-Avon,  England.     Shakespeare  Memorial. 

Buckley,  R.  R.  The  Shakespeare  revival  and  the  Stratford-upon- 
Avon  movement.  With  chapters  on  folk-art  by  Mary  Neal,  a 
Foreword  by  F.  R.  Benson,  and  an  introduction  by  Arthur  Hutch- 
inson [on  the  Shakespeare  Memorial  theatre].  London.  191 1. 
Portraits.     Plates.     Maps.  4598.50 

Shakespeare  Memorial  Association,  Stratford-upon-Avon.  Shake- 
speare Memorial,  Stratford-on-Avon.  London.  [1878.]  Portrait. 
Plates.     Map.  **T.57.264;  etc. 

A    history   of  the   Shakespeare    Memorial,    Stratford-on-Avon. 

2d  edition.     Abridged  from  the  ist  edition,  and  brought  down  to 
February,   1882.     London.     [1882.]      Portrait.     Plate.  66003.29 

Stratford-upon-Avon  Herald. 

The     Shakespeare     Memorial     Buildings,     Stratford-upon-Avon.       A 
complete  record  of  the  festival  connected  with  the  inauguration 
of  the  theatre  portion,  April  23rd  to  May  3rd,    1879.     Stratford- 
upon-Avon.     1879.  **T.55.i2i 
Stratico,  Simone,  Conte. 

Deir  antico  teatro  di  Padova.  In  Padova.  Nella  Stamperia  del 
Seminario.     1795.     viii,  70  pp.     6  plans.  4091.100 

Stratton,  Charles  Sherwood. 

Bleeker,  S.  Gen.  Tom  Thumb's  three  years'  tour  around  the  world, 
accompanied  by  his  wife  —  Lavinia  Warren  Stratton,  Commo- 
dore Nutt,  Miss  Minnie  Warren,  and  party.  New  York.  Booth. 
1872.     144  pp.     Illus.     Plates.  6269.62;  **T.97.295 

Sketch  of  the  life,  personal  appearance,  character,  and  manners  of 
Charles  S.  Stratton,  the  man  in  miniature  known  as  General  Tom 
Thumb.  With  some  account  of  remarkable  dwarfs,  giants,  & 
other  human  phenomena,  of  ancient  and  modern  times.  Also, 
General  Tom  Thumb's  songs.  New- York.  1847.  **T.58.6o;  etc. 
Sketch  of  the  life,  personal  appearance,  character,  and  manners  of 
Charles  S.  Stratton,  the  man  in  miniature,  known  as  General  Tom 
Thumb,  and  his  wife,  Lavinia  Warren  Stratton,  including  the 
history  of  their  courtship  and  marriage;  also,  of  Commodore 
Nutt  and  Minnie  Warren;  with  some  account  of  remarkable 
dwarfs,  giants,  &  other  human  phenomena,  of  ancient  and  modern 
times.  Also,  songs  given  at  their  public  levees.  New  York.  1863. 
Illus.      Portraits.'     Plates.  **T.58.62;  etc. 

[721] 
46 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 


Strauss,  Richard. 

Brown,  A.  A.,  cofnpiler.  [Newspaper  clippings  and  program  of  first 
performance  in  America  of  Richard  Strauss's  Salome.  Boston. 
1910.]  **M.357.32 

Stray  records;  or,  personal  and  professional  notes.     Harrison,   C. 

4572.137;  **T.57.i5i ;  etc. 
Street  amusements.     See  Strolling  players. 

Streifzuege  durch  die  Theaterwelt.     Felsing,  O.  **T.75.25 

Streit,  Andreas. 

Das  Theater.  Untersuchungen  iiber  das  Theater-Bauwerk  bei  den 
klassischen  und  modernen  Volkern.  Wien.  Lehmann  &  Wentzel. 
1903.     viii,  267  pp.     Illus.     Plates.     Plans.  *Cab.6o. 155.3 

Strode,  William. 

HoFFSTEN,  E.  G.     The  floating  island,  by  William  Strode,  together 

with  an  account  of  the  life   of  the  author,  and  a  review  of  the 

university  drama  in  England,  chiefly  after  the  year  1600.    Thesis, 

University  of  Pennsylvania.     [St.  Louis.     1908.]  2552.181 

Strolling  player,  A,  pseud.     See  Roberts,  John. 

Strolling  player.  The.     Templeton,   W.  **T.58.85 

Strolling  players. 

See    also    Actors    abroad;    Italian    players    in    France;    Travelling 

companies. 
Albert,    M.      Les   theatres    de   la    foire.      (1660-1789.)      Paris,      igoo. 
Illus.     Plates.  4676.104;  **T.97.254 

AuRiAC.  P.  E.  J.  M.  d',  editor.  Theatre  de  la  foire.  Recueil  de  pieces  re- 
presentees aux  foires  Saint-Germain  et  Saint- Laurent.  Precede  d'un 
essai  historique  sur  les  spectacles  forains.  Paris.  1878.  **T.37.i46 
Bernardin,  N.  M.  La  comedie  italienne  en  France,  et  les  theatres 
de  la  foire  et  du  boulevard.  (1570-1791.)  Paris.  1902.  Illus. 
Portraits.     Plates.  2679.277 

BoNNASSiES,  J.  Les  spectacles  forains  et  la  Comedie  frangaise.  Le 
droit  des  pauvres  avant  et  apres  1789.  Les  auteurs  dramatiques 
et  la  Comedie  frangaise  au  dix-neuvieme  siecle  d'apres  des  docu- 
ments inedits.  Paris.  1875.  Plate.  2677.76;  **T.77. 113 
Campardon,  L.  fi.  Les  spectacles  de  la  foire.  Depuis  1595  jusqu'a 
1791.  Documents  inedits  recueillis  aux  Archives  nationales.  Paris. 
1877.  2  V.  **T.75.6 
Challamel,  J.  B.  M.  A.   Les  amuseurs  de  la  rue.    Paris.    1875.   Plates. 

**T.97.28o 
Chardon,    E.    H.      La    troupe    du    roman    comique    devoilee    et    les 
comediens  de  campagne  au  xvii*"  siecle.    Le  Mans.     1876.    **T.54.20 
EsPARBEs,    A.    A.   d'.      Les    forains.      Illus.      Plates.      {In    Les    demi- 
cabots.     Pp.  199-246.     Paris.     1896.)  **T.97.230 

FouRNEL,  F.  V.  Tableaux  du  vieux  Paris.  Les  spectacles  populaires 
et  les  artistes  des  rues.     Paris.     1863.  **T.97.i73 

Frebault,  £.     Les  industriels  du  macadam.     Dessins  par  A.    Hum- 
bert.    Paris.     1868.     Plates.  **T.99.43 
GiFFARD,  p.  L.     La  tournee  du  pere  Thomas.     [Roman.]     Paris.     1887. 

**T.87.56 
GouRiET,   J.    B.      Les   charlatans   celebres,   ou   tableau   historique    des 
bateleurs,  des   baladans  et  de   tons   les   personnages   qui   se   sont 
rendus  celebres  dans  les  rues  et  sur  les  places  publiques  de  Paris. 
Paris.     1819.    2  V.    Plate.  **T.96.327 

Hampe,  T.  E.  Die  fahrenden  Leute  in  dcr  deutschen  Vcrgangenheit. 
Leipzig.     1902.     Tllus.     Portrait.      Plates.  2831.26 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 

Strolling  players.     (Continued.) 

Ryley,  S.  W.  The  itinerant,  or  memoirs  of  an  aclor.  [Fiction.] 
London.      1808-27.     g   v.      Portrait.  **T.57.3i3;  etc. 

ToMKiNS,  S.,  pseud.  The  adventures  of  a  strolling  player.  An  auto- 
biography.     London.     [1868.]  **T,58.i27 

Strong,  Rowland. 

Where  and  how  to  dine  in  Paris,  with  notes  on  Paris  hotels,  waiters 
and  their  tips,  Paris  theatres,  minor  theatres,  music  halls,  racing 
round  Paris,  etc.     London.     Richards.     1900.     196  pp.  2639.34 

Struck,  Ferdinand. 

Die   iiltesten   Zeiten   des  Theaters   zu   Stralsund.      (i697-r8.'?4."''      Ein 

Beitrag    zur     Geschichte     des     deutschen     Theaters.       Stralsund. 

Konigliche  Regierungs-Buchdruckerei.     1895.     134  pp.       **T.75.24 

Struggle,  The,  for  a  free  stage  in  London.     Nicholson,  W.  2552.33 

Struggles   and   triumphs.      Barnum,    P.   T.  **T.57.74;  etc. 

Stuart,  Charles  Douglas,  editor. 

Encore  annual.  The.  1894.  Edited  by  Edward  Lawrance  and  Charles 
Douglas  Stuart.     London.     [1894.]     Portraits.  **T.93.i5 

Stuart,  Charles  Douglas,  and  A.  J.  Park. 

The  variety  stage.  A  history  of  the  music  halls  from  the  earliest 
period  to  the  present  time.  London.  Unwin.  [1895.]  ^ii.  255 
(i)  pp.  **T.97.i74 

Stuart,  Donald  Clive. 

Stage  decoration  in  France  in  the  Middle  Ages.  New  York.  The 
Columbia  University  Press.  1910.  ix,  230  pp.  [Columbia  Univer- 
sity studies  in  Romance  philology  and  literature.]  4676.123 
Student  and  singer.  Santley,  Sir  C.  **M.io6.2o;  etc. 
Student  theatricals. 

See  also  Amateur  theatricals;  Programmes.  Theatre.  Amateur. 

Adderley,  Hon.  J.  G.  The  fight  for  the  drama  at  Oxford.  Some 
plain  facts  narrated  by  J.  G.  Adderley.  With  a  preface  by  W.  L. 
Courtney.     Oxford.     1888.  **T.98.29 

Bellasis,  E.  The  money  jar  of  Plautus  at  the  Oratory  School:  an 
account  of  the  recent  representation.  London.  1885.  Illus. 
Plate.  **T.56.i35 

The  new  Terence  at  Edgbaston:  being  notices  of  the  perform- 
ances [at  the  Oratory  School]  in  1880  [The  cup-bearer]  and  1881 
[Phormio].     London.     1885.  **T.56.i67 

Boas,   F.   S.     University  drama   in   the  Tudor  age.     Oxford.      1914. 

4574.196 

College  of  St.  Francis  Xavier,  Nczv  York  City.  The  Latin  play  at 
Saint  Francis  Xavier's.     [New  York.     1890.]  **T.36.i7 

College  theatricals.  60-98  pp.  {In  Tales  from  Blackwood.  Vol.  2. 
Edinburgh.     [1861.])  *6579a.i53.2 

Cooper,  C.  H.  The  actors  in  Dr.  Legge's  tragedy  of  Richardus 
Tertius,  performed  at  St.  John's  College,  at  the  bachelors'  com- 
mencement, 1579-1580.  (In  Cambridge  Antiquarian  Society,  Eng- 
land. Antiquarian  communications.  Vol.  i,  pp.  347-357-  Cam- 
bridge.    1859.)  *25o6.6.i 

Elliot,  W.  G.,  editor.  Amateur  clubs  &  actors.  With  illustrations 
by  C.  M.  Newton  and  from  photographs.  London.  1898.  Por- 
traits.    Plates.  **T.96.i4i 

English  Club,  Leland  Stanford  Junior  University.  The  trve  historic 
of  the  Knyght  of  the  Burning  Pestle  by  Francis  Beaumont  and 
John  Fletcher.     Booke  of  the  play  as  presented  by  the   English 

[723] 


THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 


Student  theatricals.     (Continued.) 

Clvb  of  the  Stanford  University;  including  a  compendious  dis- 
course on  seeing  an  Elizabethan  play,  and  a  notable  account 
of  how  a  young  gallant  should  behave  himselfe  in  a  play-house, 
reprinted  from  the  Gvlls  horne-book  by  T.  Deckar.  San  Fran- 
cisco.    1903.    Portrait.    Plates.  2559.3.109 

Farren,  R.  The  birds  of  Aristophanes  as  performed  by  members  of 
the  University  at  the  Theatre  Royal,  Camljridge,  November, 
1883.     [Cambridge.     1884.]      (n)   plates.  **T.42.5 

The    Eumenides   of  Aeschylus   as  performed   by   memljers   of 

the  University  at  the  Theatre  Royal,  Cambridge,  December,  1885. 
Cambridge.     1886.     (6)  plates.  **T.42.4 

Iphigenia  in  Tauris  of  Euripides.     Performed  by  memlicrs  of 

the  University  at  the  Theatre  Royal,  Cambridge,  November  & 
December,   1894.     Cambridge.     [1895.]      (7)  plates.  **T.4i.2 

The  Oedipus  Tyrannus  of  Sophocles  as  performed  at  Cam- 
bridge Nov:  22-26,  1887.  With  a  portrait  of  C.  Villiers  Stanford. 
Cambridge.     1887.      (6)   plates.  **T.4i.3 

Garrison,  L.  -McK.  An  illustrated  history  of  the  Hasty  Pudding 
Club  theatricals.  With  an  introduction  by  J.  T.  Wheelwright. 
Cambridge.      1897.     Illus.     Plates.  *448oa.i57 

GoFFLOT,  L.  V.  Le  theatre  au  college  du  moyen  age  a  nos  jours, 
avec  bibliographic  et  appendices.  Le  Cercle  franqais  de  I'Uni- 
versite  Harvard.    Preface  par  Jules  Claretie.     Paris.     1907.    Plates. 

4674.17 

HiGGS,  G.  An  account  of  the  Christmas  prince  as  it  was  exhibited 
in  the  University  of  Oxford  in  the  year  1607.  {In  Miscellanea 
antiqua  Anglicana.     London.      1816.)  No.  3  in  *45i2.i42 

HoFFSTEN,  E.  G.  The  floating  island,  by  William  Strode,  together 
with  an  account  of  the  life  of  the  author,  and  a  review  of  the 
university  drama  in  England,  chiefly  after  the  year  1600.  Thesis, 
University  of  Pennsylvania.     [St.  Louis.     1908.]  2552.181 

Hosmer,  J.  K.  The  new  wrinkle  at  Sweetbrier;  or,  the  drama  in 
college.     [Boston.     1872.]  4498.107 

McCoNAUGHV,  J.  L.  The  school  drama,  including  Palsgrave's  intro- 
duction to  Acolastus.     New  York.     1913.  *3592. 220.57 

MACKINNON,  A.  The  Oxford  amateurs.  A  short  history  of  theatricals 
at  the  University.     London.     1910.     Portrait.     Plates.        2497.183 

NouMAN,  Sir  H.  An  account  of  the  Harvard  Greek  play  [the  CEdipus 
Tyrannus  of  Sophocles].    Boston.    1882.    Portraits.    Plates.    Music. 

3006.8;  **T.57.i25;  etc. 

Old  Westminster,  An,  pseud.  The  Westminster  play  [the  Phormio  of 
Terence]:  its  actors  and  its  visitors.     [London.]     1855.    **T.97.265 

Prvor,  F.  R.  The  CEdipus  Tyrannus.  A  record  by  L.  Speed  and  F. 
R.  Pryor  of  the  performance  [at  the  University  of  Cambridge] 
in  November,  1887.     Cambridge.     [1888.]     Illus.     Plate.       **T.3i.6 

Radcliffe  College  Alumnae  Association.  Pirates  of  Penzance.  For 
tlie  benefit  of  Radcliffe  College  Library.  [Announcement.  Bos- 
ton.    1905.]  4358.66 

Schmidt,  E.,  Pater.  Die  Biihnenverhaltnisse  des  deutschen  Schul- 
dramas  und  seiner  volkstiimlichen  Ableger  im  sechzehnten  Jahr- 
hundert.     Berlin.     1903.     Plates.  4873. iii 

Stage,  The,  condemn'd  and  the  encouragement  to  the  immoralities 
and  profanencss  of  the  theatre,  by  the  English  schools,  univer- 
sities and  pulpits,  censur'd.     London      1698.       No.  i  in  **G.3823.20 

[724] 


BROWN   COLLECTION   OF   BOOKS    ON    THE   STAGE 


Student  tlieatricals.     (Continued.) 

University  of  Chicago.  At  the  Auditorium  playe-house,  Chicago, 
neare  to  the  bank-side,  the  seventeenth  of  Maye  next,  a  right 
mery  and  wittie  comcdie  intituled  The  case  is  alterd,  puljliqucly 
acted  by  the  students  in  the  Universitie.  [A  synopsis  of  the  play, 
with  notes.     Chicago.]      1902.     Portraits.     Plates.  *6579.i23 

University  of  Oxford.     Archives.     James  I  at  Oxford  in   1605.     (/« 
Malone  Society.     Collections.     Vol.  i,  part  3,  pp.  247-259.     [Ox- 
ford.]     1909.)  **G.4077.i5.i.Part  3 
Werenfels,  S.    The  usefulness  of  dramatic  interludes,  in  the  educa- 
tion of  youth:  an  oration  spoke  before  the  masters  and  scholars 
of  the  University  of  Basil.     London.     1744.        No.  10  in  **G.3824.2 
Studies  in  seven  arts.     Symons,  A.  4077.348 
Studies  in  stagecraft.     Hamilton,  C.  M.  2256.63 
Studies  of  old  actors,     i:   Garrick  in  "Lord  Hastings."     11:  Mossop  in 
"Cardinal  Wolsey."   in:  Henderson  in  "Jacques."    [Dublin.    1863.] 
45(^458  pp.                                                                           No.  4  in  **G.62.5 

Cut   from    the    University   Magazine,    October,    1863    [Periodical    Room    *3iR8.i]. 

Studies  of  the  drama.     Pinkham,  G.  R.  **T.46.49 

Studies  of  the  stage.     Matthews,  J.  B.  24093.114;  **T.49.2;  etc. 

Stuemcke,  Heinrich  C.  A. 

Die  Deutsche  Theaterausstellung,  Berlin,  1910.  Berlin.  191  r.  xii, 
58  pp.  45  plates.  Portraits.  Facsimiles.  [Gesellschaft  fiir 
Theatergeschichte.]  6907.27 

Henriette  Sontag.  Ein  Lebens-  und  Zeitbild.  Berlin.  1913.  xvi, 
312  pp.  Portraits.  Plates.  Facsimiles.  [Gesellschaft  fiir 
Theatergeschichte.]  6907.30 

Stuemcke,  Heinrich  C.  A.,  editor. 

BuEHNE  und  Welt.     [Semi-monthly.]     Zeitschrift  fiir  Theaterwesen, 

Literatur    und    Musik.      Jahrgang    1-14.       1898/99-1912.      Berlin. 

[i898-]i9i2.     14  V.  in  28.     Illus.     Portraits.     Plates.  **T.24.i 

ScHROEDER,  A.  S.     Bricfe  von  Sophie  Schroder  (1813-1868).     Berlin. 

1910.     Portraits.  6907.26 

Sturgis,  Granville  Forbes. 

The  influence  of  the  drama.  New  York.  The  Shakespeare  Press. 
1913.     203  pp.  6257.60 

Lists  of  plays,   etc.,   pp.    136—202.      Relates   also  to   theatrical   conditions   in   the 
United  States. 

Stuttgart,  Germany.     Theatres.     Hoftheater. 

Mueller-Palm,    a.       Briefe    aus    der    Bretterwelt.      Ernstes    und 
Heiteres  aus  der  Geschichte  dcs  Stuttgarter  Hoftheaters.     Stutt- 
gart.    1881.  **T.76.i7i 
Wehl,  F.  von.    Fiinfzehn  Jahre  Stuttgarter  Hoftheater-Leitung.     Ein 
Abschnitt  aus  nieinem  Leben.     Hamburg.     1886.     Portrait.     Plate. 

**T.76.30 
Styles,  John. 

A  defence  of  An  essay  on  the  immoral  and  anti-Christian  tendency 
of  the  stage,  against  the  animadversions  of  a  critique  in  the 
Annual  Review.     London.     Williams  &  Smith.     1807.     68  pp. 

**T.96.i09 
The  Annual  Review,  containing  Arthur  Aikin's  attack,  may  be  found  on  shelf- 
number   *7295.io.5. 

An  essay  on  the  character,  immoral,  and  antichristian  tendency  of 
the  stage.    Newport,  Isle  of  Wight.   The  Author.    1806.   xi,  139  pp. 

**T.77.i58 

[725] 


THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 


Styles,  John.     (Continued.) 

Same.    An  essay  on  the  character  and  mfluence  of  the  stage  on  morals 

and  happiness.    2d  edition,  with  an  appendix.     London.     Williams 

&  Smith.     1807.     xi,  188  pp.  **T.77.i57 

Same.     The  stage:  its  character  and  influence.     4th  edition,  revised. 

London.     Ward  &  Co.     1838.     vi,  210  pp.  **T.96.i35 

Subsidies.     Government. 

BosiUET,  P.    Histoire  des  theatres  nationaux.    Paris.     [1909-]     4674-33 

Malliot,  a.  L.     Le  nouveau  regime  des  theatres  dans  les  departe- 

ments.    Fondation  des  theatres  imperiaux  de  la  province.     Rouen. 

1865.  **T.97.222 

MoNVAL    G.   H.    M.     Les  theatres   subventionnes.     Paris.      1879. 

**T.95.63 
Succes  dramatiqucs,  Les.    Giffard,  P.  L.  **T.49.9 

Suckau,  Edouard  de,  translator. 

LE.NbiNG,  G.  E.     Dramaturgic  de  Hambourg.     Paris.     1885.     **T.47.29 

Suite  de  I'Observateur  des  spectacles.     [Hebdomadaire.]     Annee,   1763. 

Continuee   par   Mr.   ***.      No.    1-13.     Jan.   4 -mars    29,    1763.     A 

Amsterdam,  Chez  H.  Constapel.     1764.     (i),  206  pp.  **T.28.22 

Clicvi-icr's  L'obscrvateur  des  spectacles  may  be  found  on  shelf-number  **T.28.2i. 

Sullivan,  Sir  Arthur  Seymour. 

Cellier,  F.  a.,  and  C.   Bridgeman.     Gilbert  and  Sullivan  and  their 

operas.     With   recollections   and  anecdotes  of   D'Oyly   Carte   & 

other  famous  Savoyards.   Boston.   1914.   Portraits.   Plates.  4047.135 

Fitzgerald,  P.  H.    The  Savoy  opera  and  the  Savoyards  [Gilbert  and 

Sullivan].     London.     1894.     lUus.     Portraits.  2578.113 

Sullivan,  Barry. 

Lawrence,  W.  J.  Barry  Sullivan:  a  biographical  sketch.  London. 
1893.    Portrait.  **T.57.450 

Sillard,   R.    M.      Barry    Sullivan   and    his    contemporaries.      A   his- 
trionic record.    London.    1901.    2  v.    Portraits.    4545.176;  **T.56.30 
Sullivan,  Mary. 

Court  masques  of  James  L  Their  influence  on  Shakespeare  and  the 
public  theatres.  New  York.  Putnam.  1913.  xi,  259  pp.  Portrait. 
Plate.     Facsimile.  4594-170 

Sullivan,  Thomas  Barry.     See  Sullivan,  Barry. 
Sumbel,  Leah.    See  Wells,  Mary. 
Summers,  William.    See  Sommers,  William. 

Sunny  side  of  the  street.     Wilder,  M.  P.  *44o8.234 

Supernumerary,  A,  pseud.    See  Ford,  Tom. 

Sur  I'art  du  comedien.    Failly,  E.  J.  **T.95.6i 

Sur  rOpera  et  sur  le  danger  auquel  il  vient  d'echapper.     Paris.     Dela- 

forest.      [182-?]     8  pp.  No.  4  in  **M.i26.8 

Sur  la  scene  et  dans  la  salle.     Jallais,  A.  J.   B.   F.-R.  de.         **T.79.2i 

Sur  les  planches.     Lambert,  A.  L.  **T.77.i35 

Surrey    Dramatic    Spectator,    The:    or,    critical    remarks    on    the    daily 

performances,  with  the  bills  of  the  play.     Vol.   i    (no.  79).     Jan. 

30,  1828.     [London.]     1828.  **T.26.i7 

Susarion,  pseud.,  editor. 

Tom  KINS,  Simon,  pseud.  The  adventures  of  a  strolling  player.  An 
autobiography.     London.     [1868.]  **T.58.i27 

Sutor,  Alexander. 

An  essay  on  the  stage:  in  which  the  arguments  in  its  behalf,  and 
tliose  against  it,  are  considered;  and  its  morality,  character,  and 
effects  illustrated.  Aberdeen.  Chalmers  &  Co.  1820.  (10),  166 
I'P.  **T.77.58 

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BROWN   COLLECTION   OF  BOOKS   ON   THE   STAGE 


Sutton,  Albert. 

Shakespeare    and    the    drama.      A    catalogue    of    Shakespearean    and 
dramatic    literature    offered    for    sale    by    Albert    Sutton.      Man- 
chester.    [189-?]     23  pp.     Portraits.  **T.65.43 
Same.     24  pp.     Portrait.     [No.   107.]                                            **T.65.44 
Same.      1905.     32  pp.     Illus.     Portraits.      [No.   130.]  **T.66.28 
Svetloff,  Valerian,  and  Leon  Bakst. 

Le  ballet  contemporain.    Traduction  frangaise  de  M.-D.  Calvocorcssi. 
[Paris.     Brunoff.]      1912.     (4),  vii,   (i),   134,   (3)   pp.     IlJus.      Por- 
traits.    Plates,  many  colored.  *404oa.i4o 
Swan,  Anna. 

The  Siamese  twins,  Chang  and  Eng.  With  sketches  of  the  lives  of 
Miss  Swan,  the  Nova-Scotian  giantess,  and  Zoebida  Luti,  the 
lady  of  beauty.     London.     [1869.]     Portraits.  **T.s6.234 

Swell,  Jeremy,  pseud. 

The  tailors'  revolt;  a  mock-heroic  poem,  in  three  books.  London. 
Hughes.     1805.     V,  5-23  pp.  No.  3  in  **G.3824.i4 

Relates  to  a  riot  which  took  place  at  the  Haymarket  Theatre,  August  15,  1805, 
when  a  mob  of  tailors  attempted  to  stop  the  performance  of  Samuel  Foote's 
tragedy,  The  tailors.  A  reply  to  this  poem,  by  A.  Flint,  called,  The  tailor's 
answer  to  the  late  attacks  upon  their  profession  .  .  .  may  be  found  on  shelf- 
number  No.  6  in  **G. 3821. 5. 

Swift,  Jonathan,  alleged  author. 

A  project  for  the  advancement  of  religion,  and  the  reformation  of 
manners.  By  a  person  of  quality.  London:  Printed  for  Bcnj. 
Tooke.     1709.     62  pp.  No.  3  in  **G.3823.i4 

Discusses  in  part  the  question  of  the  theatre  and  amusements. 

Switzerland.     Theatres. 

Beetschen,  a.     Das  Theaterwesen  in  der  Schweiz.     Berlin.     1897. 

**T.96.25 
Sylvaticus,  pseud.    See  Pennie,  John  Fitzgerald. 
Symonds,  John  Addington,  translator. 

Gozzi,  C,  Conte.     The  memoirs  of  Count  Carlo  Gozzi.     With  essays 

on  Italian  impromptu  comedy.     Also  subjects  illustrating  Italian 

comedy  by  Maurice  Sand.     London.     1890.    2  v.     Portrait.     Plates, 

some  colored.  **T.55.4i ;  etc. 

Symons,  Arthur. 

Plays,  acting  and  music.     London.     Duckworth  &  Co.     1903.     (11), 

196  pp.     Portraits.  6252.68 

Studies  in  seven  arts.     3d  impression.     New  York.     Dutton   &  Co. 

1910.     vii,  394  pp.  4077-34^ 

Contains,  among  others,  essays  on  Eleonora  Duse ;  A  new  art  of  the  stage;  A 
symbolist  farce;    Pantomime  and  the  poetic  drama;   The  world  as  ballet. 

Synge,  John  Millington. 

Bourgeois,  M.  John  Millington  Synge  and  the  Irish  theatre.  [With 
a  list  of  first  performances  of  Synge's  plays  in  various  countries 
and  places.]      London.      1913.      Portraits.     Plates.  4579.244 

T 

T.,  E.  B. 

Lc  theatre  St-Martin,  revue  satirique,  critique,  ou  tout  ce  que  Ton 
voudra,  en  82  lignes  de  prose  soi-disant  rimee.  Paris.  Huet.  1820. 
7  pp.  No.  7  in  **G.3562.i 

T.,  J. 

A  letter  of  compliment  to  the  ingenious  author  of  A  treatise  on  the 
passions,  so  far  as  they  regard  the  stage;  with  a  critical  enquiry 

[727] 


THE  PUBLIC  LIBRARY  OF  THE   CITY   OF  BOSTON 


T.,  J.     (Continued.) 

into  the  theatrical  merit  of  Mr.  G k,  Mr.  Q n,  and  Mr. 

B y,  &c.     With  some  furtlier  remarks  on   Mr.   M n.     And 

a  few  hints  on  our  modern  actresses,  particularly  Mrs.  C r  and 

Mrs.  r d.     London:  Printed  for  C.  Corbrett.     [i747-]     47  PP- 

Another  copy  is  on  shelf-number  No.  9  in  **G.382i.5.  **T.77.30 

Tableau,  Le,  des  theatres,  almanach  nouveau.    Pour  I'annee  1750.    A  Paris, 
chez  la  veuve  Delormel  &  fils.     1750.     61  pp.     No.  i  in  **G.3568.i.i 
Tableaux  vivants. 

Frost,  S.  A.     The  book  of  tableaux  and  shadow  pantomimes.     New 
York.     [1869.]  4009a.26o 

Tablettes  dramatiques.     Mouhy,  C.  de  F.,  Chevalier  de.        **T.78.67;  etc. 
Taconet,  Gaspard  Toussaint. 

Ap.TAUD,  J.  B.    Taconet;  ou  memoircs  historiqucs  pour  servir  a  la  vie 
de  cot  homme  celebre.     A  Amsterdam,  1775.  **T.57.i8i 

Taconnet,  Toussaint  Gaspard.     See  Taconet,  Gaspard  Toussaint. 
Taglioni,  Paolo. 

[The  revolt  of  the  harem.]     Programme  of  the  story,  scenery,  and 

dances,  in  the  fairy  tale,  The  revolt  of  the  harem.   London.    Miller. 

[1834.]     20  pp.  **T.36.23;  No.  i  in  **M.i47-35 

Tailor's  answer.  The,  to  the  late  attacks  upon  their  profession.     Flint, 

A.,  pseud.  No.  6in**G.382i.5 

Tailors'  revolt,  The.     Swell,  Jeremy,  pseud.  No.  3  in  **G.3824.i4 

Talbot,  Frederick  Arthur  Ambrose. 

Moving  pictures:  how  they  are  made  and  worked.     Philadelphia.     J. 
B.  Lippincott  Co.    1912.    xv,  340  pp.     Illus.    Plates.    Plans.     [Con- 
quests of  science.]  80390.49 
Practical  cinematography  and  its  applications.     Philadelphia.     J.  B. 
Lippincott  Co.     1913.    xii,  262  pp.     Plates.     Diagrams.        80398.51 
Tale,  The,  of  a  modern  genius.     Pennie,  J.   F.                              **T.57.20 
Tales  from  the  note-l)Ook  of  a  stroller.     Stewart,  D.                **T.57.266 
Tales  from  the  note-book  of  an  ex-actor.     Fleck,  D.,  and  W.  Artis. 

**T.87.9o 
Talfourd,  Sir  Thomas  Noon. 

An  apology  for  the  life  of  Mr.  Colley  Gibber,  comedian,  written  by 
himself.      [Review.      London.      1820.]      167-181    pp. 

No.  8  in  **G.3930.i3.i 

Cut    from   the   Retrospective    Review,    M.iy    i,    1820    [Periodical    Room    *3i84.3]. 
Colley  Cibber's  Apology  may  be  found  on  shelf-numbers  **T. 56.214;   **T.54.7; 
etc. 
Talfourd,  Sir  Thomas  Noon.     Works  about. 

Visitor,  A,  pseud.    The  theatre.     Observations  on  a  recent  pamphlet, 

entitled  "The  pulpit  justified  and  the  theatre  condemned,"  by  the 

Rev.  John  East,  in  a  letter,  addressed  to  Thomas  Noon  Talfourd. 

London.     1844.  *  **T.76.ioo 

Talk,  A,  about  the  green-room,  and  its  people.     Logan,  O. 

No.  14  in  **G.3822.3 
Talks  with  playgoers.     Jones,  H.  A.  **T.76.i86 

Tallis,  John,  &  Co.,  publishers. 

/o    engravings    from    photographs    of    living    actors,    illustrative    of 
Shakespeare's  plays.     Proof  impressions.      [London.      1851?] 

**G.Cab.i.8 

A   number   of   these   portraits   appear   also    in   Tallis's    Shakspere    gallery    of    en- 
gravings. 

Tallis's  Illustrated  Life  in   London.     See  Sporting   Pilot,  The,  and  the 
Age,  lluTitrical,  musical,  and  sporting. 

[728] 


BROWN   COLLECTION    OF  BOOKS    ON    THE   STAGE 

Tallis's  Shakspcrc  gallery  of  engravings.     London.    Tallis  &  Co.     [1850- 
53.]     3  V.  in   I.     Portraits.     Autograph  facsimiles.  **T.23.i2 

From    Nov.    1850   to   June    185 1    this    work    was    issued    monthly    under    the    title 

Tallis's   Dramatic   Magazine  and   General   Theatrical    &   Musical    Review.      It  was 

succeeded  by  Tallis's   Drawing-room   table   book  of  theatrical   portraits,   memoirs, 

and  anecdotes,  which  was  issued  in  six  parts,  and  which  consisted  of  biO)5rai)hical 

sketches  of  actors.     This  was  in  turn  succeeded  by  Tallis's  Shaksperc  gallery  of 

engravings,  which  was  issued  in  twenty  parts. 

This   volume  contains   all   the   issues   under  the    first    title;    apparently    all    under 

the   second    (although   they    are    without    seiiaratc   lille-pages    and    unnumbered)  ; 

and  about  half  (also  without  title-pages)  under  the  third. 

A   copy   containing  only  Tallis's   Dramatic    Magazine  and    General   Theatrical   K- 

Musical  Review  is  on  shelf-number  *72Soa.45. 

Same.  Intended  as  a  supplementary  volume,  or  to  illustrate  all 
existing  editions  of  the  works  of  the  immortal  bard  of  Avon: 
with  essays  on  the  plays,  forming  a  history  of  the  sources  from 
which  he  derived  his  subjects,  and  a  critical  analysis  of  every 
drama.  London.  The  London  Printing  and  Publishing  Co. 
[185-?]      Unpaged.     Portraits.     Plate.     Autograph    facsimiles. 

**G.3952.ii 
Tallis's  Theatrical  and  Musical  News.     Sec  Sporting  Pilot,  The,  and  the 

Age,  theatrical,  musical,  and  sporting. 
Talma,     Cecile    Caroline    Charlotte.       See    Vanhove,     Cecile    Caroline 

Charlotte. 
Talma,  Frangois  Joseph. 

Memoires  de  J.-F.  Talma  ecrits  par  lui-meme  et  receuillis  [sic]  et  mis 

en   ordre    sur    les   papiers    de    sa    famille   par   Alexandre    Dumas. 

Paris.     Souverain.     1849,  50.     4  v.  in  2.  *4646.55 

Same.     Tome  r-3.     1850.     3  v.  in  i.  **T.55.9i 

Reflexions  sur  Lekain  et  I'art  theatral.     Paris.     Fontaine.     1856.     (3), 

xxiv,  95  pp.  467ob.52 

At   the   end   is   a   list   of   parts   played    by    Talma.      This   miy    also    be    found    in 
Lekain's  Memoires   [**G.224.2.i3]. 

Same.     Reflexions  on  the  actor's  art.     With  an  introduction  by  Sir 

Henry   Irving,   and   a   review   by    H.    C.    Fleeming   Jenkin.      New 

York.     1915.     (5),  63,   (i)   pp.      [Columbia  University.     Dramatic 

Museum.]  **T.46.6i.4 

Same.     Talma   on   the   actor's   art,   with   preface    by    Henry    Irving. 

London.     Bickers.      [1883.]      26,    (i)    pp.       ^        4673.77;  **T.76.i42 

Reponse  au  memoire  de  la  Comedie  frangaise.    A  Paris,  Chez  Garnery. 

L'an  second  de  la  liberte  [1790].     (3),  27  pp.  **T.76,i62 

Talma,  Frangois  Joseph,  prefacer. 

Lekain,  H.  L.  Cain,  called  Lekain.  Memoires.  Precedes  de  re- 
flexions sur  cet  acteur  et  sur  I'art  theatral,  par  F.  Talma.  Paris. 
1825.  **T.56.io;etc. 

Talma,  Frangois  Joseph.     Works  about. 

A  Monsieur  Talma,  apres  une  representation  d'Qidipe  sur  le  theatre 

d'Amiens.     [Vers.     Amiens?     18—?]      (i)   p.  **T.97.i35 

B.,  J.  M.    L'eleve  de  Melpomene.    A  M.  Talma.     [Vers.]     Paris.    1808. 

**T.97.i36 
Copin,  a.     fitudes  dramatiques.     Talma  ct  I'Empire.     Paris.     1887. 

**T.57.200 

fitudes  dramatiques.     Talma  et  la  Revolutions.     Paris.     1887. 

**T.57.269 

Duval,  £.    Talma.     Precis  historique  sur  sa  vie,  ses  derniers  momens 

et    sa    mort,    suivi    d'anecdotes,    de    quelques    jugemens    sur    ce 

tragedien  et  des  discours  prononces  sur  sa  tombe.     Paris.     1826. 

Portrait.  **T.59.38 

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THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 

Talma,  Frangois  Joseph.     JVarks  about.     (Continued.) 

FiRMiN,  J.  F.  Becquereli.e,  called  Firmin.  Parallele  entre  Talma  et 
Lekain.  Esquisse.  Suivi  de  quelques  reflexions  sur  I'art 
dramatique.     Paris.    1826.  **T.57.34 

L.\FON,  P.  Discours  prononce  sur  la  tombc  de  Talma,  le  21  octobre 
1826.     Paris.     1826.  **T.97.i7 

L.\UGiER,  A.  Notice  sur  Talma.  Paris.  1827.  (3),  136  pp.  Plate. 
Facsimile.  No.  5  in  **M.i47.i6 

Manne,  a.  E.  D.  de.  Galerie  historique  des  comcdiens  de  la  troupe 
de  Talma.  Notices  sur  les  principaux  societaires  de  la  Comedie 
frangoise  depuis  1789  jusqu'  aux  trente  premieres  annees  de  ce 
siccle.  COuvrage  faisant  suite  a  La  troupe  de  Voltaire.)  Lyon. 
1866.     Portraits.  **T.56.93 

Mejanel,   a.      Alemoires   de   Talma.     Londres.      1817.     Plate. 

No.  6  in  **M.i25.7 

MoREAU,  C.  F.  J.  B.  Memoires  historiques  et  litteraires  sur  F.-J. 
Talma.     Paris.     1826.  **T.57.32 

Paris.  Theatres.  Comedie  fran^aise.  Expose  de  la  conduite  et  les 
torts  du  Sieur  Talma,  envers  les  comediens  frangais.  A  Paris. 
1790.  **T.76.iog 

Philalethe,  pseud.  Deux  avis  sur  ce  siecle,  ou  le  vieillard  d'autrefois 
refute  par  I'homme  d'aujourdhui.  Critique  pour  les  uns,  panegy- 
rique  pour  les  autres,  poeme  philosophique  et  moral  pour  tout  le 
monde.    Suivi  d'une  epitre  a  M'"  Talma.    Paris.     [18 — ?]     **T.97.i33 

PoTiER  de  Lille,  L.  Justification  des  comediens  frangois.  Opinions 
sur  les  chefs-d'oeuvres  des  auteurs  morts,  &  projet  de  decret 
portant  reglement  entre  les  auteurs  dramatiques  &  tous  les 
comediens  du  royaume.     [Paris?     1790.]  **T.76.i63 

Regnault-Warin,  J.  B.  J.  I.  P.  Memoires  historiques  et  critiques 
sur  F.-J.  Talma,  et  sur  I'art  theatraj.     Paris.     1827.    **T,56.i76;  etc. 

Reiffenberg,  F.  a.  F.  T.,  Baron  de.     [Epitre  a  Talma.]     N.  p.     [18 — ?] 

**T.97.i34 

Tis.soT,  p.  F.  Souvenirs  historiques  sur  la  vie  et  la  mort  de  F. 
Talma.     Paris.      1826.      Portrait.  No.  5  in  **M.i25.7 

Vaniiove,  C.  C.  C.  Etudes  sur  I'art  theatral  suivies  d'anecdotes 
inedites  sur  Talma,  et  de  la  correspondance  de  Ducis  avec  cet 
artiste,  depuis  1792  jusqu'  en  1815.     Paris.     1836.  **T.76.54 

Talma,  J.  F.    See  Talma,  Frangois  Joseph. 
Talmage,  Thomas  DeWitt. 

PoRTEous,  G.  B.  Rev.  Dr.  Porteous  on  the  pulpit  and  stage;  or, 
churches  and  theatres,  and  players  and  preachers.  An  antici- 
pated reply  to  Rev.  Dr.  Talmage's  tirade  against  theatres.  New 
York.     1874.  7464.134;  **T.95,35 

Tamburini,  Antonio. 

BiEZ,  J.  DE.  Tamburini  et  la  musique  italienne.  Paris.  1877.  Por- 
trait. 27498.51 ;  No.  4  in  **M. 128.31 

Maccolini,  G.     Delia  vita  e  dell'  arte  di  Antonio  Tamburini   fino  al 
giugno  del  1842.     Breve  commentario.     Faenza.     [1842.]     4049.127 
Tampier,  L.  C.  Camille. 

Dernieres  heures  de  Rachel.  Lettres  qui  lui  ont  ete  adressees  sur 
sa    maladie.      Paris.      Labe.      1858.      (3),   96,    (3)    pp. 

No.  4  in  **M.i47.i6 
Taormina,  Sicily.     Theatres.    Teatro  Greco. 

Gallo,  a.  Descrizione  istorica,  ed  antiquaria  dell'  antico  teatro  di 
Tavormina.      [Messina?      1773.]      Plates.  *4098.ioi;  etc. 

[730] 


I 


BROWN   COLLECTION    OF  BOOKS    ON    THE   STAGE 


Taphanel,  Achille. 

Le    Theatre    de    Saint-Cyr.      (1689-1792.)      D'apres    des    documents 
inedits.   Versailles.   Cerf.    1876.   xi,  288  pp.    Plan.   2674.51;  **T.76.i4 
Tarlton,  Richard. 

Tarlton's  iests;  and  News  out  of  Purgatory,  with  notes,  and  some 
account  of  the  life  of  Tarlton.  By  Tames  Orchard  Halliwell. 
London.   [Shoberl.]    1844.  xlvii,  135,  (i)  pp.   [Shakespeare  Society.] 

Other  copies  are  on   shelf-numbers  No.  i  1:1*4596.9;    **G.3927.i4.  4SQ6.';7 

Tarlton's  jests.  [With  notices  of  him  from  various  sources.]  (In 
Hazlitt,  W.  Carew,  editor.  Shakespeare  jest-books.  Vol.  2,  pp. 
189-260.     London.     1864.)  4598.1 1.2 

Another  copy  is  on  shelf-number  **G.4072.8.2. 

Tarlton,  Richard.     Works  about. 

Nicholson,  B.  Kemp  and  the  play  of  Plamlet  —  Yorick  and  Tarlton 
—  a  short  chapter  in  dramatic  history.  {In  New  Shakspere  So- 
ciety. Transactions.  No.  8.  1880-6.  Part  i,  pp.  57-66.  London. 
1881.)  *6552.io,i88o-i886.i;etc. 

Taschereau,  Jules  Antoine. 

Histoire  de  la  vie  et  des  ouvrages  de  Moliere.  Paris.  Ponthieu. 
1825.     vj,  448  pp.     Autograph   facsimiles.  4645.67 

Same.  2e  edition  augmentee.  Brissot-Thivars.  1828.  vij,  452  pp.  2655.4 
Bibliographie  de  Moliere,  pp.  415-436.  Other  copies  are  on  shelf-numbers 
**47o6.i3;   **G.352i.ii. 

Same.     3e  edition,  augmentee.     (3),  iv,  316  pp.     Portrait.     Plate. 

Bibliographie  de  Moliere,  pp.   277-300.  **T.57.325 

Taste,  The,  of  the  town.     [Anon.]      See  Ralph,  James. 

Tatler,  The,  a  miscellany  of  literature,  fine  arts,  music,  and  theatricals. 
Edited  by  R.  Seton.  [Tri-wcekly.]  New  series,  no.  1-56,  58,  59. 
April  2 -October  6,  1832.     London.     1833.  **T.25.30 

Tawney,  Mildred  C.     See  Vyvyan,  Mildred  C. 

Taylor,  . 

Theatrical  portraits,  epigramatically  delineated;  wherein  the  merit 
and  demerit  of  most  of  our  stage  heroes  and  heroines  are  excel- 
lently painted  by  some  of  the  best  masters.  London:  Printed  for 
J.  Bew.     [1774.]     ix,  14  pp.  No.  13  in  **G.3820.9 

On  actors  in  the  London  theatres. 

Taylor,  Clara  Marie  Cecilia  Stella. 

Creahan,  J.     The  life  of  Laura  Keene,  actress,  artist,  manager  and 

scholar.      With    reminiscences    of    her    daughters    [Clara    Marie 

Cecilia    Stella   Taylor   and    Emma   Taylor].      Philadelphia.      1897. 

Portraits.     Plates.  4343.225 ;  **T.55. 60 

Taylor,  Douglas,  editor. 

Drew,  L..  L.  Autobiographical  sketch  of  Mrs.  John  Drew.  With 
an  introduction  by  her  son  John  Drew.  With  biographical  notes 
by  Douglas  Taylor.     New  York.     1899.     Illus.     Portraits.     Plate. 

4343.212;  **T.56.253 
Maeder,  C.  F.  Autobiography.    New-York.    1897.    Portraits.   **T.95.i6 
Taylor,  Emerson. 

Practical  stage  directing  for  amateurs.  A  handbook  for  amateur 
managers  and  actors.  New  York.  Dutton  &  Co.  [1916.]  (6), 
194  pp.     Diagram.  6257.106 

Taylor,  Hobart  Chatfield  Chatfield-. 

Goldoni.  A  biography.  Illustrations  from  the  paintings  of  Pietro 
and  Alessandro  Longhi.  New  York.  Duffield  &  Co.  1913.  (i), 
xvii,  695  pp.     Portrait.     Plates.  2744.93 

Bibiiographiy,   pp.    646-668.      Contains  chapters  on  the  theatre  at   Venice. 

[731] 


THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 

Taylor,  Hobart  Chatfield  Chatfield-.     (Continued.) 

Moliere.    A  biography.     New  York.     Duffield  &  Co.  1906.     xxv,  434 

pp.     Plates.  2642.206 
Taylor,  Isidore  Justin  Severin,  Baron. 

Catalogue  de   [sa]    bibliotheque   dramaticjue,   dont   la  vente  aura  lieu 

27  novembre-13   decembre.     Paris.     Techener.  1893.     xvi,  491, 

(2)  pp.  **T.64.4 
Taylor,  John. 

Poems  on  various  subjects.     London.     Payne   &  Foss.     1827.     2  v. 

Many  of  these  deal  with  actors  and  the  stage.  **T.96.I98 

Records  of  my  life.    London.    Bull.     1832.    2  v.    Portrait.    Autograph 

facsimile.  **T.55.io3 

Contains  many  references  to  actors. 

Same.     New- York.     Harper.     1833.     461  pp.  **T.55.io4 

Other  copies  are  on  shelf-numbers  **K.33.2;   **K.33.i2. 

Taylor,  John,  the  Water  Poet. 

The  trve  cavse  of  the  watermen's  suit  concerning  players,  and  the 
reasons  that  their  playing  on  London  side  is  their  extreame 
hindrances.  With  a  relation  how  farre  that  suit  was  proceeded 
in,  and  the  occasions  that  it  was  not  effected.  [London.  1872.] 
19  pp.     [The  old  book  collector's  miscellany.     Vol.  2.]     **T.76.i45 

Another  copy  is  on  shelf-number  No.  15  in  *4555.S2.2. 

Taylor,  Tom. 

The  great  actors  of  1775.  [London.  1863.]  83-89,  158-169,  245-259 
pp.  No.  3  in  **G.62.5 

Cut  from  the  Victoria  Magazine,  May,  July,  1863  [Periodical  Room  *7363.i]. 
Devoted  to  Garrick,  Weston,  and  others. 

Personal  reminiscences  by  O'Keeffe,  Kelly  and  Taylor.  New  York. 
Scribner,  Armstrong  &  Co.      1875.     xxi,   341   pp.  6549.129 

The  theatre  in  England.  Some  of  its  shortcomings  and  possibilities. 
London.  The  British  &  Colonial  Publishing  Co.,  Ltd.  1871.  11, 
(i)  pp.  **T.95.36 

Reprinted  from  The  Dark  Blue,  Aug.,   1871    [*73i7.50.i]. 

Taylor,  William. 

A  concise  statement  of  transactions  and  circumstances  respecting 
the  King's  Theatre,  in  the  Haymarket,  together  with  the  official 
correspondence  upon  the  same  subject.  2d  edition.  London: 
Published  by  J.  Debrett.     1791.     (3),  48  pp.  No.  4  in  **G.3824.i3 

This  theatre  is  now  called  llis  Majesty's  Theatre. 

Tcheng-Ki-Tong. 

Les  Chinois  peints  par  eux-memes.     Le  theatre  des  Chinois.     fitude 

de    mosurs    comparees.      Paris.      Levy.      1886.      (5),    xii,    324    pp. 

[Bibliotheque  contemporainc.]  30193.56;  **T.47. 26 

Tears,  The,  of  genius.     Sheridan,  R.  B.  B.  **T.57.403 

Teasdale,  Harvey. 

The  life  and  adventures  of  Harvey  Teasdale,  the  converted  clown  and 

man    monkey.      With    his    remarkable    conversion    in    Wakefield 

Prison.     9th   edition.  —  i8th   thousand.      Sheffield.     The    General 

Printing  &  Publishing  Co.,  Ltd.     1873.     103,  (i)  pp.  **T. 57.370 

Tea-table  talk.     Mathews,  A.  2578.52;  **T. 56.316 

Teatro,  II,  e  gli  artisti.     Mastriani,  G.  **T.76.67 

Technik,  Die,  dcr  Aktschliisse  im  dcutschen  Drama.     Hochgreve,  W. 

6257.390 
Tegg,  Thomas. 

The  rise,  progress,  and  termination  of  the  O.  P.  War,  in  poetic 
epistles,  or  Hudibrastic  letters.     London.     Tegg.     1810.    xi,  179  pp. 

**T.78.4i 
17321 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 

Tegg,  Thomas.     (Continued.) 

Shakspeare  and  his  contemporaries.  Witli  the  plots  of  his  plays, 
theatres  and  actors.  London.  Tegg  &  Co.  1879.  ix,  (i),  244  pp. 
Portraits.     Plates.     Autograpli  facsimile.  2597.38;  **T.57.273 

Telbin,  Rose. 

D.,  J.  M.  Memoir  of  the  late  Miss  Rose  Telbin.  [New  York.  185-?] 
Portrait.  **T.98.ii4;  etc. 

Telbin,  W.,  illustrator. 

London.  Theatres.  Lyceum  theatre.  Souvenir  of  King  Henry  I  he 
Eighth,  presented  5th  January,  1892,  by  Henry  Irving.  London. 
1892.     (20)  plates.  45993.109;  **T. 58.151 

Temoin,  Un,  de  ses  fautes,  pseud.     See  Banville,  Theodore  Faullain  de. 
Tempel,  J. 

Scenen  aus  Shakespeare's  Dramen.     [London?     187-?]     12  plates. 

With  descriptive  matter  on  the  reverse  side.  No.  2  in  **G.3952.28 

Tempete,  La.  Storm,  The.  Programme  of  the  story,  scenery  &  dances, 
in  the  new^  grand  fairy  ballet,  in  two  acts.  The  storm.  Founded 
on  'La  tempete.'     London.     [1834.]  **T.36.68 

Templeton,  John. 

Husk,  W.  H.,  editor.  Templeton  &  Malibran.  Reminiscences  with 
original  letters  &  anecdotes.     London.     [1880.]      Portraits. 

4057.39  ;**M.i49.29 
Templeton,  William. 

The  strolling  player;  or,  life  and  adventures  of  William  Templeton. 
London.     Symonds.     1802.     3  v.  **T.58.85 

Tentation,  La,  de  Saint-Antoine.     Riviere,  H.  L.  4043.115 

Terentius  Afar,  Publius.     Phormio. 

The  Phormio  of  Terence.  Translated  into  English  prose  by  M.  H. 
Morgan.  With  a  new  prologue  by  J.  B.  Greenough  and  with  the 
Vatican  miniatures  accurately  reproduced.  Cambridge.  Wilson. 
1894.    XV,  loi,  (i)  pp.     xxvi  plates.  **T.35.23 

Issued    in    connection    with    the    performance    of    the    play    given    by     Harvard 
students  on  April  19,   1894. 

Terentius  Afar,  Publius.     Works  about. 

Bellasis,  E.     The  new  Terence  at  Edgbaston:  being  notices  of  the 

performances   [at  the  Oratory  School]   in  1880   [The  cup-bearer] 

and  1881   [Phormio].     London.     1885.  **T.56.i67 

Old    Westminster,    An,   pseud.     The    Westminster    play    [Terence's 

Phormio] :  its  actors  and  its  visitors.     [London.]     1855.    **T.97.265 

Termagant,  Roxana,  pseud.     See  Thornton,  Bonnell. 

Terpsichore.     Duval,  G.  6ooga.8o 

Terriss,  William. 

Smythe,  a.  J.   The  life  of  William  Terriss,  actor.    With  an  introduction 
by  Clement  Scott.   Westminster.   1898.   Portraits.   Plates.  **T.55.57 
Terry,  Daniel. 

British  theatrical  gallery,  a  collection  of  whole  length  portraits,  with 
biographical  notices.     [London.]     Berthoud.     1825.     {77)  pp.    Por- 
traits. **T.52.i 
Same.     Colored  portraits.                                                                   **K.83.7 
Terry,  Ellen. 

The  Russian  ballet.  With  drawings  by  Pamela  Colman  Smith.  New 
York.  The  Bobbs-Merrill  Co.  [191.3.]  viii,  Ci),  52.  (2)  pp.  Illus. 
Portrait.     Plates.  **T.97.344 

The  story  of  my  life.  Recollections  and  reflections.  New  York. 
The  McClure  Co.  igo8.  (14),  407  PP-  Portraits.  Plates.  Auto- 
graph facsimile.  4545-179 

[72,3] 


THE  PUBLIC  LIBRARY  OF  THE   CITY  OF  BOSTON 


Terry,  Ellen.     Works  about. 

Craig,  E.  G.     Henry  Irving,  Ellen  Terry,  etc.     A  book  of  portraits. 

[Chicago.     1899.]     Portraits.     Plate.  **T.52.8 

HiATT,  C.     Ellen   Terry  and  her   impersonations.     An   appreciation. 

London.     1898.     Portraits.  2549.149;  **T.57.205 

Marshall.  C.     Ellen  Terry.     London.     1907.     Portraits.     Plates. 

45493.196 
Pemberton.  T.  E.     Ellen  Terry  and  her  sisters.     New  York.     1902. 
Portraits.     Plates.  4545.178;  **T.56.ii2 

Scott,   C.   W.     Ellen   Terry.     New  York.      [1900.I 

45493.189;  **T.58.i44 
Terry,  William  H. 

Catalogue  of  [his]  valuable  dramatic  and  American  historical  library. 
To  be  sold  at  auction  June  14-22,  by  the  Anderson  Auction  Com- 
pany.   New  York.     1906.    2  v,  in  i.     [No.  468,  469.]  **T.65.28 

Terry  family. 

Pemberton,  T.  E.     Ellen  Terry  and  her  sisters.     New  York.     1902. 

Portraits.     Plates.  4545.178;  **T.56,ii2 

Testimonies    on    the    nature    and    tendency    of    theatrical    amusements. 

[Dublin.     18—?]     16  pp.  **T.96.ii2 

In  opposition  to  the  theatre. 
Testimony,  The,  of  truth  to  exalted  merit:  or,  a  biographical  sketch  of 

the  Right  Honourable  the  Countess  of  Derby;  in  refutation  of  a 

false  and  scandalous  libel.     London:  Printed  for  the  booksellers. 

1797-     35  PP-  **T.57.347 

A  reply  to  Memoirs  of  the  present  Countess  of  Derby  by  Petronius  Arbiter,  Esq. 
[pseud.  **T.5S.2]. 

Testu, . 

Histoire  universelle  des  theatres  de  toutes  les  nations,  depuis  Thespis 
jusqu'  a  nos  jours;  par  une  societe  de  gens  de  lettres  [J.  M.  L. 
Coupe,  G.  F.  F.  Des  Hayes,  Lefuel  de  Mericourt,  et  Testu]. 
A  Paris,  chez  les  auteurs.  1779-1781.  13  v.  Portraits.  Plates. 
Plans.  **T.47.87 

Another  copy  is  on  shelf-number  **G.224. i. 

Teuber,  Oscar. 

Geschichte  des  Prager  Theaters.  Von  den  Anfangen  des  Schauspiel- 
wesens  bis  auf  die  neueste  Zeit.     Prag.     Haase.     1883-1888.     3  v. 

2875.152 

Contents.  —  I.  Von  den  Keimen  des  Theaterwesens  in  Prag  bis  zur  Griindung 
des  Nostitz'schcn  Theaters,  des  spateren  deutschcn  Landestheaters,  2.  Von  der 
Brunian-Bcrgopzoom'schen  Biihnen-Beform  bis  zuin  Tode  Licbich's,  des  grossten 
Pragtr  Biihncnleiters  (1771-1817).  3.  Vom  Tode  Liebich's,  des  grossten  Prager 
Buhncnleiters,  bis  auf  unscre  Tage   (18 17-1887). 

Teuber,  Oscar,  and  Alexander  Weil. 

Das  k.k.  Hofburgtheater  seit   seiner   Begruendung.     Wien.     Gesell- 
schaft  fiir  vervielfaltigcnde  Kunst.     1896-1906.     3  v.     Illus.     Por- 
traits.    Plates.     [Die  Theater  Wiens.]  *Cab.28.27,2.2 
Thackeray,  Thomas  James. 

On  theatrical  emancipation,  and  the  rights  of  dramatic  authors.  Lon- 
don.   Chappie.    1832.    47  pp.  **T.76.i84 

Contains  an  account  of  the  French  laws  respecting  the  rights  of  dramatic 
authors. 

Thalasso,  .^dolphc. 

Molicre  en  Turquie.  fitude  sur  le  theatre  de  Karagueuz.  Paris. 
Trcsse  &  Stock.     1888.     26,  (i)  pp.  **T.56.58 

Relates  to  Turkish  shadow  pantomimes.  Extrait  du  Molieriste  Cdecembre  1887- 
janvier   1888)    ["T. 26.6.9]. 

[734] 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 


Thalasso,  Adolphe.     (Continued.) 

Le  Theatre  libre.  Essai  critique,  historique  et  documeutairc.  Suivi 
de  notices  biographiqucs,  et  precede  d'une  preface  par  Jean  Jullien. 
Paris.     iMerciire  de  France.     1909.     xvi,  299,   (i)   pp.  4677.141 

Contents.  —   Le  theatre   en    France  a   la   fondation   du   Theatre   lihre.   —   Antoine 

et  la  fondation  du  Theatre  libre.  —  Causes  de  la  decadence  du  Thdatre  lihre.  

Influence  du  Theatre  libre.  — ■  Lcs  maitrcs,  les  auteurs  et  les  comediens  du 
Theatre  libre.  ■ —  Notes  et  documents.  —  Listes  et  index. 

Thalia  auf  der  Landstrasse.     Boree,  A.  **T.57.350 

That  reminds  me.     Russell,  Sir  E.  R.  4543.149;  etc. 

Theater.     Bahr,  H.  6899a.3i6 

Theater,  Die.  in  Berlin.  Die  innere  Ansicht,  die  Eintheilung,  Einrich- 
tung  und  Preise  sammtlicher  Platze.  Berlin.  Berger.  [i88-?l  7 
plans.  *4839a.37 

Contents.  — •  Konigl.  Opernhaus.  —  Konigl.  Schauspielhaus.  —  Friedrich  Wilhelm- 
stadtisches  Winter  Theater.  — •  Friedrich-Wilhelmstadtisches  Saison-Tlicatcr.  — 
Wallner-Theater.   —  Victoria   Sommer-Theater.   —  Victoria   Winter-Theater. 

Theater  und  Kirche.    Alt,  H.  **T.77.235 

Theaterdirektor,  Der.     Merrick,   L.  No.  6  in  4896.50.438 

Theaterfreund,   Der.     Fernbach,   L.,  Jr.  *2i75.io 

Theater-Gebaude.      Illus.      Plans.      {In    Klasen,    Ludwig.      Grundriss- 

A^orbilder  von  Gebauden  aller  Art.     Abtheilung  10,  pp.  1009-1109. 

Leipzig.     1887.)  *4i03.58.io 

Theatergeschichtliche  Forschungen. 

BuRKHARDT,  C.  A.  H.     Das  Repertoire  des  Weimarischen  Theaters 

unter   Goethes  Leitung,   1791-1817.     Hamburg.      1891.  6872.36 

Devrient,  H.  F.  F.     Johann  Friedrich  Schonemann  und  seine  Schau- 

spielergesellschaft.      Ein    Beitrag    zur    Theatergeschichte    des    18. 

Jahrhunderts.     Hamburg.     1895.  6872.53 

Gross,  E.     Die  altere  Romantik  und  das  Theater.     Hamburg.     1910. 

6872.64 
Heitmueller,    F.   F.      I.   Adam    Gottfried    Uhlich.      11.    Hollandische 

Komodianten  in  Hamburg.     (1740  und  1741.)     Hamburg.     1894. 

6872.49 
Herz,    E.      Englische    Schauspieler    und    englisches    Schauspiel    zur 

Zeit  Shakespeares  in  Deutschland.   Hamburg.    1903.   Maps.  6872.60 
HocHGREVE,  W.     Die  Technik  der  Aktschliisse  im  deutschen  Drama. 

Leipzig.      1914.  6872.71 

HoDERM.\NN.  R.  H.     Geschichte  des  Gothaischen  Hoftheaters.  1775- 

1779.     Nach  den  Quellen.     Hamburg.     1894.  6872.51 

Knudsen,  H.     Heinrich  Beck,  ein  Schauspieler  aus  der  Bliitezeit  des 

Mannheimer  Theaters  im  18.  Jahrhundert.     Leipzig.     1912.     Por- 
traits. 6872.67 
Kopp,   H.      Die   Biihnenleitung  Aug.   Klingemanns   in   Braunschweig. 

Mit  einem  Anhang:  Die  Repertoire  des  Braunschweiger  National 

Theaters.     Ein   Beitrag  zur  deutschen  Theatergeschichte  des   19. 

Jahrhunderts.     Hamburg.     1901.  6872.59 

Oberlaender,   H.     Die   geistige   Entwicklung  der  deutschen   Schau- 

spielkunst  im  18.  Jahrhundert.     Hamburg.     1898.  6872.57 

RiCHTER,  H.     Schauspieler-Charakteristiken.     Leipzig.     1914.       6872.70 
Schloesser,   R.     Friedrich   Wilhelm   Gotter:   sein   Leben  und   seine 

Werke.     Ein  Beitrag  zur  Geschichte  der  Biihne  und  Biihnendich- 

tung  im   18.   Jahrhundert.      Hamburg.      1894.  6872.52 
Vom     Hamburger     Nationaltheater     zur     Gothaer     Hoflnihne. 

1767-1779.     Dreizehn  Jahre  aus  der  Entwickelung  eines  deutschen 

Theaterspielplans.     Hamburg.     1895.  6872.55 

[735] 


THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 


Theatergeschichtliche  Forschungen.     (Continued.) 

Stahu    E.    L.      Joseph    von    Auffenberg    und  das    Schauspicl    dcr 

Schillerepigonen.     Hamburg.      iQio.  6872.63 

ViNCKE,  C.  F.  G.,  Freiherr  von.     Gesaniniclte  Aufsatze  zur   BuhncMi- 

gesc'hichte.     Hamburg.     1893.  6872.48 

Theater-Reformen?     Erdmann,  G.  A.  **T.97.92 

Theater-Wespen.     Bertram,  A.  **T.97.i97 

Theatralische  Carrieren.     Lewinsky,  J.  **T.57.i73 

Theatre.  ' 

See  also  Actors;  Ballet;  Drama.  Construction;  Dramatists;  Educa- 
tional plays;  Elizabethan  theatre:  Periodicals;  Shakespeare. 
Representation  of  his  plays;  Singers;  Theatrical  illustrations;  and  tbc 
subdivision  Theatres  under  the  names  of  countries  and  cities. 

A  Beckett,  A.  W.     Green-room  recollections.     Bristol.     [1B96.] 

**T.77.96 

Actors'  remonstrance,  The,  or  complaint,  for  the  silencing  of  their 
profession,  and  banishment  from  their  severall  playhouses.  Lon- 
don.    1643.      [London.]      1822.  *='=T.95.3i ;  etc. 

Adams,  W.  D.  With  poet  and  player.  Essays  on  literature  and  the 
stage.     London.      1891.  4578.141;  **T.98.28 

Address,  An,  to  the  ladies  on  the  indecency  of  appearing  at  immodest 
plays.      London.      1756.  No.  5  in  **G.3824.i6 

Anderson,  J.  R.  An  actor's  life.  With  an  introduction  by  W.  E. 
Adams.     London.     1902.     Portraits.     Plates.  45493.193 

Archer,  W.    About  the  theatre.     Essays  and  studies.     London.     18S6. 

45703.76;  **T.77.i7 

Drama.      (In  The   mind   of  the   century.      Pp.    14-24.      London. 

[1901.])  4559-172 

Art,  L',  de  cabaler  dans  les  spectacles,  poeme  didactique,  en  prose 
et  en  trois  chants.     Paris.     1811.  No.  9  in  **G.3562.2 

Auger,  H.  N.  J.     Physiologic  du  theatre.     Paris.     1839,  40.     3  v. 

**T.76.27;  etc. 

Ballein,    J.      Jeremy    Collier's    Angriff    auf    die    englische    Biihne. 

Ein   Beitrag  zur   Geschichte    des   englischen    Dramas.      Marburg. 

1910.  2557.173 

Bellanger,  J.     Entre  deux  spectacles.     Esquisses  theatrales.     Paris. 

1879.  **T.77.98 

Bennett,    E.   A.      Cupid   and    commonsense.     A   play    in    four   acts. 

With  a  preface  on  the  crisis  in  the  theatre.     New  York.     [1908.] 

45793.304 
Berger,  a.  M.  J.,  Freiherr  von.     Studien  und   Kritiken.     Wien.     1896. 

4877-35 

tjber   Drama   und  Theater.      Fiinf   Vortrage.      Leipzig.      1900. 

**T.77.6o 
Bernheim,  a.  J.     Trente  ans  de  theatre.     Paris.     1903,  04.     2  v. 

**T.77.iio;  etc. 

Bertram,  A.     Theater-Wespen.     Enthiillungen,  Skizzen,   Bilder  und 

Chargen  aus  dem  Theaterleben.     Als   Beitrag  zur  Eledigung  dcr 

Reorganisirungsfrage  des  Theaterwesens.   Berlin.    1863.   **T.97.i97 

Birch,  J.  F.     Stage  secrets  and  tricks  of  the  trade.     Being  the  c()n- 

fessions  of  an  actor.     [New  York.]      1913.  **T.77.2i6 

Blum,   R.,   and   others,  editors.     Allgemeines   Theatcr-Lcxikon    oder 

Encyklopjidie    alios    wissenswerthen    fiir    Biihncnkiinstlcr,    Dilet- 

tanten  und  Theatcrfreunde.     Altcnburg.     1846.     7  v.  in  3.     Plates. 

Plan.  **T.78.69 

[736] 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 


Theatre.     (Continued.) 

BoNNAssiES,  J.  Le  theatre  et  le  peuple.  Esquisse  d'unc  organisation 
theatrale.     Paris.     1872.  4679.50;  **T.77.i05 

Cailhava  d'Estandoux,  J.  F.  Les  causes  de  la  decadence  du  theatre, 
et  les  moyens  de  Ic  faire  refleurir;  memoire  presente  a  I'lnstitut 
de    France.      Paris.      1807.  No.  4  in  **G.3562.2;  etc. 

Calliachi,  N.  Nicolai  Calliachii  De  ludis  scenicis  mimoruni,  & 
pantomimorum   syntagma  posthunium.      Patavii.      1713.      Portrait. 

**G.294.54 

Calvert,  F.  B.  Theatre  versus  conventicle;  or,  the  drama  attacked 
and  defended:  containing  Mr.  Calvert's  letters  in  defence  of  the 
stage,  to  the  Rev.  T.  Best,  of  Sheffield;  vs'ith  the  subsequent 
controversy,  in  the  Leeds  Independent  of  1824.     Hull.     1826. 

**T.96.4i ;  etc. 

Cannan,  G.     The  joy  of  the  theatre.     London.     [1913.]  **T.78.72 

Chandler,  F.  W.     Aspects  of  modern  drama.      [New  York.]      1914. 

6257.97 

Chappuzeau,  S.  Le  theatre  frangois  divise  en  trois  livres,  ou  il  est 
traite:  i.  De  I'usage  de  la  comedie;  11.  Des  autheurs  qui  soutien- 
nent  le  theatre;  III.  De  la  conduite  des  comedians.  [Anon.]  Lyon. 
1674.     [Bruxelles.     1867.]  **T,78.59 

Charpentier,  L.  Causes  de  la  decadence  du  gout  sur  le  theatre,  ou 
Ton  traite  des  droits,  des  talens,  &  des  fautes  des  auteurs;  des 
devoirs  des  comediens,  de  ce  que  la  societe  leur  doit,  &  de  leurs 
usurpations  funestes  a  I'art  dramatique.  Au  Parnasse  franqois.  & 
se  trouve  a  Paris.     1768.  **T. 78.29 

Chasles,  V.  E.  P.  fitudes  contemporaines:  theatre,  musique  ot 
voyages.      Paris.      1867.  26793.88;  **T. 77. 108 

Ohevallier,  H.  G.  S.     Les  coulisses.     [Paris.     1838.]     31  plates. 

**T.72.2 

Clement,  j.  M.  B.,  and  T.  de  La  Porte.  Anecdotes  dramatiques; 
contenant  1°.  Toutes  les  pieces  de  theatre  joues  a  Paris  ou  en 
province.  2°.  Tons  les  ouvrages  dramatiques  qui  n'ont  ete  repre- 
sentes  sur  aucun  theatre,  mais  qui  sont  imprimcs,  ou  conserves 
en  manuscrit.  3°.  Anecdotes.  4°.  Les  noms  de  tons  les  auteurs, 
poetes  ou  musiciens,  qui  ont  travaille  pour  tous  nos  theatres,  de 
tons  les  acteurs  celebres,  qui  ont  joue  a  tous  nos  spectacles,  avec 
un  jougement  de  leurs  ouvrages  &  de  leurs  talens.  5°.  Un  tableau, 
accompagne  d'anecdotes,  des  theatres  de  toutes  les  nations. 
[Anon.]     A  Paris.     1775.     3  v.  **T.58.3;  etc. 

Collier,  W.  A  book  of  etiquette  entitled  "Don't  do  that."  Vol.  i. 
[New  York.     1909.]     Portraits.     Plates.  **T.89.6 

Congres  international  de  I'art  theatral,  Paris,  1900.  L'art  theatral. 
Congres  international  de  1900  tenu  a  I'Exposition  universelle  au 
Palais  des  Congres  du  27  au  31  juillet  1900.     Paris.     1901.     Plans. 

**T.75.i5 

Cooke,  J.  The  stage.  Its  present  state,  and  prospects  for  the 
future.     London.      [1840.]  **T.76.i02 

Couailhac,  J.  J.  L.  Physiologic  du  theatre.  Paris.  1841.  Illus. 
Plates.  **T.99.29 

Craig,  E.  G.     On  the  art  of  the  theatre.     Chicago,     [ign-l     Plates. 

80693.162 

Cressy,  W.  M.  Continuous  vaudeville.  [A  book  of  anecdotes, 
principally  about  the  theatre  and  actors.]  Boston.  [i9i4-l  THus. 
Portraits.     Plate.  **T.97.349 

47 


THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 


Theatre.     (Continued.) 

Davenport,  A.  B.  Af  isccllaneous  pamphlet  series.  No.  1-3.  Boston. 
1907,  08.     I  V.     Chart.  **T.77.26 

Stag-e  affairs  in  America  today.     No.   1-15.     Jan.   15 -Apr.  2t„ 

1907.     Boston.     1907.  **T.77,ii7 

Davidge,  \V.  p.     Footlight  flashes.     New-York.     1866. 

4343.231  ;**T.57.245 

Delpla,  a.  French  drama;  or,  a  discussion  on  the  following  ques- 
tion: which  are  the  best  means  of  making  theatres  vie  with  each 
other  in  promoting  the  perfection  of  taste  and  the  improvement 
of  morals?     London.     1818.  No.  3  in  *6575.i.i2 

Derrick,   S.     A   general   view   of   the    stage.      London.      I759- 

**T.47.95;etc. 

Deschaumes,  E.     Le  nial  du  theatre.     Paris.     1888.  **T.77.i4o 

DiPROSE,  J.  Diprose's  Book  of  the  stage  and  the  players.  [London. 
1877.]     Illus.    Portraits.     Plates.  **T.77.i56 

Donne,  W.  B.     Essays  on  the  drama.     London.     1858.        2609.6;  etc. 

ZAMA,    The.  —  Madmen  —  ghosts  —  reading — soliloquies — morality. 
[Boston.      1829.]  No.4in**G.3822.i 

AMATicus,  psciid.    Improprieties  in  theatrical  representation.     [Also, 
Stage  costumes.     London.     1789.]  No.  22  in  **G.3822.3 

Dramaturgische  Nachrichten.     Stuck  i.     Bonn.     1779.     Portrait. 

**T.77.i93 

Epstein,  M.    Theater  und  Volkswirtschaft.    Berlin.     1914.    *3562. 53.36 

Faversham,  W.     The  theatre  as  a  power.     An  address  given  in  the 

Chicago   University    Extension    Course   of   the    Lectures   on   the 

Drama.     [Saint  Louis.]     191 1.  **T.75.76 

Felsing,   O.     Streifziige  durch   die  Theaterwelt.     Dresden.      [1895.] 

**T.75.25 

Fenton,  W.     The  itinerant  Thespians,  or  the  theatre  dissected.     [A 

satire  in  verse.     London.]      1792.  No.  5  in  **G.3824.6 

Ferrer,  J.     Tratado  de  las   comedias  en   el   qual   se  declara   si   son 

licitas,  y  si  hablando  en  todo  rigor  sera  pecado  mortal  el  repre- 

sentarlas,  el  verlas,  y  el  consentirlas.     En   Barcelona.     1618. 

**D.i7ob.30 
Figuier,   G.   L.     Le   theatre   scientifique.      Paris.      1882.     2^   edition. 

**T.76.32 
FiLiPPi,    J.    de.      Catalogue    des    estampes    &    dessins,    architecture 
theatrale,    scenes    theatrales,    decorations,    costumes    et    portraits 
dont  la  vente  aura  lieu  23-25  mai.     Paris.      1861.  **T.66.6 

FiORENTiNO,  P.  A.  Comedies  et  comediens.  Serie  i,  2.  Paris.  1866. 
2  v.  **T.77.i22 

Fitch,  W.  C.  The  play  and  the  public.  {In  his  Plays.  Memorial 
edition.     Vol.  4,  pp.  v-xlviii.     Boston.     1915.)  4409b. 179.4 

Fitzgerald,  P.  H.  Principles  of  comedy  and  dramatic  effect.  Lon- 
don.    1870.  2477.52;  **T.75. 56 

The  world   behind   the   scenes.      T^ondon.      t88i. 

2476.66;  **T.77.i84 
Ford,  T.     A  peep  behind  the  curtain,  by  a  supernumerar3^     Boston. 

[1850.]      Plates.  .  **T.97.2oo;  etc. 

FouRNEL,     F.     V.       Curiosites    theatrales     ancienncs     ct     modcrnes, 

franQaises  et  etrangeres.     Paris.     1S59.  **T.78.46 

Frev,  E.  F.     Biihnenreform  und  Volkstheater.     Ein  Fortschritt  oder 

Riickschritt?     Zwei  Aufsiitze   zur   \\'arnung  und   Aufklarung,  von 

Ed.  Fcrd.  Frey  und  R.  Gollmer.     Krcuznach.     1890.  **T.75.23 

[738] 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 


Theatre.     (Continued.) 

Fyles,  F.     The  tlioatrc  and  its  people.     New  York.     1900.     Portraits. 

Plates.  4343-218;  **T.77.73 

Garrick    Club,   Cambridge,  England.     The    album    of   the    Camliridgc 

Garrick  Club:  containing  original  and  select  papers  on  the  drama, 

and  the  proceedings  of  that  society.     Cambridge.     1836.     Portrait. 

**T.78.50 

GiFFARD,  P.  L.  Nos  m(curs.  La  vie  au  theatre.  Paris.  [1888.]  Illus. 
Plates.  **T.77.iii 

GiNiSTY,  P.  La  vie  d'un  theatre.  Paris.  i8q8.  Illus.  Portraits. 
Plates,  some  colored.     Plan.  **T.78.33 

Goodwin,  T.  Sketches  and  impressions,  musical,  theatrical,  and 
social  (1799-1885).  From  the  after-dinner  talk  of  Thomas  Good- 
win,  by   R.    Osgood    Mason.     New   York.      1887. 

4490b. 69;  **M.io9b.42 

Grobert,  J.  F.  L.  De  I'execution  dramatique,  consideree  dans  ses 
rapports  avec  le  materiel  de  la  salle  et  de  la  scene.  Paris.  1809. 
Plans.  **T.76.i67 

Gross,  E.     Die  altere  Romantik  und  das  Theater.     Hamburg,     tqto. 

6872.64 

Guide,  The,  to  the  stage;  or,  how  to  enter  the  theatrical  profession, 
obtain  an  engagement,  and  become  an  actor.  Founded  on  and 
partly  taken  from  Leman  Rede's  book  [The  road  to  the  stage]; 
with  modern  list  of  theatres,  &c,  &c.  Corrected  to  August,  1872. 
New  York.      [1872.]  6259b.258 

Guide,  A,  to  the  stage:  or,  select  instructions  and  precedents  from 
the  best  authorities  towards  forming  a  polite  audience;  with  some 
account  of  the  players,  &c.     London.     1751.        No.  5  in  **G.3823.i6 

Haigh,  a.  E.  The  Attic  theatre.  A  description  of  the  stage  and 
theatre  of  the  Athenians,  and  of  the  dramatic  performances  at 
Athens.     Oxford.     1889.     Illus.     Plates.     Plans.     Diagram. 

2963.71 ;  **T.75.48;  etc. 

Hamilton,  C.  M.     Problems  of  the  playwright.     New  York.     1917. 

6257.370 

The  theory  of  the   theatre,  and  other  principles  of  dramatic 

criticism.     New  York.     1910.  2256.62 

Hankin,  St.  J.  E.  C.  Puritanism  and  the  English  stage.  —  How  to 
run  an  art  theatre  for  London.  —  The  need  for  an  endowed 
theatre  in  London.  (In  his  Dramatic  works.  Vol.  3,  pp.  131-148, 
171-179,  203-221.     London.     1912.)  45793.320,3 

Henriet,  F.     Monographic  du  spectateur  au  theatre.     Paris.     1892. 

**T.97.i64 

Herondo,  F.  The  world's  argument:  or,  justice  and  the  stage.  A 
dramatic   debate.     London.     1887.  **T.75.20 

Hiffernan,  p.     Dramatic  genius.     London.     1770.  **T.74.9;etc. 

Hoffmann,  E.  T.  W.  Seltsame  Leiden  eines  Theater-Direktors. 
Aus  miindlicher  Tradition  mitgetheilt  vom  Verfasser  der  Fantasie- 
stiicke  in  Callots  Manier.    Berlin.     1819.  **T.78.37 

HoLLiNGSHEAD,  J.     Plain  English.     London.     1880.  **T.77.66 

Hubert,  P.  G.  The  stage  as  a  career.  A  sketch  of  the  actor's  life; 
its  requirements,  hardships,  and  rewards.     New  York.     1900. 

2576.159;  **T.77.i23 

Hutton,  L.    Plays  and  players.    New  York.     1875.    2405.59;  **T.75.56 

Irving,  .S"/>  H.  The  drama.  Addresses.  With  a  frontispiece  by 
Whistler.     New   York.      [1892.]      Portrait.  **T.77.ii9;  etc. 

[7Z9] 


THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 


Theatre.     (Continued.) 

. The    stage.     Address   delivered   at   the    Perry    Barr    Institute, 

near  Birmingham.     London.     1878.  **T.96.284 

Jennings,  J.  J.  Theatrical  and  circus  life;  or,  secrets  of  the  stage, 
green-room  and  sawdust  arena.  St.  Louis.  1882.  Illus.  Portraits. 
Plates.  **T.76.i48 

Jones,  S.  The  actor  and  his  art.  Some  considerations  of  the  present 
condition  of  the  stage.     London.     1899.  **T.77.2i4 

JuLLiEN,  J.  L.  A.  Airs  varies.  Histoire,  critique,  biographic  musi- 
cales  et  dramatiques.     Paris.     1877.  4057.35;  **M. 127.40 

Juvenile  Protective  Association,  Chicago.  Five  and  ten  cent 
theatres.  Two  investigations,  1909  and  191 1.  Text  by  Louise  de 
Koven   Bowen.     Chicago.      [1911?]  5576.283 

Kemble,  F.  A.     On  the  stage.     [London.     1863.]     No.  26  in  **G.3822.3 

Kend.\l,  M.  The  drama.  A  paper  read  at  the  congress  of  the 
National  Association  for  the  Promotion  of  Social  Science,  Birm- 
ingham.    London.     [1884.]      Portrait.  **T.98.57 

Dramatic  opinions.     Boston.     1890.     Portrait. 

4579.117;  **T.58.io4;  etc, 

Lambert,  A.  L.     Sur  les  planches.     Paris.     [1894.]  **T.77.i35 

Lehrer-Vereinigung  fur  die  Pflege  der  kiinstlerischen  Bildung,  Ham- 
burg, Germany.  Unsere  Volksschiiler  im  Stadttheater.  Hamburg. 
1898.  7592.32 

Lemonnier,  a.  Les  abus  du  theatre.  Quelques  directeurs  en  robe 
de  chambre.     Paris.     1895.  **T.98.i9 

Lennox,  Lord  W.  P.  Plays,  players  and  playhouses  at  home  and 
abroad.  With  anecdotes  of  the  drama  and  the  stage.  London. 
1881.     2   v.  2454.59;  **T.77.82 

Letter,  A,  to  Mr.  Garrick  on  the  opening  of  the  theatre,  with 
observations  on  the  conduct  of  managers,  to  actors,  authors,  and 
audiences:  and  particularly  to  new-performers.     London.     1758. 

No.  9  in  **G.3824.i6 

Lewinsky,  J.,  editor.  Vor  den  Coulissen.  Original-Blatter  von  Cele- 
britJiten  des  deutschen  Theaters  und  der  Musik.  Berlin.  1881,  82. 
Portraits.  **T,56.302;  etc. 

Logan,  O.     Apropos  of  women  and  theatres.     New  York.     1869. 

5585-74;  **T.97.258;  etc. 

Before   the   footlights   and   behind   the   scenes:   a   book   about 

"the    show    business"    in    all    its    branches.      Philadelphia.      1870. 
Illus.     Portraits.     Plates.  *4504.9 

Same.    The  mimic  world,  and  public  exhibitions.    Their  history, 

their    morals,    and    effects.      Philadelphia,    Pa.      1871.      Portraits. 
Plates.  4504.8;  **T.76.22 

LoMBiA,  J.    El  teatro.    Madrid.    1545  [misprint  for  1845].    **D.i7ob.5i 

Lvonnet,   H.     Le  theatre  hors  de  France.     Paris.      1897-1900.     3  v. 

Illus.     Portraits.     Plates.     Plans.  6257.70;  **T.77.86 

Mansel,  R.     a  short  struggle  for  stage  or  no  stage;  originating  in 

a    sermon,    preached    by    Thomas    Best    in    St.    James's    Church, 

Sheffield.     Sheffield.     [1818.]  **T.96.63 ;  etc. 

Marbach,  G.  O.     Dramaturgische  Blatter.     Heft  i,  2.     Leipzig.     1866. 

No.  2  in  **G.39i4.24 

Martersteig,    M.      Die    ethische    Aufgabe    der    Schauliiihne.      Fine 

Schillcrrede.     [Gchalten  bei  der  Feier  am  10.  November  1911  im 

Schillerverein  zu  Leipzig.]     Leipzig.     1912.  **T.76.i9o 

Mastriani.  G.     II  teatro  e  gli   artisti.     Saggio.     Napoli.      1849. 

**T.76.67 
[740] 


BROWN   COLLECTION   OF  BOOKS   ON   THE  STAGE 


Theatre.     (Continued.) 

Matheu,  V.   F.     Ensayos  de   critica.      i:    Estado  actual   de   nucstro 

teatro.     Buenos  Aires.     1906.  4396.339 

Matthews,   J.    B.      A   book   al)out    the    theater.      New    York.      igi6. 

Plates,   some   colored.  6257.92 

Studies  of  the  stage.     New  York.     1S94.     Portrait. 

24093.114;  **T.49.2;  etc. 
Mayhew,    E.      Stage    effect:    or,    the    principles    which    command 

dramatic  success  in  the  theatre.     London.     1840.  **T.79.ii 

Mayiiew,  H.     The  female  dresser  at  a  minor  theatre.     A  thumbnail 

portrait  for  a  miniature  gallery.     [London.     185-?] 

No.  13  in  **G.3822.3 
MiLiziA,  F.  Del  teatro.  In  Venezia.  1773.  vi  plates.  Plans.  **T.74.i9 
MoNVAL,  G.  H.  M.  Les  theatres  subventionnes.  Paris.  1879.  **T.95.63 
Moore,  G.  Impressions  and  opinions.  London.  1891.  4558.111;  etc. 
Morris,  C.    Stage  confidences.    Talks  about  players  and  play  acting. 

Boston.     [1902.]     Portraits.  **T.57.ii9 

Morris,  M.  W.     Essays  in  theatrical  criticism.     London.     1S82. 

2553.61 ;  **T.47.32 
Muriel,  A.    Le  theatre  aujourd'hui.    L'auteur,  le  directeur,  le  critique, 

I'acteur,  le  public.    Paris.     1855.  **T.77.ii8 

Nathan,  G.  J.    Another  book  on  the  theatre.     (Being  a  collection  of 

haphazard,  fugitive  and  some  might  say  impudent  reflections  in 

and  on  the  mirror  which  the  theatre  is  supposed  to  hold  up  to 

nature.)     New  York.     1915.  6257,111 

Bottoms  up.     An  application  of  the  slapstick  to  satire.     New 

York.     1917.  6257.306 

The  popular  theatre  [in  the  United  States.]     New  York.     1918. 

6257.309 
Newton,    W.    W.      Christianity    and    popular    amusements;    or,    the 
Church  and  the  theatre.     A  paper  read  at  the  Church  Congress 
^  of  the  Protestant  Episcopal  Church.     Boston.     1877.        **T.76.i8i 
y*  Observations  on  the  importance  and  use  of  theatres;  their  present 
regulation,  and  possible  improvements.    London.    1759.   **T.97.ii8 
Old  actor,  An,  pseud.     Secrets  of  the  stage;  or,  playhouse  mysteries 
unveiled.     New  York.     [1881.]     Portraits.     Plates.  **T.75.i9 

Parker,   H.   W.,  editor.     Music  and   drama.     Boston.      [191 1.]      Por- 
traits.    Colored  plates.  Z.40C  22.1.9 
Pauli,  B.  O.  -C.     Die  Befreiung  der  deutschen  Biihne  vom  Druckc 
der  Geldspekulation.     Berlin.     [1887.]  **T.96.355 
Pollock,  C.     The  footlights  fore  and  aft.     Boston.     [1911.!     Plates. 

4395-202 
Pottecher,  M.  B.  M.    Le  theatre  du  peuple.     Renaissance  et  destinee 
du  theatre  populaire.     Paris.     1899.  **T.77.99 

Prospero,  pseud.  xA.n  imaginary  history  of  the  American  theatre  from 
1890  to  1900.     New  York.     1890.  **T.77.56 

c/^'Ralph,  J.    The  case  of  our  present  theatrical  disputes,  fairly  stated. 
/         In  which  is  contained  a  succinct  account  of  the  rise,  progress  and 
declension    of   the   ancient    stage;    a   comprehensive   view   of   the 
management  of  the  Italian,  Spanish,  French  and  Dutch  theatres, 
with  remarks  upon  our  own.     London.     i743-  **T.76.i5i;  etc. 

Rede,  L.  T.  The  road  to  the  stage,  contains  instructions  for  obtain- 
ing theatrical  engagements;  with  a  list  of  the  provincial  theatres, 
an  account  of   things  necessary,   and  a   clear   elucidation  of  all 

[741] 


THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 


Theatre.     (Continued.) 

the  technicalities  of  the  histrionic  art.  Added,  a  list  of  the 
London  theatres,  an  account  of  the  Dramatic  Authors'  Society. 
London.     1S35.     Portrait.  **T.79.io 

Remi.nisCENZEN  und  Reflexioncn  cines  alten  Schauspielers.  Berlin. 
1852.  **T.57.362 

Restif  de  la  Bretonne,  N.  E.  La  mimographe.  ou  idees  d'une 
honnete-femme  pour  la  reformation  du  theatre  national.  A 
Amsterdam.     1770.  **T.77.4 

Retired  performer.  A,  l>seud.  The  amateur,  or  guide  to  the  stage, 
containing  lessons  for  theatrical  novices.  The  rudimental  informa- 
tion necessary  to  lead  a  stranger  to  the  stage,  from  the  novice 
up  to  the  actor.     Philadelphia.     [185-?]     Plate.     No.  i  in  **T.99.6i 

Ross,  C.  H.  "Stage  whispers,"  and  "shouts  without."  A  book  about 
playr>  and  playgoers,  actors  and  actresses.  With  colored  costumes 
by  Archibald  Chasemore,  heads  by  Alfred  Bryan,  comic  scenes 
by  Judy's  artists,  and  chatter  at  the  wing  by  Charles  H.  Ross. 
London.     [1881.]     IIlus.     Portraits.     Plates.  **T.96.237 

Rossi,  E.  Studien  fiber  Shakespeare  und  das  moderne  Theater  nebst 
einer  autol)iographischen  Skizze  von  Ernesto  Rossi.  Leipzig. 
1885.  4596.103;  **T.47.i  13 

Rouche,  J.  L'art  theatral  moderne.  Paris.  1910.  Illus.  Plates. 
Plans.  6252.83 

RoussE.\u,  p.  J.  Code  theatral,  physiologic  des  theatres,  manuel 
complet  de  I'auteur,  du  directeur,  de  I'acteur  et  de  I'amateur, 
contenant  les  lois,  regies  et  applications  de  l'art  dramatique.  Paris. 
1829.     Plate.  **T.78.65 

RuGGiERi,  C.  F.  Precis  historique  sur  les  fetes,  les  spectacles  et  les 
rejouissances  publiques.     Paris.      1830.  **T.96,272;  etc. 

RuHL,  A.  B.  Second  nights.  People  and  ideas  of  the  theatre  to-day. 
New  York.     1914.  6257.112 

Ryan,  R.,  compiler.  Dramatic  table  talk;  or,  scenes,  situations,  &  ad- 
ventures, serious  &  comic,  in  theatrical  history  &  biography. 
London.     1825-30.     3  v.     Portraits.     Plates.     Tables. 

22593.57;  **T.78.i3;  etc. 

Sadler,  L.  R.  Theatrical  anecdotes;  or,  fun  and  curiosities  of  the 
play,  the  playhouse  and  the  players.     London.     1882.         2554.61 

Sarcev,  F.     Le  theatre.     Paris.     1893.     Ulus.     Plates.  **T.75.77 

A  theory  of  the  theatre.     With  an  introduction    [and   notes] 

by  Brander  Matthews.    New  York.     1916.  **T.46.62.4 

ScHLENTHER,    P.      Der   Frauenberuf    im   Theater.      Berlin.      1895. 

**T.56.329 

ScHOLL,  A.    Les  petits  secrets  de  la  comedie.    Paris.    1867.    **T.97.248 

Scott,  C.  W.  Thirty  years  at  the  play  and  dramatic  table  talk. 
London.     [1892.]  **T.98.ii2 

ScRiVEN,  P.,  pseud.?  A  familiar  dialogue  between  Mr.  Crowe  and  Mr. 
Alley,  two  theatrical  taylors.     Dublin.     1762.       No.  3  in  **G.3824.i6 

SiTTE.NBERGER,  H.  Die  Walirhcit  auf  der  Biihne.  Eine  Studic.  Wicn. 
1893.  **T.75.26 

SlTTE.NFELD.  C.  Ohne  Schminke!  Wahrheiten  fiber  das  moderne 
Theater.     Dresden.      1887.  **T.97.85;  etc. 

Smith,  E.  The  theatre:  its  history  and  moral  tendency.  A  paper 
read  at  the  Islington  Literary  and  Scientific  Institution.  [Lon- 
don.    1844?]  **T.76.94 

SoLDENE,  E.  My  theatrical  and  musical  recollections.  London. 
1897.     Portraits.  **T.56.325 

[742] 


BROWN   COLLECTION   OF  BOOKS   ON   THE   STAGE 


Theatre.     (Continued.) 

Spingarn,  J.  E.  A  note  on  dramatic  criticism.  (In  Essays  and 
studies  by  members  of  the  English  Association.  Vol.  4,  pp.  7-28. 
Oxford.     1913.)  '4558.250.4 

Symons,  a.     Studies  in  seven  arts.     New  York.     1910.  4077.348 

Thackeray,  T.  J.  On  theatrical  emancipation,  and  the  rights  of 
dramatic  authors.     London.     1832.  **T.76.i84 

Thierry,  £.  De  I'influence  du  theatre  sur  la  classe  ouvriere.  Lec- 
tures faites  le  22  et  le  29  juin  1862  aux  conferences  de  I'Association 
polytechnique.     Paris.     1862.  **T.77.i69 

Thompson,  E.  N.  S.  The  controversy  betvk'een  the  Puritans  and 
the  stage.    A  thesis,  Yale  University.     Nevv^  York.     1903.    4583.148 

Through  the  stage-door.  A  complete  hand-book  of  the  theatre. 
[Boston.     1896.]     Illus.     Portrait.     Plates.  **T,95.46 

TouRRET,  G.  Manuel  du  vaudevilliste.  Maniere  de  faire  une  piece 
de  theatre,  de  la  faire  recevoir,  jouer,  reussir  et  proner  par  les 
journaux.  [Anon.]  Nouvelle  edition  annotee  par  Henri  Des- 
bordes  [pseud,  de  Adolphe  Amat].     Paris.     1861.  **T.99.3o 

Toyon,  p.  M.  de.  La  queue  au  theatre.  Histoire  lamentable.  Paris. 
1867.  **T.76.68 

Tree,  Sir  H.  B.  Thoughts  and  after-thoughts.  New  York.  1913. 
Illus.     Portrait.  4579-243 

TuNisoN,  J.  S.  Dramatic  traditions  of  the  Dark  Ages.  Chicago. 
1907-  6252.86 

TwEEDiE,  E.-  B.  Behind  the  footlights.  London.  1904.  Portraits. 
Plate.  **T.76.6;  etc. 

Vienna.  Internationale  Ausstellung  fitr  Musik-  laid  Theaterivcscn.  i8g2. 
Fach-Katalog  der  musikhistorischen  Abtheilung  von  Deutschland 
und  Oesterreich-Ungarn,  nel:)st  Anhang:  Musikvereine,  Concert- 
wesen  und  Unierricht.     Wien.     1892.     Plate.  4045.9 

The  international  exhibition  for  music  and  the  drama.     Edited 

by    A.    J.    Hopkins,    Morris    Steinert    and    Siegmund    Schneider. 
[Translated  by  Rosa  Wohlmuth.]      Vienna.     1894.     82  plates. 

**8o40.H4 

ViTOUx,  G.  Le  theatre  de  I'avenir.  Amenagement  general,  mise  en 
scene,  trues,  machinerie,  etc.     Paris.     [1903.]     Illus.  6252.70 

Wagner,  L.     The  stage,  with  the  curtain  raised.     London.     fi88i.] 

**T,77.2o8;  etc. 

Winston,  J.  The  theatric  tourist;  being  a  genuine  collection  of 
correct  views,  with  brief  and  authentic  historical  accounts  of 
all  the  principal  provincial  theatres  in  the  United  Kingdom.  Lon- 
don.    1805.     Plates.  **T.72.5 

Williams,  J.  E.  "Lyceumize  the  theatre."  A  suggested  remedy 
for  the  disease  that  afflicts  the  one  night  stands.  Chicago. 
[1916.]  6257.150 

Winter,  W.  The  press  and  the  stage.  An  oration  before  the  Goethe 
Society,  New  York.     New  York.     1889.  **T.75.i2 

Wolzogen,  C.  a.  a.,  Freiherr  von.  Ueber  Theater  und  Musik. 
Breslau.     i860.  **M.io8.i 

Woty,  W.  The  stage;  a  poetical  epistle,  to  a  friend.  Derby. 
[1770?]  **G.3947.7;  etc. 

Zola,  £.  Le  naturalisme  au  theatre.  Les  theories  et  les  exemples. 
Paris.     1881.  466ob.54 

Theatre.    Architecture.    See  Theatre.    Construction. 
Theatre.    Bibliography.     See  Bibliography. 

[743] 


THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 


Theatre.     Biography.     See  Actors. 

Theatre.    Censorship.    See  Censorship  of  the  stage. 

Theatre.    Construction. 

See  also  Athens.  Theatres;  Elizabethan  theatre;  Greece.  Theatres. 
Arciiitectuke  theatrale.     [Plans  of  theatres  and  of  stage  machinery, 

etc.]     X.  p.     N.  d.     Illus.     Plates.     Plans.     Diagrams.        **T.ii.6 
Baes,  J.     Theatre  flamand  a  Bruxelles.     Bruxelles.     [1893.]     Plates, 

one   colored.      Plans.  *Cab.6o.7o.5 

Bayer,  J.     Das  neue  k.k.  Hofburgtheater  als   Bauwerk  mit   seinem 

Sculpturen-  und   Bilderschmuck.     Wien.     1894.     Illus.     Portraits. 

Plates.     Plans.  *Cab.28.27.2.3 

BiRKMiRE,    W.    H.      The    planning    and    construction    of    American 

theatres.     New  York.     1896.     Illus.     Plates.     Plans.  8093.31 

Buckle,  J.  G.     Theatre  construction  and  maintenance.     Hints  and 

suggestions  on  planning,   construction,  lighting,   fire  prevention, 

and    the    general    structural    arrangements    of    a    model    theatre. 

London.      1888.     Plate.  8094.30;  **T.75.3 

Cavos,  a.    Reconstruction  du  grand  theatre  de  Moscou,  dit  Petrovski. 

Notice  descriptive.     Paris.     1859.     Table.     Plates,   some   colored. 

Plans.  *Cab.6o.7i.2 
Traite   de    la   construction    des    theatres.      Ouvrage    contenant 

toutes  les  observations  sur  cette  partie  de  I'architecture.     Paris. 

1847.     Text,  XV,  (i),  112  pp.     Tables;  Atlas,  25  plates.       *8o90.i24 
Chauderlot, ,  and  F.  Festeau.    Proyecto  de  casas,  pertenecientes 

al    Sr    Don    Jose    de    Fontagud     GargoUo.      Teatro     [Moratin]. 

Madrid.     1871.     23  plans.  *Cab. 60.82.5 

Chaumont,  ,  Chevalier  de.     Exposition   des  principes   qu'on   doit 

suivre  dans  I'ordonnance  des  theatres  modernes.     A  Amsterdam. 

1769.  **T.78.i5 

Cochin,  C.  N.  '    Projet  d'une  salle  de  spectacle  pour  un  theatre  de 

comedie.    A  Londres,  et  se  trouve  a  Paris.     1765.     Plates.     Plans. 

**T.78,i4 
Daly,  C.,  and  G.  J.  A.  Davioud.     Architecture  contemporaine.     Les 

theatres  de  la  Place  du  Chatelet.     Theatre  du  Chatelet.     Theatre- 

lyrique.     Paris.      [1874.]      64  plates.  *Cab.6o.74.2 

Darbvshire,  a.     Theatre  exits.     With  a  description  and  plan  of  Sir 

Henry  Irving's  "safety  theatre."     London.     1898.     Plan.     *40i9.i43 
Dieckmann,    .      Die    Fcuersicherheit    in    Theatern.       Miinchen. 

[191 1.]     Illus.     Plans.     Chart.  40i9a.32 

DoNNET,    A.      y\rchitectonographie    des    theatres,    ou,    parallele    his- 

torique  et  critique  de  ces  edifices  consideres  sous  le  rapport  de 

I'architecture  et  de  la  decoration.     Commence  par  Alexis  Donnet 

et  Orgiazzi  et  continue  par  Jacques-Auguste  Kaufmann.     [Atlas 

only.]      Paris.      [1837,]    1840.     2  v.   in    i.      Illus.      Plates.      Plans. 

Map.  **8o9o.i2o;  etc. 

DuRM,    J.      Festhallen.      {In    Handbuch    der    Architcktur.      Theil    4. 

Halb-Band  4,  pp.  146-173.     Darmstadt.     1885.     Illus.     Plans.) 

*8o92.52,4 
Ferrario,    G.      Storia    e    descrizione    de'    principali    teatri    antichi    e 

moderni  corredata  di  tavole.    Col  Saggio  sull'  architettura  teatrale 

di   M""  Patte.     Illustrato  con   erudite   osscrvazioni   del   architetto 

Paolo  Landriani.     Milano.     1830.     Plates.     Plans.  **T.75.70 

FiLiPPi,    J.    DE.       Parallele    des    principaux    theatres     modernes     de 

I'Europe    et    des    machines    thcatrales    frangaises,    allemandes    et 

anglaises.      Dessins    par    Clement    Contant.      Paris.      1870.      2    v. 

I'lans.  *Cab.6o.77.i 

[744] 


BROWN  COLLECTION   OF  BOOKS   ON   THE  STAGE 

Theatre.     Construction.     (Continued.) 

Freeman,  J.  R.     On  the  safeguarding  of  life   in  theaters.     Being  a 

study  from  the  standpoint  of  an  engineer.     [New  York.]      1906. 

Illus.     Plates.     Plans.     Tables.  4015.109 

Garnier,  J.  L.  C.     Le  theatre.     Paris.     1871.  8105.1;  **T. 75.46 

Gerhard,  W.  P.    The  essential  conditions  of  safety  in  theatres.     An 

essay  on  modern  theatre  planning,  construction,  equipment  and 

management.     New  York.     1894.  4014.128 

Needed    hnprovements    in    theatre    sanitation.       [New    York. 

1899.]  4014.129 

The    safety    of    theatre    audiences    and    the    stage    personnel 

against   danger  from   fire  and   panic.     London.     1899. 

4019.180;  **T.76.52 

Theatre   fire   catastrophes   and   their  prevention.     New   York. 

1894.  4014,127 

Theatre  fires  and  panics:   their  causes  and  prevention.     New 

York.     1896.  8015.179 

Theatre    sanitation.      A    paper    read    at    the    meeting    of    the 

American  Public  Health  Association,  Ottawa,  Canada.     Brooklyn, 
N.   Y.      [1898.]  5766.66 

Theatres.    Their  safety  from  fire  and  panic,  their  comfort  and 

healthfulness.     Boston.     1900.  4019.133 

Same.     2d  edition.     New  York.     1917.        40193.346;  **T. 76.201 

The  water  service  and  fire  protection  of  theatres.     A   paper 

prepared   for  the  annual  meeting  of   New    England   Waterworks 
Association  held  in  Boston.     New  York.     1894.     Table.      4014.126 

GossET,  A.  Traite  de  la  construction  des  theatres.  Paris.  1886.  62 
plates.  *8o9o.59 

Hammitzsch,  M.  Der  moderne  Theaterbau.  Teil  i.  Berlin.  1906. 
Illus.     Plates.     Plans.  4093.140 

Hasenauer,  C.,  Freihcrr  von.  Das  k.k.  Hofburgtheater  in  Wien. 
Photographic  und  Lichtdruck  von  J.  Lowy.  Wien.  1890.  60 
plates.  *Cab.6o.8o.i 

Heberdey,  R.,  and  others.  Das  Theater  in  Ephesos.  Bearbeitet  von 
R.  Heberdey,  G.  Niemann,  W.  Wilberg.  [Wien.  1912.]  Illus. 
Plates.     Plans.  *Cab.30.39.6.2 

Howard,  F.,  5th  Earl  of  Carlisle.  Thoughts  upon  the  present  con- 
dition of  the  stage,  and  upon  the  construction  of  a  new  theatre. 
London.      1808.  No.  3  in  **G.3824.3;  etc. 

Huebsch,  H.  Entwurf  zu  einem  Theater  mit  eiserner  Dachriistung. 
Frankfurt  a.  M.     1825.     Diagrams.     Plans.  **8o90.i6o 

Kaemmerling,  H.  Das  Krollsche  fitablissement  zu  Berlin.  [Berlin. 
1862.]     Plates.     Plans.  **T.7i.2 

Das  neue  Victoria-Theater  zu  Berlin.     [Berlin.     i86-?]     4  parts 

in  I  V.     Plates,  some  colored.     Plans.  *Cab.6o.i44.6 

Das  Wallner-Theater  zu  Berlin.      [Berlin.     1868.]     2  parts  in 

I  V.     Plates.     Plans.  *Cab.6o.i44.7 

Kinsila,  E.  B.     Modern  theatre  construction.     [New  York.     1917.] 

Plates.     Plans.     Diagrams.     Tables.  80993.35 

KiTCHiNER,  W.     The  economy  of  the  eyes.     Part  i:  Of  spectacles, 

opera-glasses  and  theatres.  London.  1826.  Illus.  **T.97.i32;  etc. 
Klopfer,  p.     Theaterbau.     {In  his  Von  Palladio  bis  Schinkel.     Pp. 

69-93.     Eszlingen.     191 1.     Illus.     Plans.)  *4095-37-9 

Lachez,  T.     Acoustique  et  optique  des  salles  de  reunion  publiques, 

theatres  et  amphitheatres,  spectacles,  etc.     Paris.      1848.     Plans. 

3966.48;  etc. 
[745] 


THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 

Theatre.     Construction.     (Continued.) 

Landriani,  p.  Osservazioni  su  I'imp.  r.  Teatro  alia  Scala  in  Milano 
e  sopra  alcuni  articoli  del  Saggio  di  M.  Patte.  Osservazioni  sulle 
scene  teatrali  si  antiche  che  moderne.  (In  Ferrario,  G.  Storia  e 
descrizione  de'  principali  teatri  antichi  e  moderni.  Pp.  257-369. 
Milano.     1830.)  **T.75.7o 

Langh.vns,  C.  F.  Das  Stadt-Theater  in  Leipzig.  Entworfen  von 
C.  F.  Langhans.  Mit  Text  vom  Architekt  Briickwald.  Berlin. 
1870.     9  plates.  ^    **T.7i..3 

Das  Victoria  Theater  in  Berlin.  Entworfen  von  C.'F.  Lang- 
hans. Gestochen  von  Nikoley.  Berlin,  i860.  Text,  and  Atlas 
of  4  plates.  **T.7i.i 

Lewinsky,  J.  Kleine  Schriflen  dramaturgischcn  und  theater- 
geschichtlichen  Inhalts.  Nach  seinem  Tode  gesammelt  und 
herausgegeben   von   Olga   Lewinsky.      Berlin.      1910.      Portrait. 

6907.24 

LoiSE.\u-Rous?EAU,  p.  Les  theatres  de  Paris.  [Paris.  190-?]  35 
etched  plates.  **T.Cab.i.3o 

Magne,  a.  Monographie  du  nouveau  Theatre  du  vaudeville,  erige 
par  la  villa  de  Paris.     Paris.     1873.     30  plates.  **Cab.6o.8i.3 

Mazois.  C.  F.  Considerations  sur  la  forme  et  la  distribution  des 
theatres  antiques.  (In  Theatre  complet  des  Latins.  Vol.  i,  pp. 
xlix-lxvi.     Paris.     1820.)  **G.285.82.i 

Meloy,  a.  S.  Theatres  and  motion  picture  houses.  A  practical 
treatise  on  the  proper  planning  and  construction  of  such  build- 
ings, and  containing  useful  suggestions,  rules  and  data  for  the 
benefit  of  architects,  prospective  owners,  etc.  New  York.  1916. 
Illus.     Plates.     Plans.  8094.115 

MoNTENARi,  G.,  Contc.  Del  Teatro  Olimpico  di  Andrea  Palladio  in 
Vicenza.     Discorso.     In   Padova.      1733.     Portrait.     5   plates. 

*4095.io7;  etc. 

MoRiTZ.  C.,  and  B.  Schilling,  Das  neue  Stadttheater  in  Koln.  Berlin. 
1904.     Illus.     Plates,  one  colored.     Plans.  *Cab.6o.i44.8 

National  Board  of  Fire  Underwriters.  Suggested  ordinance  regu- 
lating the  construction  and  equipment  of  theatres  adopted  by 
the  National  Board  of  Fire  Underwriters  and  the  National  Fire 
Protection  Association.     February,   1913.     [New  York.     1913.] 

40193.56 

NovERRE,  J.  G.    Observations  sur  la  construction  d'une  nouvelle  salle 

fr  de  I'opera.    A  Amsterdam.     1781.  **T.77.48 

JPhTit,   P.     Essai   sur  I'architecture   theatrale.     Ou   de  I'ordonnance 

v       la  plus  avantageuse  a  une  salle   de   spectacles,   relativement  aux 

principes  de   I'optique   &  de   I'acoustique.     Avec  un   examen    des 

principanx  theatres  de  I'Eurcpe,  &  une  analyse  des  ecrits  les  plus 

importans  sur  cette  matiere.     K  Paris.     1782.  **T.77.47;  etc. 

PiERMARiNi,  G.  Teatro  della  Scala  in  Milano.  [Piantc  ecc]  Roma. 
1826.    8  plates.  *Cab.6o.i85.2 

Proelss,  C.  R.  Von  den  altesten  Drucken  der  Dramen  Shakespeares, 
und  dem  Einflusse,  den  die  damaligen  Londoner  Theater  und  ihre 
Einrichtungen  auf  diese  Dramen  ausgeiibt  hal)en.  Eine  Unter- 
suchung  vom  literarischen  und  dramaturgischcn  Standi)unkte. 
Leipzig.     1905.  4579-150 

RPvoiL,  H.  A.  Conference  sur  le  Theatre  antique  d'Orange  faite 
devant  Ic  Congres  de  la  Societe  frangaise  d'archeologie.  Tours. 
i  1883.]  2636.71 

[746] 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 


Theatre.     Coiisfniction.     (Conlimicd.) 

Ricci,  C.     I  Bibiena,  architctti  tcatrali.     Milano.     1915.     Text,  and 

atlas  of  94  plates.  *409oa.5o 

Sachs,   E.  O.,  and   E.  A.    E.   Woodkow.     Modern  opera   houses  and 

theatres.     Examples  selected  from  playhouses   recently   erected 

in    Europe.      London.      1896-98.      3    v.      lUus.      220    plates. 

*Cab.6o.77.4 
Saunders,   G.     A  treatise  on  theatres.     London.     1790.     xiii  plates. 

Plans.  **T.73.2;etc. 

Sauvageot,    L.      Considerations    sur    la    construction    des    theatres    a 

propos  de  la  reconstruction  du  Theatre  des  arts  a  Rouen.     Paris. 

[1877.]      Plates.      Plans.  No.  4  in  **M.i22.38 

ScHLiEPMANN,   H.   C.   G.      Die  neuen   Entwiirfe   zuni    Derliner   konij;,'-- 

lichen   Opernhaus.     Berlin.     1913.     Illus.     131   plates.     Plans. 

4091.135 

ScHMiTT,  E.  Konzerthauser  und  Saalbauten.  {In  Handbuch  der 
Architektur.  Theil  4.  Halb-Band  6,  Heft  3,  pp.  195-292.  Stutt- 
gart.    1901.     Illus.     Plates.     Plans.)  *8o92.52.6.3 

Security.  Letters  from  John  R.  Cantlin,  C.  John  Hexamer,  William 
M'Devitt.     Philadelphia.     [1885.]  40i9a.98 

Semper,  G.  Das  konigliche  Hoftheater  zu  Dresden.  Braunschweig. 
1849.     Plates.     Plans.  *Cab.6o.99.3 

Semper,  M.     Theater.     Stuttgart.     1904.     Illus.     Plates.     Plans. 

*8o92.52.6.5 

Streit,  A.  Das  Theater.  Untersuchungen  iiber  das  Theater-Bauwerk 
bei  den  klassischen  und  modernen  Volkern.  VVien.  1903.  Illus. 
Plates.     Plans.  *Cab.6o.i55.3 

Theater-Gebaude.  (/»  Grundriss-Vorbilder  von  Gebauden  allcr  Art. 
Abtheilung  10,  pp.   1009-1109.     Leipzig.     1887.     Illus.     Plans.) 

*4i03.58.io 

Trej.at,  £.     Le  theatre  et  I'architecte.     Paris,     i860.  **T.76.5i 

Vaudoyer,  a.  L.  T.  Description  du  theatre  de  Marcellus,  a  Rome 
retabli  dans  son  etat  primitif,  d'apres  les  vestiges  qui  en  restent 
encore:  memoire  joint  aux  plans,  coupes,  elevations  et  details. 
Paris.     1812.     Tables.  4093.134 

Wagner,  H.  L.  E.  W.  Musik-,  Schau-  und  Biihnenspiel-Hallen; 
Tanz-Locale.  {In  Handbuch  der  Architektur.  Theil  4,  Halb-Band 
4,  pp.   107-131.     Darmstadt.     1885.     Plans.)  *8o92.52.4 

Wyatt,   B.   D.     Observations  on  the  design  for  the  Theatre  Royal, 
Drury  Lane,  as  executed  in  1812.     London.     1813.     Plates.     Plans. 
•  Diagrams.  **T.72.3 

Theatre.    Costumes  and  properties. 

Aria,  E.  Costume:  fanciful,  historical,  and  theatrical.  Illustrated 
by  Percy  Anderson.     London.     1906.     Illus.     Plates,  some  colored. 

2239.99 

Bie,  O.  Das  Theater.  Biihnenbilder  und  Kosttime  von  Karl  Walser. 
Mit  Text  von  Oskar  Bie.  Berlin.  [1912.]  Colored  illus.  34 
colored  plates.  **T.72.i 

Bloch,  E.  Eduard  Bloch's  Album  der  Biihnen-Costiime.  Mit  er- 
lauterndem  Text  von  F.  Tietz.  Firma.  [1859.]  2  v.  48  colored 
plates.  *6252.9 

Boston.  Theatres.  National  Theatre,  Portland  St.  Property  book. 
[Boston.     1838,  46.]     2  V.  **T.72.ii 

Costumes  of  the  modern  stage.  Part  1-5.  Edited  by  M.  Mobisson. 
Illustrations  by  MM.  Lebegue.  Mesples,  etc.  [London.  1880-90.] 
Colored  portraits.  **T.92.i 

[747] 


THE  PUBLIC  LIBRARY  OF  THE   CITY  OF  BOSTON 


Theatre.     Costiwics  and  properties.     (Continued.) 

DiERKS,  H.    De  tragicorum  histrionum  habitu  scaenico  apud  Graecos. 

Gottingae.     1883.  2967,69 

DuDEVANT,    J.    F.    M.    A.,    Baron.      Masques    et    bouffons    (comedie 

italienne).     Paris,     i860.     2  v.     Plates.  **T.44.i ;  etc. 
Same.    The  history  of  the  harlequinade.     Philadelphia.     [1915-] 

2  V.     Colored  plates.  **T.95.i44 

Femmes,   Les,   de   Shakespeare.     Portraits   accompagnes   de   notices 

critiques    et    litteraires    par    De    Pongerville,    Philarete    Chasles, 

George  Sand,  etc.     Paris.     [18—?]     2  v.     Portraits.  **T.54.ii 

GuiLLAUMOT,   A.,  fits.     Costumcs   des    ballets    du    roy.     Archives    de 

rOpera,  xviiie  siecle.     Paris.     1885.    20  colored  portraits.     **T.92.7 

Costumes  du  Directoire.     Tires  des  Merveilleuses.     Avec  une 

lettre  de  M.  Victorien  Sardou.    Paris.    1875.    30  portraits.    **T.9i.i 

JuLLiEN.  J.  L.  A.  Histoire  du  costume  au  theatre  depuis  les  origines 
du  theatre  en  France  jusqu'a  nos  jours.  Paris.  1880.  Portraits, 
some  colored.     Plates.  **T.94.2 

Lacy,  T.  H.,  compiler.  Female  costumes,  historical,  national  and 
dramatic.     London.     1865.     200  plates.  *226i.5i 

Male  costumes,  historical,  national  &  dramatic.     London.    1868. 

200  plates.  *226i.5o 

Leclerc,  L.  Les  decors,  les  costumes  et  la  mise  en  scene  au  xvii^ 
siecle.     1615-1680.      Paris.      1869.  6257.37;  **T.77.i53 

Le  Vacher  de  Charnois,  J.  C.  Recherches  sur  les  costumes  et  sur 
les  theatres  de  toutes  les  nations,  tant  anciennes  que  modernes. 
A  Paris.     1790.     2  V.  in  i.     Plates.     Diagrams.  **T.94.28 

Mackay,  C.  D.  Costumes  and  scenery  for  amateurs.  A  practical 
working  handbook.    New  York.    1915.    Plates.    8076.214:2.40(119.4 

Planche,  J.  R.  Remarks  on  the  costume,  etc.,  of  some  of  the 
sketches  by  Inigo  Jones.  Plates.  (In  Collier,  J.  P.,  editor.  Inigo 
Jones.     Pp.  53-62.     London.     1848.)  No.  2  in  *4596.i6;  etc. 

Reynolds.  G.  F.  Some  principles  of  Elizabethan  staging.  A  dis- 
sertation [University  of  Chicago].    Chicago.     1905.    2  parts  in  i  v. 

2557-136 

Saunders,  C.     Costume  in  Roman  comedy.     New  York.     1909. 

2949.127 

Scene,  La.  Revue  des  succes  dramatiques.  Vol.  i  (no.  1-19,  21-24). 
Redacteur:  E  Grand.  Paris.  1877-81.  23  parts  in  i  v.  Illus. 
Colored  plates.  **T.22.8 

Smith,  K.  K.  The  use  of  the  high-soled  shoe  or  buskin  in  Greek 
tragedy  of  the  fifth  and  fourth  centuries  B.  C.  (In  Harvard 
studies  in  classical  philology.  Vol.  16,  pp.  123-164.  Cambridge. 
1905)  *4957-i5-i6 

Terentius  Afer,  Publius.  Phormio.  The  Phormio  of  Terence.  With 
the  Vatican  miniatures  [showing  the  ancient  masks  and  costumes] 
accurately'    reproduced.      Cambridge.      1894.  **T.35.23 

Trextsensky,  M.,  editor.  [Theater  costumes.]  London.  [185-?] 
234  plates  in  4  v.  **T.Cab.i.2 

Twelfth  night  characters  from  Shakespeare,  designed  and  drawn 
on  stone  by  J.  S.  Alpenny.     [London.     187-?]     24  colored  pictures. 

**G.3952.28 

ViZENTiNi;  A.  [Recueil  des  costumes  de  tons  les  ouvrages  dramatiques 
representes  avec  succes  sur  tous  les  grands  theatres  dc  Paris, 
I)ublie  par  Vizentini,  d'apres  les  dessins  d'Aug  Garnerey  et  Hipp. 
Lecomte.     Paris.     18 — ?]     2  v.     371   colored  plates.  *8o72.307 

[748] 


BROWN  COLLECTION   OF  BOOKS   ON   THE  STAGE 

Theatre.    Costumes  and  properties.    Catalogues. 

Booth,  E.  T.  Catalogue  of  Mr.  Edwin  Booth's  valuable  collection. 
Containing  the  theatrical  wardrobe,  also  his  former  household 
effects.     New  York.     1908.     Portrait.  **T.57.455 

BpuciCAULT,  D.  Antique  and  mo'dern  furniture,  collection  of  oil 
paintings,  rare  books,  plays,  stage  costumes,  etc.  The  personal 
property  of  Dion  Boucicault.     [New  York.     1894.]  **T.95.4i 

Elliston,  R.  W.  Catalogue  of  the  remaining  household  furniture, 
&c.,  of  R.  W.  Elliston.  The  private  and  theatrical  wardrol)e  of 
Mr.  Elliston.     [London.     1831.]  **T.66.i7 

Harley,  J.  P.  A  catalogue  of  the  excellent  furniture,  theatrical 
prints  and  portraits,  literary  and  dramatic  books,  manuscript 
plays  and  parts,  autograph  letters,  play  bills,  music  and  character 
dresses  of  the  late  J.  P.  Harley.     [London.]     1858.  **T.66.io 

PuTTiCK  &  Simpson,  auctioneers.  Shakespeare  tercentenary,  Strat- 
ford-upon-Avon. Catalogue  of  the  fittings  and  effects,  comprising 
the  elegant  proscenium,  new  act  drop,  stage  machinery  and 
appliances,  new  gas  fittings,  chairs,  tables,  etc.     [London?     1864.] 

No.  14  in  **G.3942.25 
Theatre.    Curtains. 

Tiffany  Studios,  Ne7i>  York.    Mosaic  curtain  for  the  National  Theatre 

of  Mexico.     [New  York.      191 1?]      Plates.  4099.176 

Theatre.     Decoration.     See  Theatre.  Construction;   Theatre.  Costumes  and 

properties;  Theatre.  Scenery. 
Theatre.    Fires. 

See  also  Theatre.  Construction. 

Alexander,  A.  A  discourse  occasioned  by  the  burning  of  the  theatre 
in  the  city  of  Richmond,  Virginia,  on  the  twenty-sixth  of  De- 
cember, eighteen  hundred  and  eleven.  Delivered  in  Philadelphia, 
eighth  of  January,  1812.     Philadelphia.     1812.  **T.76.i98 

Alexander,  A.  T.  Remarks  on  the  theatre,  and  on  the  late  fire  at 
Richmond,  in  Virginia.     York.     1812.  **T.76.87 

Brooklyn,  A'.  Y.  Theatres.  Brooklyn  theatre.  Theatre  holocaust, 
Brooklyn,  N.  Y.,  December  5,  1876.  [A  collection  of  newspaper 
clippings.]      Brooklyn.      1876.      Plates.      Portraits.        **T.Cab.i.i8 

Calamity  at  Richmond,  being  a  narrative  of  the  affecting  circum- 
stances attending  the  awful  conflagration  of  the  theatre  on  the 
night  of  the  26th  of  December,  181 1.  With  a  preface,  containing 
appropriate  reflections  to  awaken  the  attention  of  the  public,  to 
the  frequency  of  the  destruction  of  theatrical  edifices.  Phila- 
delphia.    1812.     Illus.  **T.77.229 

Chenevier,  p.  L'incendie  de  I'Opera-comique  de  Paris  et  le  theatre 
de   surete.     Paris.     1888.  No.  i  in  **M.i22.i 

FocHT,  C.  T.  Der  Brand  des  Ringtheaters  in  Wien,  am  8.  Dec.  1881. 
Wien.     1881.     Illus.     Plates.     Plan.  No.  i  in  **M.i45-20 

FoELSCH,  A.  Theaterbrande  und  die  7.ur  Verhiitung  derselben 
erforderlichen  Schutz-Massregeln.  Erganzungs-Hcft  mit  einem 
neuen  Verzeichnisse  von  108  abgebrannten  Theatern.  Hamburg. 
1882.  **T.75.6o 

Gerhard,  W.  P.  Theatre  fire  catastrophes  and  their  prevention. 
New  York.    1894.  4014.127 

Gilardone,  F.  Zum  Brand  der  „Komischen  Oper"  in  Paris.  Wie 
schiitzt  man  die  alteren  Theatergebaude  am  Besten  gegen  Feuers- 
gefahr  —  wie  beugt  man  in  ihnen  moglichst  einer  Panik  vor?  Wie 
baut  die  Neuzeit?  Hagenau  i.  Elsass.  1887.  Illus.  Portrait. 
Plates.     Plans.  **T.75.59 

[749] 


THE  PUBLIC  LIBRARY   OF  THE   CITY  OF  BOSTON 


Theatre.     Fires.     (Continued.) 

Holocaust,  The,  at  the  Brooklyn  Theatre.  With  interment  and 
memorial  services,  and  official  list  of  the  dead  and  missing. 
Brooklyn.     1876.  No.  15  in  *4477-52 

Miller.  S.  A  sermon,  delivered  January  19,  1812,  at  the  requeet  of 
a  number  of  young  gentlemen  of  the  city  of  New-York,  who  had 
assembled  to  express  their  condolence  with  the  inhabitants  of 
Richmond,  on  the  late  mournful  dispensation  of  Providence  in 
that  city.     New-York.     1812.  **T.76.i24;  etc. 

Paris.  Theatres.  Comedie  pran^aise.  Le  Theatre-frangais.  [Paris.] 
igoo.     Illus.     Portraits.  26303.66 

Sabin,  E.  R.  a  discourse,  preached  on  February  11,  1812,  in  presence 
of  the  supreme  executive  of  Massachusetts,  by  request  of  the 
young  men  of  Boston,  commemorative  of  the  late  calamitous  fire 
at  Richmond.     Boston.     1812.  **T.76.i99;  etc. 

Sachs,  E.  O.  Fires  and  public  entertainments.  A  study  of  some 
HOG  notable  fires  at  theatres,  music  halls  .  .  .  during  the  last 
100  years.     London.     1897.  *Cab.40.44.i 

ScHOLLE,  F.  Ueber  Theaterbrande,  deren  Ursachen  und  Verhiitung, 
sowie  die  Einrichtung  des  Feuers'icherheitswesens  in  den  Konigl. 
Hoftheatern  zu  Dresden.     Dresden.     1882.  **T.75.6i 

Shaw,  E.  M.     Fires  in  theatres.     London.     1889.  8018.103 

Smeeton,  G.  Smeeton's  Authentic  statement  of  the  dreadful  con- 
flagration of  Covent  Garden  Theatre,  September  20th,  1808. 
Also,  an  account  of  the  accident  whereby  near  fifty  persons  were 
killed  and  dangerously  burnt.     London.      [1808.]      Colored  plate. 

**T.76.ii7 

Thrilling  personal  experience.  A!  Brooklyn's  horror.  Wholesale 
holocaust  at  the  Brooklyn,  New  York,  Theatre,  on  the  night  of 
December  5th,  1876.  Origin,  progress  and  devastation  of  the  fire. 
Philadelphia.     [1877.]     Portraits.     Plates.  **T.75.8i 

Toner,  J.  M.     Notes  on  the  burning  of  theatres  and  public  halls. 

The  antiquity  of  the  drama  and  the  introduction  of  theatres  into 

America,  with  a  chronological   list  of  theatres  and  other  public 

edifices  burned.      [Washington.]      1876.  8099.20 

Theatre.     Heating  and  ventilation. 

See  also  Theatre.     Construetion. 

Elliot,  W.  G.  Ventilation  of  the  Madison  Square  Theatre.  New 
York.     1880.     Illus.     Plan.  8098.6 

Fischer,  H.  Heizung,  Liiftung  und  Beleuchtung  der  Theater  und 
sonstiger  Versammlungssale.     Darmstadt.     1894.     Plans. 

*8o9oa.i32.5 

Roth,  W.  E.  Theatre  hygiene:  a  scheme  for  the  study  of  a  some- 
what neglected  department  of  the  public  health.  London.  fi888.] 
Illus.  Plan.     Diagram.  **T. 76.37 

Tripier,  .a.,  fi.  P.  Note  sur  la  ventilation  des  theatres.  Paris.  1850. 
Plans.  **T.95.i40 

Theatre.    History. 

An.vl'aire  dramatique.  Histoire  des  theatres  depuis  leur  fondation 
jusqu'  a  nos  jours,  biographic  des  acteurs  de  Paris  et  de  la  banlieue. 
Par  Adolphe  Breant  de  Fontenay  et  fitienne  de  Champeaux. 
Annee  i,  1844/45.     Paris.     1845.  **T.99.24;  etc. 

Aunii  de  Lassus,  L.  Les  spectacles  antiques  Paris.  1888.  Illus. 
Plates.  29693.73 

[750] 


BROWN  COLLECTION   OF  BOOKS   ON   THE   STAGE 


Theatre.    History.     (Continued.) 

Bapst,   C.   G.     Essai   sur   I'histoire   du   theatre.     La   mise   en   scene, 

le  decor,  le  costume,  I'architecture,  I'eclairage,  I'hygiene.     Paris. 

1893      Illus.     Portraits.     Plates.     Plan.  **T.73.i 

BwARON,  A.  A.  F.     Histoire  de  I'art  dramatique.     Bruxclles.     [1853- 

55.]     Portraits.  4679-65;  **T.47.6i 

Bates,  A.,  and  others,  editors.    The  drama.     Its  history,  literature  and 

infkience  on  civilization.    London.     1903.    20  v.    Portraits.    Plates. 

**T.45.i 

Bernard,   J.      Retrospections   of   America,    1797-1811.      Edited    from 

the  manuscript   by   Mrs.    Bayle   Bernard.     With   an   introduction, 

notes,    and    iadex   by   Laurence    Hutton    and    Brandcr    Matthews. 

New   York.      1887.      Portraits.      Plate.  4247.76;  **T.57.2ii 

Retrospections  of  the  stage.     London.     1830.     2  v.     Portrait. 

**T.56.303;etc. 

BiBLioTHEQUE  uatioualc,  Paris.  Catalogue  de  dessins  relatifs  a  I'his- 
toire du  theatre  conserves  au  Departement  des  estampes  de  la 
Bibliotheque  nationale.  Avec  la  description  d'estampes  rares  sur 
le  meme  sujet,  recemment  acquises  de  M.  Destailleur.  [Paris. 
1895-]  *8o64.2io 

Birch,  C.  Dramatik  oder  Darstellung  der  Biihnenkunst,  historisch, 
theoretisch-praktisch,  fitr  Kiinstler  und  Freunde  der  Aesthctik. 
Stuttgart.     1856.  **T.97.88 

BoDENSTEiNER,  E.  Das  antike  Theater.  Leipzig.  1902.  i  v.  and  2 
colored  plates.  No.  12,  13  in  *Cab.29.32.i 

BossuET,  P.    Histoire  des  theatres  nationaux.    Paris.     [1909.]     4674.33 

Censor  dramaticus,  pseud.  A  complete  history  of  the  drama,  from  the 
earliest  periods  to  the  present  time.    London.    1793.   **T.96.27;  etc. 

Chambers,  E.  K.    The  mediaeval  stage.     Oxford.     1903.    2  v.     Plates. 

6252.24 

Chetwood,  W.  R.  a  general  history  of  the  stage,  from  its  origin  in 
Greece  down  to  the  present  time.  With  the  memoirs  of  most  of  the 
principal  performers  that  have  appeared  on  the  English  and  Irish 
stage  for  these  last  fifty  years.  London.  1749.  4578.31;  **T.78.io;  etc. 

CiBBER,  T.  Gibber's  Two  dissertations  on  the  theatres.  With  an 
appendix.  The  whole  containing  a  general  view  of  the  stage, 
from  the  earliest  times,  to  the  present;  with  anecdotes  relative 
to  the  English  theatres  and  remarks  on  the  laws  concerning  the 
theatres.     London.     [1756.]  **T.76,i34;  etc. 

CosACK,  W.  Materialien  zu  Gotthold  Ephraim  Lessing's  Hambur- 
gische  Dramaturgic.  Ausfiihrlicher  Commentar  nebst  Einleitung, 
Anhang  und    Register.     Paderborn.      1876.  4873.28 

Coupe,  J.  M.  L.,  and  others.  Histoire  universelle  des  theatres  de 
toutes  les  nations,  depuis  Thespis  jusqu'  a  nos  jours;  par  une 
societe  de  gens  de  lettres  [J.  M.  L.  Coupe,  G.  F.  F.  Des  Hayes, 
Lefuel  de  Mericourt.  et  Testu].  A  Paris.  1779-81.  13  v.  Por- 
traits.    Plates.     Plans.  **T.47.87;  etc. 

Creizenach,  W.  M.  a.  Geschichte  des  neueren  Dramas.  Halle  a.  S. 
1 893-1904.     5  v.  4874-37 

De  l'art  du  theatre  en  general,  oti  il  est  parle  des  differens  genres 
de  spectacles  et  de  la  musique  adaptee  au  theatre.  .\  Paris.  1769 
2  V.     Plates.  **T.48.i7 

Destranges,  L.  a.  fi.  R.  Le  theatre  a  Nantes  depuis  ses  origines 
jusqu'a  nos  jours.     r430?-i893.     Paris.     1893.  **T.77.6i 

Same.     1430-1901.     Paris.     1902.     Portrait.     Plates.     Plans. 

4671.39 

[751] 


THE  PUBLIC  LIBRARY  OF  THE   CITY  OF  BOSTON 


Theatre.    History.     (Continued.) 

Detcheverry,  a.  Histoire  des  theatres  de  Bordeaux  depuis  k-ur 
origine  dans  cette  ville  jusqu'a  nos  jours.     Bordeaux,     i860. 

**T.76.79 
/iDiBDiN.   C,   17.15-1814.     A   complete   history  of  the   stage.     London. 
J,      [1800.]     5  V.  **T.76.i32 

//  DiUDiN,  C.,  Jr.  History  and  illustrations  of  the  London  theatres: 
comprising  an  account  of  the  origin  and  progress  of  the  drama 
in  England;  with  historical  and  descriptive  accounts  of  the 
Theatres  Royal,  Covent  Garden,  Drury  Lane,  Haymarket,  Eng- 
lish Opera  House,  and  Royal  Amphitheatre.  London.  1826. 
Plates.     Plans.  **T.72.6 

DiMMicK,  R.  C.  Our  theatres  to-day  and  yesterday.  Beginning 
of  the  drama  on  Manhattan  Island  and  the  troublous  days  of 
early  managers  and  players,  with  anecdotal  account  of  the 
growth  of  the  amusement  industry.  From  1732  to  1913.  New 
York.     [1913.]     Plates.  4395.206 

DowNES,  J.  Roscius  Anglicanus,  or,  an  historical  review  of  the  stage 
from  1660-1706.  A  fac-simile  reprint  of  the  rare  original  of  1708. 
With  an  historical  preface  by  Joseph  Knight.     London.     1886. 

No.  I  in  *4575.ioo 
DuNLAP,  W.    A  history  of  the  American  theatre.     New-York.     1832. 

**T.55.io9;  etc. 

Same.     London.     1833.    2  v.  in  i.  **T.76.20o;  etc. 

Eaton,  W.  P.    Plays  and  players.    Leaves  from  a  critic's  scrap-book. 

Cincinnati.     1916.     Plates.  6257.301;  **T.46.70 

Fleay.  F.  G.     a  chronicle  history  of  the  London  stage,   1 559-1 642. 

London.     1890.  4571.122;  **T.75.44 

Fontaxa,  F.     In  teatro.     (Con  due  lettere  di  G.  C.  Molineri.)     Roma. 

1884.  **T.98.97 

Foucher,  p.  H.     Les  coulisses  du  passe.     Paris.     1873. 

26793.80;  **T.47.25 
Garcia,  G.     The  actors'  art.     [Including  a  sketch  on  the  history  of 

the  theatre  from  the  Greeks  to  the  present  time.]     London.     1888. 

Illus.     Plates.  **T.77.79 

Gesellschaft    fur    vervielfaeltigende    Kunst.      Die    Theater    Wiens. 

Wien.     1893-1909.     4v.  in  6,  and  unbound  parts.     Illus.     Portraits. 

Plates.     Plans.  *Cab.28.27.2 

Hamilton,  C.  M.     The  theory  of  the  theatre,  and  other  principles 

of  dramatic  criticism.     New  York.     1910.  2256.62 

History,  The,  of  the  Theatre  Royal,  Dublin,  from  its  foundation  in 

1821  to  the  present  time.     [Including  a  brief  sketch  of  the  history 

of  the  theatres  in  Dublin.]     Dublin.     1870.  **T.78.35 

HuGALDE  y  Parra,  M.  G.  DE  V.     Origeu,  epocas  y  progresos  del  teatro 

espaiiol:    discurso    historico.      Madrid.      1802.      Plates. 

**D. 174.6;  etc. 
JuLMEN,   J.   L.   A.     Les   spectateurs    sur   le   theatre,      fitablissement 

et  suppression  des  bancs  sur  les  scenes  de  la  Comedie-frangaise  et 

de  rOpera.     Paris.     1875.     Plates.     Plan.  No.  6  in  **M.i22.i 

Lacombe,  J.     Precis  de  I'art  theatral  dramatique  des  anciens  et  des 

modernes.     Paris.     1808.     2  v.  **T.46.53 

Lamarca,  L.     El  teatro  de  Valencia  desde  su  origen  hasta  nuestros 

dias.     Valencia.     1840.  **D.i7ob.6o 

Lawrence,    W.    J.      The    Elizabethan    playhouse    and    other    studies. 

Philadelphia.      1912,    13.     2  v.     Plates.     Plans.  4574.172 

[752] 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 


7 


Theatre.    History.     (Continued.) 

Lecocq,  G.  Histoire  du  theatre  en  Picardie  dcpuis  son  origine  jusqu'a 
la  fin  du  xvi^  siecle.     Paris.     1880.     Plans.  **T.74,i7 

Le  Poitevin  de  L'ficREViLLE,  C.  P.,  compHcr.  L'esprit  du  theatre;  ou, 
pensees  choisies  dcs  auteurs  dramatiques  les  plus  connus,  tant 
anciens  que  modernes,  tant  nationaux  qu'  etrangers.  Paris. 
[1865.]  **T.37.i49 

LoTHAR,  R.     Das  Wiener  Burgtheater.     Leipzig.     1899.     Illus.     Por- 
traits.    Plates.  4871.130 
Magnin,  C.     Les  origines  du  theatre  antique  et  du  theatre  moderne 
ou  histoire  du  genie  dramatique  depuis  le  ler  jusqu'  au  xvi^  siecle. 
Paris.      [183-?]                                                           4673-67;  **T.46.4;  etc. 
/    Malone,  E.     An  historical  account  of  the  rise  and  progress  of  the 
*^      English   stage,  and   of  the   economy  and   usages  of  our  ancient 
theatres.      [With    additions    by   G.    Steevens.]      {In    Shakespeare. 
William.     Plays.     Vol.  3.     Basil,     m.dcc.ic.)                      6602.18;  etc. 
Mantzius,   C.     a  history  of  theatrical  art   in  ancient  and  modern 
times.      With    an    introduction    by    William    Archer.      London. 
1903-09.     5  V.     Portraits.     Plates.     Plans.  6252.66 
MooRE,  E.  H.     English  miracle  plays  and  moralities.    London.     1907. 

2552.39 

MoRiCE,  E.     Essai  sur  la  mise  en  scene  depuis  les  mysteres  jusqu'  au 

Cid.     Paris.      1836.  **T.77.i87 

Murray,    J.    T.      English    dramatic    companies,    1558-1642.      Boston. 

1910.     2  V.     Map.     Tables.  4574.171 

Neville,  H.  G.     The  stage:  its  past  and  present  in  relation  to  fine 

art.     London.     1875.  2473.57 

Nicholson,  W.     The  struggle  for  a  free  stage  in  London.     Boston. 

1906.  2552.33 

Parker,  G.     A  view  of  society  and  manners  in  high  and  low  life. 

Comprised,  a  history  of  the  stage  itinerant.     London.     1781.    2  v. 

**T.58.66 

Pick,   A.     Erfurter  Theatervorstellungen   in   der   guten  alten   Zeit. 

Hamburg.     1899.  *59i4.5o.N.F.i3 

Proposal,  A,   for  the   better   regulation   of  the   stage.     With   some 

remarks  on  the  state  of  the  theatre  among  the  ancient  Greeks 

and  Romans.     London.     1732.  **T.77.2i5 

Pure,  M.  de.     Idee  des  spectacles  anciens  et  novveavx.     Paris.     1668. 

**G.3537.4 

Seyfried,  F.,  Ritter  von.     Riickschau  in  das  Theaterleben  Wiens,  seit 

den  letzten  fiinfzig  Jahren.     Wien.     1864.  **M.373.4i ;  etc. 

Teuber,  O.     Geschichte  des  Prager  Theaters.     Von  den  Anfangen 

des  Schauspielwesens  bis  auf  die  neueste  Zeit.     Prag.     1883-1888. 

3  V.  2875.152 

Weilen,  a.  W.,  Ritter  von.     Geschichte   des  Wiener  Theaterwesens 

von   den  altesten  Zeiten  bis  zn  den   Anfangen   der   Hof-Thcater. 

Wien.     1899.     Illus.     Portraits.     Plates.  *Cab.28.27.2.i 

Wewitzer,  R.     Dramatic  reminiscences,  anecdotes,  comical  sayings 

and  doings.     London.     [185-?]     Portrait.  **T.59.33;  etc. 

A  theatrical  pocket  book,  or  brief  dramatic  chronology,  from 

the  earliest  periods  of  history:  with  a  list  of  British  dramatists, 
and  of  actors,  &c.  on  the  London  stage,  from  the  introduction  of 
theatrical  entertainments  into  England.    London.    1814.   **T.98.i33 

[753] 
48 


THE  PUBLIC  LIBRARY   OF  THE   CITY  OF  BOSTON 


Theatre.    History.     (Continued.) 

Same.     A    brief   dramatic    chronology   of  actors,    &c.,    on    the 

London  stage,  from  the  introduction  of  theatrical  entertainments 

into  England,  to  the  present  time.     London.     1817.    **T.78.26;  etc. 

WoRP,  J.   A.     Geschiedenis   van   het   drama   en   van  het   toonecl    in 

Nederland.     Groningen.     1904,  1908.    2  v.  4874-133 

Theatre.    History.    Bibliography. 

Merb.^ch,  p.  a.,  compiler.  Bibliographic  fiir  Theatergeschichte  1905- 
1910.     Berlin.     1913.  6907.31 

Theatre.     In  favor  of. 

Alt,   H.     Theater  und   Kirche   in    ihrem  gegenseitigen   Verhaltniss 

h'istorisch  dargestellt.     Berlin.     1846.  **T.77.235 

Arnal,  fi.     Les  acteurs   et   les  pretres,  boutade   en   vers,   suivie   de 

notes.     Paris.     1830.  **T.96.i49 

Baker,  Sir  R.     Theatrum    redivivum,   or   the   theatre   vindicated   by 

Sir  Richard  Barer  [sic].     In  answer  to  Mr.  Pryn's  Histrio-mastix. 

London.     1662.  **G.382i.i2 

Bellows,  H.  W.    An  address  upon  the  claims  of  the  drama,  delivered 

before    the    American    Dramatic    Fund    Society,    1857.      London. 

[1857?]  **T.76.33 

Same.     The  relation  of  public  amusements  to  public  morality, 

especially   of   the    theatre    to   the   highest    interests    of   humanity. 
New  York.     1857-  **T.77.226;  etc. 

Dramatic   Fund    dinner.      Rev.    Mr.    Bellows   on    the    dramatic 

profession.      [New   York.      1857.]  No.  3  in  **G.3822.i 

BoiELDiEU,  M.  J.  A.  De  I'influence  de  la  chaire,  du  theatre  et  du 
barreau,  dans  la  societe  civile,  et  de  I'importance  de  leur  retablisse- 
ment  sur  des  bases  qui  puissent  relever  en  France  leur  ancienne 
et  veritable  splendeur.     Paris.     An  Xn.-i8o4.  **T.46.34 

Brown,  T.  The  stage-beaux  toss'd  in  a  blanket:  or,  hypocrisie 
alamode;  expos'd  in  a  true  picture  of  Jerry,  a  pretending  scourge 
to  the  English  stage.     London.     1704.  **T.36.35 

BuNN,  A.  A  letter  to  the  Rev.  J.  A.  James,  of  Carr's  Lane  Aleeting 
House.  With  notes,  critical,  religious  and  moral.  Birmingham. 
1824.  **T.36.64;etc. 

Caffaro,  F.  Father  Caffaro's  Letter  upon  the  lawfulness  or  unlaw- 
fulness of  the  stage;  with  a  brief  introduction.  {In  Mansel,  R. 
Free  thoughts  upon  Methodists,  actors,  and  the  influence  of  the 
stage.     Pp.  75-119.     Hull.     1814.)  **T.77.i7o;  etc. 

Callender,  E.  R.  Dr.  Thomson  on  the  stage.  A  reply.  Manchester. 
[187-?]  **T.77.72 

Calvert,  F.  B.  A  defence  of  the  acted  drama,  in  a  letter  addressed 
to    the    Rev.    Thomas    Best.      Hull.      1822.  **T.96.4o;  etc. 

Churchman,  A,  pseud.  More  remarks  on  the  theatre:  addressed  to  those 
who  take  the  trouble  to  read  them.    Leeds.     1818.      **T.96.52;  etc. 

Cole,  J.  W.  A  defence  of  the  stage,  or  an  inquiry  into  the  real 
qualities  of  theatrical  entertainments,  their  scope  and  tendency. 
A  reply  to  a  sermon  entitled  "The  evil  of  theatrical  amusements 
stated  and   illustrated"  by  John   B.   Bennett.      Dublin.      1830. 

**T.75.43 

CoNGREVE,   W.     Amendments   of    Mr.    Collier's   false   and    imperfect 

citations,  &c.,  from  the  Old  batchelour.  Double  dealer.  Love  for 

love,  Mourning  bride.     London.     1698.  **T.77.42;  etc. 

Conway,  M.  D.     The  theater:  a  discourse  delivered  in  tlu'   LJnitarian 

Church,  Cincinnati,  O.     Cincinnati.     1857.  B.6088.50;  etc. 

[754] 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 


Theatre.    In  favor  of.     (Continued.) 

Cooke,  T.  Considerations  on  the  stage,  and  on  the  advantages 
which  arise  to  a  nation  from  the  encouragement  of  arts.  (In  his 
The  triumplis  of  love  and  honour.     Pp.  43-74.     London.     1731.) 

**G-3935-i;  etc. 

CowELL,  W.  An  oration  in  defence  of  the  theatre.  By  Mrs.  Anna 
Cowell.  Being  her  second  public  reply  to  the  late  scandalous 
strictures  on  the  theatre.  By  the  Rev.  R.  M.  Hatfield.  Written 
by  W.  Cowell.     Chicago.     [1865.]  **T.95.3i5 

Curtis,  J.  S.  A  short  reply  to  a  tract  by  the  Rev.  W.  Thomas,  en- 
titled "The  theatre."     [Leeds.     188-?]  **T.77.204 

Daly,  C.  P.  A  consideration  of  the  objections  to  the  stage  from  the 
earliest  period  and  the  conclusion  it  warrants.     New  York.     1896. 

**T.76.8 

Davidge,  W.  p.  The  drama  defended.  Addressed,  with  respect,  to 
the  public  generally,  and  with  commiseration,  to  Messrs.  the  Rev. 
Strickland,  T.  L.  Cuyler,  etc.,  etc.,  etc.  [Letters.]  New  York. 
1859.  6259b.i5i 

Davis,  J.  The  attitude  of  society  to  the  stage,  past  and  present. 
A  paper  read  before  the  monthly  meeting  of  the  Church  and 
Stage  Guild.     London.     1879.  **T.77.i95 

Defence,  A,  of  dramatick  poetry:  being  a  review  of  Mr.  Collier's 
View  of  the  immorality  and  profanencss  of  the  stage.  London. 
1698.  **T.77.43 

Defence,  A,  of  the  drama,  containing  Manscl's  Free  thoughts, 
extracts  from  the  most  celebrated  writers,  and  a  discourse  on 
the  lawfulness  &  unlawfulness  of  plays,  by  Father  Caffaro.  New- 
York.    1826.  **T.78.6;etc. 

Dennis,  J.  The  person  of  quality's  answer  to  Mr.  Collier's  letter, 
being  a  disswasive  from  the  play-house.     London.     1704. 

No.  5  in  **G.3824.2 

The  stage  defended,  from  Scripture,  reason,  experience,  and  the 

common  sense  of  mankind,  for  two  thousand  years.  Occasion'd 
by  Mr.  Law's  late  pamphlet  against  stage-entertainments.  In  a 
letter  to  *  *  =f:  *  *  *    [George   Dodington].     London.      1726. 

*6569.44;  etc. 

The  usefulness  of  the  stage,  to  the  happiness  of  mankind,  to 

government,  and  to  religion.  Occasioned  by  a  late  book  written 
by  Jeremy  Collier.     London.     1698.  **G.382i,2 

Drake,  J.  The  antient  and  modern  stages  survey'd.  Or.  Mr. 
Collier's  View  of  the  immorality  and  profaneness  of  the  English 
stage  set  in  a  true  light.     London.     1699.  **T.77.45;  etc. 

Drama,  The,  brought  to  the  test  of  Scripture,  and  found  wanting. 
[A  review  of  Greville's  work  of  that  name.     Edinburgh.     1831.] 

No.  7  in  **G.3824.io 

Fagan,  C.  B.  Nouvelles  observations,  au  sujet  des  condamnations 
prononcees  centre  les  comediens.     A  Paris.     I75i- 

No.  3  in  **4697.6;  etc. 

Farther  defence,  A,  of  dramatick  poetry:  being  the  second  part  of 
the  Review  of  Mr.  Collier's  View  of  the  immorality  and  profane- 
ness of  the  stage.     London.     1698.  **T.77.44 

Ferguson,  A.  The  morality  of  stage-plays  seriously  considered. 
Edinburgh.     1757.  **T.76.9o 

Filmer,  E.  a  defence  of  plays:  or,  the  stage  vindicated,  from 
several  passages  in  Mr.  Collier's  Short  view,  &c.     London.     1707. 

**T.77.46;etc. 

[755] 


THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 

Theatre.    /»  favor  of.     (Continued.) 

Flitcroft,  H.  Theatrical  entertainments  consistent  with  society, 
morality,  and  religion.  In  a  letter  to  the  author  of  "The  stage 
the  high  road  to  hell."     London.     1768.  **T.96.i85;  etc. 

Four  letters  on  the  theatre;  written  during  the  dispute  between  the 
public  and  the  proprietors  of  the  new  Theatre  Royal,  in  Covent 
Garden,  on  its  opening  in  i8og:  wherein  are  discussed,  the  merits 
of  players,  and  the  morality  of  the  stage.     London.     [1800.] 

**T.96.258 

Freckelton,  T.  W.  The  church  and  the  drama.  A  sermon.  Lon- 
don.    1865.  **T.96.i30 

GarcIa  de  la  Huerta,  V.  A.  La  escena  hespafiola  defendida  en  el 
prologo  del  Theatro  hespafiol  de  D.  Vicente  Garcia  de  la  Huerta, 
y  en  su  Leccion  critica.     Madrid.     1786.  **D.i7ob.28 

Leccion  critica  a  los  lectores  de  la  Memoria  de  Cosme  Damian 

sobre  el  Theatro  hespafiol,  &c.     Madrid.     1786.  **D.i7ob.35 

Gardiner,  J.  Speech  delivered  in  the  House  of  Representatives; 
on  the  subject  of  the  report  of  the  committee,  appointed  to  con- 
sider the  expediency  of  repealing  the  law  against  theatrical 
exhibitions  within  this  commonwealth.     Boston.     1792.     Plan. 

**T.76.i3;etc. 

Geier,  J.  Thespis  on  tryal,  or  the  moralitie  of  playes  considered. 
Translated  out  of  the  Latin  by  A.  C.  Gent.  1685.  Edinburgh. 
1887.  **T.96.32o;etc. 

GiLLiLAND,  T.  A  dramatic  synopsis,  containing  an  essay  on  the 
political  and  moral  use  of  a  theatre;  involving  remarks  on  the 
dramatic  writers  of  the  present  day,  and  strictures  on  the  per- 
formers of  the  two  theatres.     London.     1804.  **T.76.59;  etc. 

GuERRA  Y  Ribera,  M.  DE.  Apelacion  al  tribunal  de  los  doctos,  justa 
defensa  de  la  Aprobacion  a  las  comedias  de  Don  Pedro  Calderon 
de  la  Barca,  impressa  .  .  .  1682.  Impugnacion  eficaz  de  los 
papeles,  que  salieron  contra  ella  hasta  el  ano  de  1683.  En  Madrid. 
1752.  **D.i4ob.36 

Halford,  T.  a  reply  to  a  sermon  on  the  theatre,  preached  in  Rich- 
mond Church  by  the  Rev.  Edward  Hoare.  With  brief  observa- 
tions on  the  drama.     London.     1839.  **T.96.i86;  etc. 

Haliburton,  W.  Effects  of  the  stage  on  the  manners  of  a  people: 
and  the  propriety  of  encouraging  and  establishing  a  virtuous 
theatre.     Boston.     1792.     Plan.  **T.76.io3 

Ham,  J.  P.  The  pulpit  and  the  stage.  Four  lectures.  With  illus- 
trative notes,  by  Fred.  Whymper.     London.     [1878.]     Portrait. 

**T.77.i34 

The  stage  and  the  drama  in  their  relation  to  society.    A  lecture. 

London.     1880.  7588.112 

Harvey,  D.  W.  Letters  [o]ccasioned  by  a  pamphlet,  recently  pub- 
lished by  Rowland  Hill,  entitled,  "A  warning  to  professors,  con- 
taining aphoristic  observations  on  the  nature  and  tendency  of 
public  amusements";  with  concise  remarks  on  a  late  withdraw- 
ment  from  a  dissenting  Independent  church.     London.     1805. 

No.  9  in  **G.3824.9 

Headlam,  S.  D.  The  function  of  the  stage.  A  lecture.  London. 
1889.  4574.150 

Theatres  &  music  halls:  a  lecture.    With  a  letter  to  the  Bishop 

of  London  and  other  correspondence.     Westminster.      [1877.] 

**T.98.34 
[756] 


BROWN   COLLECTION    OF   BOOKS    ON    THE   STAGE 


Theatre,    In  favor  of.     (Continued.) 

Heywood,  T.  An  apology  for  actors.  Containing  three  brief 
treatises,  i.  Their  antiquity.  2.  Their  ancient  dignity.  3.  The 
true  use  of  their  quality.     London.     1612.  **G.i77.io;  etc. 

Irving,  Sir  H.  The  theatre  in  its  relation  to  the  state.  Boston. 
[18-98.]      Portrait.  2553.27;  **T.77.i78 

Lacy,  T.  H.  The  theatre  defended  chiefly  in  reference  to  the  last 
annual  sermon  of  the  Rev.  Thomas  Best  against  theatrical 
amusements.    Sheffield.     1840.  **T.96.i23 

Three  letters  by  T.  H.  Lacy,  manager  of  the  Sheffield  Theatre 

in  reference  to  the  last  annual  sermon  of  the  Rev.  Thomas  Best, 
preached  Oct.  30,  against  theatrical  amusements.  [Sheffield. 
1 84 1.]  **T.96.i24 

Larned,  E.  C.  a  plain  talk  about  the  theatre.  By  Herrick  Johnson. 
[Followed  by  a  correspondence  between  Mr.  Johnson,  Edwin  C. 
Larned  and  James  H.  McVicker,  the  two  latter  defending  it.] 
Chicago.     [1882.]  **T.78.77 

Laval,  P.  A.  P.  A.  Laval  comedien,  a  J.  J.  Rousseau  sur  les  raisons 
qu'il  expose  pour  refuter  M.  d'Alembert,  qui  dans  le  VII  volume 
de  I'Encyclopedie,  article  Geneve,  prouve  que  I'etablissement  d'une 
comedie  dans  cette  ville  y  feroit  reunir  la  sagesse  de  Lacedemone 
a  la  politesse  d'Athenes.     A  la  Haye.     1758.  **T.77.87 

Lewes,  C.  -L.  The  stage,  and  the  pulpit.  The  player  and  the  preacher. 
Or,  a  serio-comic  answer  to  Mr.  Kilham,  preacher.  [Aberdeen. 
I794-]  No.  7  in  **G.3824.i5 

Lodge,  T.  A  defence  of  poetry,  music,  and  stage  plays.  London. 
1853.     Facsimile.      [Shakespeare   Society,   London.] 

No.  2  in  *4596.2o;  etc. 

A  reply  to  Stephen   Gosson's  School  of  abuse,  in  defence  of 

poetry,  musick  and  stage  plays.  1580?  {In  his  Complete  works. 
Vol.    I.      [Glasgow.]      1883.)  No.  2  in  **46ooa.i25.i;  etc. 

M.,  E.  A  brief  defence  of  the  stage,  against  the  attacks  of  the 
Methodists  and  other  sectarians;  in  a  letter  to  a  friend,  intended 
chiefly  as  a  reply  to  a  pamphlet,  written  by  Mr.  Valentine  Ward, 
entitled,  "The  stage;  a  dangerous  and  irreconcilable  enemy  to 
Christianity."    Dublin.     1824.  **T.76.88 

McViCKER,  J.  H.  The  press,  the  pulpit,  and  the  stage.  A  lecture. 
Chicago.     1883.     Portrait.  **T.76.29 

Mansel,  R.  Free  thoughts  upon  Methodists,  actors,  and  the 
influence  of  the  stage.  With  an  introductory  letter  .  .  .  upon 
the  origin  of  the  drama,  &c.  Likewise,  a  discourse  on  the  law- 
fulness and  unlawfulness  of  plays  by  Father  Caffaro.    Hull.     1814. 

**T.77.i7o;  etc. 

Mr.  William  Prynn  his  defence  of  stage-plays,  or  a  retraction  of  a 
former  book  of  his  called  Histrio-mastix.  London,  printed  in  the 
year    1649.      [London.      1822.]  **T.77.22;  etc. 

NoswoRTHY,  L.  The  stage  and  Christianity  reconciled.  The  simple 
story  of  the  real  troubles  of  an  inquirer  after  truth.  Manchester. 
1866.  .  **T.96.i07 

O ,  Mrs.   S .     Law  outlaw'd:  or,  a  short  reply  to  Mr.   Law's 

long  declamation  against  the  stage.     London.     1726. 

No.  12  in  **G.382i.ii 

Observations  on  the  effect  of  theatrical  representations,  with 
respect  to  religion  and  morals:  occasioned  by  the  preface  to  the 
third  volume  of  the  Works  of  Mrs.  H.  More.     Bath.     1804. 

No.  16  in  **G.3824.i5;  etc. 
[757] 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 


Theatre.    /"  favor  of.     (Continued.) 

Oldmixon,  J.  Reflections  on  the  stage,  and  Mr.  Collyer's  Defence 
of  the   Short  view.     In    four   dialogues.     London.      1699. 

**G.382i.7;etc. 

Parkes,  J.  The  plagiary  "warned."  A  vindication  of  the  drama,  the 
stage,  and  public  morals,  from  the  plagiarisms  and  compilations 
of  the  Revd  John  Angell  James,  in  a  letter  to  the  author.  Bir- 
mingham.    1824.  **T.75.62;etc. 

Parody,  A,  and  answer  to  W.  C.  C.'s  essay  on  the  evil  tendency  of 
the  theatre.  By  "a  man  of  the  world;"  but  not  a  "Macsycophant." 
Edinburgh.     1834.  **T.95.34 

Percival,  J.  Society  for  the  Suppression  of  Vice.  A  few  observa- 
tions in  defence  of  the  scenic  exhibitions  at  the  Royalty  Theatre, 
and  on  the  intolerant  censure  of  the  drama  in  general;  contained 
in  the  "Solemn  protest"  of  the  Rev.  Tho.  Thirlwall,  in  the  name 
of  the  Society  for  the  Suppression  of  Vice.     London.     1804. 

**T.76.6i;etc. 

Philomusus,  S.,  M.A.,  pseud.  Mr.  Law's  Unlawfulness  of  the  stage 
entertainment  examin'd:  and  the  insufficiency  of  his  arguments 
fully  demonstrated.     London.     1726.  **T.76,9i ;  etc. 

Players,  The,  and  the  Puritans.     [New  York.     1863.] 

No.  25  in  **G.3822.3 

Plumptre,  J.  Four  discourses  on  subjects  relating  to  the  amuse- 
ment of  the  stage:  preached  at  Great  St.  Mary's  Church,  Cam- 
bridge.    Cambridge.     1809.  **T.75.49;  etc. 

An  inquiry  into  the  lawfulness  of  the  stage.     Taken  principally 

from  Four  discourses  on  subjects  relating  to  the  amusement  of 
the  stage.    Cambridge.     1812.  No.  5  in  **G.3823.i9 

A  letter  to   the   author   of  a   tract   entitled   The   stage:    three 

dialogues  between  Mr.  Clement  and  Mr.   Mortimer.     Cambridge. 
1819.  **T.96.7o;  etc. 

PoREE,  C.  An  oration,  in  which  an  enquiry  is  made  whether  the 
stage  is,  or  can  be  made  a  school  for  forming  the  mind  to  virtue; 
and  proving  the  superiority  of  theatric  instruction  over  those  of 
history  and  moral  philosophy.    London.    1734.    No.  9  in  **G.3823.i4 

PoRTEOUS,  G.  B.  Rev.  Dr.  Porteous  on  the  pulpit  and  stage;  or, 
churches  and  theatres,  and  players  and  preachers.  An  anticipated 
reply  to  Rev.  Dr.  Talmage's  tirade  against  theatres.  New  York. 
1874-  7464-134;  **T.95.35 

Resident,  A,  pseud.  The  Bath  Theatre  vindicated  from  the  aspersions 
of  the  Rev.  John  East.     Bath.     1844.  **T.76.97 

Ryland,  R.  a  second  edition  of  "The  statement,"  "The  address," 
and  "The  remarks"  on  the  "Counter-statement,"  relative  to  a  late 
withdrawment  from  a  dissenting  Independent  congregation. 
[Letters  on  a  controversy  with  the  Rev.  John  Clayton  relating  to 
dancing  and  the  theatre.]     London.     1805.  No.  7  in  **G.3824.9 

Shinn,  G.  W.    The  stage  as  a  teacher.     A  sermon.     [Newton.     1900.] 

No.  2  in  3589.214 

The  teaching  function  of  the  stage  from  a  clergyman's  stand- 
point.    An   essay.     Boston.      1900.  No.  i  in  3589.214 

Some  remarks  upon  the  Rev^  Mr.  Anderson's  positions  concerning 
the  unlawfulness  of  stage-plays.  In  a  letter  to  the  author.  Edin- 
burgh.    1733.  No.  3  in  **G.382i.i9 

Stage,  The,  acquitted.  Being  a  full  answer  to  Mr.  Collier  and  the 
other  enemies  of  the  drama.     With  a  vindication  of  King  Charles 

[758] 


BROWN   COLLECTION    OF  BOOKS   ON    THE   STAGE 


Theatre.    In  favor  of.     (Continued.) 

the  martyr,  and  the  clergy  of  the  Church  of  England,  from  the 
abuses  of  a  scurrilous  book,  called,  The  stage  condemned.  Lon- 
don.    1699.  **G.382i.9 

Tryon,  G.  W.,  Jr.     Church  and  stage.     [Philadelphia?     1880?] 

No.  15  in  *754i-8 

Usefulness,  The,  of  the  stage  to  religion,  and  to  government:  shew- 
ing the  advantages  of  the  drama  in  all  nations.  With  an  account 
of  the  rise  and  progress  of  the  play-houses  that  were  put  down. 
London.     1738.     Plate.  **T.96.92;  etc. 

Visitor,  A,  pseud.  The  theatre.  Observations  on  a  recent  pamphlet, 
entitled,  "The  pulpit  justified  and  the  theatre  condemned,"  by  the 
Rev.  John  East,  in  a  letter,  addressed  to  Thomas  Noon  Talfourd. 
London.     1844.  **T.76.ioo 

Ware,  J.  F.  W.  May  I  go  to  the  theatre?  A  discourse  delivered 
in  Baltimore,  before  the  Society  of  the  Church  of  the  Savior. 
Baltimore.     [1871.]  7464.135;  etc. 

Werenfels,  S.  The  usefulness  of  dramatic  interludes,  in  the  educa- 
tion of  youth:  an  oration  spoke  before  the  masters  and  scholars 
of  the  University  of  Basil.     London.     1744.  No.  10  in  **G.3824.2 

WiLKs,  T.  E.  Letter  to  the  Rev.  T.  Binney,  in  defence  of  the  drama; 
showing  the  futility  of  the  objections  made  by  him  against 
theatrical  amusements,  in  his  lecture  recently  delivered  in  Wells 
Street  Chapel.     London.     1838.  **T.97.203 

Young,  C.     An  Elizabethan  defense  of  the  stage.     (In  Shakespeare 
studies.     By  members  of  the  Department  of  English  of  the  Uni- 
versity of  Wisconsin.     Pp.  103-124.     Madison.     1916.)         4593.211 
Theatre.    In  opposition  to. 

Address,  An,  to  the  public,  on  the  immorality  of  theatrical  amuse- 
ments.    N.  p.     [18—?]  **T.76.i33 

Aiken,  S.  C.     Theatrical  exhibitions,  a  sermon.     Cleveland.     1S36. 

**T.76.8i 

Alexander,  A.  A  discourse  occasioned  by  the  burning  of  the  theatre  in 
the  city  of  Richmond,  Virginia,  on -the  twenty-sixth  of  December, 
eighteen  hundred  and  eleven.     Philadelphia.     1812.  **T.76.i98 

Alexander,  A.  T.  Remarks  on  the  theatre,  and  on  the  late  fire  at 
Richmond,  in  Virginia.     York.     1812.  **T.76.87 

Anderson,  Rev.  G.  A  reinforcement  of  the  reasons  proving  that  the 
stage  is  an  unchristian  diversion.  Or,  a  vindication  of  the  appendix 
to  The  uuse  [sic]  and  abuse  of  diversions.     Edinburgh.     1733. 

**T.77.67;etc. 

The  use  and  abuse  of  diversions.    A  sermon  with  an  appendix, 

shewing  that  the  stage  in  particular  is  an  unchristian  diversion. 
Edinburgh.     1733.  **T.96.74;  etc. 

Andrews,  C.  W.,  and  others.  On  the  incompatibility  of  theatre- 
going  and  dancing  with  membership  in  the  Christian  Church. 
An  address  of  the  clergy  of  the  Convocation  of  the  Valley  of 
Virginia,  to  the  people  of  their  respective  parishes.  Philadelphia. 
1872.  **T.97.340 

Authorities  on  the  sin  and  danger  of  frequenting  the  theatre.  Lon- 
don.    1828.  **T.96.i20 

Baine,  J.  The  theatre  licentious  and  perverted.  Or,  a  sermon  for 
reformation  of  manners.  Partly  occasioned  by  the  acting  of  a 
comedy,  entitled,  The  minor,  in  the  licensed  theatre  of  Edin- 
burgh.    Edinburgh.     1770.  **T.97.57 

[759] 


THE  PUBLIC  LIBRARY  OF  THE   CITY  OF  BOSTON 

Theatre.    In  opposition  to.     (Continued.) 

Bedford,  A.  The  evil  and  danger  of  stage-plays:  showing  their 
natural  tendency  to  destroy  religion  and  introduce  a  general  cor- 
ruption of  manners.     Bristol.     1706.  **T.77.76;  etc. 

Serious  reflections  on  the  scandalous  abuse  and  effects  of  the 

stage:  in  a  sermon.    Bristol.     1705.  **T.96.i04;  etc. 

A    serious   remonstrance    in   behalf   of    the    Christian    religion, 

against  the  horrid  blasphemies  and  impieties  which  are  still  used 
in  the  English  play-houses.     London.     1719.  **G.382i.i8 

Bennett,  J.  B.  The  evil  of  theatrical  amusements,  stated  and  illus- 
trated in  a  sermon.     Dublin.     1838.  **T.96.6o 

Best,  Rev.  T.  Sermons  oji  theatrical  amusements.  Edited  by  R.  E. 
Roberts.     London.      1865.  **T.77.i46 

Theatrical  amusements.     A  sermon  preached  September  26th, 

1830.     Sheffield.     1830.  **T.96.i25 

Theatrical  amusements.    A  sermon  preached  at  Sheffield,  Oct. 

20th,  1850.     Sheffield.     1850.  **T.96.i26 

Theatrical  amusements.     A  sermon   preached   November  6th, 

1853.     Sheffield.     [1853-]  **T.96.i27 

Theatrical  amusements.     A  sermon  as  it  was  intended  to  be 

preached  at  Sheffield,  November  5th,  1854.     Sheffield.     [1854.] 

**T.96.i28 

Theatrical    amusements.      A    sermon    preached    at    Sheffield, 

November  4th,   1855.     Sheffield.     [1855-]  **T.96.i29 

Betson,  a.  Miscellaneous  dissertations,  historical,  critical,  and 
moral,  on  the  origin  and  antiquity  of  masquerades,  plays,  poetry, 
&c.  As  also,  whether  plays  conduce  more  to  the  improvement 
or  corruption  of  morals.    London.     [1751.]  No.  10  in  **G.382i.5 

Bossuet,  J.  B.,  Bishop  of  Meaux.  Maxims  and  reflections  upon  plays. 
(In  answer  to  a  discourse,  Of  the  lawfullness  and  unlawfullness  of 
plays.)      London.     1699.  No.  2  in  **G.3823.20 

Brainerd,  T.  Influence  of  theatres.  A  lecture  on  the  nature  and 
tendency  of  the  stage.     Philadelphia.     1840.  **T.76.i79 

British  theatre.  The,  and  the  Church  of  England  contrasted;  or, 
an  attempt  to  shew  the  inconsistency  of  stage  entertainments 
with  the  profession  of  Christianity.   Sheffield.    [177-?]    **T.96.ii9 

Buckley,  J.  M.     Christians  and  the  theater.     New  York.     1876. 

3450.80;  **T.77.88 

Bullock,  C.  Popular  recreation.  (A  church  congress  paper.)  The 
theatre  as  it  is:  and  the  Ober-Ammergau  play.     London.     [1880.] 

**T.97.i6o 

Camel,  J.  B.  L.  De  I'influence  des  theatres  et  particulieremcnt  des 
theatres  secondaires  sur  Ics  mceurs  du  peuple.     [Paris.     1822.] 

No.  19  in  **G.3562.i 

Charneux,  a.,  editor.  Un  proces  de  presse  a  propos  du  theatre. 
[Affaire  Judic  &  Humbert,  directeur  de  I'Alcazar  de  P>ruxelles, 
contre  L'Ami  de  I'ordre.]     Namur.     1878.  **T.77.234 

Clayton,  J.,  the  Elder.  A  counter  and  impartial  statement  of  circum- 
stances relative  to  a  late  withdrawment  from  a  dissenting  Inde- 
pendent church.  To  which  are  added  notes  and  an  appendix, 
designed  as  a  reply  to  Mr.  Ryland's  "Remarks."     London.     1805. 

No.  8  in  **G.3824.9 

Clayton,  J.,  the  Younger.  Letters,  occasioned  by  a  recent  controversy 
between  R.  R.  Esq.  and  the  Rev.  J.  C.     London.     1805. 

No.  II  in  **G.3824.9 
[760] 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 

Theatre.    In  opposition  to.     (Continued.) 

Clement,  D.  X.,  Abbe.     The  stage,  a  sermon.     Harlow.     1805. 

No.  8  in  **G.3824.4 

Clergyman,  A.  Testimonies  of  pagans,  of  infidels,  of  Christian 
Fathers,  of  councils,  of  states  and  sovereigns,  and  of  members  of 
the  Church  of  England,  on  the  nature  and  tendency  of  thi-alrical 
amusements.      Sheffield.      1819.  **T.76.93;  etc. 

Cleveland,  C.  Theatrical  amusements:  letter  to  a  professing 
Christian.     [Boston.     1868.]  **T.76.2 

Cobbin,  I.  Stage  playing  immoral,  vain,  and  dangerous  in  its 
tendency.    A  sermon.     London.     [1802.)  **T.96.48 

Collier,  J.  A  defence  of  the  Short  view  of  the  profaneness  and 
immorality  of  the  English  stage,  &c.  Being  a  reply  to  Mr. 
Congreve's  Amendments,  &c.,  and  to  the  vindication  of  the 
author  of  The  relapse  [Sir  John  Vanbrugh].     London.     1699. 

**T.77.4i;etc. 

A  farther  vindication  of  the  Short  view  of  the  profaneness  and 

immorality  of  the  English  stage,  in  which  the  objections  of  a  late 
book,  entituled,  A  defence  of  plays,  are  consider'd.    London.     1708. 

**T.77.38;etc. 

A  letter  to  a  lady  concerning  the  new  play  house.      [Anon.] 

London.     1706.  No.  2  in  **G.3823.3 

Mr.  Collier's  Dissuasive  from  the  play-house;  in  a  letter  to  a 

person  of  quality,  occasioned  by  the  late  calamity  of  the  tempest. 
London.     1703.  No.  4  in  **G.3824.2;  etc. 

A  second  defence  of  the  Short  view  of  the  prophaneness  and 

immorality  of  the  English  stage,  &c.  Being  a  reply  to  a  book 
[by  J.  Drake]  entitled,  The  antient  and  modern  stages  surveyed, 
&;c.     London.     1700.  **T.77.37;  etc. 

A  short  view  of  the  immorality,  and  profaneness  of  the  English 

stage:  with  the  sense  of  antiquity  upon  this  argument.  London. 
1698.  **T.77.34;  etc. 

Same.      La    critique    du    theatre    anglois,   compare    au    theatre 

d'Athenes,  de  Rome  et  de  France.  Et  I'opinion  des  auteurs  tant 
profanes  que  sacrez.  touchant  les  spectacles.     A  Paris.     1715- 

**T.77.40 
Conduct,  The,  of  the  stage  consider'd.     A  short  historical  account 
of  its  original,  progress,  various  aspects,  and  treatment  in  the 
pagan,  Jevi^ish  and   Christian  world.     With  the  arguments  urg'd 
against  it.     London.     1721.  **T.96.75;  etc. 

CoNTi,  A.  DE  B.,  Prince  de.  Works.  With  a  short  account  of  his  life. 
London.     171 1.     Portrait.  **T.97.29 

Traite  de  la  comedie  et  des  spectacles,  selon  la  tradition  de 

I'eglise,  tiree  des  conciles  &  des  saints  peres.     A  Paris.     1669. 

**T.78.47;etc. 

Same.    Neue  Ausgabe  von  Karl  Vollmoller.     Heilbronn.     1881. 

466ob.5i 
Demoralising  influence.  The,  of  the  playhouse.    [Edinburgh.     18 — ?] 

**T.96.ioi 
Deserter,  A.    The  world.    No.  i,  2.    London.    1838,  39.    2  v.    **T.98.93 
Desprez  de  Boissy,  C.     Lettres  sur  les  spectacles;  avec  unc  histoire 
des  ouvrages  pour  &  contre  les  theatres.     A  Paris.     1774- 

**T.78.2i;etc. 

Dissuasive,  A,  from  frequenting  the  theatre.     By  the  author  of  ".\n 

essay  on  early  rising."     Wellington,  Salop.     1825.  **T.96.i3i 

[761] 


THE  PUBLIC  LIBRARY  OF  THE   CITY  OF  BOSTON 

Theatre.    //;  opposition  to.     (Continued.) 

Duncan,  Rev.  J.  The  lawfulness  of  the  stage,  enquired  into.  Lon- 
don.    1787.  **T.96.5i;etc. 

DwiGHT,  T.  An  essay  on  the  stage:  in  which  the  arguments  in  its 
behalf,  and  those  against  it,  are  considered;  and  its  morality, 
character,  and  effects  illustrated.     London.     1824.     **T.77.57;  etc. 

East,  J.  The  pulpit  justified,  and  the  theatre  condemned:  in  a  letter 
to  some  members  of  the  Association  for  Increasing  the  Attrac- 
tions and  Promoting  the  Improvement  of  Bath.     London.     1844. 

**T.76.99 

The  theatre:  a  discourse  on  theatrical  amusements  and  dramatic 

literature,   delivered   in    Bath.     London.      1844.  **T.96.67;  etc. 

Extracts  from  the  writings  of  divers  eminent  authors,  of  different 
religious  denominations;  and  at  various  periods  of  time,  repre- 
senting the  evils  and  pernicious  effects  of  stage  plays,  and  other 
vain  amusements.     Philadelphia.     1789.  **T.78.79 

Friends,  Society  of.  Theatrical  amusements  and  horse-racing. 
Philadelphia.     1873.  **T.98.i43 

GossoN,  S.  The  schoole  of  abuse.  (August?)  1579.  And  a  short 
apologie  of  The  schoole  of  abuse  (November?)  1570.  Edited  by 
Edward  Arber.     London.     1868.  6608.14;  **T.76.34;  etc. 

Greville,  R.  K.  The  drama  brought  to  the  test  of  Scripture,  and 
found  wanting.     [Anon.]      Edinburgh.     1830.  **T.96.iio;  etc. 

Ground,  The,  of  the  theatre.  An  interesting  review  of  circumstances 
connected  with  the  ground  upon  which  the  late  "Royalty,"  and 
the  more  recent  "New  Brunswick  Theatre"  stood.  With  pro- 
posals for  restoring  the  ground  back  to  its  original  appropriation, 
by  erecting  a  building  devoted  to  the  purpose  of  benevolence  and 
religion.     London.     [1828.]  **T.96.366 

Haldane,  J.  The  players  scourge:  or  a  detection  of  the  ranting 
prophanity  and  regnant  impiety  of  stage  plays,  and  their  wicked 
encouragers  and  frequenters.     [Edinburgh.     1757.]  **T.96.8o 

The  second  part  of  The  players  scourge  exhibited  to  the  world. 

Wherein  is  contained  the  true  character  of  playhouses,  play- 
actors, and  play-haunters.  WMth  an  humble  advice  to  the  occupant 
upon  the  throne.     [Edinburgh.]      1768.  **T.96.90 

Hale,  D.  Letters  on  the  new  theatre.  [In  opposition  to  the  erection 
of  the  Tremont  Theatre,  Boston.     Boston.     1827.]     **T.95.39;  etc. 

Hatfield,  R.  M.  The  theater:  its  character  and  influence.  An 
address.     Chicago.      1866.  **T.76.i25 

Hill,  R.  Aphoristic  observations  proposed  to  the  consideration 
of  the  public,  respecting  the  propriety  of  admitting  theatrical 
amusements  into  country  manufacturing  towns.     London.     1790. 

**T.96.ii5 

A  warning  to  professors;  containing  aphoristic  observations  on 

the  nature  and  tendencv  of  public  amusements.     London.     1805. 

No.  5  in  **G.3824.9;  etc. 
Histrio-mastix.     Or,  the  player  whipt.      [London.]      1610. 

**G.38io.3i;  etc. 
Hume,  S.    A  short  appeal  to  men  and  women  of  reason;  who  may 
be  walking  according  to  the  course  of  this  evil  world,  living  in 
the  pleasures  thereof,  and  frequenting  theatres,  balls,  &c.    Bristol. 
1765.  **T.96.54 

Immoral  and  anti-Christian  tendency,  The,  of  the  theatre. 
Exhibited  in  extracts  from  various  authors.     London.     [18 — ?] 

**T.96.i02 
[762] 


BROWN   COLLECTION    OF  BOOKS    ON    THE   STAGE 

Theatre.    In  opposition  to.     (Continued.) 

Johnson,  H.     A  plain  talk  about  the  theatre.     Chicago.     [1882.] 

**T.78.77 
Kempthorne,  Rev.  J.     A  warning  against  attendance  at  the  theatre, 

the   fair,   and   the    racecourse,   being   the   substance   of   a   sermon 

preached  last  year  in  the  Parish  Church  of  St.  Michael,  Gloucester. 

Gloucester.      1831.  **T.76.66 

Kendall,  J.     Remarks  on  the  prevailing  custom  of  attending  stage 

entertainments.     London.     1794.  **T.96,i34;  etc. 

Late  theatrical  amateur.  A,  pseud.     A  treatise  on   the  propriety  of 
•     theatrical    amusements    in    a    Christian    community,    shewing    the 

rise,  progress,  and  present  state  of  the   English  stage.     Madras. 

1826.  **T.77.i62 

Law,    W.      The   absolute    unlawfulness    of   the    stage-entertainment 

fully  demonstrated.     London.     1726.  **T.76.95;  etc. 

Lebrun,  p.     Discours  sur  la  comedie:   ou  traite  historique  et  dog- 

matique  des  jeux  de  theatre  &  des  autres  divertissemens  comiques 

soufferts  ou  condamnes.    A  Paris.     1731.  **T.78.30 

Leeds,   J.  W.     The   theatre:   an   essay  upon   the   non-accordancy   of 

stage-plays  with  the  Christian  profession.     Newport.     1890. 

**T.78.i8;etc. 
Letter,   A,   to    Mr.   Alfred    Bunn,   manager   of    the   Theatre    Royal, 

Birmingham;  being  a  review  of  his  epistle  to  the  Rev.  J.  A.  James 

[in  defense  of  the  theatre].     Birmingham.     1824.  **T.76.55 

Letter,  A,  to  the   Reverend,   the    Moderator   and    members   of   the 

Presbytery  of  Haddingtoun  [attacking  the  stage  and  John  Home 

for  writing  a  play].     Edinburgh.     1757.  **T.96.79 

LoBB,  T.    An  answer  to  that  important  question,  whether  it  is  lawful 

for   the    professors   of   the    Christian    religion    to    go    to    plays? 

London.     1757.  **T.96.96 

M'NicoLL,  D.     A  rational  enquiry  concerning  the  operation  of  the 

stage  on  the  morals  of  society.     Newcastle  upon  Type.     1823. 

**T.96.39 
Mariana,  J.  de.     De  spectacvlis.     {In  his  Tractatvs  VIL     Pp.  127-188. 

Colonise  Agrippinas.     1709.)  **D.272.9;  etc. 

Mesle,  le  jeime.     Essai  sur  la   comedie  moderne  oil   Ton   refute   les 

Nouvelles  observation  [sic]  de  M.  Fagan  au  sujet  des  condamna- 

tions    prononcees    contre    les    comediens.      Suivis    d'une    histoire 

abregee   des   ouvrages    qui   ont  parii   pour    et   contre    la   comedie 

depuis  le   17^  siecle.     Paris.     1752.  **T.48.23 

Morris,   W.     Motives   of   ministerial   animadversion,   on   theatrical 

exhibitions,  being  the  substance  of  two  lectures.     Jersey.     1829. 

No.  4  in  **G.3822.2 
Murray,  L.,  compiler.     Sentiments  of  pious  and  eminent  persons,  on 

the   pernicious   tendency   of   dramatic   entertainments,   and    other 

vain  amusements.     London.     1817.  **T.96.io8 

Navarro,  G.     Discvrsos  politicos,  y  morales  en  cartas  apologeticas, 

contra  los  qve   defienden  el  vso  de  las   comedias  modernas  que 

se   representan   en    Espafia,    en    comparacion    del    teatro   antiguo. 

En  Madrid.     Aiio  de  1684.  **D. 176.20 

Newhall,  F.  H.    The  theater;  a  discourse.    Boston.    1863.    **T.76.i8o 
Observer,    An,    pseud.      The    theatre,    as    it    is:    or,    remarks    upon    a 

pamphlet,  entitled  "The  Bath  Theatre  vindicated."    London.    1844. 

**T.76.98 
Opera  ticket,  The:  a  dialogue.     London.     1843.  **T.96.i22 

[763] 


THE  PUBLIC  LIBRARY   OF  THE   CITY  OF  BOSTON 


Theatre.    In  opposition  to.     (Continued.) 

Orton,  J.  A  serious  dissuasive  from  frequenting  the  play-house. 
Shrewsbury.     1776.  ^  **T.96.ii8 

Parisis,  ,  Abbe.     Questions   importantes   sur  la  comedie   de  nos 

jours.    Bruxelles.    1829.  **T.78.36 

Prelude,  A,  to  the  plays:  or,  a  few  serious  questions  proposed  to  the 
gentlemen,  ladies,  and  others  that  frequent  the  playhouse.  Lon- 
don.    1729.  **T.96.89;etc. 

Prynxe,  W.  Histrio-mastix.  The  players  scovrge,  or,  actors 
traga-die.  Wherein  it  is  largely  evidenced  that  popular  stage- 
playes  are   sinful,   ungodly   spectacles.      London.      1633. 

**T.77.i9;  etc. 

Rainolds,  J.  The  overthrow  of  stage-playes,  by  way  of  controversie 
betwixt  D.  Gager  and  D.  Rainoldes,  wherein  all  the  reasons  that 
can  be  made  for  them  are  notably  refuted.     At  Oxford.     1629. 

**T.77.i39;  etc. 

Remarks  on  the  theatre,  occasioned  by  the  awful  death  of  Mr. 
Cummins,  which  took  place  at  the  play-house  in  this  town. 
Leeds.     1817.  **T.96.io5;  etc. 

Representation,  A,  of  the  impiety  &  immorality  of  the  English 
stage,  with  reasons  for  putting  a  stop  thereto:  and  some  questions 
addrcst  to  those  who  frequent  the  play-houses.     London.     1704. 

No.  I  in  **G.3823.i4;  etc. 

Rousseau,  J.  J.  A  letter  from  M.  Rousseau,  of  Geneva,  to  M. 
d'Alembert,  of  Paris,  concerning  the  effects  of  theatrical  enter- 
tainments on  the  manners  of  mankind.     [London.]      1759. 

**T.76.3;etc. 

Sabin,  E.  R.  a  discourse,  preached  in  presence  of  the  supreme 
executive  of  Massachusetts,  by  request  of  the  young  men  of 
Boston,  commemorative  of  the  late  calamitous  fire  at  Richmond. 
Boston.     1812.  **T.76.i99;etc. 

Serious  address,  A,  to  the  frequenters  of  play-houses;  or  rather, 
serious  motives  to  draw  people  to  a  just  consideration  of  the 
folly,  sin  and  danger  of  encouraging,  and  being  present  at  those 
unlawful  assemblies.     [London?]      1746.  **T.96.ii7 

Shokte   treatise.  A,   against   stage-playes.      [London.]      1625. 

**G.382i.i3 

Simpson,  D.  A  discourse  on  stage  entertainments.  Birmingham. 
1783.  **T.96.78 

Simpson,  R.  A  solemn  warning  against  theatres  and  races.  A 
sermon.     Derby.     [1829.]  **T.96.65 

Sin,  The,  and  danger  of  frequenting  the  theatre.  [Sunderland. 
1828.]  **T.96.58 

Sinks,  P.  W.  Popular  amusements  and  the  Christian  life.  New 
York.     [1896.]  3589-143 

Some  considerations  about  the  danger  of  going  to  plays.  In  a  letter 
to  a  friend.     London.     1704.  No.  i  in  **G.3823.9 

Stage,  The.  Three  dialogues  between  Mr.  Clement  and  Mr. 
Mortimer.     London.     [181-?]  **T.96.ioo 

Stage,  The,  condemn'd  and  the  encouragement  given  to  the  im- 
moralities and  profaneness  of  the  theatre,  i)y  the  English  schools, 
universities  and  pulpits,  censur'd.     London.     1698. 

No.  I  in  **G.3823.20 

Stage,  The,  the  high  road  to  hell:  being  an  essay  on  the  pernicious 
nature  of  theatrical  entertainments.     London.     [1767.]        **T.96.76 

[764] 


BROWN  COLLECTION   OF  BOOKS   ON   THE  STAGE 


Theatre.    In  opposition  to.     (Continued.) 

Stage-plays  considered,  and  contrasted  with  the    Bible.     Sheffield. 

1819.  **T,96.57 ;  etc. 

Styles,  J.     A  defence  of  An  essay  on  the  immoral  and  anti-christian 

tendency  of  the  stage,  against  the  animadversions  of  a  critique 

in   the   Annual   Review    [by   Arthur   Aikin].      London.      1807. 

**T.96.io9 

An  essay  on  the  character,  immoral,  and  antichristian  tendency 

of  the  stage.    Newport,  Isle  of  Wight.     1806.  **T.77.i58;  etc. 

SuTOR,  A.  An  essay  on  the  stage:  in  which  the  arguments  in  its 
behalf,  and  those  against  it,  are  considered;  and  its  morality, 
character,  and   effects   illustrated.     Aberdeen.      1820.         **T.77.58 

Testimonies  on  the  nature  and  tendency  of  theatrical  amusements. 
[Dublin.     18 — ?]  **T.96.ii2 

Thirlwall,  T.  Royalty  Theatre.  A  solemn  protest  against  the 
revival  of  scenic  exhibitions  and  interludes  at  the  Royalty 
Theatre.     London.     1803.  **T.76.92;  etc. 

Thompson,  J.  P.  Theatrical  amusements.  A  discourse  on  the 
character  and  influence  of  the  theater.     New  York.     1847. 

**T.76.i26;  etc. 

Thoughts  on  the  entertainments  of  the  stage.  2d  edition.  Leeds. 
1786.  No.  4in**G.382i.23 

TuRNBULL,  R.  The  theatre,  in  its  influence  upon  literature,  morals 
and  religion.     Hartford.     1837.  4397.49;  etc. 

Ward,  V.  The  stage,  a  dangerous  and  irreconcilable  enemy  to 
Christianity,  asserted  and  proved,  in  a  letter  addressed  to  a 
comedian.     Aberdeen.     1819.  **T.96.69 

Well-wisher  to  the  king  and  people.  The  inconsistency  of  comedies 
and  stage-plays  with  true  Christianity  proved  by  Scripture  and 
authorities.      [London.      1735.]  No.  6  in  **G.3823.i2 

Willis,  R.,  Bishop  of  Wincltester.  Of  plays  and  masquerades.  [An 
essay  in  opposition  to  the  theatre.     Anon.]      London.     1719. 

**T.97.i56 

Same.     An  essay  on  plays  and  masquerades.     London.     1724. 

**T.96.45 ;  etc. 

The  occasional  paper:  number  IX.  Containing  some  considera- 
tions about  the  danger  of  going  to  plays.  In  a  letter  to  a  friend. 
London.     1698.  **T.76.ii4 

WiTHERSPOON,  J.  A  serious  enquiry  into  the  nature  and  effects  of 
the  stage.  Being  an  attempt  to  show,  that  contributing  to  the 
support  of  a  public  theatre  is  inconsistent  with  the  character  of 
a  Christian.     Glasgow.     1757.  **T.96.i03;  etc. 

Woodward,  J.  Some  thoughts  concerning  the  stage  in  a  letter  to  a 
lady.     London.     1704.  **T.96.99;  etc. 

Young,  C.  An  Elizabethan  defense  of  the  stage.  (In  Shakespeare 
studies.     Pp.  103-124.     Madison.     1916.)  4593.211 

Theatre.    Lazv. 

See  also  Censorship  of  the  stage. 

Agnel,  fi.  Code-manuel  des  artistes  dramatiques  et  des  artistes 
musiciens.      Paris.      [1851.]  **T.78.7 

AsTRUC,  J.  Le  droit  prive  du  theatre;  ou,  rapports  des  directeurs 
avec  les  auteurs,  les  acteurs  et  le  public.     Paris.     1897.       **T.74.i8 

Bouchard,  A.  La  langue  theatrale.  Vocabulaire  historique,  de- 
scriptif  et  anecdotique  des  termes  et  des  choses  du  theatre.  Suivi 
d'un  appendice  contenant  la  legislation  theatrale  en  vigeur.  Paris. 
1878.  **T.98.io6 

[765] 


THE  PUBLIC  LIBRARY  OF  THE   CITY  OF  BOSTON 

Theatre.    late.     (Coniinued.) 

Bureau,  G.     Le  theatre  et  sa  legislation.     Paris.     1898.         **T.74.i6 

Constant,  C.  F.  Codes  des  theatres  a  I'usage  des  directeurs,  des 
artistes,  des  auteurs  et  des  gens  du  monde  contenant  un  expose 
des  principes  juridiques.     Paris.     1876.  **T.77,2o6 

CoRYTON,  J.  Stageright.  A  compendium  of  the  law  relating  to 
dramatic  authors,  musical  composers,  and  lecturers  as  regards  the 
public  representation  of  their  works.  With  notes  on  various 
matters  connected  with  the  stage,  statutes  (including  the  Lord 
Chamberlain's  Act),  etc.     London.     1873.  **T.96.i62 

[Documents  of  the  Metropolitan  Board  of  Works,  the  London 
County  Council,  and  Committees  of  the  House  of  Commons  and 
the  House  of  Lords,  relating  to  the  theatre.]  London.  1866- 
1909.     7  V.  **T.72.i4 

Great  Britain.  Parliament.  Reports.  Report  from  the  Select  com- 
mittee on  dramatic  literature:  with  the  minutes  of  evidence.  [Lon- 
don.    1832.]     Plans.  **T.7i.8;etc. 

Grille,  F.  J.  Les  theatres.  Lois.  —  Reglemens.  —  Instructions.  — 
Salles  de  spectacle.  —  Droits  d'auteur.  —  Correspondans. — Conges. 
—  Debuts.  —  Acteurs  de  Paris  et  des  departemens.     Paris.     1817. 

**T.77.20 

Handy-book,  A,  on  the  law  of  the  drama  and  music:  being  an  exposi- 
tion of  the  law  of  dramatic  copyright,  the  law  affecting  theatres; 
and  the  law  relating  to  music,  dancing,  and  professional  engage- 
ments; with  the  statutes,  forms,  &c.     London.     1864.        **T.78.44 

Hennin,  M.  Des  theatres  et  de  leur  organisation  legale.  Paris. 
1819.  **T.96.3o8 

Lacan.  a.  J.  B.,  and  C.  H.  P.  Paulmier.  Traite  de  la  legislation  et 
de  la  jurisprudence  des  theatres.     Paris.     1853.     2  v.  **T.76.i6 

Le  Senne,  C.  fi.  Code  du  theatre.  Lois,  reglements.  jurisprudence, 
usages.     Paris.     1878.  **T.77.i92 

Letter,  to  the  Right  Hon.  Robert  Peel,  respecting  the  proposed 
introduction  of  a  bill,  to  repeal  so  much  of  the  Act  of  loth  Geo. 
IL  cap.  28,  as  requires  notice  to  be  sent  to  the  Lord  Chamberlain, 
previously  to  the  representation  of  any  new  play  or  entertainment 
of  the  stage,  or  any  addition  to  an  old  play;  and  showing  that 
the  consequence  would  be,  to  confirm  the  monopoly  claimed  by 
Drury  Lane  and  Covent  Garden  theatres.     London.     182Q. 

**T.76.73;  etc. 

Reade,  C.     The  eighth  commandment.     London,     i860.     Portrait. 

**G.3936.25;  etc. 

Rivalta,  V.  Storia  e  sistema  del  diritto  dei  teatri  secondo  I'etica 
ed   i   principii  delle  Icggi   canoniche  e   civili.      Bologna.      1886. 

**T.75-47 
Seconde  lettre  a  M.  le  Vicomte  de  Larochefoucauld.     Paris.     1825. 

No.  13  in  **G.3562.2 

Thackeray,   T.    J.     On   theatrical    emancipation,   and    the    rights   of 

dram.atic  authors.     London.     1832.  **T.76.i84 

VuLPiAN,  A.,  and  Gautiiier.     Code  des  theatres.     Ou  manuel  a 

I'usage  des  directeurs.  entrepreneurs  et  actionnaires  de  spectacles, 
drs  auteurs  et  artistes  dramatiques,  etc.     Paris.     1829.       **T.79.i4 
Theatre.    Lighting. 

Fischer,  H.  Hcizung,  Liiftung  und  Beleuchtung  der  Theater  und 
sonstiger  Versammlungssale.    Darmstadt.    1894.    Illus.    Diagrams. 

♦80903,132.5 
[766] 


BROWN  COLLECTION   OF  BOOKS   ON   THE  STAGE 

Theatre.    Lighting.     (Continued.) 

Krows,  a.  E.  Play  production  in  America.  New  York.  1916.  lllus. 
Portraits.     Plates.     Plans.     Diagrams.  SoCga.ies;  **T.76.r96 

Theatre.    Machinery. 

See  also  Theatre.  Scenery. 

Architecture  theatrale.  [Plans  of  theatres  and  of  stage  machinery, 
etc.]     N.  p.     N.  d.     lllus.     Plates.     Plans.     Diagrams.        **T.ii.6 

Bapst,  C.  G.  fitude  sur  les  mysteres  au  moyen  age.  Paris.  1892. 
Plate.  2671. 141 

^^'^  DiRCKs,  H.  The  ghost!  as  produced  in  the  spectre  drama,  popularly 
illustrating  the  marvellous  optical  illusions  obtained  by  the 
apparatus  called  the  Dircksian  phantasmagoria:  being  a  full 
account  of  its  history,  construction,  and  various  adaptations. 
London.      1863.     lllus.     Plates.     Diagrams.  **T.77.i65 

FiLipPi,  J.  DE.  Parallele  des  principaux  theatres  modcrncs  de 
I'Europe  et  des  machines  theatrales  frangaises,  allemandes  et 
anglaises.  Dessins  par  Clement  Contant.  Paris.  1870.  2  v. 
Plans.  *Cab.6o.77.i 

Laumann,  E.  M.  La  machinerie  au  theatre  depuis  les  Grecs  jusqu'a 
nos  jours.     Paris.     [1897?]      lllus.     Plates.  8092.126 

Lefevre,  J.  L'electrjcite  au  theatre.  Paris.  [1894.]  IHus.  Plates. 
Plans.  **T.77.i4i 

MoYNET,  G.  La  machinerie  theatrale.  Trues  et  decors.  Explication 
raisonnee  de  tous  les  moyens  employes  pour  produire  les  illusions 
theatrales.    Paris.    [1893.]    lllus.    Colored  portrait.    Plates.    Plans. 

8092.122;  **T.75.4 

MoYNET,  J.  L'envers  du  theatre.  Machines  et  decorations.  Paris. 
1873.     lllus.     Plates.     Plans.  **T.77,i37 

Vaulabelle,  a.  de,  and  C.  Hemardinquer.  La  science  au  theatre, 
fitude  sur  les  procedes  scientifiques  en  usage  dans  le  theatre 
moderne.     Paris.      1908.     lllus.     Diagrams.  6252.71 

Theatre.    Management. 

Cheney,  S.  The  art  theatre.  A  discussion  of  its  ideals,  its  organiza- 
tion and  its  promise  as  a  corrective  for  present  evils  in  the 
commercial  theatre.     New  York.-    1917.     Plates.     Plans.     6257.144 

The  new  movement  in  the  theatre.     New  York.     1914.     Plates. 

6257.87 
Daly,  J.  F.     The  life  of  Augustin  Daly.     New  York.     1917.     Por- 
traits.    Plate.  6257.146 
Dickinson,  T.   H.     The   insurgent   theatre.     New  York.     1917. 

6257-143 
Grau,  R.    The  business  man  in  the  amusement  world.     A  volume  of 
progress  in  the  field  of  the  theatre.     New  York.     [1910.!     Por- 
traits. 4045.168 

Forty  years  observation  of  music  and  the  drama.     New  York. 

1909.     Portraits.  404S-i72 

The  stage  in  the  twentieth  century.     New  York.     1912.     lllus. 

Portraits.     Plates.     Plans.  4045.180 

Hamilton,  C.  M.  Studies  in  stagecraft.  New  York.  1914.  2256.63 
Hopkins,  A.     How's  your  second  act?     With  a  foreword  by  George 

Jean  Nathan.     New  York.     1918.  6257.308 

HuLFiSH,  D.  S.     Motion-picture  work:  a  general  treatise  on  picture 

taking,  picture  making,  photo-plays,  and  theater  management  and 

operation.     Chicago.     1913.     Ulus.     Plates.     Plans.  8037.201 

Mackay,  C.  D'A.    The  little  theatre  in  the  United  States.    New  York. 

1917.     Plates.  6257.147 

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THE  PUBLIC  LIBRARY  OF  THE   CITY   OF  BOSTON 


Theatre.    Management.     (Continued.) 

Krows,  a.  E.    Play  production  in  America.    New  York.     1916.    Illus. 

Portraits.     Plates.     Plans.  80693.163;  **T.76.i96 

KuESTNER,  C.  T.  VON.     Vicrunddreissig  Jahre  meiner  Theaterleitung 

in    Leipzig,    Darmstadt,    Miinchen    und    Berlin.      Zur    Geschichte 

und  Statistik  des  Theaters.     Leipzig.     1853.  **T.55.65 

Leavitt,  M.  B.     Fifty  years  in  theatrical  management.     New  York. 

[1912.]     Illus.     Portraits.     Plate.  *6252.65;  **T.55.i6 

PiTOU,  A.    Masters  of  the  show  as  seen  in  retrospection  by  one  who 

has  been   associated   with   the  American   stage   for   nearly    fifty 

years.     New  York.     [1914]     Portraits.  6257.369 

Smith,  S.  F.     Theatrical  management   in  the  West  and   South   for 

thirty    years.       With    anecdotical     sketches:     autobiographically 

given.     New  York.     1868.     Illus.     Portrait.         4395-i87;  **T.55.39 
WooLCOTT,  A.     Mrs.   Fiske.     Her  views   on   actors,  acting  and   the 

problems  of  production.    New  York.    1917.   Portraits,  one  colored. 

Plates.  6257.307 

Theatre.    Models. 

Columbia  University.     Dramatic  Museum.     A  catalog  of  models  and 

of   stage-sets.      [With    a    preface    by    Brander    Matthews. 1      New 

York.     1916.     Facsimile.  **T.46.62.5 

Theatre.    Open  air.    See  Open-air  theatres. 
Theatre.    Perioduals.     See  Periodicals. 
Theatre.    Plans.    See  Theatre.    Construction. 
Theatre.    Posters. 

Bauwens,  M.     Les  affiches   etrangeres  illustrees,   par  M.   Bauwens, 

T.  Hayashi,   La  Forgue,   Meier-Graefe,  J.   Pennell.     Paris.     1897. 

Illus.     Plates,  some  colored.  *4072.i8 

[Collection,  A,  of  Portuguese  theatre  posters.]     Lisboa.    1880.     (14) 

posters,  in   (27)   pieces.  **T.Cab.i.io 

London.    Theatres.    Covent  Garden  Theatre.    Theatre  Royal  [Covent 

Garden].     Mr.   Ira  Aldridge,   the   African   tragedian,   as   Othello. 

W.  Earle,  sc.     [1833?]  **G.50.i3 

Maindron,  C.  E.    Les  affiches  illustrees.     (1886-1895.)     Paris.     1896. 

Illus.     Plates,  some  colored.  *407i.45 

Les  programmes   illustres  des  theatres  et  des   cafes-concerts, 

menus,  cartes  d'invitation,  petites  estampes,  etc.     Paris.      [1897.] 
(62)    plates.  **T.i2.6;etc. 

Theatre.    Programmes.    See  Programmes. 

Theatre.     Properties.     See  Theatre.     Costumes  and  properties. 

Theatre.    Scenery. 

See  also  Theatre.  Machinery;  Theatrical  illustrations. 

Appia,  a.     La  mise  en  scene  du  drame  wagnerien.     Paris.     1805. 

No.  4  in  **M. 372.39 

Die    Musik  und   die    Inscenierung.      Miinchen.      1899.      Plates. 

4044.141 
Becq  de  Fouquieres,   L.  A.   V.     L'art  de   la   mise   en   scene.     Essai 
d'esthetique  theatrale.     Paris.     1884.  4673.86;  **T.77. 147 

BiBBiENA,  G.  G.  da.  Theaterdecorationen,  Innenarchitektur  und 
Perspectiven.  Prachtvolle  und  grossartige  Scenerien  aus  Opern 
und  Schauspielen,  welche  an  den  Fiirstenhofen  des  18.  Jahr- 
hunderts  aufgefiihrt  wurden.     Berlin.      [t888.]      26  plates. 

*Cab.8o.87.3 

Bte,  O.    Das  Theater.    Buhnenbilder  und  Kostume  von  Karl  Walscr. 

Mit  Text   von    Oskar    Bic.      Berlin.      rT9T2.]      Colored    illus.      34 

colored  plates.  **T.72.i 

[768] 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 


Theatre.    Scenery.     (Continued.) 

Chidley,    S.      Scene   painting   for   amateurs.      [Clippings    from    The 

Keynote,  1886.]     Illus.    Diagrams.  **T.i3.s 

Cohen,  G.     Histoire  de  la  mise  en  scene  dans  le  theatre  religicux 

frangais   du   moyen  age.     Paris.     igo6.     Plates.  6674.92 

Same.     Geschichte  der  Inszenierung  im  geistlichen  Scliauspiele 

des  Mittelalters  in  Frankreich.     Leipzig.     1907.     Plates.     4676.165 
Columbia  University.     Dramatic  Museum.     A  catalog  of  models  and 
of   stage-sets.      [With   a   preface    by    Brander    Matthews.]      New 
York.     1916.     Facsimile.  **T.46.62.5 

CoQUiOT,  G.  Nouveau  manuel  complet  du  peintre-decorateur  de 
theatre.     Paris.     1910.     Illus.     Plates.     Plans.  8o6ga.i6o 

Craig,  E.  G.  Towards  a  new  theatre.  Forty  designs  for  stage 
scenes  with  critical  notes  by  the  inventor.  London.  [1912?] 
Plates.  *8o6i,20o 

Flechstg,  W.  E.  Die  Dekoration  der  modernen  Biihne  in  Italien, 
von  den  Anfangen  bis  zum  Schluss  des  xvi.  Jahrhunderts.  Teil  i. 
Dresden.     1894.  8063.78 

Krueger,  M.  iJber  Biihne  und  bildende  Kunst.  Miinchen.  1913. 
Plates.     Plans.  8o69a.i6i 

Lamb,  C.    The  art  of  the  stage  as  set  out  in  Lamb's  dramatic  essays. 
With  a  commentary  by  Percy  Fitzgerald.     London.     1885.     Por- 
trait. 4577.117;  **T.77.75 
Leclerc,  L.     Les  decors,  les  costumes  et  la  mise  en  scene  au  xviie 
siecle.     1615-1680.     Paris.     1869.  6257.37;  **T.77. 153 
Lehner,    G.      Theater-Decorationen.      Abth.    i,    Serie    1-3.      Berlin. 
[1892?]     Plates,  some  colored.  *8o7o.i39 
Mackay,  C.  D'A.     Costumes  and  scenery  for  amateurs.    A  practical 
working  handbook.    New  York.    1915.    Plates.    8076.214;  Z.^od  19.4 
MoDERWELL,  H.  K.    The  theatre  of  to-day.     New  York.    1914.    Plates. 
Plans.  6257,84 
Perrin,  £.  C.  V.    fitude  sur  la  mise  en  scene.    Lettre  a  M.  Francisque 
Sarcey.     Paris.     1883.                                                                    **T.95.59 
PossART,  E.,  Ritter  von.     Welches  System  der  Scenerie  ist  am  besten 
geeignet    fiir    die    Darstellung    verwandlungsreicher,    klassischer 
Dramen,     insbesondere     der     Shakespeare'schen?       Festvortrag. 
Miinchen.     1901.                                                                            **T.77.224 
Saint-Saens,  C.  C.     Note  sur  les  decors  de  theatre  dans  I'antiquite 
romaine.     Paris.     1886.     Illus.     Plates.     Plan.       29503.50;  **T.75.ii 
Stuart,  D.  C.    Stage  decoration  in  France  in  the  Middle  Ages.     New 
York.     1910.                                                                                        4676.123 
Van  Vechten,  C.    Stage  decoration  as  a  fine  art.    {In  his  Music  after 
the  great  war,  and  other  studies.     Pp.  137-157.     New  York.     1915-) 

40493.157 
Theatre.    Scrap-books. 
See  also  Programmes. 

Brown,  A.  A.,  compiler.  Magazine  articles.  Drama.  Vol.  1-63;  new 
series,  vol.  1-33.  [Boston.  1882-1916.]  96  v.  Illus.  Portraits. 
Plates.     Map.     Music.  **T.i5.i 

Same.     General  index  of  vol.   1-56;  new  series,  vol.   1-23. 

**T.i5.iA 

Notices  of  plays.      [With   indexes.     Boston.     1901-13.]     20  v. 

Illus.     Portraits.  **T.i4.3 

Theatres.     [With  indexes.     Boston.     i90-?-i9r3.]     2  v.     Illus. 

Portraits.  **T.i4.5 

[769] 
49 


THE  PUBLIC  LIBRARY  OF  THE   CITY  OF  BOSTON 


Theatre.    Scrap-books.     (Continued.) 

Theatrical  topics.      [With  indexes.     Boston.     1900-13.!      22  v. 

Illus.     Portraits.     Diagrams.  **T.i4.i 

The  Usher.      [Cuttings  from  The   Usher  coUimn  of  the  New 

York  Dramatic  Mirror.     Boston.     1909.]   _  **T.i4.7 

Brown,  A.  K.,  compiler.    Theatrical  miscellanies.    Vol.  1-5;  new  series, 
vol.  I,  2.     [With  indexes.     Boston.     1910-12.]     7  v.     Illus.     Por- 
traits.    Plates.     Plans.  **T.i4.9 
Danforth,  C.  B.    Dramatic  reviews  [from  the  Boston  Daily  Herald]. 
1871-78.  **T.i5.4 
Dramatic  catalogue   cuttings.      [Boston.      189-?]                      **T.i2.8 
Dramatic  clippings.     N.  p.     N.  d.     Illus.     Portraits.    Autograph  fac- 
similes.                                                                                                **T.i3.i 
Dramatic  memoirs  and  criticisms.    [With  index.]    N.  p.    N.  d.   "''*T.i5.6 
Dramatic   souvenirs.      [Boston.      1910-13.]      6   v.      Illus.     Portraits. 
Plates.  **T.i2.4 
Eaton,   W.   O.      Stories   of   the    Boston    stage.      Scenes   before    and 
behind  the  curtain.     Anecdotes  of  actors  in  the  past  and  present 
[cut  from  the  Boston  Commercial  Bulletin,  1876,  77].  **T.i5.7 
HuTCHiNGS,  W.  E.     [Manuscripts,  programmes,  etc.,  relating  to  his 
Grand  classical  panorama  of  the  sea  and  shores  of  the  Mediter- 
ranean, executed  by  A.  Hewins.]     N.  p.     [1848?]  **T.i2.3 
Lee,  W.  H.,  compiler.    Dramatic  &  musical  programs.     [Boston.     1897- 
1913-]      i^  '^'-     Illus.,  some  colored.     Portraits,  some  colored. 

**T.io.68 

Masterson,  K.    The  Matinee  Girl.     [Cuttings  from  The  Matinee  Girl 

column  of  the  New  York  Dramatic  Mirror,  compiled  by  Allen  A. 

Brown.     Boston.     1906,   12.]     2  v.     Illus.     Portrait.  **T.i4.6 

MuLLETT,  A.  E.,  compiler.    A  dramatic  scrap-book;  or  a  book  devoted 

to  sketches  of  the  lives  of  actors  &  to  criticisms  of  plays  &  acting. 

[Boston.     1894-1899.]      7  v.     Illus.     Portraits.  **T.ii.9 

[Music  and  drama.     Cuttings   from   Every   Saturday.    1869-73.] 

**M. 123.6 

Norman,  G.  J.,  compiler.     Theatrical  woodcuts.     N.  p.     [1855?]     Illus. 

Portraits.     Plates.  **T.i3.2 

Riddle,    G.      Impressions.       [Cuttings    from    the    Boston    Journal.] 

N.  d.     Portraits.         "  **T.is.5 

Theatrical  circulars.     [With  indexes.     Boston.     1912.]     5  v.     Illus. 

Portraits.     Plates.     Maps.     Plans.  **T.i2.5 

[Theatrical  essays.     London.     1829-1863.]  No.  7  in  **G.3822.3 

Theatrical    journal.       [Cuttings    from    The    European    Magazine.] 

1791-97.  **T.i6.3 

[William  Warren.     A  collection  of  newspaper  clippings,  magazine 

articles,  etc.     Boston?     19—?]     Illus.     Portraits.  **T.55.i39 

Theatre.     Ventilation.     .See  Theatre.     Heating  and  ventilation. 

Theatre,  Le.     Memoires  d'un  jeune  premier.     Paris.     Gonet.     1858.     96 

pp.     [Par's-vivant,  par  des  hommes  nouveaux.]  **T.99.33 

Theatre,  Le.     Revue  bi-mensuelle.     No.  1-4.     Dccembre  i,  1874 -Janvier 

15,  1875.     Paris.     Librairie  de  I'ficho  de  La  Sorbonne.     1874,  75. 

4  nos.  in  i  v.     Illus.     Portrait.     Plates.     Manuscript  facsimiles. 

No  more  was  published.  **T.23.8 

Theatre,    Le.      Revue    bimensuelle    illustree.      Annee    1-16.      1898-1913. 

Paris.     Goupil  &  cie.     [1898-1913.]     16  v.  in  28.     Illus.     Portraits. 

Plates.     Music.     Manuscript  facsimiles.  **T.22.3 

During  1898  and  1899  this  was  issued  monthly. 

[770] 


BROWN   COLLECTION   OF  BOOKS    ON   THE   STAGE 


Theatre,  Le,  a  la  mode  au  xviiie  siecle.   Marcello,  B.   No.  5  in  **M. 139.22 
Theatre,  Le,  de  I'avenir.     ViToux,  G.  6252.70 

Theatre,  The.     Visitor,  A,  pseud.  **T.76.ioo 

Theatre,  The.  [Monthly.]  Vol.  i-.  New  York.  [Meyer  Bros.  &  Co., 
etc.]  1901  to  date.  Illus.  Portraits.  Plates.  Manuscript  fac- 
similes. **T.22.I 
The  first  two  numlnrs  have  the  title:  Our  Players'  Gallery.  [Quarterly.]  Vol. 
I  (no.  i);  2  (no.  i).  Oct.  1900;  igoi.  The  third  number  is  entitled:  The 
Theatre.  [Vol.  i.]  No.  3.  Beginning  with  No.  3  it  is  edited  by  Arthur 
Hornblow. 

Theatre,  The.  A  monthly  review  and  magazine.  July  1877 -Dec.  1897. 
London.  [Wyman,  etc.]  1877-1897.  41  v.  Illus.  Portraits. 
Plates.     Plans.     Autograph  facsimiles.  **T.25.i 

From  Jan.  1880  -  Dec.  1889  the  editor  was  Clement  Scott;  from  Jan.  -  June 
1890,  Bernard  K.  J.  Capes;  from  July  1890 -June  1892,  Bernard  E.  J.  Capes 
and  Charles  Eglington ;  from  July  1892  -  June  1893,  Charles  Eglington ;  and 
from  July  iS93-June  1894,  .\ddison  Bright.  In  1889  The  Theatre  Annual 
[**T.2S.3]  was  consolidated  with  The  Theatre  and  from  1889  to  1894  ibc 
January  number  is  entitled  The  Theatre  and  Theatre  Annual.  After  the  ist 
volume  for   1894,  the  title-pages  and  indexes  are  lacking. 

Theatre,  The.  [Semi-monthly.]  Vol.  i.  Dec.  i,  1851-May  15,  1852. 
Edinburgh.     Bertram  &  Co.     1851,  52.     (3),  336  pp.  **T.27.32 

Theatre,  The.  [Weekly.]  Vol.  i  (no.  1-4).  Oct.  4-25,  1828.  [London.] 
1828.    64  pp.  **T.26.46 

Theatre,  The.  [Weekly.]  An  illustrated  magazine  of  drama,  music, 
art.  Deshler  Welch,  editor.  Vol.  1-6,  7  (no.  1-18).  Mar.  20, 
1886- Mar.  2,  1891.  New  York.  Theatre  Publishing  Co.  [& 
Dramatic  Publishing  Co.].  1886-91.  7  v.  Illus.  Portraits.  Plates. 
Plans.     Music.     Manuscript  facsimiles.  **T.25.2 

Same.     Vol.  4.     1889.  **K.33.4 

Theatre,  The:  a  didactic  essay.    Whyte,  S.  No.  3  in  **G.3824.6 

Theatre,  The;  or,  dramatic  and  literary  mirror.     [Fortnightly.]     Vol.  i 
(no.  1-14) :  2  (no.  I   [i.  e.  i5]-23).     Feb.  20 -Oct.  30,  1819.     Lon- 
don.    Duncombe.     1819.    2  v.  in  i.     Colored  portraits.      **T.26.53 
The  index  to  vol.  2  is  lacking. 
Same.     Vol.  i   (no.  1-3,  5-14).  No.  4  in  **G.3822.4 

Theatre  Annual,  The.  Edited  by  Clement  Scott.  [1884-88.]  London. 
Bogue  [etc.].  1884-88.  5  v.  in  i.  Portraits.  Autograph  fac- 
similes. **T.25.3 
In  1889  The  Theatre  Annual  was  consolidated  with  The  Theatre  [**T.2S.i]  and 
from  18S9  to  1894  the  January  number  of  that  periodical  is  entitled:  The  Theatre 
and  Theatre  Annual. 

Theatre  Arts  Magazine.  [Quarterly.]  Vol.  i-  November,  1916,  to 
date.     [Detroit,  Mich.]     Plates.  **T.25.35 

Edited  by  Sheldon  Cheney  under  the  auspices  of  the  theatre  committee  of  the 
Society  of  Arts  and  Crafts,  Detroit,  Michigan. 

Theatre,  The,  as  a  power.    Faversham,  W.  **T.75.76 

Theatre,  The,  as  it  is.     Observer,  An,  pseud.  **T.76.98 

Theatre,  Le,  au  College  des  bons-enfants.     P.,  L.  **T.77.202 

Theatre,  Le,  aujourd'hui.     Muriel,  A.  **T.77.ii8 

Theatre,  The,  by  Sir  Richard  Steele.  [No.  1-28,  January  2 -April  5, 
1720.]  To  which  are  added,  the  Anti-theatre;  The  character  of 
Sir  John  Edgar;  Steele's  case  with  the  Lord  Chamberlain;  The 
crisis  of  property,  with  the  sequel,  Two  Pasquins,  &c.  Illustrated 
with  literary  and  historical  anecdotes  by  John  Nichols.  London: 
Printed  by  and  for  the  editor;  and  sold  by  G.  G.  J.  and  J.  Robin- 
son. 1791.  viii,  580  pp.  Portrait.  **T.26.23 
Another  copy  is  on  shelf-number  **G. 3824.7. 

[771] 


THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 


Theatre,  Le,  dans  I'intimite.     Dieulafoy,  J.  P.  R.,  and  M.  A.  Dieulafoy. 

**T.37.i4i 
Theatre  de  la  foire.     Auriac,  P.  E.  J.  M.  d',  editor.  **T.37.i46 

Theatre,  Le,  du  peuple.     Pottecher,  M.   B.  M.  **.T77.99 

Theatre,  Le,  en  province.     Estival,  A.,  and  M.  Millanvove.     **T.95.iio 
Theatre,  Le,  et  I'architecte.     Tr^lat,  :£.  **T.76.5i 

Theatre,  Le,  &  le  livre  a  sauver.     Laforkt,  L.  P.  **T.96.i40 

Theatre,  Le.  et  le  peuple.     Bonnassies,  J.  4679.50;  **T.77.i05 

Theatre,  Le,  et  les  moeurs.     Weiss,  J.  J.  A.  4697.94;  **T.47.85;  etc. 

Theatre  frangais.  The,  in  the  reign  of  Louis  xv.  Cochrane-Baillte,  A. 
D.  R.  W.,  1st  Baron  Lamington.  26703.70;  **T.86.3 

Theatre  frangois,  Le,  divise  en  trois  livres.     [Anon.]     See  Chappuzeau, 

Samuel. 
Theatre  hygiene.    Roth,  W.  E.  **T.76.37 

Theatre,  The,  of  science.     Grau,  R.  *8o39a.57 

Theatre,  The,  of  the  Greeks.     Buckham,  P.  W.  49503.24;  etc. 

Theatre  sanitation.     Gerhard,  W.  P.  5766.66 

Theatre  scientifique,  Le.     Figuier,  G.  L.  **T.76.32 

Theatre  tickets. 

Elias,  S.  p.     The  law  of  theater  tickets.     San  Francisco.     1905. 

3663.96 
Speculation  or  scalping  in  amusement  tickets.     Analysis  of  muni- 
cipal ordinances  prohibiting  or  regulating  the  sale  of  tickets  of 
admission  at  advanced  prices.      [Chicago.     IQIS-]  *9352a-4i-5 

Theatre  versus  conventicle.     Calvert,   F.   B.  **T.96.4i  ;  etc. 

Theatreide,  Le.     Devineau  de  Rouvray,   C.  A.  **T.97.2i9;  etc. 

Theatres,  The.     Garrick,  D.  **T.54.25;  etc. 

Theatres,  acteurs  et  actrices  de  Paris,  biographie  des  artistes  dra- 
matiques,  et  notices  sur  les  theatres  de  Paris,  leur  origine,  leur 
administration,  etc.  Paris.  Depot  central  des  pieces  de  theatre 
anciennes  et  modernes.     1842.     108  pp.  **T.78.42 

Attributed  to  Adolphe  Poiijol  in  the  Catalogue  Soleinnc,  tome  5,  p.   172,  no.  749 
l'*T.66.i3.5;   **G.37oa.is.5]. 
Theatres  and  motion  picture  houses.     Meloy,  A.  S.  8094.115 

[Theatres  and  public  halls  of  New  York.  Plans  of  seats.  Boston. 
Lowell  &  Co.     1879.]     32  pp.     Plate.     Plans.  **T.78.87 

Theatres  as  they  are.     Leech,  A.  E.  **T.96.i33 

Theatres  clandestins,  Les. 

Capon,  G.,  and  R.  Yve-Plessis.     Paris  galant  au  dix-huitieme  siecle. 

Paris.     1905.     Plates.  **T.75.42 

Theatres,  Les,  de  la  foire.     Albert,  M.  4676.104;  **T.97.254 

Theatres,  Les,  de  Paris.     Notices  et  portraits.     Texte  par  une  societe 

de  gens  de  Icttres.    Dessins  par  Eustache  Lorsay.  —  Lithographies 

par  Collette.    Paris.    Biendine.    [1854.]    Variously  paged.    Colored 

portraits.  **T.53.i2 

Same.     Baillieu.  **T,54.9 

The  contents   of  this  copy   differ   from   those   of   the  preceding. 
Same.     Paris.     Martinon.     [1854.]     2  v.     Portraits.     [Galcrie  illustrec 

des  celebrites  contemporaines.]  **T.54.io 

Theatres,  Les,  de  societe  de  Rouen.  Bouteiller,  J.  £.  **T.76.5 

Theatres,  Les,  des  Boulevards.    Albert,  M.  4676.134;  **T.77.ii2 

Theatres,  Les,  en  robe   de  chambre.     Sec  Gilbert,  F.,  and   E.   Coulon. 

Photographies  a  la  plume. 

[772] 


BROWN   COLLECTION    OF  BOOKS    ON    THE   STAGE 


Theatres  lyriques  de  Paris. 

Blaze,  F.  H.  J.    L'Academie  imperiale  dc  musique:  histoire  litteraire, 
musicale  .  .  .  de  1645  a  1855.    Paris.    1855.   2  v.   4045.12;  **M.i  15.8 

L'opera  italien,  de  1548  a  1856.     Paris.     1856.    8045.13;  **M.i  15.9 

EzvAR  Du  Fayl,  .     Academic  nationale  de  musique.     1671-1877. 

Paris.     1878.     Plates.     Plans.  26393.55;  **M.i29a.ii 

Theatres,  The,  of  Paris.    Hervey,  C.  **T.74.4 

Theatric  amateur,  An,  pseud.     See  Winston,  James. 

Theatric     revolution,    or    plain     truth    addressed    to     common     sense. 

Macauley,  E.  W.  **T.96.2o;etc. 

Theatric  tourist,  The.     Winston,  J.  **T.72.5 

Theatrical  amusements  and  horse-racing.    Friends,  Society  of.   **T.98.i43 

Theatrical  and  circus  life.    Jennings,  J.  J.  **T.76.i48 

Theatrical  anecdotes.     Sadler,   L.  R.  2554.61 ;  **T.58.8o 

Theatrical  biography:  or,  memoirs  of  the  principal  performers  of  the 

three  Theatres  Royal.    With  critical  remarks  on  their  professional 

merits.     London.     1772.    2  v.  **T.58.i29 

Another  copy   is   on   shelf-number   **K.37.i4,   which   lacks   vol.    i. 

Theatrical  bookplates.     Pope,  A.   W.  *8o75.26o 

Theatrical  Censor,  The.  Bj^  a  citizen.  [Semi-weekly.]  No.  1-17.  Dec. 
9,  1805 -Mar.  3,  1806.  [Philadelphia.  1805,  06.]  134,  (i)  pp. 
Plate.  **T.26.58 

Theatrical  Censor,  The.  [Weekly.]  No.  1-6.  May  24 -June  28,  1828. 
[Manchester.     1828.]     46  pp.  **T.98.66 

Criticisms   of   performances   at   the   Theatre   Royal,   Manchester. 

Theatrical  Censor,  The,  and  musical  review.  No.  1-28.  Oct.  i  -  Nov. 
29,  1828.     Philadelphia.     1828.     212  pp.  **T.25.22 

Nos.    1-4  were  issued   daily;    the  others   three  times  a  week. 

Theatrical  censorship.     See  Censorship  of  the  stage. 

Theatrical  Chronicle,  and  dramatic  review;  with  notes  of  London  life. 
[Weekly.]  Vol.  [i]  (no.  [i-]2o);  2  (i-io);  3  (9,  19-21,  23-25,  34, 
36);  5  (2-6,9-13).    London.    1841-48.  4  v.  in  2.    Portraits.   **T.23.7 

Theatrical  circulars.  Vol.  1-5.  [Boston.  1912.]  5  v.  Illus.  Portraits. 
Plates.     Maps.     Plans.     Manuscript  facsimiles.  **T.i2.5 

Composed  of  theatrical  circulars,  prospectuses,  etc.      Each  volume  has  an  index. 

Theatrical  correspondence  in  death.  An  epistle  from  Mrs.  Oldfield,  in 
the  shades,  to  Mrs.  Br.  .ceg. .  .rdle,  upon  earth:  containing,  a 
dialogue  between  the  most  eminent  players  in  the  shades,  upon 
the  late  stage  desertion.  London:  Printed  for  Jacob  Robinson. 
1743.     (i),  24  pp.  **T.57.346 

Another    copy    is    on    shelf-number    No.  5  in  •*G.3823.4. 

Theatrical  Critique.     [Nov.  7,  Dec.  10,  1829.    Newcastle.     1829.]     4,  4  pp. 

Relates    to   the   Theatre    Royal,    Newcastle,    England.  **T. 26.47 

Theatrical  disquisitions:  or  a  review  of  the  late  riot  at  Drury  Lane 
Theatre  on  the  25th  and  26th  of  January.  And,  a  short  appendix, 
relative  to  the  disturbance  at  Covent-Garden  Theatre,  the  24th 
of  February.  By  a  lady.  London:  Printed  for  G.  Burnet.  1763. 
iv,  36  pp.  **T.75.63 

Another  copy  is  on  shelf-number  No.  9  in  **G..'^823.i6. 

Theatrical  entertainments  consistent  with  society,  morality,  and  religion. 
[Anon.]     See  Flitcroft,  Henry. 

Theatrical  examiner,  The;  an  enquiry  into  the  merits  and  demerits  of 
the  present  English  performers  in  general.  London:  Printed  for 
J.  Doughty.     1757.     (i),  98  pp.  **T.96.8i 

Relates   to   the   London  theatres   and   to  the   art  of   acting.     Another  copy   is   on 
shelf-number  No.  6  in  ••G.3824.16. 

[773] 


THE  PUBLIC  LIBRARY   OF  THE   CITY  OF  BOSTON 


Theatrical  Examiner,  The,  for  Sheffield.    [Weekly.]    Vol.  i.  Oct.  28,  1824- 

Jan.  24,  1825.     Sheffield.     Howlden.     1825.     16,  80  pp.        **T.27.24 

Same.     Vol.   i,  no.  7.     Nov.   18,   1824.  No.  3a  in  **G.3937.32 

Theatrical  Examiner,  The:  or,  critical  remarks  on  the  daily  performances, 
with  the  bills  of  the  play.  Vol.  6  (no.  294);  7  (3,  17,  22,  56,  131,  156, 
187);  8  (70,  128,  172).    [London.l    1828-30.    11  nos.  in  i  v.   **T.26.ii 

Theatrical  Guardian,  The.  Mar.  5 -Apr.  9,  1791.  No.  1-6.  (To  be 
continued  weekly.)  London:  Printed  for  the  author:  and  sold 
by  E.  and  T.  Williams.     1791.    6  nos.  in  i  v.  **T.24.7 

No  more  was  published. 

Theatrical  guide,  The,  route  and  date  book.     Johnson,  W.  B.,  compiler. 

4458.37 
Theatrical  illustrations. 

See  also  Theatre.  Scenery. 

Album  de  I'opera.     Principales  scenes  des  meilleurs  ouvrages  repre- 
sentes    sur    la    scene    de    I'Academie    royale    de    musique.      Paris. 
[184-?]      Portraits.     Plates.  **M.i2i.i9;  etc. 
Brereton,  a.    Shakespearean  scenes  and  characters:  with  descriptive 
notes  on  the  plays,  and  the  principal  Shakespearean  players,  from 
Betterton  to  Irving.     London.     1886.     Portrait.     Plates.     **G.6i.7 
Cumberland's  Theatrical  illustrations.     London.      [1831.]      Portrait. 
(204)  plates.  **T.49.5 
Junker.  H.     Scenen  aus  Shakespeare's  Dramen.     [London?     187-?] 
12  plates.                                                                         No.  2  in  **G.3952.28 
Literary  and  graphical  illustrations  of  Shakspeare,  and  the  British 
drama.     London.     1831.     IIlus.     Plate.                             *6595.62;etc. 
Same.     Dramatic  souvenir.  The.     Literary  and  graphical  illus- 
trations of  Shakespeare  and  other   English  dramatists.     London. 
1833.    lUus.     Plates.                                                           **T.47.42;  etc. 
MoREAU,   J.    M.      [Engravings    made    from    drawings    by    Moreau   to 
illustrate  Voltaire's  plays  in  the  Qiuvres  completes,  edited  by  P. 
A.  Caron  de  Beaumarchais  and  others.]     1914.    29  plates.    **T.42.6 
Tallis's  Shakspere  gallery  of  engravings.     London.     [185-?]      Por- 
traits.    Plate.                                                                       **G.3952.ii;etc. 
Twelfth  night  characters,  from  Shakespeare,  designed  and  drawn 
on  stone  by  J.  S.  Alpenny,  intended  as  a  first  series  of  characters 
from  the  plays  of  Shakespeare.     [London.     187-?]     24  plates. 

**G.3952.28 

Theatrical  Inquisitor,  The.     [Monthly.]     April,  1818.    London.    Chappie. 

1818.     225-304  pp.  **T.26.54 

Same.     Jan. -June,  1820.  **K.34.io 

Theatrical  Inquisitor,  The,  and  monthly  mirror.    Vol.  1-4.     [Sept.  1812- 

June,   1814.]      London.     Sherwood,  Neely,   &  Jones    [&  Chappie]. 

1S12-14.     4  V.     Portraits.  **T.26.36 

Theatrical    Inquisitor,    The;    or,    an    enquiry    into    what    two    worthy 

managers    have    promised,    and    what    performed.      Manchester. 

Dean  &  Co.     1804.     28  pp.  **T.77.i2 

A   criticism  of  the  company  of  the   Theatre  Royal,  Manchester. 

Theatrical  jester.  The:  or  green-room  witticisms.     Being  a   collection 

of  entertaining  and  original  anecdotes,  bon  mots,  repartees,  &c., 

relating  to  the  stage.     London:  Printed  by  J.  Hammond.     [i795-] 

:i2  pp.  **T.58.i8 

Theatrical  John  Bull,  The.     [Weekly.     Vol.   i.     May  29 -Oct.   16,   1824. 

I'irmingham.]     Cooper.     1825.     176,  (2)  pp.  **T.28.4 

Criticisms    of   performances    at   the   Theatre    Royal,    Birmingham,    England.      Pp. 
161-164  of  no.  20  are  missing.     Duplicates  of  pp.   156-160  are  substituted. 

[774] 


BROWN   COLLECTION    OF  BOOKS    ON    THE   STAGE 


Theatrical  Journal,  The.  [Weekly.]  Vol.  3  (no.  107,  116,  117);  4  (171- 
192,  195-204,  206-211);  5  (212-220,  222-232,  246-253,  256-259,  261- 
263);  20-28.     [London.     1842-67.]      12  v.  in  5.  **T.25.i6 

Theatrical  Journal.     Works  about. 

VVatkins,  B.  W.  Outlines  of  the  life  of  William  Bestow,  editor 
and  proprietor  of  the  "Theatrical  Journal."  With  occasional 
reference  to  contemporary  theatrical  events  and  personages. 
London.     1864.     Portrait.  **T.58.28 

Theatrical  list.     Lowndes,  W.  **T.65.20 

Theatrical  Looker-On,  The.  [Weekly.]  Vol.  i  (no.  2-25) ;  2.  Birming- 
ham. Drake.  1822,  23.  2  v.  Plate.  **T.28.i3 
Criticisms  of  performances  at  the  Theatre  Royal,   Birmingham. 

Same.    Vol.  i  (no.  6,  9,  10,  16,  18,  19);  2  (3,  9-12,  14,  15,  17,  18,  24). 

No.  7  in  **G.382i.24 

Theatrical  management  in  the  West  and  South  for  thirty  years.  Smith, 
S.  F.  4395-187;  **T.55.39 

Theatrical  Mince  Pie,  The,  entirely  original.  Vol.  i  (no.  1-8).  Jan.  i  - 
Feb.  19,  1825.  By  Somebody,  Gent,  [pseud.].  London.  1825. 
72  pp.  **T.28.3 

Theatrical  Mirror,  The;  or,  daily  bills  of  the  performances.  Vol.  i  (no. 
1-36).  Oct.  I -Nov.  10,  1827.  [London.  1827.]  36  nos.  in  i  v. 
Illus.     Portraits.  **T.26.57 

Theatrical  miscellanies.     Brown,  A.  K.,  compiler.  **T.i4.9 

Theatrical  Mission,  London. 

"Stars,"  a  year's  work  in  the  Theatrical  Mission,  with  list  of  con- 
tributors,  1891-1892.     London.     [1892.]      Plates.  *7578.ii5 

Theatrical  monopol}':  being  an  address  to  the  public  on  the  present 
alarming  coalition  of  the  managers  of  the  winter  theatres.  Lon- 
don. Printed  for  Fielding  and  Walker.  1779.  (3),  viii,  32  pp. 
Portrait.  No.  4  in  **G.3824.i4 

On  Sheridan  and  Harris,  the  managers  respectively  of  the  Drury  Lane  and 
Covent  Garden  theatres.  Other  copies  are  on  shelf-numbei-s  No.  9  in  **G.3823.i3; 
No.  7  in  **G.3823.i5:   No.  i  in  **G.3823.i7. 

Theatrical  Observer,  The.     [Daily.]     Vol.  1-4.     Dublin.     Nolan.     1821. 

4  V.  **T.28.i4 

Theatrical  Observer.  The:   and  daily  bills  of  the  play.     Nov.  3,   1821- 

June  30,  1876.     [London.]     Thomas.     1821-76.    53  v.  **T.26.2 

The  set  is  very  incomplete.  A  list  of  the  numbers  included  in  it  is  prefixed  to 
the  first  volume.     There  are  numerous  errors  in  dating  and  numbering  the  issues. 

Theatrical  pocket-book,  A.    W^ewitzer,  R.  **T.98.i33 

Theatrical  portraits.  London.  Lawrence  &  Bullen.  [190-?]  8  por- 
traits in  portfolio,  15  X  n  inches.  **T,Cab.i.22 

Contents.  —  Churchill.  —  Garrick  as  Hamlet.  —  Garrick  as  Kitely.  —  Spranger 
Barry  as  Macbeth.  —  Mrs.   Clive  as  a  shepherdess.  —  Mrs.   Pritchard.   —  Quin. 

—  Mrs.  Yates. 

Theatrical  portraits.     [Verses.     London.     I795?]     40  pp.  **T.93.5 

Theatrical  portraits.     Van  Dyk,  H.  S.  **T.58.55 

Theatrical  Programme,  The,  and  Entr'acte.     [Weekly.]     No.  1-8.    June 

4 -July  23,  1849.     [London.]     1849.  **T.26.24 

Theatrical  Recorder,  The:  by  Thomas  Holcroft.     Vol.   i,  2.     London. 

Symonds.     1805,  06.     2  v.     Portraits.     Plates.  **T.26.5i 

There  is  a  supplement  to  vol.  2. 

/Theatrical  records.     [Anon.]     See  Dodsley,  Robert. 
"^^  Theatrical  register,  The:  or,  a  complete  list  of  every  performance  at  the 
different    theatres,    for    the    year    1769.      Illustrated    with    critical 
observations.      [London.      1770.]      3-74  pp.  **T.77.25 

[775] 


THE  PUBLIC  LIBRARY  OF  THE   CITY  OF  BOSTON 

Theatrical  remembrancer. 

Egerton,   J.      Egerton's   Theatrical    remembrancer.     London.      1788. 

**T.68.4 
OuLTON,  W.  C.  Barker's  Complete  list  of  plays,  exhibiting  at  one 
view  the  title,  size,  date,  and  author,  from  the  commencement 
of  theatrical  performances,  to  1803.  [Corrections  to  and  con- 
tinuation of  Egerton's  Theatrical  remembrancer.]  London. 
[1804.]  *'^r.67.6;etc. 

Theatrical  Repertory,  The;  or,  weekly  Rosciad.  No.  1-26.  Sept.  19, 
i8oi-Mar.  29,  1802.     [London.]      1801,  02.     412  pp.  **3^6.66 

Theatrical  Review,  The.  Jan.-Mar.  1807.  [Monthly.  London.]  1807. 
163  pp.  **T.26.33 

\X  Theatrical  Review,  The:  for  the  year  1757,  and  beginning  of  1758.  Con- 
taining critical  remarks  on  the  principal  performers  of  both  the 
theatres.  With  observations  on  the  dramatic  pieces  performed 
at  either  house.  Added,  a  scale  of  the  comparative  merit  of  the 
above  performers.  London:  Printed  for  J.  Coote.  1758.  (i),  v, 
88  pp.  **T.96.85 

Relates  to  Drury  Lane  and  Covent  Garden  theatres.     Other  copies  are  on   shelf- 
numbers  *6570.2i ;   No.  2  in  **G.3824.i7. 
Theatrical  Review,  The;  or,  annals  of  the  drama.     Volume  I    (no.   i). 
London:  Printed  for  Mess.  Wilson  and   Fell.     1763.     (i),  44  pp. 

No.  7  in  **G.3823.i3 

Contains  criticis^ns  of  the  plays  and  performers  at  the  Theatres  Royal  in  London. 
Not  to  be  confused  with  other  publications  of  nearly  the  same  name. 

Theatrical  review,  The.     Potter,  J.  **T.48.22 

Theatrical   Rod,  The!     A  weekly  journal   of  the   stage,   literature,   and 

general  amusement.     No.  1-3.     [London.     1831.]     24  pp.    **T.26.59 

There  is  no  title-page. 

Theatrical  scene-painter,  pseud.     See  Erie,  Thomas   William. 
Theatrical  sketches.     Margaret,  pseud.  43493.244;  **T.58.i  11 

Theatrical  speaker.  The;  or  an  elucidation  of  the  whole  science  of  acting: 

containing  rules  for   exhibiting  the  dramatic  passions.     London. 

Smeeton.     1807.     (3),  233,  (i)  pp.     Plate.  **T.77.ioo 

Theatrical   Tattler,   The.     Vol.    i,   no.   3.     May    i,    1830.      Birmingham. 

(Drake.]      1830.     17-24  pp.  No.  4  in  **G.3942.i5 

Another    copy    is    on    shelf-number    No.  3  in  **G.382i.24, 

Theatrical  taxation.     Theatricus,  pseud.  **T.76.47 

Theatrical  Times,  The.  A  weekly  magazine  of  Provincial,  Continental, 
American,  Metropolitan  theatricals.  Vol.  1-3.  June  13,  1846- 
Dec.  30,  1848.     London.     Grieves.     1847,  48.     3  v.     Portraits. 

**T.25.6 
Theatrical  topics.     Brown,  A.  A.,  compiler.  **T.i4.i 

Theatrical  trip.  A,  for  a  wager!     Rhys,   C.   H.  **T.56.2o 

Theatrical  'world,'  The,  of  1893-97.     Archer,  W.  **T.27.33 

,  Theatricus,  pseud. 

Theatrical  taxation;  which  embraces  reflections  on  the  state  of 
property  in  the  Theatre-Royal,  Covent  Garden,  and  the  engage- 
ment of  Madame  Catalani:  also,  an  analysis  of  the  grounds  upon 
which  the  proprietors  have  been  induced  to  raise  the  prices  of 
admission.  London:  Printed,  by  J.  Dean  for  G.  Hughes.  [1809.] 
(i),  22  pp.  **T. 76.47 

Relates  to  the  O.  P.  Riots,  1809. 
Theatrum   redivivum,  or  the  theatre   vindicated.      Baker,  Sir  R. 

**G.382I.I2 

[776] 


\/ 


7 


BROWN   COLLECTION    OF  BOOKS    ON    THE   STAGE 

Theinert-Mickley,  Ernst. 

Die  Schauspiel-Kunst,  ein  Kapitel  der  Seelenkunde.     Briefe  an  cine 
Dame.     Munchen.     Lindauer.      1889.      (5),  50  pp.  **T.96.354 

"Their  Majesties'  servants."     Doran,  J.  4572.97;  etc. 

Thelmier,  Jules  Adrien. 

Histoire  du  Theatre  Montparnasse.     1819-1886.    Paris.    Fleury.     1H8C. 

32  pp.     Plan.  **T.98.i8 

Theorie  de  I'art  du  comedien.     Bernier,  F.  **T.76.i59;  etc. 

Theory,  The,  of  the  theatre.     Hamilton,  C.  M.  2256.62 

Theresa,  Emma  Valadon,  called  Mademoiselle  Theresa. 

MoNNiER,  V.     Theresa  et  ses  memoires.     Paris.     1865.     Portrait. 

**T.97.274 
Morel,  H.     Nouveaux  memoires  de  Theresa.     Paris.     1868.     Portrait. 

**T.57.i6 
Thespiad,  The.     London.     Stockdale.     1809.     50  pp.  **T.96.3i9 

Criticisms  in  verse  of  English  actors. 

Thespian,  The.  Vol.  i  (no.  3,  15,  60).  Aug.  3,  15,  Oct.  11,  1821.  [Liver- 
pool.]     1821.     3  nos.  **T.98.55 

Criticisms  of  performances  at  tfie  Theatre  Royal,  Liverpool. 

Thespian,  The.     Vol.  i  (no.  2).     Jan.  13,  1823.     Bristol.     1823.     5-8  pp. 

**T.26.45 

Thespian,  The,  anB  dramatic  record,  a  journal  especially  designed  to 

promote  the  interests  of  the  British  stage.     [Weekly.]     No.  1-15. 

Apr.  29-Aug.  5,  1857.    [London.    1857.]    120  pp.   Portraits.  **T.24.i4 

Thespian   critique.  The,  or  theatrical  censor.     Pit,   Patrick,  pseud. 

/  ^  **T.76.24 

(Mrhespian    dictionary,    The;    or,    dramatic   biography   of    the    eighteenth 

century,  forming  a  concise  history  of  the  English  stage.     London. 

Hurst.     1802.      (275)   pp.     Portraits.  **T.58.i25 

Another  copy  is  on  shelf-number  **G.382i.29. 

Same.    2d  edition,  with  additions.     [London.]     Cundee.     1805.     (382) 

pp.  **T.57.253 

Thespian    Magazine,    The,    and    literary    repository.      [Monthly.]      Vol. 

1-3.    June  1792 -Sept.  1794.     London.     Printed  ^nd  sold  by  Thos 

Wilkins.     1793,  94.    3  v.     Portraits.     Plates.  **T,26.35 

Another  copy,  from   which   the  portraits  and  some  of  the  plates  are  missing,  is 
on  shelf-number  **K.34.22. 

Thespian   Monitor,  The,  and  dramatick  miscellany.     Vol.    i    (no.   1-4). 
Nov.  25  -  Dec.   16,   1809.     By  Barnaby  Bangbar   [pseud.].     Phila- 
delphia.    Carey.     1809.     (i),  y2  pp.  **T.28.i8 
Thespian  oracle.  The;  or,  a  new  key  to  theatrical  amusements.     Con- 
\j               taining  the  new  prologues  and  epilogues,  and  an  introduction  on 
''^^   '              oratory   and   acting.     London.     Printed   and    sold   by  J.    Barker. 
1791.     Ill  pp.                                                                    No.  2  in  **G.382i.5 
,,  Thespian  Oracle,  or  monthly  mirror,  consisting  of  original  pieces  and 
selections    from   performances    of   merit,    relating    chiefly    to    the 
most    admired    dramatic    compositions,    and     interspersed     with 
theatrical  anecdotes.     Vol.  i   (no.  i).     [Jan.  1798.]     Philadelphia: 
Printed  for  T.  B.  Freeman.     1798.     viii,   (4),  24  pp.     Portrait. 

No  more  vt^as  published.  **T. 26.62 

Thespian  papers.  The.     Lynn,  N.  **T.97.264 

Thespian  preceptor.  The;  or,  a  full  display  of  the  scenic  art:  including 
ample  and  easy  instructions  for  treading  the  stage,  using  proper 
action,  modulating  the  voice,  and  expressing  the  dramatic  passions: 
illustrated  by  examples  from  dramatists.  Boston.  Bliss.  1810. 
iv,  7-158  pp.  **T.78.53 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 


Thespian  Sentinel,  The;  or,  theatrical  vade-mecum.  [Daily.]  Vol.  i, 
2,  3  (no.  1-40).  Sept.  26,  1825  -  Mar.  3,  1826.  London.  Allman. 
1825,  26.     3  V.  in  I.  **T.27.9 

Thespis.    Kelly,  H.  **T.54.26;  etc. 

Thespis  on  tryal.     Geier,  J.  **T.96.32o;  etc. 

Thespis  to  Apollo.     MacHumbug,  L.,  Esq.,  pseud.       No.  28  in  **G.3822.3 
Thew,  William. 

Poems  on  various  subjects,  chiefly  theatrical.  Prefixed,  a  life  of 
the  author.     London.    The  Author.     1825.     (15),  112  pp.     Portrait. 

**T.96.369 
Thibault,  Jacques  Anatole  (Anatole  France),  preface): 

Fuller,  L.  Fifteen  years  of  a  dancer's  life.  With  some  account  of  her 
distinguished  friends.    Boston.    1913.    Portraits.    Plates.    4049a.363 
Thierry,  fidouard. 

Charles  Varlet  de  La  Grange  et  son  registre.     Paris.     Claye.     1876. 

(3),  143.  (I)  pp.  ,     **T-55.8 

La  Comedie  frangaise  pendant  les  deux  sieges   (1870-1871).     Journal 

de  I'administrateur  general.     Paris.     Tresse  &  Stock.     1887.     viii, 

532  pp.  4694.50;  **T.76.i72 

De  I'influcnce  du  theatre  sur  la  classe  ouvriere.     Lectures  faites  le 

22  et  le  29  juin  1862  aux  conferences  de  I'Association  polytechnique. 

Paris.    Panckoucke  &  c'e.     1862.    90  pp.  **T.77.i69 

Thierry,  fidouard,  editor. 

Paris.  Tlieatres.  Comedie  franqaise.  Documents  sur  Le  malade 
imaginaire.  Estat  de  la  recette  et  despence  faite  par  ordre  de 
la  compagnie.     Paris.     1880.  **T.55.i8 

Thiers,  Louis  Adolphe,  prefacer. 

Bellamy,  G.  A.     Memoires.     Paris.     1822.     2  v.  **T.56.2;  etc. 

Thiers,  Marie  Joseph  Louis  Adolphe.     See  Thiers,  Louis  Adolphe. 
Thimig,  Hugo,  prefacer. 

Rub,  O.,  compiler.  Das  Burgtheater:  statistischcr  Riickblick  auf  die 
Tatigkeit  und  die  Personalverhaltnisse  wahrend  der  Zeit  vom  8. 
April  1776  bis  i.  Januar  1913.     Wien.     1913.  6252.117 

Schoene,  H.  Aus  den  Lehr-  und  Flegeljahren  eines  alten  Schau- 
spielers.  Mit  einem  biographischen  Vorwort  von  Hugo  Thimig. 
Leipzig.      [1903.]      Portraits.  No.  i  in  4896.50.453 

Things  I  have  seen  and  people  I  have  known.     Sala,  G.  A.  H. 

4545-143;  **T.57-242 
hThirlwall,  Thomas. 

Royalty  Theatre.  A  solemn  protest  against  the  revival  of  scenic 
exhibitions  and  interludes  at  the  Royalty  Theatre.  London: 
Printed  by  T.  Plummer  and  sold  by  Barnfield.     1803.     14  PP- 

No.  I  in  **G.3824.9 

Same.     2d  edition.     Containing  remarks   on    Pizarro,   The   stranger, 

and  John  Bull;  with  a  postscript.  **T.76.92 

Same.     3d  edition,  enlarged.     Prefixed,  a  review  of  the  conduct  of 

the    stage    in    general,    and    the    expediency    and    lawfulness    of 

dramatic  entertainments.     1805.     29,   (i)  pp.  **T.96.36o 

.Another  copy  is  on  shelf-number  No.  9  in  **G.3824.4. 

Thirlwall,  Thomas.     Works  about. 

Percival,  J.  Society  for  the  Suppression  of  Vice.  A  few  observa- 
tions in  defence  of  the  scenic  exhibitions  at  the  Royalty  Theatre, 
and  on  the  intolerant  censure  of  the  drama  in  general;  contained 
in  the  "Solemn  protest"  of  the  Rev.  Tho.  Thirlwall,  in  the 
name  of  the  Society  for  the  Suppression  of  Vice.     London.     1804. 

**T.76.6i;etc. 
[778] 


BROWN   COLLECTION    OF  BOOKS    ON    THE   STAGE 


Thirty  j'ears  at  the  play  and  dramatic  table  talk.   Scott,  C.  W.  **T.98.ii2 
Thirty-five  years  of  a  dramatic  author's  life.     Ball,  E.        **T.57.48;  etc. 
Thoinan,  Ern,  pseud.     See  Roquet,  Antoine  Ernest. 
Thomas,  Augustus,  prefacer. 

Howard,    B.     The  autobiography  of  a  play.     New   York.     1914. 

**T.46.6o.2 
Thomas,  Emil. 

40  Jahre  Schauspieler.  Erinnerungen  aus  meinem  Leben.  Berlin. 
Duncker.     1895.     2  v.  in  i.     Portrait.     Autograph  facsimiles. 

**T.57.2i7 
Thomas,  Ernest,  editor. 

Independance  musicale  et  dramatique.  Annee  i,  2  (no.  19).  Paris. 
1S87,  88.     2  V.  in  I.  **M.i35.i4 

Thomas,  George  Clifford. 

The  Passion  Play  of  1871.     [Philadelphia.     1871.]     26  pp.        2861.77 
Thomas,  Rev.  W. 

Curtis,  J.   S.     A  short   reply   to  a  tract  by  the   Rev.  W.   Thomas, 

entitled  "The  theatre."     [Leeds.     188-?]  **T.77.204 

Thomas  Tvcker,  A  true  and  faithfull  relation  of  the  risinge  and  fall  of. 

See  Higgs,  Griffin.     An  account  of  the  Christmas  prince,  in  the 

year  1609. 

Thomason,  Denny  R. 

Fashionable  amusements;  with  a  review  of  Rev.  Dr.  Bellows'  lecture 
on  the  theatre.     New  York.     Dodd.     1857.     230  pp. 

In  opposition  to  amusements.  55893.248;  **T.97.II3 

Thompson,  Alfred,  editor. 

Mask,  The:  a  humorous  and  fantastic  review  of  the  month.  Edited 
by  Alfred  Thompson  and  Leopold  Lewis.  Vol.  i.  Feb.-Dec, 
1868.    London.     1868.    Illus.     Portraits.    Plates.  **T.24.5 

Thompson,  Denman. 

Brady,  J.  J.  Life  of  Denman  Thompson  (Joshua  Whitcomb).  New 
York.     [1888.]     Portrait.  **T.57.372 

Thompson,  Elbert  Nevius  Sebring. 

The  controversy  between  the  Puritans  and  the  stage.  A  thesis,  Yale 
University.  New  York.  Holt  &  Co.  1903.  275  pp.  [Yale  studies 
in  English.]  4583.148 

Bibliography,  pp.  26.7-272. 

Thompson,  Joseph  Parrish. 

Theatrical  amusements.  A  discourse  on  the  character  and  influence 
of  the  theater.     New  York.     Baker  &  Scribner.     1847.     40  pp. 

**T.76.i26 

Against  the  theatre.     Another  copy  is  on  shelf-number  No.  18  in  '7460a. 52. 

Thomson,  Dr.  . 

Callender,  E.  R.  Dr.  Thomson  on  the  stage.  A  reply.  Manchester. 
[187-?]  **T.77.72 

Thomson,  Charles. 

The  Brunswick:  a  poem.  [Anon.]  2d  edition.  London.  Marsh. 
1829.     (i),  108  pp.  **T.76.28 

Relates  to  the  destruction  of  the  Royal  Brunswick  Theatre. 
Thomson,  Christopher. 

The  autobiography  of  an  artisan.  London.  Chapinan.  1847.  xii, 
408  pp.  **T.57.28i 

Contains  a  chapter  on  the  theatres  of  rural  England. 

Thomson,  James. 

A  brief  narrative  of  the  opening,  and  sudden  destruction  of  the  Royal 
Brunswick  Theatre,  in  a  letter  from  Percy  Farren,  stage-manager. 

[779] 


THE  PUBLIC  LIBRARY   OF  THE   CITY  OF  BOSTON 


Thomson,  James.     (Continued.) 

Subjoined,  the  new  musical  farce  of  An  uncle  too  many;  by  James 
Thoifison.  Never  performed  but  on  the  only  two  evenings  the 
Brunswick  Theatre  was  open.  London.  Wilson.  1828.  56  pp. 
Another  copy  is  on  shelf-number  **T.96.3o.  **T.96.202 

Thomber,  Harry. 

Catalogue  of  engravings  of  theatrical  scenes  and  portraits.  Lent  and 
arranged  by  Harry  Thornber.  London.  The  Bedford  Press. 
[1888]     17,  (i)  pp.     Portraits.     [The  Arts  Club,  Manchester.] 

**T.65.i5 
Thorndike,  Ashley  Hora.ce. 

Shakespeare's  theater.  New  York.  The  Macmillan  Co.  1916.  xiv, 
(i),  472  pp.    Illus.     Portraits.     Plates.     Plans.     Diagrams.    6595.30 

P.ibliography,  pp.   445-460.     Another  copy  is  on   shelf-number  **G.73.35. 

Thorne,  Charles  Robert. 

Memoirs.  By  himself.  Old  times  —  theatres  and  professionals. 
Also,  interview  with  Charles  R.  Thorne  by  G.  O.  Seilhamer.  1881. 
N.  p.     N.  d.     Unpaged.  Portrait.  **T.i3.7 

Composed  principally  of  clippings  from  the  Dramatic  Times.  Seilhamer's  article 
is  in  pamphlet  form. 

Thornell,  J.  Higden, 

The  bill  of  the  play.  An  illustrated  record  of  the  chief  dramas,  plays, 
operas  bouffe,  etc.,  produced  or  revived  during  1881.  Illustrations 
by  Hal  Ludlow.  London.  "Pictorial  World"  office.  [1881.] 
7-1 16  pp.     Illus.     Portraits.     Plates.  >     **T.46.54 

Another  copy  is  on  shelf-number  **T.96. 163. 

1,/   Thornton,  Bonnell  (Madame  Roxana  Termagant),  editor. 

Have  at  you  all:  or,  the  Drury-Lane  Journal.  [No.  i.  Jan.  16,  1752.] 
Addressed  to  Sir  Alexander  Drawcansir  [pseud,  of  Henry  Field- 
ing], author  of  the  Covent-Garden  Journal.  Continued  every 
Thursday.  London,  Printed:  and  sold  at  the  Publick  Register 
Office.     1752.     24  pp.  **T.26.25 

Thornton,  Bonnell.     Works  about'. 

Lloyd,  R.  The  actor.  [Poem.]  Addressed  to  Bonnell  Thornton, 
Esq.     London.     1764.  No.  7  in  **G.3820.ii 

Thought-reader's  thoughts,  A.     Cumberland,  S.  C.  F.     3586.53;  **T.97-35 
Thought-reading.     See  Mind-reading. 

Thoughts  and  after-thoughts.     Tree,  Sir  H.   B.  4579-243 

Thoughts    on    the    entertainments    of   the    stage.      2d    edition.      Leeds: 

Printed  for  J.  Binns.     1786.     24  pp.  No.  4  in  **G.382i.23 

In  opposition  to  the  theatre. 

Thoughts  on  the  late  disturbance  at  the  Theatre-Royal,  Newcastle. 
Newcastle:  Printed  by  M.  Brown.     1789.     19  pp.  **T.76.i2i 

i\iiothcT  copy  is  on  shelf-number  No.  i  in  **G. 3824.3. 

Thoughts  upon  the  present  condition  of  the  stage.  [Anon.]  See 
Howard,  Frederick,  sth  Earl  of  Carlisle. 

Three  original  letters  to  a  friend  in  the  country,  on  the  cause  and  manner 
of  the  late  riot  at  the  Theatre-Royal  in  Drury-Lane.  By  an  old 
man  of  the  town.  London:  Printed  for  T.  Becket.  1763-  (0. 
39  pp.  **T.97.325 

Other  copies  are  on  shelf-numbers  No.  6  in  **G.3823.i3;   No.  8  in  **G. 3823.1 6. 

Three  unities,  The.    See  Unities.    Dramatic. 

Threepland,  Moncrieff.     (Timothy  Plain.) 

Letters  respecting  the  performances  at  the  Theatre  Royal,  Edin- 
burgh, originally  addressed  to  the  editor  of  The  Scots  Clironicle, 
under  the  signature  of  Timothy  Plain   [pseud.],  and  published  in 

[780] 


BROWN  COLLECTION   OF  BOOKS   ON   THE  STAGE 

Threepland,  Moncrieff.     (Timothy  Plain.)     (Continued.) 

that  paper  during  1797-1S00.     Edinburgh,  Printed  for  G.  Gray  by 
W.  Bell,  Glasgow.     1800.     284  pp.  **T.48.27 

Another  copy  is  on  shelf-number  **G.382i.27. 

Thrilling  personal  experience,  A!  Brooklyn's  horror.  Wholesale  holo- 
caust at  the  Brooklyn,  New  York,  Theatre,  on  the  night  of  De- 
cember Sth,  1876.  Origin,  progress  and  devastation  of  the  fire. 
Philadelphia.     Barclay  &  Co.     [1877.]     62  pp.     Portraits.     Plates. 

**T.75.8i 

Through  the  stage-door.  A  complete  hand-book  of  the  theatre.  Con- 
taining descriptions  of  all  features  connected  with  the  stage  of  a 
modern  playhouse,  information  of  practical  value  to  every  lady 
or  gentleman  desirous  of  adopting  the  stage  as  a  profession.  With 
advice  upon  this  subject  by  Joseph  Jefferson.  Added,  a  list  of 
the  largest  theatres  in  the  United  States.  By  a  stage-door  keeper 
[pseud.].  1st  edition.  [Boston.  1896.]  30,  (6)  pp.  lUus.  Por- 
trait. Plates.  **T.95.46 
Relates  principally  to  Boston  theatres. 

Thumb,  Tom,  pseud.     See  Stratton,  Charles  Sherwood. 
Thumer,  Auguste. 

Les  reines  du  chant.  Paris.  Hennuyer.  1883.  (5),  335,  (i)  pp. 
Portraits.  4047.81;  **M. 127. 17 

Les  transformations  de  I'Opera-comique.  Paris.  Castel.  1865.  (3), 
288  pp.  **M. 129,18 

Ticket  brokerage.    See  Theatre  tickets. 
Ticket  speculation.     See  Theatre  tickets. 
Ticknor,  Howard  Malcom. 

The  passing  of  the  Boston  Museum.  Boston.  1903.  379-396  pp. 
Portraits.     Plates.     Autograph  facsimile.  No.  3  in  **T.54.33 

Cut  from  The  New  England  Magazine  of  June,  1903   [Per.Rooni*5322.5s.28]. 
Tieck,  Johann  Ludwig. 

Dramaturgische  Blatter.  Nebst  einem  Anhange  nach  ungedruckter 
Aufsatze  iiber  das  deutsche  Theater  und  Berichten  iiber  die 
englische  Biihne  geschrieben  auf  einer  Reise  im  Jahre  1817. 
Breslau.     Max  &  Co.     1826-1852.    3  v.  2908.3 

Contains  criticisms  of  Shakespeare  and  remarks  upon  productions  of  his  plays. 

Tietz,  F.,  editor. 

Bloch,  E.  Eduard  Bloch's  Album  der  Biihnen-Costume.  Mit 
erlauterndem  Texte  von  F.  Tietz.  Firma.  [1859.]  2  v.  48 
colored  plates.  *6252.9 

Tiffany  Studios,  New  York. 

Mosaic  curtain  for  the  National  Theatre  of  Mexico.  [New  York. 
191 1?]      (11)  pp.     Plates.  4099.176 

Timbs,  John,  editor. 

Harlequin,   The.     A   journal    of   the   drama.      [Weekly.]      No.    1-9. 

May  16 -July  11,  1829.    London.     1829.    Illus.     Portrait.    **T.26.i8 

Timely  art,  A.     Curtis,  E.  W.  40093,287 

Timothy,  pseud. 

The  first  play  of  the  season.  [Charles  Mayne  Young  in  Hamlet. 
Edinburgh.     1828.]     557-560  pp.  No.  16  in  **G.3037.iT 

Cut  from   Blackwood's   Magazine,   November,    1828    [Per.  Room  *3i40.i. 1828]. 

Tisserant,  Jean  Hippolyte. 

Plaidoyer  pour  ma  maison.  Avec  une  post-face  de  Jules  Janin. 
Paris.     Librairie  du  Petit  Journal.     1866.     (7),  166,   (i)  pp. 

On  actors  and   acting.  No.  4  in  **M.I38.I5 

[781] 


THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 

Tissot,  Pierre  Frangois. 

Souvenirs  historiques  sur  la  vie  et  la  mort  de  F.  Talma.  Paris. 
Baudouin.     1826.     77  pp.     Portrait.  No.  5  in  **M. 125.7 

To  David  Garrick,  Esq.;  the  petition  of  I.     [Anon.]     See  Hill,  Sir  John. 
Tobin,  John. 

Benger,  E.  O.     Memoirs  of  Mr.  John  Tobin.     With  a  selection  from 
his  unpublished  writings.     London.     1820.     2542.21;  **T.S7. 10;  etc. 
Tobler,  Clara. 

Mrs.  Elizabeth  Inchbald,  eine  vergessene  englische  Biihnendichterin 

und  Romanschriftstellcrin  des   t8.  Jahrhunderts.     Berlin.     Mayer 

&  Muller.     1910.     (5),  119  pp.  2552.198 

Litcraturverzeichnis,  pp.   114-119. 

Toby  Tyler;  or,  ten  weeks  with  a  circus.     Kaler,  J.  O.  **T.88.i5 

Tocci  the  wonderful  two-headed  boy!     (Giovanni  and  Giacomo.)     The 

greatest  human  phenomenon   ever  seen   alive!      Boston.     Libbie. 

[189-?]      (3)  pp.     Illus.  **T.94.29 

Toche,  Raoul,  editor. 

Premieres,    Les,    illustrees.      Notes    et    croquis.      Saison    theatrale 

1881/82-83/84,  85/86-87/8R.     [Annee  1-3,  5-7-]      Paris.     [1882-88.] 

6  V.     Illus.     Portraits.     Plates.  **T.23.i4 

To-day  in  America.     Hatton,  J.  2363.65;  **T.97.27 

Toedteberg.  Augustus. 

A  particularly  interesting  collection  of  English  and  American  play- 
bills mainly  formed  by  Augustus  Toedteberg.  For  sale  at  auction 
by  the  Anderson  Auction  Company,  March  19,  1907.  New  York. 
1907.     31  pp.     [No.  528.]  **T.65.36 

ll   Tom  K g's:  or,  the   Paphian  grove.     With  the  various  humours 

of  Covent  Garden,  the  theatre,  the  gaming-table,  &c.  A  mock- 
heroic-poem.  2d  edition.  London:  Printed  for  John  Torbuck. 
''yS^-     (4)<  64  pp.     Plates.  **T.96.257 

Tom   Thumb,   pseud.      See    Stratton,    Charles    Sherwood. 
Tom  Tiddler's  ground.     Marryat,  F.  4364.83;  **T.96.i6 

Tomkins,  Simon,  pseud. 

The  adventures  of  a  strolling  player.  An  autobiography.  Edited  by 
Susarion   [pseud.].     London.     Griffin  &  Co.     [1868.]     viii,  311  pp. 

**T.58.i27 
Tomlins,  Frederick  Guest. 

The  past  and  present  state  of  dramatic  art  and  literature;  addressed 

to  authors,  actors,  managers,  and  the  admirers  of  the  old  English 

drama.     [Anon.]     London.     Mitchell.     1839.     32  pp.  **T.46.47 

Same.     2d  edition.  **T.96.i89 

Remarks  on  the  present  state  of  the  English  drama.    London.     Lacy. 

1 85 1.     15  pp.  **T.99.6 

Relates  principally  to  London  theatres. 

Tomlins,  Sir  Thomas  Edlyne. 

A  new  document  regarding  the  authority  of  the  Master  of  the  Revels 
over  play-makers,  plays,  and  players,  in  1581.  {In  Shakespeare 
Society,  London.     Papers.     Vol.  3,  pp.   t-6.     London.     1847.) 

Another  copy  is  on  shelf-number  **G.3927.37.3.  *4596.II.3 

Origin  of  the  Curtain  theatre  and  mistakes  regarding  it.  {In  Shake- 
speare Society,  London.  Papers.  Vol.  i,  pp.  29-35.  London.  184.1.) 
Another  copy  is  on  shelf-number  **G. 3927. 37.1.  **4596.II.I 

The  original  patent  for  the  Nursery  of  actors  and  actresses  in  the 
reign  of  Charles  11.  (In  Shakespeare  Society,  London.  T'apcrs. 
Vol.  3,  pp.  162-169.)  *4596.ii.3 

Another  copy  is  on  shelf-number  **n.3927.37.3. 

[782] 


BROWN  COLLECTION   OF  BOOKS   ON   THE   STAGE 

Tomlins,  Sir  Thomas  Edlyne.     (Continued.) 

Three  new  privy  seals,  for  players  in  the  time  of  Shakespeare.  (In 
Shakespeare  Society,  London.  Papers.  Vol.  4,  pp.  41-49.  Lon- 
don.    1849.)  *4596.ii.4 

Another  copy  is  on  shelf-number  **G.3927.37.4. 

Tompkins,  Eugene,  and  John  Quincy  Kilby. 

The  history  of  the  Boston  Theatre,  1854-1901.  By  Eugene  Tompkins, 
manager  from  1878  to  1901.  Compiled  with  the  assistance  of 
Quincy  Kilby,  treasurer  from  1886  to  rgoi.  Boston.  Houf^^hton 
Mifflin  Co.  1908.  xvi,  551,  (i)  pp.  IIlus.  Portraits.  Plates. 
Plans.     Facsimiles.  4045.170;  **T.74.23 

Toner,  Joseph  Meredith. 

Notes  on  the  burning  of  theatres  and  public  halls.  The  antiquity  of 
the  drama  and  the  introduction  of  theatres  into  America,  with  a 
chronological  list  of  theatres  and  other  public  edifices  burned. 
[Washington.]      1876.     22  pp.  8099.20 

Toole,  John  Laurence. 

Catalogue  of  an  interesting  collection  of  books  and  portraits  relating 
to  the  drama  from  the  library  of  the  late  J.  L.  Toole.  Offered 
for  sale  by  Myers  &  Co.  London.  [Bayswater  Printing  Company, 
Ltd.]      1906.     20  pp.     [Catalogue  no.   113.]  **T.66.23 

Toole,  John  Laurence.     Works  about. 
^Hatton,  J.     Reminiscences  of  J.  L.  Toole.     Related  by  himself,  and 
chronicled  by  Joseph  Hatton.     London.     1889.     2  v.     IIlus.     Por- 
traits. 4545.104;  **T.56.22i 

Touchard-Lafosse,  G. 

Chroniques  secretes  et  galantes  de  I'Opera.  1667-1844.  Paris. 
Lachapelle.     1846.    4  v.  in  2.  **M.i43.i9 

Touch-stone,  The.     Ralph,  J.  **T.98.89 

Touchstone;  or,  the  new  era.     [Weekly.]     Vol.   i,  2.     [London.     1S77, 
78.]     2  V.     Plates.  '  **T.2i.7 

Relates  principally  to  the  stage. 
Toulmin,  Camilla  Dufour.     See  Crosland,  Camilla. 
Tournaments. 

Menestrier,  C.  F.     Traite  des  tovrnois,  iovstes,  carrovsels,  et  avtres 

spectacles  pvblics.     A  Lyon.     1669.  **T.94.3 

Tournee  dramatique.   La.     Monteil,   E.  **T.87.48 

Toumee,  La,  du  pere  Thomas.     Giffard,  P.  L.  **T.87.56 

Tourneux,  Jean  Maurice,  prefacer. 

fipiNAY,  L.  F.  P.  DE  T.  d'E.  de  la  L.  d'.  L'amitie  de  deux  jolies 
femmes.  Suivie  de  Un  reve  de  Mademoiselle  Clairon.  Paris. 
T885.     Plate.  **T.98.39 

Tourneux,  Maurice.     See  Tourneux,  Jean  Maurice. 
Touron,  — — . 

L'art  du  comedien,  vu  dans  ses  principes.  [Anon.]  A  Amsterdam, 
et  a  Paris,  chez  Cailleau.     1782.     139  pp.  **T.79.5 

Tourret,  Caspar d. 

Manuel  du  vaudevilliste.  Maniere  de  faire  une  piece  de  theatre,  de 
la  faire  recevoir,  jouer,  reussir  et  prnner  par  les  journaux.  [Anon.] 
Nouvelle  edition,  annotee  par  Henri  Desbordes  [pseud,  of 
Adolphe -Amat].     Paris.     La  librairie  theatrale.     1861.     126,  (i)  pp. 

**T.99.30 
Tous  les  genres  du  theatre.     Descombes,  J.  C.  F.  M.  **T.96.i72 

Toussaint,  Adele,  prefacer. 

Samson,  J.  L    Memoires.    Paris.     1882.    Portrait.    2649.126;  **T.57.326 

[783] 


THE  PUBLIC  LIBRARY  OF  THE   CITY  OF  BOSTON 


Toussaint-Samson,  Ad.    Sec  Toussaint,  Adele. 

Towards  a  new  theatre.     Craig,  E.  G.  *8o6i.20o 

Townsend,  George  Henry. 

Evans's  Music  and  Supper  Rooms,  Covent  Garden.  Odds  and  ends 
about  Covent  Garden  and  its  vicinity,  the  ancient  drama,  the  early 
English  divinity  and  controversial  plays,  &c.;  compiled  from 
various  sources  by  John  Green.     [London.     1866?]     60  pp.     Illus. 

**T.95.92 
Allliough  the  title-pagre  attributes  this  work  to  John  Green,  it  was  actually 
written  by  Townsend. 

Townsman,  A,  pseud.    See  Watson,  James. 

Townsman,  The.     No.  1-24;  (to  be  continued  occasionally).     Addressed 

to    the    inhabitants    of    Manchester,    on    theatricals.      Manchester. 

Bancks.     [1803-05-]     i  v.  **T.26.65 

Criticisms   of   the   Theatre   Royal,    Manchester,   by   James    Watson.      The    earlier 

numbers  were  issued  weekly. 
Same.  No.  6,  7,  11,  14,  16,   17.     [1804.]  No.  5  in  **G.3822.2 

Towse,  John  Ranken. 

Sixty  years  of  the  theater.     An  old  critic's  memories.     New  York. 

Funk  &  Wagnalls  Co.     1916.    xvi,  464  pp.     Portraits.     Plate. 

Chiefly  about  actors.  6257.IO9 

Toynbee,  William,  editor. 

Macready,  W.  C.  The  diaries  of  William  Charles  Macready,  1833- 
1851.     New  York.     1912.     2  v.     Portraits.  4574.1^4 

Toyon,  Paul  Mary  de. 

La  queue  au  theatre.  Histoire  lamentable.  Paris.  Librairie  des 
auteurs  dramatiques.     1867.     32  pp.  **T.76.68 

Tragedian,  The.     Gould,  T.  R.  4509.11;  **T.57.3i2 

Tragedy. 

Barnes,   J.      Tractatus    de   tragoedia    veterum    Graecorum,    item    de 

theatro,  et  scena,  et  illius  apparatu,  nee  non  de  musica  theatrica, 

deque    versuum    tragicorum    legibus.      {In    Euripides.      Ei'eijri8ou 

"Ajtavxa.     Vol.   i,  pp.  Ixxvii-civ.     Glasguse.     1821.)       4975.20;  etc. 

Grysar,  C.  J.     tjber  das  Canticum  und  den  Chor  in  der  romischen 

Tragodie.     (/«  Kaiserliche  Akademie  der  Wissenschaften,  Vienna. 

Philosophisch-historische  Classe.     Sitzungsberichte.     Band  15,  pp. 

365-423.     Wien.     1855.)  *3340.3.i5 

Janin,  J.  G.    Rachel  et  la  tragedie.     Paris.     1859.    Portraits.    **T.54.6 

Reflections  upon  theatrical  expression  in  tragedy.     With  a  proper 

introduction,  and  appendix.     London.     1755.        No.  2  in  **G.3823.8 

RiccoBONi,  L.     Histoire  du  theatre  italien  depuis  la  decadence  de  la 

oomedie    latine;    avec    un    catalogue    des    tragedies    et    comedies 

italiennes  imprimees  depuis  I'an   1500,  jusqu'a  I'an   1660.     Et  une 

dissertation  sur  la  tragedie  moderne.     [Paris.     1728.]      Plates. 

**T.46.32 
WAr.NER,  G.    P.   E.     Die   griechische  Tragodie  und   das  Theater   zu 
Athen.     Einleitung  zum  Vortrag  der  Antigone  des  Sophokles  in 
der   Gesellschaft  Albina  zu   Dresden.     Dresden.      1844.     Plan. 

2960.13 
Tragedy  queens  of  the  Georgian  era.     Fyvie,  J.  4545.183 

Tragic  muse.  The.     James,  H.,  Jr.  **T.87.3i 

Training  for  the  stage.     Hornblow,  A.  5597-250 

Traite  de  la  comedie  et  des  spectacles.     [Anon.]     See  Conti,  Armand  de 

Bourbon,  Prince  de. 
Traite   des    tovrnois,    iovstes,    carrovsels,    et   avtres    spectacles    pvblics 
(Anon.)     See  Menestrier,  Claude  Francois. 

[784] 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 


Travelling  companies. 

Account,  An,  of  the  third  and  fourth  theatrical  tour  made  by  Miss 

Foote  in  1826  and  1827  to  Liverpool,  Bath,  Edinburgh,  &c.     Lon- 
don.    1827.  **T.56.i68 
Bandmann,  D.  E.     An  actor's  tour;  or,  seventy  thousand  miles  with 

Shakespeare.      Boston.      1885.  6268.29;  **T.57.99 

Bantock,  G.,  and  F.  G.  Aflalo.     Round  the  world  with  "A   Gaiety 

girl."     London.     1896.     Portraits.  **T.S7.i48 

Beale,  T.  W.   The  enterprising  impresario.    London.    1S67.   **M. 146.26 
Beauvallet,  L.     Rachel  and  the  new  world.     A  trip  to  the  United 

States  and  Cuba.     New  York.     1856.  2369.57;  **T.57.3ii;  etc. 

Bleeker,  S.     Gen.  Tom  Thumb's  three  years'  tour  around  the  world, 

accompanied  by  his  wife  —  Lavinia  Warren  Stratton,  Commodore 

Nutt,  Miss  Minnie  Warren,  and  party.     New  York.     1872.     Illus. 

Plates.  6269.62;  **T.97.295 

Du  Val,  C.     With  a  show  through  southern   Africa,  and  personal 

reminiscences  of  the  Transvaal  War.     London.     1882.    2  v.     Illus. 

Portraits.     Plates.  **T.56.222;  etc. 

Glenroy.  G.   H.     Ins  and  outs  of  circus   life;   or,   forty-two  years 

travel  through  United  States,  Canada,  South  America  and  Cuba. 

Boston.      1885.      Portrait.  **T.58.ii2 

Hatton,  J.     With  a   show   in  the   North.     Reminiscences   of   Mark 

Lemon.     London.     1871.     Portraits.  6549.6;  **T. 57.359 

Rhys,  C.  H.    A  theatrical  trip  for  a  wager!  through  Canada  and  the 

United  States.     London.     1861.     Portrait.     Plates,  some  colored. 

**T.56.20 
Van  Hare,  G.    Fifty  years  of  a  showman's  life;  or  the  life  and  travels 

of  Van  Hare.    London.    1888.  2262.49;  **T.57. 132 

Travenol,  Louis,  and  Jacques  Bernard  Durey  de  Noinville. 

Histoire  du  theatre  de  I'opera  en  France.     Depuis  I'etablissement  de 

I'Acadcmie  royale  de  musique  jusqu'a  present.     [Anon.]     En  deux 

parties.    A  Paris,  chez  Joseph  Barbou.    1753.    2  v.  in  i.    **M.i46.23 
Same.  2e  edition.   Chez  Joseph  Barbou  [etc.].   1753-58.  2  v.  **T.77.2i8 
Travesties.    See  Parodies  and  burlesques. 
Treatise,  A.  on  the  passions,  so  far  as  they  regard  the  stage.     [Anon.] 

Sec  Foote,  Samuel. 
Tree,  Beerbohm.     See  Tree,  Sir  Herbert  Beerbohm. 

Tree,  Sir  Herbert  Beerbohm. 

The  imaginative  faculty.  A  lecture  delivered  at  the  Royal  Institution, 
May  26th,  1893.  London.  Mathews  &  Lane.  1893.  (3),  48  pp. 
Portrait.  *5595-iio;  **T.77.207 

Relates  principally  to  acting. 

Some  interesting  fallacies  of  the  modern  stage.  An  address  to  the 
Playgoers' Club,  6th  December,  1891.  London.  Heinemann.  1892. 
36  pp.  **T.47.73 

Thoughts  and  after-thoughts.     New  York.     Funk  &  Wagnalls   Co. 

1913.     (7),  315,   (i)  pp.     Illus.     Portrait.  4579-243 

Cuntents.  —  Our  betters:  a  medley  of  considered  indiscretions.  —  The  living 
Shakespeare:  a  defence  of  modern  taste.  —  Jim:  the  vindication  of  a  misunder- 
stood microbe.  —  The  imaginative  faculty.  —  Hamlet  from  an  actor's  prompt 
book.  —  Some  interesting  fallacies  of  the  modern  stage.  —  The  humanity  of 
Shakespeare.  —  The  tempest  in  a  teacup.  —  King  Henry  VIII.  —  On  closing 
the  book  that  Shakespeare  wrote. 

At  the  end  is  a  list  of  Shakespearean  plays  produced  under  Herbert  Beerbohm 
Tree's  management. 

[785] 
50 


THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 


Tree,  Sir  Herbert  Beerbohm,  prefaccr. 

Who's  who  in  the  theatre.  A  biographical  record  of  the  con- 
temporary stage.  Compiled  and  edited  by  John  Parker.  London. 
1914.     Flans.     Genealogical   charts.  *6252.77 

Tree,  Sir  Herbert  Beerbohm.     Works  about. 

Cr.\n,  Mrs.  G.     Herbert  Beerbohm  Tree.     London.     1907.     Portraits. 

Plate.  45493.197 

London.     Theatres.     His   Majesty's  theatre.     King  John   souvenir. 

Shakespeare's    historical    drama,    King    John,    produced    at    Her 

Majesty's   theatre   by    Herbert    Beerbohm   Tree,    on    the    20th    of 

September.  1899.     [London.     1899.]     18  photographs.        **G.7o.23 

Scott,  C.  W.     Some  notable  Hamlets  of  the  present  time.     London. 

1900.     Portraits.  45493.191 

Trelat,  '£mile. 

Le  theatre  et  I'architecte.     Paris.     Morel  &  cie.     i860.     (6),  118,  (i) 

pp.  **T.76.5i 

Trente  ans  de  theatre.     Bernheim,  A.  J.  **T.77.iio;  etc. 

Trente-six  situations  dramatiques,   Les.     Polti,   G.  6257.383 

Trentsensky,  Matthias,  editor. 

[Theater  costumes.  Herausgegeben  von  M.  Trentsensky  in  Wien.] 
London.     Joseph,  Myers  &  Co.     [185-?]  ■  234  plates  in  4  v. 

**T.Cab.i.2 

Contents.  —  Wilhelm  Tell.  —  Gotz  von  Berlichingen.  —  Zriny.  —  Die  Pantomine. 

—  Das  Conver.sations-Stiick.  —  Konig  Ottokars  Gliick  und  Ende.  —  Der 
Freyschutz.  —  Ferdinand  Cortez.  —  Coriolan.  —  Die  Rauber.  —  Die  Jungfrau 
von  Orleans.  —  Konig  Lear.  —  Othello.  —  Maria  Stuart.  —  Wallenstein.  — ■ 
Dom  Sebastien.  —  Ein  deutscher  Krieger.  —  Griseldis. — Die  Puritaner. — Vielka. 

—  Hamlet  Prinz  von  Danemark.  —  Fridolin^.  —  Gervinus.  —  Laura.  —  Das 
Ballet.  —  Geistererscheinungen.  —  Der  Verschwender.  —  Der  Prophet.  —  Der 
letzte  Zwanziger.  —  Turandot.  —  Der  verlohrne  Sohn.  —  Oberon.  —  Das  Nacht- 
lager  von  Granada.  —  Konig  Heinrich  VIII.  —  Ein  Wintermahrchen.  —  Der 
Nordbtern. —  Die  Tochter  des  Regiments. —  Czar  und  Zimmermann. —  Lohengrin. 
Costumes  used   in   representations   of  plays   at   the    Princess   Theatre,   Vienna. 

Treteaux  parisiens,   Les.     Leroy,  L.  466ob.63;  **T.87.53 

Tribunal    volatile,    Le,    ou    nouveau    jugement    porte    sur    les    acteurs. 

C****u,   Ch.   R.  **T.79.i9 

Trip,  A,  to  Parnassus;  or,  the  judgment  of  Apollo  on  dramatic  authors 

and    performers.     A   poem.      London:    Printed   by   and    for   John 

Abraham.     1788.     (i),  iv,  26  pp.  **T.93.6 

Relates  to  English  drama. 

Triplet,  Auguste  filisabeth  Philogene. 

Note  sur  la  ventilation  des  theatres.  Paris.  Bailliere.  1859.  (2), 
12  pp.     Plans.  **T,95.i40 

Trogoff,  Christian  de. 

Les  actrices  de  Paris.     Quatrains,  par  Eugene  Hubert  et   Christian 

de  Trogoff.     Paris.     Lachaud.     1872.     5-86,  (i)  pp.  **T.57.427 

M.    Emile    Perrin,   administrateur    general    de    la    Comedie-frangaise, 

membre  du  Conseil  municipal  de  la  ville  de  Paris.    Paris.    Lachaud. 

1S73.     6  pp.      [Nos  contemporains.]  **T.95.io8 

TroUope,  Henry  Merivale. 

The  life  of  Moliere.  New  York.  Button  &  Co.  1905.  xviii,  578  pp. 
Portrait.  4643.79 

Troubadours. 

La  Rue,  G.  de.  Essais  historiques  sur  les  bardes,  les  jongleurs  et 
les   trouveres   normands   et   anglo-normands.     Caen.      1834.     3   v. 

**M.i36.i5;  etc. 
Troupe.   Une.  de  comediens.     Monselet,   C.  **T.87  58 

[7861 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 


Troupe,  La,  de  Moliere.     [Paris?     i8 — ?]      148-160  pp.  **T.56.i36 

Cut  from  some  periodical  or  other  work. 

Troupe,  La,  du  reman  coniique  devoilee.     Chardon,  E.  H.        **T.54.20 

True  adventures,  The,  of  a  play.     Shipman,  L.   E.  44ogb.23i 

True  and  faith  full  relation,  A,  of  the  risinge  and  fall  of  Thomas  Tvckcr. 

See  Higgs,  G.     An  account  of  The   Christmas  prince,  as  it  was 

exhibited  in  the  University  of  Oxford  in  the  year  1607. 

True  cause,  The,  of  the  watermen's  suit  concerning  players.    Taylor,  J., 

the  Water  Poet.  **T.76.i45;  etc. 

Truinet,   Charles  Louis  fitienne.      (Charles   Nuitter.) 

Le  nouvel  Opera.  Paris.  Hachette  &  cie.  1875.  (6),  255  pp.  Tllus. 
Plate.     Map.     Plans.  2639.59;  **M.i3g.ii 

Truinet,  Charles  Louis  fitienne,  prcfacer. 

Desrat,  G.     Dictionnaire  de  la  danse,  historique,  theorique,  pratique 

et  bibliographique,  depuis  I'origine  de  la  danse  jusqu'a  nos  jours. 

Paris.     1895.  **T.97.284 

GuiLLAUMOT,   A.,   fils.      Costumes   des   ballets    du   roy.     Archives    de 

rOpera,    xviiie    siecle.      Paris.      1885.      20    colored    portraits. 

**T.92.7 

Truinet,  Charles  Louis  fitienne,  and  Antoine  Ernest  de  Roquet.     (Er. 

Thoinan.) 

Les  origines  de  I'opera  frangais.     Paris.     Plon,  Nourrit  &  cie.     1886. 

Ixxii,  340  pp.     Map.     Plans.  4043.62;  **M.i  14.4 

Trumble,  Alfred. 

Great  artists  of  the  American  stage.    A  portrait  gallery  of  the  leading 

actors   of  America.     With    critical    biographies.      Part    i.      N.    Y. 

Fox.     1882.     72>  PP-     Portraits.  **T.55.5 

Truth,  The,  about  the  stage.     Corin,  pseud.  **T.78.i9 

Tryal,  The,  of  a  cause  for  criminal  conversation,  between  Theophilus 

Cibber,  plaintiff,  and  William  Sloper,  defendant.     London:  Printed 

for  T.  Trott.     1739.     32  pp.  **T.57.i54;  etc. 

Tryal,  The,  of  Thespis.    See  Geier,  J.    Thespis  on  tryal,  or  the  moralitie 

of  playes  considered. 
Tryon,  George  Washington,  Jr. 

Church  and  stage.     [Philadelphia?     1880?]     12  pp.       No.  15  in  *754i.8 
In  favor  of  the  theatre. 
Tudor  facsimile  texts.  The. 

A  hand  list  to  the  Tudor  facsimile  texts.     Old  English  plays,  printed 

&  MS.  rarities.     Exact  collotype  reproductions  in  folio  &  quarto. 

Under  the  general  editorship  of  John  S.  Farmer.     August,   1914. 

[London.     1914.]  **Q.58.i50 

Tuffet,  Salvador. 

Les  mysteres  des  theatres  de  Paris.  Observations!  Indiscretions!! 
Revelations!!!  Par  un  vieux  comparse  [pseud.].  Paris.  Marchant. 
1844.     432  pp.     Plates.  **T.78.39 

TuUy  in  the  shades,  pseud.    See  Foote,  Samuel. 
Tulou,  Frangois.     (F.  de  Donville.) 

Frederick-Lemaitre.  Souvenirs,  documents  inedits  &  fac-similc  d'une 
lettre  du  grand  artiste.  Extraits  de  la  collection  de  Leon  Sapin. 
Paris.     Baur.     1876.     15  pp.     Facsimile.  No.  2  in  **M.i25.7 

Tumblers.    See  Acrobats. 
Tune,  The.     [Anon.]     See  Hiffernan,  Paul. 

[787] 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 


Tunison,  Joseph  Salathiel. 

Dramatic  traditions  of  the  Dark  Ages.  Chicago.  The  University  of 
Chicago  Press.     1907.     xviii,  350  pp.  6252.86 

Turkey.     Theatres. 

Ort.\  ojnu.  Das  turkischc  Volksschauspiel  Orta  ojnu.  Gesammelt, 
mit  Einleitung  versehen,  ins  Deutsche  iibertragen  und  mit  lUus- 
trationen  herausgegeben  von  Ignaz  Kunos.  Leipzig.  1908.  Illus. 
Plates.    Plan.     Diagram.  6252.112 

Thalasso,  a.  Moliere  en  Turquie.  fitude  sur  le  theatre  dc  Kara- 
gneuz.'    Paris.     1888.  **T.56.58 

Turnbull,  Robert,  D.D. 

The   theatre,   in   its   influence   upon   literatrue,    morals   and    religion. 

Hartford.     Canfield   &  Robins.     1837.     (i),  58  pp.  4397-49 

In  opposition  to  the  theatre. 

Same.     2d  edition.     Boston.     Gould,  Kendall  &  Lincoln.     1839.     vi, 

9-1 10  pp.  **T.78.6o 

Tumour,  Jules. 

The  autobiography  of  a  clown.  As  told  by  Isaac  F.  Marcosson. 
New  York.    Moffat,  Yard  &  Co.     1910.    xii,  (3),  102  pp.    Portraits. 

2249.91 
Tuttle,  A.  C,  and  J.  A.  T.  Bird,  publishers. 

The  diagram,  containing  plans  of  theatres  and  other  places  of  amuse- 
ment in  Boston.  Revised  and  corrected.  Boston.  Harper  &  Co. 
1869.     76  pp.  **T.78.85 

Tweedie,  Mrs.  Alec-.     See  Tweedie,  Ethel   Brilliana. 
Tweedie,  Ethel  Brilliana. 

Behind  the  footlights.     London.     Hutchinson   &  Co.     1904.     xi,  356 

pp.     Portraits.     Plate.     Autograph  facsimiles.  **T.76.6 

Same.     New  York.     Dodd,  Mead  &  Co.  2576.181 

The    Oberammergau    Passion    Play,    1800.      London.      Kegan    Paul, 

Trench.  Triibner,  &  Co.,  Ltd.     1890.     x,  121  pp.     Illus.     Plates. 

**T.47.74 

Twelfth   night   characters,   from   Shakespeare,   designed   and   drawn    on 

stone  by  J.  S.  Alpenny.     [London.]     Edlin.     [187-?]         **G.3952.28 

Twenty-four  colored  pictures  on   twelve  cards,  with   an   accompanying  broadside, 

on  which  are  printed  quotations  from  each  character  drawn. 

Twentieth  Century  Club,  Boston. 

The  amusement  situation  in  the  City  of  Boston.     Based  on  a  study 

of  the  theatres  for  ten  weeks  from  November  28,  1909,  to  February 

5,  1910.     [Boston.     1910.]     35  pp.  **T.77.62 

Twenty-five  years  on  the  stage.    Gardiner,  J.  **T.57.348 

Two  gentlemen  of  the  Dublin  University,  pseud. 

Drama,  The.     A  daily  register  of  histrionic   performances   on   the 

Dublin  stage;  and  critical  review  of  general  dramatic  literature. 

Vol.  I   ("no.  1-42).     Oct.  23  -  Dec.  10,   1821.     By  two  gentU'inen  of 

the  Dublin  University.     Dublin.     1821.     Portraits.  **T.26.49 

Two  papers:  a  theatrical  critique,  and  an  essay.     [Anon.]      See  Poole, 

John. 
Two  prima  donnas.  The.     Sala,  G.   A.   H.  **M.io8.i3 

Tyranny  triumphant!  and  liberty  lost.     Fitz-Crambo,  Patrick,  Esq..  pseud. 

**T.76.i52;etc. 
Tyrolt,  Rudolf. 

Chronik  des  Wiener  Stadttheaters  1872-1884.  Ein  Beitrag  zur  deut- 
schen  Thcatergeschichte.     Wicn.     Konegen.      1S89.      (7),   280  pp. 

**T.97.2 
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u 

Ueber  Biihne  und  bildende  Kunst.     Krukger,  M.  8o6ga.i6i 

Uhde,  August  Friedrich  Hermann  Carl. 

Friedrich  Ludwig  Schroder  in  seinen  Briefen  an  K.  A.  Bottiger. 
1794-1816.  (hi  Historisches  Taschenbuch.  Jahrgang  45,  pp.  245- 
320.     Leipzig.     1875.)  *2309.i.45 

Relates  in  part  to  Schroder's  connection  with  theatrical  affairs  in  Hamburg. 

Uhde,  August  Friedrich  Hermann  Carl,  editor. 

Schmidt,  F.  L.  Denkwiirdigkeiten  des  Schauspielers,  Schauspiel- 
dichters  und  Schauspicldirectors  Friedrich  Ludwig  Schmidt  (1772- 
1841).     Hamburg.     1875.     2  v.  **T.58.52 

Uhde,   Hermann.     See  Uhde,  August   Friedrich   Hermann   Carl. 
Uhlich,  Adam  Gottfried. 

Heitmueller,  F.  F.  I.  Adam  Gottfried  Uhlich.  11.  Hollandischc 
Komodianten   in   Hamburg.      (1740  und   1741.)     Hamburg.      1894. 

6872.49 

Un  de  ses  *  *  * ,  pseud.     See  Gaillet,  Eugene,  and  Liebold. 

Under  the   Clock.     A  weekly  journal   for  playgoers.     No.   1-40,  46,  49. 
Jan  30,  1884 -Jan.  3,  1885.    London.     1884,  85.     Portraits.    **T.23.2 
Under  graduate,  An,  pseud. 

Actors  and  editors,  a  poem;  by  an  under  graduate.  London.  Sher- 
wood, Neely  &  Jones.     1817.     44  pp.  No.  10  in  **G.3824.i3 

Relates  to  the  actors  at  the  Drury  Lane  Theatre. 

Ungern-Sternberg,    Alexander,    Frciherr    von.      See    Ungern-Sternberg, 

Peter  Alexander  von. 
Ungern-Sternberg,  Peter  Alexander,  Freiherr  von. 

Iffland.     {In  his  Kiinstlerbilder.     Band  3,  pp.  67-171.     Leipzig.     1861.) 

6898.144.3 

Kiinstlerbilder.     Band  i :  Gertrud  Mara.     Leipzig.     Costenoble.     1861. 

251   pp.  6898.144.1 

Union  Pilot,  The,  and  co-operative  intelligencer.     Vol.   i    (no.  2).     Jan. 

21,  1832.     [Manchester.]      1832.     13-24  pp.  **T.26.48 

Contains   criticisms   of   performances   at  the   Theatre   Royal,    Manchester. 

United  States.     Theatres. 

See  also  Theatre.  Management. 

Adams,  W.  D.  A  dictionary  of  the  drama.  A  guide  to  the  plays, 
playwrights,  players,  and  playhouses  of  the  United  Kingdom 
and  America  from  the  earliest  times  to  the  present.  Vol.  i. 
Philadelphia.     1904.  *6252.76 

Birch,  J.  F.  Stage  secrets  and  tricks  of  the  trade.  Being  the  con- 
fessions of  an  actor.     [New  York.]     1913.  **T.77.2i6 

Birkmire,  W.  H.  The  planning  and  construction  of  American 
theatres.     New  York.     1896.     Illus.     Plates.     Plans.  8093.31 

Brown,  A.  A.,  compiler.  Theatrical  topics.  [Clippings  from  news- 
papers and  magazines,  programmes,  prospectuses,  etc.  With 
indexes.     Boston.     1900-13.]     22  v.     Illus.     Portraits.     Diagrams. 

**T.i4.i 

The  Usher.     1900-09.     [Clippings  from  The  Usher  column  of 

the  New  York  Dramatic  Mirror.     Boston.     1909.]  **T.i4.7 

Burton,  R.  E.     The  new  American  drama.     New  York.     [1913] 

4395-207 

Caffin,  C.  Vaudeville.  The  book  by  Caroline  Caffin.  The  pictures 
by   Marius   de  Zayas.     New   York.      1914.     Portraits.  6257.83 

[789] 


THE  PUBLIC  LIBRARY  OF  THE   CITY  OF  BOSTON 


United  States.     Theatres.     (Continued.) 

Cheney,  S.  The  art  theatre.  A  discussion  of  its  ideals,  its  organiza- 
tion and  its  promise  as  a  corrective  for  present  evils  in  the  com- 
mercial theatre.     New  York.     1917.     Plates.     Plans.  6257.144 

The  new  movement  in  the  theatre.     New  York.     1914.     Plates. 

6257.87 

Clapp,  T.  B.,  and  E.  F.  Edgett.  Plays  of  the  present.  New-York. 
1902."     Portraits.  **T.95.27;  etc. 

Crawford,  M.  C.  The  romance  of  the  American  theatre.  Boston. 
1913.     Portraits.     Plates.  4395.177;  **T.76.i97 

Curtis,  E.  W.  The  dramatic  instinct  in  education.  With  a  fore- 
word by  G.  Stanley  Hall.     Boston.      [1914]  3599a.6i 

Daly,  C.  P.  When  was  the  drama  introduced  in  America?  An  his- 
torical inquiry,  anterior  to  Dunlap's  History  of  the  American 
theatre.  Read  before  the  New  York  Historical  Society,  Novem- 
ber 3d,  1863.     New  York.     1864.  **T.75.72;  etc. 

Same.     First  theatre  in  America.     When  was  the  drama  first 

introduced  in  America.  An  inquiry.  [With  a  supplement.]  In- 
cluding a  consideration  of  the  objections  that  have  been  made 
to  the  stage.     New-York.     1896.     Portrait.  **T.95.i4 

Daly,  J.  F.  The  life  of  Augustin  Daly.  New  York.  1917.  Por- 
traits.    Plate.  6257.146 

Dickinson,  T.  H.  The  case  of  American  drama.   Boston.   1915.  6257.118 

The  insurgent  theatre.     New  York.     1917.  6257.143 

DuNLAP,  W.    A  history  of  the  American  theatre.     New-York.     1832. 

**T.55.io9;  etc. 

Same.     London.     1833.     2  v.  in  i.  **T.76.20o;  etc. 

Elias,  S.  p.  The  law  of  theater  tickets.  San  Francisco..  1905.  3663.96 
Eytinge,  R.     The  memories  of  Rose  Eytinge.     Being  recollections 

&  observations  of  men,  women,  and  events,  during  half  a  century. 
New  York.     1905.  4343-255 

Ford,  P.  L.   Washington  and  the  theatre.    New- York.    1899.   **T.95.2i 
Fyles,  F.    The  theatre  and  its  people.     New  York.     1900.     Portraits. 
Plates.  4343.218;  **T.77.73 

Grau,  R.  The  business  man  in  the  amusement  world.  A  volume  of 
progress  in  the  field  of  the  theatre.  New  York.  [1910.]  Por- 
traits. 4045.168 

Forty  years  observation  of  music  and  the  drama.     New  York. 

1909.      Portraits.  4045.172 

The  stage  in  the  twentieth  century.     New  York.     1912.     Illus. 

Portraits.     Plates.     Plans.  4045.180 

Hamilton,  C.  M.  Studies  in  stagecraft.  New  York.  1914.  2256.63 
HAPnooD,  N.     The  stage  in  America,   1897-1900.     New  York.      1901. 

4395.162;  **T.47.39 
Hill,  G.  H.     Scenes  from  the  life  of  an  actor.     Compiled  from  [his] 

journals,   letters   and   memoranda.      New- York.      1853.      Portraits. 

**T.57.i86 
HuTTON,  L.     Curiosities  of  the  American  stage.     New  York.     1891. 

Portraits.  4402.128;  **T.76.83 

HuTTON,  L.,  editor.     Opening  addresses.     New-York.     1887.     Colored 

plate.  **T.95.3 

Irving,  Sir  H.     Henry  Irving's  impressions  of  America.     Narrated 

in  a  series  of  sketches,  chronicles,  and  conversations  by  Joseph 

Hatton.     Boston.     1884.  2367.37 

Same.    London.    2  v.  **T.57.i2 

[7901 


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United  States.     Theatres.     (Continued.) 

Jefferson,  E.  P.     Intimate  recollections  of  Joseph  Jefferson.     New- 
York.     1909.     Portraits.     Plates.  4343.277 
Jefferson,  J.     The  autobiography  of  Joseph  Jefferson.     New  York. 
[1890.]      Portraits.     Plates.                                                  4343.107;  etc! 
Jennings,  J.  J.     Theatrical  and  circus  life;  or,  secrets  of  the  stage, 

green-room  and  sawdust  arena.    St.  Louis.    1882.    Illus.    Portraits! 

Plates.  **T.76.i48 

Lansing  &  Co.,  publishers.    Lansing's  Pictorial  diagrams  of  the  leading 

opera  houses,  theatres,  etc.,  in  the  United  States.     Boston.     1880. 

Plans.  **T.97.8o;etc.' 

Leavitt,  M.  B.     Fifty  years  in  theatrical  management.     New  York. 

[1912.]      Illus.     Portraits.     Plate.  **T.55.i6;  etc. 

Leman,  W.  M.     Memories  of  an  old  actor.     San   Francisco.     1886. 

Portrait.  4348.159;  **T.57.43 

Logan,  O.    A  talk  about  the  green-room  and  its  people.     [New  York. 

186-?]  No.  14  in  **G.3822.3 

Lucas,  H.  J.  J.     Curiosites  dramatiques  et  litteraires.     Paris.     1855. 

**T.47.24 
Ludlow,  N.  M.     Dramatic  life  as  I  found  it:  a  record  of  personal 

experience;  with  an  account  of  the  drama  in  the  West  and  South, 

with  anecdotes  and  biographical  sketches  of  the  principal  actors 

in  the  Mississippi  Valley.     St.  Louis.     1880.        2404.52;  **T.56.ioi 
Mackay,  C.  D'A.    The  little  theatre  in  the  United  States.    New  York. 

1917.     Plates.  6257.147 

Mackaye,  -P.     The  civic  theatre   in   relation   to   the    redemption   of 

leisure.     A  book  of  suggestions.     New  York.     1912.  6257.56 
The  playhouse  and  the  play,  and  other  addresses  concerning 

the  theatre  and  democracy  in  America.     New  York.     1909. 

6257.55;  **T.47.34 
Marryat,   F.     Tom  Tiddler's  ground.     London.     1886. 

4364.83;**T.96.i6 
Masterson,   K.     The    Matinee   Girl.      [Clippings   from  The    Matinee 

Girl   column   of   the    New   York   Dramatic    Mirror.      Compiled    by 

Allen  A.   Brown.     Boston.     1906,    12.]      2  v.     Illus.     Portrait. 

**T.i4.6 
Meltzer,  C.  H.    a  course  of  modern  plays.    With  a  brief  history  of 

what   is   popularly  termed   the    Independent   Theatre    movement. 

N.  p.     [1900.]  **T.78.66 

Morris,  C.     Life  on  the  stage.     My  personal  experiences  and  recol- 
lections.     New   York.      1901.     Portrait.  4343-229;  **T.57.3g 
MosES,  M.  J.     The  American  dramatist.     Boston.     191 1.     Portraits. 

4395.181  ;**T.46.37 

Nathan,  G.  J.     Mr.  George  Jean  Nathan  presents.    New  York.     1917. 

Plans.  4395.224 

NiRDLiNGER,  C.  F.    Masques  and  mummers.    Essays  on  the  theatre  of 

here  and  now.     New  York.     1899.  4395.152;  **T.47.38 

Personal    recollections    of    the    stage    by    William    B.    Wood.      [A 

review.     Philadelphia?     1854.]  No.  22  in  **G.3930.i3.2 

Pollock,  C.  The  footlights  fore  and  aft.  Boston.  [1911.]  4395.202 
Prospero,  pseud.    An  imaginary  history  of  the  American  theatre  from 

1890  to  1900.     New  York.     1890.  **T.77.56 

Rede,   L.   T.     The   guide   to   the   stage,   containing   instructions    for 

obtaining    theatrical    engagements,    with    a    list    of    Provincial 

theatres,  and  a  clear  elucidation  of  all  the  technicalities  of  the 

[791] 


THE  PUBLIC  LIBRARY  OF  THE   CITY   OF  BOSTON 


United  States.     Theatres.     (Continued.) 

histrionic  art.  With  additional  information,  making  it  applicable 
to  the  American  stage;  also,  a  list  of  the  American  theatres.  New 
York.     1864.  **T.97.307 

Rhvs,  C.  H.  a  theatrical  trip  for  a  wager!  Through  Canada  and 
the  United  States.    London.    1861.    Portrait.    Plates,  some  colored. 

**T.56.20 

RuHL,  A.  B.  Second  nights.  People  and  ideas  of  the  theatre  to-day. 
New  York      1914.  6257.112 

ScHUERMANN,  J.  J.     Une  tournee  en  Amerique.     Paris.      [1900.] 

**T.97.i75 

Seilhamer,  G.  O.  History  of  the  American  theatre.  Philadelphia. 
1888-91.     3  V.  **T.74.7;etc. 

Smith,  S.  F.  Theatrical  management  in  the  West  and  South  for 
thirty  years.  With  anecdotical  sketches.  New  York.  1868. 
lUus.     Portrait.  4395.187;  **T.55.39 

Stoddart,  J.  H.  Recollections  of  a  player.  New  York.  1902.  Por- 
traits. 4343.239;  **T.56.246 

Stone,  H.  D.  Personal  recollections  of  the  drama  or  theatrical 
reminiscences,  embracing  sketches  of  prominent  actors.  Albany, 
N.  Y.     1873.     Portraits.  **T.56.i94 

Strang,  L.  C.  Players  and  plays  of  the  last  quarter  century.  An 
historical  summary  of  causes  and  a  critical  review  of  conditions 
as  existing  in  the  American  theatre  at  the  close  of  the  nineteenth 
century.    Boston.    1903.    2  v.    Portraits.    Plates.    4343.215;  **T.77. 18 

Sturgis,  G.  F.    The  influence  of  the  drama.    New  York.    1913.    6257.60 

Through  the  stage-door.  A  complete  hand-book  of  the  theatre. 
Containing  descriptions  of  all  features  connected  with  the  stage 
of  a  modern  playhouse,  information  of  practical  value  to  every 
lady  or  gentleman  desirous  of  adopting  the  stage  as  a  profession. 
Added,  a  list  of  the  largest  theatres  in  the  United  States.  [Bos- 
ton.    1896.]     IIlus.    Portrait.     Plates.  **T.95.46 

Vandenhoff,  G.  Leaves  from  an  actor's  note-book;  with  remi- 
niscences and  chit-chat  of  the  green-room  and  the  stage  in 
England  and  America.     New  York.     i860.    4398.135;  **T.57.77;  etc. 

Same.      Dramatic   reminiscences;    or,   actors   and    actresses    in 

England  and  America.     London,     i860.  **T.57.i4 

Wegelin,  O.  Micah  Hawkins  and  The  saw-mill.  A  sketch  of  the 
first  successful  American  opera  and  its  author.  New  York.  1917. 
Portrait.  *4047.349 

Wemyss,  F.  C.  Wemyss's  Chronology  of  the  American  stage,  from 
1752-1852.     New-York.     [1852.]  **T.57.i77 

Winter,  W.  The  wallet  of  time,  containing  personal,  biographical, 
and  critical  reminiscence  of  the  American  theatre.  New  York. 
1913.     2  V.     Portraits.     Plates.  4395.220 

Wood,  W.  B.    Personal  recollections  of  the  stage.     Notices  of  actors, 
authors,   and   auditors,   during  a   period   of   forty  years.      Phila- 
delphia.    1855.    Portrait.  **T.57.235;  etc. 
Unities.    Dramatic. 

See  also  Drama.     Construction. 

PiNKiiAM,  G.  R.  Studies  of  the  drama.  Issue  I.  The  general 
characteristics  and  dramatic  unities  of  the  Greek  plays.  |  Balti- 
more.]     1894.  **T.46.49 

RoGivuE,  H.  Appreciation  de  la  theorie  des  trois  unites.  Disserta- 
tion inaugurale,  Jena.    Jena.     1872.  4672.73 

[792] 


I 


BROWN   COLLECTION    OF  BOOKS    ON    THE   STAGE 


Unities.    Dramatic.     (Continued.) 

Simpson,    E.     The    dramatic    unities    in    the    present    day.      London. 

1874.  2576.63;  **T.48.i2 

Universal  musical  and  dramatic  directory.     The  English  edition  of  the 

Annuaire   des  artistes.     English   section  giving  all  particulars  of 

the    music   and    dramatic    trades    and    professions    in    Gt.    Britain 

and   Ireland.      London.      Bonnaire.      1913.      1068,    xxx    pp.      Illus. 

Portraits.      Plates.      Plans.  *404i.9g 

University  drama  in  the  Tudor  age.     Boas,  F.  S.  4574.196 

University  of  California.    Greek  Theatre. 

A  midsummer  night's  dream.  A  comedy  by  Shakespeare,  with  music 
by  Mendelssohn.  September  i,  1906.  [Cast  of  characters,  etc. 
Berkeley.      1906.]  4474.307 

University  of  Cambridge.    Plays  and  entertainments. 
See  also  Amateur  Dramatic  Club. 

Cooper,  C.  H.  The  actors  in  Dr.  Legge's  tragedy  of  Richardus 
Tertius,  performed  at  St.  John's  College,  at  the  bachelors  com- 
mencement, 1579-1580.  Read  Nov.  29,  1858.  {In  Cambridge  Anti- 
quarian Society,  England.  Antiquarian  communications.  Vol.  i, 
PP-  347-357-     Cambridge.     1859.)  *25o6.6.i 

Farren,  R.  The  Birds  of  Aristophanes  as  performed  by  members 
of  the  University  at  the  Theatre  Royal,  Cambridge,  November, 
1883.     [Cambridge.     1884.]      (11)  plates.  **T,42.5 

The  Eumenides  of  Aeschylus  as  performed  by  members  of  the 

University    at    the    Theatre    Royal,    Cambridge,    December,    1885. 
Cambridge.     1886.     (6)  plates.  **T.42.4 

Iphigenia  in  Tauris  of  Euripides.     Performed  by  members  of 

the    University  at  the  Theatre   Royal,    Cambridge,    November   & 
December,   1894.     Cambridge.     [1895.]      (7)   plates.  **T.4i.2 

The  Oedipus  Tyrannus  of  Sophocles  as  performed  at  Cam- 
bridge Nov.  22-26,  1887.     Cambridge.     1887.     (6)  plates.     **T.4i.3 

Pryor,  F.  R.  The  Oedipus  Tyrannus  [of  Sophocles].  A  record  by 
L.  Speed  and  F.  R.  Pryor  of  the  performance  [at  the  University  of 
Cambridge]  in  November  1887.    Cambridge.     [1888.]     Illus.    Plate. 

**T.3i.6 
University  of  Chicago.    Plays  and  entertainments. 

JoNSON,  B.  [The  case  is  alterd.]  At  the  Auditorium  playe-house, 
Chicago,  neare  to  the  bank-side,  Saturday  evening,  the  seventeenth 
of  Maye  next,  a  right  mery  and  whittle  comedie  intituled  The  case 
is  alterd,  publiquely  acted  by  the  students  in  the  Universitie.  [A 
synopsis  of  the  play,  with  notes.  Chicago.]  1902.  Portraits. 
Plates.  *6579.i23 

University  of  Oxford.    Archives. 

James  I  at  Oxford  in  1605.  {In  Malone  Society.  Collections.  Vol.  i, 
part  3,  pp.  247-259.      [Oxford.]      1909.)  **G.4077.i5.i.Part3 

Relates   to   plays   performed   by   members   of  the  University   before   King  James. 
Edited  by  F.  S.  Boas  and  W.  W.  Greg. 

University  of  Oxford.    Plays  and  entertainments. 
See  also  Oxford  University  Dramatic  Society. 

Adderley,  Hon.  J.  G.  The  fight  for  the  drama  at  Ojtford.  Some  plain 
facts.  With  a  preface  by  W.  L.  Courtney.  Oxford.  1888.  **T.98.29 
HiGGS,  G.  An  account  of  The  Christmas  prince,  as  it  was  exhibited 
in  the  University  of  Oxford  in  the  year  1607.  Now  first  published 
from  the  original  manuscript.  {In  Miscellanea  antiqua  Anglicana. 
London.    1816.)  No.  3  in  *45i2.i42 

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THE  PUBLIC  LIBRARY  OF  THE   CITY  OF  BOSTON 


University  of  Oxford.    Plays  and  entertainments.     (Continued.) 

MACKINNON,  A.  The  Oxford  amateurs.  A  short  history  of  theatri- 
cals at  the  University.  With  a  foreword  by  the  Hon.  &  Rev. 
James  Adderley.     London.     1910.     Portrait.     Plates.  2497.183 

University  of  Oxford.     Archives.     James  I  at  Oxford  in   1605.     (In 
Malone  Society.     Collections.     Vol.  i,  part  3,  PP-  247-259.     [Ox- 
ford.]    1909.)  **G.4077.i5.i.Part  3 
Unmasking,  The,  of  Robert-Houdin.     Houdini,  H.     4006.219;  **T.96.37i 

Urban  Club,  London. 

Jeremiah.  J.     Notes  on  Shakespeare,  and  memorials  of  the  Urban 
Club,  and  an  account  of  the   boar's  head   feast   and   ceremonies 
formerly  observed  at  St.  John's  Gate.     (Subscriber's  copy.)     Lon- 
don.    1876.     Illus.     Portrait.     Plate.  **T.56.44;  etc. 
Urlin,  Ethel  L. 

Dancing,  ancient  and  modern.     New  York.     Appleton  &  Co.     1912. 

/^  xvi,  182,  (i)  pp.     Portraits.     Plates.  40493.357 

Ifsefulness,  The,  of  the  stage  to  religion,  and  to  government:  shewing 

^  the   advantages   of  the   drama   in   all   nations.     With   an   account 

of  the  rise  and  progress  of  the  play-houses  that  were  put  down. 

With  reflections  on  the  taste  of  the  times.     London:  Printed  for, 

and  sold  by  Thomas  Harper.     1738.     (4),  51,   (i)   pp.     Plate. 

**T.96.92 
Same.     2d  edition.     Printed  for  T.  Cooper.     (4),  60  pp.  **T.96.73 

Another   copy   is   on    shelf-number    No.  8  in  **G.3823.i2. 


V 

V ,  Madame,  pseud.     See  Mathews,  Lucia  Elizabeth. 

V**,  M'"^'  B**,  nee  de,  pseud.     See  B**,  M^e^  nee  de  V**,  pseud. 

v.,  F.  C.    See  Valentine,  Ferdinand  C. 

Vacano,  Emil  Alois  Ferdinand. 

Der  Roman  der  Adelina  Patti.  Nach  spanischen,  englischen  und 
miindlichen  Qucllen.  Mit  Federzeichnungen  von  Karl  Klic.  Wien. 
Klic  &  Spitzer.  1875.  84  pp.  Illus.  Portraits.  Autograph  fac- 
simile. 4041.102 

Vacquerie,  Auguste  fidouard. 

Profils  et  grimaces.     Paris.     Levy.     1856.     (3),  328  pp.  **T.47.i2 

A   collection  of  short  articles  relating  principally   to   French   drama. 

Vacquerie,  Auguste  fidouard.     Works  about. 

Albert,  G.  Auguste  Vacquerie:  sa  vie  et  son  oeuvre.  Lettre-preface 
de  Henri  de  Lapommeraye.     Paris.     1889.     Portrait.  **T.56.47 

Vagabond,  The.     Badeau,  A.  40493.193;  **T.97. 335 

Vagabond  adventures.     Keeler,  R.  **T,57.354;  etc. 

Vagrant  memories.     Winter,  W.  4343.272 

Valeu     Godwin,   P  2902.40;  etc. 

Valabregue,  . 

Seveli.nges,  C.  L.  de.  Le  rideau  leve,  ou  petite  revue  des  grands 
theatres,  suivie  d'une  reponse  au  factum  de  M.  Valabregue,  et 
d'une  repliq'ue  d'un  des  chefs  de  son  orchestre.     Paris.     1818. 

**T.77.2i 
Valencia,  .Spain.     Theatres. 

Lamarca,  L.  El  teatro  de  Valencia  desde  su  origen  hasta  nuestros 
dias.     Valencia.     1840.  **D.i7ob.6o 

[794] 


i 


BROWN  COLLECTION   OF  BOOKS   ON   THE   STAGE 

Valenciennes,  France.     Theatres. 

Hecart,  G.  a.  J.    Recherches  historiques,  bihliographiques,  critiques 
et  litteraires,  sur  le  Theatre  de  Valenciennes.     Paris.     1816.     Por- 
traits. **T,76.58 
Valentin,  Monsieur.     See  Dewaeghenaere,  Valentin. 
Valentine,  Ferdinand  C,  translator. 

CoLOMPiER,  M.  The  memoirs  of  Sarah  Barnum.  With  a  preface 
by  Paul  Bonnetain.  Translated  under  the  management  of 
Ferdinand  C.  Valentine  and  Leigh  H.  Hunt.     New  York.     [1884.] 

**T.97.259 

Gaillet,  E.,  and  Lieboi.d.     Sarah  Barnum's  reply.     The  life  of 

Marie  Colombier.     New  York.     1884.    Illus.  **T.54.i 

Valentine  Vox,  The  life  and  adventures  of.     Cockton,  H.      4573.116;  etc, 
Valentini,  Francesco. 

Trattato  su  la  commedia  dell'  arte,  ossia  improvvisa.  Maschere 
italiene,  ed  alcune  scene  del  carnevale  di  Roma.  Berlino.  Wittich. 
1826.     X,  32,  (2)  pp.     20  colored  plates.  No.  i  in  *277i.3 

Same.  Abhandlung  iiber  die  Comodie  aus  dem  Stegreif  und  die 
italienischen  Masken;  nebst  einigen  Scene  des  romischen 
Carnevals.  Berlin.  Wittich.  1826.  vi,  36,  (2)  pp.  20  colored 
plates.  **T.42.i 

Another   copy   is   on   shelf-number    No.  2  in  *277i.3,   from    which    the    plates   are 
missing. 

Vallier,  J.  P. 

Recherches  sur  les  causes  de  la  decadence  des  theatres  et  de  I'art 
dramatique  en   France.     Paris.     Appert.     1841.     184  pp. 

No.  I  in  **M. 125.6 
Valter,  Jehan. 

La  premiere  de  Le  roi  s'amuse.    22  novembre  1832.    Paris.    Levy.    1882. 
(2),  148  pp.     Portraits.     Plates.     Manuscript  facsimile.    **T.57.i68 
Van  Amburgh,  Isaac  A. 

Ferguson,  O.  J.  A  brief  biographical  sketch  of  L  A.  Van  Amburgh, 
and  an  illustrated  and  descriptive  history  of  the  animals  in  his 
menagerie.     New   York.      [186-?]      Illus.      Portrait.      Plates. 

**T.96.6;  etc. 
Vanbrugh,  Sir  John. 

A  short  vindication  of  The  relapse  and  The  provok'd  wife,  from  im- 
morality and  prophaneness.  By  the  author.  London:  Printed 
for  H.  Walwyn.     1698.     (3),  79  pp.  No.  i  in  **G.382i.3 

All   answer   to   the   charges   by   Collier   in   A   short   view   of   the   profaneness    and 
immorality  of  the  English  stage  [**T. 77. 39;  etc.]. 

Vanbrugh,  Sir  John.    Works  about. 

Collier,  J.     A  defence  of  the  Short  view  of  the  profaneness  and 

immorality  of  the  English  stage,  &c.     Being  a  reply  to  Mr.  Con- 

greve's  Amendments,  &c.,  and  to  the  vindication  of  the  author  of 

The  relapse  [Sir  John  Vanbrugh].     London.     1699.    **T.77.4i ;  etc. 

Vandam,  Albert  Dresden,  translator. 

HoussAYE,  A.  Behind  the  scenes  of  the  Comedie  fraiigaisc  and  other 
recollections.     London.     1889.  2671.103;  **T.75.7i 

Legouve,  G.  J.  B.  E.  W.  Sixty  years  of  recollections.  London. 
1893.     2  V.  2644.100;  **T.56.203 

Vandenhoff,  George. 

Leaves  from  an  actor's  note-book;  with  reminiscences  and  chit-chat 
of  the  green-room  and  the  stage  in  England  and  America.  New 
York.     Appleton  &  Co.     i860,     vi,  347  PP-  4398.135;  **T.57-77 

Another  copy  is  on  shelf-number  **G.3933.i8. 

[795] 


THE  PUBLIC  LIBRARY  OF  THE   CITY  OF  BOSTON 


Vandenhoff,  George.     (Continued.) 

Same.  Dramatic  reminiscences;  or,  actors  and  actresses  in  England 
and  America.  ]pdited,  with  preface,  by  Henry  Seymour  Carleton. 
London.     Cooper  &  Co.     i860,     xvi,  318  pp.  **T.57.i4 

Vander  Straeten,  Edmond. 

Le  theatre  vilhigeois  en  Flandre.  Histoire,  litterature,  musique, 
religion,  politique,  moeurs.  D'apres  des  documents  entierement 
inedits.  2e  edition  avec  lettre-preface  de  George  Becker. 
Bruxelles.     Tillot  &  cie.     1881.     2  v.     lUus.     Plates.     Facsimiles. 

**T.76.7 

Van  Dyk,  Harry  Stoe. 

Theatrical  portraits;  with  other  poems.  London.  Miller.  1822.  (2), 
vi,  151  pp.     Portraits.     Autograph  facsimiles.  **T.58.55 

Vanel,  Eugene. 

Histoire  populairc  de  tous  les  theatres  de  Paris  depuis  leur  orlr 
jusqu'a  nos  jours.    Paris.     L'auteur.     1S41.    63,  (i)  pp.        **T.79.i8 
Van  Hare,  G. 

Fifty  years  of  a  showman's  life;  or,  the  life  and  travels  of  Van  Hare. 
London.    Allen  &  Co.    1888.    xii,  418  pp.     Portrait.    Plates.    Auto- 
graph facsimile.  2262.49;  **T.57.i32 
Vanhove,  Cecile  Caroline  Charlotte. 

fitudes  sur  I'art  theatral  suivies  d'anecdotes  inedites  sur  Talma,   et 
de  la  correspondance  de  Ducis  avec  cet  artiste,  depuis  1792  jusqu' 
en    1815;    par   Madame    Veuve   Talma,    nee    Vanhove,    maintenant 
Comtesse  de  Chalot.     Paris.     Feret.     1836.     (4),  xxviij,  365  pp. 
E.Hted  by  M.  O.  T.  Villenave.  **T.76.54 

Van  Vechten,  Carl. 

Music  after  the  great  war,  and  other  studies.  New  York.  Schirmer. 
1915-     (5),  168  pp.  4049a.i57 

Contents.  —  Music  after  the  great  war.  —  Music  for  museums?  —  The  secret  of 
tlic  Russian  ballet.  —  Igor  Strawiiisky :  a  new  composer.  —  Massenet  and  women. 
—   Stage  decoration  as  a  fine  art.  —  Adolphe  Appia  and  Gordon  Craig. 

Vapereau,  G.    See  Vapereau,  Louis  Gustave. 
Vapereau,  Louis  Gustave,  editor. 

Annee  litteraire   et   dramatique,    L'.      Revue  annuelle.     Annee    i-ii. 

1858-68.     Paris.     1859-69.     1 1   V.  **T.27.i4 

Variety.     [Weekly.]     Vol.  35-     Dec,  1913,  to  date.     New  York.     1914- 

Portraits.  **T.22.io 

Contains  theatrical  news.     Unbound  parts  are  kept  in  the  Music   Room. 

Variety  stage.  The.    Stuart,  C.  D.,  and  A.  J.  Park.  **T.97.i74 

Varney,  George  Leon,  editor. 

Baknabee,  H.  C.  Reminiscences.  Being  an  attempt  to  account  for 
his  life,  with  some  excuses  for  his  professional  career.  Boston. 
1913.     Portraits.     Plates.  4045.163;  **T,56.33i ;  etc. 

Vattemare,  Alexandre.     See  Vattemare,  Nicholas  Marie  Alexandre. 

Vattemare,  Nicholas  Marie  Alexandre. 

Memoirs  and  anecdotes  of  Monsieur  Alexandre  [pseud,  de  Nicholas 
Marie  Alexandre  Vattemare],  the  celebrated  dramatic  ventrilo- 
quist. Adventures  of  a  ventriloquist;  or,  the  rogueries  of  Nicholas 
[by  Moncricff].  London.  Lowndes.  1822.  (i),  33,  iii-viii,  39  pp. 
Portraits,  mostly  colored.  **T.57.373 

Vaudeville. 

Caffi.n,  C.    Vaudeville.    The  book  by  Caroline  Caffin.    The  pictures 

by  Marius  de  Zayas.     New  York.     1914.     Portraits.  6257.83 

Charrington,  F.  N.    The  battle  of  the  music  halls.     London,     f  188-?] 

No.  3  in  *6562.69 
[796] 


BROWN  COLLECTION   OF  BOOKS   ON   THE   STAGE 

Vaudeville.     (Continued.) 

Clark,  G.  F.  Scotson-.  The  "halls."  London.  [190-?]  Colored 
portraits.     Colored  plates.  **T.53.i8 

[Documents  of  the  Metropolitan  Board  of  Works,  the  London 
County  Council,  and  Committees  of  the  House  of  Commons 
and  the  House  of  Lords,  relating  to  the  theatre.]  London.  1866- 
1909.     7  V.  **T.72.i4 

Fitzgerald,  P.  H.  Music-Hail  Land.  An  account  of  the  natives, 
male  and  female,  pastimes,  songs,  antics,  and  general  oddities 
of  that  strange  country.     London.     [1890.]     IIlus.  **T.96.i99 

RocHEFORT-LugAY,  C.  L.  M.,  Marquis  Dr..  Memoires  d'un  vaude- 
villiste.     Paris.     [1863.]  **T.57,397 

Saltarino,  Signor,  pseud.  Das  Artistentum  und  seine  Geschichte. 
Leipzig.     1910.     Illus.     Portraits.  2243.87 

Spectator,  A,  psetid.     The  music  hall.     London.     1880.  **T.96.2oo 

Stuart.  C.  D.,  and  A.  J.  Park.  The  variety  stage.  A  history  of  the 
music  halls  from  the  earliest  period  to  the  present  time.  Lon- 
don. [1895-]  **T.97.i74 
Vaudoyer,  Antoine  Laurent  Thomas. 

Description  du  theatre  de  Marcellus,  a  Rome  retabli  dans  son  etat 

primitif,  d'apres  les  vestiges  qui  en  restent  encore:  mcmoire  joint 

aux  plans,  coupes,  elevations  et  details.     Paris.     Dusillion.'    1812. 

(3),  48  pp.     Tables.  4093.134 

Vaulabelle,  Alfred  de,  and  Charles  Hemardinquer. 

La  science  au  theatre.  Etude  sur  les  procedes  scientifiques  en  usage 
dans  le  theatre  moderne.  Paris.  Paulin  &  cie.  1908.  (3),  291  pp. 
Illus.     Diagrams.  6252.71 

Vaux,  Charles  Maurice,  Baron  de. 

ficuyers  et  ecuyeres.  Histoire  des  cirques  d'Europe  (1680-1891). 
Avec  uno  etude  sur  I'equitation  savante  par  Maxime  Gaussen. 
Preface  par  Henri  Meilhac.  Introduction  par  Victor  Franconi. 
Paris.  Rothschild.  1893.  xxiii,  368  pp.  Illus.  Portraits.  Plates. 
Autograph  facsimile.  **T.95.ii3 

Vauxhall  affray,  The;  or,  the  macaronies  defeated.  A  compilation  of 
all  the  letters,  squibs,  &c.,  on  both  sides  of  that  dispute.  London: 
Sold  by  J.  Williams.     1773.     120  pp.  **T.97.337 

This  work  contains  also  an  appendix  to  the  Vauxhall  affray.  Relates  to  Eliza- 
beth Hartley,  Henry  Bate,  George  Robert  Fitzgerald,  Thomas  Lyttelton,  and 
others. 

Veber,  Eugene.    See  Veber,  Pierre  Eugene. 
Veber,  Pierre  Eugene,  prefacer. 

MA.1NDR0N,  C.  F.  Les  programmes  illustres  des  theatres  et  des 
cafes-concerts,  menus,  cartes  d'invitation,  petites  estampes,  etc. 
Paris.      [1897.]      (62)    plates,   mostly  colored.  **T.i2.6;  etc. 

Vedder,  Paul,  editor. 

Playgoers'  Magazine,  The.  A  monthly  magazine  for  all  players  and 
playgoers.  Vol.  i  (no.  i-[3].)  [Jan.-Mar.  1888.]  London.  fi888.] 
Illus.     Portraits.     Plates.  **T.96.274 

Playgoers'  Pocket-Book,  The.  The  dramatic  year,  1886,  87.  With 
descriptions  and  illustrations  of  all  the  new  plays  of  the  year; 
copies  of  many  of  the  play-bills,  and  a  complete  record  of  dramatic 
events.     London.     [1887,  88.]     2  v.  in  i.     Illus.     Portraits.     Plates. 

**T.28.i2;etc. 

Vedel, . 

Notice  sur  Rachel      Paris.     Chaix  &  cK     1859.    80  pp.  **T.9S.i09 

[797] 


THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 


Vedrenne,  John  E. 

MacCarthy,  D.  The  Court  Theatre,  1904-1907:  a  commentary  and 
criticism.  With  an  appendix  containing  reprinted  programmes 
of    the    "Vedrenne-Barker    performances."      London.      1907. 

**T.78.73 
Vega  Carpio,  Lope  Felix  de. 

The  new  art  of  writing  plays.  Translated  by  William  T.  Brewster. 
With  an  introduction  by  Brander  Matthews.  New  York.  1914. 
(5).  57!  (i)  PP-  [Columbia  University.  Dramatic  Museum. 
Publications.     Series    i.     Papers   on   play-making.     No.    i.] 

**T.46.6o.i 
Vega  Carpio,  Lope  Felix  de.    Works  about. 

Lewe?,  G.  H.  The  Spanish  drama.  Lope  de  Vega  and  Calderon. 
London.     1846.  30993.272;  **T.49.6;  etc. 

Velasquez,  Pedro. 

Illustr.\ted  memoir  of  an  eventful  expedition  into  Central  America 
resulting  in  the  discovery  of  the  idolatrous  city  of  Lximaya  and 
the  possession  of  two  remarkable  Aztec  children,  Maximo  & 
Bartola.  Translated  from  the  Spanish  of  Pedro  Velasquez.  [Lon- 
don. 1853?]  Illus.  Portraits.  Plates.  **T.98.36 
Velten,  Johannes. 

LiTZMANN,  B.  Johannes  Velten.  Legende  und  Geschichte.  {In 
Archiv  fiir  Theatergeschichte.     Vol.  2,  pp.  56-71.     Berlin.     1905.) 

*6907.i2.2 
Veneta,  Mathilde,  pseud.     See  Meske,  Mathilde. 
Venice,  Italy.     Theatres. 

Galvani,  L.  N.     I  teatri  musicali  di  Venezia  nel  secolo  xvii   (1637- 

1700).   Memorie  storiche  e  bibliografiche.   Milano.    [1879.]    8052.151 

GiORNALE   dei    teatri    di    Venezia.      Anno    1-7.      1795-1802.      Venezia, 

1796-1801.  *2768.i 

Taylor,    H.    C.    Chatfield-.      Goldoni.     A   biography.      Illustrations 

from  the  paintings  of  Pietro  and  Alessandro  Longhi.    New  York. 

1913.     Portrait.     Plates.  2744.93 

Venice,  Italy.     Theatres.     La  Fenice. 

Memokia  storica  del  teatro  La  Fenice  in  Venezia.  Venezia.  [1839.] 
Plate.     Plan.  **T.79.i6 

Venice,  Italy.     Views. 

Barker,  H.  A.,  and  J.  Burford.     Description  of  the  view  of  Venice; 
taken,  and  painted  by  Messrs.  Barker  and  Burford,  now  exhibit- 
ing in  their  panorama,  Strand.     London.     1819.     Plate.     **T.96.300 
Ventriloquism. 

Anecdotes  curieuses  et  inedites  de  la  vie  de  Valentin   dit  I'Homme 
a  la  poupee.    Marseille.     Arnaud  &  c'e.     1S58.     Portrait.    **T.98.i4 
CocKTON.   H.     The  life  and  adventures  of  Valentine  Vox  the  ven- 
triloquist.    [Fiction.]     London.     1846.     Plates.  4573.116;  etc. 
Maccabe,  F.    The  art  of  ventriloquism.     Including  full  directions  to 
learners  how  to  acquire  a  pleasing  vocalization;   with   amusing 
dialogues.     London.      [1875.]  **T.98.ii7 
Memoirs  and  anecdotes  of  Monsieur  Alexandre  [pseud,  de  Nicholas 
Marie   Alexandre   Vattemare],   the    celebrated    dramatic    ventrilo- 
quist.   Adventures  of  a  ventriloquist;  or,  the  rogueries  of  Nicholas. 
an  entertainment  [by  Moncrieff].     London.     1822.     Portraits. 

**T.57-373 

Smith,   G.     Memoirs  and  anecdotes  of   Mr.  Love,  the  polyphonist. 

Added,   explanation   of   the  phenomena   of  polyphony.      |  lloston. 

1850.]  6543.106 

[798] 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 

Ventriloquism.     (Continued.) 

Programme  of  the  entertainment:  preceded  by  memoirs  of  Mr. 

Love,  the  dramatic  polyphonist;  remarks  on  single-handed  enter- 
tainments; anecdotes  of  eminent  by-gone  professors;  an  explana- 
tion of  the  phenomena  of  polyphony,  &c.     London.     [1855.] 

**T.S5.40 

Verbatim    report    of    the    reception    to    Lawrence    Barrett,    by    Wilson 

Barrett.      Langham    Hotel,    London,    England,    April    2nd,    1884. 

[London.     1884.]  **T.57.447 

Another  copy  is  on  shelf-numhcr  ''T. 57. 381. 

Verdi,  Fortunio  Giuseppe  Francesco. 

Maurel,  V.  A  propos  de  la  misc  en  scene  du  drame  lyrique  Otello 
[de  Verdi],  fitude  precedee  d'apergus  sur  le  theatre  chante  en 
1887.     Rome.      1888.  4048.175 

Verein  fiir  das  Conservatorium  des  teutschen  Schauspiels. 

Devrient,  H.  F.  F.     Aus  den  Akten  eines  Geheimbundes  deutscher 

Schauspieler     [Verein     fiir    das     Conservatorium     des     teutschen 

Schauspiels]    in  den  Jahren   1812-1815.      (In  Archiv   fiir  Theater- 

geschichte.     Vol.  2,  pp.  95-150.     Berlin.     1905.)  *6907.i2.2 

Vergnaud,  Paul,  translator. 

Blasis,  C.     Manuel  complet  de  la  danse,  comprenant  la  theorie,  la 
pratique  et  I'histoire  de  cet  art.     Paris.     1830.     Plates.        4001.25 
Veritas,  pseud. 

Opera  House.  A  review  of  this  theatre,  from  the  period  described 
by  the  Enterprizer.  A  recital  of  the  litigations,  loans,  embarrass- 
ments.    London.     The  Author.      [1818?]      (3),  80  pp. 

Relates  to  the  Haymarket  Theatre,   London.  No.  7  in  **G.3824.3 

Verite-Rachel,  La.     Descombes,  J.  C.  F.  M.  **T.96.i7i 

Verites  a  I'ordre  du  jour.     [Anon.]     See  Fillet,  Fabien. 
Verity  Victor,  pseud.    See  Wright,  E.  M. 
Veron,  Pierre. 

Les  gens  de  theatre.     Paris.     Dentu.     1862.     (3),  303  pp.        **T.87.8o 

A  collection  of  short  stories  relating  to  the  theatre. 

Paris  s'amuse.     Paris.     Dentu.     1861.     (3),  283  pp.  **T.97.2i3 

Same.     Vresse.     [1868.]  4638.28 

Verona,  Italy.     Amphitheatre. 

Maffei,  F.  S.,  Marchese.  A  compleat  history  of  the  ancient  amphi- 
theatres. More  peculiarly  regarding  the  architecture  of  those 
buildings,  and  in  particular  that  of  Verona.  Made  English  by 
Alexander  Gordon.    London.    1730.    Plates.    Plans.    **T.77.i4;  etc. 

Ricci,  S.  II  teatro  romano  di  Verona  studiato  sotto  il  rispetto 
storico  ed  archeologico  con  la  biografia  di  Andrea  Monga  suo 
scopritore  e  con  un'  appendice  di  documenti  editi  ed  inediti. 
Venezia.      1895.      Portrait.      Plates.      Plans. 

No.  I  in  *27ioa.5o.Ser.2,Vol.3 
Verplanck,  Gulian  Crommelin. 

Garrick:  his  portrait  in  New  York,  its  artist,  and  history.  [A  letter 
addressed  to  A.  M.  Cozzens  read  at  the  Sketch  Club,  January  g, 
1857.]     New  York.     1857.     Portrait.  *6545-9 

Relates  to  the  portrait  by  Robert  Edge  Pine. 

Verrieres,  Genevieve,  and  Marie  Verrieres. 

JuLLiEN,  J.  L.  A.  Le  theatre  des  Dlles  Verrieres.  La  comedie  de 
societe  dans  le  monde  galant  du  siecle  dernier.     Paris.     1875. 

No.  4  in  **M.i22.i 
Maugras,  C.  G.     Les  demoiselles  de  Verrieres.     Paris.     1890.     Por- 
traits. **T.56.76;  etc. 

[799] 


THE  PUBLIC  LIBRARY  OF  THE   CITY   OF  BOSTON 


Versakis,  Fr. 

Das    Skenengebaude    des    Dionysos-Theaters.      Illus.      Plans.       (In 

Kaiserlich    deutsches    archiiologisches    Institut.      Jahrbuch.      Vol. 

24,  pp.  194-224.     Berlin.     1910.)  *22ioa.55.24 

Very  plain   state,  A,   of  the   case,  or   the   Royalty  Theatre   versus   the 

Theatres  Royal.     London.     Printed   for  the  author,  and   sold   by 

T.  Murray.     1787.    vii,  54,  (i)  pp.  **T.75.52 

Vesque,  Charles. 

Histoire  des  theatres  du  Havre,   1717  a  1872.     Havre.     Labottiere  & 

ce.     1875,  77.     2  V.  in   I.  **T.76.20 

ContCi.tS.  —  I.   1717-1836.      2.    1836-1850. 

Vestriad,  The.    Busk,  H.  **T.55.ii4 

Vestris,  Madame.    See  Mathews,  Lucia  Elizabeth. 

Veteran  stager,  A,  pseud.    See  Grant,  George. 

Viage  entretenido.  El.    RojAS,  A.  de.  **D.i63.4.4 

Viardot,  Michelle  Pauline  Garcia. 

Lipsius,  M.  Pauline  Viardot-Garcia.  {In  Sammlung  musikalischer 
Vortrage.     Reihe  4,  pp.  259-278.     Leipzig.     1882.)  **M. 105.3.4 

Vicenza,  Italy.     Theatres.     Teatro  Olimpico. 

Magrini,  a.  II  Teatro  Olimpico  nuovamente  descritto  ed  illustrate. 
Padova.     1847-     Plate.  **T.96.4 

MoNTENARi,  G.,  Conte.  Del  Teatro  Olimpico  di  Andrea  Palladio  in 
Vicenza.     Discorso.     In    Padova.      1733.      Portrait.     5   plates. 

*4095.io7;  etc. 

Same.      2a    edizione,    con    lettere    due    critiche,    I'una    del    Sig. 

Marchese  Giovanni  Poleni,  I'altra  dell'  autore.     In  Padova.     1749. 
/  Illus.     Portrait.     5   plates.  *8o96.io7 

^^ Victor,  Benjamin. 

The  history  of  the  theatres  of  London  and  Dublin,  from  1730  to  the 
present  time.  Added,  an  annual  register  of  all  the  plays,  &c. 
performed  at  the  Theatres-Royal  in  London,  from  1712.  With 
notes  and  anecdotes.  London:  Printed  for  T.  Davies  [&  T. 
Becket].     1761-71.     3  v.  **T.77.3i 

Another  copy  is  on  shelf-number  **K.35.i6.  The  title  of  vol.  [3!  reads:  The 
history  of  the  theatres  of  London.  Continuations  to  1817  by  W.  C.  Oulton, 
having'  similar  titles,  may  be  found  on  shelf-numbers  **T.77.32 ;   **T.77.33. 

Memoirs  of  the  life  of  Barton  Booth,  Esq.;  with  his  character. 
[Anon.]  To  which  are  added  several  poetical  pieces,  written  by 
himself.  To  which  is  likewise  annex'd  The  case  of  Mr.  Booth's 
last  illness.  London:  Printed  for  John  Watts.  1733.  58  pp.  Por- 
trait. **T.97.345 

Other  copies  are  on  shelf-numbers  No.  3  in  **0.3823.9  ;  No.  7  in  **C;.3823. 1 1  ; 
••T.57.190. 

^  Original  letters,  dramatic  pieces,  and  poems.     London:   Printed  for 
T.  Becket.     1776.     3  v.  **T.96.26 

Victor,  Benjamin.     Works  about. 

Letter,  A,  to  Messieurs  Victor  and  Sowdon,  managers  of  the 
Theatre-Royal.     Dublin.     1755.  **T.76.i58 

Victor,  Verity,  pseud.    See  Wright,  E.  M. 
Vidal,  Emmanuel,  editor. 

Almanach   de   "La  Rampe."     Actrices   parisiennes.      [Paris.      1901.] 

Portraits.  **T.26.2i 

Vie,  La,  a  Paris.     Claretie,  J.  A.  A.  **T.27.i6 

Vie,  La,  au  theatre.     Bordeaux,  H.  4679.178 

GiFFARD,  P.  L.     Nos  moeurs.  **T.77.iii 

[800] 


BROWN   COLLECTION   OF  BOOKS   ON    THE   STAGE 


Vie,  La,  d'un  theatre.     Ginisty,  P.  **T.78.33 

Vie,  La,  d'une  comedienne,  Minette.     Banville,  T.  F.  dk.          **T.98.I32 

Vie,  La,  de  Paris.    Mornand,  F.  **T.98.83 

Vie,  La,  de  theatre.     Couailhac,  V.  **T.S7.202 

Vie  moderne,  La,  au  theatre.     Clauetie,  J.  A.  A.  **T.47.2 
Vieil  abonne,  Un,  pseud. 

Ces  demoiselles  de  I'Opera.     a^e  edition.     Paris.  Tresse   &   Slock. 

1887.    294  pp.  **M.i27.6o 

A  history  of  the  ballet  of  the  Paris  Opera. 

Vieil  amateur,  Un,  editor. 

Castel,  L.     Mcmoires  d'un  claqueur.     Paris.     1829.     Plate.    **M.ii7.6 
Vieil  amateur  dramatique,  pseud. 

Souvenirs,  Les,  et  les  regrets  du  Vieil  amateur  dramatique  ou  lettres 

d'un    oncle    a    son    neveu    sur    I'ancien    theatre    frangais,    depuis 

Bellecour,  Lekain,  Preville,  jusqu'a  Mole,  Larive,  Monvel,  Vestris. 

Paris.     1829.    Colored  plates.  **T.58.i45 

Vieil  habitue,  Un,  pseud. 

Le  coup  de  lance  du  Gymnase,  ou  la  decadence  du  vaudeville,  revue 

critique  des  acteurs  et  actrices  de  ce  theatre.    Pot-pourri  [en  vers]. 

Paris.     Martinet.     1821.     15  pp.  No.  16  in  **G.3562.i 

Vieilles  actrices,  Les.     Barbey  d'Aurevilly,  J.  A.  **T.57.27i 

Vienna.     Internationale  Aiisstellung  fiir  Musik-  und  Theatcrwesen. 

Fach-Katalog-  der  musikhistorischen  Abtheilung  von  Deutschland  und 
Oesterreich-Ungarn,  nebst  Anhang:  Musikvereine,  Concertwesen 
und  Unterricht.  Wien.  Vernay,  1892.  xiv,  (2),  591,  (4)  pp. 
Plate.  4045.9 

Same.  The  international  exhibition  for  music  and  the  drama.  Edited 
by  A.  J.  Hipkins,  Morris  Steinert  and  Siegmund  Schneider. 
[Translated  by  Rosa  Wohlmuth.]  Vienna.  Perles.  1894.  (6), 
339.  (6)  pp.     82  plates.     Facsimiles.  *8o40.ii4 

Vienna.     Theatres. 

Bahr,  H.    Rezensionen,  Wiener  Theater,  1901  bis  1903.     Berlin.     1903. 

**T.77.2i9 

Theater.     Ein  Wiener  Roman.     Berlin.     1904.  68993.316 

Wiener  Theater   (1892-1898).     Berlin.     1899.  6257.115 

Gesellschaft    fiir    vervielfaeltigende    Kunst.      Die    Theater    Wiens. 

Wien.     1893-1909.    4  v.  in  6,  and  unbound  parts.     Illus.     Portraits. 

Plates.     Plans.  *Cab.28.27.2 

Goerner,  C.,  Ritter  von.     Der  Hans  Wurst-Streit  in  Wien  und  Joseph 

von  Sonnenfels.     Wien.     1884.  2870.48 

Holbein,  F.  L.  von,  Edler  von  Holbeinsberg.     Deutsches  Biihnenwesen. 

Ein   Handbuch   fiir  AUe,  welche  auf  irgend  eine  Weise  mit  dem 

Theater  in  Beziehimg  stehen,  oder  sich  auch  nur  fiir  das  Innere 

desselben   interessiren.     Theil    i.     Wien.      1853.  **T.96.227 

Mueller-Guttenbrunn,    a.      Das    Wiener    Theaterleben.      Leipzig. 

1890.  **T.76.64 

Wien  war  eine  Theaterstadt.     Wien.     1885.  **T.76.i44 

RiCHTER,  H.     Schauspieler-Charakteristiken.     Leipzig.     1914.    6872.70 
Seyfried,    F.,    Ritter   von-.      Riickschau    in    das    Tlieaterleben    Wiens, 

seit  den  letzten  fiinfzig  Jahren.     Wien.     1864.  **M.373.4i ;  etc. 

Sonnenfels,  J.,  Freiherr  von.     Briefe  iiber  die  wienerische  Scluiul)uhne. 

1768.     Wien.     1884.  *487oa.9.7 

Waldstein,  M.     Aus  Wiens  lustiger  Theaterzeit.     Erinnerungen  an 

Josefine  Gallmeyer.     Berlin.     1885.     Portrait.     4837.20;  **T.57.228 

[801] 
51 


THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 

Vienna.     Theatres.     (Continued.) 

Weilen,  a.  W.,  Rittcr  von.     Geschichte   des  Wiener  Theaterwesens 

von  den  altesten   Zeiten  bis  zu   den   Anfangen   der   Hof-Theater. 

Wien.     1899.     Illus.     Portraits.     Plates.  *Cab.28.27.2.i 

Zeidler,  J.     Eine  Wiener  Wertherparodie.     Ein  Beitrag  zur  Wiener 

Theatergeschichte.      (In    Forschungen    zur    neueren    Litteratur- 

geschichte.     Pp.  235-244.     Weimar.     1898.)  4873-90 

Vienna.     Theatres.     Burgtheater. 

Amtliches  Jahrbuch  der  kaiserlich  koniglichen  Hoftheater  in  Wien 

fiir  1909.     Wien.     [1909]  **T.78.75 

Bahr,  H.     Glossen  zum  Wiener  Theater  (1903-1906).     Berlin.     1907. 

68993.317 
CzARTOKv.sKi,    K.,    Prhice.      Unseres    Bnrgtheaters    Gliick    und    Ende. 

Ein   memento   mori   bei   Gelegenheit   des    100  jahrigen   Jubilaums 

des  Burgtheaters.     Vortrag.     Wien.     1876.  **T.76.i6i 

Laube,  H.     Das  Burgtheater.     Ein  Beitrag  zur  deutschen  Thcater- 

Geschichte.      Leipzig.      1868.      Portrait.  4868.12 

Letzte  Erinnerungen.      (In   Kirchbach,   W.     Deutsche    Sch;in- 

spieler  and  Schauspielkunst.     Pp.  32-51.     Kiel.     1892.)         4875.40 

LoEW,  I.     Das  neue  Burgtheater.     Wien.     1888.  **T.97.83 

LoTHAR,  R.     Das  Wiener  Burgtheater.     Leipzig.     1899.     Illus.     Por- 
traits.    Plates.  4871.130 
Maennel.  L.,  editor.     Jahrbuch  des  kaiserl.  konigl.  Hof-Burgtheaters 
fiir  das  Jahr  1908."  Wien.     [1908.]                                            **T.78.74 
RiCHTER,  H.     Schauspieler-Charakteristiken.     Leipzig.     1914.    6872.70 
Rub,  O..  compiler.     Das  Burgtheater:   statistischer  Riickblick  auf  die 
Tatigkeit  und  die  Personalverhaltnisse  wahrend  der  Zeit  vom  8. 
April     1776    bis    i.    Januar    1913.       Gelegentlich     des    25jahrigen 
Bestehens  des  neuen  Hauses  am  14.  Oktober  1913.     Wien.     1913. 

6252.117 

ScHi.ENTHER.   P.     Adolf  vou  Sonnenthal.     Fiinfzig  Jahre  im  Wiener 

Burgtheater.     1856-1906.     Wien.     1906.     Portraits.  **T.77.227 

Bernhard  Baumeister.     Fiinfzig  Jahre  Burgtheater.     1852-1902. 

Wien.     1902.     Portraits.  **T.73.8 

ScHREYVOGEL,    J.      Joscf    Schrcyvogels    Tagebitcher,    1810-1823.      Mit 

Vorwort,  Einleitung  und  Anmerkungen,  herausgegeben  von   Carl 

Glossy.     Berlin.     1903.     2  v.  6907.14 

Sonnenthal,  A.,   Ritter  von.     Adolph  von   Sonnenthals   Briefwechsel. 

Nach  den  Originalen  herausgegeben  von  Hermine  von  Sonnenthal. 

Stuttgart.     1912.     2  V.     Portraits.     Plates.  68993.170 

Wlassack,    E.      Chronik    des    k.    k.    Hof-Burgtheaters.      Zu    d^ssen 

Sacular-Feier  im  Febniar  1876  herausgegeben.  Wien.    1876.   Plates. 

Plans.  **T.76.i6o 

Vienna.    Theatres.     Hof-Operntheater. 

Amtliches  Jahrbuch  der  kaiserlich  koniglichen  Hoftheater  in  Wien 

fiir  1909.    Wien.     [.1909.]  **T.78.7S 

Engerth,     E.,    Rittcr    von.      Zwischenbilder    zu     Figaro's     Hochzeit. 

Wandgemalde  im  K.  k.  Opernhause  zu  Wien.     Miinchen.     fi88-?] 

17  photographs  in  a  portfolio.  **M.430.i6 

Vienna.     Theatres.     Hoftheater.     See   Vienna.    Theatres.    Burgtheater; 

Vienna.  Theatres.  Hof-Operntheater. 
Vienna.     Theatres.    Kaiserlich-koentgliches-Hofburgtheater. 

Baveu,  J.     Das  neue  K.  k.  Hofburgtheater  als  Bauwerk  mit  seinem 

Scnlpturen-  und   Bilderschmuck.     Wien.     1894.     Illus.     Portraits. 

Plates.     Plans.  *Cab.28.27.2,3 

[802] 


BROWN   COLLECTION   OF  BOOKS    ON   THE   STAGE 


Vienna.  Theatres.  Kaiserlich-koenigliches-Hofburgtheater.  (Continued  ) 

ScHLAGER,  J.  E.    Ueber  das  alte  Wiener  Hoftheater.     (In  Kaiserliche 

Akademie  der  Wissenschaften,  Vienna.     Philosophisch-historische 

Classe.      Sitzungsbcrichte.      Band   6,   pp.    147-171.     Wien.      1851.) 

•  *3340.3.6 

Teuber,  O.,  and  A.  Weil.  Das  k.  k.  Hofburgtheater  scin  seiner 
BegTuendung.  Wien.  1896-1906.  3  v.  IIlus.  Portraits.  Plates. 
Engraved  title-pages.  *Cab.28.27.2.2 

Vienna.     Theatres.    Kaiserlich  koenigliches  Hof-Opernhaus. 

NuELL,    E.    van    DER.    and    A.    von    Siccard   von    Siccardsriirg.      Das 

Kaiserlich   koenigliche    Hof-Opernhaus    in    Wien.     Wien.      1885. 

80  plates.  *Cab.6o.5o.i 

Vienna.   Theatres.    Princess  theatre.   See  Vienna.    Theatres.    Burgtheater. 

Vienna.     Theatres.     Ringtheater. 

FocHT,  C.  Th.  Der  Brand  des  Ringtheaters  in  Wien,  am  8.  Dec. 
1881.    Wien.     t88i.     Illus.     Plates.     Plan.  No.  i  in  **M.i45.2o 

Vienna.     Theatres.     Stadttheater. 

Laube.  H.     Das  Wiener  Stadt-Theater.     Leipzig.     1875.         **T.76.65 
Tyrolt,    R.      Chronik    des    Wiener    Stadttheaters    1872-1884.      Ein 
Beitrag  zur  deutschen  Theatergeschichte.    Wien.     i88g.      **T.97.2 
Vieux  comparse,  Un,  pseud.    See  Tuffet,  Salvador. 
Vieux  sccnophile,  Un,  pseud. 

Idees  d'nn  vieux  scenophile  sur  I'institution  d'un  tribunal  dramatique, 
sur  I'organisation  de  ce  tribunal  et  sur  la  redaction  d'un  code 
propre  a  regler  ses  decisions.     Paris.    L'auteur.     1813.     (4),  51  pp. 

On  the  relation  of  the  drama  and  the  stage  in  France.  No.  2  in  **G.3562.I 

View,  A,  of  society  and  manners  in  high  and  .low  life.     Parker.  G. 

**T.58.66 
Vigano,  Salvatore. 

Ritorni,  C.  Commentarii  della  vita  e  delle  opere  coredrammatiche 
di  Salvatore  Vigano,  e  della  coregrafia  e  de'  corepei.  Milano. 
1838.     Portrait.    Plate.  **T.96.370 

Vigny,  Alfred  Victor,  Comte  de. 

Charavay,   M.  fi.     A.  de  Vigny  et  Charles   Baudelaire,  candidats  a 

I'Academie    francaise.      fitude.      Paris.      1879.      Illus.      Portraits. 

Plate.  '  **T.57.i24 

Villain  de  Saint  Hilaire,  Amable.     See  Saint  Hilaire,  Amable  Villain  de. 

Villedeuil,  Charles,  Comte  de. 

Mysteres  des  theatres.    1852.    Par  Edmond  de  Goncourt,  Jules  de  Gon- 
court,  Cornelius  Holff  [pseud,  de  Charles,  Comte  de  Villedeuill. 
Paris.    Librairie  nouvelle.     1853.     (3),  5i9  PP-      4676.100;  **T.75. 58 
Villemain,  Abel  Frangois. 

Laya,  J.  L.  Un  mot  sur  M.  le  Directeur  de  I'imprimerie  et  de  la 
librairie  [Villemain],  ou  abus  de  la  censure  theatrale.    Paris.    181Q. 

**T.77.28 
Villemarest,  Charles  Maxime  Catherinet  de. 

Plus   de   rideau.     Lettre   sur   les   theatres.     Paris.     Ponthieu.      1821. 

(3)>  36  pp.  No.  9  in  **G.3562.i 

Relates  to  the  Paris  theatres. 

Le   rideau   dechire.     Theatre    frangais.      [Anon.]      Paris.      Ponthieu. 

1820.     32  pp.  No.  8  in  **G.3562.i 

Villenave,  Mathieu  Guillaume  Therese,  editor. 

Vanhove,  C.  C.  C.  fitudes  sur  I'art  theatral  suivies  d'anecdotes 
inedites   sur  Talma,   et   de  la   corrospondance   de   Ducis  avec  cet 

[803]  ' 


THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 


Villenave,  Mathieu  Guillaume  Therese,  editor. 

artiste,  depuis  1792  jusqu'  en  1815;  par  Madame  Veuve  Talma,  nee 
Vanhove,  maintenant  Comtesse  dc  Chalot.    Paris.     1836.    **T.76.54 
Villeneuve,  Olga  de. 

Mademoiselle  Olga  de  yillcneuve  dans  !a  tragedie.  Paris.  Best. 
1862.     (3),  39.  (i)  pp.    Portrait.  **T.55.i24 

Villequin,  Edme.     See  Brie,  Edme  Villequin,  called  De  Brie. 
Vincent,  Leon  Henry. 

Moliere.  Cambridge.  The  Riverside  Press.  1902.  (6),  233  pp. 
[Brief  studies  in  French  society  and  letters  in  the  xvii.  century.] 

26793.268 
Vincent,  Mrs.  James  R.     Sec  Vincent,  Mary  Ann. 
Vincent,  Mary  Ann. 

BosTO.N  Herald,  The.  Performance  in  aid  of  the  Mrs.  J.  R.  Vincent 
Hospital  Fund  at  the  Boston  Museum,  April  24,  1890.  Presented 
with  the  compliments  of  the  Boston  Herald.     [Boston.]      1890. 

**T. 10.12 
Fiftieth  anniversary  of  the  first  appearance  on  the  stage  of  Mrs. 
J.  R.  Vincent.     Fifty  years  of  an  actress'  life.     April  1835 -April 
1885.     [Boston.]      1885.  No.  5  in  **M.i39a.9 

Richardson,  J.  B.  Mrs.  James  R.  Vincent.  A  memorial  address 
delivered  at  a  meeting  of  the  managers  of  the  Vincent  Memorial 
Hospital  April  9,  1911.     [Cambridge,  Mass.     1911-]      Portrait. 

**T.56.334 
Vincent,  William  Thomas. 

Recollections  of  Fred  Leslie.     With  introduction  by  Clement  Scott. 
London.     Kegan  Paul,  Trench,  Triibner  &  Co.,  Ltd.     1894.     2  v. 
Illus.   Portraits.   Plates.   Manuscript  facsimiles.   4543.121;  **T.56.62 
Vincke,  Carl  Friedrich  Gisbert,  Frciherr  von. 

Gesammelte  Aufsatze  zur  Biihnengeschichte.  Hamburg.  Voss.  1893. 
viii,  254  pp.    [Theatergeschichtliche  Forschungen.   Band  6.]    6872.48 

Relates  largely  to  representations  of  Shakespeare  in   England   and   Germany. 

Vindication,    A,    of   a   right    in    the    public    to    a    one    shilling    gallery. 
Pythagoras,  pseud.  **T.76.7o 

Vingtrinier,  Emmanuel. 

Le  theatre  a  Lyon  au  xviiie  siecle.  Lyon.  Meton.  1879.  (5),  130 
pp.  **T.75.9 

Viotti,  Giovanni  Battista. 

Dilettante.  Un,  pseud.  Observations  desinteressees  sur  I'administra- 
tion  du  Theatre  royal  italien,  adressees  a  M.  Viotti,  par  un 
dilettante.     Paris.     1821.  No.  15  in  **G.3562.i 

Visitor,  A,  pseud. 

The  theatre.  Observations  on  a  recent  pamphlet,  entitled  "The 
pulpit  justified  and  the  theatre  condemned,"  by  the  Rev.  John 
East,  in  a  letter  addressed  to  Thomas  Noon  Talfourd.  London. 
Longman,  Ornie,  &  Co.     1844.     24  pp.  **T.76.ioo 

East's  The  pulpit  justified,  and  the  theatre  condemned,  may  be  found  on  shelf- 
number  •*T.-6.99. 

Vismes  du  Valgay,  Anne  Pierre  Jacques  de. 

Paroispe-Pougin,  F.  A.  A.  Un  directeur  d'opera  au  dix-huitieme 
siecle.  L'Opcra  sous  I'ancien  regime:  I'Opera  sous  la  Revolution. 
Paris.     1914.  4048.264 

Vitoria,  Spain,  Battle  of,  1813. 

Barker,  H.  A.  Description  of  the  view^  of  the  Battle  of  Vittoria, 
now  exhibiting  in  Henry  Aston  Barker's  Panorama,  Leicester 
Square.      [London.]      1814.      Plate.  **T.96.302;  etc 

[804] 


BROWN   COLLECTION    OF  BOOKS    ON    THE   STAGE 


Vitoux,  Georges. 

Le  theatre  de  I'avenir.  Amenagement  general,  mise  en  scene,  trues, 
machinerie,  etc.  Paris.  Reinwald.  [1903.]  (5),  242,  (i)  pp.  lllus. 
[Bibliotheque  theatrale  illustree.]  6252.70 

Contents.  —  Le  theatre  ideal.  —  Le  theatre  jusqu'd  ce  jour.  —  Lcs  divisions 
d'un  theatre.  —  L'eclairage.  —  Le  chauffage  et  la  ventilation.  —  La  machinerie 
theatrale.  —  La  mise  en  scene  et  les  trues.  —  La  security  au  theatre. 

Vitruvius  PoUio,  Marcus. 

Capps,  E.  Vitruvius  and  the  Greek  stage.  Chicago.  1893.  Ilkis.  8096.106 
Vitu,  Auguste  Charles  Joseph. 

Catalogue  des  livres  anciens  et  modernes.  Beaux-arts,  litterature, 
theatre,  histoire,  histoire  de  Paris,  noblesse,  almanachs,  partitions 
de  musique  composant  la  bibliotheque  de  feu  M.  Auguste  Vitu, 
dont  la  vente  aura  lieu  au  12  decembre  1891.    Paris.    1891.     136  pp. 

**T.65.i9 

Le   Jeu   de   paume    des    mestayers;    ou,   I'lllustre    theatre    1595-1883. 

D'apres  des  documents  inedits.     Paris.     Lemerre.     1883.     73,   (2) 

pp.     lllus.     Plans.     [Archeologie  Molieresque.]  **T.57.64 

Les  mille  et  une  nuits  du  theatre.     Serie    1-9.     Paris.     Ollendorff. 

1884-94.     9  V.  **T.47.47 

Relates   to   French   drama. 

Moliere  et  les  Italiens.  A  propos  du  tableau  des  farceurs  appartenant 
a  la  Comedie  frangaise.     Paris.     Tresse  &  c'e.     1879.     20,  (i)  pp. 

Another  copy  is  on  shelf-number  **T.96.22.  4676.I16;  **T.95.I26 

Paris  I'ete.  Le  Jardin  Mabille.  Paris.  Martinon.  1847.  63  pp. 
lllus.  **T.98.i4i 

Vitu,  Auguste  Charles  Joseph,  prefacer. 

FouRNiER,  E.  Etudes  sur  la  vie  et  les  oeuvres  de  Moliere.  Paris. 
1885.  **T.57.290 

Vitu,  Auguste  Charles  Joseph,  and  Jules  Frey. 

Physiologic   du   Bal   Mabille.     Paris.     Carrier.      [185-?]      92,    (2)    pp. 

**T.99.49 
Vizentini,  Albert.    See  Vizentini,  Louis  Albert. 
Vizentini,  Augustin. 

[Recueil  des  costumes  de  tons  les  ouvrages  dramatiques  representes 

avec   succes    sur   tous    les    grands    theatres   de    Paris,    public   par 

Vizentini,  d'apres  les  dessins  d'Aug.  Garnerey    et  Hipp.  Lecomte. 

Paris.     Engelmann.     18 — ?]     2  v.     371  colored  plates.       *8o72.307 

Vizentini,  Louis  Albert. 

Derriere  la  toile.  (Foyers,  coulisses  et  comediens.)  Petites  physio- 
logies des  theatres  parisiens.     Paris.     Faure.     1868.     (3),  292  pp. 

Relates  to  the  theatres  of  Paris.  **T.77.78 

Voelker,  Franz. 

Beriihmte  Schauspieler  im  griechischen  Alterthum.  Hamburg. 
Richter.  1899.  2,2,  pp.  lUus.  [Sammlung  gemeinverstandlicher 
wissenschaftlicher  Vortrage.     Neue  Folge,  Serie  14,  Heft  2>~7-] 

*59i4.5o.N.F.Ser.i4 

Voiart,  Anne  Elisabeth  Petitpain. 

Essai  sur  la  danse  antique  et  moderne.  Paris.  Audot.  1823.  (i), 
251  pp.     [Encyclopedic  des  dames.]  **T.9g.3 

Voiart,  Elise.     See  Voiart,  Anne  filisabeth   Petitpain. 

Voice,  speech  and  gesture:  a  practical  hand  book  to  the  elocutionary 
art.  London.  Deacon  &  Co.  1895.  xvi,  888  pp.  lllus.  **M.2i8.2 
Contents.  —  The  voice,  by  Hugh  Campbell.  —  Speech,  by  R.  F.  Brewer.  — 
Gesture,  by  Henry  Neville.  —  Reciting  and  recitative,  by  Clifford  Harrison. 
— Recitation  with  music,  by  Frederic  Corder.  —  Selections,  edited  by  Robert 
D.   Blackman. 

[805] 


THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 

Voice,  speech  and  gesture.     (Continued.) 

Same.     New  York.     Putnam,    xvi,  840  pp.  3599.148 

Same.     New  edition.     London.     Deacon  &  Co.     1904.     xix,   1196  pp. 

3599.182 
Yokes,  Rosina. 

Clay,   C,   compiler.     Rosina   Vokes.      London.      1894.      Portraits. 

**T.58.8i 
Vol,   Le,  plus  haul,  ou  I'espion  des  principaux  theatres  de  la  capitale. 

[Anon.]     See  Dumont,  . 

VoUmoeller,  Carl,  editor. 

Co.NTi,  A.  DE  B.,  Prince  de.     Traite  de  la  comedie  et  des  spectacles. 

Heilbronn.     1881.  466ob.5i 

Volnais,  Claudine  Placide  Croizet  Ferreire,  called  Mademoiselle  Volnais. 

CosTE   d'Arnobat,    C.    p.      Lcttre    d'un    comedien    du   Theatre    de    la 

republique,  aux  demoiselles  Gros   et   Bourguoin,  dont  les  debuts 

doivent    suivre    celui   de    mademoiselle    Volnay.      [Anon.]     Paris. 

An  ix   [1801].  No.  5  in  **G.3562.2 

Voltaire,  Frangois  Marie  Arouet  de. 

AIanne,  a.  E.  D.  de.     Galerie  historique  des  comediens  frangois  de 

la  troupe  de  Voltaire.     Graves  par  Henri  Lefort.    Avec  des  details 

biographiques   inedits,    recueillis   sur   chacun   d'eux   par   E.-D.    de 

Manne.     Lyon.      1877.     Portraits.  4644.51;  **T.56.92 

Moreau,   J.    M.      [Engravings    made    from    drawings    by    Moreau    to 

illustrate  Voltaire's  plays  in  the  CEuvres  completes,  edited  by  P. 

A.   Caron   de   Beaumarchais   and   others,   and   published   at   Kehl. 

1785-89.]      1914.     29  plates.  **T.42.6 

Olivier,  J.  J.     Voltaire  et  les  comediens  interpretes  de  son  theatre. 

£tude  sur  I'art  theatral  et  les  comediens  au  xviiie  siecle.     Paris. 

1900.     Plate.  4676.23 

Vom  Nachtwachter  zum  tiirkischen  Kaiser!     Sontag,  C.  **T.57.283 

Von  Brettern  und  Podium.     Lewinsky,  J.  **T.97.84 

Vor  den  Coulissen.     Lewinsky,  J.,  editor.  **T.56.302 ;  etc. 

Voyous,  Les,  au  theatre.     Metenier,  O.  M.  J.  **T.57.i43 

Vulpian,  Alphonse,  and Gauthier. 

Code  des  theatres.  Ou  manuel  a  I'usage  des  directeurs,  entrepreneurs 
et  actionnaires  de  spectacles,  des  auteurs  et  artistes  dramatiques, 
etc.     Paris.    Waree.  ^  1829.     (3),  iv,  440  pp.  '•'*T.79.i4 

Vyse,  Bertie,  pseud.     See  A  Beckett,  Arthur  William. 
Vyvyan,  Mildred  C,  translator. 

PiscHEL,  R.  The  home  of  the  puppet  play.  An  address  on  assuming 
the  office  of  Rector  of  the  Konigliche  vereinigte  Friedrichs- 
Universitat,  Halle-Wittenberg.     London.     1902.  2256.18 

w 

W.,  J.    See  Wilson,  John,  bookseller. 
W.,  J.  F.    See  White,  J.  F.,  comedian. 
Wace,  Alan  John  Bayard. 

Mumming  plays  in  the  southern  Balkans.  Illus.  (In  British  School 
at  Athens.     Annual.     No.  19,  pp.  248-265.     London.     [1914.]) 

*296oa.53.i9 
Contents.  —  Creek  masquerades.  —  Vlach  mastiuerades.  —  The  festival  as  a  whole. 

Wagnalls,  Mabel. 

Stars  of  the  opera.  A  description  of  operas  &  a  series  of  personal 
interviews  with  Marcella  Sembrich,  Emma  Eames,  Emma  Calve, 

[806] 


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>=Wj 


Wagnalls,  Mabel.     (Continued.) 

Lillian  Nordica,  Lilli  Lehmann,  Geraldine  Farrar  &  Nellie  Melba. 

Revised  and  enlarged  edition.     New  York.     Funk  &  Wagnalls  Co. 

1907.     402  pp.     Portraits.  •  *4049a.346 

Wagner,  Georg  Philipp  Eberhard. 

Die  griechische  Tragodie  und  das  Theater  zu  Athen.     Kinleitun^  zum 

Vortrage  der  Antigone  des  Sophokles  in  der  Gesellschaft  Albina 

zu  Dresden.     Dresden.     Arnold.     1844.     vi,  66  pp.     Plan.       2960.13 
Wagner,  Heinrich  Ludwig  Ehrenfried. 

Musik-,  Schau-  und   Biihnenspiel-Hallen;  Tanz-Locale.      Plans.     (In 

Handbuch  der  Architektur.     Theil  4.     Halb-Band  4,  pp.    107-131. 

Darmstadt.     1885.)  *8o92.52.4 

Panoramen.      Von    Jacob    Licblein    und    Heinrich    Wagner.      Ilius. 

Plans.     (In  Handbuch  der  Architektur.     Theil  4.     Halb-Band  4, 

pp.  410-425.     Darmstadt.     1885.)  *8o92.52.4 

Literatur,  p.  425. 

agner,  Leopold. 

How  to  get  on  the  stage,  and  how  to  succeed  there.    London.    Chatto 

&  Windus.     1899.    ix,  181  pp.  *2576.i57 

he  pantomimes  and  all  about  them:  their  origin,  history,  preparation 

and  exponents.    London.    Heywood.     [1881.]     60  pp.  **T.48.8 

The  stage,  with  the  curtain  raised:  by  An  actor.     London.     Wagner. 

[1881.]      15,    (i)   pp.  **T.77.2o8 

A   discussion    of   various    ways    of   getting   on    the    stage. 

Same.     Heywood.     32  pp.  **T.77.209 

Wagner,  Wilhelm  Richard. 

Letters  to  Eniil  Heckel:  with  a  brief  history  of  the  Bayreuth  festivals. 
Translated  and  indexed  by  Wni.  Ashton  Ellis.  London.  Richards. 
1899.     vii,  154  pp.  .  40493.65 

Edited   by   Karl   Heckel. 

Wagner,  Wilhelm  Richard.     PVorks  about. 

Appia,  a.     La  mise  en  scene  du  drame  wagnerien.     Paris.     1895. 

No.  4  in  **M.372.39 
Wahle,  Julius. 

Das    Weimarer    Hoftheater    unter    Goethes    Leitung.      Aus    neuen 

Quellen  bearbeitet.     Weimar.     1892.    xxxii,  334,  (2)  pp.     [Goethe- 

Gesellschaft.     Schriften.     6.]  2907.37 

Das  weimarische  Hoftheater  unter  Goethes  Leitung.     Zur  Feier  des 

hundertsten  Jahrestages  seiner  Griindung.    Braunschweig.    Wester- 

mann.     1891.     (3),  29  pp.     Illus.     Portraits.     Facsimiles.        2891.7 

Wahrheit,  Die,  auf  der  Biihne.    Sittenberger,  H.  **T.75.26 

Wajang  poerwa,  De.    Serrurier,  L.  *Cab.8o.29.3 

Waldron,  Francis  Godolphin. 

To   the   nobility,   gentry,   and   others,   inhabitants  of   Richmond,   and 
the  adjacent  villas  and  villages.     [Richmond.     1776.]     8  pp. 
Relates  to  the  Theatre  Royal,  Richmond.  No.  2  in  **G.3824.6 

Waldron,  Francis  Godolphin,  compiler. 

The  ancient  and  modern  miscellany;  or.  Shakesperean  museum:  con- 
taining a  re-publication  of  scarce  and  valuable  tracts;  biographical 
anecdotes  of  theatrical  performers,  with  scarce  and  original 
poetry.  [Anon.]  London:  Printed  for  E.  and  S.  Harding.  1794. 
(i),  ii,  22,  84,  5  pp.,  32  ff.,  45  pp.     Plates.  **G.39i7.i7 

Same.  The  Shakespearean  miscellany:  containing  a  collection  of 
scarce  and   valuable  tracts;   biographical  anecdotes  of  theatrical 

[807] 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 

Waldron,  Francis  Godolphin,  compiler.     (Continued.) 

performers;  with  portraits  of  ancient  and  modern  actors:  (of 
many  of  whom  there  are  no  prints  extant)  scarce  and  original 
poetry;  and  curious  remains  of  antiquity.  A  concise  history  of 
the  early  English  stage.  Printed  chiefly  from  MSS.  London. 
Lacking-ton,  Allen  &  Co.     1802.     (3),  45,  3,  84,  50  pp.  2595.2 

The  contents  differ  slightly  from  those  of  the  preceding  edition.  Another  copy- 
is  on  shelf-number  **G.39i7.i8. 

Same.     Manson.     1804.  **G.39i7.i9 

Waldron,  Francis  Godolphin,  editor. 

DowNES,   J.     Roscius   Anglicanus,   or,   an   historical    review   of   the 
stage   from   1660,   to    1706.     With   additions,   by  Thomas   Davies. 
^      London.     1789.  **T.77.2;  etc. 

Waldron,  Francis  Godolphin,  and  others. 

-'  A  compendious  history  of  the  English  stage,  from  the  earliest  period 
to  the  present  time.  Containing  a  candid  analysis  of  all  dramatic 
writings,  a  liberal  and  impartial  criticism  on  the  merits  of  theatrical 
performers,  and  a  sketch  of  the  lives  of  such  as  have  been  eminent 
in  their  profession.  By  Waldron,  Dibdin,  &c.  London:  Printed 
for  J.  S.  Jordan  by  J.  S.  Barr.    1800.    (4),  i74  PP-    Plate.    **T.79.29 

Relates  to  the  London  theatres.  The  engraved  title-page  reads:  The  curtain; 
or,  an  impartial  history  of  the  English  stage.  Another  copy  is  on  shelf-number 
**T.79. 17. 

Waldstein,  Max. 

Aus  Wiens  lustiger  Theaterzeit.  Erinnerungen  an  Josefine  Gall- 
meyer.  (istes  Tausend.)  Berlin.  Jacobsthal.  1885.  (4),  227, 
(i)  pp.     Portrait.     Autograph  facsimile.  **T.57.228 

Same.     (3tes  Tausend.)  4837.20 

Bekenntnisse  eines  Hoftheater-Direktors.  Theater-Roman.  Grossen- 
hain.     Baumert  &  Ronge.     1883.     2  v.  in  i.  **T.87.i6 

Walker,  Mrs.  Dr.  . 

Reminiscences  of  the  life  of  the  world-renowned  Charlotte  Cushman, 
compiled  from  various  records,  by  Mrs.  Dr.  Walker,  her  chosen 
medium.  With  some  of  her  spirit  experiences,  expressions  of 
regret,  etc.  Boston.  Tenny.  1876.  96  pp.  Portraits.  Auto- 
graph facsimiles.  **T.97.24i 

The  cover-title  reads,  $600,000.  Charlotte  Cushman.  How  she  made  her 
fortune.      Another  copy   is  on   shelf-number   No.  4  in  *444oa.37. 

Walkley,  Arthur  Bingham. 

Playhouse  impressions.     London.     Unwin.     1892.     viii,  261,    (i)   pp. 

4577.141  ;**T.47.io7 
Wallace,  Charles  William. 

The  Children  of  the  Chapel  at  Blackfriars,  1597-1603.  Lincoln,  Neb. 
1908.  xii,  207  pp.  [University  of  Nebraska.  University  studies. 
Vol.  8,  nos.  2,  3.]  *3595-i04.8 

The  evolution  of  the  English  drama  up  to  Shakespeare,  with  a  history 
of  the  first  Blackfriars  Theatre.  A  survey  based  upon  original 
records  now  for  the  first  time  collected  and  published.  Berlin. 
Reimer.  1912.  xxi,  246  pp.  [Deutsche  Shakespeare-Gesellschaft, 
Weimar.    Schriften.     Band  4.]  4593-203 

The  text  is  in   English  only:   the  title  is  repeated  in   German. 
The   first   London  theatre:   materials   for   a  history.      Lincoln,    Neb. 
1913.    297  pp.     [University  of  Nebraska.     University  studies.     Vol. 
13,  nos.  1,  2,  3.]  *3595-io4-i3 

Relates  to  "The  theatre"  in  Shoreditch,  London. 

[808] 


BROWN   COLLECTION    OF   BOOKS    ON    THE   STAGE 


Wallace,  Charles  William.     (Continued.) 

Shakespeare  and  his  London  associates  as  revealed  in  recently  dis- 
covered documents.  Lincoln,  Neb.  1910.  100  pp.  [University 
of  Nebraska.     University  studies.     Vol.   10,  no.  4.] 

No.  4  in  3595.104.10 

Three  London  theatres  of  Shakespeare's  time.     [Lincoln,  Ncljraska.] 

1909.     56  pp.     [University  of  Nebraska.     University  studies.     Vol. 

9,  no.  4,  part  i.]  No.  4  in  *3595.io4.9 

Wallace,  Ellen. 

Sketches  of  Mr.  Macready's  attitudes  in  Ion.  N.  p.  [183-?]  (3)  pp. 
12  portraits.  **T.53.2o 

Wallack,  Jarnes  William. 

MoRRELL,  T.  H.  A  sketch  of  the  life  of  James  William  Wallack, 
(Senior),  late  actor  and  manager.  [Anon.]  New  York.  1865. 
Portrait.  **T.55.2i;  etc. 

Wallack,  John  Johnstone.     (Lester  Wallack.) 

Memories  of  fifty  years.  With  an  introduction  by  Laurence  Hutton. 
New-York.  Scribner  1889.  xiv,  232  pp.  Portraits.  Plates. 
Facsimiles.  4342.88;  **T.57.207 

Same,     xiv,  190  pp.  **T.55,44 

Deals  mainly  with  the  history  of  Wallack's  Theatre,  and  the  actors  who  appeared 
there. 

Wallack,  Lester.    See  Wallack,  John  Johnstone. 

Wallet,  The,  of  time.     Winter,  W.  4395.220 

Wallett,  William  Frederick. 

The  public  life  of  W.  F.  Wallett,  the  Queen's  jester:  an  autobiography 
of  forty  years'  professional  experience  and  travels  in  the  United 
Kingdom,  the  United  States,  Canada,  South  America,  Mexico,  the 
West  Indies,  &c.  Edited  by  John  Luntley.  London.  Bemrose. 
1870.    xvi,  188  pp.    Portrait.    Autograph  facsimile.  **T.57.30i 

Wallner,  Franz  W. 

Riickblicke  auf  meine  theatralische  Laufbahn  und  meine  Erlebnisse 
an  und  ausser  der  Biihne.     Berlin.     Gerschel.     1864.     286  pp. 

4847.30 
Walsh,  Townsend. 

The  career  of  Dion  Boucicault.  New  York.  The  Dunlap  Society. 
1915.    xviii,  224  pp.     Portraits.  **T.95.i5i 

Bibliography  of  Boucicault's  works,  pp.   220-224. 

Walter,  Frank  Keller,  compiler. 

The  modern  drama;  its  traits,  tendencies  and  technique.  [Bibli- 
ographies.] {In  Modern  drama  and  opera.  Vol.  2,  pp.  15-32. 
Boston.     1915.)  *2i75.37.2 

Contents.  —  A   few   recent   general   bibliographies.   —   Books   and   articles   on   the 
drama.  —  Drama  in  education.  —  Motion  pictures  and  the  drama. 

Walter,  Friedrich. 

Geschichte  des  Theaters  und  der  Musik  am  kurpfalzischen  Hofe. 
Leipzig.  Breitkopf  &  Hartel.  1898.  (9),  378  pp.  Plate.  Plan. 
[Forschungen  zur  Geschichte  Mannheims  und  der  Pfalz.     i.] 

6871.40 
Walton,  Henry. 

Pleadings  in  a  theatrical  lawsuit.  Temp.  Henry  viii.  (From  the 
Records  of  the  Court  of  Requests.  [John  Rastell  1:  Henry 
Walton.]  (In  English  garner,  An.  Fifteenth  century  prose  and 
verse.     Pp.  305-321.     Westminster.      1903-)  4557-43 

[809] 


THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 

Wandering  patentee,  Tlic.     Wilkinson,  T.  **T.77,69 

War  among  the  blacks.  A  full  report  of  the  celebrated  chancery  suit, 
Montague  &  Wilsom  versus  Moore,  Crocker,  Ritter,  and  Hamil- 
ton, proprietors  and  managers  of  the  Christy  Minstrels,  February 
8th,   1865.     Liverpool.     Holme  &  Copley.     1865.     (4),  80  pj). 

**T.96.i76 

Warburton,  William,  Bishop  of  Gloucester. 

CiBi'-ER,  T.  The  lives  and  characters  of  the  most  eminent  actors 
of  Great  Britain  and  Ireland,  from  Shakespear  to  the  present 
time.  Part  i:  Barton  Booth.  Prefixed,  A  familiar  epistle  to  Mr. 
William  Warburton.     London.     1753.  **T.57.i63 

Ward,  Artemus,  pseud.     See  Browne,   Charles  Farrar. 

Ward,  Genevieve. 

GusTAFSON,    Z.    B.      Genevieve   Ward.     A    biographical    sketch    from 

original  material   derived   from   her   family  and   friends.      Boston. 

1882.     Portrait.  4349-97;  **T.58.37;  etc. 

Memoir  of  Genevra  Guerrabella  f pseud,  of  Genevieve  Ward].     New 

York.     1863.     Portrait.  No.  2  in  **M. 148.7 

Ward,  Lucy  Genevieve  Teresa,  Comtesse  de  Gucrbcl.    See  Ward,  Genevieve. 

Ward,  Sarah. 

Letters  which  passed  between  Mr.  West  Digges,  comedian,  and  Mrs. 
Sarah  Ward,  1752-1759.     Edinburgh.    Stevenson.     1833.    xi,  160  pp. 

.Another  copy  is  on  shelf-number  **G.375.'i-i5-  **T.56.225 

Ward,  Valentine. 

The   stage,   a   dangerous   and    irreconcilable    enemy   to    Christianity, 
asserted   and   proved,   in   a   letter  addressed   to   a   comedian.     2d 
edition.    Aberdeen.     Chalmers  &  Co.     1819.    45,  (i)  pp.    **T.96.69 
Ward,  Valentine.     Works  about. 

M.,  E.  A  brief  defence  of  the  stage,  against  the  attacks  of  the 
Methodists  and  other  sectarians;  in  a  letter  to  a  friend,  intended 
chiefly  as  a  reply  to  a  pamphlet,  written  by  Mr.  Valentine  Ward, 
entitled,  "The  stage;  a  dangerous  and  irreconcilable  enemy  to 
Christianity."     Dublin.     1824.  **T.76.88 

Ware,  John  Fothergill  Waterhouse. 

May  I  go  to  the  theatre?  A  discourse  delivered  in  Baltimore,  before 
the  Society  of  the  Church  of  the  Savior,  Feb'y  5th,  1871.  Balti- 
more.    [1871.]     21  pp.  7464.135 

In  favor  of  the  theatre. 

Same.     [Extract.     Philadelphia.     187-?]     4  pp.       No.  35  in  **G.3822.3 
Wargrave  theatricals.     See  Barry,  Richard,  seventh  Earl  of  Barrymore. 
Warning,  A,  against  attendance  at  the   theatre.     Kempthorne,  Rev.   J. 

**T.76.66 
Warning,  A,  to  professors.     Hill,  R.  **T.96.ii3;  etc. 

Warren,  Lavinia.    See  Stratton,  Lavinia  Warren. 
Warren,  Minnie. 

Sketch  of  the  life,  personal  appearance,  character,  and  manners  of 
Charles  S.  Stratton,  the  man  in  miniature,  known  as  General  Tom 
Thumb,  and  his  wife,  Lavinia  Warren  Stratton;  also,  of  Com- 
modore Nutt  and  Minnie  Warren.  New  York.  1863.  IHus.  Por- 
traits. Plates.  **T.58.62;etc. 
Warren,  William,  1767-1832. 

Wakken  family.  The.  Issued  for  private  distribution  only.  Printed 
and  presented  to   Edward   Marble.     New   York.      1893. 

No.  2  in  **T.54.33 
[810] 


BROWN   COLLECTION   OF  BOOKS   ON    THE   STAGE 


Warren,  William,  1812-1888. 

Ball,  W.  T.  W.  Life  and  memoirs  of  William  Warren,  Boston's 
favorite  comedian.  With  a  full  account  of  his  golden  jubilee. 
Fifty  3'ears  of  an  actor's  life.     [Boston.     1888.]     Portraits. 

4343.217;  **T.58.8;  etc. 

Same.     Extra  illustrated  by  Lucius  Poole.  **T.54.33 

[William  Warren.     A  collection  of  newspaper  clippings,  magazine 

articles,  etc.     Boston?     19 — ?]     Illus.     Portraits.  '''*T.55.i39 

Warren   family,   The.      Issued   for   private    distribution    only.      Printed 

and  presented  to  Edward  Marble,  with  the  compliments  of  A.  S. 

Seer,   theatrical   printer.      New   York.      1893.      17  pp. 

This  is  principally  an  account  of  the  elder  Warren.  No.  2  in  **T.54.33 

Warwick,  England.     Theatres. 

Four  theatrical  addresses:  upon  the  providential  preservation  of  His 

Majesty's  life,  at  Drury-Lane  Theatre.     Upon   the   preliminaries 

of  peace.    Upon  the  opening  of  the  new  theatre  at  Warwick.    And 

a  farewell  epilog-ue.     [Poems.]     Alccster.     [1803?]  **T.97.93 

Was  ich  erlebte.     Haase,  F.  **T.55.35 

Washington,  George. 

Ford,  P.  L.     Washington  and  the  theatre.     New- York.     1899.     Plate. 

**T.95.2i 
Washington,  D.  C.     Theatres.     Ford's  theatre. 

[Programme.]  April  14th,  1865.  Benefit  and  last  night  of  Miss 
Laura  Keene.     [Washington,  D.  C.     1891,]  **T.ii.7 

A   facsimile  of  the  programme  of  the  night  of  Lincoln's  assassination. 

Washington,  D.  C.     Theatres.     New  National  theatre. 

Hunter,  A.,  and  J.  H.  Polkinhorn.  New  National  Theater,  Wash- 
ington, D.  C.  A  record  of  fifty  years.  Washington.  1885.  Illus. 
Portrait.     Plate.  *4379a.i34 

Waterloo,  Battle  of,  1815.     Viezvs. 

Barker,  H.  A.  Description  of  the  field  of  battle,  and  disposition 
of  the  troops  engaged  in  the  action,  fought  on  the  i8th  of  June, 
1815,  near  Waterloo;  illustrative  of  the  representation  of  that 
great  event  in  the  panorama,  Leicester  Square.  [London.]  1816. 
Plate.  **T.96.296 

Watermen. 

Taylor,  J.,  the  Water  Poet.  The  trve  cavse  ot  the  watermen's  suit 
concerning  players,  and  the  reasons  that  their  playing  on  London 
side  is  their  extreame  hindrances.  With  a  relation  how  farre  that 
suit  was  proceeded  in,  and  the  occasions  that  it  was  not  effected. 
[London.    1872.]  **T.76.i45;  etc. 

Waters,  Edmund 

In  chancery.  The  King's  Theatre,  or  Opera  House.  Copy  of  the 
short-hand  writer's  notes,  taken  at  the  hearing  of  the  cause  before 
the  vice-chancellor;  in  which  Abraham  Henry  Chambers,  and  his 
assignees  were  the  plaintiffs,  and  Edmund  Waters,  and  the 
executors  of  the  late  William  Taylor,  were  the  defendants.  To- 
gether with  the  judgment  pronounced.  London.  [Brettell.j 
1829.     222>,  (i)  PP-  No.  5  in  **G.3822.4.2 

Relates  to  His  Majesty's  Theatre,  London. 

Waters,  Clara  Erskine  Clement.     See  Clement,  Clara  Erskine. 

Waters,  Edmund. 

The  opera  glass.  Exhibiting  all  the  curious  proceedings  of  the 
King's   Theatre;    together   with    the   original   letters   and   papers, 

[811] 


THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 

Waters,  Edmund.     (Continued.) 

which    have   passed   between    the   present    proprietors,    since    the 
decease  of  Francis  Goold,  Esq.     London.    Chappie.     1808.     148  pp. 

.\nothcr  copy  is  on  shelf-number  No.  lo  in  **G. 3824.4.  **M.376.6l 

A  Statement  of  matters,  relative  to  the  King's  Theatre.     2d  edition. 

London.     Ebens.     1818.     (4),  27  pp.  **T.76.i30 

Anothii   copy  is  on  shelf-number  No.  6  in  **G.3824.3. 
Waterston,  Anna  Cabot  Quincy. 

Adelaide   Phillipps.     Boston.     Williams   &   Co.      1883.      (3),    170  pp. 

Plate.  4345.81  ;**M.ioi. 10 

Same.     2d  edition.     Cupples,  Upham  &  Co.  **P.ii.69i7 

Watkins,  Ben  William. 

Outlines  of  the  life  of  William  Bestow,  editor  and  proprietor  of  the 

"Theatrical  Journal."    With  occasional  reference  to  contemporary 

theatrical  events  and  personages.     London.     Lacy.     1864.     (2),  ii, 

no  pp.     Portrait.  **T.58.28 

Watson,  Aaron. 

The  Savage  Club.    A  medley  of  history,  anecdote  and  reminiscence. 

With  a  chapter  by  Mark  Twain  f pseud.].     London.    Unwin.     1907. 

xii,  327  pp.     lUus.     Portraits,  some  colored.     Plates.     Facsimiles. 

*2497.202 

The    members    are    connected    professionally    with    literature,    art,    science,    the 
drama,  or  music. 

Watson,  James. 

An  address  to  the  inhabitants  of  Manchester,  on  theatricals,  by  a 
townsman.     Manchester.     Bancks.     [1803.]     8  pp.  **T.77.29 

Verses  relating  to  the  Theatre  Royal,  Manchester. 

Watson,  James,  editor. 

Townsman,  The,  no.  1-24;  (to  be  continued  occasionally).    Addressed 

to   the   inhabitants    of  Manchester,    on    theatricals.      Manchester. 

[1803-05.]  **T.26.65;etc. 
Waugh,  Frank  Albert. 

Outdoor    theaters.     The  design,    construction   and    use    of    open-air 

auditoriums.     Boston.  Badger.     [1917.]      151   PP-     Ulus.     Plates. 

Plans.  4098.86 

P.ibliography,  pp.   143-145. 
Wayfaring  men.     Bayly,  A.  E.  **T.87.42 

.Weaver,  John. 

The  history  of  the  mimes  and  pantomimes,  with  an  historical  account 
of  several  performers  in  dancing,  living  in  the  time  of  the  Roman 
emperors.  To  which  will  be  added,  a  list  of  the  modern  enter- 
tainments that  haue  been  exhibited  on  the  English  stage.  Lon- 
don:   Printed    for   J.    Roberts.      1728.      (3),    56   pp. 

No.  7  in  **G.3824.i7 
Weddigen,  Friedrich  Heinrich  Otto. 

Geschichte  der  Theater  Deutschlands  in  hundert  Abhandlungen  dar- 
gestellt,  nebst  einem  einlcitendcn    Riickblick  zur   Geschichte   der 
dramatischen    Dichtkunst   und    Schauspiclkunsl.      Berlin.      Frens- 
dorff.      [1906.]      2  V.     Illus.     Portraits.      Plates.      Facsimiles. 
Quellennachweise,  vol.   i,  pp.    1-5.  *287I.Il8 

Wedmore,  Sir  Frederick. 

Memories.  London.  Methuen  &  Co.,  Ltd.  [1912.]  viii,  (i),  230, 
(i)  pp.  4544-218 

Includes  sketches  of  the  Terrys,  Pierre  Herton,  "Sarah,"  Desclee,  Henry  Irving, 
-Mrs.  Kendal,  and  other  actors. 

[812] 


BROWN  COLLECTION   OF  BOOKS   ON   THE  STAGE 


Weekly  Dramatic  Register,  The,  a  concise  history  of  the  London  stage 
for  T825-27.  Compiled  from  The  Theatrical  Observer.  Vol.  1-3. 
London.     Thomas.     1825-27.     3  v.  **T.26.i5 

The   Theatrical    Observer   may   be   fovind    on    .shelf-number   ••T.26.2. 

Same.     Vol.   i.     1825.  **K.35.4i 

Weekly  Review,  The,  and  dramatic  critic.    Vol.  1-3.    Edinburgh.    Robin- 
son.    1852,  53.     3  V.  in  I.  **T.27.6 
Weekly  Theatrical   Reporter,  The,  and   Music  -Hall  review.     No.    1-14. 
Dec.  14,  1867 -Mar.  14,  1868.     [London.]     1867,  68.              **T.23.io 
Wegelin,  Oscar. 

Early  American  plays,  1714-1830:  being  a  compilation  of  the  titles 
of  plays  by  American  authors  published  and  performed  in  America 
previous  to  1830.  Edited  with  an  introduction  by  John  Malone. 
New  York.  1900.  xxvi,  (i),  113  pp.  [Dunlap  Society.]  **T.95,23 
Same.  A  compilation  of  the  titles  of  plays  and  dramatic  poems 
written  by  authors  born  in  or  residing  in  North  America  previous 
to  1830.     2d  edition.     New  York.     The  Literary  Collector  Press. 

1905.  94  pp.     Portrait.     Facsimiles.  *4504.87 
Micah  Hawkins  and  The  saw-mill.     A  sketch  of  the  first  successful 

American  opera  and  its  author.     New  York.     Privately  printed. 

1917-     (13)  PP-     Portrait.     Facsimiles.  *4047.349 

Wegener,  Richard. 

Die    Biihneneinrichtung    des    Shakespeareschen    Theaters    nach    den 

zeitgenossischen  Dramen.    Halle  a.  S.   Niemeyer.    1907.   iv,  164  pp. 

Illus.     Facsimiles.  4595.178 

Wehl,  Feodor  von. 

Fiinfzehn  Jahre  Stuttgarter  Hoftheater-Leitung.     Ein  Abschnitt  aus 

meinem  Leben.     Hamburg.     Richter.     1886.    vii,  554  pp.     Portrait. 

Plate.     Autograph  facsimile.  **T.76.3o 

Zeit  und  Menschen.     Tagebuch-Aufzeichnungen  aus  den  Jahren  von 

1863-1884.     Altona.     Reher.     i88g.  2892.57 

Relates  chiefly  to  the  theatres  in  Germany. 

Weilen,  Alexander  Weil,  Rifter  von. 

Geschichte  des  Wiener  Theaterwesens  von  den  altesten  Zeiten  bis 
zu  den  Anfangen  der  Hof-Theater.  Wien.  Gesellschaft  fiir 
vervielfaltigende  Kunst.  1899.  (8),  170  pp.  Illus.  Portraits. 
Plates.     [Die  Theater  Wiens.     Rand  i.]  *Cab. 2^.27.2,1 

Hamlet  auf  der  deutschen  Biihne  bis  zur  Gegenwart.  Berlin.  Reimer. 
1908.  ix,  (i),  200  pp.  [Deutsche  Shakespeare-Gesellschaft. 
Schriften.     Band  3.]  4593.202 

Das  k.  k.  Hofburgtheater  seit  seiner  Begruendung.     Von  O.  Teuber 

[und]   A.  von  Weilen.     Wien.     Gesellschaft  fiir  vervielfaltigende 

Kunst.     1896-1906.     3  V.     Illus.     Portraits.     Plates.     [Die  Theater 

Wiens.     Band  2.]  *Cab.28.27.2.2 

Weilen,  Alexander  Weil,  Ritter  von,  editor. 

CosTENOBLE,  C.  L.  Tagebiicher  von  seiner  Jugend  bis  zur  Ubcrsied- 
lung  nach  Wien  (1818).  Auf  Grundlage  der  Originalhandschrift 
mit  Einleitung  und  Anmerkungen.     Berlin.     1912.     2  v.         6907.28 

Laube,  H.     Theaterkritiken  und   dramaturgische  Aufsatze.     Berlin. 

1906.  2  V.     Portraits.  6907.18 
Weimar,  Germany.     Theatres. 

HoEFER,  C.  Weimarische  Theaterveranstaltungen  zur  Zeit  des 
Herzogs  Wilhelm  Ernst.     Weimar.     1914.  **T.74.22 

Schmidt,  H.  Erinnerungen  eines  weimarischen  Veteranen  aus  dem 
geselligen,  literarischen  und  Theater-Leben.     Leipzig.     1856. 

**T.57.37i 
[813] 


THE  PUBLIC  LIBRARY   OF  THE   CITY  OF  BOSTON 

Weimar,  Germany.     Theatres.     Hoftheater. 

Bartels,    a.      Chronik    des    weimarischen    Hoftheaters,    1817-1907. 

Festschrift  zur   Einwcihung   des   neuen   Hofthcater-Gebaudes    11. 

Januar  1908.     Weimar.     1908.  2878.187 

BuRKHARDT,  C.  A.  H.     Das  Repertoire  des  weimarischen  Theaters 

unter  Goethes  Leitung,   1701-1817.     Hamburg.     1891.    *      6872.36 
Genast.    E.      Aus    Weimars    klassischer    und    nachklassischer    Zeit. 

Erinnerungen     eines     alten     Schauspielers.       Stuttgart.       [1012?] 

Portraits.  2877.210 

Pasque,  E.  H.  a.     Goethe's  Theaterleitung  in  Weimar.     In  Episoden 

und  Urkunden  dargestellt.     Leipzig.     1863.     2  v.  48893.8 

Wahle,  J.     Das  Weimarer  Hoftheater  unter  Goethes  Leitung.     Aus 

neuen  Quellcn  bearbeitet.     Weimar.     1892.  2907.37 
Das  weimarische  Hoftheater  unter  Goethes  Leitung.    Zur  Feier 

des    hundertsten    Jahrestages    seiner    Griindung.      Braunschweig. 

1891.     lUus.     Portraits.  2891.7 

Weiser,  Carl. 

Zehn  Jahre  Meiningen.     Ein  Beitrag  zur  Theatergeschichte.     Teil  i. 

(In  Archiv  fiir  Theatergeschichte.     Vol.    i,   pp.    1 18-126.      Berlin. 

1904.)  *6907.i2.i 

Weiss,  Ehrich.     See  Houdini,  Harry. 
Weiss,  Jean  Jacques  Auguste. 

Le  theatre  et  les  moeurs.    2^  edition.    Paris.    Levy.     1889.     (3),  xxxvi, 

387  pp.      [Bibliotheque   contemporaine.]  4697.94 

Content.'!.  —  Preface.  —  Eugene  Scribe.  —  Alexandre  Dumas.  —  Victor  Hugo.  — ■ 

Alexandre  Dumas  fils.  —  Les  mceurs  et  le  theatre  en   1865.  —  fidouard  Pailleron. 

—  Realisme  et  naturalisme.  —  Quelques  mots  sur  Sardou.  —  Octave  Feuillet.  — 

Questions  theatrales  et  physionomies  de  theatre. 

Same.    3^  edition.  **T.47.85 

Same.    4^  edition.  4697.91 

Trois   annees   de   theatre,    1883-1885.     A   propos    de   theatre.      Paris. 

Levy.     1893.     (3),  iii,  377  pp.  2676.188;  **T.47.82 

Relates  to  France. 

Trois  annees  de  theatre,  1883-1885.     Autour  de  la  Comedie-frangaise. 

Paris.     Levy.     1892.     (3),  iv,  328  pp.  2676.142 

Same.    2^  edition.  **T.47.8i 

Trois  annees  de  theatre,  1883-1885.     Les  theatres  parisiens.     Preface 

par  le  Prince  Georges  Stirbey.     Paris.     Levy.     1896.     (3),  Ixxxix, 

296  pp.  **T.47.84 

Weisstein,  Gotthilf. 

Theater:  Biihnengeschichte,  Gesellschaften,  Ballet.  (In  Bibliothek 
Weisstein.     Vol.  2,  pp.   119-288.     Leipzig.     1913.)  *2i72. 250.2 

Welby,  Frances  A.,  translator. 

Hastings,  C.  The  theatre:  its  development  in  France  and  England, 
and  a  history  of  its  Greek  and  Latin  origins.  With  an  introductory 
letter  from  Victorien  Sardou.     London.     1901.  4676.109;  etc. 

Welch,  Deshler,  editor. 

Theatre,  The.  fWeekly.]  An  illustrated  magazine  of  drama,  music, 
art.  Vol.  1-6,  7  Tno.  1-18).  Mar.  20,  1886 -Mar.  2,  1891.  New 
York.     1886-90.     7  V.     Illus.     Portraits.     Plates.     Plans.     Music. 

**T.25.2;  etc. 
Weller,  Bernard  Williams. 

Stage  copyright  at  home  and  abroad.  London.  "The  Stage."  1912. 
xxxii,  286  pp.  *Patent  Room  23.87 

Wellmer,  Arnold,  editor. 

Baier,  C.  Aus  dem  Leben  ciner  Vestorbenen.  Berlin.  1880,  81. 
4  V.  in  2.  2845.67 

[814] 


BROWN  COLLECTION   OF  BOOKS   ON   THE   STAGE 

Wells,  Clara  L. 

The  amphitheatres  of  ancient  Rome.  Boston.  Cupplcs,  Upham  & 
Co.     [1883.]      (5),  80  pp.  **T.95.79 

Same.     Plates.  2752.57 

Wells,  Mary. 

Memoirs   of   the    life    of    Mrs.    Sumbel,    late    Wells.      Including,'    her 
correspondence   with   Major  Topham,   Mr.    Reynolds,   &c.      Lon- 
don.    Chappie.     1811.     3  V.  in  i.  **T.57.4oi 
Well-wisher  to  the  king  and  people. 

The  inconsistency  of  comedies  and  stage-plays  with  true  Christianity 
proved  by  Scripture  and  authorities.     [London.     1735.]     16  pp. 

No.  6  in  **G.3823.i2 
Welschinger,  Henri. 

Le  theatre  de  la  RevoKition.  1789-1799.  Avec  documents  inedits. 
Paris.     Charavay.     1880.     vi,  524,   (i)   pp.  466oa.8i;  **T.77.ii4 

Welsh,  Robert  Emmet. 

A-B-C  of  motion  pictures.  New  York.  Harper.  [igi6.]  (6),  121 
pp.     Plates.     [Harper's  A-B-C  series.]  80393.46 

Foreword  by  Daniel  Frohman. 

Wemyss,  Francis  Courtney. 

Wemyss'  Chronology  of  the  American  stage,  from  1 752-1852.  New- 
York.     Taylor  &  Co.     [1852.]     191,  (i)  pp.  **T.57.i77 

Principally  a  dictionary  of  actors. 

Twenty-six  years  of  the  life  of  an  actor  and  manager.    With  sketches, 

anecdotes   and   opinions   of  the  professional   merits   of  the   most 

celebrated  actors  of  our  day.     New  York.     Burgess,  Stringer  & 

Co.     1847.  **T.57.i23 

Wemyss,  Francis  Courtney,  editor. 

Rede,  L.   T.     The   guide   to   the   stage,   containing  instructions   for 

obtaining    theatrical    engagements,    with    a    list    of    Provincial 

theaters  and  a  clear  elucidation  of  all  the  technicalities  of  the 

histrionic  art.     New  York.     1864.  **T.97.307 

Werenfels,  Samuel. 

The  usefulness  of  dramatic  interludes,  in  the  education  of  youth:  an 

oration  spoke  before  the  masters  and  scholars  of  the  University 

of  Basil.    Translated  from  the  Latin  by  Mr.  Duncombe.    London: 

Printed  for  R.  Dodsley.     1744.     iv,  27  pp.         No.  10  in  **G.3824.2 

Werner,  Otto  Julius. 

Die  Elisabethanische  Biihne  nach  Ben  Jonson.  i.  Teil.  Inaugural- 
Dissertation.     Halle  a/S.     Karras.     [1878.]      (i),  32,    (2)   pp. 

No.  ID  in  **G.75.23 
Werner,  Richard  Maria. 

Der  Laufner  Don  Juan.  Ein  Beitrag  zur  Geschichte  des  Volksschau- 
spiels.  Hamburg.  Voss.  1891.  (7),  151,  (i)  pp.  [Theater- 
geschichtliche   Forschungen.]  6872.45 

Werner,  Richard  Maria,  editor. 

Gallerie  von  teutschen  Schauspielern  und  Schauspielerinnen,  nebst 
Johann  Friedrich  Schinks  Zusatze  und  Berichtigungen.  Mit  Ein- 
leitung  und   Anmerkungen.     Berlin.      1910.  6907.23 

Wessely,  Josefine. 

Meiche,  L.  Erinnerungen  an  Josephine  Wessely.  Leipzig.  1887. 
40  pp.     Portrait.  **T.57.369 

West,  Gilbert. 

A  dissertation  on  the  Olympick  games.     (In  Pindar.     Odes.     Vol.  2, 

pp.  1-275.     London.     1753.)  2999.21.2 

Same.     (In  Same.     Vol.  3.     1766.)  4999.21.3 

[815] 


THE  PUBLIC  LIBRARY  OF  THE  CITY  OF  BOSTON 


West,  John,  &  Co. 

Catalogue  of  plays,  for  sale.  Boston.  [1810?]  (12)  pp.  *6i49a,64 
West,  Mary. 

A  born  player.  [A  novel.]  New  York.  Macmillan  &  Co.  1893. 
viii,  293  pp.  **T.87.24 

Westminster  School,  London.     Plays  and  entertainments. 

Oi.i)  Wf.stminster,  An,  pseud.  The  Westminster  play  [Terence's 
Phormio],  its  actors  and  its  visitors.     [London.]     1855.    **T.97.265 

Plot  of  the  Phormio.     [Verse.    Anon.    Accompanied  by  two  leaflets, 

entitled  Phormio,   1873   (cast)   and  Plot  of  epilogue,   1873;  also  a 

programme,  and  a  leaflet  containing  two  songs.     London.     1873.] 

4  pp.  **T.97.35i 

Weston,  Thomas. 

Memoirs  of  that  celebrated  comedian,  and  very  singular  genius 
Thomas  Weston.     London.     1776.  **T.56.i47;  etc. 

T.\YLOR,  T.  The  great  actors  of  1775  [Garrick,  Weston,  and  others. 
London.     1863].  No.  3  in  **G.62.5 

Wetmore,  Helen  Cody. 

Last  of  the  great  scouts.  The  life  story  of  Col.  William  F.  Cody, 
("Buffalo  Bill")  as  told  by  his  sister.  [Duluth.  The  Duluth  Press 
Printing  Co.     1899.]     xii,  (i),  267  pp.     Portraits.     Plates.    4344.185 

Same.  [Illustrated  by  Frederic  Remington  and  E.  W.  Deming.] 
Chicago.  Duluth  Press  Publishing  Co.  [19 — ?]  xiv,  296  pp. 
Portraits.     Plates.    Autograph  facsimiles.  **T.56.i92 

Wewitzer,  Ralph. 

Dramatic  reminiscences,  anecdotes,  comical  sayings  and  doings. 
London.     Lacy.     [185-?]     3-108  yy.     Portrait.  **T.59.33 

Principally  composed  of  anecdotes  of  British  actors. 

Same.  Added,  his  Dramatic  chronology.  London.  3-112,  68  pp. 
Portraits.  2579.50;  **T.59.34 

The  chionology  relates  to  the  London  stage. 

A  theatrical  pocket  book,  or  brief  dramatic  chronology,  from  the 
earliest  periods  of  history:  with  a  list  of  British  dramatists,  and 
of  actors,  &c.  on  the  London  stage,  from  the  introduction  of 
theatrical  entertainments  into  England.  London.  The  Editor. 
1814.     iv,  (4),  127,  (2)  pp.  **T.98.i33 

Same.  A  brief  dramatic  chronology  of  actors,  &c.  on  the  London 
stage,  from  the  introduction  of  theatrical  entertainments  into 
England,  to  the  present  time.  New  edition.  Added,  a  miscel- 
laneous appendix.  London.  Miller.  1817.  8,  115,  (i)  pp.  **T. 78.26 
Other  copies  are  on  shelf-numbers  **G.382i.22;  No.  1  in  **G.382i.23  ;  No.  3  in 
"G.3823.7. 

Weygandt,  Cornelius. 

Irish  plays  and  playwrights.  Boston.  Houghton  Mifflin  Co.  1913- 
(9),    314,    (i)    pp.      Portraits.      Plate.  4574.199 

Contains  an  account  of  the  Abbey  Theatre,  Dublin. 

Whalley,  Thomas  Sedgwick. 

Verses  addressed  to  Mrs.  Siddons,  on  her  being  engaged  at  the 
Theatre-Royal,  Drury-Lane,  in  1782.  London:  Printed  for  T. 
Cadell.     1782.     (3),   19  pp.  **T.54.5 

Wheatley,  Henry  Benjamin. 

On  a  contemporary  drawing  of  the  interior  of  the   Swan  Theatre, 

1596.      Facsimile.      (In    New    Shakspere    Society.      [Publications.] 

Series  I.     Transactions.     No.    12.     1887-1892.     Part   II.,   pp.   213- 

225.     London.     1888.)  **G.ioo.i.i887-i892 

Same.     [Preprint.]  **G.iio.5 

[816] 


BROWN   COLLECTION    OF  BOOKS    ON    THE   STAGE 


Wheatley,  Henry  Benjamin.     (Continued.) 

Samuel  Pepys  and  the  world  he  lived  in.  London.     Bickers.     1880. 

viii,   (i),  311  pp.  24503.53 

Same.     2d  edition.  **K.22«;  q 

Same.    New  York.     Scribner  &  Welford.  **K. 295.5 

Plays  which   Pepys  saw  acted,  pp.  289-296. 

Wheatley,  Henry  Benjamin,  editor. 

Cunningham,    P.      The    story    of    Nell    Gwyn    and    the    sayinj^s    of 
Charles   II.     London.      1892.     Illus.     Portraits.  *6540.79 

Same.    Nell  Gwyn.    Together  with  Mrs.  Jameson's  lives  of  the 

Duchesses    of    Portsmouth    and    Clev.eland.      London.       fioo-?] 
Portraits.     Plates,  one  colored.  *2545.25o 

Wheeler,  James  Rignall. 

The  Theatre  of  Dionysus.     Plates.     Plan.     (In  Archseological  Insti- 
tute of  America.     Papers  of  the  American  School  of  Classical 
Studies  at  Athens.    Vol.  i,  pp.  121-179.    Boston.     1885.)     *2963.62.i 
Wheelwright,  John  Tyler,  prefacer. 

Garrison,   L.   McK.     An   illustrated  history  of  the    Hasty    Pudding 
Club  theatricals.     Cambridge.     1897.     Illus.     Plates.       *448oa.i57 
When   was    the    drama    introduced    in    America?      Daly,    C.    P. 

**T.75.72;  etc. 
Whitbread,  Samuel. 

Authentic  account,  An,  of  the  late  Mr.  Whitbread.     Consisting  of 

facts  &  anecdotes  relating  to  his  latter  days  and  death.    With  the 

genuine    report   of   the   inquest   taken    in    short-hand   by    Francis 

Phippen,  including  a  memoir  of  his  life.    London.    1815.   **T.96.3i8 

White,  J.  F.,  comedian. 

An  appeal  to  the  public  at  large,  of  the  town  of  Manchester,  but 
chiefly  addressed  to  the  violent  opposers  of  J.  F.  White,  comedian: 
with  observations  on  the  management  of  theatres,  and  the  peculiar 
situation  of  performers  in  general.  Manchester.  Bancks.  1803. 
9  pp.  **T.57.46 

Whitehead,  Charles,  editor. 

Dickens,  C,  editor.     Memoirs  of  Joseph  Grimaldi.     Edited  by  "Boz" 

[pseud.].    With  illustrations  by  George  Cruikshank.    New  edition, 

with  notes  and  additions,  revised  by  Charles  Whitehead.     London. 

1846.    2  parts  in  I  v.    Portraits,  one  colored.    Plates.    **K.46.2;  etc. 

Whiting,  Lilian. 

Kate  Field.  A  record.  Boston.  Little,  Brown,  &  Co.  1899.  viii, 
(4),  610,  (i)  pp.    Illus.     Portraits.    Manuscript  facsimile.    4348.233 

Another  copy  is  on  shelf-number  *P.  11.2956. 

Same.     1900.  **T.56.294 

Who's  who  in  the  theatre.    A  biographical  record  of  the  contemporary 

stage.      [1914.]      Compiled  and  edited  by  John   Parker.     With  a 

foreword  by   Sir  Herbert   Beerbohm   Tree.     London.     Sir   Isaac 

Pitman  &  Sons,  Ltd.     1914.    Plans.     Genealogical  charts.    *6252.77 

Appended  is.  Notable  productions  and  important  revivals  of  the  London  stage 
from  the  earliest  times  to  30th  June,  1913.  For  some  of  the  most  notable  pro- 
ductions, the  casts  are  given. 

Who's  who  on  the  stage.     See  Green  Room  Book,  The. 
Who  was  "Jack  Wilson,"  the  singer  of  Sliakospeare's  stage?     Rimt?ault, 
E.  F.  2595.14;  No.  I  in  **M.i44.i8;  etc. 

Whole  art.  The,  of  the  stage.     Aubignac,  F.  H.,  Abbe  d'.  **T.46.27 

Whymper,  Frederick,  editor. 

Ham,  J.  P.  The  pulpit  and  the  stage.  Four  lectures.  London. 
[1878.]     Portrait.  **T.77.i34 

[817] 
52 


THE  PUBLIC  LIBRARY  OF  THE   CITY  OF  BOSTON 


Whyte,  Edward  Athenry,  editor. 

Whyte,  S.     a  collection  of  poems,  on  various   subjects,  including 

The  theatre,  a  didactic  essaj'.     Dublin.     1792.     Illus.  Portraits. 

Plates.  **T.96.347 
Whyte,  Frederic. 

Actors    of   the    century.      A    play-lover's    gleanings    from  theatrical 

annals.     London.     Bell.     1898-     xii,  204  pp.     Portraits.  **T.53.8 

Contents.  —  A  coup  d'ceil  of  the  century.  —  The  days  of  the  Kembles :  The  critics 
and  the  theatres;.  The  tragedians;  The  comedians.  —  Kean  and  Booth.  — 
Macready.  —  Macready's  contemporaries.  —  The  stage  in  the  'fifties.  —  The 
stage  in  the  'sixties.  —  The  era  of  Irving.  —  Appendix  i.  Some  recollections  of 
the  'sixties,  by  Adolphe  B.eau.  —  Appendix  2.  "The  bill  of  the  play"  for  the  year 
1800.  —  Xppendix  3.  Some  additional  illustrations. 
Another  copy  is  on  shelf-number  *2570.45. 

Whyte,  Frederic,  translator. 

FiLON,  P.  M.  A.  The  English  stage:  being  an  account  of  the 
\'ictorian  drama.  With  an  introduction  by  Henry  Arthur  Jones. 
London.     1897.  4574.32;  **T.46.i 

Whyte,  Samuel. 

A  collection  of  poems,  on  various  subjects,  including  The  theatre,  a 
didactic  essay.  With  notes,  original  letters  and  curious  incidental 
anecdotes.  2d  edition,  revised  by  Edward  Athenry  Whyte. 
Dublin:  Printed  by  Robert  Marchbank  and  sold  by  Exshaw. 
1792.  vii,  (i),  vii,  (i),  iii-x,  ix-lvi,  343  pp.  Illus.  Portraits. 
Plates.  **T.96.347 

The  theatre:  a  didactic  essay.  Including  an  idea  of  the  character 
of  Jane  Shore,  as  performed  by  a  young  lady  in  a  private  play, 
etc.  Dublin:  Printed  by  Zachariah  Jackson.  1790.  xiv,  (2),  30, 
(6),  4,   (i)   pp.  No.  3  in  **G.3824.6 

Contents.  —  The  theatre.  —  Prologue  to  the  tragedy  of  Jane  Shore.  —  Occasional 
epilogue  to  Henry  the  Fourth.  —  Prologue  to  The  sailor  metamorphosed.  — 
Address,  etc.,  to  Miss  Whyte,  on  her  performance  of  Anna,  in  the  tragedy  of 
Douglas.  —  A  paraphrase  on  the  Rev.  Dr.  Watts's  celebrated  distich,  on  the 
study  of  languages. 

Relates  to  the  English  stage.  The  young  lady  referred  to  is  Miss  Sheridan, 
afterward  Mrs.   Lefanu. 

Wichers  von  Gogh,  Otto. 

Das  Elend  der  deutschen  Schauspieler.  Zurich.  Schmidt.  1893.  3i 
pp.     Manuscript  facsimile.  **T.96.352 

Wieland,  George. 

Brownrigg,  H.     Some  account  of  a  stage  devil  [as  impersonated  by 

George  Wieland.     London.      1838].  No.  1 1  in  **G.3822.3 

Wien    war    eine     Theaterstadt.       [Anon.]       See     Mueller-Guttenbrun, 

Adam. 
Wieseler,  Fricdrich  Julius  August. 

Theatergebaude  und  Denkmaler  des  Biihnenwescns  bei  den  Griechen 
und  Romern.  Gottingen.  Vandenhoeck  &  Ruprecht.  1851.  iv, 
118  ]jp.     14  plates,  some  colored.  *2g6o.66 

Wiggin,  James  Henry. 

An  actor's  birthhouse  and  birthright.  (In  Bostonian,  The.  Vol.  i, 
PP-  530-541-     Illus.     Portraits.     Boston.     1895.)  *530i.45.i 

The  flood  tide  of  a  player's  fortunes.  (In  Bostonian,  The.  Vol.  2, 
pp.  62-71.    Portraits.    Facsimiles..  Boston.     1895.)  *530i.45.2 

These  two  articles  relate  to  John  Gilbert. 

A  house  and  a  name.  (In  Bostonian,  The.  Vol.  i.  pp.  87-97.  Por- 
trait. Plate.  Boston.  1894.)  *530i.45.i 
Relates  to  Charlotte  Cushman. 

[818] 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 

Wilberg,  Wilhelm. 

Das  Theater  in  Ephesos.  Bearbeitet  von  R.  Heberdcy,  G.  Niemann, 
W.  Wilberg.  fWien.  Holder.__  1912.]  (3),  ii,  230  pp.  Illus. 
Plates.  Plans.  Facsimiles.  [Osterreichisches  archaeoloKisches 
Institut,  Vienna.     Forschungen  in   Ephesos.     Band  2.] 

The  preface  is  written  by  Emil  Reisch.  *Cab.30.39.6.2 

Wild,  Constantin,  compiler. 

Bayreuth  1894.  Manuel  pour  les  visiteurs  de  Bayreuth.  Leipzig. 
Wild.     [1894.]      (4),  160  pp.     Illus.     Portraits.     Plan.     Maps. 

No.  I  in  **M. 370.71 

Contents.  —  F.  V.  Dwelshauvers-Dery:  Tannhauser  et  le  tournoi  poetiquc  a  la 
Wartburg.  Etude  litteraire.  —  H.  A.  Platzbecker:  Introduction  a  I'l'tudc  du 
drame  de  "Lohengrin."  Esquisse  de  Taction.  —  Eckhart:  Parsifal.  Essai 
litteraire.  —  Les  biographies  et  les  portraits.  —  Liste  de  tout  le  personnel 
participant  aux  representations. 

Same.  Bayreuth.  1894.  Manual  for  visitors  to  Bayreuth.  Leipsic. 
Wild.     [1894.]      (4),  159  pp.     Portraits.     Plates.     Maps.     Plan. 

*Artz  Cab. 17. 15 
Wild,  Friedrich  Carl. 

Bayreuth  1897.  Praktisches  Handbuch  fiir  Festspielbesucher. 
Herausg'egeben  von  Friedrich  Wild  unter  Mitwirkung  von  Hein- 
rich  Bulthaupt,  Max  Chop,  Robert  West.  2.  Auflage.  Leipzig. 
Wild.      [1897.]      65,  44  pp.     Illus.     Portraits.     Plan.      Maps. 

**M.37o.34 
Wild  tribes,  The,  of  London.     Phillips,  W.  **T.97.297 

Wild  West  shovv^s. 

Cody  &  Carver's  Rocky  Mountain  &  Prairie  Exhibition.     Novelty  of 

the  century.     The  Wild  West.     With   Buffalo   Bill   (Hon.  W.   F. 

Cody),  and  Dr.  W.  F.   Carver.     Hartford,   Conn.      [1883.]      Illus. 

Portraits.     Plates.  **T.94.i9 

Wilder,  Marshall  Pinckney. 

The  people  I've   smiled  with.     Recollections  of  a  merry  little  life. 
New  York      Cassell  &  Co.,  Ltd.     [1889.]      (5),  xii,  268  pp.     Por- 
traits. 4348.235;  **T.57.254 
The  sunny  side  of  the  street.     New  York.     Funk  &  Wagnalls  Co. 
1905.     359  pp.     Illus.     Portrait.  4408.234 
Contains  many  anecdotes  of  actors. 
Wildfire,  Walter,  pscnd.     See  Buckingham,  Joseph  Tinker. 
Wilhelm  Ernst,  Hcrsog  von  S achscn-W eimar. 

HoEFER,  C.  Weimarische  Theaterveranstaltungcn  zur  Zeit  des 
Herzogs  Wilhelm  Ernst.     Weimar.     1914.  **T.74.22 

Wilhelm  Meisters   theatralische    Sendung.      Goethe,   J.   W.   von. 

*4903.i.5i,52 
Wilkes,  Mr.,  pseud.    See  Derrick,  Samuel. 
Wilkins,  William  Henry,  editor. 

Burton,  L,  Lady.  The  Passion-Play  at  Ober-Ammergau.  London. 
1900.     Portrait.  **T.47.65 

^■'^/Wilkinson,  Robert,  publisher. 

-^  Londina  illustrata.  Graphic  and  historic  memorials  of  monasteries, 
churches,  places  of  early  amusement,  and  modern  &  present 
theatres,  in  the  cities  and  suburbs  of  London  &  Westminster. 
London.     1819,  25.     2  v.     Plates.     Plans.  *246o.4 

Vol.  2  has  the  title  Theatrum  illustrata.  Another  copy  is  on  shelf-number 
*Harris  71 1.13. 

Same.     [Reprint.]     N.  d.  *246o.i4 

This  edition   differs  from  the  preceding  only  in  pagination,  and  arrangement. 

[819] 


THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 


\/ Wilkinson,  Tate. 

/      Memoirs  of  his  own  life.     York:  Printed  for  the  author,  by  Wilson, 

/  Spence,  and   Mawman;   and   sold   by    G.    G.   J.   and  J.    Robinson. 

London.     Anno   1790.     4  v.  **T.58.53 

Same.     Dublin:  Printed  for  P.  Byrne.     1791.    3  v.  in  i.  **T.58.54 

The  wandering  patentee;   or,   a  history   of   the   Yorkshire   theatres, 

from  1770  to  the  present  time.     With  anecdotes  respecting  most 

of  the  performers  in  the  three  kingdoms,  from  1765-1795-     York. 

Printed  for  the  author,  by  Wilson,  Spence,  and  Mawman.     Anno 

1795.    4  V.  **T.77.69 

Wilks,  Robert. 

/  ,  CuRLL,  E.     The  life  of  that  eminent  comedian  Robert  Wilks.     Lon- 
v'   '         don.     1733.     Portrait.  **T.57.i9i 

'  •  Memoirs  of  the  life  of  Robert  Wilks,  Esq;  containing  an  account  of 
his  transactions  before  his  coming  to  England,  the  rise  of  his 
reputation  on  the  British  stage,  and  other  memorable  circum- 
stances of  his  life.  London.  1732.  No.  20,  21  in  **G.3930.i3.2 
O'Bryan,  D.  Authentic  memoirs  or,  the  life  and  character  of  that 
most  celebrated  comedian,  Robert  Wilks.  Added,  an  elegy  on 
his  death.  London.  1732.  **T.57.i92 
Wilks,  Thomas  Egerton. 

Letter  to  the  Rev.  T.  Binney,  in  defence  of  the  drama;  showing  the 
futility  of  the  objections  made  by  him  against  theatrical  amuse- 
ments, in  his  lecture  recently  delivered  in  Wells  Street  Chapel. 
London.     Sams.     1838.     16  pp.  **T.97.203 

Willard,  George  O. 

History  of  the  Providence  stage,  1762-1891.  Including  sketches  of 
many  prominent  actors  who  have  appeared  in  America.  Provi- 
dence.    The  Rhode  Island   News  Co.     1891.     (3),  298  pp. 

4395.166;  **T.75.68 
Willett,  Edward. 

Letters  addressed  to  Mrs.  Bellamy,  occasioned  by  her  Apology. 
London:  Printed  and  sold  by  J.  Rozea.     [1785.]     75,  (i)  pp. 

**T.56.i77 

Pp.  I  and  2  are  missing  in  this  copy.  Another  copy  is  on  shelf-number  No.  4  in 
**G.3823.8,   from  which  the  last  two  leaves  are  missing 

William  Shakespeare  behind  the  scenes  of  the  Globe  Theatre.  A 
Beckett,  A.  W.  **T.96.268 

William  Winter  testimonial,  The.  Century  Theatre,  March  fourteenth, 
nineteen  hundred  and  sixteen.  [Programme  and  tributes.  New 
York.]      Rouland.      1916.      (34)    pp.      Portrait.      Facsimiles. 

**T.52.i3 

Tlie  running  title  is  Reproduction  of  original  manuscript  presented  to  Mr. 
Winter.  The  testimonial  includes  poems  by  James  Whitcomb  Riley  and  Edwin 
Markliam,   and  is   signed  by  many   distinguished   persons. 

Williams,  Bransby. 

An  actor's  story.  London.  Chapman  &  Hall,  Ltd.  1909.  xiii,  270 
pp.     Portraits.     Plates.  4549.154;  **T.57.ii8 

Williams,  David. 

A  letter  to  David  Garrick  on  his  conduct  as  principal  manager  and 
actor  at  Drury-Lane.  [Anon.]  London:  Printed  for  S.  Bladon. 
1772.     (7),  39  pp.  **T.56.237 

Williams,  Henry  Llewellyn,  editor. 

Cor.oMRiER,  M.  The  life  and  memoirs  of  Sarah  Barnum.  With  a 
preface  by  Paul  Bonnetain.     London.     [1883.]  **T.58.5o 

[820] 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 


Williams,  Hugh  Noel. 

Queens  of  the  French  stage.  New  York.  Scribner.  1905.  vii,  365 
pp.     Portraits.  4674.46 

Contents.  —  The  wife  of  Molierc. — Marie  de  Champmcsle. — Adrienne  Lccoiivrcur. 
—  Mademoiselle  de  Camargo.  —  Justine  Favart. — Mademoiselle  Clairon. — Index 

Williams,  J.  E. 

"Lyceumize  the  theatre."  A  suggested  remedy  for  the  disease  that 
afflicts  the  one  night  stands.  Chicago.  The  Drama  League  of 
America.      [1916-]      (8)   pp.  6257.150 

Williams,  John.     (Anthony  Pasquin.) 

The  children  of  Thespis.  A  poem.  Part  i  [anon.],  2,  3.  [London.] 
Printed  by  Denew  and  Grant  and  sold  by  J.  Bew  [etc.].  1786.  88. 
3  parts  in  i  v.  **G.3947.i8 

A  satire  on  English  actors.     Parts   i  and  3  arc  of  the  2d  edition  ;  part  2  is  of  the 
3d  edition. 

Same.      13th    edition,    with    additional    characters    and    emendations. 

Printed  for  Kirby  and  Co.     1792.     251  pp.  **T.47.iio 

The    eccentricities   of  John    Edwin,   comedian.      Collected    from    his 

manuscripts,  and  enriched  with  anecdotes.    Arranged  and  digested 

by  Anthony  Pasquin   [pseud.].     London:  Printed  for  J.  Strahan. 

[1791.]      2  V.  ,  **K.45.i2 

Same.  [Anon.]  New  edition.  Printed  for  J.  Hamilton.  **T.57.8 
Same.     By  Anthony  Pasquin.     New  edition.     Printed  for  J.  Strahan. 

**T.57.9 
The  life  of  the  late  Earl  of  Barrymore.     Including  a  history  of  the 

Wargrave  theatricals,  and  original  anecdotes  of  eminent  persons. 

London.     Printed  for  H.   D.   Symonds.      1793.     79  pp.     Portrait. 

**T.76.i85 
Same.     3d  edition.     119  pp.  **T.96.325 

Another  copy  is  on  shelf-number  **T.s6.28s. 

The  pin-basket  to  the  children'  of  Thespis.  With  notes  historical, 
critical  and  biographical.  London:  Printed  for  H.  D.  Symonds. 
1797.     232  pp.  **T.58.38 

Relates  to  the  actors  of  Drury   Lane  and  Covent  Garden  theatres. 

Poems.     2d  edition.     London:  Printed  for  J.  Strahan.     [179-?]     2  v. 

in    I.  **T.98.4i 

Williams,  John  Ambrose. 

Memoirs  of  John  Philip  Kemble.     With  an  original  critique  on  his 

performance.     London.     Wood.     1817.     (3),  80,  (4)  pp.     Portraits. 

Another  c&py  is  on  shelf-number  **G.3924.25.  **T.59'27 

Same.     Burn.     1823.     82,  (4)  pp.  **T.58.ii8 

Williams,  John  M.,  LL.D.,  editor. 

Dramatic  Censor,  The:  or,  critical  and  biographical   illustration  of 
the  British  stage.     [Monthly.]     181 1.    Involving  a  correct  register 
of  every  night's  performances  at  our  Metropolitan  theatres.     Lon- 
don.     [1812.]      Portrait.  **T.25.ii 
Williams,  Michael. 

Some  London  theatres  past  and  present.  London.  Sampson  Low, 
Marston,  Searle,  &  Rivington.     1883.    .(7),  215,  (i)  pp. 

4573.20;  **T.77.i52 

Contents.  —  "The  story  of  old  .Sadler's  Wells."  —  Something  about  old  Highbury 
Barn.  —  The  drama  in   Norton-Folgate.  —  The  drama   in   Portman-Market.  — 
"Three  Lyceums." 
Williamson,  David. 

The  German  Reeds  and  Corney  Grain:  records  and  reminiscences. 
London.  Innes  &  Co.  1895-  vi,  (i),  in,  (i)  pp.  Portraits. 
Autograph  facsimiles.     [The  "Minster"  library.     No.  i.]     **T.58.9 

[821] 


V 


THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 


Willis,  Nathaniel  Parker. 

Memoranda  of  the  life  of  Jenny  Lind.  Philadelphia.  Peterson.  1851. 
238  pp.     Portraits.     Autograph  facsimile.  **M. 108.24 

Willis,  Richard,  Bishop  of  Winchester. 

Of  plays  and  masquerades.  [An  essay  in  opposition  to  the  theatre. 
Anon.]  London:  Printed  for  Em.  Matthews.  1719.  28  pp.  [The 
occasional  paper.     Vol.  3,  no.  9.]  **T.97.i56 

Same.  An  essay  on  plays  and  masquerades.  By  the  author  of  the 
Occasional  paper.  3d  edition.  London:  Printed  for  Eman. 
Matthews.      1724.     30  pp.  **T.96.45 

Other   copies   are   on   shelf-numbers    No.  9  in  **G.3824.i7  ;    No.  4  in  **G. 2823. 12. 

The  occasional  paper:  number  ix.     Containing  some  considerations 
about  the   danger  of   going  to   plays.     In   a   letter   to   a   friend. 
[Anon.]  -London,  Printed  for  M.  Wotton.    1698.   23  pp.   **T.76.ii4 
Wills,  Freeman  Crofts. 

W.  G.  Wills,  dramatist  and  painter.  Ltandon.  Longmans,  Green,  & 
Co.      1898.      (5),  284  pp.     Portrait.     Autograph   facsimile. 

2545.148;  **T.55.58 
Wills,  William  Gorman. 

Wills,  F.  C.  W.  G.  Wills,  dramatist  and  painter.  London.  1898. 
(5),  284  pp.     Portrait.  2545.148;  **T.55.58 

Wilmot, . 

A  retrospective  glance  at  Mr.  Fechter's  lago,  and  acting  edition  of 
Othello.     London.     Lacy.      1862.     31   pp.  No.  5  in  **G.3940.i3 

Fechter's  acting  edition   of  Othello  may  be   found   on   shelf-number   **G.40 13.29. 

Wilsom,  George. 

War  among  the  blacks.  A  full  report  of  the  celebrated  chancery 
suit,  Montague  &  Wilsom  versus  Moore,  Crocker,  Ritter,  and 
Hamilton,  proprietors  and  managers  of  the  Christy  Minstrels. 
Liverpool.     1865.  **T.96.i76 

Wilson,  Charles,  compiler. 

Memoirs  of  the  life,  writings,  and  amours  of  William  Congreve. 
With  miscellaneous  essays,  letters,  and  characters,  written  by 
him.  London:  Printed  in  the  year  1730.  xvi,  38,  112,  156,  (4)  pp. 
Portrait.  **T.57.229 

Another   copy   is   on   shelf-number    No.  i  in  **Ci.3776.9,   from   which   the   will   and 
other  prefatory  pages  are  missing. 

Wilson,  Francis. 

Address    to    graduates    of    American    Academy    of    Dramatic    Arts, 
Empire  Theater.     [New  York.     1907.]     8  pp.       4395.199;  **T.75.66 
Joseph  Jefferson.     Reminiscences   of  a   fellow   player.      New   York. 
Scribner.     1906.     (14),  354  pp.     Portraits.     Plates.     Facsimiles. 

4343-265 

Recollections  of  a  player.     New  York.     The  De  Vinne  Press.     1897. 

(i),  xi,  81  pp.     Illus.     Portraits.     Plates.     Facsimiles.     Manuscript 

facsimiles.  **T.54.i7 

Wilson,  Francis.     Works  about. 

GuNN,  A.  Impressions  of  Francis  Wilson's  new  comic  opera;  "Half 
a  king."     New  York.     [190-?]      15  plates.  40493.271 

Wilson,  Frank. 

Miss  Alma  Murray  as  Juliet.  London.  Reeves  &  Turner.  1887. 
16  pp.  4595-112 

Wilson,  George  W. 

CoBURN,  F.  W.  Life  of  the  popular  comedian,  George  W.  Wilson. 
[Boston.     189-?]     Portrait.  **T.53.22 

[822] 


I 


i 


BROWN   COLLECTION   OF  BOOKS   ON    THE   STAGE 


Wilson,  John,  Mus.Doc. 

RiMBAULT,  E.  F.  Who  was  "Jack  Wilson,"  the  singer  of  Shake- 
speare's stage?  An  attempt  to  prove  the  identity  of  this  person 
with  John  Wilson,  Doctor  of  Musick,  in  the  University  of 
Oxford,  A.  D.   1664.     London.     1846. 

2595-14;  No.  I  in  **M. 144.18;  etc. 
Wilson,  John  Dover. 

The  Puritan  attack  upon  the  stage.     (In  Cambridge  history  of  Eng- 
lish literature.     Vol.  6,  pp.  421-558.     New  York.     1910.)     4551.118.6 
Wilson,  John  G. 

Nordeck.  A  new  romantic  drama  l)y  Frank  Mayo  and  J.  G.  Wilson. 
Produced  for  the  first  time  on  any  stage  at  Haverly  Theatre, 
week  beginning  May  25,  1884.  [Story  of  play  and  cast  of  charac- 
ters.    Chicago.     1884.]     16  pp.     Plates.  **T.36.io5 

A    booklet    containing   portraits,    illustrations    of    scenes    in    the    play    and    press 
comments,  has  been  inserted. 

Wilson,  Margaret  Baron-.     (Mrs.  Cornwell  Baron-Wilson.) 

Memoirs  of  Harriot,  Duchess  of  St.  Albans.  London.  Colburn. 
1839.     2  V.     Portrait.  **T.57.256 

Contains  gossip   on   the   London   theatres   and   actors. 

Same.     Philadelphia.     Carey  &  Hart.     1840.     vii,  13-240  pp.     2548.80 

Same.  Memoirs  of  Miss  Mellon,  afterwards  Duchess  of  St.  Albans. 
London.     Remington  &  Co.     1886.     2  v.  2541.109 

Our  actresses;  or,  glances  at  stage  favourites,  past  and  present. 
London.  Smith,  Elder  &  Co.  1844.  2  v.  in  i.  Portraits.  Auto- 
graph facsimiles.  **T.56,254 
Wilson,  Robert. 

Dramaticus,  pseud.     The   players   who   acted   in   "The    shoemakers' 

holiday,"  1600,  a  comedy  by  Thomas  Dekker  and  Robert  Wilson. 

(In  Shakespeare  Society,  London.     Papers.     Vol.  4,  pp.   1 10-122. 

1849.)  *4596.ii.4;  etc. 

Wilson,  William. 

A  house  for  Shakspere.  A  proposition  for  the  consideration  of  the 
nation.     London.     Hurst.     1848.     8  pp.  **T.96.i88 

Advocates   as   a   memorial   to   Shakespeare,   a  theatre   to  be  devoted   to  his  plays. 
Another    copy   is   on   shelf-number    No.  i  in  **G. 3942.40. 

Same.  The  second  and  concluding  paper,  containing  a  review  of 
the  reception  of  the  first,  and  a  few  digressions.  London. 
Mitchell.     [1849.]     16  pp.  **T.96.i87 

Another   copy    is    on    shelf-number    No.  2  in  **G.3942.40. 

Wilstach,  Paul. 

Richard  Mansfield:  the  man  and  the  actor.  New  York.  Scribner. 
1908.     xvii,   (2),  500  pp.     Portraits.  4343-273 

Bibliography,  pp.  485-490. 

Winckler,  Theophile  Frederic,  translator. 

BoETTiGER,  C.  A.  Les  Furies,  d'apres  les  poetes  et  les  artistes  anciens. 
Paris.     An  x  (1802).     Plates,  some  colored.  4077.145 

Winds,  Adolf. 

Hamlet  auf  der  deutschen.  Biihne  bis  zur  Gegenwart.  Berlin.  1909. 
vi.  (i),  234  pp.  [Gesellschaft  fiir  Theatergeschichte.  Schrift^n. 
12.]  6907.22 

y'  Benutzte  Quellen,  pp.  226-228. 

i^AWindsor  Castle,  England. 

^^^  Chapman,  J.  K.  A  complete  history  of  theatrical  entertainments, 
dramas,  masques,  and  triumphs,  at  the  English  Court,  from  the 
time  of  King  Henry  the   Eighth   to  the  present   day,   including 

[823] 


THE  PUBLIC  LIBRARY  OF  THE   CITY   OF  BOSTON 


Windsor  Castle,  England.     (Continued.) 

the  series  of  plays  performed  before  Her  Majesty,  at  Windsor 
Castle,  Christmas.  1848-9.    London.    [1850?]    Plates.   Programmes 

**T.42.2 

Wingate,  Charles  Edgar  Lewis. 

Shakespeare's  heroes  on  the  stage.    New  York.    Crowell  &  Co.     1896. 

X,  348  pp.     Portraits.  4596.135;  **T.47-90 

Shakespeare's  heroines  on  the   stage.     New  York.     Crowell   &   Co. 

[1895.]     ix,  355  pp.     Portraits.  4595.134;  **T.47.89 

Wingate,  Charles  Edgar  Lewis,  editor. 

Famous  American  actors  of   to-day.     Edited  by   Frederic   Edward 

McKay  and  Charles  E.  L.  Wingate.     New  York.     Crowell  &  Co. 

[1896.]     2  V.     Portraits.  2346.119 

Same,     viii,  399  PP-  **T.57.68 

Playgoers'  Year-Book,  The,  for  1888.     Story  of  the  stage  the  past 

year,  with  especial  reference  to  Boston.     Boston,  Mass.      [1888.] 

Illus.     Portraits.     Plates.  **T.25.24 

Wink,  George,  pseud.     See  Allainval,  Leonor  Jean  Christine  Soulas  d'. 

Winslow,  Catherine  Mary. 

Yesterdays  with  actors.  Boston.  Cupples  &  Hurd.  1887.  (7),  201 
pp.     Portraits.  2245.64;  **T.56.3i3 

Contents.  —  Introduction.  —  Charlotte  Cushman.  —  Edwin  Forrest.  —  John 
Brougham.  —  Laura  Keene,  Agnes  Robertson.  —  E.  A.  Sothern.  —  Ben  De 
Bar,  Matilda  Heron,  J.  H.  Hackett,  Mrs.  John  Wood,  James  E.  Murdoch,  Mrs. 
Lander.  —  Boston  Museum.  —  Travel  in  America.  —  Canada  and  England. 

Winsor,  Justin. 

Stage-struck.     [Boston.     1868.]     79-88  pp.  No.  15  in  **G.3930.i3.i 

Relates  to  David  Garrick's  early  life. 

Winstanley,  Eliza. 

Shifting  scenes  in  theatrical  life.  London.  Routledge,  Warne,  & 
Routledge.      1859.     iv,   295   pp.  **T.88.i6 

A  novel  dealing  with  theatrical  life.     Another  copy  is  on  shelf-number  **K.36.2i. 

//  Same.     A  new  edition.     1864.  **T.88.i7 

,/Winston,  James. 

Bibliotheca  dramatica  et  histrionica.  Catalogue  of  the  printed  and 
manuscript  library  of  Mr.  James  Winston,  which  will  be  sold 
by  auction  by  Messrs.  Puttick  and  Simpson,  December  13th. 
[London.     1849.]     65  pp.  **T.62.i 

.\nother  copy  is  on  shelf-number  No.  5  in  **G.3i3.i4. 

The  theatric  tourist;  being  a  genuine  collection  of  correct  views, 
with  brief  and  authentic  historical  accounts  of  all  the  principal 
provincial  theatres  in  the  United  Kingdom.  By  A  theatric 
amateur.  London.  Symonds.  1805.  (i),  72  pp.  Plates.  **T.72.5 
Relates  to  England. 

Winter,  Jefferson.-  See  Winter,  William  Jefferson. 

Winter,  William. 

The  actor  and  other  speeches;  chiefly  on  theatrical  subjects  and 
occasions.  New-York.  1891.  (13),  80,  (2)  pp.  Portrait.  Auto- 
graph facsimile.     [Dunlap  Society.     Publications.]  **T.95.ii 

CoiiUnts.  —  The  actor.  The  actor  and  his  duty  to  his  time.  —  The  critic.  —  The 
comedian.  A  tribute  to  Lester  Wallack.  —  Sir  Perceval.  A  tribute  to  Lester 
Wallack.  —  The  comrade.  American  and  English  fellowship  in  art.  ■ —  The 
tragedian.  A  triliute  to  Edwin  Booth.  —  The  poet.  —  The  journalist.  A 
tribute  to  Whitelaw  Reid.  —  The  friend.  Eulogy  upon  Henry  Edwards. 
Another  copy  is  on  shelf-number  *A.9768.s. 

Ada  Rehan:  a  study.  New  York.  1891.  80  pp.  Portraits.  Auto- 
graph facsimile.  **A.9768.6 

(824] 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 


Winter,  William.     (Continued.) 

Same.     2d  edition,  with  a  new  chapter  and  additional  portraits.     88 

PP-  **T.55.55 

Brief  chronicles.  New-York.  18S9.  (11),  339,  xi-xiv  pp.  I'ortrait. 
[Dunlap   Society.     Publications.]  **T.95.7 

Biographical  sketches  of  actors  and   other  persons  connected   with   the  American 
stage. 

Edwin  Booth  in  twelve  dramatic  characters.  The  biographical 
sketch  by  William  Winter.  [Illustrations]  by  W.  J.  Hcnncssy 
and  W.  J.  Linton.  Boston.  Osgood  &  Co.  1872.  loi  pp.  Por- 
traits. *2490.si 

Essay  upon  the  great  play  entitled  Harebell;  or,  the  man  o'  Airlie, 
produced  by  Mr.  Lawrence  Barrett.  [Philadelphia.  1871?]  12  pp. 
Harebell  was  written  by  W.  G.  Wills.  **T.97.235 

Henry  Irving.  New-York.  Coombes.  1885.  (ri),  123,  (4)  pp. 
Portraits.     Autograph  facsimiles.  254ob.87 ;  **T.57.4o8 

The  Jeffersons.  Boston.  Osgood  &  Co.  1881.  x,  (3),  252  pp.  Por- 
traits.    Plate.      [American   actor   series.]  4348.118;  **T.57.ii2 

Life  and  art  of  Edwin  Booth.  New  York.  Macmillan  &  Co.  1893. 
xii,   (4),  208  pp.     Portraits.     Plates.     Autograph   facsimile. 

4347.220;  **T.57. 128 

Same.     1894.  4347.266 

Same.     New  edition,  revised.     1894.     437  pp.     Portrait.        **T.59.55 

Life  and  art  of  Joseph  Jefferson.  New  York.  Macmillan  &  Co. 
1894.    XV,  319  pp.     Portraits.     Plates.  4346.163 

Life  and  art  of  Richard  Mansfield.  With  selections  from  his  letters. 
New  York.  Moffat,  Yard  &  Co.  1910.  2  v.  Portraits.  Plate. 
Facsimile.  4343-275 

Chronology,  vol.  2,  pp.  255-298. 

Other  days.    Being  chronicles  and  memories  of  the  stage.    New  York. 

Moffat,  Yard  &  Co.    1908.   389  pp.    Portraits.    Facsimiles.   4343.271 

Reminiscences  of  actors. 
The  press  and  the   stage.     An  oration   before   the   Goethe   Society, 

New  York,  January  28,  1889.     New  York.     Lockwood  &  Coombes. 

1889.    62  pp.  **T.75.M 

Shadows  of  the  stage.     Series  [i-]3.     New  York.     Macmillan  &  Co. 

1892-95.     3  V.  2409.130;  **T.4g.8 

Same.      [Series    i.]      Boston.     Joseph    Knight   Co.      [1892.]      387  pp. 

Portrait.  2409.145 

Same.     Series  [i,]  2.     New  York.     Macmillan  &  Co.     2  v.      2409.188 
Same.     Series   [i-]3.     Boston.     Joseph  Knight  Co.     [1892-95.]     3  v. 

Portraits.  **T.49.7 

Shakespeare   on   the    stage.  '  [ist-]3d    series.      New   York.      Moffat, 

Yard  &  Co.     191 1.     564  pp.     Portraits.  4597-i65;  **T.56.57 

"A  work  designed  to  tell  the  story  of  the  manner  in  which  Shakespeare's  plays 
have  been  represented,  and  to  name  and  briefly  describe  the  principal  actors  who 
have  been  eminent  in  the  representation  of  them."  —  Preface. 
Contents.  —  i.  "Shakespeare  spells  ruin."  —  King  Richard  III.  —  The  merchant 
of  Venice.  —  Othello.  —  Hamlet.  —  Macbeth.  —  King  Henry  VIII.  2.  Twelfth 
night.  —  Romeo  and  Juliet.  —  As  you  like  it.  —  King  Lear.  —  The  taming  of 
the  shrew.  — •  Julius  Cxsar.  —  Index.  3.  Cymbeline.  —  Love's  labor's  lost.  — 
Coriolanus.  —  A  midsummer  night's  dream.  —  King  Henry  IV.  —  The  merry 
wives  of  Windsor.  —  Antony  and  Cleopatra.  —  King  John. 
A  sketch  of  the  life  of  John  Gilbert.  With  extracts  from  his  letters 
and  souvenirs  of  his  career.  New-York.  1890.  (11),  55  pp.  Por- 
trait.    Plate.     [Dunlap   Society.     Publications.]  **T.95.9 

Another  copy  is  on  shelf-number  *A.9768.7. 

[825] 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 


Winter,  William.     (Continued.) 

The  stage  life  of  Mary  Anderson.  New- York.  Coombes.  1886.  xiii,  (3), 

151,  (4)  PP-     Portrait.     Autograph  facsimile.     42493.64;  **T.57,404 
Tyrone   Power.     New   York.      Moffat,   Yard   &   Co.      1913-      192  pp. 

Portraits.     Plate.     [Lives  of  the  players.]  4343.262 

Vagrant  memories.     Being  further  recollections  of  other  days.     New 

York.     George  H.  Doran  Co.     iQiS-     525  PP-     Portraits.     Plates. 

Reminiscences  of  actors.  4343.272 

The  wallet  of  time,  containing   personal,   biographical,   and   critical 

reminiscence  of  the  American  theatre.     New  York.     Moffat,  Yard 

&  Co.    1913.  2  V.   Portraits.   Plates.   Autograph  facsimiles.   4395.220 

Coniciits.  —  I.  Dramatic  criticism  —  its  function  and  practice.  —  Past  and 
present  —  "the  golden  age  of  acting."  —  George  Holland,  1 791-1870.  —  Mary 
Ann  Uuff,  1794-1857.  —  James  William  Wallack,  the  Elder,  1795-1864.  —  Junius 
Brutus  I'.ooth  (the  elder  Booth),  1796-1852.  —  James  Henry  Hackett,  1800- 
1871.  —  Edwin  Forrest,  1806-1872.  —  George  W.  Jamieson,  1810-1868.  —  John 
Brougham,  1810-1880.  —  John  Gilbert,  1810-1889.  —  Charlotte  Cushman,  1816- 
J875.  —  William  Wheatley,  1816-1876.  —  Bogumil  Dawison,  1818-1872.  — 
Charles  Dillon,  1819-1881.  —  Emma  Waller,  1819-1899.  —  Anne  Hartley,  Mrs. 
G.  H.  Gilbert,  1822-1904.  —  John  Edmond  Owens,  1823-1886.  • —  Charles  Al!)crt 
Fechter,  1824-1879.  —  Jean  Margaret  Davenport,  Mrs.  Lander,  1829-1903.  — 
William  James  Florence,  1831-1891.  —  John  Edward  McCullough,  1832-1885.  — 
John  Sleeper  Clarke,  1833-1899.  —  Tommaso  Salvini,  1833  [sic]-.  —  John  T. 
Raymond,  1836-1887.  —  Lawrence  Barrett,  1838-1891.  —  James  Lewis,  1838- 
1896.  —  Augustin  Daly,  1838-1899.  —  Helena  Modjeska,  1840-1909.  —  Benoit- 
C!onstant  Coquelin,  1841-1909.  —  Jean  Mounet-SuUy,  1841-.  —  Charles  F. 
C  ghlan,    1842-1899.   —  John   Hare    (Fairs),    1844-.   —   Sarah   Bernhardt,    1844-. 

—  Lilian  Adelaide  Neilson,  1846-1880.  —  Clara  Morris,  1849-.  —  Lillie  Langtry, 
1 852-.  —  Edward  Smith  Willard  ■ —  "The  middleman."  —  Index.  2.  Mary 
Anderson,  1859-.  —  Edward  Hugh  Sothern,  1859-:  Julia  Marlowe,  Mrs.  E.  H. 
Sothem,  1867-:  The  Sothern-Marlowe  combination.  —  Ada  Rehan,  i860-.  — 
David  Warfield,  1866-.  —  Frank  Worthing,   1866-1910.  —  Maude  Adams,   1872-. 

—  Blanche  Bates,  1872-.  • —  The  acting  of  Mrs.  Fiske.  —  The  sacred  labors 
of  Olga  Xethersole.  —  Mrs.  Leslie  Carter  in  "Du  Barry"  and  "Andrea."  — 
Leaves  from  my  journal.  —  Mrs.  Patrick  Campbell  in  several  plays.  —  Laurence 
Irving  in  America.  —  Miscellaneous  comment.  —  "Oliver  Twist."  —  The  plays 
of  Augustus  Thomas.  —  Ibsen  and  Ibsenites.  —  American  actors  abroad,  and 
how  they  "fail"  there.  —  The  theatre  and  the  pulpit.  —  Index. 

A  wreath  of  laurel:  being  speeches  on  dramatic  and  kindred  occa- 
sions. New  York.  1898.  xiii,  (5),  149  pp.  Portraits.  Autograph 
facsimiles.     [Dunlap  Society.     Publications.     New  series,  no.  7.] 

**T.95.20 

Contents.  —  Henry  Irving  and  the  drama.  —  Ian  Maclaren :  poetry  and  pathos 
in  Scottish  littralure.  —  The  stage  and  its  apostles.  —  The  intellectual  standard 
in  acting  and  writing.  —  The  ancient  glories  of  the  Roman  Catholic  Church.  — 
Joseph  Jefferson :  the  poet  and  the  actor.  — ■  Youth  and  opportunity.  —  The 
ideal  in  education.  —  The  truth  in  eulogy.  —  The  ideal  in  life.  —  In  memory  of 
George  William  Curtis.  —  The  Staten  Island  Academy. 

Winter,  William,  editor. 

Brougham,  J.  Life,  stories,  and  poems.  Boston.  1881.  Illus.  Por- 
traits.    Plates.  **T.57.i82;etc. 

In  memory  of  John  McCullough.  [Anon.]  New-York.  The  Dc 
Vinne  Press.     1889.     66  pp.     Portrait.     Plate.  **T.55.62 

Another  copy  is  on  shelf-number  *A.54I7. 

Portfolio,  A„  of  players  [Augustin  Daly's  company].  With  a 
packet  of  notes  thereon  by  H.  C.  Bunner,  E.  A.  Dithmar,  Lau- 
rence Hutton,  Brander  Matthews  and  William  Winter.  New 
York.     Bouton.     1888.     89  pp.     Portraits.     Plates.  **T.52.i2 

Winter,  William.     Works  about 

William  Winter  testimonial.  The.  Century  Theatre,  March  four- 
teenth, nineteen  hundred  and  sixteen.  [Programme  and  tril>utes. 
New  York.]     1916.    Portrait.  **T.52.i3 

[826] 


BROWN   COLLECTION   OF  BOOKS   ON    THE   STAGE 

Winter,  William  Jefferson,  editor. 

In  memory  of  Frank  Worthing,  actor.     New  York.     Printed  for  dis- 
tribution.   191 1.    79  pp.    Portraits.    Autograph  facsimile.    **T..55.3i 
Wirsing,  Rudolf. 

Das  deutsche  Theater     Kinc  Darstellung  der  gcgenwiirtigen  Thcater- 

zustiinde  ncbst  Andeutungen  zu  einer  zweckmassigen  Reform  und 

Biihnenleitung.   Leipzig.   Geibel.    1862.   xiii,  (i),  228  pp.   **T.76.i37 

Wise  man.  The,  of  the  East.    Dutton,  T.  No.  8  in  **G.3824.6 

Wismes,  Heracle  Olivier  Baptiste,  Baron  dc. 

Un  portrait  de  Moliere  en  P>retagne.  lltude  sur  quelques  comediens, 
farceurs  et  bouffons  frangais  et  italiens  au  xvne  siecle.  Nantes.' 
Forest  &  Grimaud.     [1875.]     81  pp.  **T.96.i46 

Another  copy  is  on  shelf-number  *-*T.56. 103. 

Wit  for  money:  or,  Poet  Stutter.     [Anon.]     See  Brown,  Thomas. 
With  a  show  in  the  North.     Hatton,  J.  6549.6;  **T.57. 359 

With  a  show  through  southern  Africa.     Du  Val,  C.     5052.62;  **T. 56.222 
With  poet  and  player.     Adams,   W.   D.  4578.141;  **T.98.28 

Witherspoon,  John. 

A  serious  enquiry  into  the  nature  and  effects  of  the  stage.  Being 
an  attempt  to  show,  that  contributing  to  the  support  of  a  public 
theatre  is  inconsistent  with  the  character  of  a  Christian.  Glasgow: 
Printed   by  J.   Bryce  and    D.    Patterson.      1757.      (3),   72   pp. 

**T.96.i03 

Same.     And  a  letter  respecting  play  actors.     Also  a  sermon,  on  the 

burning  of  the  theatre  at  Richmond,  &c.  by  Samuel  Miller.    With 

an  introductory  address  by  several   ministers  in  New-York,  &c. 

New-York.     Whiting  &  Watson.     1812.     (2),  199  pp.         **T.78,34 

Another  copy  is  on  shelf-number  **G.3647.5. 

Without  the  limelight.     Sims,  G.  R.  **T.87.2i 

Witzschel,  August. 

The  Athenian  stage;  a  handbook  for  students.     Translated  from  the 

German  by  R.  B.   Paul;  and  edited  by  T.   K.  Arnold.     London. 

Rivington.     1850.     vi,  151,  (i)   pp.     Plan.  49693.7;  **T. 78.1. 

Wizard's,  A,  wanderings  from  China  to  Peru.    Holden,  J.  W.    **T.57.357 

Wlassack,  Eduard. 

Chronik  des  k.  k.  Hof-Burgtheaters.  Zu  dessen  Sacular-Feier  im 
Februar  1876  herausgegeben.  Wien.  Rosner.  1876.  (9),  340,  (5) 
pp.     Plates.     Plans.  **T.76.i6o 

Woffington,  Margaret. 

Daly,  J.  A.  Woffington.  A  tribute  to  the  actress  and  the  woman. 
[Philadelphia.]      1888.     Portraits.     Plate.  **T.Cab.i.2o;  etc. 

HooLE,  J.  A  monody;  to  the  memory  of  Mrs.  Margaret  Woffington. 
[Verse.]      London.     1760.  No.  7  in  **G.382o.9 

MoLLOY,  J.  F.  The  life  and  adventures  of  Peg  Woffington.  With 
pictures  of  the  period  in  which  she  lived.  London.  1884.  2  v. 
Portrait.  4549-78 

Same.    2d  edition.     1885.  **T.57.i95 

Same.     3d  edition.     1887.  **T.57.448 

Reade,  C.     Peg  Woffington.     A  novel.     London.     1857.     Plate. 

**T.87.22 

Same.     [187-?]  *456oa.6o 

Same.     New  York.     [189-?]  *4578.3i8 

Same.     1887.     2  v.  *Q.i6.7(*2579a.227) 

Same.  With  an  introduction  by  Austin  Dobson  and  illustrations 

by  Hugh  Thomson.     New  York.     1899.     Illus.     Portrait.     Plates. 

6577.128;  **T.87.23 
[827] 


THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 

Wohl  unterrichtete  Thcatcrfreund,  Der.     Fernbach,  L.,  Jr.  *6i76.3o 

Wohlmuth,  Rosa,  translator. 

Vienna.  Internationale  Ausstellung  fiir  Mnsik-  nnd  Thcatcrivesen.  1892. 
The  international  exhibition  for  music  and  the  drama.  Edited  by 
A.  J.  Hipkins,  Morris  Steinert  and  Siegmund  Schneider.  Vienna. 
1894.     82  plates.  **8o40.ii4 

Wolcot,  John.     (Peter  Pindar,  Esq.) 

The  cap.  A  satiric  poem.  Including  most  of  the  dramatic  writers 
of  the  present  day.  London:  Printed  for  the  author;  and  sold 
by  Ridgway.     [i795?]     4i  PP-  **T.93.4 

Another  copy  is  on  shelf-number  No.  12  in  **G. 3820.9. 

Wolfenbiittel,  Germany.     Theatres. 

ZiMMEKMANN,  P.  Englische  Komodiaten  in  Wolfenbiittel.  (/" 
Germanische    Abhandlungen.      Pp.    215-224.      Strassburg.      1902.) 

6875.58 
Wolzogen,  Carl  August  Alfred,  Freiherr  von. 

Ueber  Theater  und  Musik.    Breslau.   Trewcndt.    i860,   vi,  (i),  330  pp. 

Relates  in  particular  to  the  German  stage.  **M.I08.I 

Women's  Educational  and  Industrial  Union,  Boston. 

Fairyland:  an  enchantment  devised  by  Laura  Coombs  Hills.  Dances, 
pantomime  and  groupings  by  Melvin  Ballou  Gilbert.  [Pro- 
gramme.]   Boston.    Mills  &  Knight  Co.    [1900.]    32  pp.    44503.169 

Wonderful  secrets,  The,  of  stage  trick;  or  a  peep  l)ehind  the  curtain. 
[London.     I793?]     54  PP-  **T.56.304 

Relates  principallj'  to  Mrs.   Siddons. 

Wood,  Edward  J. 

Giants  and  dwarfs.     London.     Bentley.     1868.     xii,  472  pp. 

2239.50;  **T.56.248 
Wood,  J.  Hickory. 

Dan  Leno.  London.  Methuen  &  Co.  [1905.]  xiv,  (i),  285,  (i)  pp. 
Illus.     Portraits.     Facsimile.  **T.57.82 

Dan  Lcno's  real  but  unused  name  was  George  Galvin. 
Wood,  J.  Hickory,  and  Arthur  Collins. 

The  true  story  of  the  Sleeping  Beauty  and  the  Beast.  Illustrated  by 
P.  J.  Billinghurst.     [London.     1900.]     47,   (i)   pp.     Illus.     Plates. 

**T.49.io 

The  story  of  the  Drury  Lane  pantomime,  The  Sleeping  Beauty  and  the  Beast. 

Wood,  William  Burke. 

Personal  recollections  of  the  stage.     Notices  of  actors,  authors,  and 

auditors,   during  a  period   of   forty   years.      Philadelphia.      Baird. 

1855.    xi-477  pp.     Portrait.     Autograph  facsimile.  **T.57.235 

Same.     3d  thousand.  4407.50 

Relates  to  the  American  stage.  Another  copy  is  on  shelf-number  **G.,s647.6. 
.\  review  of  this  work,  cut  from  the  American  and  Gazette  is  on  shelf-number 
.\'o.  22  in  **G.3930.i3.2. 

Wooddeson,  William  Fane. 

A  slight  sketch  of  the  performances  at  the  Theatre  Royal  Drury 
Lane,  during  the  season  of  1827  and  1828.  London.  Wooddeson. 
1828.     64  pp.  **T.76.i3i 

Woodhouse,  William  John. 

Excavations  at  Megalopolis,  1890-1891.  By  Ernest  Arthur  Gardner, 
William  Loring,  G.  C.  Richards,  W.  J.  Woodhouse.  With  an 
architectural  description  by  Rol^ert  Weir  Schultz.  London.  Mac- 
millan.  1892.  vii,  (3),  141  pp.  Illus.  Plates.  Plans.  [Society 
for  the  promotion  of  Hellenic  studies.  Suppl.  papers,  i.] 
Describes  the  ancient  amphitheatre.  *296o.8l.I 

[828] 


BROWN   COLLECTION   OF  BOOKS   ON   THE   STAGE 


\^ 


Woodrow,  Ernest  A.  E. 

Modern  opera  houses  and  theatres.  Examples  selected  from  play- 
houses recently  erected  in  Europe.  By  Edwin  O.  Sachs  and 
Ernest  A.  E.  Woodrow.  London.  Batsford.  1896-98.  3  v.  Illus. 
220  plates.  *Cab.6o.77.4 

Woodward,  Henry. 

A    letter    from    Henry    Woodward,    comedian,    the    meanest    of    all 

characters  to  Dr.  John  Hill,  Inspector-General  of  Great-Britain, 

the  greatest  of  all  characters.     [London.]     Printed  for  M.  Cooper. 

1752.     22  pp.  **T.96.359 

Same.     3d  edition.  No.  2  in  **G.3823.i5 

A  letter  to  Henry  Woodward,  comedian,  occasion'd  by  his  letter  to 

the  Inspector  [Dr.  John  Hill].     By  Simon  Partridge  [pseud.],  the 

facetious  cobler  of  Pall  Mall.    And  son  to  the  late  Mr.  Partridge, 

famous  for  his  dispute  with  Isaac  Bickerstaff.     London:  Printed 

for  H.  Jeffry.     [1753.]     24  pp.  **T.57.i53 

Woodward,  Henry.     Works  about. 

Answer,  An,  to  Henry  Woodward,  comedian.  With  some  occasional 
remarks  on  the  Greek  and  Roman  stage.  By  the  Rt.  Hon.  the 
Earl  of  ******  *   [pseud.].     London.     1753.  **T.57.roi 

Edwards.  S.,  pseud.  A  letter  to  Mr.  Woodward,  on  his  triumph  over 
the  inspector  [Dr,  John  Hill].  By  Sampson  Edwards,  the  merry 
cobbler  of  the  Hay-Market  [pseud.].     London.     [1752.] 

**T.57.86;etc. 
Lick,  a,  at  'em  all;  or,  the  moderator.  Being  a  candid  consideration 
of  the  present  controversy  between  the  Inspector  [Dr.  John  Hill] 
and  his  opposers;  with  reflections  on  the  rise  and  progress  of  the 
dispute;  and  advice  for  the  reconciliation  of  all  parties.  London. 
1753-  **T.57.87 

Woodward,  Josiah,  D.D. 

Some  thoughts  concerning  the  stage  in  a  letter  to  a  lady.  [Anon.] 
London,  Printed  Anno  Dom.  1704.     13  pp.  No.  i  in  **G.3823.3 

Same.     Printed,  and  to  be  so4d  by  J.  Nutt.  **T.96.99 

In    opposition    to    the    theatre.       Another    copy    is    on    shelf-number    No.  2  in 
**G.3823.i4. 
oodworth,  Samuel,  editor. 

Smith,  H.  Festivals,  games,  and  amusements.  Ancient  and  modern. 
London.      1831.     Plates.     Map.     Table.  **T.98.8o;  etc, 

Woolcott,  Alexander. 

Mrs.  Fiske.     Her  views  on  actors,  acting  and  the  problems  of  pro- 
duction.    New  York.     The  Century  Co.     1917.     (8),  229  pp.     Por- 
traits, one  colored.     Plates.     Facsimiles.  6257.307 
Woolf,  Arthur  Harold. 

Shakespeare  and  the  old  Southwark  playhouses.  A  lecture  delivered 
at  the  Southwark  Town  Hall,  on  Shakespeare  Day,  April  23rd, 
1903.     [London.     Sylvan  Printing  Works.     1903.]     19,  (i)  pp. 

45993.167 
"Word,  A,"  with  Bunn.     Adam,  J.  R.  **T.57.303 

World,  The.     Deserter,  A.  •     **T.98.93 

World,  The,  behind  the  scenes.     Fitzgerald,  P.  H.        2476.66;  **T.77.i84 
World's  argument.  The.    Herondo,  F.  **T.75.20 

Worp,  Jacob  Adolf. 

De  invloed  van  Seneca's  treurspelen  op  ons  tooneel.  Amsterdam. 
Veen.     1892.    xiv,  (i),  299  pp.  290ob.44 

"Dit   boek  is   hat   afsekeiird   antvvoord   op   eene   priisvraaR'   Hoor   hot    Provinciaal 
Utrechtsche  Genootschap  van  Kunstcn  en  Wetenschappen  uitgcschreven." 

[829] 


THE  PUBLIC  LIBRARY   OF  THE   CITY  OF  BOSTON 

Worp,  Jacob  Adolf.     (Contmued.) 

Geschiedenis  van  het  drama  en  van  het  to6neel  in  Nederland.     Deel 

I,  2.     Groningen.     Wolters.     1904,  1908.     2  v.  4874.133 

Worrell    Sisters'    Adelphi,    Boston.      See    Boston.      Theatres.      Adelphi 

THEATRE. 

Worthing,  Frank,  pseud. 

Winter,  W.  J.,  editor.  In  memory  of  Frank  Worthing,  actor.  New 
York.     1911.     Portraits.  **T.55,3i 

Woty,  William. 

The  stage;  a  poetical  epistle,  to  a  friend.  Derby.  Printed  for  the 
author,  by  J.  Drewry.     [1770?]     12  pp.  **G.3947.7 

Another  copy  is  on  shelf-number  No.  8  in  **G. 3820.9. 

Wreath,  A,  of  laurel.    Winter,  W.  **T.95.20 

Wright,  E.  M.     (Verity  Victor.) 

Behind  the  scenes:  a  story  of  the  stage.  Boston.  New  England 
News  Co.     1870.     284  pp.  4509.49;  **T.88.5 

Wright,  George  Robert. 

On  a  manuscript  list  of  plays  of  the  year  1638.     (In  his  Arch^eologic 
and   historic   fragments.      Pp.    1-24.      London.      1887.)         4519. 121 
V^     Wright,  James. 

/        A  dialogue  on  plays  and  players.     (In  Dodsley,  Robert.    A  select  col- 
lection of  old  plays.     Vol.  11,  pp.  i-xxxvi.     London.     1744.) 

**G.3965.i.ii 

Same.     [London.     184-?]     139-168  pp.  No.  4  in  **G.3823.ii 

Cut  from  R.  Dodsley's  Select  collection  of  old  plays.     Edition  not  identified. 

Same.  Historia  histrionica:  an  historical  account  of  the  English 
stage;  shewing,  the  ancient  use,  improvement,  and  perfection  of 
dramatic  representations  in  this  nation.  In  a  dialogue  of  plays 
and  players.  [Anon.]  London;  Printed  by  G.  Groom,  for  William 
Hawes.  1699.  (In  Dodsley,  R.,  editor.  A  select  collection  of  old 
plays.     Vol.  I,  pp.  cxxxix-clxix.     London.     1825.)  2588.1. i 

Another  copy  is  on  shelf-number  **G. 3961. 2.1. 

Same.  (In  Udall,  Nicholas.  Ralph  Royster  Doyster.  Pp.  i-xxi. 
[London?     1831?])  **T.39.7 

Same.  London.  1872.  (6),  32  pp.  [Mr.  Ashbee's  Occasional  fac- 
simile' reprints.     30.]  No.  10  in  *2423.50.2 

Same.  (In  Dodsley,  Robert,  editor.  A  select  collection  of  old  English 
plays.     4th  edition.     Vol.   15,  pp.  399-431-     1876.)  2574.53.15- 

Same.  (In  Gibber,  Colley.  An  apology  for  the  life  of  Mr.  Colley 
Gibber.     Vol.  i,  pp.  xix-li.     1889.)  **T.54.7.i 

Another  copy  is  on  shelf-number  '4545. 106. i. 

The  second  generation  of  English  professional  actors,  1625-1670. 
(In  Arber,  Edward,  editor.  An  English  garner.  Vol.  2,  pp.  272- 
282.     London.      1879.)  *4557.62.2 

So  far  as  it  goes,  this  is  one  of  the  most  authentic  accounts  in  existence  of  the 
English  stage  in  the  later  years  of  Ben  Jonson  and  during  the  Commonwealth. 
The  stage  in  England.  1625-1670.  From  Wright's  "Historia  his- 
trionica." (In  Geier,  John.  Thespis  on  tryal.  Pp.  13-20.  Edin- 
burgh. 1887.)  *4578.ioi;**T.96.32o 
Wright,  James  Osborne,  compikr. 

Daly,  J.  A.  Catalogue  of  the  valuable  literary  and  art  property 
gathered  by  the  late  Augustin  Daly  to  be  disposed  of  at  public 
sale,  March  19th.  American  Art  Association,  managers.  Part  2. 
Books.     New  York.     1900.  **T,64.2;etc. 

[830] 


BROWN  COLLECTION   OF  BOOKS   ON   THE   STAGE 


Wright,  Thomas. 

On  the  history  of  the  drama  in  the  Middle  Ages.  A  sketcli.  [London? 
185-?]      12  pp.  22593.45 

Reprinted   in  his   Essays   on   archreological   subjects    ['4514.132.2l. 

Wright,  William  Lord. 

The  art  of  writing-  scenarios.  Containing  helpful  information  and 
suggestions  for  beginners  and  others.  [Bellefontaine,  O.?  1912?] 
29  pp.  80393.92 

Refers  to  moving  picture  plays. 

Wrighten,  Mary. 

An  apology  for  the  life  and  conduct  of  Mrs.  Mary  Wrighten,  late  a 
favourite  actress  and  singer.     London.     [17 — ?]     viii,  viii.  77  pp. 

**T.56.i56 
Writing  and  selling  a  play.     Cannon,  F.  6257.93 

Writing  the  photoplay.     Esenwein,  J.  B.,  and  A.  Leeds.  80393.53 

Wuertemberg,  Germany.     Theatres. 

SiTTARD,  J.  Zur  Geschichte  der  Musik  und  des  Theaters  am  wiirttcm- 
bergischen  Hofe.     Stuttgart.     1890,  gi.     2  v.  in  i.  **T.75.57 

Wyatt,  Benjamin  Dean. 

Observations  on  the  design  for  the  Theatre  Royal,  Drury  Lane,  as 
executed  in  1812.  London.  Taylor.  1813.  xii,  77  pp.  Plates. 
Plans.     Diagrams.  '  **T.72.3 

Wycherley,  William. 

Nelson,  M.  E.  E.  My  wife's  pinmoney;  or,  the  marriage  in  extremes. 
London,     i860.  **T.88.4 

Wyl,  W.    See  Wyl  von  Wymental,  Wilhelm. 
Wyl  von  Wymental,  Wilhelm. 

Der  Christus-Mayr.  Neue  Studien  aus  Oberammergau.  Berlin. 
Fontane.     1890.     (7),  160  pp.  **T.97.9o 

Wylie,  Charles  John. 

Catalogue  of  the  collection  of  theatrical  portraits,  formed  by  the 
late  Charles  John  Wylie  comprising  mezzotint  and  other  engrav- 
ings, water-colour  drawings,  portraits  of  literary  and  other 
celebrities,  which  will  be  sold  by  auction  by  Sotheby,  Wilkinson 
&   Hodge,   the    15th   day  of  July,    1901.     London.      1901.      12  pp. 

**T.65.45 
Wyman,  Henry  A.     (Metcalf  Russell.) 

The  theatres.     Summary  of  the  dramatic  season  of  1886-87.   1887-88 
•        [in  Boston].    2  vols.     (Cut  from  the  Boston  Sunday  Times,  June 
/  ^       19,  1887,  June  17,  1888.)  *4452.48 

,..^yndham,  Henry  Saxe. 

The  annals  of  Covent  Garden  theater  from   1732  to  1897.     London. 
Chatto  &  Windus.     1906.     2  v.     Portraits.     Plates.     Plan.     Auto- 
graph facsimiles.  4578.324 
Wyndham,  Percy. 

Mr.  Percy  Wyndham's  Strictures  on  an  imposter,  and  old  actress, 
formerly  Bet  the  Pot  Girl,  alias,  the  Banker's  Sham  Widow. 
London.    Turner.     [1822.]     51-144,  (i)  pp.    IHus.  **T.56.244 

Relates  to  Harriot  Mellon  and  Thomas  Coutts. 

Wynn,  Frances  Williams. 

Diaries  of  a  lady  of  quality  from  1797-1844.  Edited,  with  notes,  by 
A.  Hayward.  London.  Longman,  Green,  Longman,  Roberts,  & 
Green.     1864.     xiii,  359  pp.  2547.19 

Same.    2d  edition,    xvi,  373  pp.  **T.57.i04 

Other  copies  are  on  shelf-numbers  **K.io5.ii;  **K.272.8. 

[831] 


THE  PUBLIC  LIBRARY  OF  THE   CITY  OF  BOSTON 


Wynne,  Arnold. 

The    growth    of    English    drama.      Oxford.      The    Clarendon    Press. 

1914.     3-281,    (i)   pp.  4579-251 

Incluaes    the   period    from   the    early    church   drama   to    the    time    of    Elizabeth. 
Pp.  270-276  treat  of  the  Elizabethan  stage.     Many  plots  are  briefly  outlined. 


X 

X.,  A.,  translator. 

Pepita,  Scnora.  Memoires  de  la  Senora  Pepita.  Aveux  et  confidences 
d'une  danseuse.     Traduit  de  I'espagnol.     Tome   i.     Liege.     1855. 

**T.99.47 
X.  Y.  Z.    See  Faucon,  T.  T. 

Y 

Y.,  B. 

Disputes  between  the  Director  of  D —  y  [Drury],  and  the  pit  poten- 
tates: being  a  letter  to  a  friend,  concerning  the  behaviour  of  the 
melancholly  manager  of  the  suff'ring  theatre  [Charles  Fleet- 
wood] ;  and  some  considerations  on  the  late  disturbances  and  the 
causes  thereof.     London:  Printed  for  M.   Cooper.     1744.     27  pp. 

Another  copy  is  on  shelf-number  No.  4  in  **G.382i.5.  **T.77.I76 

Y.,  E.  A.  G.    See  Young,  E.  A.  G. 
Yale  studies  in  English. 

Thompson.  E.  N.  S.     The  controversy  between  the  Puritans  and  the 
stage.    A  thesis  .  .  .  Yale  University.     New  York.     1903.    4583.148 
Yankee  Hill,  pseud.    See  Hill,  George  Handel. 
Yates,  Edmund  Hodgson. 

The  business  of  pleasure.     London.     Chapman  &  Hall.     1865.     2  v. 

Relates  to  Great  Bntain.  **T.97.26 

Edmund  Yates:  his  recollections  and  experiences.    London.    Bentley. 

1884.     2  v.     Portraits.  4540.8 

Same.     Leipzig.     Tauchnitz.     1885.     2  v.  in   i.  4540.21 

This  edition  does  not  contain  the  portraits. 

Same.     Fifty  3'ears  of  London  life.     Memoirs  of  a  man  of  the  world. 

New  York.     Harper.     1885.     xvii,  444  pp.     Portrait.     Autograph 

facsimile.  4540.22;  **T.57.25 

Same.     Munro.     [188-?]     (i),  310  pp.  **T.57.26 

Yates,  Edmund  Hodgson,  editor. 

Mathews,  C.  The  life  and  correspondence  of  Charles  Mathews,  the 
Elder,  comedian.     By  Mrs.  Mathews.     London,     i860.     Portraits. 

6549-23;  **T.57.4i7 
Yates,  Frederick  Henry. 

Yates'  Reminiscences;  or,  etchings  of  life  and  character:  consisting 

of  sketches  from  life,  manners,  &  peculiarities,  including  anecdotes 

of   living  characters,   tales,    comic    songs.     2d    edition.      London. 

Duncombe.     [1826.]     5-32  pp.    Colored  portraits.  **T.97.294 

Year,  A,  of  opera  at  the  Castle  Square  Theatre.     [Anon.]     See  French, 

Charles  Elwell. 
Year-books.     See  Periodicals. 
Yeats,  William  Butler,  editor. 

Beltaink.  The  organ  of  the  Irish  literary  theatre.  An  occasional 
publication.    The  ist  annual  volume  1899-1900.    No.  1-3.    London. 

1899,    1900.  *2552.32 

Yesterdays  with  actors.     Winslow,  C.  M.  2245.64;  **T.56..3i3 

[832] 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 


Yorick,  pseud. 

A  letter  concerning  Mr.  Henry  Irving  addressed  to  E.  R.  H.     Edin- 
burgh.    The  Edinburgh  Publishing  Co.     1877.     18  pp.       **T.98.33 
Yorkshire,  England.     Theatres. 

Wilkinson,  T.    The  wandering  patentee;  or,  a  history  of  tlie  York- 
shire theatres,  from  1770.     York.     1795.     4  v.  **T.77.69 
You  have  heard  of  them.    Rosenberg,  C.  G.                    2248.85;  **T.57. 198 
Young,  Archibald. 

Theatre  panics  and  their  cure.  With  plans  for  a  safe  theatre  pre- 
pared by  Thomas  T.  Paterson.  Edinburgh.  Elliot.  1896.  20  pp. 
Plates.  8093.32 

Young,  Carl. 

An  Elizabethan  defense  of  the  stage.  (In  Shakespeare  studies.  By 
members  of  the  Department  of  English  of  the  University  of  Wis- 
consin.    Pp.  103-124.     Madison.     1916.)  4593.211 

Contains   the   correspondence  of   William    Gager   and  Dr.   Rainolds  in   their  con- 
troversy in  regard  to  the  theatre. 

Young,  Charles  Mayne. 

Timothy,   pseud.     The   first   play   of   the   season.      [Chalres    Mayne 

Young  in  Hamlet.     Edinburgh.     1828.]  No.  16  in  **G.3937.ii 

Young,  J.  C.     A  memoir  of  Charles  Mayne  Young,  tragedian,  with 

extracts  from  his  son's  journal.     London.     1871.     2  v.     Portrait^ 

6547.31  ;**T.57.358 
Young,  E.  A.  G.,  editor. 

Young,  J.  C.  Last  leaves  from  the  journal  of  Julian  Charles  Young. 
Edinburgh.     1875.  **T.57.203 

Young,  James. 

Making  up.  Drawings  by  Edgar  Keller.  New  York.  Witmark. 
[1905.]      (6),    179   pp.      Illus.      Portraits.      Plates.  *6257.26 

On  making  up  for  the  stage. 

Young,  Julian  Charles. 

Last  leaves  from  the  journal  of  Julian  Charles  Young.  Edinburgh. 
Edmonston  &  Douglas.     1875.     xii,  282  pp.  **T.57.203 

A  memoir  of  Charles  Mayne  Young,  tragedian,  with  extracts  from 
his  son's  journal.  London.  Macmillan  &  Co.  1871.  2  v.  Por- 
traits. **T.57.358 

Same.     (3),  467  PP-  6547.31 

Personal  reminiscences  by  Chorley,  Planche,  and  Young.  New 
York.  Scribner,  Armstrong  &  Co.  1874.  xxiii,  297  pp.  45593.173 
Young,  Mary  Julia. 

Memoirs  of  Mrs.  Crouch.  Including  a  retrospect  of  the  stage,  during 
the  years  she  performed.    London.    Asperne.    1806.    2  v.    Portrait. 

Another  copy  is  on  shelf-number  **K.37.7.  **T.58.99 

Young,  William. 

The  history,  of  Dulwich  College,  with  a  life  of  the  founder,  Edward 
Alleyn,  and  an  accurate  transcript  of  his  Diary,  1617-1622.  Lon- 
don.    Bumpus.     1889.     2  V.     Illus.     Portraits.     Plates.     Facsimiles. 

♦2490.126 
Young  Rosciad,  The.     Pangloss,  Peter,  Esq.,  LL.D.  &■  A.S.S.,  pseud. 

**T.55.i33;etc. 
Young  Roscius,  The.  Biographical  memoirs  of  William  Hen.  West 
Betty,  from  the  earliest  period  of  his  infancy.  Including  the 
history  of  his  Irish,  Scotch,  and  English  engagements.  With 
analytical  strictures  on  his  acting  at  the  London  theatres.  New- 
York.    M'Dermut.     1806.     140  pp.    Portrait.  **T.57.243 

Another   edition,   having   the   title    Roscius   in    London,   may    be   found   on   shelf- 
numbers   *''T.55.i93;   etc. 

[833] 
53 


THE  PUBLIC  LIBRARY  OF  THE  CITY  OF  BOSTON 

Young  Scarron.     [Anon.]     See  Mozeen,  Thomas. 

Young  spouter,  The,  being  a  new  collection  of  prologues  and  epilogues. 
Prefixed,  an  introduction,  including  rules  to  be  observed  in 
theatrical  representation  and  public  speaking.  London:  Printed 
for  the  proprietors.     [i8— ?]     8,  13-112  pp.     Plate.  **T.37.i87 

Yve-Plessis,  Robert. 

Paris  galant  au  dix-huitieme  siecle.  Les  theatres  clandestins.  Par 
G.  Capon  et  R.  Yve-Plessis.  Paris.  Plessis.  1905.  (3),  284  pp. 
Plates.  **T.75.42 

Yxart,  Jose. 

El  arte  escenico  en  Espafia.  Barcelona.  Imprenta  de  "La  Van- 
guardia."     1894,  96.     2  v.  3098.171 

Contents.  —  I.  La  tradicion.  —  La  decadencia.  —  El  drama.  —  Echegaray.  ■ — 
Caspar.  —  Selles.  —  Feliu  y  Codina.  —  Nuevas  direcciones  dramaticas:  En  el 
e.xtranjero.  —  En  Espana.  —  Perez  Galdos,  etc.  —  Epilogo.  2.  La  CQmedia.  — 
J.  Echegaray.  —  Feliu  y  Codina.  —  Sanchez  Perez.  —  M.  Echegaray.  —  Ramos 
Carrion  y  Vital  Aza.  —  Piezas  y  sainetes.  — •  Ricardo  de  la  Vega,  etc. 

z 

Z.,  K.  Y.,  pseud. 

Almanach  des  spectacles  par  K.  Y.  Z.  Annee  [i-]8.  Paris.  [1818- 
25.]     8  V.     Colored  portraits.  **T.29.i8 

Zayas,  Marius  de. 

Vaudeville.  The  book  by  Caroline  Caffin.  The  pictures  by  Marius 
de  Zayas.     New  York.     Kennerley.     1914.     (4),  231  pp.     Portraits. 

Relates  to  the  American  theatre.     All   the  portraits  are   caricatures.         6257.83 

Zed,  pseud.    See  Maugny,  Alfred,  Comte  de. 

Zehn  Jahre  Meiningen.     Weiser,   C.  *6907.i2.i 

Zeidler,  Jakob. 

Eine    Wiener    Wertherparodie.      Ein    Beitrag   zur    Wiener    Theater- 

geschichte.      (In   Forschungen   zur   neueren    Litteraturgeschichte. 

Pp.   235-244.     Weimar.      1898.)  4873.90 

Zeit  und  Menschen.     Wehl,  F.  von.  2892.57 

Zeph:  a  circus  story.     Sims,  G.  R.  **T.88.i2 

Ziegler,  Clara. 

Mayerhofer,  J.  Clara  Ziegler.  Biographische  Skizze.  Bamberg. 
1887.     Portrait.  No.  11  in  **M. 215.4 

Zimmermann,  Paul. 

Englische  Komodianten  in  Wolfenbiittel.  (In  Germanische  Abhand- 
lungen.     Pp.  215-224.     Strassburg.     1902.)  6875.58 

Zola,  fimile. 

Le  naturalisme  au  theatre.  Les  theories  et  les  exemples.  2e  edition. 
Paris.    Charpentier.     1881.     (i),  407,  (i)  pp.  466ob.54 

ZoUing,  Theophil. 

Coulissengeister.  Roman.  2te  Auflage.  Leipzig.  Haesscl.  iFioi. 
2  v.  in  I.  6899.64 

Zuerich,  Szvitserland.     Theatres. 

RuEEGG,    R.      Blatter   zur    Feier    des    fiinfzigjahrigen    Jubilaums    des 

Ziircher   Stadttheaters   am    to.    und    it.    November    1884.     Ziirich. 

1884.  **T.96.356 

Zukunft,  Die,  unseres  Volkstheatcrs.     Bettelheim,  A.  **T.96.264 

Zurich,  Switzerland.     See  Zuerich,  Sivitcerland. 

Zwei  Jahre  Kapellmeister  an  der  Koniglichen  Oper  zu  Berlin.  [Anon.l 
See  Deppe,  Ludwig. 

[834] 


1 


BOOKS  NOT  RELATING  TO  THE  STAGE 


BOOKS  IN  THIS  COLLECTION  NOT 
RELATING  TO  THE  STAGE. 


A 

A  Beckett,  Gilbert  Arthur. 

Ali-Baba  and  the  Forty  Thieves;  or,  Harlequin  and  the  genii  of  the 
Arabian  nights!  A  pantomime.  First  performed  at  Covent 
Garden  Theatre,  December  26th,  1866.  [London.]  The  Theatre. 
[1866.]     25,   (i)   pp.  **T.37.2i5 

Words   only. 

The  babes  in  the  wood;  or,  Harlequin  Robin  Hood  and  his  merry 
men.  A  pantomime.  First  performed  at  Covent  Garden  Theatre, 
December  26th,   1867.     London.     The  Theatre.     [1867.]     20  pp. 

Words   only.  **T.37.2l6 

Scenes  from  the  rejected  comedies.  By  some  of  the  competitors 
for  the  prize  of  £500,  offered  by  B.  Webster  for  the  best  original 
comedy,  illustrative  of  English  manners.  London.  Punch  office. 
1844.    46  pp.  **T.36.90 

Parodies  on  contemporary  dramatists. 

The  Sleeping  Beauty;  or.  Harlequin  and  the  spiteful  fairy.  A  panto- 
mime. First  performed  at  Covent  Garden  Theatre,  December 
26th,  1870.     London.    The  Theatre.     [1870.]     3-34  pp.      **T.37.2i9 

Words   only. 

Adam.  Drame  anglo-normand  du  xii^  siecle.  Public  pour  la  premiere 
fois  d'apres  un  manuscrit  de  la  Bibliotheque  de  Tours  par  Victor 
Luzarche.     Tours.     Bouserey.     1854.     (3).  Ixxiv,   (i),   loi  pp. 

**T.35.i8 
Adam  de  la  Halle. 

[Jeux  par  Adam  de  la  Halle.]  Music.  (In  Monmerque,  L.  J.  N.  D. 
and  F.  X.  Michel,  editors.  Theatre  frangais  au  moyen  age.  Pp. 
21-135.     Paris.     1842.)  **T.34.8 

Contents.   —    Li   jus    Adan.    —   Li    jus   du   pelerin.    —   Li    gieus   de    Robin    ct    de 

Marion. 

Preceded  by  a  biographical  notice  of  the  author,   by  Michel,  and  an  account  of 

the  author  as  a  musician,   with  specimens  of  his  music,  by   Bottee  de   Toulmon. 

Addison,  Joseph. 

The  drummer;  or,  the  haunted-house:  a  comedy.  [Anon.]  With  a 
preface  by  Sir  Richard  Steele,  &  his  letter  to  Mr.  Congreve,  con- 
cerning the  author  of  this  play,  &c.  London:  Printed  for  the 
Company  of  Booksellers.     [1721?]     98,  (2)  pp.  **T.98.iii 

Adept,  An,  psetid. 

Everybody's  toast  book,  and  convivial  companion;  containing  the 
choicest  collection  ever  issued,  and  brimming  over  with  toasts 
and  sentiments  for  all  classes  and  occasions.  Philadelphia.  Fisher. 
[185-?]     194-256  pp.     Plate.  No.4in**T.99.6i 

[837] 


THE   PUBLIC  LIBRARY   OF   THE    CITY    OF  BOSTON 

Aicard,  Jean  Frangois  Victor. 

Moliere  a  Shakspeare.  Prologue  en  vers.  With  a  literal  translation. 
Paris.    Jouaust.     1879.     19,  (i)  pp.  **T.55.27 

"Prologue    dit    par    M.    Got  .   .   .  pour    rinauguration    des    representations    de    la 
Comedie  frangaise  le  2  juin  1879  a  'Gaiety-Theatre.'  " 

Airs,  duets,  &c.,  introduced  in  Shakespeare's  Tempest,  as  it  is  now 
performing  in  three  acts,  at  the  Theatre-Royal  in  Covent  Garden. 
London:  Printed  for  T.  Evans.     1776.     19  pp.  **T,97,348 

The  greater  number  of  these  songs  are  not   in   Shakespeare's  Tempest.      There 
is  no  music. 

Akhurst,  W.  M. 

The  birth  of  beauty!  or,  Harlequin  William  the  Conqueror,  and  the 
pretty  white  horse  with  the  golden  hoof.  [Pantomime.  Anon. 
London.     187-?]     36  pp.  **T.37.225 

Words  only.     There  is  no  title-page. 

Cinderella  and  the  little  glass  slipper;  or,  ride-a-cock-horse  to  Ban- 
bury Cross,  &  the  fairy  of  golden  dreams.  [Pantomime.  London. 
1874.]     46,  (i)  pp.  **T.37.226 

Words  only. 

Gulliver  on  his  travels;  or,  Harlequin  Robinson  Crusoe,  his  man 
Friday,  and  the  wonderful  spirit  of  romance.  [Pantomime.]  1876- 
77.     London.     Rimmel.     [1876.]     47  pp.  **T,37.23o 

Words   only. 
Whittington  and  his  wonderful  cat;  or.  Harlequin  Johnny  Gilpin  and 
the  ride  to  Edmonton.     [Pantomime.]     1877-1878.    As  produced  at 
Sanger's  National  Amphitheatre.    London.   Aubert.    [1877.]    46  pp. 

Words  only.  **T.37.23I 

All  about  Shakespeare.  With  wood  engravings  by  Thomas  Gilks, 
drawn  by  H.  Fitzcook.  In  commemoration  of  the  Ter-centenary. 
London.  Lea.  [1864.]  (48)  pp.  Illus.  Portraits.  Plates.  Plans. 
Autograph  facsimile.  **T.96.9i 

Another  copy  is  on  shelf-number  **T.97.76. 

Allart,  L.  F. 

Ode  a  Moliere.     Paris.     Claye.     1880.     13  pp.     Portrait.         **T.95.68 

AUingham,  William. 

Thought  and  word  [poems],  and  Ashby  Manor,  a  play  in  two  acts. 
London.  Reeves  &  Turner.  1890.  viii,  183,  (2)  pp.  Illus.  Por- 
trait.    Plates.    Autograph  facsimile.  **T.37.ii5 

Almanach  amusant  pour  1870.  Annee  4.  Paris.  Librairie  ceiitrale. 
[1870?]     61  pp.     Illus.     Plate.  **T.28.5 

Almanach  du  Charivari.  Dessins  par  Cham  [pseud.  d'Amedee  Charles 
Henri,  Comte  de  Noe].  Texte  par  les  redacteurs  du  Charivari. 
Annee  11,  12,  20.  1870,  71,  79.  Paris.  Pagnerre  [etc.  i870?-79?]. 
3  v.    Illus.     Plates.  **T.26.50 

Almanach  pour  rire.  Illustre  par  Cham  [pseud,  de  Amedee  Charles 
Henri,  Comte  de  Noe].  Annee  8,  10,  13,  14,  16,  19,  22,  23,  27. 
1857,  59,  62,  63,  65,  68,  71,  72,  76.  Paris.  Pagnerre  [etc.  1857?- 
76?].    9  v.     Illus.     Plates.  **T.Z7.27 

American  Comic  Annual.  Edited  by  Henry  J.  Finn,  and  illustrated  by 
D.  C.  Johnston.  Boston.  Richardson,  Lord  &  Holbrook.  1831. 
viii,  220  pp.     Illus.     Plates.  **T.28.2 

American  concert  libretto.  The,  and  parlor  pianist,  containing  a  selec- 
tion of  all  the  songs,  &c.,  that  can  be  performed  at  any  concert, 
with  the  original  text,  and  English  translation,  with  the  musical 
gems  arranged  for  the  piano-forte.  New  York.  Darcie.  1855. 
62  pp.     Music.  **T.94.23 

[838] 


BROWN    COLLECTION    OF   BOOKS    ON    THE   STAGE 


Anderson,  John  Henry. 

The  fashionable  science  of  parlour  magic.  With  an  exposure  of 
the  practices  made  use  of  by  professional  card  players,  blacklegs, 
and  gamblers.  104th  edition  of  Parlour  magic.  34th  edition  of 
Spirit  rapping.  [London.  185-?]  95,  (i)  pp.  HIus.  Portrait. 
Plate.     Autograph    facsimile.  **T.98.7 

Andreev,  Leonid  Nikolaevitch. 

The  pretty  Sabine  women.  A  play  in  three  acts.  Translated  from 
the  Russian  by  Thomas  Seltzer.  (In  Drama,  The.  1914,  no.  13, 
pp.  34-71-     Chicago.     1914.)  **T.i5.i7.4 

Preceded  by  an  account  of  the  author's  works  by  the  translator. 

Andre-Murville,  Pierre  Nicolas. 

Les  adieux^  d'Hector  et  d'Andromaque,  Iliade  d'Homere,  livre  VK. 
Piece.     A  Paris,  chez  Demoaville.     1776.     12  pp.  **T. 96.254 

Anecdotes  of  impudence,  being  a  collection  of  entertaining  facts  relating 
to  extraordinary  men.  London.  Tilt.  1827.  (2),  178  pp.  Por- 
trait. **T.59.37 

Pp.   177  and   178  are  bound  after  the  title-page. 

Anglemont,  fidouard  Hubert  Scipion  d'. 

Pastels  dramatiques.     Paris.     Barbre.     1869.     (2),  357,   (2)   pp. 

A  collection  of  short  pieces  for  the  theatre.  **X.36.I0 

Anspach,  Elizabeth  Berkeley  Craven,  Markgrafin  von. 

Epilogue  to  The  sleepwalker;  written  &  spoken  by  the  Margravine 
of  Anspach,  at  Brandenburgh-House  Theatre.     Broadside.     [Lon- 
don.]    Printed  for  W.  Wigstead  by  J.  Bateson.     [179-?]     **T.34.i8 
Anspach,  Elizabeth  Berkeley  Craven,  Markgrafin  von,  alleged  author. 
Love  rewarded:  a  musical  pastoral.     [Anon.     London?     179-?!     16, 
16  pp.  **T.34.2i 

Italian  and  English  text  on  opposite  pages.  The  Italian  title  is:  L'amor 
premiato. 

Prelude.     [Anon.     London?     179-?]      11  pp.  **T.34.i9 

Prologue  written  for  the  re-opening  of  the  theatre  at  Brandenbourgh 

House,  after  it  was  embellished  and  enlarged   in  the  year    1795. 

[Anon.     London?     1795?]     13  pp.  **T.34.20 

There  is  no  title-page.  This  and  the  two  preceding  pieces  were  probably 
written  by  the  Margravine  of  Anspach  for  her  theatre  in  Brandenburg  House. 

Antoine,  fils,  I'ame. 

Le  retour  de  Lindor,  ou  le  nouvel  Heureusement.  Comedie  en  un 
acte.  {In  Olivier,  Jean  J.  Les  comediens  frangais  dans  les  cours 
d'Allemagne  au  xviiie  siecle.     Serie  i,  pp.  125-167.     Paris.     1901.) 

**T.74.io.Ser.i 
Apanage  de  la  maison  d'Orleans.    A  Paris,  chez  la  veuve  d'Houry  &  fils. 
1762.    24  pp.  **T.75.30 

Archer,  William. 

English  dramatists  of  to-day.  London.  Sampson  Low,  Marston, 
Searle,  &  Rivington.     1882.     (3),  387,   (0  PP-  **T.47.30 

Contents.  —  Introduction.  —  Playwrights  of  yesterday.  —  James  Albery.  — 
Frederick  W.  Broughton.  —  F.  C.  Bumand.  —  Henry  J.  Byron.  —  W.  S. 
Gilbert.  —  Sydney  Grundy.  —  Bronson  Howard.  —  H.  A.  Jones.  —  Paul  Meritt. 
—  Herman  Charles  ISIerivale.  —  Arthur  W.  Pinero,  —  Robert  Reece.  —  George 
R.   Sims.  —  S.  Theyre  Smith.   —  Alfred  Tennyson.   —  W.   G.   Wills. 

Study  and  stage.  A  year-book  of  criticism.  London.  Richards. 
1899.     xi,  250  pp.  **T.47.36 

Arnold,  Samuel  James. 

Man  and  wife;  or,  more  secrets  than  one:  a  comedy,  in  five  acts. 
(From  the,  London,  5th  edition.)  Philadelphia.  Bradford  & 
Inskeep.    1810.    22  pp.  No.  3  J"  **T.26.34.i 

[839] 


THE  PUBLIC  LIBRARY   OF   THE    CITY   OF  BOSTON 

Arnould,  Auguste,'  and   Louis   Pierre   Narcisse   Fournier. 

The  man  with  the  iron  mask.     Adapted  from  the  French,  by  W.  J. 
Lucas.     In  four  epochs.     Added,  the  costume  and  the  stage  busi- 
ness.    New  York.     French.     [i86-?]     42  pp.  **T.37.24 
Arreat,  Jean  Lucien. 

La  morale  dans  le  drame,  I'epopee  et  le  roman.  Paris.  Alcan.  1884. 
(3),  219  pp.  **T.47.67 

Arreat,  Lucien.    See  Arreat,  Jean  Lucien. 
Asseline,  Alfred. 

Madame  de  Monaco.  Illustrations  par  D.  Vierge,  A.  Bertrand,  Kauf- 
mann.  Paris.  Marpon  &  Flammarion.  [1884.]  36  pp.  Portrait. 
Plate.     [Les  grandes  amoureuses.]  **T.57,i9 

Asselineau,  Charles.     See  Asselineau,  Frangois  Alexandre  Charles. 
Asselineau,  Frangois  Alexandre  Charles. 

Histoire  du  sonnet  pour  servir  a  I'histoire  de  la  poesie  frangaise. 
Alengon.    1856.     (3),  43,  (0  PP-  **T.97.333 

Astley,  Sir  John  Dugdale,  Baronet. 

Fifty  years  of  my  life  in  the  world  of  sport  at  home  and  abroad.  2d 
edition.  London.  Hurst  &  Blackett,  Ltd.  1894.  2  v.  Portraits. 
Autograph  facsimiles.  **T.56.63 

Astley,  Philip. 

Astley's  System  of  equestrian  education,  exhibiting  the  beauties  and 

defects  of  the  horse;  with  observations  on  his  general  excellence, 

preserving   him   in    health,    grooming,    &c.      7th    edition.      Dublin. 

Burnside.     1802.     xii,  (6),  197  pp.     Portrait.     Plate.  **T.96.290 

Athanase,  Renard.    See  Renard,  Athanase. 

Audouard,  Felicite  Olympe. 

Silhouettes  parisiennes.  Paris.  Marpon  &  Flammarion.  1883.  320 
pp.     Portraits.  **T.57.i29 

Auger,  Louis  Simon. 

Eloge  de   N.   Boileau-Despreaux.     Discours   qui  a  remporte  le  prix 

d'eloquence  propose  par  la  classe  de  la  langue  et  de  la  litterature 

frangoises  de  I'lnstitut  national,  5  nivose,  an  xiii.     Paris.     Colnet. 

An  XIII.-1805.     (3),  58  pp.  **T.57.i37 

Augier,  Guillaume  Victor  £mile. 

Giboyer's  son.  A  comedy  in  five  acts.  Translated  by  Benedict 
Papot.     (In  Drama,  The.     191 1,  no.  4,  pp.  27-137.     Chicago.     191 1.) 

**T.i5.i7.i 

Preceded  by  an  account  of  the  author's  works  by  William  Norman  Guthrie. 

Austin,  Benjamin  W. 

Auction  sale.  April  loth  and  nth,  1900.  Catalogue  of  the  Austin 
collection  of  autographs.  C.  F.  Libbie  &  Co.,  auctioneers.  Bos- 
ton.    1900.     174  pp.  **T.65.25 

B 

B,,  Mr.,  l^seud. 

A  letter  from  Mr.  B.  to  Miss  F.  Manchester.     Leigh.     1814.     12  pp. 

/  **T.98.65 
V    B.,  W. 

The  juror.    A  farce.    2d  edition.  London;  Printed  for  John  Norcock. 

1718.     (3),  28  pp.  **T.57.96 
Babois,  Marguerite  Victoire. 

filegies  par  Mr"e  Victoire  Babois,  sur  la  mort  de  sa  fille  agee  de  cinq 

ans.     Paris.     Didot.    An  xiii.  [1804/05.]     22  pp.                **T.97.i48 

[840] 


BROWN    COLLECTION    OF   BOOKS    ON    THE   STAGE 


Bach,  Sigismond  Ferdinand. 

Nos  femmes.  Album  en  couleurs  par  Bac.  Preface  de  Maurice 
Donnay.  Paris.  Empis.  [1895.]   (8)  pp.  (20)  colored  plates.  **T.5i.is 

Bachelor's  torments;  or,  the  sweets  of  a  family.  An  imitative  interlude, 
in  one  act.  With  the  stage  business.  London.  Duncombe! 
[182-?]     20  pp.     Colored  portrait.  **T.37.iii 

Bacon,  Francis,  Baron  Verulam  and  Viscount  St.  Albans. 

The  promus  of  formularies  and  elegancies  (being  private  notes,  circ. 
1594,  hitherto  unpublished).  Illustrated  and  elucidated  by 
passages  from  Shakespeare  by  Mrs.  Henry  Pott.  With  preface 
by  E.  A.  Abbott.  London.  Longmans,  Green,  &  Co.  1883.  xix, 
628  pp.     Manuscript  facsimile.  **T.55,i28 

Bacon,  Theodore. 

Delia  Bacon:  a  biographical  sketch.  London.  Sampson  Low, 
Marston,  Searle  &  Rivington,  Ltd.  1888.  (7),  322  pp.  Portrait. 
Autograph  facsimile.  **T.56.i30 

Relates    largely   to   the    Shakespeare-Bacon    controversy.      The   author's    name    is 

signed  to  a  note  of  acknowledgment. 

Badaire,  A.  E. 

Le  monde  de  la  police  et  les  scandales  du  depot.  Paris.  Chamuel. 
1894.     67  pp.  **T.97.i7o 

Bagehot,  Walter. 

Shakespeare  the  man.  An  essay.  New  York.  -  McClure,  Phillips  & 
Co.     1901.    XV,  (i),  66,  (i)  pp.     Portrait.  **T.55.i32 

Prefatory  note  by  Viola  Roseboro'. 

Baignoux,  Pierre  Philippe. 

Paris,  scene  lyrique.     A  Amsterdam.     1783.     20  pp.  **T.97.66 

Bailey,  John  J. 

Waldimar.  A  tragedy,  in  five  acts  [in  verse].  New-York.  Not 
published.     1834.     124,   (i)   pp.  **T.3S.8 

The  scene  is  laid  principally  at  Thessalonica,  at  the  close  of  the  fourth  century. 

Baillie,  Joanna. 

A  series  of  plays:  in  which  it  is  attempted  to  delineate  the  stronger 

passions  of  the  mind.    Each  passion  being  the  subject  of  a  tragedy 

and  a  comedy.     New  edition.     London.     Longman,  Hurst,  Rees, 

Orme  &  Brown.     1821.     3  v.  **T.36.ii 

Baker,  Benjamin  A. 

A  glance  at  New  York.  A  local  drama,  in  two  acts.  [Anon.]  Added, 
the  costume,  and  the  stage  business.  New  York.  French.  [185-?] 
32  pp.     [French's  Standard  drama.    The  acting  edition.     No.  216.] 

**T.37.7 
Ballu,  -Roger. 

Une  vie  d'artiste.  fitude  de  moeurs  contemporaines.  Paris.  Baschet. 
1885.     (5),  329,  (2)  pp-  **T.87.49 

Banim,  John. 

Damon  and  Pythias.  A  play  in  five  acts.  As  acted  by  Mr.  Forrest. 
With  the  stage  business,  costumes,  &c.  New  York.  French. 
[i8s-?]     60  pp.     [French's  Standard  drama.     No.  37.]  **T.37.8 

Barbier,  Auguste.    See  Barbier,  Henri  Auguste. 
Barbier,  Henri  Auguste. 

fitudes  dramatiques.  Nouvelle  edition.  Paris.  Dentu.  1874.  (3), 
332  pp.  **T.37.i40 

Contents.   —  Jules   Cesar.      Tragedie   de   Shakspeare.      Traduite   en  vers   frani,ais. 
—   Benvenuto    Cellini.      Opera    en   deux   actes.      Paroles   de   Leon   de   Vailly    et 

Auguste  Barbier. 

Souvenirs  personnels  et  silhouettes  contemporaines.  Paris.  Dentu. 
1883.     (3),  378  pp.  **T.S7.335 

[841] 


THE  PUBLIC  LIBRARY   OF   THE    CITY   OF  BOSTON 


Barnett,  Morris. 

The  serious  family.  A  comedy  in  three  acts.  With  the  stage  busi- 
ness, costumes,  etc.  New  York.  French.  [185-?]  3-48  pp. 
[French's  Standard  drama.     No.  79-]  **T.37.9 

An  adaptation  of  Le  mari  a  la  campagne  by   Bayard  and  Wailly. 

The  tempest,  as  a  lyrical  drama.     London.     Mitchell.     1850.     32  pp. 

**T.97.34 
Barnum,  Phineas  Taylor. 

The    humbugs    of   the    world.      An    account    of    humbugs,    delusions, 

impositions,    quackeries,    deceits    and    deceivers    generally,    in    all 

ages.     New  York.     Carleton.     1866.    424  pp.  **T.97.i77 

Same.     Les  blagues  de  I'univers.     Paris.     Faure.     1866.     (3),  367  pp. 

**T.97.i72 
Barr,  Amelia  Edith. 

The  children  of  Shakespeare's  plays.  [Philadelphia.  1883.]  498- 
501  pp.  In**T.i3.i 

Extracts  from  The  Continent,  April  i8,   1883. 

Barriere,  Theodore,  and  Ernest  Capendu. 

Les  faux  bonshommes.  Comedie  en  quatre  actes.  2e  edition.  Paris. 
Levy.     1857.     (4),  176  pp.  **T.37.i22 

Barry,  S. 

The  persecuted  Dutchman;  or,  the  original  John  Schmidt.     A  farce, 

in   one  act.     Added,  the  costume   and   the   stage   business.     New 

York.     French.     [186-?]     15  pp.     [The  minor  drama.     The  acting 

edition.     No.   152.]  **T.97.3o8 

Barry,  William. 

Sporting  rambles  and  holiday  papers.  London.  Routledge.  [1873.] 
iv,  262  pp.  **T.97.336 

Relates  principally   to  Great   Britain. 

Barrymore,  William. 

[Harleciuin  and  the  talking  bird.]  Programme,  songs,  &c.,  of  the 
new  comic  pantomime.  Harlequin  and  the  talking  bird,  or,  the 
singing  trees  &  golden  waters.  Invented  and  produced  by  W. 
Barrymore,  Jun.  Performed  at  the  New  Theatre  Royal,  Drury 
Lane,  December  27,  1824.     London.     Tabby.     1824.     15  pp. 

Words  only.  **T.36.22 

Barthelemy,  Charles. 

Histoire  de  la  comedie  en  France  depuis  les  origines  jusqu'  a  nos 
jours.     Paris.     Dupret.     1886.     (3),  180  pp.  **T.97.i65 

Barthet,  Armand. 

The  sparrow  of  Lesbia;  a  comedy  in  one  act.  The  original  French, 
with  an  English  translation,  prepared  for  Raphael  Felix,  manager 
of  Mile  Rachel's  French  Company.  New  York.  Darcie  &  Corbyn. 
1855.     22  pp.  **T.34.i3 

Bath" contest.  The:  a  collection  of  all  the  papers,  advertisements.  &c., 
published  by  the  candidates  for  the  office  of  Master  of  the 
Ceremonies,  and  their  friends.  Bath:  Printed  and  sold  by  Crutt- 
well  and  Archer.     [1769.]     66  pp.  **T.97.338 

Beard,  John. 

Letters  which  have  passed  between  John  Beard  and  John  Shebbeare. 
London:  Printed  for  G.  Kearsly.     1767.    3-50  pp.  **T.57.29i 

Beaumarchais,  Pierre  Augustin  Caron  de. 

Theatre.  Precede  d'une  etude  par  Hippolyte  Stupu3\  Le  barbier  de 
Seville.  Illustre  par  A.  Esnault.  Paris.  Becus.  1884.  xlii,  174  pp. 
Illus.     Portrait.     Plates.  **T.37.209 

[842] 


BROWN    COLLECTION    OF   BOOKS    ON    THE   STAGE 


Becker,  Carl  Ferdinand,  the  Younger. 

Die  Tonkiinstler  des  neunzehnten  Jahrliuiiderts.  Ein  kalendarisches 
Handbuch  zur  Kunstgeschichte.     Leipzig.     Kossling.     1849.     viii, 

^77  pp.  **T.97.i96 

Becque,  Henri  Frangois. 

The  crows.     A  comedy  in  four  acts.  Translated  by  Benedict  Papot. 

(In  Drama,  The.     1912,  no.  5,  pp.  14-126.     Chicago.     1912.) 

Precedi-d  by  an  account  of  the  author  by  the  translator.  **T.I5  17  2 

Bedford,  Paul. 

Drawing-room  dramas.  With  Hints  to  amateurs  by  Braccbridge 
Hemyng.     London.     Clarke.     [1874.]     5-131  pp.     Plate.     **T.98.32 

Another  copy  is  on  shelf-number  **T.98.9. 

Beerbohm,  Max. 

Works.     New  York.     Scribner.     1896.     (5),  165  pp.  **T.97.332 

Contents.  —  Dandies  and  dandies.  —  A  good  prince.  —  1880.  —  King  George  the 
Fourth.  —  The  pervasion   of   rouge.   —   Poor   Romeo !    —   Diminuendo. 

Bell,  Robert,  editor. 

Songs  from  the  dramatists.  New-York.  Dodd,  Mead  &  Co.  1882. 
268  pp.  **T.37.i99 

Bell,  William. 

Shakespeare's  Puck,  and  his  folkslore,  illustrated  from  the  super- 
stitions of  all  nations.     London.     i852[-64].     3  v.     Illus.     Plates. 

**T.57.385 

Part  of  vol.  2  and  all  of  vol.  3  are  devoted  to  an  attempt  to  prove  that  Shake- 
speare once  lived  in  Germany. 

Bellamy,  Thomas. 

Miscellanies:  in  prose  and  verse.  London:  Printed  for  the  author,  and 
sold  by  W.  Brown.   1794,  95.  2  v.  in  i.   Portraits.    Plate.  **T.96.228 

Appended  to  vol.  2  are  his  Life  of  William  Parsons  and  The  London  theatres 
virhich  have  separate  title-pages  and  pagination   but   form  part  of  this  collection. 

Bellermann,  Heinrich.     See  Bellermann,  Johann  Gottfried  Heinricn. 
Bellermann,  Johann  Gottfried  Heinrich. 

tjber  die  Entwicklung  der  mehrstimmigen  Musik.  Vortrag  gehalten 
im  Saale  der  Singakademie  zu  Berlin  im  Wissenschaftlichen 
Verein  am  xix.  Januar   1867.     Berlin.     Sacco.     1867.     40  pp. 

**T.97.i95 
Belloy,  Auguste,  Marquis  de. 

Portraits  et  souvenirs.    Paris.    Levy.     [1859.]     210,  (i)  pp.    **T.99.i8 

Contents.  —  Par  maniere  d'avant-propos.  —  Les  piliers  du  Cafe  Valois.  —  L'ami 
des  malheureux.  —  La  cimetiere  Delahays,  ou  ce  que  deviennent  les  livres.  — 
La  question  d'Orient.  —  Virgile  a  San-Remo. 

Bennett,  George  John. 

The  Albanians,  a  dramatic  sketch:  and  miscellaneous  poems.     Lon- 
don.    Kidd.     1831.    X,  230  pp.  **T.37.2io 
Bergerat,  Auguste  £mile. 

Le  livre  de  Caliban  [pseud.].  Preface  de  Alexandre  Dumas.  Paris. 
Lemerre.     1887.     (3),  xvi,  361,  (i)  pp.  **T.97.i86 

Bernard,  Laure. 

Theatre  de  marionnettes,  ouvrage  pour  la  jeunesse.  Paris.  Didier. 
1837-  (3),  XV,  366  pp.  Plates.  Engraved  title-page.  |  Biblio- 
theque  universelle  d'education.]  **T.38.8 

Contents.  —  David  et  Goliath.  Piece  biblique.  • —  Le  jame-jam  numai  ou  miroir 
magique.     Piece  feerique.  —  Le  roi  Lear.  ■ —  Le  dormeur  eveille.  —  Une  meprise. 

Bernard,  Thales. 

La  Lisette  de  Beranger.     Souvenirs  intimes.  Eau-forte  par  G.  Staal. 

Paris.  Bachelin-Deflorenne.  1864.  (3),  122,  (i)  pp.  Portrait. 
[Collection  du  Bibliophile  frangais.]  **T.98.i28 

[843] 


THE  PUBLIC  LIBRARY   OF   THE    CITY   OF  BOSTON 


Berrurier,  Louis  Barthelemy. 

Code  de  la  chasse  contenant  le  resume  general  des  lois  et  decisions 
judiciaires  et  administratives  sur  le  droit  et  la  police  de  la  chasse. 
Paris.  ■  Dusillion.     1844.     124  pp.  **T.99.53 

Betterton,  Thomas. 

The  amorous  widow:  or,  the  wanton  wife.  A  comedy.  London: 
Printed  in  the  year  1710.     87  pp.  **T.57.224 

Beverley,  Elizabeth. 

The  actress's  ways  and  means,  to  industriously  raise  the  wind! 
Containing  the  moral  and  entertaining  poetical  effusions  of  Mrs. 
R  Beverley,  comedian.  4th  edition.  London.  The  Author.  1822. 
32  pp.  **T.96.2o8 

A  new  dish  of  all  sorts,  containing  original  songs,  poems,  &c.,  and 
forming  a  companion  to  the  "Book  of  variety."  3d  edition.  Lon- 
don.    The  Authoress.     1824.     23  pp.  ,  **T.97.i79 

The  book  of  variety   may   be   found   on   shelf- number   **T. 97.178. 

Reflections.     London.     The  Authoress.     1829.     35  pp.  **T.97.234 

Biagioli,  G.     See  Biascioli,  Niccolo  Giosafatte. 
Biascioli,  Niccolo  Giosafatte. 

Per  le  augustissime  nozze  di  Napoleone  il  grande  con  Maria  Luigia, 
Arciduchessa  d'Austria.     Ode.     Parigi.     Didot.     1810.     15  pp. 

**T.97.i39 
Biez,  Jacques  de. 

Le  premier  billet.  Monologue.  (In  Saynetes  et  monologues.  Serie 
I,  pp.  111-123.     Paris.     1877.)  **T.37.246 

Bigeon,  Maurice. 

Les  revoltes  scandinaves.     Paris.     Grasilier.     1894.     (6),  341   pp. 

**T.57.2io 

Contents.  —  Georg  Brandes.  —  Jonas  Lie.  —  Edvard  Grieg.  ■ —  Stephan  Sinding. 
—  Bjornstjerne  Bjornson.  • —  August  Strindberg  et  les  femmes  emancipees.  • — 
Herman  Bang  et  Arne  Garborg.  —  Henrik  Ibsen. 

Birch,  Charlotte. 

Jane  Eyre,  or  the  orphan  of  Lowo  [sic].  A  drama  in  two  parts  and 
four  acts,  by  Charlotte  Birch-Pfeiffer,  as  performed  by  Mme. 
Marie  Seebach.  New  York.  Fourteenth  Street  Theatre.  1870. 
36,  (18)  pp.     Portrait.  **T.94.26 

A  dramatization  of  Charlotte  Bronte's  novel  of  the  same  name.  German  text 
and   English  translation  in  parallel  columns. 

Bird,  Robert  Montgomery. 

Nick  of  the  Woods,  or,  adventures  of  prairie  life.  London.  George 
Routledge   &   Sons,   Ltd.      [1883.]      316  pp.  **T.78.32 

Bishop,  Washington  Irving. 

Second  sight  explained.     A  complete  exposition  of  clairvoyance  or 

second  sight,  as  exhibited  by  the  late  Robert  Houdin  and  Robert 

Heller,  showing  how  the  supposed  phenomena  may  be  produced. 

Edinburgh.     Menzies  &  Co.     1880.     78  pp.  **T.97.26i 

Bisson,  Frederick  Shirley  Dumaresq  de  Carteret-. 

The  drama  as  an  element  of  education.  London.  Simpkin,  Marshall, 
&   Co.      [1882.]      X,    no   pp.      Portrait.      Autograph    facsimile. 

**T.46.22 

Contains  also  extracts  from  other  works  by  the  author,  letters  addressed  to 
him,  etc. 

Bj0mson,  Bj0rnstjerne. 

Leonarda.  A  drama  in  four  acts.  Translated  from  the  Norwegian 
l)y  Daniel  L.  Hanson.  (In  Drama,  Tlie.  191 1,  no.  3,  pp.  16-76. 
Chicago.     1911.)  **T.i5.i7.i 

Preceded  by  an  account  of  Bjornson  as  a  dramatist,  by  William   Morton   Payne. 

[844] 


BROWN    COLLECTION    OF   BOOKS    ON    THE   STAGE 


Blackburn,  Henry. 

Art   in   the    mountains:    the    story    of    the    Passion    Play.      London. 
Sampson  Low  &  Marston.     1870.     (i),  167,   (i)  pp.     Illus.     Por- 
traits.    Plates.     Diagram.  **T.46.i5 
Relates  to  the  Oberammergau  Passion  Play  of  1870. 
Blanchard,  Edward  Litt  Laman. 

Aladdin  and  the  wonderful  lamp,  or,  Harlequin  and  the  flying  palace. 
A  pantomime.  First  performed  at  the  Royal  English  Opera, 
Covent  Garden,  December  26th,  1865.  [London.]  The  Theatre. 
[1865.]     22  pp.  **T.37.2i4 

Aladdin;  or,  Harlequin  and  the  wonderful  lamp.  Grand  comic  Christ- 
mas pantomime.     London.     Tuck  &  Co.     1874.    48  pp.    **T.37.24i 

Beauty  &  the  beast;  or.  Harlequin  and  Old  Mother  Bunch.  Grand 
comic  Christmas  pantomime.     London.     1869.     32  pp.     **T.37.236 

The  children  in  the  wood;  or.  Harlequin  Queen  Mab  and  the  world 
of  dreams.  Grand  comic  Christmas  annual.  London.  Tuck  & 
Co.     [1872.]     39  pp.  **T.37.239 

Cinderella;  or.  Harlequin  and  the  fairy  slipper.  Grand  comic  Christmas 
pantomime.     London.    Tuck  &  Co.     1878.     (6),  32  pp.      **T.37.245 

The  dragon  of  Wantley;  or.  Harlequin  and  Mother  Shipton.  Grand 
comic  Christmas  pantomime.    London.    Tuck  &  Co.     1870.    36  pp. 

**T.37.237 

Faw!  fee!!  fo!!!  fum!!!!  or.  Harlequin  Jack,  the  giant  killer.  Grand 
comic  Christmas  pantomime.    London.    Tuck  &  Co.     1867.    33  PP- 

**T.37.234 

The  forty  thieves.  [Anon.  Pantomime.  London.  1876.]  17-53  PP- 
There  is  no  title  page.  **T.37.243 

Grimalkin  the  Great;  or.  Harlequin  Puss  in  Boots,  and  the  miller's 
sons.  Grand  comic  Christmas  pantomime.  London.  Tuck  &  Co. 
1868.     31  pp.  **T.37.235 

Jack  in  the  Box;  or.  Harlequin  Little  Tom  Tucker  and  the  three 
wise  men  of  Gotham.  Grand  comic  Christmas  pantomime.  Lon- 
don.   -Tuck  &  Co.     1873.     36  pp.  **T.37.24o 

Little  Goody  Two-Shoes;  or.  Harlequin  and  Cock  Robin:  an  entirely 
novel,  grand  comic  Christmas  pantomime.  London.  The  Music- 
Publishing  Co.     [1863.]     22  pp.  **T.36.45 

Little  King  Pippin;  or.  Harlequin  Fortunatus  and  the  magic  purse 
and  wishing  cap.  Grand  comic  Christmas  pantomime.  London. 
Tuck  &  Co.     1865.     36  pp.  _**T.37.232 

Number  Nip;  or,  Harlequin  and  the  gnome  king  of  the  giant  moun- 
tain. Grand  comic  Christmas  pantomime.  London.  Tuck  &  Co. 
1866.     34  pp.  **T.37.233 

Tom  Thumb  the  Great;  or.  Harlequin  King  Arthur  and  the  Knights 
of  the  Round  Table.  Grand  comic  Christmas  annual.  London. 
Tuck  &  Co.     1871.    40  pp.  **T.37.238 

The  white  cat.  [Anon.  Pantomime.  London.  1877.]  17-46  PP- 
There  is  no  title-page.  **T.37.244 

Whittington  and  his  cat;  or.  Harlequin  Lord  Mayor  of  London. 
Grand  comic  Christmas  pantomime.  London.  Tuck  &  Co.  1875. 
55  PP-  **T.37.242 

Blanchard,  Laman.     See  Blanchard,  Samuel  Laman. 
Blanchard,  Samuel  Laman. 

Sketches  from  life;  with  a  memoir  of  the  author,  by  Sir  Edward 
Bulwer  Lytton,  Bart.  London.  Colburn.  1846.  3  v.  Illus. 
Portrait.     Autograph  facsimile.  **T.97.i03 

[845] 


THE   PUBLIC  LIBRARY   OF   THE    CITY   OF  BOSTON 


Blavet,  fimile  Raymond.     (Parisis.) 

La  vie  parisienne.  1884-89.  Paris.  Boulanger  [&  Ollendorff.  1885-] 
1890.     6  V.  **T.27.34 

The  issues  for  1886  and  1889  are  of  the  second  edition. 
Blaze  de  Bury,  Marie  Pauline  Rose,  Baronne. 

Moliere,  and  the  French  classical  drama.     London.     Knight.     1846. 

216  pp.  **T.S9.8 

Racine,  and   the   French   classical   drama.     London.      Knight    &   Co. 

1845.     264  pp.  ^  **T.59.4 

Bloch,  Louis,  and Sagari. 

Paris  qui  danse.    Paris.     Librairie  illustree.     [1888.]     (3),  225.  (i)  pp. 

**T.97.243 
Blum,  Ernest. 

Journal  d'un  vaudevilliste,  1870-1871.  Paris.  Levy.  1894.  (3),  iii, 
298  pp.  **T.57.249 

Boaden,  James. 

An  inquiry  into  the  authenticity  of  various  pictures  and  prints,  wdiich 
have  been  offered  as  portraits  of  Shakspeare.  London.  Triphook. 
1824.     (4),  V,   (i),  206  pp.     Portraits.  **T.56.37 

The  five  portraits  are  proof  impressions. 

Boas,  Frederick  Samuel. 

Shakspere  and  his  predecessors.  London.  Murray.  1896.  viii,  555, 
(i)  pp.     [University  extension  manuals.]  **T.57.284 

Bodel,  Jean. 

C'est  li  jus  de  Saint  Nicholai.  {In  Monmerque,  L.  J.  N.  D.  and  F.  X. 
Michel,  editors.  Theatre  frangais  au  moyen  age.  Pp.  157-207. 
Paris.     1842.)  **T.34.8 

Boissy,  Louis  de. 

Le  triomphe  de  I'interet.     [Anon.]      Comedie.     {In  Desforges,  . 

Memoires  anecdotes  pour  servir  a  I'histoire  de  M.  Duliz.  Pp. 
131-188.     Londres.     1739.)  **T.58.92 

Same.     66  pp.     (/m  Same.     1753.)  No.  2  in  **T. 58.93 

Boiteau,  Dieudonne  Alexandre  Paul. 

Vie  de   Beranger.     1780-1857.     Paris.     Perrotin.     1861.     viii,  247  pp. 

**T.59-30 
Boiteau,  Paul.     See  Boiteau,  Dieudonne  Alexandre  Paul. 

Bolton,  Robert. 

A  letter  to  a  lady,  on  card-playing  on  the  Lord's  Day.  [Anon.] 
London:  Printed  for  J.  Leake,  at  Bath;  and  sold  by  M.  Cooper. 
1748.     (i),  50  pp.  **T.97.38 

Bonnet  de  Malherbe,  J.     (Joseph  d'Argay.) 

Indiscretions  contemporaines.  Souvenirs  intimes.  Paris.  Rouveyre 
&  Blond.     1883.    viii.  vi,  286,  (i)  pp.  **T.56.298 

Contents.  —  La  sallc  a  manger  du  docteur  Veron.  —  Les  joumalistes  d'  autrefois. 
—  Les  origines  du  National.  —  Les  duels  parlementaires.  —  Les  presidents  de  [a 
Chambre  des  Deputes.  —  Critique  litteraire.  —  Un  chapitrc  ignore  dans  I'histoire 
d'une  grande  revue.  —  Les  metamorphoses  du  Journal  des  Dcbats.  —  Un 
souvenir  a  propos  de  Cretineau.  —  Joly.  —  Un  curieux  magistral.  • —  Esther 
f.uimont.   —   Le  dernier  des   Chenier.   —   femile   de   Girardin   et   son   pere. 

Book  Lover,  The.  [Monthly.]  A  periodical  of  current  literature.  Vol. 
I  (no.  3,  4).  March,  April,  1898.  London.  Hutcliinson  &  Co. 
1898.     2  nos.  **T.95.56 

Booth,  Junius  Brutus. 

Ugolino.  A  tragedy,  in  tliree  acts.  Added,  the  costume  and  stage 
business.  New-York.  French.  [185-?]  27  pp.  [French's  Ameri- 
can drama.     The  acting  edition.     No.  120.]  **T.37.4i 

[846] 


BROWN    COLLECTION    OF   BOOKS    ON    THE   STAGE 


Bordelon,  Laurent. 

Arlequin  comedien  aux  Champs  filisees,  nouvellc  historique,  alle^'o- 
rique  &  coniique.  [Anon.]  2e  edition  augmentec  de  plusienrs 
scenes,  de  plusieurs  remarques,  de  trois  Icttres,  d'un  opera 
comique,  &  d'une  petite  comedie,  intitulee,  La  baguette.  A  Paris, 
chez   Arnoul   Seneuze.     1694.      (8),  230,    (i)    pp.     Plates.     Music. 

**T.38.27 
Borinski,  Carl. 

Das  Theater.  Sein  Wesen,  seine  Geschichte,  seine  Meister.  Leipzig. 
Teubner.  1899.  iv,  139  pp.  Portraits.  Aus  Natur  und  Gcistes- 
welt.]  **T.47.7i 

Bormann,  August  Edwin. 

The  Shakespeare-secret.  Translated  from  the  German  by  Harry 
Brett.  London.  Wohlleben.  1895.  xvi,  278,  (70)  pp.  IlUis. 
Portraits.    Plates,     Maps.     Colored  charts.     Facsimiles.    **T. 55.36 

A  list  of  the  works  chiefly  referred  to,  pp.  275-278. 

Boston.     Theatres.     Boston  Museum.    1843-1903. 

Catalogue  of  the  paintings,  marble  and  plaster  statuary  and  engrav- 
ings, comprised  in  the  collection  of  the  Boston  Museum  and 
Gallery  of  Fine  Arts,  together  with  a  descriptive  sketch  of  the 
institution  and  its  collection.  Boston.  Tuttle  &  Dennett.  1844. 
24  pp.  **T.78.83 

Same.     Stacy,  Richardson,  Filmer  &  Co.     1847.     36  pp.  **T. 78.84 

Boston.     Theatres.     Columbian  Museum. 

[Broadsides  containing  lists  of  objects  on  view  in  the  museum. 
Boston,   Mass.     '1799-1816?]      6  broadsides.     Illus.  **T.ii.4 

Bouche,  Jacques. 

Gallet  et  le  Caveau,  1698-1757.     Paris.     Dentu.     1884.     2  v.     Illus. 

**T.57.92 
Contains  a  preface  by  Tony  Revillon  and  a  comedy  by  Moreau  and  Francis. 
having  the  title  Gallet  ou  le  chansonnier  droguiste.  Tome  2  is  composed  of 
chansons  and  comedies  of  Gallet. 

Boucicault,  Dion. 

London  assurance.  A  comedy  in  five  acts.  [London?  185-?]  72  pp. 
Plate.  **T.37.57 

Old  heads  &  young  hearts.  A  comedy  in  five  acts.  With  the  stage 
business,  costumes,  etc.     New  York.     Taylor  &   Co.      [185-?! 

**T.37.58 

Pauvrette.    A  drama,  in  five  acts.    New  York.    French.     1858.    66  pp. 

Autograph  facsimile.  **T.37.59 

The  willow  copse.    A  drama.  —  In  five  acts.    With  editorial  remarks; 

stage  business,  &c.     Boston.     Spencer.     [1854.]     64  pp.     **T.37.6o 

Boudin, ,  Madame,  alleged  author. 

Les  intrigues  de  Moliere  et  celles  de  sa  femme.  See  Intrigues,  Les, 
de  Moliere  et  celles  de  sa  femme. 
Bouquet,  Le.  Petit  opera  comique  pour  etre  execute  a  la  fete  de  son 
altesse  royale  Monseigneur  le  Prince  Henri,  le  12  juillet  1770  sur 
son  theatre  de  Rheinsberg.  {In  Olivier,  Jean  J.  Les  comediens 
frangais  dans  les  cours  d'Allemagne  au  xviiie  siecle.  Scrie  3.  pp. 
107-129.     Paris.     1903.)  **T.74.io.Ser.3 

Boussingault,  Adam. 

Le  theatre  de  la  Moscovie.  Paris.  Franck.  1859.  vii,  33  pp. 
[Bibliotheque  russe  et  polonaise.     5-]  No.  i  in  **T.98.i30 

Taken   from   his   Nouveau   theatre   du  monde.     Appended   is   La  Ville's   niscours 
sommaire  de  ce  qui  est  arrive  en  Moscovie. 

Bouvet,  A.  J.  B.     See  Bouvet  de  Cresse,  Auguste  Jean  Baptiste. 

[847] 


THE  PUBLIC  LIBRARY   OF  THE   CITY  OF  BOSTON 

Bouvet  de  Cresse,  Auguste  Jean  Baptiste. 

La  stephaneide,  ou  Conaxa,  Les  deux  gendres,  et  le  Journal  de  Paris, 
suivis  d'un  fragment  de  lettre  a  M.  fitienne,  envoyee  au  Journal 
de  I'Empjre,  avec  des  notes  pour  Tintelligence  du  texte.  Paris. 
Dentu.     1812.     (i),   19  pp.  **T.56.274 

£tienne's  Les  deux  gendres  may  be  found  on  shelf-number  **T.56.27i.  Conaxa 
may  be  found  on  shelf-number  **T.56.272. 

Boydell,  John. 

A  catalogue  of  the  pictures,  &c.,  in  the  Shakspeare  Gallery,  Pail- 
Mall.  London:  Printed  for  the  proprietors.  1794.  xiv,  (t),  212, 
24  pp.                                                                                   ,  **T.57.233 

Appended  is  A  catalogue  of  small  pictures  printed   for  the  Shakespeare   Gallery. 

Bradshaw, ,  Lady. 

Dramas.     Manchester.     Ford.     1826.     4  parts  in  i  v.  **T.35.i5 

Contents.  —  Lausus    and    Lydia.  • —  Lady    Una    and    the    Red    Cross    knight.  — 
Secret  vaults  of  Tilney    Castle.   —   The   school   for   constancy. 
Each  play  has  its  own  title-page  and  pagination.     These  plays  were  all  published 
anonymously. 

Brathwait,  Richard. 

]iarnab;e  itinerariujii  or  Barnabee's  journal.  With  a  life  of  the 
author,  a  bibliographical  introduction  to  the  itinerary  and  a  cata- 
logue of  his  works.  Edited  from  the  first  edition  by  Joseph 
Haslevvood.  A  new  edition  carefully  revised  by  W.  Carew  Hazlitt. 
London.  Reeves  &  Turner.  1876.  vi,  197,  (229)  pp.  Portraits. 
Plates.     Autograph  facsimiles.  **T.38.33 

In  rhymed  Latin   with  English  verse  translation   on  opposite  pages. 

Brack,  Joseph. 

West  Point;  or  a  tale  of  treason,  an  historical  drama,  in  three  acts. 

Dramatized  from  Ingraham's  romance  of  American  history.    With 

a  prologue  by  John   H.   Hewitt.     Epilogue  by  R.   Horace   Pratt. 

Baltimore.     Bull  &  Tuttle.     1840.     21,  (i)  pp.  **T.37.i24 

Breval,  John  Durant.    (Joseph  Gay.) 

A  compleat  key  to  The  non-juror.  Explaining  the  characters  in  that 
play,  with  observations  thereon.  London:  Printed  for  E.  Curll. 
1718.     26  pp.  **T.57.95 

The  author  accuses  Cibber  of  stealing  the  characters,  etc.,  of  The  non-juror 
from  Moliere's  Tartuffe  and  other  sources. 

Brisson,  Adolphe. 

Portraits  intimes.     Serie  2.     Paris.     Colin  &  c'e.     1896.     (3).  358  pp. 

Sketches  of   eminent   Frenchmen.  **X.57.270 

Le  theatre.     Paris.     Flammarion.     [i9o6-]i9i3.     8  v.  **T.47.56 

Critical  essays  on   French  drama.     Vol.    i   was  entitled   Le  theatre  et  les  moeurs. 

British  drama.  The.  Vol.  2,  4.  London.  Dicks.   1867.  2  v.  Illus.  **T.37.i37 

Contents.  —  2.  A  new  way  to  pay  old  debts.  By  Philip  Massinger. — The  Grecian 
daughter.  By  Arthur  Murphy.  —  The  miller  and  his  men.  By  I.  Pocock.  ■ — 
The  honeymoon.  By  John  Tobin.  - —  The  school  for  scandal.  By  R.  B.  Sheridan. 
—  The  iron  chest.  By  George  Colman.  —  George  Barnwell.  By  George  Lillo. 
— Rob  Roy  Macgrcgor;  or,  "auld  lang  syne."  By  I.  Pocock. — Cato.  By  Joseph 
Addison. — The  pilot.  By  E.  Fitzball  [pseud.]. — The  fair  penitent.  By  Nicholas 
Rowe.  —  The  provoked  husband.  By  Vanbrugh  and  Cibber. — A  tale  of  mystery. 
By  T.  Holcroft.  —  The  wonder:  a  woman  keeps  a  secret.  By  Mrs.  Centlivre.  •— 
The  Castle  of  Sorrento.  By  Henry  Heartwell. — Isabella;  or,  the  fatal  marriage. 
By  T.  Southern.  —  The  lord  of  the  manor.  Altered  from  General  Burgoyne, 
by  Charles  Dibdin,  Jun.  —  Arden  of  Feversham.  By  G.  Lillo.  —  The  siege  of 
Belgrade.  By  James  Cobb.  4.  Lady  Jane  Grey.  By  Nicholas  Rowe.  —  The 
gold  mine;  or,  the  miller  of  Grenoble.  By  E.  Stirling.  ■ —  Fazio;  or,  the  Italian 
wife.  By  the  Rev.  H.  H.  Milman.  —  The  orphan  of  the  frozen  sea.  By  E. 
Stirling.  —  The  hypocrite.  By  Isaac  Bickerstaff.  —  Prisoner  of  state.  By 
Edward  Stirling.  —  The  duenna.  By  R.  B.  Sheridan.  —  The  Roman  father. 
By  William  Whitehead.  —  The  provoked  wife.  By  Sir  John  Vanbrugh.  —  The 
waterman ;  or,  the  first  of  August.     By  Charles  Dibdin.  ■ —  The  maid  of  honour 

[848] 


BROWN    COLLECTION    OF   BOOKS    ON    THE    STAGE 


British  drama,  The.     (Continued.) 

By  Philip  Massinger.  -  The  curfew.  By  John  Tobin.  -  Every  man  in  his 
humour.  Ahercd  from  Ben  Jonson,  by  David  Garrick  —  The  Quaker  Hy 
Charles  Uibdin.  -  John  Felton.  By  Edward  Stirling.  _  The  turnpike'  gate. 
By  T.  Knight.  —  Ji-vadne ;  or,  the  statue.  Altered  from  Rivcr.s  and  Shirley,  by 
Richard  Lalor  Shell.  —  The  merchant  of  Bruges.  Altered  from  Beaum<.nt  and 
Fletcher,  by  Douglas  Kinnaird.  —  Speed  the  plough.  By  Thomas  Morton  — 
No  song,  no  supper.  By  Prince  Hoare.  —  The  courier  of  Lyons.  By  Edward 
Stirling.  —  Barbarossa.     By  John  Brown. 

British    drama,    The;    comprehending    the    best    plays    in    the    English 
language.     London.     Miller.     1804.     3  v.  in  5  **T'?4.22 

Contents.  —  Vol.  i.  Tragedies:  [Part  i.]  The  maid's  tragedy,  by  Beaumont".';- 
Fletcher;  Philaster,  by  Beaumont  &  Fletcher;  The  bondman,  by  Massinger  &• 
Field;  The  fatal  dowry,  by  Massinger  &  Field;  The  false  one,  by  Beaumont 
&  Fletcher;  Bonduca,  by  Beaumont  &  Fletcher;  The  rival  queens,  by  Lee; 
All  for  love,  by  Dryden  ;  The  orphan,  by  Otway  ;  Venice  preserved,  by  Otway  ; 
The  mourning  bride,  by  Congreve ;  Tamerlane,  by  Rowe;  The  fair  penitent,  by 
Rowe;  Cato,  by  Addison;  The  distressed  mother,  by  Philips;  Tane  Shore,'  by 
Rowe;  Lady  Jane  Gray,  by  Rowe;  The  siege  of  Damascus,  by  Hughes;  'The 
revenge,  by  Young;  George  Barnwell,  by  Lillo.  Part  2.  Zara,  by  Hill;  Fatal 
curiosity,  by  Lillo;  Arden  of  Feversham,  by  Lillo;  Gustavus  Vasa,  by  Brooke; 
Mahomet,  by  Miller;  Tancred  and  Sigismunda,  by  Thomson;  Irene,  by  Johnson; 
The  Roman  father,  by  Whitehead;  The  brothers,  by  Young;  The  gamester,  by 
Moore;  Boadicea,  by  Glover;  Creusa,  by  Whitehead;  Barbarossa,  by  Brown; 
Douglas,  by  Home;  Isabella,  by  Southern;  The  orphan  of  China,  by  Murphy; 
The  Countess  of  Salisbury,  by  Hartson ;  The  Earl  of  Warwick,  by  Franklin; 
Zenobia,  by  Murphy  ;  The  Grecian  daughter,  by  Murphy  ;  Matilda,  by  Franklin. 
Vol.  2.  Comedies:  [Part  i.]  Every  man  in  his  humor,  by  Jonson;  The  alchymist, 
by  Jonson;  A  new  way  to  pay  old  debts,  by  Massinger;  The  great  Duke  of 
F^lorence,  by  Massinger;  Rule  a  wife  and  have  a  wife,  by  Beaumont  &  Fletcher; 
The  plain  dealer,  by  Wycherly  ;  The  double  dealer,  by  Congreve;  The  provoked 
wife,  by  Vanbrugh ;  Love  makes  a  man,  by  Gibber;  The  way  of  the  world,  by 
Congreve;  Love  for  love,  by  Congreve;  The  constant  couple,  by  Farquhar;  The 
inconstant,  by  Farquhar;  She  wou'd  and  she  wou'd  not,  by  Gibber;  The  careless 
husband,  by  Cibber ;  The  double  gallant,  by  Gibber;  The  recruiting  officer,  by 
Farquhar;  The  beaux'  stratagem,  by  Farquhar.  Part  2.  The  busy  body,  by 
Centlivre;  The  wonder,  by  Centlivre  ;  The  drummer,  by  Addison;  A  bold  stroke 
for  a  wife,  by  Centlivre ;  The  conscious  lovers,  by  Steele ;  The  provoked  husband, 
by  Vanbrugh  &  Cibber;  The  suspicious  husband,  by  Hoadly ;  The  way  to  keep 
him,  by  Murphy;  All  in  the  wrong,  by  Murphy  ;  The  jealous  wife,  by  Colman  ;  The 
school  for  lovers,  by  Whitehead;  The  clandestine  marriage,  by  Colman  iS:  Gar- 
rick; The  English  merchant,  by  Colman  ;  The  brothers,  by  Cumberland  ;  The  West 
Indian,  by  Cumberland ;  She  stoops  to  conquer,  by  Goldsmith ;  The  school  for 
wives,  by  Kelly;  The  rivals,  by  Sheridan;  The  choleric  man,  by  Cumberland. 
[Vol.  3.]  Operas  and  farces:  The  cheats  of  Scapin,  by  Otway;  The  country 
house,  by  Vanbrugh  ;  The  contrivances,  by  Carey  ;  The  devil  to  pay,  by  Coffey  ; 
The  beggar's  opera,  by  Gay;  The  intriguing  chambermaid,  by  Fielding;  The 
mock  doctor,  by  Fielding ;  Chrononhotonthologos,  by  Carey  ;  The  honest  York- 
shireman,  by  Carey ;  The  king  and  the  miller  of  Mansfield,  by  Dodsley ;  Sir 
John  Cockle  at  Court,  by  Dodsley;  The  lying  valet,  by  Garrick;  Miss  in  her 
teens,  by  Garrick;  Taste,  hy  Foote ;  The  Englishman  in  Paris,  by  Foote;  The 
knights,  by  Foote;  The  apprentice,  by  Murphy;  The  Englishman  returned  from 
Paris,  by  Foote;  The  author,  by  Foote;  The  male-coquette,  by  Garrick;  The 
upholsterer,  by  Murphy ;  The  guardian,  by  Garrick ;  High  life  below  stairs,  by 
Garrick;  The  minor,  by  Foote;  The  old  maid,  by  Murphy;  The  citizen,  by 
Murphy;  The  liar,  by  Foote;  The  orators,  by  Foote;  The  deuce  is  in  him,  by 
Colman;  Love  in  a  village,  by  Bickerstaff;  The  Mayor  of  Garratt,  by  Foote; 
The  patron,  by  Foote;  Midas,  by  O'Hara;  The  maid  of  the  mill,  by  Bickerstaff: 
The  commissary,  by  Foote;  Neck  or  nothing,  by  Garrick;  Peep  behind  the 
curtain,  by  Garrick;  Devil  upon  two  sticks,  by  Foote;  Padlock,  by  Bickerstaff; 
Dr.  Last  in  his  chariot,  by  Bickerstaff  &  Foote;  Lame  lover,  by  Foote;  Maid  of 
Bath,  by  Foote;  Irish  widow,  by  Garrick;  Sultan,  by  Bickerstaff;  Bon  ton,  by 
Garrick;  Three  weeks  after  marriage,  by  Murphy. 

British  spouter,  The;  or,  stage  assistant:  containing  the  most  celebrated 
prologues  and  epilogues.  London;  Printed  for  J.  Roson.  1773. 
(i),  ii,  (3),  150  pp.     Plate.  **T.38.25 

Brizee,  Norman  H. 

The  forest  heart.     A  drama  in  three  acts.     Private  edition.     lUu'falo. 
1855.     35  pp.  **T.37.252 

[849] 
54      • 


THE  PUBLIC  LIBRARY   OF  THE    CITY   OF  BOSTON 


Brossette,  Claude. 

Du  vaudeville.  Discours  prononce  a  rAcademie  de  Lyon.  Public 
avec  une  introduction,  une  notice  et  des  notes;  par  Achille  Kiihn- 
holtz.     Paris.     Comon  &  ce.     1846.     xxiv,  46  pp.  **T.97.22o 

Brough,  Robert  Barnabas.     (Papernose  Woodensconce,  Esq.) 

The  wonderful  drama  of  Punch  and  Judy  and  their  little  dog  Toby. 
With  illustrations  by  "The  Owl."  London.  Ingram  &  Co.  1854. 
(56)  pp.    Plates.  **T.35.4 

Brough,  William. 

Lalla  Rookh;  or,  the  princess,  the  peri,  &  the  troubadour.  A  bur- 
lesque and  pantomime,  in  one  act.    London.    Lacy.    [185-?]    40  pp. 

**T.37.54 
Brougham,  John. 

A  basket  of  chips.     New  York.     Bunce.     1855.     408  pp.     Plate. 

Memoirs,  etc.  **T.57.250 

Columbus  el  filibustero!!  A  new  and  audaciously  original  historico- 
plagiaristic,  ante-national,  pre-patriotic,  and  omni-local  confusion 
of  circumstances,  running  through  two  acts  and  four  centuries. 
New  York.  French.  [185-?]  24  pp.  [The  minor  drama.  The 
acting  edition.     No.   145.]  **T.37.6i 

David  Copperfield.  A  drama  in  two  acts.  Adapted  from  Dickens' 
popular  work  of  the  same  name.  Added,  th_e  costume  and  the 
stage  business.  New- York.  French.  [185-?]  24  pp.  [French's 
American  drama.     The  acting  edition.     No.   133.]  **T. 37.63 

Dombey  and  Son.  Dramatized  from  Dickens'  novel.  .  In  three  acts. 
Added,  the  costume  and  the  stage  business.  New-York.  French. 
[185-?]     31  pp.     [French's  American  drama.     The  acting  edition. 

No.  126.]  **T.37.64 

Another  copy,  the  leaves  of  which  have  been  cut  and  mounted  on  separate 
sheets,  is  on  shelf-number  **T.37.2S4. 

Dramatic  works;  consisting  of  a  collection  of  dramas,  comedies  and 
farces.  Selected  from  French's  American  drama.  With  memoir 
of  the  author  by  R.  Shelton  Mackenzie.  Vol.  i.  New-York. 
French.     [1856?]     8  parts  in  i  v.     Portrait.  **T.37.i36 

Contents.  —  T.  The  game  of  life.  — -  Love  and  murder.  —  David  Copperfield.  — 
Temptation.  —  The  game  of  love.  —  Pocahontas. — Dombey  and  son. — Romance 
and  reality. 

The  great  tragic  revival.  A  new  and  undoubtedly  original  contem- 
poraneous dramatic  absurdity  in  one  act  and  several  tableaux. 
Added,  the  costume  and  the  stage  business.  New  York.  French. 
1858.     ID  pp.     [The  minor  drama.     The  acting  edition.     No.  154.] 

**T.37.65 

Love  and  murder:  a  farce,  in  one  act.  Added,  the  costume  and  the 
stage  business.  New-York.  French.  [1856.]  14  pp.  [French's 
American  drama.     The  acting  edition.     No.  34.]  **T.97.3i2 

Metamora;  or,  the  last  of  the  Pollywogs.  A  burlesque,  in  two  acts. 
Boston.     Swett.     [185-?]      18  pp.  **T.37.66 

[Pocahontas.]  An  original  aboriginal  erratic  operatic  semi-civilized 
and  demi-savage  extravaganza,  being  a  per-version  of  Ye  trewe 
and  wonderrefuUe  Hystorie  of  ye  rennownned  Princesse,  Po-ca- 
hon-tas:  or,  the  gentle  savage.  The  music  dislocated  and  reset 
by  James  G.  Maeder.  New-York.  French.  [185-?]  32  pp. 
[French's  American   drama.     The   acting  edition.     No.  69.] 

**T.37.67 

Romance  and  reality.  Or,  the  young  Virginian.  An  original  comedy 
in  five  acts.     Added,  the  costume  and  the  stage  business.     New- 

[850] 


BROWN    COLLECTION    OF   BOOKS    ON    THE   STAGE 


Brougham,  John.     (Continued.) 

York.     French.     [1856.]     54  pp.     [French's  American  drama.    The 

acting  edition.     No.    109.]  **T.37.68 

Temptation:  or,  the  Irish  emigrant.     A  comic  drama,  in  two  acts. 

Added,  the  costume  and  the  stage  business.     New  York.     French. 

[1856.]     22  pp.     [French's  American  drama.     The  acting  edition. 

No.  65.]  **T.37.69 

Brougham,  John,  and  Frank  Boott  Goodrich. 

The  dark  hour  before  dawn.    A  play,  in  five  acts.    Added,  the  costume 

and   the   stage   business.     New   York.     French.      [1859.]      44   pp. 

[French's    Standard   drama.     The   acting  edition.      No.   222.] 

'**T.37.62 
Brown,  Allen  Augustus,  compiler. 

Magazine  articles.  Shakespeare-Bacon.  [Boston.  1910.]  (4),  325  pp. 
Illus.     Portrait.     Autograph   facsimile.  **T.i5.2 

Composed   of  magazine  articles,  newspaper  clippings,   etc.     The  volume   has  an 
index. 

Brown,  Henry. 

The  sonnets  of  Shakespeare  solved,  and  the  mystery  of  his  friendship, 
love  and  rivalry  revealed.     Illustrated  by  numerous  extracts  from 
the  poet's  works,  contemporary  writers,  and  other  authors.     Lon- 
don.    Smith.     1870.     (3),  ii,  242  pp.  **T.56.43 
Brown,  J.  H.,  actor. 

The  union;  or,  love  and  projection:  a  mono-drame,  in  one  act.  As 
concentrated,  embodied,  and  delivered  by  J.  H.  Brown.  London. 
Lowndes.     [1823?]      14  pp.     Colored  portraits.  **T.36.53 

Brown,  James  Hutchinson. 

Katrina's  little  game.    A  Dutch  act,  with  songs  and  a  dance.     Added, 

the  costume   and  the  whole   of  the   stage  business.     New  York. 

De  Witt.     1876.    8  pp.    Diagram.     [De  Witt's  Ethiopian  and  comic 

drama.     No.  103.]  **T.36.98 

Bruce,  Thomas,  /th  Earl  of  Elgin. 

Authentic  account,  An,  of  the  proceedings  under  a  writ  of  enquiry 
of  damages,  in  an  action  in  the  Court  of  King's  Bench,  in  which 
the  Earl  of  Elgin  was  plaintiff,  and  William  [i.e.  Robert]  Fer- 
guson, defendant,  for  criminal  conversation  with  the  plaintiff's 
wife;  on  the  22d  of  December,  1807.  London.  Hatchard.  1808. 
(2),  113  pp.  *'*T.96.335 

Brumoy,  Pierre. 

Le  theatre  des  Grecs.  Nouvelle  edition  augmentee.  Paris.  Chez  les 
libraires  associes.     1763.    -6  v.     Plate.  **T.48.i6 

Brunschweiler,  Joachim. 

Les  debuts  d'un  artiste.    Souvenirs.    Geneve.    Fick.    1873.    131.  (i)  pp. 

**T.58.ii7 
Bryant,  Alfred. 

Ought  Christians  to  dance?     A  discourse  preached  at  Niles,  Decem- 
ber 14,  1854.     Chicago.     Griggs  &  Co.     1855.     3-32  pp.    **T.96.282 
Bucke,  Charles. 

The  Italians;  or  the  fatal  accusation:  a  tragedy.  With  a  preface; 
containing  the  correspondence  of  the  author  with  the  committee 
of  Drury  Lane  Theatre:  P.  Moore  and  Mr.  Kean.  By  the  author 
of  "The  philosophy  of  nature."  London.  Whittaker.  1819.  iii- 
112  pp.  **T.36.56 

Same.     3d   edition,     iii-xlix,  27-112  pp.  **T.96.i7 

Pp.    xxxv-xlix,   being  the  preface  to   the   6th    edition,    are   inserted. 

[851] 


THE  PUBLIC  LIBRARY   OF   THE    CITY   OF  BOSTON 


Bucknill,  .S";V  John  Charles. 

The  psychology  of  Shakespeare.  London.  Longman,  Brown,  Green, 
Longmans  &  Roberts.     1859.     viii,  264  pp  **T.56.55 

Relates  to   Shakespeare's   treatment  of  abnormal   states  of  mind. 

Buckstone,  John  Baldwin. 

The  dream  at  sea.     A  drama.  —  In  three  acts.     With  costumes,  and 

all  the   stage  business.     Marked   and  arranged  by  J.   B.   Wright. 

New  York.     French.     [185-?]     38  pp.  **T.37.7o 

Jack    Sheppard.      A    drama.      In    four    acts.      New    York.      French. 

[185-?]    iii-92pp.   Diagram.    [The  minor  drama.    No.  53.]    **T.37.7i 
Leap  year;  or,  the  ladies'  privilege.     A  comedy  in  three  acts.     With 

the  stage  business,  costumes,  etc.     New  York.     French.     [185-?] 

3-74  pp.     [French's  Standard  drama.     No.  83.]  **T.37.72 

Married  life:  a  comedy,  in  three  acts.     Added,  the  costume  and  the 

stage  business.     New-York.     French.     [185-?]     41  pp.     [French's 

American  drama.     The  acting  edition.     No.   130.]  **T.37.73 

Buckton,  Alice  M. 

Eager  Heart.    A  Christmas  mystery-play.     London.     Methuen  &  Co. 

1904.     (8),  40  pp.  **T.37.i68 

Buguet,  Henry. 

Revues  et  revuistes.     Paris.     Levy.     1887.     (5),  iii,  51,  (31)  pp.     Illus. 

Portrait.  **T.47.53 

Builen,  Arthur  Henry,  editor. 

Lyrics  from  the  dramatists  of  the  Elizabethan  age.   London.    Nimmo. 

1889,     xxviii,  243  pp.  **T.36.57 

Lyrics  from  the  song-books  of  the  Elizabethan  age.     New  edition. 

London.     Nimmo.      1889.     xxxiii,   (i),  233,    (i)   pp.  **T.38.2 

I.ist  of  song-books,  pp.  229-233. 

Bullock,  Christopher. 

The  per-juror.  [Farce.  Anon.]  London:  Printed  for  William 
Mears.     1717.     (8),  32  pp.  **T.57.97 

Bulwer-Lytton,  Sir  Edward  George  Earle  Lytton,  ist  Baron  Lytton. 

Money:  a  comedy,  in  five  acts.  With  the  stage  business,  costumes, 
&c.  New  York.  French.  [185-?]  iv,  7-72  pp.  Diagram. 
[French's  Standard  drama.     No.  8.]  **T.37.io 

Richelieu:  or,  the  conspiracy.  A  play,  in  five  acts.  From  the  author's 
latest  edition.  With  the  stage  business,  costumes,  etc.  New  York. 
French.     [185-?]     3-96  pp.     [French's   Standard  drama.     No.  4.] 

*'*T.37.ii 
Bunn,  Alfred. 

Address  recited  at  the  theatre  in  Stratford-on-Avon,  on  the  3d  of 
June.  1823,  for  the  benefit  of  a  fund  now  raising  towards  the 
erection  of  a  monument  to  Shakspeare.  Birmingham.  Knott. 
[1823.]     7  pp.  **T.36.62 

Verses. 

[Bohemian  girl.]  The  new  grand  opera,  in  three  acts,  of  the 
Bohemian  girl.  The  music  by  M.  W.  Balfe.  London.  Johnson. 
[1843.]     34  pp.  **T.36.75 

Libretto  only. 

(The  bondman.]  The  new  opera  The  bondman,  in  three  acts.  The 
music  by  M.  W.  Balfe.  The  words  by  Alfred  Bunn.  London. 
Johnson.      [1846.]     47  pp.  **T.36.83 

Libretto  only. 

The  brides  of  Venice;  a  grand  opera,  in  two  acts.  The  music  by 
Benedict.  With  a  preface  by  Alfred  Bunn.  London.  Johnson. 
[1844.1      29  pp.  **T.36.76 

I-ibrctto  only. 

[852] 


BROWN    COLLECTION    OF  BOOKS    ON    THE    STAGE 


Bunn,  Alfred.     (Continued.) 

[The  crusaders.]  A  grand  opera,  in  three  acts,  The  crusaders.  The 
music  by  M.  Benedict.  The  words,  with  a  preface  and  nolcs,  by 
A.    Bunn.     London.     Johnson.      [1846.]      45   pp.  **T.i5.8o. 

Libretto  only. 

The  daughter  of  St.  Mark.  A  grand  opera  seria,  in  three  acts.  The 
music  by  M.  W.  Balfe.  The  libretto  by  A.  Bunn.  London.  John- 
son.    [1844.]     46  pp.     Plate.  **T.^6.78 

Libretto  only.  "■ 

The  devil's  in  it!  An  entirely  new  and  original  comic  opera,  in  two 
acts.  Music  by  M.  W.  Balfe,  the  libretto  by  Bunn.  London. 
Chapman  &  Co.     [1852.]     34  pp.  **T,36.86 

Libretto  only. 

[The  enchantress.]  A  new  and  original  opera,  in  three  acts,  preceded 
by  a  prologue:  The  enchantress.  The  music  by  M.  W.  Balfe.  The 
libretto  by  M.  de  St.  Georges  and  Mr.  Bunn.  London.  Johnson. 
[1845.]     44  pp.  **T.36.79 

Libretto  only. 

A  good-looking  fellow:  a  farce,  in  one  act.  By  James  Kenney  and 
Alfred   Bunn.     London.     Miller.     1834.     3-37  pp.  **T.36.66 

Ivanhoe;  or,  the  Jew  of  York.  A  new  grand  chivalric  play,  in  three 
acts.  Compiled  by  A.  Bunn.  Birmingham.  Beilby  &  Knotts. 
1820.     (2),  76  pp.  **T.36.6o 

A   dramatization   of   Sir   Walter   Scott's   novel   of   the   same   title. 

Kenilworth:  a  melo-drama,  in  two  acts.  (Founded  on  the  novel  of 
that  name  [by  Scott].)  [Anon.]  London.  Lowndes.  [1821.] 
34  pp.  **T.36.6i 

[Loretta.]  The  new  opera  Loretta,  a  tale  of  Seville,  in  three  acts. 
The  music  by  M.  Lavenu.  The  libretto  by  Alfred  Bunn.  London. 
Johnson.     [1846.]     39  pp.  **T.36.82 

Libretto  only. 

[The  maid  of  Artois.]  The  grand  serious  opera  The  maid  of  Artois, 
in  three  acts.  The  music  by  M.  W.  Balfe.  The  words  by  A.lfred 
Bunn.     London.    Johnson.     [1846.]     32  pp.  **T.36.73 

Words  of  the  songs  only. 

[Matilda  of  Hungary.]  A  new  grand  opera,  Matilda  of  Hungary, 
in  three  acts.  The  music  by  W.  V.  Wallace,  the  words  by  Alfred 
Bunn.     London.     Cramer,  Beale  &  Co.     [1847.]     42  pp.     **T.36.84 

Libretto  only. 

The  minister  and  the  mercer.  A  comedy,  in  five  acts.  London. 
Miller.     1834.     vi,  (i),  85  pp.  **T.36.65 

An  adaptation  of  Scribe's  Bertrand  et  Raton. 

Old  England  and  New  England,  in  a  series  of  views  taken  on  the 

spot.     Philadelphia.     Hart.     1853.     xv,  13-315  PP-  **T.98.43 

Relates  to  the  United  States. 

The  Sicilian  bride.  A  grand  opera,  in  four  acts.  The  music  by  M. 
W.  Balfe.  The  libretto  by  Mr.  St.  Georges  and  Mr.  Bunn.  [Lon- 
don.]     Chappell.      [1852.]     32  pp.  **T.36.85 

Libretto  only. 

[Stradella.]  The  celebrated  opera,  in  three  acts,  Stradella.  The 
music  by  F.  Flotow,  adapted  to  the  English  stage  by  Mr.  Benedict. 
The  libretto  by  Mr.  Bunn.  London.  Addison  &  Hodson.  [1846.] 
iii-24  pp.  **T.36.8i 

Libretto  only. 

Burgas,  Sir  James  Bland,  Baronet. 

Riches;  or,  the  wife  and  brother:  a  play,  in  five  acts,  founded  on 
Massinger's  comedy  of  The  city  madam.  Philadelphia.  Bradford 
&  Inskeep.     1810.     19  pp.  No.  2  in  **T.26.34.a 

[853] 


THE   PUBLIC  LIBRARY   OF   THE    CITY   OF  BOSTON 


Burgoyne,  C.  H.,  editor. 

The  graphic  theatrical  autograph  album.  London.  Gosnell  &  Co. 
[1876?]     lUus.     Manuscript  facsimiles.  **T.4i.i 

Contents.   —  Robinson   Crusoe,   a   burlesque,   by   H.    B.    Famie.    —   Hot    water,    i 
farcical  comedy  in  three  acts,  adapted  from  Meilhac   &  Halevy. 

Burk,  John  Daly. 

Bunker-Hill;  or,  the  death  of  General  Warren.  An  historic  tragedy 
in  five  acts  by  John  Burk.  With  an  introductory  essay  by  Brander 
Matthews.  Xew-York.  1891.  (8),  82  pp.  Plate.  Facsimile. 
[Dunlap  Society.     Publications.]  **T.95.i3 

Contains  a  facsimile  of  the  title-page  of  the  edition  of   1797. 

Burnand,  Sir  Francis  Cowley. 

Faust  and  loose.  London.  Bradbury,  Agnew,  &  Co.  [1886.]  (3), 
28  pp.  **T.37.2ii 

A  parody  on  Goethe's  Faust. 

Bumham,  A.  A. 

Fostina  Woodman.  The  wonderful  adventurer.  Boston.  1850.  3-60  pp. 
lUus.     Plate.  **T.96.286 

Byron,  George  Gordon  Noel,  6th  Baron  Byron. 

Werner.  A  tragedy,  in  five  acts.  With  the  stage  business,  costumes, 
etc.  New-York.  French.  [185-?]  75  pp.  [French's  Standard 
drama.     No.  68.]  **T.37.i2 

Byron,  Henry  James. 

Blue  Beard.  A  pantomime.  First  performed  at  Covent  Garden 
Theatre,  December  26,  1871.  London.  The  Theatre.  [1871.] 
3-26  pp.  **T.37.220 

Words  only. 

Robinson  Crusoe;  or,  Friday  and  the  fairies!  A  pantomime.  First 
performed  at  Covent  Garden  Theatre,  December  26th,  1868.  Lon- 
don.   The  Theatre.     [1868.]     20  pp.  **T.37.2i7 

Words  only. 

'    Sensation   dramas    for    the   back   drawing-room.      London.      French. 
[187-?]      loi  pp.     Illus.     Diagram.  **T.98.30 

The  Yellow  Dwarf;  or,  Harlequin  Cupid  and  the  king  of  the  gold 
mines!  A  pantomime.  First  performed  at  Covent  Garden 
Theatre,  December  27th,  1869.  London.  The  Theatre.  [1869.] 
27  pp.  **T.37.2i8 

Words  only. 


Cailhava  d'Estandoux,  Jean  Frangois. 

De  I'art  dc  la  comedie,  ou  detail  raisonne  des  diverses  parties  de  la 
comedie,  et  de  ses  differents  genres;  suivi  d'un  traite  de  Timitation 
ou  I'ou  compare  a  leurs  originaux  les  imitations  de  Moliere  & 
celles  des  modernes.  Termine  par  I'exposition  des  causes  de  la 
decadence  du  theatre,  &  des  moyens  de  le  faire  refleurir.  A  Paris, 
chez  Fr.  Amb.  Didot  aine.     1772.    4  v.  **T.46.43 

Discours  prononce  par  Moliere  le  jour  de  sa  reception  posthumc  a 
I'Academie  frangaise,  avec  la  reponse.  [Anon.]  A  Amsterdam, 
et  se  trouve  a  Paris,  chez  les  libraires  qui  vendent  toutes  les 
nouveautes.     1779.     (i),  23  pp.  **T.56.i83 

fitudes  sur  Moliere,  ou  observations  sur  la  vie,  les  mocurs.  les 
ouvrages  de  cet  auteur,  et  sur  la  maniere  de  jouer  ses  pieces. 
Paris.     Debray.     An  X.-1802.     (8),  355  pp.  **T.56.3o8 

Caliban,  pseud.    See  Bergerat,  Auguste  fimile. 

[854] 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 


Calvert,  George  Henry. 

Shakespeare.  A  biographic  esthetic  study.  Boston.  Lee  & 
Shepard.     1879.     212  pp.     Portrait.  **T.57.405 

Cambouliu,  Frangois  Romain. 

Essai  sur  la  fatalite  dans  le  theatre  grec.  Paris.  Durand.  1855. 
81  PP-  **T.95.i24 

Canning,  Albert  Stratford  George. 

Thoughts  on  Shakespeare's  historical  plays.  London.  Allen  &  Co. 
1884.     vi,   (2),  296  pp.  **T.56.53 

Canning,  George. 

Speech  delivered  at  the  Liverpool  dinner,  given  in  celeljration  of  his 
re-election,  March  18,  1820.     London.     Kelleher.     1820.     2-3-  PP- 

**T.96.344 
Canovas  del  Castillo,  Antonio. 

Le  theatre  espagnol  contemporain.  Traduit  avec  autorisation  de 
I'auteur  par  J.-G.  Magnabal.    Paris.   Leroux.    1886.    (3),  liv,  186  pp. 

**T.48.i8 
Capendu,  Ernest. 

Les  faux  bonshommes.  Comedie  en  quatre  actes  par  Theodore 
Barriere  et  Ernest  Capendu.  2^  edition.  Paris.  Levy.  1857. 
(3),  176  pp.  **T.37.i22 

Capus,  Alfred  Vincent  Marie. 

The  adventurer.  A  comedy  in  four  acts.  [Translated  by  Benedict 
Papot.]  {In  Drama,  The,  1914,  no.  16,  pp.  528-615.  Chicago. 
1914.)  **T.i5.i7.4 

Preceded  by  an  account  of  the  author's  works  by  the  translator. 

Carey,  Henry. 

Dramatick  works.  London:  Printed  by  S.  Gilbert.  1743.  (16),  254, 
(2)   pp.  **T.36.9 

Contents.  —  Amelia:  an  opera.  —  Teraminta :  an  opera. — The  dragon  of  Wantley, 
a  burlesque  opera. — The  dragoness,  a  burlesque  opera. — Chrononhotonthologos: 
the  most  tragical  tragedy,  that  ever  was  tragcdiz'd  by  any  company  of 
tragedians.  —  The  contrivances:  a  ballad  opera.  —  The  honest  Yorkshire-man. 
A  ballad  opera.  —  Nancy  ;  or,  the  parting  lovers.  An  interlude.  ■ —  A  whimsical 
dialogue  between  the  author  and  his  favourite  mare,  occasion'd  by  her  stumbling. 

Caristie,  Martel. 

Une  loge  d'acteur.    Monologue  en  un  acte,  en  vers.  Paris.    L'auteur. 

1869.     23  pp.  **T,95.i32 
Carmichael,  Andrew. 

The  metropolis.     [Anon.]     Part  [i,]  2.    2d  edition.  Dublin.     Barlow. 

180S,  06.  **T.98.i20 

A  satire  in  verse  on  Dublin. 
Carr,  Joseph  William  Comyns. 

Tristram  &.  Iseult.  A  drama  in  four  acts.  London.  Duckworth  & 
Co.     1906.     (7),  71  pp.  **T.36.i5 

Cartwright,  Robert. 

The  footsteps  of  Shakspere;  or  a  ramble  with  the  early  dramatists, 
containing  much  new  and  interesting  information  respecting 
Shakspere,  Lyly,  Marlowe,  Greene,  and  others.  [Anon.]  Lon- 
don.    Smith.     1862.     iv,  (i),  186  pp.  **T.97.30 

New  readings  in  Shakspere;  or,  proposed  emendations  of  the  text. 
London.     Smith.     1866.    39  pp.  ■  **T.97.33 

Papers  on  Shakspere.     London.    Smith.     1877-     (2),  45  PP-     **T.97.3i 

Shakspere  and  Jonson.  Dramatic,  versus  wit-combats.  Auxiliary 
forces:  —  Beaumont  and  Fletcher,  Marston,  Decker,  Chapman, 
and  Webster.     [Anon.]     London.     Smith.     1864.     (2),  122  pp. 

Relates   to   supposed   quarrels   between    Shakespeare   and   Jonson.  **T.47.35 

[855] 


THE   PUBLIC  LIBRARY   OF   THE    CITY   OF  BOSTON 


Cave,  Hygin  Auguste,  and  Antoine  Didace  Adolplie  Dittmer. 

Les  soirees  de  Neuilly:  esquisses  dramatiques  et  historiques,  publiees 
par  M.  de  Fongeray  [pseud.].  Paris.  Moutardier.  1827,  28.  2  v. 
Portrait.     Manuscript  facsimile.  **T.36.37 

Contents.  —  I.  Notice  sur  M.  de  Fongeray.  —  Les  allies,  ou  I'invasion.  ■ —  Una 
conspiration  de  province.  —  Les  conversions.  • —  Les  Frangais  en  Espagne.  2. 
Malet,  ou  une  conspiration  sous  I'Empire. — Dieu  et  le  diable. — Les  stationnaires. 

Cawdell,  James. 

Miscellaneous  poems.  Printed  for  the  Author,  by  James  Graham. 
Sunderland.     1785.     I94  PP-     Plate.  **T.56.88 

Pp.   i6,;-i66  are  missing. 

Caylus,  Marthe  Marguerite  Le  Valois  de  Vilette  de  Margay,  Comtessc  de. 

Les  souvenirs  de  Madame  de  Caylus.    Paris.    Renouard.     [An]  XIII- 

1804.     ix,  ix-xlv,  221,  (2)  pp.     Portraits.  **T.58.9i 

Edited  by  L.  S.  Auger. 

Cellarius,  Henry. 

La  danse  des  salons.  Dessins  de  Gavarni  [pseud,  de  H.  G.  S.  Cheval- 
lier],  —  graves  par  Lavieille.  2e  edition.  Paris.  L'auteur.  1849. 
(6),  174  pp.     Plates.  **T.95.9i 

Celler,  Ludovic,  pseud.    See  Leclerc,  Ludovic. 
Centlivre,  Susannah. 

The  wonder.    A  comedy,  in  five  acts.    With  original  casts,  costumes, 

and  the  whole  of  the  stage  business  marked  and  arranged,  by  J.  B. 

Wright.     Boston.     Spencer.     [185-?]     52  pp.     [Spencer's   Boston 

theatre.     No.  121.]  **T.37,48 

Cerny,  Frederick. 

Logrono.     A  metric   dram.a   in   two   acts.     With'  illustrations   by  T. 
Walter  Wilson.   London.   Ward  &  Co.    1877.   119  pp.   Illus.  **T.35.6 
Ces  dames  du  Casino.     [Contes.]     Paris.     1862.     122,  (i)  pp.     **T.99.2o 
Cesena,  Sebastien  Gayet  de. 

Une  tentative  de  renovation  theatrale.  Resume  de  I'opinion  publique 
ou  appreciations  emanees  de  juges  competents  sur  diverses  ques- 
tions du  theatre  actuel  et  sur  I'HippoIyte  porte-couronne  traduit 
d'Euripide  pour  la  scene  frangaise.     Paris.     Dentu.     1859.     16  pp. 

**T.95.7i 

Principally  composed  of  extracts  from  criticisms.  Another  copy  is  on  shelf- 
numlior  **T.94.i3. 

Chamberlain,  Houston  Stewart. 

Le  drame  wagnerien.     Paris.     Chailley.     1894.    xi,  268  pp.    **T.47.iii 
Champion,  Edme. 

Voltaire,   fitudes  critiques.   Paris.    Flammarion.    1893.   viii,  300,  (i)  pp. 

**T.57.296 
Champsaur,  Felicien. 

Les  bohemiens.    Ballet  lyrique  en  4  actes  et  9  tableaux.    Paris.    Dentu 
&  cie.    1887.    (108)  pp.    Illus.    Portrait.    Plates.    Music.    **T.36.97 
Chapman's    Magazine:    a    miscellany    of    romance,    literature,    and    art. 
[Weekly.]     No.  1-7.     Sept.  28 -Nov.  9,  1843.     London.     Chapman. 
1844.     444  pp.  **T.26.37 

No  more  was  published.  The  individual  numbers  have  the  title  Chapman's 
Weekly  Magazine. 

Charke,  Charlotte. 

The  history  of  Henry  Dumont,  Esq;  and  Miss  Charlotte  Evelyn. 
[Novel.]  3d  edition.  London:  Printed  for  H.  Slater.  1756.  v, 
(6),  257  pp.  **T.88.9 

Chasles,  £mile. 

La  comedie  en  France  au  seizieme  siecle.  These,  Paris.  Paris. 
Didier  &  cie.     1862.     (3),  214,   (i)  pp.  **T.46.30 

[856] 


BROWN    COLLECTION    OF   BOOKS    ON    THE    STAGE 


Chasles,  Philarete.     See  Chasles,  Victor  Euphemien  Philarete. 

Chasles,  Victor  Euphemien  Philarete. 

Encore  sur  les  contemporains,  leurs  cjcuvres  et  leurs  unrurs.  I'aris. 
Amyot.     1869.     (5),  386  pp.  **T.97.i76 

Contents.  —  Mceurs,  voyages  &  voyagcurs.  —  Une  poesic  polonaise.  —  Uistoire 
de  la  caricature  en  Europe.  —  De  la  caricature  en  France.  —  Des  livres  el  dcs 
manuscrits  avant  et  aprcs  I'invention  de  rimprimcrie.  —  Les  vieillcs  lettrcs.  — 
Les    exploitateurs    littcraires.    —    Le    Perrault    scandinave    et    les    petits    enfants. 

—  Le  Mexique  actuel.  —  Les  emancipees.  —  Moeurs  ecossaises.  L'orage  dc 
Tamantoul. — Notes  cursives  et  menus-propos  sur  les  moeurs  .  .  .  dc  notrc  temps. 

—  Le  prpgres  applique  a  I'amelioration  du  sort  des  classes  pauvres.  —  Leftrc  i 
M.  Edmond  About  sur  I'association.  —  Reflexions  et  caprices  d'un  promcneur 
en  Europe.  —  Les  mceurs  en  Europe  au  Xe  siecle.  —  Les  causcurs  d'autrefois 
et  les  aristocraties  nouvelles. 

fitudes  sur  les  hommes  et  les  moeurs  au  xixe  siecle.  Portraits  con- 
temporains, scenes  de  voyage,  souvenirs  de  jeunessc.  Paris. 
Amyot.     [1850.]     (3),  xiii,  459  pp.  **T.57.424 

Relates  to  France  and  Great  Britain. 

Chassiron,  Pierre  Matthieu  Martin  de.     (Mr  M.  D.  C.) 

Reflexions  sur  le  comique-larmoyant.  A  Paris,  chez  Durand.  1749. 
viij,  77  pp.  **T.47.99 

Chater,  John. 

Another  high  road  to  hell.  An  essay  on  the  pernicious  nature  and 
destructive  effects  of  the  modern  entertainments  from  the  pulpit. 
Occasioned  by  a  pamphlet,  entitled  The  stage  the  high  road  to 
hell,  &c.  London:  Printed  for  T.  Vernor  and  J.  Chater.  1767, 
(9),  35  pp.  **T.96.328 

The  stage  the  high  road  to  hell  may  be  found  on  shelf-numher  **T.96.76.  The 
preface  is  signed  Ignotus. 

Chaulin,  N.  P. 

Precis  des  pieces  dramatiques  de  W.  Shakspeare,  avec  observations 
et  notices.     Paris.     Pinard.     1829.     xvj,  438  pp.     Plate.    **T.56.i38 
Chaussard,  Pierre  Jean  Baptiste. 

Le  nouveau  diable  boiteux,  tableau  philosophique  et  m»oral  de  Paris. 

Memoires   mis   en   lumiere   et   enrichis   de   notes   par  le    Docteur 

Dicaculus,  de  Louvain   [pseud.].     A  Paris,  chez  F.  Buisson.     An 

VII  de  la  Republique.     [1798/99.]     2  v.  in  i.     Plates.  **T.97.22 

Chauvin,  Georges. 

Ruses  et  trues.     Conference  non  politique.     (In  Saynetes  et  mono- 
logues.   Serie  i,  pp.  199-206.    Paris.     1877.)  **T.37.246 
Chavette,  Eugene,  pseud.    See  Vachetts,  Eugene. 

Chazet,  Rene  Andre  Polydore  Alissan  de,  and  Jean  Baptiste  Dubois. 
Moliere  chez  Ninon;  ou  la  lecture  de  Tartuffe.     Comedie  en  un  acte 
et  en  vers.    Paris.    Girard.    An  xi.  —  1802.    38,  (i)  pp.    **T. 56.185 
Chenier,  Marie  Joseph  Blaise. 

fipitre  a  Voltaire.     Paris.     Didot.     1806.    22  pp.  **T.96.24i 

Chereau,  Achille. 

Jean  Michel  de  Pierrevive,  premier  medecin  de  Charles  viii,  roi  de 
France,  et  le  mystere  de  la  Passion.  Paris.  Techener.  1864. 
24  pp.  **T.55.i25 

Chevalier,  J. 

Les  amours  de  Calotin.  Comedie  en  trois  actes  et  en  vers.  Reim- 
pression  textuelle  d'apres  I'edition  de  Paris,  1664.  Avec  une 
notice  par  P.  L.  Jacob,  bibliophile  [pseud,  de  Louis  P.  B.  P. 
Lacroix].  Turin.  Gay.  1870.  viii,"  74  pp.  [Collection  Molie- 
resque.]  **T.38.29 

Contains  a  reproduction  of  the  title-page  of  the  edition  of   1664. 

[857] 


THE  PUBLIC  LIBRARY   OF   THE    CITY   OF  BOSTON 


Children,  The,  of  Apollo:  a  poem.     Containing  an  impartial  review  of 

all  the  dramatic  works  of  our  modern  authors.    Added,  occasional 

notes.      By  ,    Esq.,    Agent    to   the    Sun.  London: 

Printed  for  B.  Crosby.     [i79-?]     60  pp.  **T.47.94 

Christen, .     (Marc  de  Valleyres.) 

Sur  le  boulevard.     Portraits   et  types   modernes.      Paris.  Frinzine, 

Klein  &  cie.     1884.     (5),  402  pp.  **T.57.265 

Brief  sketches  of  various  Parisians. 

Christian  memento,  A.  Added,  observations  on  some  of  the  prevalent 
amusements  and  vices  of  the  present  day.  Philadelphia.  Kite. 
[18—?]     12  pp.  .  **T,97.io8 

The  title-page  is  mutilated. 

Churchill,  Charles. 

The  author.  A  poem.  London:  Printed  for  W.  Flexney.  1763. 
(3),  19  PP-  **T.95.i2i 

The  conference.  A  poem.  London:  Printed  for  G.  Kearsly.  1763. 
(3),  19  PP-  **T.95.i22 

Cibber,  Colley. 

Another  occasional  letter  from  Mr.  Cibber  to  Mr.  Pope.  Wherein 
the  new  hero's  preferment  to  his  throne,  in  the  Dunciad,  seems 
not  to  be  accepted.  And  the  author  of  that  poem  his  more  right- 
ful claim  to  it,  is  asserted.     With  an  expostulatory  address  to  the 

Reverend  Mr.  W.  W n,  author  of  the  new  preface,  and  adviser 

in  the  curious  improvements  of  that  satire.  London,  Printed:  and 
sold  by  W.  Lewis.     1744.     56  pp.  **T.57.i59 

/  Another  copy  is  on  shelf-number  **T.S7.439- 

y^' Dramatic  works.  London:  Printed  for  J.  Clarke.  1760.  4  v.  in  2. 
Portrait.  **T.38.io 

Contents.  —  i.  Love's  last  shift.  —  Woman's  wit.  —  Love  makes  a  man.  • —  She 
would  and  she  would  not.  2.  The  careless  husband.  ■ —  The  rival  fools.  - —  The 
lady's  last  stake.  —  Richard  III.  3.  The  double  gallant.  —  Ximena.  ■ —  The 
comical  lovers.  —  The  non-juror.  4.  The  refusal.  —  The  provoked  husband.  • — 
Love  in  a  riddle.  ■ —  Papal  tyranny. 
A  letter  from  Mr.  Cibber,  to  Mr.  Pope,  inquiring  into  the  motives 
that  might  induce  him  in  his  satyrical  works,  to  be  so  frequently 
fond  of  Mr.  Cibber's  name.  London,  Printed:  and  sold  by  W. 
Lewis.     1742.    66  pp.  **T.57.i62 

Another  copy  is  on  shelf-number  **T. 57.438. 

The  non-juror.  A  comedy.  2d  edition.  London:  Printed  for  B. 
Lintot.     1718.     (i),  vi,   (4),  76,   (i)  pp.  **T.57.94 

Claretie,  Jules  Arsene  Arnaud. 

Eug.  Labiche.     Paris.     Quantin.     1883.     32  pp.     Portrait.     Facsimile. 

[Celebrites  contemporaines.]  **T.56.264 

Moliere:   sa  vie   et   ses   oeuvres.     Paris.      Lemerre.      1873.      (3),    196, 

(3)  pp.  **T.58.i36 

O.   Feuillet.     Paris.     Quantin.     1883.     31    pp.     Portrait.      Manuscript 

facsimile.      [Celebrites    contemporaines.]  **T.58.49 

Clarke,  Charles  Cowden. 

Moliere-characters.     Edinburgh.      Nimmo.      1865.     xxii,   266  pp. 

**T.57.42 
Clarke,  Mary  Cowden. 

The  girlhood  of  Shakespeare's  heroines;  a  series  of  fifteen  tales. 
New  edition,  condensed  by  Sabilla  Novello.  London.  Bickers. 
1880.     vi,  (3),  456  pp.    .Plates.  **T.56.i82 

Contents.  —  Portia;  the  heiress  of  Belmont.  —  The  thane's  daughter.  —  Helena; 
the  physician's  orphan.  —  Desdemona  ;  the  magnifico's  child.  • —  Meg  and  Alice; 
the  merry  maids  of  Windsor.  —  Isabella;  the  votaress.  —  Katharina  and  Bianca; 


[858] 


BROWN    COLLECTION    OF   BOOKS    ON    THE   STAGE 


Clarke,  Mary  Cowden.     (Continued.) 

the  shrew  and  the  demure;  —  Ophelia;  the  rose  of  Elsinore.  —  Rosalind  nnd 
Celia;  the  friends.  —  Juliet;  the  white  dove  of  Verona.  —  Beatrice  and  Hero; 
the  cousins.  —  Olivia;  the  lady  of  Illyria.  —  Hennione ;  the  Russian  princess'. 
—  Viola;  the  twin.  ■ —  Imogen;  the  peerless. 

Claudin,  Gustave. 

Mes  souvenirs.  Les  Boulevards  de  1840-1870.  Paris.  Levy.  1S84. 
is),  349  PP-     [Bibliotheque  contemporaine.]  **T.57.i64 

Cleder,  fidouard. 

Notice  sur  la  vie  et  les  ouvrages  de  P.  de  Corueille  Blessebois.  Paris. 
Aubry.     1862.     Iv  pp.  **T.57.36o 

Ouvrages  de  Pierre  de  Corneille  Blessebois,  pp.  xxi-lv. 

Clericus,  pseud.    See  Thacher,  George  H. 

Club  cameos:  portraits  of  the  day.  With  illustrations  by  Rupert  Browne. 
London.  Sampson  Low,  Marston,  Searle,  &  Rivington.  1879. 
(3),  355  PP-     Illus.  **T.95.47 

Coleridge,  Samuel  Taylor. 

Seven  lectures  on  Shakespeare  and  Milton.  A  list  of  all  the  MS. 
emendations  in  Mr.  Collier's  Folio,  1632;  and  an  introductory 
preface  by  J.  Payne  Collier.  London.  Chapman  &  Hall.  1856. 
(8),  cxx,  275,  (i)  pp.  **T.46.28 

Colle,  Charles. 

Journal  historique  inedit  pour  les  annees  1761  et  1762,  public  sur  le 
manuscrit  original  et  annote  par  Ad.  van  Bever,  avec  la  collabora- 
tion de  G.  Boissy.  Paris.  Mercvre  de  France.  191 1.  394,  (i)  pp. 
Portraits.     Plates.     Facsimiles.  **T.55.i37 

On    French   literature  and   society   in   the   eighteenth   century. 

Collier,  John  Payne. 

Notes  and  emendations  to  the  text  of  Shakespeare's  plays,  from 
early  manuscript  corrections  in  a  copy  of  the  folio,  1632,  in  the 
possession  of  J.  Payne  Collier,  forming  a  supplemental  volume  to 
the  Works  of  Shakespeare  by  the  same  editor.  2d  edition.  Lon- 
don. Whittaker  &  Co.  1853.  xxxiv,  (i),  528  pp.  **T.55.99 
Collins,  William  Wilkie. 

Miss  Gwilt:  a  drama  in  five  acts.  (Altered  from  the  novel  of  "Arma- 
dale.") [London.]  (Printed  for  performance  in  the  theatre  only. 
Not  published.)     1875.     99  pp.  **T.36.55 

Pp.  100-102  are  supplied  in  manuscript. 
Colman,  George,  the  Elder. 

Critical  reflections  on  the  old  English  dramatick  writers;  intended 
as  a  preface  to  the  works  of  Massinger.  Addressed  to  David 
Garrick.  [Anon.]  London:  Printed  for  T.  Davies.  1761.  (i), 
27  pp.  **T.96.97 

The  jealous  wife.  A  comedy  in  five  acts.  With  the  stage  business, 
costumes,  &c.  New- York.  French.  [185-?]  76  pp.  [French's 
Standard  drama.     No.  30.]  **T.37.i3 

Colman,  George,  tlie  Younger. 

Blue  devils:  a  farce  in  two  acts.  Printed  from  the  acting  copy,  with 
remarks  by  D.  —  G.  Added,  the  costume  and  stage  business. 
London.     Davidson.     [1838.]     30  pp.     Portrait.  **T.39.2 

The  heir  at  law.  A  comedy,  in  five  acts.  New-York.  Taylor  &  Co. 
[185-?]      71  pp.     Diagram.      [Modern  standard  drama.     No.  96.] 

**T.37.74 

The  iron  chest:  a  play  in  three  acts.  2d  edition.  London:  Printed 
by  W.  Woodfall.  For  Messrs.  Cadell  and  Davies.  1796.  (i), 
xxvii,  107  pp.  **T.37.248 

Based  on  Godwin's  Caleb  Williams. 

[859] 


THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 


Colman,  George,  the  Younger.     (Continued.) 

Same.    With  the  stage  business,  costumes,  &c.     New  York.     French. 
[185-?]     68  pp.     [French's  Standard  drama.     No.  67.]       **T.37.75 
Same.   ^As  arranged   for  the   stage   in  four  acts,   by   Henry   Irving. 
London.     The   Chiswick  Press.      1879.      (6),   56  pp.  **T.36.88 

John  Bull;  or,  the  Englishman's  fire-side:  a  comedy,  in  five  acts. 
London.     Lacy.      [185-?]      69  pp.     Plate.  **T.37.76 

The  poor  gentleman.  A  comedy  in  five  acts.  With  the  stage  busi- 
ness, costumes,  &c.  New  York.  French.  [185-?]  iv,  7-72  pp. 
[French's  Standard  drama.     No.   17.]  **T.37.77 

Conaxa,  ou  les  gendres  dupes:  comedie,  representee  dans  le  College  de 
la  Compagnie  de  Jesus,  le  22  aoiit  (vers  1710).  Paris.  Michaud. 
1812.     xxvi,  (4),  86  pp.  **T.56.272 

Conferences  faites  aux  matinees  classiques  du  Theatre  national  de 
rOdeon.     [2e  edition.]     Paris.     Cremieux.     1895.     (i),  216,  ( i)  pp. 

**T.47.92 

Contents.  —  Andromaque.  Par  G.  Larroumet.  —  Le  joueur.  Par  F.  Sarcey.  — 
Britannicus.  Par  G.  Larroumet.  —  Le  distrait.  Par  F.  Sarcey.  ■ —  Phedre.  Par 
G.  Larroumet.  —  Le  legataire  universel.  Par  F.  Sarcey.  —  Athalie.  Par  G. 
Larroumet.  • —  Le  glorieux.  Par  F.  Sarcey.  —  Le  Cid.  Par  G.  Bapst.  —  Le 
misanthrope.     Par  F.  T.   Moy. 

Constant  de  Rebecque,  Henri  Benjamin. 

Adolphe.  Anecdote  trouvee  dans  les  papiers  d'un  inconnu.  Nouvelle 
edition,  suivie  des  ouvrages  du  meme  ecrivain:  Quelques  reflexions 
sur  le  theatre  allemand  et  sur.la  tragedie  de  Wallstein,  et  De 
I'esprit  de  conquete  et  de  I'usurpation.  Paris.  Charpentier.  1839. 
387,   (i)   pp.  **T.97.233 

Contains  Planche's  Essai  sur  Adolphe. 

Constitutionnel,  Le,  newspaper. 

Memoire  a  consulter  sur  les  actes  arbitraires  de  la  censure.  [Paris. 
1827.]     8  pp.  **T.97.io 

There  is  no  title-page. 

Cooke,  Martin  Warren. 

The  human  mystery  in  Hamlet.  An  attempt  to  say  an  unsaid  word. 
With  suggestive  parallelisms  from  the  elder  poets.  New  York. 
Fords,  Howard  &  Hulbert.     1888.     135  pp.  **T.57.42o 

Cooper,  Vincent  King. 

Tales  from  Euripides.  London.  Longmans,  Green,  &  Co.  1879. 
(9),   154  pp.  **T.58.i7 

Coquelin,  Benoit  Constant. 

L'Arnolphe  de  Moliere.     Paris.     Ollendorff.     1882.     (4),  98,   (i)   pp. 

**T.98.68 
Moliere  et  Le  misanthrope.     Paris.     Ollendorff.      1881.      (4),  S3  pp. 

**T.98.67 
Tartuffe.     Paris.     Ollendorff.     1884.     (4),  78  PP.  **T.98.69 

Corbould,  E.  M. 

Side-lights  on  Shakspere.  By  L.  Rossi  and  E.  M.  Corbould.  Lon- 
don. Swan  Sonnenschein  &  Co.,  Ltd.  1900.  (6),  298  pp.  Por- 
trait.    Plate.  **T.57.394 

Content.':.  —  Shakspere  and  his  sonnets.  —  A  midsummer  night's  dream.  —  King 
Richard  IL  —  The  merchant  of  Venice.  —  King  Henry  V.  ■ —  As  you  like  it.  — 
Julius  Ca;sar.  —  Ilamlet,  Prince  of  Denmark.  —  Macbeth.  —  King  Henry  VIIL 
F.ach  author  wrote  five  chapters  of  this  work. 

Corneille,  Pierre. 

Horace.  Horatius,  a  tragedy  in  four  acts  (the  fifth  being  omitted 
in  representation).     New-York.     Darcie  &  Corbyn.     1855.     28  pp. 

**T.34-9 
[860] 


BROWN   COLLECTION   OF  BOOKS    ON    THE  STAGE 


Corneille,  Pierre.     (Continued.) 

Polyeuctes,  the  martyr,  a  Christian  tragedy  in  five  acts.  New-York. 
Darcie  &  Corbyn.     1855.    45  pp.  **T.34.i4 

This  work,  as  well  as  the  preceding,  contains  the  original  French  version  with 
an  English  translation;  both  were  prepared  for  Raphael  Felix,  manager  of  Mil*: 
Rachel's  French  company. 

Corneille,  Pierre,  and  Thomas  Corneille. 

Theatre  de  Pierre  et  de  Thomas  Corneille.  Avec  notes  et  conimen- 
taires.     Paris.     Didot.     1853.     2  v.     Portrait.  **T.37.i26 

Contents. ^ —  Vie  de  Corneille,  par  Fontenelle.  —  Supplement  a  la  vie  de  Corneille. 

—  Le  Cid.  —  Horace.  —  Cinna,  ou  la  clemence  d'Auguste.  —  Polyeuctc,  martyr. 

—  Pompee.  —  Le  menteur.  —  La  suite  du  Menteur.     2.  Rodogune.  —  Ileraclius. 

—  Don  Sanche  d'Aragon.  —  Nicomede.  —  Sertorius.  —  Le  Comte  d'Fssex.  — 
Le  festin  de  Pierre. 

Corymboeus,  pseud.    See  Brathwait,  Richard. 

Court  broker,  The.  A  description  of  an  anti-patriot  in  a  co-iference 
between  Sir  Thomas  Gresham's  statue,  in  the  Royal  Exchange; 
and  its  near  neighbour.  London:  Printed  by  A.  More.  [1747.] 
16  pp.     Plate.  **T.96.223 

A  satire  in  verse  on  Sir  John  Barnard. 

Court  jobbery:  or,  the  black  book  of  the  Palace;  an  analytical  list  of 
all  the  pensions  granted  by  the  Queen  (from  the  period  of  Her 
Majesty's  accession  to  the  present  time),  pointing  out  the  "de- 
serving" and  the  "undeserving"  state  pensioners;  w^ith  notes  and 
comments.     London.     Strange.     1848.     54  pp.  **T.99.7 

Court,  The,  of  Thespis;  being  a  collection  of  the  most  admired  pro- 
logues and  epilogues  that  have  appeared  for  many  years.  Lon- 
don. Printed  for  Richardson  and  Urquhart.  1769.  (i),  ii.  147, 
iii  pp.  **T.38.20 

Cowper,  William. 

Johnny  Gilpin's  ride  to  Ware.  [Anon.]  London.  Johnson.  fi8 — ?] 
(12)   pp.     Illus.  **T.97.237 

Crawfurd,  Oswald  John  Frederick,  editor. 

English  comic  dramatists.  London.  Kegan  Paul,  Trench  &  Co. 
1883.     xxiii,  283,   (i)   pp.  **T.38.28 

Composed  of  extracts  from  various  plays. 

Crebillon,  Prosper  Jolyot  de. 

Catilina,   tragedie.     Paris,   Chez   Prault   fils.     1749.      (8),  96  pp. 

**T.58.73 
Cris,  Les,  de  Londres  au  xviiie  siecle.  Avec  epigrammes  en  vers 
traduites  par  M^e  X.  Preface,  notes,  et  bibliographie  des  prin- 
cipaux  ouvrages  sur  les  cris  de  Paris  par  A.  Certeux.  Description 
en  vers  de  la  ville  de  Londres  suivie  de  Le  Pont-Neuf,  poeme 
heroique  et  badin.     Paris.    Chamuel.     1893.     183  pp.    Illus.     Music. 

**T.97.244 
The  text  is  in  English  and  French.  There  are  reproductions  of  the  title-pages 
of  the  1799  edition. 

Critical  remarks  on  the  tragedy  of  Athelstan.  With  rules  necessary 
to  be  observed  by  all  dramatic  poets.  By  the  author  of  The  state- 
farce.    London:  Printed  for  Mary  Cooper.     1756.    36  pp.    **T.97.63 

Croft,  Sir  Herbert,  Baronet. 

Love  and  madness.  A  story  too  true.  In  a  series  of  letters  between 
parties,  whose  names  would  perhaps  be  mentioned,  were  they 
less  known,  or  less  lamented.  [Anon.]  New  edition.  London: 
Printed  for  G.  Kearsly.     1780.     viii,  (2),  298  pp.  **T.57.425 

These  letters  purport  to  have  passed  between  James  Hackman  and  Martha  Ray, 
whom   he   murdered.      An   account    of    Chatterton    is    interpolated. 

[861] 


THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 


Croker,  John  Wilson. 

An    intercepted    letter    from   J T ,    Esq.    [pseud.]    writer    at 

Canton,  to  his  friend  in  Dublin,  Ireland.  7th  edition.  Dublin. 
Mahon.      1805.      (i),   iii,  iii-v,  42  pp.  **T.98.i2i 

A  satire  on   Dublin. 

Cros,  Charles. 

L'affaire  de  la  rue  Beaubourg.     (In  Saynetes  et  monologues.     Serie 

I,  pp.   165-171.     Paris.      1877.)  **T.37.246 

La  famille  Dubois.     (In  Saynetes  et  monologues.     Serie  i,  pp.  27-34. 

Paris.     1877.)  **T.37.246 

Crosby,  Joseph. 

Catalogue  of  [his]  library,  comprising  nearly  all  the  principal  editions 
of  Shakespeare,  separate  plays,  poems,  and  Shakespeariana,  dic- 
tionaries, encyclopfedias,  and  miscellaneous  literature.  To  be 
sold  at  auction  March  24-26,  by  Bangs  &  Co.  New  York.  1886. 
124  pp.  **T.65.i3 

Cross,  James  C. 

The  dramatic  works  of  J.   C.   Cross,   stage   manager  of  the   Surrey 

Theatre,   containing  a   complete   collection   of   the    most   favorite 

ballets,    spectacles,    melo-drames,    &c.    performed    at    the    above 

theatre.    2d  edition.     London.    Tegg.     1812.    2  v.  in  i.    **T.37.i45 

Crouzet,  Pierre. 

Fortunas,  ou  le  nouveau  d'  Assas  a  la  prise  de  I'ile  sous  Dantzick: 

drame  heroique  en  un  acte,  par  M.  Crouzet,  directeur  des  etudes 

du  prytanee  militaire  frangais;  represente  a  la  distribution  solen- 

nelle  des  prix  de  cet  etablissement,  le  17  aout  1807.     Paris.     Le- 

blanc.     1807.     32  pp.  **T.97.i52 

Ode  sur  les  victoires  de  Napoleon  le  grand,  empereur  des  Franqais 

et  roi  d'ltalie.     Paris.     Didot.     An  xiv.  =  1805.     I5  PP-     **T.97.i47 

Cupid's  annual   charter;   or,   St.  Valentine's   festival,   in  which   all   true 

lovers  have  free  leave  to  declare  their  sentiments  for  each  other. 

I^ondon.     Perks.     [1810?]     24  pp.     Colored  plate.  **T.97.2io 

Curling,  Henry. 

The  forest  youth;  or,  Shakespeare  as  he  lived.  An  historical  tale. 
London.  Eginton  &  Co.  1853.  293  pp.  Plate.  [The  pocket 
library.]  **T.88.i8 

Curtis,  Ariana  Randolph  Wormeley. 

The  spirit  of  Seventy-six;  or,  the  coming  woman.  A  prophetic 
drama,  followed  by  A  change  of  base,  and  Doctor  Mondschein. 
[Anon.]     Boston.    Little,  Brown,  &  Co.     1868.     141  pp.    **T.37.2i2 

Writttn   for  amateur  performance. 

Curtis,  Herbert  Pelham. 

Uncle   Robert;   or,   love's   labor   saved.  A  comedy.     In    three   acts. 

With  costumes,  and   stage   business.  Boston.     Spencer.      [1861.] 

34  pp.  **T.37.49 
Curwen,  Henry. 

Within  Bohemia;  or,  love  in  London.  London.     Remington   &  Co. 

[1876.]      (5),  iii,   (i),  351  pp.  **T.87.20 

Contents.  —  Bought  and  sold.  —  Aunt  Margery's  sweetheart  and  mine.  ^-  The 
eldest  sister.  —  The  story  of  a  plain  woman.  — •  The  mystery  of  Malcolm  Mac- 
kinnon.  ■ —  A  strange  Ophelia.  —  Hard  up. 


[862] 


BROWN   COLLECTION   OF  BOOKS    ON   THE   STAGE 


D 

Dacier,  Bon  Joseph,  Baron. 

Eloge  historique  de  M.  de  Burigny.  [Colophon:  A  Rlieims,  chcz 
Jeunehomme.     1787.]     29  pp.  **T.gj.j2 

Dance,  Charles. 

The  country  squire;  or,  two  days  at  the  Hall.  An  original  comedy, 
in  two  acts.  With  costumes,  and  the  stage  business  marked  and 
arranged  by  J.  B.  Wright.  New  York.  French.  [185-?]  42  pp. 
[French's    Standard   drama.     The   acting  edition.      Xo.   306.] 

**T.37.i4 
Naval  engagements.     A  comedy  in  two  acts.     New  York.     Douglas. 
[185-?]     48  pp.     [The  minor  drama.     No.  32.]  **T.98.ii5 

Prefixed  is  a  Memoir  of  the  late  Miss  Rose  Telbin  by  J.  M.  D. 
Dancourt,  Florent  Carton. 

La  bourgeoisie  et  le  paysan  sur  le  theatre  au  xviie  siecle.  La  comcdie 
de  Dancourt,  1685-1714.  Etude  historique  et  anecdotique.  Par 
Ch.  Barthelemy.     Paris.     Charpentier.      1882.     (3),  382  pp. 

**T.37.i69 
Le  theatre  a  Arras  et  a  Lille  en  1683.     Les  representations  de  Dan- 
court.    Par  Victor  Advielle.     Paris.     Trcsse  &  Stock.     1893.     xii, 
64,  51,  (i)  pp.  **f.96.342 

Contents.  —  Preface.  —  La  mort  d'Hercule,  tragedie.     Par  le  Sieur  Dancourt.  — 
Les  nouvellistes   de   Lille,   comedie.      Par   Mr.    Dancourt. 

Each  play  is  paged  separately  and  has  a  reproduction  of  the  title-page  of  the 
1683   edition. 

Daniel,  George. 

The  adventures  of  Dick  Distich.     [Anon.]     London.     Wilson.     1812. 

3  V.  in  I.  **T.87.88 

Disagreeable  surprise.     A  musical  farce  in  two  acts.     Printed  from 

the  acting  copy,  with  remarks,  biographical  and  critical,  by  D.  — 

G.     Added,  the  costume,  stage  business.     London.     Cumberland. 

[183-?]     46  pp.     Portrait.  **T.39.5 

Doctor    Bolus:    a    serio-comic-bombastic-operatic    interlude:    in    one 

act.     Printed   from  the   acting  copy,   with   remarks,   biographical 

and  critical,  by  D.  —  G.    Added,  the  costume,  and  stage  business. 

London.     Davidson.      [183-?]      30  pp.     Plate.  **T.39.4 

Love's  last  labour  not  lost.     London.     Pickering.     1863.     vi,  295  pp. 

**T.98.2 
"Sworn  at  Highgate!"     A  musical  farce,  in  two  acts.     Printed  from 
the  acting-  copy,  with  remarks,  biographical  and  critical,  by  D.  — 
G.     Added,  the  costume,  and  stage  business.     London.     Cumber- 
land.    [183-?]     41  pp.     Plate.  **T.39.3 
Darley,  John  Richard. 

The  Grecian  drama:  a  treatise  on  the  dramatic  literature  of  the 
Greeks.  Dublin.  Hardy  &  Walker.  1840.  xix,  (i),  549,  (i)  pp. 
Plan.  **T.46.i9 

Darmesteter,  James. 

Shakespeare.  Paris.  Lecene  &  Oudin.  1889.  238,  (i)  pp.  Illus. 
Portraits.      Plates.      [Collection   des    classiques    populaires.] 

**T.s6.iii 
Darthenay,  Lucien. 

Le  guignol  des  salons.  Preface  de  Coquelin  cadet.  Paris.  Plon, 
Nourrit  &  cie.     [1888.]     xii,  286  pp.  **T.37.i48 

Darusmont,  Frances.     See  Wright,  Frances. 

[863] 


THE  PUBLIC  LIBRARY   OF   THE    CITY   OF  BOSTON 


Davesies  de  Pontes,  Lucien. 

fitudes  •  draniatiques.      Publiees    d'apres  les    manuscrits    de    I'auteur 

par  P.-L.  Jacob,  bibliophile  [pseud.].  Paris.     Amyot.     1869.     (3), 

iv,  441,  (i)  PP-                                       ,  .                 **T.37.i47 

Contents.  —  Le  gonfalonier  de  Brescia,  scenes  du  moyen  age.  —  Le  Cerbere  du 
theatre,  comedie.  —  Plan  et  fragments  de  Christophe  Colomb,  drame.  —  L'ecole 
dcs  philanthropes,  comedie. 

Davies,  Thomas. 

Dramatic  miscellanies:  consisting  of  critical  observations  on  several 
plays  of  Shakspeare:  with  a  review  of  his  principal  characters,  and 
those  of  various  eminent  writers.  A  new  edition.  London: 
Printed  for  the  Author.     1785.     3  v.     Portrait.  **T.47.io4 

Cnnlcnts.  —  I.  King  John.  —  King  Richard  II.  —  King  Henry  IV.  —  King 
Henrj'  \'III.  2.  All's  well  that  ends  well.  —  Every  man  in  his  humour.  —  Ben 
Jonson.  —  Macbeth.  —  Julius  Ca;sar.  —  King  Lear.  —  Antony  and  Cleopatra. 
—  Rule  a  wife  and  have  a  wife.  3-  Hamlet.  —  Dryden.  —  Otway.  —  Rival 
queens,  or  Alexander  the  Great.  —  The  rehearsal.  ■ —  Congreve.  —  Betterton.  — 
CoUey  Cibber. 

Davin,  Vincent. 

La  mort  de  Moliere.     [Paris.     1877.]     29  pp.  **T.95.69 

Davis,  Andrew  McFarland. 

Indian  games:  an  historical  research.  Salem,  Mass.  The  Salem 
Press.     1886.     58  pp.  **T.95.98 

Davis,  Lemuel  Clarke,  compiler. 

The  story  of  the  Memorial  Fountain  to  Shakspeare  at  Stratford- 
upon-Avon.  Also  accounts  of  the  Herbert  and  Cowper  window, 
Westminster  Abbey;  the  Milton  window,  St.  Margaret's  Church, 
Westminster;  and  the  Bishops  Andrewes  and  Ken  reredos,  St. 
Thomas's  Church,  Winchester,  England  —  gifts  of  Geo.  W.  Childs. 
Cambridge.  The  Riverside  Press.  1890.  vii,  261  pp.  Portrait. 
Plate.  **T.56.23 

Dawson,  James. 

Autobiography.     Truro.     Netherton.     1865.     viii,  171   pp.     **T.57.ii7 
De  I'imitation  theatrale  a  propos  du  romantisme.     [Anon.]     See  Renard, 

Athanase. 
Decourcelle,  A.     See  Decourcelle,  Pierre  Henri  Adrien. 
Decourcelle,  Pierre  Henri  Adrien,  and  Lambert  Thiboust. 

Je  dine  chez  ma  mere.    Comedie  en  un  acte  melee  de  couplets.     Paris. 

Levy.     1856.     (4),  28  pp.  **T.37.ii8 

Defence,  A,  of  the  new  Sophonisba,  a  tragedy.     In  answer  to  a  criticism 

on  that  play.     By  a  friend  of  the  author's.     London:  Printed  for 

F.  Cogan.     1730.     (i),  30  pp.  **T.97.42 

The   criticism   on   Thomson's    Sophonisba    was   written    by    T.    B. 

Defoe,  Daniel,  alleged  author. 

A  discourse  concerning  trouble  of  mind,  arising  from  sundry  tempta- 
tions exemplified  in  the  remarkable  life  of  a  private  gentleman; 
with  reflections  thereon.  Left  under  his  own  hand,  to  be  com- 
municated to  the  publick  after  his  decease.  London:  Printed  by 
Joseph  Downing,  for  R.  Burrough  and  J.  Baker.  1708.  (24),  304 
pp.  **T.97.303 

There  is  a  second  title-page  after  the  table  of  contents.  It  reads:  An  account 
of  some  remarkable  passages  in  the  life  of  a  private  gentleman.  Gushing  and 
the  British  Museum  Catalogue  attribute  this  work  to  Defoe,  with  a  query. 

Dekker,  Thomas. 

iJramatic  works.  Now  first  collected  with  illustrative  notes  and  a 
memoir  of  the  author.     London.     Pearson.     1873.    4  v.     **T.37.i32 

Contents.  —  I.  Memoir  of  Thomas  Dekker.  —  A  pleasant  comedie  of  the  gentle 
craft.   —  The   comedie   of   Old    Fortunatus.    —    Satiro-mastix,    or   the    untrussing 

[864] 


BROWN    COLLECTION    OF  BOOKS    ON    THE   STAGE 


Dekker,  Thomas.     (Continued.) 

of  the  humorous  poet.  -The  magnificent  entertainment  given  to  King  Tames 
2.  The  honest  whore.  -  The  whore  of  Babylon.  -  Westward  hoe.  3  North- 
ward-hoe. —  The  famous  history  of  Sir  Thomas  Wyat.  —  The  roarinir  cirlc  — 
London  triumphing.  —  If  this  be  not  a  Rood  play  the  divcll  is  in  it  4  The 
v.rgm  martyr.  -  Brittania's  honor.  -  Londons  Temple.  -  A  traRi-comedy : 
called  Match  mee  m  London.  —  The  wonder  of  a  kingdomc.  —  The  sun's  darlinK 
—  ihe  witch  of  Edmonton. 

Contains  reproductions  of  the  original  title-pages. 
Delpit,  Albert. 

Le  fils  de  Coralie.     Avec  eaux-fortes  de   Los   Rios.     Paris.     Ollen- 
dorff.-   1889.     (5),  288  pp.     Plates.     [CEuvres  completes.]     **T.85.4 
Deltour,  F.    See  Deltour,  Nicolas  Felix. 
Deltour,  Nicolas  Felix. 

Les  ennemis  de  Racine  au  xviie  siecle.  Paris.  Didier  &  c'c.  1859. 
ix,  443  pp.  **T.56.i23 

Democratic  Review,  The.     [Monthly.]     A  political  and  literary  miscel- 
lany.    Edited  by  Lothrop  Withington.     No.  i.     April,  1882.     Lon- 
don.    Withington  &  Butler.     [1882.]     48  pp.  **T.26.64 
Denis,  Jacques  Frangois. 

La  comedie  grecque.     Paris.     Hachette  &  c'e.     1886.    2  v.        **T.45.6 
^^ennis,  John. 

*'"^  A  defence  of  Sir  Fopling  Flutter,  a  comedy  by  Sir  George  Etheridge. 
[Anon.]     London:  Printed  for  T.  Warne.     [1722.]     (8),  24  pp. 
An  attack  on  Sir  Richard  Steele.  **T.57.l8o 

De  Quincey,  Thomas. 

Shakespeare.  A  biography.  Edinburgh.  Black.  1864.  (3).  99  pp. 
Autograph  facsimile.  **T.57.263 

Appended  is  his  On  the  knocking  at  the  gate  in  Macbeth. 

Dercy,  Alphonse  Frangois. 

Moliere,  comedie  episodique  en  un  acte  en  vers.  Representee,  sur 
le  Theatre-frangais  le  15  de  Janvier  1828,  anniversaire  de  la  nais- 
sance  de  Moliere.     Paris.     1828.     vij,  (i),  48  pp.  **T.56.i87 

Derniere  notice  sur  la  giraffe,  contenant  la  relation  de  son  voyage  a 
Saint-Cloud.     Paris.     Moreau.     1827.     12  pp.     Plate.  **T.97.i9 

Des  actions  de  chemins  de  fer.     Par  Un  collegue  de  Timon  (qui  n'en  a 
pas)   [pseud.].     Paris.     Rene  &  c»e.     1845.     62,  (i)  pp.       **T.99.52 

Desaix,  Ulric  Richard.     See  Richard-Desaix,  Ulric. 

Desaugiers,  Marc  Antoine  Madeleine. 

Cadet  Buteux  a  la  premiere  representation  du  Paria,  ou  recit  veri- 
dique  de  cette  tragedie,  ecrit  sous  la  dictee  de  I'historien  du  gros 
caillou,  par  son  secretaire  intime.    Paris.    Barba.    1822.    (i),  29  pp. 

A  collection  of  songs,  without  music.  **T.97.l83 

Le  testament  de  Carlin:  vaudeville,  en  un  acte  et  en  vers.     A  Paris, 
Chez  Jacquelin  &  Jourdain.    An  vii  [1798/99]-    60  pp.      **T.97.70 
Deschanel,  fimile  Auguste  fitienne  Martin. 

Le  romantisme  des  classiques.  Serie  5:  Le  theatre  de  Voltaire. 
Paris.     Levy.     1888.     (3),  444  pp.     [Bibliotheque  contemporaine.] 

**T.47.62 
Deschaumes,  Edmond. 

Pour  bien  voir  Paris:  guide  parisien  et  pratique.  Paris.  Dreyfous. 
[1889.]     X,  615  pp.     Illus.     Maps.     Plans.  **T.97.250 

The  last  part  of  the  bastard  title  reads:   Guide  parisien,  pittoresque  et  pratique. 

Desforges, . 

Natilica,  conte  indien;  ou,  critique  de  Catilina.  [Anon.]  A  Amster- 
dam. 1749.  (i),  22  pp.  **T.58.79 
Crebillon's  Catilina  may  be  found  on  shelf-number  **T.s8.73. 

[865] 

55 


THE   PUBLIC  LIBRARY   OF   THE    CITY   OF  BOSTON 


Desmaze,  Charles  Adrien. 

Maurice-Quentin  de  la  Tour,  peintre  du  roi  Louis  xv.  Paris.  Levy. 
1854.    78,  (I)  pp.  **T.98.i27 

Desprez,  Louis. 

L'cvolution  naturaliste.    Paris.    Tresse.    1884.    (4),  374  PP-    **T.97.253 

Contents.  —  Gustave  Flaubert.  —  Les   Goncourt.  —  Alphonse  Daudet.   —  fimile 
Zola.  —  Les  poetes.  ^  Le  theatre. 
Devrient,  Eduard.     See  Devrient,  Philipp  Eduard. 
Devrient,  Philipp  Eduard. 

Das  Passionsschauspiel  in  Oberammergau  und  seine  Bedeutung  fur 
die  neue  Zeit.  Mit  Illustrationen  von  F.  Pecht.  Leipzig.  Weber. 
1851.     (3),  43,   (i)   pp.  **T.93.i7 

Dexter,  John  Haven. 

Waltzing.      [Boston.     1868?]      4  pp.  **T.97.i55 

Sijrned,  Philagathus.     Urge.s  that  waltzing  is  immoral. 

Dicaculus,  Le  Docteur,  pseud.     See  Chaussard,  Pierre  Jean  Baptiste. 

Dibdin,  Thomas  John. 

Don  Giovanni;  or,  a  spectre  on  horseback!  A  comic  extravaganza; 
in  two  acts.    5th  edition.    London.    Miller.    1818.    32  pp.    **T.36.50 

Dick's  Ethiopian  scenes,  variety  sketches,  and   stump   speeches.     New 
York.     Dick  &  Fitzgerald.     [1879-]      178  pp.  **T.98.85 

Diderot,  Denis. 

Le  neveu  de  Rameau.  [Satire.]  Texte  revu  d'apres  les  manuscrits. 
Notice,  notes,  bibliographic  par  Gustave  Isambert.  Portrait  et 
deux  eaux-fortes  par  Saint-Elme  Gauthier.  Paris.  Quantin.  1883. 
(6),  279,  (i)  pp.  Portrait.  Plates.  Manuscript  facsimile.  [Petite 
bil)liotheque  de  luxe.     9.]  **T.86.5 

Notice  bibliographique,  pp.  272-279.     The  notes  include  an  account  of  the  elder 
Kamcau. 

Diguet,  Charles. 

Les  jolies  femmes  de  Paris.  Eaux-fortes  par  Martial.  Nouvelle 
edition.  Paris.  Lacroix  &  cie.  1873.  (5),  ii,  122,  (i)  pp.  Por- 
traits. **T.57.378 

Contents.  —  Marie  Roze.  —  Agar.  —  Sarah  Bernhardt.  —  Leonide   I.tblanc.   — 
Blanche  Pierson.  —  Sarolta.  • —  Angelo.   —  Louise  Ferraris.   —  Marietta  Sacca. 

—  Massin.   —  Hilda.   —   Latour.   ■ —  Rosine   Bloch.    —   Gabrielle  de   Cleurcy.    ^- 
Blanche  d'Antigny.  —  Odette  Reynold.  • —  Alice  Regnault.  —  Augustine  Deveria. 

—  Celine  Montaland. 
Dimond,  William. 

The  foundling  of  the  forest:  a  play.     Philadelphia.     Bradford  &  Ins- 
keep.     1810.     20  pp.  No.  2  in  **T.26.34.i 
Discours  en  vers  sur  la  trage'die  de  Catilina.      [Paris?     1748?]      8  pp. 

Crebillon's    Catilina   may    be    found    on    shelf-number    **T.58. 73.  **T.58.75 

Ditchfield,  Peter  Hampson. 

Old  English  sports,  pastimes  and  customs.  London.  Methuen  &  Co. 
1891.     xii,  132  pp.     Illus.     Plates.  **T.97.256 

Dix,  John,  afterwards  Ross. 

Lions:  living  and  dead;  or,  personal  recollections  of  the  "great  and 
gifted."  By  the  author  of  "Pen  and  ink  sketches  of  authors  and 
authoresses,"  etc.  2d  edition.  London.  Tweedie.  1854.  360  pp. 
Portraits.  **T.57.435 

These  recollections  are  fictitious. 

Doctor  Faustus. 

The  old  German  puppet  play  of  Doctor  Faust.    Turned  into  English 
with  an  introduction  and  notes  by  T.  C.  H.  Hedderwick.     Lon- 
don.    Kegan  Paul,  Trench  &  Co.     1887.     v-xlviii,  (3),  207  pp. 
Editions  of  the  puppet-play,  pp.   196-206.  **T.36.I04 

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BROWN    COLLECTION    OF  BOOKS    ON    THE   STAGE 


Doctor  Syntax;  or,  Harlequin  in  London.    A  pantomime.    As  performed 

at  the  Adelphi  Theatre,  Dec.  26,  1820.     The  music  hy  Mr.  Jolly. 

London.     Lowndes.     1820.     15  pp.  **T.36.44 

Dodd,  James  Solas. 

A    satyrical   lecture    on    hearts.      Added,    A    critical    dissertation    on 

noses.     As  they  are  now  performing,  at  the  Great  Room,  Exeter 

Exchange.   2d  edition.    [Anon.]    London:  Printed  for  G.  Kearslcy. 

1767.    X,  (2),  55  pp.  **T.96.367 

Satirical  notes  on  various  types  of  British  character, 
Dolly  and  the  rat,  or  the  Brisket  family.     A  parody  on  The  maid  and 

magpie.      In    two    acts.      London.      Duncombe.       1823.      28    pp. 

Colored  portrait.  **T. 36.51 

Donnay,  Maurice  Charles. 

The  other  danger.     A  comedy  in   four  acts.     Translated   from   the 

French  by  Charlotte  Tenney  David.     (In  Drama,  The.     1Q13,  no. 

II,  pp.  14-18.     Chicago.     1913.)  **T.i5.i7.3 

Preceded  by  an  account  of  the  author's  works  by   Barrett  II.   Clark. 

Donnelly,  Ignatius. 

The  great  cryptogram:  Francis  Bacon's  cipher  in  the  so-called  Shake- 
speare plays.  London.  Sampson  Low,  Marston,  Searle  &  Riving- 
ton,  Ltd.  1888.  2  V.  Portraits.  Plate.  Diagrams.  Facsimile. 
Manuscript   facsimile.  **T.55.9 

The  two  volumes  are  paged  continuously. 

Dorvigny,  Louis  Frangois  Archambault. 

Le  pont  casse.  Scene  comique  par  Dorvigny.  Represente,  pour  la 
premiere  fois,  au  Spectacle  des  ombres  chinoises,  le  10  septembre 
1784.     (In  Feu  le  Theatre  de  Seraphin.     Pp.  31-43.     Paris.     1872.) 

**T.96.i45 
Douglas,  Catherine,  Duchess  of  Queensberry. 

A  proper  reply  to  a  late  very  extraordinary  letter  from  the   Hon. 

T s  H y,  to  Sir  Thomas  Hanmer,  Bart.     In  a  letter  to 

the  honourable  author.  Bj^  a  lady.  London:  Printed  for  W.  Welib. 
1742.     56  pp.  **T.57.i44 

Thomas  Hervey's  Letter  to  Sir  Thomas  Hanmer  may  be  found  on  shelf-number 
**T.57.i45.  A  reply,  having  the  title  Measure  for  measure,  by  a  friend  of  Mr. 
Hervey's  may  be  found  on  shelf-number  **T.S7.i46. 

Doumic,  Rene. 

De  Scribe  a  Ibsen.     Causeries  sur  le  theatre  contemporain.     Paris. 

Perrin  &  c'e.     1896.    xvi,  352  pp.  **T.47.69 

Essais  sur  le  theatre  contemporain.     Paris.     Perrin  &  c''-\     1897.     (7), 

iv,  329,  (2)  pp.  **T.47.2i 

Le  theatre  nouveau.     Paris.    Perrin  &  cie.     1908.     (s),  vii,  366,  (i)  pp. 

**T.47.70 
Contents.  ■ —  Le  theatre  nouveau.  —  Paul  Hervieu.  • —  Henri  Lavedan.  • —  Jules 
Lemaitre.  ■ —  Frangois  de  Curel.  —  Eugene  Brieux.  —  Le  theatre-conference.  — 
Octave  Mirbeau.  —  £mile  Fabre.  ■ —  Le  theatre  centre  le  divorce.  ■ —  Maurice 
Donnay.  —  Maurice  Donnay  et  Lucien  Descaves.  • —  Alfred  Capus.  —  Pierre 
Wolff.  —  Le  suicide  au  theatre.  —  Le  theatre  deliquescent.  ^  Edmond  Rostand. 
—  Richepin.  —  Catulle  Mendes. 
Dowden,  Edward. 

Shakspere:  a  critical  study  of  his  mind  and  art.  New  York.  Harper. 
1881.    xvii,  iv,  386  pp.  **T.57-i87 

Drake,  Nathan,  editor. 

Memorials  of  Shakspeare;  or,  sketches  of  his  character  and  genius, 
by  various  writers,  now  first  collected;  with  a  prefatory  and  con- 
cluding essay,  and  notes.     London.     Colburn.     1828.     viii,  494  PP- 

**T.55.52 

[867] 


THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 


Dramatic  beauties;  selected  from  the  early  and  modern  British  drama- 
tists: forming  a  companion  to  Dodd's  Beauties  of  Shakspeare. 
London.     Orr  &  Smith.     1834-     (2),  ii,  244,  vi  pp.  **T.39.i 

Dramatic  execution,  The,  of  Agis.  London:  Printed  for  J.  Cooke.  1758. 
24  pp.  **T.96.82 

Homo's  Agis  may  be  found  on  shelf-number  **T.c)6.84. 

Drawing-Room  portrait  gallery  of  eminent  personages. 

Thirteen  portraits  and  memoirs  from  The  Drawing-Room  portrait 
gallery  of  eminent  personages.  [Quarterly.  Parts  8-11.  Lon- 
don. 1859?]  4  parts  in  i  v.  Portraits.  **T.5i.6 
The  portraits  were  also  issued  as  supplements  to  The  Illustrated  News  of  the 
World. 

Du  Boulan,  Gerard,  pseud. 

L'enigme  d'Alceste.  Nouvel  apergu  historique,  critique  et  moral 
sur  le  xviie  siecle.  Paris.  Quantin.  1879.  (3),  viii,  198,  (i)  pp. 
Portrait.  **T.57.79 

Dubourg,  Felix.     (A.  Neuville,  artiste.) 

CEuvres  d'un  desoeuvre.     Tribulations  dramatiques  ou  voyages  d'un 
comedien  dans  le  nord  &  le  midi  de  la  France,  pendant  les  annees 
1834  &  1835.     Bordeaux.     Peletingeas.     1836.     11  pp.       **T.95.i30 
Duels,  Georges. 

fipitre   a  Jean-Frangois   Ducis.     Paris.     Nepveu.      1817.     8   pp. 

**T.96.242 
Dudevant,  Amantine  Lucile  Aurore  Dupin.     (George  Sand.) 

Frangoise.     Comedie  en  quatre  actes  et  en  prose.     Paris.     Librairie 

nouvelle.     1856.     144  pp.  **T.37.i2i 

Souvenirs  et  impressions  litteraires.     Paris.     Hetzel.      [1862.]      (3), 

323  pp.  **T.97.224 

Contents.  ■ —  Essai  sur  le  drame  fantastique.  —  Ouelques  mots  sur  chacun  de  mes 
romans.  —  Mon  theatre.  —  Le  Theatre-italien  de  Paris  et  Mile  Pauline  Garcia. 
—  La  Joconde  de  Leonard  de  Vinci.  ■ — ■  Les  maioliques  florentines.  —  Lettres  n 

ATarcie. 

Dudevant,  Jean  Frangois  Maurice  Arnauld,  Baron.     (Maurice  Sand.) 
Le  theatre  des  marionnettes.     Paris.     Levy.     1890.     (3),  390,   (i)  pp. 
A  collection  of  plays  for  marionettes.  **T.37.247 

Duentzer,  Heinrich.     See  Duentzer,  Johann  Heinrich  Joseph. 
Duentzer,  Johann  Heinrich  Joseph. 

Wiirdigung  des  Goetheschen  Faust,  seiner  neuesten  Kritiker  und 
Erklarer.     Leipzig.     Dyk.     1861.     (3),  93,   (i)   pp.  **T.96.24 

Dumanoir,  Philippe  Frangois  Pinel,  and  Adolphe  Philippe. 

Don  Ca>sar  de  Bazan.  A  drama  in  three  acts.  With  the  stage  busi- 
ness, costumes,  &c.  New  York.  Taylor  &  Co.  1854.  47  pp. 
[Modern   standard   drama.     No.    16.]  **T.37.45 

Translated  by  G.  A.  A'Beckett  and  Mark  Lemon. 
Dumas,  Alexandre,  the  Elder. 

The  memoirs  of  Alexandre  Dumas  (pere).     Being  extracts  from  the 

first  five  volumes  of  Mes  memoires.     Selected  and  translated  by 

A.  F.  Davidson.     London.     W.  H,  Allen  &  Co.,  Ltd.     1891.     2  v. 

Portrait.    Autograph  facsimile.  **T. 57.115 

Dumas,  Alexandre,  the  Younger. 

Camille,    or    the    fate    of    a    coquette.      Adapted    from    the    French. 

Added,  the  costume  and  the  stage  business.     New  York.     French. 

[185-?]     42  pp.     [French's  American  drama.     The  acting  edition. 

No.  129.]  **T.37.42 

Ce  qu'on  ne  sait  pas.     Paris.     1855.     90  pp.  **T.99.26 

[868] 


BROWN    COLLECTION    OF  BOOKS    ON    THE   STAGE 


Dumas,  Alexander,  the  Younger.     (Continued.) 

Entr'actes.     Paris.     Levy.     1878,  79.     3  v.     [CEuvres  completes.] 

Contains    all    he   has   written   apart    from    his    novels    and    plays.  **T  07  282 

Montigny.    8  mars  1880.     [Paris.     1880.]     12  pp.  **t!95!io6 

Du  Meril,  fidelestand  Pontas. 

Histoire  de  la  comedie.  Periode  primitive.  Comedie  des  peuples 
sauvages  —  theatre  asiatique  —  origines  de  la  comedie  grccque. 
Paris.     Didier  &  cie.  ^  1864.     (3),  iv,  488,  (3)  pp.  **T.46.ii 

Dumolard,  Henri  Frangois  Elisabeth  fitienne  Orcel. 

Fenelon  [sic]  au  tombeau  de  Rotrou,  poeme.  Paris.  Hocquet  &  c'<--. 
181 1.     12  pp.  **T.97.i4o 

Du  Molard-Bert,  Charles. 

Lettre  d'un  academicien  de  province,  a  messieurs  de  TAcademic  fran- 
Qoise.     N.  p.     1749.     24  pp.  **T.58.78 

Relates  to  Crebillon's  Catilina   [**T. 58.73]. 
Dunlap,  William. 

Andre.  A  tragedy  in  five  acts.  With  an  introduction  by  Brander 
Matthews.  New-York.  1887.  xxxiii,  (3),  139  pp.  Portrait. 
[Dunlap   Society.     Publications.]  **T.95.4 

Contains  a  reproduction  of  the  title-page  of  the  edition  of   1798. 

Darby's  return,  an  interlude.  New-York.  Printed  by  Hodge,  .A.llen, 
and  Campbell.  1789.  14,  (2)  pp.  (Appended  to  Ford,  Paul  L. 
Washington   and   the   theatre.     New-York.      1899.) 

A    facsimile   reprint.  iSfo.  2  in  **T.Q^.2I 

The  father;  or,  American  Shandyism.  A  comedy.  With  an  intro- 
duction by  Thomas  J.  McKee.  New-York.  1887.  xii,  (i),  68  pp. 
Plate.     [Dunlap  Society.     Publications.]  **T,95.2 

Contains  a  reproduction  of  the  title-page  of  the  edition  of   1789. 

Dunning,  Edwin  James. 

The  genesis  of  Shakespeare's  art.  A  study  of  his  sonnets  and  poems. 
Boston.     Lee  &  Shepard.     1897.     xxxiv,  336  pp.  **T.56.257 

Dupin,  Andre  Marie  Jean  Jacques. 

Defense  du  Constitutionnel,  prononcee  a  I'audience  de  la  cour  royale 
du  17  juillet  1827.     Paris.     Baudouin.     1827.     16  pp.  **T.97.ii 

Relates  to  the  censorship  of  the  press. 

Duport,  Paul. 

Essais  litteraires  sur  Shakspeare,  ou  analyse  raisonnee,  scene  par 
scene,  de  toutes  les  pieces  de  cet  auteur.  Paris.  Le  Tellier.  1828. 
2  v.     Illus.     Portrait.  **T.56.202 

Dupuy-Demportes,  Jean  Baptiste. 

Lettre  a  Monsieur  de  *  *  *  sur  la  tragedie  de  Catilina  de  M.  de 
Crebillon.  [Anon.]  A  Londre,  par  les  libraires  associes.  1748. 
58,  (i)  pp.  **T.58.76 

Crebillon's   Catilina   may   be  found   on   shelf-number   **T.58. 73. 

Lettre  a  Monsieur  de  Voltaire,  sur  la  tragedie  de  Catilina.  [Anon.] 
A  Londres.     1748.     15  pp.  **T.58.74 

Durand,  Hippolyte. 

Moliere.  Orne  de  reproductions  de  Moreau-le-jeune.  Paris.  Lecene 
&  Oudin.  1889.  237,  (2)  pp.  Portrait.  Plates.  [Collection  des 
classiques  populaires.]  **T,56.4i 

Duranty,  Louis  Emile  Edmond. 

Theatre  des  marionnettes.  Texte  et  composition  des  dessins  par 
Duranty.  Paris.  Charpentier.  1880.  (8),  337,  (i)  pp.  Colored 
illus.     Colored  plates.  **T.34-2 

[869] 


THE  PUBLIC  LIBRARY  OF  THE   CITY   OF  BOSTON 

Duval,  Alexandre  Vincent  Pineu. 

Charles  II,  ou  le  labyrinthe  de  Wodstock,  comedie  en  trois  actes, 

en  prose.     Precedee  d'une  notice  sur  I'etat  actuel  des  theatres  et 

de    I'art    dramatique    en    France.      Paris.      Barba.      1828.      cxxvii, 

3-92  pp.  **T.36.33 

Dyer,  Thomas  Firminger  Thiselton. 

Folk-lore  of  Shakespeare.  London.  Griffith  &  Farran.  [1883.] 
IX,  526  pp.  **T.56,42 

E 

Egan,  Pierce,  the  Elder. 

Recollections  of  John  Thurtell,  who  was  executed  at  Hertford,  the 
9th  of  January,  1824;  for  murdering  Mr.  W.  Weare:  including 
various  anecdotes,  and  an  account  of  his  demeanour  after  sentence 
was  passed.  Also,  the  condemned  sermon.  Being  an  appendix 
to  his  account  of  the  trial.  London.  Knight  &  Lacy.  1824.  (i), 
44  pp.     Plate.  **T.56.i66 

Egyptian  Hall,  London. 

Descriptive  synopsis  of  the  Roman  Gallery,  (in  the  Egyptian  Hall, 
Piccadilly,)  with  its  magnificent  decorations,  including  the  picture 
of  the  Judgment  of  Brutus  upon  his  sons;  painted  by  the  President 
of  the  Academy  at  Rome  [Lethiere].  London.  The  Proprietor. 
1816.     16  pp.     Plate.  **T.96.303 

Ehrhard,  Auguste.     See  Ehrhard,  Marie  Joseph  Auguste. 
Ehrhard,  Marie  Joseph  Auguste. 

Les  comedies  de  Moliere  en  Allemagne.     Le  theatre  et  la  critique. 
Paris.     Lecene  &  Oudin.     1888.     (2),  xxviii,  545,  (i)  pp.     **T.54.23 
Henrik  Ibsen  et  le  theatre  contemporain.     Paris.     Lecene,  Oudin  & 
cie.     1892.     (3),  470  pp.     [Nouvelle  bibliotheque  litteraire.] 

**T.57.244 
Elgin,  Thomas  Bruce,  /'th  Earl  of.  See  Bruce,  Thomas,  ///;  Earl  of  Elgin. 
Ellacombe,  Henry  Nicholson. 

The  plant-lore  &  garden-craft  of  Shakespeare.  2d  edition.  London. 
Satchell  &  Co.     1884.     (11),  438  pp.  **T.57.5 

Elliott,  Mrs.  M.  L. 

Shakspeare's  garden  of  girls.  London.  Remington  &  Co.  1885. 
(5),  iv,  ii,  351,    (i)    PP-     Portrait.  **T.55.7o 

Elze,  Friedrich  Carl. 

Essays  on  Shakespeare.  Translated  with  the  author's  sanction  by 
L.  Dora  Schmitz.    London.   Macmillan  &  Co.    1874.   vi,  (i),  379  pp. 

**T.56.73 
Notes  on    Elizabethan   dramatists   with    conjectural    emendations    of 
the  text.     Series  [i-]3.     Halle.     Niemeyer.     1880-86.     3  v.  in  2. 

**T.46.26 
William  Shakespeare.    A  literary  biography.     Translated  by  L.  Dora 
Schmitz.     London.     Bell.     1888.     (5),  587  pp.  **T.57.i6i 

Elze,  Karl.     See  Elze,  Friedrich  Carl. 

Endymion:  or  the  universal  satyrist.  London:  Printed  for  H.  Carpenter. 
[17—?]     7-30  pp.  **T.97.37 

England's  bards,  1864;  or,  the  three  poems  which  were  awarded  the 
one  hundred  guineas  offered  as  prizes  in  the  advertisement  "Ho! 
for  a  Shakespeare!"  which  appeared  about  the  time  of  Shake- 
speare's Tercentenary  Anniversary.  London.  Day.  1864.  16  pp. 
An  advertisement  of  Thomson's  crinolines.  **T.96.267 

[870] 


BROWN    COLLECTION    OF   BOOKS    ON    THE   STAGE 


fipitre  a  I'auteur  des  Deux  gendres,  sur  la  preface  de  la  quatriemc  edition 
de  sa  comedie.     Paris.     Martinet.     1812.     24  pp.  **T.56.278 

fitienne's   Les   deux  gendres  may    be   found   on   shelf-number   ••T.56.-71. 

Escherny,  Francois  Louis,  Cointe  d'. 

Melanges  de  litterature,  d'histoirc,  de  morale  ct  de  philnsophie. 
Paris.     Bossange  &  Masson.     181 1.     2  v.  **T.97.3i9 

Contents.  —  I.  Dc  regoismc.  —  Anecdotes  de  la  vie  privee  de  Pierrc-lo  ( ir.inti  — 
Le  premier  des  merites  est  celui  d'etre  heureux.  —  Lettre  d'un  habil.int  <le» 
Alpes  a  un  citoyen  de  Lausanne.  —  De  la  proportion  des  pcines  aux  ililits.  — 
De  la  distinction  des  rangs,  ou  de  la  noblesse  et  de  I'egalitc.  —  Des  erreurs  dc 
J.  J.  Rousseau  en  politique.  —  Sur  la  Russie  et  la  Rcvolutiqn  de  Polognc.  —  Sur 
la  Suisse.  --  De  certaines  opinions.  —  De  la  verite.  2.  Essai  sur  le  bonhcur.  — 
De  la  poesie  et  des  vers.  —  De  la  musique  dramatiquc  et  vocale. 

Essay,  An,  on  satirical  entertainments.  Added,  Stevens's  new  Lecture 
upon  heads.  With  critical  observations.  London  printed:  sold 
by  J.   Bell.     1772.     vi,   (2),  87  pp.  **T.97.2i 

Mainly   a   commentary  on   Stevens's   Lecture  on   heads,   with   extracts   from   the 
lecture. 

Esteve,  Pierre. 

L'esprit  des  beaux  arts.  [Anon.]  A  Paris.  Chez  C.  J.  Baptiste 
Bauche  fils.     1753.     2  v.  in   i.  **T.98.8i 

Estienne,  Robert. 

Causes  amusantes  et  connues.  [Anon.]  A  Berlin.  1769.  xij,  (2), 
420  pp.     Plates.  **T.98.62 

fitienne,  Charles  Guillaume. 

Les  deux  gendres,  comedie  en  vers.  Suivie  du  discours  de  reception 
de  I'auteur  a  I'Academie  frangaise.  46  edition.  Paris.  Le  Nor- 
mant.     181 1.     xviij,  124  pp.     Autograph  facsimile.  **T.56.27i 

fitienne,  Victor  Joseph,  and  Hippolyte  Louis  Florent  Bis. 

[Guillaume  Tell.]  Solos,  duets,  trios,  recitative,  chorusses,  con- 
certed pieces,  &c.  in  Rossini's  opera,  Guillaume  Tell!  By  Alfred 
Bunn.  Adapted  to  the  English  stage  by  H.  R.  Bishop.  London. 
Wright.      [1838.]      48  pp.  **T.36.74 

Words  only.     Bunn's  translation  of  the  French  libretto  by  fitienne  and  Bis. 

Euripides. 

Three  dramas  of  Euripides.  By  William  Cranston  Lawton.  Boston. 
Houghton,  Mifflin  &  Co.     1897.     vii,   (i),  261  pp.  **T.36.99 

Contents.  —  On  the  origin  and  spirit  of  Attic  tragedy.  —  The  Alkestis.   —  The 
Medea.  ^-  The  Hippolytos.  ■ —  Epilogue. 

Evans,  Robert  Harding. 

Six  letters  of  Publicola  [pseud.],  on  the  liberty  of  the  subject,  and  . 

the  privileges  of  the  House  of  Commons.     Originally  published 

in  the  Times;  and  now  collected,  with  notes  and  additional  proofs. 

London.     Budd.     1810.    91,  (i)  pp.  **T.96.259 

Three   letters   on  the   expediency  of  a   reform  in    Parliament.     Ad- 

/      dressed  to  the  Hon.  Thomas  Brand,  M.P.     London.     Budd.     181 1. 

/>--   (3),  38,  (I)  pp.  **T.96.26o 

\-^Pxamen,  An,  of  the  new  comedy,  call'd  The  suspicious  husband.     With 

*-^  some    observations    upon    our    dramatick    poetry    and    authors. 

Added,  a  word  of  advice  to  Mr.  G..rr..ck;  and  a  piece  of  secret 

history.     London:   Printed  for  J.   Roberts.     1747.     56  pp. 

**T.97.43 


[871 : 


THE  PUBLIC  LIBRARY   OF   THE    CITY   OF  BOSTON 


F 

Fagan,  James  Bernard. 

The  prayer  of  the  sword.    A  play  in  five  acts.     [London.]     Johnson. 

1904.     (i),  116  pp.  **T.36.i9 
Faguet,  Angus te  fimile. 

Les  grands  maitres  du  dix-septieme  siecle.  fitudes  litteraires  et 
dramatiques.  Paris.  Lecene  &  Oudin.  1885.  281,  (i)  pp.  Por- 
traits. **T.97.245 

Contents.   —   Corneille.   —   Moliere.   —   Racine.    —   La    Fontaine.    —   Boileau.    ^ 
Pascal.  —  La  Rochefoucauld.  —  La  Bruyere.  —  Bossuet.  —  Fenelon.  —  Mme 
de  Sevigne.  —  Mme  de  Maintenon.  —  Saint-Simon. 
Fairholt,  Frederick  William. 

Gog  and  Magog.  The  giants  in  Guildhall;  their  real  and  legendary 
history.  With  an  account  of  other  civic  giants,  at  home  and 
abroad.     London.     Hotten.     1859.     ^ii;  ^5~  PP-     IHus.     Plates. 

**T.98,6o 

The  Grimaldi  Shakspere.  Notes  and  emendations  on  the  plays  of 
Shakspere,  from  a  recently-discovered,  annotated  copy  by  the  late 
Joseph  Grimaldi.  [Anon.]  London.  Smith.  1853.  16  pp.  Dia- 
gram.    Autograph  facsimiles.  **T.95.i67 

A  squib  ridiculing  the  Collier-folio  emendations. 

Shakespeare's  home;  visited  and  described  by  Washington  Irving 
and  F.  W.  Fairholt;  with  a  letter  from  Stratford  by  J.  F.  Sabin; 
and  the  complete  prose  works  of  Shakespeare.  With  etchings  by 
J.  F.  and  W.  W.  Sabin.  New  York.  Sabin.  1877.  (5),  80,  (6)  pp. 
Portrait.     Plates.  **T,57.76 

This  work  contains  only  a   few  quotations  from   Washington   Irving. 

Fameuse  comedienne.  La,  ou  histoire  de  la  Guerin,  auparavant  femme 
et  veuve  de  Moliere.  Reimpression  conforme  a  I'edition  de  Franc- 
fort  1688,  suivie  des  variants  des  autres  editions  et  accompagnee 
d'une  preface  et  de  notes  par  Jules  Bonnassies.  Paris.  Barraud. 
1870.    xxviii,  (i),  72  pp.     Portraits.  **T.57.433 

Contains  a  reproduction  of  the  title-page  of  the  edition   of   1688. 

Famous  history,  The,  of  Valentine  and  Orson,  or,  the  wild  man  of 
Orleans.  An  account  of  all  the  wonderful  adventures  and  surpris- 
ing atchievements  of  these  two  valiant  brothers.  With  the  affect- 
ing distresses  of  their  unfortunate  mother,  the  fair  Bellisant, 
Empress  of  Constantinople.  London.  Hughes.  [1807?]  50  pp. 
Illus.     Colored  plate.  **T.98.io 

Farley,  Charles. 

[Harlequin  and  Fortunio.]  The  new  pantomime  of  Harlequin  and 
Fortunio;  or,  Shing-Moo  and  Thun-Ton;  with  a  sketch  of  the 
story;  as  first  performed  at  the  Theatre-Royal,  Covent  Garden, 
December  26,  1815.  London.  Miller.  1815.  17  pp.  **T.36.43 
[Harlequin  and  the  magick  rose.]  Songs,  chorusses,  &c.,  in  the  new 
grand  and  comick  pantomime,  called  Harlequin  and  the  magick 
rose;  or,  beauty  and  the  beast.  First  performed  at  the  Theatre 
Royal,  Covent  Garden,  December  26th,  1825.  London.  Miller. 
1825.     16  pp.  **T.36.26 

Words  only. 

Farmer,  Richard. 

An  essay  on  the  learning  of  Shakespeare;  addressed  to  Joseph 
Cradock.  Cambridge:  Printed  by  J.  Archdeacon  for  W.  Thurl- 
bourn  &  J.  Woodyer.     1767.     (3),  50  pp.  **T.96.98 

The  bastard  title  is  missing. 

[872] 


BROWN    COLLECTION    OF  BOOKS    ON    THE   STAGE 


Farquhar,  George. 

Dramatic  works.  Edited,  with  life  and  notes,  by  Alex.  Charles 
Ewald.     London.     Nimmo.     1892.     2  v.  **T.35,2i 

Contents.  —  I.  George  Farquhar.  —  Love  and  a  bottle.  —  The  constant  couple: 
or,  a  trip  to  the  jubilee.  —  Sir  Harry  Wildair.  —  The  inconstant;  or.  the  way 
to  win  him.     2.  The  twin-rivals.  — The  recruiting  officer.  — The  beaux- stratagem. 

Fatal  effects,  The,  of  gambling  exemplified  in  the  murder  of  Wm. 
Weare,  and  the  trial  and  fate  of  John  Thurtell,  the  murderer,  and 
his  accomplices;  with  biographical  sketches  of  the  parties  con- 
cerned. Added,  The  gambler's  scourge;  a  complete  expose  of  the 
whole  system  of  gambling  in  the  metropolis;  with  memoirs  and 
anecdotes  of  notorious  blacklegs.  London.  Kelly.  1824.  xxii, 
512,  408  pp.     Portraits.     Plates.  **T.96.368 

Faustina;  or  the  Roman  songstress,  a  satyr,  on  the  luxury  and  effem- 
inacy of  the  age.  [Poem.]  London:  Printed  for  J.  Roberts. 
[17—?]     II  pp.  **T.97.io2 

Favart,  Charles  Simon,  and  Marie  Justine  Benoite  Duronceray  Favart. 
GEuvres  de  M.  et  Mme  Favart.     Leur  vie,  par  Lord  Pilgrimm  [pseud, 
de  Gerard  Labrunie].     Mme  Favart  et  le  Marechal  de  Saxe  par 
Leon  Gozlan.     Paris.     Didier.     1853.    320  pp.  **T.97.298 

Fawcett,  Edgar. 

The  Buntling  ball.    A  Grseco-American  play.     Being  a  poetical  satire 
on    New    York    society.      Illustrations    by    C.    D.    VVeldon.      New 
York.    Funk  &  Wagnalls.    1885.    154  pp.    Illus.    Plates.    **T.37.2o8 
Feis,  Jacob. 

Shakspere  and  Montaigne:  an  endeavour  to  explain  the  tendency  of 
'Hamlet'  from  allusions  in  contemporary  works.  London.  Kegan 
Paul,  Trench,  &  Co.     1884.     viii,  210  pp.  **T.57.i76 

Femme,  Une,  pseud. 

Les  hommes  de  mon  temps.     Paris.     Dentu.     1885.     100,   (i)   pp. 

**T.98.i2 
Femmes  galantes,  Les,  histoire  des  femmes  qui  se  sont  rendues  celebres 
par  leurs  amours,  leurs  galanteries,  leurs  faiblesses,  leurs  caprices, 
etc.     Paris.     Bibliotheque   recreative.     1837.     180  pp.     Plate. 

**T.59.42 
Ferguson,  Robert. 

Authentic  account,  An,  of  the  proceedings  under  a  writ  of  enquiry 
of  damages,  in  an  action  in  the  Court  of  King's  Bench,  in  which 
the  .  .  .  Earl  of  Elgin  was  plaintiff,  and  William  [i.e.  Robert] 
Ferguson,  defendant,  for  criminal  conversation  with  the  plaintiff's 
wife;  on  the  22d  of  December,  1807.  London.  Hatchard.  1808. 
(2),  113  pp.  **T.96.335 

F'errier,  Paul. 

Chez  la  cliente.     Monologue  en  vers  libres.     (In  Saynetes  et  mono- 
logues.    Serie  i,  pp.  99-110.     Paris.     1877.)  **T.37.246 
Une  larme  d'Auvergnat.     (In  Saynetes  et  monologues.     Serie  i.  pp. 
159-164.     Paris.     1877.)                                                               **T.37.246 
Feuillet,  Octave. 

The  life  and  adventures  of  Punchinello.  Adapted  from  the  French. 
With  designs  by  Bertall  [psend.  of  C.  A.  d'Arnoux].  London. 
Chapman  &  Hall.  1846.  80  pp.  Illus.  Colored  plate.  [  Picture 
story  books,  by  great  authors  and  great  painters.]  **T.98.6i 

Le  pour  et  le  contre.  Comedie  en  un  acte  et  en  prose.  Paris.  Levy. 
1853.     36  pp.  **T.37.i20 

The  romance  of  a  poor  young  man.  A  drama,  adapted  from  the 
French,  by  Pierrepont  Edwards  and  Lester  Wallack.     Added,  the 

[873] 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 

Fexiillet,  Octave.     (Continued.) 

costume  and  the  whole  of  the  stage  business.  New  York.    French. 

1859.     53  pp.      [The   standard   drama.     The  acting  edition.      No. 

225.]  **T.37.i6 

Feval,  Paul  Henri  Corentin. 

Le  theatre-femme.  Causerie  a  propos  de  L'ecole  des  femmes. 
(Theatre  de  la  Gaite,  26  Janvier  1873.)  Paris.  Dentu.  1873.  (5), 
38  pp.  **T.57.434 

Fielding,  Henry. 

Fairburn's  Complete  edition  of  Tom  Thumb,  a  burlesque  tragedy,  as 
performed  at  the  Theatres  Royal,  Hay-Market  and  Covent-Garden. 
With  the  alterations  to  the  present  time.  Also  a  critique  on  the 
performance  and  performers.  London.  Fairburn.  [1805?]  38, 
(2)   pp.  **T.97.2ii 

Figuier,  Guillaume  Louis. 

La  science  au  theatre.  Comedies.  Paris.  Tresse  &  Stock.  1889. 
8  parts  in  i  v.     Music.  **T37.i79 

Contents.  —  Le  mariage  de  Franklin.  • —  Le  jardin  de  Trianon.  ■ —  Miss  Telegraph. 
• —  Le  premier  voyage  aerien.  ■ — •  La  republique  des  abeilles.  ■ —  La  femme  avant 
le  Deluge.  —  I-e  sang  du  Turco.  —  Cherchez  la  fraise. 

La  science  au  theatre.  Drames.  Paris.  Tresse  &  Stock.  1889.  4 
parts  in  i  v.    Illus.  **T.37.i8o 

Contents.  —  Gutenberg. — Denis  Papin. — Keppler,  ou  I'astrologie  et  I'astronomie. 
—  Les  six  parties  du  monde. 

Les  six  parties  du  monde.  Piece  en  cinq  actes,  huit  tableaux.  Paris. 
Tresse.     1877.     (8),  126  pp.  **T.37.i78 

Figuier,  Juliette  Bouscaren. 

Barbe-d'Or.  Drame  historique  en  cinq  actes.  Paris.  Levy.  1876. 
126,   (i)   pp.  **T.37.i77 

La  scene  se  passe  en  1358,  dans  le  Beauvoisis  et  a  Paris. 

L'enfant.  Drame  en  quatre  actes,  dont  un  prologue.  Paris.  Levy. 
1874.    95  PP-  **T.37.i76 

La  parisienne.     Comedie  en  un  acte.     Paris.     Levy.     1873.     55  pp. 

**T.37.i73 

Les  pelotons  de   Clairette.     Comedie   en   un   acte   en  prose.     Paris. 

Levy.     1872.     40  pp.  **T.37.i7o 

Le  pied-a-terre.     Comedie  en  un  acte.     Paris.     Levy.     1874.     35  pp. 

**T.37.i74 
Les  pilules  de  M.   Brancolar.     Comedie   en  un  acte.     Paris.     Levy. 
1874.     44  PP-  **T.37.i75 

Le  presbytere.  Drame  en  trois  actes,  en  prose.  Paris.  Levy.  1872. 
(3),  iii,  (i),  55  pp.  '         **T.37.i7i 

La  vie  brulee.  Comedie  en  deux  actes.  Paris.  Levy.  1873.  (4), 
68  pp.  **T.37.i72 

Figuier,  Louis.     See  Figuier,  Guillaume  Louis. 
Figuier,  M^e  Louis.    See  Figuier,  Juliette  Bouscaren. 
Fisahn,  J. 

Paul  Lindau  als  Kritikcr  und  das  Theater.  Ein  Beitrag  zur  Kritik 
der  Kritik.     Liegnitz.     Kaulfuss.     1876.     (4),  46  pp. 

No.  2  in  **T.97.87 
Fitch,  Clyde.    See  Fitch,  William  Clyde. 
Fitch,  William  Clyde. 

Barbara  Frietchie,  the  Frederick  girl.  A  play  in  four  acts.  New 
York.     Life  Publishing  Co.     1900.     128  pp.     Portraits.     Plates. 

**T.36.3i 
[874] 


BROWN    COLLECTION    OF   BOOKS    ON    THE   STAGE 


Fitch,  William  Clyde.     (Continued.) 

Nathan  Hale.  A  play  in  four  acts.  New  York.  Russell.  1899.  (11), 
100  pp.     Portraits.     Plates.  **T.36.87 

Fitzgerald,  Percy  Hetherington. 

Proverbs  and  comediettas.  Written  for  private  representation.  Lon- 
don.   Strahan  &  Co.    1869.    vii,  240  pp.  **T.37.i28 

Contents.  —  Amateur  acting.  —  "Scratch  the  Russian  an<l  you  find  the  Tarl.ir." 
—  "A  sheet  of  blotting-paper."  —  "It  is  the  last  straw  that  breaks  the  camel'* 
back."  —  The  William  Simpson.  —  The  family  Shakspeare.  —  "A  burnt  child 
dreads  the  fire."  —  "Man  proposes  —  she  disposes." 

Fitzgibbon,  Henry  Macaulay,  editor. 

Famous  Elizabethan  plays  expurgated  and  adapted  for  modern 
readers.     London.     Allen  &  Co.     1890.     (i),  v,   (i),  558  pp. 

**T.37.i93 

Contents.  —  Dekker:  The  shoemaker's  holiday.  —  Beaumont  and  Fletcher:  The 
Knight  of  the  Burning  Pestle.  —  Jonson :  Epicoene ;  or,  the  silent  woman.  — 
Massinger:  A  new  way  to  pay  old  debts.  —  Ford:  Perkin  Warbeck.  —  The  two 
noble  kinsmen. 

Fitzpatrick,  William  John. 

The  life  of  Charles  Lever.     London.     Chapman  &  Hall.     1879.     2  v. 

**T.56.96 
Fleury,  Jean  Francjois  Bonaventure. 

Marivaux  et  le  marivaudage.     Suivi  d'une   comedie,  de  la   Suite   de 

Marianne  par  Mme  Riccoboni  et  de  divers  morceaux  dramatiques 

qui  n'ont  jamais  paru  dans  les  oeuvres  de  Marivaux.     Paris.     Plon 

&  cie.     1881.     viii,  416  pp.  **T.56.69 

Fleury,  Jules  Frangois  Felix  Husson.     (Champfleury.) 

Les  excentriques.  Nouvelle  edition.  Paris.  Levy.  1877.  (3),  346, 
(i)  pp.     [Collection  Michel  Levy.]  **T.97.i94 

Contents.  —  Les  excentriques:  Da  Gama  Machado ;  Lamiral,  auteur  dramatique 
et  sonneur  de  cloches;  Lucas;  Jean  Journet ;  Berbiguier;  Rose-Marius  Sardat ; 
Cambriel;  Carnevale ;  Les  communistes  de  Sainte-Croix;  Jupille.  —  Les  grands 
hommes  du  ruisseau:  L'eleve  de  Moreau ;  Canonnier;  Cadamour;  L'abbe  Chatel; 
L'homme  aux  figures  de  cire ;  Bug-Jargal;  Miette. 

Grandeur  et  decadence  d'une  serinette. — Simple  histoire  d'un  rentier 
et  d'un  lampiste.  —  La  legende  de  Saint  Crepin  le  cordonnier.  — 
La  chanson  du  beurre  dans  la  marmite.  Illustre  par  Desbrosses. 
Paris.  Blanchard.  1857.  126,  (i)  pp.  Illus.  Plates.  [Le  nouveau 
magasin  des  enfants.]  **T.86.6 

Florence,  William  Jermyn. 

Florence  fables.  Chicago.  Belford,  Clarke  &  Co.  [1888.]  246  pp. 
Portraits.     Facsimiles.  '  **T.87.98 

Short  stories. 

Flotard,  E.    See  Flotard,  Pierre  Eugene. 
Flotard,  Pierre  Eugene. 

La  comedie  moderne.    Paris.    Cherbuliez.     1869.    xvi,  (i),  232,  (i)  pp. 

**T.47.7 
FoUet,  Gaston. 

Ces  dames  de  Bullier.    2e  edition.     [Anon.]     Paris.     1864.    (3),  124  pp. 

**T.99.2i 
Foote,  Samuel. 

Works.  London:  Printed  for  and  sold  by  John  Murdoch.  Glasgow. 
1799.     2  V.  **T.36.32 

Contents.  —  i.  Taste.  —  The  Englishman  in  Paris.  —  The  knights.  —  The 
Englishman  returned  from  Paris.  —  The  author.  —  The  Mayor  of  Garrat.  — 
The  orators.  —  The  minor.  —  The  lyar.  —  The  patron.  2.  The  commissary. 
—  The  lame  lover.  —  The  bankrupt.  —  The  cozeners.  —  The  maid  of  Bath.  _ — 
The  devil  upon  two  sticks.  —  The  nabob.  —  A  trip  to  Calais.  —  The  Capuchin. 

[875] 


THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 


Foote,  Samuel.     (Continued.) 

Same.  With  remarks  on  each  pla}',  and  an  essay  on  the  life,  genius 
and  writings  of  the  author.  By  Jon  Bee  [pseud,  of  John  Badcock]. 
London.     Sherwood,  Gilbert,  &  Piper.     1830.     3  v.     Portrait. 

**T.38.22 

Contents.  —  i.  Essay  on  his  life.  —  The  knights.  —  Taste.  —  The  Englishman 
in  Paris.  —  The  Englishman  returned  from  Paris.  —  The  author.     2.  The  minor. 

—  The  liar.  —  The  orators.  —  The  M^ayor  of  Garratt.  —  The  patron.  —  The 
commissary.  3.  The  devil  upon  two  sticks.  —  The  lame  lover.  —  The  maid  of 
Bath.  —  The  nabob.  —  The  bankrupt.  —  The  cozeners.  —  A  trip  to  Calais.  — 
The  Capuchin. 

A  letter  from   Mr.  Foote  to  the  reverend  author  of  the   Remarks, 

■  critical    and    Christian,    on    The    minor    [M.    Madan].      London: 

/    Printed  for  T.  Davies.     1760.     (4),  40  pp.  **T.96.86 

/^,  An  attack  on  Methodism. 

,  .y'The  second  act  of  Diversions  of  the  morning,  as  acted  at  the  Theatre- 
Royal,  Drury-Lane,  1758-9.  (In  Wilkinson,  Tate.  The  wandering 
patentee.     Vol.  4,  pp.  237-250.     York.     I79S)-  **T.77.69.4 

The  trial  of  Samuel  Foote,  Esq.,  for  a  libel  on  Peter  Paragraph.  Per- 
formed at  the  Theatre-Royal  in  the  Haymarket,  1763.  {In  Wilkin- 
son, Tate.  The  wandering  patentee.  Vol.  4,  pp.  251-260.  York. 
1795.)  '  **T.77.69.4 

Ford,  John. 

The  dramatic  works  of  Massinger  and  Ford.     With  an  introduction, 
by  Hartley  Coleridge.    New  edition.    London.    Routledge.    [1884.] 
Ixi,  (i),  450,  vi,  212  pp.    Portrait.     [The  old  dramatists.]     **T.35.3 
Forrester,  Alfred  Henry. 

Faust.     A  serio-comic  poem.     London.     King.     1834.     32  pp.     Plates. 

**T.94.9 
Forster,  John. 

Dramatic  essays.  John  Forster,  George  Henry  Lewes.  Reprinted 
from  the  "Examiner"  and  the  "Leader"  with  notes  and  an  intro- 
duction by  William  Archer  and  Robert  W.  Lowe.  London.  Scott. 
1896.     xliv,    (i),  284  pp.     Portrait.  4577-156 

Foster,  George  G. 

New  York  naked.  New  York.  De  Witt  &  Davenport.  [185-?] 
9-168  pp.  **T,95.50 

Fournel,  Frangois  Victor. 

Les  contemporains  de  Moliere.  Recueil  de  comedies,  rares  ou  peu 
connues  jouees  de  1650  a  1680,  avec  I'histoire  de  chaque  theatre, 
des  notes  et  notices  biographiques,  bibliographiques  et  critiques. 
Paris.    Didot  &  cie.     1863-1875.    3  v.  **T.56.40 

Contents.  —  I.  Theatre  de  I'Hotel  de  Bourgogne.     2.  Hotel  de  Bourgogne  (suite). 

—  Theatre  de  la   Cour   (ballets  et  mascarades).      3.   Theatre   du   Marais. 

Figures  d'hier  et  d'aujourd'hui.  Paris.  Levy.  1883.  (3),  346,  (i) 
pp.  **T.57.248 

Fournel,  Victor.     See  Fournel,  Frangois  Victor. 
Fournier,  fidouarj. 

La  comedie  de  J.  de  La  Bruyere.     Paris.     Dentu.     1866.     2  v.  in   i. 

**T.58.68 
Fournier,  fidouard,  editor. 

Le  theatre  frangais  au  xvie  et  au  xviie  siecle,  ou,  choix  des  comedies 
les  plus  curieuses  anterieures  a  Moliere.  Avec  une  introduction, 
des  notes  et  une  notice  sur  chaque  auteur.  fidition  illustree  de 
portraits  par  Maurice  Sand  et  H.  Allouard.  Paris.  Laplace, 
Sanchez  &  c>e.     [1871.]     xi,  582,  (i)  pp.     Colored  plates.    **T.33.2 

[876] 


BROWN    COLLECTION    OF   BOOKS    ON    THE   STAGE 


Fournier,  fidouard,  editor.     (Continued.) 

Le  theatre  frangais  avant  la  Renaissance,  1450-1550.  Mysteres, 
moralites  et  farces.  Precede  d'une  introduction  et  accompagne 
de  notes.  Orne  du  portrait  du  principal  personnage  de  chaquc 
piece  par  Maurice  Sand,  Allouard  et  Adrien  Marie.  Paris.  La- 
place, Sanchez  &  cie.     [1873.]     (3),  vii,  462  pp.     Colored  plates. 

**T.33.i 
Fournier,  Louis  Pierre  Narcisse. 

The  man  with  the  iron  mask.  Adapted  from  the  French  [of  .'XuRuste 
Arnould  and  L.  P.  N.  Fournier]  by  W.  J.  Lucas.  In  four  e|)Ochs. 
New  York.     French.     [186-?]     42  pp.  **T.37.24 

France.    Conseil  d'etat. 

Arret  du  Conseil  d'etat  du  roy,  et  lettres  patentes  sur  icelui.  |  Paris. 
Houry.     1767.]     15  pp.  **T.75.3i 

Relates  to  the  appanage  of  the  House  of  Orleans.     There  is  no  title-page. 

Frebault,  filie. 

Les  maisons  comiques.  Par  Ch.  Virmaitre  et  filie  Frebault.  Paris. 
Lebigre-Duquesne.     1868.     322,  (i)  pp.     Plates.  **T.97.232 

Freytag,  Gustav. 

The  journalists.  Comedy  in  four  acts.  Translated  by  Roy  Temple 
House.     {In  Drama,  The.     1913,  no.  9,  pp.  30-140.    Chicago.     1913.) 

**T.i5.i7.3 

Preceded  by  Gustav  Freytag,  theorist  of  the  drama  and  playwright,  by  Martin 
Schiitze. 

Frikell,  Wiljalba. 

Hanky  Panky.    A  book  of  conjuring  tricks.    Edited  by  W.  H.  Cremer, 

Jun.     London.     Hotten.     [1872.]     7-328  pp.     Illus.  **T.97.275 

The  magician's  own  book.     Edited  by  W.  H.  Cremer,  Jun.     London. 

Hotten.      [1871.]      325  pp.     Illus.  **T.97.32o 

Friswell,  James  Hain. 

Life    portraits    of    William  Shakspeare:    a    history    of    the    various 

representations    of    the  poet,    with    an    examination    into    their 

authenticity.      London.  Sampson    Low    &    Marston.      1864.     xii, 

128  pp.     Portraits.  **T,56.ii9 

Frost,  Thomas. 

Forty  years'  recollections:  literary  and  political.  London.  Sampson 
Low,    Marston,    Searle.    &    Rivington.      1880.      vii,    347    pp. 

**T.57.n5 
Fulchiron,  Jean  Claude. 

Fragment  d'un  poeme  sur  I'figypte.     [Anon.     Paris.     18 — ?1      16  pp. 

"L'aciion  se  passe  la  veille  de  la  bataille  des  Pyramides."  **T. 96.248 

Fuller,  Henry  Blake. 

The  puppet-booth.  Twelve  plays.  New  York.  The  Century  Co. 
1896.      (7),  212  pp.  **T.37.i96 

Contents.  —  The  cure  of  souls.  —  On  the  whirlwind.  —  The  love  of  love.  — 
Afterglow.  —  The  ship  comes  in.  —  At  Saint  Judas's.  —  The  light  tliat  always 
is.  —  The  dead-and-alive.  —  Northern  lights.  —  The  story-spinner.  —  The 
stranger  within  the  gates.  —  In  such  a  night. 

Fuller,  Horace  W. 

Noted  French  trials.  Impostors  and  adventurers.  Boston.  Soule  & 
Bugbee.     1882.     264  pp.-  **T.97.ii2 

Contents.  —  The  false  Martin  Guerre.  —  The  woman  without  a  name.  —  Collet. 
—  The  false  Dauphins.  —  The  beggar  of  Vernon.— The  false  Caille.— Cartouche. 

- —  Mandrin. 

Fuller,  Sarah  Margaret.    See  Ossoli,  Sarah  Margaret  Fuller,  Marchesa  d'. 


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THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 

Fullerton,  Lady  Georgiana  Charlotte. 

,    The  fire  of  London:  or  which  is  which?     A  play  in  three  acts.     Lon- 

//-       don.     Burns,  Gates,  &  Co.     [1882.]     31  pp.  **T.98.37 
vVuribond;  or,  Harlequin  Negro,  pantomime. 

^     A  description  of  Furibond;   or,   Harlequin   Negro.  A  grand   comic 

pantomime  at   Drury   Lane  Theatre.      London.  Scales.      [180-?] 

26  pp.    Colored  plate.  **T.97.205 


Galart  de  Montjoie.     See  Montjoie,  Christophe  Felix  Louis  Ventre  de 

La  Touloubre. 
Gallois,  Charles  Andre  Gustave  Leonard. 

Le  citateur  dramatique.  5e  edition  augmentee.  Paris.  Ledoyen. 
1829.    viij,  369  pp.  **T.49.4 

Gallois,  Leonard.     See  Gallois,  Charles  Andre  Gustave  Leonard. 
Gait,  John. 

Autobiography.     London.     Cochrane  &  M'Crone.     1833.     2  v.     Por- 
trait.    Autograph  facsimile.  **T.56.5o 
Gardel,  Pierre  Gabriel. 

La  dansomanie,  folie-pantomime,  en  deux  actes.  2e  edition.  [Paris.] 
Ballard.     An  ix  [1801?].     (8),  23  pp.  **T.37.204 

Garrick,  Mrs. ,  of  Newcastle. 

Catalogue  of  the  valuable  and  modern  household  furniture  and  other 

effects,  belonging  to  Mrs.  Garrick,  which  will  be  sold  on  the  23d 

of  April.    By  Alex.  Reed.    Newcastle.    Preston  &  Heaton.     [1827.] 

8  pp.  **T.96.i53 

Garrick,  David. 

Katharine  and  Petruchio.     A  comedy  in  three  acts.     By  Shakspeare. 

With    the    stage    business,    costumes,    &c.      New-York.      French. 

[186-?]   5-34  pp.  Diagrams.   [French's  Standard  drama.]   **T. 37.101 

Rule  a  wife   and  have   a  wife.     See   Beaumont,  Francis,   and  John 

Fletcher.    Rule  a  wife  and  have  a  wife. 

Gascoigne,  George. 

The  princelye  pleasures  at  the  Courte  at  Kenelwoorth:  that  is  to 
saye,  the  copies  of  all  such  verses,  proses,  or  poetical  inuentions, 
and  other  deuices  of  pleasure,  as  were  there  deuised,  and  pre- 
sented, by  sundry  gentlemen,  before  the  Qvene's  Maiestie.  in  1575. 
[Anon.]  Imprinted  at  London,  by  Rychard  Ihones.  1576.  Lon- 
don. Marshall.  1821.  (2),  29,  (i)  pp.  Portrait.  Autograph 
facsimile.  **T.96.232 

Gastineau,  Frangois  Jean  Baptiste  Octave. 

Lelia.  comedie  en  un  acte.  (In  Saynetes  et  monologues.  Serie  i,  pp. 
69-98.    Paris.     1877.)  **T.37.246 

Gastineau,  Octave.     See  Gastineau,  Frangois  Jean  Baptiste  Octave. 
Gautier,  Theophile. 

Souvenirs  de  theatre,  d'art  et  de  critique.  Paris.  Charpentier.  1883. 
(3),  332  pp.  **T.97.2S2 

Theatre:  mystere,  comedies  et  ballets.  Paris.  Charpentier  &  c''". 
1872.     ('3),  492,  (i)  pp.  **T.37.i23 

Contents.  —  Une  larme  du  diable.  —  La  fausse  conversion  ou  bon  sang  ne  peut 
mcntir.  —  L'amour  souffle  ou  il  veut.  -^  Pierrot  posthume.  —  Le  tricorne 
cnchantc.  —  Prologue  de  Struensee.  —  Prologue  de  Falstaff.  —  Prologue 
d'ouverturc  de  I'Odeon.  —  Pierre  Corncille,  pour  I'annivcrsairc  dc  sa  naissance. 

—  I-a  femme  de  Diomcde.  —  Prologue  de  Henriette  Marechal.  ■ —  Le  Selam.  — 
•"liselle   ou    les    Wilis.  —  La    Peri.  —  Paquerette.  —  Gemma.  —  Yanko    Ic    bandit. 

—  Sacountala. 

[878] 


BROWN    COLLECTION    OF   BOOKS    ON    THE   STAGE 


pay,  Joseph,  pseud.    See  Breval,  John  Durant. 
zul,  Clara,  pseud.     See  Merimee,  Prosper, 
enius,  A,  pseud. 
Observations,  good  or  bad,  stupid  or  clever,  serious  or  jocular,  on 
Squire  Foote's  dramatic  entertainment,  intitled.  The  minor.     Lf)n- 
don:   Printed  for  J.  Wilkie.     1761.      15  pp.  **T. 57.30 

Gentleman,  Francis. 

The    dramatic    censor;    or,   critical    companion.      [Anon.]      Lonrlon: 

Printed  for  J.   Bell.     1770.     2  v.     Plates.  **T.46.48 

Introduction  to  Shakespeare's  plays,  containing  an  essay  on  oratory. 

[Anon.]     London.     Bell.     1773.     57  pp.  **T.78.52 

A  separate  impression  of  an  essay  in  Vol.   i  of  Bell's  edition  of  Shakespeare. 

Genuine  account.  A,  of  the  life  of  John  Rann,  alias  Sixteen-Strijig  Jack, 
who  was  executed  the  30th  of  November,  1774,  for  a  robbery  on 
the  highway,  near  Brentford;  containing  his  adventures,  some 
curious  anecdotes,  some  strictures  on  the  penal  laws,  and  a  par- 
ticular account  of  Lane  and  Trotman,  executed  at  the  same  time 
for  robbery  of  Mr.  Floyd  near  Chelsea.  London:  Printed  for 
Robert  Turner.     1776.    32  pp.  **T.54.4 

Portraits,  plates  and  music  are  inserted. 

Germain,  Auguste. 

Theatreuses.  [Seize  petites  pieces  de  theatre.]  Illustrations  par  Albert 
Guillaume.    Paris.    Empis.     1895.     (6),  271  pp.    Plates.    **T.37.i83 

German  hotel,  The;  a  comedy.  London:  Printed  for  G.  G.  J.  and  J. 
Robinson.     1790.     x,  (i),  69  pp.  **T. 36.92 

Gushing  and  the  Dictionary  of  national  biography  attribute  this  adaptation  of 
Brandes's  Trau,  schau,  wem !  to  Thomas  llolcroft:  Halkett  and  Laing  and  the 
British  Museum  catalogue  attribute  it  to  Marshall. 

German  theatre,  The.  Translated  by  Benjamin  Thompson.  4th  edition. 
London.     Vernor,  Hood,  &  Sharp.     1811.     6  v.  **T.38.i4 

Contents.  —  I.  The  stranger.  —  Rolla.  —  Pizarro.  2.  Don  Carlos.  ■ —  Count 
Benyowsky.  3.  Lovers'  vows.  —  Deaf  and  dumb.  —  Indian  exiles.  —  False 
delicacy.  4.  Otto  of  Wittelsbach.  —  Dagobert.  —  Adelaide  of  Wulfingen.  5. 
The  robbers.  —  The  happy  family.  —  Conscience.  6.  The  ensign.  —  Count 
Koenigsmark.  —  Stella.  —  Emilia  Galotti. 

Gervinus,  Georg  Gottfried. 

Shakespeare  commentaries.  Translated  under  the  author's  superin- 
tendence by  F.  E.  Bunnett.  London.  Smith,  Elder  &  Co.  1863. 
2  V.  **T.55.48 

Giacometti,  Paolo. 

Elizabeth,  Queen  of  England:  an  historical  play,  in  five  acts,  written 
for  Madame  Ristori.  Translated  from  the  Italian  by  Thomas 
Williams.  New- York.  Gray  &  Green.  1866.  40  pp.  Portrait. 
Italian  text  and  English  translation  in  parallel  columns.  **T.94.22 

Giacosa,  Giuseppe. 

As  the  leaves.  A  comedy  in  four  acts.  [Translated  frorn  the  Italian.] 
Portrait.     (In  Drama,  The.     191 1,  no.  i,  pp.  8-97.    Chicago.     191 1.) 

Preceded  by  an  analysis  of  the  play.  **T.l^.I7.X 

The  Stronger.  A  comedy  in  three  acts.  [Translated  from  the 
Italian.]  (In  Drama,  The.  1913,  no.  10,  pp.  32-156.  Chicago. 
1913-)  **T.i5.i7.3 

Preceded  by  an   account  of  the  author's  works   by   Stanley  Astrado   Smith. 

Gilbert,  Sir  William  Schwenck. 

Original  plays.  [Series  i.]  London.  Chatto  &  Windus.  1876.  (7), 
348  pp.  **T.37.20i 

Contents.  —  The  wicked  world.  —  Pygmalion  and  Galatea.  —  Chanty.  —  The 
princess.  —  The  palace  of  truth.  —  Trial  by  jury. 

[879] 


THE  PUBLIC  LIBRARY   OF  THE   CITY  OF  BOSTON 


Gilbert,  Sir  William  Schwenck.     (Continued.) 

Same.  Series  i,  2.  London.  Chatto  &  Windus.  1881,  82.  2  v. 
[The  Mayfair  library.]  **T.38.i 

Contents.  —  I.  The  wicked  world.  —  Pypmalion  and  Galatea.  —  Charity.  —  The 
princess.  —  The  palace  of  truth.  —  Trial  by  jury.     2.  Broken  hearts.  —  Engaged. 

Sweethearts.    —   Dan'l   Druce,    blacksmith.    —   Gretchen.    —   Tom    Cobb :    or, 

fortune's  toy.  —  The  sorcerer.  — •  H.M.S.  Pinafore;  or,  the  lass  that  loved  a 
sailor.  —  The  pirates  of  Penzance;  or,  the  slave  of  duty. 

Giles,  Henry. 

Human  life  in  Shakespeare.  Boston.  Lee  &  Shepard.  1868.  286  pp. 
Lectures  delivered  before  the  Lowell  Institute,  Boston.  **T.57.4.I2 

Gillette,  William. 

Electricity.     A  comedy  in  three  acts.     Occurring  in  Manhattan  and 

the  Bronx.  (In  Drama,  The.     1913,  no.  12,  pp.   12-123.     Chicago. 

1913)  **T.i5.i7.3 

Preceded  by  an  account  of  the  author's  works  by   Richard   Burton. 

Girardin,  Delphine  Gay  de. 

C'est  la  faute  du  mari:  proverbe  en  un  acte  et  en  vers.  Paris.  Levy. 
1851.     54  PP-  **T.37.ii9 

Lady  Tartuffe:  a  prose  comedy  in  five  acts.  The  original  French, 
with  an  English  translation,  prepared  for  Raphael  Felix,  manager 
of  Mile  Rachel's  French  company.  New  York.  Darcie  &  Corbyn. 
1855-     84  pp.  **T.34.i5 

Given,  Welker. 

A  further  study  of  the  Othello.  Have  we  misunderstood  Shake- 
speare's Moor?  New  York.  The  Shakespeare  Press.  1899.  vii, 
337  PP-     [Shakespeare  Society  of  New  York.     Papers.     No.  ii.] 

**T.57.27 
Givre,  Jules. 

La  danse  moderne.  Traite  complet  de  toutes  les  danses  de  salon,  des 
quadrilles  et  du  cotillon.  Paris.  L'auteur.  [1900.]  58  PP-  Plates. 
Diagrams.  **T.99.5o 

Glapthorne,  Henry. 

Plays  and  poems.  Now  first  collected.  With  notes  and  a  memoir 
of  the  author.     London.     Pearson.     1874.     2  v.  **T.37.i34 

Contents.  —  I.  Memoir  of  Henrj-  Glapthorne.  —  Argalus  and  Parthenia.  ■ —  The 
flollander.  A  comedy.  —  Wit  in  a  constable.  2.  The  tragedy  of  Albertus 
Wallcnstein.  —  The  ladies  priviledge.  —  Poems.  —  Sylvia.  A  fragment.  — 
White  Hall.     A  poem. 

Godwin,  William. 

Caleb  Williams.  For  a  play  founded  on  this  novel  see  Colman, 
George,  the  Younger.    The  iron  chest. 

Selections  from  Godwin's  "Caleb  Williams."  giving  the  history  in 
brief  of  Sir  Edward  Mortimer's  revenge;  to  serve  as  a  companion 
story  to  Colman's  "Iron  chest,"  the  play  now  being  given  by 
Henry  Irving.  [Edited  by  Ranulph  Fairfax.]  London.  Darling 
1879.     77,  Ci)  pp.  **T.96.i8o 

Goethe,  Johann  Wolfgang  von. 

Goethe's  Faust.  In  two  parts.  Translated  by  Anna  Swanwick.  With 
illustrations  after  Moritz  Retzsch.  London.  Bell.  1879.  xvi, 
350  pp.     Plates.  **T.35.i 

Faustus:  from  the  German  of  Goethe.  London.  Boosey.  1821.  viii, 
86,  (2)  pp.     Plates.  **T.33.3 

"The  most  striking  passages  and  scenes  of  the  original  have  been  translated 
into  blank  verse,  and  connected  by  a  detailed  description  in  prose."  —  Intro 
duction,  p.  vii.     The  illustrations  are  by  Retzsch. 

[880] 


BROWN    COLLECTION    OF  BOOKS    ON    THE   STAGE 


Goethe,  Johann  Wolfgang  von.     (Continued.) 

The  first  part  of  Goethe's  Faust.  From  the  German  \,y  John  .Xiister. 
With  an  introduction  by  Henry  Morley.  lUustrations  l)y  J.-P. 
Laurens.  The  Henry  Irving  edition.  London.  Routk-dK<.-.  1887. 
255   PP-     Plates.     Manuscript   facsimiles.  **T.34.23 

Marlowe's    Faustus.      Goethe's    Faust,    from    the    German    ljy    lo'hn 
Anster.    With  an  introduction  by  Henry  Morley.     London.     Rr>nt- 
ledge.     1883.     315  pp.     [Morley's  Universal  library.]         **T.37.i9i 
Goetschy,  Gustave. 

Professeur  de  declamation.  Preface  monologue.  (///  SaynC-les  (_t 
monologues.     Serie   i,  pp.   1-14.     Paris.      1877.)  **T.37.246 

Goizet,  J. 

Histoire  anecdotique  de  la  collaboration  au  theatre.  Paris.  Bureau 
du  Dictionnaire  du  theatre.     1867.     (3),  163  pp.  **T.47.io5 

Golden,  William  Echard. 

A  brief  history  of  the  English  drama  from  the  earliest  to  the  latest 
times.  New  York.  Welch,  Fracker  Co.  1890.  227  pp.  **T.47.54 
References,  pp.  226,  227. 

Goldoni,  Carlo. 

La  locandiera,  (the  hostess) :  comedy  in  three  acts.  New  York. 
McGrath.     [1896.]      (4),  9-12  pp.  No.  2  in  **T.55.i38 

A  synopsis. 

The  squabbles  of  Chioggia.  A  comedy  in  three  acts.  Translated 
from  the  Italian  by  Charles  Lemmi.  (In  Drama,  The.  1914, 
no.  15,  pp.  346-433-     Chicago.     1914.)  **T.i5.i7.4 

Preceded  by    Papa   Goldoni   and   his   Venetian   comedies,   by   the   trans'.Uor. 

Goldsmith,  Oliver. 

The  poems  and  plays  of  Oliver  Goldsmith.  Edited  by  Austin  Dobsoii. 
With  etchings  by  John  Jellicoe  &  Herbert  Railton.  London. 
Dent  &  Co.    1889.    2  v.    Plates.     fThe  Temple  library.]     **T.36.ioo 

Contents.  —  i.  Introduction.  — ■  Poems.  -2.  The  good-natur'd  man.  —  She  stoops 
to  conquer.  — ■  Scene  from  The  grumbler.  —  On  laughing  and  sentimental 
comedy. 
She  stoops  to  conquer.  A  comedy,  in  five  acts.  With  the  stage 
business,  costumes,  etc.  New  York.  French.  [185-?]  iv,  7-66  pp. 
[French's   Standard   drama.     No.  80.]  **T.37.i7 

Gondinet,  Edmond.     See   Gondinet,  Pierre   Edmond  Julien. 
Gondinet,  Pierre  Edmond  Julien. 

A  Moliere.  Vers  dits  a  la  Comedie-frangaise  le  15  Janvier  1871,  2496 
anniversaire  de  la  naissance  de  Moliere,  par  M.  Coquelin.  Paris. 
Levy.     1871.     8  pp.  **T.97.i25 

Gooch,  Elizabeth  Sarah  Villa-Real. 

An  appeal  to  the  public,  on  the  conduct  of  Mrs.  Gooch,  the  wife  of 

William   Gooch,   Esq.     London:   Printed  for   G.   Kearsley.      1788. 

(4),  68  pp.  **T.55.33 

The  life  of  Mrs.  Gooch.     Written  by  herself.     London:  Printed  for 

the  authoress.     1792.     3  v.  in   i.  **T.57.4i6 

Gordon,  Frederick,  &  Co. 

Crosby  Hall.  The  ancient  city  palace  and  great  banqueting  hall:  its 
history  &  restoration.  [London.  1876.]  18,  (4)  PP-  Portraits. 
Plate.     Coats  of  arms.  **T.96.27i 

An  advertisement. 

Gore,  Catherine  Grace  Frances,  alleged  author. 

Richelieu;  or,  the  broken  heart.  An  historical  tale.  Added,  "Sketches 
from  the  footlights."  Edited  by  R.  G.  Raymond.  London.  Ray- 
mond &  Co.     T876.     (3),  iii.   106,  47  pp.  **T.97.304 

[881] 

56 


THE   PUBLIC  LIBRARY   OF  THE    CITY   OF  BOSTON 


Gould,  George. 

Corrigenda  and  explanations  of  the  text  of  Shakspere.  A  new  issue, 
showing  hundreds  of  mistakes  in  the  standard  editions  of  the 
plays.     London.     Virtue  &  Co.     1884.     48  pp.  **T.56.i6i 

Gourdoux-Daux,  J.  H. 

De  I'art  de  la  danse,  considere  dans  ses  vrais  rapports  avec  I'educa- 
tion  de  la  jeunesse;  ou  methode,  principes  et  notions  elementaires 
sur  I'art  de  la  danse  pour  la  ville.  Suivis  de  legons  sur  la  maniere 
de  se  presenter  et  de  se  conduire  dans  la  bonne  societe.  36  edition, 
augmentee.     Paris.     L'auteur.     1823.     166  pp.  **T.96.309 

Graaf,  Reinier  de. 

L'instrument   de    Moliere.     Traduction   du    traite   De    clysteribus   de 

Regnier  de  Graaf  (1668).     Paris.     Morgand  &  Fatout.     1878.     (3), 

125,   (i)   pp.     Portrait.  **T.56.i45 

Grand  mystere,  Le,  de  Jesus.     Passion  et  Resurrection.     Drame  breton 

du  moyen  age.     Avec  une  etude  sur  le  theatre  chez  les  nations 

celtiques    par    le    Vicomte    Hersart    de    La    Villemarque.      Paris. 

Didier  &  cie.     1865.     (4),  cxxxv,  263  pp.     Plate.  **T.35.20 

Grange,  Pierre  Eugene  Baste,  and  Xavier  Aymon,  Comtc  de  Montepin. 

The  Corsican  brothers.     A  dramatic  romance,  in  three  acts  and  five 

tableaux.    Adapted  from  the  romance  of  M.  Dumas,  by  E.  Grange 

et  X.  de  Montepin.   New  York.    French.    [185-?]    60  pp.    [French's 

Standard  drama.     No.  93-]  **T.37.i5 

Granie,  Pierre. 

Petite  lettre  sur  un  grand  sujet.  [Anon.]  Paris.  Martinet.  1812. 
16  pp.  **T.56.276 

Relates     to     the     accusations     of     plagiarism     in     ttijntie's     Le.s     rieux     pciilres 
[♦*T.s6.27i]. 

Gravier,  Leopold. 

L'ambition  au  theatre.  Du  role  de  la  fenime.  Paris.  Jouaust.  1873. 
32  pp.  **T.96.i39 

Green,  Charles  Frederick. 

Shakspeare's  crab  tree,  with  its  legend,  and  a  descriptive  account, 
showing  its  relation  to  the  poet's  traditional  history.  Subscriber's 
copy.     London.     Lacy.     [1862.]     50  pp.     Portrait.     Plates.     Plan. 

**T.53-i5 
Green,  Edward. 

Observations  on  the  drama,  with  a  view  to  its  more  beneficial  effects 
on  the  morals  and  manners  of  society.  2d  edition.  London. 
Cadell  &  Davies.     [1814?]     iv.  60  pp.  **T.76.ioi 

Green,  Frank  W. 

Jack  and  the  beanstalk;  or.  Harlequin  and  the  seven  champions  as 
we've  christened  'em.  [ Pantomime. 1  First  performed  at  Covent 
Garden  Theatre.  December  26,  1876.  London.  The  Theatre. 
[1878.1     3-33  pp.  **T.37.223 

Words  only. 

Green,  Henry. 

Shakespeare     and     the     emblem    writers;     an     exposition     of     their 

similarities  of  thought  and  expression.     Preceded  by  a  view  of 

emblem-literature  down  to  A.D.  1616.     London.     Triibner  &  Co. 

1870.     xvi,  571  pp.     Illus.     Portraits.     Plates.  **T.55.25 

Green  in  France. 

Songs.    &c.,    in    an    extravaganza   in    twenty-four    scenes,    and    three 

parts,  called  Green  in   France;  or,  Tom  and  Jerry's  tour!     First 

l)erformed  at  the  Adelphi  Theatre,  Strand,  Jan.  6,  1823.     London. 

Glindon.     1823.     42  pp.  **T.36.49 

Words  only. 

[882] 


BROWN    COLLECTION    OF   BOOKS    ON    THE   STAGE 


Greene,  Henry  Copley. 

Theophile.     A  miracle  play.     Boston.  Small,  Mavnanl  \:  i  ..      n-.jH. 

viii,  32  pp.     Plate.  **T.37.ii4 
Grillparzer,  Franz. 

Medea.     A   tragedy.     Translated   by  F.   W.   Thurstan   &   Sidney   A. 

Wittmann.   London.   Nisbet  &  Co.  [1879.]    vii,  (i),  122  pp.   ♦♦T.38.6 
Grinn,  The  Brothers,  pseud. 

Harlequin    Little   Dicky   Dilver  with  his   stick  of  silver;   or,   pretty 

Prince    Prettyboy   and    the    three  comical    kings.      Grand    comic 

Christmas  pantomime.     London.  Tuck  &   Co.      187 1.      18  pp. 

Words  only.     Incomplete.  **'p  ^^  227 

Grisy,  A.  de.    See  Grisy,  Romain  Ambroise  de. 
Grisy,  Romain  Ambroise  de. 

Histoire  de  la  comedie  anglaise  au  dix-septieme  sieclc  (  1  ();_'- 1707 ). 
Paris.     Didier  &  c'e.     1878.     (2),  xv,  440  pp.  **T.47.6o 

Grose,  Francis. 

A  guide  to  health,  beauty,  riches,  and  honour.  [Anon.]  2d  edition. 
London:  Printed  for  Hooper  and  Wigstead.  1796.  (3),  viii.  64  pp. 
A  collection  of  advertisements.  **T.q6  2l8 

Gueulette,  Thomas  Simon. 

Theatre  des  boulevards,  ou  recueil  de  parades.  [Anon.]  A  Mahon, 
de  I'imprimerie  de  Gilles  Langlois.     1756.    3  v.     Plate.      **T.38.24 

According   to    Georges   d'Hcylli,    the    greater   part   of    these   plays,    if    not    all    of 
them,  were  written  by  Gueulette. 

Guillemot,  Gabriel. 

Le  Boheme.  Dessins  par  Hadol.  Paris.  Le  Chevalier.  1868.  127. 
(i)   pp.     Plates.      [Physionomies  parisiennes.]  **T.99.37 

Guizot,  Frangois  Pierre  Guillaume. 

Shakspeare  and  his  times.     New  York.     Harper.     1855.     360  pp. 

**T.57.i89 
Gurney,  Richard. 

Romeo  and  Juliet  travesty.     [Anon.]     In  three  acts.    London.    Hook- 
ham.     1812.     X.  (i).  71  pp.  **T.37.i98 
Gyp,  pseud.     See  Martel  de  Janville,  Sybille  Gabrielle  Marie  Antoinette 
de  Riquetti  de  Mirabeau,  Comtesse  de. 


H 

Habitant,  Un,  du  Jura,  pseud. 

fipitre  a  M.  Palissot.  auteur  de  la  comedie  des  Philosophes,  du  poeme 
de  La  dunciade,  des  Memoires  litteraires,  &c.  Paris.  Crapelet. 
1806.     2,2  pp.  **T.96.24o 

Barbier  attributes  this  pamphlet  to  Emmanuel  Jobez ;  it  has  also  been  attributed 
to  Claude  Marie  Guyetard. 

Haenden,  E. 

Die  Biihne  oder  die  dramatische  Kunst.  Berlin.  Schroder.  1845. 
47,  (i)  PP-  **T.96.353 

Hahn,  Alban  von. 

Nach  Ober-Ammergau.  Wanderung  zum  Passionsspiel.  Leipzig. 
Spamer.     1890.     (5),  90  pp.     Ulus.     Plates.  **T.96.224 

Haines,  John  Thomas. 

The  French  spy;  or.  the  siege  of  Constantina.  A  military  drama,  in 
three  acts.  Partly  from  the  French.  Music  chiefly  by  Auber. 
Added,  the  costume  and  the  stage  business.  New  York.  French. 
[185-']  24  PP  [French's  Standard  drama.  The  acting  edition. 
No."  153.]  **T.37.i8 

[883] 


THE   PUBLIC  LIBRARY   OF   THE    CITY   OF  BOSTON 


Hales,  John  Wesley. 

Notes  and  essays  on  Shakespeare.     London.     Bell.     1884.     x,  295  pp. 

**T.57.i96 
Hall,  Henry  Thomas. 

Shaksperean  fly-leaves  and  jottings,  a  new  and  enlarged  edition. 
London.     Smith.     1871.     (7),  272  pp.  **T.57.240 

Halliwell-Phillipps,  James  Orchard. 

An  account  of  the  only  known  manuscript  of  Shakespeare's  plays, 
comprising  some  important  variations  and  corrections  in  the 
Merry  wives  of  Windsor  obtained  from  a  playhouse  copy  of  that 
play  recently  discovered.  London.  Smith.  1843.  24  pp.  **T.95.i64 
Curiosities  of  modern  Shakesperian  criticism.  London.  Smith.  1853. 
31,   (i)   pp.     Manuscript  facsimile.  **T.96.i66 

A   reply  to  criticisms  of  his  editions   of  the  Works  of   Shakespeare. 

A  few  remarks  on  the  emendation,  "Who  smothers  her  with  paint- 
ing." in  the  play  of  Cymbeline.  Discovered  by  Mr.  Collier,  in  a 
corrected  copy  of  the  second  edition  of  Shakespeare.  London. 
Smith.     1852.     15  pp.  **T.96.i65 

Halm,    F.,   pseud.      See    Muench-Bellinghausen,    Eligius    Franz    Joseph, 

Frcilierr  von. 
Hamilton,  T.  Menzies. 

The  widow  and  her  suitors:  a  play  in  five  acts.  London.  Nichols. 
1844.     109  pp.  **T.36.96 

Hamilton,  Walter,  compiler. 

Parodies  of  the  works  of  English  and  American  authors.  Vol.  6 
(part  70,  71,  73).     London.     Reeves  &  Turner.  **T.95.55 

Handel  and  Haydn  Society,  Boston. 

Act  of  incorporation  and  bye-laws.     With  the  trust  deed  creating  a 
permanent  fund,  a  complete  list  of  the  officers  and  members  of 
the  society,   from  its   formation,  and  an  abstract  from   the  cata- 
logue of  the  society's  library.     Boston.     1867.    82  pp.        **T.98.i37 
Hanley,  Sir  Edward  Bruce. 

Shakespeare's  funeral  and  other  papers.  Edinburgh.  Blackwood. 
1889.     (5),  311  pp.  **T.97.36 

Contents.  —  Shakespeare's  funeral.  —  Mr.  Dusky's  opinions  on  art.  —  Victor 
Hugo  on  the  great  French  puzzle.  —  False  coin  in  poetry.  ■ —  The  slaughters  in 
the  Soudan.  —  Mr.  Fechter's  Othello.  —  The  life  of  Lord  Lytton.  —  The  life 
and  letters  of  George  Eliot.  —  The  pictures  of  Richard  Doyle.  —  Mr.  Hayward 
and  his  letters. 

Hardinge,  George. 

Another  essence  of  Malone,  or,  the  "beauties"  of  Shakspeare's  editor. 
[Anon.  Part  i.]    London.   Becket.   1801.    (3),  127,  (i)  pp.  **T.95.209 
Hardy,  Sir  Thomas  Duffus. 

A  review  of  the  present  state  of  the  Shakespearian  controversy. 
London.  Longinan,  Green,  Longman,  &  Roberts,  i860.  (2),  75, 
(j)   pp.  **T.56.I73 

Ktlates  to  the  Collier  controversy. 

Harlequin  and  Fanc}'.     Pantomime. 

Songs,  chorusses,  &c.,  in  the  new  comic  pantomime,  called  Harlequin 
&  Fancy;  or,  the  poet's  last  shilling.  Performed  at  the  Theatre 
Royal,  Drury  Lane,  December  26,  1815.  London.  Lowndes. 
fiBis.j     19  pp.  **T.36.39 

Words  only. 

Harlequin  and  Fortunio.     Pantomime. 

The  new  pantomime  of  Harlequin  and  Fortunio;  or,  Shing-Moo  and 
Tliun  Ton;    with    a    sketch    of    the    story;    as    performed    at    the 

[884] 


BROWN    COLLECTION    OF  BOOKS    ON    THE   STAGE 


Harlequin  and  Fortunio.     Pantomime.     (Continued.) 

Theatre-Royal,  Covent-Gardcn,  December  26,  1815.  Music  by  My 
[sic]  Ware.  The  whole  arranged,  and  produced  by  Mr.  Farley. 
London.     Miller.     1815.     17  pp.  ♦♦Ti6ai 

\^'ords  only.  '•'*"* 

Harlequin  and  Number  Nip.     Pantomime. 

Songs,  duetts,  and  chorusscs,  with  a  lithographic  of  the  grand  pano- 
rama, in  the  new  comic  Christmas  pantomime,  called  Har!e(|uiii 
and  Number  Nip;  or  the  giant  mountain.  First  performed  at  the 
Theatre  Royal,  Covent  Garden,  December  26th,  1827.  London. 
Miller.     1827.     22  pp.     Plate.  **T.36.2S 

Words  only. 

Harlequin  and  the  flying  chest;  or,  Malek  and  the  Princess  Schiriuc. 
Pantomime. 
A  new  grand  comic  Christmas  pantomime,  comprising  the  songs, 
chorusses,  recitative,  and  dialogue  performed  at  the  Theatre 
Royal,  Drury  Lane,  Dec.  26,  1823.  London.  The  Theatre.  1823. 
22  pp.     Plate.  **T.36.20 

Words  only. 

Harlequin  Tom,  Tom.  the  Piper's  son.  Pope  Joan,  and  Little  Bopeep, 
or,  Old  Daddy  Long  Legs,  and  the  pig  that  went  to  market,  and 
the  pig  that  stayed  at  home.  [Pantomime.]  London.  Xowell. 
[187-?]     16  pp.  **T.37.224 

Words  only. 

Harrigan,  Edward. 

The  Mulligans.  Illustrations  by  L.  F.  A.  Lorenz.  New  York.  G. 
W.  Dillingham  Co.     1901.     viii,  7-451  pp.     Plates.  **T.87.28 

A  story  reviving  much  of  the  matter  contained  in  the  Mulligan  plays,  in  which 
Harrigan  and  Tony   Hart  acted. 

Harris,  Augustus  Glossop. 

The  little  treasure.  A  comedy,  in  two  acts.  Added,  the  costume  and 
stage  business.  New-York.  French.  [185-?]  29  pp.  [French's 
American  drama.     The  acting  edition.     No.  26.]  **T.97.3i6 

Another  copy  is  on  shelf-number  **T.37.43. 

Hasan  and  Husain. 

The  miracle  play  of  Hasan  and  Husain,  collected  from  oral  tradition 
by  Sir  Lewis  Pelly.  Revised  with  explanatory  notes  by  Arthur  N. 
Wollaston.     London.     Allen  &  Co.     1879.     2  v.  **T.34.25 

Hatton,  Joseph. 

Old  lamps  and  new:  an  after-dinner  chat.  London.  Hutchinson  & 
Co.      [1890.]      XV,  362  pp.     Portrait.     Autograph   facsimile. 

■^♦T.sy.Sg 
Hawkins,  Anthony  Hope.     (Anthony  Hope.) 

The  adventure  of  the  Lady  Ursula.     A  comedy  in  four  acts.     New 
York.     Russell.     1898.     (6),  125,  (0  pp.     IHus.     Plates.       **T.35.7 
Hawkins,  Thomas,  editor. 

The  origin  of  the  English  drama,  illustrated  in  its  various  species, 
viz.,  mystery,  morality,  tragedy,  and  comedy,  by  specimens  from 
our  earliest  writers:  with  explanatory  notes.  Oxford,  Printed  at 
the  Clarendon-Press,  for  S.  Leacroft.    London.    1773.    3  v.    Plates. 

**T.37.ia7 

Contents.  —  I.  Candlemas-Day,  or  the  killing  of  the  Children  of  Israel.  —  Every- 
man. —  Hycke-scorner.  —  Lusty  Juventus.  —  Gammer  Gurton's  needle.  — 
Cambises.     2.  The  Spanish  tragedy.— The  love  of  King  David  and  fair  Bcthsabe. 

—  SoHman  and  Perseda.  —  Ferrex  and  Porrex.     3-   Supposes.   —  Satiromastix. 

—  The  return  from  Parnassus.  —  Wily  beguiled. 

[8851 


THE  PUBLIC  LIBRARY   OF   THE    CITY   OF  BOSTON 


Hay,  John. 

Little-Breeches.  A  Pike  County  view  of  special  Providence.  [Verse.] 
Illustrated  by  J.  F.  Engel.  New  York.  Redfield.  1871.  13  pp. 
lilus.      Plate.  -  **T.96.i3 

Hazlitt,  William  Carew,  editor. 

Fairy  tales,  legends  and  romances  illustrating  Shakespeare  and  other 
earlj"-  English  writers.  To  which  are  prefixed  two  preliminary 
dissertations:  i.  On  pigmies;  2.  On  fairies.  By  Joseph  Ritson. 
London.     Kerslake.     1875.     iv,  426  pp.  **T.58.ioo 

Shakespeare  jest-books;  reprints  of  the  early  and  very  rare  jest-books 
supposed  to  have  been  used  by  Shakespeare.  Edited  with  intro- 
duction and  notes,  by  W.  Carew  Hazlitt.  fVol.  i.l  London. 
Sothern  &  Co.     1881.    xii,  162  pp.     Plate.     Facsimiles.       **T.56.24 

Contents.  —  [i.]   A  hundred  mery  talys.  —  Mery  tales  and  quicke  answeres. 

Hebbel,  Christian  Friedrich. 

Herod  and  Mariamne.  A  tragedy  in  five  acts.  Translated  by  Edith 
J.  R.  Isaacs  and  Kurt  Rahlson.  (In  Drama,  The.  1912,  no.  6,  pp. 
20-168.     Chicago.      1912.)  **T.i5.i7,2 

Preceded  by  an  account  of  the  author  by  Edith  J.  R.  Isaacs. 

Hedley,  Joseph. 

Dramas,  romantic,  historical,  and  humourous.  Series  i.  Newcastle- 
upon-Tyne.  Smith  &  Redshaw.  1855.  71  pp.  Portraits.  Auto- 
graph facsimiles.  **T.36.28 

Contents.  —  1.  Manfredi,  a  drama.  —^  TuHi)  mania,  an  interlude.  ■ —  Perkin   War- 
heck,  a  drama. 
Heijermans,  Herman,  Jr. 

The  Good  Hope.  A  drama  of  the  sea  in  four  acts.  Translated  by 
Harriet  Gampert  Higgins.  (In  Drama,  The.  1912,  no.  8,  pp. 
16-104.     Chicago.      1912.)  **T.i5.i7.2 

Preceded   by   The  plays   of  Herman    Heijermans,   by   Ashley    Dukes. 

Henderson,  Andrew. 

A  second  letter  to  Dr.  Samuel  Johnson.  In  which  his  wicked  and 
opprobious  [sic]  invectives  are  shewn;  the  conspiracy  against  Mr. 
Macklin  clear'd  up;  an  anecdote  submitted  to  David  Garrick;  with 
an  impartial  character  of  Doctor  Smollett;  and  a  method  for 
adding  to  the  British  revenue  1,000,000  sterling.  London:  Printed 
for  J.  Henderson,  and  J.  Fox.     [1775.]     24  pp.  **T.96.343 

A   defence  of   Scotland   against   the   criticism   of   Johnson   and   others. 

Henderson,  William,  printer. 

Who  wrote  Shakespeare?     "Aye,  there's  the  rub."    With  sketches  by 
Charles  Lyall.    London.    Stott.    1887.    52  pp.    Portraits.    **T. 57.209 
Hervey,  Thomas. 

A  letter  from  the  Hon.  Thomas  Hervey,  to  Sir  Thomas  Hanmer, 
Bart.  London:  Printed  for  the  author,  and  sold  by  J.  H.  I1741.I 
(3),  60  pp.  **T.57.i45 

Hervilly,  Ernest  Marie  d'. 

Cinci  anniversaires  de  Moliere.  1874 — 1875. —  1877 — 1881  —  1886. 
Comedies  en  vers.  Preface  d'Auguste  Vitu.  Paris.  Frinzinc. 
1887.     (3),  iv,  192,  (i)  pp.     Portrait.  **T.38,5 

Contents.  — •  Le  maladc  reel.  —  Le  docteur  sans  pareil.  —  Le  magister. — Poquelin 
pere  et  fils.  —  Moliere  en  prison.  --  Au  prisonnier  du  Chatelet.  —  Sonnet  a 
maistre  Adam. 

Heulhard,  Arthur.     See   Heiilhard,  Louis   Octave  Arthur. 
Heulhard,  Louis  Octave  Arthur. 

Pierre  Corneille.  1606-1684.  Ses  dernieres  annees,  sa  mort,  ses 
descendants.     Paris.     Rouam.     1884.     59  pp.     Portrait.     Plates. 


[886] 


**T.57.62 


BROWN    COLLECTION    OF   BOOKS    ON    THE   STAGE 


Higgle,  Thomas,  and  Thomas  Hailes  Lacy. 

Belphegor;  or,  the  mountebank  and  his  wife.  A  romantic  and 
domestic  drama  in  three  acts.  London.  Lacy.  [185-?]  56  pp. 
Plate.  **T.37.S5 

Adapted  from  the  French  of  Philippe  and  Tournier. 

Hill,  George  Handel.     (Yankee  Hill.) 

Dr.  Valentine  and  Yankee  Hill's  Metamorphoses.     Being  the  second 

series  of  Dr.  Valentine's  Comic  lectures,  with  characters  as  given 

by  the  late   Yankee   Hill.     New-York.     Burgess.      1850.     216  pp. 

Portraits.  .  **T98  5i 

Hill,  Isabel. 

Brian,  the  probationer:  or,  the  red  hand.  A  tragedy  in  five  acts  (in 
verse].  Affixed,  a  memoir  of  the  authoress,  by  Benson  Rarle 
Hill.     London.     Sams.     1842.     (4),  100  pp.  **T.3s.i7 

Hill,  5"^^  John. 

An  answer  to  the  many  plain  and  notorious  lyes  advanc'd  by  Mr, 
John  Rich,  harlequin;  and  contain'd  in  a  pamphlet,  which  he 
vainly  and  foolishly  calls,  An  answer  to  Mr.  Hill's  Preface  to 
Orpheus.     London:  Printed  for  J.  Clarke.     1740.     (i),  24,  (i)  pp. 

**T.96.358 
Hillhouse,  James  Abraham. 

Dramas,  discourses,  and  other  pieces.  Boston.  Little  &  Brown. 
1839.     2  V.  **T.37.i33 

Contents.  —  i.  Demetria.  —  Hadad.  —  Percy's  masque.  2.  The  judgment.  -- 
Sachem's  Wood.  — •  Discourses:  On  the  choice  of  an  era  in  epic  and  tragic 
writing;  On  the  relations  of  literature  to  a  republican  government;  On  the  life 
and   services  of  Lafayette.   —  The  hermit  of  Warkworth,  by   Bishop   Percy. 

Hippeau,  Celestin. 

Le  theatre  a  Rome.     Paris.     Cerf.     [1883.]     (3),  xiv,  233,  (i)  pp. 

**T.45.2 
Hoare,  Prince. 

Indiscretion:  a  comedy,  in  five  acts.  London:  Printed  and  published 
by  J.  Barker.     1800.     80  pp.  **T.36.93 

Hodgson,  William. 

Sketches:  personal  and  pensive.  Edinburgh.  Douglas.  [1884.]  (4). 
154,   (i)   pp.  **T.98.ro2 

Hoffmann,  Professor,  pseud.     See  Lewis,  Angelo  John. 
Hoffmann,  Francois  Benoit. 

Dialogues  critiques  ou  resume  des  discours,  discussions,  critiques, 
jugemens  ou  sottises  que  Ton  entend  chaque  jour  dans  les  loges, 
les  foyers  ou  les  coulisses  de  nos  differens  theatres.  [Anon.] 
Paris.     Dondey-Dupre.     1811.     5-243,   (i)  pp.  **T.96.275 

Relates  principally  to  French  drama. 

Fin  du  proces  des  Deux  gendres,  ou  histoire  philosophique  et  morale 
de  I'exhumation  et  de  I'apotheose  de  Conaxa.  Paris.  Barba. 
1812.     75  pp.  **T.56.273 

Etienne's    Les   deux    gendres   may   be    found   on    shelf-number   **T.5rt.27i 

Holcroft,  Thomas. 

The  road  to  ruin.-   A  comedy  in  five  acts.     With  the  stage  business, 

costumes,  etc.   New  York.    French.    [185-?]  iv,  7-79  pp.    [French's 

Standard  drama.     No.  49-]  **T.37.i9 
Holmes,  Nathaniel. 

The  authorship   of   Shakespeare.     New  York.  Hurd   &   Houghton. 

1866.    xvi,  601  pp.     Portrait.  **T.57.2i2 

The  author  maintains  that   Francis   Bacon  wrote  Shakespeare's   works. 

[887] 


THE  PUBLIC   LIBRARY   OF   THE    CITY   OF  BOSTON 


Holt,  John. 

An  attempte  to  rescue  that  aunciente,  English  poet,  and  playwrighte, 
Maister  Williaume  Shakespere,  from  the  maney  errours,  faulsely 
charged  on  him,  by  certaine  new-fangled  wittes;  and  to  let  him 
speak  for  himself.  By  a  gentleman  formerly  of  Grey's-Inn. 
London:  Printed  for  the  author,  and  sold  by  Messieurs  Manby 
and  Cox.     1749.     94  pp.  **T.96.94 

Relates  to  The  tempest. 

Home,  John. 

Agis:  a  tragedy.  [Anon.]  Edinburgh:  Printed  for  G.  Hamilton  and 
J.  Balfour.     1758.     (4).  7i,  (i)  PP-  **T.96.84 

Hope,  Anthony.    See  Hawkins,  Anthony  Hope. 
Housman,  Clemence. 

The  were-wolf.      [Fiction.]      With   illustrations   by   Laurence   Hous- 
man.    London.     Lane.     1896.     (7),  123,  (i)  pp.     Plates.     **T.87.i7 
Houssaye,  Arsene. 

Moliere,  sa  femme  et  sa  fille.  Paris.  Dentu.  1880.  (3),  viij,  176  pp. 
Illus.     Portraits.     Plates.  **T.5i.4 

Philosophers  and  actresses.  New  York.  Redfield.  1852.  2  v.  Por- 
traits. **T.57.255 

Sketches,   stories,   and   a   play,   based   chiefly   on   French   biography. 

Same.  Scenes,  vivid  and  picturesque,  from  the  hundred  Sz;  one  dramas 
of  art  &  passion.  London.  VizetellJ^.  [1852.]  vi,  225,  (i)  pp. 
Illus.     Portraits.      [Readable  books.     2.]  **T.58.70 

Howard,  Frederick,  5th  Earl  of  Carlisle. 

The  father's  revenge,  a  tragedy:  with  other  poems.  London.  Bulmer 
&  Co.     1800.     125,   (2)  pp.     Plates.  **T.32.i 

Hoyle,  Edmond. 

Hoyle's  Games,  or  card  player's  assistant;  containing  the  established 

rules  and  practice  of  whist,  loo,  all-fours,  explained  in  an  easy  and 

familiar    manner.      Philadelphia.      Fisher.      [185-?]      130-192    pp. 

Plate.  No.  3  in  **T.99.6i 

Huddilston,  John  Homer. 

The  attitude  of  the  Greek  tragedians  toward  art.  London.  Mac- 
millan  &  Co.,  Ltd.     1898.     viii,  (2),   119,   (i)   pp.  **T.47.97 

Hugo,  Victor  Marie,  Comte. 

Lucretia  Borgia.    A  drama.    In  three  acts.    Adapted  from  the  French 

by  J.  M.  Weston.     With  remarks,  costumes,  and  stage  business. 

Boston.     Spencer.      [185-?]      60  pp.      [Spencer's    Boston   theatre. 

New  series.     No.  35.]  **T.37.50 

Hull,  Thomas. 

Moral  tales  in  verse,  founded  on  real  events.     London:  Printed  for, 

and  under  the  direction   of,   George   Cawthorn.      1797.     2  v.   in    i. 

Portrait.  **T.56.i89 

Humbug:  a  look  at  some  popular  impositions.     New  York.     French  & 

Co.     i860.     96  pp.     Illus.  **T.97.289 

Hume,  Robert  William. 

Meroth,  or  "the  sacrifice  to  the  Nile."  A  tragedy.  London.  Hume. 
1850.     43  pp.  **T.35.9 

The  scene  is  laid  at  Memphis  in  404  B.C. 

Hunt,  James  Henry  Leigh. 

l.iographical  and  critical  notes  of  Wycherley,  Congreve,  Vanbrugh, 
and  Farquhar.     [London.     1840?]     ix-ci  pp.  **T.55.47 

Cut  from  his  edition  of  The  dramatic  works  of  Wycherley,  Congreve,  Vanbrugh, 
and  Farquhar.     There  is  no  title-page. 

[888] 


BROWN    COLLECTION    OF   BOOKS    ON    THE   STAGE 


Ibef,  pseud. 

Othello-travestie:  in  three  acts.  With  burlesque  notes  in  the  maiuicr 
of  the  most  celebrated  commentators;  and  other  curious  ap- 
pendices.    London.     Stockdale.     1813.    88  pp.  **T.37.i67 

Contains  also  A  sonnet  and   Bonaparte's  visit   to  his  heir. 

Ibsen,  Henrik  Johan. 

John  Gabriel  Borkman.  A  play  in  four  acts.  Translated  from  the 
Norwegian  by  William  Archer.  London.  Heinemann.  1897.  x, 
202  pp.  **T.37.i38 

Ignotus,  pscnd.    See  Chater,  John. 
Ingleby,  Clement  Mansfield. 

The  Shakspeare  fabrications,  or,  the  MS.  notes  of  the  Perkins  folio 
shown  to  be  of  recent  origin.  With  an  appendix  on  the  authorship 
of  the  Ireland  forgeries.  London.  Smith.  1859.  xxviii,  116  pp. 
Facsimile.  **T.58.46 

Shakespeare's  bones.  The  proposal  to  disinter  them,  considered  in 
relation  to  their  possible  bearing  on  his  portraiture:  illustrated 
by  instances  of  visits  of  the  living  to  the  dead.  London.  Triibner 
&  Co.     1883.     (7),  48  pp.     Portrait.  **T.56.7i 

Bibliography,    pp.    41-48. 

The  still  lion.  An  essay  towards  the  restoration  of  Shakespeare's 
text.    London.    Triibner  &  Co.    1874.    (2),  xii,  139,  (i)  pp.    **T.97.97 

Reprinted    with    additions,     from    the    second    annual    volume    of    the    fierman 
Shakespeare  Society. 

Ireland,  Samuel  William  Henry. 

The  confessions  of  William-Henry  Ireland.  Containing  the  particu- 
lars of  his  fabrication  of  the  Shakespeare  manuscripts.  With 
anecdotes  and  opinions  (hitherto  unpublished)  of  many  distin- 
guished persons.  London.  Goddard,  1805.  (7).  3^7j  (i?)  PP- 
Plate.     Autograph  facsimiles.  **T.57.25i 

Ironies,  Les,  d'un  joueur  de  luth.     Caprices  humoristiques  en  I'an  18—. 
Paris.  Lacroix,  Verboeckhoven  &  ce.  1869.  (3),  478,  (i)  pp.  **T.96.i 

Irving,  Washington. 

Rip  Van  Winkle.    Illustrated  by  Frank  T.  Merrill.    Boston.    Cassino. 

1888.  49  pp.   lUus.    Portrait.   Plates.   Autograph  facsimile.   **T.92.8 

Rip  Van  Winkle  and  The  legend  of  Sleepy  Hollow.     Illustrations  by 

George  H.  Boughton.   London.   Macmillan  &  Co.    1893.   xi.  218  pp. 

Illus.     Plates.     Vignettes.  **T.87.4 

It   cannot   rain   but   it   pours:    or,    London    strow'd   with    rarities.     An 
account    of    the    arrival    of   a    white    bear,    at    the    house    of    Mr. 
Ratcliff.     London:  Printed  for  J.  Roberts.     1726.     10,  (i)  pp. 
A  satire.  **T.97.IOI 

J 

Jacox,  Francis. 

Shakspeare  diversions.  Series  fi,]  2.  London.  Daldy,  Isbister.  & 
Co.     1875,  1877.     2  v.  **T.56.54 

Jadis,  Henry  Fenton. 

Shakspeariana:  a  complete  collection  of  the  books  and  pamphlets 
which  have  been  published,  relative  to  the  life,  or  illustrative  of 
the  writings,  of  Shakespeare:  In  the  possession  of  H.  Jadis.  [Lon- 
don.    1826.]     37-48  pp.  .  **T.64.5 

Cut  from  A  catalogue  of  some  books  in  the  possession  of  11.  Jadis. 

1889] 


THE   PUBLIC  LIBRARY   OF   THE    CITY   OF  BOSTON 


James,  Henry,  Jr. 

Daisy   Miller.     A   comedy   in  three   acts.      Boston.      Osgood    &    Co. 
1883:     189  pp.  **T.37.i90 

Janin,  Jules  Gabriel. 

Critique  dramatique.  Paris.  Librairie  des  bibliophiles.  1877.  4  v. 
[CEuvres  diverses.    6-9.]  **T.47.i9 

CoKtriits.  —   I.   La  comedie.     2.   La  tragedie.     3.   Le  drame.     4.  Theatre  de  genre. 

F.    Ponsard.      1814-1867.      Paris.      Librairie    des    bibliophiles.      1872. 

(4),  120  pp.    Portrait.  **T.58.i35 

Histoire  de  la  litterature  dramatique.     Paris.     Levy.     1853-58.     6  v. 

**T.47.79 
Janson,  J.  Melville. 

Encyclopedia  of  comedy  for  professional  entertainers,  social  clubs, 
comedians,  lodges  and  all  who  are  in  search  of  humorous  litera- 
ture.    Philadelphia.     McKay.      [1899.]      501   pp.     Portrait.     Auto- 
graph facsimile.  **T.95.ii4 
Jarvis,  John  William. 

The  glyptic,  or  musee  phusee  glyptic:  a  scrap  book  of  jottings  from 
Stratford-on-Avon  and  elsewhere,  with  an  attempt  at  description 
of  Henry  Jones's  museum.  London.  Smith.  1875.  in  pp. 
lUus.     Portraits.     Engraved  title-page.     Autograph  facsimile. 

'Ihc  engraved  title-page  reads:   The  musee  phusee  glyptic.  **T.97«l6l 

Jauffret,  Eugene. 

Le  theatre  revolutionnaire  (1788-1799).  Paris.  Furne,  Jouvet  & 
c'c.     1869.     vii,  431  PP-  **T.47.ii 

Jeannel,  C.  J. 

La  morale  de  Moliere.    Paris.    Thorin.    1867.    (3),  268  pp.    **T.56.i09 
Jennens,  Charles. 

The  tragedy  of  King  Lear,  as  lately  published,  vindicated  from  the 
abuse  of  the  critical  reviewers;  and  the  wonderful  genius  and 
abilities  of  those  gentlemen  for  criticism,  set  forth  by  the  editor 
of  King  Lear.  London,  Printed  by  W.  Bowyer  and  J.  Nichols; 
and  sold  by  W.  Owen.     1772.     (i),  42  pp.  **T.76.62 

Jephson,  John  Mounteney. 

Shakespere:  his  birthplace,  home,  and  grave.  A  pilgrimage  to 
Stratford-on-Avon  in  1863.  London.  Reeve  &  Co.  1864.  ix, 
(i),  203  pp.     Portraits.     Plates.  **T.56.ioo 

Jerrold,  Blanchard.    See  Jerrold,  William  Blanchard. 

Jerrold,  Douglas  William. 

Black-eyed  Susan;  or  "All  in  the  Downs."  A  nautical  and  domestic 
drama  —  in  two  acts.  With  costumes,  and  stage  business,  as 
marked  by  J.  B.  Wright.  Boston.  Spencer.  [185-?]  28  pp. 
Diagrams.     [Spencer's  Boston  theatre.     No.  ?■]  **T,37.5i 

John  Overy,  the  miser  of  the  South wark  Ferry:  a  drama,  in  three 
acts.  Printed  from  the  acted  copy,  with  remarks,  costume  and 
stage  business.     London.     Richardson.     [1828?]     42  pp.     Plate. 

**T.99.8 

The  rent-day.     A  domestic  drama.     In  three  acts.     With  the  stage 

business,    costumes,    &c.      As    performed    by    James    Wallack    at 

Drury  Lane.     New   York.     French.      [185-?]      48  pp.      [French's 

Standard  drama.     No.  28.]  **T.37.2o 

Jerrold,  W^illiam  Blanchard. 

The  life  and  remains  of  Douglas  Jerrold.  Boston.  Ticknor  &  Fields. 
1859.    xvi,  450  pp.     Portrait.  **T.57.239 

[890] 


BROWN    COLLECTION    OF   BOOKS    ON    THE   STAGE 


Johnson,  Ben,  pseud. 

Ben  Johnson's  Last  legacy  to  the  sons  of  wit,  mirth,  and  jollytry 
Added,  A  drunken  oration,  as  it  was  performed  by  Mr.  Shiitcr,  in 
the  character  of  Hipsley's  drunken  man.  2d  edition.  L(jndon: 
Printed  for  Edward  Robinson,  and  sold  by  A.  and  C.  Corbctt. 
1756.     (i),  46  pp.  **T.96.22o 

Johnson,  H.  T. 

Pickings  from  the  pantomimes.  Pictures.  With  reading  by  H.  T. 
Johnson.     [London.]     "Judy"  office.     1882.    20  pp.     Illus.     Plates. 

**T.95.95 
Johnson,  Thomas,  alleged  author. 

The  tryal  of  Colley  Gibber,  comedian,  &c.  for  writing  a  book  intitled 
An  apology  for  his  life,  &c.  With  an  indictment  against  Alexander 
Pope  for  not  exerting  his  talents  at  this  juncture:  and  the  arraign- 
ment of  George  Cheyne  for  the  heresies,  uttered  in  his  last  book 
on  regimen.  London:  Printed  for  the  author;  and  sold  by  W. 
Lewis.      1740.     viii,  40  pp.  **T.97.5i 

The  prefatory  letter  is  signed  T.  Johnson.     Gushing  considers  this  to  be  Thomas 
Johnson,  but  with  a  query. 

Joliet,  Charles. 

Moliere.     Stances  dites  a  la  Comedie-frangaise  par  Mesdames  Sarah- 

Bernhardt  et  Lloyd  le  15  Janvier  1879,  a  I'occasion  du  257e  anni- 

versaire   de  la  naissance   de    Moliere.     Paris.     Ollendorff.     1879. 

8  pp.  **T.97.i26 

Jones,  George,  the  Count  Johannes. 

The  first  annual  jubilee  oration  upon  the  life,  character,  and  genius 
of  Shakspeare.  Delivered  at  Stratford-upon-Avon,  April  23rd, 
1836.  Before  the  Royal  Shakspearian  Club.  3d  edition.  London. 
Churton.    1836.    52  pp.  **T.57.422 

Tecumseh  and  the  prophet  of  the  West,  an  historical  Israel-Indian 
tragedy,  in  five  acts.  With  historical  notes;  original  letters,  &c. 
2d  edition.  The  life  and  history  of  General  Harrison.  With 
original  letters,  &c.  2d  edition.  And  the  first  oration  upon  the 
life,  character,  and  genius  of  Shakspeare.  5th  edition.  London. 
Longman,   Brown,   Green,   &  Longmans.      [1844.]      (22),   242  pp. 

**T.96.82 
Jones,  Henry  Arthur. 

"Much  plainer  words  to  an  'Englishman.'"  To  the  editor  of  the  Daily 
Mail.     [London.     Chiswick  Press.     1914.]     6,  (i)  pp.        **T.46.59 
Jones,  Jacob. 

The  stepmother:  a  tragedy.  In  five  acts.  London.  Hurst.  Chance 
&  Co.     1829.     (4),  54  pp.  **T.36.95 

Jones,  John. 

Hints  to  servants:  being  a  poetical  and  modernised  version  of  Dean 
Swift's  celebrated  "Directions  to  servants";  in  which  something 
is  added  to  the  original  text,  but  those  passages  are  omitted  which 
cannot  with  propriety  be  read  aloud  in  a  kitchen.  By  An  upper 
servant  [pseud.].  Illustrated  by  Kenny  Meadows.  London. 
Wilson.     1843.     76  pp.     Illus.     Plates.  **T.98.47 

Jones,  Joseph  Stevens. 

Eugene  Aram  —  a  serious  drama  —  in  3  acts.  Manuscript.  [Bos- 
ton.     184-?]       (106)    pp.  **T.32.3 

Jones,  Richard. 

The  green  man:  a  comedy,  in  three  acts.  From  the  French  of 
D'Aubigny  et  Poujol.     London.     Fearman.     1818.     (6),  78  pp. 

**T.36.94 
[891] 


THE  PUBLIC   LIBRARY   OF   THE    CITY   OF  BOSTON 


Jones,  Stephen. 

Hypercriticism  exposed:  in  a  letter  addressed  to  the  readers  of  "The 
Quarterly  Review,"  respecting  an  article  in  the  xivth  number 
of  that  publication,  professing  to  be  an  examen  of  Stephen  Jones's 
edition  of  the  "Biographia  dramatica."  By  a  friend  to  candour 
and  truth.     London.    Murray.     1812.    43,  (i)  pp.  **T.96.i54 

Jonson,  Ben. 

Every  man  in  his  humour.  A  comedy;  (altered  from  Ben  Jonson,; 
by  David  Garrick.    [London.   1826.]    20  pp.    [The  London  stage.   3.] 

There  is  no  title-page.  **T.96.288 

Jordan,  Carl  Friedrich. 

Die    moderne    Biihne    und    die    Sittlichkeit.      2.    Auflage.       Berlin. 

Rehtwisch   &  Seeler.     1891.     63  pp.  **T.75.27 

Jordan's  Elixir  of  life,  and  cure  for  the  spleen;  or,  a  collection  of  all  the 

songs  sung  by  Mrs.  Jordan,  since  her  first  appearance  in  London. 

With  many  other  favourite  songs,  sung  by  her.   Prefixed,  authentic 

memoirs  of  Mrs.  Jordan.     London.     [1789.]     68  pp.  **T.96.io 

Joueuse,  Une,  pseud. 

Les  joueuses  —  Paris,   Bade,  Ems,  Hombourg  et  Monaco.     Dessins 

par   Morin.     Paris.     Le   Chevalier.      1868.      121,    (i)    pp.      Plates. 

[Physionomies  parisiennes.]  **T.99.36 

Jouin,  Ernest. 

La    Nativite.     Pastorale   en    trois    parties.     Texte    appuye    de    com- 

mentaires  tires  de  I'fivangile,  de  I'histoire  et  de  la  legende.     Paris. 

Guillonneau.     1893.     (8),   104  pp.     Plates.  **T.36.5 

Jubilee  masquerade  balls,  at  Ranelagh   Gardens,  a  bad  return   for  the 

merciful  deliverance  from  the  late  earthquakes.     London:  Printed 

for  W.  Owen.     1750.     22  pp.  **T.96.46 

Jubinal,  Achille.     See  Jubinal,  Michel  Louis  Achille. 
Jubinal,  Michel  Louis  Achille,  editor. 

Mysteres  inedits  du  quinzieme  siecle.     Paris.     Techener.     1837.     2  v. 

Facsimiles.  **T.36.i4 

Contents.  —  I.  Introduction.  —  Le  mystere  de  Saint  fetienne.  —  La  conversion 
de  Saint  Paul.  —  La  conversion  de  Saint  Denis.  — •  La  conversion  de  Saint 
Pierre  et  Saint  Paul.  —  Le  martyre  de  Saint  Denis  et  de  ses  compagnons.  — 
Les  miracles  de  Sainte  Genevieve.  —  La  vie  de  Saint  Fiacre.  2.  La  nativite  de 
Jhesucrist.  —  Le  geu  des  trois  rois.  —  La  passion  de  notre  Seigneur.  —  La 
resurrection  de  notre   Seigneur. 

Jusserand,  Jean  Adrien  Antoine  Jules. 

The  English  novel  in  the  time  of  Shakespeare.  Translated  from  the 
French  by  Elizabeth  Lee.  Revised  and  enlarged  by  the  author. 
New  impression.  London.  Unwin.  1899.  (4),  433,  (i)  pp.  Illus. 
Portraits.     Plates.  **T.97.i92 

Le  theatre  en  Angleterre  depuis  la  Conquete  jusqu'  aux  predeces- 
seurs  immediats  de  Shakespeare.  Paris.  Hachette  &  cie.  1878. 
(7),  322,   (i)   pp.  **T.46.5i 

Jusserand,  Jules.    See  Jusserand,  Jean  Adrien  Antoine  Jules. 

Jussieu,  Alexis  de. 

Comment  on  fait  des  revolutions.     Paris.     1827.     38  pp.  **T.97.9 

A  protest  again.st  the  censorship  of  the  press  in  France. 

Justice,  pseud. 

A  few  plain  facts  concerning  the  plagiarisms  by  Edmond  Rostand 
in  the  play  Cyrano  de  Bergerac,  with  a  reference  to  the  plagiar- 
isms in  L'Aiglon  and  Chantecler  from  the  original  drama  of  the 
Merchant  prince  of  Cornville  by  Captain  Samuel  ICbcrly  Gross  of 
America.     [Chicago?     Rand,  McNally  &  Co.?]      1910.     xxxv  pp. 

**T.47.ii2 
[892] 


BROWN    COLLECTION    OF   BOOKS    ON    THE   STAGE 


Kafka,  Johann. 

Catalogue  d'une  precieuse  collection  dc  inusiquc,  manuscrits  origi- 

naux  et  lettres  autographes,  etc.   des   plus  grands   compositeurs 

du   xviiie  et   du   xixc  siecle.     Provenant   du   cabinet    dc   Johann 

Kafka.     Paris.     Charavay.     1881.     24  pp.  **T.65.i7 

Keese,  William  Linn. 

John    Keese,    wit    and    litterateur.      A    biographical    memoir.      .\'cw 
York.     Appleton  &  Co.     1883.    96  pp.     Portrait.     Autograph  fac- 
simile. **T.56.i40 
Kelly,  Hugh. 

Works.     Prefixed,  the  life  of  the  author.     London:  Printed  for  the 
author's  widow,  and  sold  by  T.  Cadell.     1778.     xix,  492  pp.     Por- 
trait. **T.34.4 
Kemble,  Frances  Anne. 

Far  away  and  long  ago.     [Novel.]      London.     Bentley.     18R9.     C5), 

314  pp.  **T.8746 

Further  records.     1848-1883.     A  series  of  letters  forming  a  sequel 

to    Record    of   a    girlhood    and    Records    of   later    life.      London. 

Bentley.     1890.    2  v.     Portraits.  **T.S7.179 

Records  of  later  life.     New  York.     Holt  &  Co.     1882.     (2).  676  pp. 

**T.56.282 
Kemble,  John  Philip. 

Fugitive  pieces.  York:  Printed  by  W.  Blanchard  and  Co.  for  the 
author,  and  sold  by  Fielding  and  Walker,  London.  1780.  iii-vii, 
44  PP-  **T.97.i24 

Macbeth,  and  King  Richard  the  Third:  an  essay,  in  answer  to 
Remarks  on  some  of  the  characters  of  Shakspeare.  London. 
Murray.     1817.     ix,  (i),  171,  (i)  pp.  **T.97.54 

Kenealy,  Edward  Vaughan  Hyde. 

A  new  pantomime.  [A  poem.]  New  edition.  London.  Reeves  & 
Turner.     1865.     (8),  570  pp.  **T.37.i86 

Kenilworth.  A  melo-drama.  With  prefatory  remarks,  the  stage  busi- 
ness, and  stage  directions  by  W.  Oxberry.  London.  Simpkin  & 
Marshall.  1824.  iv,  (2),  61  pp.  Portrait.  [The  new  English 
drama.]  **T.36.63 

.\   dramatization   of   Scott's  novel   of  the   same  title.      Another  copy   is  on   shelf- 
number  No.  2  in  **T.37.i.i9. 

Kenney,  James. 

Ella  Rosenberg,  a  grand  melo  drama,  in  two  acts.  Written  by  Mr. 
Kenny   [sic].     London.     Scales.     [1807?]     26  pp.     Colored  plate. 

The  story  of  the  play  only.  **T.g7.2o6 

Kenney,  James,  and  Alfred  Bunn. 

A  good-looking  fellow:  a  farce,  in  one  act.  London.  Miller.  1834. 
3-37  pp.  _  **T.36.66 

Kergaradec,  Jean  Alexandre  Le  Jumeau,  Viicomte  de. 

Notice  sur  le  professeur  Laennec.     [Paris?]     1826.    26  pp.    **T.97.i6 

Key,  A,  to  the  drama;  or,  memoirs,  intrigues,  and  atchievements  of 
personages,  who  have  been  chosen  by  the  most  celebrated  poets, 
as  the  fittest  characters  for  theatrical  representations.  [Vol.  i.] 
Containing  the  life,  character,  and  secret  history  of  Macbeth.  By 
a  gentleman,  no  professed  author,  but  a  lover  of  history,  and  of 
the  theatre.  London:  Printed  for  the  author,  by  J.  Browne.  1768. 
(6),  iii,  237  pp.  **T.57.85 

No  more  was  published. 

[893] 


THE  PUBLIC  LIBRARY   OF   THE    CITY   OF  BOSTON 


Kilts  and  philibegs!!  The  northern  excursion  of  Geordie,  Emperor  of 
Gotham:  and  Sir  Willie  Curthis,  the  court  buffoon,  &c.  A 
burlesque    gallimaufry.      London.      Fairburn.      [1822?]      3-37    pp. 

**T.36.46 

A  satire  on  George  TV's  visit  to  Scotland  in  1822,  accompanied  by  Sir  William 
Curtis. 

Kind,  Johann  Friedrich. 

Der  Freischiitz:  a  romantic  opera,  in  three  acts.  4th  edition.  [Trans- 
lated] By  George  Soane.  London.  Simpkin  &  Marshall.  1825. 
48  pp.  **T.96.2o6 

I.ibrctto  only,  in  English. 

King,  Thomas. 

Tom  King's  New  book  of  oddities,  or  a  precious  droll  selection  of 
devilish  comical  things,  and  hurnourous  odd  orations.     2d  edition. 
London:  Printed  for  R.  Rusted.    [18 — ?]    40  pp.    Plate.    **T.96.222 
Kingston,  William  Beatty-,  and  others. 

Homes  of  the  passing  show.  Sketches  written  by  Beatty-  Kingston, 
Robert  Hichens  and  others.  Illustrations  by  J.  McNeill  Whistler. 
Joseph  Pennell,  Dudley  Hardy,  and  others.  London.  The  Savoy 
Press.     1900.    104  pp.    Illus.    Plates.  **T.96.i38 

Many  of  the  illustrations  and  plates  are  colored.  Published  as  an  advertise- 
ment of  Claridge's  Hotel  and  the  Savoy,  London. 

Kinnear,  Benjamin  Gott. 

Cruces  Shakespearian^.  Difficult  passages  in  the  works  of  Shake- 
speare. The  text  of  the  folios  and  quartos  collated  with  the  lec- 
tions of  recent  editions  and  the  old  commentators.  With  original 
emendations  and  notes.     London.     Bell.     1883.      (7),  507  pp. 

**T.57.i49 
Klaar,  Alfred. 

Das  moderne  Drama,  dargestellt  in  seinen  Richtungen  und  Haupt- 
vertretern.  Abteilung  1-3.  Leipzig.  Freytag.  1883,  84.  3  v. 
Portraits.     Autograph   facsimiles.  **T.47.75 

Contents.  —  i.  Geschichte  des  modernen  Dramas  in  Umrissen.  2.  Deutsche 
Hiihnendichter  der  Gegenwart.     3.  Fremde  Dramatiker  auf  der  deutschen   Eiihne. 

Klinger,  Friedrich  Maximilian  von. 

Faustus:  his  life,  death,  and  descent  into  hell.  [Anon.]  Translated 
from  the  German.  London.  Simpkin  &  Marshall.  1825.  xii,  251  pp. 
Colored  plate.  **T.98.40 

Translated  by  George  Borrow. 

Knight,  George. 

Sapphira  of  the  Stage:  how  Sebastian  Goss,  being  dumb,  yet  made 
love  to  her,  and  what  befell.  London.  Jarrold.  1896.  148.  (i)  pp. 
[The  daffodil  library.]  **T.87.82 

Knights,  Mark. 

Shakespeare's  'Hamlet'  interpreted:  an  exegesis  of  the  first  edition 
of  the  tragedy  of  1603,  and  of  actus  primus  (the  prologue)  of  the 
first  folio  edition  of  1623.     London.    Jarrold.     [1893.]     xii,  136  po. 

**T.57.258 
Knortz,  Carl. 

An  American  Shakespeare-bibliography.  Boston.  Schoenhof  & 
Moeller.      [1876.]      (2),   16  pp.  **T.97.242 

Knowles,  James  Sheridan. 

Dramatic  works.  London.  Routledge  &  Co.  1856.  2  v.  Portrait.  **T.37.5 

Contetits.  —  I.  Caius  Gracchus.  —  Virginius.  —  William  Tell. — Alfred  the  Great. 
—  The  hunchback.  —  The  wife.  —  The  beggar  of  Bethnal  Green. — The  daughter. 
2.  The  love-chase.  —  Woman's  wit.  —  The  maid  of  Mariendorpt.  —  Love.  — 
John  of  Prooid.T    —  fMr]  maids.  —  The  Rose  of  Aragon.  —  The  secretary. 


[894] 


BROWN    COLLECTION    OF   BOOKS    ON    THE   STAGE 


Knowles,  James  Sheridan.     (Continued.) 

The  hunchback.  A  play,  in  five  acts.  5th  edition.  London.  Moxon 
1832.    viii,  (i),  118  pp.  **T,36.89 

Same.  With  the  author's  latest  corrections,  stage  business,  costumes. 
&c.  The  only  unmutilated  edition.  New  York.  French.  I185-?]' 
V,  (i),  9-82  pp.     [French's  Standard  drama.     No.  15.]       **T.37.78 

The  love-chase.  A  comedy  in  five  acts.  With  the  stage  busintss, 
costumes,  &c.  New-York.  Taylor  &  Co.  [184-?]  67  pp! 
[Modern  standard  drama.     No.  22.]  ♦♦T.97.314 

Virginius.  A  tragedy  in  five  acts.  With  the  stage  business, 
costumes,  &c.  New-York.  Taylor  &  Co.  [184-?]  72  pp! 
[Modern   standard   drama.     No.  25.]  **T.37.79 

The  wife:  a  tale  of  Mantua.  A  play,  in  five  acts.  With  the  .stage 
directions,  marked  and  corrected  by  J.  B.  Addis,  prompter.  New 
York.    French.    [185-?]    68  pp.    [French's  Standard  drama.    No.  s-l 

**T.37!8o 

William  Tell.  A  play  in  three  acts.  As  acted  by  Mr.  Forrest.  With 
the  stage  business,  costumes.  &c.  New  York.  French.  [185-?] 
50  pp.     [French's  Standard  drama.     No.  39.]  **T.37.8r 

Knox,  Vicesimus. 

A   narrative   of  transactions   relative   to   a   sermon,   preached    in   the 

Parish  Church  of  Brighton,  August  18,  1793:  with  short  extracts 

from  the  sermon,  and  occasional  remarks.     London:  Printed  for 

C.  Dilly.     1793.     xlii,  132  pp.  **T.96.42 

Konewka,  Paul. 

Illustrations  to  Goethe's  Faust.  The  English  text  from  Bayard 
Taylor's  translation.     Boston.     Roberts.     1883.     (3)  pp.     12  plates. 

**T.55.23 
Kotzebue,  August  Friedrich  Ferdinand  von. 

Pizarro:  a  play  in  five  acts.  Altered  from  Kotzebue  by  R.  B.  Sheridan. 
With  the  stage  business,  costumes,  &c.  New  York.  French. 
[185-?]      V,    (i),   9-59  pp.      [French's   Standard   drama.      No.   21.] 

**T.37.io4 

The  stranger.  A  play  in  five  acts.  With  stage  directions,  and 
costumes,  marked  and  corrected  by  J.  B.  Addis,  prompter.  New- 
York.  French.  [185-?]  59  pp.  [French's  Standard  drama. 
No.  9.]  **T.37.2i 

Lacour,  Leopold. 

Gaulois  et  Parisiens.  Paris.  Levy.  1883.  (5),  325,  (i)  pp.  [Biblio- 
theque  contemporaine.]  **T.47.2o 

Contents.  ■ —  Le  theatre  et  la  verite.  • —  Le  theatre  de  M.   Labiche.  —  Mcilhac  et 
Halevy.  —  Le  theatre  de  M.  Gondinet. 
Trois  theatres.     Paris.     Levy.     r88o.     (3),  iv,  306,  (i)  pp.      **T.47.78 

Contents.  —  Le  theatre  de  M.  Augier.  —  Le  theatre  de  M.  Alexandre  Dumas  fils. 
—  Le  theatre  de  M.  Sardou. 

Lacretelle,  Jean  Charles  Dominique  de. 

£loge  de  Florian,  prononce  a  la  seance  publique  de  I'lnstitut  du  10 
septembre  1812.     Paris.     Didot.     1812.     32  pp.  **T.96.278 

Lacroix,  Albert  Jean  Baptiste  Marie. 

Histoire  de  I'influence  de  Shakspeare  sur  le  theatre  frangais  jusqu'a 
nos  jours.     Bruxelles.     Lesigne.     1856.     (3),  xxvi,  359  pp.    **T.44.2 
Lacroix,  Louis  Paul  Benoit  Philippe. 

Iconographie  molieresque.  2e  edition,  augmentee.  Paris.  Fon- 
taine.    1876.     (3),  xliii,  392  pp.     Portrait.  **T.56.i02 

[895] 


THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 


Lafoscade,  Leon. 

Le  theatre  d' Alfred  de  Musset.  Paris.  Hachette  &  c'e.  1901.  viii, 
428  pp.  **T.57.230 

Laglaize,  Jean  Baptiste. 

Pantins  et  marionnettes.  Paris.  Marpon  &  Flammarion.  [1884.] 
(3),  326,  (I)  pp.     Illus.  **T.97.266 

Contents.  —  La  comedie  du  theatre.  Une  agence  theatrale.  —  La  comtdie  de 
la  guerre.  Une  farce  sinistre.  —  La  comedie  de  societe.  Les  cabotins  du  high 
life.  — ■  Rogatons:  La  curee' celeste :  Monsieur  Vantour;  Une  innovation:  Sacri- 
lege et  cannibalisme;  Un  fabricant  d'ancetres ;  Un  scandale ;  Nouvelle  decou- 
verte  medicale;  Le  club  des  vieux ;  Une  fumisterie;  Les  brigands  de  I'Olympe; 
Un  heros  inconnu. 
Chiefly  short  dramatic  sketches. 

Lahalle,  Pierre,  and  others. 

Chronique  indiscrete  du  dix-neuvieme  siecle.  Esquisses  contem- 
poraines,  extraites  de  la  correspondance  du  Prince  de  ***.  [Par 
Pierre  Lahalle,  J.  B.  J.  L  P.  Regnault-Warin  and  J.  B.  B.  de 
Roquefort.]     Paris.     1825.     (3),  vj,  416  pp.  **T.96.i97 

Principally  notes  about  various  Frenchmen. 

La  Harpe,  Jean  Frangois  de. 

Moliere  a  la  nouvelle  salle,  ou,  les  audiences  de  Thalie,  comedie. 
[Anon.     Paris.     1782.]     (2),  58  pp.  **T.56.i84 

Lake,  John. 

The  House  of  Morville;  or,  disinherited  son:  a  drama  in  five  acts. 
With  a  brief  sketch  of  the  author's  life,  by  James  Grant  Raymond. 
2d  edition.     London.     Chappie.     1812.     x,  3-120  pp.  **T.56.29i 

Lallement,  Guillaume. 

Le  petit  roman  d'une  grande  histoire,  ou  vingt  ans  d'une  plume. 
[Anon.]     Paris.     Eymery.     1814.     48  pp.  **T.96.245 

An  attack  on  Napoleon  I. 
Lally-ToUendal,  Trophime  Gerard. 

Examen  des  observations  publiees  a  Paris,  le  4  mars  [i.e.  avril]  1815. 
sur  la  Declaration  du  Congres  de  Vienne,  du  13  mars.  [Anon.] 
Paris.     1815.     (i),  38  pp.  **T.97.8 

The  half-title  is  used.  The  title-page  reads:  Extrait  du  Journal  universel  de 
Gand  .  .  . 

Lamartine,  Alphonse  Marie  Louis  de  Prat  de. 

Discours  prononce  a  la  Chambre  des  deputes,  le  27  Janvier  1843.  2^ 
edition,  revue.     Paris.     Pagnerre.     1843.     32  pp.  **T.99.5i 

Relates  to  French  politics. 
Lancaster,  Henry  Carrington. 

Pierre  Du  Ryer,  dramatist.  Washington,  D.  C.  1912.  v,  (i),  182  pp. 
Plate.  [Carnegie  Institution  of  Washington.  Publications.  No. 
171-]  **T.54.32 

Lancaster,  Nathaniel. 

The  pretty  gentleman:  or,  softness  of  manners  vindicated  from  the 
false  ridicule  exhibited  under  the  character  of  William  Fribble, 
Esq;   [Anon.].     London:  Printed  for  M.  Cooper.     1747.     36  pp. 

**T.57.28 

A  pretended  reply  to  Garrick's  Miss  in  her  teens,  but  in  reality  a  satire  on  the 
softness  of  manners  which  (larrick  was  ridiculing.  The  preface  is  signed, 
Philautus. 

Lancival,  J.    Ch.   J.    Luce    de.      See    Luce    de    Lancival,   Jean    Charles 

Julien. 
Lang,  Andrew. 

James  VI  and  the  Gowrie  mystery.  London.  Longmans,  Green,  & 
Co.  1902.  xiv,  280  pp.  Portraits.  Plates.  Plans.  Manuscript 
facsimiles.  **T.95.29 

[896] 


BROWN   COLLECTION    OF   BOOKS    ON    THE   STAGE 


Lang,  Andrew.     (Continued.) 

The  valet's  tragedy  and  other  studies.  London.  LonKmans.  Green 
&  Co.  1903.  X,  (3),  366  pp.  Portrait.  Plate.  Plan  **T  05 10 
Contcts  -  The  valet's  tragedy.  _  The  valet's  master.  -  The  mystery  of  Sir 
Edmund  Berry  Godfrey.  —  The  false  Jeanne  d'.Arc.  —  Junius  and  Lord  Lyltcl- 
ton  s  ghost.  —  The  mystery  of  Amy  Robsart.  —  The  voices  of  Jeanne  d'Arc  — 
The  mystery  of  James  de  la  Cloche.  —  The  truth  about  'Fisher's  ('.host  '  —  The 
mystery  of  Lord  Bateman.  —  The  queen's  Marie.  —  The  Shakcsi.careRacon 
imbroglio. 

Lanson,  Achille  Alexandre  Gustave  Marie. 

Nivelle  de  La  Chaussee  et  la  comedie  larmoyante.  Paris.  Hachcttc 
&  cie.     1887.     (3),  295,  (i)  pp.  **T.55.ii9 

Lanson,  G.     See  Lanson,  Achille  Alexandre  Gustave  Marie. 
Lapommeraye,  Henri  de.     See  Lapommeraye,  Pierre  Henri  Victor  I'.er- 

dalle  de. 
Lapommeraye,  Pierre  Henri  Victor  Berdalle  de. 

Les  amours  de  Moliere.    Paris.     Librairie  des  bibliophiles.     1873.    .46, 

(0  PP-  **f.98.49 

Moliere  et  Bossuet.    Reponse  a  M.  Louis  Veuillot.    2e  edition.    Paris. 

Ollendorff.     1877.     I73,  (0  PP.  **T.57.22 

Last  sweet  thing,  Ye,  in  corners:  being  ye  faithful  drama  of  ye  artists' 

vendetta.      Philadelphia.      Duncan    &    Hall.      [1880.]      66   pp. 

**T.95.33 
La  Thuillerie,  Jean  Frangois  Juvenon,  Sieur  de.     See  La  Tuillerie,  Jean 

Francois  Juvenon,  Sicur  de. 
Latimer,  Mary  Elizabeth  Wormeley. 

Familiar  talks  on  some  of  Shakspeare's  comedies.  Boston.  Roberts. 
1886.    viii,  (i),  445  pp.  **T.57.3o6 

Contents.  —  The  winter's  tale.  —  The  tempest.  —  Midsummer  night's  dream.  — 
Taming  of  the  shrew.  — ■  Much  ado  about  nothing.  —  As  you  like  it.  —  Twelfth 
night.  —  The  merchant  of  Venice.  —  Cymbeline. 

Latouche,  Henri  de,  pseud.     See  Thabaud,  Hyacinthe  Joseph  Alexandre. 
Latter,  Mary. 

A  miscellaneous  poetical  essay;  in  three  parts.  Part  i:  Authors  con- 
sidered: Pope,  Swift,  Milton,  Dryden,  Butler.  &c.  Part  11:  Con- 
tent, a  vision.  Part  iii:  The  vision  continued;  Contemplation. 
London.     Printed  for  W.   Sandby.     1761.     (8),   ii,   56  pp. 

**T.97.347 
La  Tuillerie,  Jean  Frangois  Juvenon,  Sieur  de. 

Theatre  de  La  Thuillerie.  Nouvelle  edition,  revue.  A  Amsterdam. 
Chez  Pierre  Marteau.     1745.     (3),  281  pp.  **T.38.i3 

Contents.    —    Crispin    precepteur,    comedie.    —    Soliman,    tragedie.    —    Llercule, 
tragedie.  —  Crispin  belesprit,  comedie. 
Laville,  Pierre  de,  Sieur  de  Dombasle. 

Discours  sommaire  de  ce  qui  est  arrive  en  Moscovie  depuis  le  regne 
de  Juan  Vassilyvich  Empereur,  jusques  a  VasSily  Juavouits 
Sousky,-  161  r.  Suivi  d'une  lettre  du  Tzar  Michel  au  Sultan 
Achmet;    1613.      Paris.      Franck.      1859.     x,   59  pp. 

No.  2  in  **T.98.i30 
Lavoix,  Henri. 

Les  traducteurs  de  Shakespeare  en  musique.  Paris.  Liepmannssohn 
&  Dufour.     1869.     32  pp.  **T.95.87 

Laya,  Jean  Louis. 

fipitre  a  un  jeune  cultivateur  nouvellement  elu  depute.^  Les  derniers 
momens  de  la  presidente  de  Tourvel,  heroide.  A  Paris,  chez 
Louis.     An  vii   [1798/99]-     24  pp.  **T.97.i49 

Another  copy  is  on  shelf-number  **T.97.i46. 

[897] 

57 


THE   PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 


Laya,  Jean  Louis.     (Continued.) 

Eusebe,  heroide.  Paris.  Imprimerie  de  I'Institution  des  sourds- 
muets.     1807.     23  pp.  **T.96.243 

Same.     Nouvelle  edition.     1808.  **T.96.25i 

Lazerges,  Jean  Raimond  Hippolyte. 

Beaux-arts.     Questions  du  jour:  Des  associations  artistiques.     Paris. 

Leclere.     1868.     (3),  vii,  31  pp.  **T.98.20 

Lea's  British  drama  and  theatrical  portrait  gallery.     Vol.  i,  2.     London. 

Lea.     [1859?]     2  V.  in   i.     Portraits.  **T.37.i35 

Confcnts.  —  I.  The  stranger.  By  A.  von  Kotzebue.  —  Guy  Mannering.  Adapted 
from  Sir  Walter  Scott.  —  Venice  preserved.  By  Thomas  Otway.  —  John  Bull. 
By  George  Colman,  the  Younger.  —  The  wheel  of  fortune.  By  Richard  Cumber- 
land. —  A  new  way  to  pay  old  debts.  By  Philip  Massinger.  —  Speed  the  plough. 
By  Thomas  Morton.  —  Fortune's  frolic.  By  J.  T.  Allingham.  —  The  miller  and 
his  men.     By   I.   Pocock.  —  The  iron  chest.      By   George   Colman,  the  Younger. 

—  The  hypocrite.     By  Isaac  Bickerstaff.  ■ —  The  rendezvous.     By  Richard  Ayton. 

—  The  jealous  wife.  By  George  Colman,  the  Elder.  2.  The  slave.  By  Thomas 
Morton.  —  The  foundling  of  the  forest.  By  William  Dimond.  —  Isabella.  By 
Thomas  Southern.  —  The  castle  spectre.  By  Matthew  Gregory  Lewis.  —  The 
Quaker.  By  Charles  Dibdin.  —  The  road  to  ruin.  By  Thomas  Holcroft.  — 
Bombastes  furioso.  By  William  Barnes  Rhodes.  —  The  clandestine  marriage. 
By  George  Colman,  the  Elder,  and  David  Garrick.  —  George  Barnwell.  By 
George  Lillo.  —  Paul  Pry.  By  John  Poole.  —  The  fatal  dowry.  By  Philip 
Massinger.  —  The  Duchess  of  Malfi.     Adapted  from  John  Webster. 

Le  Braz,  Anatole. 

Le  theatre   celtique.     Paris.     Levy.      [1905.]      (3),  viii,   544  pp. 

Bibliographie,  pp.   519-528.  **T.47.23 

Lebrun,  Pierre  Antoine. 

Marie  Stuart.  Mary  Stuart,  a  tragedy  in  five  acts.  The  original 
French  with  an  English  translation,  prepared  for  Raphael  Felix, 
manager  of  Mile  Rachel's  French  company.  New- York.  Darcie 
&  Corbyn.     1855.     47  pp.  **T.34.i2 

Ode  sur  la  mort  de  Lebrun,  de  I'Academie  frangaise.  [Paris.  1807.] 
8  pp.  **T.97.i38 

Lebrun-Tossa,  Jean  Antoine. 

Mes  revelations  sur  M.  fitienne,  Les  deux  gendres  et  Conaxa.  Paris. 
Dentu.     1812.     (i),  35  pp.  **T.56.279 

fitienne's  Les  deux  gendres  may  be  found  on  shelf-number  **T. 56.271.  Conaxa 
may  be  found  on  shelf-number  **T.56.272. 

Leclere,  Ludovic.     (Ludovic  Celler.) 

£tudes  dramatiques.  Paris.  Liepmannssohn  &  Dufour  [&  Baur]. 
1870-75.     3  V.  **T.47.57 

Contents.  —  I.   Les  types  populaires  au  theatre.     2.   Les  valets   au   theatre.      3. 
La  galanterie  au  theatre. 
Lee,  Sir  Sidney. 

A  life  of  William  Shakespeare.  3d  edition.  London.  Smith.  Elder,  &  Co. 
1898.  xxiii,  (i),  479  pp.  Portraits.  Autograph  facsimiles.  **T.56.3i7 
Stratford-oVi-Avon  from  the  earliest  times  to  the  death  of  William 
Shakespeare.  With  illustrations  by  Edward  Hull.  New  edition. 
London.  Seeley  &  Co.,  Ltd.  1909.  viii,  304  pp.  Tllus.  Plates. 
Maps.  **T.57.445 

Lefanu,  Alicia. 

Memoirs  of  the  life  and  writings  of  Mrs.  Frances  Sheridan.  By  her 
grand-daughter.  London.  Whittaker.  1824.  xi,  435,  (i)  pp. 
Portrait.  **T.s6.85 

Lefranc,  F.,  pseud.    See  Lhomme,  Marie  Frangois. 
Leighton,  William. 

The  subjection  of  Hamlet:  an  essay  toward  an  explanation  of  the 
motives  of  thought  and  action  of  Shakespeare's  Prince  of  Den- 

[898] 


BROWN   COLLECTION    OF  BOOKS    ON    THE   STAGE 


Leighton,  William.     (Continued.) 

mark.     With    an   introduction   by   Joseph    Crosby.      Philadelphia. 

Lippincott  &  Co.     1882.     74  pp.  **T.56.9i 

Le  Jumeau  de  Kergaradec,  Jean  Alexandre,  Vlcomtc.     See  Kcrgaradcc, 

Jean  Alexandre  Le  Jumeau,  Vicomtc  de. 
Lemaitre,  Jules  filie  Frangois. 

Impressions  du  theatre.     Serie  i-io.     Paris.     Lecene  &  Oudin  fete.]. 

1888-1898.     10  V.     [Nouvelle  bihliotheque  littcraire.]  **T.47.i8 

Serie  6  and  7  are  of  the  2cl,  serie  4  and  s  of  the  3d,  serie   10  of  the  .»lh.  scric  i, 

of  the  5th,  and  serie  i  of  the'  9th  edition. 

Lemercier,  Louis  Jean  Nepomucene. 

Discours  de  la  nature  sur  I'equilibre  universel,  et  autres  fraKmcns. 
[Vers.]     Paris.     Brasseur.     1806.     24  pp.  **T.97.i42 

Contents.  —  Discours  de  la  nature  sur  I'equilibre  universel.  —  L'csprit  de  Saiirt- 
Jerome,  fragment.  —  L'esprit  de  Rabelais,  fragment. 

La  fourmi  et  la  mort,  fragment  [et  autres  poemes.  Paris.  18 — ?1.  12  pp. 
There  is  no  title-page.  **T.Q7.l«;o 

Contents.  —  La  fourmi  et  la  mort.  —  Un  Jeronimite  et  Charles-Quint  dans  k- 
monastere  de  Saint-Just,  fragment.  —  Le  philosophe  et  le  courtis^n,  fragment. 
—  Reponse  d'un  Grec.  —  fipitaphe  de  Mirabeau. 

Fragments  de  poemes  inedits.     [Paris?     18 — ?]     16  pp.        **T.96.253 

Traduction    des    Vers    dores    de    Pythagore,   et   de    deux    idyllcs    de 

Theocrite;   suivie   d'un   dialogue  entre  Democrite  et   Hippocrate, 

et  d'un  discours  sur  la  metempsycose.     Paris.     Barba.    An  xiv.  — 

1806.     31  pp.  **T.96.249 

Lemercier  de  Neuville,  Louis. 

Nouveau  theatre  des  pupazzi.  Texte  et  dessins  naifs  par  L.  Le- 
mercier de  Neuville.  2^  edition.  Paris.  Hilaire.  1882.  ix.  306, 
(i)  pp.     Plates.  **T.37.i85 

Theatre  des  pupazzi.  Lyon.  Scheuring.  1876.  (3),  xxvj,  (i),  411, 
(3)   pp.  **T.36.i3 

Lemon,  Mark,  adapter. 

Sir  John  Falstaff,  in  selected  scenes  from  Shakspeare's  Henry  the 
Fourth.  Parts  i  and  11.  Readings  in  costume,  by  Mark  Lemon. 
London.  Bradburj',  Evans,  &  Co.  1869.  iv,  (28)  pp.  **T.97.78 
Lemonnier,  Antoine  Louis  Camille. 

Derriere  le  rideau.     Paris.     Pont.     1875.     (3),  316,  (3)  pp.     **T.87.69 

Contents. — Ma  femme  et  moi. — Ni  chair  ni  poisson. — Les  maris  de  Mademoiselle 
Nounouche.   — ■   La   tache  noire.   —   Feu   FoUet.   —   La   sonnette. 

Lemonnier,  Camille.     See  Lemonnier,  Antoine  Louis  Camille. 

Lenient,  Charles  Felix. 

La  comedie  en  France  au  xvine  siecle.  Paris.  Hachette  &  cie.  188S. 
2  V.  **T.47.58 

Lennard,  Dacre  Barrett. 

Tales  from  Moliere's  plays.  London.  Chapman  &  Hall.  1859. 
462  pp.  **T.57.49 

Lepage,  Auguste.    See  Lepage,  Nicolas  Auguste. 

Lepage,  Nicolas  Auguste. 

Les  cafes  artistiques  et  litteraires  de  Paris.  Paris.  Eoursin.  1882. 
(3),  317  pp.  **T.97.25i 

Le  Paulmier,  Dr.  . 

L'orvietan.  Histoire  d'une  famille  de  charlatans  du  Pont-Neuf  au 
xviie  et  xviiie  siecles.  Paris.  Librairie  illustree.  [189,^]  i^). 
iv,  251  pp.     Plates.  **T.97.52 

Leroy,  Aime  Nicolas. 

Moliere  et  les  deux  Thalies.  Dialogue  en  vers.  Paris.  Pillet.  1R16. 
16  pp.  **T.56.i86 

[899] 


THE   PUBLIC  LIBRARY   OF   THE    CITY   OF  BOSTON 


Leroy,  Louis. 

Artistes  et  rapins.  Dessins  par  Cook.  Paris.  Le  Chevalier.  1868. 
127,  (i)  pp.     Plates.     [Physionomies  parisiennes.]  **T.99.4i 

Leroy,  Onesime.     See  Leroy,  Pierre  Joseph  Jean  Baptiste  Onesime. 
Leroy,  Pierre  Joseph  Jean  Baptiste  Onesime. 

£tudes  morales  et  litteraires  sur  la  personne  et  les  ecrits  .de  J.-F. 
Ducis.     Paris.     Dufey  &  Vezard.     1832.     (7),  412  pp.        **T.56.270 
Lessing,  Gotthold  Ephraim. 

Emilia  Galotti:  a  tragedy,  in  five  acts.  Translated  from  the  German 
by  Fanny  Holcroft.  Philadelphia.  Bradford  &  Inskeep.  1810. 
18  pp.  No.  4  in  **T.26.34.2 

Lestrade,  Louis  Frangois. 

De  la  liberte  religicuse  en  France,  a  I'occasion  des  funerailles  de 
Talma,  et  sous  le  rapport  des  consequences  politiques  de  cet 
evenement.     Paris.     Pillet.     1826.     xvj,  48  pp.  **T.57.33 

L'Estrange,  Joseph,  pseud.    See  Merimee,  Prosper. 

Lesueur,  Jean  Franqois. 

Lettre  en  reponse  a  Guillard,  sur  I'opera  de  La  mort  d'Adam,  dont 
le  tour  de  mise  arrive  pour  la  troisieme  fois  au  Theatre  des  arts; 
et  sur  plusieurs  points  d'utilite  relatifs  aux  arts  et  aux  lettres. 
Paris,  Baudouin.    An  x.     [1801/02.]     (3),  24,  iii  pp.  **T.97.i8o 

Letter,  A,  to  Mr.  F  —  te  [Foote].  Occasioned  by  the  Christian  and 
critical  remarks  on  his  interlude,  called  The  minor.  Added,  an 
appendix,  relative  to  a  serious  address  to  the  Methodists  them- 
selves.    London:   Printed   for  T.   Pote.      1760.      (4),  28  pp. 

**T.96.43 

Letter,  A,  to  the  Hon.  author  of  the  new  farce,  called  The  rout  [John 

Hill]   .  .  .     Subjoined,  an  epistle  to  Mr.  G k,  upon  that,  and 

other  theatrical  subjects.  With  an  appendix;  containing  some 
remarks  upon  the  new-revived  play  of  Antony  and  Cleopatra. 
London,  Printed  for  M.  Thrush.     1759.     (3),  39  pp.  **T.97,i2i 

Lettre  d'Alexis  Piron  a  M.  fitienne;  ou  examen  critique  de  la  comcdie 
de  Conaxa,  revue,  corrigee,  augmentee,  et  mise  au  theatre  par  M. 
fitienne.     Paris.     Nouzou.     1812.     31  pp.  **T.56.275 

Probably  not  written  by  Piron. 

Lettre  d'un  sot  ignorant,  sur  la  tragedie  de  Catilina  [de  Crebillon].  A 
Bruxelles.     1748.    48  pp.  **T.58.77 

Lettres  critiques  a  un  membre  de  I'Athenee  de  Lyon  sur  les  cinq  satires 
de  Joseph  Despaze.  Paris.  Brasseur.  An  x.  — 1801.  (i),  v, 
5-56  pp.  **T.57.293 

Lewes,  Charles  Lee. 

Comic  sketches;  or,  the  comedian  his  own  manager.  London. 
Symonds.     1804.     xxxv,  194  pp.     Portrait.  **T.98.74 

Lewis,  Angelo  John.     (Professor  Hoffmann.) 

Modern  magic.  A  practical  treatise  on  the  art  of  conjuring.  Ameri- 
can edition.  London.  Routledge.  [189-?]  xvii,  563.  (i)  pp. 
Tllus.     Plate.     Plan.     Diagrams.  '       **T.97.24 

Lewis,  Matthew  Gregory. 

Alfonso,  King  of  Castile:  a  tragedy  in  five  acts.    Philadelphia.    Brad- 
ford &  Liskeep.     1810.     22  pp.  No.  6  in  **T.26.34.i 
•Venoni,  or,  the  novice  of  St.  Mark's:  a  drama,  in  three  acts.     Phila- 
delphia.     Bradford    &    Inskeep.      [i8to.]      16    op. 

'  No.  4  in  **T.26.34.i 

An  adaptation  of  Boutet  de  Monvel's  Les  victimes  cloitrecs. 

[900] 


BROWN    COLLECTION    OF   BOOKS    ON    THE   STAGE 


Leyland,  John. 

The  Shakespeare  country  illustrated.  London.  Country  Life.  [1903.I 
(7),  129,  (3)  pp.  Illus.  Portraits.  Plates.  Colored  map.  Manu- 
script facsimiles.  [The  "Country  Life"  library.]  **T.54.3 
Appended  is  The  English  homeland  of  George  VVashiiiKton  .m,!  i:..M,,min 
Franklin. 

Lheureux,  Paul. 

Pantornimes.  Musique  de  Em.  Schvarty.  Illustrations  de  D'Allery, 
Decoprez.  Paris.  Ferreyrol.  1891.  271,  (2)  pp.  Illus.  Plates! 
Music.     Manuscript  facsimile.  **T,37.i3i 

Contents.   —    La   veuve    Pierrot.    —   Une   piqiire.   —  Trois    hcures   <lu    ni.iiin.    — 

Taylor    pour   messieurs.    —    Pieces    de    musique.    —  Dejeuner    bouffc.    —    Sans 
douleur.  —  La  corde  de  pendu.  —  Le  testament.  —  Crime  et  chatimcnt. 
Lhomme,  Marie  Frangois.     (F.  Lefranc.) 

fitudes   sur   le   theatre   contemporain.      Paris.  Dupret.      1887.      (5), 

245,  (i)  pp.  **T.47.9 
Relates  to  French  drama. 

Lieby,  Adolphe. 

Corneille.  fitudes  sur  le  theatre  classique.  .Paris.  Lecenc,  Oudin  & 
cie.     1892.     ix,  (2),  440  pp.  **T.57.237 

Lintilhac,  Eugene  Frangois. 

Beaumarchais  et  ses  oeuvres.  Precis  de  sa  vie  et  histoire  de  son 
esprit  d'apres  des  documents  inedits.  Paris.  Hachette  &  c'<". 
1887.  (3),  V,  447  pp.  Portrait.  Manuscript  facsimile.  **T.56.32 
Conferences  dramatiques  (Odeon,  1888-1898).  Avec  des  observa- 
tions techniques  sur  I'art  de  la  parole.  Paris.  Ollendorff.  1898. 
xii,  402  pp.  **T.47.59 

Lion,  Henri. 

Les  tragedies  et  les  theories  dramatiques  de  Voltaire.  Paris. 
Hachette  &  c>e.     1895.    xi,  476,  (i)  pp.  **T.56.56 

Liston's   Drolleries;   a   choice   collection   of   tit   bits,   laughable    scraps, 
comic  songs,  tales,  and  recitations.     Collection  3.     London.     Dun- 
combe.     [182-?]     47-70  pp.     Colored  portrait.  **T.97.ios 
Littledale,  Harold. 

The  two  noble  kinsmen.  By  William  Shakspere  and  John  Fletcher. 
Edited  from  the  quarto  of  1634  by  Harold  Littledale.  Part  2. 
General  introduction  and  list  of  words.  London.  The  New 
Shakspere  Society.     1881.     82,   145-150  PP-  **T.56.i59 

Proof.  —  To  be  read  at  the  66th  meeting  of  the  New  Shakspere  Society,  January 
21,  1881. 
Litzmann,  Berthold. 

Das  deutsche  Drama  in  den  litterarischen  Bewegungen  der  Gegen- 
wart.  Vorlesungen,  gehalten  an  der  Universitat  Bonn.  4.  Auf- 
lage.     Hamburg.     Voss.     1897.     xii,  240  pp.  **T.45.5 

Lockman,  John. 

Rosalinda,  a  musical  drama.  As  it  is  performed  at  Hickford's  Great 
Room,  in  Brewer's  Street.  By  Mr.  Lockman.  Set  to  music  by 
Mr.  John  Christopher  Smith.  London:  Printed  by  W.  Strahan 
for  the  author;  and  sold  by  C.  Corbett.     1740.     19  PP-      **T.35.24 

Words  only. 

London  drolleries;  or,  comedian's  pocket  book.  Songs,  tales,  anecdotes, 
epigrams,  riddles,  epitaphs,  &c.  Collection  4.  London.  Lowndes. 
[18—?]     59-82  pp.     Colored  portrait.  **T.97.28i 

All  in  verse. 

[901] 


THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 

London  oddities;  or,  the  theatrical  cabinet;  being  neat  tit  bits  for  the 
lovers  of  humour  and  eccentricity,  and  a  glorious  collection  of 
songs,  recitations,  duets,  glees,  and  comic  stories,  [i  unnumbered 
no.]      London.     Hodgson  &  Co.     [1823.]     24  pp.     Colored  plate. 

**T.97.202 

Lord  Dundreary  and  his  brother  Sam:  the  strange  story  of  their  ad- 
ventures and  family  history,  sth  edition.  London.  Thomson. 
1862.    95  pp.     Plates.  **T.87.96 

Loti,  Pierre,  pseud.    See  Viaud,  Louis  Marie  Julien. 

Lottery  literature.  A  unique  collection  of  songs,  parodies,  circulars 
and  other  lottery  publications  issued  in  London.  1807-17.  Scrap- 
book.     (22)  pp.  **T.i3.3 

Louis  XVI.,  of  F range. 

Lettres  patentes  du  roi,  qui  permettent  a  M.  le  Due  de  Chartres  d' 
acenser  les  terreins  et  batimens  qui  sont  au  pourtour  du  jardin  du 
Palais  Royal.  [Paris.  Houry  &  Debure.  1788.]  6  pp.  **T,75.32 
There  is  no  title-page.  Dated  13  aoiit  1784. 
Testament  de  Louis  xvi,  roi  de  France  et  de  Navarre.  [Paris.  179-?] 
7  pp.  •  **T.97.7 

There  is  no  title-page. 

Lovati,  Gaetano. 

Guida    per    gli    esordienti    nell'    arte    melodrammatica    dell'    artista 

Gaetano  Lovati.    Milano.    Lamperti.     1850.    69,  (i)  pp.    **T.97.i30 

Love  and  jealousy.     A  tragedy  for  the  million.     London.     Spon.     1814. 

30  pp.  **T.36.i03 

Lovell,  George  William. 

Look  before  you  leap:  or,  wooings  and  weddings.  A  comedy  in  five 
acts.  With  the  stage  business,  costumes,  &c.  New-York.  Taj'lor 
&  Co.     [185-?]     79  pp.     [Modern  standard  drama.     No.  34.] 

**T.37.46 

Love's    sacrifice:   or,    the    rival    merchants.      A   play.      In    five    acts. 

W^ith  the  stage   directions  and   costumes,   marked  and   corrected 

b}^   J.    B.    Addis,      ist    American    edition.      New    York.      French. 

[1846?]     2-7-  PP-     [French's  Standard  drama.     No.  12.]     **T.37.22 

Lowell,  James  Russell. 

The  old  English  dramatists.  London.  Macmillan  &  Co.  1892.  (5), 
132  pp.     Portrait.  **T.47.52 

Contents.  —  Introductory.   —  Marlowe.  —  Webster.   —  Chapman.   —   Beaumont 
and  Fletcher.  —  Massinger  and  Ford. 

Lucas,  Hippolyte  Julien  Joseph. 

Le  foyer  du  Theatre-frangais.    Moliere. — Dancourt.  i.     Paris.     Barba. 

[1840.]      (i),  no  pp.  **T.56.i72 

Luce  de  Lancival,  Jean  Charles  Julien.     (M.  L***.) 

Folliculus,  poeme   en   quatre   chants.      Paris.      Laurent.      t8i2.      (3), 

51  pp.  **T.96.276 

Ode    a    son    excellence    Monsieur    R.-J.    Schimmelpenninck.      Paris. 

Lenormant.     An  xiii.  —  1805.     16  pp.  **T.97.i4i 

Lyly,  John. 

The  dramatic  works  of  John  Lilly  (the  Euphuist).     With  notes  and 

some  account  of  his  life  and  writings  by  F.  W.  Fairholt.     London. 

Smith.     1858.     2  V.     [Library  of  old  authors.]  **T.37.4 

Contejit.';.  —  i.  John  Lilly  and  his  works.  —  Endimion.  —  Campaspe.   ■ —  Sapho 

and  Phao.  —  Gallathea.     2.   Mydas.  —  Mother  Bombie.  —  The  woman  in  the 

moone.  —  Love's  metamorphosis. 


[902] 


BROWN   COLLECTION    OF  BOOKS   ON    THE   STAGE 


M 

-,  Dr.,  pseud. 
A  genuine  narrative  of  the  sad  and  deplorable  case  of  the  indepcndant 
electors  of  Westminster.     Annexed,  the  last  speech,  dying  words, 
and  confession  of  their  president,  when  he  and  they  yielded  up 
the  ghost  at  Covent-Garden,  upon  the   ist  of  July  last.     By   Dr. 

M [pseud.]  who  attended  them  during  their  mad  fit.     T.ondon: 

Printed  for  W.  Owen.     1747.    3-24  pp.  **T.97.45 

Mabie,  Hamilton  Wright. 

William  Shakespeare:  poet,  dramatist,  and  man.  New  York.  The 
Macmillan  Co.  1900.  xviii,  (i),  421  pp.  Illus.  Portraits.  Plates. 
Manuscript  facsimiles.  **T.55.72 

McArdle,  J.  F. 

Robinson  Crusoe;  a  grand  Christmas  pantomime.  December  26, 
1876.     London.     Rimmel.     [1876.]     34  pp.  **T.37.222 

Words  only. 

Macauley,  Elizabeth  Wright. 

Mary  Stuart.     [Poem.]     London.     Macauley.     1823.     xiii,  138  pp. 

**T.96.262 

Tales  of  the  drama.     Exeter,  N.  H.     Robinson  &  Towle.     1833.     426 

pp.  **T.49.i 

Contents.  —  Duke  of  Milan.  —  The  inconstant.  —  The  good-natured  man.  — 
Introduction  to  Shakespeare's  plays.  —  King  John.  —  The  Quaker.  —  Edward 
the  Black  Prince.  —  The  belle's  stratagem.  —  Winter's  tale.  —  George  Barnwell. 
—  The  conscious  lovers.  —  King  Richard  II.  —  The  Grecian  daughter.  —  The 
brothers.  —  Lady  Jane  Grey.  —  The  merchant  of  Venice.  —  Coriolanus.  ■ —  The 
way   to   keep   him. — The  gamester. — ^The  hypocrite. — Julius   Csesar. — Conclusion. 

McClatchie,  Thomas  Russell  Hillier. 

Japanese  plays  (versified).  Edited  by  Ernest  S.  Mc  Clatchie.  With 
illustrations  by  Japanese  artists.  New  edition.  London.  Allen 
&  Co.     1890.     viii,  (3),  141,  (i)  pp.     Plates.  **T.46.8 

Co".tev.ts.  —  Hayano  Kampei.  —  The  fatal  error.  —  Lady  Kokonoye.  —  The 
haunted  mansion.  —  The  enchanted  palace.  —  The  fencing  master. 

M'Dermot,  Martin. 

A  philosophical  inquiry  into  the  source  of  the  pleasures  derived 
from  tragic  representations:  from  which  is  deduced  the  secret  of 
giving  dramatic  interest  to  tragedies  intended  for  the  stage.  Pre- 
ceded by  a  critical  examination  of  the  various  theories  adopted 
by  the  English,  French,  and  German  philosophers.  London. 
Sherwood,  Jones,  &  Co.     1824.     viii,  405  pp.  **T.46.i3 

Macdonald,  Rev.  John. 

May  I  go  to  the  ball?    London.    Snow.    1855.    39  pp.  **T.96.i2i 

In  opposition  to  dancing. 

Mace,  Jean. 

Theatre  du  Petit-Chateau.  Illustrations  par  Froment.  Paris.  Hct7el. 
&  cie.  [1879.]  (4),  290,  (2)  pp.  [Bibliotheque  d'education  et  de 
recreation.]  **T.35.2 

Contents.  —  Preface.  —  L'  annee  nouvelle.  —  A  brebis  tondue  Dieu  mesurc  le 
vent.  —  Une  lettre.  —  Les  ricochets.  -  La  revoltc  des  fleurs.  —  Lcs  larnics 
d'une  mere.  —  La  legon  de  geographic.  —  La  composition  d'histoire.  —  Le  palais 
du   temps.   —   L'utilite   de   la   douleur.   —   Souvenirs   de  pension.   —   Plays   for 

children. 

MacGregor,  Robert. 

Pastimes  and  players.  London.  Chatto  &  Windus.  i88l  (9),  203  pp. 
[The  Mayfair  library.]  **T.98.59 

[903] 


THE  PUBLIC  LIBRARY   OF   THE    CITY   OF  BOSTON 


Mackay,  Charles. 

New  light  on  some  obscure  words  and  phrases  in  the  works  of  Shak- 
speare  and  his  contemporaries.  London.  Reeves  &  Turner.  1884. 
68  pp.  **T.56.i6o 

Mackaye,  James  Steele. 

Hazel  Kirke.  A  domestic  comedy-drama  in  four  acts.  New  York. 
[1880.]     64  pp.  **T.37.i29 

Maclaren,  Archibald. 

The  battle  of  the  dandies;  or,  the  half-way  house.  A  dramatic  piece, 
with  songs,  in  two  acts.     London.     The   Author.      1818.     24  pp. 

**T.37.i58 

The  debating  club;  or,  the  noble  revenge.  A  dramatic  piece,  with 
songs.     London.    The  Author.     1816.    24  pp.  **T.37.i53 

Filial  duty;  or,  the  maid  of  Oban.  A  dramatic  piece,  with  songs. 
London.     The  Author.     1819.     24  pp.  **T.37.i6o 

Good  news!  Good  news!  or,  the  case  is  altered.  A  dramatic  piece, 
with  songs.  In  two  acts.  Added,  Mr.  Boney's  reception  in  Paris. 
[Farce.]     London.     The  Author.     1814.     24  pp.  **T.37.i5i 

The  Highland  robbers;  or,  such  things  were:  a  dramatic  piece,  with 
songs.  Added,  Health  to  the  rich,  and  work  to  the  poor:  an 
interlude.     London.     The  Author.     1817.     24  pp.  **T.37,i54 

The  Highland  wedding;  an  interlude:  being  an  accurate  representa- 
tion of  the  ceremonies  used  at  the  contracts,  marriages  and  wed- 
dings of  the  Highlanders.  Added,  The  Highland  funeral;  a  farce. 
London.     The  Author.     1819.     24  pp.  **T.37.i6i 

The  Isle  of  Mull;  or,  the  lady  on  the  rock.  A  dramatic  piece,  with 
songs.     London.     The  Author.     1820.     24  pp.  **T.37,i62 

Mr.   Bonny's  wedding.      [Drama.     London.     1810?]      3-24  pp. 

**T.37.i5o 

Oliver  Cromwell;  or,  the  Scotch  regalia.  A  dramatic  piece,  with 
songs.  In  two  acts.  Added,  Imitation  tea;  or,  death  in  disguise. 
An  interlude.     London.    The  Author.     1818.     74  pp.  **T.37.i57 

The  private  theatre:  or,  the  Highland  funeral.  A  musical  drama. 
London.     The  Author.     1809.     24  pp.  **T.37.i63 

Retaliation;  or,  an  hour  and  a  half  in  Paris.  A  musical  entertainment, 
founded  upon  facts.  In  two  acts.  London.  The  Author.  1815. 
24  pp.  **T.37.i52 

The  second  sight;  or  the  force  of  superstition.  A  dramatic  piece, 
with  songs.     In  two  acts.     London.     The  Author.     1817.     24  pp. 

**T.37.i55 

The  siege  of  Berwick;  or,  the  brothers  devoted:  a  musical  drama. 
In  two  acts.     London.     The  Author.     1818.     24  pp.  **T.37.i56 

Wallace  the  Brave;  or,  the  siege  of  Perth.  A  dramatic  piece,  with 
songs,  in  two  acts.     London.     The  Author.     1819.     24  pp. 

**T.37.i59 
McMillan,  B.,  publisher. 

The    genuine    rejected    addresses,    presented    to    the    committee    of 
management  for  Drury-Lane  Theatre;  preceded  by  that  written 
by  Lord  Byron,  and  adopted  by  the  committee.     [Verse.]     Lon- 
don:  printed  and   sold  by   B.    McMillan.      1812.     ix,    130   pp. 
I  r  **T.97.342 

\//Madan,  Martin. 
'^       Christian  and  critical  remarks  on  a  droll,   or  interlude,  called  The 
minor.     In  which  the  blasphemy,  falshood,  and  scurrility  of  that 
piece    is    properly    considered,    answered,    and    exposed.      By    a 

[904] 


BROWN    COLLECTION    OF   BOOKS    ON    THE   STAGE 


Madan,  Martin.     (Continued.) 

minister  of  the  Church  of  Christ.     London:  Printed  for,  and  sold 
by  Mr.  Keith.     176D.     (i),  41  pp.  **T.56.i34 

At  the  time  of  publication  this  work  was  attributed  to  ticorgc   Whileficld.      It  it 
a  defense  of  Methodism. 

A  letter  to  David  Garrick;  occasioned  by  the  intended  representation 

of   The   minor   at   the   Theatre-Royal   in    Drury-Lane.      London: 

Sold  by  Mr.  Field.     1760.     48  pp.  **T.97.ia2 

Signed,    Anti-Profanus.      Halkctt    and    Laing    attribute    this    work    to    Aliraham 
Portal. 

A  letter  to  Mr.  Foote,  occasioned  by  his  letter  to  the  reverend  author 
of  the  Christian  and  critical  remarks  on  The  minor,  containing  a 
refutation  of  Mr.  Foote's  pamphlet,  and  a  full  defence  of  the  prin- 
ciples and  practices  of  the  Methodists.  By  the  author  of  the 
Christian  and  critical  remarks.  London:  Printed  for  P.  Wicks. 
1760.     (i),  28  pp.  **T.96.44 

Another  copy  is  on  shelf-number  •*T.96.87. 

Maeterlinck,  Maurice. 

Aglavaine  and  Selysette.  [Drama  in  five  acts.]  Translated  by  Alfred 
Sutro.      (Acting   version.)      London.     Allen.     1904.     (5),    104  pp. 

**T.37.i39 

Alladine  and  Paloinides,  Interior  and  The  death  of  Tintagiles.  Three 
little  dramas  for  marionettes.  London.  Duckworth  &  Co.  1899. 
126  pp.     [Modern  plays.]  **T.36.i02 

Interior  is  translated  by  William  Archer;   The  death  of  Tintagiles  and  Alladine 
and  Palomides,  by  Alfred  Sutro. 

Maglione,  Benedetto. 

Catalogue  de  [sa]  bibliotheque.  Partie  i.  Paris.  Huard  &  Guillemin. 
1894.     xii,  315  pp.  **T.65.2 

Pp.   136-159  include  books  on  theatrical  matters. 

Magnier,  Maurice. 

La  danseuse.  Lettre-preface  de  J.  Claretie.  Illustrations  de  A. 
Guillaumot  fils.  Paris.  Marpon  &  Flammarion.  1885.  (3),  iv, 
36  pp.  **T.95.ioo 

Verses. 

Mahalin,  Paul. 

Au  bal  masque.     Paris.     Pache.     [1868.]      (3),  230  pp.     Illus. 

Sketches  of  Parisian  life  as  seen  at  the  ra,asqued  balls.  **T.97.2I5 

Mangin,  Edward. 

A  letter  to  Thomas  Moore,  on  the  subject  of  Sheridan's  "Sciiool  for 
scandal."     Bath.    Wood.     1826.    24  pp.  **T. 96.316 

Mansfield,  Richard. 

Blown   away.     A   nonsensical   narrative   without   rhyme    or   reason. 

Boston.     Page  &  Co.     1897.     180  pp.     Illus.     Plates.        **T.97.2i7 

Don  Juan.     A  play  in  four  acts.     New-York.     The  Author.      1891. 

191  pp.  **T.35.I4 

Marant, . 

Tout  Paris  en  vaudevilles.     Paris.     Barba.     An  ix.  —  1801.     194  pp. 

Plate.  **T.98.26 

Marguerite;  ou,  la  robe  perdue.     Drame  moral  en  un  acte.     [Guilford. 

18—?]     3-46  pp.     Music.  **T.98.ii3 

Contains   English  notes. 

Marlowe,  Christopher. 

Marlowe's  Faustus.  Goethe's  Faust,  from  the  German  by  John 
Anster.  With  an  introduction  by  Henry  Morley.  London.  Rout- 
ledge.     1883.    315  pp.     [Morley's  Universal  library.]        **T.37.i9i 

[905] 


THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 


Marriott,  William. 

A  collection  of  English  miracle-plays  or  mysteries.  Prefixed,  an 
historical  view  of  this  description  of  plays.  Basel.  Schweighauser 
&  Co.     1838.     Ixiii,  271  pp.  **T.35.i6 

Marshall, ,  alleged  author. 

The  German  hotel;  a  comedy.     See  German  hotel,  The;  a  comedy. 
Marshall,  Francis  Albert. 

A  study  of  Hamlet.  London.  Longmans,  Green,  &  Co.  1875.  xv, 
9-205  pp.  **T. 56.87 

Marshall,  Julian. 

Catalogue  of  [his]  musical  library,  which  will  be  sold  by  auction  by 
Sotheby,  Wilkinson  &  Hodge,  the  29th  of  July.  [London.]  1884. 
(2),  7^  PP-  **T.65.io 

MarsoUier  de  Vivetieres,  Benoit  Joseph. 

Adolphe  et  Clara,  ou  les  deux  prisonniers:  comedie  en  un  acte  et 
en  prose,  melee  d'arriettes.  Paroles  de  B.  J.  MarsoUier.  Musique 
du  Citoyen  d'Aleyrac.  A  Paris,  au  bureau  general  du  Mercure  de 
France,  chez  Cailleau.     An  vii  [1799].     80  pp.  **T,97.69 

Libretto  only,  in  French. 

Marston,  John. 

Works.  Reprinted  from  the  original  editions.  With  notes,  and 
some  account  of  his  life  and  writings,  by  J.  O.  Halliwell.  London. 
Smith.     1856.     3  V.     [Library  of  old  authors.]  **T.37.2 

Contents.  —  I.  Preface.  —  Antonio  and  Mellida.  • —  Antonios  revenge.  —  The 
wonder  of  women ;  or,  the  tragedie  of  Sophonisba.  —  What  you  will.  2. 
Parasitaster;  or,  the  fawne.  —  The  Dutch  courtezan.  —  The  malcontent.  3. 
Eastward  hoe.  ■ —  The  insatiate  countesse.  • —  The  metamorphosis  of  Pigmalions 
image  and  certaine  satyres.  —  The  scourge  of  villanie. 

Marston,  John  Westland. 

The  dramatic  and  poetical  works  of  Westland  Marston.  Collective 
edition.     London.     Chatto  &  Windus.     1876.     2  v.  **T.37.i95 

Contents.  —  I.  Strathmore.  —  Marie  de  Meranie.  —  Life  for  life.  —  A  life's 
ransom.  —  The  patrician's  daughter.  —  Anne  Blake.  2.  Donna  Diana.  —  The 
favourite  of  fortune.  —  Pure  gold.  —  The  wife's  portrait.  —  A  hard  struggle.  — 
Borough  politics.  —  Dramatic  scenes  and  fragments.  —  Sonnets.  —  General 
poems. 
Pure  gold:  a  play,  in  four  acts.  Added,  the  costume  and  the  stage 
business.  New  York.  French.  [185-?]  48  pp.  [French's 
Standard  drama.     The  acting  edition.     No.  328.]  **T.37.25 

Marston,  Westland.     See  Marston,  John  Westland. 

Martel  de  Janville,  Sybille   Gabrielle   Marie  Antoinette  de   Riquetti   de 
Mirabeau,  Comtesse  de.     (Gyp.) 
Ohe!  les  dirigeants!     Images  coloriees  du  Petit  Bob  [pseud.].     Paris. 
Chailley.     [1896.]     195,  (i)  pp.     Colored  illus.     Colored  plates. 
A  collection  of  short  plays.  **T.37.II3 

Martin,  Helena  Saville  Faucit,  Lady. 

On  some  of  Shakespeare's  female  characters.  New  edition.  Edin- 
burgh. Blackwood.  1887.  ix,  (i),  354  pp.  Portrait.  **T.55.ii3 
Contents.  — •  Ophelia.  —  Portia.  —  Desdemona.  —  Jvtliet.  —  Imogen.  —  Rosalind. 
• —  Beatrice. 

Maskelyne,  John  Nevil. 

'Sharps  and  flats.'  A  complete  revelation  of  the  secrets  of  cheating 
at  games  of  chance  and  skill.  London.  Longmans,  Green  &  Co. 
1894.    x,  (3),  335  pp.    Illus.    Plates.  **T,97.ioo 

The  hastard  title  is:  The  secrets  of  cheating. 

[906] 


BROWN    COLLECTION    OF   BOOKS    ON    THE   STAGE 


Mason,  Rev.  William. 

Caractacus,  a  dramatic  poem:  written  on  the  model  of  the  ancient 
Greek  tragedy.  York:  Printed  l)y  A.  Ward;  and  sold  by  R.  Hors- 
field  and  J.  Dodsley,  in  London.  1777.  (8),  76  pp.  **T.q6.345 
Lacks  the  bastard  title  and  the  dedication. 

Massey,  Gerald. 

The  secret  drama  of  Shakespeare's  sonnets.  London.  Kcgan  I'aul, 
Trench  &  Co.     1888.     viii,  482  pp.  **T.56.i2C) 

Massinger,  Philip. 

The  dramatic  works  of  Massinger  and  Ford.  With  an  introduction, 
by  Hartley  Coleridge.  New  edition.  London.  Routledge.  (1884.]' 
Ixi,  (i),  450,  vi,  212  pp.     Portrait.     [The  old  dramatists.]     **T.35.3 

The  bond-man:  an  antient  storie.  As  it  hath  been  often  acted. 
Philadelphia.     Bradford  &  Inskeep.     1810.     21  pp. 

No.  5  in  **T.26.34.2 

The  maid  of  honour.  As  it  hath  been  often  presented.  Philadclpliia 
Bradford  &  Inskeep.     1810.     23  pp.  No.  6  in  **T.26.34.2 

Massinger.  Traduit  par  Ernest  Lafond.  Precede  d'une  notice  sur 
la  vie  et  les  oeuvres  de  Massinger.  Paris.  Hetzel.  1864.  xvi, 
498,  (i)  pp.     [Contemporains  de  Shakspeare.]  **T.36.i 

Contents.  —  Notice  sur  la  vie  et  les  oeuvres  de  Massinger.  —  La  dot  fatalc  I'Thc 
fatal  dowry),  drame.  —  L'esclave  (The  bondman),  tragi-comedie.  —  Le  portrait 
(The   picture),   comedie.   —   La   vierge-martyre    (The   virgin-martyr),  tragedie. 

A  new  way  to  pay  old  debts.  A  comcedie.  Philadelphia.  Bradford 
&  Inskeep.     1810.     21  pp.  No.  5  in  **T.26.34.i 

Same.     London.     Lowndes.     1816.     (2),  70  pp.  **T.37.ii2 

Same.  A  comedy  in  five  acts.  With  the  stage  business,  costumes, 
&c.  New  York.  French.  [185-?]  v,  ~  9-75  pp.  [French's 
Standard  drama.     No.  22,-]  **T.37.26 

Massinger,  Philip,  and  Nathaniel  Field. 

The  fatall  dowry:  a  tragedy.  By  Philip  Massinger.  Philadelphia. 
Bradford  &  Inskeep.     1810.     23  pp.  No.  7  in  **T.26.34.2 

Mathers,  John,  pseud. 

The  history  of  Mr.  John  Decastro  and  his  brother   Bat,  commonly 

called   Old   Crab.     The   merry  matter   written   by  John   Mathers 

[pseud.] ;    the   grave   by  a   solid   gentleman.     London.      Egerton. 

1815.     4  V.  **T.88.i. 

Mathews,  Charles. 

The  London  Mathews;  containing  an  account  of  the  veteran's  travels 
in  air,  on  earth,  &  on  water.  With  new  and  humorous  songs.  30th 
edition.  London.  Hodgson  &  Co.  [182-?]  36  pp.  Colored 
portraits.  **T.99.i5 

The  London  Mathews;  containing  an  account  of  this  celebrated 
comedian's  trip  to  America:  being  an  annual  lecture  on  peculiari- 
ties, characters,  and  manners.  Prefixed,  comic  songs.  London. 
Hodgson  &  Co.     [182-?]     36  pp.     Colored  portraits.  **T.99.ii 

Mathews  in  America;  or,  the  theatrical  wanderer:  a  cargo  of  new 
characters,  original  songs  and  concluding  piece  of  The  wild  goose 
chase,  or  the  inn  at  Baltimore.  London.  Hodgson  &  Co.  [182-?] 
:i6  pp.     Colored  portraits.  **T.99.i2 

Mathews'  Theatrical  budget;  or,  the  actor's  multum  in  parvo:  con- 
taining all  the  whim,  frolic,  and  eccentricity  in  his  Mail  coach 
adventures.  Trip  to  Paris,  Travels  in  air,  earth  and  water:  with 
a  variety  of  homourous  songs,  &c.  London.  Hodgson  &  Co. 
[182-?]     216  pp.  **T.99-i 

[907] 


THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 


Mathews,  Charles.     (Continued.) 

Mr.  Mathews  'at  home.'  A  lecture  on  character,  manners,  and  pecu- 
liarities, called  Home  circuit;  or,  Cockney  gleanings.  Including 
all  the  laughable  tales,  anecdotes,  and  original  comic  songs.  Also, 
a  monopolylogue,  called  Mathews'  dream;  or,  the  theatrical 
gallery.  2d  edition,  with  additions.  London.  Duncombe.  [1826?] 
26  pp.     Colored  portraits.  **T,36.42 

Mr.  Mathews'  Memorandum-book,  of  peculiarities,  character,  and 
manners,  collected  by  him  in  his  various  trips.  With  tales,  anec- 
dotes, eccentricities,  and  original  comic  songs.  2d  edition.  Lon- 
don.    Duncombe.     [18 — ?]     7  parts  in  i  v.  **T.98.i 

Appended  are  his  The  home  circuit;  Mr.  Mathews'  Invitations;  Mr.  Mathews 
in  A:nerica ;  An  accurate  description  of,  and  critical  remarks  on  Mr.  Mathews' 
Youthful  days  and  adventures;   The  trip  to  Paris;   The  theatrical  olio. 

Mr.  Mathews'  new  entertainment  for  1826,  called  Invitations;  in- 
cluding a  variety  of  new  comic  songs,  and  an  admirable  monopoly- 
logue, entitled  The  city  barge.  London.  Cole.  [1826?]  36  pp. 
Colored  portraits.  **T.99.i3 

Mathon, . 

La  famille  de  Moliere  etait  originaire  de  Beauvais.  Notes.  Paris. 
Henaux.     1877.     13  pp.     Illus.     Portrait.  **T.95.67 

Matthews,  Brander.    See  Matthews,  James  Brander. 
Matthews,  James  Brander. 

Books  and  play-books.  Essays  on  literature  and  the  drama.  Lon- 
don.    Mcllvaine  &  Co.     1895.     (7),  250,  (i)  pp.  **T.96.349 

Contents.  —  The  evolution  of  copyright.  —  The  dramatization  of  novels.  —  On 
certain  parallelisms  between  the  ancient  and  the  modern  drama.  . —  The  whole 
duty  of  critics.  —  Two  French  dramatic  critics:  Francisque  Sarcey ;  Jules 
Lemaitre.  —  Two  Scotsmen  of-  letters:  Andrew  Lang,  Robert  Louis  Stevenson. 
— •  The  centenary  of  Fenimore  Cooper.  —  Dissolving  views:  of  Mark  Twain's 
best  story;  Of  Frangois  Coppee's  prose  tales;  Of  Ludovic  Halevy's  short  stories; 
Of  Cervantes,  Zola,  Kipling  and  Co. ;  Of  Charles  Dudley  Warner  as  a  writer  of 
fiction. 
French  dramatists  of  the  19th  century.  New  York.  Scribner.  1881. 
XX,  301  pp.  **T.46.36 

Matthison,  Arthur. 

"A  false  step":  the  prohibited  play,  freely  adapted  from  "Les  lionnes 
pauvres"  [by  fimile  Augier].     London.     French.     [187-?]     48  pp. 

**T.98,3i 
Maturin,  Charles  Robert. 

Bertram:  a  tragedy  in  five  acts.     With  the  stage  business,  etc.     New 
York.     French.     [185-?]     iv,  7-49  pp.     [French's  Standard  drama. 
^  No.  53-]  **T.37.27 

Mazeres,  Edouard  Joseph  Ennemond. 

Comedies  et  souvenirs.  Paris.  Hachette  &  cie.  1858.  3  v.  **T.36.i2 
Contents.  —  i.  L'  enfant  trouve.  —  Heritage  et  mariage.  —  Le  jeune  mari.  — 
I-es  trois  quartiers.  —  Chacun  de  son  cote.  2.  L'espion.  —  Le  bon  gargon.  — 
Un  changement  de  ministere.  ■ — •  La  mere  et  la  fille.  —  La  dame  et  la  demoiselle. 
3.  Une  liaison.  —  L'  amitie  des  femmes.  —  Le  collier  de  perles.  . —  La  niaise.  — 
Le  charlatanisme. 

Meadows,  Thomas. 

Thespian  gleanings,  a  collection  of  comic  recitals,  songs,  tales,  &c. 
Including  a  variety  of  comic  sketches,  from  Dodd's  Lecture  on 
hearts;  a  farce  called  Who's  to  blame;  or,  no  fool  like  an  old  one; 
and  many  originals  by  T.  Meadows,  comedian.  Ulverston.  Ash- 
burner.     1805.     174  pp.     Portrait.  **T.96.304 

Measure  for  measure;  or,  a  proper  reply  to  a  late  scurrilous  pamphlet, 
entitled,  A  proper  reply  to  a  letter  from  the  Honourable  Thomas 

[908] 


BROWN   COLLECTION   OF  BOOKS    ON   THE   STAGE 


Measure  for  measure.     (Continued.) 

Hervey    to    Sir    Thomas    Hanmcr,    Bart.      By    a    friend    of    Mr. 
Hervey's.     London:   Printed  for  J.   H.      1742.     (i),  30  pp. 

**T  57  146 

Catherine   Douglas,  Duchess  of  Queensberry's  A  proper  reply  to  a   ktt<r  fr.Mn 

the    Hon.    T s    H y,    to    Sir    Thomas    Ilanmcr    may    be    found    on 

shelf-number  **T.S7. 144. 

Menard,  Auguste  Louis. 

Le  livre  abominable  de  1665  qui  courait  en  manuscrit  parmi  le  monde, 

sous  le  nom  de  Moliere  (comedie  politique  en  vers  sur  le  proces 

de  Foucquet)  decouvert  &  public  sur  une  copie  du  temps.     Paris. 

Firmin-Didot  &  cie.     1883.    2  v.  **T.37.i25 

This  was  probably  written  by  Menard. 
Menard,  Louis  Auguste.     See  Menard,  Auguste  Louis. 
Mendes,  CatuUe  Abraham. 

Pour  lire  au  convent.     Paris.     Marpon  &  Flammarion.     [1887.]      C;,), 

251,  (i)  PP-     [Auteurs  celebres.]  ■**T.98.98 

A  collection  of  short  stories. 

Menken,  Adah  Isaacs. 

Infelicia.     [Poems.]     London.     1869.     viii,  141  pp.     Portrait.     Manu- 
script facsimile.  **T.99.i7 
Mercade,  pseud. 

Hamlet;  or,  Shakespeare's  philosophy  of  history.  A  study  of  the 
spiritual  soul  and  unity  of  Hamlet.  London.  Williams  &  Nor- 
gate.     1875.     xxix,  (2),  208  pp.  **T.56.i4i 

Mercier,  Louis  Sebastien. 

Du  theatre,  ou  nouvel  essai  sur  I'art  dramatique.    [Anon.]     A  Amster- 
dam, chez  E.  van  Harrevelt.     1773.     xiv,  (2),  372  pp.  **T.46.9 
Meredith,  George. 

The  tragic  comedians.  A  study  in  a  well-known  story.  London. 
Chapman  &  Hall,  Ltd.     1880.     2  v.  **T.87.9i 

The  well-known  story  is  that  of  the  tragic  fate  of  Ferdinand  Lassalle. 

Merimee,  Prosper. 

The  plays  of  Clara  Gazul  [pseud.],  a  Spanish  comedian;  with  a 
memoir  of  her  life.  London.  Whittaker.  1825.  xiii,  (i),  326, 
Ci)  pp.  **T.37,202 

The  memoir   is   signed   Joseph   L'Estrange,   also   a   pseudonym   used    by    Prosper 
Merimee. 

Mery,  Joseph  Pierre  Agnes,  and  Auguste  Marseille  Barthelemy. 

La  censure.     Scene  historique.     Paris.     1827.     32  pp.  **T.97.i2 

Meyer,  A.  C.  T. 

Origin  and  progress  of  the  dramatic  art  in  France.  Dissertation, 
Rostock.     Gottingen.     Kaestner.     1872.     48  pp.  **T.97.98 

Mezieres,  Alfred  Jean  Frangois. 

Contemporains  et  successeurs  de  Shakspeare.     Paris.     Charpentier. 

1864.     vii,  424  pp.  **T.46.2 

Shakspeare:  ses  ceuvres  et  ses  critiques.     Paris.     Charpentier.     i860. 

XV,  511  pp.  **T.56.48 

Michelet,  Zilia. 

Bluettes  antimondaines  d'une  danseuse.    Paris.   Ledoyen.   1857.  64  pp. 

Relates  to  religion.  **T.98.I05 

Michell,  Nicholas. 

The  Shakspeare  Festival;  or  the  birth  of  the  world's  poet,  .^n  ode. 
London.    Tegg  &  Co.     1864.     13  PP-  **T.96.266 

Millevoye,  Charles  Hubert. 

Le  voyageur.     [Poeme.]     Paris.    Rcnouard.     1807.     15  pp.    **T.96.246 

[909] 


^c 


THE  PUBLIC  LIBRARY  OF  THE   CITY  OF  BOSTON 


Milman,  Henry  Hart. 

Fazio:    or,   the    Italian   wife:   a   tragedy,    in    five    acts.     With    stage 

directions,  and  costumes,  marked  and  corrected  by  J.   B.  Addis, 

prompter.      New-York.      French.       [185-?]       (2),    v-60,     (i)     pp. 

[French's  Standard  drama.     No.  2.]  **T.37.28 

Miln,  Louise  Jordan. 

When  we  were  strolling  players  in  the  East.  London.  Osgood, 
Mcllvaine  &  Co.     1894.     xiv,  354  pp.     Plates.  **T.5S.69 

Milner,  Henry  M. 

Mazeppa;  or,  the  wild  horse  of  Tartary.  A  romantic  drama,  in  three 
acts.  Dramatised  from  Lord  Byron's  poem,  and  adapted  to  the 
stage  under  the  direction  of  Mr.  Ducrow.  Added,  the  costume 
and  the  stage  business.  New  York.  French.  [185-?]  7-52  pp. 
Plate.     [French's  Standard  drama.     The  acting  edition.     No.  184.] 

**T.37.29 
Mirabaud,  Albert. 

Theatre  de  la  rue.  La  plebe.  fitudes  populaires.  Paris.  Chamuel. 
1898.     252,    (2)    pp.     Plates.  **T.36.7 

Contents.  —  Les  noctambules.  —  Un  lys  dans  le  ruisseau.  —  Le  Lovelace  du 
Quartier.  —  Sur  le  pave.  —  Les  meurt  de  faim.  • —  Nocturne — a  deux  voix. 

Mirval,  Jean. 

Theatre  scientifique.  Avec  une  preface  par  Louis  Figuier.  Paris. 
Levy.     1879.     (3),  XX,  395,  (i)  pp.  **T.37.i30 

Contents.  —  Preface.  —  Gutenberg  a  Harlem.  —  Une  heure  de  la  vie  de  Keppler. 

—  La  fille  de  Denis  Papin.  —  Le  mariage  de  Franklin.  —  Le  jardin  de  Trianon. — 
Le  premier  voyage   aerien.   —  La   republique  des  abeilles.   —   La  femme   fossile. 

—  La  reve  d'un  bachelier. 

Miscellany,  A,  &c.  Canticle  in  morning-service;  On  the  death  of  his 
Royal  Highness.  Frederick,  Prince  of  Wales;  On  his  Grace  John, 
the  late  Duke  of  Marlborough;  Shobdon-Court;  To  a  Lady;  Colin 
and  Chloe  [and  other  poems.  London.  1751].  48  pp.  **T.97.346 
There  is  no  title-page. 

beser,  Justus. 
Harlequin:  or,  a  defence  of  grotesque  comic  performances.     Trans- 
lated from  the  German  by  Joach.  Andr.  Fred.  Warnecke.     Lon- 
don: Printed  and  sold  by  W.  Nicoll.     1766.    xv,  (i),  104  pp.    Plate. 

**T.48.2i 
Moliere. 

Deuxieme  centenaire  de  la  fondation  de  la  Comedie  frangaise.  L'im- 
promptu  de  Versailles.  Le  bourgeois  gcntilhomme.  Precedes 
d'une  notice  par  P.  Regnier  et  d'un  a-propos  en  vers  par  F. 
Coppee.  Paris.  Librairie  des  bibliophiles.  1880.  (3),  xxvji,  184, 
d)   pp.     Portraits.  **T.37.iio 

Le  Tartuffe.  [Anon.]  Avec  de  nouvelles  notices  histori(|ucs, 
critiques  et  litteraires  par  M.  fitienne.  Paris.  Panckoucke.  1824. 
C243)  pp.     [Theatre  frangais  avec  un  nouveau  commentaire.] 

**T.365Q 
Molloy,  Joseph  Fitzgerald. 

Famous  plays:  their  histories  and  their  authors.  New  edition.  Lon- 
don. Ward  &  Downey.  1888.  xvi,  313  pp.  **T.47.44 
A  list  of  books  and  pamphlets  consulted,  pp.  xi,  xii. 

Contents.  —  Congreve's  Love  for  love.  —  Addison's  Cato.  —  John  Gay's  Beggar's 
opera.  —  Dr.  Johnson's  Irene.  —  Oliver  Goldsmith's  She  stoops  to  conquer.  ■ — 
Richard  Prinsky  .Sheridan's  Rivals  and  School  for  scandal.  —  Sheridan  Knowles' 
Virginius  and  The  hunchback.  —  Lord  Lytton's  plays. 

[910] 


BROWN   COLLECTION   OF  BOOKS    ON   THE   STAGE 


Moncrieff,  William  Thomas. 

[Green   in   France.]      Songs,  parodies,   duets,   chorusses,   &c.,   in   an 

extravaganza  called  Green  in  France;  or  Tom  and  Jerry's  tour! 

First  performed  at  the  Adelphi  Theatre,  Strand,  Monday,  Jan.  (>. 

1823.     London.     The  author.     1823.     42  pp.  **T.36.49 

A  sequel  to  the  author's  Tom  and  Jerry. 
Selection  from   [his]    dramatic  works.     London.     Lacy.     1851.     3  v. 

Portrait.     Autograph  facsimiles.  **T.36.54 

Contents.  —  i.  Giselle.  —  The  scamps  of  London.  —  Tarnation  stranKc.  — 
Monsieur  Mallet.  —  One  fault.  —  The  heart  of  London.  —  Brinifing  home  the 
bride.  —  Borrowing  a  husband.  2.  Sam  Weller.  —  The  peer  and  the  peasant.  — 
The  somnambulist.  —  The  Tobit's  Dog.  —  The  Winterbottoms.  —  The  kiss  and 
the  rose.  —  How  to  take  up  a  bill.  —  The  birthday  dinner.     3.  Tom  and  Jerry. 

—  Rochester.  —  Giovanni  in  London.  —  Monsieur  Tonson.  —  All  at  Coventry. 

—  Zoroaster.  —  Home  for  the  holidays.  —  The  secret. 

[Tom  and  Jerry.]  Songs,  &c.  in  an  extravaganza  called  Tom  & 
Jerry;  or,  life  in  London.  Founded  on  Pierce  Egan's  work  of 
the  same  name,  by  a  celebrated  extravagant  erratic  author.  (First 
performed  at  the  Adelphi  Theatre,  Strand,  Nov.  26,  1821.)  [Anon.] 
London.     Lowndes.     [1821?]     23  pp.     Colored  portrait.    **T.36.40 

Words  only. 

Monmerque,  Louis  Jean  Nicolas  Desrochais. 

Notice   sur  Jehan    Bodel,   d'Arras,   accompagnee   de   recherches   sur 

nos   premiers   essais   dramatiques.     Lue,  le   2   mai    1838,   dans  la 

seance  annuelle  des  cinq  academies  de  I'lnstitut  de  France.     Paris. 

D.idot.     1838.     24  pp.  **T.95.77 

Monmerque,    Louis   Jean    Nicolas    Desrochais,   and    Francisque    Xavier 

Michel,  editors. 

Theatre  frangais  au  moyen-age.     Publie  d'apres  les  manuscrits  de  la 

Bibliotheque   du   roi.      (xie-xiye  siecles.)      Paris.     Firmin    Didot. 

1842.     (3),  xvi,  672  pp.  **T.34.8 

Bibliography,  pp.  vii-xvi. 

Monod,  Gabriel  Jacques  Jean. 

Portraits  et  souvenirs.  2e  edition.  Paris.  Levy.  1897.  (3),  viii, 
(i),  360,   (i)  pp.  ^  ^  **T.57.275 

Contents.  —  Victor  Hugo  et  son  siecle.  —  Michelet  a  I'fecole  normale.  —  John- 
Richard  Green  et  I'histoire  du  peuple  anglais.  —  Georges  Waitz  et  le  seminaire 
historique  de  Gcettingue.  —  Victor  Duruy.  —  Fustel  de  Coulanges.  —  James 
Darmesteter.  —  Alexandre  Vinet.  ■ —  Un  disciple  de  Vinet :  Edmond  de  Pressense. 

—  Un  explorateur  philosophe:  N.  de  Mikluho-Maclay.  —  Richard  Wagner  et 
Bayreuth  en  1876.  —  Le  jubile  des  Nibelungen;  I'AUemagne  en  1896.  —  Le 
mystere  de  la  Passion  a  Ober-Ammergau. 

Mons,  Frangois. 

Le  dernier  klephte.     Pochade  grecque.     (In  Saynetes  et  monologues. 

Serie   i,  pp.  207-243.     Paris.     1877.)  **T.37.246 

Un  livre  leste.     Dialogue  en  deux  scenes.     (In  Saynetes  et  ru.no- 

logues.     Serie  i,  pp.   i33-iSi-     Paris.     1877.)  **T.37.246 

Petits  memoires  litteraires.     Paris.     Charpentier  &  cie.     1885.     (3), 

356  pp.  **T.57.T97 

Les  premieres  representations  celebres.     Paris.     Faure.     1867.     (5), 

ii,  319  pp.  **T.47.3 

Theatre  du  Figaro.     Paris.     Sartorius.     1861.     (3),  iii,  280  pp.     Plate. 

Contains  plays  for  marionettes.  T. 97-225 

Les   treteaux   de  Charles   Monselet.     Paris.     Poulet-Malassis   &   De 

Broise.     1859.     (s),  268,   (3)   pp.     Plate.  **T.37.i64 

Contents.  —  L'Academie.  —  Le  siege  de  La  revue  des  deux-mondes.  —  La  biblio- 
theque. —  Le  vaudeville  du  crocodile.  —  Les  pastilles  de  Richelieu.  —  Les  deux 

Dumas.  Les  fils.  —  Quatre  hommes  et  un  caporal.  —  La  police  litteraire.   — 

L'enfer  des  gens  de  lettres.  —  Le  semainc  d'un  jeune  hommc  pauvre.  —  Le  duel 

—  La  distriijution  des  prix  du  concours.  —  Mon  enncmi. 

[911] 


THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 


Mons,  Frangois.     (Continued.) 

Voyage  dans  mes  poches.    Monologue.     (In  Saynetes  et  monologues. 

Serie  i,  pp.  43-5i-     Paris.     1877.)  **T.37.246 

Montegut,  fimile.     See  Montegut,  Jean  Baptiste  Joseph  fimile. 
Montegut,  Jean  Baptiste  Joseph  fimile. 

Dramaturges   et   romanciers.      Paris.  Hachette    &   cie.      1890.      (3), 

419,   (i)   pp.  **T.97.i66 

Contents.  —  Le  theatre  de  Theodore  Barriere.  —  Le  roman  en  1861.  ■ —  Octave 
Feuillet.  —  Victor  Cherbuliez.  —  Le  roman  en  1876.  —  Victorien  Sardou.  ■ — 
f^;mile  Augier.  —  Petites  feuilles  dramatiques. 

Montifaud,  Marc  de.  pseud.     See  Quivogne  de  Montifaud,  Marie  Amelie. 

Montjoie,  Christophe  Felix  Louis  Ventre  de  La  Touloubre. 

Recit  fidele  et  complet  de  tout  ce  qui  a  precede  et  suivi  la  decouverte 
du  testament  de  la  reine  [Marie  Antoinette],  avec  le  facsimile  de 
ce  testament.  2^  edition.  Paris.  Lepetit.  1816.  24  pp.  Manu- 
script facsimile.  **T.97.6 

Montjoie,  Galart  de.     See  Montjoie,  Christophe  Felix  Louis  Ventre  de 
La  Touloubre. 

Moorat,  Joseph. 

[Songs  from  Shakespeare's  Tempest,  with  pianoforte  accompani- 
ment.] (In  Shakespeare,  William.  The  tempest.  Pp.  ^T-Si; 
33-37;   11S-118.     London.     1908.)  **T.34.3 

Contents.  —  Come  unto  these  yellow  sands.  —  Full  fathom  five.  —  Where  the 
bee  sucks. 

Moore,  Edward. 

Dramatic  works.  London:  Printed  for  W.  Lowndes.  1788.  xii,  58, 
(2),  69,  (i),  84  pp.     Portraits.  **T.37.ii7 

Contents.  —  The  life  of  Edward  Moore.  —  The  foundling.  A  comedy.  —  The 
gamester.     A  tragedy.  —  Gil  Bias.     A  comedy. 

Moore,  George. 

The    strike   at   Arlingford.      Play   in   three    acts.      London.      Walter 

Scott,  Ltd.    1893.     175  pp.  **T.37.i84 

Moore,  Thomas. 

Tom    Crib's    Memorial    to    Congress.      With    a    preface,    notes    and 

appendix.     By  one   of  the   fancy    [pseud.].     London.     Longman, 

Hurst,  Rees,  Orme,  &  Brown.  1819.  iii-xxxi,  88  pp.  **T.98.ioo 
Relates  to  pugilism. 

Moral    tales,    from    the    Arabian.      London.      Maurice.      1813.      34    pp. 

Colored  plate.  **T.97.2o8 

Morgan,  Appleton.    See  Morgan,  James  Appleton. 
Morgan,  James  Appleton. 

Shakespeare  in  fact  and  in  criticism.     New- York.     Benjamin.     1888. 

(4),  vii,  355  pp.  **T.56.236 

Contents.  —  William  Shakespeare  and  his  esthetic  critics.  —  Much  ado  .nbout 
sonnet?;.  —  "Whose  sonnets?"  —  "Something  touching  the  Lord  Hamlet."  • —  ■ 
William  Shakespeare's  literary  executor.  The  first  Shakespearean  revival.  • — 
Law  and  medicine  in  the  plays.  —  The  growth  and  vicissitudes  of  a  Shake- 
spearean play.  —  Queen  Elizabeth's  share  in  the  "Merry  wives  of  Windsor."  — 
Have  we  a  Shakespeare  among  us?  —  The  Donnelly  and  prior  ciphers,  and  the 
Furnivall  verse-tests. 

The  Shakespearean  myth,  William  Shakespeare  and  circumstantial 
evidence.     Cincinnati.     Clarke  &  Co.     1881.    342  pp.  **T.56.30i 

Morgann,  Maurice. 

Morgann's  Essay  on  the  dramatic  character  of  Sir  John  Falstaff. 
Edited  by  William  Arthur  Gill.  London.  Frowde.  19 12.  xvi, 
(3),   185,   Ci)   pp.  **T.48.29 

Morris,  Charles. 

Tales  from  the  dramatists.  London.  Griffith,  Farran  &  Co.  [1892.] 
3  V.  **T.47.io8 

[912] 


BROWN    COLLECTION    OF  BOOKS    ON    THE   STAGE 


Morris,  William. 

The  story  of  Sigurd  the  Volsung  and  the  fall  of  the  Niblungs 
Boston.     Roberts.     1879.     vii,  345  pp.  **T.97.75 

Mortimer,  Thomas. 

Die  and  be  damned.  Or  an  antidote  against  every  species  of  Method- 
ism; and  enthusiasm.  [Anon.]  2d  edition,  enlarged.  London: 
Printed  for  S.  Hooper,  and  A.  Morley.     1758.     (4),  51,  (i~>  pp. 

**T.96.2i9 
Morton,  John  Maddison. 

Harlequin  Blue  Beard,  the  great  bashaw;  or,  the  good  fairy  trium- 
phant over  the  demon  of  discord!  A  grand  comic  Christm:i.s 
pantomime.  [Anon.]  New  York.  French.  [1857?]  16  pp.  |Thc 
minor   drama.     The  acting  edition.     No.    146.] '  **T .97.317 

A  husband  to  order.  A  serio  comic  drama  in  two  acts.  London. 
Lacy.     [iSs-?]     43  pp.  **T.37.82 

Morton,  Thomas. 

Speed  the  plough.  A  comedy  in  five  acts.  With  the  stage  business, 
costumes,  etc.  New  York.  French.  [185-?]  67  pp.  [French's 
Standard  drama.     No.  41.]  **T.37.83 

Town  and  country.  A  comedy  in  five  acts.  With  the  stage  business; 
etc.  New  York.  French.  [185-?]  iv,  7-68  pp.  Diaqram. 
[French's  Standard  drama.     No.  70.]  **T.37.84 

Moses,  E.,  &  Son. 

The  Tercentenary;  or  the  three  hundredth  birthday  of  William 
Shakespeare.     London.     1864.     29  pp.  **T.96.269 

Comments  on  passages  in  Shakespeare  containing  allusions  to  articles  of  ilrcss, 
etc.     A  tailor's  advertisement. 

Moulton,  Richard  Green. 

Shakespeare  as  a  dramatic  artist.  A  popular  illustration  of  the 
principles  of  scientific  criticism.  Oxford.  The  Clarendon  Press. 
1885.     X,  (i),  320  pp.  **T.57.i26 

Mourguet,  Laurent,  tJic  Elder,  and  others. 

Theatre  lyonnais  de  guignol.  [Anon.]  Nouvelle  edition,  annotee 
par  I'auteur.  Illustree  de  dessins  et  culs-de-lampes,  par  finas 
d'Orly.     Lyon.     Mera.     1890.     xvj,  530,   (i)  pp.     Illus.     Plates. 

**T.34.7 

These  plays  were  written  by  Laurent  Mourguet,  the   Elder,   Laurent   Mourguet, 
the  Younger,  Louis  Mourguet,  Jacques  Mourguet,  Louis  Jausserand  and  Victor 
Napoleon     Vuillerme-Durand.       They    are    edited    by     Claude    Anne    Francois 
Brouchoud. 
Mowatt,  Anna  Cora.    See  Ritchie,  Anna  Cora. 

Muench-Bellinghausen,  Eligius  Franz  Joseph,  Freiherr  von.     (F.  Halm.) 

Ingomar,  the  barbarian:   a  play,  in   five  acts.     Translated   from   the 

German,  and  adapted  to  the  English  stage  by  Maria  Lovell.     New 

York.     French.     [185-?]     65  pp.     Diagram.     [French's  Standard 

drama.     No.  89.]  **T.37.23 

Same.     As  performed  by  Sig.  Salvini  and  the  American   Company. 

New  York.     Seer.     1880.     93  PP-  **T.96.38 

Murphy,  Arthur. 

Works.     London:  Printed  for  T.  Cadell.     1786.     7  v.     Portrait. 

**T.36.58 

Contents.  —  I.  The  orphan  of  China.  —  Zcnobia.  —  The  Grecian  daughter.  — 
Alzuma.  2.  The  apprentice.  —  The  uphoLsterer.  —  The  old  maid.  —  The  citizen. 
—  No  one's  enemy  but  his  own.  —  Three  weeks  after  marriage.  3.  The  way  to 
keep  him.  —  All  in  the  wrong.  —  The  desert  island.  4-  Know  your  own  muul.  _— 
The  school  for  guardians.  —  The  choice.  —  News  from  Parnassus.     5,  6.  Cray  s- 

[913] 
58 


THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 


Murphy,  Arthur.     (Continued.) 

Inn  Journal.  7.  A  poetical  epistle  to  Dr.  Johnson.  —  The  expostulation.  —  Pro- 
logues, epilogues,  iSrc.  —  The  game  of  chess.  —  Templum  Fams.  —  Pope's  ode 
on  solitude,  translated  into  Latin.  —  Busy  curious  thirsty  fly.  ■ —  Gray's  Church- 
yard elegy,  in  Latin.  —  The  rival  sisters.  —  Prologue,  occasioned  by  the  death 
of  Mr.  Henderson.  —  Postscript. 
The  Grecian  daughter;  a  tragedy.  [London.  1826.]  12  pp.  [The 
London  stage.     3.I  **T.96.289 

There  is  no  title-page. 

Musee  Moliere,  Paris.. 

Catalogue.     Paris.     1873.    8  pp.  **T.56.235 

Muses,  Les,   du   foyer  de  I'opera.     Choix  des  poesies   libres,   galantes, 

satyriques    et   autres,   les   plus    agreables    qui   ont    circule    depuis 

quelques  annees  dans  les  societes  galantes  de  Paris.     Bruxelles. 

Kistemaeckers.     1883.     (2),  236  pp.      [fitrennes  aux  joyeux.] 

**T.95.i43 

N 

Nadaud,  Gustave. 

Le  conte  du  garde.  (In  Saynetes  et  monologues.  Serie  i,  pp.  35-41- 
Paris.     1877.)  **T.37.246 

L'examen  de  conscience  d'une  jeune  fille.  (In  Saynetes  ct  mono- 
logues.   Serie  i,  pp.  153-158.     Paris.     1877.)  **T.37.246 

L'oraison  funebre  de  Madame  Bourgeois.  (In  Saynetes  et  mono- 
logues.    Serie  i,  pp.  125-131.     Paris.     1877.)  **T.37.246 

Un  proverbe  manque.     Scene  a  deux  personnages.     (In  Saynetes  et 

monologues.     Serie  i,  pp.  15-26.     Paris.     1877.)  **T.37.246 

Nana,  Judith,  Lolo  et  cie.     Avec  une  preface  par  Eugene  Gaillet.     Paris. 

1884.     142  pp.  **T.98.i5 

Napoli-Signorelli,  Pietro. 

Discorso  storico-critico  da  servire  di  lume  alia  Storia  critica  de' 
teatri,  e  di  risposta  all'  autore  del  Saggio  apologetico.  In  Napoli. 
1783.     Nella  stamperia  di  Amato  Cons.     (8),  240  pp.  **T.46.42 

Storia  critica  de'  teatri  antichi  e  moderni.  In  Napoli.  1787-90. 
Presso  Vincenzo  Orsino.    6  v.  .  **T.46.40 

Same.  Addizioni.  Napoli.  1798.  Presso  Michele  Migliaccio.  (8), 
344,  (8)  pp.  **T.46.4i 

Nares,  Robert. 

A  glossary;  or,  collection  of  words,  phrases,  names,  and  allusions  to 
customs,  proverbs,  etc.,  in  the  works  of  English  authors,  par- 
ticularly Shakespeare  and  his  contemporaries.  New  edition,  with 
additions  by  James  O.  Halliwell  and  Thomas  Wright.  London. 
Reeves  &  Turner.    1888.    2  v.  **T.96.i36 

Contents.  ■ —  r.  A  -  J.     2.   K  -  Z. 

Neilson,  Francis. 

Madame  Bohemia.  [A  novel.]  Illustrated  by  Charlotte  Harding. 
Philadelphia.     J.   B.   Lippincott   Co.     1901.      (3),  4^0  PP-      Plates. 

**T.87.ii 

Neue  Thalia,  herausgegeben  von  Schiller.     Band  i.     Leipzig,  bey  Georg 

Joachim  Goschen.     1792.     (4),  420  pp.  **T.98.52 

A  collection  of  prose  and  poetry. 

Nevile,  Thomas. 

Remarks  on  Mr.  Mason's  Elfrida,  in  letters  to  a  friend.  [Anon.] 
London:  Printed  for  J.  and  R.  Tonson  and  S.  Draper,  and  sold 
by  J.   Roberts.     1752.     61   pp.  **T.97.64 

[914] 


BROWN   COLLECTION   OF  BOOKS    ON   THE   STAGE 


Nevaie,  Henry  G. 

The  yellow  passport.  A  melodrama,  in  prologue,  and  four  acts 
^Tn';]  ^'T^}''^\  Hugo's  'Les  miserables-  by  Henry  NcvU  e 
[Londonr]     Pnnted,  at  home,  for  private  circulation.     ,872.    71  if. 

New  English  drama,  The  with  prefatory  remarks.  bio*g7aphictl 
^A.  /u  Z^A""}^''  "^''^  *^^  ''^^^  ^"^i"^ss  and  stage  directions 
Edited  by  W.Oxberry.  London.  Simpkin  &  Marshall  ig.SMs'sJ* 
20  V.     Portraits.     Diagrams.  **T  ^7 1 

By  R'^B'^SheHd'a!:  "'Vh/t^  "!'t'!!'-*"  ^^  '''^''^  ^^^^-«--  "  '^^'^  ^^- 
x>y    rs.     ii.    snenaan.    —    ihe    West    Indian.      By    Richard    CumlK-rlan.l  Tu^ 

hypocrue.      Altered    from    Colley    Gibber's    Non^iuror     by    BiTkcrsta  /'    ~   Thl 

duenna.  By  R^  B.  Sheridan.  —  Lionel  and  Clarissa.  By  Isaac  Bickcrstaff  .- 
The  maid  of  the  mill.  By  Isaac  Bickerstaff.  -  Love  in  a  village  By  Isaac 
sJetr'^Is'-h''"''''  *'^  l^'"k  ^^'^.  Shakspeare.  -  Hamkl  ^By  w'  Shak' 
Natbani^T  ..  T^'""''         \  ^^T?'   ^"^"'"^y-    "   Alexander   the    Great.      By 

Nathaniel  Lee.  —  The  way  to  keep  hira.  By  Arthur  Murphy.  4.  She  stoops  to 
conquer.  By  Oliver  Goldsmith.  -  Venice  preserved.  By  Thomas  O.wa  -  - 
The  wonder.  By  Mrs.  Susanna  Centlivre.  —  The  castle  spectre.  By  M  <; 
7'^  T  .  woodman's  hut.  5.  The  clandestine  marriage.  By  G  Colman 
^^,-u-  ^l","'''-  ~  '^^^  soldier-s  daughter.  By  A.  Cherry.  -  O'hello.  By 
William  Shakspeare.  —  The  distrest  mother.  By  Ambrose  Philips  —  The 
provoked  husband,  or  a  journey  to  London.  By  Vanbrugh  and  CiM.er  6 
Ueaf  and  dumb.  By  Thomas  Holcroft.  —  The  busy  body.  By  Mrs.  Ccnllivre 
--  Romeo  and  Juliet.  By  W.  Shakspeare.  —  The  belle's  stratagem.  By  Mrs 
Cowley.  —  The  recruiting  officer.  By  G.  Farquhar.  7.  A  bold  stroke  for  n  wi-e. 
By  Mrs.  Centhvre.  —  The  road  to  ruin.  By  T.  Holcroft.— The  beaux'  stratagem 
By  George  Farquhar.  —  As  you  like  it.  By  W.  Shakspeare.  —  King  John.  By 
William  Shakspeare.  8.  The  country  girl.  Altered  from  Wvcherley,  by  David 
Garrick.  —  Jane  Shore.  By  Nicholas  Rowe.  —  Coriolanus ;  or,  the  Rom,in 
matron.  By  W.  Shakspeare.  —  The  suspicious  husband.  By  Dr.  Hoadly.  — 
The  merry  wives  of  Windsor."  By  W.  Shakspeare.  9.  The  critic;  or,  a  tragedy 
rehearsed.  By  R.  B.  Sheridan.  —  Rosina.  By  Mrs.  Frances  Brookes.  —  The 
honest  thieves.  By  T.  Knight.  —  The  Mayor  of  Garratt.  By  Samuel  Foote.  — 
Three  weeks  after  marriage.  By  Arthur  Murphy.  —  The  shipwreck.  By  Sa=.iucl 
James  Arnold.  —  Rugantino ;  or,  the  bravo  of  Venice.  By  M.  G.  Lewis.  10. 
King  Lear.  Altered  from  Shakspeare,  by  Nahum  Tate.  —  The  inconstant;  or, 
the  way  to  win  him.  By  G.  Farquhar.  —  The  merchant  of  Venice.  By  William 
Shakspeare.  —  Rule  a  wife  and  have  a  wife.  Altered  from  Beaumont  and 
Fletcher,  by  David  Garrick.  —  Rob  Roy  Macgregor;  or,  auld  lang  syne.  By  J. 
Pocock.  II.  The  magpie;  or,  the  maid  of  Palaiseau.  [From  the  French 
of     Caigniez     and     Baudouin     d'Aubigny.]    —  The     Quaker.       By     C.     Dibdin. 

—  The  citizen.  By  Arthur  Murphy.  —  The  miser.  By  Henry  Fielding.  — 
The  deserter.  By  C.  Dibdin.  —  The  lying  valet.  By  Mr.  Garrick.  —  Who's 
the  dupe.  By  Mrs.  Cowley.  12.  Guy  Mannering;  or,  the  gipsey's  prophecy  I 
By  Daniel  Terry.  —  Cymbeline.  By  William  Shakspeare.  • —  Twelfth  night ;  or, 
what  you  will.  By  William  Shakspeare.  —  The  confederacy.  By  .Sir  John 
Vanbrugh.  —  Douglas.  By  John  Home.  13.  The  tobacconist.  Altered  from 
Ben  Joiison,  by  Francis   Gentleman.  — ■  The  midnight  hour.     By  Mrs.   Inchbald. 

—  Fortune's  frolic.  By  J.  T.  Allingham.  —  Love  laughs  at  locksmiths.  By 
George  Colinan.  —  The  review;  or,  the  wags  of  Windsor.     By  George  Colman. 

—  The  follies  of  a  day.  By  Thomas  Holcroft.  14.  Know  your  own  mind.  By 
Arthur  Murphy.  —  Macbeth.  By  Williarri  Shakspeare.  —  The  Grecian  daughter. 
By  Arthur  Murphy.  —  King  Henry  IV.  By  William  Shakspeare.  —  Evadne; 
or,  the  statue.  By  R.  Sheil.  15.  Blue  devils.  By  George  Colman.  —  High  life 
below  stairs.      [By  James  Townley.]   —  The  spoiled  child.      [By   Prince  Hoare.] 

—  Midas.  By  Kane  O'Hara.  —  Bon  ton;  or,  high  life  above  stairs.  [By 
David  Garrick.]  —  The  liar.  By  Samuel  Foote.  16.  Every  man  in  his 
humour.  Altered  from  Ben  Jonson^  by  David  Garrick.  —  Measure  for  measure. 
By  W.  Shakspeare.  —  Julius  Cssar.  By  William  Shakspeare.  —  The  man  of 
the  world.  By  Charles  Macklin.  —  Every  one  has  his  fault.  By  Mrs.  Inchbald. 
17.  The  two  gentlemen  of  Verona.  By  William  Shakspeare.— The  tempest.  By  W. 
Shakspeare. — Cato.  By  Joseph  Addison. — George  Barnwell.  By  George  Lillo. — 
The  travellers;  or,  music's  fascination.  By  A.  Cherry.  18.  All  in  the  wrong.  By  A. 
Murphy.  —  The  winter's  tale.  By  W.  Shakspeare.  —  King  Henry  VIII.  By 
W.  Shakspeare.  —  One  o'clock!  or  the  knight  and  the  wood  dcemon.  By  M. 
G.   Lewis.  —  The  chapter  of  accidents.     By   Miss  Lee.     19.  The  devil  to  pay. 

[915] 


THE   PUBLIC  LIBRARY   OF   THE    CITY   OF  BOSTON 


New  English  drama.  The.     (Continited.) 

\^y  C.  Coffey.  —  Kenihvorth.  —  Lodoiska.  By  J.  P.  Kemble.  —  Pizarro.  By 
R.  B.  Sheridan.  —  Love  a  la  mode.  By  C.  Mackliii.  —  Tamerlane.  T>y  -Nicholas 
Rowe.  20.  Sylvester  Daggerwood.  By  G.  Colman.  —  Rich  and  poor.  By  M. 
r..  Lewis.  —  The  gamester.  By  Edw^ard  Moore.  —  Much  ado  about  nothing. 
By  W.  Shakspeare.  —  King  Henry  V.  By  W.  Shakspeare.  —  A  trip  to  Scar- 
borough. By  R.  B.  Sheridan. 
New  Puppet  Show,  The.  [Weekly.]  Vol.  1-3;  [new  series]  no.  1-6. 
Mar.  18,  1848 -July  14,  1849.  London.  1848,  49.  4  v.  in  i.  Illus. 
Plates.  **T.23.i5 

A  comic  weekly.     Vol.s.   1-3  have  the  title  The  Puppet  Show. 
New  tale,  A,  of  a  tub,  concerning  one  Goody  Law,  old  Father  Discipline, 

and  young  Master  Nicodemus.     London:   Printed   for   Witwould 

Wiseacre.     [17—?]     (i),  14  PP-  **T.97-48 

New  York   drama,   The.     A   collection   of  tragedies,   comedies,    farces, 

etc.     No.   1-17,   19-45,  47-60.     New  York.     Wheat  &  Cornett    [& 

Cornett.     1873-^0].     4  v.  **T.34.5 

The  title-pages  are  missing. 

Contents.  —  I.  The  lady  of  Lyons.  —  To  oblige  Benson.  —  A  kiss  in  the  dark. 

—  London  assurance.  —  My  husband's  secret.  —  Two  flats  and  a  sharp.  —  The 
stranger.  —  Mr.  Joffins'  latch-key.  —  An  unprotected  female.  —  Richelieu.  — 
The  married  rake.  —  A  happy  pair.  —  Brutus.  —  Delicate  ground.  —  The 
persecuted  Dutchman.  • —  Julius  Csesar.  —  The  plague  of  my  life.  —  For  better 
or  worse.  —  Money.  —  A  crimeless  criminal.  —  I'll  tell  your  wife.  —  Ion.  — 
A  husband  in  clover.  —  My  uncle's  suit.  —  Caste.  • — •  Slasher  and  Crasher.  —  A 
lame  excuse.  —  The  school  for  scandal.  —  My  neighbor's  wife.  —  The  darkest 
hour.  —  She  stoops  to  conquer.  —  My  turn  next.  —  Marry  in  haste.  —  The  rent 
day.  —  Used-up.  —  Only  somebody.  —  Douglas.  —  Captain  of  the  watch.  — 
The  obstinate  family.  —  The  iron  chest.  —  The  good  for  nothing.  —  Love  and 
rain.  —  The  follies  of  a  night.  —  My  uncle's  will.  —  Which  is  which.  2.  Satan 
in  Paris.  —  The  absent  man.  —  Two  gentlemen  in  a  fix.  —  Don  Ca-sar  de 
Bazan.  —  His  last  legs.  —  Locked  in  with  a  lady.  —  Charles  the  Second.  — 
Rip  Van  Winkle.  —  His  own  enemy.  — •  The  two  orphans.  —  A  fairy's  father. 
A  silent  woman.  —  The  love  chase.  —  The  fast  coach.  —  Brown  the  martyr.  — • 
Home.  —  The  palace  of  truth.  —  Personation.  —  David  Garrick.  —  Woodcock's 
little  game.  —  Yankee  peddler.  —  Camille.  —  Taming  a  tiger.  —  The  blow  in 
the  dark.     3.  Charity.  —  Raising  the  wind.  —  Plots  for  petticoats.  —  Virginius. 

—  My  very  last  proposal.  —  Lodgers  and  dodgers.  —  The  rivals.  —  A  lucky 
sixpence.  —  Under  an  umbrella.  —  Love's  sacrifice.  —  A  pleasant  evening.  — 
Trial  by  jury.  —  Frou-frou.  • —  A  night  of  suspense.  —  Sam  Weller's  visit.  — 
Venice  preserved.  ■ —  Lend  me  five  shillings.  —  Box  and  Cox.  3.  The  wife.  — 
Blighted  love.  —  John  Wopps.  —  Ruy  Bias.  ^  My  wife's  bonnet.  —  Who 
speaks  first.  —  Asmodeus.  —  Little  Toddlekins.  —  The  last  lily.  —  Pizarro.  — 
The  young  scamp.  —  That  rascal  Pat.  —  Ingomar.  —  Tweedleton's  coat-tail. 
Locked  out.  —  School.  —  A  cup  of  tea.  —  Trott's  troubles.  —  Fame.  —  A  cure 
for  the  fidgets.  —  Love.  —  Fazio.  —  A  pretty  piece  of  business.  —  The  Old 
Guard.  —  Partners  for  life.  —  The  dead  shot.  ■ —  Extremes  meet.  —  The  honey- 
moon. — ■  Cut  off  with  a  shilling.  —  Pretty  predicaments.  —  The  fool's  revenge. 

—  A  regular  fix.  —  Should  this  meet  the  eye.  —  Les  Fourchambault.  ■ —  One 
too  many.  —  Obliging  a  friend.   —  Ours.  —  The   little  vixens.   —  Kill   or  cure. 

—  Deborah.  —  Monsieur  Tonson.  —  The  stage-struck  Yankee.  —  The  jealous 
wife.  —  A  night  at  Netting  Hill.  —  Bumble's  courtship.  4.  The  hunchback.  >— 
Only  a  flirtation.  —  The  masquerade.  —  Evadne.  —  A  blighted  being.  —  Going 
to  the  dogs.  —  Wild  oats.  —  Go  to  Putney.  —  Picking  up  the  pieces.  —  A  new 
way  to  pay  old  debts.  —  Your  vote  and  interest.  —  Gertrude's  money  box.  — 
Rienzi.  —  Sweethearts.  —  Cool  as  a  cucumber.  —  Heroes.  —  A  peculiar  position. 

—  Family  pictures.  —  Coriolanus.  —  Forty  winks.  —  Sold  again.  —  Society.  — 
That  blessed  baby.  —  His  novice.  —  Pygmalion  and  Galatea.  —  Handy  Andy. 

—  A  day's  fishing.  —  Gabrielle  de  Belle  Isle.  —  Just  my  luck.  —  Mabel's 
holiday.  —  Pride  of  the  market.  —  Kenilworth.  —  The  lost  child.  --  No 
thoroughfare.  —  The  manager's  daughter.  —  A  winning  hazard.  —  Henry 
Dunbar.  —  The  sentinel.  —  Peace  and  quiet.  —  The  Lancashire  lass.  —  Deeds 
of  dreadful  note.  —  Master  Jones'  birthday. 

Newburgh  expedition.  The;  or,  musical  catastrophe.     Owre  true  a  tale. 

With  an  epistle  to  a  brother  musician.     Perth.     Morison.     1823. 

24  pp.  **T.98.76 

Nicholas,  pseud.     See  Prowse,  William  Jcffery. 

[916] 


BROWN    COLLECTION    OF   BOOKS    ON    THE   STAGE 


Noel,  Eugene. 

/    S^venirs  de  Beranger.     Paris.     Pagnerre.     1857.     123  pp.     Portrait. 

/  y^  ♦♦T.so  31 

yNon-juror,  A,  pseud. 

The  Theatre-Royal  turn'd  into  a  mountebank's  stage.  In  some  re- 
marks upon  Mr.  Gibber's  quack-dramatical  performance,  called 
The  non-juror.  By  a  Non-juror.  London:  Printed  for  J..hn 
Morphew.     1718.     (i),  38  pp.  **T.Q7.4o 

Another  copy  is  on  shelf-number  **T.s7.98. 

Notice  sur  le  monument  erige  a  Paris  par  souscription  a  la  gloirc  do 
Moliere.  Suivie  de  pieces  justificatives  et  de  la  liste  generate  dcs 
souscripteurs.  Publiee  par  la  Commission  de  souscription.  Paris. 
Perrotin.     1844.    xxxix,  96  pp.     Plates.     Plan.  •♦T.gs.go 

Nougaret,  Pierre  Jean  Baptiste. 

Les  jolis  peches  d'une  marchande-de-modes.  Roman  gallant.  Nou- 
velle  edition  conforme  a  la  troisieme.  Paris.  Samson.  1882.  (6/, 
92,  (i)  pp.  **T.89.2 

o 

O'Brien,  Fitz-James. 

A  gentleman  from  Ireland.     A  comedy,  in   two  acts.  [New   York. 

French.      i86-?l      3-20    pp.      [The    minor    drama.  [The    acting 

edition.     No.   156.]  **T.37.253 

The  title-page  is  missing. 

O'Connor,  William  Douglas. 

Hamlet's  note-book.    Boston.    Houghton,  Mifflin  &  Co.    1886.    78  pp. 

**T.57.35 

A    reply    to    Richard    Grant    White's    review    of    Mrs.    Henry    Pott's    edition    of 
Bacon's  Promus,  entitled  The   Bacon- Shakespeare  craze. 

Office  de  paques,  ou  de  la  resurrection.  Accompagne  de  la  notation 
musicale  et  suivi  d'hymnes  et  de  sequences  inedites.  Public  pour 
la  premiere  fois  d'apres  un  manuscrit  du  xiie  siecle  de  la  Biblio- 
theque  de  Tours  par  Victor  Luzarche.  Tours.  Bousercz.  1856. 
(3),  xxxii,  70  pp.     Musical  facsimiles.  **T.35.i9 

The  bastard  title  and  half  title  read:  Officium  sepulchri  et  hymni  Latini, 

O'Hara,  Kane. 

Midas,  a  burletta.     Printed  from  the  acting  copy,  with  remarks  by 
D.  —  G.     Added,  the  costume  and  the  stage  business.     London. 
Cumberland.     [1829?]     32  pp.     Plate.     [British  theatre.     Cumber- 
land.] **T.99.9 
Ohnet,  Georges. 

Aux  avant-postes.      Comedie   en   un   acte.      (In   Saynetes   et   mono- 
logues.    Serie  i,  pp.   173-198.     Paris.     1877.)  **T.37.246 
O'Keeffe,  John. 

Wild  oats:   or,  the  strolling  gentleman.     A  comedy.     In   five  acts. 

With  editorial  remarks,  costumes,  and  stage  business.    New  York. 

French.     [185-?]     73  pp.     Diagram.     [French's  Standard  drama. 

The  acting  edition.     No.  244.]  **T.37.3i 

Olivier,  Gabriel  Raimond  Jean  de  Dieu  Frangois  d'. 

L'esprit  d'Orphee,  ou  de  I'influcnce  respective  de  la  musiqnc.  de  la 
morale  et  de  la  legislation.  Paris,  Charles  Pougens.  .^n  vi. 
(1798.)      (3),  92  pp.  **T.97.67 

One  of  the  fancy,  pseud.    See  Moore,  Thomas. 
Onimus,  Ernest  Nicolas  Joseph. 

La  psvchologie  dans  les  drames  de  Shakspeare.  Paris.  Claye.  1876. 
(3)',  23  pp.  **T.94.i5 

[917] 


THE  PUBLIC  LIBRARY   OF   THE    CITY    OF  BOSTON 


Osmond,  Ranulphe  Marie  Eustache,  Marquis  d'. 

Le  theatre  de  I'a-peu-pres.  Changements  a  vue,  trappes  et  prati- 
cables.     Paris.     Dentu.     1878.     (3),  103,  (i)  pp.  **T.97.328 

Ossoli,  Sarah  Margaret  Fuller,  Marchesa  d'. 

Art,  literature,  and  the  drama.  Edited  by  her  brother,  Arthur  B. 
Fuller.     New  York.     The  Tribune  Association.     1869.     449  pp. 

**T.97=iio 

Contents.  —  A  short  essay  on  critics.  —  A  dialogue.  —  The  two  Herberts.  —  The 
prose  works  of  Milton.  —  The  life  of  Sir  James  Mackintosh.  ■ —  Modern  British 
poets.  —  The  modern  drama.  —  Dialogue,  containing  sundry  glosses  on  poetic 
texts.  —  Poets  of  the  people.  —  Miss  Barrett's  poems.  ■ —  Browning's  poems.  — 
Lives  of  the  great  composers.  —  Haydn,  Mozart,  Handel,  Bach,  Beethoven.  —  A 
record  of  impressions  produced  bj'  the  exhibition  of  Mr.  AUston's  pictures,  in 
the  summer  of  1839.  —  American  literature;  its  position  in  the  present  time  and 
prospects  for  the  future.  ■ —  Swedenborgianism.  —  Methodism  at  the  fountain.  — 
A  rhythmical  translation  of  Goethe's  Tasso. 

Owen,  Orville  W. 

A  celebrated  case.  Bacon  vs.  Shakespeare.  In  the  court  of  "The 
Arena."  Request  to  reopen.  Brief  for  plaintiff.  [Detroit.  1893.] 
(2),   16  pp.  **T.95.45 

There  is  no  title-page. 

Owen,  William. 

Owen's  New  book  of  fairs.  Being  a  complete  and  authentic  account 
of  all  the  fairs  in  England  and  Wales.  New  edition,  with  addi- 
tions. London.  Scatcherd.  1824.  viii,  148  pp.  **T.98.38 
Oxberry,  ^Yilliam,  compiler. 

Encyclopocdia  of  anecdote:  containing  anecdotes  of  illustrious  and 
eccentric  characters  of  all  nations.  London.  [1812.]  (2),  356  pp. 
Plate.  **T.59.2 

The  theatrical  banquet;  or,  the  actor's  budget:  consisting  of  mono- 
logues, prologues,  addresses,  tales,  Sac,  serious  and  comic.  With 
Collins's  Evening  brush,  and  a  collection  of  theatrical  anecdotes, 
comic  songs,  &c.     London.     Appleyards.     1809.     2  v.         **T.99.2 

Same.  The  actor's  budget;  consisting  of  monologues,  prologues, 
epilogues,  and  tales,  serious  and  comic:  theatrical  anecdotes  and 
comic  songs.  London.  Simpkin  &  Marshall.  1820.  (4),  iv,  (4), 
346  pp.  **T.97.334 


Paccard,  Jean  Edme. 

La   chute   des   feuilles,   elegie.     Paris.     L'auteur.      1818.     24  pp. 

**T.97.i43 
Young  et  Narcisse,  elegie  avec  notes  et  anecdotes.     Paris.     L'auteur. 
1818.     16  pp.     Plate.  **T.96.247 

Packwood,  George. 

Packwood's  Whim.  The  goldfinch's  nest;  or,  the  way  to  get  money 
and  be  happy.  Printed  July  23,  179C.  Sold  by  the  author,  London. 
48  pp.     Portrait.  **T.96.22i 

Principally   advertisements   of    Packwood's   razor   strops. 

Pages,  Jean  Pierre. 

De  la  censure.  Lettre  a  M.  Lourdoueix.  (France  chretiennc.)  t,*^ 
edition.     Paris.     Bureau  de  la  France  chretienne.     1827.     35  pp. 

**'r.97.i3 
Paget,  A.  H. 

Shakespeare's  plays:  a  chapter  of  stage  history.  An  essay  on  the 
Shakesperian  drama.  London.  Wilson.  1875.  47  pp.  **T.56.i57 
Other  copies  are  on  shelf-numbers  **T.56.8o;   **T.96.28s ;   **T  97.32. 

1918] 


BROWN    COLLECTION    OF   BOOKS    ON    THE   STAGE 


Palmer,  John,  compiler. 

The  new  spouter's  companion;  or,  a  choice  collection  of  prologues 
and  epilogues.  London:  Printed  for  Alex.  Hogg  and  sold  hy  T. 
Lewis.     [17—?]     112  pp.     Plate.  **T.37.6 

Parigot,  Hippolyte. 

finiile  Augier.    Paris.    Lecene,  Oudin  &  c'^.     1890.    238,  (i)  pp.     Por- 
traits.    Plates.  **T.56.i54 
Paringault,  Eugene. 

La  languc  du  droit  dans  Ic  theatre  dc  Moliere.  Paris.  Durand.  1X61. 
SI  PP-  **T.95.i25 

Paris  at  night.  Sketches  and  mysteries  of  Paris  high  life  and  demi- 
monde. Nocturnal  amusements.  How  to  know  them!  How  to 
enjoy  them!!  How  to  appreciate  them!!!  Boston.  Boston  & 
Paris  Publishing  Co.  ^  1875.     iSO  pp.  **T.97.i8g 

Parisis,  pseud.    See  Blavet,  Emile  Raymond. 
Parodi,  Dominique  Alexandre. 

Le   theatre   en   France.     Paris.     Hennuyer.     1885.     vii,   328  pp. 

**T.47-77 
Parry,  James. 

The  true  Anti-Pamela:  or,  memoirs  of  Mr.  James  Parry,  late  organist 
of  Ross  in  Hertfordshire.  Inserted,  his  amours  with  the  cele- 
brated   Miss   of    Monmouthshire.      Interspers'd    with    many 

love-letters  which  passed  between  them.  2d  edition.  LdiuIod: 
Printed  for  the  author.     1742.    359  pp.  **T.58.io7 

Pasquin,  Anthony,  Esq.,  pseud.     See  Williams,  John. 
Pate,  Lucien. 

A  Corneille.  Poesie  dite  a  la  Comedie-frangaise  par  M.  Maubant  le 
6  juin  1876  pour  le  2706  anniversaire  de  la  naissance  de  Corneille. 
Paris.     Tresse.     1876.     8  pp.  **T.57.6i 

Patterson,  Robert. 

The  natural  history  of  the  insects  mentioned  in  Shakspeare's  plays. 
London.     Newman  &  Co.     1841.     xv,  270  pp.     Illus.     Portrait. 

**T.58.ia 
Paul,  Adrien. 

Les  usuriers.  Floueurs  et  floues.  Dessins  par  Benassis.  Paris.  Le 
Chevalier.    1868.    127,  (i)  pp.    Plates.    [Physionomies  parisiennes.] 

**T.99.38 

Paul  Pry.     [Weekly.]     Vol.  i  (no.  19).    June  24,  1826.     [London.     1826.] 

289-304  pp.     Illus.  **T.25.25 

Paul  Pry,  in  which  are  all  the  peculiarities,  irregularities  of  Paul   Pry. 

as  performed  by  Liston.     London.     Hughes.     [182-?]     24  pp. 

**T.87.35 
Payne,  John  Howard. 

Brutus;  or,  the  fall  of  Tarquin.  A  tragedy  in  five  acts.  With  the 
stage  business,  costumes,  etc.  New  York.  French.  i  185-?] 
S3  pp.      [French's  Standard  drama.     No.   50.]  **T.37.32 

Peele,  George. 

Works.  Edited  by  A.  H.  Bullen.  London.  Nimmo.  1888.  2  v. 
[The  English  dramatists.]  **T.36.27 

Contents.  —  i.  Introduction.  —  The  arraignment  of  Paris.  —  Edwarl  ;hc  I-i-.'^i 
—  The  battle  of  Alcazar.  —  The  old  wives'  tale.  —  The  device  of  t'lc  -.Mef.iiit, 
etc.  —  Descensus  Astr.-ere.  2.  David  and  Bethsabe.  —  Sir  Clyomon  an  1  Sir 
Clamydes.  —  A  farewell  to  Sir  John  Norris  and  Sir  Francis  Drake,  etc. ;  and  a 
tale  of  Troy.  —  An  eclogue  gratulatory.  —  Polyhymnia.  —  Speech.--  to  Queen 
Elizabeth  at  Theobald's.  —  The  honour  of  the  Garter.  —  Anglorum  feri.x, 
England's  holidays.  —  Miscellaneous  poems.  —  Merry  conceited  jests  of  George 
Peele.  —  Index. 

[919] 


THE  PUBLIC  LIBRARY   OF   THE   CITY   OF  BOSTON 


Peeping  Tom  and  Lady  Godiva.  A  brief  account  of  the  origin  and 
mode  of  conducting  the  show  fair  at  Coventry.  Coventry.  Rolla- 
son.     1839.     41  pp.     Plate.  **T.98.io8 

Peladan,  Josephin. 

Le  Prince  de  Byzance.  Drame  romanesque  en  cinq  actes.  Paris. 
Chamuel.     1896.     (4),  137  pp.     [Theatre  de  la  rose  t  croix.] 

**T.35.i2 

La    Prometheide.      Trilogie    d'Eschyle    en    quatre    tableaux.      Paris. 

Chamuel.     1895.    xiii,  (3),  163  pp.    Portrait.     [Theatre  de  la  rose  t 

croix.]  **T.35.i3 

Pellet,  Jean  Frangois. 

Vicissitudes  des  empires.  Ode.  Neufchateau.  Beaucolin.  [1810.] 
8  pp.  **T.96.244 

Pelletier-Volmeranges,  Benoit. 

Le  devoir  et  la  nature;  drame  en  cinq  actes  et  en  prose.  A  Paris, 
au  bureau  general  du  Mercure  de  France,  chez  Cailleau.  An  vii 
[1798/99].     131   pp.  **T.97.68 

Perm,  John. 

Letters  on  the  drama.  [Anon.]  London:  Printed  for  Elmsly.  1796. 
80  pp.  **T.96.i84 

Pennell,  Joseph,  and  Elizabeth  Robins  Pennell. 

Play  in  Provence:  being  a  series  of  sketches.  London.  Unwiu.  1892. 
202  pp.     Illus.     Plates.     Music.  **T.97.74 

Perez  Galdos,  Benito. 

Electra.  A  drama  in  five  acts.  [Translated  from  the  Spanish.] 
Portrait.  {In  Drama,  The.  191 1,  no.  2,  pp.  12-138.  Chicago. 
1911.)  **T.i5.i7.i 

Preceded  by  an  account  of  the  author. 

Perlet,  Adrien. 

De  I'influence  des  moeurs  sur  la  comedie.     Discours  suivi  de   deux 
etudes  sur  les  roles  du  Misanthrope  et  du  Tartufe.     2e   edition. 
Paris.     Dauvin  &  Fontaine.     1848.     (4),  221,  (i)  pp.        **T.97.i37 
Perret,  Paul. 

La  parisienne.  Dessins  par  Vernier.  Paris.  Le  Chevalier.  1868. 
127,    (i)   pp.     Plates.      [Physionomies   parisiennes.]  **T.99.34 

Pairing,  Sir  Philip,  Baronet. 

Hard  knots  in  Shakespeare.  2d  edition.  London.  Longmans,  Green 
&  Co.     1886.     xiv,  477  pp.  **T.56.28 

Persigny,  Jean   Gilbert  Victor  de  Fialin,  Due  de. 

Lettre  sur  la  liberte  de  la  presse  adressee  aux  journaux.  Paris. 
Dentu.     1868.     31  pp.  **T.95.i3i 

Person,  Leonce. 

Histoire  du  Venceslas  de  Rotrou.  Suivie  des  notes  critiques  et 
biographiques.     Paris.     Cerf.     1882.     148  pp.  **T.57.329 

The  author  maintains  that   Rotrou's   Venceslas   was  inspired  by   Rojas   Zorrilla'-s 
\o  ay  ser  padre  siendo  rey. 

Peter  Wilkins;  or,  the  flying  islanders.  A  melo  dramatic  spectacle  in 
two  acts.  Manuscript.  [Birmingham?  1845?]  (47)  ff.  **T.35.ii 
A  dramatization  of  The  life  and  adventures  of  Peter  Wilkins  [pseud,  of  Robert 
Paltock]. 

Peterson,  Henry. 

Cc'csar;  a  dramatic  study  in  five  acts.  Philadelphia.  Peterson  &  Co. 
1879.     72  pp.  **T.97.288 

Petit  de  Julleville,  Louis. 

Histoire  du  tlicatre  en  France:  La  comedie  et  les  moeurs  en  France 
au  moyen  age.     Paris.     Cerf.     1886.     (3),  361,  (i)  pp.         **T.47.64 

[920] 


i 


BROWN    COLLECTION    OF   BOOKS    ON    THE   STAGE 


Petit  de  JuUeville,  Louis.     (Continued.) 

Le  theatre  en  France.  Histoire  de  la  litteraturc  drauiatiquc  depuis 
ses  ongines  jusqu'a  nos  jours.     Paris.     Colin  &  ci«--      1880     xi    4-12 

(^)  PP-  •♦tV?  16 

Petite  biographic  des  chansonniers  du  xixc  siecle.     Par  un  rcstauratJur 

tres  connu  de  ces  messieurs.     Paris.     1826.     6^  nn  **Toqi:7 

Philippe,  Adolphe.  '  '  '^'^^ 

Don  Caesar  de  Bazan.     A  drama  in  three  acts.     [By  Dumanoir  and 

Philippe.]     With  the  stage  business,  costumes,  &c.     New   York 

Taylor  &  Co.     1854.     47  Pp.  **T  37  4s 

Translated  by  G.  A.  A  Beckett  and  Mark  Lemon. 

Philips,  Ambrose. 

The  distrest  mother.     See  Racine,  Jean.     The  distrest  mother. 
Phillips,  Teresia  Constantia. 

An  apology  for  the  conduct  of  Mrs.  T.  C.  Phillips.  London:  frinted 
for  the  author.     1748,  49.     3  v.     Portrait.  **T.57.66 

Phipson,  Emma. 

The  animal-lore  of  Shakspeare'stime.  Including  quadrupeds,  birds, 
reptiles,  fish  and  insects.  London.  Kegan  Paul,  Trench  &  Co.' 
1883.    xvi,  476  pp.     Plate.  **T.56.27 

Authors  and  editions  quoted,  pp.  xi-xvi. 

Picot,  Auguste  fimile. 

Le  monologue  dramatique  dans  I'ancien  theatre  frangais.  Paris. 
1886-1888.     (3),  240  pp.  **T.44.4 

Picot,  Emile.     See  Picot,  Auguste  fimile. 
Piedagnel,  Alexandre. 

Jules  Janin.  1804-1874.  Paris.  Librairie  des  bibliophiles.  1874.  106, 
(i)   pp.     Portrait.  **T.58.i34 

Pinchbeck,  William  Frederick. 

The  expositor;  or  many  mysteries  unravelled.  Delineated  in  a 
series  of  letters.  Comprising  the  learned  pig,  —  invisible  lady 
and  acoustic  temple  .  .  .  and  various  other  curiosities  on  similar 
principles:  also,  a  few  of  the  most  vi^onderful  feats  as  performed 
by  the  art  of  legerdemain:  with  some  reflections  on  ventriloquism. 
Boston.     The  Author.     1805.     3-100  pp.  **T.97.354 

Pinero,  Sir  Arthur  Wing. 

Iris.    A  drama  in  five  acts.     New  York.    Russell.     1902.     (6),  224  pp. 

Plates.  **T.37.i97 

The  magistrate.    A  farce  in  three  acts.     London.     Heinemann.     1892. 

X,  (3),  164  pp.  **T.38.32 

Introductory  note  by  Malcolm  C.  Salaman. 

The  notorious  Mrs.  Ebbsmith.  A  drama  in  four  acts.  London. 
Heinemann.     1895.     (7),  224  pp.  **T.38.9 

Robert  Louis  Stevenson  as  a  dramatist.  With  an  introduction  by 
Clayton  Hamilton.  New  York.  1914.  (5),  78,  (i)  pp.  [Columbia 
University.  Dramatic  Museum.  Publications.  Series  i.  Papers 
on  play-making.     No.  4.]  **T.46.6o.4 

Bibliographical  appendix,  pp.   73-78. 

Pitt,  George  Dibdin. 

Susan    Hopley;    or,   the   vicissitudes   of   a   servant   girl:   a   domestic 

drama,  in  three  acts.     Printed  from  the  acting  copy,  with  remarks, 

by  D  —  G.    Added,  the  costume  and  the  stage  business.     London. 

Davidson.     [184-?]     3-50  pp.  **T.99.io 

Plagiary,  Peter,  pseud. 

The  song  smith,  and  story  stitcher;  or,  the  humours  of  a  strolling 
player:  a  dramatic  olio.  London.  King.  1818.  (x).  227  pp.  **T.98.io? 

[921] 


THE  PUBLIC  LIBRARY   OF  THE   CITY  OF  BOSTON 


Planche,  James  Robinson. 

The  extravaganzas  of  J.  R.  Planche.  1825-1871.  Edited  by  T.  F. 
Dillon  Croker  and  Stephen  Tucker  (Rouge  croix).  Testimonial 
edition.     London.     French.     1879.     5  v.     Portraits.  **T.36.38 

Contents.  —  I.  Author's  preface.  —  Success;  or,  a  hit  if  you  like  it.  —  Olympic 
revels;  or,  Prometheus  and  Pandora.  ■ —  Olympic  devils;  or,  Orpheus  and 
Eurydice.  —  The  Paphian  bower;  or,  Venus  and  Adonis.  —  High,  low.  Jack, 
and  the  game ;  or,  the  card  party.  —  The  deep  deep  sea ;  or,  Perseus  and 
Andromeda.  —  Telemachus ;  or,  the  Island  of  Calypso.  —  Riquet  with  the  tuft. 

—  Puss  in  Boots.  2.  The  drama's  levee;  or  a  peep  at  the  past.  —  Blue  Beard.  — 
The  Sleeping  Beauty  in  the  wood.  — -  Beauty  and  the  Beast.  —  The  white  cat. 

—  Fortunio,  and  his  seven  gifted  servants.  —  The  fair  one  with  the  golden  locks. 

—  The  drama  at  home;  or  an  evening  with  Puff.  —  Graciosa  &  Percinet.  3. 
The  golden  fleece;  or,  Jason  in  Colchis,  and  Medea  in  Corinth.  —  The  bee  and 
the  orange  tree;  or,  the  four  wishes.  —  "The  birds"  of  Aristophanes.  —  The 
invisible  prince ;  or,  the  island  of  tranquil  delights.  —  The  new  planet ;  or 
Harlequin  out  of  place.  —  The  golden  branch.  —  Theseus  and  Ariadne;  or,  the 
marriage  of  Bacchus.  —  The  king  of  the  peacocks.  —  The  seven  champions  of 
Christendom.  4.  The  island  of  jewels.  — ■  Cymon  &  Iphigenia.  —  King  Charm- 
ing; or,  the  blue  bird  of  Paradise.  —  The  Queen  of  the  Frogs.  —  The  Prince  of 
Happy  Island;  or,  the  faun  in  the  forest.  —  The  good  woman  in  the  wood.  — r 
Mr.  Buckstone's  ascent  of  Mount  Parnassus.  —  The  camp  at  the  Olympic.  — 
Once  upon  a  time  there  were  two  kings.  5.  Mr.  Buckstone's  voyage  round  the 
globe  (in  Leicester  Square).  —  The  Yellow  Dwarf  and  the  King  of  the  Gold 
Mines.  —  The  new  Haymarket  spring  meeting.  —  The  discreet  princess  ;  or,  .he 
three  glass  distaffs.  —  Young  &  handsome.  —  Love  and  fortune.  —  Orpheus  in 
the  Haymarket.  —  King  Christmas.  —  A  complete  list  of  the  dramatic  produc- 
tions of  J.  R.   Planche. 

Faint  heart  never  won  fair  lady.  A  comedy  in  one  act.  With  the 
stage  business,  costumes,  &c.  New  York.  French.  [185-?] 
5-31  pp.     [French's  Standard  drama.     No.  68.]  **T.37.33 

Pocock,  Isaac. 

John  of  Paris;  a  comic  opera,  in  two  acts.  The  overture,  songs,  &c., 
composed  by  Mr.  Bishop;  the  rest  of  the  music  by  Boieldieu.  Lon- 
don.    Miller.     1814.    45  pp.     Colored  portrait.  **T.36.52 

Libretto  only.     An  adaptation  of  Saint-Just's  Jean   de   Paris. 

Rob  Roy  Macgregor;  or,  "auld  lang  syne."  An  operatic  play,  in 
three  acts.  New-York.  French.  [185-?]  60  pp.  [French's 
Standard  drama.     No.  87.]  .      **T.37.34 

Poitou,  Eugene  Louis. 

Du  roman  et  du  theatre  contemporains  et  de  leur  influence  sur  les 
mcEurs.     Paris.     Durand.     1857.     (3),  vi,  (i),  351  pp.  **T.46.i2 

Polkmall,  Nick. 

Les  polkeuses.  Poeme  etique  sur  les  celebrites  de  la  polka.  Por- 
traits et  jambes  d'apres  nature  par  H.  Druard.  Paris.  Masgana. 
1844.    68,  (3)  pp.    Illus.    Plates.  **T.97.272 

Pollard,  Alfred  William,  editor. 

English  miracle  plays,  moralities  and  interludes.  Specimens  of  the 
pre-Elizabethan  drama,  with  an  introduction,  notes,  and  glossary. 
Oxford.     The  Clarendon  Press.     1890.     Ix,  250  pp.  **T.37.2i3 

Contents.  —  Introduction.  —  York  play:  The  barkers.  —  Chester  plays:  Ngah's 
flood;  The  sacrifice  of  Isaac.  —  Towneley  play:  Secunda  pastorum.  —  Coventry 
play :  The  salutation  and  conception.  —  Mary  Magdalene.  — •  The  Castell  of 
Perseverance.  —  Everyman.  —  Interlude  of  the  four  elements.  —  Skelton's 
Magnyfycence.  —  Heywood's  The  pardoner  and  the  frere.  —  Thersytes  —  Bale's 
King  John.  —  Mysterium  Resurrectionis  D.  N.  Jhesu  Christi.  —  Ludus  super 
Tconia  Sancti  Nicolai.  —  The  harrowing  of  hell.  —  Broome  play  of  Abraham 
and  Isaac.  —  Notes.  —  Glossarial  index.^ 

Polozzi,  Giuseppe. 

Haydee.  Ballo  fantastico  in  9  quadri.  Musica  del  maestro  Cav. 
Romualdo   Marenco.     Geneva.     Armanino.      1904.     12  pp. 

**T;36.i8 

[922] 


BROWN   COLLECTION   OF  BOOKS    ON    THE   STAGE 


Ponte,  Lorenzo  da. 

The  marriage  of  Figaro;  a  comic  opera,  in  three  acts,  founded  on 
Beaumarchais'  comedy  of  La  folle  journee,  and  on  The  follies  of 
a  day.  Translated,  altered,  and  arranged  for  representation,  by 
Henry  R.  Bishop.  The  music  chiefly  selected  from  Mozart's 
operas,  and  new  music  composed  by  Mr.  Bishop.  Lond(jn.  .Miller. 
1819.     V,  (2),  56  pp.  **T.96.207 

Libretto  only,  in  English. 

Same.     2d   edition.     1823.  **T.36  41 
Poole,  John. 

The  comic  miscellany.     London.     Tegg  &  Co.  1851.     (4),  340  pp. 

Illus.      Pcfrtrait.     Autograph    facsimile.  **T.97.io4 

Contents.  —  A  Cockney  coxintiy-gentlcman.  —  A  discourse  of  bores.  —  Misl.iying 
an  idea.  —  The  advantages  of  belonging  to  a  club.  —  Twenty-three  minutes 
past  two.  —  The  school  for  horse-play.  — ■  "Appleby's  the  man!"  —  My  uncle 
and  his  bequest.  —  Better  never  than  late.  —  A  tale  of  mystery.  —  The  New- 
gate annual. 

Hamlet  travestie:  in  three  acts.  With  annotations  by  Dr.  Johnson 
and  George  Steevens  and  other  commentators.  [Anon.]  2d 
edition.     London.     Richardson.     1811.     xiv,   (2),  109,   (i)   pp. 

**T.38.3o 

The  annotations  are  a  part  of  the  travestie,  imitating  the  styles  of  the  various 
commentators. 

Same.     Lacy.     [185-?]     48  pp.  **T.37.85 

A    nabob    for   an    hour;    a    farce,    in    two    acts.      Marked    from    tlie 

prompter's  book.     Added,  the  costume,  stage  business.     London. 

Buncombe.      [18 — ?]     7-30  pp.     Plate.  **T.39.8 

Paul    Pry.      A    comedy    in    three    acts.      Also    the    stage    business, 

costumes,  etc.   New  York.   French.    [185-?]    iv,  7-69  pp.    [French's 

Standard  drama.     No.  76.]  **T.37.86 

Simpson  and  Co.     A  comedy  in  two  acts.     Also  the  stage  business, 

costumes,    etc.      New    York.      French.       [185-?]       iv,    7-39    pp. 

[French's  Standard  drama.     No.  60.]  **T.37.87 

Porto,  Luigi  da. 

The  original  story  of  Romeo  and  Juliet  from  which  Shakespeare 
evidently  drew  the  subject  of  his  drama,  text  of  1530,  and  an 
English  translation.  With  a  critical  preface,  historical  and 
bibliographical  notes  and  illustrations.  By  G.  Pace-Sanfelice. 
Cambridge.  Deighton,  Bell,  &  Co.  1868.  Ixiii,  80  pp.  **T.97.3o2 
Possart,  Ernst,  Ritter  von. 

Uber  die  Gesamtaufftihrung  des  Goetheschen  Faust.  4.  Auflage. 
Munchen.     Bruckmann.     1909.     32  pp.  **T.77.222 

Pott,  Mrs.  Henry. 

Did  Francis  Bacon  write  "Shakespeare?"     [Part  i.]      By  the  editor 

of    Bacon's   "Promus    of   formularies    and    elegancies."      London. 

Guest  &  Co.     [1884.]     28  pp.  ^  **T.97.77 

Pourvoir,   Le,   de  la  poesie,  chant   lyrique.     A   Paris,   chez   le   citoyen 

Desenne.     De  I'imp.  de  la  ce  Lacroix.     An  v,  1797,  (v.  s.).     n  pp. 

**T.96.255 
Power,  Tyrone. 

Impressions  of  America,  during  the  years  1833,  1834,  and  1835.  Lon- 
don. Bentley.  1836.  2  v.  Plates.  **T.56.i50 
Practical  magician,  The,  and  ventriloquist's  guide.  A  practical  manual 
of  fireside  magic  and  conjuring  illusions:  containing  also  complete 
instructions  for  acquiring  &  practising  the  art  of  ventriloquism. 
New  York.  Hurst  &  Co.  [1876,]  92  pp.  Illus.  [The  "magnet" 
hand  books.     No.  8.1                                                                   **T.97-352 

[923] 


THE  PUBLIC  LIBRARY   OF   THE    CITY   OF  BOSTON 


Preston,  J.,  pseud. 

Genuine  letters  from  a  gentleman  to  a  young  lady  his  pupil.  Revised 
with  notes  by  Thomas  Hull.  London:  Printed  for  J.  Bell.  1772. 
2  V.  **T.98.73 

Preston,  Mary. 

Studies  in  Shakspeare.  A  book  of  essays.  Philadelphia.  Claxton, 
Remsen  &  Haffelfinger.     1869.     5-181   pp.  **T.58.7i 

Price,  Morton,  pseud.    See  Rhys,  Charles  Horton. 
Prior,  Sir  James. 

Life  of  Edmond  Malone,  editor  of  Shakespeare.  With  selections 
from  his  manuscript  anecdotes.  London.  Smith,  Elder  &  Co. 
i860,    xii,  476  pp.     Portrait.     Autograph  facsimile.  **T.55.63 

Prompt,  Pierre  Ines. 

Le  jeu  public  et  Monaco.  Paris.  Dentu.  1882.  (3),  x,  293,  (3)  pp. 
Plates.  **T.97.278 

Prowse,  William  Jeffery. 

Nicholas's  Notes  and  sporting  prophecies,  with  some  miscellaneous 
poems,  serious  and  humorous.  Edited,  with  a  brief  biographical 
notice,  by  Tom  Hood.  London.  Routledge.  [1870.]  153  pp. 
Portrait.     Autograph  facsimile.  **T.98.84 

Relates  to  Great  Britain. 

Publicola,  pseud.    See  Evans,  Robert  Harding. 

Pulszky,  Terezia. 

Three  Christmas  plays,  for  children.  With  music  by  L.  Jansa,'  and 
illustrations  by  Charles  Armytage.  London.  Griffith  &  Farran. 
1858.     vi,  106,  24  pp.     Colored  plates.     Music.  **T.38.i5 

Contents.  —  The  sleeper  awakened.  —  The  wonderful  bird.  —  Crinolina. 


Quin,  James. 

Quin's  Jests;  or,  the  facetious  man's  pocket-companion.  Containing 
every  species  of  wit,  humour,  and  repartee,  with  a  compleat  col- 
lection of  epigrams,  bon-mots,  &c.  London:  Printed  for  S. 
Bladon.     1766.     (4),  96  pp.  **T.57-54 

Some  pages  are  missing  at  the  end. 

Quivogne  de  Montifaud,  Marie  Amelie.     (Marc  de  Montifaud.) 

Racine  et  la  Voisin.  Paris.  [Bardin.]  1878.  (3),  85,  (i)  pp.  Por- 
trait. **T.97.i69 

Quizzical  valentine  writer.  The.  A  choice  collection  of  comic  valentines 
suited  to  both  sexes.  London.  Johnson.  [18 — ?]  (8)  pp. 
Colored  plate.  **T.97.236 

R 

R.,  J.    See  Ritson,  Joseph. 

Rabone,  John. 

A  lecture  on  some  portraits  of  Shakespeare,  and  Shakespeare's 
brooch,  delivered  to  the  members  of  the  Birmingham  Natural 
History  and  Microscopical  Society,  Nov.  15th,  1883.  [Birming- 
ham.]     1884.     21,  iv  pp.     Plates.     Plan.  **T.96.270 

Racine,  Jean. 

Andromaque.  Andromache,  a  tragedy  in  five  acts.  The  original 
French,  with  an  English  translation,  prepared  for  Raphael  Felix, 
manager  of  Mile  Rachel's  French  company.  New-York.  Darcie 
&  Corbyn.     1855.    36  pp.  **T.34-" 

[924] 


BROWN   COLLECTION   OF  BOOKS    ON   THE   STAGE 


Racine,  Jean.     (Continued.) 

Bajazet,  a  tragedy  in  five  acts.  The  original  French,  with  an  English 
translation,  prepared  for  Raphael  Felix,  manager  of  Mile  Rachel's 
French  company.     New  York.     Darcie  &  Corbyn.     1853.     38  pp. 

"**f.34.i7 

Phedre.     Phaedra:  a  tragedy  in  five  acts.     The  original  French,  with 

an  English  translation.     Prepared  for  Raphael  Felix,  manager  of 

Mile  Rachel's  French  company.     New- York.     Darcie  &  Corbyn. 

185s.     36  pp.  **T.34.io 

Ramsay,  Allan. 

The  gentle  shepherd.  A  Scots  pastoral  comedy.  London:  Printed 
for  John  Bell.     1777.     92  pp.     Portrait.  **T.98.25 

Randall,  Jack. 

Rival  managers;  or,  the  elements  of  horsewhipping.     A  serio-comic 

poem.     London.     [18 — ?]     32  pp.     Colored  plate.  **T.56.59 

fRanelagh  House:   a  satire  in   prose,   in   the   manner  of  Monsienr    Lc 

Sage.     London.     i747-]     iii-iv,  28  pp.  **T.97.49 

The    title-page    is    missing.      The    title    is    supplied    from    the    British    Museum 
Catalogue. 

Raynaud,  Maurice. 

Les  medecins  au  temps  de  Moliere.  Moeurs.  institutions,  doctrines. 
Paris.     Didier  &  c^e.     1862.     (5),  464,   (i)  pp.  **T.56.39 

Reach,  Angus  Bethune. 

The  natural  history  of  humbugs.  Illustrated  by  A.  Henning.  Lon- 
don.    Bogue.     1847.     126  pp.    Illus.     Plate.  **T.99.44 

Rebell,  Hugues. 

Victorien  Sardou.  Le  theatre  et  I'epoque.  Paris.  Juven.  [1003.] 
(3),  316,  (i)  pp.  **T.57.i93 

Reciter's  album.  The,  or,  actor's  utility  book;  being  a  collection  of 
recitations,  stories,  selections  from  dramas,  and  parodies.  Col- 
lected and  arranged  by  a  gentleman  of  the  Theatres  Royal.  Lon- 
don.    Arliss.     1832.     vi,  350,  (4)  pp.     Illus.     Plates.  **T.39.6 

Red  Riding-Hood  and  her  sister  Little  Bo-Peep.  A  pantomime.  [Lon- 
don.    187-?]     5-29  pp.  **T.37.22i 

Words  only. 

Rees,  James. 

Foot-prints  of  a  letter-carrier;  or,  a  history  of  the  world's  corre- 
spondence: containing  biographies,  tales,  sketches,  incidents,  and 
statistics  connected  with  postal  history.  Philadelphia.  Lippincott 
&  Co.     1866.     420  pp.  **T.97.23 

Reeve,  Wybert. 

Romance  of  reality;  or,  tales  from  a  wanderer's  diary.  Sheffield. 
Pawson  &  Brailsford.  1862.  xi,  198  pp.  Portrait.  Antngrai)h 
facsimile.  **T.58.i6 

Reichard,  Heinrich  August  Ottokar. 

H.  A.  O.  Reichard.  (1751-1828.)  Seine  Selbstbiographie  iiberar- 
beitet  und  herausgegeben  von  Hermann  Uhde.  Stuttgart.  Cotta. 
1877.     vi,  553  pp.  **T.56.i74 

Remarks  on  an  historical  play,  called.  The  fall  of  Mortimer.  Shewing 
wherein  the  said  play  may  be  term'd  a  libel  against  the  present 
administration.  2d  edition.  London:  Printed  for  E.  Rayner. 
[1731.]     24  pp.  **T.97.62 

Remarks  on  Clarissa,  addressed  to  the  author.  Occasioned  by  .•^omc 
critical  conversations  on  the  characters  and  conduct  of  that  work. 
With  some  reflections  on  the  character  and  behaviour  of  Prior's 
Emma.    London:  Printed  for  J.  Robinson.    1749.    56  pp.    **T.97.4i 

[925] 


THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 


Renard,  Athanase. 

De  rimitation  theatrale  a  propos  du  romantisme.  [Anon.]      Paris. 

Feret.     1830.     (i),  140  pp.  **T.98.i39 

fitudes   litteraires   et   dramatiques.      Paris.      Guyot  &    Scribe.      1842. 

204  pp.  **T.96.i58 

Contents.  — ■  Les  Pelopides.     Tragedie.   —   Les  Vepres   siciliennes.      Tragedie.    — 
De  rimitation  theatrale  a  propos  du  romantisme. 

Reverend  Du  Mesnil,  Edmond. 

La  famille  de  Aloliere  et  ses  representants  actuels.     D'apres  les  docu- 
ments authentiques.   Paris.   Liseux.    1879.  xi,  no,  (2)  pp.   **T.57.63 
Reynolds,  Frederick. 

The  exile,  a  comedy,  in  three  acts.  [Anon.]  Philadelphia.  Bradford 
&  Inskeep.     1810.     16  pp.  No.  3  in  **T. 26.34.2 

An  adaptation  of  Sophie  Cottin's  Elisabeth,  ou,  les  exiles  de  Siberie. 
The  free  knights:  or  the  edict  of  Charlemagne.     A  drama,  in  three 
acts,  interspersed  with  music.     (From  the  ist  London  edition  of 
1810.)     Philadelphia.     Bradford   &   Inskeep.      1810.     16  pp. 

No.  7  in  **T.26.34.i 
Rhys,  Charles  Horton.     (Morton  Price.) 

A  theatrical  trip  for  a  wager!  through  Canada  and  the  United  States. 
London.  Dudley.  t86i.  (3),  140  pp.  Portrait.  Plates.  Auto- 
graph  facsimile.  **T.56.2o 

Some  of  the  plates  are  colored. 
Rhys,  Horton.     See  Rhys,  Charles  Horton. 
Richard-Desaix,  Ulric. 

La  relique  de  Moliere  du  cabinet  du  Baron  Vivant  Denon.  Paris. 
Vigneres.     1880.     43,  (i)  pp.     Portrait.  **T.55.ii 

Ripon,  Watts. 

Spirito-mania,    a    lively    serio-comic    satire,    on    the    deflections    of 

spiritualism,  insane  follies  of  "mejums,"  and  ridiculous  extremes 

resorted  to  for  their  defense.    Philadelphia.    Jordan.     1881.    34  pp. 

Illus.     Plates.  **T.97.269 

Ritchie,  Anna  Cora.     (Anna  Cora  Mowatt.) 

Fashion;  or,  life  in  New  York.  A  comedy,  in  five  acts.  London. 
Newbery!     1850.     (8),  62,  (i)   pp.  **T.37.i89 

Same.  With  stage  business,  costumes,  &c.  New  York.  French. 
[1854.]      (4),  62  pp.   "[French's  Standard  drama.     No.  215.] 

**T.37.3o 
Ritchie,  James  Ewing. 

About  London.     London.     Tinsley.     i860,     vi,  213  pp.  **T.97.2i2 

Ritson,  Joseph. 

The  quip  modest;  a  few  words  by  way  of  supplement  to  Remarks, 
critical  and  illustrative,  on  the  text  and  notes  of  the  last  edition 
of  Shakspeare;  occasioned  by  a  republication  of  that  edition, 
revised  and  augmented  by  the  editor  of  Dodsley's  Old  plays  [Isaac 
Reed].     London:  Printed  for  J.  Johnson.     1788.     viii,  32  pp. 

**T.96.2io 
Rival  bah  rooms.  The,  or,  a  collection  of  all  the  pieces  published  in 
favour  of  the  New  and  Old  Assembly-Rooms,  at  Bath,  during  the 
disputes  about  settling  the  public  amusements,  in  the  autumn 
season,  1774.  Printed  by  R.  Cruttwell,  and  sold  by  all  the  book- 
sellers in  Bath.  [1774.]  (3),  104  pp.  **T.97.339 
Robert-Houdin,  Jean  Eugene. 

The  sharper  detected  and  exposed.  London.  Chapman  &  Hall. 
1863.     xii,  268  pp.     Tllus.  **T.97.i59 

[926] 


BROWN   COLLECTION    OF  BOOKS    ON   THE   STAGE 


Robertson,  Thomas  William. 

Principal  dramatic  works.  With  memoir  by  his  son.  London. 
Sampson  Low,  Marston,  Searle  &  Rivington,  Ltd.  1889.  2  v. 
Portraits.     Diagrams.     Autograph  facsimiles.  **T.37.i94 

Contents.  —  i.  Memoir.  —  List  of  works.  —  Birth.  —  Breach  of  promise  —  Caste 

—  David  Garnck.  —  Dreams.  —  Home.  —  Ladies'  battle.  —  M.  P.  a.  Tlu-  night- 
ingale. —  Ours.  —  Play.  —  Progress.  —  Row  in  the  house.  —  School.  —  Society. 

—  \\'ar. 

Rodocanachi,  Emmanuel  Pierre, 

Courtisanes  et  bouffons.  fitude  de  moeurs  romaines  au  xvic  sieclc. 
Paris.     Flammarion.     1894.     (6),  199,  (3)  PP-     Ulus.  **T.97.300 

CoiUctits.  —  Les  courtisanes.  —  Les  bouffons.  —  Frere  Mariano.  —  Notes  ct 
eclaircissements. 

Roger-Ballu.    See  Ballu,  Roger. 
Rogers,  Henry  Munroe. 

I  make  it  hearts!     [Verses.]     A  souvenir  of  the  seventieth  birthday 

of  Henry  M.  Rogers.     [Boston.     1909.]      (6)  pp.  **T.57.88 

Ronzani,  Domenico. 

II  cavallo  d'oro  (the  golden  horse),  a  fantastic  fairy  ballet,  in  four 
tableaux.  Translated  and  adapted  by  Caroline  M.  Richings.  Phila- 
delphia.    Rullman.     1857.     18,  (i)  pp.  **T.34.6 

Faust:  a  grand  fantastic  ballet,  in  three  acts  and  ten  tableaux. 
Translated  and  adapted  by  Caroline  M.  Richings.  Philadelphia. 
Rullman.     1857.     23  pp.  **T.35.io 

Roqueplan,  Louis  Victor  Nestor. 

Regain.  La  vie  parisienne.  Paris.  Librairie  nouvelle.  1853.  (3), 
vi,  272  pp.  **T.97.299 

Roqueplan,  Nestor.     See  Roqueplan,  Louis  Victor  Nestor. 
Roquet,  Antoine  Ernest.     (Ern.  Thoinan.) 

Un  bisa'ieul  de  Moliere.  Recherches  sur  les  Mazuel,  musicicns  des 
xvie  et  xviie  siecles,  allies  de  la  famille  Popuelin.  Paris.  Claudin. 
1878.     58,   (2)    pp.     Plates.     Genealogical  chart.  **T.59.ii 

Rosenthal,  Ludwig,  bookseller. 

Shakespeare:  his  works,  his  times,  his  influence.  Including  emblem 
books  and  dances  of  death.  Munich.  [Erlacher.  1907?]  45  pp. 
[Catalogue  118.]  **T.66.27 

Rosimond,  Claude  La  Rose,  Sieur  de,  alleged  author. 

Les  intrigues  de  Moliere  et  celles  de  sa  femme.     See  Intrigues,  Les, 
de  Moliere  et  celles  de  sa  femme. 
Rossi,  L. 

Side-lights  on  Shakspere.  By  L.  Rossi  and  E.  M.  Corbould.  Lon- 
don. Swan  Sonnenschein  &  Co.,  Ltd.  1900.  (6),  298  pp.  Por- 
trait.    Plate.  **T.57.394 

Contents.  —  Shakspere  and  his  sonnets.  —  A  midsummer  night's  dream.  —  King 
Richard  II.  —  The  merchant  of  Venice.  —  King  Henry  V.  • —  As  you  like  it.  — 
Julius  Csesar.  —  Hamlet,  Prince  of  Denmark.  —  Macbeth.  —  King  Henry  VIII. 
Each  author  wrote  five  chapters  of  this  work. 

Rostand,  Edmond.     See  Rostand,  Eugene  Alexis  Edmond. 
Rostand,  Eugene  Alexis  Edmond. 

Cyrano    de    Bergerac.     A   play   in    five   acts.     Translated    from    the 

French  by  Gladys  Thomas  and  Mary  F.  Guillemard.     New  York. 

Munro.     1898.     11-250  pp.  **T.37.i82 

Souvenir  of  Castle  Square  Theatre,  in  commemoration  of  the  first  production  of 
Cyrano  de   Bergerac  in   Boston,  week  of  Oct.   24,   1898. 

[927] 


THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 


Roullet, . 

Recit  historique  des  evenements  qui  se  sont  passes  dans  Tadministra- 
tion  de  I'Opera  la  nuit  du  13  fevrier  1820.     (Assassinat  du  Due  de 
Berry.)    Paris.   Poulet-Malassis.   1862.   (3),93PP-   Plate.  **T.98.i26 
Rowe,  Nicholas. 

The  dramatick  works  of  Nicholas  Rowe.  Vol.  2,  3.  London:  Printed 
for  W.  Feales.     1733-     2  v.     Plates.  **T.38.i7 

Contents.  —  2.  The  ambitious  step-mother.  —  Tamerlane.  —  The  fair  penitent.  — 
Ulysses.     3.  The  royal  convert.  —  Jane  Shore.  —  Jane  Gray.  • —  The  biter. 

Jane  Shore.    A  tragedy  in  five  acts.    London.    Lacy.     [185-?]     51  pp. 

**T.37.56 

Miscellaneous  works.  3d  edition.  London  printed:  and  sold  by  W. 
Feales.     1733.    xvii,  (3),  100,  36,  (18),  162  pp.     Plates.      **T.98.i44 

Contents.  —  Poems  on  several  occasions.  —  An  essay  on  the  manner  of  living 
with  great  men.  —  Some  account  of  Boileau's  -vyritings.  —  Musarum  lacrymns.  ■ — 
The  golden  verses  of  Pythagoras.  —  A  poem  on  the  late  glorious  successes.  — 
Ode  for  the  new  year  mdccxvi.  —  Callipsedia.  —  Quillet's  Epistle  to  Eudo-xuf. 
—  Elegy  on  the  death  of  Gassendus. 

Roy,  Just  Jean  fitienne. 

Histoire  de  Jean  Racine  contenant  des  details  sur  sa  vie  privee  et  sur 

ses  ouvrages  et  des  fragments  de  sa  correspondance.     3e  edition. 

Tours.      Mame.      1868.     239    pp.      Portrait.      [Bibliotheque    de    la 

jeunesse  chretienne.]  **T.56.99 

Royal   condescensions:    or,    Dublin    out    of    its    senses!      An    irregular 

cracker;  consisting  of  all  sorts  of  rhymes  about  the  Irish  visit. 

London.    Hodgson  &  Co.     1821.    24  pp.  **T.36.47 

A  satire  on  George  IV's  visit  to  Ireland  in  1821. 

Royer,  Alphonse. 

Histoire  du  theatre  contemporain  en   France  et  a  I'etranger  depuis 

1800  jusqu'a  1875.     Paris.     Ollendorff.     1878.     2  v.  **T.46.24 

Histoire    universelle    du    theatre.      Paris.      Franck    [&    Ollendorff]. 

1869-78.     6  V.  **T.46.23 

Tomes  5  and  6  have  the  sub-title  Histoire  du  theatre  contemporain  en  France  et 
a  I'etranger  depuis  1800  jusqu'a   1875. 

Rump:  or  an  exact  collection  of  the  choycest  poems  and  songs  relating 
to  the  late  times.  By  the  most  eminent  wits,  from  anno  1639  to 
anno  1661.  London,  Printed  for  Henry  Brome.  1662.  [Re- 
printed, 1874.]     2  v.     Plate.  **T.97.305 

Ruphy,  J.  F. 

Appel   a   I'impartialite,   dans  le  proces   intente   a   I'auteur   des   Deux 
gendres.     Paris.     Bvireau  du  Journal  des  arts.     1812.     31   pp. 
Signed.  R.  P.  Y.  **T.56.277 

Rushton,  William  Lowes. 

Shakespeare  an  archer.     Liverpool.     Lee  &  Nightingale.     1897.     (i), 

118  pp.    Plate.  **T.56.i2i 

Shakespeare  and  'The  arte  of  English  poesie.'     Liverpool.     Young. 

1909.     v,  167  pp.  **T.57.272 

Obscure  passages,  and  words  and  expressions  of  doubtful  meiiiiag  iri  Sliai  c- 
speare  are  explained  by  reference  to  The  arte  of  English  poesie,  whicli  has  bicn 
attributed  to  both  George  and  Richard  Puttenham. 

Shakespeare's  legal  maxims.     Liverpool.     Young.     1907.     61  pp. 

**T.57.5o 
Russell,  Sir  Edward  Richard. 

The  religion  of  Shakspeare.     [London.     1876.]      27  pp.         **T.56.8i 
From  the  Theological  Review,  October,  1876. 
Russell,  \9iV  Edward  Richard,  and  Percy  Cross  Standing. 

Ibsen  on  his  merits.  London.  Chapman  &  Hall,  Ltd.  1897.  viii, 
189  pp.  **T.57.i40 

[928] 


BROWN    COLLECTION    OF  BOOKS    ON    THE    STAGE 


Russell,  William  Clark. 

"Fra"  Angelo:  a  tragedy.  In  five  acts.  London.  Hotten  186. 
70  PP-  *#-p         fP' 

On  the  reverse  of  the  title-page  Charles  Walcot  and   William   Clark   Rus'sx-llVrJ 
called  joint  authors  of  the  play. 

Rymer,  Thomas. 

A  short  view  of  tragedy;  its  original  excellency,  and  corruption. 
With  some  reflections  on  Shakespear,  and  other  practitioners  f.,r 
the  stage.  London,  Printed  and  are  to  be  sold  by  Richard  Bald- 
win.    1693.     (14),   182  pp.  ■  **T47io3 


S.,  Madame  Constance  de,  pseud. 

Epitre  a  un  jeune  auteur,  sur  I'independance  et  les  devoirs  de  rhomme 

de  lettres.     Paris.     Vente.     1806.     14  pp.  **T.97.i44 

Epitre  sur  les  inconveniens  du  sejour  de  la  campagne.    Paris      Sijuu 

1808.      12  pp.  **Tq7i4. 

Sabin,  Joseph  F.  -^-Sy-MS 

The  home  of  Shakespeare.  A  letter,  May,  1869.  (In  Fairholt, 
Frederick  W.  Shakespeare's  home.  Pp.  53-80.  New  York.' 
1877.)  **T.57  76 

Sadakichi  Hartmann,  C. 

Shakespeare  in  art.  Boston.  Page  &  Co.  1901.  (4),  371  pp.  Por- 
traits.    Plates.     Autograph   facsimile.      [Art  lovers'  series.] 

**T.57.i7o 
St.  George,  George. 

The  sires  and  sons  from  Albion  sprung.  A  musical  masque  in  four 
scenes.  The  man  of  thought  and  the  man  of  action.  A  drama  in 
five  acts.  Added,  a  dream  play  entitled  Don't  book  your  make 
ups.  In  three  acts.  London.  Matthews.  1876.  136  pp.  Colored 
plates.  **T.36.r6 

Saint-Georges,  Jules  Henri  Vernoy  de,  and  Alfred  Bunn. 
.  [The  enchantress.]     A  new  and  original  opera,  in  three  acts,  preceded 
by  a  prologue:   The   enchantress.     The   music   by   M.   W.    Balfe. 
The    libretto    by    M.    de    St.    Georges   and    Mr.    Bunn.      London. 
Johnson.     [1845.]     44  pp.  **T.36.79 

Libretto  only. 

The  Sicilian  bride.  A  grand  opera,  in  four  acts.  The  music  by  M. 
W.  Balfe.  The  libretto  by  Mr.  St.  Georges  and  Mr.  Bunn.  [Lon- 
don.]    Chappell.     [1852.]     32  pp.  **T.36.85 

Libretto  only. 

Sardou,  Victorien. 

Mes   plagiats!      Replique   a    Mario   Uchard.      Paris.      Imprimerie    ct 

librairie  universelle.     1882.     (3),  187  pp.  **T.57.262 

Sajmetes  et  monologues.    Serie  i.     Paris.    Tresse.     1877.         **T,37.246 

Contents.  —  Professeur  de  declamation.  Preface-monologue  par  G.  G(ct?chy.  — 
Un  [>roverbe  manque.  Scene  a  deux  personnages  par  G.  Nadaud.  ■ —  La  famille 
Dubois,  par  Ch.  Cros.  —  Le  conte  du  garde,  par  G.  Nadaud.  • —  Voyage  dans 
mes  poches.  Monologue  par  Ch.  Monseict.  —  La  porte  est  close.  Monologue  a 
trois  personnages,  par  L.  Supersac.  —  Lelia.  Comedie  en  un  acte  par  O.  Gas- 
tineau.  —  Chez  la  cliente.  Monologue  en  vers  libres  par  P.  Ferrier.  • —  Le  premier 
billet.  Monologue  par  J.  de  Biez.  —  L'oraison  funebre  de  Madame  Rourgcois, 
par  G.  Nadaud.  —  Un  livre  leste.  Dialogue  en  deux  scenes  par  Ch.  Monseict.  — 
L'examen  de  conscience  d'une  jeune  fille,  par  G.  Nadaud.  —  Une  larmc  d'Au- 
vergnat,  par  P.  Ferrier.  —  L'  affaire  de  la  rue  Bcaubourg,  par  Ch.  Cros.  — -  Aux 
avant-postes.  Comedie  en  un  acte  par  G.  Ohnet.  —  Rusts  ct  trues.  Conference 
non  politique  par  Chauvin.  —  Le  dernier  klephte.     Pochade  grecque  '-^r  F.  Mens. 

[929] 

59 


THE   PUBLIC  LIBRARY   OF   THE    CITY   OF  BOSTON 


Scarron,  Paul. 

The  whole  comical  works  of  Mons.  Scarron.  Translated  by  Thomas 
Brown,  Savage,  and  others.  6th  edition,  corrected.  Dublin: 
Printed  for  Henry  Hawker    [etc.].     1751,  52.     2  v.  **T.98.87 

Contents.  —  I.  Scarron's  Comical  romance.  Parts  i  and  2.  2.  Scarron's  Comical 
romance.  Part  3.  —  Avarice  chastised:  or,  the  miser  punished.  ■ — •  The  useless 
precaution.  —  The  hypocrites.  • —  The  innocent  adultery.  —  The  generous  lover: 
or,  the  man  of  deeds,  and  not  of  words.  —  Select  letters  of  Scarron. 

Schiller,  Tohann  Christoph  Friedrich  von. 

The  robbers.  A  trapfcdy,  in  five  acts.  Translated  from  the  German 
of  Frederick  Schiller.  New  York.  French.  [185-?]  3-57  pp. 
[French's  Standard  drama.     No.  103.]  **T.37.35 

Schlegel,  Augxist  Wilhelm  von. 

A  course  of  lectures  on  dramatic  art  and  literature.     Translated  by 
John  Black.    Revised,  according  to  the  last  German  edition,  by  A. 
J.  W.  Morrison.     London.     Bohn.     1846.     viii,  535,  (i)  pp.     Por- 
trait.     [Bohn's   Standard   library.]  **T.47.io6 
Schnitzler,  Arthur. 

Light-o'-love.  A  drama  in  three  acts.  Translated  by  Bayard  Quincy 
Morgan.     {In  Drama,  The.    1912,  no.  7,  pp.  14-77.    Chicago.     1912.) 

Preceded  by  an  account,  by  the  translator,  of  the  author's  works.  **X.I5.I7.2 

Scipion,  consul,  drame  heroique  en  un  acte  et  en  vers.     Paris.     Gille. 
An  XII.  [1804.]     20  pp.  **T.96.256 

Scott,  Clement  William. 

The  wheel  of  life.  A  few  memories  and  recollections.  ("De  omnibus 
rebus.")  London.  Greening.  1897.  (9),  120,  (i)  pp.  Portrait. 
Autograph  facsiiniles.  **T.97.94 

Scribe,  Augustin  Eugene. 

[The  bronze  horse.]  Songs,  duets,  trios,  chorusses,  etc.,  in  the  new 
grand  fairy  opera  of  The  bronze  horse!  Adapted  from  Monsieur 
Scribe's  drama  of  "Le  cheval  de  bronze."  The  music  by  Auber, 
arranged  for  the  English  stage  by  T.  Cooke.  [Translated]  By 
Alfred   Bunn.     London.     Wright.      [1836.]      28   pp.  **T.36.70 

Libretto  only,  in  English. 
[Lestocq.]     Songs,  duets,  chorusses,  etc.,  in  the  new  grand  opera  of 
Lestocq:  or,  the  fete  of  the  Hermitage!     (With  a  preface.)     The 
music  by  Auber,  arranged  for  the  English  stage  by  Cooke.  [Trans- 
lated]   By   Alfred    Bunn.      London.      Miller.      [1835.]      43    pp. 
Libretto  only,  in  English.  **T.36.69 

The  syren:  a  comic  opera,  in  three  acts.  The  music  by  Auber.  —  The 
libretto  by  Scribe,  adapted  from  the  French  by  Alfred  Bunn.  Lon- 
don.    Johnson.     [1844.]     50  pp.  **T.36.77 

Libretto  only,  in  English. 

Scribe,   Augustin    Eugene,   and    Gabriel    Jean    Baptiste    Ernest    Wilfrid 

Legouve. 

Adrienne   Lecouvreur,  a  drama  in   five  acts.     The   original   French, 

with  an  English  translation.    Prepared  for  Raphael  Felix,  manager 

of  Mile  Rachel's  French  comjiany.     New-York.     Darcie  &  Corbyn. 

1855.     79  pp.  **T.34.i6 

Same.     Adapted  by  H.  Herman.     London.     French.     [1883.]     56  pp. 

**T.37.i44 
Same.  [The  Bernhardt  edition.    Translated  by  Frederick  A.  Schwab.] 
New   York.     Rullman.      [1896.]      48  pp.      Plate.     Autograph    fac- 
simile. **T.34.24 
The  original  French  and  an  English  translation  on  opposite  pages. 


i 


[930] 


BROWN    COLLECTION    OF   BOOKS    ON    THE   STAGE 


Sea,  The,  of  ice;  or,  a  thirst  for  gold,  and  the  Wild  flower  of  Mexico- 
a  romantic  drama,  in  five  tableaux.  Added,  the  costume  and  the 
stage  business.  New-York.  French.  [185-?]  40  pp  [French's 
American    drama.     The   acting  edition.      No     114!  **T -iT  aa 

Second,  Alberic.  •.v-'h» 

La  comedie  parisienne.     Paris.     Bureaux.     1857      "  v  **T  qtx-xi 

Seguin,  L.  G.    Sec  Strahan,  Lisbeth  Gooch. 
Selby,  Charles. 

The  marble  heart;  or,  the  sculptor's  dream.     A  romance  of  real  life 
In   five  chapters.     With   costumes,  and  stage   business.      Boston 
Spencer.     [185-?]     53  pp.     [Spencer's  Boston  theatre.     No.  63.1 
An  adaptation  of  Les  fillcs  de  marbre  by  Barricre  and  Thiboust  **T  ^7  <:2 

Senex,  pseud. 

A  letter  to  the  young  gentlemen  who  write  in  the  Edinburgh  Review. 
London.     Hatchard.     1809.    29  pp.  **T.q6  3'?4 

Shakespeare,  William.     Quotations. 

The  light  of  Shakespeare.  Passages  illustrative  of  the  higher  teach- 
ing of  Shakespeare's  dramas.  By  Clare  Langton.  London.  Stock 
1897.     XX,  116  pp.  '**T.37.i43 

The  mind  of  Shakspeare,  as  exhibited  in  his  works.  By  Aaron  Au- 
gustus Morgan.  2d  edition.  London.  Chapman  &  Hall.  1861. 
xxiii,  268  pp.  **T.58.io 

The  modern  characters  from  Shakespear  alphabetically  arranged. 
2d  edition.     London:   Brown.     1778.     80  pp.  **T.38.i9 

Quotations  from  Shakespeare  applied  to  persons  living  at  the  date  of  publication. 

The  Shakespeare  reference-book:  being  some  quotations  from  Shake- 
speare's plays.     Selected  and  arranged  by  J.  Stenson  Webb.     Lon- 
don.    Stock.      1898.      (5),    117  pp.  **T.37.i42 
Shakespeare,  William.    As  you  like  it. 

As  you  like  it,  a  comedy  in  five  acts.  With  the  stage  business,  etc. 
New  York.  French.  [185-?]  iv,  7-65  pp.  [French's  Standard 
drama.     No.  66.]  **T.37.98 

Same.  The  comedy  of  As  you  like  it.  East  Aurora,  N.  Y.  Roycroft 
Shop.     1903.     (s),  122,  (i)  pp.  **T.34.27 

Shakespeare,  William.     Coriolanus. 

Coriolanus;  or,  the  Roman  matron,  a  tragedy.  With  costumes,  and 
stage  business.  Marked  and  arranged  by  J.  B.  Wright.  Boston. 
Spencer.  [185-?]  49  pp.  [Spencer's  Boston  theatre.  174.]  **T.37.io2 

Same.     William   Shakespeare's    Coriolanus.     Edited   by   F.    A.    Leo. 

With  a   quarto-facsimile  of  the  tragedy  of  Coriolanus  from  the 

Folio  of  1623,  and  extracts  from  North's  Plutarch.   London.   Smith. 

1864.    ix,  127,  (i),  30,  (i),  10  pp.     Portrait.     Facsimiles.      **T.34.i 

Shakespeare,  William.    Hamlet. 

Hamlet,  Prince  of  Denmark.  A  tragedy,  in  five  acts.  London. 
Lacy.      [186-?]      (2),  vi,  3-80  pp.     Plate.  **T.37.88 

Same.  Shakespeare's  tragedy  of  Hamlet,  Prince  of  Denmark.  East 
Aurora,  N.  Y.     Roycroft  Shop.     1902.     (5),  172,  (i)  pp.    **T.34.26 

Same.  Hamlet,  Prince  of  Denmark.  Printed  from  the  prompt  book 
With  remarks  by  Mrs.  Inchbald.  London.  Longman,  Hurst, 
Rees,  Orme,  &  Brown.      [181  -?]     93  pp.     Plate.  **T.38.3i 

Same.  Shakespeare's  tragedy  of  Hamlet  as  presented  by  Edwin 
Booth.  New- York.  Hart  &  Co.  1878.  136  pp.  [The  prompt- 
book.] **T.38.i8 

Same.  The  E.  H.  Sothern  acting  version.  New  York.  McChirc, 
Phillips  &  Co.     1901.    V,  (i),  T36  pp.     Portraits.     Plates.     **T.36.6 

[931] 


THE   PUBLIC   LIBRARY    OF    THE    CITY    OF  BOSTON 

Shakespeare,  V'.'illiam.    Julius  Cesar. 

^  •■■    -  Z-r-i'-.T.    A  :,!av.  in  five  acts.     London.    Lacy.     [i86-?]     70  pp. 

**T.37.89 

'  eare's  tragedy  of  Julius  Caesar,  as  performed 

-  Lawrence  Barrett,  season  of  1888  and  1889, 

:'  Mr.  Arthur  B.  Chase.     Philadelphia.     The 

Penn  P  :3.     85  pp.     [Dramatic  Library.     \^ol.  i. 

Xo.  35  ;  **T.37.25o 

Shakespeare,  \'»iliian:.  '•.rg  IV .    Parti. 

King  Henry  IV.  _  ....  :.  A  play,  in  five  acts.  London.  Lacy. 
[1S6-':]     70  pp.     Plate.  **T,37.90 

Shakespeare,  William.     King  Henry  IV.    Part  I,  II.     Selections. 

Sir  John  Falstaff,  in  selected  scenes  from  Shakspeare's  Henry  the 
Fourth.     Parts  i  and  11.     Readings  in  costume,  by  Mark  Lemon. 
London.     Bradbury,  Evans  &  Co.     1869.    iv,  faS)  pp.        **T.97.78 
Shakespeare,  William.    King  Henry  V. 

The  Richard  Mansfield  acting  version  of  King  Henry  V.  A  history 
in  five  </•'-  "'  -  '■'  •'irsion  was  for  the  first  time  presented  by  Mr. 
Rich*  .'  is  company  of  players  on  the  stage  of  the 

Garden    i   .  .<=  .  ..    October  3*"*   M   C   M.     New  York.     McClure, 
Phillips  &  Co.    1901.    vi-xviii,  124  pp.    Portraits.     Coats  of  arms. 

**T.35.26 
Shakespeare,  V.'illiam.    King  Henry  VIII. 

King  Henry  the  Eighth.  An  historical  play,  in  five  acts.  London. 
Lacy.     [186-?]     (2),  xxvi,  3-64  pp.  **T.37.9i 

Shakespeare,  William.    King  John. 

King  John.  A  play,  in  five  acts.  London.  Lacy.  [186-?]  72  pp. 
Plate.  **T.37.92 

Shakespeare,  William.    King  Lear. 

King  Lear.  .\  tragedy,  in  five  acts.  London.  Lacy.  [i86-?l  80  pp. 
Plate.  **T.37.93 

Shakespeare,"'"'  King  Richard  III. 

YAr.u,   Pi'-,'  Third,     A  tragedy.     Adapted  by  Colley  Cibber. 

J^mdon.     \.v.-j.     [186-?]     68  pp.    Plate.  **T.37.94 

Same.  As  produced  at  the  Globe  Theatre,  London,  March  i6th,  1889, 
and  at  the  Globe  Theatre,  Boston,  October  21st,  1889.  Richard 
Mansfield  appearing  as  Richard,  Duke  of  Gloster.  New  York. 
Metropolitan  Job  Print.     [1889.!     29  pp.     Illus.  **T.35.5 

Shakespeare,  William.    Macbeth. 

lA'Ar^jtXh.  A  tragedy.  London.  Lacy.  [186-?]  63  pp.  **T. 37.95 
Same.  Shakespeare's  tragedy  of  Macbeth  as  produced  by  Ed.vin 
Booth.  Adapted  from  the  text  of  the  Cambridge  editors,  with 
introductory  remarks,  &c.,  by  Henry  L.  Hinton.  New  York. 
Hinton.  fi868.]  80  pp.  Portrait.  Autograph  facsimile,  f^iooth's 
Series  of  acting  plays.    No.  2.]  **T.95.38 

Shakespeare,  William.    Merchant  of  Venice. 

Thf;  r.nf:rchant  of  "Venice.  A  comedy.  \.riX\Aor\.  Lacy.  fi86-?l  64 
pp.  **T.37.96 

Shakespeare,  William.    Merry  wives  of  Windsor. 

The  merry  wives  of  Windsor,  a  comedy  in  five  acts.  With  editorial 
remarks,  costumes  and  stage  business.  Boston.  Spencer.  1855. 
71  pp.     [Spencer's  Boston  theatre.     No,  21.]  **T.37.io3 

Shakespeare,  William.    Mid.iummer  night's  dream. 

A  midsommcr  nights  dreame.  Illustrated  by  J.  Moyr  Smith.  Lon- 
don.    Quaritch.     1892.     xviii,   ^i),  36,   C3)  pp.     Illus.     Plates. 

**T.3i.i 
[9.32] 


BROWN   COLLECTION   OF  BOOKS    ON   THE   STAGE 


Shakespeare,  William.    Much  ado  about  nothing. 

Much  ado  about  nothing.     A  comedy  in  five  acts.  With  the  stage 

business,   costumes,   etc.     New  York.     French.  [185-?]      61   pp. 

[French's   Standard   drama.     No.   55.]  **T.37.qq 
Shakespeare,  William.    Othello. 

Othello,  the  Moor  of  Venice.    A  tragedy,  in  five  acts.  London.    Lacy. 

[186-?]     3-76  pp.  **T.37.97 

Same.      London.     Simpkin,   Marshall,   Hamilton,    Kent   &   Co.,    Ltd. 

[1893.]      (3),  42  pp.     Illus.     Colored  plate.  **T,3i.2 

The  illustrations,  some  of  which  are  colored,  are  by   Ludovic   Marchetti. 

Same.  The  Italian  version  as  performed  by  Signer  Salvini,  during 
the  American  tour.     Nevir  York.     Nesbitt  &  Co.     1873.     I35  PP. 

English  text  and  Italian  translation  on  opposite  pages.  **T.i\c  aa 

Shakespeare,  William.    Romeo  and  Juliet. 

Romeo  and  Juliet,  a  tragedy,  in  five  acts.  With  the  stage  business, 
costumes,  &c.  New-York.  French.  [185-?]  69  pp.  [French's 
Standard  drama.     No.  42.]  **T.37.ioo 

Same.  With  illustrations  by  Ludovic  Marchetti,  Lucius  Rossi,  and 
Oreste  Cortazzo.  London.  Simpkin,  Marshall,  Hamilton,  Kent 
&  Co.,  Ltd.  [189-?]  (2),  43  pp.  Illus.  Colored  plate.  **T.3i.3 
Shakespeare,  William.    Sonnets. 

Shakespeare's  songs  and  sonnets.  Illustrated  by  Sir  John  Gilbert. 
London.  Sampson  Low,  Marston,  Searle,  &  Rivington.  Ltd. 
[1888.]      (43)  pp.     Illus.,  some  colored.  **T.36.3 

A  reproduction  in  miniature  of  the  edition  of  1862. 

The  sonnets  of  William  Shakspere.  Rearranged  and  divided  into 
four  parts.  With  an  introduction  and  explanatory  notes  [by 
Robert  Cartwright].  London.  Smith.  1859.  ■  120  pp.  **T.97.268 
Shakespeare,  William.     Tempest. 

The  tempest.  Arranged  for  representation  at  the  Princess's  Theatre, 
with  historical  and  explanatory  notes,  by  Charles  Kean.  July  i,  1857. 
3d  edition.   London.   Chapman  &  Co.    [1857.]    74,  (i)  pp.  **T.56.i58 

Same.  With  illustrations  in  colour  by  Paul  Woodroffe  and  songs 
by  Joseph  Moorat.  London.  Chapman  &  Hall,  Ltd.  1908.  (7), 
129.  (2)  pp.     Colored  plates.  **T.34.3 

Shakespeare,  William.     JViuter's  tale. 

The  winter's  tale.  As  arranged  by  Mary  Anderson,  with  illustrations 
by  Edwin  John  Ellis  &  Joseph  Anderson,  and  selections  from  the 
iiKridental  music  by  Andrew  Levey.  London.  Field  &  Tuer. 
[1S88.]     (i),  56.  (2)  pp.    Illus.    Portraits,  some  colored.    **T.38.o.fi 

Same.  The  Viola  Allen  acting  version  of  The  winter's  tale.  Ar- 
ranged by  Frank  Vernon.  New  York.  McClure,  Phillips  &  Co. 
1905.     xii.  97  pp.     Portraits.  **T.36.4 

Shakespeare  Memorial  Association.  Stratford-upon-Avon. 

Shakespeare  Memorial.  Stratford-on-Avon.  London.  Cassell.  Fetter 
&  Galpin.  [1878.]  80  pp.  Portrait.  Plates.  Map.  **T.57.264 
The  title  on  the  cover  reads:  A  history  of  the  Shakespeare  Memorial,  Stratford- 
on-Avon. 

Shaw.  George  Bernard. 

Three  plays  for  Puritans.     Chicago.     Stone  &  Co.     xxxvhi,  315  PP- 

**T.37.203 

Contents.  —  Preface.  —  The  devil's  disciple:  a  melodrama.— Cxsar  and  Cleopatra: 
a  history.   —  Captain   Brassbound's  conversion:   an  adventure. 

Shebbeare,  John.  ■,    t  u      cu  t. 

Letters  which  have  passed  between  John  Beard  and  John  bheb- 
beare      London:   Printed  for  G.  Kearsly.     1767-     3-50  PP- 

**T.57.29t 

[933] 


THE   PUBLIC   LIBRARY   OF   THE    CITY   OF  BOSTON 


Shell,  Richard  Lalor. 

The  apostate.  A  tragedy,  in  five  acts.  Also  the  stage  business, 
costumes,  etc.  New  York.  French.  [185-?]  iv,  7-59  pp. 
[French's   Standard   drama.     No.   57.]  **T,37.36 

Sheridan,  Richard  Brinsley  Butler. 

The  rivals,  a  comedy.     London.     Lacy.     [185-?]     72  pp.     Plate. 

**T.37.io5 

Same.     Illustrated  by  Frank  M.  Gregory.     London.     Sampson  Low^, 

Marston,    Searle    &   Rivington,    Ltd.      [1889.]      xx,   61    pp.      Illus. 

Plates,  some  colored.  **T.3i.4 

The  school  for  scandal.    A  comedy.    London.     Lacy.     [185-?]     85  pp. 

**T.37.io6 

Same.      With    illustrations    by    Lucius    Rossi.      London.      Simpkin, 

Marshall,    Hamilton,   Kent   &   Co.,   Ltd.      [1891.]      iv,  35,    (i)    pp. 

Illus.,  mostly  colored.     Portrait.     Colored  plates.  **T.3i.5 

Sheridan's  comedies.    The  rivals  and  The  school  for  scandal.     Edited 

with  an  introduction  and  notes  to  each  play  and  a  biographical 

sketch  of  Sheridan  by   Brander  Matthews.     Boston.     Osgood   & 

Co.   1885.  333  pp.  Portraits.   Plate.  Manuscript  facsimile.  **T.35.22 

Siebecker,  fidouard. 

Cocottes  et  petits  creves.     Dessins  par  Grevin.     Paris.     Le  Chevalier. 
1867.     128  pp.     Plates.     [Physionomies  parisiennes.]         **T.99.39 
Simpson,  C.  H. 

The  life  and  adventures  of  C.  H.  Simpson,  master  of  the  ceremonies 
at  the  Royal  Gardens,  Vauxhall.  London.  Strange.  [1835.]  (3), 
ii,  28  pp.     Portrait.  **T.57.367 

Simpson,  John  Palgrave. 

Dreams  of  delusion.    A  drama,  in  one  act.    Adapted  from  the  French 

drama  [by  Duveyrier]  "EUe  est  folle."    With  costumes  and  stage 

business  marked  and  arranged  by  J.  B.  Wright.    Boston.    Spencer. 

[186-?]     28  pp.     [Spencer's  Boston  theatre.     No.  165.]       **T.37.53 

Simpson,  Richard,  editor. 

The  school  of  Shakspere.  Edited,  with  introductions  and  notes,  and 
an  account  of  Robert  Greene,  by  Richard  Simpson.  London. 
Chatto  &  Windus.     1878.     2  v.  *=^T.37.200 

This  book  contains  plays,  not  included  in  Shakespeare's  works,  which  have  been 
assigned  to  him  by  tradition,  or  in  whinh  ii  has  been  believed  by  many  critics 
that  he  had  a  hand. 

Mr.  Simpson  had  ;.-^sued  A  larum  for  London  in  a  single  volume,  but  died  before 
the  titibiii-ation  of  the  other  plays  v/hich  he  contemplated.  The  editorial  work 
was  completed  by  J.  W.  M.  Gibbs  under  the  oversight  of  F.  J.  Furnivall. 
Contents.  —  1.  Prefatory  notice.  —  The  stories  of  the  plays  of  'Captain  Stucley' 
and  'Nobody  and  somebody.'  — •  Biography  of  Sir  Thomas  Stucley.  ■ —  The 
famous  history  of  the  life  and  death  of  Captain  Thomas  Stukeley.  • —  Nobody  and 
somebody.  2.  Histrio-mastix ;  or,  the  player  whipt.  —  The  prodigal  son.  — 
Jacke  Drums  entertainment.  —  A  warning  for  faire  women.  —  Faire  Em,  the 
miller's  daughter  of  Manchester.  —  An  account  of  Robert  Greene,  his  life  and 
works,  and  his  attacks  on  Shakspere  and  the  players.   —  Inde.K  and  glossary. 

Sinks  of  London  laid  open:   a  pocket  companion   for  the   uninitiated. 

Added,  a  modern  flash  dictionary  containing  all  the  cant  words,  slang 

terms,  and  flash  phrases  now  in  vogue,  with  a  list  of  the  sixty 

orders    of    prime    coves.      Illustrations    by    George    Cruikshank. 

London.     Buncombe.      1848.     131   pp.     Illus.     Colored  plate. 

**T.97.i7i 

Six  Indiens  rouges  de  la  tribu  des  Grands  Osages,  arrives  du  Missouri 
au  Havre,  le  27  juillet  1827,  sur  le  navire  americain  New-England, 
cap.  Hunt.  3e  edition,  augmentee.  Paris.  Delaunay.  1827.  36 
pp.     Colored  plate.  **T.97,i5 

[934] 


BROWN    COLLECTION    OF   BOOKS    ON    THE   STAGE 


Sketch,  A,  of  The  wanderer:  or  the  rights  of  hospitality.  An  historical 
drama.     London.     Scales.     [1808?]     5-28  pp.     Colored  plat.-. 

«,  .  **T.Q7.207 

Skottowe,  Augustine. 

The  life  of  Shakspeare;  enquiries  into  the  originality  of  his  dramatic 
plots  and  characters;  and  essays  on  the  ancient  theatres  and 
theatrical  usages.  London.  Longman,  Hurst,  Recs,  Orme, 
Brown,  &  Green.     1824.    2  v.  **T.s6.2o6 

Sleeping  beauty,  The,  in  the  wood;  or,  Harlequin  and  the  spiteful  fairy. 
A  grand  comic  Christmas  pantomime,  founded  on  the  fairy  tale. 
Performed  at  the  Theatre  Royal,  Haymarket,  December  jr.th, 
1857.     London.     Johnson.     1857.     30,  (i)  pp.  **T.36.48 

Society  of  Antiquaries,  London. 

Catalogue  of  a  collection  of  works  on  pageantry  bequeathed  to  the 
Society  by  Frederick  William  Fairholt.     London.     1869.     40  pp. 

**T.96.i69 
Small,  George  G. 

Bricktop's  Comic  history  of  America.    Illustrated  by  Thomas  Worth. 
New  York.    Ivers  &  Co.     [1884.]     63  pp.    lUus.    Plates.    **T.95.43 
Smith,  Charles  Roach. 

Remarks  on  Shakespeare,  his  birth-place,  etc.     Suggested  by  a  visit 
to  Stratford-upon-Avon  in  the  autumn  of  1868.    2d  edition.     Lon- 
don.    Bell.     1877.    31  pp.  **T.56.79 
Smith,  Egerton. 

Mr.  Egerton  Smith.     [Liverpool.     1821.]     28  pp.  **T.98.54 

Relates  to  his  controversy  with  T.   13.  Johnson.     Issued  in  seven  instalments. 

Smith,  George  A. 

The    cabinet    gallery    and    compendium    of    Shakespeare's    dramatic 
works.     Each  drama  illustrated  and  briefly  outlined.     Philadelphia. 
Gebbie  &  Co.     1890.     (6),  238  pp.     Portraits.     Plates.       **T.55.42 
Soames,  C. 

Hamlet.  An  attempt  to  ascertain  whether  the  queen  were  an  acces- 
sory, before  the  fact,  in  the  murder  of  her  first  husband,  f  Anon.] 
London.     Smith.     1856.    48  pp.  **T.56.82 

Sotheby,  Samuel  Leigh. 

A  few  words  by  way  of  a  letter  addressed  to  the  directors  of  the 
Crystal  Palace  Company.    London.    Smith.    1855.   39  pp.   **T.96.35 
Soury,  Jules  Auguste. 

fitudes  de  psychologic.  Portraits  du  xviiie  siecle.  Paris.  Charpen- 
tier.     1879.     (3),  xix,  335,   (i)  pp.  **T.97.iir 

Spedding,  James. 

Reviews  and  discussions;  literary,  political,  and  historical,  not  relat- 
ing to  Bacon.    London.    Kegan  Paul  &  Co.     1879.    vi,  (i),  419  pp. 

**T.96.I37 
Spouter's  companion.  The;  or,  theatrical  remembrancer.  A  collection 
of  prologues  and  epilogues.  Added,  the  spouter's  medley:  con- 
taining select  parts  of  the  most  celebrated  comedies  and  tragedies. 
With  The  Spouting-Club  in  an  uproar:  or  the  battle  of  socks  and 
buskins.  London:  Printed  for  J.  Cooke  and  sold  by  T.  Lewis. 
[1770?]     (4),  104  pp.    Portrait.  **T.38.3 

Spry,  H. 

Aladdin  and  the  wonderful  lamp,  or,  Harlequin  &  the  forty  thieves 
and  the  flying  horses  of  Lambeth.  [Pantomime.]  1874-75.  As 
produced  at  Sanger's  National  Amphitheatre.  London.  Rascol. 
[1874.]     26  pp.  **T.37.228 

Words  only. 

[935] 


THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 


Spry,  H.     (Continued.) 

Lady  Godiva  and  Peeping  Tom  of  Coventry;  or  Harlequin  St.  George 
and  the  dragon  of  India.  [Pantomime.]  1875-76.  As  produced  at 
Sanger's  National  Amphitheatre.  London.  Rimmel.  [1875.]  (i), 
44,  (i)  pp.  **T.37.229 

\\'ords  only. 

Stapfer,  Paul. 

Moliere  et  Shakespeare.     Nouvelle  edition.     Paris.     Hachette  &  c^e. 

1887.     (5),  392  pp.  **T.57.400 

Shakespeare  and  classical  antiquity.     Greek  and   Latin  antiquity  as 

presented  in   Shakespeare's  plays.     Translated   from   the   French 

by  Emily  J.  Carey.    London.     Kegan  Paul  &  Co.     1880.    x,  483  pp. 

**T.56,26 
Starr,  Frank. 

Stage  theology:  or  colloquy  of  clowns.     Written  upon  reading  the 
brave  speech  made  by  the  Bishop  of  Manchester,  on  the  stage  of 
the  Theatre  Royal  in  that  city,  before  Wm.  Sidney  and  his  com- 
pany.    London.     Southwell.     1878.     39,   (i)   pp.  **T.96.i83 
Stephens,  George. 

Dramas  for  the  stage.     London.     Ineditus,     1846.    2  v.  **T.36.2 

Contents.  —  1.  Nero.  A  historical  tragedy.  • —  Forgery.  A  domestic  tragedy.  — 
Sensibility.  A  tragedy.  2.  Self-glorification.  A  Chinese  play  for  the  times.  — 
Rebecca  and  her  daughters.  A  comedy  for  the  times.  —  Philip  Basil;  or,  a 
poet's  fate.  A  tragedy  for  the  times.  —  Remarks  upon  the  presentation  of  the 
tragedy  of  "iVIai1:inuzzi." 

Stevens,  George  Alexander. 

The  celebrated  lecture  on  heads.  [Anon.]  London:  Printed  for 
Richard  Bond.     1765.     (i),  20  pp.  **T.96.330 

A  skit  in  the  form  of  a  series  of  characterizations  upon  the  reigning  follies  of 
the  day. 

Same.  A  lecture  on  heads,  with  additions  by  Mr.  Pilon;  as  delivered 
by  Mr.  Charles  Lee  Lewes.  Added,  An  essay  on  satire.  With 
heads  by  Nesbit,  from  designs  by  Thurston.  London:  Printed  by 
T.  Bensley  for  Vernor  and  Hood.    1799.    ix,  (2),  114,  (2)  pp.    Illus. 

**T.98.i23 

Stodare,  Colonel . 

Stodare's  Fly-notes;  or,  conjuring  made  easy.  London.  Routledge. 
1867.     (2),  126  pp.     Illus.  **T.98.ii6 

Stopes,  Charlotte  Carmichael. 

The  Bacon  Shakspere  question.    London.   Johnson.    1888.   xii,  149  pp. 

**T.56.i7i 
Strahan,  Lisbeth  Gooch.    (L.  G.  Seguin.) 

The  country  of  the  Passion-Play.  The  highlands  and  highlanders  of 
Bavaria.  London.  Strahan  &  Co.,  Ltd.  [1880.]  xii,  (3),  361  pp. 
Illus.    Plates.  **T.47.3i 

Student,  A,  of  Oxford,  pseud. 

A  dissertation  on  comedy:  in  which  the  rise  and  progress  of  that 
species  of  the  drama  is  particularly  consider'd  and  deduc'd  from 
the  earliest  to  the  present  age.  London:  Printed  for  T.  Lownds. 
1750.    55  pp.  **T.96.47 

This  work  has  been  ascribed  to  William  Guthrie. 

Styles,  John,  D.D. 

The  temptations  of  a  watering  place,  and  the  best  means  of  counter- 
acting their  influence.  A  sermon,  preached  at  Brighton,  August 
13,  1815.     Brighton.     The  Author.     1815.     40  pp.  **T.96.59 

[936] 


BROWN   COLLECTION   OF  BOOKS    ON   THE   STAGE 


Suckling,  Sir  John. 

Poems,  plays  and  other  remains.  New  edition.  With  a  copious 
account  of  the  author,  notes,  and  an  appendix  of  illustrative  pieces 
London.     Kerslake.     1874.    2  v.     Portraits.  **T-?7ii6 

Edited  by  W.  C.   Hazlitt.-  '^'' 

Supersac,  Leon. 

La  porte  est  close.  Monologue  a  trois  personnes.  (In  Saynetes  et 
monologues.     Scrie  r,  pp.  53-67.     Paris.     1877.)  **T.37.246 

Syle,  Louis  Du  Pont. 

Essays  in  dramatic  criticism  with  impressions  of  some  modern  plays. 
New  York.    Jenkins.     [1898.]     (9),  161  pp.  **T.48.24 


Tagore,  Rabindranath. 

The  king  of  the  dark  chamber.  [Play.]  Translated  into  Enjrljsh  by 
the  author.  (In  Drama,  The.  1914,  no.  14,  pp.  177-237.  Portrait. 
Chicago.     1914.)  '     **T.i5.i7.4 

Preceded  by  an  account  of  the  author  by  Alice  Corbin  Henderson. 

Tales  of  the  drama.     No.  i-io,  12,   17-57.     [London.     18 — ?]     456  pp. 
Illus.  **T.46.i8 

There  is  no  title-page.     Nos.  8  and   lo  arc  of  a  different  edition  and   have  ihiir 
own  pagination.     They  are  bound  at  the  end  of  the  volume. 

Talfourd,  Francis. 

Alcestis,  the  original  strong-minded  woman:  a  classical  burlesque, 
in  one  act.  Being  a  most  shameless  misinterpretation  of  the 
Greek  drama  of  Euripides.  By  the  author  of  the  travesties  of 
"Macbeth,"  and  the  "Merchant  of  Venice."  Oxford.  Spiers.  1850. 
27  pp.  **T.97.29i 

Talfourd,  Sir  Thomas  Noon. 

Ion.  A  tragedy.  In  five  acts.  With  stage  business,  costumes,  etc. 
New  York.  French.  [185-?]  iii-vii,  11-80  pp.  [French's  Standard 
drama.     No.  i.]  **T.37.37 

Tanner,  Anodyne,  M.D.,  pseud. 

The  life  of  the  late  celebrated  Mrs.  Elizabeth  Wisebourn,  vulgarly 
call'd  Mother  Wybourn,  containing  secret  memoirs  of  several 
ladies  of  the  first  q  —  y  who  held  an  assembly  at  her  house.  With 
her  last  will  and  testament.  [Satire.]  London:  Printed  for  A. 
Moore.     [1721?]     vii,  43  pp.  **T.97.27o 

Taylor,  Joseph. 

Antiquitates  curiosae:  the  etymology  of  many  remarkable  old  sayings, 
proverbs,  and  singular  customs,  explained.  London.  Allman. 
1818.     (3),  156  pp.  **T.98.i24 

Taylor,  Tom. 

Historical  dramas.  London.  Chatto  &  Windus.  1877.  viii.  (i).  466, 
(i)  pp.  **T.37.205 

Contents.   — ■  The  fool's   revenge.  —  Jeanne  Dare.   —  'Twixt   axe  and   crown.   •  - 

Lady  Clancarty.  —  Arkwright's  wife.  —  Anne  Boleyn.  —  Plot  and  passion. 
Still   waters  run   deep.     An   original   comedy,   in   three  acts.     With 

costumes,  and  stage  business.    New  York.   French.    [185-?]    58  pp. 

[French's  Standard  drama.     No.  276.]  **T.37.io8 

The  ticket-of-leave  man:  a  drama,  in  four  acts.     Added,  the  costume 

and   the   stage   business.     New   York.     French.      [186-?]      56  pp. 

[French's   Standard   drama.     The   acting  edition.     No.   329.] 

♦♦T.37.I09 

[937] 


THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 


Taylor,  Tom,  and  Charles  Reade. 

The  king's  rival;  or,  the  court  and  the  stage.  A  drama,  in  five  acts. 
Added,  the  costume  and  the  stage  business.  New-York.  French. 
[185-?]  50  pp.  [French's  American  drama.  The  acting  edition. 
No.  33.]  **T.97.3i3 

Masks  and  faces;  or,  before  and  behind  the  curtain.  A  comedy  in 
two  acts.     London.     Bentley.     1854.     (5),  71,  (i)  pp.  **T.38.ii 

Same.  With  editorial  remarks,  costumes  and  stage  business.  New- 
York.  French.  [185-?]  50  pp.  [French's  Standard  drama.  The 
acting  edition.     No.  240.]  **T.37,I07 

Terry,  Daniel. 

Guy  Mannering;  or  the  gipsey's  prophecy.     A  musical  play  in  three 
acts.    Also  the  stage  business,  costumes,  etc.     New-York.    French. 
[185-?]     iv,  7-59  pp.     [French's  Standard  drama.     No.  77.] 
A  dramatization  of  Scott's  novel  of  the  same  title.  **T.37.38 

Texier,  Edmond. 

Le  journal  et  le  journaliste.  Dessins  par  Bertall.  Paris.  Le 
Chevalier.  1868.  (3),  123,  (i)  pp.  Plates.  [Physionomies 
parisiennes.]  **T.99.42 

Thabaud,  Hyacinthe  Joseph  Alexandre.     (M.  de  Latouche.) 

La  mort  de  Rotrou.     [Poeme.]     Paris.     Feugueray.     181 1.     10  pp. 

**T.96.250 
Thacher,  George  H.     (Clericus.) 

A  letter  to  the  Synod  of  Albany,  on  the  subject  of  dancing:  wherein 

is  discussed  the  question,  Ought  the  Synod  to  take  action  on  this 

subject,  which  shall  bind  the  conscience  of  the  Church.     Albany. 

Munsell.     1847.     30  pp.  **T.96.28o 

Thacher,  John  Boyd. 

Charlecote;  or,  the  trial  of  William  Shakespeare.  Illustrated  by 
Charles  Louis  Hinton.  New  York.  Dodd,  Mead  &  Co.  [1895.] 
(i),  XX,   (3),  125,   (i)   pp.     Plates.  **T.36.24 

Thalberg,  Sigismund. 

Catalogue  of  [his]  collection  of  autographs.  To  be  sold  [byl  Detken 
and  Rocholl.     Naples.     Stamperia  dell'  Iride.     1872.     31   pp. 

The  collection  consists  chiefly  of  manuscripts  of  music.  **T.65.l6 

Thayer,  Ella  Cheever. 

Lords  of  creation.  Woman  suffrage  drama  in  three  acts.  Boston. 
Baker  &  Co.     1883.     39  PP-     [The  globe  drama.]  **T.37.i92 

Theatrical  bouquet,  The:  containing  an  alphabetical  arrangement  of  the 
prologues  and  epilogues,  which  have  been  published  from  the  time 
that  Colley  Cibber  first  came  on  the  stage  to  the  present  year. 
London:  Printed  for  T.  Lowndes.     1780.     (i),  333  pp.     Plate. 

**T.38.i2 

Theatrical  budget;  or,  actor's  regalio.  Being  an  excellent  collection 
of  recitations,  etc.  New  York.  Circulating  Library  and  Dramatic 
Repository.     1823.     11  v.  in  i.  **T.79.28 

Theatrical  campaign,  The,  for  mdcclxvt  and  mdcclxvii.  Consisiing  of 
tragedy,  comedy,  farce,  interlude,  pantomime,  anecdote,  and 
secret  history.    London:  Printed  for  S.  Bladon.     1767.     (3),  44  pp. 

**T.96.88 

Theatrical  museum,  The;  or,  fugitive  repository.  A  collection  of  inter- 
ludes. Added,  some  petite-pieces,  of  one  act  each,  altered  from 
Moliere.  With  prologues  and  epilogues,  facetious  songs,  tales, 
droll  epitaphs,  epigrams,  and  poetical  anecdotes.  Prefixed,  Hip- 
pesley's  Drunken  man.  London:  Sold  by  E.  Johnstone.  1776. 
63  pp.  **T,36.8 

[938] 


BROWN    COLLECTION    OF   BOOKS    ON    THE   STAGE 


Thenard,  Jenny. 

Une  presentation.     Monologue.     Paris.     Ollendorff.     1880.     5-13  pp. 

**T.97.i29 
Theobald,  Robert  Masters. 

Dethroning  Shakspcre.  A  selection  of  letters  contributed  to  the 
"Daily  Telegraph,"  with  the  preliminary  editorial  papers.  Kditcd, 
with  notes  and  comments,  by  R.  M.  Theobald.  London.  Sampson 
Low,  Marston,  Searle,  &  Rivington.     1888.     xii,  231,  (1),  4  pjj. 

//        Relates  to  Ignatius  Donnelly's  The  great  cryptogram.  **T.57.30O 

jlS^fhespian  olio,  The;  or,  dramatic  casket:  containing  comic,  burlesque, 
and  other  pieces,  original  and  selected.  London:  Printed  for  the 
editors,  by  J.  Rhynd.     1796.    iv,  9-48  pp.  **T.98.58 

Thibault,  Jacques  Anatole.     (Anatole  France.) 

Jean  Racine.     Paris.     Lemerre.     [1874.]      (3),  Iviii  pp.  **T. 98.95 

"Cette   notice  est  tiree  a  part  de  I'edition  des  CEuvres  de   Racine,  tcxle  original 
avec  variantes,  edition  Alphonse  Lemerre,  1874." 

Thiboust,  Lambert. 

Je  dine  chez  ma  mere.  Comedie  en  un  acte  melee  de  couplets.  Par 
A.  Decourcelle  et  L.  Thiboust.     Paris.     Levy.     1856.     (4),  28  pp. 

**T.37.ii8 
Thierry,  fidouard, 

F.  Ponsard.  Discours  prononce  pour  I'inauguration  de  la  statue  de 
Ponsard.     Paris.     Claye.     1870.     (3),  36  pp.  **T.95.io7 

La  seconde  interdiction  de  Tartuffe.  Avec  la  lettre  sur  la  comedie 
de  I'imposteur.     1667.     Cherbourg.     Mouchel.     1874.     39  pp. 

**T.96.2i 
Thimm,  Franz. 

Shakspeariana  from  1564  to  1864.  An  account  of  the  Shakspearian 
literature  of  England,  Germany,  France  and  other  European 
countries  during  three  centuries,  with  bibliographical  introduc- 
tions. 2d  edition,  containing  the  literature  from  1864  to  187 1. 
London.     Thimm.     1872.     (6),  118,  (2),  x  pp.  **T,56.ii8 

There  is  also  a  title-page  in  German. 
Thoinan,  Ern.,  pseud.     See  Roquet,  Antoine  Ernest. 
Thorns,  William  John. 

Three  notelets  on  Shakespeare.     London.    Smith.     1865.    viii,  136  pp. 

**T.57.93 

Contents.  —  Shakespeare  in   Germany.   —  The  folk-lore  of  Shakespeare.   —   Was 
Shakespeare  ever  a  soldier? 

Thomson,  William. 

On  Renascence  drama;  or,  history  made  visible.  Melbourne.  Sands 
&  McDougall.     1880.     (8),  359  pp.  **T.56.i22 

Upholds  the  Baconian  authorship  of  Shakespeare's  plays. 

Thorndike,  Augustus. 

Catalogue  of  [his]  collection  of  pictures,  to  be  sold  by  auction,  Oct. 
25.     Leonard  &  Co.,  auctioneers.     Boston.     Mudge.     i860.     22  pp. 

**T.65.4 
Thorpe,  William  George. 

The  hidden  lives  of  Shakespeare  and  Bacon  and  their  business  con- 
nection; with  some  revelations  of  Shakespeare's  early  struggles, 
1587-1592.     London.     The  Author.     1897.    xxvi,  89  pp.    **T.56.i32 
Tickell,  Richard. 

Anticipation:  containing  the  substance  of  His  M y's  most  gracious 

speech    to    both    H — s    of    P 1 1,    on    the    opening    of    the 

approaching   session,  with   a   full   and   authentic   account   of   the 

[939] 


THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 


Tickell,  Richard.     (Continued.) 

debate   which  will   take  place   in   the   H e   of   C s,   on    the 

motion    for    the    address,    and    the    amendment.      [Anon.]      New 
edition,  corrected.     London:  Printed  for  T.  Becket.     1794.     51  pp. 

**T.96.2i7 

Tiepler, . 

Coup-d'oeil  impartial  sur  Les  deux  gendres.  Paris.  Dentu.  1812. 
(3),  23  pp.  **T.56.3o6 

£tiennc"s  I.cs  deux  gendres  may  be  found  on  shelf-number  **T.56.27i. 

Time,  A,  to  dance.     [London.     18 — ?]     4  pp.  **T.96aii 

In  opposition  to   dancing. 

Tissot,  Pierre  Francois. 

Les  trois  conjures  irlandais,  ou  I'ombre  d'Emmet.  Paris.  Fain.  An 
XII. -1804.     (3),  16  pp.  **T.97.i5i 

Tivier,  Henri. 

Histoire  de  la  litterature  dramatique  en  France  depuis  ses  origines 
jusqu'au  Cid.     Paris.    Thorin.     1873.    x,  632  pp.  **T.46.i7 

Tobin,  John. 

The  curfew.     A  play,  in  five  acts.     2d   edition.     London.     Phillips. 

1807.     iii-vi,  (i),  62,  (2)  pp.  **T.96.339 

The   honey-moon:   a   play,   in    five   acts.     With    the    stage   business, 

costumes,  &c.    New  York.     French.     [185-?]     5-63  pp.     [French's 

Standard  drama.     No.  6.]  **T.37.39 

Another  copy  is  on  shelf-number  **T.97.3i5. 

Tomlins,  Frederick  Guest. 

The  nature  and  state  of  the  English  drama.  A  lecture  at  a  meeting 
of  the  Syncretic  Association.     London.     Mitchell.     1841.     24  pp. 

**T.98.4 

The  relative  value  of  the  acted  and  the  unacted  drama.     A  lecture  at 

a  meeting  of  the  Syncretic  Association.    London.   Mitchell.    [1841.] 

14  pp.  **T.96.i92 

Topham,  Captain  Edward. 

The  life  of  the  late  John  Elwes,  member  in  three  successive  Parlia- 
ments for  Berkshire.  First  published  in  the  paper  of  The  World. 
London:  Printed  for  J.  Ridgway.  1790.  vii,  88  pp.  Genealogical 
chart.  **T.56.i8i 

Torch,  The.  [Monthly.]  Vol.  i  (no.  i).  Oct.,  1896.  Memphis,  Tenn. 
The  Torch  Publishing  Co.     1896.     104  pp.  **T.95.i03 

Townsend,  George  Alfred. 

The  life,  crime,  and  capture  of  John  Wilkes  Booth,  with  a  full  sketch 
of  the  conspiracy  of  which  he  was  the  leader,  and  the  pursuit, 
trial  and  execution  of  his  accomplices.  New  York.  Dick  &  Fitz- 
gerald.    [1865.]     79,  (i)  pp.     Map.     Plans.     Autograph  facsimile. 

**T.55.5i 
Townsend,  George  Henry. 

William  Shakespeare  not  an  impostor.  By  an  English  critic.  Lon- 
don.   Routledge  &  Co.     1857.    vi,  122  pp.  .  **T.98.23 

Relates  to  the  Shakespeare- Racon  controversy. 

True  key.  A,  to  Odd  Fellowship.  Containing  all  the  signs,  tokens, 
grips,  passwords  and  obligations,  and  an  explanation  of  the  five 
degrees,  as  now  practised  under  the  late  revised  work  of  the 
Order.    New  York.     [1849.]     16  pp.     Illus.     Plates.  **T.96.i2 

Turnbull,  William  Robertson. 

Othello.  A  critical  study.  Edinburgh.  Blackwood.  1892.  xii,  (2), 
392  pp.  **T.56  239 

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BROWN   COLLECTION   OF  BOOKS   ON   THE   STAGE 


Two  metrical  romances;  and  other  original  pieces;  with  a  parody  from 
Shakspeare,  and  a  translation  of  a  part  of  the  fourth  act  of  Kotze- 
bue's  celebrated  tragedy,  entitled  Die  Spanicr  in  Peru,  odcr  Rolla's 
Tod.  London:  Printed  for  the  author  and  sold  by  M.  Allen.  1799. 
35  PP-  •♦T.Q4.8 

Tyler,  Royal. 

The  contrast.  A  comedy.  With  an  introduction  by  Thomas  T.  Mc- 
Kee.  New-York.  1887.  (i),  xix,  (i),  107  pj,.  Plate.  Music. 
[Dunlap  Society.     Publications.]  **T.95.i 

Contains  a  reproduction  of  the  title-page  of  the  edition  of  1790. 

Tyler,  Thomas. 

The  philosophy  of  "Hamlet."  London.  Williams  &  Norgatc.  1874. 
32  pp.  **T.56.i62 

u 

Uchard,  Mario. 

Un  dossier.  La  Fiammina  contre  Odette.  Paris.  Dentu.  1882.  (3). 
103  pp.  **T.57.26o 

Uchard  accuses  Sardou  of  having  taken  the  vital  situations  of  Odette  from  his 
La  Fiammina.  Sardou's  reply,  having  the  title  Mes  plagiats,  is  on  shelf  number 
**T.S7.262. 

Udall,  Nicholas. 

Ralph  Royster  Doyster.     [London?     1831?]     xxi,  76  pp.        **T.39.7 

The   title-page   is   lacking.      Prefixed   is   Wright's   Historia   histrionica. 

Ulrici,  Hermann. 

Shakspeare's  dramatic  art:  and  his  relation  to  Calderon  and  Goethe. 
Translated  from  the  German  [by  A.  J.  W.  Morrison].  London. 
Chapman.     1846.     xiv,  (i),  554  pp.  **T.55.6i 

Uzanne,  Louis  Octave. 

Les  quais  de  Paris,  fitudes  physiologiques  sur  les  bouquinistes  et 
bouquineurs.  Dessins  de  fimile  Mas.  fidition  nouvelle  et  re- 
maniee.  Paris.  Librairies-imprimeries  reunies.  i8q6.  (4),  xii, 
317,   (i)   pp.     Illu«.     Plate.  **T.95.58 

The  title  on  the  cover  is  Bouquineurs  et  bouquinistes:  physiologic  des  quais  de 
Paris,  which  is  the  title  of  the  first  edition. 

Uzanne,  Octave.    See  Uzanne,  Louis  Octave. 


V 

Vachette,  Eugene.     (Eugene  Chavette.) 

Restaurateurs  et  restaures.    Dessins  par  Cham.    Paris.    Le  Chevalier. 

1867.    126,  d)  pp.    Plates.    [Physionomies  parisiennes.]    **T.99.35 
Vacquerie,  Auguste  fidouard. 

Mes  premieres  annees  de  Paris.     [Poeme.]     Paris.    Levy.     1872.     (3), 

352  pp.  **T.95.ioi 

Valentine,  William. 

Dr.  Valentine  and  Yankee  Hill's  Metamorphoses.     Being  the  second 

series  of  Dr.  Valentine's  Comic  lectures,  with  characters  as  given 

by  the  late  Yankee   Hill.     New- York.     Burgess.     1850.     216  pp. 

Portraits.  **T.98.5i 

Valleyres,  Marc  de,  pseud.     See  Christen, . 

Ventriloquism  explained:  and  juggler's  tricks,  or  legerdemain  exposed: 

with  remarks   on   vulgar   superstitions.     In   a   series  of  letters   to 

an  instructor.     Amherst.     Adams.     1834.     156  pp.  **T.97.355 

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THE  PUBLIC  LIBRARY   OF   THE    CITY   OF  BOSTON 


Veuillot,  Louis  Francois. 

Moliere  et  Bourdaloue.     Paris.     Palme.     1877.     (3),  269,   (i)   pp. 

**T.57-3i7 
Viaud,  Louis  Marie  JuHen.     (Pierre  Loti.) 

Les  trois  dames  de  la  Kasbah.  [Alger.  Gervais-Courtellemont  &  cie. 
189-?]  29  pp.  Illus.  Plates.  [L'Algerie  artistique  et  pittoresque. 
Annee  i,  no.  3-5.]  **T.92.2 

Viel-Castel,  Horace,  Cotntc  de. 

Memoirs.  A  chronicle  of  the  principal  events,  political  and  social, 
during  the  reign  of  Napoleon  iii,  from  1851  to  1864.  Translated 
and  edited  by  Charles  Bousfield.  [London.]  Remington  Sz  Co. 
1888.     2  V.  **T.56.229 

Contents.  ■ —  I.   1851-1856.     2.   1857-1864. 

Viennet,  Jean  Pierre  Guillaume. 

£pitre  a  I'Empereur  Alexandre.     [Paris.     1815.]     4  pp.        **T.97.i37 
Vigee,  Louis  Jean  Baptiste  fitienne. 

fipitre  a  Jean-Frangois  Ducis,  sur  les  avantages  de  la  mediocrite. 
[Vers.]     Paris.     Delaunay.     1810.     29  pp.  **T.96.252 

Ville,  Leon. 

La  lutte  et  les  lutteurs.     Traite  pratique.     Histoire  —  saltimbanques 

—  exercices  corporels  au  point  de  vue  de  I'hygiene.    Preface  par  le 

Baron  de  Vaux.    Avec  39  vignettes  et  25  planches  photographiees 

par  Nadar.    Paris.    Rothschild.     1891.    xix,  (i),  132  pp.    **T.95.i36 

Villers,  Charles  Frangois  Dominique  de. 

Lettre  sur  le  roman  intitule  Justine;  ou,  les  malheurs  de  la  vertu. 
Paris.     Baur.     1877.     23,  (3)  pp.  **T.98.i35 

Justine  is  by  the  Marquis  de  Sade. 
Villiers,  George,  2d  Duke  of  Buckingham. 

The  rehearsal.  With  illustrations  from  previous  plays,  etc.  Edited 
by  Edward  Arber.     London.     1868.     136  pp.     [English  reprints.] 

Bibliography,   pp.    18—20.  **T.36.34 

Vining,  Edward  Payson. 

The  mystery  of  Hamlet.    An  attempt  to  solve  an  old  problem.    Phila- 
delphia.    Lippincott  &  Co.     1881.     95  pp.  **T.58.i5 
Virgilius  Maro,  Publius. 

Traduction  litterale  en  vers  frangais,  des  cinq  premieres  eglognes  de 
Virgile.     Paris.     Lefebvre.     1810.     16  pp.  **T.96.279 

Virmaitre,  Charles. 

Les  virtuoses  du  trottoir.  Paris.  Lebigre-Duquesne.  1868.  161, 
(i)  pp.  **T.98.99 

Virmaitre,  Charles,  and  filie  Frebault. 

Les  maisons  comiques.  Paris.  Lebigre-Duquesne.  1868.  322,  (i^  pp. 
Plates.  **T.97.232 

Vitu,  Auguste  Charles  Joseph. 

La  maison   mortuaire  de   Moliere.     D'apres   des  documents   inedits. 
Paris.    Lemerre.    1880.    478,  (2)  pp.    Illus.    Plate.    Plans.    Genea- 
logical table.  **T,57.69 
VoUmer,  Ed. 

Berliner  Theater-Kritiker.  Eine  Kritik  der  Kritik.  Berlin.  Inter- 
nationale Buchhandlung.  1884.  (3),  74  pp.  **T.98.6 
Cnntcnts.  —  Karl  Frcnzel.  —  Fritz  Mauthner  und  Paul  IJndau.  -  Theodor 
Fontane  und  Friedrich  Adami.  —  Oskar  Blumcnthal.  —  Rudolf  Elcho  und  Adolf 
Rosenberg.  —  Otto  Brahm  und  Theophil  Zolling.  —  Schlussbemerkung. 


[942] 


BROWN   COLLECTION   OF  BOOKS    ON   THE   STAGE 


w 

W.,  A.  ^^ 

Remarks  on  the  new  tragedy,  call'd  The  Roman  father  [by  William 
Whitehead].  With  a  word  to  the  author.  By  a  spectatcjr.  Lon- 
don: Printed  and  sold  by  W.  Reeve.  1750.  3-23  pp.  **T.97.6o 
Waldron,  Francis  Godolphin. 

Free  reflections  on  miscellaneous  papers  and  legal  instruments,  under 
the  hand  and  seal  of  William  Shakspeare,  in  the  possession  of 
Samuel  Ireland.  Added,  extracts  from  an  unpublished  MS.  play, 
called  The  Virgin  Queen.  Written  by,  or  in  imitation  of,  Shak- 
speare. [Anon.]  London:  Printed  for  F.  G.  Waldron.  1796.  55, 
(0  PP-  ♦♦T.96.332 

The  papers  referred  to  were  forgeries  by  Samuel  William  Henry  Ircl.Tml. 

Walker,  Joseph  Cooper. 

An  historical  and  critical  essay  on  the  revival  of  the  drama  in  Italy. 
Edinburgh.     Mundell.     1805.     16,   (2),  272,  40,  8  pp.     Illus.     Por- 
traits.    Plate.  **T.46.29 
Wallace,  William. 

The  divine  surrender.  A  mystery  play.  London.  Stock.  1895.  (4), 
77  pp.  **T.37.207 

Walter,  Major  James. 

Shakespeare's  true  life.  Illustrated  by  Gerald  E.  Moira.  London. 
Walter.  1890.  (7),  iv,  395,  (i)  pp.  Illus.  Portraits.  Maps. 
Facsimiles.  **T.5i.8 

Ward,  Sir  Adolphus  William. 

A  history  of  English  dramatic  literature  to  the  death  of  Queen  .•Xnno. 
London.     Macmillan   &  Co.     1875.     2  v.  in  4  parts.  **T.46.25 

Wardlaw,  Elizabeth,  Lady. 

Hardyknute:  a  fragment  of  an  antient  Scots  poem.  [Anon.]  Glas- 
gow, Printed  and  sold  by  Robert  Foulis.  1748.  27  pp.  **T.96.93 
The  title-page  is  mutilated. 

Warner,  Richard. 

A   letter   to   David    Garrick   concerning   a   glossary   to   the   plays   of 

Shakespeare,  on  a  more  extensive  plan  than  has  hitherto  appeared. 

Annexed,  a  specimen.     London,  Printed  for  the  author:  antl  sold 

by  T.  Davies.     1768.     no,  (i)  pp.  **T.96.346 

Wasielewski,  Josef  Wilhelm  von. 

Musikalische  Fursten  vom  Mittelalter  bis  zum  Beginne  des  19.  Jahr- 
hunderts.  Leipzig.  Breitkopf  &  Hartel.  1879.  3-3-3-i^  pp. 
[Sammlung   musikalischer   Vortrage.      No.    10.]  **T.94.i8 

Watkins,  John. 

Memoirs  of  the  public  and  private  life  of  the  Right  Honorable  R.  B. 

Sheridan,  with  a  particular  account  of  his  family  and  connexions. 

2d  edition.    London.     Colburn.     1817.    2  v.     Portraits.    Autoyraph 

facsimile.  **T.55.io5 

Webster,  Benjamin  Nottingham. 

Isaure.  or  the  maniac  of  the  Alps,  a  domestic  melodrama.  \.  p. 
[18 — ?]      199-214  pp.     Colored  illus.  **T.36.36 

Webster,  John. 

Dramatic  works.  Edited  by  William  Hazlitt.  London.  Reeves  & 
Turner.     1897.     4  v.      [Library  of  old  authors.]  **T.37.3 

Contents.  —  I.  Introduction.  —  The  famous  history  of  Sir  Thomas  Wyat.  — 
Westward  hoe.  —  Northward  hoe.  2.  The  white  devil:  or.  Vittoria  Commhona. 
—  The  Duchess  of   Malfi.     3.  The  devil's  law-case.  —  Appius  and   Virginia.   — 

[943] 


THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 


Webster,  John.     (Continued.) 

Monuments   of   honor.   —  A   monumental   column.   —   Odes.      4.    A   cure   for  a 
cuckold.  —  Introduction  to  The  malcontent.  —  The  Thracian  wonder.   —  The 
weakest  goes  to  the  wall. 
Contains  reproductions  of  the  title-pages  of  the  original  editions. 

Weiss,  Jean  Jacques  Augusta. 

Trois  annees  de  theatre,  1883-1885.  Le  drame  historique  et  le  drame 
passionnel.     Paris.     Levy.     1894.     (3),  vi,  383  pp.  **T.47.83 

Relates  to  French  drama. 

West,  H.  Kate  Richmond-. 

An  interpretation  of  "King  Lear."  Chicago.  Knight  &  Leonard. 
1884.    46  pp.     [The  Shakespearean  world.     No.  2.]  **T.57.204. 

Wewitzer,  Ralph,  compiler. 

The  school  for  wits;  containing  a  choice  collection  of  bon-mots, 
anecdotes,  epigrams,  and  other  poetical  jeux  d'esprits.  London. 
Miller.     1815.    xi,  300  pp.  **T.97.330 

Wheatley,  Henry  Benjamin. 

The  Adelphi  and  its  site.     London.     Stock.     1885.     (i),  17  pp.     Illus. 

**T.94.6 

Notes  on  the  life  of  John  Payne  Collier;  with  a  complete  list  of  his 

works,   and   an   account  of   such    Shakespeare    documents   as   are 

believed  to  be  spurious.    London.    Stock.     1884.    67  pp.    **T.58.45 

Reprinted  from  The  Bibliographer,   1883,  84. 

Wheler,  Robert  Bell. 

An  historical  account  of  the  birth-place  of  Shakespeare  Reprinted 
from  the  edition  of  1824,  with  a  few  prefatory  remarks  by  J.  O. 
Halliwell.      Stratford-on-Avon.      1863.     22,    (2)    pp.      Plate. 

**T.96.i68 

Whincop,  Thomas. 

Scanderbeg:  or,  love  and  liberty.  A  tragedy.  Added,  a  list  of  all 
the  dramatic  authors,  with  some  account  of  their  lives;  and  of 
all  the  dramatic  pieces  published  in  English  to  1747.  London: 
Printed  for  W.  Reeve.  1747.  (12),  viii,  xix,  (i),  320,  (30)  pp. 
Portraits.     Plates.  **T,37.2o6 

Whipping  rods,  for  trifling,  scurrhill,  scriblers;  as  Mr.  F 1  on  taste, 

Spectorhill  his  late  pamphlet  and  papers:  his  Theophrastus  on 
stones  or  gems,  with  other  of  his  principal  performances.  Lon- 
don: Printed  for  M.  Cooper.  1752.  xv,  34  pp.  **T.57.i02 
An  attack  on  Samuel  Foote  and  Dr.  John  Hill. 

White,  Charles. 

The   magic  penny.     A   negro   farce.     In  one  act  and   three   scenes. 

With  the  stage  business,  &c.    New  York.    Brady.    [185-?]    3-28  pp. 

[Brady's  Ethiopian   drama.     No.   17.]  **T.97.3ii 

Mazeppa.     An  equestrian  burlesque.     In  two  acts.     With  the  stage 

business,  &c.    New  York.    Brady.    [185-?]    24  pp.    Plate.    [Brady's 

Ethiopian  drama.     No.  3.]  **T.97.3i8 

A  burlesque  of  Lord  Byron's  poem  of  the  same  name. 

United  States  mail.  A  farce.  In  one  act.  With  the  stage  business, 
&c.  New  York.  Brady.  [185-?]  19  pp.  Plate.  [Brady's 
Ethiopian  drama.     No.  4.]  **T.97.309 

The  wreck.  A  nautical  negro  farce.  In  one  act  and  one  scene.  With 
the  stage  business,  &c.  New  York.  Brady.  [185-?]  3-19  pp. 
[Brady's  Ethiopian   drama.     No.   18.]  **T.97.3io 

White,  James. 

Original  letters,  &c.,  of  Sir  John  Falstaff  and  his  friends.  [Anon.l 
Philadelphia.     Desilver.     18:3.     xxi,   130  pp.  **T.59.25 

[944] 


BROWN    COLLECTION    OF   BOOKS    ON    THE   STAGE 


White,  James.     (Continued.) 

Same.  Falstaff's  letters.  With  notices  of  the  author  collected  from 
Charles  Lamb,  Leigh  Hunt  and  other  contemporaries.  London. 
Robson.     1877.     (i),  xxvi,  xxiv,  123  pp.  **T.57  84 

Contains  a   reproduction  of  the  title-page  of  the  original   edition  of    1796 

White,  Rev.  James. 

The  King  of  the  Commons.  A  play  in  five  acts.  With  the  stage 
business,  costumes,  &c.  New-York.  French.  [1846?]  7-77  pp. 
[French's   Standard   drama.     No.   26.]  **T.37.4o 

The  scene  is  laid  in  Scotland  in  the  time  of  James  V. 
White,  Richard  Grant. 

Memoirs  of  the  life  of  William  Shakespeare,  with  an  essay  toward 

the   expression   of   his    genius,   and   an    account   of   the   rise   and 

progress  of  the   English   drama.     Boston.     Little,   Brown    8i   Co. 

1866.    xi,  425  pp.     Portrait.     Autograph  facsimile.  **T.55  89 

White,  Thomas  William. 

Our  English  Homer;  or,  Shakespeare  historically  considered.  Lon- 
don.    Sampson  Low,  Marston  &  Co.,  Ltd.     1892.    xv,  297.  (i)  pp. 

**T.57  74s 
Chiefly  a  study  of  the  authorship  of  the  plays.  Mr.  White  believes  that  Lord 
Bacon  wrote  Hamlet  and  revised  others. 

Whole  art.  The,  of  boxing:  replete  with  instruction  in  the  manly  art 

of  self-defence.     To   which   is   added,   the  art   of  swimming  and 

bather's  companion,  with  full  directions  for  learners.    Philadelphia. 

Fisher.     [185-?]     65-128  pp.    Plate.  No.  2  in  **T.99.6i 

Contains  a  chapter  on  wrestling. 

Whymark,  H.  J.,  editor. 

The  modern  reciter,  containing  burlesques,  stump  speeches,  comic 
and  serio-comic  recitations,  anecdotes,  conundrums,  toasts,  and 
sentiments,  bon  mots,  etc.     London.     Sheard.     [186-?]     48  pp. 

**T.98.ii9 
Wigston,  William  Francis  C. 

Bacon,  Shakespeare  and  the  Rosicrucians.  London.  Redway.  1888. 
xxiii,  284  pp.     Portrait.  **T.55.76 

Hermes  Stella;  or,  notes  and  jottings  upon  the  Bacon  cipher.     Lon- 
don.    Redway.     1890.    xxiii,  182  pp.     Plate.  **T.55.68 
Wilder,  Marshall  Pinckney. 

Smiling  'round  the  world.  New  York.  Funk  &  Wagnalls  Co.  1908. 
(2),  330  pp.     Portraits.     Plates.  **T.57.444 

Wilkes,  George. 

Shakespeare,  from  an  American  point  of  view;  including  an  inquiry 

as   to   his   religious    faith    and   his    knowledge    of   law;    with    the 

Baconian  theory  considered.     New  York.     Appleton  &  Co.     1877. 

ix,  (i),  471  pp.  **T.55.ioo 

Wilkins,  John  H. 

Civilization.  A  play,  in  five  acts.  New  York.  Taylor  &  Co.  1854. 
81  pp.  Diagram.  [Modern  standard  drama.  No.  102.]  **T.37.47 
Founded  on  Voltaire's  Le  Huron. 

Wilkinson,  Sarah. 

Love  and  Hymen;  or  the  gentleman's  and  ladies'  polite  and  original 
valentine  writer.  For  the  present  year.  London.  Perks.  [1820?] 
28  pp.     Colored  plate.  **T.97.209 

Williams,  John.     (Anthony  Pasquin,  Esq.) 

A  crying  epistle  from  Britannia  to  Colonel  Mack,  including  a  naked 
portrait  of  the   King,   Queen,   and    Prince,   with   notes,   political, 

[945] 
60 


THE   PUBLIC  LIBRARY   OF   THE    CITY   OF  BOSTON 


Williams,  John.     (Anthony  Pasquin,  Esq.)      (Continued.) 

philosophical   and   personal.      New   edition.      London:    Printed   by 
C.  Lowndes.     [i794-]     88  pp.  **T.96.324 

Pp.   25-88  are  missing. 

Legislative  biographj';  or,  an  attempt  to  ascertain  the  merits  and 
principles  of  the  most  admired  orators  of  the  British  Senate. 
Being  intended  as  a  companion  to  the  Parliamentarj^  reports. 
London:  Printed  for  H.  D.  Symonds.     I795-    iv,  7-64  pp.    **T.96.326 

A  looking-glass  for  the  royal  family:  with  documents  for  British 
ladies,  and  all  foreigners  residing  in  London.  Being  a  postscript 
to  The  new  Brighton  guide.  London:  Printed  for  H.  D.  Symonds. 
1797-    36  pp.     Plate.  **T.96.322 

A  letter  addressed  to  the  Earl  of  Cholmondeley. 

The  new  Brighton  guide;  involving  a  complete,  authentic,  and 
honorable  solution  of  the  recent  mysteries  of  Carlton  House. 
[Verse.]  6th  edition:  with  alterations  and  additions.  London: 
Printed  for  H.  D.  Symonds.     1796.     3-68  pp.  **T.96.32i 

A  satire  on  Brighton  and  the  Prince  of  Wales. 

Shrove  Tuesday,  a  satiric  rhapsody.  [Anon.]  First  printed  in  1790. 
[London.     1794.]     36  pp.  **T.96.323 

( )ther  poems  are  appended. 

Williams,  Montagu  Stephen. 

Leaves  of  a   life.      Being  the   reminiscences  of   Montagu   Williams. 

London.      Macmillan   &   Co.      1890.     2  v.  Portrait.      Manuscript 

facsimiles.  **T.56.23i 

Relates  principally  to  criminal  trials  with  which  Williams  was  connected. 

Willion,  Wright. 

Wright   Willion's    Great   book   of   magic.      Containing  an    extensive 

collection  of  conjuring  and   legerdemain,   etc.,  all  of  which   may 

be   performed    in    the   parlor.      New   York.      New   York    Popular 

Publishing  Co.     [186-?]      14-29  pp.     Illus.     Plates.  **T.98.79 

WUlis,  Nathaniel  Parker. 

Tortesa  the  usurer.  A  play.  New- York.  Colman.  1839.  149  pp. 
[Colman's   Dramatic   library.]  **T.98.46 

Willis,  Richard,  Bishop  of  Winchester. 

Of  genius.  [An  essay.  Anon.]  London:  Printed  for  Em.  Mat- 
thews.    1719.     32  pp.     [The  occasional  paper.     Vol.  3,  no.   10.] 

**T.97.i57 
Wilson,  F.  A. 

Epistolary  remonstrance  to  Thomas  Morton,  dramatic  writer  and 
professed  critic  and  reader  to  Captain  Polhill,  and  His  Majesty's 
servants  of  Drury  Lane  Theatre.     London.     Wilson.     1832.    40  pp. 

**T.76.ii5 
Wilson,  John,  bookseller. 

Shaksperiana.     Catalogue  of  all  the  books,  pamphlets,   &c.,  relating 
to  Shakspeare.     London.     Wilson.     1827.     xli,  69  pp.       **T.57.i7i 
Wilson,  Thomas. 

The  danciad:  or,  dancer's  monitor.  Being  a  descriptive  sketch  in 
verse  on  the  different  styles  of  dancing,  teachers  of  dancing, 
academies  for  dancing,  and  balls.  With  observations  on  the 
laws  regarding  dancing.  London.  The  Author.  1824.  (3).  xxi, 
76  pp.  **T.98.75 

Wise,  Daniel. 

William  Shakespeare.  New  York.  Phillips  &  Hunt.  1883.  16  pp. 
[Home  college  series.     No.  23.]  **T.97.263 

[946] 


BROWN    COLLECTION    OF   BOOKS    ON    THE   STAGE 


Wiseman,  Nicholas  Patrick  Stephen,  Cardiiuil. 

"The  hidden  gem."  A  drama  in  two  acts,  composed  for  the  College 
Jubilee  of  St.  Cuthbert's,  Ushaw,  1858.  "With  a  preliminary  ac- 
count of  the  celebration  of  the  College  Jubilee.  3d  edition.  Lon- 
don. Richardson.  [186-?]  xxxiv,  130  pp.  Music  **T  ^8  2^ 
Withers,  Philip. 

Alfred's   Appeal.      Containing   his   address    to    the    Court    of    Kinu's 

Bench,  on  the  subject  of  the  marriage  of  Mary  Anne  Fitzherbert. 

and   her   intrigue    with    Count    Bellois.      London:    Printed    in    tlie 

year  mdccdxxxix  [1789].     3-88  pp.  **T.56.i78 

Wivell,  Abraham. 

An  historical  account  of  the  monumental  bust  of  William  Shakspearc. 
in  the  chancel  of  the  church,  at  Stratford-upon-Avon,  Warwick- 
shire. With  critical  remarks  on  the  authors  who  have  written  on 
it.     London.     The  Author.     1827.     28  pp.     Portraits.  **T.56.83 

A  supplement  to  An  inquiry  into  the  history,  authenticity,  & 
characteristics  of  the  Shakspeare  portraits,  in  which  the  criticisms 
of  Malone,  Steevens,  Boaden,  and  others  are  examined,  confirmed, 
or  refuted.  Embracing  the  Felton,  the  Chandos,  the  Duke  of 
Somerset's  pictures,  the  Droeshout  print,  and  the  monuments  of 
Shakspeare,  at  Stratford,  &c.  With  an  expose  of  the  spurious 
pictures  and  prints.  London.  The  Author.  1827.  (4),  52  pp. 
Portraits.     Plates.  **T.56.i46 

Wolff,  Albert. 

Victorien  Sardou  et  L'Oncle  Sam.  Avec  les  documents  relatifs  a  la 
suppression  de  la  piece.  Paris.  Librairie  nouvelle.  1874.  (3), 
142  pp.  **T.57.26i 

Woo  Han-Chin. 

Laou-Seng-Urh,  or,  "an  heir  in  his  old  age."  A  Chinese  drama. 
[Anon.]     London.     Murray.     1817.     (4),  iii,  xlix,  (i),  115  pp. 

Translated  by  Sir  John  Francis  Davis,   Bart.  **X.38.2I 

Wood,  J.  Hickory,  and  Arthur  Collins. 

[Dick  Whittington.]  The  children's  pantomime  Dick  Whittington. 
Original  incidental  songs  and  finales,  by  Arthur  Sturgess,  Eustace 
Ponsonby  and  Arthur  Wimperis.  Music  composed,  selected  and 
arranged  by  J.  M.  Glover.  Pictures  by  G.  L.  Stampa.  London. 
J.  Miles  &  Co.,  Ltd.     1908-1909.    96  pp.     IIlus.     Portrait.     Music. 

Libretto  only.  **T.36.30 

Woodin,  W.  S. 

Woodin's  Whimsies.  [Poems.]  Satiric,  comic,  and  pathetic,  lllus. 
trated  by  Matt  Morgan,  George  Cruikshank,  Jun.,  and  Skinner 
Prout.     London.     Dyer.     1870.     154  pp.     Portrait.     Plates. 

**T.98.86 

World's  fairs  from  London,   1851,  to  Chicago.     Containing  information 

of  the   World's   Columbian   Exposition,   1893.     Chicago.      Midway 

Publishing  Co.    1892.     (6),  82  pp.    Portraits.    Plates.    Map.     Plan. 

**T.95.57 

Wright,  Frances. 

Altorf,  a  tragedy.     Philadelphia.     Carey.     1819.     v,   (i),  3-83  pp. 

**T.38.7 


[947] 


THE  PUBLIC  LIBRARY   OF  THE   CITY   OF  BOSTON 


Yarmouth  Assurance  cause,  The.  Palmer  and  Fish  versus  the  Alliance 
Life  Assurance  Company.  Tried  July  28  and  29.  Taken  from 
the  shorthand  notes  of  the  reporter  of  the  Norwich  and  Norfolk 
Times.     Norwich.     Gooch.     1841.     41  pp.  **T.98.78 


Zanoni,  pseud. 

Ibsen  and  the  drama.     London.  Digby,  Long  &  Co.     [1894.I      (4), 

192  pp.  **T.47.5i 
Zola,  fimile. 

Nos  auteurs  dramatiques.     Paris.  Charpentier.     1881.     (6),  416,   (i) 

pp.  **T.47.i7 

Contents.  —  Theatre  classique.  —  Victor  Hugo.  —  Emile  Augier.  ■ —  Alexandre 
Dumas  fils.  —  Victorien  Sardou.  —  Eugene  Labiche.  ■ — ■  Meilhac  et  Halevy.  — 
Edmond  Gondinet.  —  fidouard  Pailleron.  —  Adolphe  d'Ennery.  —  Theodore 
Barriere.  —  Octave  Feuillet.  — ■  George  Sand.  —  Theodore  de  Banville.  — 
Edmond  et  Jules  de  Goncourt.  —  Alphonse  Daudet.  — •  Erckmann-Chatrian. 


[948] 


SUPPLEMENTARY  TITLES. 


Armstrong,  Cecil  Ferard. 

The  actor's  companion.    With  an  introduction  by  Arthur  Bourchier, 
and  chapters  by  Clarence  Derwent  and   Frederick  James.     Lon- 
don.    Mills  &  Boon,  Ltd.     [1912.]     186  pp.  6257.396 
Bakshy,  Alexander. 

The  path  of  the  modern  Russian  stage,  and  other  essays.  London. 
Palmer  &  Hayward.     [1916.]     xxiii,  243  pp.     Plates.  3067. 7G 

Berg,  Albert  Ellery,  compiler  and  editor. 

The  drama,  painting,  poetry  and  song,  embracing  a  complete  history 
of  the  stage;  an  exhaustive  treatise  on  pictorial  art  [etc.].  New 
York.     Collier.     1884.     viii,  718  pp.     lUus.     Portraits.     Plates. 

♦6251.28 
Borgerhoff,  Joseph  Leopold. 

Le  theatre  anglais  a  Paris  sous  la  Restauration.  Paris.  Hachette 
&  cie.     [1913.]     xi,  245,  (2)  pp.     Portrait.     Plates.  6257.75 

On   the   introduction  of   Shakespeare's  plays   in   France  between    1820   and    183,1, 
and   the   English  actors   who   played  Shakespearean   roles. 

Brede,  Charles  Frederic. 

The  German  drama  in  English  on  the  Philadelphia  stage  from  1794 
to  1830.  Preceded  by  a  general  account  of  the  theatre  in  Phila- 
delphia from  1749-1796.  Philadelphia.  [University  of  Pennsyl- 
vania.] 1918.  (6),  295,  (2)  pp.  [Americana  Germanica.  New 
series.     No.  34.]  4393-230 

Brooklyn,  N.  Y.    Public  Library. 

Amateur  theatricals.  A  select  list  of  books  in  the  Brooklyn  Public 
Library.     Brooklyn,  N.  Y.     1917.     15  pp.  *2i75-77 

Clark,  Susan  Champney. 

John  McCuUough  as  man,  actor  and  spirit.  Boston.  Murray  &. 
Emery  Co.     1905.     359  pp.     Portraits.     Plate.*  4343.261 

Croy,  Homer. 

How  motion  pictures  are  made.  New  York.  Harper.  [1918.]  (15), 
365,  (i)  pp.     Illus.     Portraits.     Plates.     Diagrams.  80393.255 

Diary  of  a  Daly  debutante.  Being  passages  from  the  journal  of  a 
member  of  Augustin  Daly's  famous  company  of  players.  New 
York.  Duffield  &  Co.  1910.  (5),  249  pp.  Portraits.  Plates. 
Facsimile.  6257.312 

Dole,  Nathan  Haskell. 

Joseph  Jefferson  at  home.  Boston.  Estes  &  Lauriat.  1898.  no  pp. 
Portraits.     Plates.  4343-198 

Ellis,  Charles  Edward. 

An  authentic  history  of  the  Benevolent  and  Protective  Order  of  Elks. 
[Added]  The  official  history  of  Chicago  Lodge,  No.  4-  Chicago. 
The  author.  1910.  2  parts  in  i  v.  Illus.  Portraits.  Plates,  some 
colored.     Facsimiles.     Maps.  *7562.45 

[949] 


THE  PUBLIC  LIBRARY   OF   THE    CITY   OF  BOSTON 


Ezvar  Du  Fayl, . 

Academic  nationale  de  musiquc,  1671-1877.  Repertoire  general; 
description  du  monument.  200  notices  sur  les  artistes  de  I'Opera. 
Plans  du  monument  et  de  la  salle.  Paris.  Tresse.  1878.  (3), 
331  pp.     Plates.     Plans.     [Theatres  lyriques  de  Paris.] 

26393.55;  **M.i2ga.ii 
Grima,  Edgar. 

Municipal  support  of  theatres  and  operas  in  New  Orleans.  (/;; 
Louisiana  Historical  Society.  Publications.  Vol.  9,  pp.  43-45- 
New  Orleans.     1917.)  *4462.48.9 

On  the  New  Orleans  Theatre  Company. 
Howard,  George  Fitzalan  Bronson-. 

Birds  of  prey.  Being  pages  from  the  Book  of  Broadway.  [Fiction.] 
Illustrations  by  Wallace  Morgan.  New  York.  Watt  &  Co. 
[1918.]      vii,   392   pp.      Illus.      Plates.  **T.87.i02 

Howard,  Kathleen. 

Confessions  of  an  opera  singer.  New  York.  Knopf.  1918.  273  pp. 
Portraits.     Facsimiles.  4047.328 

Hubbard,  Elbert. 

Contemplations.      Being   several    short   essays,   helpful    sermonettes, 

epigrams  and  orphic  sayings,  selected  from  the  writings  of  Elbert 

Howard,  by  Eloise  Hawthorne.     [East  Aurora,  N.  Y.     Roycroft 

Shop.     1902.]      (5),  120,  (i)  pp.     Portraits.     Plates.  **T. 34.28 

Japanese  Red  Cross  Society. 

Danjuro  no  tanjobi  (Danjuro's  birthday),  or  the  jar  of  poisoned 
honey.  A  pantomime  by  J.  b  Smilleth  [J.  B.  Millet  and  J.  L. 
Smith.     Programme.     Boston.     1904].  4456.169 

Logan,  William  Hugh,  compiler  and  editor. 

Fragmenta  Scoto-dramatica.      1715-1758.     Edinburgh.      1835.     48  pp. 

**T.78.88 

A  collection  of  memoranda  relating  to  the  Scottish  stage  and  especially  to  the 
theatre  at  Edinburgh. 

Mackay,  Constance  D'Arcy. 

Patriotic  drama  in  your  town.  A  manual  of  suggestions.  New  York. 
Holt  &  Co.     1918.    viii,  (i),  135  pp.  6257.226 

Concerns  the  influence  of  the  pageant  and  the  Little  Theatre  on  international 
democracy.  The  last  two  chapters  contain  lists  of  plays  and  suggestions  for 
music. 

Mackintosh,  Matthew. 

Stage  reminiscences.  Recollections,  chiefly  personal,  of  performers 
during  the  lastiorty  years.  By  an  Old  stager.  Glasgow.  Hedder- 
wick.      1866.      (4),   236   pp.  **T.58.5 

Same.     2d  edition.  **T.s8.6 

The  author's  name  has  been  found  since  this  title  was  entered  in  the  body  of 
the  catalogue. 

Mapleson,  James  Henry. 

The  Mapleson  memoirs.  1848-1R88.  London.  Remington  &  Co. 
1888.     2  V.     Portrait.  8045.74;  **M.37i.5i 

Record  of  his  work  in  operatic  management. 

Same.     Chicago.     Belford,   Clarke   &   Co.      1888.  8045-81 

Nathan,  George  Jean. 

The  popular  theatre.     New  York.     Knopf.     1918.     236  pp.       6257.309 

On  the  American  theatre  and  drama. 

Phelps,  William  Lyon. 

The  twentieth  century  theatre.  Observations  on  the  contemporary 
English  and  American  stage.  New  York.  The  Macmillan  Co. 
1918.     ix,    147   pp-  6257.310 

.       [950] 


BROWN   COLLECTION    OF   BOOKS    ON    THE   STAGE 


Pohle,  Hugo. 

B.  Pollini.  Eine  Beleuchtungsprolie  uiul  kulturliistorischc  Skizze. 
Hamburg.     1896.     74  pp.  **T.75.2oa 

Contains  much  about  the  StadtThcatcr. 

[Portraits  of  actors,  musicians,  artists,  writers,  and  other  pul)Iic  cliarac- 

ters,   chiefly   those  of  note   during  the   early   '70's.     571    cartc-de- 

visite   and    16  cabinet  photographs,   in   albums,      r.oston.      i«7-?l 

**T.53-25 
Rolland,  Romain. 

The   poeple's  theater.     Translated   from   the    French   by   Barrett    H. 

Clark.     New  York.     Holt  &  Co.     1918.    viii.  (i).  146  pp.    4677.104 

Refers  especially  to  the  theatre  in  France. 
Le    theatre    du    peuple:    essai    d'esthcticiue    d'un     theatre    nouvcau. 
Nouvelle  edition.     Paris.     Hachette  &  cie.     1913.     xii,  jj^  ])\). 

4677.97 

Bibliography,   pp.    217-221.      Refers    especially   to   the  theatre   in    Franc< 

Romney,  S.  W. 

The  adventures  of  an  actor;  or,  life  of  a  strolling  player.  fAnon.) 
London.     Dugdale.     [i86-?]     (i),  158  pp.     Illus.  **T.86.io 

This  book,  although  published  much  later,  is  really  based  on  "The  itinerant,  or 
memoirs  of  an  actor  written  by  S.  W.   Riley,  whose  real  name  was  Romney. 

Shakespeare-Album. 

Berlin.      Graf.      [18 — ?]      48   photographs.  **G.3952.I7 

Photographs  of  actors  in  Shakespearian  characters. 

Sharp,  Robert  Farquharson. 

A  short  history  of  the  English  stage  from  its  beginnings  to  the 
summer  of  the  year  1908.  London.  The  Walter  Scott  Publishing 
Co.,  Ltd.     1909.     (7),  355  pp.  6257.311 

Sims,  George  Robert. 

My  life.     Sixty  years'  recollections  of  Bohemian   London.     London. 
Eveleigh    Nash   Co.,   Ltd.      1917.     vii,  351    pp.      Portraits.      .Auto- 
graph facsimile.  45493.242 
Stopes,  Charlotte  Carmichael. 

Burbage  and  Shakespeare's  stage.  London.  Alexander  Moring,  Ltd. 
1913.     xvi,  272  pp.  4597-230 

Streubel,  E.  J. 

The  American  drama.     New  York.     1916.     7  pp.     Illus.  6252.128 

Reprinted  from  the  Branch  library  news,  New  York  Public  Library,  October,  1916. 

Taylor,  Laurette. 

"The  greatest  of  these ."    A  diary,  with  portraits  of  the  patriotic 

all-star  tour  of  "Out  there."     New  York.     George  H.  Dovan  Co. 
[1918.]      61   pp.     Portraits.     Autograph  facsimile.  *4395.226 

Tufts  College. 

[Programme  of]  The  first  pageant  of  the  Shepherds  (Towneley 
plays),  given  by  students  in  the  department  of  English,  Feb.  27. 
[Boston?]      1900.      (4)   pp.  6579.93 

Van  Vechten,  Carl. 

The  merry-go-round.  [Essays  on  music  and  the  modern  theatre.] 
New  York.     Knopf.     1918.     343  pp.  4049.446 

Vincent  Club,  Boston. 

The  Rajah's  daughter.  [Music  by  Susan  B.  Howe.  Libretto  by 
Isabel  C.  Lawrence.  Programme.  Boston.  1904-]  Portrait. 
Plates.  4352-87 

Walbrook,  Henry  Mackinnon. 

Nights  at  the  play.  London.  Ham-Smith.  191 1.  xiv,  (i).  2J3.  (') 
pp.     Portraits.  4579-26o 

Critical  reviews   which  originally  appeared   in  the   Pall  Mall  Gazette. 

[951] 


THE  PUBLIC  LIBRARY  OF  THE   CITY   OF  BOSTON 


Whitton,  Joseph. 

Wags  of  the  stage.  Edition  de  luxe.  Philadelphia.  Rigby.  1902. 
(11),  264  pp.     Portraits.  **T.55.i4l 

Contents.  —  The  author's  introduction. — Junius  Brutus  Booth. — John  Brougham. 
—  Peter  Richings.  • —  William  Rufus  Blake.  —  Edwin  Forrest.  —  William  E. 
Burton.  —  John  Drew.  —  William  J.  Florence.  —  "Mr.  Jones."  —  H.  L.  Bate- 
man.  —  Sam.  Hemple.  - —  P.  T.  Bamum.  —  Charles  M.  Barras.  —  Edward  A. 
Sothern.  —  James  Quin.  —  Samuel  Foote.  —  William  Wheatley  and  an  episode 
of  Nicaraguan  life. 
No.  198  of  an  edition  of  500  copies. 

Winter,  William. 

The  life  of  David  Belasco.  [With  a  preface  by  Jefferson  Winter.] 
New  York.  Moffat,  Yard  &  Co.  1918.  2  v.  Portraits.  Plates. 
Autograph  facsimiles.  *4343.276 

Contains  anecdotes  of  many  actors. 
Winter,  William  Jefferson,  compiler  and  editor. 

In  the  matter  of  William  Winter  and  the  New  York  Tribune,  As  to 
the  facts:  truth  versus  falsehood.  Staten  Island,  N.  Y.  1918. 
23  pp.  **T,52.i5 


THE    PUBLIC    LIBRARY    OF   THE    CITY    OF    BOSTON:    PRINTING    DEPARTMENT. 

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